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"content": "\u003cp>The beloved Mission Cultural Center for the Latino Arts, a \u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> nonprofit that has pulsed with Latino dance, theater, historic graphic arts and music for nearly five decades, collapsed under mounting financial distress.\u003c/p>\n\u003cp>Nearly all staff resigned or were fired in December. MCCLA ran out of operating funds Jan. 20, and its doors shuttered indefinitely Jan. 26, leaving the empty building in the hands of the San Francisco Arts Commission (SFAC), which represents the City, the building’s owner.\u003c/p>\n\u003cp>The closure followed months of financial strain, staff layoffs and reduced programming. MCCLA had previously planned to \u003ca href=\"https://missionlocal.org/2025/01/mission-cultural-center-for-latino-arts-slashes-staff-and-programs/\">reopen\u003c/a> in late January with limited hours, but the organization ran out of money before those plans could be realized.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Ideally, MCCLA would have continued,” said a staff member with the San Francisco Arts Commission. “But we received records stating it had no staff and was insolvent, which violates the lease.”\u003c/p>\n\u003cp>He spoke on Tuesday while inside the otherwise empty 37,000-square-foot building, explaining why the City stepped in to secure the building during the extended closure.\u003c/p>\n\u003cp>The building is expected to remain closed for at least two years. MCCLA had planned to relocate this June in preparation for the City retrofitting the building beginning in early 2027.\u003c/p>\n\u003cfigure id=\"attachment_12071531\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Julián Díaz, 65, a 40-year Mission District resident, looks inside the closed Mission Cultural Center for the Latino Arts in San Francisco on Jan. 28, 2026. “It’s sad,” Díaz said. “I’ve always walked by the building and saw what it did for the kids.” \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, distraught Mission community leaders planned to meet next Monday to consider possible paths forward.\u003c/p>\n\u003cp>“This moment of transition is a wake-up call that we can’t sit on our laurels and just enjoy what other generations have worked for,” said Francisco Herrera, a day laborer leader whose nonprofit, Nuevo Sol, took shape in meetings held at the Mission Cultural Center.\u003c/p>\n\u003cp>“We have to work as hard, if not harder, than they did in the ’60s and ’70s to win and sustain institutions like the Mission Cultural Center for Latino Arts, Instituto Familiar de la Raza and so many Mission organizations that exist.”\u003c/p>\n\u003cp>“We’ll be OK,” said MCCLA board president and Mission businessman Bob Sánchez, even after interim Executive Director Dereck Jentzsch resigned Sunday after two weeks in the part-time role.\u003c/p>\n\u003cp>“There’s a lot of agitation in the community right now,” Sánchez admitted. “But our community has a lot of strengths. We’ll organize, and we’ll work together. We have great leadership in the community that we can tap from to form a new board.”[aside postID=arts_13985413 hero='https://ww2.kqed.org/app/uploads/sites/2/2023/03/CCA_COVER-1020x574.jpg']With no staff and no operating funds, MCCLA outlined several drastic options in an email sent to the Arts Commission and obtained by \u003cem>El Tecolote\u003c/em>.\u003c/p>\n\u003cp>Dated Jan. 14, the \u003ca href=\"https://eltecolote.org/content/wp-content/uploads/2026/01/FW_-Extreme-Scenario-Planning-from-MCCLA-Jan-14-2026_Redacted.pdf\">email\u003c/a>, titled “Extreme Scenario Planning from MCCLA,” lays out what its authors describe as “grim” facts in an attempt to persuade the City to advance grant funds so the center could remain open until June.\u003c/p>\n\u003cp>Signed by MCCLA’s interim, part-time executive director, Jentzsch, and Sánchez, the email describes a cash-flow crisis so severe that, without immediate funding, the organization warned it would collapse within days.\u003c/p>\n\u003cp>“MCCLA is burning $50k/mo ($12k/week) more than revenue and has no revenue,” wrote Jentzsch and Sánchez, adding that $300k would “keep the Center from folding before June 30, 2026.”\u003c/p>\n\u003cp>Even with the unlikely disbursement of all outstanding SFAC grants, the email warned, “MCCLA will not be able to easily resume programmatic activities or restart utilization of the space by the public for any purposes.”\u003c/p>\n\u003cp>To make matters worse, the authors wrote, “the current situation prevents MCCLA from generating revenue.”\u003c/p>\n\u003cp>“If SFAC can commit to eventually release even a portion of the outstanding grant amounts,” they added, “we can extend lines of credit OR begin to ask other potential donors in good faith for their support. Without new funding, MCCLA will be insolvent January 20th.”\u003c/p>\n\u003cfigure id=\"attachment_12071518\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">The Mission Cultural Center for the Latino Arts stands closed in San Francisco on Jan. 28, 2026, days after the organization ran out of operating funds and shuttered its doors indefinitely. \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Without the requested funds, Sánchez and Jentzsch outlined four possible options: declaring bankruptcy; merging with other arts nonprofits such as SoMa Arts or Galería de la Raza; creating an interim oversight structure and fiscal sponsorship by a “mission-aligned organization or even SFAC itself”; or a complete “retool” of MCCLA.\u003c/p>\n\u003cp>At its height, MCCLA served approximately 20,000 students a year. Its historic legacy includes more than 10,000 prints documenting Mission District events over five decades, Day of the Dead celebrations, Carnaval and exhibitions honoring women artists.\u003c/p>\n\u003cp>In September, then-Executive Director Martina Ayala reported that flood damage in the building had forced her to lay off staff.\u003c/p>\n\u003cp>However, the City disputes that characterization. “The City covered a majority of flood repair costs,” said Coma Te, SFAC communications director. “To suggest the laying off of staff is related to the flood damage seems inaccurate.”\u003c/p>\n\u003cp>With the City’s planned 2027 retrofit approaching, Ayala said she needed to raise $4 million for the center’s relocation by this summer. She resigned on Dec. 15.\u003c/p>\n\u003cp>Te clarified that “SFAC granted MCCLA $490k in relocation funding to help MCCLA prepare for the move.” This amount was on top of their annual operating grant, which this past year was $682k,” he said.[aside postID=arts_13985512 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2026/01/260113-CounterPulse-07-BL_qed.jpg']“It was the responsibility of the organization to plan for and fundraise for any additional amount of funds the organization estimated they needed ($2-4m) to temporarily relocate for the duration of the planned retrofit work,” he said.\u003c/p>\n\u003cp>Since its founding in 1977, MCCLA has paid $1 a year in rent as part of an agreement between Latino activists and the City to reactivate a space that once housed a furniture store. In return, the organization was responsible for daily operations and building maintenance.\u003c/p>\n\u003cp>Over time, the arts and education hub became home to La Raza Graphics and later Mission Graphics, which produced posters and flyers by major artists including Calixto Robles, Ester Hernández, Juana Alicia and Herbert Sigüenza.\u003c/p>\n\u003cp>The posters documented history, announcing festivals, marches and concerts throughout the Mission District and San Francisco.\u003c/p>\n\u003cp>On Sunday, a small group of volunteers rushed to the center’s poster archives to pack and safeguard as much of the historic, and potentially revenue-generating, artwork as possible. The mood was somber, frantic and quietly purposeful.\u003c/p>\n\u003cp>“I just saw an ’80s immigration poster that could be so current,” said Eva Martínez, MCCLA’s volunteer lead archivist, underscoring the works’ enduring relevance. Martínez is also a volunteer archivist with Acción Latina, the nonprofit publisher of El Tecolote.