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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It culminated in a press conference with city government and LAPD Police Chief Charlie Beck, which you should watch below.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EDCN67NQ5Ag'\n title='//www.youtube.com/embed/EDCN67NQ5Ag'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The rappers join a growing legion of music's heavy-hitters who responded to the week's violence on social media and through song.\u003c/p>\n\u003cp>Queen \u003cstrong>Beyoncé \u003c/strong>posted a \u003ca href=\"http://www.beyonce.com/\" target=\"_blank\">powerful missive to her website\u003c/a> July 7, reading, in part, \"We don't need sympathy. We need everyone to respect our lives.\" The message encouraged readers to click through to contact their representatives in Congress to protest the killings of Alton Sterling and Philando Castile.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>Jay Z\u003c/strong>, meanwhile, the other half of music's biggest power couple, released a new song called \"Spiritual\" on Tidal today, July 8. It features lyrics referencing police violence and the pain of trying to raise a young black daughter in an unjust world, with an accompanying note that reads, in part, \"I’m saddened and disappointed in THIS America - we should be further along. WE ARE NOT.\" \u003ca href=\"http://tidal.com/us/jayz\" target=\"_blank\">Read and listen here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Miguel \u003c/strong>also chose to express himself musically, releasing a track called \"How Many,\" with lyrics like \"How many black lives / how many heartbeats turned into flatlines / how many black lives does it take to wake a change...we can't let them die in vain.\" Listen below.\u003c/p>\n\u003cp>https://soundcloud.com/miguel/how-many-ruff-1\u003c/p>\n\u003cp>\u003cstrong>Drake\u003c/strong> wrote a personal open letter on Instagram:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>And here at home, Oakland's own \u003cstrong>Mistah FAB\u003c/strong> dropped \u003ca href=\"http://ww2.kqed.org/pop/2016/07/07/bay-area-rap-veteran-mistah-f-a-b-responds-to-police-shootings-with-6-shots/\" target=\"_blank\">a song directly referencing Alton Sterling\u003c/a>, called \"6 Shots,\" as we covered yesterday.\u003c/p>\n\u003cp>https://soundcloud.com/mistahfab/6-shots\u003c/p>\n\u003cp>We'll update this post as more songs and responses roll in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Due to the space-time continuum and physics and stuff, we will all \u003ca href=\"http://media.giphy.com/media/tuY8ESmFTMxlm/giphy.gif\">wake up one day\u003c/a> and something will alert us to a \u003ca href=\"http://www.breatheheavy.com/wp-content/uploads/2015/09/spice-girls_scream.gif\">distressing\u003c/a> bit of news: \u003ca href=\"http://images6.fanpop.com/image/photos/32600000/Freaky-Friday-freaky-friday-32605392-245-220.gif\">we are old\u003c/a>. Maybe it's finding that first white hair or changing your bedtime to 10pm or not being able to drink without a hangover. Or maybe it's a post telling you that the Spice Girls' \"Wannabe\" is on the verge of being old enough to legally drink in this country.\u003c/p>\n\u003cp>It feels like only yesterday that we were all \u003ca href=\"http://www.kittynpink.com/wp-content/uploads/2010/09/spice_girls_lollipops_003.png\">chomping down on those Chupa-Chups\u003c/a>, inadvertently becoming girl power feminists, and fighting over who got to be which Spice Girl (\u003ca href=\"https://img.buzzfeed.com/buzzfeed-static/static/2014-01/enhanced/webdr07/22/18/enhanced-buzz-20417-1390432166-18.jpg\">even Aaliyah and Nicole Richie got in on this\u003c/a>), yet here we are all elderly, still in love with this song. But no matter; all it takes is watching the music video that started it all to feel young again. Take a little time to zigazig-ah (and wonder how they got away with so many nipples in this video):\u003c/p>\n\u003cp>http://youtu.be/gJLIiF15wjQ\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/07/08/wannabe-turns-18-today-and-youve-never-been-older/melb/\" rel=\"attachment wp-att-12804\">\u003cimg class=\"aligncenter size-full wp-image-12804\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/07/MELB.gif\" alt=\"MELB\" width=\"383\" height=\"288\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update:\u003c/strong> \u003c/em>Three of the Spice Girls seized the anniversary as an opportunity to tease a possible reunion, under the name GEM.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QxZPC55SpmY\u003c/p>\n\u003cp>And, while we're waiting for that to shake out, you could do a lot worse than to watch this recently women's rights-focused remix video, produced by the Global Goals movement.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sZQ2RUFd54o\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>In the last 48 hours, two different black men in two different American cities have been shot to death by police officers, with both killings captured on horrifying, heart-wrenching video. Their names were Alton Sterling and Philando Castile.\u003c/p>\n\u003cp>Institutional racism in this country is nothing new, of course. The presence of easily accessible hand-held recording devices and the reach of social media, in the grand scheme of things, are. It's only the shock waves that feel bigger. I'm trying to keep that close to the surface. No black person in America is actually surprised right now.\u003c/p>\n\u003cp>It makes sense, then, that a combination of deeply justified fury and resignation permeates \"6 Shots,\" a new track that Bay Area hip-hop legend (and unofficial mayor of North Oakland) Mistah F.A.B. dropped this morning.\u003c/p>\n\u003cp>https://soundcloud.com/mistahfab/6-shots/\u003c/p>\n\u003cp>Its lyrics are unambiguous -- referencing Alton Sterling being killed while selling CDs in front of a corner store, his son crying on TV, Jesse Williams' \u003ca href=\"http://ww2.kqed.org/pop/2016/06/27/watch-jesse-williams-on-black-lives-equal-rights-and-freedom/\" target=\"_blank\">recent speech\u003c/a> at the BET Awards, as well as Freddie Gray, Sandra Bland and Oscar Grant -- with an especially raw plea to black people working in law enforcement.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"What got me hot is there ain't no black cops speakin' out/coulda been your son, coulda been your daughter out there bleedin' out/tell me what good is having arms if you ain't reachin' out/tell me what good is having a tongue if you ain't speakin' out/you see there's power in the people they don't speak about/you see the power in the people is what I speak about.\"\u003c/p>\n\u003cp>The song ends with a sample of words by \u003ca href=\"http://www.independent.co.uk/news/world/americas/alton-sterling-shooting-louisiana-nakia-jones-black-police-officer-take-uniform-off-facebook-video-a7124801.html\" target=\"_blank\">Nakia Jones, a black police officer who did speak out\u003c/a> against her colleagues' silence in the wake of the Alton Sterling shooting.\u003c/p>\n\u003cp>In other local rap news, E-40 posted this on Instagram this morning:\u003c/p>\n\u003cp>https://www.instagram.com/p/BHkcPSCj971/?taken-by=e40&hl=en\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Elsewhere, Solange posted this video:\u003c/p>\n\u003cp>https://www.instagram.com/p/BHkPyG-AUHI/?taken-by=saintrecords\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>And Drake put this up yesterday:\u003c/p>\n\u003cp>https://www.instagram.com/p/BHim8QWjFTx/?taken-by=champagnepapi&hl=en\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>That being the case, it's interesting how, as of this writing, the only \"trending\" story Facebook is showing me that's related to these shootings is this:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-29252 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/mackle-e1467920488785.png\" width=\"305\" height=\"58\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>That being the case, it's interesting how, as of this writing, the only \"trending\" story Facebook is showing me that's related to these shootings is this:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-29252 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/mackle-e1467920488785.png\" width=\"305\" height=\"58\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The 2016 presidential election seems to have brought celebrities out of the woodwork and into\u003ca href=\"http://ww2.kqed.org/pop/2015/08/24/wanna-vote-like-your-favorite-musicians-heres-how/\" target=\"_blank\"> the endorsement game\u003c/a> like never before -- or maybe it's just that social media has made the appearance of political engagement way easier. While in days past one had to actually show up to rallies, mention a candidate's name in interviews, and so on, voicing support for the politico of your choice is now simply a retweet button away.\u003c/p>\n\u003cp>And yet: Some celebs are carefully, pointedly staying out of the fray. Dolly Parton, for example -- she of iconic voice, sky-high hair and ample cleavage -- was quick to clarify her stance this week when a comment she made about supporting a \"woman in the White House\" was apparently misinterpreted.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/DollyParton/posts/10153876144694755\" target=\"_blank\">Per Facebook\u003c/a>:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FDollyParton%2Fposts%2F10153876144694755&width=500\" width=\"500\" height=\"275\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Now, a few things here. For one, it's kind of refreshing to know that the 70-year-old Ms. Parton, in the midst of a months-long national tour, is doing her own social media. (No intern wrote that. Come on.) More importantly, I'll admit that this post provoked some mixed feelings for me -- if there's one thing female politicians don't need in the last lap of a historic bid for the presidency, it's more mentions of boobs and PMS as women's defining characteristics. Not to mention: Dolly. You \u003cem>really\u003c/em> don't know what side you're on at this point? They're pretty different sides, folks. Do some reading.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On the other hand, this is savvy, savvy, \u003cem>savvy\u003c/em>, and Dolly Parton would not be where she is today -- i.e., universally beloved by man woman and child -- without this kind of commitment to folksy neutrality. This is deceptively simple yet suave deescalation, served with a self-aware wink and a side of heavy mascara. Dolly Parton is a country legend, and to out herself as either a Republican or a Democrat would be hugely isolating to a vast portion of her fanbase. She is a consummate businesswoman. She knows her brand. It ain't political endorsements.\u003c/p>\n\u003cp>Lastly, raise your hand if you'd legitimately vote for Dolly Parton to run the country. Think about why or why not and exactly how silly or not silly a concept it is. I'd argue: Not much sillier than\u003ca href=\"https://www.youtube.com/watch?v=ArbNWI2MilA\" target=\"_blank\"> these two running Minnesota and California\u003c/a>.\u003c/p>\n\u003cp>And hey, bonus: She could sing the national anthem herself.\u003c/p>\n\u003cp>\u003cem>Dolly Parton plays\u003ca href=\"http://www.livenation.com/events/562490-sep-24-2016-dolly-parton-pure-simple-tour\" target=\"_blank\"> the Shoreline Sept. 24\u003c/a>, if you're still looking to use up those \u003ca href=\"http://ww2.kqed.org/arts/2016/06/21/ticketmasters-settlement-offer-of-free-concerts-is-looking-like-a-disaster/\" target=\"_blank\">Ticketmaster freebies\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The 2016 presidential election seems to have brought celebrities out of the woodwork and into\u003ca href=\"http://ww2.kqed.org/pop/2015/08/24/wanna-vote-like-your-favorite-musicians-heres-how/\" target=\"_blank\"> the endorsement game\u003c/a> like never before -- or maybe it's just that social media has made the appearance of political engagement way easier. While in days past one had to actually show up to rallies, mention a candidate's name in interviews, and so on, voicing support for the politico of your choice is now simply a retweet button away.\u003c/p>\n\u003cp>And yet: Some celebs are carefully, pointedly staying out of the fray. Dolly Parton, for example -- she of iconic voice, sky-high hair and ample cleavage -- was quick to clarify her stance this week when a comment she made about supporting a \"woman in the White House\" was apparently misinterpreted.