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"content": "\u003cp>In some California communities with roots in Latin America, especially Mexico, the last days of October are spent getting ready for \u003ca href=\"https://www.nationalgeographic.org/media/dia-de-los-muertos/\" target=\"_blank\" rel=\"noopener\">Day of the Dead\u003c/a>. That means making altars for loved ones and covering them with marigolds.\u003c/p>\n\u003cp>With their flashy color and strong perfume, marigolds help spirits find their way back to their families. At least that’s one theory about why they’re the \u003cem>flor de muerto\u003c/em> -- the flower of the dead.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcrmag/2017/10/Marigolds.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/Antonio-2-1180x787.jpg\" Title=\"A Day of the Dead Tradition Blooms in the Central Valley\" program=\"The California Report\"]\u003c/p>\n\u003cp>These bright orange blooms aren’t always easy to find, and Central Valley farmer Antonio Chavez is trying to change that. He's growing them for people like him, who are longing for a piece of home.\u003c/p>\n\u003cp>For Chavez these aren't marigolds, they're \u003ca href=\"http://www.gdn.unam.mx/termino/search?queryCreiterio=cempohualxochitl&modulo=termino&action=search&queryEnDiccionarios%5B%5D=15&queryPartePalabra=inic\" target=\"_blank\" rel=\"noopener\">\u003cem>cempasuchils\u003c/em>, a word with Nahuatl origins. \u003c/a> He never thought much about why cempasuchils are so important, he just knew they were. \"It’s the tradition our grandparents handed down,\" he says. \"The flowers are sacred. They’re essential for Day of the Dead.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Chavez and his parents left Oaxaca, Mexico, a decade ago, and missed celebrating like they did back home. So a couple of years ago they started growing marigolds in Kerman, a small town outside Fresno.\u003c/p>\n\u003cp>They farm a few acres along a country road; mostly squash and chilies with a few rows of fiery flowers mixed in.\u003c/p>\n\u003cp>\"The first year we just planted a small amount for ourselves,\" Chavez says, \"but then people started coming by saying 'Sell us some.' \"\u003c/p>\n\u003cp>So many people bought flowers that the family ran out. This year Chavez planted more. His family still gets first dibs.\u003c/p>\n\u003cfigure id=\"attachment_11626500\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11626500\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/Antonio-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Antonio Chavez picks out a few especially beautiful flowers, like the ones he'll use for his family's Day of the Dead altar. \u003ccite>(Vanessa Rancano/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the last day of October they’ll pick the flowers and make big arches out of them to place over the altar. They'll arrange others in the shape of a cross. Then they’ll set out fruits and sweets for Chavez's sister, who died as a child, and tamales and mole for the grandparents who once taught him these traditions.\u003c/p>\n\u003cp>For Chavez these rituals are especially important now that his hometown in Oaxaca has been abandoned.\u003c/p>\n\u003cp>Life was hard there, he says: no TV, no phones, no money. But he describes it as a beautiful place tucked into a green mountain valley.\u003c/p>\n\u003cp>When he was young there was a school there, and lots of kids. Now, he says, \"there's nothing.\"\u003c/p>\n\u003cp>Only the elderly are left, because they couldn’t make the trip across the border to the U.S. \"Sometimes it makes me sad to know that in a few years there won't be anyone left in the town.\"\u003c/p>\n\u003cp>But Chavez says growing these marigolds makes him feel like at least he’s sharing the spirit of the place with his fellow immigrants.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Everything has changed,\" he says, \"but we haven’t. We haven’t changed who we are.\"\u003c/p>\n\n",
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"excerpt": "This farmer is growing marigolds in the Central Valley for people like him, who long for a piece of home.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In some California communities with roots in Latin America, especially Mexico, the last days of October are spent getting ready for \u003ca href=\"https://www.nationalgeographic.org/media/dia-de-los-muertos/\" target=\"_blank\" rel=\"noopener\">Day of the Dead\u003c/a>. That means making altars for loved ones and covering them with marigolds.\u003c/p>\n\u003cp>With their flashy color and strong perfume, marigolds help spirits find their way back to their families. At least that’s one theory about why they’re the \u003cem>flor de muerto\u003c/em> -- the flower of the dead.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>These bright orange blooms aren’t always easy to find, and Central Valley farmer Antonio Chavez is trying to change that. He's growing them for people like him, who are longing for a piece of home.\u003c/p>\n\u003cp>For Chavez these aren't marigolds, they're \u003ca href=\"http://www.gdn.unam.mx/termino/search?queryCreiterio=cempohualxochitl&modulo=termino&action=search&queryEnDiccionarios%5B%5D=15&queryPartePalabra=inic\" target=\"_blank\" rel=\"noopener\">\u003cem>cempasuchils\u003c/em>, a word with Nahuatl origins. \u003c/a> He never thought much about why cempasuchils are so important, he just knew they were. \"It’s the tradition our grandparents handed down,\" he says. \"The flowers are sacred. They’re essential for Day of the Dead.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Chavez and his parents left Oaxaca, Mexico, a decade ago, and missed celebrating like they did back home. So a couple of years ago they started growing marigolds in Kerman, a small town outside Fresno.\u003c/p>\n\u003cp>They farm a few acres along a country road; mostly squash and chilies with a few rows of fiery flowers mixed in.\u003c/p>\n\u003cp>\"The first year we just planted a small amount for ourselves,\" Chavez says, \"but then people started coming by saying 'Sell us some.' \"\u003c/p>\n\u003cp>So many people bought flowers that the family ran out. This year Chavez planted more. His family still gets first dibs.\u003c/p>\n\u003cfigure id=\"attachment_11626500\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11626500\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/Antonio-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/Antonio-1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Antonio Chavez picks out a few especially beautiful flowers, like the ones he'll use for his family's Day of the Dead altar. \u003ccite>(Vanessa Rancano/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the last day of October they’ll pick the flowers and make big arches out of them to place over the altar. They'll arrange others in the shape of a cross. Then they’ll set out fruits and sweets for Chavez's sister, who died as a child, and tamales and mole for the grandparents who once taught him these traditions.\u003c/p>\n\u003cp>For Chavez these rituals are especially important now that his hometown in Oaxaca has been abandoned.\u003c/p>\n\u003cp>Life was hard there, he says: no TV, no phones, no money. But he describes it as a beautiful place tucked into a green mountain valley.\u003c/p>\n\u003cp>When he was young there was a school there, and lots of kids. Now, he says, \"there's nothing.\"\u003c/p>\n\u003cp>Only the elderly are left, because they couldn’t make the trip across the border to the U.S. \"Sometimes it makes me sad to know that in a few years there won't be anyone left in the town.\"\u003c/p>\n\u003cp>But Chavez says growing these marigolds makes him feel like at least he’s sharing the spirit of the place with his fellow immigrants.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Everything has changed,\" he says, \"but we haven’t. We haven’t changed who we are.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Surfing still helps Vietnam veterans heal the wounds of war: \"\u003ca href=\"https://ww2.kqed.org/news/2017/10/25/how-surfing-still-helps-vietnam-veterans-heal-wounds-of-war/\">It's a lot like going to therapy\u003c/a>.\"\u003c/p>\n\u003cp>Over 40 years after returning from the Vietnam War, veterans touted the benefits of surfing as they gathered in Oceanside for the California Surf Museum's new exhibit, “\u003ca href=\"https://surfmuseum.org/events/china-beach-surfers-vietnam-war-healing-power-wave-riding/\">China Beach: Surfers, the Vietnam War and the Healing of Wave-Riding\u003c/a>.”\u003c/p>\n\u003cp>Vietnam offered soldiers a chance to surf while deployed overseas -- and while there's no surfing in Afghanistan and Iraq, I'm sure there are plenty of recent veterans who are hitting the waves.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">When Anna Sweet of \u003ca href=\"http://www.sweetfarm.org\" target=\"_blank\" rel=\"noopener noreferrer\">Sweet Farm\u003c/a> got the call in the middle of the night, she said she’d be happy to take in emergency guests fleeing the fires in Sonoma County. And then realized she needed to get up and get busy.\u003c/span>\u003c/p>\n\u003cp>“We were not set up yet for pigs at all,” Sweet recalls. “We didn’t have a shelter for them. We weren’t quite sure our fences were going to work.”\u003c/p>\n\u003cp>They did need to build new fencing. Not to embarrass these fine ladies, but Gertrude weighs about 600 pounds and Punky’s just a wee bit smaller than that.\u003c/p>\n\u003cfigure id=\"attachment_11625489\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11625489 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-800x450.jpg\" alt=\"Punky and her buddy Gertrude have found refuge from the North Bay Fires in Half Moon Bay at Sweet Ranch, a non-profit farm animal sanctuary.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Punky and her buddy, Gertrude, have found refuge from the North Bay Fires in Half Moon Bay at Sweet Ranch, a nonprofit farm animal sanctuary. \u003ccite>(Courtesy of Chris McCann)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These porcine refugees came from \u003ca href=\"https://www.charliesacres.org\" target=\"_blank\" rel=\"noopener noreferrer\">Charlie’s Acres\u003c/a>, escaping the Partrick Fire. Charlie’s Acres, like Sweet Farm, is a nonprofit farm animal sanctuary. They provide a “forever” home for all kinds of animals that would otherwise be headed for slaughter, including chickens, llamas and horses.\u003c/p>\n\u003cp>“Sheep and goats and a few, probably more, cows, and then definitely on the pig side, we’re ready,” Sweet adds.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some animals are “liberated” — or stolen, depending on your perspective — from industrial farms. A lot of bulls and roosters are rescued in this fashion. Other animals are given up for adoption or abandoned, often when families are surprised to discover an animal they procured when small has grown quite large.\u003c/p>\n\u003cfigure id=\"attachment_11625490\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11625490 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-800x450.jpg\" alt=\"You can't ask just anyone to babysit two 600 lb pigs. Tracy Vogt (left) of Charlie's Acres in Sonoma County knew she could count on Anna Sweet and Nate Salpeter of Sweet Farm to help out in a pinch. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">You can’t ask just anyone to baby-sit two 600-lb pigs. Tracy Vogt (left) of Charlie’s Acres in Sonoma County knew she could count on Anna Sweet and Nate Salpeter of Sweet Farm to help out in a pinch. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gertrude was found wandering around during a wildfire: the 2016 Blue Cut Fire in San Bernardino County. Tracy Vogt of Charlie’s Acres explains, “Somebody had just left her there when they were evacuating. She had a burned back hoof. She had smoke inhalation issues, and hadn’t eaten or drank anything for three days.”\u003c/p>\n\u003cp>Now Gertrude is a fire survivor twice over. For Vogt, the help from Sweet Farm is sweet in more ways than one. The fire was on her property when the animals were shuttled away in trucks and trailers. Her barn and fences burned, and it’s going to take some time to get the electricity up and running again.