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"content": "\u003cp>Dirty words make it to the U.S. Supreme Court only occasionally. One of those occasions came Monday, in a case involving a clothing line named “\u003ca href=\"https://fuct.com/\" target=\"_blank\" rel=\"noopener\">FUCT.”\u003c/a>\u003c/p>\n\u003cp>The issue is whether the U.S. Patent and Trademark Office acted unconstitutionally when it refused to grant trademark protection to the brand name.\u003c/p>\n\u003cp>And, for the justices, the immediate problem was how to discuss the the F-word without actually saying it.\u003c/p>\n\u003cp>The “FUCT” clothing line, created by designer Eric Brunetti, is mainly hoodies, loose pants, shorts and T-shirts, all with the brand name prominently displayed.\u003c/p>\n\u003cfigure id=\"attachment_11740529\" class=\"wp-caption alignnone\" style=\"max-width: 618px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11740529\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/Screen-Shot-2019-04-16-at-11.23.05-AM.png\" alt=\"\" width=\"618\" height=\"297\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/Screen-Shot-2019-04-16-at-11.23.05-AM.png 618w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/Screen-Shot-2019-04-16-at-11.23.05-AM-160x77.png 160w\" sizes=\"(max-width: 618px) 100vw, 618px\">\u003cfigcaption class=\"wp-caption-text\">A few items from the FUCT clothing line. Courtesy of FUCT Instagram.\u003c/figcaption>\u003c/figure>\n\u003cp>Brunetti opened the line in 1990, aimed at 20-somethings, and he has been trying to get the brand trademarked ever since.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Go to eBay, and you’ll see a lot of counterfeits, or go to Amazon, and you’ll see lots of counterfeits,” he said, noting that the knockoffs are costing him real money.\u003c/p>\n\u003cp>If he could get his brand trademarked, he could go after the copycats and shut them down. The U.S. government Patent and Trademark Office, however, has consistently rejected his trademark application, contending that those letters, “FUCT,” violate the federal statute that bars trademark protection for “immoral,” “shocking,” “offensive” and “scandalous” words.\u003c/p>\n\u003cp>Brunetti’s case got a boost two years ago when the Supreme Court \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/06/19/533514196/the-slants-win-supreme-court-battle-over-bands-name-in-trademark-dispute\" target=\"_blank\" rel=\"noopener\">ruled that an Asian-American band calling itself “The Slants” could not be denied \u003c/a>trademark protection. The trademark office had turned the band down, because it deemed the name racially “disparaging,” but the court said the denial amounted to unconstitutional viewpoint discrimination.\u003c/p>\n\u003cp>Dealing with the brand name “FUCT” proved a bit more daunting in the Supreme Court chamber Monday. Deputy Solicitor General Malcolm Stewart referred to the brand name as a “profane past participle form of a well-known word of profanity and perhaps the paradigmatic word of profanity in our language.”\u003c/p>\n\u003cp>[aside postID=science_1938007,news_11729888 label='Intellectual Property Disputes']\u003c/p>\n\u003cp>The government, he maintained, can deny trademark protection for that word. The justices pointed to a chart showing which terms had been granted trademarks by the government, and which ones had not. Most of the names on the chart — those granted and not granted — are not suitable for a general audience.\u003c/p>\n\u003cp>Suffice to say that while “FUCT” did not win trademark approval, “FCUK” did, and so did the well-known brand “FUBAR.” The word “crap” was registered in a trademarked name 70 times, but the S-word was consistently denied.\u003c/p>\n\u003cp>That prompted Justice Ruth Bader Ginsburg to ask how the trademark office defines what is scandalous, shocking or offensive. And, Ginsburg inquired, do 20-year-olds generally find “FUCT” to be shocking or scandalous?\u003c/p>\n\u003cp>Probably not, conceded the government’s Stewart. But he said the term would still be shocking or offensive to a substantial segment of the population. Thus, it can be denied trademark registration, he argued.\u003c/p>\n\u003cp>[pullquote size='small' align='right' citation='Deputy Solicitor General Malcolm Stewart']‘FUCT is a profane past participle form of a well-known word of profanity and perhaps the paradigmatic word of profanity in our language.’[/pullquote]\u003c/p>\n\u003cp>Justice Neil Gorsuch pointed to the chart, declaring that it was hard to see why certain trademarks either using or alluding to profanity were approved and others denied.\u003c/p>\n\u003cp>Justice Samuel Alito asked what would happen when “really dirty words” were at issue. How about “racial slurs”? asked Justice Stephen Breyer, adding those are more like “swear words,” as they are insults that sting and are remembered by those who are targeted.\u003c/p>\n\u003cp>Stewart replied that because of the court’s decision in the “Slants” case, most trademarks with racial slurs are now approved. But the most offensive slur, the N-word, for now is still not approved, he said.\u003c/p>\n\u003cp>Representing “FUCT” designer Brunetti, lawyer John Sommer didn’t have an easy time either. Justice Breyer had this question: Why doesn’t the government have the right to say, in essence, “You can use this language in your brand name, but the government doesn’t want to be associated with it by granting trademark protection?”\u003c/p>\n\u003cp>“What I’m worried about,” said Breyer, is that if a racial slur is trademarked, it will appear as a product name “on every bus where it’s advertised” and on newsstands where children and others will see it.\u003c/p>\n\u003cp>“That’s not the audience Mr. Brunetti is appealing to,” Sommer replied.\u003c/p>\n\u003cp>Chief Justice John Roberts interjected, “But that may not be the only audience he reaches.”\u003c/p>\n\u003cp>At the end of his argument, Sommer returned to the language of the statute, arguing that if “offensiveness” is the standard for turning down a trademark, “Steak ‘n Shake” can’t be registered either, because “a substantial portion of Americans believe that eating beef is immoral.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A decision in the case is expected by summer.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR.\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Dirty words make it to the U.S. Supreme Court only occasionally. One of those occasions came Monday, in a case involving a clothing line named “\u003ca href=\"https://fuct.com/\" target=\"_blank\" rel=\"noopener\">FUCT.”\u003c/a>\u003c/p>\n\u003cp>The issue is whether the U.S. Patent and Trademark Office acted unconstitutionally when it refused to grant trademark protection to the brand name.\u003c/p>\n\u003cp>And, for the justices, the immediate problem was how to discuss the the F-word without actually saying it.\u003c/p>\n\u003cp>The “FUCT” clothing line, created by designer Eric Brunetti, is mainly hoodies, loose pants, shorts and T-shirts, all with the brand name prominently displayed.\u003c/p>\n\u003cfigure id=\"attachment_11740529\" class=\"wp-caption alignnone\" style=\"max-width: 618px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11740529\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/Screen-Shot-2019-04-16-at-11.23.05-AM.png\" alt=\"\" width=\"618\" height=\"297\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/Screen-Shot-2019-04-16-at-11.23.05-AM.png 618w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/Screen-Shot-2019-04-16-at-11.23.05-AM-160x77.png 160w\" sizes=\"(max-width: 618px) 100vw, 618px\">\u003cfigcaption class=\"wp-caption-text\">A few items from the FUCT clothing line. Courtesy of FUCT Instagram.\u003c/figcaption>\u003c/figure>\n\u003cp>Brunetti opened the line in 1990, aimed at 20-somethings, and he has been trying to get the brand trademarked ever since.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Go to eBay, and you’ll see a lot of counterfeits, or go to Amazon, and you’ll see lots of counterfeits,” he said, noting that the knockoffs are costing him real money.\u003c/p>\n\u003cp>If he could get his brand trademarked, he could go after the copycats and shut them down. The U.S. government Patent and Trademark Office, however, has consistently rejected his trademark application, contending that those letters, “FUCT,” violate the federal statute that bars trademark protection for “immoral,” “shocking,” “offensive” and “scandalous” words.\u003c/p>\n\u003cp>Brunetti’s case got a boost two years ago when the Supreme Court \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/06/19/533514196/the-slants-win-supreme-court-battle-over-bands-name-in-trademark-dispute\" target=\"_blank\" rel=\"noopener\">ruled that an Asian-American band calling itself “The Slants” could not be denied \u003c/a>trademark protection. The trademark office had turned the band down, because it deemed the name racially “disparaging,” but the court said the denial amounted to unconstitutional viewpoint discrimination.\u003c/p>\n\u003cp>Dealing with the brand name “FUCT” proved a bit more daunting in the Supreme Court chamber Monday. Deputy Solicitor General Malcolm Stewart referred to the brand name as a “profane past participle form of a well-known word of profanity and perhaps the paradigmatic word of profanity in our language.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The government, he maintained, can deny trademark protection for that word. The justices pointed to a chart showing which terms had been granted trademarks by the government, and which ones had not. Most of the names on the chart — those granted and not granted — are not suitable for a general audience.\u003c/p>\n\u003cp>Suffice to say that while “FUCT” did not win trademark approval, “FCUK” did, and so did the well-known brand “FUBAR.” The word “crap” was registered in a trademarked name 70 times, but the S-word was consistently denied.\u003c/p>\n\u003cp>That prompted Justice Ruth Bader Ginsburg to ask how the trademark office defines what is scandalous, shocking or offensive. And, Ginsburg inquired, do 20-year-olds generally find “FUCT” to be shocking or scandalous?\u003c/p>\n\u003cp>Probably not, conceded the government’s Stewart. But he said the term would still be shocking or offensive to a substantial segment of the population. Thus, it can be denied trademark registration, he argued.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Justice Neil Gorsuch pointed to the chart, declaring that it was hard to see why certain trademarks either using or alluding to profanity were approved and others denied.\u003c/p>\n\u003cp>Justice Samuel Alito asked what would happen when “really dirty words” were at issue. How about “racial slurs”? asked Justice Stephen Breyer, adding those are more like “swear words,” as they are insults that sting and are remembered by those who are targeted.\u003c/p>\n\u003cp>Stewart replied that because of the court’s decision in the “Slants” case, most trademarks with racial slurs are now approved. But the most offensive slur, the N-word, for now is still not approved, he said.\u003c/p>\n\u003cp>Representing “FUCT” designer Brunetti, lawyer John Sommer didn’t have an easy time either. Justice Breyer had this question: Why doesn’t the government have the right to say, in essence, “You can use this language in your brand name, but the government doesn’t want to be associated with it by granting trademark protection?”\u003c/p>\n\u003cp>“What I’m worried about,” said Breyer, is that if a racial slur is trademarked, it will appear as a product name “on every bus where it’s advertised” and on newsstands where children and others will see it.\u003c/p>\n\u003cp>“That’s not the audience Mr. Brunetti is appealing to,” Sommer replied.\u003c/p>\n\u003cp>Chief Justice John Roberts interjected, “But that may not be the only audience he reaches.”\u003c/p>\n\u003cp>At the end of his argument, Sommer returned to the language of the statute, arguing that if “offensiveness” is the standard for turning down a trademark, “Steak ‘n Shake” can’t be registered either, because “a substantial portion of Americans believe that eating beef is immoral.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A decision in the case is expected by summer.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR.\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Actress Lori Loughlin and her fashion designer husband, Mossimo Giannulli, are pleading not guilty to charges of participating in a sweeping college admissions bribery scam, according to court documents filed Monday.\u003c/p>\n\u003cp>[aside label=\"Related Stories\" tag=\"college-admissions-scandal\"]\u003c/p>\n\u003cp>The couple is accused of paying $500,000 in bribes to get their daughters admitted to the University of Southern California as crew recruits, even though neither is a rower.\u003c/p>\n\u003cp>They were among 50 people charged last month in the scandal that has embroiled elite school across the country, including Stanford, Georgetown and Yale.\u003c/p>\n\u003cp>Loughlin, who played Aunt Becky on the sitcom “Full House,” and Giannulli haven’t publicly addressed the allegations against them.\u003c/p>\n\u003cp>The couple waived their right to appear for their arraignment in Boston federal court and pleaded not guilty to the two charges against them, their lawyers said in court documents. The judge granted their requests not to appear.\u003c/p>\n\u003cp>In all, 33 wealthy parents were charged in what authorities have called the biggest college admissions case ever prosecuted by the Justice Department. They are accused of paying admissions consultant Rick Singer to rig standardized test scores and bribe college coaches and other insiders to get their children into selective schools.