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"disqusTitle": "NPR Cancels 'Talk of the Nation' ",
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The show airs on KQED at 11 a.m. on weekdays.\u003c/p>\n\u003cp>In its place, NPR is offering \"\u003ca href=\"http://hereandnow.wbur.org/about-the-show\">Here and Now\u003c/a>\" a \"daily news magazine\" program developed by WBUR in Boston, which mixes interviews and prepared stories.\u003c/p>\n\u003cfigure id=\"attachment_92870\" class=\"wp-caption alignright\" style=\"max-width: 225px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/29/npr-cancels-talk-of-the-nation/conan_neal_2002_nagelmann/\" rel=\"attachment wp-att-92870\">\u003cimg class=\"size-medium wp-image-92870\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/conan_neal_2002_nagelmann-225x300.jpg\" alt='\"Talk of the Nation\" host Neal Conan (NPR)' width=\"225\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\"Talk of the Nation\" host Neal Conan (NPR)\u003c/figcaption>\u003c/figure>\n\u003cp>\"We're considering a variety of programming options\" to replace \"Talk of the Nation\" in the KQED lineup, said Jo Anne Wallace, KQED Public Radio General Manager. \"We will take time to consider all the news and information needs of our audience before making any decisions about what schedule changes to make in light of the 'Talk of the Nation' cancellation. We expect to make an announcement regarding a new schedule later in the sping.\"\u003c/p>\n\u003cp>More from Wallace about \"Talk of the Nation\":\u003c/p>\n\u003cblockquote>\u003cp>It has been a significant part of the KQED broadcast schedule since its launch in 1992, and over time, the program has helped us build audience for the KQED news and public affairs program service. [NPR President] Gary [Knell] mentioned that KQED has Talk's largest audience in the nation. And we all will remember the hosts of Talk of the Nation -- John Hockenberry, Ray Suarez, Juan Williams and Neal Conan -- and appreciate their daily work in news and intelligent conversation with the public radio audience.\u003c/p>\u003c/blockquote>\n\u003cp>Why the change?\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>David Folkenflik and Mark Memmott had this to say in the NPR blog \"\u003ca href=\"http://www.npr.org/blogs/thetwo-way/2013/03/29/175677788/talkofthenation\">Two Way\u003c/a>\":\u003c/p>\n\u003cblockquote>\u003cp>NPR executives said public radio has a glut of vibrant call-in shows involving national issues — and that they sought a newsmagazine with a mix of interviews and prepared stories to bridge the hours between \u003cem>Morning Edition\u003c/em> and \u003cem>All Things Considered.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>NPR managers say \"Here & Now\" will keep listeners up to day on the news throughout the day:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>Here & Now\u003c/em> is a smart, well-produced program that enables stations to meet the growing demand for news and information programming in the hours between \u003cem>Morning Edition\u003c/em> and \u003cem>All Things Considere\u003c/em>d. In its expanded form, the program will feed five days a week from noon to 2 p.m. ET (9-11 a.m. PT) and will be aggressively updated until 4 p.m. ET (1 p.m. PT). With that schedule, NPR – with WBUR – is now in a position to provide stations with live, updated news coverage 17 hours a day.\u003c/p>\u003c/blockquote>\n\u003cp>But NPR managers also offered words of praise for \"Talk of the Nation\"\u003c/p>\n\u003cblockquote>\u003cp>Over its 21-year run, \u003cem>Talk of the Nation \u003c/em>has made a powerful contribution to public radio and set the standard for high quality call-in talk programming. The show also created a model that spurred many stations to launch their own call-in shows.\u003c/p>\u003c/blockquote>\n\u003cp>These newer call-in shows are part of the reason for the change, NPR Executive Vice President Kinsey Wilson said, according to Two Way:\u003c/p>\n\u003cblockquote>\u003cp>In the 20 years that it's been around, and had a very successful run and become the No. 1 one call-in talk show on public radio, there's been a proliferation of other call-in talk shows — some of which we carry — like On Point with Tom Ashbrook, like Diane Rehm. [Those are] very successful in their own right [and] remain a vibrant part of what we do. This is really an opportunity for NPR to pivot a bit and to make sure we're investing in the things that are not as commonly done across the system — and that is providing solid news coverage and strong storytelling across all day parts.\"\u003c/p>\u003c/blockquote>\n\u003cp>\"Talk of the Nation's\" host, Neal Conan, will step down from daily broadcasting, the NPR executives said:\u003c/p>\n\u003cblockquote>\u003cp>After 35 years at NPR, 11 of them at the helm of Talk of the Nation, Neal Conan, has decided to step away from the grueling world of daily journalism. He hopes to write a book and spend more time in Wyoming. We look forward to his future reporting contributions from wherever he lands. Neal is one of NPR’s most distinguished journalists and brings extraordinary depth and insight to every story he touches. He will leave a legacy of excellence, having skillfully carried NPR, our Member Stations and the nation through some of the most important news of the last decade.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/npr-s-talk-of-the-nation-discontinued-your-reactio\u003cbr>\nWe want to hear from our listeners. Please add your own comments below.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update:\u003c/strong> Neal Conan's conversation with Michel Martin on his 11 years of hosting the show and his 36 years at NPR will be \u003ca href=\"http://ww2.kqed.org/news/2013/06/27/last-talk-of-the-nation/\" target=\"_blank\">posted online\u003c/a> around 3 p.m. PT.\u003c/p>\n\u003cp>NPR announced on Friday morning that it will cancel \"\u003ca href=\"http://www.npr.org/programs/talk-of-the-nation/\">Talk of the Nation\u003c/a>,\" the call-in talk show at the end of June. The show airs on KQED at 11 a.m. on weekdays.\u003c/p>\n\u003cp>In its place, NPR is offering \"\u003ca href=\"http://hereandnow.wbur.org/about-the-show\">Here and Now\u003c/a>\" a \"daily news magazine\" program developed by WBUR in Boston, which mixes interviews and prepared stories.\u003c/p>\n\u003cfigure id=\"attachment_92870\" class=\"wp-caption alignright\" style=\"max-width: 225px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/29/npr-cancels-talk-of-the-nation/conan_neal_2002_nagelmann/\" rel=\"attachment wp-att-92870\">\u003cimg class=\"size-medium wp-image-92870\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/conan_neal_2002_nagelmann-225x300.jpg\" alt='\"Talk of the Nation\" host Neal Conan (NPR)' width=\"225\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\"Talk of the Nation\" host Neal Conan (NPR)\u003c/figcaption>\u003c/figure>\n\u003cp>\"We're considering a variety of programming options\" to replace \"Talk of the Nation\" in the KQED lineup, said Jo Anne Wallace, KQED Public Radio General Manager. \"We will take time to consider all the news and information needs of our audience before making any decisions about what schedule changes to make in light of the 'Talk of the Nation' cancellation. We expect to make an announcement regarding a new schedule later in the sping.\"\u003c/p>\n\u003cp>More from Wallace about \"Talk of the Nation\":\u003c/p>\n\u003cblockquote>\u003cp>It has been a significant part of the KQED broadcast schedule since its launch in 1992, and over time, the program has helped us build audience for the KQED news and public affairs program service. [NPR President] Gary [Knell] mentioned that KQED has Talk's largest audience in the nation. And we all will remember the hosts of Talk of the Nation -- John Hockenberry, Ray Suarez, Juan Williams and Neal Conan -- and appreciate their daily work in news and intelligent conversation with the public radio audience.