\u003c/p>\n\u003cp>“I feel very lucky. I feel very blessed that we were able to get the animals to a really nice spot. And it was really cool to see that the community stepped in and helped each other out,” Vogt says.\u003c/p>\n\u003cfigure id=\"attachment_11625494\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11625494\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-800x450.jpg\" alt=\"Paco the llama is almost 10 years old and good friends with the steers and horse at Sweet Farm. The reasons why animals end up at a sanctuary are as varied as the animals themselves. Paco came from a horse farm where he was getting attacked by neighborhood dogs.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paco the llama is almost 10 years old and good friends with the steers and horse at Sweet Farm. The reasons why animals end up at a sanctuary are as varied as the animals themselves. Paco came from a horse farm where he was getting attacked by neighborhood dogs. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Sweet, who like her husband, Nate Salpeter, has a day job in tech, this nonprofit work is what feeds the soul.\u003c/p>\n\u003cp>“I like coming home and turning everything off and focusing on the animals and the land. It’s a good balance,” Sweet says. The couple gets help paying for this passion project from fans and members who come out for tours and classes. Their \u003ca href=\"https://www.facebook.com/SweetFarmCA/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook page\u003c/a> boasts more than 86,000 followers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Another sanctuary near Sweet Farm is housing Vogt’s chickens and ducks. Now that Vogt’s brood is safely settled, she and Sweet are turning their attention to anyone else who needs help with housing and supplies for farm animals in the wake of the North Bay wildfires. Vogt has set up a \u003ca href=\"https://www.gofundme.com/z2brs-sonoma-fire-victims\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe campaign\u003c/a> to further that mission.\u003c/p>\n\n",
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"excerpt": "The farm animal sanctuary community has rallied to help animals left homeless by the deadly North Bay fires.",
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"title": "Pigs Fleeing North Bay Fires Find Refuge in Half Moon Bay | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">When Anna Sweet of \u003ca href=\"http://www.sweetfarm.org\" target=\"_blank\" rel=\"noopener noreferrer\">Sweet Farm\u003c/a> got the call in the middle of the night, she said she’d be happy to take in emergency guests fleeing the fires in Sonoma County. And then realized she needed to get up and get busy.\u003c/span>\u003c/p>\n\u003cp>“We were not set up yet for pigs at all,” Sweet recalls. “We didn’t have a shelter for them. We weren’t quite sure our fences were going to work.”\u003c/p>\n\u003cp>They did need to build new fencing. Not to embarrass these fine ladies, but Gertrude weighs about 600 pounds and Punky’s just a wee bit smaller than that.\u003c/p>\n\u003cfigure id=\"attachment_11625489\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11625489 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-800x450.jpg\" alt=\"Punky and her buddy Gertrude have found refuge from the North Bay Fires in Half Moon Bay at Sweet Ranch, a non-profit farm animal sanctuary.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27691_Charlies20Acres-12028129-2-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Punky and her buddy, Gertrude, have found refuge from the North Bay Fires in Half Moon Bay at Sweet Ranch, a nonprofit farm animal sanctuary. \u003ccite>(Courtesy of Chris McCann)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These porcine refugees came from \u003ca href=\"https://www.charliesacres.org\" target=\"_blank\" rel=\"noopener noreferrer\">Charlie’s Acres\u003c/a>, escaping the Partrick Fire. Charlie’s Acres, like Sweet Farm, is a nonprofit farm animal sanctuary. They provide a “forever” home for all kinds of animals that would otherwise be headed for slaughter, including chickens, llamas and horses.\u003c/p>\n\u003cp>“Sheep and goats and a few, probably more, cows, and then definitely on the pig side, we’re ready,” Sweet adds.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some animals are “liberated” — or stolen, depending on your perspective — from industrial farms. A lot of bulls and roosters are rescued in this fashion. Other animals are given up for adoption or abandoned, often when families are surprised to discover an animal they procured when small has grown quite large.\u003c/p>\n\u003cfigure id=\"attachment_11625490\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11625490 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-800x450.jpg\" alt=\"You can't ask just anyone to babysit two 600 lb pigs. Tracy Vogt (left) of Charlie's Acres in Sonoma County knew she could count on Anna Sweet and Nate Salpeter of Sweet Farm to help out in a pinch. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27695_IMG_3487-2-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">You can’t ask just anyone to baby-sit two 600-lb pigs. Tracy Vogt (left) of Charlie’s Acres in Sonoma County knew she could count on Anna Sweet and Nate Salpeter of Sweet Farm to help out in a pinch. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gertrude was found wandering around during a wildfire: the 2016 Blue Cut Fire in San Bernardino County. Tracy Vogt of Charlie’s Acres explains, “Somebody had just left her there when they were evacuating. She had a burned back hoof. She had smoke inhalation issues, and hadn’t eaten or drank anything for three days.”\u003c/p>\n\u003cp>Now Gertrude is a fire survivor twice over. For Vogt, the help from Sweet Farm is sweet in more ways than one. The fire was on her property when the animals were shuttled away in trucks and trailers. Her barn and fences burned, and it’s going to take some time to get the electricity up and running again.\u003c/p>\n\u003cp>“I feel very lucky. I feel very blessed that we were able to get the animals to a really nice spot. And it was really cool to see that the community stepped in and helped each other out,” Vogt says.\u003c/p>\n\u003cfigure id=\"attachment_11625494\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11625494\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-800x450.jpg\" alt=\"Paco the llama is almost 10 years old and good friends with the steers and horse at Sweet Farm. The reasons why animals end up at a sanctuary are as varied as the animals themselves. Paco came from a horse farm where he was getting attacked by neighborhood dogs.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/RS27694_IMG_3476-2-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paco the llama is almost 10 years old and good friends with the steers and horse at Sweet Farm. The reasons why animals end up at a sanctuary are as varied as the animals themselves. Paco came from a horse farm where he was getting attacked by neighborhood dogs. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Sweet, who like her husband, Nate Salpeter, has a day job in tech, this nonprofit work is what feeds the soul.\u003c/p>\n\u003cp>“I like coming home and turning everything off and focusing on the animals and the land. It’s a good balance,” Sweet says. The couple gets help paying for this passion project from fans and members who come out for tours and classes. Their \u003ca href=\"https://www.facebook.com/SweetFarmCA/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook page\u003c/a> boasts more than 86,000 followers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Another sanctuary near Sweet Farm is housing Vogt’s chickens and ducks. Now that Vogt’s brood is safely settled, she and Sweet are turning their attention to anyone else who needs help with housing and supplies for farm animals in the wake of the North Bay wildfires. Vogt has set up a \u003ca href=\"https://www.gofundme.com/z2brs-sonoma-fire-victims\" target=\"_blank\" rel=\"noopener noreferrer\">GoFundMe campaign\u003c/a> to further that mission.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "fire-ravaged-santa-rosa-turns-to-hockey-for-respite",
"title": "Fire-Ravaged Santa Rosa Turns to Hockey for Respite",
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"content": "\u003cp>For one Sunday, the \u003ca href=\"http://kqed.org/wildfires\" target=\"_blank\" rel=\"noopener\">fires\u003c/a> that staggered this small city and wiped out thousands of homes were an afterthought at Snoopy’s Home Ice in Santa Rosa.\u003c/p>\n\u003cp>In an ice rink built by Peanuts cartoon creator \u003ca href=\"https://ww2.kqed.org/arts/2017/10/12/wildfire-burns-home-of-peanuts-creator-charles-schulz/\" target=\"_blank\" rel=\"noopener\">Charles Schulz\u003c/a>, hundreds of 7- and 8-year-olds gathered to play the annual Great Halloween Jamboree tournament, a daylong hockey tournament that brought the Santa Rosa community together after the devastation.\u003c/p>\n\u003cp>The annual tournament routinely attracts dozens of the youngest hockey players throughout the area. Canceling the event this year was considered — and then quickly rejected.\u003c/p>\n\u003cp>Organizers found ways to work through a weeklong power outage that melted the ice, a lack of motel space and burned-up gear for 19 hockey families who lost their homes.\u003c/p>\n\u003cp>[contextly_sidebar id=”0C58AKetjKCqNyTiDLVd10sVmz7lnuRz”]\u003c/p>\n\u003cp>The nearby San Jose Sharks of the National Hockey League donated new skates and gear to the affected families. A Santa Rosa coach also owns a local pizza parlor, which donated pizza for lunch. Families greeted each other with hugs as their children returned to the ice for the first time since the fires started the night of Oct. 8, killing at least 43 people and destroying more than 8,000 buildings.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We needed to be here,” said Rebecca Henderson, one of the tournament’s organizers.\u003c/p>\n\u003cp>Many more families aside from those who lost their homes have endured damage and displacement, she said.\u003c/p>\n\u003cp>The family of Daniel Chang, 8, prevailed upon the police to escort them to their smoke-damaged home still within a mandatory evacuation zone so they could retrieve his hockey equipment. Nearly all the homes in their Fountain Grove neighborhood were destroyed. They have been barred from returning to their house until law enforcement officials lift the evacuation order.\u003c/p>\n\u003cp>“The tournament is a welcome distraction,” said Seohee Cho, Chang’s mother.\u003c/p>\n\u003cfigure id=\"attachment_11625505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-800x1031.jpg\" alt=\"The Redwood Empire Ice Arena in Santa Rosa, better-known as Snoopy's Home Ice.\" width=\"800\" height=\"1031\" class=\"size-medium wp-image-11625505\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-800x1031.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-1020x1314.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-1180x1520.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-960x1237.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-240x309.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-375x483.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-520x670.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Redwood Empire Ice Arena in Santa Rosa, better-known as Snoopy’s Home Ice. \u003ccite>(cplbasilisk/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Charles Schulz, a Minnesota native who lived in Santa Rosa and was a hockey fanatic, financed the building of the rink in 1969 in the same complex that houses the Peanuts museum. The rink helped turn the small city about 50 miles north of San Francisco into an unlikely hockey haven. Schulz’s No. 9 Santa Rosa Flyer jersey is the only jersey hanging from the rafters.\u003c/p>\n\u003cp>Nearby buildings were destroyed in the fire, but the rink and its Warm Puppy Cafe came through unscathed.\u003c/p>\n\u003cp>The Wagner family lost two homes in one of the hardest-hit Santa Rosa neighborhoods. They fled their new home of 10 months with little more than the clothes on their back, and their eldest son did the same in their older home a few blocks away, which they were trying to sell. The two Harley Davidson motorcycles in the garage were destroyed with everything else.