\u003c/p>\n\u003cp>Prosecutors say Loughlin and Giannulli helped create fake athletic profiles for their daughters by sending Singer photos of their teens posing on rowing machines. After their older daughter was admitted to USC, authorities say Giannulli, whose Mossimo clothing label had, until recently, been a longtime Target brand, sent Singer an email with the subject line “Trojan happiness,” thanking him for his “efforts and end result!”\u003c/p>\n\u003cp>Their daughter, Olivia Jade Giannulli — a social media star who has a popular YouTube channel — was dropped from deals with cosmetics retailer Sephora and hair products company TRESemmé after her parents’ arrest.\u003c/p>\n\u003cp>Prosecutors added a \u003ca href=\"https://www.apnews.com/e4a973e7b5e042ebb4df6b5e181c401e\" target=\"_blank\" rel=\"noopener\">money laundering conspiracy\u003c/a> charge against Loughlin, Giannulli and more than a dozen other parents who are still fighting the case, increasing the pressure on them to plead guilty.\u003c/p>\n\u003cp>Several other parents who were indicted alongside Loughlin and Giannulli last week have also filed court documents entering not guilty pleas.\u003c/p>\n\u003cp>Each of the charges Loughlin and Giannulli face call for up to 20 years in prison, although first-time offenders would get only a small fraction of that if convicted.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Fellow actress Felicity Huffman, who starred in ABC’s “Desperate Housewives” and 12 other parents announced last week that they have \u003ca href=\"https://www.apnews.com/9ba1e894ee504c959cef418a5c96efca\" target=\"_blank\" rel=\"noopener\">agreed to plead guilty\u003c/a> to a single charge of conspiracy to commit mail fraud and honest services mail fraud. Huffman is scheduled to appear in Boston on May 21 to enter her plea.\u003c/p>\n\u003cp>Prosecutors have said they will seek a prison sentence on the low end of four to 10 months for Huffman, who was charged with paying $15,000 to boost her daughter’s SAT score.\u003c/p>\n\u003cp>On Friday, a former Florida prep school administrator \u003ca href=\"https://www.apnews.com/5b56f4976d71418683e9effecd4e117d\" target=\"_blank\" rel=\"noopener\">pleaded guilty\u003c/a> to taking entrance exams for students, or correcting their answers, as part of the scam. Prosecutors have said they will seek between 33 to 41 months in prison for Mark Riddell, a Harvard graduate who oversaw college entrance exam preparation at IMG Academy.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The couple is accused of paying $500,000 in bribes to get their daughters admitted to the University of Southern California as crew recruits, even though neither is a rower.\u003c/p>\n\u003cp>They were among 50 people charged last month in the scandal that has embroiled elite school across the country, including Stanford, Georgetown and Yale.\u003c/p>\n\u003cp>Loughlin, who played Aunt Becky on the sitcom “Full House,” and Giannulli haven’t publicly addressed the allegations against them.\u003c/p>\n\u003cp>The couple waived their right to appear for their arraignment in Boston federal court and pleaded not guilty to the two charges against them, their lawyers said in court documents. The judge granted their requests not to appear.\u003c/p>\n\u003cp>In all, 33 wealthy parents were charged in what authorities have called the biggest college admissions case ever prosecuted by the Justice Department. They are accused of paying admissions consultant Rick Singer to rig standardized test scores and bribe college coaches and other insiders to get their children into selective schools.\u003c/p>\n\u003cp>Prosecutors say Loughlin and Giannulli helped create fake athletic profiles for their daughters by sending Singer photos of their teens posing on rowing machines. After their older daughter was admitted to USC, authorities say Giannulli, whose Mossimo clothing label had, until recently, been a longtime Target brand, sent Singer an email with the subject line “Trojan happiness,” thanking him for his “efforts and end result!”\u003c/p>\n\u003cp>Their daughter, Olivia Jade Giannulli — a social media star who has a popular YouTube channel — was dropped from deals with cosmetics retailer Sephora and hair products company TRESemmé after her parents’ arrest.\u003c/p>\n\u003cp>Prosecutors added a \u003ca href=\"https://www.apnews.com/e4a973e7b5e042ebb4df6b5e181c401e\" target=\"_blank\" rel=\"noopener\">money laundering conspiracy\u003c/a> charge against Loughlin, Giannulli and more than a dozen other parents who are still fighting the case, increasing the pressure on them to plead guilty.\u003c/p>\n\u003cp>Several other parents who were indicted alongside Loughlin and Giannulli last week have also filed court documents entering not guilty pleas.\u003c/p>\n\u003cp>Each of the charges Loughlin and Giannulli face call for up to 20 years in prison, although first-time offenders would get only a small fraction of that if convicted.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fellow actress Felicity Huffman, who starred in ABC’s “Desperate Housewives” and 12 other parents announced last week that they have \u003ca href=\"https://www.apnews.com/9ba1e894ee504c959cef418a5c96efca\" target=\"_blank\" rel=\"noopener\">agreed to plead guilty\u003c/a> to a single charge of conspiracy to commit mail fraud and honest services mail fraud. Huffman is scheduled to appear in Boston on May 21 to enter her plea.\u003c/p>\n\u003cp>Prosecutors have said they will seek a prison sentence on the low end of four to 10 months for Huffman, who was charged with paying $15,000 to boost her daughter’s SAT score.\u003c/p>\n\u003cp>On Friday, a former Florida prep school administrator \u003ca href=\"https://www.apnews.com/5b56f4976d71418683e9effecd4e117d\" target=\"_blank\" rel=\"noopener\">pleaded guilty\u003c/a> to taking entrance exams for students, or correcting their answers, as part of the scam. Prosecutors have said they will seek between 33 to 41 months in prison for Mark Riddell, a Harvard graduate who oversaw college entrance exam preparation at IMG Academy.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>When it rains in the Eastern Coachella town of Thermal, it can get so muddy that cars often get stuck on the unpaved roads running parallel to the lettuce fields. That makes it hard for farmworkers to get to their homes at Camp Fremont, a tiny trailer park at the end of a long dirt road.\u003c/p>\n\u003cp>It’s a cluster of mobile homes, some with plywood covering holes in the walls, far from streetlights, supermarkets, and cell phone service.\u003c/p>\n\u003cp>“We can’t even connect to the internet,” says 25-year old Olivia Rodriguez, who graduated from UC Berkeley and lives in a two-bedroom trailer with her parents, her sister, and her sister’s two young children.\u003c/p>\n\u003cfigure id=\"attachment_11737837\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737837 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Rodriquez family at Camp Fremont, where Olivia (far right) shares a small trailer with her family. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“For you to be on the internet or on your phone very much you really have to go and drive somewhere,” explains Rodriguez.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Challenging as that may sound, Rodriguez chose to return home after completing her studies at UC Berkeley. She wants to use her education as a springboard to transform conditions for people like her family members, their neighbors, and farmworkers in her part of the region.\u003c/p>\n\u003cp>“We’re lacking a lot of things, but it’s such a beautiful place just because of the people that are here and our surroundings,” she says.\u003c/p>\n\u003cp>She loves how bright the stars are here.\u003c/p>\n\u003cp>“There’s no nights anywhere for me in the world like the nights that we have here in the Eastern Coachella Valley,” she adds. She loves the sounds of the roosters in the morning and the coyotes at night.\u003c/p>\n\u003cp>And mostly, the silence.\u003c/p>\n\u003cp>But lately, there’s been a different kind of sound piercing the quiet out here.\u003c/p>\n\u003cp>Rodriguez takes me down the dirt road a bit to see a racetrack for luxury cars, part of an \u003ca href=\"http://thethermalclub.com/\" target=\"_blank\" rel=\"noopener\">ultra-exclusive resort\u003c/a> adjacent to a private airport. It boasts 15-thousand-square-foot weekend homes for car collectors — just across a lettuce field from Rodriguez’s trailer park.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vCBejA9XN3g\u003c/p>\n\u003cp>It’s really aggravating, she says, that the only paved roads with street lights near her home have been built for this racetrack.\u003c/p>\n\u003cp>“It does get infuriating to see that they making the sidewalks, the streets better for these people who are coming here for one day, and we’ve been here all our lives,” says Rodriguez. “We don’t even get to have a sidewalk to go to the bus stop. Our students are walking through the mud.”\u003c/p>\n\u003cp>In high school, she says, teachers told her, “You need to move out of here. That’s the American dream.” At one point she believed it: that the only way to be successful was to move away from this valley.\u003c/p>\n\u003cp>Her dad, Vicente, was a high school math teacher in Mexico. His wife was a skilled technical artist. They came here to find jobs, but ended up working in the fields.\u003c/p>\n\u003cp>[aside postID='news_11737874,news_11738458,news_11737988' label='The Coachella You Might Not Have Heard About']\u003c/p>\n\u003cp>“We started working in the vines, in the grapes,” he says. “Sometimes I regretted it. I would tell myself, ‘I could be giving classes behind a desk right now.'”\u003c/p>\n\u003cp>But then the Rodriguez’s twin girls, Olivia and Maria, came along. Vicente tears up as he tells the story in Spanish.\u003c/p>\n\u003cp>“I definitely couldn’t leave once they were born,” he says, sniffling. “Sorry, I get kind of emotional. I’m kind of a crybaby. But these are happy tears. Here, my kids can get an education.”\u003c/p>\n\u003cp>Vicente tutored both his girls in math, and pushed them to succeed. One memorable day, when Rodriguez was a high school senior, Vicente went to the post office to pick up the family’s mail, then stopped at a house where he was laying tile as a side job. The man who lived there noticed a big envelope in Vicente’s hand.\u003c/p>\n\u003cp>“He told me, that envelope is from UC Berkeley. Berkeley only accepts a few students, only the best.'” That was how he found out his daughter applied to Berkeley and had gotten into an elite school. He had no context for it.\u003c/p>\n\u003cp>Berkeley was tough for Rodriguez. It was a culture shock to live in a city where her dorm cost far more than many of her farmworker neighbors earned in a year. A place where she could take a bus or a train, instead of walking along muddy roads to try to catch a ride to school. She was going to school with kids whose parents got them lofty summer internships, while she worked vacations in the fields.\u003c/p>\n\u003cp>But her classes at Berkeley taught her something else: she could do more to challenge the poverty and inequity in the Eastern Coachella Valley by coming back. Rodriguez now has a biology degree under her belt, and a master’s in public health in the works.\u003c/p>\n\u003cfigure id=\"attachment_11738500\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11738500\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">After graduating from UC Berkeley, Rodriguez returned to the Coachella Valley to pursue her masters in public health. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After years of translating for her parents at the doctor’s office, Rodriguez wants to help change the way farmworkers are treated by the medical system when they seek attention for chronic problems like diabetes or heart disease. Sometimes, she says, they’re just flatly told to eat fewer tortillas.\u003c/p>\n\u003cp>“The answer is not so simple,” says Rodriguez. “I feel like we lack a lot of cultural competency when we train our doctors.”\u003c/p>\n\u003cp>Rodriguez is also a journalist with \u003ca href=\"http://coachellaunincorporated.org/\" target=\"_blank\" rel=\"noopener\">Coachella Unincorporated\u003c/a>, a media outlet that elevates the voices of young people in the Eastern Coachella Valley. She co-produced “\u003ca href=\"https://yli.org/event/estamos-aqui-a-community-documentary/\" target=\"_blank\" rel=\"noopener\">Estamos Aqui/We are Here\u003c/a>” – a new documentary looking at the environmental and health impacts of the Salton Sea.\u003c/p>\n\u003cp>She wants people watching it to know that there is much more to this place than just a high-profile music festival. It frustrates her that when she wears her Coachella Unincorporated T-shirt out of town, she gets some annoying questions.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>People say, “‘Oh, you’ve been there? Like to the festival?’ And I’m like, ‘I’m from there.’ And they’re like, ‘that’s a place??’”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>When it rains in the Eastern Coachella town of Thermal, it can get so muddy that cars often get stuck on the unpaved roads running parallel to the lettuce fields. That makes it hard for farmworkers to get to their homes at Camp Fremont, a tiny trailer park at the end of a long dirt road.\u003c/p>\n\u003cp>It’s a cluster of mobile homes, some with plywood covering holes in the walls, far from streetlights, supermarkets, and cell phone service.