\u003c/p>\n\u003cp>“We don’t know what’s going to happen,” Martínez said. “So we don’t want to take a chance of not being able to get documents, computers or organizational files.”\u003c/p>\n\u003cp>As he boxed posters, local historian Chris Carlsson reflected on the artwork in front of him.\u003c/p>\n\u003cp>“These are an essential part of this neighborhood,” said Carlsson, author of Hidden San Francisco, adding that the works represent “a huge legacy of the social struggles that define our place in the world.”\u003c/p>\n\u003cp>The archival collections will be temporarily rehoused in board president Sánchez’s warehouse in Hayward and at La Raza Community Resource Center, as organizers continue searching for additional local storage options.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Ideally, MCCLA would have continued,” said a staff member with the San Francisco Arts Commission. “But we received records stating it had no staff and was insolvent, which violates the lease.”\u003c/p>\n\u003cp>He spoke on Tuesday while inside the otherwise empty 37,000-square-foot building, explaining why the City stepped in to secure the building during the extended closure.\u003c/p>\n\u003cp>The building is expected to remain closed for at least two years. MCCLA had planned to relocate this June in preparation for the City retrofitting the building beginning in early 2027.\u003c/p>\n\u003cfigure id=\"attachment_12071531\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec2-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Julián Díaz, 65, a 40-year Mission District resident, looks inside the closed Mission Cultural Center for the Latino Arts in San Francisco on Jan. 28, 2026. “It’s sad,” Díaz said. “I’ve always walked by the building and saw what it did for the kids.” \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, distraught Mission community leaders planned to meet next Monday to consider possible paths forward.\u003c/p>\n\u003cp>“This moment of transition is a wake-up call that we can’t sit on our laurels and just enjoy what other generations have worked for,” said Francisco Herrera, a day laborer leader whose nonprofit, Nuevo Sol, took shape in meetings held at the Mission Cultural Center.\u003c/p>\n\u003cp>“We have to work as hard, if not harder, than they did in the ’60s and ’70s to win and sustain institutions like the Mission Cultural Center for Latino Arts, Instituto Familiar de la Raza and so many Mission organizations that exist.”\u003c/p>\n\u003cp>“We’ll be OK,” said MCCLA board president and Mission businessman Bob Sánchez, even after interim Executive Director Dereck Jentzsch resigned Sunday after two weeks in the part-time role.\u003c/p>\n\u003cp>“There’s a lot of agitation in the community right now,” Sánchez admitted. “But our community has a lot of strengths. We’ll organize, and we’ll work together. We have great leadership in the community that we can tap from to form a new board.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>With no staff and no operating funds, MCCLA outlined several drastic options in an email sent to the Arts Commission and obtained by \u003cem>El Tecolote\u003c/em>.\u003c/p>\n\u003cp>Dated Jan. 14, the \u003ca href=\"https://eltecolote.org/content/wp-content/uploads/2026/01/FW_-Extreme-Scenario-Planning-from-MCCLA-Jan-14-2026_Redacted.pdf\">email\u003c/a>, titled “Extreme Scenario Planning from MCCLA,” lays out what its authors describe as “grim” facts in an attempt to persuade the City to advance grant funds so the center could remain open until June.\u003c/p>\n\u003cp>Signed by MCCLA’s interim, part-time executive director, Jentzsch, and Sánchez, the email describes a cash-flow crisis so severe that, without immediate funding, the organization warned it would collapse within days.\u003c/p>\n\u003cp>“MCCLA is burning $50k/mo ($12k/week) more than revenue and has no revenue,” wrote Jentzsch and Sánchez, adding that $300k would “keep the Center from folding before June 30, 2026.”\u003c/p>\n\u003cp>Even with the unlikely disbursement of all outstanding SFAC grants, the email warned, “MCCLA will not be able to easily resume programmatic activities or restart utilization of the space by the public for any purposes.”\u003c/p>\n\u003cp>To make matters worse, the authors wrote, “the current situation prevents MCCLA from generating revenue.”\u003c/p>\n\u003cp>“If SFAC can commit to eventually release even a portion of the outstanding grant amounts,” they added, “we can extend lines of credit OR begin to ask other potential donors in good faith for their support. Without new funding, MCCLA will be insolvent January 20th.”\u003c/p>\n\u003cfigure id=\"attachment_12071518\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071518\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg\" alt=\"\" width=\"1500\" height=\"998\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/MissionCulturalCenterElTec1-160x106.jpg 160w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">The Mission Cultural Center for the Latino Arts stands closed in San Francisco on Jan. 28, 2026, days after the organization ran out of operating funds and shuttered its doors indefinitely. \u003ccite>(Pablo Unzueta for El Tecolote/CatchLight Local)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Without the requested funds, Sánchez and Jentzsch outlined four possible options: declaring bankruptcy; merging with other arts nonprofits such as SoMa Arts or Galería de la Raza; creating an interim oversight structure and fiscal sponsorship by a “mission-aligned organization or even SFAC itself”; or a complete “retool” of MCCLA.\u003c/p>\n\u003cp>At its height, MCCLA served approximately 20,000 students a year. Its historic legacy includes more than 10,000 prints documenting Mission District events over five decades, Day of the Dead celebrations, Carnaval and exhibitions honoring women artists.\u003c/p>\n\u003cp>In September, then-Executive Director Martina Ayala reported that flood damage in the building had forced her to lay off staff.\u003c/p>\n\u003cp>However, the City disputes that characterization. “The City covered a majority of flood repair costs,” said Coma Te, SFAC communications director. “To suggest the laying off of staff is related to the flood damage seems inaccurate.”\u003c/p>\n\u003cp>With the City’s planned 2027 retrofit approaching, Ayala said she needed to raise $4 million for the center’s relocation by this summer. She resigned on Dec. 15.\u003c/p>\n\u003cp>Te clarified that “SFAC granted MCCLA $490k in relocation funding to help MCCLA prepare for the move.” This amount was on top of their annual operating grant, which this past year was $682k,” he said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“It was the responsibility of the organization to plan for and fundraise for any additional amount of funds the organization estimated they needed ($2-4m) to temporarily relocate for the duration of the planned retrofit work,” he said.\u003c/p>\n\u003cp>Since its founding in 1977, MCCLA has paid $1 a year in rent as part of an agreement between Latino activists and the City to reactivate a space that once housed a furniture store. In return, the organization was responsible for daily operations and building maintenance.\u003c/p>\n\u003cp>Over time, the arts and education hub became home to La Raza Graphics and later Mission Graphics, which produced posters and flyers by major artists including Calixto Robles, Ester Hernández, Juana Alicia and Herbert Sigüenza.\u003c/p>\n\u003cp>The posters documented history, announcing festivals, marches and concerts throughout the Mission District and San Francisco.\u003c/p>\n\u003cp>On Sunday, a small group of volunteers rushed to the center’s poster archives to pack and safeguard as much of the historic, and potentially revenue-generating, artwork as possible. The mood was somber, frantic and quietly purposeful.\u003c/p>\n\u003cp>“I just saw an ’80s immigration poster that could be so current,” said Eva Martínez, MCCLA’s volunteer lead archivist, underscoring the works’ enduring relevance. Martínez is also a volunteer archivist with Acción Latina, the nonprofit publisher of El Tecolote.\u003c/p>\n\u003cp>“We don’t know what’s going to happen,” Martínez said. “So we don’t want to take a chance of not being able to get documents, computers or organizational files.”\u003c/p>\n\u003cp>As he boxed posters, local historian Chris Carlsson reflected on the artwork in front of him.\u003c/p>\n\u003cp>“These are an essential part of this neighborhood,” said Carlsson, author of Hidden San Francisco, adding that the works represent “a huge legacy of the social struggles that define our place in the world.”\u003c/p>\n\u003cp>The archival collections will be temporarily rehoused in board president Sánchez’s warehouse in Hayward and at La Raza Community Resource Center, as organizers continue searching for additional local storage options.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "how-a-remarkable-19th-century-revolutionary-priest-from-ukraine-ended-up-in-hayward",