\u003c/p>\n\u003cp>Everything was lost, including 8-year-old Daniel Wagner’s pet bunny and his hockey gear. School remains closed until next week.\u003c/p>\n\u003cp>“It’s terrible to be 8 years old and have to run out of your house with nothing,” Daniel’s father David Wagner said. “He has no toys, no Legos … nothing.”\u003c/p>\n\u003cp>David Wagner said Daniel’s participation in the hockey tournament Sunday “was definitely needed.” He said Daniel suffers from nightmares of fire and evacuation. Anything that reminds him of his routine before the fire is welcome.\u003c/p>\n\u003cp>Standing in his shiny new skates and holding his new stick, Daniel said life may never be the same after the fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I miss my old skates,” he said, still vowing to play professional hockey someday. “I miss my old stick.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For one Sunday, the \u003ca href=\"http://kqed.org/wildfires\" target=\"_blank\" rel=\"noopener\">fires\u003c/a> that staggered this small city and wiped out thousands of homes were an afterthought at Snoopy’s Home Ice in Santa Rosa.\u003c/p>\n\u003cp>In an ice rink built by Peanuts cartoon creator \u003ca href=\"https://ww2.kqed.org/arts/2017/10/12/wildfire-burns-home-of-peanuts-creator-charles-schulz/\" target=\"_blank\" rel=\"noopener\">Charles Schulz\u003c/a>, hundreds of 7- and 8-year-olds gathered to play the annual Great Halloween Jamboree tournament, a daylong hockey tournament that brought the Santa Rosa community together after the devastation.\u003c/p>\n\u003cp>The annual tournament routinely attracts dozens of the youngest hockey players throughout the area. Canceling the event this year was considered — and then quickly rejected.\u003c/p>\n\u003cp>Organizers found ways to work through a weeklong power outage that melted the ice, a lack of motel space and burned-up gear for 19 hockey families who lost their homes.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The nearby San Jose Sharks of the National Hockey League donated new skates and gear to the affected families. A Santa Rosa coach also owns a local pizza parlor, which donated pizza for lunch. Families greeted each other with hugs as their children returned to the ice for the first time since the fires started the night of Oct. 8, killing at least 43 people and destroying more than 8,000 buildings.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We needed to be here,” said Rebecca Henderson, one of the tournament’s organizers.\u003c/p>\n\u003cp>Many more families aside from those who lost their homes have endured damage and displacement, she said.\u003c/p>\n\u003cp>The family of Daniel Chang, 8, prevailed upon the police to escort them to their smoke-damaged home still within a mandatory evacuation zone so they could retrieve his hockey equipment. Nearly all the homes in their Fountain Grove neighborhood were destroyed. They have been barred from returning to their house until law enforcement officials lift the evacuation order.\u003c/p>\n\u003cp>“The tournament is a welcome distraction,” said Seohee Cho, Chang’s mother.\u003c/p>\n\u003cfigure id=\"attachment_11625505\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-800x1031.jpg\" alt=\"The Redwood Empire Ice Arena in Santa Rosa, better-known as Snoopy's Home Ice.\" width=\"800\" height=\"1031\" class=\"size-medium wp-image-11625505\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-800x1031.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-1020x1314.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-1180x1520.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-960x1237.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-240x309.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-375x483.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/SnoopyHomeIce-520x670.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Redwood Empire Ice Arena in Santa Rosa, better-known as Snoopy’s Home Ice. \u003ccite>(cplbasilisk/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Charles Schulz, a Minnesota native who lived in Santa Rosa and was a hockey fanatic, financed the building of the rink in 1969 in the same complex that houses the Peanuts museum. The rink helped turn the small city about 50 miles north of San Francisco into an unlikely hockey haven. Schulz’s No. 9 Santa Rosa Flyer jersey is the only jersey hanging from the rafters.\u003c/p>\n\u003cp>Nearby buildings were destroyed in the fire, but the rink and its Warm Puppy Cafe came through unscathed.\u003c/p>\n\u003cp>The Wagner family lost two homes in one of the hardest-hit Santa Rosa neighborhoods. They fled their new home of 10 months with little more than the clothes on their back, and their eldest son did the same in their older home a few blocks away, which they were trying to sell. The two Harley Davidson motorcycles in the garage were destroyed with everything else.\u003c/p>\n\u003cp>Everything was lost, including 8-year-old Daniel Wagner’s pet bunny and his hockey gear. School remains closed until next week.\u003c/p>\n\u003cp>“It’s terrible to be 8 years old and have to run out of your house with nothing,” Daniel’s father David Wagner said. “He has no toys, no Legos … nothing.”\u003c/p>\n\u003cp>David Wagner said Daniel’s participation in the hockey tournament Sunday “was definitely needed.” He said Daniel suffers from nightmares of fire and evacuation. Anything that reminds him of his routine before the fire is welcome.\u003c/p>\n\u003cp>Standing in his shiny new skates and holding his new stick, Daniel said life may never be the same after the fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I miss my old skates,” he said, still vowing to play professional hockey someday. “I miss my old stick.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>#MeToo: Organizing to End Sexual Harassment\u003cbr>\n\u003c/strong>Hollywood has been forced to take a hard look at itself as sexual assault allegations against Harvey Weinstein spiraled into a scandal. This week, women in California politics added their voices: More than 140 women, from lobbyists to elected officials, signed a letter calling out the culture of sexual harassment and assault in the halls of state government.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, KQED politics and government reporter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Pamela Lopez, K Street Consulting partner\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">State Sen. Nancy Skinner (D-Berkeley)\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Hazardous Wildfire Waste\u003cbr>\n\u003c/strong>In the wake of the devastating California wildfires, another hazard remains: toxic chemicals left lingering in the ash and debris. We’ll hear about what threats they pose to residents and the environment.\u003c/p>\n\u003cp>Guests:\u003c/p>\n\u003cul>\n\u003cli>Dr. Robert Blount, UCSF professor of pulmonology\u003c/li>\n\u003cli>Christine Sosko, Sonoma County director of environmental health\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Ai Weiwei’s “Human Flow”\u003cbr>\n\u003c/strong>\u003cspan style=\"line-height: inherit\">Chinese dissident and artist Ai Weiwei has long tackled politically controversial subjects, from government corruption to incarceration at Alcatraz Island. His latest film, “Human Flow,” tackles the global refugee crisis. KQED’s Monica Lam talks to Ai about the film, which opens in Bay Area theaters this weekend.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Additional Credit Info: \u003c/em>\u003cbr>\n\u003cem>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.dvidshub.net/\">Defense Video & Imagery Distribution System\u003c/a> \u003c/span>\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"https://www.flickr.com/photos/archer10/\">\u003cspan style=\"font-weight: 400\">Dennis Jarvis\u003c/span>\u003c/a> \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>#MeToo: Organizing to End Sexual Harassment\u003cbr>\n\u003c/strong>Hollywood has been forced to take a hard look at itself as sexual assault allegations against Harvey Weinstein spiraled into a scandal. This week, women in California politics added their voices: More than 140 women, from lobbyists to elected officials, signed a letter calling out the culture of sexual harassment and assault in the halls of state government.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests:\u003c/span>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Marisa Lagos, KQED politics and government reporter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Pamela Lopez, K Street Consulting partner\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">State Sen. Nancy Skinner (D-Berkeley)\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Hazardous Wildfire Waste\u003cbr>\n\u003c/strong>In the wake of the devastating California wildfires, another hazard remains: toxic chemicals left lingering in the ash and debris. We’ll hear about what threats they pose to residents and the environment.\u003c/p>\n\u003cp>Guests:\u003c/p>\n\u003cul>\n\u003cli>Dr. Robert Blount, UCSF professor of pulmonology\u003c/li>\n\u003cli>Christine Sosko, Sonoma County director of environmental health\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Ai Weiwei’s “Human Flow”\u003cbr>\n\u003c/strong>\u003cspan style=\"line-height: inherit\">Chinese dissident and artist Ai Weiwei has long tackled politically controversial subjects, from government corruption to incarceration at Alcatraz Island. His latest film, “Human Flow,” tackles the global refugee crisis. KQED’s Monica Lam talks to Ai about the film, which opens in Bay Area theaters this weekend.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "The 'Church of Type' Spreads the Gospel of Letterpress",
"title": "The 'Church of Type' Spreads the Gospel of Letterpress",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>If Johannes Gutenberg or Ben Franklin walked off of Pico Boulevard and into Kevin Bradley’s Santa Monica shop, they’d feel pretty much at home.\u003c/p>\n\u003cp>“It's keeping that direct connection to the past alive in a contemporary fashion, but this doesn't exist in L.A.,” says Bradley. “It's been pure madness to come here and do this alone and try and make it work.”\u003c/p>\n\u003caside class=\"pullquote alignright\">'I just do it by hand... I’m a dinosaur. But it’s satisfying. It’s so satisfying to make something that you feel good about.'\u003c/aside>\n\u003cp>Like those old school giants of the printing world, Bradley is a master of the handset \u003ca href=\"https://www.britannica.com/technology/letterpress-printing\">letterpress\u003c/a>. After two decades working in Tennessee -- including a stint at the famed Hatch Show Print design company in Nashville -- he came to California five years ago to carry on the sacred tradition in his storefront studio, the Church of Type.\u003c/p>\n\u003cp>The higher power is obvious the minute you enter this holy place. The walls and ceiling are covered with posters heralding classic country, blues and soul singers and prints boldly announcing wrestlers, robots, civil rights heroes, pork chops, Communists and Bigfoot.\u003c/p>\n\u003cp>It’s a sensory overload, like hundreds of people screaming at your eyeballs in big block letters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcrmag/2017/10/ChurchOfType.mp3\" Image=\"https://u.s.kqed.net/2017/10/20/ChurchofType.jpg\" Title=\"The Church of Type Spreads the Gospel of Letterpress\" program=\"The California Report\"]\u003c/p>\n\u003cp>There are trays of ancient of fonts, massive drawers heavy with metal type, and at the heart of it all, the enormous machines that speak a mechanical language from a time gone by.\u003c/p>\n\u003cp>“The printing presses, one's called Baby and one's called Maimy because she pinched my finger off once,” Bradley says. “But they all have personalities, idiosyncrasies; they're temperamental. They want some love.”\u003c/p>\n\u003cp>That’s not something you would say about a cold, silent, brushed steel laptop.