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"content": "\u003cp>\u003cspan class=\"left\">\u003ca href=\"http://www.kqed.org/quest/television/view/888\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/sharkdrop.jpg\">\u003c/a>\u003c/span>Nobody likes moving. The packing, taping, lifting, shipping... it can be major hassle. But nobody's experience compares to what's going on at the California Academy of Sciences. They're moving to their \u003ca href=\"http://www.calacademy.org/academy/building/\" target=\"_blank\">new 400,000 square-foot building in Golden Gate Park\u003c/a> after three years in downtown San Francisco. But they've got a lot more to move than most people. Try 38,000 live animals and 20 million scientific specimens.\u003c/p>\n\u003cp>From fossils and gemstones to bird eggs and a stuffed Kodiak bear, it takes a lot of creativity to pack their collection. Everything seems to have special requirements. Their fish collection is made up of 200,000 jars - all filled with alcohol. And since it's a flammable liquid, they'll need a licensed hazmat driver to take it across town.\u003c/p>\n\u003cp>The live animals take extra care, of course. In this story, we followed the move of three black tip reef sharks. They hadn't been fed in a few days (so they wouldn't make any, um, deposits in their holding tank) and they weren't easy for the staff to catch, but they made it safely to their new exhibit. Even the largest of the three, F3 as she's known, made it ok, despite being a little groggy at first from too much oxygen.\u003c/p>\n\u003cp>As curator Bart Shepherd put it, their new Philippine Coral Reef Exhibit is a giant science experiment. The water for the 200,000 gallon tank comes straight from the Pacific Ocean through a four mile pipe. But most impressively, the Academy has been growing coral just for the exhibit. Just managing the water chemistry alone has been a major project, but now several dozen colonies of coral are happily planted in their new home.\u003c/p>\n\u003cp>Make sure to check out the audio slide show for this story to see how the new building is shaping up. And check out a few of the posts from QUEST science blogger Cat Aboudara, who is an Academy staff member, for more details on what it takes (\u003ca href=\"http://ww2.kqed.org/quest/2008/01/09/the-great-migration-cal-academy-moves-20-million-specimens-across-town/\" target=\"_blank\">here\u003c/a>, \u003ca href=\"http://ww2.kqed.org/quest/2007/10/03/coral-reefs-rain-forests-of-the-sea/\" target=\"_blank\">here \u003c/a>and \u003ca href=\"http://ww2.kqed.org/quest/2007/09/05/on-a-sea-of-green/\" target=\"_blank\">here\u003c/a>).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003ca href=\"http://www.kqed.org/quest/television/view/888\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/images/radio_icon_light.gif\">\u003c/a>\u003c/span>\u003ca href=\"http://www.kqed.org/quest/television/view/888\">Watch the \"Moving Day\" audio slide show\u003c/a> online, as well as find additional links and resources.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/imp/icon_lsommer.jpg\">\u003c/span>\u003cem>\u003cstrong>Lauren Sommer\u003c/strong> is an Associate Media Producer for QUEST.\u003c/em>\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 37.7697 -122.466\u003c/p>\n\n",
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"content": "\u003cp>\u003cstrong>A \"penguin suit\" doesn't just refer to a tuxedo anymore.\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/pierre2.jpg\">\u003cem>Why does Pierre, the Academy's 25-year-old penguin\u003cbr>\nneed a wetsuit?\u003c/em>\u003c/span>Thanks to an innovative treatment at \u003ca href=\"http://www.calacademy.org\">the California Academy of Sciences\u003c/a>. Pierre, the Academy's 25-year-old penguin was recently fitted with a wetsuit! Pierre's feathers were thinning and not growing back. Because penguins rely on their feathers for warmth, Pierre was often shivering and uncomfortable without the protection of his feathers. When medical tests concluded there was no medical reason for the feather loss and more conventional treatments proved unsuccessful, senior aquatic biologist & penguin handler, Pam Schaller came up with a more creative approach to keep Pierre warm.\u003c/p>\n\u003cp>Pam was very familiar with the warmth of wetsuits. She then mused why couldn't a wetsuit be designed for a penguin? She approached Academy veterinarian, Freeland Dunker with her left field idea. At first, he was dubious but after talking with Pam, he agreed it was worth a try as long as the wetsuit was fitted to insure it did more good than harm. In other words, as long as the wetsuit was fitted not to impede movement or cause rashes, it was worth a shot. Pam knew the best person to design a custom wetsuit would be Celeste Argel, the Early Childhood Specialist at the Academy, who is an excellent and creative seamstress. Celeste was asked to collaborate with Pam to develop and fit a wetsuit just Pierre's size.