"title": "How a Remarkable 19th-Century Revolutionary Priest From Ukraine Ended Up in Hayward",
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"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>It’s hard not to feel glum reading the \u003ca href=\"https://www.kqed.org/news/12070573/a-generation-orphaned-by-war-ukrainian-children-grow-up-amid-loss-and-recovery\">news headlines from Ukraine\u003c/a> these days, even if you’re not Ukrainian or Ukrainian American.\u003c/p>\n\u003cp>But at the same time, the conflict can feel far away. And yet, in the late 19th century, the Bay Area was home to a Ukrainian man who was exactly the type of revolutionary dissident Russia wanted to silence.\u003c/p>\n\u003cp>There’s a historical marker commemorating him in, of all places, \u003ca href=\"https://www.ebparks.org/sites/default/files/garin_honcharenkos_santuary.pdf\">Garin Regional Park\u003c/a>. Tony Divito of San Mateo passed a road sign nearby on his commute, calling attention to that marker and wondered.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I just wanted to know the backstory,” he told Bay Curious.\u003c/p>\n\u003cp>The answer leads to a man of many disparate layers; a devout Orthodox priest, a relentless dissident and outlaw, a groundbreaking publisher, and subsistence farmer. The life of Agapius Honcharenko reads like an epic thriller, albeit one that ends improbably on a quiet hilltop farm tucked high in the Hayward Hills. But let’s start at the very beginning.\u003c/p>\n\u003ch2>\u003cstrong>A keen intellect and empathetic soul\u003c/strong>\u003c/h2>\n\u003cp>The man who came to be known in the Bay Area as Agapius Honcharenko was born Andrii Humnytsky in 1832. The son of an Orthodox priest, he displayed a keen intellect at a young age and caught the attention of the highest-ranking church official in Ukraine at the time, becoming his personal assistant. As a consequence, young Humnytsky bore witness to the hardships endured by peasants and serfs, agricultural laborers bound to their lords’ estates. The very word “slave” comes from the word “Slav.”\u003c/p>\n\u003cp>“He was appalled by the poverty in these villages,” said Jars Balan, a researcher at the Canadian Institute of Ukrainian Studies at the University of Alberta\u003cstrong>. \u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_12057937\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057937\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Father Oleg Kepeshchuk of the Greek Catholic Church of the Immaculate Conception video calls a friend to show them the view of the burial site where Ukrainian patriot and exiled orthodox priest Agapius Honcharenko and his wife Albina are buried at Garin Regional Park in Hayward on Sept. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Humnytsky delivered his ordination sermon, Balan said, he called on the church to melt down all the gold and precious jewels, “and use the money to feed, to help the poor.”\u003c/p>\n\u003cp>This kind of talk did not go over well in 19th-century Ukraine. Still, Humnytsky would not cool his revolutionary jets. He got acquainted with — and radicalized by — fellow countrymen who, decades before, were involved in a failed attempt to overthrow the czar, the emperor of Russia.\u003c/p>\n\u003cp>Humnytsky’s boss saw trouble brewing, so he sent him out of the country. Because Ukraine was part of Russia at the time, he sent Humnytsky to serve in the chapel of the Imperial Russian Consulate in Greece.\u003c/p>\n\u003cp>But there, too, Humnytsky fell in with like-minded revolutionaries. He started writing for a dissident journal called \u003cem>Kolokol\u003c/em>, in English, \u003cem>The Bell\u003c/em>.[aside postID=news_12070415 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-15_qed.jpg']After publishing searing articles calling for the emancipation of serfs and criticizing the Orthodox Church’s support for tsarist autocracy, Humnytsky was arrested.\u003c/p>\n\u003cp>Russian authorities imprisoned him in the hold of a warship, which set sail for what is now Istanbul. According to his later recollections, Humnytsky arranged a daring escape with the help of his family back in Moscow. He would recall years later, “I escaped for an eternal glory, to be a Kozak in the free world.”\u003c/p>\n\u003cp>This episode marked the start of a life on the run from Russian justice. Repeatedly over the years that followed, Humnytsky would pop up in a new location, work all sorts of odd hustles, make friends with anarchists, dissidents, and revolutionaries, and then the Russians would catch up with him.\u003c/p>\n\u003cp>At one point, he returned to Greece for additional professional spiritual training on the remote peninsula of Mount Athos, home to the world’s largest monastic community. It’s a UNESCO World Heritage Site today. Back then, it was an excellent place to hide from the Russians. He had a facility with languages, so in London, he was a Russian language tutor to Greeks, and a specialist in old coins at the British Museum. In Cairo, he organized sightseeing tours — and survived a knifing paid for by the local Russian consulate.\u003c/p>\n\u003cp>By his early thirties, Humnytsky decided to try his luck on the other side of the Atlantic Ocean.\u003c/p>\n\u003ch2>\u003cstrong>A new life in America\u003c/strong>\u003c/h2>\n\u003cp>In 1865, he landed in Boston, headed to New York, then New Orleans. Around this time, Andrii Humnytsky changed his name to Agapius, or Ahapi, Honcharenko, to seem more Greek and avoid detection from the Russians. But even in the United States, wherever he went, local Russians eventually figured out Father Agapius was not actually a Greek with remarkably good command of Russian. Balan, who wrote a \u003ca href=\"https://ia800309.us.archive.org/25/items/journalofukraini3334cana/journalofukraini3334cana.pdf\">well-regarded study\u003c/a> of Honcharenko’s life, calls him a “renegade monastic.”\u003c/p>\n\u003cp>While in New York, Honcharenko married the daughter of one of the Italian radicals he met, a young school teacher named Albina Citi. The match was not to the liking of her anti-religious family, Balan said, “but they were in love, and they wanted to go to the West Coast.”\u003c/p>\n\u003cfigure id=\"attachment_12071447\" class=\"wp-caption alignright\" style=\"max-width: 1289px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071447\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a.jpeg\" alt=\"\" width=\"1289\" height=\"2090\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a.jpeg 1289w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a-160x259.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a-947x1536.jpeg 947w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a-1263x2048.jpeg 1263w\" sizes=\"auto, (max-width: 1289px) 100vw, 1289px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">One of the photos used to illustrate the book Ahapius Honcharenko “Alaska Man,” by Wasyl Luciw, Ph.D. And Theodore Luciw, M. A., published in Toronto by Slavia Library in 1963. \u003ccite>(Courtesy Jars Balan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And so it was that Honcharenko arrived in San Francisco in the 1860s, bringing with him typesetting skills he had honed in London. He purchased Cyrillic fonts and launched the \u003ca href=\"https://diasporiana.org.ua/wp-content/uploads/books/13652/file.pdf\">\u003cem>Alaska Herald\u003c/em>\u003c/a>, which included a Ukrainian-language supplement.