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/DollyParton/posts/10153876144694755\" target=\"_blank\">Per Facebook\u003c/a>:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FDollyParton%2Fposts%2F10153876144694755&width=500\" width=\"500\" height=\"275\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Now, a few things here. For one, it's kind of refreshing to know that the 70-year-old Ms. Parton, in the midst of a months-long national tour, is doing her own social media. (No intern wrote that. Come on.) More importantly, I'll admit that this post provoked some mixed feelings for me -- if there's one thing female politicians don't need in the last lap of a historic bid for the presidency, it's more mentions of boobs and PMS as women's defining characteristics. Not to mention: Dolly. You \u003cem>really\u003c/em> don't know what side you're on at this point? They're pretty different sides, folks. Do some reading.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the other hand, this is savvy, savvy, \u003cem>savvy\u003c/em>, and Dolly Parton would not be where she is today -- i.e., universally beloved by man woman and child -- without this kind of commitment to folksy neutrality. This is deceptively simple yet suave deescalation, served with a self-aware wink and a side of heavy mascara. Dolly Parton is a country legend, and to out herself as either a Republican or a Democrat would be hugely isolating to a vast portion of her fanbase. She is a consummate businesswoman. She knows her brand. It ain't political endorsements.\u003c/p>\n\u003cp>Lastly, raise your hand if you'd legitimately vote for Dolly Parton to run the country. Think about why or why not and exactly how silly or not silly a concept it is. I'd argue: Not much sillier than\u003ca href=\"https://www.youtube.com/watch?v=ArbNWI2MilA\" target=\"_blank\"> these two running Minnesota and California\u003c/a>.\u003c/p>\n\u003cp>And hey, bonus: She could sing the national anthem herself.\u003c/p>\n\u003cp>\u003cem>Dolly Parton plays\u003ca href=\"http://www.livenation.com/events/562490-sep-24-2016-dolly-parton-pure-simple-tour\" target=\"_blank\"> the Shoreline Sept. 24\u003c/a>, if you're still looking to use up those \u003ca href=\"http://ww2.kqed.org/arts/2016/06/21/ticketmasters-settlement-offer-of-free-concerts-is-looking-like-a-disaster/\" target=\"_blank\">Ticketmaster freebies\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "How Amber Rose Became an Unlikely Feminist Icon",
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"content": "\u003cp>Late last week, Kanye West's new video for \"Famous\" emerged on Tidal. In it, the rapper is seen lying in bed alongside the naked, unconscious bodies of an array of celebrities (or at least models of them), including Taylor Swift, Donald Trump, Rihanna, Bill Cosby, Ray J and Caitlyn Jenner. The concept, loosely based on a 2008 painting by \u003ca href=\"http://www.wmagazine.com/culture/2016/06/kanye-west-famous-video-artist-vincent-desiderio-reaction/\" target=\"_blank\" rel=\"noopener noreferrer\">Vincent Desiderio, titled \"Sleep,\"\u003c/a> is being praised as art in some corners and critiqued for being both violating and in poor taste in others.\u003c/p>\n\u003cp>Lena Dunham, in a scathing \u003ca href=\"https://www.facebook.com/lenadunham/posts/1756770211270449\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook post\u003c/a>, wrote: \"At the same time Brock Turner is getting off with a light tap for raping an unconscious woman and photographing her breasts for a group chat... Now I have to see the prone, unconscious, waxy bodies of famous women, twisted like they've been drugged and chucked aside at a rager?\"\u003c/p>\n\u003cp>[aside postid='pop_85983']Significantly, one of the fake bodies in the video is that of Amber Rose, who was Kanye West's girlfriend between 2008 and 2010. It is yet another proverbial slap in Rose's face, following the incident last year when West announced \u003ca href=\"http://www.people.com/article/kanye-west-disses-amber-rose\" target=\"_blank\" rel=\"noopener noreferrer\">on a radio show\u003c/a> that \"It's very hard for a woman to want to be with someone that's [been] with Amber Rose ... I had to take 30 showers before I got with Kim.\"\u003c/p>\n\u003cp>Rose didn't fare any better after she and husband Wiz Khalifa split. Ignoring the fact that their child would undoubtedly one day hear it, Khalifa dissed her in his 2015 track, \"For Everybody,\" rapping: \"I fell in love with a stripper / Funny thing is I fell back out of love quicker / They don't pay attention to the love anyway / They only concerned with what the haters say.\"\u003c/p>\n\u003cp>The following January, in the middle of a Twitter spat between the two rappers, Kanye \u003ca href=\"http://www.tmz.com/2016/01/27/kanye-west-wiz-khalifa-twitter-beef/\" target=\"_blank\" rel=\"noopener noreferrer\">West ranted\u003c/a> that Khalifa had \"let a stripper trap\" him, and even went so far as to say that \"You wouldn't have a child if it wasn't for me.... I own your child!!!!\" The obvious implication being that Amber Rose wouldn't be famous if it wasn't for Kanye, and if she wasn't famous, she never would've met Wiz Khalifa.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Both are impossible to know, of course. Rose is, after all, an unforgettable-looking woman, one who had been making a name for herself as a video and print model before Kanye had even met her. (He went out of his way to get an introduction after her striking appearance in the \"\u003ca href=\"https://www.youtube.com/watch?v=Dtzf60_XaOg\" target=\"_blank\" rel=\"noopener noreferrer\">What Them Girls Like\u003c/a>\" video by Ludacris.) As it stands, it is true that real, paparazzi-level celebrity only arrived on Rose's doorstep when Kanye did, and then her relationship with Khalifa kept her in the spotlight as a trophy wife until their split in 2014. During this time, Rose tried her hand at everything from \u003ca href=\"https://www.youtube.com/watch?v=sdCitnOFNOo\" target=\"_blank\" rel=\"noopener noreferrer\">music\u003c/a> and random \u003ca href=\"https://www.youtube.com/watch?v=J_rX9P3zJ4A\" target=\"_blank\" rel=\"noopener noreferrer\">reality TV\u003c/a> guest spots, to a \u003ca href=\"http://www.mtv.com/news/2520909/rose-and-ono/\" target=\"_blank\" rel=\"noopener noreferrer\">clothing line\u003c/a>—all with limited success.\u003c/p>\n\u003cp>Rose appeared, for years, like a genetically-blessed celebrity girlfriend who had little to offer the world other than her stunning style and penchant for fueling gossip. So it's ironic that Rose seemingly only found her footing and her calling once she was single and after she'd been raked over the coals in public one too many times. In the last two years, Amber Rose hasn't just landed on her feet, she's strapped some spiky high-heeled boots on those suckers and trampled over every hater in her vicinity, in an unflinchingly defiant manner.\u003c/p>\n\u003cp>The shift started when she showed up to 2015's VMAs \u003ca href=\"http://www.eonline.com/eol_images/Entire_Site/2015730/rs_634x1024-150830164545-634.blac-amber.cm.82015.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">wearing a body suit\u003c/a> covered in female-specific insults. At Rose's side was Blac Chyna wearing a matching dress. \"GOLD DIGGER,\" \"BITCH,\" \"WHORE,\" \"STRIPPER,\" \"HOE,\" their outfits screamed back at a public all too accustomed to directing these slurs at famous women. It was a surprising nod to the feminist riot grrrl movement of the 1990s—and a stark message that Amber Rose was not going to be shamed out of the way.\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-28214 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/Screen-Shot-2016-06-28-at-8.05.06-PM.png\" alt=\"Screen Shot 2016-06-28 at 8.05.06 PM\" width=\"317\" height=\"394\">\u003c/p>\n\u003cp>Later that year she penned a book, \u003ca href=\"https://www.amazon.com/How-Bad-Bitch-Amber-Rose/dp/150111011X/ref=cm_cr_arp_d_product_top?ie=UTF8\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>How to Be a Bad Bitch\u003c/em>\u003c/a>, which sold well. It preached a message of sisterhood, self-acceptance, strength and—in direct contradiction to the title of the thing—good manners. It wasn't a flawlessly written feminist tome, but it did throw a couple of middle fingers at a media that is all too fond of pitting women against one another.\u003c/p>\n\u003cp>Then there was the pièce de résistance: the \u003ca href=\"http://www.amberroseslutwalk.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Amber Rose SlutWalk\u003c/a>. Rose didn't invent the \u003ca href=\"https://en.wikipedia.org/wiki/SlutWalk\" target=\"_blank\" rel=\"noopener noreferrer\">SlutWalk\u003c/a>, but she has become an important spokesperson for the reasons why we need them. The one she held in Los Angeles in October 2015 was widely reported on in a way that others are not, precisely because she was at the helm, and precisely because she used it as a platform to speak very openly, and emotionally, about her life experiences and the double standards all women face. Photos of the event show her holding signs that read \"FUCK YO 30 SHOWERS\" and \"STRIPPERS HAVE FEELINGS TOO.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3xhED-DLSco\u003c/p>\n\u003cp>The website accompanying the SlutWalk now serves as a space for women to share \u003ca href=\"http://www.amberroseslutwalk.com/your-stories/\" target=\"_blank\" rel=\"noopener noreferrer\">their own stories\u003c/a> of sexist abuse and slut-shaming, and prides itself on being “a completely inclusive space” with “a zero tolerance policy on all hateful language, racism, sexism, ableism, fat-shaming, transphobia, or any other kind of bigotry.”\u003c/p>\n\u003cp>The impact has been sizeable, and Rose has since found herself appearing in sketches for both \u003cem>Inside Amy Schumer\u003c/em> and \u003cem>Funny or Die \u003c/em>that were equal parts hilarious and subversive\u003cem>.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=HeiSx5MNDvg\u003c/p>\n\u003cp>Funny or Die's \"Walk of No Shame With Amber Rose\" was, in particular, gloriously sex positive:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=68kmBoUru-k\u003c/p>\n\u003cp>In addition to all of this, Rose has become a voice for other celebrity women. Just last week, she came to Taylor Swift's aid, when the singer (another woman on the receiving end of Kanye West's wrath—\"I made that bitch famous\" he raps in \"Famous\") was under scrutiny for having a new love interest.\u003c/p>\n\u003cp>[aside postid='pop_103508']\"I love Taylor, for sure. Absolutely,\" Rose said. \"And I feel like guys do that all the time—they break up and the next day they’re with another girl and nobody really says anything. But with Taylor it’s, you know what, I’m done with Calvin [Harris] and it didn’t work out, so onto the next... If I’m done, why do I have to sit in the house and be lonely?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>In her years in the spotlight, Rose has successfully transformed herself from objectified video girl into a bonafide fourth-wave feminist icon. That's no small feat. She now stands as a powerful symbol of what all famous women are subjected to—and offers an impressive example of how to fight back.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Late last week, Kanye West's new video for \"Famous\" emerged on Tidal. In it, the rapper is seen lying in bed alongside the naked, unconscious bodies of an array of celebrities (or at least models of them), including Taylor Swift, Donald Trump, Rihanna, Bill Cosby, Ray J and Caitlyn Jenner. The concept, loosely based on a 2008 painting by \u003ca href=\"http://www.wmagazine.com/culture/2016/06/kanye-west-famous-video-artist-vincent-desiderio-reaction/\" target=\"_blank\" rel=\"noopener noreferrer\">Vincent Desiderio, titled \"Sleep,\"\u003c/a> is being praised as art in some corners and critiqued for being both violating and in poor taste in others.\u003c/p>\n\u003cp>Lena Dunham, in a scathing \u003ca href=\"https://www.facebook.com/lenadunham/posts/1756770211270449\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook post\u003c/a>, wrote: \"At the same time Brock Turner is getting off with a light tap for raping an unconscious woman and photographing her breasts for a group chat... Now I have to see the prone, unconscious, waxy bodies of famous women, twisted like they've been drugged and chucked aside at a rager?