\u003c/p>\n\u003cp>“I'm the only guy who's 100 percent no computer,” says Bradley. “I just do it by hand, I carve wood blocks or set type. I have over 2,000 fonts of type in here from six point to three feet tall. And so I'm a traditionalist in that way. I’m a dinosaur. But it's satisfying. It's so satisfying to make something that you feel good about.”\u003c/p>\n\u003cp>Bradley’s pouring a teaspoon of black ink onto the roller of a machine the size of buffalo, which creates a sound that pretty much mimics the sizzle of bacon frying. He’s making a poster for \u003ca href=\"https://www.lucindawilliams.com/\">Lucinda Williams\u003c/a> right now. It’s taken him two full days just to set the type. He scrapes off excess ink bumps -- 'hickeys' in print shop talk -- with a razor blade and his finger.\u003c/p>\n\u003cp>“Everyone thinks this is so glamorous when they come in here,” he says. “But you know, I'm a dirty monkey every day with ink all over me, and my clothes are ruined. And that's how glamorous it is, you know? I'm a glorified janitor in most ways.”\u003c/p>\n\u003cfigure id=\"attachment_11624940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11624940\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27567_kevin-3-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Bradley holds a 200-year-old \"K,\" used on a recent poster he created for musician Lucinda Williams. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bradley has the janitor look down pat. He wears a rumpled work shirt with the sleeves rolled up, and his splattered jeans look like a printing press threw up on them. But the shoes are a different story: vintage black and white wing tips that could have come from the closet of a Tennessee Williams lawyer.\u003c/p>\n\u003cp>There’s ink on the shoes too, but it goes with the work. And one-man-show Bradley certainly works, often seven days a week, well into the night as James Brown, Will Oldham and George Jones keep him company blasting from the stereo. He designs and prints everything from business cards to album covers to wedding invitations.\u003c/p>\n\u003cp>For the last decade he’s created posters for the \u003ca href=\"http://www.ponderosastomp.com/\">Ponderosa Stomp\u003c/a>, the yearly New Orleans roots music festival.\u003c/p>\n\u003cp>“To be honest, when he does posters for the Stomp, I don't even know what they are until he sends them to me,” says Dr. Ike Padnos, who founded the Stomp. He became a Church of Type disciple after seeing Bradley’s posters displayed at New Orleans’ \u003ca href=\"http://www.nojazzfest.com/\">Jazz Fest\u003c/a>.\u003c/p>\n\u003cp>“It was that old school letterpress that just was so cool,” reveals Padnos. “People don't do that anymore. And then he's just taken it to another level and started going back and doing posters that almost look like the ‘50s and ‘60s with the coloring and photos, and the subject matter. Here was a guy doing wrestling stuff. You'd see the Ox. I mean, who puts the Ox on posters? Who puts Link Wray on posters? Who puts Robert Johnson on posters? It’s things that people weren’t doing at the time that made it so cool.”\u003c/p>\n\u003cp>But Bradley also creates pieces for himself, unexpected combinations of words, images, block print and primitive, outsider drawings. It’s striking, raw and original stuff, but is it art?\u003c/p>\n\u003cp>“I think that Kevin does make art and is an artist. It’s not his fault that he’s not rich and famous,” says painter and musician \u003ca href=\"http://www.bobneuwirth.com/\">Bob Neuwirth\u003c/a>. He produced the traditional country music documentary \"\u003ca href=\"https://phfilms.com/films/down-from-the-mountain/\">Down From the Mountain\u003c/a>,\" hiring Bradley to do some design work.\u003c/p>\n\u003cp>“One of the things that might be standing in Kevin's way is his authenticity,” continues Neuwirth. “I mean, he actually means it. I better keep my mouth shut after saying that, but part of what goes with being an artist are the vicissitudes of the art world.”\u003c/p>\n\u003cfigure id=\"attachment_11625098\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/InsidePrintShop-800x990.jpg\" alt=\"Kevin Bradley with one of his larger letterpress works at his Santa Monica-based Church of Type.\" width=\"800\" height=\"990\" class=\"size-medium wp-image-11625098\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-800x990.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-160x198.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-1020x1262.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-1180x1460.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-960x1188.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-240x297.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-375x464.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-520x644.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Bradley with one of his larger letterpress works at his Santa Monica-based Church of Type. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My overriding idea coming to L.A. with this was I wanted to present letterpress as an art form,” Bradley says.\u003c/p>\n\u003cp>The Los Angeles art community apparently didn’t see it that way.\u003c/p>\n\u003cp>“I haven't fit into the art scene proper hardly at all. I'm such an outsider, I work on the outside of almost everything, but I can live there and do my thing.”\u003c/p>\n\u003cp>But he won’t be doing his thing in Los Angeles much longer. Bradley, who shares a Tennessee hometown and a passion for coonskin caps with the late Davy Crockett, will soon be returning to his roots.\u003c/p>\n\u003cp>“You know, it works better in the South and I think I'll be moving back there as my lease comes up here next year,” he says. “You can afford real estate, you can afford to live. It's a labor of love to be here. There's no money to be made. I wanted to share this so much with L.A. and I'm so glad I did, but they just never seen it before, and I don't know that they'll see a big operation like this again.”\u003c/p>\n\u003cp>With 30 tons of equipment to haul, relocating the Church will be a tribulation to be reckoned with. But moving the spirit behind the place is an effortless task for a man driven by faith.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I want it to live and breathe and get people excited about it,” Bradley says. “And usually if I can get'em in my door I can win 'em over and at least sell 'em a poster on the way out. So that's just the uphill battle that we're all going to face with it, is trying to keep it alive.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If Johannes Gutenberg or Ben Franklin walked off of Pico Boulevard and into Kevin Bradley’s Santa Monica shop, they’d feel pretty much at home.\u003c/p>\n\u003cp>“It's keeping that direct connection to the past alive in a contemporary fashion, but this doesn't exist in L.A.,” says Bradley. “It's been pure madness to come here and do this alone and try and make it work.”\u003c/p>\n\u003caside class=\"pullquote alignright\">'I just do it by hand... I’m a dinosaur. But it’s satisfying. It’s so satisfying to make something that you feel good about.'\u003c/aside>\n\u003cp>Like those old school giants of the printing world, Bradley is a master of the handset \u003ca href=\"https://www.britannica.com/technology/letterpress-printing\">letterpress\u003c/a>. After two decades working in Tennessee -- including a stint at the famed Hatch Show Print design company in Nashville -- he came to California five years ago to carry on the sacred tradition in his storefront studio, the Church of Type.\u003c/p>\n\u003cp>The higher power is obvious the minute you enter this holy place. The walls and ceiling are covered with posters heralding classic country, blues and soul singers and prints boldly announcing wrestlers, robots, civil rights heroes, pork chops, Communists and Bigfoot.\u003c/p>\n\u003cp>It’s a sensory overload, like hundreds of people screaming at your eyeballs in big block letters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There are trays of ancient of fonts, massive drawers heavy with metal type, and at the heart of it all, the enormous machines that speak a mechanical language from a time gone by.\u003c/p>\n\u003cp>“The printing presses, one's called Baby and one's called Maimy because she pinched my finger off once,” Bradley says. “But they all have personalities, idiosyncrasies; they're temperamental. They want some love.”\u003c/p>\n\u003cp>That’s not something you would say about a cold, silent, brushed steel laptop.\u003c/p>\n\u003cp>“I'm the only guy who's 100 percent no computer,” says Bradley. “I just do it by hand, I carve wood blocks or set type. I have over 2,000 fonts of type in here from six point to three feet tall. And so I'm a traditionalist in that way. I’m a dinosaur. But it's satisfying. It's so satisfying to make something that you feel good about.”\u003c/p>\n\u003cp>Bradley’s pouring a teaspoon of black ink onto the roller of a machine the size of buffalo, which creates a sound that pretty much mimics the sizzle of bacon frying. He’s making a poster for \u003ca href=\"https://www.lucindawilliams.com/\">Lucinda Williams\u003c/a> right now. It’s taken him two full days just to set the type. He scrapes off excess ink bumps -- 'hickeys' in print shop talk -- with a razor blade and his finger.\u003c/p>\n\u003cp>“Everyone thinks this is so glamorous when they come in here,” he says. “But you know, I'm a dirty monkey every day with ink all over me, and my clothes are ruined. And that's how glamorous it is, you know? I'm a glorified janitor in most ways.”\u003c/p>\n\u003cfigure id=\"attachment_11624940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11624940\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/RS27567_kevin-3-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/RS27567_kevin-3-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Bradley holds a 200-year-old \"K,\" used on a recent poster he created for musician Lucinda Williams. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bradley has the janitor look down pat. He wears a rumpled work shirt with the sleeves rolled up, and his splattered jeans look like a printing press threw up on them. But the shoes are a different story: vintage black and white wing tips that could have come from the closet of a Tennessee Williams lawyer.\u003c/p>\n\u003cp>There’s ink on the shoes too, but it goes with the work. And one-man-show Bradley certainly works, often seven days a week, well into the night as James Brown, Will Oldham and George Jones keep him company blasting from the stereo. He designs and prints everything from business cards to album covers to wedding invitations.\u003c/p>\n\u003cp>For the last decade he’s created posters for the \u003ca href=\"http://www.ponderosastomp.com/\">Ponderosa Stomp\u003c/a>, the yearly New Orleans roots music festival.\u003c/p>\n\u003cp>“To be honest, when he does posters for the Stomp, I don't even know what they are until he sends them to me,” says Dr. Ike Padnos, who founded the Stomp. He became a Church of Type disciple after seeing Bradley’s posters displayed at New Orleans’ \u003ca href=\"http://www.nojazzfest.com/\">Jazz Fest\u003c/a>.\u003c/p>\n\u003cp>“It was that old school letterpress that just was so cool,” reveals Padnos. “People don't do that anymore. And then he's just taken it to another level and started going back and doing posters that almost look like the ‘50s and ‘60s with the coloring and photos, and the subject matter. Here was a guy doing wrestling stuff. You'd see the Ox. I mean, who puts the Ox on posters? Who puts Link Wray on posters? Who puts Robert Johnson on posters? It’s things that people weren’t doing at the time that made it so cool.”\u003c/p>\n\u003cp>But Bradley also creates pieces for himself, unexpected combinations of words, images, block print and primitive, outsider drawings. It’s striking, raw and original stuff, but is it art?\u003c/p>\n\u003cp>“I think that Kevin does make art and is an artist. It’s not his fault that he’s not rich and famous,” says painter and musician \u003ca href=\"http://www.bobneuwirth.com/\">Bob Neuwirth\u003c/a>. He produced the traditional country music documentary \"\u003ca href=\"https://phfilms.com/films/down-from-the-mountain/\">Down From the Mountain\u003c/a>,\" hiring Bradley to do some design work.