\u003c/p>\n\u003cp>The paper became a vital resource for Ukrainian and Russian émigrés alike, providing news to people living far from home. But Honcharenko couldn’t resist publishing some biting commentary as well. Here’s an excerpt of an issue celebrating the publication’s second year:\u003c/p>\n\u003cp>\u003cem>From the day of its birth it assumed a certain attitude, and it has unflinchingly maintained its position and consistency during these two years. It has struggled hard and bitterly because it was on the side of right and justice, and they who champion the oppressed seldom find their work either cheerful or remunerative.\u003c/em>\u003c/p>\n\u003cp>The problem for Honcharenko was that he was a critic of imperial malfeasance wherever he saw it. Eventually, he bit the hand that fed him, which in this case was none other than the U.S. government, a primary backer of the \u003cem>Alaska Herald\u003c/em>.\u003c/p>\n\u003cp>“Because the administration that the Americans set up had problems with corruption,” Balan explained. “[Honcharenko] was critical of the way the American administration treated Native people. He had some environmental concerns. When he became critical of what was going on in Alaska, they pulled the funding.”\u003c/p>\n\u003cp>Meanwhile, the Russian Orthodox Church relocated its U.S. base of operations from Sitka in Alaska to San Francisco in California. It came to their attention that a renegade priest was holding services in the city, and that’s when Honcharenko and his wife decided to decamp for Alameda County.\u003c/p>\n\u003ch2>\u003cstrong>A quieter life\u003c/strong>\u003c/h2>\n\u003cp>Honcharenko sold his printing press, bought a 40-acre farm in the hills above \u003ca href=\"https://www.haywardareahistory.org/agapius-honcharenko\">Hayward\u003c/a>, named the place “Ukraina,” and settled into a relatively calm life for the next 40-odd years. He led weekly Orthodox church services on the farm for local and visiting Slavic immigrants, conducted baptisms and weddings. His homestead became a small but significant hub for Ukrainian-American life on the West Coast.\u003c/p>\n\u003cp>The last years of his life were hard. The couple’s daughter died when she was just ten years old. The subsistence farm didn’t produce enough food to live on. However, Agapius and Albina Hocharenko had given so much to so many over the decades that when they were in need, a lot of locals returned the favor.[aside postID=news_12068602 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251204-EARTHQUAKECOTTAGES00030_TV-KQED.jpg']Still, Honcharenko continued to write, publish, and mentor émigrés. His farm briefly hosted a utopian colony, a dream of community that ultimately failed, but further cemented his reputation among the diaspora.\u003c/p>\n\u003cp>The couple also gardened. They sent numerous samples of plants and vegetables to the editors of the \u003cem>California Horticulturalist and Floral Magazine\u003c/em>, who wrote back to praise the “monster squash,” and “some of the finest sugar table corn and nutmeg melons we have ever tasted.”\u003c/p>\n\u003cp>“His life was amazing,” Balan said. “He was eccentric, he was quirky. He had strange ideas about some things; there’s no doubt. But when you look at the trajectory of his life, it’s an amazing story.”\u003c/p>\n\u003cp>Honcharenko died in 1916 at the age of 84, shortly after his wife. Although his passing was noted in the local papers and inspired a couple of \u003ca href=\"https://diasporiana.org.ua/wp-content/uploads/books/17172/file.pdf\">biographies\u003c/a>, it wasn’t until 1997 that the California Historical Resources Commission designated his farm and gravesite as a state historical landmark. A cairn and plaque followed.\u003c/p>\n\u003cp>Today, there’s a \u003ca href=\"https://www.kqed.org/news/11906285/ukrainians-in-california-devastated-by-russian-invasion\">sizable\u003c/a> and \u003ca href=\"https://www.kqed.org/news/11942336/despite-a-year-of-suffering-some-silicon-valley-companies-tied-to-ukraine-remain-optimistic\">organized\u003c/a> local Ukrainian-American community in the Bay Area, some of whom gather on a mile-long hike every year to \u003ca href=\"https://ohp.parks.ca.gov/ListedResources/Detail/1025\">\u003cem>Ukraina\u003c/em>\u003c/a> to honor Honcharenko’s memory. They sing in Ukrainian and offer prayers.\u003c/p>\n\u003cfigure id=\"attachment_12057938\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057938\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Taras Turiv’s (left) daughter, Victoria (right), wears a Ukrainian flag at the burial site where Ukrainian patriot and exiled orthodox priest Agapius Honcharenko and his wife Albina are buried at Garin Regional Park in Hayward on Sept. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Software engineer Alla Kashaba was among the 20 or so in attendance the last time. She lives in Los Altos now, but comes originally from Kharkiv, in eastern Ukraine. “He was [a] very interesting person, and I hope someday, someone will make an interesting movie about him, like, adventure movie,” she said.\u003c/p>\n\u003cp>This whole story was news to Bay Curious question asker Tony Divito.\u003c/p>\n\u003cp>“I think we’re incredibly fortunate and lucky to have him as part of Bay Area history,” Divito said. “It goes with our history of allowing refuge, of allowing people from desperate situations to come here and thrive here and contribute to our society, our community,” he said.\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/gglueck\">\u003cem>Gabriela Glueck\u003c/em>\u003c/a>\u003cem> contributed reporting to this story.\u003c/em>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>We start today’s episode in Garin Regional Park – high in the hills overlooking Hayward. If you drive over this way, you might pass by an intriguing sign. That’s what happened to Tony Divito of San Mateo.\u003c/p>\n\u003cp>\u003cstrong>Tony Divito: \u003c/strong>I saw a sign for a Ukrainian farm in Hayward. I just wanted to know the backstory.\u003cbr>\n\u003cstrong>\u003cbr>\nOlivia Allen-Price: \u003c/strong>Deep in the park is California registered historical landmark #1025.\u003c/p>\n\u003cp>VOICE: “Ukraina” is the site of the farm and burial place of the Ukrainian patriot and exiled orthodox priest Agapius Honcharenko (1832-1916) and his wife Albina.\u003c/p>\n\u003cp>Olivia Allen-Price: It’s a serene setting now, but the life of this guy – Agapius Honcharenko – was anything but. He spent much of his life fleeing Russian forces, traveling the globe and stirring up revolutionary inklings in his wake. Not exactly the image you might expect from an orthodox priest. Today on the show, we’ll delve into what made Honcharenko so notable that more than 100 years after his death, he’s still celebrated by local communities. Buckle up, it’s a wild ride! I’m Olivia Allen-Price. You’re listening to Bay Curious.\u003c/p>\n\u003cp>Sponsor Message\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>In the 19th century, all sorts of curious characters washed up on California’s shores, looking for fortune, a fresh start, or in the case of Father Agapius Honcharenko … a safe place to hide. KQED’s Rachael Myrow found a group of people who gather every year to honor him. She went to find out why…\u003c/p>\n\u003cp>\u003cem>Singing in Ukrainian\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The mood was contemplative, even somber, at the 9th annual Park Ukraina Hike and Panahdya — a memorial service for Honcharenko. Representatives from local Ukrainian churches hiked a mile to offer prayers over the grave of a remarkable man who established a farm here on this hilltop.\u003c/p>\n\u003cp>\u003cem>Man reading a prayer in Ukrainian\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Software engineer, Alla Kashaba was among the 20 or so in attendance. She lives in Los Altos now, but comes originally from Karghiv, in eastern Ukraine.