\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Significantly, one of the fake bodies in the video is that of Amber Rose, who was Kanye West's girlfriend between 2008 and 2010. It is yet another proverbial slap in Rose's face, following the incident last year when West announced \u003ca href=\"http://www.people.com/article/kanye-west-disses-amber-rose\" target=\"_blank\" rel=\"noopener noreferrer\">on a radio show\u003c/a> that \"It's very hard for a woman to want to be with someone that's [been] with Amber Rose ... I had to take 30 showers before I got with Kim.\"\u003c/p>\n\u003cp>Rose didn't fare any better after she and husband Wiz Khalifa split. Ignoring the fact that their child would undoubtedly one day hear it, Khalifa dissed her in his 2015 track, \"For Everybody,\" rapping: \"I fell in love with a stripper / Funny thing is I fell back out of love quicker / They don't pay attention to the love anyway / They only concerned with what the haters say.\"\u003c/p>\n\u003cp>The following January, in the middle of a Twitter spat between the two rappers, Kanye \u003ca href=\"http://www.tmz.com/2016/01/27/kanye-west-wiz-khalifa-twitter-beef/\" target=\"_blank\" rel=\"noopener noreferrer\">West ranted\u003c/a> that Khalifa had \"let a stripper trap\" him, and even went so far as to say that \"You wouldn't have a child if it wasn't for me.... I own your child!!!!\" The obvious implication being that Amber Rose wouldn't be famous if it wasn't for Kanye, and if she wasn't famous, she never would've met Wiz Khalifa.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Both are impossible to know, of course. Rose is, after all, an unforgettable-looking woman, one who had been making a name for herself as a video and print model before Kanye had even met her. (He went out of his way to get an introduction after her striking appearance in the \"\u003ca href=\"https://www.youtube.com/watch?v=Dtzf60_XaOg\" target=\"_blank\" rel=\"noopener noreferrer\">What Them Girls Like\u003c/a>\" video by Ludacris.) As it stands, it is true that real, paparazzi-level celebrity only arrived on Rose's doorstep when Kanye did, and then her relationship with Khalifa kept her in the spotlight as a trophy wife until their split in 2014. During this time, Rose tried her hand at everything from \u003ca href=\"https://www.youtube.com/watch?v=sdCitnOFNOo\" target=\"_blank\" rel=\"noopener noreferrer\">music\u003c/a> and random \u003ca href=\"https://www.youtube.com/watch?v=J_rX9P3zJ4A\" target=\"_blank\" rel=\"noopener noreferrer\">reality TV\u003c/a> guest spots, to a \u003ca href=\"http://www.mtv.com/news/2520909/rose-and-ono/\" target=\"_blank\" rel=\"noopener noreferrer\">clothing line\u003c/a>—all with limited success.\u003c/p>\n\u003cp>Rose appeared, for years, like a genetically-blessed celebrity girlfriend who had little to offer the world other than her stunning style and penchant for fueling gossip. So it's ironic that Rose seemingly only found her footing and her calling once she was single and after she'd been raked over the coals in public one too many times. In the last two years, Amber Rose hasn't just landed on her feet, she's strapped some spiky high-heeled boots on those suckers and trampled over every hater in her vicinity, in an unflinchingly defiant manner.\u003c/p>\n\u003cp>The shift started when she showed up to 2015's VMAs \u003ca href=\"http://www.eonline.com/eol_images/Entire_Site/2015730/rs_634x1024-150830164545-634.blac-amber.cm.82015.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">wearing a body suit\u003c/a> covered in female-specific insults. At Rose's side was Blac Chyna wearing a matching dress. \"GOLD DIGGER,\" \"BITCH,\" \"WHORE,\" \"STRIPPER,\" \"HOE,\" their outfits screamed back at a public all too accustomed to directing these slurs at famous women. It was a surprising nod to the feminist riot grrrl movement of the 1990s—and a stark message that Amber Rose was not going to be shamed out of the way.\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-28214 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/Screen-Shot-2016-06-28-at-8.05.06-PM.png\" alt=\"Screen Shot 2016-06-28 at 8.05.06 PM\" width=\"317\" height=\"394\">\u003c/p>\n\u003cp>Later that year she penned a book, \u003ca href=\"https://www.amazon.com/How-Bad-Bitch-Amber-Rose/dp/150111011X/ref=cm_cr_arp_d_product_top?ie=UTF8\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>How to Be a Bad Bitch\u003c/em>\u003c/a>, which sold well. It preached a message of sisterhood, self-acceptance, strength and—in direct contradiction to the title of the thing—good manners. It wasn't a flawlessly written feminist tome, but it did throw a couple of middle fingers at a media that is all too fond of pitting women against one another.\u003c/p>\n\u003cp>Then there was the pièce de résistance: the \u003ca href=\"http://www.amberroseslutwalk.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Amber Rose SlutWalk\u003c/a>. Rose didn't invent the \u003ca href=\"https://en.wikipedia.org/wiki/SlutWalk\" target=\"_blank\" rel=\"noopener noreferrer\">SlutWalk\u003c/a>, but she has become an important spokesperson for the reasons why we need them. The one she held in Los Angeles in October 2015 was widely reported on in a way that others are not, precisely because she was at the helm, and precisely because she used it as a platform to speak very openly, and emotionally, about her life experiences and the double standards all women face. Photos of the event show her holding signs that read \"FUCK YO 30 SHOWERS\" and \"STRIPPERS HAVE FEELINGS TOO.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3xhED-DLSco'\n title='//www.youtube.com/embed/3xhED-DLSco'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The website accompanying the SlutWalk now serves as a space for women to share \u003ca href=\"http://www.amberroseslutwalk.com/your-stories/\" target=\"_blank\" rel=\"noopener noreferrer\">their own stories\u003c/a> of sexist abuse and slut-shaming, and prides itself on being “a completely inclusive space” with “a zero tolerance policy on all hateful language, racism, sexism, ableism, fat-shaming, transphobia, or any other kind of bigotry.”\u003c/p>\n\u003cp>The impact has been sizeable, and Rose has since found herself appearing in sketches for both \u003cem>Inside Amy Schumer\u003c/em> and \u003cem>Funny or Die \u003c/em>that were equal parts hilarious and subversive\u003cem>.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HeiSx5MNDvg'\n title='//www.youtube.com/embed/HeiSx5MNDvg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Funny or Die's \"Walk of No Shame With Amber Rose\" was, in particular, gloriously sex positive:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/68kmBoUru-k'\n title='//www.youtube.com/embed/68kmBoUru-k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In addition to all of this, Rose has become a voice for other celebrity women. Just last week, she came to Taylor Swift's aid, when the singer (another woman on the receiving end of Kanye West's wrath—\"I made that bitch famous\" he raps in \"Famous\") was under scrutiny for having a new love interest.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\"I love Taylor, for sure. Absolutely,\" Rose said. \"And I feel like guys do that all the time—they break up and the next day they’re with another girl and nobody really says anything. But with Taylor it’s, you know what, I’m done with Calvin [Harris] and it didn’t work out, so onto the next... If I’m done, why do I have to sit in the house and be lonely?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In her years in the spotlight, Rose has successfully transformed herself from objectified video girl into a bonafide fourth-wave feminist icon. That's no small feat. She now stands as a powerful symbol of what all famous women are subjected to—and offers an impressive example of how to fight back.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>At a time when evictions, soaring rent prices, and shuttered art spaces are such commonplace headlines in the Bay Area that our eyes have begun to gloss over them, there's something to be said for the power of a personal story.\u003c/p>\n\u003cp>That's one take-away from this music video for \"Tech $,\" a new song from the veteran Bay Area hip-hop crew Zion I. With lyrics that reference turning \"Mission Street into a lounge act\" and gentrification's strangling effect on Oakland's soul, MC Zumbi laments the market forces that have driven middle- and working-class people out of both San Francisco and the East Bay.\u003c/p>\n\u003cp>Notably, there's nothing theoretical about those words: Earlier this year, the rapper got notice that his landlord —the owner of the Oakland home he and his family had been renting for years --wanted to sell.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N9pJ2zcGpFA\u003c/p>\n\u003cp>\"The market was obviously super hot,\" Zumbi told KQED via email of his housing situation. \"[The owner] offered to sell to me, but I was in no position at the time to purchase a home that needed some work for $750,000. Thus, I was forced to move.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He decided to shoot video while his family was packing up the house, to drive home the song's rather straightforward message.\u003c/p>\n\u003cp>\"I wrote the song out of frustration with trying to find something affordable and being abruptly introduced to skyrocketing rent prices and hordes of people eager to pay,\" he explained. \"It was a transitional moment in so many ways that I felt it was an opportunity to capture the reality of the situation.\"\u003c/p>\n\u003cp>Zion I—whose lengthy catalog is \u003ca href=\"https://www.youtube.com/watch?v=Tt7wJnQxWwg\" target=\"_blank\" rel=\"noopener noreferrer\">rich with local pride\u003c/a>—is currently on tour for the summer; you can \u003ca href=\"http://zionicrew.com/\" target=\"_blank\" rel=\"noopener noreferrer\">check dates and more here. \u003c/a>When Zumbi does come home, he'll be coming home to San Leandro.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At a time when evictions, soaring rent prices, and shuttered art spaces are such commonplace headlines in the Bay Area that our eyes have begun to gloss over them, there's something to be said for the power of a personal story.\u003c/p>\n\u003cp>That's one take-away from this music video for \"Tech $,\" a new song from the veteran Bay Area hip-hop crew Zion I. With lyrics that reference turning \"Mission Street into a lounge act\" and gentrification's strangling effect on Oakland's soul, MC Zumbi laments the market forces that have driven middle- and working-class people out of both San Francisco and the East Bay.\u003c/p>\n\u003cp>Notably, there's nothing theoretical about those words: Earlier this year, the rapper got notice that his landlord —the owner of the Oakland home he and his family had been renting for years --wanted to sell.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N9pJ2zcGpFA'\n title='//www.youtube.com/embed/N9pJ2zcGpFA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"The market was obviously super hot,\" Zumbi told KQED via email of his housing situation. \"[The owner] offered to sell to me, but I was in no position at the time to purchase a home that needed some work for $750,000. Thus, I was forced to move.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>First, a confession: I love Ludacris. I love Ludacris to a degree I cannot really defend, other than to say I am the right age for loving Ludacris, which is to say I was 16 years old when the song \"Area Codes\" dropped, which is to say I will likely always find both it and him brilliant and hilarious. (Also,\u003ca href=\"http://www.fastcocreate.com/1682726/inf-ho-graphic-a-precisely-plotted-map-of-area-codes-in-which-ludacris-has-hoes\" target=\"_blank\"> this map\u003c/a>.)\u003c/p>\n\u003cp>I even went out of my way to see Ludacris perform at SXSW's Interactive closing party in 2015, an event at which I was more visibly excited and engaged than maybe 98 percent of attendees, which is not actually saying that much if you have ever been to a private but admission-free rager overwhelmingly populated by tech dudes.\u003c/p>\n\u003cp>All of which leaves me curious as to the vibe, so to speak, at a \u003ca href=\"http://www.miamiherald.com/news/nation-world/national/article86208127.html\" target=\"_blank\">rather different upcoming Ludacris performance.\u003c/a> The \u003cem>Miami Herald\u003c/em> reported today that the overgrown class clown of a rapper has been chosen to headline the annual Fourth of July \"Freedom Festival\" at Guantanamo Bay, a free event thrown for the less than 6,000 residents of the Navy base there. The \u003cem>Herald\u003c/em> notes that this population is made up of \"troops, Department of Defense contractors, Navy families and the last [79] war-on-terror detainees.