\u003c/p>\n\u003cp>“One of the things that might be standing in Kevin's way is his authenticity,” continues Neuwirth. “I mean, he actually means it. I better keep my mouth shut after saying that, but part of what goes with being an artist are the vicissitudes of the art world.”\u003c/p>\n\u003cfigure id=\"attachment_11625098\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/InsidePrintShop-800x990.jpg\" alt=\"Kevin Bradley with one of his larger letterpress works at his Santa Monica-based Church of Type.\" width=\"800\" height=\"990\" class=\"size-medium wp-image-11625098\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-800x990.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-160x198.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-1020x1262.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-1180x1460.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-960x1188.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-240x297.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-375x464.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/InsidePrintShop-520x644.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Bradley with one of his larger letterpress works at his Santa Monica-based Church of Type. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My overriding idea coming to L.A. with this was I wanted to present letterpress as an art form,” Bradley says.\u003c/p>\n\u003cp>The Los Angeles art community apparently didn’t see it that way.\u003c/p>\n\u003cp>“I haven't fit into the art scene proper hardly at all. I'm such an outsider, I work on the outside of almost everything, but I can live there and do my thing.”\u003c/p>\n\u003cp>But he won’t be doing his thing in Los Angeles much longer. Bradley, who shares a Tennessee hometown and a passion for coonskin caps with the late Davy Crockett, will soon be returning to his roots.\u003c/p>\n\u003cp>“You know, it works better in the South and I think I'll be moving back there as my lease comes up here next year,” he says. “You can afford real estate, you can afford to live. It's a labor of love to be here. There's no money to be made. I wanted to share this so much with L.A. and I'm so glad I did, but they just never seen it before, and I don't know that they'll see a big operation like this again.”\u003c/p>\n\u003cp>With 30 tons of equipment to haul, relocating the Church will be a tribulation to be reckoned with. But moving the spirit behind the place is an effortless task for a man driven by faith.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I want it to live and breathe and get people excited about it,” Bradley says. “And usually if I can get'em in my door I can win 'em over and at least sell 'em a poster on the way out. So that's just the uphill battle that we're all going to face with it, is trying to keep it alive.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "How Steve Bannon's Time in Hollywood Changed Him",
"title": "How Steve Bannon's Time in Hollywood Changed Him",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>If there's one constant throughout Steve Bannon's career, it's his ability to reinvent himself. His resume includes time in the U.S. Navy plus jobs working with Goldman Sachs; Biosphere 2; a Florida maker of nasal sprays; and a Hong Kong company that employed real people to earn virtual gold in the online video game World Of Warcraft.\u003c/p>\n\u003cp>In August, Bannon returned to run Breitbart News after leaving his job as President Trump's chief strategist, and he is encouraging primary challenges against establishment-leaning Republicans around the country, including some vulnerable GOP incumbents in Senate seats the party needs to hold onto in 2018.\u003c/p>\n\u003cp>[contextly_sidebar id=\"DAlIoUa0rZ2jgB25YkzVVAf9lx10kbnc\"]\u003c/p>\n\u003cp>\"Right now, it's a season of war against the GOP establishment,\" \u003ca href=\"http://www.npr.org/2017/10/14/557805965/bannon-it-s-a-season-of-war-against-the-gop-establishment\">Bannon said\u003c/a> at the recent Values Voter Summit, an annual gathering of Christian conservatives in Washington, D.C.\u003c/p>\n\u003cp>But this effort is just the latest chapter in Bannon's ever-changing career, which raises the question: How long has Bannon held his well-known populist and nationalist beliefs?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The NPR podcast \u003cem>\u003ca href=\"http://www.npr.org/series/469833353/embedded\" target=\"_blank\" rel=\"noopener\">Embedded\u003c/a>\u003c/em> has found new evidence that the man who helped engineer the Trump political juggernaut underwent a major evolution during his time in, of all places, Hollywood.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/558679167/558682688\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>Before Politics, a Search for the Next Barney the Dinosaur\u003c/h2>\n\u003cp>Exhibit A in Steve Bannon's evolution might be a 30-minute highlight reel featuring the comedic hijinks of the sports mascot the San Diego Chicken.\u003c/p>\n\u003cp>First, some back story.\u003c/p>\n\u003cp>Bannon came to Los Angeles in the late 1980s, while he was working for Goldman Sachs. As \u003ca href=\"https://www.newyorker.com/magazine/2017/05/01/how-hollywood-remembers-steve-bannon\">the New Yorker reported\u003c/a>, the investment bank wanted to \"expand its presence in the entertainment business.\" Soon after, Bannon decided to start his own investment company, and got interested in producing films himself.\u003c/p>\n\u003cp>Around that time, Bannon created his own film company, called Bannon Film Industries, where he worked with his brother, Christopher T. Bannon.\u003c/p>\n\u003cp>The film company, like Bannon himself, went on to focus on politics. Its most famous production is probably the anti-Hillary Clinton film \u003cem>Clinton Cash\u003c/em>, based on a book released around the time Clinton launched her 2016 presidential campaign.\u003c/p>\n\u003cp>But that's not how it started.\u003c/p>\n\u003cp>NPR's Embedded team unearthed a 1993 article in the \u003cem>Richmond Times-Dispatch\u003c/em>, Bannon's hometown newspaper, featuring the kind of headline you don't usually see associated with Steve Bannon: \"THE FAMOUS CHICKEN IS POISED FOR BARNEY-STYLE CAREER LAUNCH\".\u003c/p>\n\u003cp>The Famous Chicken is also known as The San Diego Chicken, who is also known as Ted Giannoulas, who is also known as \"a guy who dons a chicken suit for fun and notoriety.\"\u003c/p>\n\u003cp>In 1993, Christopher Bannon co-wrote \u003cem>The Chicken's Greatest Bits\u003c/em>, a 37-minute tape, available by mail order, featuring highlights of some of Giannoulas' act.\u003c/p>\n\u003cp>\"We have a lot of film products we're shopping around,\" Christopher Bannon told the newspaper, \"but 'The Chicken's Greatest Bits' is the first one to carry the Bannon Film Industries banner.\"\u003c/p>\n\u003cfigure id=\"attachment_11625021\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11625021\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/BannonChicken-800x530.jpg\" alt=\"The Chicken's Greatest Bits, featuring sports mascot the San Diego Chicken, was produced by Bannon Film Industries in 1993.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The 'Chicken's Greatest Bits,' featuring sports mascot the San Diego Chicken, was produced by Bannon Film Industries in 1993. \u003ccite>(Tom Dreiscbach/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to the paper, Bannon Film Industries had big plans for The Famous Chicken, including \"a series of videos, a possible TV show, toys, games and maybe a low-budget movie along the lines of '\u003ca href=\"https://www.youtube.com/watch?v=Je3jfepymQM\">Ernest Goes to Camp\u003c/a>.' \"\u003c/p>\n\u003cp>\"Ultimately our goal is to build a Barney-the-dinosaur-like industry,\" Christopher Bannon said\u003cstrong>.\u003c/strong> \"This video is really just the gateway event into The Chicken industry, as silly as it sounds.\"\u003c/p>\n\u003cp>NPR was able to buy the used VHS tape from Amazon for $2.99.\u003c/p>\n\u003cp>Here are some highlights:\u003c/p>\n\u003cul>\n\u003cli>The Famous Chicken \"laying\" a baseball like an egg.\u003c/li>\n\u003cli>The \"Grand Hatching,\" where, \"with all the pomp and circumstance of a coronation\" the Chicken punches through a giant 10-foot egg to the soundtrack of \"Thus Spake Zarathustra.\"\u003c/li>\n\u003cli>And \"The Homebird Rap,\" where the Chicken performs an \"Ice Ice Baby\" parody song while wearing an American flag jumpsuit, black sunglasses and a Vanilla Ice-esque toupee.\u003c/li>\n\u003c/ul>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"800\" height=\"500\" src=\"https://www.npr.org/templates/event/embeddedVideo.php?storyId=558906151&mediaId=559057077\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>It's unclear how much direct involvement Steve Bannon had with \u003cem>The Chicken's Greatest Bits\u003c/em>.\u003c/p>\n\u003cp>Ted Giannoulas told NPR in an email, \"Thanks for the interest, but I don't have anything to add to your story.\" And Christopher and Steve Bannon did not respond to multiple requests for comment.\u003c/p>\n\u003cp>But the fact that the film was the first to have the Bannon Film Industries banner suggests the company was not launched with politics in mind.\u003c/p>\n\u003cp>Mindy Affrime, a producer of independent films who describes herself as a \"big lefty,\" met Bannon in the early 1990s. Affrime says she saw no hints of Bannon's ideology in those days. Instead, she says, he focused on projects with buzz or money attached.\u003c/p>\n\u003cp>\"My opinion about Steve and why he did anything he did while he was in Hollywood was it was the lowest-hanging fruit,\" says Affrime.\u003c/p>\n\u003ch2>'Big Thinkers' and Shakespeare in Space\u003c/h2>\n\u003cp>Another piece of evidence that Bannon's views evolved in Hollywood comes from Julia Jones, a screenwriter who worked on and off with Steve Bannon for more than a decade.\u003c/p>\n\u003cp>Jones, who is a Bernie Sanders supporter, met Bannon in the early 1990s, and says that she and Bannon planned dozens of projects that had little or nothing to do with politics.\u003c/p>\n\u003cp>\"We adapted Titus Andronicus in outer space,\" Jones says. \"It was a horrible script. Oh, so embarrassing. And we thought it was brilliant!\"\u003c/p>\n\u003cp>[contextly_sidebar id=\"DRufHtyGfnF7ZjXU2Mm8awGkv8whwUcy\"]\u003c/p>\n\u003cp>Jones provided NPR with a document listing their planned projects as of March 2004, none of which are overtly partisan. This document has not previously been reported.\u003c/p>\n\u003cp>On that list was a TV show about ancient philosophers and \"big thinkers\" called \"Those Who Knew.\" (\"He was very into Plato, very into Marcus Aurelius,\" Jones says.)\u003c/p>\n\u003cp>Jones says they also talked about developing a film about the Carter family — but not the political Carters. They wanted to make a film about the musical Carters (as in June Carter).\u003c/p>\n\u003cp>There are multiple projects on the list featuring melodramatic storylines about naval officers, like \"That Hamilton Woman\" and \"Navy Cross.\" (Bannon was himself a lieutenant in the Navy.)\u003c/p>\n\u003cp>There are some hints of Bannon's ideology in that list, like \"Weedpatch,\" a documentary series that would tell the true stories of working-class struggle that inspired \u003cem>The Grapes Of Wrath\u003c/em>.\u003c/p>\n\u003cp>None of these projects ever came to fruition.\u003c/p>\n\u003ch2>How Ronald Reagan Changed Bannon's Trajectory\u003c/h2>\n\u003cp>Later in 2004, Bannon got involved with a project that actually got made.\u003c/p>\n\u003cp>It was a documentary about Ronald Reagan called \u003cem>In The Face Of Evil: Reagan's War In Word And Deed\u003c/em>, and the film dramatically changed his trajectory.\u003c/p>\n\u003cp>The film casts Reagan's struggle against the Soviet Union as a war between good and evil. The film's narrator describes communism as just one more example of \"the beast,\" a kind of recurrent evil force that gave the world Bolshevism, fascism and Nazism.\u003c/p>\n\u003cp>The film was not a major success. It has an 11 percent rating on the review aggregator \u003ca href=\"https://www.rottentomatoes.com/m/reagan_in_the_face_of_evil\">Rotten Tomatoes\u003c/a>, and the film grossed only $110,000, according to \u003ca href=\"http://www.boxofficemojo.com/movies/?page=weekend&id=inthefaceofevil.htm\">Box Office Mojo\u003c/a>.