\u003c/p>\u003c/blockquote>\n\u003cp>Why the change?\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>David Folkenflik and Mark Memmott had this to say in the NPR blog \"\u003ca href=\"http://www.npr.org/blogs/thetwo-way/2013/03/29/175677788/talkofthenation\">Two Way\u003c/a>\":\u003c/p>\n\u003cblockquote>\u003cp>NPR executives said public radio has a glut of vibrant call-in shows involving national issues — and that they sought a newsmagazine with a mix of interviews and prepared stories to bridge the hours between \u003cem>Morning Edition\u003c/em> and \u003cem>All Things Considered.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>NPR managers say \"Here & Now\" will keep listeners up to day on the news throughout the day:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>Here & Now\u003c/em> is a smart, well-produced program that enables stations to meet the growing demand for news and information programming in the hours between \u003cem>Morning Edition\u003c/em> and \u003cem>All Things Considere\u003c/em>d. In its expanded form, the program will feed five days a week from noon to 2 p.m. ET (9-11 a.m. PT) and will be aggressively updated until 4 p.m. ET (1 p.m. PT). With that schedule, NPR – with WBUR – is now in a position to provide stations with live, updated news coverage 17 hours a day.\u003c/p>\u003c/blockquote>\n\u003cp>But NPR managers also offered words of praise for \"Talk of the Nation\"\u003c/p>\n\u003cblockquote>\u003cp>Over its 21-year run, \u003cem>Talk of the Nation \u003c/em>has made a powerful contribution to public radio and set the standard for high quality call-in talk programming. The show also created a model that spurred many stations to launch their own call-in shows.\u003c/p>\u003c/blockquote>\n\u003cp>These newer call-in shows are part of the reason for the change, NPR Executive Vice President Kinsey Wilson said, according to Two Way:\u003c/p>\n\u003cblockquote>\u003cp>In the 20 years that it's been around, and had a very successful run and become the No. 1 one call-in talk show on public radio, there's been a proliferation of other call-in talk shows — some of which we carry — like On Point with Tom Ashbrook, like Diane Rehm. [Those are] very successful in their own right [and] remain a vibrant part of what we do. This is really an opportunity for NPR to pivot a bit and to make sure we're investing in the things that are not as commonly done across the system — and that is providing solid news coverage and strong storytelling across all day parts.\"\u003c/p>\u003c/blockquote>\n\u003cp>\"Talk of the Nation's\" host, Neal Conan, will step down from daily broadcasting, the NPR executives said:\u003c/p>\n\u003cblockquote>\u003cp>After 35 years at NPR, 11 of them at the helm of Talk of the Nation, Neal Conan, has decided to step away from the grueling world of daily journalism. He hopes to write a book and spend more time in Wyoming. We look forward to his future reporting contributions from wherever he lands. Neal is one of NPR’s most distinguished journalists and brings extraordinary depth and insight to every story he touches. He will leave a legacy of excellence, having skillfully carried NPR, our Member Stations and the nation through some of the most important news of the last decade.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/npr-s-talk-of-the-nation-discontinued-your-reactio\u003cbr>\nWe want to hear from our listeners. Please add your own comments below.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "How Joe McConnell Sorts Out Bay Area Traffic (Archival Video)",
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"content": "\u003cp>On March 27th the Golden Gate Bridge will convert to all-electronic tolling. That’s big news to people who drive between Marin County and San Francisco. But it’s just one piece of the Bay Area’s traffic puzzle to traffic reporter Joe McConnell, a man who knows these highways better than just about anyone.\u003c/p>\n\u003cfigure id=\"attachment_91760\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/19/how-joe-mcconnell-sorts-out-bay-area-traffic-archival-video/joe-mcconnell/\" rel=\"attachment wp-att-91760\">\u003cimg class=\"size-medium wp-image-91760\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/Joe-McConnell-300x224.jpg\" alt=\"Joe McConnell\" width=\"300\" height=\"224\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joe McConnell in his office at Total Traffic. (Joshua Johnson/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>McConnell has worked in radio since 1982, including traffic updates on KQED Public Radio. What does it take to do one of the toughest jobs in broadcasting for so many years?\u003c/p>\n\u003cp>These days McConnell works from a small studio (about the size of a handicapped restroom stall) at the San Francisco offices of Total Traffic. It’s the service formerly known as Metro Traffic and Shadow Traffic, now owned by Clear Channel.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/mccconnell_feature.mp3\" target=\"_blank\">Listen to the story.\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/mcconnell_feature.mp3]His studio is simple, almost Spartan: just two computer screens, a microphone and a small console to connect with different stations. One screen contains various apps for writing reports, researching news and checking the roads, including a real-time map of highway sensors.\u003c!--more-->\u003c/p>\n\u003cp>“It’s kind of like looking at a big ant farm,” he laughs. “You’ll watch something happen and you’ll see it back up and see the streams change.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The highway-as-ant-farm appeals to McConnell’s background. He came to the Bay Area from his native Omaha, Neb. to get a Ph. D. in psychology from UC Berkeley.\u003c/p>\n\u003cp>“How people react and what they do and the decisions they make, are all evident right here on the traffic map. You can also watch the economy change by watching the traffic patterns…. traffic gets bad when the economy gets better, and traffic does actually improve when people lose their jobs.”\u003c/p>\n\u003cp>\u003cstrong>Here's what McConnell's job looked like in 1992\u003c/strong>\u003cbr>\n\u003cobject width=\"420\" height=\"315\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"src\" value=\"http://www.youtube.com/v/nbtFQrywH2k?version=3&hl=en_US&rel=0\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cembed width=\"420\" height=\"315\" type=\"application/x-shockwave-flash\" src=\"http://www.youtube.com/v/nbtFQrywH2k?version=3&hl=en_US&rel=0\" allowfullscreen=\"true\" allowscriptaccess=\"always\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>These days we can get traffic info from smartphone programs like Google Maps or Waze. But broadcast reports combine data from the public, law enforcement, road sensors, online maps and aircraft surveillance. After more than 25 years in the traffic business, McConnell says radio is still the ultimate, hands-free app.\u003c/p>\n\u003cp>“There are other ways to find out what’s going on, but you have to take your eyes off the road to figure them out,” McConnell says. A radio report is \"free; you don’t have to pay for it. And it’s the most immediate. We can tell you exactly what’s going on from all possible sources, the best we can possibly tell you. It’s still going to be the most up-to-date information you can get.”\u003c/p>\n\u003cp>Today McConnell's workload is mostly news, feeding Total Traffic’s national radio service. He records news updates for stations in Tennessee, Wisconsin and South Carolina, as well as a national news update. Stations download these reports from a server, though it’s unclear so far how many listeners receive this relatively new service. And the workload keeps growing, now including business and consumer news updates for Clear Channel’s streaming service iHeartRadio.