\u003c/p>\n\u003cp>“We can’t even connect to the internet,” says 25-year old Olivia Rodriguez, who graduated from UC Berkeley and lives in a two-bedroom trailer with her parents, her sister, and her sister’s two young children.\u003c/p>\n\u003cfigure id=\"attachment_11737837\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737837 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36330_DSCF3210-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Rodriquez family at Camp Fremont, where Olivia (far right) shares a small trailer with her family. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“For you to be on the internet or on your phone very much you really have to go and drive somewhere,” explains Rodriguez.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Challenging as that may sound, Rodriguez chose to return home after completing her studies at UC Berkeley. She wants to use her education as a springboard to transform conditions for people like her family members, their neighbors, and farmworkers in her part of the region.\u003c/p>\n\u003cp>“We’re lacking a lot of things, but it’s such a beautiful place just because of the people that are here and our surroundings,” she says.\u003c/p>\n\u003cp>She loves how bright the stars are here.\u003c/p>\n\u003cp>“There’s no nights anywhere for me in the world like the nights that we have here in the Eastern Coachella Valley,” she adds. She loves the sounds of the roosters in the morning and the coyotes at night.\u003c/p>\n\u003cp>And mostly, the silence.\u003c/p>\n\u003cp>But lately, there’s been a different kind of sound piercing the quiet out here.\u003c/p>\n\u003cp>Rodriguez takes me down the dirt road a bit to see a racetrack for luxury cars, part of an \u003ca href=\"http://thethermalclub.com/\" target=\"_blank\" rel=\"noopener\">ultra-exclusive resort\u003c/a> adjacent to a private airport. It boasts 15-thousand-square-foot weekend homes for car collectors — just across a lettuce field from Rodriguez’s trailer park.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vCBejA9XN3g'\n title='//www.youtube.com/embed/vCBejA9XN3g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s really aggravating, she says, that the only paved roads with street lights near her home have been built for this racetrack.\u003c/p>\n\u003cp>“It does get infuriating to see that they making the sidewalks, the streets better for these people who are coming here for one day, and we’ve been here all our lives,” says Rodriguez. “We don’t even get to have a sidewalk to go to the bus stop. Our students are walking through the mud.”\u003c/p>\n\u003cp>In high school, she says, teachers told her, “You need to move out of here. That’s the American dream.” At one point she believed it: that the only way to be successful was to move away from this valley.\u003c/p>\n\u003cp>Her dad, Vicente, was a high school math teacher in Mexico. His wife was a skilled technical artist. They came here to find jobs, but ended up working in the fields.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We started working in the vines, in the grapes,” he says. “Sometimes I regretted it. I would tell myself, ‘I could be giving classes behind a desk right now.'”\u003c/p>\n\u003cp>But then the Rodriguez’s twin girls, Olivia and Maria, came along. Vicente tears up as he tells the story in Spanish.\u003c/p>\n\u003cp>“I definitely couldn’t leave once they were born,” he says, sniffling. “Sorry, I get kind of emotional. I’m kind of a crybaby. But these are happy tears. Here, my kids can get an education.”\u003c/p>\n\u003cp>Vicente tutored both his girls in math, and pushed them to succeed. One memorable day, when Rodriguez was a high school senior, Vicente went to the post office to pick up the family’s mail, then stopped at a house where he was laying tile as a side job. The man who lived there noticed a big envelope in Vicente’s hand.\u003c/p>\n\u003cp>“He told me, that envelope is from UC Berkeley. Berkeley only accepts a few students, only the best.'” That was how he found out his daughter applied to Berkeley and had gotten into an elite school. He had no context for it.\u003c/p>\n\u003cp>Berkeley was tough for Rodriguez. It was a culture shock to live in a city where her dorm cost far more than many of her farmworker neighbors earned in a year. A place where she could take a bus or a train, instead of walking along muddy roads to try to catch a ride to school. She was going to school with kids whose parents got them lofty summer internships, while she worked vacations in the fields.\u003c/p>\n\u003cp>But her classes at Berkeley taught her something else: she could do more to challenge the poverty and inequity in the Eastern Coachella Valley by coming back. Rodriguez now has a biology degree under her belt, and a master’s in public health in the works.\u003c/p>\n\u003cfigure id=\"attachment_11738500\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11738500\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36442_DSCF7986-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">After graduating from UC Berkeley, Rodriguez returned to the Coachella Valley to pursue her masters in public health. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After years of translating for her parents at the doctor’s office, Rodriguez wants to help change the way farmworkers are treated by the medical system when they seek attention for chronic problems like diabetes or heart disease. Sometimes, she says, they’re just flatly told to eat fewer tortillas.\u003c/p>\n\u003cp>“The answer is not so simple,” says Rodriguez. “I feel like we lack a lot of cultural competency when we train our doctors.”\u003c/p>\n\u003cp>Rodriguez is also a journalist with \u003ca href=\"http://coachellaunincorporated.org/\" target=\"_blank\" rel=\"noopener\">Coachella Unincorporated\u003c/a>, a media outlet that elevates the voices of young people in the Eastern Coachella Valley. She co-produced “\u003ca href=\"https://yli.org/event/estamos-aqui-a-community-documentary/\" target=\"_blank\" rel=\"noopener\">Estamos Aqui/We are Here\u003c/a>” – a new documentary looking at the environmental and health impacts of the Salton Sea.\u003c/p>\n\u003cp>She wants people watching it to know that there is much more to this place than just a high-profile music festival. It frustrates her that when she wears her Coachella Unincorporated T-shirt out of town, she gets some annoying questions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>People say, “‘Oh, you’ve been there? Like to the festival?’ And I’m like, ‘I’m from there.’ And they’re like, ‘that’s a place??’”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "music-from-the-other-coachella-meet-psychedelic-cumbia-band-ocho-ojos",
"title": "Music From the 'Other' Coachella: Meet Psychedelic Cumbia Band ‘Ocho Ojos’",
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"content": "\u003cp>As thousands of concertgoers pour into Southern California’s desert this weekend for the Coachella Valley Music and Arts Festival, the \u003ca href=\"https://www.coachella.com/\" target=\"_blank\" rel=\"noopener\">all-star lineup \u003c/a>will include Ocho Ojos, a homegrown band from the Eastern Coachella Valley that has long been a part of the region’s own underground music scene.\u003c/p>\n\u003cp>Although the band played the festival in 2017 as a last-minute fill-in, they’re now officially part of the event alongside world-famous acts like Ariana Grande and Bad Bunny.\u003c/p>\n\u003cp>[aside postID='news_11737874,news_11737834,news_11737988' label='The Coachella You Might Not Have Heard About']\u003c/p>\n\u003cp>But locals have known and loved the guys behind \u003ca href=\"https://open.spotify.com/artist/0VWkKhev4sWYKb2ZO7CgpR\" target=\"_blank\" rel=\"noopener\">Ocho Ojos\u003c/a> for years. On a warm Friday night, hundreds filled a local bar to see the band headline a live cumbia dance party called ‘Baile Trankis.’\u003c/p>\n\u003cp>“We’re desert people. We like the night time. When it’s fresh, we all come out and play,” partygoer Max Lopez tells me while waiting for the band to start.\u003c/p>\n\u003cp>The festival’s name may be ubiquitous, but many Californians don’t realize that the Coachella Valley is an actual place people call home, not just a world-famous music event near Palm Springs with long lines and expensive ticket prices.\u003c/p>\n\u003cp>The band behind the party is steeped in local vibes. Born and raised in the Eastern Coachella Valley, guitarist Cesar Flores and synth player Danny Torres started off as a duo in 2016 performing at community centers and house shows. They named themselves Ocho Ojos, Spanish for eight eyes, to jokingly reference the thick black glasses they both wear.\u003c/p>\n\u003cp>Three years later, the band expanded to a four-piece and is busy keeping up with the numerous requests to play shows throughout the Coachella Valley.\u003c/p>\n\u003cfigure id=\"attachment_11738477\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738477 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cesar Flores serenades the crowd with lyrics that reflect hometown pride. \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like many traditional Mexican bands, Ocho Ojos wear matching outfits, and their signature style includes white patent leather shoes, like the kind \u003cem>chambelanes\u003c/em> wear for a \u003cem>quinceanera\u003c/em>.\u003c/p>\n\u003cp>“If you look good, you feel good. And if you feel good, you play good,” explains Torres, about their \u003cem>rasquatche\u003c/em> style.\u003c/p>\n\u003cp>The Chicano aesthetic of \u003cem>rasquatche\u003c/em> is all about making do and repurposing what you have, so when Flores found a rack of white dress shoes at a local Goodwill, the look came together.\u003c/p>\n\u003cfigure id=\"attachment_11738476\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738476 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">White patent leather shoes are part of Ocho Ojos signature look. \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the four members of Ocho Ojos take the stage and welcome the crowd, shouting “Are ya’ll feeling \u003cem>trankis\u003c/em> (chill)? ” the audience responds with a collective roar of yeses and whistles.\u003c/p>\n\u003cp>Nancy Osegueda, wearing bell-bottom jeans and platformed boots, executes spins and fancy footwork to the music. Osegueda says she’s a “devout follower” because Ocho Ojos shows are a “nice break” from the usual nightlife that caters to Palm Spring tourists.\u003c/p>\n\u003cfigure id=\"attachment_11738478\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738478 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Danny Torres keeps the crowd hyped with Spanglish saludos [shout-outs] \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gritty bass lines and hard hitting drums from their track “\u003ca href=\"https://ocho-ojos.bandcamp.com/track/tlaloc\" target=\"_blank\" rel=\"noopener\">Tlaloc\u003c/a>” compel the crowd — myself included — to sway our bodies in sync. It’s as if we are listening to a futuristic rainstorm pour down from Tlaloc, the \u003cem>Mexica\u003c/em> (Aztec) deity of water.\u003c/p>\n\u003cp>Ocho Ojos’s trippy hybrid sound created with a wah pedal, synthesizer, and a Rollan SP 404 sets them apart from their peers in Coachella’s alternative music scene, where indie rock, desert rock and punk thrive.\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">“I’m a psychedelic \u003cem>vato\u003c/em> you know with a cumbia background. I was like [I’ll] give this [music] a try. And I loved it!” -Max Lopez\u003c/p>\n\u003c/blockquote>\n\u003cp>Concertgoer Max Lopez is a hardcore rocker type wearing all black and a t-shirt that features a local death metal band. While he’s more into metal, he says he can rock out to Ocho Ojos because of their psychedelic sound.\u003c/p>\n\u003cp>“I’m a psychedelic \u003cem>vato,\u003c/em> you know, with a cumbia background. I was like, I’ll give this music a try. And I loved it,” says Lopez. “I really felt that I flowed with it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ocho Ojos gets their psychedelic sound from Chicha, a style of cumbia that originated in the Peruvian Amazon in the late 1960s and 1970s. Chichi evolved into a soundtrack of empowerment for indigenous migrants who moved to Peru’s urban cities during the oil boom.\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">“[Ocho Ojos] brings a little bit of a flashback. Our parents used to play cumbia so now it’s our turn to listen to cumbia, but in our style.” – Chris Villalta.\u003c/p>\n\u003c/blockquote>\n\u003cp>While upper and middle class Peruvians have historically dismissed the\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2015/07/07/420267088/peruvians-love-their-chicha-street-art-the-government-not-so-much\" target=\"_blank\" rel=\"noopener\"> working class Chicha scene\u003c/a>, today this music, rooted in migration, is inspiring \u003ca href=\"https://www.laweekly.com/music/an-obscure-compilation-called-the-roots-of-chichas-far-reaching-influence-in-los-angeles-8900124\" target=\"_blank\" rel=\"noopener\">a new wave\u003c/a> of young Latinx bands across Southern California.\u003c/p>\n\u003cp>“[Ocho Ojos] brings a little bit of a flashback. Our parents used to play cumbia, now it’s our turn to listen to cumbia, but in our style,” says Christopher Villalta, a local photographer and fan.\u003c/p>\n\u003cp>Like Peru’s Chicha musicians who write about working-class struggle and triumph mixed with hometown pride, so too do Coachella’s Ocho Ojos. Their song “Avenida 52” references the main drag that goes from La Quinta all the way to the city of Coachella, a street their admirers know so well.