\u003c/p>\n\u003cp>\u003cstrong>Alla Kashaba: \u003c/strong>He was very interesting person, and I hope someday someone will make an interesting movie about him, like, adventure movie. All about how he hide from Russian forces? I don’t know how to translate this. All across the globe. So he was running from them in London, in Egypt, in Jerusalem, and ended up in America.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Intriguing, no?? Let’s step back in time to understand what exactly this man was running from. Born Andrii Humnytsky in what is now central Ukraine in 1832, this guy was destined to become an Orthodox priest like his father. He certainly caught the eye of the highest-ranking church leader in Ukraine at the time, a man named Metropolitan Philaret.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>The Metropolitan of the Orthodox Church in Ukraine at that time, Metropolitan Philaret, saw that this guy was smart and capable, and made him his personal assistant.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>That’s Jars Balan, a researcher at the Institute of Ukrainian Studies at the University of Alberta. He’s written the definitive research paper on our man Humnytsky, and he spoke at the unveiling of that plaque in Hayward. Balan says, from childhood, Humnytsky felt a fierce pride in his Ukrainian ancestry and his Christian spirituality. He took the monastic name Agapius, derived from the Greek word \u003cem>agape\u003c/em>, meaning selfless love, and pretty much from the start, his politics leaned progressive.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>Because he got to travel around with the Metropolitan, he visited a lot of communities, and he was appalled by the poverty in these villages. This is still a time of serfdom, and the church even had serfs, and he found that appalling.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The word SLAV is where English speakers get the word slave, because Slavs became synonymous with enslavement in the Middle Ages. A serf, for those of you not up on your Eastern European history, is an agricultural laborer bound to work on their lord’s estate. Humnytsky hated the practice.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>In fact, when he was [in] his first level of ordination, and he gave his ordination sermon, he called on the church to melt down all the gold and precious jewels, all the golden precious metals, and use the money to feed, to help the poor.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Sounds Christian in the OG sense, but this talk did not go over well in mid-19th-century Ukraine. Still, Humnytsky would not cool his revolutionary jets. He got acquainted with – and radicalized by – locals who, decades before, were involved in a failed attempt to overthrow the czar, the emperor of Russia.\u003c/p>\n\u003cp>Humnytsky’s boss, the Metropolitan, saw trouble brewing, so he sent him out of the country. Because Ukraine was part of Russia at the time, he sent Humnytsky to serve in the chapel of the Imperial Russian Consulate in Greece. But there, too, Humnytsky fell in with like-minded revolutionaries. He started writing for a dissident journal called \u003cem>Kolokol\u003c/em>. In English, \u003cem>The Bell\u003c/em>.\u003c/p>\n\u003cp>After publishing searing articles calling for the emancipation of serfs and criticizing the Orthodox Church’s support for Tsarist autocracy, Humnytsky was arrested and imprisoned in the hold of the Russian warship, which set sail for what is now Istanbul.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>He managed to arrange an escape when they were holding him in Istanbul. He had an aunt who was in Moscow. She had some connections, managed to pull a few strings, maybe pay a few bribes.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>In his memoirs written decades later, the dissident priest recalled his optimism as a young man:\u003c/p>\n\u003cp>\u003cstrong>Voice actor reading from Humnytsky’s memoirs: \u003c/strong>“I escaped for an eternal glory, to be a Kozak in the free world.”\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Things didn’t quite pan out that way.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>In point of fact, this episode was just the start of a life on the run from Russian justice. Repeatedly over the years that followed, he’d pop up in a new location, work all sorts of odd hustles, and then the Russians would catch up with him. For instance, he had a facility with languages, so in London, he was a Russian language tutor to Greeks, and a specialist in old coins at the British Museum.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>How he picked up the specialty, I’m not sure, but I said he was a very bright guy and interested in history and archeology and theology and all kinds of things.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>It’s around this time that Humnytsky began using “Honcharenko” as his nom de plume. And – I mean, you can’t make this stuff up, this guy was extraordinarily bright – he picked up a craft – typesetting – that would come in handy later in his life.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan:\u003c/strong> …in a printer shop and learned how to print. He translated a rare sort of, I think it was a 15th century book called Stoflau // calling for reforms in the Orthodox Church.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Troublemaker, right? And remember, everywhere Humnytsky goes, he makes friends with anarchists, dissidents and revolutionaries. But he never lost his passion for spirituality. In fact, he returned to Greece for additional professional training.\u003c/p>\n\u003cp>\u003cem>Sound of monks chanting\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>…on a remote peninsula in the northeast. It’s home to the largest monastic community in the world, a UNESCO World Heritage Site today, and an excellent place to hide from the Russians.\u003c/p>\n\u003cp>This meant Humnytsky was now able to lead prayers, conduct marriages and baptisms, and otherwise tend to lay people’s spiritual needs.\u003c/p>\n\u003cp>Humnytsky bounced around for years. Jerusalem, the mountains of Lebanon, Cairo, where he survived a knifing paid for by the local Russian consulate.\u003c/p>\n\u003cp>Not long after, he decided to make a break for the New World, quite likely because he wanted to put as much space as he could between himself and the Russians. In 1865, in his early thirties, he landed in Boston, headed to New York, then New Orleans. But even on this side of the Atlantic, local Russians would eventually figure out Father Agapius was not actually a Greek with remarkably good command of Russian.\u003c/p>\n\u003cp>Around this time, Andrii Humnytsky changed his name – not just his nom de plum – to Agapius, or Ahapi, Honcharenko, to avoid detection from the Russians.\u003c/p>\n\u003cp>Also, while in New York, he married the daughter of one of the Italian radicals he met in the U.S., a young school teacher named Albina Citi.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>Not to the liking, particularly of her family.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Her deeply anti-religious family was put off by this…\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>… bearded orthodox priest in wearing cassocks and things. But they were in love, and they wanted to go to the West Coast.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>So, in his mid-30s, Honcharenko landed in San Francisco with his wife, Albina. Remember how he learned about printing in London? He bought a set of Cyrillic fonts and launched the \u003cem>Alaska Herald\u003c/em> — with a Ukrainian-language supplement. That was one of the very first Ukrainian publications in North America, and a must-read for Ukrainian expats from New York to Siberia. A must-read for a lot of Russian expats, too.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>He was successful in getting the paper going. He got funding from the American government initially.