\" (The original \u003cem>Herald \u003c/em>story misidentified that number as 89.\u003cem>)\u003c/em>\u003c/p>\n\u003cp>President Obama, you may recall, has been pledging to close the now 14-year-old military prison since before he was elected president, noting its well-documented history of detaining suspected terrorists indefinitely, without trial. As recently as February of this year, \u003ca href=\"http://www.nytimes.com/2016/02/24/us/politics/obama-guantanamo-bay.html?_r=0\" target=\"_blank\">he presented Congress with a plan\u003c/a> for transferring the remaining prisoners away from the facility, noting that the prison \"is viewed as a stain on our broader record of upholding the highest standards of rule of law. This is about closing a chapter in our history.\"\u003c/p>\n\u003cp>That plan was met with near-instantaneous rejection by Republican members of Congress. In the waning months of the Obama administration, it seems likely that the complex issues surrounding the detention center and its closure will be passed on to the next inhabitant of the Oval Office, not unlike some sort of pesky, Rumsfeld-era STD.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For the time being, then, there remain more than 5,000 people residing at Guantanamo Bay -- and I'm certainly not here to say they don't deserve entertainment. On the contrary, if your work involves daily interaction with an institution the president actively refers to as a \"stain,\" you should get all the free concerts you can take. Calling the annual taxpayer-funded Fourth of July event at a military prison Amnesty International once referred to as the \u003ca href=\"https://web.archive.org/web/20060220210041/http://web.amnesty.org/library/Index/ENGPOL100142005\" target=\"_blank\">Gulag of our times\u003c/a> a \"Freedom Festival,\" on the other hand, involves a degree of questionable judgment I can't really wrap my head around.\u003c/p>\n\u003cp>In any event, Ludacris is apparently the biggest name to visit said festival in over a decade: \"Base residents couldn’t recall a show of this magnitude since Jimmy Buffett played the open-air Lyceum movie theater in December 2002,\" reports the \u003cem>Herald\u003c/em>. Recent years have instead seen performances by smaller, pop-punkier fish like the Plain White Ts [insert your own offensive joke about cruel and unusual punishment here].\u003c/p>\n\u003cp>To summarize: If you are a person who loves fireworks and comical hip-hop songs about women's body parts and your area code is 21 (shout out Guantanamo Bay, Cuba), this year's Fourth of July just might be the free-est you've ever felt!\u003c/p>\n\u003cp>Unless, of course, you're a detainee: Organizers have assured the press that Windward Ferry Landing, the glorified parking lot from whence said freedom will be ringing, is too far away from the detention center for the prisoners to hear it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>First, a confession: I love Ludacris. I love Ludacris to a degree I cannot really defend, other than to say I am the right age for loving Ludacris, which is to say I was 16 years old when the song \"Area Codes\" dropped, which is to say I will likely always find both it and him brilliant and hilarious. (Also,\u003ca href=\"http://www.fastcocreate.com/1682726/inf-ho-graphic-a-precisely-plotted-map-of-area-codes-in-which-ludacris-has-hoes\" target=\"_blank\"> this map\u003c/a>.)\u003c/p>\n\u003cp>I even went out of my way to see Ludacris perform at SXSW's Interactive closing party in 2015, an event at which I was more visibly excited and engaged than maybe 98 percent of attendees, which is not actually saying that much if you have ever been to a private but admission-free rager overwhelmingly populated by tech dudes.\u003c/p>\n\u003cp>All of which leaves me curious as to the vibe, so to speak, at a \u003ca href=\"http://www.miamiherald.com/news/nation-world/national/article86208127.html\" target=\"_blank\">rather different upcoming Ludacris performance.\u003c/a> The \u003cem>Miami Herald\u003c/em> reported today that the overgrown class clown of a rapper has been chosen to headline the annual Fourth of July \"Freedom Festival\" at Guantanamo Bay, a free event thrown for the less than 6,000 residents of the Navy base there. The \u003cem>Herald\u003c/em> notes that this population is made up of \"troops, Department of Defense contractors, Navy families and the last [79] war-on-terror detainees.\" (The original \u003cem>Herald \u003c/em>story misidentified that number as 89.\u003cem>)\u003c/em>\u003c/p>\n\u003cp>President Obama, you may recall, has been pledging to close the now 14-year-old military prison since before he was elected president, noting its well-documented history of detaining suspected terrorists indefinitely, without trial. As recently as February of this year, \u003ca href=\"http://www.nytimes.com/2016/02/24/us/politics/obama-guantanamo-bay.html?_r=0\" target=\"_blank\">he presented Congress with a plan\u003c/a> for transferring the remaining prisoners away from the facility, noting that the prison \"is viewed as a stain on our broader record of upholding the highest standards of rule of law. This is about closing a chapter in our history.\"\u003c/p>\n\u003cp>That plan was met with near-instantaneous rejection by Republican members of Congress. In the waning months of the Obama administration, it seems likely that the complex issues surrounding the detention center and its closure will be passed on to the next inhabitant of the Oval Office, not unlike some sort of pesky, Rumsfeld-era STD.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For the time being, then, there remain more than 5,000 people residing at Guantanamo Bay -- and I'm certainly not here to say they don't deserve entertainment. On the contrary, if your work involves daily interaction with an institution the president actively refers to as a \"stain,\" you should get all the free concerts you can take. Calling the annual taxpayer-funded Fourth of July event at a military prison Amnesty International once referred to as the \u003ca href=\"https://web.archive.org/web/20060220210041/http://web.amnesty.org/library/Index/ENGPOL100142005\" target=\"_blank\">Gulag of our times\u003c/a> a \"Freedom Festival,\" on the other hand, involves a degree of questionable judgment I can't really wrap my head around.\u003c/p>\n\u003cp>In any event, Ludacris is apparently the biggest name to visit said festival in over a decade: \"Base residents couldn’t recall a show of this magnitude since Jimmy Buffett played the open-air Lyceum movie theater in December 2002,\" reports the \u003cem>Herald\u003c/em>. Recent years have instead seen performances by smaller, pop-punkier fish like the Plain White Ts [insert your own offensive joke about cruel and unusual punishment here].\u003c/p>\n\u003cp>To summarize: If you are a person who loves fireworks and comical hip-hop songs about women's body parts and your area code is 21 (shout out Guantanamo Bay, Cuba), this year's Fourth of July just might be the free-est you've ever felt!\u003c/p>\n\u003cp>Unless, of course, you're a detainee: Organizers have assured the press that Windward Ferry Landing, the glorified parking lot from whence said freedom will be ringing, is too far away from the detention center for the prisoners to hear it.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Justin Timberlake Finally Gets Called Out, 12 Years after Nipplegate",
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"content": "\u003cp>[contextly_sidebar id=\"DTeLk36yQMgO2Zg2fdDQmQFL2wpaixAx\"]Justin Timberlake means a lot of things to people. Maybe he was your first crush back in the NSYNC days. Maybe he emboldened you to try out \u003ca href=\"http://esq.h-cdn.co/assets/cm/15/07/54da4e972127b_-_justin-timberlake-wi-0608-lg-18970743.jpg\">an all-denim look\u003c/a> or \u003ca href=\"http://cdn-wpmsa.defymedia.com/wp-content/uploads/sites/3/2015/01/justin-timberlake-ramen-noodles-birthday-collage.jpg\">an edgy Ramen noodle hairstyle\u003c/a>. Or maybe he taught you a lesson about the Teflon nature of white male privilege and how, for some, nothing bad sticks.\u003c/p>\n\u003cp>But times are a-changing. Last night at the BET Awards, Jesse Williams delivered a speech that will blast your understanding of what getting goosebumps feels like to all-new stratospheric levels.\u003c/p>\n\u003cp>If you don't have time to \u003ca href=\"http://ww2.kqed.org/pop/2016/06/27/watch-jesse-williams-on-black-lives-equal-rights-and-freedom/\">watch it in full\u003c/a>, make time. If that's not possible for some reason (nosy boss, bad internet connection, what have you), here are some choice lines that'll give you an idea of what we're working with here:\u003c/p>\n\u003cul>\n\u003cli>\u003ci>\"Police somehow manage to deescalate, disarm and not kill white people everyday. So what's going to happen is we are going to have equal rights and justice in our own country or we will restructure their function and ours.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"The burden of the brutalized is not to comfort the bystander. That's not our job, alright - stop with all that. If you have a critique for the resistance, for our resistance, then you better have an established record of critique of our oppression. If you have no interest in equal rights for black people, then do not make suggestions to those who do. Sit down.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"We've been floating this country on credit for centuries, yo, and we're done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil - black gold, ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit. Just because we're magic doesn't mean we're not real.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Justin Timberlake was presumably watching at home and felt moved, as anyone should. He decided to tweet from his glass house.\u003c/p>\n\u003cp>https://twitter.com/jtimberlake/status/747257470314131456\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Seems harmless. Jesse does deserve props for that speech. But there is an absurd lack of self-awareness at work here. One of the major points of Jesse's speech is that black art is so often devalued, only to be appropriated by white people and reevaluated as suddenly worthy. No one knows this better than Justin Timberlake, who has made a career out of \u003ca href=\"https://www.youtube.com/watch?v=RXl4DB34yTk\">co-opting black culture \u003c/a>and gaining the kind of success that is rarely afforded to those who originated it.\u003c/p>\n\u003cp>Twitter helpfully pointed this out for him:\u003c/p>\n\u003cp>https://twitter.com/MrErnestOwens/status/747273043379052544\u003c/p>\n\u003cp>This is where Justin should have logged off. But no:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1.png\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1-800x339.png\" alt=\"sweet soul_1\" width=\"800\" height=\"339\" class=\"aligncenter size-medium wp-image-33628\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-800x339.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-400x170.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-768x326.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-960x407.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1.png 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>A one-two punch of condescension (\"sweet soul\"? really?!) and #AllLivesMatter / #We'reAllAfrican sentiment? Plus, a sardonic \"bye\" send-off? Justin, you are not Beyonce and people on Twitter speaking truth are not Felicia.\u003c/p>\n\u003cp>https://twitter.com/CerromeRussell/status/747404875445768192?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>https://twitter.com/Felonious_munk/status/747283831753838592?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>https://twitter.com/Princesskeshia1/status/747358805281873924?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>Yes, Justin, we are all human beings and \u003cem>should\u003c/em> be treated equally, but that's not our current reality. When someone from a marginalized group expresses his or her feelings on their lived experience, it is not appropriate to step in and say something that makes their message about you. Sometimes the best way to be an ally is to know when to stop talking and start listening.