\u003c/p>\n\u003cfigure id=\"attachment_11738479\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738479 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ocho Ojos take inspiration from Chica, a style of Cumbia from Peru. \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fans like Antonio Duran say they can hear their own family’s story in Ocho Ojos’ psychedelic cumbia.\u003c/p>\n\u003cp>“Our parents have worked hard for us to be where we are: to be musicians, to be artists, to be whatever the heck we want to be,” exclaims Duran. “And that is the most important part of being from Coachella: that your parents paved the way.”\u003c/p>\n\u003cp>Making something out of nothing is a lesson the band and their fans didn’t just learn from Coachella Valley’s D.I.Y. music scene, but from their parents’ hustle, born out of necessity.\u003c/p>\n\u003cp>“Our ancestors did survive. And they keep surviving,” says drummer Rafael Rodriguez. “Like they say in Spanish, \u003cem>No hay de\u003c/em> \u003cem>otra. \u003c/em>There’s no other way. We just have to keep on going.”\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">“Our parents have worked hard for us to be where we are: to be musicians, to be artists, to be whatever the heck we want to be. And that is the most important part of being from Coachella, is that your parents paved the way.” – Antonio Duran\u003c/p>\n\u003c/blockquote>\n\u003cp>It’s an ethos that not only speaks to millennials but to older generations in the community as well.\u003c/p>\n\u003cp>“A few times on our social media, people have tagged us and they’ll comment ‘Look my mom is dancing to your cumbia while she’s cleaning!‘ That feels good. ” says Torres.\u003c/p>\n\u003cp>But tonight, no one in this twenty and thirty something crowd is Instagramming the moment. No one has their phones out. All attention is to the stage.\u003c/p>\n\u003cfigure id=\"attachment_11738508\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738508 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/IMG_1532.png\" alt=\"\" width=\"1334\" height=\"750\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532.png 1334w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-1020x573.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-1200x675.png 1200w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Ocho Ojos’s hybrid sound sets them apart from their peers in Coachella’s alternative music scene – where indie rock, desert rock and punk thrive. \u003ccite>(Melinda Vida)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I ask a number of people in this crowd how they feel about the Coachella Music Festival sharing the same name as their city, many tell me it’s pretty “sweet” to hear world-famous musicians practically play in their backyard… but more should be done to benefit the residents who live nearby.\u003c/p>\n\u003cp>“The city of Coachella is the namesake, but we do not get as much recognition as the city of Indio. They get all the hotels and the commerce,” says crowd member Duran.\u003c/p>\n\u003cp>Others also expressed a desire for Goldenvoice, which operates Coachella, to invest in infrastructure beyond Indio’s polo grounds (where the festival takes place) and to spotlight more Latinx musicians from the Eastern Coachella Valley, not just the affluent Palm Springs area.\u003c/p>\n\u003cblockquote>\u003cp>“Every time I go out of town, people ask me where I’m from.. They’re like ‘Oh what? I didn’t know the Coachella Valley is a real place.’ They think it’s just a festival. ” – Christopher Villalta\u003c/p>\u003c/blockquote>\n\u003cp>With Ocho Ojos representing their hometown on the big festival stage this year, festival-goers will get a chance to hear from the ‘real’ Coachella music scene, not just imported talent.\u003c/p>\n\u003cp>“They’re listening to us, that’s the beautiful part about it!” says Lopez about the band.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ocho Ojos - Cumbia De Este Valle\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/euWaKrakGbw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Ocho Ojos close their set with a crowd favorite “Cumbia De Este Valle.” It’s an ode to the desert back roads, agricultural fields, and the Salton Sea, the fertile grounds that have shaped this psychedelic cumbia band into who they are today.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As thousands of concertgoers pour into Southern California’s desert this weekend for the Coachella Valley Music and Arts Festival, the \u003ca href=\"https://www.coachella.com/\" target=\"_blank\" rel=\"noopener\">all-star lineup \u003c/a>will include Ocho Ojos, a homegrown band from the Eastern Coachella Valley that has long been a part of the region’s own underground music scene.\u003c/p>\n\u003cp>Although the band played the festival in 2017 as a last-minute fill-in, they’re now officially part of the event alongside world-famous acts like Ariana Grande and Bad Bunny.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But locals have known and loved the guys behind \u003ca href=\"https://open.spotify.com/artist/0VWkKhev4sWYKb2ZO7CgpR\" target=\"_blank\" rel=\"noopener\">Ocho Ojos\u003c/a> for years. On a warm Friday night, hundreds filled a local bar to see the band headline a live cumbia dance party called ‘Baile Trankis.’\u003c/p>\n\u003cp>“We’re desert people. We like the night time. When it’s fresh, we all come out and play,” partygoer Max Lopez tells me while waiting for the band to start.\u003c/p>\n\u003cp>The festival’s name may be ubiquitous, but many Californians don’t realize that the Coachella Valley is an actual place people call home, not just a world-famous music event near Palm Springs with long lines and expensive ticket prices.\u003c/p>\n\u003cp>The band behind the party is steeped in local vibes. Born and raised in the Eastern Coachella Valley, guitarist Cesar Flores and synth player Danny Torres started off as a duo in 2016 performing at community centers and house shows. They named themselves Ocho Ojos, Spanish for eight eyes, to jokingly reference the thick black glasses they both wear.\u003c/p>\n\u003cp>Three years later, the band expanded to a four-piece and is busy keeping up with the numerous requests to play shows throughout the Coachella Valley.\u003c/p>\n\u003cfigure id=\"attachment_11738477\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738477 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36440_2018_1110_21440500-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cesar Flores serenades the crowd with lyrics that reflect hometown pride. \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like many traditional Mexican bands, Ocho Ojos wear matching outfits, and their signature style includes white patent leather shoes, like the kind \u003cem>chambelanes\u003c/em> wear for a \u003cem>quinceanera\u003c/em>.\u003c/p>\n\u003cp>“If you look good, you feel good. And if you feel good, you play good,” explains Torres, about their \u003cem>rasquatche\u003c/em> style.\u003c/p>\n\u003cp>The Chicano aesthetic of \u003cem>rasquatche\u003c/em> is all about making do and repurposing what you have, so when Flores found a rack of white dress shoes at a local Goodwill, the look came together.\u003c/p>\n\u003cfigure id=\"attachment_11738476\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738476 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36439_2018_1110_220441003-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">White patent leather shoes are part of Ocho Ojos signature look. \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the four members of Ocho Ojos take the stage and welcome the crowd, shouting “Are ya’ll feeling \u003cem>trankis\u003c/em> (chill)? ” the audience responds with a collective roar of yeses and whistles.\u003c/p>\n\u003cp>Nancy Osegueda, wearing bell-bottom jeans and platformed boots, executes spins and fancy footwork to the music. Osegueda says she’s a “devout follower” because Ocho Ojos shows are a “nice break” from the usual nightlife that caters to Palm Spring tourists.\u003c/p>\n\u003cfigure id=\"attachment_11738478\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738478 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36438_DSCF7425-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Danny Torres keeps the crowd hyped with Spanglish saludos [shout-outs] \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gritty bass lines and hard hitting drums from their track “\u003ca href=\"https://ocho-ojos.bandcamp.com/track/tlaloc\" target=\"_blank\" rel=\"noopener\">Tlaloc\u003c/a>” compel the crowd — myself included — to sway our bodies in sync. It’s as if we are listening to a futuristic rainstorm pour down from Tlaloc, the \u003cem>Mexica\u003c/em> (Aztec) deity of water.\u003c/p>\n\u003cp>Ocho Ojos’s trippy hybrid sound created with a wah pedal, synthesizer, and a Rollan SP 404 sets them apart from their peers in Coachella’s alternative music scene, where indie rock, desert rock and punk thrive.\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">“I’m a psychedelic \u003cem>vato\u003c/em> you know with a cumbia background. I was like [I’ll] give this [music] a try. And I loved it!” -Max Lopez\u003c/p>\n\u003c/blockquote>\n\u003cp>Concertgoer Max Lopez is a hardcore rocker type wearing all black and a t-shirt that features a local death metal band. While he’s more into metal, he says he can rock out to Ocho Ojos because of their psychedelic sound.\u003c/p>\n\u003cp>“I’m a psychedelic \u003cem>vato,\u003c/em> you know, with a cumbia background. I was like, I’ll give this music a try. And I loved it,” says Lopez. “I really felt that I flowed with it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ocho Ojos gets their psychedelic sound from Chicha, a style of cumbia that originated in the Peruvian Amazon in the late 1960s and 1970s. Chichi evolved into a soundtrack of empowerment for indigenous migrants who moved to Peru’s urban cities during the oil boom.\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">“[Ocho Ojos] brings a little bit of a flashback. Our parents used to play cumbia so now it’s our turn to listen to cumbia, but in our style.” – Chris Villalta.\u003c/p>\n\u003c/blockquote>\n\u003cp>While upper and middle class Peruvians have historically dismissed the\u003ca href=\"https://www.npr.org/sections/goatsandsoda/2015/07/07/420267088/peruvians-love-their-chicha-street-art-the-government-not-so-much\" target=\"_blank\" rel=\"noopener\"> working class Chicha scene\u003c/a>, today this music, rooted in migration, is inspiring \u003ca href=\"https://www.laweekly.com/music/an-obscure-compilation-called-the-roots-of-chichas-far-reaching-influence-in-los-angeles-8900124\" target=\"_blank\" rel=\"noopener\">a new wave\u003c/a> of young Latinx bands across Southern California.\u003c/p>\n\u003cp>“[Ocho Ojos] brings a little bit of a flashback. Our parents used to play cumbia, now it’s our turn to listen to cumbia, but in our style,” says Christopher Villalta, a local photographer and fan.\u003c/p>\n\u003cp>Like Peru’s Chicha musicians who write about working-class struggle and triumph mixed with hometown pride, so too do Coachella’s Ocho Ojos. Their song “Avenida 52” references the main drag that goes from La Quinta all the way to the city of Coachella, a street their admirers know so well.\u003c/p>\n\u003cfigure id=\"attachment_11738479\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738479 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36441_2018_1110_220151002-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ocho Ojos take inspiration from Chica, a style of Cumbia from Peru. \u003ccite>(Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fans like Antonio Duran say they can hear their own family’s story in Ocho Ojos’ psychedelic cumbia.\u003c/p>\n\u003cp>“Our parents have worked hard for us to be where we are: to be musicians, to be artists, to be whatever the heck we want to be,” exclaims Duran. “And that is the most important part of being from Coachella: that your parents paved the way.”\u003c/p>\n\u003cp>Making something out of nothing is a lesson the band and their fans didn’t just learn from Coachella Valley’s D.I.Y. music scene, but from their parents’ hustle, born out of necessity.\u003c/p>\n\u003cp>“Our ancestors did survive. And they keep surviving,” says drummer Rafael Rodriguez. “Like they say in Spanish, \u003cem>No hay de\u003c/em> \u003cem>otra. \u003c/em>There’s no other way. We just have to keep on going.”\u003c/p>\n\u003cblockquote>\n\u003cp style=\"text-align: left\">“Our parents have worked hard for us to be where we are: to be musicians, to be artists, to be whatever the heck we want to be. And that is the most important part of being from Coachella, is that your parents paved the way.” – Antonio Duran\u003c/p>\n\u003c/blockquote>\n\u003cp>It’s an ethos that not only speaks to millennials but to older generations in the community as well.\u003c/p>\n\u003cp>“A few times on our social media, people have tagged us and they’ll comment ‘Look my mom is dancing to your cumbia while she’s cleaning!‘ That feels good. ” says Torres.\u003c/p>\n\u003cp>But tonight, no one in this twenty and thirty something crowd is Instagramming the moment. No one has their phones out. All attention is to the stage.\u003c/p>\n\u003cfigure id=\"attachment_11738508\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11738508 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/IMG_1532.png\" alt=\"\" width=\"1334\" height=\"750\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532.png 1334w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-1020x573.