\u003c/p>\n\u003cp>But how do you go about designing a penguin wetsuit? The answer seems to be trial and error. Celeste sat down with me and went over the details about the unusual experience. The process from idea to creation required a great deal of patience and re-fitting.\u003c/p>\n\u003cp>\u003cspan class=\"right\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/penguin-patterns.jpg\">\u003c/span>Celeste, Pam and Pierre met several times in order to customize dimensions. The first fitting consisted of Pam restraining Pierre in order for Celeste to take measurements. From the start, Celeste marveled at the strength of Pierre. \"From far away,\" she commented, \"penguins just look so cute and cuddly but being up close gave me an appreciation for just how strong penguins really are.\" With measurements in hand, Celeste drafted up a pattern for the wetsuit and created the first prototype from white cotton bed linens.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On the second fitting, Celeste was faced with a new challenge - getting Pierre's flippers through the armhole. Pam wanted to keep the armholes as small as possible to maximize warmth. In doing so, Pierre's flippers had to be bent at the joint and folded in upon themselves in order to thread them though the armholes. While Pam again restrained Pierre, Celeste applied pressure at the joint to fold his wings. \"It was amazing and scary to fold up Pierre's flipper. I wanted to make sure I wasn't hurting him but to fold his flipper required a bit of pressure at the joint,\" Celeste related. With the prototype on, Celeste was able to use a marker and note where the suit had to be taken in or taken out to make Pierre more comfortable. And then again, it was back to the drawing board.\u003c/p>\n\u003cp>A few more fittings took place to streamline the suit and to ensure that Pierre's flippers had full mobility. Then Velcro was added to the back of the suit. Pierre was let loose in the penguin enclosure to see how he moved. Both Celeste and Pam sat down to watch his movements and observed where the fabric was bunching. Pierre seemed to be adjusting to his suit quite well but the other penguins, new to a mostly white Pierre, started poking and prodding to investigate the newly adorned bird. Because of the interest from the other birds, the session in the suit only lasted a few minutes. Celeste changed the color of the prototype to a dark brown to see if the other penguins would respond differently and they did. They accepted Pierre with a dark physique. More sessions in the new prototype followed and when Pierre jumped into the water and swam around with the suit on, Celeste and Pam knew it was time for the neoprene fitting.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/penguin-patterns2.jpg\">\u003c/span>Celeste conducted research to see how neoprene would act differently than cotton. From her research, she concluded that the whole suit would have to be taken in at least an inch because of the give of the material. However, Celeste didn't have a machine to sew neoprene effectively so Pam asked Oceanic Worldwide, who supplied wetsuits to the human staff at the Academy, to manufacture a neoprene suit. Pam delivered the working prototype and the patterns to Oceanic who agreed to donate their time and materials. \"We were really excited to do it,\" said Teo Tertel, company marketing specialist. \"We heard most of these penguins only live to 20, and our little buddy there was already 25. Anything we could do to help them, we were all for it.\"\u003c/p>\n\u003cp>When the suit from Worldwide was delivered, it still wasn't quite ready. The neoprene suit fit differently than expected and had to be re-fitted all over again. However neoprene can be glued instead of sewn so it was a matter of trying the suit on Pierre, marking where it didn't fit snugly and adjusting. \"I would walk behind him and look at where there were any gaps, and cut and refit and cut and refit until it looked like it was extremely streamlined,\" Pam remarked on the final alterations. There were hiccups with a penguin being in a wetsuit for the first time and being curious about the Velcro and tabs. So nothing was left unaltered for Pierre's comfort and mobility.\u003c/p>\n\u003cp>With all the alterations finally done, a final set of patterns was delivered to Oceanic Worldwide and they again donated their time to manufacture the final wetsuit for Pierre. All the hard work paid off for all involved when Pierre became warm again. It was a huge bonus when he also started to gain weight and his feathers began to grow back. The goal of designing the wetsuit for Pierre was to keep him comfortable and warm and the custom suit worked much better than expected. Having Pierre happy and healthy without the further need of the wetsuit was a perfect outcome for a very unusual treatment.