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Here’s an excerpt of an issue celebrating the publication’s second year:\u003c/p>\n\u003cp>\u003cstrong>Voice reading from newspaper article: \u003c/strong>From the day of its birth it assumed a certain attitude, and it has unflinchingly maintained its position and consistency during these two years. It has struggled hard and bitterly because it was on the side of right and justice, and they who champion the oppressed seldom find their work either cheerful or remunerative.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>OK, so Honcharenko could get a little strident and self-aggrandizing…\u003c/p>\n\u003cp>\u003cstrong>Voice reading from newspaper article: \u003c/strong>Of course, it has encountered severe hostility at the hands of those whom it has exposed; of course, it has made enemies for itself by the score.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The problem for Honcharenko was that he was a critic of imperial malfeasance wherever he saw it, and eventually, he bit the hand that fed him, none other than the U.S. government, a primary backer of the Alaska Herald.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>Because the administration that the Americans set up had problems with corruption. He was critical of the way the American administration treated Native people. He had some environmental concerns. When he became critical of what was going on in Alaska, they pulled the funding.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Meanwhile, the Russian Orthodox Church relocated its U.S. base of operations from Sitka in Alaska to San Francisco in California. And it came to their attention that a renegade priest was holding services in the city. And that’s when the couple decided to decamp for Alameda County.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Honcharenko sold his printing press, bought a 40-acre farm in the hills above Hayward, named the place “Ukraina,” and settled into a relatively calmer life for the next 40-odd years. He led weekly Orthodox church services on the farm for local and visiting Slavic immigrants, conducted baptisms, and weddings. The couple also gardened. They sent numerous samples of plants and vegetables to the editors of the \u003cem>California Horticulturalist and Floral Magazine\u003c/em>, who wrote back to praise the “monster squash,” and “some of the finest sugar table corn and nutmeg melons we have ever tasted.”\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>His life was amazing. He was eccentric, he was quirky. He had strange ideas about some things; there’s no doubt. But when you look at the trajectory of his life, it’s an amazing story.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>He continued to publish articles and even a memoir in 1894. His homestead became a stopping place for fellow countrymen passing through. For half a minute, a small group of dreamers tried a utopian colony on his land. The venture failed, but it burnished Honcharenko’s reputation and ensured his lasting memory in the Ukrainian diaspora.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>There are stories that say, no, no, he exaggerated or that he made up stories about his life and everything like that. He might have exaggerated certain things, but there are a lot of things that my research has shown actually were based in fact.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The last years were hard. Their daughter died when she was just ten years old. The subsistence farming wasn’t enough to subsist on. But they’d given so much to so many over the decades, a lot of locals returned the favor.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>They were very poor at the end, and really dependent on the charity of ranchers in the surrounding community who took an interest in him and helped the two of them out in their last years. So his life wasn’t any easy life.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Honcharenko died at the age of 84 in 1916, a little over a year after his wife. His death was front-page news in several papers, and his life inspired a couple of biographies, but it wasn’t until 1997 that the California Historical Resources Commission designated his ranch and gravesite a state historical landmark, and a couple years later, a cairn and plaque honoring Honcharenko were unveiled there.\u003c/p>\n\u003cp>\u003cstrong>Sounds from the celebration: \u003c/strong>Odyn, dva, tray. Slava Ukraini! Slava Ukraini! Hey, I want to hear it again! Slava Ukraini! Slava Ukraini! OK, that’s better.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Back at Garin Regional Park, the group of Ukrainian-Americans we met at the start of this story takes a group photo, with the Ukrainian national salute that translates to “Glory to Ukraine!” This bucolic hilltop with its historic marker and park panels tells the broad arc: émigré priest, dissident publisher, gentleman farmer. Ukrainians here and abroad remember, but what about the rest of us? This whole story is certainly news to our question-asker, Tony.\u003c/p>\n\u003cp>\u003cstrong>Tony Divito: \u003c/strong>I think we’re incredibly fortunate and lucky to have him as part of Bay Area history. It goes with our history of allowing refuge, of allowing people from desperate situations to come here and thrive here and contribute to our community.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>His story was just, like, epic. Right? Like it’s, you know…\u003c/p>\n\u003cp>\u003cstrong>Tony Divito: \u003c/strong>It deserves, you know, a series. Like a television mini-series or an audiobook of some sort.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Hit me up for the writers’ room, guys!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That was KQED’s Rachael Myrow. Special thanks to Gabriela Glueck, who literally went the extra mile up that hill to help us report this story, and to Dan Brekke, who read Honcharenko’s archival writings.\u003c/p>\n\u003cp>Tony Divito sent in today’s question, and I want you to be like Tony! Head to \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a> to submit a question you’ve been wondering about. We are always on the lookout for great questions and yours could be what we tackle on next! Again, head to \u003ca href=\"http://baycuious.org\">BayCurious.org\u003c/a> to ask.\u003c/p>\n\u003cp>Bay Curious is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is produced by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey, Dan Brekke and everyone on team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/p>\n\u003cp>I’m Olivia Allen-Price. See ya next time.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>It’s hard not to feel glum reading the \u003ca href=\"https://www.kqed.org/news/12070573/a-generation-orphaned-by-war-ukrainian-children-grow-up-amid-loss-and-recovery\">news headlines from Ukraine\u003c/a> these days, even if you’re not Ukrainian or Ukrainian American.\u003c/p>\n\u003cp>But at the same time, the conflict can feel far away. And yet, in the late 19th century, the Bay Area was home to a Ukrainian man who was exactly the type of revolutionary dissident Russia wanted to silence.\u003c/p>\n\u003cp>There’s a historical marker commemorating him in, of all places, \u003ca href=\"https://www.ebparks.org/sites/default/files/garin_honcharenkos_santuary.pdf\">Garin Regional Park\u003c/a>. Tony Divito of San Mateo passed a road sign nearby on his commute, calling attention to that marker and wondered.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I just wanted to know the backstory,” he told Bay Curious.\u003c/p>\n\u003cp>The answer leads to a man of many disparate layers; a devout Orthodox priest, a relentless dissident and outlaw, a groundbreaking publisher, and subsistence farmer. The life of Agapius Honcharenko reads like an epic thriller, albeit one that ends improbably on a quiet hilltop farm tucked high in the Hayward Hills. But let’s start at the very beginning.