\u003c/p>\n\u003cp>[contextly_sidebar id=\"ZxOpmOi54CF9gVKosJbpzL8N9m6WWOaE\"]\u003c/p>\n\u003cp>But then Bannon screened the film at a conservative film festival in Los Angeles, and according to Joshua Green, author of \u003cem>Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency\u003c/em>, that's where Bannon met Andrew Breitbart. At the time, Breitbart had just co-written a book that excoriated Hollywood's culture of celebrity, and would soon start making plans for his own website.\u003c/p>\n\u003cp>Breitbart often described using the tools of Hollywood to take down what he saw as the liberal media and political elite. Bannon was attracted to that.\u003c/p>\n\u003cp>\"Breitbart had this effect on a lot of people, not just Steve Bannon,\" Joshua Green says, \"the idea that he was this kind of pied piper, who was doing something very fun and exciting and important and doing it, you know, in the belly of the beast — in liberal Hollywood.\"\u003c/p>\n\u003cp>Around that same time, Bannon also met David Bossie, the head of the conservative group Citizens United, a key source of funding for conservative documentaries. Bannon and Bossie would both go on years later to hold top positions in Donald Trump's 2016 presidential campaign.\u003c/p>\n\u003cp>And at that point, the list of projects from Steve Bannon and Julia Jones changes. Jones provided NPR with a second document from November 2004, which includes many overtly partisan projects.\u003c/p>\n\u003cp>Here are some examples:\u003c/p>\n\u003cul>\n\u003cli>\"Michael Moore Hates America\"\u003c/li>\n\u003cli>\"Jihad: The War Against the West\"\u003c/li>\n\u003cli>\"Is It True What They Say About Ann (The Ann Coulter Project)\"\u003c/li>\n\u003c/ul>\n\u003cp>The bottom of the document also includes this paragraph, \"The key to the success of the conservative documentary lies in tying together compatible funding sources, e.g., the NRA, church and political groups, while leveraging off the media base of AM Talk Radio and Cable news.\"\u003c/p>\n\u003cp>At some point, Jones says, Bannon told her he wanted to be \"the Leni Riefenstahl of the GOP.\"\u003c/p>\n\u003cp>Riefenstahl was an infamous and highly effective German propagandist, who made films for the Nazis. And it seems Bannon has \u003ca href=\"http://www.politico.com/magazine/story/2016/12/steve-bannon-films-movies-documentaries-trump-hollywood-214495\">embraced the association.\u003c/a>\u003c/p>\n\u003cp>Jones says Bannon simply became too political for her, and the two eventually parted ways.\u003c/p>\n\u003cp>[contextly_sidebar id=\"sr2iCqD79CTaxuIvAZFJECKCyehDKALI\"]\u003c/p>\n\u003cp>Subsequently, Bannon focused on political documentaries like \u003cem>District of Corruption\u003c/em>,\u003cem> Generation Zero \u003c/em>and \u003cem>Battle for America\u003c/em>. And while obtaining funding for independent films proved difficult, Bannon found a steadier stream of funding for conservative films.\u003c/p>\n\u003cp>That strategy ended up propelling Bannon to Breitbart News and eventually his job as chief strategist at the White House.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Bannon learned from Andrew Breitbart how to use the tools of Hollywood against its elites. Now he's trying to take those lessons to blow up the Republican establishment and keep himself at the center of American politics.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+Steve+Bannon%27s+Time+In+Hollywood+Changed+Him&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If there's one constant throughout Steve Bannon's career, it's his ability to reinvent himself. His resume includes time in the U.S. Navy plus jobs working with Goldman Sachs; Biosphere 2; a Florida maker of nasal sprays; and a Hong Kong company that employed real people to earn virtual gold in the online video game World Of Warcraft.\u003c/p>\n\u003cp>In August, Bannon returned to run Breitbart News after leaving his job as President Trump's chief strategist, and he is encouraging primary challenges against establishment-leaning Republicans around the country, including some vulnerable GOP incumbents in Senate seats the party needs to hold onto in 2018.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"Right now, it's a season of war against the GOP establishment,\" \u003ca href=\"http://www.npr.org/2017/10/14/557805965/bannon-it-s-a-season-of-war-against-the-gop-establishment\">Bannon said\u003c/a> at the recent Values Voter Summit, an annual gathering of Christian conservatives in Washington, D.C.\u003c/p>\n\u003cp>But this effort is just the latest chapter in Bannon's ever-changing career, which raises the question: How long has Bannon held his well-known populist and nationalist beliefs?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The NPR podcast \u003cem>\u003ca href=\"http://www.npr.org/series/469833353/embedded\" target=\"_blank\" rel=\"noopener\">Embedded\u003c/a>\u003c/em> has found new evidence that the man who helped engineer the Trump political juggernaut underwent a major evolution during his time in, of all places, Hollywood.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/558679167/558682688\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>Before Politics, a Search for the Next Barney the Dinosaur\u003c/h2>\n\u003cp>Exhibit A in Steve Bannon's evolution might be a 30-minute highlight reel featuring the comedic hijinks of the sports mascot the San Diego Chicken.\u003c/p>\n\u003cp>First, some back story.\u003c/p>\n\u003cp>Bannon came to Los Angeles in the late 1980s, while he was working for Goldman Sachs. As \u003ca href=\"https://www.newyorker.com/magazine/2017/05/01/how-hollywood-remembers-steve-bannon\">the New Yorker reported\u003c/a>, the investment bank wanted to \"expand its presence in the entertainment business.\" Soon after, Bannon decided to start his own investment company, and got interested in producing films himself.\u003c/p>\n\u003cp>Around that time, Bannon created his own film company, called Bannon Film Industries, where he worked with his brother, Christopher T. Bannon.\u003c/p>\n\u003cp>The film company, like Bannon himself, went on to focus on politics. Its most famous production is probably the anti-Hillary Clinton film \u003cem>Clinton Cash\u003c/em>, based on a book released around the time Clinton launched her 2016 presidential campaign.\u003c/p>\n\u003cp>But that's not how it started.\u003c/p>\n\u003cp>NPR's Embedded team unearthed a 1993 article in the \u003cem>Richmond Times-Dispatch\u003c/em>, Bannon's hometown newspaper, featuring the kind of headline you don't usually see associated with Steve Bannon: \"THE FAMOUS CHICKEN IS POISED FOR BARNEY-STYLE CAREER LAUNCH\".\u003c/p>\n\u003cp>The Famous Chicken is also known as The San Diego Chicken, who is also known as Ted Giannoulas, who is also known as \"a guy who dons a chicken suit for fun and notoriety.\"\u003c/p>\n\u003cp>In 1993, Christopher Bannon co-wrote \u003cem>The Chicken's Greatest Bits\u003c/em>, a 37-minute tape, available by mail order, featuring highlights of some of Giannoulas' act.\u003c/p>\n\u003cp>\"We have a lot of film products we're shopping around,\" Christopher Bannon told the newspaper, \"but 'The Chicken's Greatest Bits' is the first one to carry the Bannon Film Industries banner.\"\u003c/p>\n\u003cfigure id=\"attachment_11625021\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11625021\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/BannonChicken-800x530.jpg\" alt=\"The Chicken's Greatest Bits, featuring sports mascot the San Diego Chicken, was produced by Bannon Film Industries in 1993.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-240x159.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-375x248.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/10/BannonChicken-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The 'Chicken's Greatest Bits,' featuring sports mascot the San Diego Chicken, was produced by Bannon Film Industries in 1993. \u003ccite>(Tom Dreiscbach/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>According to the paper, Bannon Film Industries had big plans for The Famous Chicken, including \"a series of videos, a possible TV show, toys, games and maybe a low-budget movie along the lines of '\u003ca href=\"https://www.youtube.com/watch?v=Je3jfepymQM\">Ernest Goes to Camp\u003c/a>.' \"\u003c/p>\n\u003cp>\"Ultimately our goal is to build a Barney-the-dinosaur-like industry,\" Christopher Bannon said\u003cstrong>.\u003c/strong> \"This video is really just the gateway event into The Chicken industry, as silly as it sounds.\"\u003c/p>\n\u003cp>NPR was able to buy the used VHS tape from Amazon for $2.99.\u003c/p>\n\u003cp>Here are some highlights:\u003c/p>\n\u003cul>\n\u003cli>The Famous Chicken \"laying\" a baseball like an egg.\u003c/li>\n\u003cli>The \"Grand Hatching,\" where, \"with all the pomp and circumstance of a coronation\" the Chicken punches through a giant 10-foot egg to the soundtrack of \"Thus Spake Zarathustra.\"\u003c/li>\n\u003cli>And \"The Homebird Rap,\" where the Chicken performs an \"Ice Ice Baby\" parody song while wearing an American flag jumpsuit, black sunglasses and a Vanilla Ice-esque toupee.\u003c/li>\n\u003c/ul>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"800\" height=\"500\" src=\"https://www.npr.org/templates/event/embeddedVideo.php?storyId=558906151&mediaId=559057077\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>It's unclear how much direct involvement Steve Bannon had with \u003cem>The Chicken's Greatest Bits\u003c/em>.\u003c/p>\n\u003cp>Ted Giannoulas told NPR in an email, \"Thanks for the interest, but I don't have anything to add to your story.\" And Christopher and Steve Bannon did not respond to multiple requests for comment.\u003c/p>\n\u003cp>But the fact that the film was the first to have the Bannon Film Industries banner suggests the company was not launched with politics in mind.\u003c/p>\n\u003cp>Mindy Affrime, a producer of independent films who describes herself as a \"big lefty,\" met Bannon in the early 1990s. Affrime says she saw no hints of Bannon's ideology in those days. Instead, she says, he focused on projects with buzz or money attached.\u003c/p>\n\u003cp>\"My opinion about Steve and why he did anything he did while he was in Hollywood was it was the lowest-hanging fruit,\" says Affrime.\u003c/p>\n\u003ch2>'Big Thinkers' and Shakespeare in Space\u003c/h2>\n\u003cp>Another piece of evidence that Bannon's views evolved in Hollywood comes from Julia Jones, a screenwriter who worked on and off with Steve Bannon for more than a decade.\u003c/p>\n\u003cp>Jones, who is a Bernie Sanders supporter, met Bannon in the early 1990s, and says that she and Bannon planned dozens of projects that had little or nothing to do with politics.\u003c/p>\n\u003cp>\"We adapted Titus Andronicus in outer space,\" Jones says. \"It was a horrible script. Oh, so embarrassing. And we thought it was brilliant!\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Jones provided NPR with a document listing their planned projects as of March 2004, none of which are overtly partisan. This document has not previously been reported.\u003c/p>\n\u003cp>On that list was a TV show about ancient philosophers and \"big thinkers\" called \"Those Who Knew.\" (\"He was very into Plato, very into Marcus Aurelius,\" Jones says.)\u003c/p>\n\u003cp>Jones says they also talked about developing a film about the Carter family — but not the political Carters. They wanted to make a film about the musical Carters (as in June Carter).\u003c/p>\n\u003cp>There are multiple projects on the list featuring melodramatic storylines about naval officers, like \"That Hamilton Woman\" and \"Navy Cross.\" (Bannon was himself a lieutenant in the Navy.)\u003c/p>\n\u003cp>There are some hints of Bannon's ideology in that list, like \"Weedpatch,\" a documentary series that would tell the true stories of working-class struggle that inspired \u003cem>The Grapes Of Wrath\u003c/em>.\u003c/p>\n\u003cp>None of these projects ever came to fruition.\u003c/p>\n\u003ch2>How Ronald Reagan Changed Bannon's Trajectory\u003c/h2>\n\u003cp>Later in 2004, Bannon got involved with a project that actually got made.