\u003c/p>\n\u003cp>For over a decade, Justin has gotten away with being mediocre (\u003ca href=\"https://www.youtube.com/watch?v=p5RobDomh5U\">his last single\u003c/a>, which is horrible, went straight to #1) and being a coward (lest we forget how he left Janet Jackson out to dry, after ripping her Super Bowl Halftime outfit). Judging by the response to \u003ca href=\"http://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\">an essay I wrote earlier this year about Nipplegate\u003c/a>, it seems like many \u003cem>have\u003c/em> forgotten. For those who missed it, here's something to chew on:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>When he sings, “Better have you naked by the end of this song,” he was supposed to pull Janet’s bustier to reveal a red lace bra, but both pieces ended up ripping off.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Then everyone got insanely mad at Justin for messing up. Oh, wait, sorry, I forgot about the patriarchy for a second. Let me try that again: then everyone got insanely mad at Janet for having breasts and no one ever really mentioned Justin again. For example, The Washington Post’s Tony Kornheiser wrote, “What Janet Jackson did was bizarre, deliberately flopping out of her costume like that.” Justin’s grabbing hand is entirely erased from the scene.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The senseless sexism didn’t end there. Janet was disinvited from that year’s Grammys. Meanwhile, Justin was not only allowed to attend, but also performed. Janet was blacklisted from radio and music video channels for the next several years, leading to multiple album flops, while Justin got to be goofy on SNL and become a movie star.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>And what's worse is that Justin let Janet take all the heat, more concerned with making it as a solo artist than doing the right thing. Granted, the way America so easily absolved him of any wrongdoing wasn't really up to him and speaks to a national legacy of racism and sexism that's far bigger than one single boy band member. But what was up to him was whether or not he used his privilege to highlight the unfair advantage he enjoys in this world and the hypocrisy of it all.\u003c/p>\n\u003cp>If Twitter had been around back in 2004, maybe Janet and Justin's career trajectories would have taken different courses. Maybe so many wouldn't have kept quiet as Justin moonwalked away from the mess he helped create, using Janet's brother's appropriated dance moves to boot. There's no way to know.\u003c/p>\n\u003cp>Today, Justin apologized for his tweet and says he feels \"misunderstood.\" So does Janet. So do many African Americans. So do most people who aren't straight white dudes.\u003c/p>\n\u003cp>It's time for Justin to take a seat and some of his own medicine, the same dose he prescribed for Britney, another woman he used and then discarded to get to where he is today: Cry me a river.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-28050\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\" alt=\"justin cry me a river gif\" width=\"595\" height=\"335\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>To learn more about how troubling Nipplegate really was, listen to this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/245551173&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Or read all about it:\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Justin Timberlake means a lot of things to people. Maybe he was your first crush back in the NSYNC days. Maybe he emboldened you to try out \u003ca href=\"http://esq.h-cdn.co/assets/cm/15/07/54da4e972127b_-_justin-timberlake-wi-0608-lg-18970743.jpg\">an all-denim look\u003c/a> or \u003ca href=\"http://cdn-wpmsa.defymedia.com/wp-content/uploads/sites/3/2015/01/justin-timberlake-ramen-noodles-birthday-collage.jpg\">an edgy Ramen noodle hairstyle\u003c/a>. Or maybe he taught you a lesson about the Teflon nature of white male privilege and how, for some, nothing bad sticks.\u003c/p>\n\u003cp>But times are a-changing. Last night at the BET Awards, Jesse Williams delivered a speech that will blast your understanding of what getting goosebumps feels like to all-new stratospheric levels.\u003c/p>\n\u003cp>If you don't have time to \u003ca href=\"http://ww2.kqed.org/pop/2016/06/27/watch-jesse-williams-on-black-lives-equal-rights-and-freedom/\">watch it in full\u003c/a>, make time. If that's not possible for some reason (nosy boss, bad internet connection, what have you), here are some choice lines that'll give you an idea of what we're working with here:\u003c/p>\n\u003cul>\n\u003cli>\u003ci>\"Police somehow manage to deescalate, disarm and not kill white people everyday. So what's going to happen is we are going to have equal rights and justice in our own country or we will restructure their function and ours.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"The burden of the brutalized is not to comfort the bystander. That's not our job, alright - stop with all that. If you have a critique for the resistance, for our resistance, then you better have an established record of critique of our oppression. If you have no interest in equal rights for black people, then do not make suggestions to those who do. Sit down.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"We've been floating this country on credit for centuries, yo, and we're done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil - black gold, ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit. Just because we're magic doesn't mean we're not real.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Justin Timberlake was presumably watching at home and felt moved, as anyone should. He decided to tweet from his glass house.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Seems harmless. Jesse does deserve props for that speech. But there is an absurd lack of self-awareness at work here. One of the major points of Jesse's speech is that black art is so often devalued, only to be appropriated by white people and reevaluated as suddenly worthy. No one knows this better than Justin Timberlake, who has made a career out of \u003ca href=\"https://www.youtube.com/watch?v=RXl4DB34yTk\">co-opting black culture \u003c/a>and gaining the kind of success that is rarely afforded to those who originated it.\u003c/p>\n\u003cp>Twitter helpfully pointed this out for him:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>This is where Justin should have logged off. But no:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1.png\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1-800x339.png\" alt=\"sweet soul_1\" width=\"800\" height=\"339\" class=\"aligncenter size-medium wp-image-33628\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-800x339.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-400x170.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-768x326.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-960x407.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1.png 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>A one-two punch of condescension (\"sweet soul\"? really?!) and #AllLivesMatter / #We'reAllAfrican sentiment? Plus, a sardonic \"bye\" send-off? Justin, you are not Beyonce and people on Twitter speaking truth are not Felicia.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Yes, Justin, we are all human beings and \u003cem>should\u003c/em> be treated equally, but that's not our current reality. When someone from a marginalized group expresses his or her feelings on their lived experience, it is not appropriate to step in and say something that makes their message about you. Sometimes the best way to be an ally is to know when to stop talking and start listening.\u003c/p>\n\u003cp>For over a decade, Justin has gotten away with being mediocre (\u003ca href=\"https://www.youtube.com/watch?v=p5RobDomh5U\">his last single\u003c/a>, which is horrible, went straight to #1) and being a coward (lest we forget how he left Janet Jackson out to dry, after ripping her Super Bowl Halftime outfit). Judging by the response to \u003ca href=\"http://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\">an essay I wrote earlier this year about Nipplegate\u003c/a>, it seems like many \u003cem>have\u003c/em> forgotten. For those who missed it, here's something to chew on:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>When he sings, “Better have you naked by the end of this song,” he was supposed to pull Janet’s bustier to reveal a red lace bra, but both pieces ended up ripping off.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Then everyone got insanely mad at Justin for messing up. Oh, wait, sorry, I forgot about the patriarchy for a second. Let me try that again: then everyone got insanely mad at Janet for having breasts and no one ever really mentioned Justin again. For example, The Washington Post’s Tony Kornheiser wrote, “What Janet Jackson did was bizarre, deliberately flopping out of her costume like that.” Justin’s grabbing hand is entirely erased from the scene.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The senseless sexism didn’t end there. Janet was disinvited from that year’s Grammys. Meanwhile, Justin was not only allowed to attend, but also performed. Janet was blacklisted from radio and music video channels for the next several years, leading to multiple album flops, while Justin got to be goofy on SNL and become a movie star.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>And what's worse is that Justin let Janet take all the heat, more concerned with making it as a solo artist than doing the right thing. Granted, the way America so easily absolved him of any wrongdoing wasn't really up to him and speaks to a national legacy of racism and sexism that's far bigger than one single boy band member. But what was up to him was whether or not he used his privilege to highlight the unfair advantage he enjoys in this world and the hypocrisy of it all.\u003c/p>\n\u003cp>If Twitter had been around back in 2004, maybe Janet and Justin's career trajectories would have taken different courses. Maybe so many wouldn't have kept quiet as Justin moonwalked away from the mess he helped create, using Janet's brother's appropriated dance moves to boot. There's no way to know.\u003c/p>\n\u003cp>Today, Justin apologized for his tweet and says he feels \"misunderstood.\" So does Janet. So do many African Americans. So do most people who aren't straight white dudes.\u003c/p>\n\u003cp>It's time for Justin to take a seat and some of his own medicine, the same dose he prescribed for Britney, another woman he used and then discarded to get to where he is today: Cry me a river.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-28050\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\" alt=\"justin cry me a river gif\" width=\"595\" height=\"335\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>To learn more about how troubling Nipplegate really was, listen to this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/245551173&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Or read all about it:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In my heart of hearts, I knew this was coming.\u003c/p>\n\u003cp>It was a few weeks ago now that I became vaguely aware, in that glazed-over internet osmosis way, of a new \u003cem>Ghostbusters\u003c/em> theme that had a 100 percent chance of upsetting me. Some stray \"trending\" story on Facebook, I believe, included the words \"Fall Out Boy and Missy Elliott to record \u003cem>Ghostbusters\u003c/em> theme song.\"\u003c/p>\n\u003cp>Like most trending Facebook stories -- let's see, mine currently include \"Cheetos: Frito-Lay Holds Contest To Find Uniquely-Shaped Snack Foods\" and \"Shaquille O'Neal: Ex-NBA Player Shares Image With His Face Edited Onto Dwayne Wade's Nude Body\" -- my eyes glossed over it, unable or unwilling to fully digest the information it contained.\u003c/p>\n\u003cp>But even if I had fully internalized those words, there's just no way they could have prepared me for this.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=2AQ44nPrRTM\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Okay, so some context: The \u003cem>Ghostbusters\u003c/em> remake, out July 15 and starring four very funny women in the place of the original's four funny men, has seemingly been plagued by controversy from the get-go. Some of this controversy is extremely stupid: A real contingent of \u003ca href=\"https://www.buzzfeed.com/danielkibblesmith/who-you-gonna-call-misandry-busters?utm_term=.jgkJoEpdDD#.lgp5M6aeLL\" target=\"_blank\">men are super mad that the main characters are no longer men\u003c/a>.\u003c/p>\n\u003cp>Some of it is less stupid: After the first trailer was released, it was difficult to ignore the fact that, out of the four Ghostbuster characters, the three white ones are apparently scientists -- whereas \u003ca href=\"http://www.papermag.com/leslie-jones-responds-to-criticism-of-her-racist-ghostbusters-role-1648137736.html\" target=\"_blank\">the character played by Leslie Jones\u003c/a>, the only black Ghostbuster, is a \"sassy\" working-class woman with a job at the MTA.