\u003c/p>\n\u003ch2>\u003cstrong>A keen intellect and empathetic soul\u003c/strong>\u003c/h2>\n\u003cp>The man who came to be known in the Bay Area as Agapius Honcharenko was born Andrii Humnytsky in 1832. The son of an Orthodox priest, he displayed a keen intellect at a young age and caught the attention of the highest-ranking church official in Ukraine at the time, becoming his personal assistant. As a consequence, young Humnytsky bore witness to the hardships endured by peasants and serfs, agricultural laborers bound to their lords’ estates. The very word “slave” comes from the word “Slav.”\u003c/p>\n\u003cp>“He was appalled by the poverty in these villages,” said Jars Balan, a researcher at the Canadian Institute of Ukrainian Studies at the University of Alberta\u003cstrong>. \u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_12057937\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057937\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01005_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Father Oleg Kepeshchuk of the Greek Catholic Church of the Immaculate Conception video calls a friend to show them the view of the burial site where Ukrainian patriot and exiled orthodox priest Agapius Honcharenko and his wife Albina are buried at Garin Regional Park in Hayward on Sept. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Humnytsky delivered his ordination sermon, Balan said, he called on the church to melt down all the gold and precious jewels, “and use the money to feed, to help the poor.”\u003c/p>\n\u003cp>This kind of talk did not go over well in 19th-century Ukraine. Still, Humnytsky would not cool his revolutionary jets. He got acquainted with — and radicalized by — fellow countrymen who, decades before, were involved in a failed attempt to overthrow the czar, the emperor of Russia.\u003c/p>\n\u003cp>Humnytsky’s boss saw trouble brewing, so he sent him out of the country. Because Ukraine was part of Russia at the time, he sent Humnytsky to serve in the chapel of the Imperial Russian Consulate in Greece.\u003c/p>\n\u003cp>But there, too, Humnytsky fell in with like-minded revolutionaries. He started writing for a dissident journal called \u003cem>Kolokol\u003c/em>, in English, \u003cem>The Bell\u003c/em>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After publishing searing articles calling for the emancipation of serfs and criticizing the Orthodox Church’s support for tsarist autocracy, Humnytsky was arrested.\u003c/p>\n\u003cp>Russian authorities imprisoned him in the hold of a warship, which set sail for what is now Istanbul. According to his later recollections, Humnytsky arranged a daring escape with the help of his family back in Moscow. He would recall years later, “I escaped for an eternal glory, to be a Kozak in the free world.”\u003c/p>\n\u003cp>This episode marked the start of a life on the run from Russian justice. Repeatedly over the years that followed, Humnytsky would pop up in a new location, work all sorts of odd hustles, make friends with anarchists, dissidents, and revolutionaries, and then the Russians would catch up with him.\u003c/p>\n\u003cp>At one point, he returned to Greece for additional professional spiritual training on the remote peninsula of Mount Athos, home to the world’s largest monastic community. It’s a UNESCO World Heritage Site today. Back then, it was an excellent place to hide from the Russians. He had a facility with languages, so in London, he was a Russian language tutor to Greeks, and a specialist in old coins at the British Museum. In Cairo, he organized sightseeing tours — and survived a knifing paid for by the local Russian consulate.\u003c/p>\n\u003cp>By his early thirties, Humnytsky decided to try his luck on the other side of the Atlantic Ocean.\u003c/p>\n\u003ch2>\u003cstrong>A new life in America\u003c/strong>\u003c/h2>\n\u003cp>In 1865, he landed in Boston, headed to New York, then New Orleans. Around this time, Andrii Humnytsky changed his name to Agapius, or Ahapi, Honcharenko, to seem more Greek and avoid detection from the Russians. But even in the United States, wherever he went, local Russians eventually figured out Father Agapius was not actually a Greek with remarkably good command of Russian. Balan, who wrote a \u003ca href=\"https://ia800309.us.archive.org/25/items/journalofukraini3334cana/journalofukraini3334cana.pdf\">well-regarded study\u003c/a> of Honcharenko’s life, calls him a “renegade monastic.”\u003c/p>\n\u003cp>While in New York, Honcharenko married the daughter of one of the Italian radicals he met, a young school teacher named Albina Citi. The match was not to the liking of her anti-religious family, Balan said, “but they were in love, and they wanted to go to the West Coast.”\u003c/p>\n\u003cfigure id=\"attachment_12071447\" class=\"wp-caption alignright\" style=\"max-width: 1289px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12071447\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a.jpeg\" alt=\"\" width=\"1289\" height=\"2090\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a.jpeg 1289w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a-160x259.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a-947x1536.jpeg 947w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/E6B7271A-ABCD-48CC-AE56-C2102783C328_1_201_a-1263x2048.jpeg 1263w\" sizes=\"auto, (max-width: 1289px) 100vw, 1289px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">One of the photos used to illustrate the book Ahapius Honcharenko “Alaska Man,” by Wasyl Luciw, Ph.D. And Theodore Luciw, M. A., published in Toronto by Slavia Library in 1963. \u003ccite>(Courtesy Jars Balan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And so it was that Honcharenko arrived in San Francisco in the 1860s, bringing with him typesetting skills he had honed in London. He purchased Cyrillic fonts and launched the \u003ca href=\"https://diasporiana.org.ua/wp-content/uploads/books/13652/file.pdf\">\u003cem>Alaska Herald\u003c/em>\u003c/a>, which included a Ukrainian-language supplement.\u003c/p>\n\u003cp>The paper became a vital resource for Ukrainian and Russian émigrés alike, providing news to people living far from home. But Honcharenko couldn’t resist publishing some biting commentary as well. Here’s an excerpt of an issue celebrating the publication’s second year:\u003c/p>\n\u003cp>\u003cem>From the day of its birth it assumed a certain attitude, and it has unflinchingly maintained its position and consistency during these two years. It has struggled hard and bitterly because it was on the side of right and justice, and they who champion the oppressed seldom find their work either cheerful or remunerative.\u003c/em>\u003c/p>\n\u003cp>The problem for Honcharenko was that he was a critic of imperial malfeasance wherever he saw it. Eventually, he bit the hand that fed him, which in this case was none other than the U.S. government, a primary backer of the \u003cem>Alaska Herald\u003c/em>.\u003c/p>\n\u003cp>“Because the administration that the Americans set up had problems with corruption,” Balan explained. “[Honcharenko] was critical of the way the American administration treated Native people. He had some environmental concerns. When he became critical of what was going on in Alaska, they pulled the funding.”\u003c/p>\n\u003cp>Meanwhile, the Russian Orthodox Church relocated its U.S. base of operations from Sitka in Alaska to San Francisco in California. It came to their attention that a renegade priest was holding services in the city, and that’s when Honcharenko and his wife decided to decamp for Alameda County.\u003c/p>\n\u003ch2>\u003cstrong>A quieter life\u003c/strong>\u003c/h2>\n\u003cp>Honcharenko sold his printing press, bought a 40-acre farm in the hills above \u003ca href=\"https://www.haywardareahistory.org/agapius-honcharenko\">Hayward\u003c/a>, named the place “Ukraina,” and settled into a relatively calm life for the next 40-odd years. He led weekly Orthodox church services on the farm for local and visiting Slavic immigrants, conducted baptisms and weddings. His homestead became a small but significant hub for Ukrainian-American life on the West Coast.