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"bio": "\u003ca href=\"http://www.MarkFiore.com\">MarkFiore.com\u003c/a> | \u003ca href=\"https://twitter.com/markfiore\">Follow on Twitter\u003c/a> | \u003ca href=\"https://www.facebook.com/pages/Mark-Fiore-Animated-Political-Cartoons/94451707396?ref=bookmarks\">Facebook\u003c/a> | \u003ca href=\"mailto:mark@markfiore.com\">email\u003c/a>\r\n\r\nPulitzer Prize-winner, Mark Fiore, who the Wall Street Journal has called “the undisputed guru of the form,” creates animated political cartoons in San Francisco, where his work has been featured regularly on the San Francisco Chronicle’s web site, SFGate.com. His work has appeared on Newsweek.com, Slate.com, CBSNews.com, MotherJones.com, DailyKos.com and NPR’s web site. Fiore’s political animation has appeared on CNN, Frontline, Bill Moyers Journal, Salon.com and cable and broadcast outlets across the globe.\r\n\r\nBeginning his professional life by drawing traditional political cartoons for newspapers, Fiore’s work appeared in publications ranging from the Washington Post to the Los Angeles Times. In the late 1990s, he began to experiment with animating political cartoons and, after a short stint at the San Jose Mercury News as their staff cartoonist, Fiore devoted all his energies to animation.\r\nGrowing up in California, Fiore also spent a good portion of his life in the backwoods of Idaho. It was this combination that shaped him politically. Mark majored in political science at Colorado College, where, in a perfect send-off for a cartoonist, he received his diploma in 1991 as commencement speaker Dick Cheney smiled approvingly.\r\nMark Fiore was awarded the Pulitzer Prize for political cartooning in 2010, a Robert F. Kennedy Journalism Award in 2004 and has twice received an Online Journalism Award for commentary from the Online News Association (2002, 2008). Fiore has received two awards for his work in new media from the National Cartoonists Society (2001, 2002), and in 2006 received The James Madison Freedom of Information Award from The Society of Professional Journalists.",
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"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710115\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-800x514.jpg\" alt=\"Paradise Elementary by Mark Fiore\" width=\"800\" height=\"514\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-800x514.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-1020x655.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-1200x771.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>About three months after students attended their first day of school for the 2018-2019 school year, Paradise Elementary School and most of the surrounding town burned down in the \u003ca href=\"https://www.kqed.org/news/tag/wildfires/\" target=\"_blank\" rel=\"noopener\">deadly Camp Fire\u003c/a>.\u003c/p>\n\u003cp>On Monday, after being out of school for nearly a month following the wildfire, students attended their first day at the new Paradise Elementary School in Oroville.\u003c/p>\n\u003cp>I was there, sketching and listening while KQED’s Michelle Wiley was \u003ca href=\"https://www.kqed.org/news/11709831/thousands-of-butte-county-students-return-to-school\" target=\"_blank\" rel=\"noopener\">reporting\u003c/a>.\u003c/p>\n\u003cp>Students ran into the arms of their waiting teachers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710117\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/01run_revise001-800x375.jpg\" alt=\"Running by Mark Fiore\" width=\"800\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/01run_revise001.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/01run_revise001-160x75.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Some students were driven to school by their parents, but most arrived on two school buses.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710119\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/02bus_revise001-800x606.jpg\" alt=\"Arriving by Mark Fiore\" width=\"800\" height=\"606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-160x121.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-240x182.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-375x284.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-520x394.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>The school entrance was decorated with signs of support for the displaced students.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710014\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/03rocks_fin02-800x435.jpg\" alt=\"Rocks by Mark Fiore\" width=\"800\" height=\"435\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-240x131.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-375x204.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-520x283.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>There were smiles, tears and hugs.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11709990\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/04doorway_fin01-800x526.jpg\" alt=\"Doorway by Mark Fiore\" width=\"800\" height=\"526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/04doorway_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/04doorway_fin01-160x105.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11709991\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/10hugs_fin01-800x718.jpg\" alt=\"Hugs by Mark Fiore\" width=\"800\" height=\"718\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/10hugs_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/10hugs_fin01-160x144.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Of the 500 elementary students enrolled in the Paradise Unified School District, only about half are returning to school.\u003c/p>\n\u003cp>Many families have moved out of town, looking for jobs and places to stay.\u003c/p>\n\u003cp>The remaining students have now been reunited with their teachers at what used to be Bird Street Elementary School in Oroville.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710010\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/05birdstreet_fin02-800x342.jpg\" alt=\"Bird Street by Mark Fiore\" width=\"800\" height=\"342\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/05birdstreet_fin02.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/05birdstreet_fin02-160x68.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Children seemed to make the most of their new situation.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710007\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/06flash_fin02-800x417.jpg\" alt=\"Flash by Mark Fiore\" width=\"800\" height=\"417\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/06flash_fin02.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/06flash_fin02-160x83.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Teachers and staff welcomed students, while some parents had hushed conversations about the recent events.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710018\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/07welcome_fin01-800x807.jpg\" alt=\"Welcome Back by Mark Fiore\" width=\"800\" height=\"807\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-800x807.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-160x161.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-1020x1029.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-1190x1200.jpg 1190w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-1920x1936.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710019\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-800x790.jpg\" alt=\"Cmon In by Mark Fiore\" width=\"800\" height=\"790\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-160x158.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-96x96.jpg 96w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Experts have told district officials that March and April will probably be the months that the true effects of the recent trauma will likely emerge in children and adults.\u003c/p>\n\u003cp>Parents were understandably reluctant to part with their children.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710021\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/09staying_fin01-800x582.jpg\" alt=\"Staying by Mark Fiore\" width=\"800\" height=\"582\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/09staying_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/09staying_fin01-160x116.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>When they weren’t welcoming students, the pain of Paradise Elementary School teachers and staff was evident.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710023\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/11hitme_fim01-800x840.jpg\" alt=\"Hit Me by mark Fiore\" width=\"800\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-160x168.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-240x252.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-375x394.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-520x546.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Meanwhile, about 20 miles away at the Chico Mall, students from Paradise High School enrolled in their new virtual school.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710123\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/12dawn_revise001-800x615.jpg\" alt=\"Dawn and Bryce by Mark Fiore\" width=\"800\" height=\"615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/12dawn_revise001.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/12dawn_revise001-160x123.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n",
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"excerpt": "KQED cartoonist Mark Fiore was there when Paradise Elementary students were reunited with their teachers after the deadly Camp Fire. ",
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"title": "The Second First Day: A Cartoon Sketchbook | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710115\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-800x514.jpg\" alt=\"Paradise Elementary by Mark Fiore\" width=\"800\" height=\"514\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-800x514.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-1020x655.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001-1200x771.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/paradise_title_color_revise001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>About three months after students attended their first day of school for the 2018-2019 school year, Paradise Elementary School and most of the surrounding town burned down in the \u003ca href=\"https://www.kqed.org/news/tag/wildfires/\" target=\"_blank\" rel=\"noopener\">deadly Camp Fire\u003c/a>.\u003c/p>\n\u003cp>On Monday, after being out of school for nearly a month following the wildfire, students attended their first day at the new Paradise Elementary School in Oroville.\u003c/p>\n\u003cp>I was there, sketching and listening while KQED’s Michelle Wiley was \u003ca href=\"https://www.kqed.org/news/11709831/thousands-of-butte-county-students-return-to-school\" target=\"_blank\" rel=\"noopener\">reporting\u003c/a>.\u003c/p>\n\u003cp>Students ran into the arms of their waiting teachers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710117\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/01run_revise001-800x375.jpg\" alt=\"Running by Mark Fiore\" width=\"800\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/01run_revise001.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/01run_revise001-160x75.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Some students were driven to school by their parents, but most arrived on two school buses.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710119\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/02bus_revise001-800x606.jpg\" alt=\"Arriving by Mark Fiore\" width=\"800\" height=\"606\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-160x121.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-240x182.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-375x284.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/02bus_revise001-520x394.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>The school entrance was decorated with signs of support for the displaced students.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710014\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/03rocks_fin02-800x435.jpg\" alt=\"Rocks by Mark Fiore\" width=\"800\" height=\"435\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-240x131.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-375x204.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/03rocks_fin02-520x283.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>There were smiles, tears and hugs.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11709990\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/04doorway_fin01-800x526.jpg\" alt=\"Doorway by Mark Fiore\" width=\"800\" height=\"526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/04doorway_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/04doorway_fin01-160x105.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11709991\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/10hugs_fin01-800x718.jpg\" alt=\"Hugs by Mark Fiore\" width=\"800\" height=\"718\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/10hugs_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/10hugs_fin01-160x144.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Of the 500 elementary students enrolled in the Paradise Unified School District, only about half are returning to school.\u003c/p>\n\u003cp>Many families have moved out of town, looking for jobs and places to stay.\u003c/p>\n\u003cp>The remaining students have now been reunited with their teachers at what used to be Bird Street Elementary School in Oroville.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710010\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/05birdstreet_fin02-800x342.jpg\" alt=\"Bird Street by Mark Fiore\" width=\"800\" height=\"342\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/05birdstreet_fin02.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/05birdstreet_fin02-160x68.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Children seemed to make the most of their new situation.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710007\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/06flash_fin02-800x417.jpg\" alt=\"Flash by Mark Fiore\" width=\"800\" height=\"417\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/06flash_fin02.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/06flash_fin02-160x83.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Teachers and staff welcomed students, while some parents had hushed conversations about the recent events.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710018\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/07welcome_fin01-800x807.jpg\" alt=\"Welcome Back by Mark Fiore\" width=\"800\" height=\"807\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-800x807.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-160x161.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-1020x1029.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-1190x1200.jpg 1190w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-1920x1936.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/07welcome_fin01-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710019\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-800x790.jpg\" alt=\"Cmon In by Mark Fiore\" width=\"800\" height=\"790\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-160x158.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/08cmonin_fin01-96x96.jpg 96w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Experts have told district officials that March and April will probably be the months that the true effects of the recent trauma will likely emerge in children and adults.\u003c/p>\n\u003cp>Parents were understandably reluctant to part with their children.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710021\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/09staying_fin01-800x582.jpg\" alt=\"Staying by Mark Fiore\" width=\"800\" height=\"582\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/09staying_fin01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/09staying_fin01-160x116.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>When they weren’t welcoming students, the pain of Paradise Elementary School teachers and staff was evident.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710023\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/11hitme_fim01-800x840.jpg\" alt=\"Hit Me by mark Fiore\" width=\"800\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-160x168.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-240x252.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-375x394.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/11hitme_fim01-520x546.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>Meanwhile, about 20 miles away at the Chico Mall, students from Paradise High School enrolled in their new virtual school.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11710123\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/12dawn_revise001-800x615.jpg\" alt=\"Dawn and Bryce by Mark Fiore\" width=\"800\" height=\"615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/12dawn_revise001.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/12/12dawn_revise001-160x123.jpg 160w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Kentucky Police Investigating Death of Longtime Bay Area Radio Host Ray Taliaferro",
"title": "Kentucky Police Investigating Death of Longtime Bay Area Radio Host Ray Taliaferro",
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"content": "\u003cp>Authorities are investigating the death of celebrated San Francisco journalist and radio host Ray Taliaferro, whose body was found in a wooded area of western Kentucky, near the Illinois border.\u003c/p>\n\u003cp>\"This is a devastating ending to our search for him over these past weeks,\" wrote Raphael Taliaferro Jr., one of Taliaferro's three sons, on a \u003ca href=\"https://www.gofundme.com/ray-taliaferro-missing-in-kentucky?fbclid=IwAR1iI6Vvdu1LRAuqfsOeQzIyA6Ykgh69IH-gvotiTtXZttHVq4dBfcsmY8A\" target=\"_blank\" rel=\"noopener\">GoFundMe page\u003c/a> set up by the family. He said the family is working with police in Paducah, Kentucky, where he was found on Sunday afternoon, for more information on his disappearance and death.\u003c/p>\n\u003cp>Following an autopsy performed on Tuesday, Paducah police said there were no initial signs of foul play involved in Taliaferro's death, but noted the report had not been finalized.\u003c/p>\n\u003cp>“Preliminary autopsy results confirm Paducah police detectives’ initial findings that foul play is not indicated in the death of Ray Taliaferro,” the release said. “Exposure to the elements may have been a factor in the California man’s death.”\u003c/p>\n\u003cp>Taliaferro’s wife, who he married six months earlier, first reported his disappearance on Nov. 10 from Massac County, Illinois, where the couple had been visiting. A missing person flyer noted that Taliaferro \"may be experiencing disorientation and signs of dementia.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Taliaferro grew up in San Francisco's Hunters Point neighborhood. Considered a trailblazer among black radio personalities, he joined Oakland-based KNEW-AM in 1967 as one of the first black radio show hosts at a major market station.\u003c/p>\n\u003cfigure id=\"attachment_11709832\" class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo.jpg\">\u003cimg class=\"wp-image-11709832\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo.jpg\" alt=\"\" width=\"500\" height=\"611\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo.jpg 786w, https://ww2.kqed.org/app/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo-160x195.jpg 160w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A missing person flyer distributed after Ray Taliaferro's reported disappearance on Nov. 10. \u003ccite>(Paducah Police Department)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In a career spanning four decades, Taliaferro went on to work as a reporter and news anchor for San Francisco’s KGO-AM and KRON-TV. For 25 years, he hosted a popular public affairs call-in radio show on KGO Newstalk 810. The show aired from 1 a.m. to 5 a.m., five days a week.\u003c/p>\n\u003cp>\"At that hour of the night you’ve got to come off powerful and strong because, if you don’t, there aren’t many who will pick up and call,\" said his longtime KGO colleague, Ronn Owens. \"He understood the business. He was a pro.\"\u003c/p>\n\u003cp>Throughout his career, Taliaferro was involved with multiple organizations and causes and received numerous honors for his work as a trailblazing journalist and civil rights advocate. He helped found the National Association of Black Journalists, and was later inducted into its \u003ca href=\"https://www.nabj.org/page/halloffamevideos?&hhsearchterms=%22hall+and+fame%22\" target=\"_blank\" rel=\"noopener\">hall of fame\u003c/a>.\u003c/p>\n\u003cp>Taliaferro also served as San Francisco’s first black arts commissioner, briefly headed the local chapter of the NAACP, and helped lead efforts in the fight against leukemia.\u003c/p>\n\u003cp>“It’s been a wonderful journey for the kid from Hunters Point,” Taliaferro told the \u003ca href=\"https://www.mercurynews.com/2011/01/14/longtime-bay-area-broadcaster-ray-taliaferro-notches-another-honor/\" target=\"_blank\" rel=\"noopener\">Mercury News\u003c/a> in 2011.\u003c/p>\n\u003cp>\"[Taliaferro] was one of the more generous, professional, quality people you could imagine,\" said Owens. \"He was a very cultured guy and he was very devoted to causes, [such as diversity]. He was a full man.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I am deeply saddened to learn of the passing of my friend, Ray Taliaferro,\" Oakland congresswoman Barbara Lee said in a statement. “Ray was a pioneering journalist who used his platform to shine a light on issues impacting vulnerable and underrepresented communities, especially the African American community. He spoke truth to power both as a journalist and as a civil rights advocate in the Bay Area.\"\u003c/p>\n\n",