\u003c/p>\n\u003cp>It was a documentary about Ronald Reagan called \u003cem>In The Face Of Evil: Reagan's War In Word And Deed\u003c/em>, and the film dramatically changed his trajectory.\u003c/p>\n\u003cp>The film casts Reagan's struggle against the Soviet Union as a war between good and evil. The film's narrator describes communism as just one more example of \"the beast,\" a kind of recurrent evil force that gave the world Bolshevism, fascism and Nazism.\u003c/p>\n\u003cp>The film was not a major success. It has an 11 percent rating on the review aggregator \u003ca href=\"https://www.rottentomatoes.com/m/reagan_in_the_face_of_evil\">Rotten Tomatoes\u003c/a>, and the film grossed only $110,000, according to \u003ca href=\"http://www.boxofficemojo.com/movies/?page=weekend&id=inthefaceofevil.htm\">Box Office Mojo\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But then Bannon screened the film at a conservative film festival in Los Angeles, and according to Joshua Green, author of \u003cem>Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency\u003c/em>, that's where Bannon met Andrew Breitbart. At the time, Breitbart had just co-written a book that excoriated Hollywood's culture of celebrity, and would soon start making plans for his own website.\u003c/p>\n\u003cp>Breitbart often described using the tools of Hollywood to take down what he saw as the liberal media and political elite. Bannon was attracted to that.\u003c/p>\n\u003cp>\"Breitbart had this effect on a lot of people, not just Steve Bannon,\" Joshua Green says, \"the idea that he was this kind of pied piper, who was doing something very fun and exciting and important and doing it, you know, in the belly of the beast — in liberal Hollywood.\"\u003c/p>\n\u003cp>Around that same time, Bannon also met David Bossie, the head of the conservative group Citizens United, a key source of funding for conservative documentaries. Bannon and Bossie would both go on years later to hold top positions in Donald Trump's 2016 presidential campaign.\u003c/p>\n\u003cp>And at that point, the list of projects from Steve Bannon and Julia Jones changes. Jones provided NPR with a second document from November 2004, which includes many overtly partisan projects.\u003c/p>\n\u003cp>Here are some examples:\u003c/p>\n\u003cul>\n\u003cli>\"Michael Moore Hates America\"\u003c/li>\n\u003cli>\"Jihad: The War Against the West\"\u003c/li>\n\u003cli>\"Is It True What They Say About Ann (The Ann Coulter Project)\"\u003c/li>\n\u003c/ul>\n\u003cp>The bottom of the document also includes this paragraph, \"The key to the success of the conservative documentary lies in tying together compatible funding sources, e.g., the NRA, church and political groups, while leveraging off the media base of AM Talk Radio and Cable news.\"\u003c/p>\n\u003cp>At some point, Jones says, Bannon told her he wanted to be \"the Leni Riefenstahl of the GOP.\"\u003c/p>\n\u003cp>Riefenstahl was an infamous and highly effective German propagandist, who made films for the Nazis. And it seems Bannon has \u003ca href=\"http://www.politico.com/magazine/story/2016/12/steve-bannon-films-movies-documentaries-trump-hollywood-214495\">embraced the association.\u003c/a>\u003c/p>\n\u003cp>Jones says Bannon simply became too political for her, and the two eventually parted ways.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Subsequently, Bannon focused on political documentaries like \u003cem>District of Corruption\u003c/em>,\u003cem> Generation Zero \u003c/em>and \u003cem>Battle for America\u003c/em>. And while obtaining funding for independent films proved difficult, Bannon found a steadier stream of funding for conservative films.\u003c/p>\n\u003cp>That strategy ended up propelling Bannon to Breitbart News and eventually his job as chief strategist at the White House.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bannon learned from Andrew Breitbart how to use the tools of Hollywood against its elites. Now he's trying to take those lessons to blow up the Republican establishment and keep himself at the center of American politics.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+Steve+Bannon%27s+Time+In+Hollywood+Changed+Him&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Los Angeles Police Department is investigating Hollywood movie mogul Harvey Weinstein after an Italian model-actress alleged that he raped her at her hotel in 2013.\u003c/p>\n\u003cp>As NPR's Mandalit Del Barco reports, \"A spokesman for the LAPD says the department is interviewing a 'potential victim' of sexual assault by Harvey Weinstein in 2013.\"\u003c/p>\n\u003cp>The allegations of sexual assault are the first reported in Los Angeles. Police in New York and London are investigating allegations that Weinstein sexually assaulted five women in those cities.\u003c/p>\n\u003cp>The Los Angeles allegations are significant because the case falls within the 10-year statute of limitations for criminal prosecution.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/558495749/558499642\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"It could 'open the door to a prosecution if the evidence exists,' said defense attorney Dmitry Gorin, a former L.A. sex crimes prosecutor. Until now, most of the allegations against Weinstein that could lead to criminal charges concerned incidents that are more than a decade old,\" \u003ca href=\"http://www.latimes.com/local/lanow/la-fi-ct-weinstein-lapd-victim-20171019-story.html\">reported\u003c/a> the \u003cem>Los Angeles Times\u003c/em>.\u003c/p>\n\u003cp>Weinstein \"unequivocally denied the allegations of non-consensual sex,\" wrote his spokeswoman Sallie Hofmeister in a statement quoted by the \u003ca href=\"https://www.apnews.com/1766c485965d4924a3e9a25c474cc552/Los-Angeles-police-open-Weinstein-sex-assault-investigation\">Associated Press\u003c/a>.\u003c/p>\n\u003cp>The accusations were brought by a 38-year-old woman who asked not to be identified for privacy reasons, according to the \u003cem>Times\u003c/em>.\u003c/p>\n\u003cp>[contextly_sidebar id=\"QMSw1QMpl1IdtljjnOEvL3YO9dsDpheg\"]\u003c/p>\n\u003cp>The incident is alleged to have occurred in February 2013 at a Beverly Hills hotel. Weinstein \"bullied his way into my hotel room ... became very aggressive and demanding ... He then dragged me to the bathroom and forcibly raped me,\" she told the \u003cem>Times\u003c/em>.\u003c/p>\n\u003cp>Rumors of sexual misconduct by Weinstein have circulated through Hollywood for decades. But the allegations came to wider attention through a \u003cem>New York Times\u003c/em> \u003ca href=\"https://www.nytimes.com/2017/10/05/us/harvey-weinstein-harassment-allegations.html?_r=0\">article\u003c/a> published earlier this month.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Since then more than \u003ca href=\"http://www.latimes.com/entertainment/la-et-weinstein-accusers-list-20171011-htmlstory.html\">40 women\u003c/a> have accused the movie producer of sexually harassing or raping them. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=LAPD+Investigating+Accusation+Of+2013+Rape+By+Harvey+Weinstein&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Los Angeles Police Department is investigating Hollywood movie mogul Harvey Weinstein after an Italian model-actress alleged that he raped her at her hotel in 2013.\u003c/p>\n\u003cp>As NPR's Mandalit Del Barco reports, \"A spokesman for the LAPD says the department is interviewing a 'potential victim' of sexual assault by Harvey Weinstein in 2013.\"\u003c/p>\n\u003cp>The allegations of sexual assault are the first reported in Los Angeles. Police in New York and London are investigating allegations that Weinstein sexually assaulted five women in those cities.\u003c/p>\n\u003cp>The Los Angeles allegations are significant because the case falls within the 10-year statute of limitations for criminal prosecution.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/558495749/558499642\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It could 'open the door to a prosecution if the evidence exists,' said defense attorney Dmitry Gorin, a former L.A. sex crimes prosecutor. Until now, most of the allegations against Weinstein that could lead to criminal charges concerned incidents that are more than a decade old,\" \u003ca href=\"http://www.latimes.com/local/lanow/la-fi-ct-weinstein-lapd-victim-20171019-story.html\">reported\u003c/a> the \u003cem>Los Angeles Times\u003c/em>.\u003c/p>\n\u003cp>Weinstein \"unequivocally denied the allegations of non-consensual sex,\" wrote his spokeswoman Sallie Hofmeister in a statement quoted by the \u003ca href=\"https://www.apnews.com/1766c485965d4924a3e9a25c474cc552/Los-Angeles-police-open-Weinstein-sex-assault-investigation\">Associated Press\u003c/a>.\u003c/p>\n\u003cp>The accusations were brought by a 38-year-old woman who asked not to be identified for privacy reasons, according to the \u003cem>Times\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The incident is alleged to have occurred in February 2013 at a Beverly Hills hotel. Weinstein \"bullied his way into my hotel room ... became very aggressive and demanding ... He then dragged me to the bathroom and forcibly raped me,\" she told the \u003cem>Times\u003c/em>.\u003c/p>\n\u003cp>Rumors of sexual misconduct by Weinstein have circulated through Hollywood for decades. But the allegations came to wider attention through a \u003cem>New York Times\u003c/em> \u003ca href=\"https://www.nytimes.com/2017/10/05/us/harvey-weinstein-harassment-allegations.html?_r=0\">article\u003c/a> published earlier this month.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Since then more than \u003ca href=\"http://www.latimes.com/entertainment/la-et-weinstein-accusers-list-20171011-htmlstory.html\">40 women\u003c/a> have accused the movie producer of sexually harassing or raping them. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=LAPD+Investigating+Accusation+Of+2013+Rape+By+Harvey+Weinstein&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Update Nov. 11, 2018: After the devastating Camp Fire broke out in Northern California, Curtis Nelson announced he was filling his bus with \u003ca href=\"https://www.facebook.com/donate/295859314593586/\" rel=\"noopener\" target=\"_blank\">donations\u003c/a> for fire victims again.\u003c/em>\u003c/p>\n\u003cp>A 40-foot gold-colored party bus has been shuttling across the Golden Gate Bridge, filled to the brim with donations from local businesses for those impacted by the Northern California wildfires.\u003c/p>\n\u003cp>“I thought I might as well help the people out with my bus, but I didn’t think it would be this big of a deal,” said Curtis Nelson with a laugh. “I just decided to do it because I was able to.”\u003c/p>\n\u003cp>Nelson, 33, an interior painter from Vallejo, calls the party bus the “Twerkulator” — derived from the word “twerking.” He has taken the bus to Burning Man and a family reunion in Ohio. It was originally used to transport federal inmates in Indiana, but Nelson “took the bad energy out of it” by converting it to a gold bus — and now by helping out fire victims.\u003c/p>\n\u003cp>Since the deadly fires began on Oct. 8, they have\u003ca href=\"https://ww2.kqed.org/news/2017/10/16/lighter-winds-help-crews-gain-on-california-wildfires/\" target=\"_blank\" rel=\"noopener\"> claimed more than 40 lives and destroyed over 200,000 acres\u003c/a>. More than 100,000 people have been evacuated, but they are beginning to return home. However, many of those impacted will face challenges in resuming normal life, with property damaged and entire houses gone.\u003c/p>\n\u003cfigure id=\"attachment_11624142\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11624142 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-800x579.jpg\" alt=\"\" width=\"800\" height=\"579\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-800x579.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-1020x738.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-1180x854.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-960x695.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-240x174.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-375x271.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-520x376.