\u003c/p>\n\u003cp>“I think over the years there have been some people who have run out of this job screaming,” McConnell laughs, “but I’ve stayed. I guess I’m just one of these people who, once I find a comfortable niche and I find something I’m really good at I just tend to do it. Because there's not that many things that I am good at. I’m not very good with a screwdriver or a hammer, and I’m no great business genius. But I’m good at this stuff. I enjoy the craft of it.”\u003c/p>\n\u003cp>On a typical weekday morning, there’s almost no way for any traffic report to mention every single incident or accident. But the information available to McConnell and other traffic reporters is far richer than is once was.\u003c/p>\n\u003cp>“People would be listening to their radios in 1988, not hearing me (not mention a major incident) and they would say, ‘What’s wrong with him? Why doesn’t he know that?’” McConnell recalls. “Well, it’s because there’s no plane that happened to be flying over at that moment. ... I would not have known that without an airplane flying over it in the olden days.”\u003c/p>\n\u003cp>These days McConnell lives in Sonoma: a good place to unwind from the frantic pace of his job. He says he has no plans to retire, though he wouldn’t turn down a winning lottery ticket. Until then, at least his ever-more-hectic job lets him fully be himself these days – he used to do radio traffic under three different names.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I was Joe Vincent on KGO,” McConnell says, “and I was Rocky Dolemite on (what is now) KNBR 1050. But now these days I’m just Joe McConnell. Just plain old Joe.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On March 27th the Golden Gate Bridge will convert to all-electronic tolling. That’s big news to people who drive between Marin County and San Francisco. But it’s just one piece of the Bay Area’s traffic puzzle to traffic reporter Joe McConnell, a man who knows these highways better than just about anyone.\u003c/p>\n\u003cfigure id=\"attachment_91760\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/03/19/how-joe-mcconnell-sorts-out-bay-area-traffic-archival-video/joe-mcconnell/\" rel=\"attachment wp-att-91760\">\u003cimg class=\"size-medium wp-image-91760\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/Joe-McConnell-300x224.jpg\" alt=\"Joe McConnell\" width=\"300\" height=\"224\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joe McConnell in his office at Total Traffic. (Joshua Johnson/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>McConnell has worked in radio since 1982, including traffic updates on KQED Public Radio. What does it take to do one of the toughest jobs in broadcasting for so many years?\u003c/p>\n\u003cp>These days McConnell works from a small studio (about the size of a handicapped restroom stall) at the San Francisco offices of Total Traffic. It’s the service formerly known as Metro Traffic and Shadow Traffic, now owned by Clear Channel.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/03/mccconnell_feature.mp3\" target=\"_blank\">Listen to the story.\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The highway-as-ant-farm appeals to McConnell’s background. He came to the Bay Area from his native Omaha, Neb. to get a Ph. D. in psychology from UC Berkeley.\u003c/p>\n\u003cp>“How people react and what they do and the decisions they make, are all evident right here on the traffic map. You can also watch the economy change by watching the traffic patterns…. traffic gets bad when the economy gets better, and traffic does actually improve when people lose their jobs.”\u003c/p>\n\u003cp>\u003cstrong>Here's what McConnell's job looked like in 1992\u003c/strong>\u003cbr>\n\u003cobject width=\"420\" height=\"315\" classid=\"d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"src\" value=\"http://www.youtube.com/v/nbtFQrywH2k?version=3&hl=en_US&rel=0\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cembed width=\"420\" height=\"315\" type=\"application/x-shockwave-flash\" src=\"http://www.youtube.com/v/nbtFQrywH2k?version=3&hl=en_US&rel=0\" allowfullscreen=\"true\" allowscriptaccess=\"always\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>These days we can get traffic info from smartphone programs like Google Maps or Waze. But broadcast reports combine data from the public, law enforcement, road sensors, online maps and aircraft surveillance. After more than 25 years in the traffic business, McConnell says radio is still the ultimate, hands-free app.\u003c/p>\n\u003cp>“There are other ways to find out what’s going on, but you have to take your eyes off the road to figure them out,” McConnell says. A radio report is \"free; you don’t have to pay for it. And it’s the most immediate. We can tell you exactly what’s going on from all possible sources, the best we can possibly tell you. It’s still going to be the most up-to-date information you can get.”\u003c/p>\n\u003cp>Today McConnell's workload is mostly news, feeding Total Traffic’s national radio service. He records news updates for stations in Tennessee, Wisconsin and South Carolina, as well as a national news update. Stations download these reports from a server, though it’s unclear so far how many listeners receive this relatively new service. And the workload keeps growing, now including business and consumer news updates for Clear Channel’s streaming service iHeartRadio.\u003c/p>\n\u003cp>“I think over the years there have been some people who have run out of this job screaming,” McConnell laughs, “but I’ve stayed. I guess I’m just one of these people who, once I find a comfortable niche and I find something I’m really good at I just tend to do it. Because there's not that many things that I am good at. I’m not very good with a screwdriver or a hammer, and I’m no great business genius. But I’m good at this stuff. I enjoy the craft of it.”\u003c/p>\n\u003cp>On a typical weekday morning, there’s almost no way for any traffic report to mention every single incident or accident. But the information available to McConnell and other traffic reporters is far richer than is once was.\u003c/p>\n\u003cp>“People would be listening to their radios in 1988, not hearing me (not mention a major incident) and they would say, ‘What’s wrong with him? Why doesn’t he know that?’” McConnell recalls. “Well, it’s because there’s no plane that happened to be flying over at that moment. ... I would not have known that without an airplane flying over it in the olden days.”\u003c/p>\n\u003cp>These days McConnell lives in Sonoma: a good place to unwind from the frantic pace of his job. He says he has no plans to retire, though he wouldn’t turn down a winning lottery ticket. Until then, at least his ever-more-hectic job lets him fully be himself these days – he used to do radio traffic under three different names.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I was Joe Vincent on KGO,” McConnell says, “and I was Rocky Dolemite on (what is now) KNBR 1050. But now these days I’m just Joe McConnell. Just plain old Joe.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_89344\" class=\"wp-caption alignleft\" style=\"max-width: 269px\">\u003cimg class=\"wp-image-89344 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/02/krasny20130215.jpg\" alt=\"Michael Krasny. (T.S. media/ Van Evers)\" width=\"269\" height=\"192\">\u003cfigcaption class=\"wp-caption-text\">Michael Krasny. (T.S. media/ Van Evers)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.kqed.org/radio/about/staff/michael-krasny.jsp\">Michael Krasny\u003c/a> hosted KQED's call-in public affairs program \u003ca href=\"http://www.kqed.org/radio/programs/forum/index.jsp\">Forum\u003c/a> for the first time on Feb. 15, 1993 - 20 years ago today. During that first show, he promised to continue the program's commitment to in-depth news and political programming while opening up \"new vistas in the arts...and the life of the mind.