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"excerpt": "Body of pioneering black journalist was found Sunday afternoon. The 79-year-old native San Franciscan had been missing since Nov. 10.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Authorities are investigating the death of celebrated San Francisco journalist and radio host Ray Taliaferro, whose body was found in a wooded area of western Kentucky, near the Illinois border.\u003c/p>\n\u003cp>\"This is a devastating ending to our search for him over these past weeks,\" wrote Raphael Taliaferro Jr., one of Taliaferro's three sons, on a \u003ca href=\"https://www.gofundme.com/ray-taliaferro-missing-in-kentucky?fbclid=IwAR1iI6Vvdu1LRAuqfsOeQzIyA6Ykgh69IH-gvotiTtXZttHVq4dBfcsmY8A\" target=\"_blank\" rel=\"noopener\">GoFundMe page\u003c/a> set up by the family. He said the family is working with police in Paducah, Kentucky, where he was found on Sunday afternoon, for more information on his disappearance and death.\u003c/p>\n\u003cp>Following an autopsy performed on Tuesday, Paducah police said there were no initial signs of foul play involved in Taliaferro's death, but noted the report had not been finalized.\u003c/p>\n\u003cp>“Preliminary autopsy results confirm Paducah police detectives’ initial findings that foul play is not indicated in the death of Ray Taliaferro,” the release said. “Exposure to the elements may have been a factor in the California man’s death.”\u003c/p>\n\u003cp>Taliaferro’s wife, who he married six months earlier, first reported his disappearance on Nov. 10 from Massac County, Illinois, where the couple had been visiting. A missing person flyer noted that Taliaferro \"may be experiencing disorientation and signs of dementia.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Taliaferro grew up in San Francisco's Hunters Point neighborhood. Considered a trailblazer among black radio personalities, he joined Oakland-based KNEW-AM in 1967 as one of the first black radio show hosts at a major market station.\u003c/p>\n\u003cfigure id=\"attachment_11709832\" class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo.jpg\">\u003cimg class=\"wp-image-11709832\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo.jpg\" alt=\"\" width=\"500\" height=\"611\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo.jpg 786w, https://ww2.kqed.org/app/uploads/sites/10/2018/12/Ds4Kx9OVAAAFuWo-160x195.jpg 160w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A missing person flyer distributed after Ray Taliaferro's reported disappearance on Nov. 10. \u003ccite>(Paducah Police Department)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In a career spanning four decades, Taliaferro went on to work as a reporter and news anchor for San Francisco’s KGO-AM and KRON-TV. For 25 years, he hosted a popular public affairs call-in radio show on KGO Newstalk 810. The show aired from 1 a.m. to 5 a.m., five days a week.\u003c/p>\n\u003cp>\"At that hour of the night you’ve got to come off powerful and strong because, if you don’t, there aren’t many who will pick up and call,\" said his longtime KGO colleague, Ronn Owens. \"He understood the business. He was a pro.\"\u003c/p>\n\u003cp>Throughout his career, Taliaferro was involved with multiple organizations and causes and received numerous honors for his work as a trailblazing journalist and civil rights advocate. He helped found the National Association of Black Journalists, and was later inducted into its \u003ca href=\"https://www.nabj.org/page/halloffamevideos?&hhsearchterms=%22hall+and+fame%22\" target=\"_blank\" rel=\"noopener\">hall of fame\u003c/a>.\u003c/p>\n\u003cp>Taliaferro also served as San Francisco’s first black arts commissioner, briefly headed the local chapter of the NAACP, and helped lead efforts in the fight against leukemia.\u003c/p>\n\u003cp>“It’s been a wonderful journey for the kid from Hunters Point,” Taliaferro told the \u003ca href=\"https://www.mercurynews.com/2011/01/14/longtime-bay-area-broadcaster-ray-taliaferro-notches-another-honor/\" target=\"_blank\" rel=\"noopener\">Mercury News\u003c/a> in 2011.\u003c/p>\n\u003cp>\"[Taliaferro] was one of the more generous, professional, quality people you could imagine,\" said Owens. \"He was a very cultured guy and he was very devoted to causes, [such as diversity]. He was a full man.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I am deeply saddened to learn of the passing of my friend, Ray Taliaferro,\" Oakland congresswoman Barbara Lee said in a statement. “Ray was a pioneering journalist who used his platform to shine a light on issues impacting vulnerable and underrepresented communities, especially the African American community. He spoke truth to power both as a journalist and as a civil rights advocate in the Bay Area.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "michelin-proves-silicon-valley-likes-to-eat-fine-food-just-like-the-rest-of-the-bay-area",
"title": "Michelin Proves Silicon Valley Likes to Eat Fine Food Just Like the Rest of the Bay Area",
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"content": "\u003cp>Foodies will have noticed the 2019 \u003ca href=\"https://guide.michelin.com/us/san-francisco\" target=\"_blank\" rel=\"noopener\">Michelin Guide\u003c/a> came out this week. Naturally, Bay Area restaurants snapped up a lot of stars, most of them crowded around San Francisco and wine country. But the scene on the Peninsula and in the South Bay is starting to come into its own.\u003c/p>\n\u003cp>“In the past five years, you’ve seen a greater recognition that there is quality dining down here that is definitely worth the drive,” said \u003ca href=\"http://www.foodgal.com\" target=\"_blank\" rel=\"noopener\">Carolyn Jung,\u003c/a> a food writer who has eaten at all 10 Michelin star restaurants south of the city: including \u003ca href=\"https://www.manresarestaurant.com\" target=\"_blank\" rel=\"noopener\">Manresa\u003c/a>, the long-time destination dining king of the region with three Michelin stars, and Palo Alto’s \u003ca href=\"https://www.maisonbaume.com\" target=\"_blank\" rel=\"noopener\">Baumé\u003c/a>, with two.\u003c/p>\n\u003cp>In a region more infamous for tech-bros peddling meal replacements like \u003ca href=\"https://soylent.com\" target=\"_blank\" rel=\"noopener\">Soylent\u003c/a> and a variety of food delivery apps, it may be odd to think people here would actually go out to drop a rent check at a high-end restaurant, but it happens. More to the point, locals with the wherewithal are investing in high-end restaurants they can personally visit.\u003c/p>\n\u003cp>“You have a lot of highly educated, well-to-do people who travel a lot. They’re looking for more sophisticated options and they’re tired of driving 280 and 101 all the time to get to San Francisco,” Jung said.\u003c/p>\n\u003cfigure id=\"attachment_11709500\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11709500\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-800x594.jpg\" alt=\"Crispy John Dory with California caviar, Meyer lemon confit, creamed Brussels sprouts, and champagne sauce at Protégé.\" width=\"800\" height=\"594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-800x594.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-1020x758.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut.jpg 1190w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Crispy John Dory with California caviar, Meyer lemon confit, creamed Brussels sprouts, and champagne sauce at Protégé. \u003ccite>(Photo: Courtesy of Protégé)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Michelin defines one star as “worth a stop;” two stars as “worth a detour;” and three stars as “worth a special journey.” The French-born guide traditionally favors fine dining, and its inspectors keep a close eye on alumni from Michelin-starred restaurants.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That explains in part how Silicon Valley’s newest star at New American \u003ca href=\"https://www.protegepaloalto.com\" target=\"_blank\" rel=\"noopener\">Protégé\u003c/a> in Palo Alto got its star less than a year after opening. The chef, pastry chef and master sommelier all came from \u003ca href=\"https://www.thomaskeller.com/tfl\" target=\"_blank\" rel=\"noopener\">The French Laundry\u003c/a>, Thomas Keller’s three-star landmark in Yountville.\u003c/p>\n\u003cp>“California Avenue is becoming a pretty darn good foodie destination,” said \u003ca href=\"https://www.mercurynews.com/author/linda-zavoral/\" target=\"_blank\" rel=\"noopener\">Linda Zavoral\u003c/a>, who blogs about food and restaurants for the Bay Area News Group and notes Baumé is literally on the same block as Protégé. “We’ve had a number of Peninsula restaurants that have had a star for quite awhile.”\u003c/p>\n\u003cp>It could also be said there’s something of a hotbed developing in the kitchens of the region. Zavoral points out \u003ca href=\"http://cheztj.com\" target=\"_blank\" rel=\"noopener\">Chez TJ\u003c/a> in particular, the French stalwart in Mountain View which has been a popular way station for a succession of highly regarded chefs who’ve gone on to other Michelin-starred restaurants in the Bay Area: Joshua Skenes, Christopher Kostow, Bruno Chemel, Scott Nishiyama, Joey Elenterio and Jared Gallagher.\u003c/p>\n\u003cp>Chez TJ has one star now, but had two at one point, and owner George Aviet is hungry to raise the restaurant’s profile once again. He agrees with Jung that Silicon Valley diners have become more sophisticated in recent years.\u003c/p>\n\u003cfigure id=\"attachment_11709498\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11709498\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-800x599.jpg\" alt=\"Apricot cremeux with gianduja crumble and peach sorbet at the Village Pub in Woodside.\" width=\"800\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-800x599.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-1200x899.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut.jpg 1202w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Apricot cremeux with gianduja crumble and peach sorbet at the Village Pub in Woodside. \u003ccite>(Photo: Courtesy of the Village Pub)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We have such an international community that has brought in so many different understandings of different cuisines. People are more aware of their food. It’s gotten more challenging to grow, not just maintain, the level of excellence,” Aviet said.\u003c/p>\n\u003cp>It’s also very hard work. Chef Steven Pelas of \u003ca href=\"http://www.thevillagepub.net/menus/wine_list\" target=\"_blank\" rel=\"noopener\">The Village Pub\u003c/a> said he’s “ecstatic” that his traditional American restaurant in Woodside kept its Michelin star this year. He also said he felt palpable “relief” at the news, “but the pressure comes back ten seconds later, because you’ve got to do it all over again!”\u003c/p>\n\u003cp>You don’t need to spend big to eat well in Silicon Valley. Tech campus cafeterias, notwithstanding, there’s still top-notch Chinese, Indian, Vietnamese and other options to be had for those willing to explore local shopping malls. That’s a fact not lost on international restaurant groups that recently chose to open their first Bay Area locations in Silicon Valley, like \u003ca href=\"https://ramennagiusa.com\" target=\"_blank\" rel=\"noopener\">Ramen Nagi\u003c/a> and \u003ca href=\"http://dintaifungusa.com\" target=\"_blank\" rel=\"noopener\">Din Tai Fung\u003c/a>.\u003c/p>\n\u003cp>“That really shows you just how much this area is on the map for a lot of potential restauranteurs and chefs,” Jung said. “Protégé looked all over the Bay Area for a long time, and they realized that California Avenue in Palo Alto was a great location for them.”\u003c/p>\n\u003cp>She notes there was one shocker on the Michelin list this year: the loss of a star for the Portuguese restaurant \u003ca href=\"http://www.adegarest.com\" target=\"_blank\" rel=\"noopener\">Adega\u003c/a>. “We were all so thrilled to finally have the first Michelin-starred restaurant in San Jose,” Jung lamented.\u003c/p>\n\u003cfigure id=\"attachment_11709503\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11709503 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-800x481.jpg\" alt=\"Manresa, in Los Gatos, is an internationally recognized destination in the fine dining world.\" width=\"800\" height=\"481\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-800x481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut.jpg 1190w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manresa, in Los Gatos, is an internationally recognized destination in the fine dining world. \u003ccite>(Photo: Courtesy of Manresa)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But they can come back. \u003ca href=\"http://www.maderasandhill.com\" target=\"_blank\" rel=\"noopener\">Madera\u003c/a> [at the Rosewood Sand Hill in Menlo Park] also lost their star a couple of years ago. They were able to turn it around in just a year and get it back.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“It’s a really exciting time for this area and I think that the next few years will bring even more wonderful chef-driven, significant restaurants, because once you get a cluster of them, the excitement builds and draws more talent to come,” Jung added.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Foodies will have noticed the 2019 \u003ca href=\"https://guide.michelin.com/us/san-francisco\" target=\"_blank\" rel=\"noopener\">Michelin Guide\u003c/a> came out this week. Naturally, Bay Area restaurants snapped up a lot of stars, most of them crowded around San Francisco and wine country. But the scene on the Peninsula and in the South Bay is starting to come into its own.\u003c/p>\n\u003cp>“In the past five years, you’ve seen a greater recognition that there is quality dining down here that is definitely worth the drive,” said \u003ca href=\"http://www.foodgal.com\" target=\"_blank\" rel=\"noopener\">Carolyn Jung,\u003c/a> a food writer who has eaten at all 10 Michelin star restaurants south of the city: including \u003ca href=\"https://www.manresarestaurant.com\" target=\"_blank\" rel=\"noopener\">Manresa\u003c/a>, the long-time destination dining king of the region with three Michelin stars, and Palo Alto’s \u003ca href=\"https://www.maisonbaume.com\" target=\"_blank\" rel=\"noopener\">Baumé\u003c/a>, with two.\u003c/p>\n\u003cp>In a region more infamous for tech-bros peddling meal replacements like \u003ca href=\"https://soylent.com\" target=\"_blank\" rel=\"noopener\">Soylent\u003c/a> and a variety of food delivery apps, it may be odd to think people here would actually go out to drop a rent check at a high-end restaurant, but it happens. More to the point, locals with the wherewithal are investing in high-end restaurants they can personally visit.\u003c/p>\n\u003cp>“You have a lot of highly educated, well-to-do people who travel a lot. They’re looking for more sophisticated options and they’re tired of driving 280 and 101 all the time to get to San Francisco,” Jung said.\u003c/p>\n\u003cfigure id=\"attachment_11709500\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11709500\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-800x594.jpg\" alt=\"Crispy John Dory with California caviar, Meyer lemon confit, creamed Brussels sprouts, and champagne sauce at Protégé.\" width=\"800\" height=\"594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-800x594.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut-1020x758.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34266_Screen-Shot-2018-11-30-at-7.30.59-PM-qut.jpg 1190w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Crispy John Dory with California caviar, Meyer lemon confit, creamed Brussels sprouts, and champagne sauce at Protégé. \u003ccite>(Photo: Courtesy of Protégé)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Michelin defines one star as “worth a stop;” two stars as “worth a detour;” and three stars as “worth a special journey.” The French-born guide traditionally favors fine dining, and its inspectors keep a close eye on alumni from Michelin-starred restaurants.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That explains in part how Silicon Valley’s newest star at New American \u003ca href=\"https://www.protegepaloalto.com\" target=\"_blank\" rel=\"noopener\">Protégé\u003c/a> in Palo Alto got its star less than a year after opening. The chef, pastry chef and master sommelier all came from \u003ca href=\"https://www.thomaskeller.com/tfl\" target=\"_blank\" rel=\"noopener\">The French Laundry\u003c/a>, Thomas Keller’s three-star landmark in Yountville.\u003c/p>\n\u003cp>“California Avenue is becoming a pretty darn good foodie destination,” said \u003ca href=\"https://www.mercurynews.com/author/linda-zavoral/\" target=\"_blank\" rel=\"noopener\">Linda Zavoral\u003c/a>, who blogs about food and restaurants for the Bay Area News Group and notes Baumé is literally on the same block as Protégé. “We’ve had a number of Peninsula restaurants that have had a star for quite awhile.”\u003c/p>\n\u003cp>It could also be said there’s something of a hotbed developing in the kitchens of the region. Zavoral points out \u003ca href=\"http://cheztj.com\" target=\"_blank\" rel=\"noopener\">Chez TJ\u003c/a> in particular, the French stalwart in Mountain View which has been a popular way station for a succession of highly regarded chefs who’ve gone on to other Michelin-starred restaurants in the Bay Area: Joshua Skenes, Christopher Kostow, Bruno Chemel, Scott Nishiyama, Joey Elenterio and Jared Gallagher.\u003c/p>\n\u003cp>Chez TJ has one star now, but had two at one point, and owner George Aviet is hungry to raise the restaurant’s profile once again. He agrees with Jung that Silicon Valley diners have become more sophisticated in recent years.\u003c/p>\n\u003cfigure id=\"attachment_11709498\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11709498\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-800x599.jpg\" alt=\"Apricot cremeux with gianduja crumble and peach sorbet at the Village Pub in Woodside.\" width=\"800\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-800x599.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut-1200x899.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34265_Screen-Shot-2018-11-30-at-7.22.43-PM-qut.jpg 1202w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Apricot cremeux with gianduja crumble and peach sorbet at the Village Pub in Woodside. \u003ccite>(Photo: Courtesy of the Village Pub)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We have such an international community that has brought in so many different understandings of different cuisines. People are more aware of their food. It’s gotten more challenging to grow, not just maintain, the level of excellence,” Aviet said.\u003c/p>\n\u003cp>It’s also very hard work. Chef Steven Pelas of \u003ca href=\"http://www.thevillagepub.net/menus/wine_list\" target=\"_blank\" rel=\"noopener\">The Village Pub\u003c/a> said he’s “ecstatic” that his traditional American restaurant in Woodside kept its Michelin star this year. He also said he felt palpable “relief” at the news, “but the pressure comes back ten seconds later, because you’ve got to do it all over again!”\u003c/p>\n\u003cp>You don’t need to spend big to eat well in Silicon Valley. Tech campus cafeterias, notwithstanding, there’s still top-notch Chinese, Indian, Vietnamese and other options to be had for those willing to explore local shopping malls. That’s a fact not lost on international restaurant groups that recently chose to open their first Bay Area locations in Silicon Valley, like \u003ca href=\"https://ramennagiusa.com\" target=\"_blank\" rel=\"noopener\">Ramen Nagi\u003c/a> and \u003ca href=\"http://dintaifungusa.com\" target=\"_blank\" rel=\"noopener\">Din Tai Fung\u003c/a>.\u003c/p>\n\u003cp>“That really shows you just how much this area is on the map for a lot of potential restauranteurs and chefs,” Jung said. “Protégé looked all over the Bay Area for a long time, and they realized that California Avenue in Palo Alto was a great location for them.”\u003c/p>\n\u003cp>She notes there was one shocker on the Michelin list this year: the loss of a star for the Portuguese restaurant \u003ca href=\"http://www.adegarest.com\" target=\"_blank\" rel=\"noopener\">Adega\u003c/a>. “We were all so thrilled to finally have the first Michelin-starred restaurant in San Jose,” Jung lamented.\u003c/p>\n\u003cfigure id=\"attachment_11709503\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11709503 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-800x481.jpg\" alt=\"Manresa, in Los Gatos, is an internationally recognized destination in the fine dining world.\" width=\"800\" height=\"481\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-800x481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34267_Screen-Shot-2018-11-30-at-7.41.48-PM-qut.jpg 1190w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manresa, in Los Gatos, is an internationally recognized destination in the fine dining world. \u003ccite>(Photo: Courtesy of Manresa)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But they can come back. \u003ca href=\"http://www.maderasandhill.com\" target=\"_blank\" rel=\"noopener\">Madera\u003c/a> [at the Rosewood Sand Hill in Menlo Park] also lost their star a couple of years ago. They were able to turn it around in just a year and get it back.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“It’s a really exciting time for this area and I think that the next few years will bring even more wonderful chef-driven, significant restaurants, because once you get a cluster of them, the excitement builds and draws more talent to come,” Jung added.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "PHOTOS: Skating Into a New Holiday Tradition at San Francisco's Civic Center",