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/IMG_1532-1200x675.png 1200w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Ocho Ojos’s hybrid sound sets them apart from their peers in Coachella’s alternative music scene – where indie rock, desert rock and punk thrive. \u003ccite>(Melinda Vida)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I ask a number of people in this crowd how they feel about the Coachella Music Festival sharing the same name as their city, many tell me it’s pretty “sweet” to hear world-famous musicians practically play in their backyard… but more should be done to benefit the residents who live nearby.\u003c/p>\n\u003cp>“The city of Coachella is the namesake, but we do not get as much recognition as the city of Indio. They get all the hotels and the commerce,” says crowd member Duran.\u003c/p>\n\u003cp>Others also expressed a desire for Goldenvoice, which operates Coachella, to invest in infrastructure beyond Indio’s polo grounds (where the festival takes place) and to spotlight more Latinx musicians from the Eastern Coachella Valley, not just the affluent Palm Springs area.\u003c/p>\n\u003cblockquote>\u003cp>“Every time I go out of town, people ask me where I’m from.. They’re like ‘Oh what? I didn’t know the Coachella Valley is a real place.’ They think it’s just a festival. ” – Christopher Villalta\u003c/p>\u003c/blockquote>\n\u003cp>With Ocho Ojos representing their hometown on the big festival stage this year, festival-goers will get a chance to hear from the ‘real’ Coachella music scene, not just imported talent.\u003c/p>\n\u003cp>“They’re listening to us, that’s the beautiful part about it!” says Lopez about the band.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ocho Ojos - Cumbia De Este Valle\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/euWaKrakGbw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Ocho Ojos close their set with a crowd favorite “Cumbia De Este Valle.” It’s an ode to the desert back roads, agricultural fields, and the Salton Sea, the fertile grounds that have shaped this psychedelic cumbia band into who they are today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "this-is-the-coachella-most-dont-see",
"title": "This Is the Coachella Most Californians Don't See",
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"headTitle": "This Is the Coachella Most Californians Don’t See | KQED",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener noreferrer\" target=\"_blank\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[dropcap]F[/dropcap]or many Californians, their only reference point for the Coachella Valley is the \u003ca href=\"https://coachella.com/\" target=\"_blank\" rel=\"noopener noreferrer\">annual music festival\u003c/a> which kicks off this week, where tens of thousands of concert-goers from around the world gather to see big-name headliners and party in the desert. But there’s another side to Coachella — the one the locals see.\u003c/p>\n\u003cp>Thousands of acres of date palms. Early morning dew on the grape vines. A thriving indigenous community. The backyard concerts where local artists have created their own music scene. \u003c/p>\n\u003cp>And also, high asthma rates. The decaying \u003ca href=\"https://www.kqed.org/news/11737659/theres-so-much-here-thats-still-alive-young-filmmakers-document-a-dying-salton-sea\" target=\"_blank\" rel=\"noopener noreferrer\">Salton Sea\u003c/a>.\u003c/p>\n\u003cp>“I want people to know what it’s really like, and the issues we’re facing. Because it’s something that I face, too,” said 24-year-old Bryan Mendez, a reporter with \u003ca href=\"http://coachellaunincorporated.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Coachella Unincorporated\u003c/a>, where young people write and document the stories of this valley.\u003c/p>\n\u003cfigure id=\"attachment_11739127\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11739127\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/DSCF8204-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bryan Mendez is a filmmaker and farmworker from the Eastern Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mendez grew up picking grapes with his parents. He still does farm work and construction to pay the bills. But he’s also a talented photographer and filmmaker.\u003c/p>\n\u003cp>The California Report Magazine’s host Sasha Khokha teamed up with Mendez to take a tour of his Coachella Valley, from the orchard where his mom takes a lift 60 feet up in the air to harvest dates, to the local joint where you can eat homemade ice cream made from Mexican pastries.\u003c/p>\n\u003cp>\u003cem>Take a look at a few of Mendez’s photos:\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11739138\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11739138\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut.jpg 1776w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The trailer where Mendez grew up in the Eastern Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737885\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cruzito, a farmworker who works with Mendez in the vines. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737895\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737895 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36339_Jose%CC%81-el-palmero-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Before working the palms, Jose was a carpenter in Michoacán. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737897\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A family owned and operated farm in the Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737899 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Palm leaves are lifted with cranes to work the dates. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737878\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737878 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Farmers harvesting spinach during the rainy season in Oasis, CA. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737881\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737881\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yellow ponchos are known to be uncomfortable for female workers. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737891\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737891\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yisel Ibarra plays soccer at Desert Mirage High School, which became the first school in the Coachella Valley to win a state title this year. Before this year the team had hardly won any games. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737892\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737892\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut.jpg 1776w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A young speaker at The Women’s March in Coachella Valley, 2018. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737890\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737890\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Desert flowers in the Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11739129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-800x533.jpg\" alt=\"Palm trees in the Eastern Coachella Valley.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11739129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Palm trees in the Eastern Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737896\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737896 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Date palms have become a growing industry for local families. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737901\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737901 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-800x451.jpg\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-1200x677.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Salton Sea is one of the world’s largest inland seas, but the water is toxic, and might be causing respiratory illnesses throughout the Eastern Coachella Valley community. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737889\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737889 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Coachella Valley at sunset. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "For many Californians, their only reference point for the Coachella Valley is the annual music festival which kicks off this week. But there are other sides to Coachella — the ones locals see.",
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"title": "This Is the Coachella Most Californians Don't See | KQED",
"description": "For many Californians, their only reference point for the Coachella Valley is the annual music festival which kicks off this week. But there are other sides to Coachella — the ones locals see.",
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"headline": "This Is the Coachella Most Californians Don't See",
"datePublished": "2019-04-12T16:26:06-07:00",
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"source": "The California Report Magazine",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener noreferrer\" target=\"_blank\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">F\u003c/span>\u003c/p>\u003cp>or many Californians, their only reference point for the Coachella Valley is the \u003ca href=\"https://coachella.com/\" target=\"_blank\" rel=\"noopener noreferrer\">annual music festival\u003c/a> which kicks off this week, where tens of thousands of concert-goers from around the world gather to see big-name headliners and party in the desert. But there’s another side to Coachella — the one the locals see.\u003c/p>\n\u003cp>Thousands of acres of date palms. Early morning dew on the grape vines. A thriving indigenous community. The backyard concerts where local artists have created their own music scene. \u003c/p>\n\u003cp>And also, high asthma rates. The decaying \u003ca href=\"https://www.kqed.org/news/11737659/theres-so-much-here-thats-still-alive-young-filmmakers-document-a-dying-salton-sea\" target=\"_blank\" rel=\"noopener noreferrer\">Salton Sea\u003c/a>.\u003c/p>\n\u003cp>“I want people to know what it’s really like, and the issues we’re facing. Because it’s something that I face, too,” said 24-year-old Bryan Mendez, a reporter with \u003ca href=\"http://coachellaunincorporated.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Coachella Unincorporated\u003c/a>, where young people write and document the stories of this valley.\u003c/p>\n\u003cfigure id=\"attachment_11739127\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11739127\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/DSCF8204-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/DSCF8204.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bryan Mendez is a filmmaker and farmworker from the Eastern Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mendez grew up picking grapes with his parents. He still does farm work and construction to pay the bills. But he’s also a talented photographer and filmmaker.\u003c/p>\n\u003cp>The California Report Magazine’s host Sasha Khokha teamed up with Mendez to take a tour of his Coachella Valley, from the orchard where his mom takes a lift 60 feet up in the air to harvest dates, to the local joint where you can eat homemade ice cream made from Mexican pastries.\u003c/p>\n\u003cp>\u003cem>Take a look at a few of Mendez’s photos:\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11739138\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11739138\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36457_The-trailer-where-I-grew-up-half-of-my-life-qut.jpg 1776w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The trailer where Mendez grew up in the Eastern Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737885\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36328_Cruzito-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cruzito, a farmworker who works with Mendez in the vines. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737895\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737895 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36339_Jose%CC%81-el-palmero-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36339_José-el-palmero-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Before working the palms, Jose was a carpenter in Michoacán. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737897\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36341_Palmero-sin-miedo-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A family owned and operated farm in the Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737899 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36342_Palmeros-en-Oasis-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Palm leaves are lifted with cranes to work the dates. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737878\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737878 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36322_Campesina-en-la-lluvia-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Farmers harvesting spinach during the rainy season in Oasis, CA. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737881\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737881\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36324_Campesinos-en-la-lluvia-2-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yellow ponchos are known to be uncomfortable for female workers. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737891\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737891\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36335_Generaciones-del-valle-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yisel Ibarra plays soccer at Desert Mirage High School, which became the first school in the Coachella Valley to win a state title this year. Before this year the team had hardly won any games. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737892\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737892\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36336_Generaciones_-qut.jpg 1776w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A young speaker at The Women’s March in Coachella Valley, 2018. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737890\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11737890\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36334_Flor-en-el-diserto_-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Desert flowers in the Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11739129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-800x533.jpg\" alt=\"Palm trees in the Eastern Coachella Valley.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11739129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36455_Palmas-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Palm trees in the Eastern Coachella Valley. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737896\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737896 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36340_Palmas-Olvidadas_-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Date palms have become a growing industry for local families. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737901\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737901 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-800x451.jpg\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut-1200x677.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36346_The-Salton-Sea-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Salton Sea is one of the world’s largest inland seas, but the water is toxic, and might be causing respiratory illnesses throughout the Eastern Coachella Valley community. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11737889\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11737889 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/04/RS36333_El-Valle-de-Coachella_-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Coachella Valley at sunset. \u003ccite>(Courtesy of Bryan Mendez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Ghost Ship Trial: Oakland Mayor Libby Schaaf Will Not Testify, Judge Says",
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"content": "\u003cp>Alameda County Superior Court Judge Trina Thompson quashed a subpoena Thursday for Oakland Mayor Libby Schaaf to testify in the Ghost Ship criminal trial, finding the defense failed to show Schaaf had personal knowledge of conditions inside the Fruitvale district warehouse prior to the deadly fire of Dec. 2, 2016.\u003c/p>\n\u003cp>\"The designees who've been subpoenaed are the appropriate witnesses,\" Thompson said, referring to officials in Oakland's fire, police and building departments who are expected to testify.\u003c/p>\n\u003cp>[aside label=\"The Ghost Ship Trial\" tag=\"ghost-ship-trial\"]\u003c/p>\n\u003cp>Ghost Ship creative director Max Harris, 29, and master leaseholder Derick Almena, 48, who appeared in court wearing dark suits and with their hair in ponytails, have each been charged with 36 counts of involuntary manslaughter for their roles in the underground venue and residence where the fire erupted during an electronic music event.\u003c/p>\n\u003cp>Harris' attorney, Curtis Briggs, argued that Schaaf's knowledge of institutional deficiencies in Oakland's code enforcement systems made her a crucial witness, but the mayor's counsel countered that her statements and policy decisions weren't relevant to the defendants' guilt or innocence.\u003c/p>\n\u003cp>Briggs, as well as Almena's attorney, Tony Serra, have argued that their clients are being unfairly scapegoated in order to deflect accountability away from city officials and property owner Chor Ng. They blame the property owner and city agencies for overlooking unsafe conditions, and subpoenaing Schaaf was seen as part of a defense strategy to diffuse responsibility.\u003c/p>\n\u003cp>Harris and Almena are the only individuals to face criminal charges stemming from the fire.\u003c/p>\n\u003cp>\"Had the city inspected the property, these people wouldn't have died,\" Briggs said.\u003c/p>\n\u003cp>Thompson has prohibited the defense from using the terms \"cover-up\" and \"scapegoat\" during opening arguments.\u003c/p>\n\u003cp>\"I understand it's their intention to assign blame elsewhere,\" Schaaf's attorney, Jonathan Bass, said of the defense, adding that \"perhaps they're looking to berate [Schaaf] on the witness stand.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bass and co-counsel Christopher Yin addressed several public statements made by Schaaf following the fire, saying they showed opinions and compassion but not personal knowledge relevant to the trial.\u003c/p>\n\u003cp>Briggs argued that Schaaf's comments showed she knew of a 2014 grand jury report criticizing the city for lax fire safety enforcement.\u003c/p>\n\u003cp>\"What's material is a mayor presiding over a city cited by a grand jury for a deficient fire inspection system,\" Briggs said. \"That's an extremely unique fact.\"\u003c/p>\n\u003cp>Briggs also accused Schaaf of attempting to influence the jury pool and prejudice the public against his client out of concern for the city's civil liability, saying she interfered with Harris' right to a fair trial. Dozens of plaintiffs have adopted a pending civil lawsuit naming individuals and entities, including the City of Oakland.\u003c/p>\n\u003cp>But the judge in the case, which is expected to begin with opening statements at the end of April, based her decision to quash on Schaaf's lack of a connection to the Ghost Ship itself. Without a \"direct nexus to the event,\" Thompson said, Schaaf is not an appropriate witness.\u003c/p>\n\u003cp>Thompson also issued a $50,000 warrant Thursday for defense witness Sharon Evans for failure to appear.\u003c/p>\n\u003cp>Jury selection for the trial continues next week, with a hearing scheduled Monday.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bass and co-counsel Christopher Yin addressed several public statements made by Schaaf following the fire, saying they showed opinions and compassion but not personal knowledge relevant to the trial.\u003c/p>\n\u003cp>Briggs argued that Schaaf's comments showed she knew of a 2014 grand jury report criticizing the city for lax fire safety enforcement.\u003c/p>\n\u003cp>\"What's material is a mayor presiding over a city cited by a grand jury for a deficient fire inspection system,\" Briggs said. \"That's an extremely unique fact.\"\u003c/p>\n\u003cp>Briggs also accused Schaaf of attempting to influence the jury pool and prejudice the public against his client out of concern for the city's civil liability, saying she interfered with Harris' right to a fair trial. Dozens of plaintiffs have adopted a pending civil lawsuit naming individuals and entities, including the City of Oakland.\u003c/p>\n\u003cp>But the judge in the case, which is expected to begin with opening statements at the end of April, based her decision to quash on Schaaf's lack of a connection to the Ghost Ship itself. Without a \"direct nexus to the event,\" Thompson said, Schaaf is not an appropriate witness.\u003c/p>\n\u003cp>Thompson also issued a $50,000 warrant Thursday for defense witness Sharon Evans for failure to appear.\u003c/p>\n\u003cp>Jury selection for the trial continues next week, with a hearing scheduled Monday.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The son and daughter of an Oakland property owner appeared in court for the first time Thursday during the trial of two men facing involuntary manslaughter charges in the deadly 2016 fire at the Ghost Ship warehouse that left 36 people dead.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>Kai and Eva Ng were ordered to Alameda County Superior Court to determine if certain evidence would be admissible regarding the warehouse, which was illegally converted into a living and event space that caught fire on Dec. 2, 2016, during an electronic music party.\u003c/p>\n\u003cp>The Ghost Ship fire was the deadliest structure fire in the U.S. in more than 10 years. Assigning criminal culpability for the three dozen deaths has strained Alameda County's judicial system, with a prior judge \u003ca href=\"https://www.kqed.org/news/11686316/judge-rejects-plea-deals-in-deadly-oakland-warehouse-fire\" target=\"_blank\" rel=\"noopener\">rejecting a plea agreement\u003c/a> in August that would have avoided a trial.\u003c/p>\n\u003cp>The defense argues that other parties, such as the building's owner, Chor Ng, should have faced charges instead of leaseholder Derick Almena and resident Max Harris.\u003c/p>\n\u003cp>Eva Ng invoked her Fifth Amendment right against self-incrimination and declined to answer questions from prosecutor Autrey James about lease agreements made with Almena in late 2013.\u003c/p>\n\u003cp>She also declined to answer questions from defense attorney Curtis Briggs, who represents Harris, about whether she knew that anyone was living at the warehouse on the night of the fire. Attorney Tony Serra, who represents Almena, asked whether Ng knew from the outset that artists would live in the warehouse.\u003c/p>\n\u003cp>Ng again pleaded the Fifth and declined to answer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The prosecution asked Kai Ng if he was the property manager of the warehouse. He declined to answer.\u003c/p>\n\u003cp>Briggs asked Kai Ng if he had offered money or used political influence in order to avoid being charged in the case. Serra asked if Kai Ng had received $3 million from insurance on the warehouse.\u003c/p>\n\u003cp>Over approximately 30 minutes of questioning, the siblings didn't answer a single time.\u003c/p>\n\u003cp>After the Ngs left the courtroom separately, Briggs said his client couldn’t get a fair trial without testimony from them, calling them the “single most culpable parties” and “central to the defense” because they collected rent, owned the warehouse and knew why changes to the building occurred.\u003c/p>\n\u003cp>Serra requested the Ngs be granted immunity so they could testify. The prosecution declined.\u003c/p>\n\u003cp>“They don’t want these landlords to testify because they’re central to our defense,” Serra said.\u003c/p>\n\u003cp>Judge Trina Thompson said it was unusual for the defense to request immunity, but said she would look into it. She said opening statements, which are expected for April 30, may be pushed back.\u003c/p>\n\u003cp>Jury selection is slated to begin next week.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The prosecution asked Kai Ng if he was the property manager of the warehouse. He declined to answer.\u003c/p>\n\u003cp>Briggs asked Kai Ng if he had offered money or used political influence in order to avoid being charged in the case. Serra asked if Kai Ng had received $3 million from insurance on the warehouse.\u003c/p>\n\u003cp>Over approximately 30 minutes of questioning, the siblings didn't answer a single time.\u003c/p>\n\u003cp>After the Ngs left the courtroom separately, Briggs said his client couldn’t get a fair trial without testimony from them, calling them the “single most culpable parties” and “central to the defense” because they collected rent, owned the warehouse and knew why changes to the building occurred.\u003c/p>\n\u003cp>Serra requested the Ngs be granted immunity so they could testify. The prosecution declined.\u003c/p>\n\u003cp>“They don’t want these landlords to testify because they’re central to our defense,” Serra said.\u003c/p>\n\u003cp>Judge Trina Thompson said it was unusual for the defense to request immunity, but said she would look into it. She said opening statements, which are expected for April 30, may be pushed back.\u003c/p>\n\u003cp>Jury selection is slated to begin next week.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Hollywood stars Felicity Huffman and Lori Loughlin appeared in federal court alongside other wealthy parents Wednesday to face charges in the college bribery scandal that has roiled the world of admissions and amplified complaints the system is stacked in favor of the rich.\u003c/p>\n\u003cp>The two actresses and Loughlin’s fashion designer husband, Mossimo Giannulli, said little during the brief hearing in a packed Boston courtroom, and were not asked to enter a plea. They remain free on bail. Several other parents were given similar hearings of a few minutes each.\u003c/p>\n\u003cp>[aside label=\"More on the College Admissions Scandal\" tag=\"college-admissions\"]\u003c/p>\n\u003cp>The proceedings came three weeks after 50 people were charged with taking part in a scheme in which parents bribed coaches and helped rig test scores to get their children into some of the nation’s most selective universities, including Yale, Stanford, Georgetown, UCLA and the University of Southern California.\u003c/p>\n\u003cp>It was the biggest college admissions scheme ever prosecuted by the U.S. Justice Department.\u003c/p>\n\u003cp>Loughlin, who appeared in the 1980s and ’90s sitcom “Full House,” is accused along with Giannulli of paying $500,000 to get their daughters admitted as recruits to the USC crew team, even though neither is a rower. Authorities said the couple helped create fake athletic profiles for their daughters by having them pose for photos on rowing machines.