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/imp/icon_cata.jpg\">\u003c/span>\u003cem>\u003cstrong>Cat Aboudara\u003c/strong> is the Special Projects Manager at \u003ca href=\"http://www.calacademy.org\">California Academy of Sciences\u003c/a> and works in the public programs division. The Academy is a wonderful fit for her because of her curiosity about the natural world and her experience in working with native California wildlife.\u003c/em>\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> 37.7697 -122.466\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>A \"penguin suit\" doesn't just refer to a tuxedo anymore.\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/pierre2.jpg\">\u003cem>Why does Pierre, the Academy's 25-year-old penguin\u003cbr>\nneed a wetsuit?\u003c/em>\u003c/span>Thanks to an innovative treatment at \u003ca href=\"http://www.calacademy.org\">the California Academy of Sciences\u003c/a>. Pierre, the Academy's 25-year-old penguin was recently fitted with a wetsuit! Pierre's feathers were thinning and not growing back. Because penguins rely on their feathers for warmth, Pierre was often shivering and uncomfortable without the protection of his feathers. When medical tests concluded there was no medical reason for the feather loss and more conventional treatments proved unsuccessful, senior aquatic biologist & penguin handler, Pam Schaller came up with a more creative approach to keep Pierre warm.\u003c/p>\n\u003cp>Pam was very familiar with the warmth of wetsuits. She then mused why couldn't a wetsuit be designed for a penguin? She approached Academy veterinarian, Freeland Dunker with her left field idea. At first, he was dubious but after talking with Pam, he agreed it was worth a try as long as the wetsuit was fitted to insure it did more good than harm. In other words, as long as the wetsuit was fitted not to impede movement or cause rashes, it was worth a shot. Pam knew the best person to design a custom wetsuit would be Celeste Argel, the Early Childhood Specialist at the Academy, who is an excellent and creative seamstress. Celeste was asked to collaborate with Pam to develop and fit a wetsuit just Pierre's size.\u003c/p>\n\u003cp>But how do you go about designing a penguin wetsuit? The answer seems to be trial and error. Celeste sat down with me and went over the details about the unusual experience. The process from idea to creation required a great deal of patience and re-fitting.\u003c/p>\n\u003cp>\u003cspan class=\"right\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/penguin-patterns.jpg\">\u003c/span>Celeste, Pam and Pierre met several times in order to customize dimensions. The first fitting consisted of Pam restraining Pierre in order for Celeste to take measurements. From the start, Celeste marveled at the strength of Pierre. \"From far away,\" she commented, \"penguins just look so cute and cuddly but being up close gave me an appreciation for just how strong penguins really are.\" With measurements in hand, Celeste drafted up a pattern for the wetsuit and created the first prototype from white cotton bed linens.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the second fitting, Celeste was faced with a new challenge - getting Pierre's flippers through the armhole. Pam wanted to keep the armholes as small as possible to maximize warmth. In doing so, Pierre's flippers had to be bent at the joint and folded in upon themselves in order to thread them though the armholes. While Pam again restrained Pierre, Celeste applied pressure at the joint to fold his wings. \"It was amazing and scary to fold up Pierre's flipper. I wanted to make sure I wasn't hurting him but to fold his flipper required a bit of pressure at the joint,\" Celeste related. With the prototype on, Celeste was able to use a marker and note where the suit had to be taken in or taken out to make Pierre more comfortable. And then again, it was back to the drawing board.\u003c/p>\n\u003cp>A few more fittings took place to streamline the suit and to ensure that Pierre's flippers had full mobility. Then Velcro was added to the back of the suit. Pierre was let loose in the penguin enclosure to see how he moved. Both Celeste and Pam sat down to watch his movements and observed where the fabric was bunching. Pierre seemed to be adjusting to his suit quite well but the other penguins, new to a mostly white Pierre, started poking and prodding to investigate the newly adorned bird. Because of the interest from the other birds, the session in the suit only lasted a few minutes. Celeste changed the color of the prototype to a dark brown to see if the other penguins would respond differently and they did. They accepted Pierre with a dark physique. More sessions in the new prototype followed and when Pierre jumped into the water and swam around with the suit on, Celeste and Pam knew it was time for the neoprene fitting.