"title": "PHOTOS: Skating Into a New Holiday Tradition at San Francisco's Civic Center",
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"content": "\u003cp>The sun was shining, the air was unseasonably warm and a flurry of ice skaters glided across the ice on Friday at the opening of the inaugural Winter Park at Civic Center Plaza, a temporary public skating rink in front of San Francisco City Hall.\u003c/p>\n\u003cp>The kickoff event featured comments by Mayor London Breed and Olympic gold medalist Brian Boitano, who \"cut\" the ribbon by driving through it on a Zamboni (technically called an ice resurfacer). Figure skaters and ice dancers from Yerba Buena Ice Skating and Bowling Center and San Francisco Ice Theatre performed routines before the rink was opened up to the public.\u003c/p>\n\u003cp>In her remarks, Breed called the rink a \"jewel to add to what will be an incredible holiday season,\" noting that the park is part of a larger initiative to make Civic Center and the surrounding areas safer and \"more inviting.\"\u003c/p>\n\u003cp>The rink will be open daily from noon-10 p.m. through Jan. 6, 2019.\u003c/p>\n\u003cfigure id=\"attachment_11709387\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709387 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-800x586.jpg\" alt='Mayor London Breed gives opening remarks at the grand opening of Winter Park at Civic Center in front of City Hall on Nov. 30, 2018. Breed referred to the opening as part of a larger initiative by the city to make Civic Center a \"safe and inviting space\" for visitors and families in the surrounding neighborhoods.' width=\"800\" height=\"586\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-800x586.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-160x117.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-1020x747.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-1200x879.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mayor London Breed gives opening remarks at the grand opening of Winter Park at Civic Center Plaza in front of City Hall on Nov. 30, 2018. Breed referred to the opening as part of a larger initiative by the city to make Civic Center a \"safe and inviting space\" for visitors and families in the surrounding neighborhoods. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709390\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11709390\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-800x538.jpg\" alt=\"Figure skating team Cali Fujimoto and Nick Barsi-Rhyne perform a duet in front of City Hall on Nov. 30, 2018.\" width=\"800\" height=\"538\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-800x538.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-1020x686.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-1200x807.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-1180x793.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-960x646.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-375x252.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-520x350.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Figure skating team Cali Fujimoto and Nick Barsi-Rhyne perform a duet in front of City Hall on Nov. 30, 2018. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709391\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11709391\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-800x529.jpg\" alt=\"\" width=\"800\" height=\"529\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-800x529.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-1020x675.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-1200x794.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Figure skaters from the San Francisco Ice Theatre do a synchronized dance during the opening performance. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709392\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709392 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-800x533.jpg\" alt=\"Figure skater and Olympic gold medalist Brian Boitano rides around the rink on a Zamboni with his dog Hunter before charging through the ribbon to officially open the rink. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Figure skater and Olympic gold medalist Brian Boitano rides around the rink on a Zamboni with his dog, Hunter, before charging through the ribbon to officially open the rink. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709394\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709394 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-800x608.jpg\" alt=\"Ice-hooping performer Mayumi Namikoshi prepares for her act before taking to the ice. Her routines combine figure skating with gymnastics and hula hoop tricks to create a unique performance. \" width=\"800\" height=\"608\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-800x608.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-160x122.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-1020x775.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-1200x912.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ice-hooping performer Mayumi Namikoshi prepares for her act before taking to the ice. Her routines combine figure skating with gymnastics and hula hoop tricks to create a unique performance. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709400\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709400 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-800x565.jpg\" alt=\"A performer from San Francisco Ice Theatre helps a young girl balance on her skates as other children skate around the rink.\" width=\"800\" height=\"565\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-800x565.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-1020x721.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-1200x848.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A performer from San Francisco Ice Theatre helps a young girl balance on her skates as other children skate around the rink. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709402\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709402 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-800x533.jpg\" alt=\"An ice dancer from the Yerba Buena Ice Skating and Bowling Center adjusts her skirt before performing at the opening.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An ice dancer from the Yerba Buena Ice Skating and Bowling Center adjusts her skirt before performing at the opening. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709403\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709403 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-800x533.jpg\" alt=\"A figure skater from the San Francisco Ice Theatre waves to the crowd as she and the other performers take the first loop around the rink following their performances.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A figure skater from the San Francisco Ice Theatre waves to the crowd as she and the other performers take the first loop around the rink following their performances. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709404 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-800x542.jpg\" alt=\"Two boys skate together at the Civic Center rink. Children from San Francisco City Academy, Redding Elementary and local skating programs took to the ice following the performances to test out their skills.\" width=\"800\" height=\"542\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-800x542.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-1020x691.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-1200x813.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-1180x799.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-520x352.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two boys skate together at the Civic Center Plaza rink. Children from San Francisco City Academy, Redding Elementary and local skating programs took to the ice following the performances to test out their skills. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "The new Winter Park at the Civic Center Plaza skating rink is part of a larger initiative to make the area more inviting and family-friendly.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The sun was shining, the air was unseasonably warm and a flurry of ice skaters glided across the ice on Friday at the opening of the inaugural Winter Park at Civic Center Plaza, a temporary public skating rink in front of San Francisco City Hall.\u003c/p>\n\u003cp>The kickoff event featured comments by Mayor London Breed and Olympic gold medalist Brian Boitano, who \"cut\" the ribbon by driving through it on a Zamboni (technically called an ice resurfacer). Figure skaters and ice dancers from Yerba Buena Ice Skating and Bowling Center and San Francisco Ice Theatre performed routines before the rink was opened up to the public.\u003c/p>\n\u003cp>In her remarks, Breed called the rink a \"jewel to add to what will be an incredible holiday season,\" noting that the park is part of a larger initiative to make Civic Center and the surrounding areas safer and \"more inviting.\"\u003c/p>\n\u003cp>The rink will be open daily from noon-10 p.m. through Jan. 6, 2019.\u003c/p>\n\u003cfigure id=\"attachment_11709387\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709387 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-800x586.jpg\" alt='Mayor London Breed gives opening remarks at the grand opening of Winter Park at Civic Center in front of City Hall on Nov. 30, 2018. Breed referred to the opening as part of a larger initiative by the city to make Civic Center a \"safe and inviting space\" for visitors and families in the surrounding neighborhoods.' width=\"800\" height=\"586\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-800x586.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-160x117.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-1020x747.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut-1200x879.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34254_113018_AW_WinterParkOpening_01-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mayor London Breed gives opening remarks at the grand opening of Winter Park at Civic Center Plaza in front of City Hall on Nov. 30, 2018. Breed referred to the opening as part of a larger initiative by the city to make Civic Center a \"safe and inviting space\" for visitors and families in the surrounding neighborhoods. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709390\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11709390\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-800x538.jpg\" alt=\"Figure skating team Cali Fujimoto and Nick Barsi-Rhyne perform a duet in front of City Hall on Nov. 30, 2018.\" width=\"800\" height=\"538\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-800x538.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-1020x686.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-1200x807.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-1180x793.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-960x646.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-240x161.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-375x252.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34259_113018_AW_WinterParkOpening_06-qut-520x350.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Figure skating team Cali Fujimoto and Nick Barsi-Rhyne perform a duet in front of City Hall on Nov. 30, 2018. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709391\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11709391\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-800x529.jpg\" alt=\"\" width=\"800\" height=\"529\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-800x529.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-1020x675.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut-1200x794.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34257_113018_AW_WinterParkOpening_04-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Figure skaters from the San Francisco Ice Theatre do a synchronized dance during the opening performance. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709392\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709392 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-800x533.jpg\" alt=\"Figure skater and Olympic gold medalist Brian Boitano rides around the rink on a Zamboni with his dog Hunter before charging through the ribbon to officially open the rink. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34256_113018_AW_WinterParkOpening_03-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Figure skater and Olympic gold medalist Brian Boitano rides around the rink on a Zamboni with his dog, Hunter, before charging through the ribbon to officially open the rink. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709394\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709394 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-800x608.jpg\" alt=\"Ice-hooping performer Mayumi Namikoshi prepares for her act before taking to the ice. Her routines combine figure skating with gymnastics and hula hoop tricks to create a unique performance. \" width=\"800\" height=\"608\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-800x608.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-160x122.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-1020x775.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut-1200x912.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34258_113018_AW_WinterParkOpening_05-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ice-hooping performer Mayumi Namikoshi prepares for her act before taking to the ice. Her routines combine figure skating with gymnastics and hula hoop tricks to create a unique performance. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709400\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709400 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-800x565.jpg\" alt=\"A performer from San Francisco Ice Theatre helps a young girl balance on her skates as other children skate around the rink.\" width=\"800\" height=\"565\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-800x565.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-1020x721.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut-1200x848.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34261_113018_AW_WinterParkOpening_08-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A performer from San Francisco Ice Theatre helps a young girl balance on her skates as other children skate around the rink. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709402\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709402 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-800x533.jpg\" alt=\"An ice dancer from the Yerba Buena Ice Skating and Bowling Center adjusts her skirt before performing at the opening.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34255_113018_AW_WinterParkOpening_02-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An ice dancer from the Yerba Buena Ice Skating and Bowling Center adjusts her skirt before performing at the opening. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709403\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709403 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-800x533.jpg\" alt=\"A figure skater from the San Francisco Ice Theatre waves to the crowd as she and the other performers take the first loop around the rink following their performances.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34263_113018_AW_WinterParkOpening_10-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A figure skater from the San Francisco Ice Theatre waves to the crowd as she and the other performers take the first loop around the rink following their performances. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11709404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11709404 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-800x542.jpg\" alt=\"Two boys skate together at the Civic Center rink. Children from San Francisco City Academy, Redding Elementary and local skating programs took to the ice following the performances to test out their skills.\" width=\"800\" height=\"542\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-800x542.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-1020x691.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-1200x813.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-1180x799.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-240x163.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/RS34260_113018_AW_WinterParkOpening_07-qut-520x352.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two boys skate together at the Civic Center Plaza rink. Children from San Francisco City Academy, Redding Elementary and local skating programs took to the ice following the performances to test out their skills. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Rebuilding After the Camp Fire, Janet Delaney, Week in Politics",
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"content": "\u003cp>\u003cb>Week in Politics\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">A Democratic “blue wave” has swept through California. This week, Democratic congressional candidate TJ Cox declared himself the winner over incumbent Republican David Valadao in a tight Central Valley race. Meanwhile, the chairman of the California Democratic Party, Eric Bauman, has resigned amid allegations of sexual misconduct. Plus, a look at what’s ahead for presumed House Speaker Nancy Pelosi and new Minority Leader Kevin McCarthy. Our politics panel weighs in on that, as well as the turmoil at the U.S.-Mexico border as Gov.-elect Gavin Newsom visited San Diego on Thursday and called it a “humanitarian crisis.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests: \u003c/span>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Lily Jamali, KQED’s The California Report co-host and correspondent\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Carla Marinucci, Politico senior writer\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Lanhee Chen, Hoover Institution fellow \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Rebuilding After the Camp Fire\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Three weeks after wildfire swept through Paradise and destroyed nearly 14,000 homes, Butte County residents are still trying to pick up the pieces. The challenge now is finding new homes for the thousands of people who lost everything. Federal emergency officials are working to move mobile homes into the area. With extremely low vacancy rates in the nearby cities of Chico and Oroville, and hundreds of people still in shelters and staying with friends and relatives, reporters on the ground say frustration is growing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests: \u003c/span>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Polly Stryker, KQED’s The California Report assignment editor\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Andre Byik, Chico Enterprise-Record reporter\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Photographer Janet Delaney’s \u003c/b>\u003cb>\u003ci>Public Matters\u003c/i>\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">In her new book of photography, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Public Matters\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Janet Delaney captures the spirit of protest and parade in San Francisco’s Mission District in the 1980s — a time marked by the AIDS crisis and increased migration from war-torn Central America. Delaney’s photos of colorful protests and public life offer a poignant perspective on how the storied Mission District has changed. Her images also show how that transformation reflects where we are today as a society. Photographs from \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Public Matters\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are on view at the \u003c/span>\u003ca href=\"http://euqinomgallery.com/\">\u003cspan style=\"font-weight: 400\">Euqinom Gallery\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in San Francisco through Dec. 22.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest: \u003c/span>\u003cspan style=\"font-weight: 400\">Janet Delaney, photographer\u003c/span>\u003c/p>\n\n",