\u003c/p>\n\u003cp>With three weeks left before the movie hits theaters, however, \u003cem>Ghostbusters\u003c/em> has since outdone itself. \"Ghostbusters (I'm Not Afraid)\" is now officially The Worst Thing About \u003cem>Ghostbusters\u003c/em>. It might even be the worst thing about official motion picture soundtracks, which is \u003ca href=\"https://www.amazon.com/Walk-Remember-Various-Artists/dp/B00005UT2K\" target=\"_blank\">really saying something, considering\u003c/a>. Gone are the simple, cheesy, Huey Lewis-shaped synth notes of our youth, and in their place is something that sounds a bit like robots trying to recreate '80s music in a stark underground torture chamber. Even if the schlocky, over-the-top guitar and distorted vocals are supposed to be a nod to the decade from whence the original tune came, calling this cheap-sounding remake an homage to Ray Parker Jr.'s Academy Award-nominated original is like calling \u003ca href=\"http://www.wired.com/2016/04/snapchat-bob-marley-filter/\" target=\"_blank\">Snapchat's 4/20 blackface\u003c/a> \u003ca href=\"http://www.wired.com/2016/04/snapchat-bob-marley-filter/\" target=\"_blank\">filter \u003c/a>a touching and well-executed tribute to Bob Marley.\u003c/p>\n\u003cp>Of course, I expected as much from Fall Out Boy. We all expected as much from Fall Out Boy! The best thing Fall Out Boy has ever done is an 11-year-old chewed-up Laffy Taffy gob of a song that should only ever be consumed alongside \u003ca href=\"https://www.youtube.com/watch?v=kvx0ncTxxL0\" target=\"_blank\">this YouTube video\u003c/a>.\u003c/p>\n\u003cp>But Missy? \u003cem>Missy\u003c/em>. Missy Elliott, if you're a member of the unlucky quadrant of society who only learned about Missy Elliott when she handily upstaged Katy Perry during the latter's Super Bowl Halftime Show, is more than a legend. She's a queen, and she can do whatever she wants. She's been \u003ca href=\"http://www.cbsnews.com/news/graves-disease-diagnosis-for-missy-elliot-came-after-rapper-almost-wrecked-car/\" target=\"_blank\">sick in recent years\u003c/a>, so she was out of the spotlight for a bit, but she also gave a presentation with Michelle Obama and Queen Latifah at this year's SXSW, in a \u003ca href=\"http://www.vulture.com/2016/03/michelle-obama-queen-latifah-missy-elliott-shine-at-sxsw.html\" target=\"_blank\">great example of shine theory at work\u003c/a>. She's still among the most innovative and talented rappers alive, and -- you know what? I'm getting too emotional. MISSY BREAK.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hHcyJPTTn9w\u003c/p>\n\u003cp>Here's the thing: The studio executives tasked with selling a movie whose driving premise is bankable nostalgia know \u003cem>exactly\u003c/em> how I feel about Missy Elliott. They did their research. Combining Missy Elliott and Fall Out Boy with \u003cem>Ghostbusters \u003c/em>as a branding strategy is essentially jolting a BuzzFeed listicle of Things Only Kids Born In the '80s Will Understand with a taser until it springs to cinematic life, a lumbering, self-aware marketing Frankenstein that feeds on the dollars of #Millennials and reeks of summertime sadness. So it makes sense that calling this track \"forced\" is perhaps the understatement of the year. None of the parties involved sound even \u003cem>remotely\u003c/em> like they want to be here -- and who can blame them?\u003c/p>\n\u003cp>All of which is to say, Missy: You're better than this. Making a terrible song with Fall Out Boy for a soundtrack for the remake of a blockbuster is a demonstration of the \u003cem>opposite\u003c/em> of shine theory. You now have the scent of Fall Out Boy all over you, and I'll get past that, but it's going to be a slow and difficult process. Which hurts, because Missy: You didn't have to do this. You don't have to do this. Please don't do it again.\u003c/p>\n\u003cp>But since you did, I hope you did it for a\u003cem> really\u003c/em> nice paycheck.\u003c/p>\n\u003cp>\u003cem>[Ed. note: I could not actually make it all the way through \"Ghostbusters (I'm Not Afraid),\" and chose instead just to watch more old-school Missy Elliott videos (see below). If the last 45 seconds of said theme song somehow redeem the entire thing, someone please let me know.]\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=opkRF3UZSJw\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kYKI8tAELXY\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FPoKiGQzbSQ\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In my heart of hearts, I knew this was coming.\u003c/p>\n\u003cp>It was a few weeks ago now that I became vaguely aware, in that glazed-over internet osmosis way, of a new \u003cem>Ghostbusters\u003c/em> theme that had a 100 percent chance of upsetting me. Some stray \"trending\" story on Facebook, I believe, included the words \"Fall Out Boy and Missy Elliott to record \u003cem>Ghostbusters\u003c/em> theme song.\"\u003c/p>\n\u003cp>Like most trending Facebook stories -- let's see, mine currently include \"Cheetos: Frito-Lay Holds Contest To Find Uniquely-Shaped Snack Foods\" and \"Shaquille O'Neal: Ex-NBA Player Shares Image With His Face Edited Onto Dwayne Wade's Nude Body\" -- my eyes glossed over it, unable or unwilling to fully digest the information it contained.\u003c/p>\n\u003cp>But even if I had fully internalized those words, there's just no way they could have prepared me for this.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2AQ44nPrRTM'\n title='//www.youtube.com/embed/2AQ44nPrRTM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Okay, so some context: The \u003cem>Ghostbusters\u003c/em> remake, out July 15 and starring four very funny women in the place of the original's four funny men, has seemingly been plagued by controversy from the get-go. Some of this controversy is extremely stupid: A real contingent of \u003ca href=\"https://www.buzzfeed.com/danielkibblesmith/who-you-gonna-call-misandry-busters?utm_term=.jgkJoEpdDD#.lgp5M6aeLL\" target=\"_blank\">men are super mad that the main characters are no longer men\u003c/a>.\u003c/p>\n\u003cp>Some of it is less stupid: After the first trailer was released, it was difficult to ignore the fact that, out of the four Ghostbuster characters, the three white ones are apparently scientists -- whereas \u003ca href=\"http://www.papermag.com/leslie-jones-responds-to-criticism-of-her-racist-ghostbusters-role-1648137736.html\" target=\"_blank\">the character played by Leslie Jones\u003c/a>, the only black Ghostbuster, is a \"sassy\" working-class woman with a job at the MTA.\u003c/p>\n\u003cp>With three weeks left before the movie hits theaters, however, \u003cem>Ghostbusters\u003c/em> has since outdone itself. \"Ghostbusters (I'm Not Afraid)\" is now officially The Worst Thing About \u003cem>Ghostbusters\u003c/em>. It might even be the worst thing about official motion picture soundtracks, which is \u003ca href=\"https://www.amazon.com/Walk-Remember-Various-Artists/dp/B00005UT2K\" target=\"_blank\">really saying something, considering\u003c/a>. Gone are the simple, cheesy, Huey Lewis-shaped synth notes of our youth, and in their place is something that sounds a bit like robots trying to recreate '80s music in a stark underground torture chamber. Even if the schlocky, over-the-top guitar and distorted vocals are supposed to be a nod to the decade from whence the original tune came, calling this cheap-sounding remake an homage to Ray Parker Jr.'s Academy Award-nominated original is like calling \u003ca href=\"http://www.wired.com/2016/04/snapchat-bob-marley-filter/\" target=\"_blank\">Snapchat's 4/20 blackface\u003c/a> \u003ca href=\"http://www.wired.com/2016/04/snapchat-bob-marley-filter/\" target=\"_blank\">filter \u003c/a>a touching and well-executed tribute to Bob Marley.\u003c/p>\n\u003cp>Of course, I expected as much from Fall Out Boy. We all expected as much from Fall Out Boy! The best thing Fall Out Boy has ever done is an 11-year-old chewed-up Laffy Taffy gob of a song that should only ever be consumed alongside \u003ca href=\"https://www.youtube.com/watch?v=kvx0ncTxxL0\" target=\"_blank\">this YouTube video\u003c/a>.\u003c/p>\n\u003cp>But Missy? \u003cem>Missy\u003c/em>. Missy Elliott, if you're a member of the unlucky quadrant of society who only learned about Missy Elliott when she handily upstaged Katy Perry during the latter's Super Bowl Halftime Show, is more than a legend. She's a queen, and she can do whatever she wants. She's been \u003ca href=\"http://www.cbsnews.com/news/graves-disease-diagnosis-for-missy-elliot-came-after-rapper-almost-wrecked-car/\" target=\"_blank\">sick in recent years\u003c/a>, so she was out of the spotlight for a bit, but she also gave a presentation with Michelle Obama and Queen Latifah at this year's SXSW, in a \u003ca href=\"http://www.vulture.com/2016/03/michelle-obama-queen-latifah-missy-elliott-shine-at-sxsw.html\" target=\"_blank\">great example of shine theory at work\u003c/a>. She's still among the most innovative and talented rappers alive, and -- you know what? I'm getting too emotional. MISSY BREAK.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hHcyJPTTn9w'\n title='//www.youtube.com/embed/hHcyJPTTn9w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Here's the thing: The studio executives tasked with selling a movie whose driving premise is bankable nostalgia know \u003cem>exactly\u003c/em> how I feel about Missy Elliott. They did their research. Combining Missy Elliott and Fall Out Boy with \u003cem>Ghostbusters \u003c/em>as a branding strategy is essentially jolting a BuzzFeed listicle of Things Only Kids Born In the '80s Will Understand with a taser until it springs to cinematic life, a lumbering, self-aware marketing Frankenstein that feeds on the dollars of #Millennials and reeks of summertime sadness. So it makes sense that calling this track \"forced\" is perhaps the understatement of the year. None of the parties involved sound even \u003cem>remotely\u003c/em> like they want to be here -- and who can blame them?\u003c/p>\n\u003cp>All of which is to say, Missy: You're better than this. Making a terrible song with Fall Out Boy for a soundtrack for the remake of a blockbuster is a demonstration of the \u003cem>opposite\u003c/em> of shine theory. You now have the scent of Fall Out Boy all over you, and I'll get past that, but it's going to be a slow and difficult process. Which hurts, because Missy: You didn't have to do this. You don't have to do this. Please don't do it again.\u003c/p>\n\u003cp>But since you did, I hope you did it for a\u003cem> really\u003c/em> nice paycheck.\u003c/p>\n\u003cp>\u003cem>[Ed. note: I could not actually make it all the way through \"Ghostbusters (I'm Not Afraid),\" and chose instead just to watch more old-school Missy Elliott videos (see below). 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"content": "\u003cp>How many times have you been minding your own business, listening to pop radio, reminiscing about the year 1998, when a truly gluttonous fantasy popped into your brain: *NSYNC was a pretty good boy band and all, but how much better would they have been if there had been 300 of them?!\u003c/p>\n\u003cp>Alright, so maybe this event isn't meeting a specific need -- it's more like the kind of thing you never really knew you wanted until your weird aunt sends it to you as a birthday gift; say, one of those weird \u003ca href=\"http://www.skymall.com/black-forest-ent-tree-statue/CL-5866.html?gclid=CIPn_IHpvM0CFRSPfgodNSgHSA#fo_c=1266&fo_k=5e3dca2ae17b26c19a5eaa66f7936f70&fo_s=gplaus\" target=\"_blank\">tree-face\u003c/a> garden accent things from SkyMall.\u003c/p>\n\u003cp>In any event: It's Pride weekend, and it goes without saying that the \u003ca href=\"https://www.sfgmc.org/\" target=\"_blank\">San Francisco Gay Men's Chorus\u003c/a> is so much better than any lawn ornament could ever hope to be. \u003cem>Especially\u003c/em> when they put together a performance that consists solely of boy band songs, all sung harmoniously, 300 men at a time.\u003c/p>\n\u003cfigure id=\"attachment_27555\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-27555\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/913-800x600.jpg\" alt=\"Just like this, only with 255 more guys. \" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Just like this, only with 295 more guys.\u003c/figcaption>\u003c/figure>\n\u003cp>\"\u003ca href=\"http://www.sfgmc.org/events/heartthrobs-biggest-boy-band-ever/\" target=\"_blank\">Heartthrobs: Biggest Boy Band Ever\u003c/a>\" will see the renowned chorus singing hits from \"The Beach Boys to The Beatles, from the Bee Gees to Boyz II Men,\" accompanied by Well-Strung, \"the Singing String Quartet.