\" Over the past two decades Krasny has become a Bay Area icon by conducting hundreds of interviews with subjects ranging from world leaders and Hollywood stars to local residents working to make a difference in the community.\u003c/p>\n\u003cp>KQED is marking Krasny's anniversary in two ways today. At 10 a.m. he'd moved out of his host's chair to join Forum as a guest for an interview with Dave Iverson about his life and career. That show will be \u003ca href=\"http://www.kqed.org/a/forum/R201302151000\" target=\"_blank\">archived here\u003c/a>. After, he took questions from fans in a special online chat.\u003c/p>\n\u003cp>\u003c!--more-->View an archive of the chat below ...\u003c/p>\n\u003cp>\u003ciframe style=\"border: 1px solid #000\" src=\"http://embed.scribblelive.com/Embed/v5.aspx?Id=83792&ThemeId=7651\" frameborder=\"0\" width=\"100%\" height=\"600\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_89344\" class=\"wp-caption alignleft\" style=\"max-width: 269px\">\u003cimg class=\"wp-image-89344 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/02/krasny20130215.jpg\" alt=\"Michael Krasny. (T.S. media/ Van Evers)\" width=\"269\" height=\"192\">\u003cfigcaption class=\"wp-caption-text\">Michael Krasny. (T.S. media/ Van Evers)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.kqed.org/radio/about/staff/michael-krasny.jsp\">Michael Krasny\u003c/a> hosted KQED's call-in public affairs program \u003ca href=\"http://www.kqed.org/radio/programs/forum/index.jsp\">Forum\u003c/a> for the first time on Feb. 15, 1993 - 20 years ago today. During that first show, he promised to continue the program's commitment to in-depth news and political programming while opening up \"new vistas in the arts...and the life of the mind.\" Over the past two decades Krasny has become a Bay Area icon by conducting hundreds of interviews with subjects ranging from world leaders and Hollywood stars to local residents working to make a difference in the community.\u003c/p>\n\u003cp>KQED is marking Krasny's anniversary in two ways today. At 10 a.m. he'd moved out of his host's chair to join Forum as a guest for an interview with Dave Iverson about his life and career. That show will be \u003ca href=\"http://www.kqed.org/a/forum/R201302151000\" target=\"_blank\">archived here\u003c/a>. After, he took questions from fans in a special online chat.\u003c/p>\n\u003cp>\u003c!--more-->View an archive of the chat below ...\u003c/p>\n\u003cp>\u003ciframe style=\"border: 1px solid #000\" src=\"http://embed.scribblelive.com/Embed/v5.aspx?Id=83792&ThemeId=7651\" frameborder=\"0\" width=\"100%\" height=\"600\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Can Public Media Organizations Succeed Seeding Silicon Valley Startups? New Fund to Find Out",
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"content": "\u003cfigure id=\"attachment_81583\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/coreyfordjohnboland-e1354314500107.jpg\">\u003cimg class=\"size-medium wp-image-81583\" title=\"coreyfordjohnboland\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/coreyfordjohnboland-e1354314500107-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Matter Ventures CEO Corey Ford and KQED President John Boland\u003c/figcaption>\u003c/figure>\n\u003cp>Three media nonprofits -- \u003ca href=\"http://www.knightfoundation.org/\">Knight Foundation\u003c/a>, \u003ca href=\"http://www.prx.org/\">Public Radio Exchange\u003c/a> (PRX), and KQED (you're on it, bub, no link required) have announced they're creating a $2.5 million \u003ca href=\"http://www.inc.com/christina-desmarais/difference-between-startup-accelerator-and-incubator.html\" target=\"_blank\">accelerator\u003c/a> fund for selected media startups -- of the \u003cem>for\u003c/em>-profit variety -- to tap.\u003c/p>\n\u003cp>It's called Matter Ventures, based in San Francisco's SoMa district. Prospective candidates will be able to apply at the \u003ca href=\"http://www.matter.vc/\" target=\"_blank\">web site\u003c/a>, which went live today.\u003c/p>\n\u003cp>KQED and Knight Foundation are kicking in $1.25 million each to fund the initiative over two years, potentially taking an equity stake in businesses that develop within the program. PRX will help run the project. The media accelerator was \u003ca href=\"http://techcrunch.com/2012/03/08/public-media-gets-its-own-accelerator-led-by-corey-ford-from-eric-schmidts-innovation-endeavors/\" target=\"_blank\">previously announced last December by PRX and Knight under the name Public Media X\u003c/a>, and now KQED has come aboard. The CEO, as reported last year, will be Corey Ford, formerly of Runway, an incubator in ex-Google CEO Eric Schmidt's venture capital fund, Innovation Endeavors.\u003c/p>\n\u003cp>KQED is a San Francisco-based, member-supported public media organization best known for its radio and TV broadcasts. Knight Foundation funds various journalism and community projects. PRX is an online clearinghouse for public radio content.\u003c/p>\n\u003cp>Here's how it'll work, from the press release:\u003c/p>\n\u003cblockquote>\u003cp>The intensive, four-month acceleration program is designed for media startups with multi-disciplinary teams who have early-stage prototypes, such as participatory platforms, mobile applications, B2B media services, and content production engines. Matter will invest in entrepreneurs who show high potential to create media ventures that make a meaningful, positive impact on society while pursuing a sustainable, scalable, profitable business model. Over the course of two years, the fund will run four class cycles, each consisting of five startups....\u003c/p>\n\u003cp>Startups selected to participate in Matter will receive a $50,000 investment and will work side by side in a creative space in the South Park area of San Francisco's SoMa district... The structured program will kick off with an intensive design thinking and entrepreneurship bootcamp followed by a regular series of design reviews, mentoring session and educational workshops ... At the end of the four-month program, teams will pitch at a demo day to the Matter community and potential investors.\u003c/p>\u003c/blockquote>\n\u003cp>The application deadline is Jan 6. The first round of participants will start the program in February, 2013.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->KQED's Joshua Johnson recently interviewed Corey Ford, because he's the Matter CEO, and KQED President and CEO John Boland, because Joshua knew where to find him on the third floor. And because he wanted to ask him, you know, \u003ca href=\"http://ww2.kqed.org/news/2012/12/02/matter-ventures-media-accelerato/#boland\">what's a nice org like you doing in a space like this\u003c/a>?\u003c/p>\n\u003cp>We don't want to get too self-involved here. For those of you interested in issues facing public media organizations like KQED, as well as the disruptive effect on business models and content delivery that digital technology has had on all media, have at these. For the rest of you, here are some \u003ca href=\"http://ww2.kqed.org/news/2012/11/28/11-creative-images-of-the-bay-area-rain/\" target=\"_blank\">awesome images of the Bay Area rain\u003c/a>.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://matter.vc/#apply\" target=\"_blank\">\u003cstrong>Sign up for application details\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>I will say this: Joshua's first question posits the idea that the cultures of Silicon Valley and public media are \"diametrically opposed.\" As someone who has worked within both now, I think that's an interesting starting point for a pair of good discussions.\u003c/p>\n\u003cp>First, CEO Corey Ford, who described the new Matter accelerator as a place \"where the values of public media meet the mindset of Silicon Valley.\"\u003c/p>\n\u003cp>Both of the following transcripts have been edited for length and readability...