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"excerpt": "In Butte county, firefighters are still battling the worst wildfire in state history. We take a look at what’s being described as “the new abnormal” and how future fires can be prevented. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Week in Politics\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">A Democratic “blue wave” has swept through California. This week, Democratic congressional candidate TJ Cox declared himself the winner over incumbent Republican David Valadao in a tight Central Valley race. Meanwhile, the chairman of the California Democratic Party, Eric Bauman, has resigned amid allegations of sexual misconduct. Plus, a look at what’s ahead for presumed House Speaker Nancy Pelosi and new Minority Leader Kevin McCarthy. Our politics panel weighs in on that, as well as the turmoil at the U.S.-Mexico border as Gov.-elect Gavin Newsom visited San Diego on Thursday and called it a “humanitarian crisis.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests: \u003c/span>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Lily Jamali, KQED’s The California Report co-host and correspondent\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Carla Marinucci, Politico senior writer\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Lanhee Chen, Hoover Institution fellow \u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Rebuilding After the Camp Fire\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Three weeks after wildfire swept through Paradise and destroyed nearly 14,000 homes, Butte County residents are still trying to pick up the pieces. The challenge now is finding new homes for the thousands of people who lost everything. Federal emergency officials are working to move mobile homes into the area. With extremely low vacancy rates in the nearby cities of Chico and Oroville, and hundreds of people still in shelters and staying with friends and relatives, reporters on the ground say frustration is growing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guests: \u003c/span>\u003c/p>\n\u003cul>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Polly Stryker, KQED’s The California Report assignment editor\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"font-weight: 400\"> Andre Byik, Chico Enterprise-Record reporter\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>Photographer Janet Delaney’s \u003c/b>\u003cb>\u003ci>Public Matters\u003c/i>\u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">In her new book of photography, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Public Matters\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Janet Delaney captures the spirit of protest and parade in San Francisco’s Mission District in the 1980s — a time marked by the AIDS crisis and increased migration from war-torn Central America. Delaney’s photos of colorful protests and public life offer a poignant perspective on how the storied Mission District has changed. Her images also show how that transformation reflects where we are today as a society. Photographs from \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Public Matters\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> are on view at the \u003c/span>\u003ca href=\"http://euqinomgallery.com/\">\u003cspan style=\"font-weight: 400\">Euqinom Gallery\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in San Francisco through Dec. 22.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Guest: \u003c/span>\u003cspan style=\"font-weight: 400\">Janet Delaney, photographer\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "How Taylor Mac's New Drag Show May Help You Survive the Holidays",
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"content": "\u003cp>The festive season is full of expectations — that dinner will be delicious, that the gifts will be great, and that everyone will get along, just like in a Christmas edition of “The Brady Bunch” or “The Waltons.”\u003c/p>\n\u003cp>But as many of us know, the reality of the holidays is often quite different. “It’s a little like water torture,” said \u003ca href=\"http://www.taylormac.org/\" target=\"_blank\" rel=\"noopener\">Taylor Mac\u003c/a>. “It chisels away at you every single year.”\u003c/p>\n\u003cp>The \u003ca href=\"https://www.macfound.org/fellows/990/\" target=\"_blank\" rel=\"noopener\">MacArthur Foundation “genius” grant-winning drag performer\u003c/a> doesn’t have joyous memories of Christmas growing up gay in Stockton. Mac said the homophobia, hard-line Christianity and consumerism were hard to swallow.\u003c/p>\n\u003cfigure id=\"attachment_11707425\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11707425 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Taylor-Mac-800x600.jpg\" alt=\"Taylor Mac at The Curran Theatre on Nov. 18, 2018.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taylor Mac at the Curran Theatre on Nov. 18, 2018. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So Mac decided to create a new show — “\u003ca href=\"https://sfcurran.com/shows/taylor-macs-holiday-sauce/\" target=\"_blank\" rel=\"noopener\">Holiday Sauce\u003c/a>” — as an antidote to all of that.\u003c/p>\n\u003cp>“Basically, this show is practicing survival techniques for the holidays,” Mac said in an interview at the Curran Theatre, where “Holiday Sauce” opens Friday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One technique is to twist musty traditions, like carols, into wild new shapes. The artist’s manic-snarling rendition of “God Rest Ye Merry Gentlemen” is a case in point.\u003c/p>\n\u003cp>“What the song is saying is, ‘Christmas is under siege and we all have to love it more,’ ” Mac said. “So I thought it would be fun to turn it into a Wiccan Bollywood extravaganza.”\u003c/p>\n\u003cp>Another technique centers on reframing tough relationships. That’s why Mac hired a chorus of California seniors to sing on stage.\u003c/p>\n\u003cp>“I had rough holidays with grandparents,” Mac said. “So I thought, let me bring a bunch of elders into the show and see if we can make that better.”\u003c/p>\n\u003cp>Drag shows have strong associations with this time of year. There are a multitude happening across California in the coming weeks, like “\u003ca href=\"https://jinkxanddela.com/\" target=\"_blank\" rel=\"noopener\">To Jesus, Thanks for Everything!\u003c/a>” and “\u003ca href=\"https://www.discoverlosangeles.com/what-to-do/events/drag-queen-christmas-naughty-tour\" target=\"_blank\" rel=\"noopener\">A Drag Queen Christmas\u003c/a>” in Los Angeles, and “\u003ca href=\"https://sf.funcheap.com/drag-queens-ice-union-square/\" target=\"_blank\" rel=\"noopener\">Drag Queens on Ice\u003c/a>” and “\u003ca href=\"http://www.victoriatheatre.org/index.php/box-office\" target=\"_blank\" rel=\"noopener\">The Golden Girls Live: The Christmas Episodes\u003c/a>” playing in San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11707426\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11707426\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-800x533.jpg\" alt=\"Jeff Sumner (left) plays pantomime dames in Lythgoe Family productions each holiday season. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Sumner (left) plays pantomime dames in Lythgoe Family Panto productions each holiday season. \u003ccite>(Courtesy Lythgoe Family Panto)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s the holidays,” said L.A.-based actor \u003ca href=\"https://www.jeffsumneractor.com/\" target=\"_blank\" rel=\"noopener\">Jeff Sumner\u003c/a>. “People want something kind of different.”\u003c/p>\n\u003cp>Sumner portrays funny old ladies in pantomimes (aka “pantos”), an old English holiday tradition gaining popularity in the U.S.\u003c/p>\n\u003cp>The company he works for, \u003ca href=\"https://americanpanto.com/home\" target=\"_blank\" rel=\"noopener\">Lythgoe Family Panto\u003c/a>, produces several pantomimes annually in cities like Pasadena and Nashville.\u003c/p>\n\u003cp>Panto always involves a love story, topical humor — and a man in a dress.\u003c/p>\n\u003cp>“This element of drag makes it much more fantastical and much more joyous, as if like another version of Santa Claus has just dropped into your living room,” Sumner said.\u003c/p>\n\u003cp>That’s exactly what Taylor Mac is going for with the drag show “Holiday Sauce”. The artist plans to expand the production each year, aiming eventually to rival mainstream holiday entertainment.\u003c/p>\n\u003cp>“My fantasy is that we can get all the retired Rockettes in our show,” Mac said. “\u003ca href=\"https://www.rockettes.com/\" target=\"_blank\" rel=\"noopener\">The Rockettes’ Christmas Spectacular\u003c/a> seems like such a sexist machine, with some really creepy traditions to it, and just so corporate. So it would be fabulous to replace that.”\u003c/p>\n\u003cp>\u003cem>Taylor Mac’s “Holiday Sauce” runs at San Francisco’s \u003ca href=\"https://sfcurran.com/shows/taylor-macs-holiday-sauce/\" target=\"_blank\" rel=\"noopener\">Curran Theatre\u003c/a> through Nov. 30. You can also catch the show Dec. 14 and 15 at \u003ca href=\"https://cap.ucla.edu/calendar/details/taylor_mac_holiday_sauce_15\" target=\"_blank\" rel=\"noopener\">Royce Hall\u003c/a> in Los Angeles.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://americanpanto.com/home\" target=\"_blank\" rel=\"noopener\">Lythgoe Family Panto\u003c/a> presents “Beauty and the Beast” at Laguna Playhouse Dec. 5-30, and “The Wonderful Winter of Oz” at Pasadena Civic Dec. 14-30.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The festive season is full of expectations — that dinner will be delicious, that the gifts will be great, and that everyone will get along, just like in a Christmas edition of “The Brady Bunch” or “The Waltons.”\u003c/p>\n\u003cp>But as many of us know, the reality of the holidays is often quite different. “It’s a little like water torture,” said \u003ca href=\"http://www.taylormac.org/\" target=\"_blank\" rel=\"noopener\">Taylor Mac\u003c/a>. “It chisels away at you every single year.”\u003c/p>\n\u003cp>The \u003ca href=\"https://www.macfound.org/fellows/990/\" target=\"_blank\" rel=\"noopener\">MacArthur Foundation “genius” grant-winning drag performer\u003c/a> doesn’t have joyous memories of Christmas growing up gay in Stockton. Mac said the homophobia, hard-line Christianity and consumerism were hard to swallow.\u003c/p>\n\u003cfigure id=\"attachment_11707425\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11707425 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Taylor-Mac-800x600.jpg\" alt=\"Taylor Mac at The Curran Theatre on Nov. 18, 2018.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Taylor-Mac-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taylor Mac at the Curran Theatre on Nov. 18, 2018. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So Mac decided to create a new show — “\u003ca href=\"https://sfcurran.com/shows/taylor-macs-holiday-sauce/\" target=\"_blank\" rel=\"noopener\">Holiday Sauce\u003c/a>” — as an antidote to all of that.\u003c/p>\n\u003cp>“Basically, this show is practicing survival techniques for the holidays,” Mac said in an interview at the Curran Theatre, where “Holiday Sauce” opens Friday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One technique is to twist musty traditions, like carols, into wild new shapes. The artist’s manic-snarling rendition of “God Rest Ye Merry Gentlemen” is a case in point.\u003c/p>\n\u003cp>“What the song is saying is, ‘Christmas is under siege and we all have to love it more,’ ” Mac said. “So I thought it would be fun to turn it into a Wiccan Bollywood extravaganza.”\u003c/p>\n\u003cp>Another technique centers on reframing tough relationships. That’s why Mac hired a chorus of California seniors to sing on stage.\u003c/p>\n\u003cp>“I had rough holidays with grandparents,” Mac said. “So I thought, let me bring a bunch of elders into the show and see if we can make that better.”\u003c/p>\n\u003cp>Drag shows have strong associations with this time of year. There are a multitude happening across California in the coming weeks, like “\u003ca href=\"https://jinkxanddela.com/\" target=\"_blank\" rel=\"noopener\">To Jesus, Thanks for Everything!\u003c/a>” and “\u003ca href=\"https://www.discoverlosangeles.com/what-to-do/events/drag-queen-christmas-naughty-tour\" target=\"_blank\" rel=\"noopener\">A Drag Queen Christmas\u003c/a>” in Los Angeles, and “\u003ca href=\"https://sf.funcheap.com/drag-queens-ice-union-square/\" target=\"_blank\" rel=\"noopener\">Drag Queens on Ice\u003c/a>” and “\u003ca href=\"http://www.victoriatheatre.org/index.php/box-office\" target=\"_blank\" rel=\"noopener\">The Golden Girls Live: The Christmas Episodes\u003c/a>” playing in San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11707426\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11707426\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-800x533.jpg\" alt=\"Jeff Sumner (left) plays pantomime dames in Lythgoe Family productions each holiday season. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/jeff-sumner-nanny-tickle-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Sumner (left) plays pantomime dames in Lythgoe Family Panto productions each holiday season. \u003ccite>(Courtesy Lythgoe Family Panto)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s the holidays,” said L.A.-based actor \u003ca href=\"https://www.jeffsumneractor.com/\" target=\"_blank\" rel=\"noopener\">Jeff Sumner\u003c/a>. “People want something kind of different.”\u003c/p>\n\u003cp>Sumner portrays funny old ladies in pantomimes (aka “pantos”), an old English holiday tradition gaining popularity in the U.S.\u003c/p>\n\u003cp>The company he works for, \u003ca href=\"https://americanpanto.com/home\" target=\"_blank\" rel=\"noopener\">Lythgoe Family Panto\u003c/a>, produces several pantomimes annually in cities like Pasadena and Nashville.\u003c/p>\n\u003cp>Panto always involves a love story, topical humor — and a man in a dress.\u003c/p>\n\u003cp>“This element of drag makes it much more fantastical and much more joyous, as if like another version of Santa Claus has just dropped into your living room,” Sumner said.\u003c/p>\n\u003cp>That’s exactly what Taylor Mac is going for with the drag show “Holiday Sauce”. The artist plans to expand the production each year, aiming eventually to rival mainstream holiday entertainment.\u003c/p>\n\u003cp>“My fantasy is that we can get all the retired Rockettes in our show,” Mac said. “\u003ca href=\"https://www.rockettes.com/\" target=\"_blank\" rel=\"noopener\">The Rockettes’ Christmas Spectacular\u003c/a> seems like such a sexist machine, with some really creepy traditions to it, and just so corporate. So it would be fabulous to replace that.”\u003c/p>\n\u003cp>\u003cem>Taylor Mac’s “Holiday Sauce” runs at San Francisco’s \u003ca href=\"https://sfcurran.com/shows/taylor-macs-holiday-sauce/\" target=\"_blank\" rel=\"noopener\">Curran Theatre\u003c/a> through Nov. 30. You can also catch the show Dec. 14 and 15 at \u003ca href=\"https://cap.ucla.edu/calendar/details/taylor_mac_holiday_sauce_15\" target=\"_blank\" rel=\"noopener\">Royce Hall\u003c/a> in Los Angeles.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://americanpanto.com/home\" target=\"_blank\" rel=\"noopener\">Lythgoe Family Panto\u003c/a> presents “Beauty and the Beast” at Laguna Playhouse Dec. 5-30, and “The Wonderful Winter of Oz” at Pasadena Civic Dec. 14-30.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you like to bake \u003ca href=\"https://www.davidlebovitz.com/salted-chocolate-chip-tahini-cookies-cookie-recipe/\" target=\"_blank\" rel=\"noopener noreferrer\">cookies\u003c/a>, like me, there’s a good chance you’ve picked up a bag of semi-sweet or extra dark Guittard chocolate chips at the market.\u003c/p>\n\u003cp>“Ooooh, this must be French,” I’ve thought, failing to look closely at the fine print on the packaging. (Guess who quite recently acquired her first pair of reading glasses?)\u003c/p>\n\u003cp>In fact, Guittard may be the biggest local chocolate-maker some of us had no clue was local—even though they’ve been making chocolate here since the Gold Rush.\u003c/p>\n\u003cp>The original Guittard was Etienne, who came to San Francisco in 1860 \u003cem>from France\u003c/em> (i.e. I wasn’t entirely off the mark). He realized eventually the big money lay in satisfying the San Franciscan sweet tooth. Flash forward to 1868, when E. Guittard Co. opened its doors, about 16 years after Domingo Ghirardelli.\u003c/p>\n\u003cfigure id=\"attachment_11707906\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11707906 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-800x595.jpg\" alt=\"The old Guittard factory in San Francisco, before the company moved operations to Burlingame, and now Fairfield, too.\" width=\"800\" height=\"595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-800x595.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-1020x758.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-1200x892.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-1920x1427.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The old Guittard factory in San Francisco, before the company moved operations to Burlingame, and now Fairfield, too.\u003c/figcaption>\u003c/figure>\n\u003cp>Presumably, there was room for both of them in this chocolate-loving city, because they were both thriving when the 1906 earthquake hit. Guittard’s factory moved briefly to Commercial Street and then to Main Street, where it sat until 1955. Redevelopment then forced the operation to relocate to Burlingame, where it’s stayed ever since, at 10 Guittard Road.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This is why people living in or traveling through Burlingame and Millbrae often report a sudden need to consume chocolate.\u003c/p>\n\u003ch2>What It’s Like Inside\u003c/h2>\n\u003cp>It’s like the engine room of an old battle ship, if an old battle ship smelled like warm chocolate. The machinery for roasting, grinding, refining is massive and much of it is more than 60 years old, shipped in from Switzerland and Germany.\u003c/p>\n\u003cp>The company is even older, celebrating its 150th year—still manufacturing in the Bay Area, still privately owned. These days, that’s the business equivalent of a miracle. \u003ca href=\"https://www.ghirardelli.com\" target=\"_blank\" rel=\"noopener noreferrer\">Ghirardelli Chocolate Company\u003c/a> is now owned by the U.S. division of Swiss confectioner Lindt & Sprüngli. \u003ca href=\"https://www.sees.com\" target=\"_blank\" rel=\"noopener noreferrer\">See’s Candies\u003c/a>, headquartered in San Francisco, is owned by Berkshire Hathaway.\u003c/p>\n\u003cp>Guittard sits in an economic sweet spot between big companies and little ones, supplying chocolate for everyone from See’s, \u003ca href=\"https://www.williams-sonoma.com/products/guittard-150th-anniversary-chocolate-bar/\" target=\"_blank\" rel=\"noopener noreferrer\">Williams-Sonoma\u003c/a> and \u003ca href=\"https://www.shakeshack.com\" target=\"_blank\" rel=\"noopener noreferrer\">Shake Shack\u003c/a> to \u003ca href=\"https://www.recchiuti.com\" target=\"_blank\" rel=\"noopener noreferrer\">Recchiuti Confections\u003c/a> and \u003ca href=\"https://www.charleschocolates.com\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Chocolates\u003c/a>. “Everybody’s had [Guittard chocolate], and they don’t realize it,” says CEO Gary Guittard.\u003c/p>\n\u003cfigure id=\"attachment_11707854\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11707854\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34039_largebar-800x621.jpg\" alt=\"Each Guittard client has a special recipe -- or recipes -- involving particular cocoa beans and a particular mix of chocolate liquor, cocoa butter, sugar and possibly milk. In a similar vein, Guittard's own brand products don't taste the same as what you find distributed by other companies that use Guittard chocolate.\" width=\"800\" height=\"621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34039_largebar-800x621.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34039_largebar-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34039_largebar.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Each Guittard client has a special recipe — or recipes — involving particular cocoa beans and a particular mix of chocolate liquor, cocoa butter, sugar and possibly milk. In a similar vein, Guittard’s own brand products don’t taste the same as what you find distributed by other companies that use Guittard chocolate. \u003ccite>(Courtesy of Guittard Chocolate Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The company has expanded to a new facility in Fairfield, but much of the processing of the chocolate still happens in Burlingame.\u003c/p>\n\u003cp>Gary’s daughter, Amy Guittard, says there’s a mind-bending range of variation in chocolate, depending on what variables you play with and how. The nib, for instance, is more or less 50 percent fat and 50 percent solid. Once those two elements have been separated from each other in a hydraulic press, you can adjust those percentages, depending on your intended application. “That wide array of percentages is important if you’re a pastry chef or even a home baker,” she said.\u003c/p>\n\u003cp>Gary Guittard also loves to nerd out on the specifics. He can tell you where cocoa pods grow best, which would be “10 to 15 degrees on either side of the equator.” Also, you might be interested to know how children in cocoa-growing regions like to eat their chocolate: in fruit form. “They’ll take a pod and pop a seed in their mouth and suck the mucilage off it, because it’s like a fruit,” he said.\u003c/p>\n\u003cp>The company gets the cocoa beans after they’ve been fermented and dried by farmers. “We work with them in regards to their post-harvest practices. We might want [beans] a little under-fermented, depending on the bean type, or a little over-fermented. Or we might want them dried quickly or more slowly. All of those things affect the flavor,” says Gary.\u003c/p>\n\u003cfigure id=\"attachment_11707853\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11707853\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-800x601.jpg\" alt='An early advertisement for E. Guittard Co., \"practical manufacturers of plain and fancy chocolates and cocoa of every description.\"' width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-1200x901.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An early advertisement for E. Guittard Co., “practical manufacturers of plain and fancy chocolates and cocoa of every description.” \u003ccite>(Courtesy of Guittard Chocolate Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Amy notes consumer enthusiasm for bean-to-bar chocolate swings back and forth between “extreme” flavors and more traditional blends. “There’s beauty in the extreme, but also in the balance. We’ve got flavor labs in Java, Ghana and Ivory Coast that are focused on preserving those heirloom flavor profiles,” she said.\u003c/p>\n\u003cp>Guittard helped to found a nonprofit organization called the \u003ca href=\"https://hcpcacao.org\" target=\"_blank\" rel=\"noopener noreferrer\">Heirloom Cacao Preservation Fund\u003c/a>. From the group’s website: “Our goal is to not only protect and propagate fine flavor cacao for future generations, but to also improve the livelihoods for cacao-growing families. These efforts will ultimately help farmers scale up and strengthen commercial links to the fine chocolate market.”\u003c/p>\n\u003cp>To celebrate its 150th anniversary, Guittard developed a bar that pays homage to the West Coast style of chocolate founder Etienne Guittard would have made, but which also celebrates the family’s enthusiasm for distinctive chocolate that tastes like where it comes from. The chocolate bar, \u003ca href=\"https://www.guittard.com/our-chocolate/detail/eureka-works-62-cacao-limited-edition\" target=\"_blank\" rel=\"noopener noreferrer\">Eureka Works,\u003c/a> is made with beans sourced from Pacific trade routes—Indonesia, Hawaii, Ecuador and Brazil. A portion of the proceeds from sales will go to the Heirloom Cacao Preservation Fund.\u003c/p>\n\u003cp>How has this company managed to survive the market forces that typically eat up smaller chocolatiers? Gary says Guittard has always kept the pool of investors small and limited to people who care about chocolate. “There’s still a lot to learn in this business, so that’s a big part of the fun.”\u003c/p>\n\u003cp>\u003cem>Bakers’ Notes: For those keen to replicate the \u003ca href=\"https://www.davidlebovitz.com/salted-chocolate-chip-tahini-cookies-cookie-recipe/\" target=\"_blank\" rel=\"noopener noreferrer\">salted chocolate chip tahini cookies\u003c/a> pictured above, a few key tips: \u003c/em>\u003c/p>\n\u003cp>\u003cem>– use a high-quality tahini imported from the Middle East\u003cbr>\n– use a high-quality butter\u003cbr>\n– refrigerate the dough overnight. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The result will be worth the extra effort!\u003c/em>\u003c/p>\n\n",