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/05/penguin-patterns2.jpg\">\u003c/span>Celeste conducted research to see how neoprene would act differently than cotton. From her research, she concluded that the whole suit would have to be taken in at least an inch because of the give of the material. However, Celeste didn't have a machine to sew neoprene effectively so Pam asked Oceanic Worldwide, who supplied wetsuits to the human staff at the Academy, to manufacture a neoprene suit. Pam delivered the working prototype and the patterns to Oceanic who agreed to donate their time and materials. \"We were really excited to do it,\" said Teo Tertel, company marketing specialist. \"We heard most of these penguins only live to 20, and our little buddy there was already 25. Anything we could do to help them, we were all for it.\"\u003c/p>\n\u003cp>When the suit from Worldwide was delivered, it still wasn't quite ready. The neoprene suit fit differently than expected and had to be re-fitted all over again. However neoprene can be glued instead of sewn so it was a matter of trying the suit on Pierre, marking where it didn't fit snugly and adjusting. \"I would walk behind him and look at where there were any gaps, and cut and refit and cut and refit until it looked like it was extremely streamlined,\" Pam remarked on the final alterations. There were hiccups with a penguin being in a wetsuit for the first time and being curious about the Velcro and tabs. So nothing was left unaltered for Pierre's comfort and mobility.\u003c/p>\n\u003cp>With all the alterations finally done, a final set of patterns was delivered to Oceanic Worldwide and they again donated their time to manufacture the final wetsuit for Pierre. All the hard work paid off for all involved when Pierre became warm again. It was a huge bonus when he also started to gain weight and his feathers began to grow back. The goal of designing the wetsuit for Pierre was to keep him comfortable and warm and the custom suit worked much better than expected. Having Pierre happy and healthy without the further need of the wetsuit was a perfect outcome for a very unusual treatment.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/imp/icon_cata.jpg\">\u003c/span>\u003cem>\u003cstrong>Cat Aboudara\u003c/strong> is the Special Projects Manager at \u003ca href=\"http://www.calacademy.org\">California Academy of Sciences\u003c/a> and works in the public programs division. The Academy is a wonderful fit for her because of her curiosity about the natural world and her experience in working with native California wildlife.\u003c/em>\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>And live in an aquarium in my living room?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/04/clownfish.jpg\">\u003c/span>A fish tank calms my nerves. A fish tank connects me to the sea. A fish tank brings peacefulness into my hectic world. These are the words of marine aquarium owners. The lure of a tropical fish tank is clear: they are mesmerizing and colorful, they are relaxing to gaze at and they bring real sea creatures right into one's home. In fact, between 1.5 and 2 million people worldwide feel this way, and keep marine aquariums, including 800,000 households in the United States alone.1,471 species of fish are traded worldwide, with global trade ranging between 20 and 24 million individual fish annually.\u003c/p>\n\u003cp>Unfortunately, not enough aficionados of tropical fish know how these beautiful beings got to their local tropical fish store. Fewer than 10% of the fish are captive-bred, meaning most are collected from their coral reef habitats off of places such as Indonesia.\u003c/p>\n\u003cp>Most collectors are men from small villages, who make mere pennies on their catches. Though they sometimes use nets and their own hands, often they employ squirt bottles full of cyanide. As a result of cyanide use, mortality rates of captured fish are between 5% and 75% within hours of collection, with 20% to 50% of survivors dying soon thereafter. Of those that survive the collection process, another 30% on average die prior to export. Collection using cyanide results in an overall survival rate of less than 1 in 10 fish, at best, and often produces 100% mortality.\u003c/p>\n\u003cp>For those that make it out of their country of origin and onto a plane, eight out of ten will die en route from lack of oxygen, stale water and trauma. For U.S. export, most of these bagged fish are sent to \"fish row\" in Los Angeles where they are distributed to fish supply stores all over the country.