\u003c/p>\n\u003cp>The Hallmark Channel, where Loughlin starred in popular holiday movies and the series “When Calls the Heart,” \u003ca href=\"https://www.apnews.com/f59d9b0d6e704b9a908799962a98c4c4\">cut ties with her\u003c/a> a day after her arrest.\u003c/p>\n\u003cp>Huffman, the former “Desperate Housewives” star, is charged with paying the admissions consultant at the center of the scheme $15,000 to have a proctor correct the answers on her daughter’s SAT exam.\u003c/p>\n\u003cp>Huffman, Loughlin and Giannulli have not publicly addressed the allegations.\u003c/p>\n\u003cp>They and others are charged with conspiracy and fraud, which carries up to 20 years in prison. But first-time offenders typically get only a fraction of that, and experts said some parents \u003ca href=\"https://www.apnews.com/89c3d9ae908444f89206b4ead793ea02\">may avoid prison\u003c/a> if they quickly agree to plead guilty.\u003c/p>\n\u003cp>Other parents charged in the case include the former co-chairman of an international law firm and the former head of a Silicon Valley venture capital firm.\u003c/p>\n\u003cp>Three people have pleaded guilty, including the admissions consultant, Rick Singer, and the former women’s soccer coach at Yale, Rudy Meredith.\u003c/p>\n\u003cp>On Wednesday, Loughlin smiled as she walked out of the courthouse and climbed into a black SUV with her lawyers. A fan shouted, “I love you, Felicity!” as Huffman emerged from the courthouse with her brother.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cp>Early Tuesday morning, the LAPD announced that it is seeking a suspect in the \u003ca href=\"https://www.kqed.org/arts/13854027/rapper-nipsey-hussle-shot-and-killed-in-los-angeles\" rel=\"noopener\" target=\"_blank\">shooting death of rapper and entrepreneur Nipsey Hussle\u003c/a> on Sunday afternoon. The police have identified the suspect as Eric Holder, a 29-year-old Los Angeles man. According to \u003ca href=\"https://twitter.com/LAPDHQ/status/1112947396562960384/photo/1\" rel=\"noopener\" target=\"_blank\">a police statement\u003c/a>, it is believed that Holder walked up to three men in front of Marathon Clothing, the 33-year-old musician's store in the Crenshaw area of South Los Angeles, and fired numerous times at them. Holder then allegedly fled the shooting as the passenger in a white 2016 Chevy Cruze driven by an unidentified female.\u003c/p>\n\u003cp>https://twitter.com/LAPDHQ/status/1112947396562960384\u003c/p>\n\u003cp>The Grammy-nominated Nipsey Hussle, born Ermias Asghedom, died from his wounds. A longtime community philanthropist and activist, he had been \u003ca href=\"https://twitter.com/SteveSoboroff/status/1112561081107439618\" rel=\"noopener\" target=\"_blank\">scheduled\u003c/a> to meet Monday with L.A. police commissioner Steve Soboroff and LAPD chief Michel Moore about ways to help stop gang violence. \"I'm very sad,\" Soboroff wrote on Twitter.\u003c/p>\n\u003cp>Meanwhile, there was a \u003ca href=\"https://twitter.com/ABC7Veronica/status/1112918400924176384\" rel=\"noopener\" target=\"_blank\">stampede\u003c/a> at a memorial vigil held for Nipsey Hussle Monday evening, after a rumor spread that gunshots were being fired in the crowd. Michel Moore \u003ca href=\"https://twitter.com/LAPDChiefMoore/status/1112931606983925760\" rel=\"noopener\" target=\"_blank\">posted\u003c/a> on Twitter that 13 people sustained injuries as attendees fled; 12 were treated onsite. The LAPD says that the reports of shots being fired did not appear to be accurate.\u003c/p>\n\u003cp>However, the chaos was frightening. \"Tonight was the first night in a while that I honestly felt scared on the job,\" ABC7 reporter Veronica Miracle \u003ca href=\"https://twitter.com/ABC7Veronica/status/1112953127198646273\" rel=\"noopener\" target=\"_blank\">wrote\u003c/a> on Twitter. \"Babies were screaming, people were shoving themselves under our @ABC7 news van for cover while crying, people were trampled. My heart hurts for everyone who came here to mourn @NipseyHussle's death.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13854043' label='\"Beyond the music, he was a benefactor to the black community of South Central Los Angeles\"']\u003c/p>\n\u003cp>Chief Moore also posted on Sunday evening that Nipsey Hussle's death was one of 26 shootings and 10 homicides that have occurred in Los Angeles in the week since March 24.\u003c/p>\n\u003cp>\"That's 36 families left picking up the pieces,\" Moore wrote on Twitter. \"We will work aggressively with our community to quell this senseless loss of life.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The LAPD is \u003ca href=\"https://twitter.com/LAPDHQ/status/1112884088417923072\" rel=\"noopener\" target=\"_blank\">planning\u003c/a> to hold a press conference Tuesday morning at 8:30 a.m. PT addressing the uptick in violence in the city, as well as give an update on the ongoing murder investigation of Nipsey Hussle. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Police+Name+Suspect+In+Nipsey+Hussle+Killing%3B+13+Injured+At+Rapper%27s+Vigil&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The Grammy-nominated Nipsey Hussle, born Ermias Asghedom, died from his wounds. A longtime community philanthropist and activist, he had been \u003ca href=\"https://twitter.com/SteveSoboroff/status/1112561081107439618\" rel=\"noopener\" target=\"_blank\">scheduled\u003c/a> to meet Monday with L.A. police commissioner Steve Soboroff and LAPD chief Michel Moore about ways to help stop gang violence. \"I'm very sad,\" Soboroff wrote on Twitter.\u003c/p>\n\u003cp>Meanwhile, there was a \u003ca href=\"https://twitter.com/ABC7Veronica/status/1112918400924176384\" rel=\"noopener\" target=\"_blank\">stampede\u003c/a> at a memorial vigil held for Nipsey Hussle Monday evening, after a rumor spread that gunshots were being fired in the crowd. Michel Moore \u003ca href=\"https://twitter.com/LAPDChiefMoore/status/1112931606983925760\" rel=\"noopener\" target=\"_blank\">posted\u003c/a> on Twitter that 13 people sustained injuries as attendees fled; 12 were treated onsite. The LAPD says that the reports of shots being fired did not appear to be accurate.\u003c/p>\n\u003cp>However, the chaos was frightening. \"Tonight was the first night in a while that I honestly felt scared on the job,\" ABC7 reporter Veronica Miracle \u003ca href=\"https://twitter.com/ABC7Veronica/status/1112953127198646273\" rel=\"noopener\" target=\"_blank\">wrote\u003c/a> on Twitter. \"Babies were screaming, people were shoving themselves under our @ABC7 news van for cover while crying, people were trampled. My heart hurts for everyone who came here to mourn @NipseyHussle's death.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Chief Moore also posted on Sunday evening that Nipsey Hussle's death was one of 26 shootings and 10 homicides that have occurred in Los Angeles in the week since March 24.\u003c/p>\n\u003cp>\"That's 36 families left picking up the pieces,\" Moore wrote on Twitter. \"We will work aggressively with our community to quell this senseless loss of life.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The LAPD is \u003ca href=\"https://twitter.com/LAPDHQ/status/1112884088417923072\" rel=\"noopener\" target=\"_blank\">planning\u003c/a> to hold a press conference Tuesday morning at 8:30 a.m. PT addressing the uptick in violence in the city, as well as give an update on the ongoing murder investigation of Nipsey Hussle. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Police+Name+Suspect+In+Nipsey+Hussle+Killing%3B+13+Injured+At+Rapper%27s+Vigil&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "PHOTOS: Chef Alice Waters Holds First and Last Chez Panisse Yard Sale",
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"content": "\u003cp>Famed chef Alice Waters didn’t expect a Sunday morning yard sale outside her Chez Panisse restaurant in Berkeley to draw much of a crowd.\u003c/p>\n\u003cp>But hundreds of people — some who started lining up at dawn and came from as far as Burlingame and Half Moon Bay — jumped at the chance to look through Waters' personal items: pottery, sea shells, candlesticks and even a wooden cheese wheel.\u003c/p>\n\u003cp>“I guess I was a little naive about it. I thought I could casually do this,” she said. “But my daughter put it on Instagram, and that was the end of that.”\u003c/p>\n\u003cp>Waters spent the morning signing posters and cookbooks, and talking about the origin of various items.\u003c/p>\n\u003cp>When someone brought her a Chez Panisse breakfast menu to sign she said, “It just makes me want to cry.” It was from when the restaurant tried operating from 7:30 a.m. to 2 a.m. \"Needless to say, that was over in a week. It’s basically the breakfast we never served.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This is what Waters says she likes about flea markets: everything has a backstory. “I want to resist buying new. I’d rather just find something that was made to last,\" she said.\u003c/p>\n\u003cp>Waters even stopped some people from buying items that were too close to her, like a first edition cookbook.\u003c/p>\n\u003cp>Keasley Jones helped organize the event and says the money raised will go towards Waters’ nonprofit, \u003ca href=\"https://edibleschoolyard.org/\" target=\"_blank\" rel=\"noopener\">Edible Schoolyard\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And even though it was a big success, Waters says this was definitely a one time thing.\u003c/p>\n\u003cfigure id=\"attachment_11736917\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736917 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-800x600.jpg\" alt=\"Milo Blue of Oakland (right) hands out tickets to manage people's place in line. Blue came to the yard sale as a customer, but offered to help with crowd control.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Milo Blue of Oakland (right) hands out tickets to manage people's place in line. Blue came to the yard sale as a customer, but offered to help with crowd control. \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736918\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736918 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36292_women-browsing-qut-800x600.jpg\" alt=\"Two women browse for cookbooks and more outside Chez Panisse in North Berkeley. People came from all over the Bay Area to look through chef Alice Waters' belongings.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two women browse for cookbooks and more outside Chez Panisse in North Berkeley. People came from all over the Bay Area to look through chef Alice Waters' belongings. \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736933 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-800x600.jpg\" alt=\"Letty Van of Berkeley looks over some ceramics at the sale. 'I was born and raised in Berkeley and just love this stuff.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Letty Van of Berkeley looks over some ceramics at the sale. 'I was born and raised in Berkeley and just love this stuff.' \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736930 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-800x706.jpg\" alt=\"Sue Lau came to the sale with her daughter, Lei Lynn Lau, from Burlingame. Lau said people were crazy for waiting in line. 'These are all used things. You can go to the store and buy new things for less money.'\" width=\"800\" height=\"706\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-800x706.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-160x141.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-1020x901.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-1200x1060.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809.jpg 1530w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sue Lau came to the sale with her daughter, Lei Lynn Lau, from Burlingame. Lau said people were crazy for waiting in line. 'These are all used things. You can go to the store and buy new things for less money.' \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736920 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-800x501.jpg\" alt=\"A collection of seashells was another Waters artifact up for sale. 'I'm trying to sell all the things I've gathered over 47 years. And offer them to people who might really like to own them and treasure them,' Waters said.\" width=\"800\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-800x501.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-160x100.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-1020x639.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-1200x752.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A collection of seashells was another Waters artifact up for sale. 'I'm trying to sell all the things I've gathered over 47 years. And offer them to people who might really like to own them and treasure them,' Waters said. \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Famed chef Alice Waters didn’t expect a Sunday morning yard sale outside her Chez Panisse restaurant in Berkeley to draw much of a crowd.\u003c/p>\n\u003cp>But hundreds of people — some who started lining up at dawn and came from as far as Burlingame and Half Moon Bay — jumped at the chance to look through Waters' personal items: pottery, sea shells, candlesticks and even a wooden cheese wheel.\u003c/p>\n\u003cp>“I guess I was a little naive about it. I thought I could casually do this,” she said. “But my daughter put it on Instagram, and that was the end of that.”\u003c/p>\n\u003cp>Waters spent the morning signing posters and cookbooks, and talking about the origin of various items.\u003c/p>\n\u003cp>When someone brought her a Chez Panisse breakfast menu to sign she said, “It just makes me want to cry.” It was from when the restaurant tried operating from 7:30 a.m. to 2 a.m. \"Needless to say, that was over in a week. It’s basically the breakfast we never served.