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"excerpt": "Visit the Guittard chocolate factory in Burlingame to learn about the family owned company and the science of chocolate.\r\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you like to bake \u003ca href=\"https://www.davidlebovitz.com/salted-chocolate-chip-tahini-cookies-cookie-recipe/\" target=\"_blank\" rel=\"noopener noreferrer\">cookies\u003c/a>, like me, there’s a good chance you’ve picked up a bag of semi-sweet or extra dark Guittard chocolate chips at the market.\u003c/p>\n\u003cp>“Ooooh, this must be French,” I’ve thought, failing to look closely at the fine print on the packaging. (Guess who quite recently acquired her first pair of reading glasses?)\u003c/p>\n\u003cp>In fact, Guittard may be the biggest local chocolate-maker some of us had no clue was local—even though they’ve been making chocolate here since the Gold Rush.\u003c/p>\n\u003cp>The original Guittard was Etienne, who came to San Francisco in 1860 \u003cem>from France\u003c/em> (i.e. I wasn’t entirely off the mark). He realized eventually the big money lay in satisfying the San Franciscan sweet tooth. Flash forward to 1868, when E. Guittard Co. opened its doors, about 16 years after Domingo Ghirardelli.\u003c/p>\n\u003cfigure id=\"attachment_11707906\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11707906 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-800x595.jpg\" alt=\"The old Guittard factory in San Francisco, before the company moved operations to Burlingame, and now Fairfield, too.\" width=\"800\" height=\"595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-800x595.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-1020x758.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-1200x892.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Vintage_Guittard_Building-1920x1427.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The old Guittard factory in San Francisco, before the company moved operations to Burlingame, and now Fairfield, too.\u003c/figcaption>\u003c/figure>\n\u003cp>Presumably, there was room for both of them in this chocolate-loving city, because they were both thriving when the 1906 earthquake hit. Guittard’s factory moved briefly to Commercial Street and then to Main Street, where it sat until 1955. Redevelopment then forced the operation to relocate to Burlingame, where it’s stayed ever since, at 10 Guittard Road.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This is why people living in or traveling through Burlingame and Millbrae often report a sudden need to consume chocolate.\u003c/p>\n\u003ch2>What It’s Like Inside\u003c/h2>\n\u003cp>It’s like the engine room of an old battle ship, if an old battle ship smelled like warm chocolate. The machinery for roasting, grinding, refining is massive and much of it is more than 60 years old, shipped in from Switzerland and Germany.\u003c/p>\n\u003cp>The company is even older, celebrating its 150th year—still manufacturing in the Bay Area, still privately owned. These days, that’s the business equivalent of a miracle. \u003ca href=\"https://www.ghirardelli.com\" target=\"_blank\" rel=\"noopener noreferrer\">Ghirardelli Chocolate Company\u003c/a> is now owned by the U.S. division of Swiss confectioner Lindt & Sprüngli. \u003ca href=\"https://www.sees.com\" target=\"_blank\" rel=\"noopener noreferrer\">See’s Candies\u003c/a>, headquartered in San Francisco, is owned by Berkshire Hathaway.\u003c/p>\n\u003cp>Guittard sits in an economic sweet spot between big companies and little ones, supplying chocolate for everyone from See’s, \u003ca href=\"https://www.williams-sonoma.com/products/guittard-150th-anniversary-chocolate-bar/\" target=\"_blank\" rel=\"noopener noreferrer\">Williams-Sonoma\u003c/a> and \u003ca href=\"https://www.shakeshack.com\" target=\"_blank\" rel=\"noopener noreferrer\">Shake Shack\u003c/a> to \u003ca href=\"https://www.recchiuti.com\" target=\"_blank\" rel=\"noopener noreferrer\">Recchiuti Confections\u003c/a> and \u003ca href=\"https://www.charleschocolates.com\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Chocolates\u003c/a>. “Everybody’s had [Guittard chocolate], and they don’t realize it,” says CEO Gary Guittard.\u003c/p>\n\u003cfigure id=\"attachment_11707854\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11707854\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34039_largebar-800x621.jpg\" alt=\"Each Guittard client has a special recipe -- or recipes -- involving particular cocoa beans and a particular mix of chocolate liquor, cocoa butter, sugar and possibly milk. In a similar vein, Guittard's own brand products don't taste the same as what you find distributed by other companies that use Guittard chocolate.\" width=\"800\" height=\"621\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34039_largebar-800x621.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34039_largebar-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34039_largebar.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Each Guittard client has a special recipe — or recipes — involving particular cocoa beans and a particular mix of chocolate liquor, cocoa butter, sugar and possibly milk. In a similar vein, Guittard’s own brand products don’t taste the same as what you find distributed by other companies that use Guittard chocolate. \u003ccite>(Courtesy of Guittard Chocolate Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The company has expanded to a new facility in Fairfield, but much of the processing of the chocolate still happens in Burlingame.\u003c/p>\n\u003cp>Gary’s daughter, Amy Guittard, says there’s a mind-bending range of variation in chocolate, depending on what variables you play with and how. The nib, for instance, is more or less 50 percent fat and 50 percent solid. Once those two elements have been separated from each other in a hydraulic press, you can adjust those percentages, depending on your intended application. “That wide array of percentages is important if you’re a pastry chef or even a home baker,” she said.\u003c/p>\n\u003cp>Gary Guittard also loves to nerd out on the specifics. He can tell you where cocoa pods grow best, which would be “10 to 15 degrees on either side of the equator.” Also, you might be interested to know how children in cocoa-growing regions like to eat their chocolate: in fruit form. “They’ll take a pod and pop a seed in their mouth and suck the mucilage off it, because it’s like a fruit,” he said.\u003c/p>\n\u003cp>The company gets the cocoa beans after they’ve been fermented and dried by farmers. “We work with them in regards to their post-harvest practices. We might want [beans] a little under-fermented, depending on the bean type, or a little over-fermented. Or we might want them dried quickly or more slowly. All of those things affect the flavor,” says Gary.\u003c/p>\n\u003cfigure id=\"attachment_11707853\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11707853\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-800x601.jpg\" alt='An early advertisement for E. Guittard Co., \"practical manufacturers of plain and fancy chocolates and cocoa of every description.\"' width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut-1200x901.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/RS34038_Drummer-Boy-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An early advertisement for E. Guittard Co., “practical manufacturers of plain and fancy chocolates and cocoa of every description.” \u003ccite>(Courtesy of Guittard Chocolate Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Amy notes consumer enthusiasm for bean-to-bar chocolate swings back and forth between “extreme” flavors and more traditional blends. “There’s beauty in the extreme, but also in the balance. We’ve got flavor labs in Java, Ghana and Ivory Coast that are focused on preserving those heirloom flavor profiles,” she said.\u003c/p>\n\u003cp>Guittard helped to found a nonprofit organization called the \u003ca href=\"https://hcpcacao.org\" target=\"_blank\" rel=\"noopener noreferrer\">Heirloom Cacao Preservation Fund\u003c/a>. From the group’s website: “Our goal is to not only protect and propagate fine flavor cacao for future generations, but to also improve the livelihoods for cacao-growing families. These efforts will ultimately help farmers scale up and strengthen commercial links to the fine chocolate market.”\u003c/p>\n\u003cp>To celebrate its 150th anniversary, Guittard developed a bar that pays homage to the West Coast style of chocolate founder Etienne Guittard would have made, but which also celebrates the family’s enthusiasm for distinctive chocolate that tastes like where it comes from. The chocolate bar, \u003ca href=\"https://www.guittard.com/our-chocolate/detail/eureka-works-62-cacao-limited-edition\" target=\"_blank\" rel=\"noopener noreferrer\">Eureka Works,\u003c/a> is made with beans sourced from Pacific trade routes—Indonesia, Hawaii, Ecuador and Brazil. A portion of the proceeds from sales will go to the Heirloom Cacao Preservation Fund.\u003c/p>\n\u003cp>How has this company managed to survive the market forces that typically eat up smaller chocolatiers? Gary says Guittard has always kept the pool of investors small and limited to people who care about chocolate. “There’s still a lot to learn in this business, so that’s a big part of the fun.”\u003c/p>\n\u003cp>\u003cem>Bakers’ Notes: For those keen to replicate the \u003ca href=\"https://www.davidlebovitz.com/salted-chocolate-chip-tahini-cookies-cookie-recipe/\" target=\"_blank\" rel=\"noopener noreferrer\">salted chocolate chip tahini cookies\u003c/a> pictured above, a few key tips: \u003c/em>\u003c/p>\n\u003cp>\u003cem>– use a high-quality tahini imported from the Middle East\u003cbr>\n– use a high-quality butter\u003cbr>\n– refrigerate the dough overnight. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The result will be worth the extra effort!\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you’ve watched with dismay as San Francisco’s sky-high rents push out yet another favorite music venue, gallery or indie movie theater, take heart: There’s a homegrown solution at hand. And other cities around the world, like London, are starting to look to San Francisco for inspiration when it comes to helping artists and creative organizations stay put.\u003c/p>\n\u003cp>Most people think of London as a huge city with a monumental cultural legacy, stretching from Shakespeare to Adele.\u003c/p>\n\u003cp>But it’s also a city facing a cultural crisis, says \u003ca href=\"https://www.london.gov.uk/people/mayoral/justine-simons-obe\" target=\"_blank\" rel=\"noopener\">Justine Simons\u003c/a>, London’s deputy mayor for culture and the creative industries. And that is one of the things London and San Francisco have in common.\u003c/p>\n\u003cp>“Unaffordability is a big issue for London and San Francisco,” Simons said. “And we both have issues around the protection and the retention of creative workspace and artists studios. The whole creative infrastructure is under a lot of pressure.”\u003c/p>\n\u003cfigure id=\"attachment_11706395\" class=\"wp-caption alignright\" style=\"max-width: 490px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11706395\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/JUstine-Simons.jpg\" alt=\"Justine Simons, London's deputy mayor of culture and creative industries.\" width=\"490\" height=\"245\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/JUstine-Simons.jpg 490w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/JUstine-Simons-160x80.jpg 160w\" sizes=\"(max-width: 490px) 100vw, 490px\">\u003cfigcaption class=\"wp-caption-text\">Justine Simons, London’s deputy mayor of culture and the creative industries. \u003ccite>(Courtesy of Mayor of London website)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Simons was in San Francisco recently presiding over the \u003ca href=\"http://www.worldcitiescultureforum.com/events/world-cities-culture-summit-san-francisco-2018\" target=\"_blank\" rel=\"noopener\">World Cities Culture Summit\u003c/a> — an annual gathering of 40 or so cultural leaders from across the globe.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We get together and share our ideas,” Simons said. “And we also steal the best ideas from each other.”\u003c/p>\n\u003cp>Like an idea London recently stole from San Francisco to reduce cultural displacement — \u003ca href=\"https://cast-sf.org/\" target=\"_blank\" rel=\"noopener\">Community Arts Stabilization Trust\u003c/a> — or CAST for short.\u003c/p>\n\u003cp>“London has been completely inspired by the San Francisco CAST model, to the extent that we are setting up our own version of it,” Simons said.\u003c/p>\n\u003cp>CAST is a nonprofit real estate development and holding company that helps arts groups secure space through long-term below-market leases and a lease-to-own model funded by philanthropy and other sources. It has raised $36 million to support a handful of projects since 2013.\u003c/p>\n\u003cp>The company has also helped nonprofit cultural groups keep the lights on in the shorter term, through providing $1.8 million in grants and technical assistance to date.\u003c/p>\n\u003cp>CAST projects at various stages of development include helping performing arts presenter \u003ca href=\"http://counterpulse.org/\" target=\"_blank\" rel=\"noopener\">CounterPulse\u003c/a> and the \u003ca href=\"http://www.luggagestoregallery.org/\" target=\"_blank\" rel=\"noopener\">Luggage Store Gallery\u003c/a> secure permanent spaces in the Tenderloin and mid-Market areas respectively, as well as working on plans to restore the Geneva Car Barn in the Excelsior neighborhood and create an arts and culture center as part of the 5M development in downtown San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11706400\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11706400 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Moy-Eng-800x600.jpg\" alt=\"CAST executive director, Moy Eng.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moy Eng, CAST executive director \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The elements that are really critical to having creatives in our city are leadership, financial resources and space,” said CAST’s executive director, Moy Eng. “As the space has gotten increasingly expensive, we purchase property through subsidy and low-interest financing to make it possible for arts groups to stay here in our city.”\u003c/p>\n\u003cp>Eng said CounterPulse received $6 million in financing from CAST and has seven years to raise the money needed to purchase its premises at 80 Turk St. from her company at a cost frozen in 2015. “That’s well below market,” Eng said.\u003c/p>\n\u003cp>The Luggage Store Gallery has a similar lease-to-own arrangement with CAST.\u003c/p>\n\u003cp>CounterPulse artistic and executive director Julie Phelps said her organization has raised $4 million of the $7 million it needs to buy CAST out in 2023. She said helping to stabilize a couple of cultural groups might be a drop in the bucket when so many are desperate for affordable space.\u003c/p>\n\u003cp>Yet, she said, the model is powerful, because it not only secures a future for her own organization, but also helps stabilize the futures of other individual artists and groups working in CounterPulse’s orbit.\u003c/p>\n\u003cfigure id=\"attachment_11706401\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11706401 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-800x1067.jpg\" alt=\"London deputy mayor for culture and the creative industries Justine Simons and CounterPulse executive and artistic director Julie Phelps pictured at CounterPulse. November 13, 2018.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-900x1200.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-1920x2560.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Justin Simons, left, London deputy mayor for culture and the creative industries, and CounterPulse executive and artistic director Julie Phelps, at CounterPulse on Nov. 13, 2018. \u003ccite>(Kate Patterson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Having a permanent facility doesn’t just benefit CounterPulse because we serve countless artists and small companies every year,” Phelps said. “So those artists are also all stabilized by way of CounterPulse being stabilized.”\u003c/p>\n\u003cp>London’s version of CAST is expected to launch next year. But the UK capital isn’t the only city to come calling: Auckland, Tel Aviv and Amsterdam, among other urban centers, are also seeking anti-cultural displacement advice from San Francisco, as are several other cities around the United States, like Seattle, Austin and Denver.\u003c/p>\n\u003cp>“That the model is being applied to cities around the world is really where the broad impact is coming,” Phelps said.\u003c/p>\n\u003cp>Eng said she’s thrilled so many urban centers are hoping to replicate San Francisco’s CAST model. But she said each has to come up with its own take on the idea.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We don’t think we’re the silver bullet,” Eng said. “What we can present is an illustration of what could work in a major city, and it will take its own form and set of nuances in each particular city.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’ve watched with dismay as San Francisco’s sky-high rents push out yet another favorite music venue, gallery or indie movie theater, take heart: There’s a homegrown solution at hand. And other cities around the world, like London, are starting to look to San Francisco for inspiration when it comes to helping artists and creative organizations stay put.\u003c/p>\n\u003cp>Most people think of London as a huge city with a monumental cultural legacy, stretching from Shakespeare to Adele.\u003c/p>\n\u003cp>But it’s also a city facing a cultural crisis, says \u003ca href=\"https://www.london.gov.uk/people/mayoral/justine-simons-obe\" target=\"_blank\" rel=\"noopener\">Justine Simons\u003c/a>, London’s deputy mayor for culture and the creative industries. And that is one of the things London and San Francisco have in common.\u003c/p>\n\u003cp>“Unaffordability is a big issue for London and San Francisco,” Simons said. “And we both have issues around the protection and the retention of creative workspace and artists studios. The whole creative infrastructure is under a lot of pressure.”\u003c/p>\n\u003cfigure id=\"attachment_11706395\" class=\"wp-caption alignright\" style=\"max-width: 490px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11706395\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/JUstine-Simons.jpg\" alt=\"Justine Simons, London's deputy mayor of culture and creative industries.\" width=\"490\" height=\"245\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/JUstine-Simons.jpg 490w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/JUstine-Simons-160x80.jpg 160w\" sizes=\"(max-width: 490px) 100vw, 490px\">\u003cfigcaption class=\"wp-caption-text\">Justine Simons, London’s deputy mayor of culture and the creative industries. \u003ccite>(Courtesy of Mayor of London website)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Simons was in San Francisco recently presiding over the \u003ca href=\"http://www.worldcitiescultureforum.com/events/world-cities-culture-summit-san-francisco-2018\" target=\"_blank\" rel=\"noopener\">World Cities Culture Summit\u003c/a> — an annual gathering of 40 or so cultural leaders from across the globe.