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The good news is that once tropical fish collectors know more, they tend to act. More and more collectors are asking suppliers about their collection techniques and making informed decisions. Reef Project International is a project of Earth Island Institute (and the supplier of most of this information). They have created a Reef Fish Guide for the aquamarine hobbyist that lets them know if a particular fish falls under \"Take it Home\" or \"Keep it Wild\". The guide is available at (\u003ca href=\"http://www.reefprotect.org/\">www.reefprotect.org\u003c/a>). The hope is that when consumers demand sustainable and humane tropical fish, suppliers will respond, and fish and their habitats will benefit.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>By the way, Clownfish, like Nemo, are one of the few species that can be captive-bred. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/imp/icon_amyg.jpg\">\u003c/span>\u003cem>\u003cstrong>Amy Gotliffe\u003c/strong> is Conservation Manager at \u003ca href=\"http://www.oaklandzoo.org\" target=\"_blank\" title=\"The Oakland Zoo\">The Oakland Zoo\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 37.7772 -122.166595\u003c/p>\n\n",
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"content": "\u003cp>\u003cspan class=\"left\">\u003ca href=\"http://www.kqed.org/quest/television/view/843\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/04/specimens.jpg\">\u003c/a>\u003c/span>It's rather mind-boggling to walk into the storage rooms at \u003ca href=\"http://mvz.berkeley.edu/\" target=\"_blank\">UC Berkeley's Museum of Vertebrate Zoology\u003c/a>. The rooms hold all manner of skulls, skeletons, pelts, and entire specimens that are intact in jars and drawers. I was there with Gabriela Quirós, the producer of the QUEST story \u003ca href=\"http://www.kqed.org/quest/television/view/843\" target=\"_blank\">\"Resurveying California's Wildlife – 100 Years Later\"\u003c/a>. The Museum is generally not open to the public, except on Cal Day, which is the University's annual open house celebration. Monica Albe, the Museum's bubbly Senior Museum Scientist, accompanied by her equally enthusiastic fellow scientist, Allison Shultz, gave us a tour.\u003c/p>\n\u003cp>The Museum contains over 640,000 specimens of amphibians, reptiles, birds and mammals and 50,000 tissue samples that have been specially preserved since the turn of the last century. It's considered to be the largest university museum collection of its kind in the country. While it may even seem a bit disconcerting at first to see this enormous collection-- especially the specimens that have been stuffed to be appear more life-like-- the historical importance of the collection is tremendously significant.\u003c/p>\n\u003cp>Many of the specimens were collected in the early 1900's by the Museum's first Director, \u003ca href=\"http://mvz.berkeley.edu/Grinnell.html\" target=\"_blank\">Dr. Joseph Grinnell\u003c/a>, a zoologist who realized how quickly the environment was changing under the influence of human civilization. He set out to meticulously document various regions in California by amassing specimens and creating field notes, photographs, maps, letters and other archival materials. Grinnell understood how valuable this information would be in the years to come to future generations who wanted to learn more about our ever-evolving landscape. Present-day scientists are able to utilize this information for climate change research and can even extract DNA to perform genetic tests.\u003c/p>\n\u003cp>Monica is the Museum's preparator and oversees its Specimen Preparation Laboratory for UC Berkeley students. Veterinary hospitals or park employees donate specimens for her and her students to work on and she has a special license that allows her to collect any roadkill that she finds. The Museum usually preps specimens in three ways in order for scientists to have several options of study available to the: anatomy and biology (specimens that are prepared with taxidermy methods), skeletons, and entire specimens preserved in fluid. Monica even has a collection of \u003ca href=\"http://en.wikipedia.org/wiki/Dermestidae\" target=\"_blank\">dermestid beetles\u003c/a> that help to completely clean the skeletons.\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003ca href=\"http://www.kqed.org/quest/television/view/843\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/images/tv_icon_light.gif\">\u003c/a>\u003c/span>Watch the \u003ca href=\"http://www.kqed.org/quest/television/view/843\">\"Resurveying California's Wildlife 100 Years Later\" TV Story \u003c/a> online, as well as find additional links and resources. Don't forget to \u003ca href=\"http://www.flickr.com/photos/kqedquest/sets/72157604000266350/\" target=\"_blank\">see the behind-the-scenes photos\u003c/a> from this story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cem>\u003cstrong>Jenny Oh\u003c/strong> is an Associate Producer for QUEST on KQED Television.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cbr clear=\"all\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 37.8642 -122.286\u003c/p>\n\n",