\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: I think that, intuitively, people understand the ethos of Silicon Valley, and people who watch and listen to KQED or other public stations understand the ethos of public media – and those seem to be almost diametrically opposed. How do you get them to work together?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: I don't see them as diametrically opposed. I believe you can be mission-driven and you can pursue and use the best practices of sustainable, scalable, entrepreneurship all in one. What it really comes down to is having a culture of experimentation.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: How did this project come about?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: It all started, I believe, with a conversation between \u003ca href=\"http://www.pbs.org/idealab/2012/01/why-prx-knight-created-an-accelerator-for-public-media018.html\" target=\"_blank\">Jake Shapiro\u003c/a> of PRX and John Bracken from the Knight Foundation, saying if you look at what's going on in Silicon Valley and how much innovation these accelerator programs are producing, is there a way that we can leverage that type of model to support innovations in the areas we care about, in the future of media that matters?\u003c/p>\n\u003cp>And at the same time, I used to produce films for \u003ca href=\"http://www.pbs.org/wgbh/pages/frontline/view/\" target=\"_blank\">Frontline\u003c/a> on Public Television. I loved what we did and I believed really deeply in what we did, but around 2005 it felt like the world was changing dramatically and it didn't feel like we were changing at all.\u003c/p>\n\u003cp>And so I stepped away from one of the best jobs in public television because I wanted to learn more about entrepreneurship, about innovation and leadership so I could apply them, potentially, back to public media, either in the current institutions or by helping build startups that would put that mission forward.\u003c/p>\n\u003caside class=\"pullquote alignleft\">It's not just owning how is content produced or delivered but what is the business model around that, one of the key problems to solve within the media-that-matters space.\n\u003cp>--Matter CEO Corey Ford\u003c/p>\u003c/aside>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: And the one biggest thing that you learned that you would like to see apply to public media is…?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: It's really about building a culture of experimentation, one that is audience-centered and designed for their emerging needs, and that's not about getting it perfect. It's about taking your idea and building it in a way where you can get feedback from your audience, and then iterating on that.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Why doesn't that exist in Public Media today?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: Well, I am not saying that it doesn't exist in public media today...\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Then more broadly...\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: Right. I think it's challenging almost anywhere. You have to be really intentional about thinking about how to build a culture of experimentation, and I think any institution that's been around for a while, once they've had their successes, it's more risky to experiment with them.\u003c/p>\n\u003cp>So part of what we are doing is creating this place where we can think about the world from a blank-slate perspective. We can ask ourselves, if we are going to build a meaningful media institution, how might we do that leveraging emerging technologies, seeking new business models, and I think most importantly designing explicitly for the needs and emerging behaviors of our audience.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: What kind of startups are you looking for?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: The one constant in early-stage entrepreneurship is everything is going to change, so you really want to find the people and the teams who are driven by a similar mission that we're looking for. They have a vision for how their startups are going to impact society in a way that makes its citizens more informed, engaged or empowered.\u003c/p>\n\u003cp>In terms of specific ideas, I think they can range from participatory platforms -- think Twitter -- business-to-business services, mobile-first applications. Maybe a Kickstarter business model, designed for mobile first, which appeals to millennials, for example.\u003c/p>\n\u003cp>And finally what I would call not content but content-production engines. We are looking for people who think of their startups as a venture. It's not just owning how is content produced or delivered but what is the business model around that, one of the key problems to solve within the media-that-matters space.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: What is it about this geographic area that you think makes a good fit for innovating public media?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: There is a culture to Silicon Valley that is really hard to copy anywhere else. For me, and I think it is really misunderstood in some places, what it comes down to is what does failure look like in your organization? Is it something that is celebrated by the top leadership and reverberates so that it says I can experiment and I can learn and adjust based on that? And I think Silicon Valley has that nailed.\u003c/p>\n\u003cp>\u003ca name=\"boland\">\u003c/a>\u003cbr>\n\u003cstrong>\u003cem>End interview. Here's the interview with KQED President and CEO John Boland...\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>JOSHUA JOHNSON\u003c/strong>: This sounds like new territory for a public media organization -- to be involved and, literally, invested in a venture like this.\u003c/p>\n\u003cp>\u003cstrong>KQED's JOHN BOLAND\u003c/strong>: It is something new and it also fits perfectly with our strategy for KQED, which is to develop and invent a new model for public media. The reason we are doing that is the needs of our audience are changing so drastically and things in the community are changing rapidly, largely because of digital technology. So we feel we need to innovate and reinvent at a fairly rapid clip.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: I often deal with KQED audience members who want everything to stay exactly the way it is -- they don't want any kind of change and if you change it, I am taking my membership dollars back. But the reality is we really are in an era in which all the rules are being thrown out. So what is KQED experiencing, specifically?\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: We have to be all things to all people. Television and radio are still around and continuing, and we fully intend to continue those services in a very robust way. But we know that people are increasingly using laptops and smart phones and tablets, and they are not only accessing media in different ways, the media is being created in different ways.\u003c/p>\n\u003cp>Also, audiences are engaging in a kind of a two-way conversation in a way they never could with radio and television. We are definitely getting the signal from folks that you need to deliver KQED with this new digital content and services, and with the community that is convening.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Explain what some of the challenges are in terms of innovation in public media, which seems to deal with some specific kinds of strictures.\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: I think we have some specific strictures and some specific opportunities. I think the opportunity part is that public media, although it is a nonprofit and that's always a struggle financially, has a financial model in terms of community support that's still working, whereas the ad-supported model in commercial media has really fallen apart on the digital side.