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We get together and share our ideas,” Simons said. “And we also steal the best ideas from each other.”\u003c/p>\n\u003cp>Like an idea London recently stole from San Francisco to reduce cultural displacement — \u003ca href=\"https://cast-sf.org/\" target=\"_blank\" rel=\"noopener\">Community Arts Stabilization Trust\u003c/a> — or CAST for short.\u003c/p>\n\u003cp>“London has been completely inspired by the San Francisco CAST model, to the extent that we are setting up our own version of it,” Simons said.\u003c/p>\n\u003cp>CAST is a nonprofit real estate development and holding company that helps arts groups secure space through long-term below-market leases and a lease-to-own model funded by philanthropy and other sources. It has raised $36 million to support a handful of projects since 2013.\u003c/p>\n\u003cp>The company has also helped nonprofit cultural groups keep the lights on in the shorter term, through providing $1.8 million in grants and technical assistance to date.\u003c/p>\n\u003cp>CAST projects at various stages of development include helping performing arts presenter \u003ca href=\"http://counterpulse.org/\" target=\"_blank\" rel=\"noopener\">CounterPulse\u003c/a> and the \u003ca href=\"http://www.luggagestoregallery.org/\" target=\"_blank\" rel=\"noopener\">Luggage Store Gallery\u003c/a> secure permanent spaces in the Tenderloin and mid-Market areas respectively, as well as working on plans to restore the Geneva Car Barn in the Excelsior neighborhood and create an arts and culture center as part of the 5M development in downtown San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11706400\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11706400 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Moy-Eng-800x600.jpg\" alt=\"CAST executive director, Moy Eng.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Moy-Eng-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Moy Eng, CAST executive director \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The elements that are really critical to having creatives in our city are leadership, financial resources and space,” said CAST’s executive director, Moy Eng. “As the space has gotten increasingly expensive, we purchase property through subsidy and low-interest financing to make it possible for arts groups to stay here in our city.”\u003c/p>\n\u003cp>Eng said CounterPulse received $6 million in financing from CAST and has seven years to raise the money needed to purchase its premises at 80 Turk St. from her company at a cost frozen in 2015. “That’s well below market,” Eng said.\u003c/p>\n\u003cp>The Luggage Store Gallery has a similar lease-to-own arrangement with CAST.\u003c/p>\n\u003cp>CounterPulse artistic and executive director Julie Phelps said her organization has raised $4 million of the $7 million it needs to buy CAST out in 2023. She said helping to stabilize a couple of cultural groups might be a drop in the bucket when so many are desperate for affordable space.\u003c/p>\n\u003cp>Yet, she said, the model is powerful, because it not only secures a future for her own organization, but also helps stabilize the futures of other individual artists and groups working in CounterPulse’s orbit.\u003c/p>\n\u003cfigure id=\"attachment_11706401\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11706401 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-800x1067.jpg\" alt=\"London deputy mayor for culture and the creative industries Justine Simons and CounterPulse executive and artistic director Julie Phelps pictured at CounterPulse. November 13, 2018.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-900x1200.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/10/2018/11/Justine-Simons-and-Julie-Phelps-1920x2560.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Justin Simons, left, London deputy mayor for culture and the creative industries, and CounterPulse executive and artistic director Julie Phelps, at CounterPulse on Nov. 13, 2018. \u003ccite>(Kate Patterson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Having a permanent facility doesn’t just benefit CounterPulse because we serve countless artists and small companies every year,” Phelps said. “So those artists are also all stabilized by way of CounterPulse being stabilized.”\u003c/p>\n\u003cp>London’s version of CAST is expected to launch next year. But the UK capital isn’t the only city to come calling: Auckland, Tel Aviv and Amsterdam, among other urban centers, are also seeking anti-cultural displacement advice from San Francisco, as are several other cities around the United States, like Seattle, Austin and Denver.\u003c/p>\n\u003cp>“That the model is being applied to cities around the world is really where the broad impact is coming,” Phelps said.\u003c/p>\n\u003cp>Eng said she’s thrilled so many urban centers are hoping to replicate San Francisco’s CAST model. But she said each has to come up with its own take on the idea.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We don’t think we’re the silver bullet,” Eng said. “What we can present is an illustration of what could work in a major city, and it will take its own form and set of nuances in each particular city.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "how-a-teen-and-a-marine-resisted-the-vietnam-war-and-racism-at-home",
"title": "How a Teen and a Marine Resisted the Vietnam War and Racism at Home",
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"headTitle": "How a Teen and a Marine Resisted the Vietnam War and Racism at Home | KQED",
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"content": "\u003cp>\u003cem>This story was originally published on Oct. 17, 2017.\u003c/em>\u003c/p>\n\u003cp>The Vietnam War era was a period of struggle on many fronts. As the war dragged on with mounting casualties, the nation was torn apart over what many came to see as an unjust campaign. At home, there were bitterly fought battles in the fight for civil rights.\u003c/p>\n\u003cp>Injustice at home and abroad became the rallying cry for a movement that formed within the ranks of active-duty GIs to protest the war and racism in the military.\u003c/p>\n\u003cp>Key to the organizing were the coffeehouses, gathering places near military bases that anti-war activists established to help the GIs resist.\u003c/p>\n\u003cp>There, GIs could talk openly about their feelings, drink coffee, listen to music and read underground newspapers lampooning military commanders who they said were lying about the war and fostering a racist culture, rife with abuses.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=”inLMKDrNjzGrrlNTj2uQdTLTsAvmkm5b”]\u003c/p>\n\u003cp>That movement of anti-war activists and military personnel grew to include active rebellion from GIs across the country, some refusing to sail ships, others refusing to go into combat or going on strike at their bases. Some service members threw their medals from Vietnam on the steps of the U.S. Capitol.\u003c/p>\n\u003cp>Seeing members of the military openly protest helped turn the tide of public opinion against the Vietnam War. Yet this activism from within the ranks has almost been erased from the historical narrative.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcrmag/2017/09/TCRMag20170929aGreenMachine.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/CerdaMansker-1920x1341.jpg\" Title=\"A Teen, A Marine and ‘The Green Machine’: Resisting the Vietnam War and Racism at Home\" program=\"The California Report\"]\u003c/p>\n\u003cp>One of the GI coffeehouses was operating in the shadow of Camp Pendleton. It was called The Green Machine, and it’s where two people with very different backgrounds and personal histories became best friends and organizers in a fight for justice.\u003c/p>\n\u003cp>Cliff Mansker was a 17-year-old Marine Corps recruit, filled with pride in the military when he was shipped out to Camp Pendleton in 1967. His dreams of honor were shattered by the reality of a racist military culture.\u003c/p>\n\u003cp>Mansker says he was beaten and subjected to racial epithets by his commanding officers. His growing anger at the racism within the military made him and other black GIs start to question the whole point of the war in Vietnam, where so many black and brown GIs were dying on the front lines.\u003c/p>\n\u003caside class=\"aligncenter\">[BlackUnity]\u003c/aside>\n\u003cp>\u003cem>The GI anti-war movement was closely tied to the Black Power movement. Eventually, black GIs published their own underground newspaper. A front page from 1970 (see page 10) features Cliff Mansker, after he was locked up in the base jail and court-martialed for disobeying orders — wearing a Black Unity band and challenging his superiors.\u003c/em>\u003c/p>\n\u003cp>Teresa Cerda was an earnest 16-year-old high school student, the daughter of a farmworker. She started working with the anti-war group Movement for a Democratic Military because she wanted to stand up for her working-class community in Oceanside, where she saw so many of her black and Latino classmates drafted and then killed in the war in Vietnam.\u003c/p>\n\u003cfigure id=\"attachment_11620180\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620180 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cliff and Teresa lost touch after the war. After KQED found him on Facebook, he returned to Oceanside to see Teresa again after 42 years. They reminisce at the Oceanside pier, home of a historic anti-war march in 1969. GIs openly protesting the Vietnam War led the march. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620185\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620185 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut.jpg\" alt=\"\" width=\"768\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-520x693.jpg 520w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003cfigcaption class=\"wp-caption-text\">At age 16, Teresa Cerda got involved with Movement for a Democratic Military, organizing GIs to stand up against the war. More than 40 years later, she stands on the same corner where she used to leaflet Marines in downtown Oceanside, standing in front of strip joints and bars. She would dress in jeans, boots and army fatigues to downplay her gender. She was trying to convince them to come to The Green Machine coffeehouse, where they could read underground newspapers and talk with peace activists. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11624138\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11624138 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-800x700.jpg\" alt=\"Cliff Mansker was one of very few African-American Marines sent to “cook school” at Camp Lejeune N.C. He returned to Pendleton to feed thousands of Marines returning from Vietnam, or waiting to be shipped out. He was never sent to Vietnam, despite repeatedly volunteering. His brother was serving in Vietnam, and according to military policy, two siblings couldn’t be sent into active combat. But on base, Cliff found himself fighting a different battle, standing up to racism within the Marines. \" width=\"800\" height=\"700\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-800x700.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-160x140.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-1020x893.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-1180x1033.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-960x841.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-240x210.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-375x328.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-520x455.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cliff Mansker was one of very few African-American Marines sent to “cook school” at Camp Lejeune, N.C. He returned to Camp Pendleton to feed thousands of Marines returning from Vietnam, or waiting to be shipped out. He was never sent to Vietnam, despite repeatedly volunteering. His brother was serving in Vietnam, and according to military policy, two siblings couldn’t be sent into active combat. But on base, Cliff found himself fighting a different battle, standing up to racism within the Marines. \u003ccite>(Courtesy of Cliff Mansker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620191\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620191 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-800x600.jpg\" alt=\"Suzie Racho/KQED\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\"> Cliff Mansker and Teresa Cerda today. He’s a Christian pastor in Moreno Valley, with two grown children. She remained in the Oceanside area, and is raising four grandchildren. She says her experience at The Green Machine coffeehouse, listening to Marines share their wartime trauma, led her to a 30-career as a college counselor, working with low-income students. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620192\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620192 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-800x1071.jpg\" alt=\"\" width=\"800\" height=\"1071\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-800x1071.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-240x321.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-375x502.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-520x696.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut.jpg 956w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jesse Woodard, a young Marine who was shot when the house that served as The Green Machine headquarters in Oceanside was machine-gunned one evening in 1970. He was injured and put in a body cast, but survived. He’s standing in front of the picture window in the front of the house, with the bullet holes still visible. The anti-war activists and GIs opposing the war were vulnerable in Oceanside, a heavily military town where many supported the Vietnam War. Following the attack, organizers fortified the house with sandbags and barbed wire, and took turns on patrol. The Marines involved with the movement taught high schooler Teresa Cerda how to shoot a gun, in case she needed it to defend the house. \u003ccite>(Courtesy Tom Hurwitz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620194\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620194 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-800x600.jpg\" alt=\"Suzie Racho/KQED\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cliff Mansker and Teresa Cerda say goodbye after spending the day driving around Oceanside, sharing their memories of the GI anti-war movement. Many GIs ended up publicly opposing the Vietnam War. In Cliff and Teresa’s case, they forged a bond that’s lasted decades. “You can be a patriot and an activist as well,” says Cliff, who’s still a proud Marine. “I see the fire in him still, and the gentleness in him,” says Teresa. “I see the fire in his soul.” \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>You’ll find all of KQED’s stories about the many ways the Vietnam War affected people in the Bay Area and throughout California at \u003ca href=\"https://ww2.kqed.org/arts/programs/vietnamwar/\" target=\"_blank\" rel=\"noopener noreferrer\">www.kqed.org/vietnamwar\u003c/a>\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story was originally published on Oct. 17, 2017.\u003c/em>\u003c/p>\n\u003cp>The Vietnam War era was a period of struggle on many fronts. As the war dragged on with mounting casualties, the nation was torn apart over what many came to see as an unjust campaign. At home, there were bitterly fought battles in the fight for civil rights.\u003c/p>\n\u003cp>Injustice at home and abroad became the rallying cry for a movement that formed within the ranks of active-duty GIs to protest the war and racism in the military.\u003c/p>\n\u003cp>Key to the organizing were the coffeehouses, gathering places near military bases that anti-war activists established to help the GIs resist.\u003c/p>\n\u003cp>There, GIs could talk openly about their feelings, drink coffee, listen to music and read underground newspapers lampooning military commanders who they said were lying about the war and fostering a racist culture, rife with abuses.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>That movement of anti-war activists and military personnel grew to include active rebellion from GIs across the country, some refusing to sail ships, others refusing to go into combat or going on strike at their bases. Some service members threw their medals from Vietnam on the steps of the U.S. Capitol.\u003c/p>\n\u003cp>Seeing members of the military openly protest helped turn the tide of public opinion against the Vietnam War. Yet this activism from within the ranks has almost been erased from the historical narrative.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One of the GI coffeehouses was operating in the shadow of Camp Pendleton. It was called The Green Machine, and it’s where two people with very different backgrounds and personal histories became best friends and organizers in a fight for justice.\u003c/p>\n\u003cp>Cliff Mansker was a 17-year-old Marine Corps recruit, filled with pride in the military when he was shipped out to Camp Pendleton in 1967. His dreams of honor were shattered by the reality of a racist military culture.\u003c/p>\n\u003cp>Mansker says he was beaten and subjected to racial epithets by his commanding officers. His growing anger at the racism within the military made him and other black GIs start to question the whole point of the war in Vietnam, where so many black and brown GIs were dying on the front lines.\u003c/p>\n\u003caside class=\"aligncenter\">[BlackUnity]\u003c/aside>\n\u003cp>\u003cem>The GI anti-war movement was closely tied to the Black Power movement. Eventually, black GIs published their own underground newspaper. A front page from 1970 (see page 10) features Cliff Mansker, after he was locked up in the base jail and court-martialed for disobeying orders — wearing a Black Unity band and challenging his superiors.\u003c/em>\u003c/p>\n\u003cp>Teresa Cerda was an earnest 16-year-old high school student, the daughter of a farmworker. She started working with the anti-war group Movement for a Democratic Military because she wanted to stand up for her working-class community in Oceanside, where she saw so many of her black and Latino classmates drafted and then killed in the war in Vietnam.\u003c/p>\n\u003cfigure id=\"attachment_11620180\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620180 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27097_Cliff-and-Teresa-soundcloud-image-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cliff and Teresa lost touch after the war. After KQED found him on Facebook, he returned to Oceanside to see Teresa again after 42 years. They reminisce at the Oceanside pier, home of a historic anti-war march in 1969. GIs openly protesting the Vietnam War led the march. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620185\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620185 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut.jpg\" alt=\"\" width=\"768\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27115_Teresa-leafletting-qut-520x693.jpg 520w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003cfigcaption class=\"wp-caption-text\">At age 16, Teresa Cerda got involved with Movement for a Democratic Military, organizing GIs to stand up against the war. More than 40 years later, she stands on the same corner where she used to leaflet Marines in downtown Oceanside, standing in front of strip joints and bars. She would dress in jeans, boots and army fatigues to downplay her gender. She was trying to convince them to come to The Green Machine coffeehouse, where they could read underground newspapers and talk with peace activists. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11624138\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11624138 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-800x700.jpg\" alt=\"Cliff Mansker was one of very few African-American Marines sent to “cook school” at Camp Lejeune N.C. He returned to Pendleton to feed thousands of Marines returning from Vietnam, or waiting to be shipped out. He was never sent to Vietnam, despite repeatedly volunteering. His brother was serving in Vietnam, and according to military policy, two siblings couldn’t be sent into active combat. But on base, Cliff found himself fighting a different battle, standing up to racism within the Marines. \" width=\"800\" height=\"700\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-800x700.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-160x140.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-1020x893.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-1180x1033.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-960x841.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-240x210.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-375x328.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/10/TeenMarineArchive-520x455.