\" There are three performances at the Nourse Theater this weekend: Friday, June 24 at 8pm and Saturday, June 25 at 2:30 and 8pm. Tickets range from $20 to $60.\u003c/p>\n\u003cp>This is sillier fare than we often get from the SFGMC, which in recent weeks gave us this \u003ca href=\"https://www.youtube.com/watch?v=z83Sx-KECpc\" target=\"_blank\">chill-inducing tribute\u003c/a> to the victims of the Orlando shooting.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As I've written previously, however, there is \u003ca href=\"https://ww2.kqed.org/pop/2016/06/17/this-week-has-been-terrible-you-should-probably-go-see-a-cat-circus/\" target=\"_blank\">a time and place for silliness\u003c/a>. There is also a time and place for spiky, bleached hair. And sometimes, some of us, regardless of the year -- we want it that way.\u003c/p>\n\u003cp>Can you blame us?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4fndeDfaWCg\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>How many times have you been minding your own business, listening to pop radio, reminiscing about the year 1998, when a truly gluttonous fantasy popped into your brain: *NSYNC was a pretty good boy band and all, but how much better would they have been if there had been 300 of them?!\u003c/p>\n\u003cp>Alright, so maybe this event isn't meeting a specific need -- it's more like the kind of thing you never really knew you wanted until your weird aunt sends it to you as a birthday gift; say, one of those weird \u003ca href=\"http://www.skymall.com/black-forest-ent-tree-statue/CL-5866.html?gclid=CIPn_IHpvM0CFRSPfgodNSgHSA#fo_c=1266&fo_k=5e3dca2ae17b26c19a5eaa66f7936f70&fo_s=gplaus\" target=\"_blank\">tree-face\u003c/a> garden accent things from SkyMall.\u003c/p>\n\u003cp>In any event: It's Pride weekend, and it goes without saying that the \u003ca href=\"https://www.sfgmc.org/\" target=\"_blank\">San Francisco Gay Men's Chorus\u003c/a> is so much better than any lawn ornament could ever hope to be. \u003cem>Especially\u003c/em> when they put together a performance that consists solely of boy band songs, all sung harmoniously, 300 men at a time.\u003c/p>\n\u003cfigure id=\"attachment_27555\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-27555\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/913-800x600.jpg\" alt=\"Just like this, only with 255 more guys. \" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/913.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Just like this, only with 295 more guys.\u003c/figcaption>\u003c/figure>\n\u003cp>\"\u003ca href=\"http://www.sfgmc.org/events/heartthrobs-biggest-boy-band-ever/\" target=\"_blank\">Heartthrobs: Biggest Boy Band Ever\u003c/a>\" will see the renowned chorus singing hits from \"The Beach Boys to The Beatles, from the Bee Gees to Boyz II Men,\" accompanied by Well-Strung, \"the Singing String Quartet.\" There are three performances at the Nourse Theater this weekend: Friday, June 24 at 8pm and Saturday, June 25 at 2:30 and 8pm. Tickets range from $20 to $60.\u003c/p>\n\u003cp>This is sillier fare than we often get from the SFGMC, which in recent weeks gave us this \u003ca href=\"https://www.youtube.com/watch?v=z83Sx-KECpc\" target=\"_blank\">chill-inducing tribute\u003c/a> to the victims of the Orlando shooting.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003chr>\n\u003cp>Remember the last time you were at a death metal show, and that cold brew you were sipping on had a distinctly loud, bitter flavor? Or that time you attended Lilith Fair and found your lager took on notes of female empowerment?\u003c/p>\n\u003cp>Okay, so I've never had either of these experiences; sometimes at large stadium shows I think my beer tastes bitter, but I'm pretty sure that's because \u003cem>I'm\u003c/em> bitter at having paid $12 for it.\u003c/p>\n\u003cp>According to a recent study, however, the music a person is listening to can affect his or her perception of taste. \u003ca href=\"http://www.etro.vub.ac.be/Publications/ShowPurePub.asp?PubID=5493\" target=\"_blank\">The study\u003c/a>, conducted by scientists at Vrije University in Brussels, Belgium, found that participants who were given the same beer while listening to different kinds of music actually transferred their \"experience and feelings about the music to the beer\" that they were tasting. Volunteers' ratings of the same beer varied in terms of perception of alcohol by volume, sweetness, bitterness and more.\u003c/p>\n\u003cp>Said findings support\u003ca href=\"http://blogs.scientificamerican.com/food-matters/pitchfork-the-relationship-between-sound-and-taste/\" target=\"_blank\"> previous research\u003c/a> that showed volunteers rated toffee they consumed while listening to piano music as \"sweet,\" while toffee they ate while listening to lower-pitched music were perceived as bitter. And some of the researchers from the beer study are out to investigate similar effects on \u003ca href=\"http://make.brussels/fr/projects/the-sound-of-chocolate-fr/\" target=\"_blank\">the taste of chocolate\u003c/a>.\u003c/p>\n\u003cp>Obviously, part of any experiment like this is subjective -- music that sounds sweet to one person's ear might be excruciating to another, which is, after all, how we account for a human like Justin Bieber.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regardless: If you know what music makes you think happy, sonorific thoughts, that could be something to keep in mind next time you're trying to force yourself to eat your broccoli.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KmjLqddPqZQ\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003chr>\n\u003cp>Remember the last time you were at a death metal show, and that cold brew you were sipping on had a distinctly loud, bitter flavor? Or that time you attended Lilith Fair and found your lager took on notes of female empowerment?\u003c/p>\n\u003cp>Okay, so I've never had either of these experiences; sometimes at large stadium shows I think my beer tastes bitter, but I'm pretty sure that's because \u003cem>I'm\u003c/em> bitter at having paid $12 for it.\u003c/p>\n\u003cp>According to a recent study, however, the music a person is listening to can affect his or her perception of taste. \u003ca href=\"http://www.etro.vub.ac.be/Publications/ShowPurePub.asp?PubID=5493\" target=\"_blank\">The study\u003c/a>, conducted by scientists at Vrije University in Brussels, Belgium, found that participants who were given the same beer while listening to different kinds of music actually transferred their \"experience and feelings about the music to the beer\" that they were tasting. Volunteers' ratings of the same beer varied in terms of perception of alcohol by volume, sweetness, bitterness and more.\u003c/p>\n\u003cp>Said findings support\u003ca href=\"http://blogs.scientificamerican.com/food-matters/pitchfork-the-relationship-between-sound-and-taste/\" target=\"_blank\"> previous research\u003c/a> that showed volunteers rated toffee they consumed while listening to piano music as \"sweet,\" while toffee they ate while listening to lower-pitched music were perceived as bitter. And some of the researchers from the beer study are out to investigate similar effects on \u003ca href=\"http://make.brussels/fr/projects/the-sound-of-chocolate-fr/\" target=\"_blank\">the taste of chocolate\u003c/a>.\u003c/p>\n\u003cp>Obviously, part of any experiment like this is subjective -- music that sounds sweet to one person's ear might be excruciating to another, which is, after all, how we account for a human like Justin Bieber.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Just Keep Swimming: Quotes, Songs and Other Pop Culture Bits That Help During Hard Times",
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"content": "\u003cp>On the morning of December 14, 2012, I was getting ready to head off to my job as a kindergarten art aide when I first heard the news of the Sandy Hook tragedy. I cried all the way to school, as I listened to the reports roll in about the teachers sacrificing themselves, the scared young students, and the commentary on living in a world where even innocent children are targets.\u003c/p>\n\u003cp>Since the principal asked us not to discuss the news, I kept wondering how I would manage to keep it together in the midst of this horrible day. Just outside the classroom, I took a deep breath, wiped my mascara off my cheeks, and remembered the \"Just keep swimming\" scene from \u003cem>Finding Nemo:\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4WVoC_CJbow\u003c/p>\n\u003cp>And, you know what? It worked. My students made lovely glitter snowflakes that day.\u003c/p>\n\u003cp>Sadly, Sandy Hook isn’t the last time it's been necessary to overcome a tragedy. When faced with news of\u003ca href=\"http://ww2.kqed.org/pop/2016/06/13/why-the-orlando-shooting-isnt-as-surprising-as-it-should-be/\"> last week's Orlando shooting\u003c/a>, at first I was at a loss, but then I remembered my \u003cem>Finding Nemo\u003c/em> moment. And I realized that there were far more pop culture touchstones that have given me hope in times of tragedy. Here are a few ways I renew my faith in humanity during hard times:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>FICTION\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"https://s-media-cache-ak0.pinimg.com/736x/a4/bb/a6/a4bba6a38c29822933bdf82240e03b9c.jpg\">\u003c/p>\n\u003cp>\u003cem>Christy\u003c/em> by Catherine Marshall, on the other hand, is a sentimental favorite I’ve read so many times I’ve practically memorized it. The semi-true story of a young, naïve society girl who teaches and falls in love with a remote Appalachian community is sure to inspire the most cynical among us about the power of caring and dedication to others.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://d.gr-assets.com/books/1406383769l/49628.jpg\">\u003cbr>\n\u003cem>Cloud Atlas\u003c/em> by David Mitchell is not just a favorite of mine but also my undergraduate university’s president. He often quoted some of the final lines from the book: “My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?” This collection of six nested stories really drives home the point that every single life matters.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"https://upload.wikimedia.org/wikipedia/en/3/38/DivineSecretsOfTheYaYaSisterhood.jpg\">\u003cbr>\n\u003cem>The Divine Secrets of the Ya-Ya Sisterhood\u003c/em> by Rebecca Wells was the first “adult” book I read as a child. And the story of four lifelong friends -- the ya-yas -- who support their member's daughter as she discovers how to love and forgive, is one that has resonated with me and millions of other readers.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>POETRY\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Sure, you’re thinking to yourself, all I need is a good Shel Silverstein or Dr. Seuss poem. But, thanks to my MFA program, I’d actually suggest reading more widely.\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"https://www.poets.org/poetsorg/poem/horses-midnight-without-moon\">“Horses at Midnight Without a Moon” by Jack Gilbert\u003c/a> is a recent find. There’s just something about that final sentence that fills me with unwavering optimism – “Our spirit persists like a man struggling / through the frozen valley / who suddenly smells flowers / and realizes the snow is melting / out of sight on top of the mountain, / knows that spring has begun.”\u003c/p>\n\u003cp style=\"text-align: left\">Nora Ephron's \u003ca href=\"https://www.theguardian.com/film/2012/jun/27/nora-ephron-miss-wont-miss\">“What I Won't Miss” and the accompanying piece “What I Will Miss”\u003c/a> are powerful but simple list essays likely written after her diagnosis of leukemia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>FILM\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=s6UbYHCkoZs\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>Mr. Smith Goes to Washington\u003c/em> – Say what you will about the preachy nature of Frank Capra films, but with a nod to \u003ca href=\"http://www.rollingstone.com/politics/news/meet-the-senator-who-filibustered-for-15-hours-on-gun-control-20160620\">last week's filibuster\u003c/a>, isn’t it inspiring to see a Congressman standing up for what’s right?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=i_FKP-rjhh4\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>Legally Blonde\u003c/em> – No one should ever underestimate Elle Woods. She’s a good role model for how to recover from personal tragedy with poise…and a whole lot of pink.