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image.jpg 1441w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The party bus “Twerkulator” was filled to the top with donated items. \u003ccite>(Courtesy of Curtis Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nelson put out the call to his friends after the fires broke out, and by Tuesday they were collecting items from local businesses all over the Bay Area to deliver to the fire victims. Among the many donations: 700 pairs of $95 \u003ca href=\"https://www.allbirds.com/\" target=\"_blank\" rel=\"noopener\">Allbirds\u003c/a> shoes, clothing from \u003ca href=\"https://loveonhaightsf.com/\" target=\"_blank\" rel=\"noopener\">Love on Haight\u003c/a>, duffel bags filled with deodorant and shaving cream, and gallons of water. Nelson’s bus made three full trips — each time filled to the top.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nelson said he wanted it to be a “community effort,” so he wasn’t interested in giving items to major organizations like the Red Cross that have been asking mostly for financial donations. “We’re giving this to everyone,” he said. “We don’t want to give it to someone who delegates who gets what.”\u003c/p>\n\u003cp>The items were distributed to shelters and hubs in Petaluma, American Canyon, Vallejo and San Francisco. Shuttling back and forth, Nelson had some problems when it came to delivering items to locations that were not accepting them. However, one hub that was especially helpful was Jamison’s Roaring Donkey, a bar in Petaluma that had runners taking items to specific shelters accepting them.\u003c/p>\n\u003cp>“I got so much love,” Nelson said. “I exchanged numbers with the owners of the bar and people there. When they called me back to do a load up north, there were so many people there from the city of Petaluma cheering me that I came up with a bus to load it all up. It was a live community.”\u003c/p>\n\u003cp>Nelson said that when he is driving his bus, people usually honk and give him a thumbs-up, but that “it definitely feels way better to have someone come up to you to say thank you.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I’ll probably do one more run this week,” he said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Update Nov. 11, 2018: After the devastating Camp Fire broke out in Northern California, Curtis Nelson announced he was filling his bus with \u003ca href=\"https://www.facebook.com/donate/295859314593586/\" rel=\"noopener\" target=\"_blank\">donations\u003c/a> for fire victims again.\u003c/em>\u003c/p>\n\u003cp>A 40-foot gold-colored party bus has been shuttling across the Golden Gate Bridge, filled to the brim with donations from local businesses for those impacted by the Northern California wildfires.\u003c/p>\n\u003cp>“I thought I might as well help the people out with my bus, but I didn’t think it would be this big of a deal,” said Curtis Nelson with a laugh. “I just decided to do it because I was able to.”\u003c/p>\n\u003cp>Nelson, 33, an interior painter from Vallejo, calls the party bus the “Twerkulator” — derived from the word “twerking.” He has taken the bus to Burning Man and a family reunion in Ohio. It was originally used to transport federal inmates in Indiana, but Nelson “took the bad energy out of it” by converting it to a gold bus — and now by helping out fire victims.\u003c/p>\n\u003cp>Since the deadly fires began on Oct. 8, they have\u003ca href=\"https://ww2.kqed.org/news/2017/10/16/lighter-winds-help-crews-gain-on-california-wildfires/\" target=\"_blank\" rel=\"noopener\"> claimed more than 40 lives and destroyed over 200,000 acres\u003c/a>. More than 100,000 people have been evacuated, but they are beginning to return home. However, many of those impacted will face challenges in resuming normal life, with property damaged and entire houses gone.\u003c/p>\n\u003cfigure id=\"attachment_11624142\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11624142 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-800x579.jpg\" alt=\"\" width=\"800\" height=\"579\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-800x579.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-1020x738.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-1180x854.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-960x695.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-240x174.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-375x271.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image-520x376.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/Webp.net-compress-image.jpg 1441w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The party bus “Twerkulator” was filled to the top with donated items. \u003ccite>(Courtesy of Curtis Nelson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nelson put out the call to his friends after the fires broke out, and by Tuesday they were collecting items from local businesses all over the Bay Area to deliver to the fire victims. Among the many donations: 700 pairs of $95 \u003ca href=\"https://www.allbirds.com/\" target=\"_blank\" rel=\"noopener\">Allbirds\u003c/a> shoes, clothing from \u003ca href=\"https://loveonhaightsf.com/\" target=\"_blank\" rel=\"noopener\">Love on Haight\u003c/a>, duffel bags filled with deodorant and shaving cream, and gallons of water. Nelson’s bus made three full trips — each time filled to the top.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nelson said he wanted it to be a “community effort,” so he wasn’t interested in giving items to major organizations like the Red Cross that have been asking mostly for financial donations. “We’re giving this to everyone,” he said. “We don’t want to give it to someone who delegates who gets what.”\u003c/p>\n\u003cp>The items were distributed to shelters and hubs in Petaluma, American Canyon, Vallejo and San Francisco. Shuttling back and forth, Nelson had some problems when it came to delivering items to locations that were not accepting them. However, one hub that was especially helpful was Jamison’s Roaring Donkey, a bar in Petaluma that had runners taking items to specific shelters accepting them.\u003c/p>\n\u003cp>“I got so much love,” Nelson said. “I exchanged numbers with the owners of the bar and people there. When they called me back to do a load up north, there were so many people there from the city of Petaluma cheering me that I came up with a bus to load it all up. It was a live community.”\u003c/p>\n\u003cp>Nelson said that when he is driving his bus, people usually honk and give him a thumbs-up, but that “it definitely feels way better to have someone come up to you to say thank you.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I’ll probably do one more run this week,” he said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>We asked readers for their wildfire stories. If you were impacted by the fires, or know someone who was, \u003ca href=\"https://ww2.kqed.org/news/2017/10/10/share-your-california-wildfire-story/\">we’d like to hear your story\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Here is one of the responses. It has been edited for length and clarity.\u003c/p>\n\u003cp>Where do I start? We lost it all. I still don’t believe it and have hope I can find a sliver of something in the scrap. I remember hearing stories back from Hurricane Katrina and how people had nothing. I couldn’t imagine how they felt. At the time, my 7-year-old, Ryan Richardson, started Operation Ryan’s Hope. We ended up putting our lives on hold to create a people-helping-people effort and eventually were able to send 250,000 pounds of supplies to three states. Then fast forward to the Valley Fire in 2015. We sprang into action again to help, and with our new business, \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/\" target=\"_blank\" rel=\"noopener\">Music Junkie Press\u003c/a>, we held a fundraiser concert and raised over $2,000 for those affected.\u003c/p>\n\u003cfigure id=\"attachment_11623429\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11623429\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The family’s dog, Hunter, looks toward their now-destroyed home on the right. \u003ccite>(Photo courtesy of Marisol Richardson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Never in my wildest dreams would I think that my family would become a mirror of those we helped. I feel their pain, anger, hopeful and hopeless feelings taking a toll on us. But we will make it through. Our 40-year music memorabilia is all gone. Our collection of over 70 guitars are gone. Over 400 drum heads are gone. Our work and office in our house are all gone.\u003c/p>\n\u003cp>We moved into the house in January (it was my mom’s house with her caregiver). She got pneumonia, and it got really bad. We moved in to take care of her on hospice. She then passed away in March. We moved all our own stuff into her garage and shed out back. We were just in the process of settling her estate with my siblings — deciding who wanted what — but nothing had been moved yet. So we lost our belongings, as well as my mother and father’s life and property. We lost it all. We got a photo of our house sent to us. Everyone sees it and says it is all gone, but I see hope in there and maybe something hidden in the ash!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>What is your wildfire story? Fill out the form below — where you can also share your photos and videos — and a KQED reporter may be in touch.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://bit.ly/2wMzcsi\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>We asked readers for their wildfire stories. If you were impacted by the fires, or know someone who was, \u003ca href=\"https://ww2.kqed.org/news/2017/10/10/share-your-california-wildfire-story/\">we’d like to hear your story\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Here is one of the responses. It has been edited for length and clarity.\u003c/p>\n\u003cp>Where do I start? We lost it all. I still don’t believe it and have hope I can find a sliver of something in the scrap. I remember hearing stories back from Hurricane Katrina and how people had nothing. I couldn’t imagine how they felt. At the time, my 7-year-old, Ryan Richardson, started Operation Ryan’s Hope. We ended up putting our lives on hold to create a people-helping-people effort and eventually were able to send 250,000 pounds of supplies to three states. Then fast forward to the Valley Fire in 2015. We sprang into action again to help, and with our new business, \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/\" target=\"_blank\" rel=\"noopener\">Music Junkie Press\u003c/a>, we held a fundraiser concert and raised over $2,000 for those affected.\u003c/p>\n\u003cfigure id=\"attachment_11623429\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11623429\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/IMG_4966-e1507934748560-520x390.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The family’s dog, Hunter, looks toward their now-destroyed home on the right. \u003ccite>(Photo courtesy of Marisol Richardson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Never in my wildest dreams would I think that my family would become a mirror of those we helped. I feel their pain, anger, hopeful and hopeless feelings taking a toll on us. But we will make it through. Our 40-year music memorabilia is all gone. Our collection of over 70 guitars are gone. Over 400 drum heads are gone. Our work and office in our house are all gone.\u003c/p>\n\u003cp>We moved into the house in January (it was my mom’s house with her caregiver). She got pneumonia, and it got really bad. We moved in to take care of her on hospice. She then passed away in March. We moved all our own stuff into her garage and shed out back. We were just in the process of settling her estate with my siblings — deciding who wanted what — but nothing had been moved yet. So we lost our belongings, as well as my mother and father’s life and property. We lost it all. We got a photo of our house sent to us. Everyone sees it and says it is all gone, but I see hope in there and maybe something hidden in the ash!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
"closealltabs": {
"id": "closealltabs",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
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