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cliff Mansker was one of very few African-American Marines sent to “cook school” at Camp Lejeune, N.C. He returned to Camp Pendleton to feed thousands of Marines returning from Vietnam, or waiting to be shipped out. He was never sent to Vietnam, despite repeatedly volunteering. His brother was serving in Vietnam, and according to military policy, two siblings couldn’t be sent into active combat. But on base, Cliff found himself fighting a different battle, standing up to racism within the Marines. \u003ccite>(Courtesy of Cliff Mansker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620191\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620191 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-800x600.jpg\" alt=\"Suzie Racho/KQED\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27098_Cliff-and-Teresa-today-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\"> Cliff Mansker and Teresa Cerda today. He’s a Christian pastor in Moreno Valley, with two grown children. She remained in the Oceanside area, and is raising four grandchildren. She says her experience at The Green Machine coffeehouse, listening to Marines share their wartime trauma, led her to a 30-career as a college counselor, working with low-income students. \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620192\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620192 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-800x1071.jpg\" alt=\"\" width=\"800\" height=\"1071\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-800x1071.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-160x214.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-240x321.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-375x502.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut-520x696.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27071_JesseWoodard-qut.jpg 956w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jesse Woodard, a young Marine who was shot when the house that served as The Green Machine headquarters in Oceanside was machine-gunned one evening in 1970. He was injured and put in a body cast, but survived. He’s standing in front of the picture window in the front of the house, with the bullet holes still visible. The anti-war activists and GIs opposing the war were vulnerable in Oceanside, a heavily military town where many supported the Vietnam War. Following the attack, organizers fortified the house with sandbags and barbed wire, and took turns on patrol. The Marines involved with the movement taught high schooler Teresa Cerda how to shoot a gun, in case she needed it to defend the house. \u003ccite>(Courtesy Tom Hurwitz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11620194\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11620194 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-800x600.jpg\" alt=\"Suzie Racho/KQED\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/09/RS27099_Cliff-and-Teresa-say-goodbye-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cliff Mansker and Teresa Cerda say goodbye after spending the day driving around Oceanside, sharing their memories of the GI anti-war movement. Many GIs ended up publicly opposing the Vietnam War. In Cliff and Teresa’s case, they forged a bond that’s lasted decades. “You can be a patriot and an activist as well,” says Cliff, who’s still a proud Marine. “I see the fire in him still, and the gentleness in him,” says Teresa. “I see the fire in his soul.” \u003ccite>(Suzie Racho/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>You’ll find all of KQED’s stories about the many ways the Vietnam War affected people in the Bay Area and throughout California at \u003ca href=\"https://ww2.kqed.org/arts/programs/vietnamwar/\" target=\"_blank\" rel=\"noopener noreferrer\">www.kqed.org/vietnamwar\u003c/a>\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "S.F. Voters Say Yes to Restoring Hotel Tax Funding for Arts and Culture",
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"content": "\u003cp>San Francisco voters have overwhelmingly come out in support of a measure that will boost the city's arts and culture scene. Artists and arts organizations are among those that have suffered at the hands of gentrification and the skyrocketing rents in San Francisco in recent decades.\u003c/p>\n\u003cp>But a sweeping \u003ca href=\"https://sfelections.sfgov.org/november-6-2018-election-results-summary\" target=\"_blank\" rel=\"noopener\">three-quarters of voters\u003c/a> approved \u003ca href=\"https://sfelections.sfgov.org/sites/default/files/Documents/Voting/2018/N18_VIP_EN.pdf\" target=\"_blank\" rel=\"noopener\">Proposition E, \u003c/a>which seeks to dedicate 1.5 percent of the base hotel tax — a 14 percent tax levied on hotel stays in the city — to support arts and culture programs. The city estimates this could add more than $15 million in funding over the next two years.\u003c/p>\n\u003cfigure id=\"attachment_11704737\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11704737 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Prop-E-poster-800x600.jpg\" alt=\"Prop E posters appeared all over the city, including on the side of beat-up vans, like this one.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Proposition E posters appeared all over the city, including on the side of beat-up vans like this one. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"San Francisco voters have clearly spoken and said that keeping artists in our city and keeping our neighborhoods unique and special are important investments for public dollars,\" said San Francisco's director of cultural affairs, Tom DeCaigny.\u003c/p>\n\u003cp>The cash injection will support a number of existing and new initiatives. These include providing operating support to nonprofit arts groups of all budget sizes, increasing\u003cb>\u003c/b> funding to the city's cultural equity endowment, and allocating funding for the first time to the city's cultural districts.\u003c/p>\n\u003cp>\u003cb>\u003c/b>\"I am incredibly excited to finally have funding for the Compton\u003cbr>\nTransgender Cultural District,\" said Honey Mahogany, a San Francisco drag performer, queer rights activist and e\u003cb>\u003c/b>xecutive director of the district, one of a growing number of areas in the city to have received official designation as locations of distinct cultural identity and importance.\u003c/p>\n\u003cp>\"What this really does is it helps build capacity for cultural districts by guaranteeing a stable source of funding so that the core needs of the district can be met: The rent can be paid, staff can be hired and the work of the district can truly begin.\"\u003c/p>\n\u003cp>Proposition E isn't a brand-new piece of legislation. Rather, it restores an allocation originally created in 1961 to support the city’s cultural industries. The move turned San Francisco into an arts and culture-funding trailblazer for several decades.\u003c/p>\n\u003caside class=\"pullquote alignright\">\"It will mean that San Francisco can resume pride of place as a national model for enlightened arts support.\"\u003ccite>Kary Schulman, director of Grants for the Arts\u003c/cite>\u003c/aside>\n\u003cp>But starting in the early 2000s, owing to financial issues, the city gradually reduced the hotel tax funding allocation for the arts, ultimately repealing specific allocations altogether in 2013.\u003c/p>\n\u003cp>A couple of years ago, a coalition of more than 30 arts and homeless service organizations came together to try to restore the hotel tax funding allocation in a joint measure. But that bid\u003cstrong> — \u003ca href=\"https://www.kqed.org/arts/11622460/sf-arts-and-homeless-organizations-join-forces-to-secure-more-city-funding\">Proposition S\u003c/a> —\u003c/strong> failed to attract the necessary support from voters in the November 2016 election.\u003c/p>\n\u003cp>This election, more than 100 cultural organizations across the city of all scopes and sizes united to spread the word about Proposition E. And unlike Proposition S, the new measure garnered the support of the city's entire Board of Supervisors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"T\u003cb>\u003c/b>he two-thirds majority vote is difficult for anyone to achieve,\" said Mahogany. \"So I'm really proud of this coalition, that so many different organizations were able to come together to support this cause and get to a victory\u003ci>.\"\u003c/i>\u003c/p>\n\u003cp>“The passage of Prop. E will mean that Grants for the Arts can again fulfill its longtime pledge to give ongoing general operating support to the broadest array of arts organizations of all disciplines, cultures and budget sizes in all neighborhoods,\" said Kary Schulman, the longtime director of Grants for the Arts, the main city body that distributes hotel tax funds to cultural groups.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://www.kqed.org/arts/13809520/honey-mahogany-black-friday-stud-bar-san-francisco\">Honey Mahogany's Queer Black Variety Show for Everyone\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://www.kqed.org/arts/13809520/honey-mahogany-black-friday-stud-bar-san-francisco\">\u003cimg src=\"https://ww2.kqed.org/wp-content/uploads/sites/2/2017/09/fullsizeoutput_15e4-768x512.jpeg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003c/aside>\n\u003cp>\"It will mean that San Francisco can resume pride of place as a national model for enlightened arts support. And for residents and visitors it will go a long way toward assuring access to arts and culture as creators, students, volunteers and audience members.\"\u003c/p>\n\u003cp>Tom DeCaigny said some of the new funding will start to come online as early as next spring.\u003c/p>\n\u003cp>Before then, he said, the city plans to conduct community meetings and focus groups to figure out how best to use the increased resources.\u003c/p>\n\u003cp>\"We want to \u003cb>\u003c/b>ensure that these resources are invested in a way that is responsive not just to the needs of artists, but also to neighbors and residents who are experiencing the wonderful arts and cultural offerings in our neighborhoods,\" DeCaigny said.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco voters have overwhelmingly come out in support of a measure that will boost the city's arts and culture scene. Artists and arts organizations are among those that have suffered at the hands of gentrification and the skyrocketing rents in San Francisco in recent decades.\u003c/p>\n\u003cp>But a sweeping \u003ca href=\"https://sfelections.sfgov.org/november-6-2018-election-results-summary\" target=\"_blank\" rel=\"noopener\">three-quarters of voters\u003c/a> approved \u003ca href=\"https://sfelections.sfgov.org/sites/default/files/Documents/Voting/2018/N18_VIP_EN.pdf\" target=\"_blank\" rel=\"noopener\">Proposition E, \u003c/a>which seeks to dedicate 1.5 percent of the base hotel tax — a 14 percent tax levied on hotel stays in the city — to support arts and culture programs. The city estimates this could add more than $15 million in funding over the next two years.\u003c/p>\n\u003cfigure id=\"attachment_11704737\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11704737 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/Prop-E-poster-800x600.jpg\" alt=\"Prop E posters appeared all over the city, including on the side of beat-up vans, like this one.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/Prop-E-poster-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Proposition E posters appeared all over the city, including on the side of beat-up vans like this one. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"San Francisco voters have clearly spoken and said that keeping artists in our city and keeping our neighborhoods unique and special are important investments for public dollars,\" said San Francisco's director of cultural affairs, Tom DeCaigny.\u003c/p>\n\u003cp>The cash injection will support a number of existing and new initiatives. These include providing operating support to nonprofit arts groups of all budget sizes, increasing\u003cb>\u003c/b> funding to the city's cultural equity endowment, and allocating funding for the first time to the city's cultural districts.\u003c/p>\n\u003cp>\u003cb>\u003c/b>\"I am incredibly excited to finally have funding for the Compton\u003cbr>\nTransgender Cultural District,\" said Honey Mahogany, a San Francisco drag performer, queer rights activist and e\u003cb>\u003c/b>xecutive director of the district, one of a growing number of areas in the city to have received official designation as locations of distinct cultural identity and importance.\u003c/p>\n\u003cp>\"What this really does is it helps build capacity for cultural districts by guaranteeing a stable source of funding so that the core needs of the district can be met: The rent can be paid, staff can be hired and the work of the district can truly begin.\"\u003c/p>\n\u003cp>Proposition E isn't a brand-new piece of legislation. Rather, it restores an allocation originally created in 1961 to support the city’s cultural industries. The move turned San Francisco into an arts and culture-funding trailblazer for several decades.\u003c/p>\n\u003caside class=\"pullquote alignright\">\"It will mean that San Francisco can resume pride of place as a national model for enlightened arts support.\"\u003ccite>Kary Schulman, director of Grants for the Arts\u003c/cite>\u003c/aside>\n\u003cp>But starting in the early 2000s, owing to financial issues, the city gradually reduced the hotel tax funding allocation for the arts, ultimately repealing specific allocations altogether in 2013.\u003c/p>\n\u003cp>A couple of years ago, a coalition of more than 30 arts and homeless service organizations came together to try to restore the hotel tax funding allocation in a joint measure. But that bid\u003cstrong> — \u003ca href=\"https://www.kqed.org/arts/11622460/sf-arts-and-homeless-organizations-join-forces-to-secure-more-city-funding\">Proposition S\u003c/a> —\u003c/strong> failed to attract the necessary support from voters in the November 2016 election.\u003c/p>\n\u003cp>This election, more than 100 cultural organizations across the city of all scopes and sizes united to spread the word about Proposition E. And unlike Proposition S, the new measure garnered the support of the city's entire Board of Supervisors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"T\u003cb>\u003c/b>he two-thirds majority vote is difficult for anyone to achieve,\" said Mahogany. \"So I'm really proud of this coalition, that so many different organizations were able to come together to support this cause and get to a victory\u003ci>.\"\u003c/i>\u003c/p>\n\u003cp>“The passage of Prop. E will mean that Grants for the Arts can again fulfill its longtime pledge to give ongoing general operating support to the broadest array of arts organizations of all disciplines, cultures and budget sizes in all neighborhoods,\" said Kary Schulman, the longtime director of Grants for the Arts, the main city body that distributes hotel tax funds to cultural groups.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://www.kqed.org/arts/13809520/honey-mahogany-black-friday-stud-bar-san-francisco\">Honey Mahogany's Queer Black Variety Show for Everyone\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://www.kqed.org/arts/13809520/honey-mahogany-black-friday-stud-bar-san-francisco\">\u003cimg src=\"https://ww2.kqed.org/wp-content/uploads/sites/2/2017/09/fullsizeoutput_15e4-768x512.jpeg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003c/aside>\n\u003cp>\"It will mean that San Francisco can resume pride of place as a national model for enlightened arts support. And for residents and visitors it will go a long way toward assuring access to arts and culture as creators, students, volunteers and audience members.\"\u003c/p>\n\u003cp>Tom DeCaigny said some of the new funding will start to come online as early as next spring.\u003c/p>\n\u003cp>Before then, he said, the city plans to conduct community meetings and focus groups to figure out how best to use the increased resources.\u003c/p>\n\u003cp>\"We want to \u003cb>\u003c/b>ensure that these resources are invested in a way that is responsive not just to the needs of artists, but also to neighbors and residents who are experiencing the wonderful arts and cultural offerings in our neighborhoods,\" DeCaigny said.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Proposition E Seeks to Restore S.F.'s Arts and Culture Funding Clout",
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"headTitle": "Proposition E Seeks to Restore S.F.’s Arts and Culture Funding Clout | KQED",
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"content": "\u003cp>A measure on the November ballot aims to restore San Francisco’s dwindling reputation as a powerhouse arts and culture funder.\u003c/p>\n\u003cp>\u003ca href=\"https://sfelections.sfgov.org/sites/default/files/Documents/Voting/2018/N18_VIP_EN.pdf\" target=\"_blank\" rel=\"noopener\">Proposition E\u003c/a> seeks to dedicate 1.5 percent of the base hotel tax — a 14 percent tax levied on hotel stays in the city — to support arts and culture programs. The city estimates this could add more than $15 million in funding over the next two years.\u003c/p>\n\u003cp>The San Francisco Board of Supervisors \u003ca href=\"https://www.kqed.org/news/11684107/sf-board-of-supervisors-votes-to-put-hotel-tax-arts-measure-on-november-ballot\" target=\"_blank\" rel=\"noopener\">unanimously voted\u003c/a> to put Proposition E on the ballot earlier this year. Proposition E even attracted the support of supervisors who normally disapprove of budget set asides, like Aaron Peskin and Katy Tang.\u003c/p>\n\u003cp>“I got involved with Proposition E because I believe that our city needs to invest more in arts and cultural services,” said Tang. “And I wanted to figure out how we could achieve this goal without impacting our city’s existing services, and doing it in a fiscally responsible way.”\u003c/p>\n\u003cp>If it passes on Nov. 6 with the necessary two-thirds majority, Proposition E would restore an allocation that was originally created in 1961 to support the city’s cultural industries. The move turned San Francisco into an arts and culture funding trailblazer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I was invited to France to tell the French Ministry of Culture how we did this in San Francisco,” said Kary Schulman, the longtime director of \u003ca href=\"http://sfgfta.org/\" target=\"_blank\" rel=\"noopener\">Grants for the Arts\u003c/a>, the main city body that distributes hotel tax funds to cultural groups. “It was a widely admired national model.”\u003c/p>\n\u003cp>In the early 2000s, the city reduced the allocations for the arts owing to financial issues, reducing funding gradually and ultimately repealing specific allocations altogether in 2013.\u003c/p>\n\u003cp>“That investment being stopped, combined with displacement and the cost of living here, has really caused our arts community to be hanging on with their fingernails,” Schulman said.\u003c/p>\n\u003cp>The city’s creative community has been fighting to bring that pot of dedicated funding back for the past few years — so far without much success.\u003c/p>\n\u003cp>In 2016, arts organizations teamed up with homeless service organizations on \u003ca href=\"https://www.kqed.org/arts/11622460/sf-arts-and-homeless-organizations-join-forces-to-secure-more-city-funding\" target=\"_blank\" rel=\"noopener\">Proposition S\u003c/a>, a joint bid to secure monies from the hotel tax to benefit cultural organizations and families living on the streets. But the measure didn’t pass.\u003c/p>\n\u003cp>Monies from the fund will be used in a variety of ways, from supplying grants to keep arts organizations going, to providing funding for the first time to the city’s “cultural districts” — like the Japantown Cultural Heritage District and the Leather and LGBTQ Cultural District in SOMA. The districts have largely been symbolic designations until now.\u003c/p>\n\u003cfigure id=\"attachment_11702741\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/IMG-1651-800x600.jpg\" alt=\"Yes on E campaign volunteer Valerie Weak works the phones in the run-up to the Nov. 6 election.\" width=\"800\" height=\"600\" class=\"size-medium wp-image-11702741\">\u003cfigcaption class=\"wp-caption-text\">Yes on E campaign volunteer Valerie Weak works the phones in the run-up to the Nov. 6 election. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Proposition E is going to support some of the things that give our neighborhoods in the city unique characteristics,” said Valerie Weak, a local actor and volunteer canvasser for the Yes on Prop E campaign. “It will keep things from turning into entirely homogeneous places, where every neighborhood looks just like the other neighborhoods.”\u003c/p>\n\u003cp>Weak also says Proposition E will provide funding for arts education, as well as grants to individual artists.\u003c/p>\n\u003cp>“It’s going to create more opportunities for artists to get paid for their work,” Weak said. “It’s important for artists to get paid a living wage.”\u003c/p>\n\u003cp>In addition to galvanizing broad support from cultural organizations of all types and sizes across the city, the Proposition E campaign has been getting support at the highest levels.\u003c/p>\n\u003cp>San Francisco Mayor London Breed turned out to help with phone banking during the final week of the campaign. \u003c/p>\n\u003cp>Local arts luminaries like \u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Symphony\u003c/a> music director Michael Tilson Thomas have made videos urging people to vote yes on the measure.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But getting voter approval still won’t be easy. Although the measure doesn’t raise taxes, critics say it could divert funding away from other services, like public transit and education, which might increase taxes down the line.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A measure on the November ballot aims to restore San Francisco’s dwindling reputation as a powerhouse arts and culture funder.