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"disqusTitle": "Hug-a-helix: celebrate DNA Day, April 25th",
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"content": "\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2008/04/blog_semdna.jpg\">\u003cem>DNA magnified 850,000 times through a scanning electron\u003cbr>\nmicroscope\u003cbr>\n\u003c/em>\u003c/span>\u003ca href=\"http://www.genome.gov/10506367\">DNA day\u003c/a> is coming up on Friday April 25th. This annual celebration of genetics and genomics was set up in 2003 to commemorate the sequencing of the human genome and the 50th anniversary of the solving of the structure of DNA.DNA day was thought of as an opportunity for teachers, students, and the general public to learn about DNA. And to have fun with it.\u003c/p>\n\u003cp>This should be a chance to pull DNA out of beef, \u003ca href=\"http://www.thetech.org/genetics/medicine.php\">strawberries\u003c/a>, kumquats or even yourself and learn that you have around 100 billion miles* of DNA inside of you. In case you're interested, that'll reach from the Earth to Pluto and back when Pluto is farthest from Earth. And that is one person's DNA.\u003c/p>\n\u003cp>Add up everyone's DNA in the world and you get 125 million light years of DNA. (At least I think you do... these numbers are getting ridiculous!) That'll get us to the galaxy Andromeda and back 25 times. Add up all the DNA on Earth and... OK, that's probably enough of that.\u003c/p>\n\u003cp>There isn't just a lot of the stuff but it is amazing to me \u003ca href=\"http://ww2.kqed.org/quest/2008/03/17/explosive-hypothesis-about-humans-lack-of-genetic-diversity/\">how similar all human DNA is\u003c/a>. The latest estimates are that people are around 99.5% the same at the DNA level. That means that all those light years of DNA are mostly the same old thing just copied over and over.\u003c/p>\n\u003cp>Notice the mostly. With 6 billion letters of code in every person, a 0.5% difference means 30 million differences between you and me. It is these differences that make me look different than you. And to a varying degree, make me act differently than you.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This code doesn't work in a vacuum either. The environment can change how it works which is a big reason \u003ca href=\"http://www.thetech.org/genetics/ask.php?id=142\">identical twins aren't really identical\u003c/a>. And one of the reasons why it is so hard to figure out the genetics of complicated diseases like diabetes or heart disease.\u003c/p>\n\u003cp>Our DNA also changes with time. Things in the environment might damage it. Or our own cells can make mistakes when they make copies of themselves. What this means is that today's light years of human DNA will be different than the same stretched out DNA in 100 years.\u003c/p>\n\u003cp>This also means that you have some cells in your body have different DNA than the rest of your cells. And if a DNA change happens in sperm or egg cells, then they are passed on to the next generation. Which is where all the wonderful diversity around us originally came from.\u003c/p>\n\u003cp>As you can see, there is a lot about DNA to celebrate. It is huge and mysterious and we're just starting to get a good grasp on what it is all about.\u003c/p>\n\u003cp>I plan to spend the morning of DNA day at The Tech Museum in San Jose exciting kids (and hopefully some adults) about DNA by running five different hands on genetics programs all at once. It'll be a blast!\u003c/p>\n\u003cp>I have searched high and low for a list of DNA day activities here in the bay area but I haven't come across any. Does anyone know about other DNA day celebrations here in the bay area?\u003c/p>\n\u003cp>\u003cem>* Each cell has 6 feet of DNA and we are made up of around 50-100 trillion cells.\u003c/em>\u003c/p>\n\u003cp>\u003cspan class=\"left\">\u003cimg src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/imp/icon_barry.jpg\">\u003c/span>\u003cem>\u003cstrong>Dr. Barry Starr\u003c/strong> is a Geneticist-in-Residence at \u003ca href=\"http://www.thetech.org\">The Tech Museum of Innovation\u003c/a> in San Jose, CA.\u003c/em>\u003cbr>\n\u003cbr clear=\"all\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> 37.332 -121.903\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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