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OB-vnc7zDhU\u003c/p>\n\u003cp>My best friend is a \u003cem>Gone with the Wind\u003c/em> fan, so I often recall Scarlett O’Hara returning to Tara and vowing to get Rhett back and start her life anew. \"After all, tomorrow is another day.” Gets me every time!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=X6CYrVp9pVg\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>The LEGO Movie\u003c/em> -- As the song goes, “Everything is awesome when you’re part of a team.” It's heartening to remember we're all in this together.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>TELEVISION\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=C6EFPo3n6oM\u003c/p>\n\u003cp>\u003cem>Northern Exposure’s\u003c/em> “Cicely” tells the story of the quirky town’s founding. The episode won so many awards, partly because of this emphasis: “One person can have a profound effect on another. And two people...well, two people can work miracles. They can change a whole town. They can change the world.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GlGJ2BkWzkc&list=PLThOovkhJDbWwDkUga0dAslPF8ABHyNmQ\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>M*A*S*H’s\u003c/em> “Goodbye, Farewell, and Amen” was the final episode and represented the end of the Korean War. While it was a sad farewell, there was also so much love and friendship shared between the characters in what were some of the worst of times. The feelings were best summed up by Colonel Potter: “Well, I can't call what we went through fun. But I'm sure glad we went through it together.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zo-XM46zu_0\u003c/p>\n\u003cp style=\"text-align: left\">In \u003cem>Ed\u003c/em>'s “Youth Bandits”, where the main characters reunite to celebrate the life of an old high school friend, the song they sing sums up the theme of this show -- sometimes, returning home reminds us to keep exploring for what we truly want out of our one life.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>MUSICALS\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">To find an inspiring song, all you need to do is attend the nearest graduation. Apart from the empowering songs du jour you'll find there, the one song I keep in my playlists to make me feel better is Ben Harper’s (with the Blind Boys of Alabama) “There Will Be A Light.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=J7ag9AAyYfw\u003c/p>\n\u003cp style=\"text-align: left\">Musicals are also great resources for songs that can lift even the heaviest of hearts. Here are three favorites:\u003c/p>\n\u003cp style=\"text-align: left\">If you can’t fulfill the tall order of “Forgiveness” from \u003cem>Jane Eyre\u003c/em>,\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oegDwLIRue0\u003c/p>\n\u003cp style=\"text-align: left\">...there’s always the more realistic vision of the world from \u003cem>Spamalot’s\u003c/em> “Always Look on the Bright Side of Life”...\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JrdEMERq8MA\u003c/p>\n\u003cp>...or the inspirational crowd-stopper, “Climb Ev’ry Mountain” from \u003cem>The Sound of Music\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EoCPuhhE6dw\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp style=\"text-align: left\">\u003cem>What bits of pop culture help you during hard times? Share in the comments!\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the morning of December 14, 2012, I was getting ready to head off to my job as a kindergarten art aide when I first heard the news of the Sandy Hook tragedy. I cried all the way to school, as I listened to the reports roll in about the teachers sacrificing themselves, the scared young students, and the commentary on living in a world where even innocent children are targets.\u003c/p>\n\u003cp>Since the principal asked us not to discuss the news, I kept wondering how I would manage to keep it together in the midst of this horrible day. Just outside the classroom, I took a deep breath, wiped my mascara off my cheeks, and remembered the \"Just keep swimming\" scene from \u003cem>Finding Nemo:\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4WVoC_CJbow'\n title='//www.youtube.com/embed/4WVoC_CJbow'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And, you know what? It worked. My students made lovely glitter snowflakes that day.\u003c/p>\n\u003cp>Sadly, Sandy Hook isn’t the last time it's been necessary to overcome a tragedy. When faced with news of\u003ca href=\"http://ww2.kqed.org/pop/2016/06/13/why-the-orlando-shooting-isnt-as-surprising-as-it-should-be/\"> last week's Orlando shooting\u003c/a>, at first I was at a loss, but then I remembered my \u003cem>Finding Nemo\u003c/em> moment. And I realized that there were far more pop culture touchstones that have given me hope in times of tragedy. Here are a few ways I renew my faith in humanity during hard times:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>FICTION\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"https://s-media-cache-ak0.pinimg.com/736x/a4/bb/a6/a4bba6a38c29822933bdf82240e03b9c.jpg\">\u003c/p>\n\u003cp>\u003cem>Christy\u003c/em> by Catherine Marshall, on the other hand, is a sentimental favorite I’ve read so many times I’ve practically memorized it. The semi-true story of a young, naïve society girl who teaches and falls in love with a remote Appalachian community is sure to inspire the most cynical among us about the power of caring and dedication to others.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"http://d.gr-assets.com/books/1406383769l/49628.jpg\">\u003cbr>\n\u003cem>Cloud Atlas\u003c/em> by David Mitchell is not just a favorite of mine but also my undergraduate university’s president. He often quoted some of the final lines from the book: “My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops?” This collection of six nested stories really drives home the point that every single life matters.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter\" src=\"https://upload.wikimedia.org/wikipedia/en/3/38/DivineSecretsOfTheYaYaSisterhood.jpg\">\u003cbr>\n\u003cem>The Divine Secrets of the Ya-Ya Sisterhood\u003c/em> by Rebecca Wells was the first “adult” book I read as a child. And the story of four lifelong friends -- the ya-yas -- who support their member's daughter as she discovers how to love and forgive, is one that has resonated with me and millions of other readers.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>POETRY\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Sure, you’re thinking to yourself, all I need is a good Shel Silverstein or Dr. Seuss poem. But, thanks to my MFA program, I’d actually suggest reading more widely.\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"https://www.poets.org/poetsorg/poem/horses-midnight-without-moon\">“Horses at Midnight Without a Moon” by Jack Gilbert\u003c/a> is a recent find. There’s just something about that final sentence that fills me with unwavering optimism – “Our spirit persists like a man struggling / through the frozen valley / who suddenly smells flowers / and realizes the snow is melting / out of sight on top of the mountain, / knows that spring has begun.”\u003c/p>\n\u003cp style=\"text-align: left\">Nora Ephron's \u003ca href=\"https://www.theguardian.com/film/2012/jun/27/nora-ephron-miss-wont-miss\">“What I Won't Miss” and the accompanying piece “What I Will Miss”\u003c/a> are powerful but simple list essays likely written after her diagnosis of leukemia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>FILM\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/s6UbYHCkoZs'\n title='//www.youtube.com/embed/s6UbYHCkoZs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">\u003cem>Mr. Smith Goes to Washington\u003c/em> – Say what you will about the preachy nature of Frank Capra films, but with a nod to \u003ca href=\"http://www.rollingstone.com/politics/news/meet-the-senator-who-filibustered-for-15-hours-on-gun-control-20160620\">last week's filibuster\u003c/a>, isn’t it inspiring to see a Congressman standing up for what’s right?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i_FKP-rjhh4'\n title='//www.youtube.com/embed/i_FKP-rjhh4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">\u003cem>Legally Blonde\u003c/em> – No one should ever underestimate Elle Woods. She’s a good role model for how to recover from personal tragedy with poise…and a whole lot of pink.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OB-vnc7zDhU'\n title='//www.youtube.com/embed/OB-vnc7zDhU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>My best friend is a \u003cem>Gone with the Wind\u003c/em> fan, so I often recall Scarlett O’Hara returning to Tara and vowing to get Rhett back and start her life anew. \"After all, tomorrow is another day.” Gets me every time!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/X6CYrVp9pVg'\n title='//www.youtube.com/embed/X6CYrVp9pVg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">\u003cem>The LEGO Movie\u003c/em> -- As the song goes, “Everything is awesome when you’re part of a team.” It's heartening to remember we're all in this together.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>TELEVISION\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C6EFPo3n6oM'\n title='//www.youtube.com/embed/C6EFPo3n6oM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Northern Exposure’s\u003c/em> “Cicely” tells the story of the quirky town’s founding. The episode won so many awards, partly because of this emphasis: “One person can have a profound effect on another. And two people...well, two people can work miracles. They can change a whole town. They can change the world.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GlGJ2BkWzkc'\n title='//www.youtube.com/embed/GlGJ2BkWzkc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">\u003cem>M*A*S*H’s\u003c/em> “Goodbye, Farewell, and Amen” was the final episode and represented the end of the Korean War. While it was a sad farewell, there was also so much love and friendship shared between the characters in what were some of the worst of times. The feelings were best summed up by Colonel Potter: “Well, I can't call what we went through fun. But I'm sure glad we went through it together.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zo-XM46zu_0'\n title='//www.youtube.com/embed/zo-XM46zu_0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">In \u003cem>Ed\u003c/em>'s “Youth Bandits”, where the main characters reunite to celebrate the life of an old high school friend, the song they sing sums up the theme of this show -- sometimes, returning home reminds us to keep exploring for what we truly want out of our one life.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>MUSICALS\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">To find an inspiring song, all you need to do is attend the nearest graduation. Apart from the empowering songs du jour you'll find there, the one song I keep in my playlists to make me feel better is Ben Harper’s (with the Blind Boys of Alabama) “There Will Be A Light.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J7ag9AAyYfw'\n title='//www.youtube.com/embed/J7ag9AAyYfw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">Musicals are also great resources for songs that can lift even the heaviest of hearts. Here are three favorites:\u003c/p>\n\u003cp style=\"text-align: left\">If you can’t fulfill the tall order of “Forgiveness” from \u003cem>Jane Eyre\u003c/em>,\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oegDwLIRue0'\n title='//www.youtube.com/embed/oegDwLIRue0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">...there’s always the more realistic vision of the world from \u003cem>Spamalot’s\u003c/em> “Always Look on the Bright Side of Life”...\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JrdEMERq8MA'\n title='//www.youtube.com/embed/JrdEMERq8MA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>...or the inspirational crowd-stopper, “Climb Ev’ry Mountain” from \u003cem>The Sound of Music\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EoCPuhhE6dw'\n title='//www.youtube.com/embed/EoCPuhhE6dw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
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"source": "Commonwealth Club of California"
},
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"title": "Forum",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"meta": {
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"source": "WNYC"
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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