\u003c/p>\n\u003cp>\u003ca href=\"https://sfelections.sfgov.org/sites/default/files/Documents/Voting/2018/N18_VIP_EN.pdf\" target=\"_blank\" rel=\"noopener\">Proposition E\u003c/a> seeks to dedicate 1.5 percent of the base hotel tax — a 14 percent tax levied on hotel stays in the city — to support arts and culture programs. The city estimates this could add more than $15 million in funding over the next two years.\u003c/p>\n\u003cp>The San Francisco Board of Supervisors \u003ca href=\"https://www.kqed.org/news/11684107/sf-board-of-supervisors-votes-to-put-hotel-tax-arts-measure-on-november-ballot\" target=\"_blank\" rel=\"noopener\">unanimously voted\u003c/a> to put Proposition E on the ballot earlier this year. Proposition E even attracted the support of supervisors who normally disapprove of budget set asides, like Aaron Peskin and Katy Tang.\u003c/p>\n\u003cp>“I got involved with Proposition E because I believe that our city needs to invest more in arts and cultural services,” said Tang. “And I wanted to figure out how we could achieve this goal without impacting our city’s existing services, and doing it in a fiscally responsible way.”\u003c/p>\n\u003cp>If it passes on Nov. 6 with the necessary two-thirds majority, Proposition E would restore an allocation that was originally created in 1961 to support the city’s cultural industries. The move turned San Francisco into an arts and culture funding trailblazer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I was invited to France to tell the French Ministry of Culture how we did this in San Francisco,” said Kary Schulman, the longtime director of \u003ca href=\"http://sfgfta.org/\" target=\"_blank\" rel=\"noopener\">Grants for the Arts\u003c/a>, the main city body that distributes hotel tax funds to cultural groups. “It was a widely admired national model.”\u003c/p>\n\u003cp>In the early 2000s, the city reduced the allocations for the arts owing to financial issues, reducing funding gradually and ultimately repealing specific allocations altogether in 2013.\u003c/p>\n\u003cp>“That investment being stopped, combined with displacement and the cost of living here, has really caused our arts community to be hanging on with their fingernails,” Schulman said.\u003c/p>\n\u003cp>The city’s creative community has been fighting to bring that pot of dedicated funding back for the past few years — so far without much success.\u003c/p>\n\u003cp>In 2016, arts organizations teamed up with homeless service organizations on \u003ca href=\"https://www.kqed.org/arts/11622460/sf-arts-and-homeless-organizations-join-forces-to-secure-more-city-funding\" target=\"_blank\" rel=\"noopener\">Proposition S\u003c/a>, a joint bid to secure monies from the hotel tax to benefit cultural organizations and families living on the streets. But the measure didn’t pass.\u003c/p>\n\u003cp>Monies from the fund will be used in a variety of ways, from supplying grants to keep arts organizations going, to providing funding for the first time to the city’s “cultural districts” — like the Japantown Cultural Heritage District and the Leather and LGBTQ Cultural District in SOMA. The districts have largely been symbolic designations until now.\u003c/p>\n\u003cfigure id=\"attachment_11702741\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/IMG-1651-800x600.jpg\" alt=\"Yes on E campaign volunteer Valerie Weak works the phones in the run-up to the Nov. 6 election.\" width=\"800\" height=\"600\" class=\"size-medium wp-image-11702741\">\u003cfigcaption class=\"wp-caption-text\">Yes on E campaign volunteer Valerie Weak works the phones in the run-up to the Nov. 6 election. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Proposition E is going to support some of the things that give our neighborhoods in the city unique characteristics,” said Valerie Weak, a local actor and volunteer canvasser for the Yes on Prop E campaign. “It will keep things from turning into entirely homogeneous places, where every neighborhood looks just like the other neighborhoods.”\u003c/p>\n\u003cp>Weak also says Proposition E will provide funding for arts education, as well as grants to individual artists.\u003c/p>\n\u003cp>“It’s going to create more opportunities for artists to get paid for their work,” Weak said. “It’s important for artists to get paid a living wage.”\u003c/p>\n\u003cp>In addition to galvanizing broad support from cultural organizations of all types and sizes across the city, the Proposition E campaign has been getting support at the highest levels.\u003c/p>\n\u003cp>San Francisco Mayor London Breed turned out to help with phone banking during the final week of the campaign. \u003c/p>\n\u003cp>Local arts luminaries like \u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Symphony\u003c/a> music director Michael Tilson Thomas have made videos urging people to vote yes on the measure.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But getting voter approval still won’t be easy. Although the measure doesn’t raise taxes, critics say it could divert funding away from other services, like public transit and education, which might increase taxes down the line.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Oakland's Día de Los Muertos Honors Dreamers",
"title": "Oakland's Día de Los Muertos Honors Dreamers",
"headTitle": "KQED News",
"content": "\u003cp>Oakland's Fruitvale neighborhood is hosting its 23rd annual Día de los Muertos event on Sunday, Nov. 4. It's one of the Bay Area's largest Day of the Dead celebrations. Organizers say this year's event honors the day's ancestral roots while highlighting the current plight of Dreamers and immigrants.\u003c/p>\n\u003cfigure id=\"attachment_11703591\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_6996.jpg\">\u003cimg class=\"size-full wp-image-11703591\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_6996.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Chilean American Gonzalo Hidalgo is laying the 'tapete de arena', the ground cover of sand and seeds for his Dia de los Muertos altar honoring Dreamers and other immigrants, all of whom, he says, come with a dream and leave so much behind. He invites people in the crowd to help create the display; the central figure is a monarch butterfly. \"They take four or five generations to make it back to Mexico, and they just know where to go because it's encoded in their DNA. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703592\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7001.jpg\">\u003cimg class=\"size-full wp-image-11703592\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7001.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maricela Sandoval of San Jose puts marigolds on the altar made by the dance group she participates in, called Calpulli Coatlicue. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703593\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7003.jpg\">\u003cimg class=\"size-full wp-image-11703593\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7003.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-1180x1770.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-520x780.jpg 520w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Frank Cortes, also known as Chicome Malinalli, of Oakland stands next to the photo of his deceased grandfather Mauro Cortes Rosas, whom he visited in Puebla, Mexico. \"He taught me about his native language and so many traditions.\" Cortes started a traditional dance group when he was 9 years old, called Calpulli Coatlicue to keep in touch with friends who were moving away from his neighborhood, which they considered too dangerous. He says of embracing his culture and building community, \"it changed everything\". \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703594\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7004.jpg\">\u003cimg class=\"size-full wp-image-11703594\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7004.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maricela Sandoval of San Jose paints the face of fellow dancer, Estrella Zamudio, also of San Jose. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703595\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7007.jpg\">\u003cimg class=\"wp-image-11703595 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7007.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703596\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7011.jpg\">\u003cimg class=\"size-full wp-image-11703596\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7011.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lisette (L, 13) and sister Stephanie (R, 3) of Alameda help decorate butterflies with beans. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703597\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7020.jpg\">\u003cimg class=\"wp-image-11703597 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7020.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-1920x1280.jpg 1920w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703598\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7026.jpg\">\u003cimg class=\"size-full wp-image-11703598\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7026.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A doll sits imprisoned in a cage at Fruitvale's iconic Dia of the Dead celebration. This year's \"A Dream for All\" theme honors dreamers. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703599\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7033.jpg\">\u003cimg class=\"wp-image-11703599 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7033.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Dancers during the Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703600\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7035.jpg\">\u003cimg class=\"wp-image-11703600 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7035.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018. This display features a butterfly, the symbol of migration.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703601\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7036.jpg\">\u003cimg class=\"wp-image-11703601 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7036.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-1920x2880.jpg 1920w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703602\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7038.jpg\">\u003cimg class=\"size-full wp-image-11703602\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7038.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A memorial to a teen victim of bullying. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703603\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7042.jpg\">\u003cimg class=\"wp-image-11703603 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7042.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703604\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7044.jpg\">\u003cimg class=\"wp-image-11703604 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7044.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-1180x1770.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-520x780.jpg 520w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ria Lemena, 3, holds onto her marigold necklace. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703605\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7046.jpg\">\u003cimg class=\"size-full wp-image-11703605\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7046.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-1920x1280.jpg 1920w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Not quite living or dead, this dressed up auto is part of the car show at Fruitvale's Dia de los Muertos festival. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703606\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7048.jpg\">\u003cimg class=\"size-full wp-image-11703606\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7048.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-1180x1770.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-520x780.jpg 520w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Alejandra Perez and 7 year old daughter Diana Orozco share makeup and a history of attending Fruitvale's celebration. Perez says Dia de los Muertos is an important observation. \"Son mis tradiciones; They're my traditions,\" she says. \u003ccite>(Sara Hoissaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Organizers honored the day's ancestral roots while highlighting the plight of Dreamers and immigrants.",
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"description": "Organizers honored the day's ancestral roots while highlighting the plight of Dreamers and immigrants.",
"title": "Oakland's Día de Los Muertos Honors Dreamers | KQED",
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"headline": "Oakland's Día de Los Muertos Honors Dreamers",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland's Fruitvale neighborhood is hosting its 23rd annual Día de los Muertos event on Sunday, Nov. 4. It's one of the Bay Area's largest Day of the Dead celebrations. Organizers say this year's event honors the day's ancestral roots while highlighting the current plight of Dreamers and immigrants.\u003c/p>\n\u003cfigure id=\"attachment_11703591\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_6996.jpg\">\u003cimg class=\"size-full wp-image-11703591\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_6996.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_6996-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Chilean American Gonzalo Hidalgo is laying the 'tapete de arena', the ground cover of sand and seeds for his Dia de los Muertos altar honoring Dreamers and other immigrants, all of whom, he says, come with a dream and leave so much behind. He invites people in the crowd to help create the display; the central figure is a monarch butterfly. \"They take four or five generations to make it back to Mexico, and they just know where to go because it's encoded in their DNA. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703592\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7001.jpg\">\u003cimg class=\"size-full wp-image-11703592\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7001.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7001-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maricela Sandoval of San Jose puts marigolds on the altar made by the dance group she participates in, called Calpulli Coatlicue. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703593\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7003.jpg\">\u003cimg class=\"size-full wp-image-11703593\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7003.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-1180x1770.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7003-520x780.jpg 520w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Frank Cortes, also known as Chicome Malinalli, of Oakland stands next to the photo of his deceased grandfather Mauro Cortes Rosas, whom he visited in Puebla, Mexico. \"He taught me about his native language and so many traditions.\" Cortes started a traditional dance group when he was 9 years old, called Calpulli Coatlicue to keep in touch with friends who were moving away from his neighborhood, which they considered too dangerous. He says of embracing his culture and building community, \"it changed everything\". \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703594\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7004.jpg\">\u003cimg class=\"size-full wp-image-11703594\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7004.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7004-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maricela Sandoval of San Jose paints the face of fellow dancer, Estrella Zamudio, also of San Jose. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703595\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7007.jpg\">\u003cimg class=\"wp-image-11703595 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7007.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7007-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703596\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7011.jpg\">\u003cimg class=\"size-full wp-image-11703596\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7011.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7011-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lisette (L, 13) and sister Stephanie (R, 3) of Alameda help decorate butterflies with beans. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703597\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7020.jpg\">\u003cimg class=\"wp-image-11703597 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7020.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7020-1920x1280.jpg 1920w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703598\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7026.jpg\">\u003cimg class=\"size-full wp-image-11703598\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7026.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7026-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A doll sits imprisoned in a cage at Fruitvale's iconic Dia of the Dead celebration. This year's \"A Dream for All\" theme honors dreamers. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703599\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7033.jpg\">\u003cimg class=\"wp-image-11703599 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7033.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7033-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Dancers during the Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703600\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7035.jpg\">\u003cimg class=\"wp-image-11703600 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7035.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7035-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018. This display features a butterfly, the symbol of migration.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703601\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7036.jpg\">\u003cimg class=\"wp-image-11703601 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7036.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7036-1920x2880.jpg 1920w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703602\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7038.jpg\">\u003cimg class=\"size-full wp-image-11703602\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7038.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7038-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A memorial to a teen victim of bullying. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703603\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7042.jpg\">\u003cimg class=\"wp-image-11703603 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7042.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7042-520x347.jpg 520w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Day of the Dead celebration in Oakland's Fruitvale neighborhood, 2018 \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703604\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7044.jpg\">\u003cimg class=\"wp-image-11703604 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7044.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-1180x1770.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7044-520x780.jpg 520w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ria Lemena, 3, holds onto her marigold necklace. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703605\" class=\"wp-caption alignnone\" style=\"max-width: 5184px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7046.jpg\">\u003cimg class=\"size-full wp-image-11703605\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7046.jpg\" alt=\"\" width=\"5184\" height=\"3456\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046.jpg 5184w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7046-1920x1280.jpg 1920w\" sizes=\"(max-width: 5184px) 100vw, 5184px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Not quite living or dead, this dressed up auto is part of the car show at Fruitvale's Dia de los Muertos festival. \u003ccite>(Sara Hossaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11703606\" class=\"wp-caption alignnone\" style=\"max-width: 3456px\">\u003ca href=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7048.jpg\">\u003cimg class=\"size-full wp-image-11703606\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/11/IMG_7048.jpg\" alt=\"\" width=\"3456\" height=\"5184\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048.jpg 3456w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-160x240.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-1020x1530.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-1920x2880.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-1180x1770.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-960x1440.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-240x360.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-375x563.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/11/IMG_7048-520x780.jpg 520w\" sizes=\"(max-width: 3456px) 100vw, 3456px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Alejandra Perez and 7 year old daughter Diana Orozco share makeup and a history of attending Fruitvale's celebration. Perez says Dia de los Muertos is an important observation. \"Son mis tradiciones; They're my traditions,\" she says. \u003ccite>(Sara Hoissaini/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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}
},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
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