\u003c/p>\n\u003cp>I think the difficulty is we are so busy keeping up with the needs of the community as we see them now and delivering the services as we see them now that it's hard to find room and resources for trying new things. A lot of the ideas are coming from entrepreneurs and people with concepts that not only are designed to become the next Google and make lots of money, but really to change the world and media in positive ways. A lot of that is happening outside our ecosystem, and we feel like we need to make that connection.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: So why don't we see more independent producers now, walking into their local PBS station or NPR station, saying, \"I've got a great idea for this thing and it takes this much and it can be done this way and... ta-da!\"\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: What's interesting is that we get a lot of independent radio or TV producers coming in with great ideas, and we engage them, but we don't necessarily get people coming in saying, \"I have a new technology application that will really help you connect and serve your audience better.\" And the reason is they don't feel a public media organization is going to have the resources to invest in them, so they show up at a venture capital firm or an incubator or an accelerator.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Talk about where the dollars for this come from. This is a huge investment that KQED is making. I can imagine someone saying, \"I'd rather you just put that toward something you are already doing and keep me happy the way you're already doing it.\"\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: The dollars won't come away from the services we provide now or even their growth. What people don't realize is that KQED makes investments like this every year. We invest in a new radio transmitter, a new television master control. So this is coming out of that, our capital reserve fund, from which every year we spend several million dollars.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: For KQED members and audiences who think this is just an awesome idea but it seems hard to wrap their arms around, anything else they should know?\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: I think it's legitimate for people to raise the question -- and people have raised it-- \"Is this a risky thing for KQED to do?\" And I would say not really, because we are not investing in this to get a big financial return. We're smart enough to know most startups do not become Google or Apple. What we are really looking for is an innovation return.\u003c/p>\n\u003cp>If out of this investment we get some great ideas that are going to help us do better work, if we meet some great people whose company maybe doesn't take off but they end up coming to work for KQED, if we find some great technology that we can leverage, then I think it will be a worthwhile investment.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: One of the things that I have discussed with Corey Ford is the nature of failure in innovation. If this venture fails, how does that reflect on KQED?\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: I think it reflects that we are willing to take risks because the fact is we are in an environment now where you hear the phrase \"fail forward.\" You have to try things. And I am confident we are going to learn something from this. I hope it's a good lesson and not a bad lesson.\u003c/p>\n\u003cp>\u003cstrong>Update 9:50 a.m.\u003c/strong> So what is an \"accelerator\" anyway? Hari Sreenivasan took a \u003ca href=\"http://www.youtube.com/watch?v=6Q_44Apgzho&feature=youtube_gdata_player\" target=\"_blank\">look at the concept\u003c/a> last year for KQED's This Week in Northern California and PBS NewsHour.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.youtube.com/embed/6Q_44Apgzho\" frameborder=\"0\" width=\"500\" height=\"281\">\u003c/iframe>\u003c/p>\n\n",
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"description": "Three media nonprofits -- Knight Foundation, Public Radio Exchange (PRX), and KQED (you're on it, bub, no link required) have announced they're creating a $2.5 million accelerator fund for selected media startups -- of the for-profit variety -- to tap. It's called Matter Ventures, based in San Francisco's SoMa district. Prospective candidates will be able",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_81583\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/coreyfordjohnboland-e1354314500107.jpg\">\u003cimg class=\"size-medium wp-image-81583\" title=\"coreyfordjohnboland\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/coreyfordjohnboland-e1354314500107-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Matter Ventures CEO Corey Ford and KQED President John Boland\u003c/figcaption>\u003c/figure>\n\u003cp>Three media nonprofits -- \u003ca href=\"http://www.knightfoundation.org/\">Knight Foundation\u003c/a>, \u003ca href=\"http://www.prx.org/\">Public Radio Exchange\u003c/a> (PRX), and KQED (you're on it, bub, no link required) have announced they're creating a $2.5 million \u003ca href=\"http://www.inc.com/christina-desmarais/difference-between-startup-accelerator-and-incubator.html\" target=\"_blank\">accelerator\u003c/a> fund for selected media startups -- of the \u003cem>for\u003c/em>-profit variety -- to tap.\u003c/p>\n\u003cp>It's called Matter Ventures, based in San Francisco's SoMa district. Prospective candidates will be able to apply at the \u003ca href=\"http://www.matter.vc/\" target=\"_blank\">web site\u003c/a>, which went live today.\u003c/p>\n\u003cp>KQED and Knight Foundation are kicking in $1.25 million each to fund the initiative over two years, potentially taking an equity stake in businesses that develop within the program. PRX will help run the project. The media accelerator was \u003ca href=\"http://techcrunch.com/2012/03/08/public-media-gets-its-own-accelerator-led-by-corey-ford-from-eric-schmidts-innovation-endeavors/\" target=\"_blank\">previously announced last December by PRX and Knight under the name Public Media X\u003c/a>, and now KQED has come aboard. The CEO, as reported last year, will be Corey Ford, formerly of Runway, an incubator in ex-Google CEO Eric Schmidt's venture capital fund, Innovation Endeavors.\u003c/p>\n\u003cp>KQED is a San Francisco-based, member-supported public media organization best known for its radio and TV broadcasts. Knight Foundation funds various journalism and community projects. PRX is an online clearinghouse for public radio content.\u003c/p>\n\u003cp>Here's how it'll work, from the press release:\u003c/p>\n\u003cblockquote>\u003cp>The intensive, four-month acceleration program is designed for media startups with multi-disciplinary teams who have early-stage prototypes, such as participatory platforms, mobile applications, B2B media services, and content production engines. Matter will invest in entrepreneurs who show high potential to create media ventures that make a meaningful, positive impact on society while pursuing a sustainable, scalable, profitable business model. Over the course of two years, the fund will run four class cycles, each consisting of five startups....\u003c/p>\n\u003cp>Startups selected to participate in Matter will receive a $50,000 investment and will work side by side in a creative space in the South Park area of San Francisco's SoMa district... The structured program will kick off with an intensive design thinking and entrepreneurship bootcamp followed by a regular series of design reviews, mentoring session and educational workshops ... At the end of the four-month program, teams will pitch at a demo day to the Matter community and potential investors.\u003c/p>\u003c/blockquote>\n\u003cp>The application deadline is Jan 6. The first round of participants will start the program in February, 2013.