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This is what Waters says she likes about flea markets: everything has a backstory. “I want to resist buying new. I’d rather just find something that was made to last,\" she said.\u003c/p>\n\u003cp>Waters even stopped some people from buying items that were too close to her, like a first edition cookbook.\u003c/p>\n\u003cp>Keasley Jones helped organize the event and says the money raised will go towards Waters’ nonprofit, \u003ca href=\"https://edibleschoolyard.org/\" target=\"_blank\" rel=\"noopener\">Edible Schoolyard\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And even though it was a big success, Waters says this was definitely a one time thing.\u003c/p>\n\u003cfigure id=\"attachment_11736917\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736917 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-800x600.jpg\" alt=\"Milo Blue of Oakland (right) hands out tickets to manage people's place in line. Blue came to the yard sale as a customer, but offered to help with crowd control.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36289_Milo-Blue-of-Oakland-qut-1-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Milo Blue of Oakland (right) hands out tickets to manage people's place in line. Blue came to the yard sale as a customer, but offered to help with crowd control. \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736918\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736918 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36292_women-browsing-qut-800x600.jpg\" alt=\"Two women browse for cookbooks and more outside Chez Panisse in North Berkeley. People came from all over the Bay Area to look through chef Alice Waters' belongings.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36292_women-browsing-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Two women browse for cookbooks and more outside Chez Panisse in North Berkeley. People came from all over the Bay Area to look through chef Alice Waters' belongings. \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736933 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-800x600.jpg\" alt=\"Letty Van of Berkeley looks over some ceramics at the sale. 'I was born and raised in Berkeley and just love this stuff.'\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36291_Letty-Van_Berkeley-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Letty Van of Berkeley looks over some ceramics at the sale. 'I was born and raised in Berkeley and just love this stuff.' \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736930\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736930 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-800x706.jpg\" alt=\"Sue Lau came to the sale with her daughter, Lei Lynn Lau, from Burlingame. Lau said people were crazy for waiting in line. 'These are all used things. You can go to the store and buy new things for less money.'\" width=\"800\" height=\"706\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-800x706.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-160x141.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-1020x901.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809-1200x1060.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36290_Sue-Lau-qut-1-e1554085042809.jpg 1530w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sue Lau came to the sale with her daughter, Lei Lynn Lau, from Burlingame. Lau said people were crazy for waiting in line. 'These are all used things. You can go to the store and buy new things for less money.' \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11736920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11736920 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-800x501.jpg\" alt=\"A collection of seashells was another Waters artifact up for sale. 'I'm trying to sell all the things I've gathered over 47 years. And offer them to people who might really like to own them and treasure them,' Waters said.\" width=\"800\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-800x501.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-160x100.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-1020x639.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900-1200x752.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/03/RS36294_Collection-of-Seashells-qut-e1554085204900.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A collection of seashells was another Waters artifact up for sale. 'I'm trying to sell all the things I've gathered over 47 years. And offer them to people who might really like to own them and treasure them,' Waters said. \u003ccite>(Caroline Champlin/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "No Joke: Oakland Libraries To Extend Hours Starting April 1",
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"content": "\u003cp>They say \u003ca href=\"https://www.youtube.com/watch?v=p2WdtpNZjnU\" rel=\"noopener\" target=\"_blank\">having fun isn’t hard when you’ve got a library card\u003c/a>, and soon people with an Oakland Public Library card will be able to have even more fun as the system \u003ca href=\"http://oaklandlibrary.org/oakland-public-library-announces-expanded-hours-starting-april-1-2019\" rel=\"noopener\" target=\"_blank\">expands its hours\u003c/a> at all of its branches.\u003c/p>\n\u003cp>Starting April 1, the Main Library on 14th Street and the 81st Avenue branch will be open every day. The other 15 neighborhood branches (except for the Eastmont branch) will be open six days a week including two evenings until 8 p.m., and all branches will be open on Mondays. This adds an additional day to almost all branches and will also increase the number of days branches are open past 5:30 p.m.\u003c/p>\n\u003cp>The library is also extending the hours of its Tool Lending Library at the Telegraph branch and the African American Museum and Library at Oakland.\u003c/p>\n\u003cp>“We’ve heard pretty regularly that the hours aren’t as flexible as people would like,” said Library Director Jamie Turbak.\u003c/p>\n\u003cp>Library hours were cut in 2009 during the Great Recession, leaving most branches only open five days a week and on one evening. All 28 San Francisco Public Library branches are open seven days a week, and all 25 San Jose Public Library locations are open six days a week, with the Dr. Martin Luther King, Jr. branch open every day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The expanded Oakland hours are being funded by \u003ca href=\"https://votersedge.org/ca/en/ballot/election/area/69/measures/measure/3110?election_authority_id=1\" rel=\"noopener\" target=\"_blank\">Measure D\u003c/a>, a $75 increase to the city’s library parcel tax, which voters approved by a 3-to-1 margin in June 2018. The tax is expected to bring in $10 million a year, much of which will go toward expanding the library system’s hours for the first time since 2004.\u003c/p>\n\u003cp>Turbak said the library has added nearly 100 new, mostly permanent staff positions to work the expanded hours, which will also allow for additional programming — like storytimes — as well as extending the library’s summer lunch program for kids to Mondays, a day that most branches have not been open.\u003c/p>\n\u003cp>The funds will also go toward increasing the library’s online content, such as e-books and databases, and some “light remodels” of the branches, according to Turbak. \u003c/p>\n\u003cp>If people make use of the extended hours over the next year, Turbak said the library will look into adding Sunday hours to more branches.\u003c/p>\n\u003cp>With the help of the Measure D funds, Turbak said the library is also asking the City Council to follow the lead of several other Bay Area libraries and get rid of fines for overdue library materials in the coming year.\u003c/p>\n\u003cp>\u003cstrong>Oakland Public Library Hours Starting April 1:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Main Library\u003c/em>\u003cbr>\nMonday: 10 a.m. – 8 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 8 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: 10 a.m. – 5:30 p.m.\u003c/p>\n\u003cp>\u003cem>81st Avenue Branch\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: 10 a.m. – 5:30 p.m.\u003c/p>\n\u003cp>\u003cem>All other branches (except Eastmont)\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: Closed\u003c/p>\n\u003cp>\u003cem>Eastmont Branch\u003c/em>\u003cbr>\nMonday: 9 a.m. – 7 p.m.\u003cbr>\nTuesday: 9 a.m. – 5:30 p.m.\u003cbr>\nWednesday: 9 a.m. – 5:30 p.m.\u003cbr>\nThursday: 9 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: Closed\u003cbr>\nSunday: Closed\u003c/p>\n\u003cp>\u003cem>Tool Lending Library (at Telegraph Branch)\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: Closed\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>African American Museum and Library at Oakland (AAMLO)\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 5:30 p.m.\u003cbr>\nWednesday: 10 a.m. – 5:30 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: Closed\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>They say \u003ca href=\"https://www.youtube.com/watch?v=p2WdtpNZjnU\" rel=\"noopener\" target=\"_blank\">having fun isn’t hard when you’ve got a library card\u003c/a>, and soon people with an Oakland Public Library card will be able to have even more fun as the system \u003ca href=\"http://oaklandlibrary.org/oakland-public-library-announces-expanded-hours-starting-april-1-2019\" rel=\"noopener\" target=\"_blank\">expands its hours\u003c/a> at all of its branches.\u003c/p>\n\u003cp>Starting April 1, the Main Library on 14th Street and the 81st Avenue branch will be open every day. The other 15 neighborhood branches (except for the Eastmont branch) will be open six days a week including two evenings until 8 p.m., and all branches will be open on Mondays. This adds an additional day to almost all branches and will also increase the number of days branches are open past 5:30 p.m.\u003c/p>\n\u003cp>The library is also extending the hours of its Tool Lending Library at the Telegraph branch and the African American Museum and Library at Oakland.\u003c/p>\n\u003cp>“We’ve heard pretty regularly that the hours aren’t as flexible as people would like,” said Library Director Jamie Turbak.\u003c/p>\n\u003cp>Library hours were cut in 2009 during the Great Recession, leaving most branches only open five days a week and on one evening. All 28 San Francisco Public Library branches are open seven days a week, and all 25 San Jose Public Library locations are open six days a week, with the Dr. Martin Luther King, Jr. branch open every day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The expanded Oakland hours are being funded by \u003ca href=\"https://votersedge.org/ca/en/ballot/election/area/69/measures/measure/3110?election_authority_id=1\" rel=\"noopener\" target=\"_blank\">Measure D\u003c/a>, a $75 increase to the city’s library parcel tax, which voters approved by a 3-to-1 margin in June 2018. The tax is expected to bring in $10 million a year, much of which will go toward expanding the library system’s hours for the first time since 2004.\u003c/p>\n\u003cp>Turbak said the library has added nearly 100 new, mostly permanent staff positions to work the expanded hours, which will also allow for additional programming — like storytimes — as well as extending the library’s summer lunch program for kids to Mondays, a day that most branches have not been open.\u003c/p>\n\u003cp>The funds will also go toward increasing the library’s online content, such as e-books and databases, and some “light remodels” of the branches, according to Turbak. \u003c/p>\n\u003cp>If people make use of the extended hours over the next year, Turbak said the library will look into adding Sunday hours to more branches.\u003c/p>\n\u003cp>With the help of the Measure D funds, Turbak said the library is also asking the City Council to follow the lead of several other Bay Area libraries and get rid of fines for overdue library materials in the coming year.\u003c/p>\n\u003cp>\u003cstrong>Oakland Public Library Hours Starting April 1:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Main Library\u003c/em>\u003cbr>\nMonday: 10 a.m. – 8 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 8 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: 10 a.m. – 5:30 p.m.\u003c/p>\n\u003cp>\u003cem>81st Avenue Branch\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: 10 a.m. – 5:30 p.m.\u003c/p>\n\u003cp>\u003cem>All other branches (except Eastmont)\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: Closed\u003c/p>\n\u003cp>\u003cem>Eastmont Branch\u003c/em>\u003cbr>\nMonday: 9 a.m. – 7 p.m.\u003cbr>\nTuesday: 9 a.m. – 5:30 p.m.\u003cbr>\nWednesday: 9 a.m. – 5:30 p.m.\u003cbr>\nThursday: 9 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: Closed\u003cbr>\nSunday: Closed\u003c/p>\n\u003cp>\u003cem>Tool Lending Library (at Telegraph Branch)\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 8 p.m.\u003cbr>\nWednesday: 10 a.m. – 8 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: Closed\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>African American Museum and Library at Oakland (AAMLO)\u003c/em>\u003cbr>\nMonday: 10 a.m. – 5:30 p.m.\u003cbr>\nTuesday: 10 a.m. – 5:30 p.m.\u003cbr>\nWednesday: 10 a.m. – 5:30 p.m.\u003cbr>\nThursday: 10 a.m. – 5:30 p.m.\u003cbr>\nFriday: 12 p.m. – 5:30 p.m.\u003cbr>\nSaturday: 10 a.m. – 5:30 p.m.\u003cbr>\nSunday: Closed\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 9
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
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