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->KQED's Joshua Johnson recently interviewed Corey Ford, because he's the Matter CEO, and KQED President and CEO John Boland, because Joshua knew where to find him on the third floor. And because he wanted to ask him, you know, \u003ca href=\"http://ww2.kqed.org/news/2012/12/02/matter-ventures-media-accelerato/#boland\">what's a nice org like you doing in a space like this\u003c/a>?\u003c/p>\n\u003cp>We don't want to get too self-involved here. For those of you interested in issues facing public media organizations like KQED, as well as the disruptive effect on business models and content delivery that digital technology has had on all media, have at these. For the rest of you, here are some \u003ca href=\"http://ww2.kqed.org/news/2012/11/28/11-creative-images-of-the-bay-area-rain/\" target=\"_blank\">awesome images of the Bay Area rain\u003c/a>.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://matter.vc/#apply\" target=\"_blank\">\u003cstrong>Sign up for application details\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>I will say this: Joshua's first question posits the idea that the cultures of Silicon Valley and public media are \"diametrically opposed.\" As someone who has worked within both now, I think that's an interesting starting point for a pair of good discussions.\u003c/p>\n\u003cp>First, CEO Corey Ford, who described the new Matter accelerator as a place \"where the values of public media meet the mindset of Silicon Valley.\"\u003c/p>\n\u003cp>Both of the following transcripts have been edited for length and readability...\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: I think that, intuitively, people understand the ethos of Silicon Valley, and people who watch and listen to KQED or other public stations understand the ethos of public media – and those seem to be almost diametrically opposed. How do you get them to work together?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: I don't see them as diametrically opposed. I believe you can be mission-driven and you can pursue and use the best practices of sustainable, scalable, entrepreneurship all in one. What it really comes down to is having a culture of experimentation.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: How did this project come about?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: It all started, I believe, with a conversation between \u003ca href=\"http://www.pbs.org/idealab/2012/01/why-prx-knight-created-an-accelerator-for-public-media018.html\" target=\"_blank\">Jake Shapiro\u003c/a> of PRX and John Bracken from the Knight Foundation, saying if you look at what's going on in Silicon Valley and how much innovation these accelerator programs are producing, is there a way that we can leverage that type of model to support innovations in the areas we care about, in the future of media that matters?\u003c/p>\n\u003cp>And at the same time, I used to produce films for \u003ca href=\"http://www.pbs.org/wgbh/pages/frontline/view/\" target=\"_blank\">Frontline\u003c/a> on Public Television. I loved what we did and I believed really deeply in what we did, but around 2005 it felt like the world was changing dramatically and it didn't feel like we were changing at all.\u003c/p>\n\u003cp>And so I stepped away from one of the best jobs in public television because I wanted to learn more about entrepreneurship, about innovation and leadership so I could apply them, potentially, back to public media, either in the current institutions or by helping build startups that would put that mission forward.\u003c/p>\n\u003caside class=\"pullquote alignleft\">It's not just owning how is content produced or delivered but what is the business model around that, one of the key problems to solve within the media-that-matters space.\n\u003cp>--Matter CEO Corey Ford\u003c/p>\u003c/aside>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: And the one biggest thing that you learned that you would like to see apply to public media is…?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: It's really about building a culture of experimentation, one that is audience-centered and designed for their emerging needs, and that's not about getting it perfect. It's about taking your idea and building it in a way where you can get feedback from your audience, and then iterating on that.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Why doesn't that exist in Public Media today?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: Well, I am not saying that it doesn't exist in public media today...\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Then more broadly...\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: Right. I think it's challenging almost anywhere. You have to be really intentional about thinking about how to build a culture of experimentation, and I think any institution that's been around for a while, once they've had their successes, it's more risky to experiment with them.\u003c/p>\n\u003cp>So part of what we are doing is creating this place where we can think about the world from a blank-slate perspective. We can ask ourselves, if we are going to build a meaningful media institution, how might we do that leveraging emerging technologies, seeking new business models, and I think most importantly designing explicitly for the needs and emerging behaviors of our audience.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: What kind of startups are you looking for?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: The one constant in early-stage entrepreneurship is everything is going to change, so you really want to find the people and the teams who are driven by a similar mission that we're looking for. They have a vision for how their startups are going to impact society in a way that makes its citizens more informed, engaged or empowered.\u003c/p>\n\u003cp>In terms of specific ideas, I think they can range from participatory platforms -- think Twitter -- business-to-business services, mobile-first applications. Maybe a Kickstarter business model, designed for mobile first, which appeals to millennials, for example.\u003c/p>\n\u003cp>And finally what I would call not content but content-production engines. We are looking for people who think of their startups as a venture. It's not just owning how is content produced or delivered but what is the business model around that, one of the key problems to solve within the media-that-matters space.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: What is it about this geographic area that you think makes a good fit for innovating public media?\u003c/p>\n\u003cp>\u003cstrong>FORD\u003c/strong>: There is a culture to Silicon Valley that is really hard to copy anywhere else. For me, and I think it is really misunderstood in some places, what it comes down to is what does failure look like in your organization? Is it something that is celebrated by the top leadership and reverberates so that it says I can experiment and I can learn and adjust based on that? And I think Silicon Valley has that nailed.\u003c/p>\n\u003cp>\u003ca name=\"boland\">\u003c/a>\u003cbr>\n\u003cstrong>\u003cem>End interview. Here's the interview with KQED President and CEO John Boland...\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>JOSHUA JOHNSON\u003c/strong>: This sounds like new territory for a public media organization -- to be involved and, literally, invested in a venture like this.\u003c/p>\n\u003cp>\u003cstrong>KQED's JOHN BOLAND\u003c/strong>: It is something new and it also fits perfectly with our strategy for KQED, which is to develop and invent a new model for public media. The reason we are doing that is the needs of our audience are changing so drastically and things in the community are changing rapidly, largely because of digital technology. So we feel we need to innovate and reinvent at a fairly rapid clip.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: I often deal with KQED audience members who want everything to stay exactly the way it is -- they don't want any kind of change and if you change it, I am taking my membership dollars back. But the reality is we really are in an era in which all the rules are being thrown out. So what is KQED experiencing, specifically?\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: We have to be all things to all people. Television and radio are still around and continuing, and we fully intend to continue those services in a very robust way. But we know that people are increasingly using laptops and smart phones and tablets, and they are not only accessing media in different ways, the media is being created in different ways.\u003c/p>\n\u003cp>Also, audiences are engaging in a kind of a two-way conversation in a way they never could with radio and television. We are definitely getting the signal from folks that you need to deliver KQED with this new digital content and services, and with the community that is convening.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Explain what some of the challenges are in terms of innovation in public media, which seems to deal with some specific kinds of strictures.\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: I think we have some specific strictures and some specific opportunities. I think the opportunity part is that public media, although it is a nonprofit and that's always a struggle financially, has a financial model in terms of community support that's still working, whereas the ad-supported model in commercial media has really fallen apart on the digital side.\u003c/p>\n\u003cp>I think the difficulty is we are so busy keeping up with the needs of the community as we see them now and delivering the services as we see them now that it's hard to find room and resources for trying new things. A lot of the ideas are coming from entrepreneurs and people with concepts that not only are designed to become the next Google and make lots of money, but really to change the world and media in positive ways. A lot of that is happening outside our ecosystem, and we feel like we need to make that connection.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: So why don't we see more independent producers now, walking into their local PBS station or NPR station, saying, \"I've got a great idea for this thing and it takes this much and it can be done this way and... ta-da!\"\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: What's interesting is that we get a lot of independent radio or TV producers coming in with great ideas, and we engage them, but we don't necessarily get people coming in saying, \"I have a new technology application that will really help you connect and serve your audience better.\" And the reason is they don't feel a public media organization is going to have the resources to invest in them, so they show up at a venture capital firm or an incubator or an accelerator.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: Talk about where the dollars for this come from. This is a huge investment that KQED is making. I can imagine someone saying, \"I'd rather you just put that toward something you are already doing and keep me happy the way you're already doing it.\"\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: The dollars won't come away from the services we provide now or even their growth. What people don't realize is that KQED makes investments like this every year. We invest in a new radio transmitter, a new television master control. So this is coming out of that, our capital reserve fund, from which every year we spend several million dollars.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: For KQED members and audiences who think this is just an awesome idea but it seems hard to wrap their arms around, anything else they should know?\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: I think it's legitimate for people to raise the question -- and people have raised it-- \"Is this a risky thing for KQED to do?\" And I would say not really, because we are not investing in this to get a big financial return. We're smart enough to know most startups do not become Google or Apple. What we are really looking for is an innovation return.\u003c/p>\n\u003cp>If out of this investment we get some great ideas that are going to help us do better work, if we meet some great people whose company maybe doesn't take off but they end up coming to work for KQED, if we find some great technology that we can leverage, then I think it will be a worthwhile investment.\u003c/p>\n\u003cp>\u003cstrong>JOHNSON\u003c/strong>: One of the things that I have discussed with Corey Ford is the nature of failure in innovation. If this venture fails, how does that reflect on KQED?\u003c/p>\n\u003cp>\u003cstrong>BOLAND\u003c/strong>: I think it reflects that we are willing to take risks because the fact is we are in an environment now where you hear the phrase \"fail forward.\" You have to try things. And I am confident we are going to learn something from this. I hope it's a good lesson and not a bad lesson.\u003c/p>\n\u003cp>\u003cstrong>Update 9:50 a.m.\u003c/strong> So what is an \"accelerator\" anyway? Hari Sreenivasan took a \u003ca href=\"http://www.youtube.com/watch?v=6Q_44Apgzho&feature=youtube_gdata_player\" target=\"_blank\">look at the concept\u003c/a> last year for KQED's This Week in Northern California and PBS NewsHour.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Pioneering Bay Area Journalist Belva Davis Retires Today; Video Tribute",
"title": "Pioneering Bay Area Journalist Belva Davis Retires Today; Video Tribute",
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"content": "\u003cp>Belva Davis, longtime host of KQED's \u003ca href=\"http://www.kqed.org/tv/programs/thisweek/\" target=\"_blank\">This Week in Northern California\u003c/a>, retired today. (You can watch her \u003ca href=\"http://www.kqed.org/tv/programs/thisweek/watch/archive/266848\" target=\"_blank\">last show when it's posted here\u003c/a>.)\u003c/p>\n\u003cp>Just about the entire staff of KQED gathered this afternoon to say goodbye to Belva and watch this \u003ca href=\"http://www.youtube.com/watch?v=CNOhW6tD938&feature=youtu.be\">video tribute\u003c/a>. Narrated by KRON anchor Pam Moore, it's a great look back at Belva's storied career and what she has meant both for Bay Area journalism and for KQED as an organization. With cameos by Willie Brown, Kamala Harris, Nancy Pelosi, Maya Angelou and a host of Belva's colleagues and friends.\u003c/p>\n\u003cp>So long Belva. And more to the point: thanks.\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.youtube.com/embed/CNOhW6tD938\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>And here's \u003ca href=\"http://www.youtube.com/watch?v=CNOhW6tD938&feature=youtu.be\" target=\"_blank\">more on Belva\u003c/a> from PBS NewsHour anchor Judy Woodruff, earlier this year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.youtube.com/embed/p8DhRlO9YGc\" frameborder=\"0\" width=\"420\" height=\"236\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cp>We asked our news staff to choose some stories they thought didn't get the attention they deserved in 2011. Here's what they thought: \u003c/p>\n\u003cp>\u003cstrong>Scott Shafer, host and reporter, The California Report Magazine\u003c/strong>\u003c/p>\n\u003cp>Jerry Brown waited until the last week of his first year in office to appoint any judges to the Superior Courts. After naming the only non-judge to the California Supreme Court (Cal’s Goodwin Liu) \u003ca href=\"http://ww2.kqed.org/news/2011/12/28/jerry%E2%80%99s-judges-reflect-a-liberal-philosophy/\">Brown named 14 lower court judges\u003c/a>, many of them reflecting his “outside the box” thinking. \u003c/p>\n\u003cp>Unlike past Governors (other than himself) Brown appointed many defense attorneys as judges and more than half were minorities. 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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
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