\u003c/p>\n\u003cp>The last years of his life were hard. The couple’s daughter died when she was just ten years old. The subsistence farm didn’t produce enough food to live on. However, Agapius and Albina Hocharenko had given so much to so many over the decades that when they were in need, a lot of locals returned the favor.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Still, Honcharenko continued to write, publish, and mentor émigrés. His farm briefly hosted a utopian colony, a dream of community that ultimately failed, but further cemented his reputation among the diaspora.\u003c/p>\n\u003cp>The couple also gardened. They sent numerous samples of plants and vegetables to the editors of the \u003cem>California Horticulturalist and Floral Magazine\u003c/em>, who wrote back to praise the “monster squash,” and “some of the finest sugar table corn and nutmeg melons we have ever tasted.”\u003c/p>\n\u003cp>“His life was amazing,” Balan said. “He was eccentric, he was quirky. He had strange ideas about some things; there’s no doubt. But when you look at the trajectory of his life, it’s an amazing story.”\u003c/p>\n\u003cp>Honcharenko died in 1916 at the age of 84, shortly after his wife. Although his passing was noted in the local papers and inspired a couple of \u003ca href=\"https://diasporiana.org.ua/wp-content/uploads/books/17172/file.pdf\">biographies\u003c/a>, it wasn’t until 1997 that the California Historical Resources Commission designated his farm and gravesite as a state historical landmark. A cairn and plaque followed.\u003c/p>\n\u003cp>Today, there’s a \u003ca href=\"https://www.kqed.org/news/11906285/ukrainians-in-california-devastated-by-russian-invasion\">sizable\u003c/a> and \u003ca href=\"https://www.kqed.org/news/11942336/despite-a-year-of-suffering-some-silicon-valley-companies-tied-to-ukraine-remain-optimistic\">organized\u003c/a> local Ukrainian-American community in the Bay Area, some of whom gather on a mile-long hike every year to \u003ca href=\"https://ohp.parks.ca.gov/ListedResources/Detail/1025\">\u003cem>Ukraina\u003c/em>\u003c/a> to honor Honcharenko’s memory. They sing in Ukrainian and offer prayers.\u003c/p>\n\u003cfigure id=\"attachment_12057938\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12057938\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250927-UKRAINIANFARM01016_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Taras Turiv’s (left) daughter, Victoria (right), wears a Ukrainian flag at the burial site where Ukrainian patriot and exiled orthodox priest Agapius Honcharenko and his wife Albina are buried at Garin Regional Park in Hayward on Sept. 27, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Software engineer Alla Kashaba was among the 20 or so in attendance the last time. She lives in Los Altos now, but comes originally from Kharkiv, in eastern Ukraine. “He was [a] very interesting person, and I hope someday, someone will make an interesting movie about him, like, adventure movie,” she said.\u003c/p>\n\u003cp>This whole story was news to Bay Curious question asker Tony Divito.\u003c/p>\n\u003cp>“I think we’re incredibly fortunate and lucky to have him as part of Bay Area history,” Divito said. “It goes with our history of allowing refuge, of allowing people from desperate situations to come here and thrive here and contribute to our society, our community,” he said.\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/gglueck\">\u003cem>Gabriela Glueck\u003c/em>\u003c/a>\u003cem> contributed reporting to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>We start today’s episode in Garin Regional Park – high in the hills overlooking Hayward. If you drive over this way, you might pass by an intriguing sign. That’s what happened to Tony Divito of San Mateo.\u003c/p>\n\u003cp>\u003cstrong>Tony Divito: \u003c/strong>I saw a sign for a Ukrainian farm in Hayward. I just wanted to know the backstory.\u003cbr>\n\u003cstrong>\u003cbr>\nOlivia Allen-Price: \u003c/strong>Deep in the park is California registered historical landmark #1025.\u003c/p>\n\u003cp>VOICE: “Ukraina” is the site of the farm and burial place of the Ukrainian patriot and exiled orthodox priest Agapius Honcharenko (1832-1916) and his wife Albina.\u003c/p>\n\u003cp>Olivia Allen-Price: It’s a serene setting now, but the life of this guy – Agapius Honcharenko – was anything but. He spent much of his life fleeing Russian forces, traveling the globe and stirring up revolutionary inklings in his wake. Not exactly the image you might expect from an orthodox priest. Today on the show, we’ll delve into what made Honcharenko so notable that more than 100 years after his death, he’s still celebrated by local communities. Buckle up, it’s a wild ride! I’m Olivia Allen-Price. You’re listening to Bay Curious.\u003c/p>\n\u003cp>Sponsor Message\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>In the 19th century, all sorts of curious characters washed up on California’s shores, looking for fortune, a fresh start, or in the case of Father Agapius Honcharenko … a safe place to hide. KQED’s Rachael Myrow found a group of people who gather every year to honor him. She went to find out why…\u003c/p>\n\u003cp>\u003cem>Singing in Ukrainian\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The mood was contemplative, even somber, at the 9th annual Park Ukraina Hike and Panahdya — a memorial service for Honcharenko. Representatives from local Ukrainian churches hiked a mile to offer prayers over the grave of a remarkable man who established a farm here on this hilltop.\u003c/p>\n\u003cp>\u003cem>Man reading a prayer in Ukrainian\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Software engineer, Alla Kashaba was among the 20 or so in attendance. She lives in Los Altos now, but comes originally from Karghiv, in eastern Ukraine.\u003c/p>\n\u003cp>\u003cstrong>Alla Kashaba: \u003c/strong>He was very interesting person, and I hope someday someone will make an interesting movie about him, like, adventure movie. All about how he hide from Russian forces? I don’t know how to translate this. All across the globe. So he was running from them in London, in Egypt, in Jerusalem, and ended up in America.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Intriguing, no?? Let’s step back in time to understand what exactly this man was running from. Born Andrii Humnytsky in what is now central Ukraine in 1832, this guy was destined to become an Orthodox priest like his father. He certainly caught the eye of the highest-ranking church leader in Ukraine at the time, a man named Metropolitan Philaret.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>The Metropolitan of the Orthodox Church in Ukraine at that time, Metropolitan Philaret, saw that this guy was smart and capable, and made him his personal assistant.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>That’s Jars Balan, a researcher at the Institute of Ukrainian Studies at the University of Alberta. He’s written the definitive research paper on our man Humnytsky, and he spoke at the unveiling of that plaque in Hayward. Balan says, from childhood, Humnytsky felt a fierce pride in his Ukrainian ancestry and his Christian spirituality. He took the monastic name Agapius, derived from the Greek word \u003cem>agape\u003c/em>, meaning selfless love, and pretty much from the start, his politics leaned progressive.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>Because he got to travel around with the Metropolitan, he visited a lot of communities, and he was appalled by the poverty in these villages. This is still a time of serfdom, and the church even had serfs, and he found that appalling.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The word SLAV is where English speakers get the word slave, because Slavs became synonymous with enslavement in the Middle Ages. A serf, for those of you not up on your Eastern European history, is an agricultural laborer bound to work on their lord’s estate. Humnytsky hated the practice.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>In fact, when he was [in] his first level of ordination, and he gave his ordination sermon, he called on the church to melt down all the gold and precious jewels, all the golden precious metals, and use the money to feed, to help the poor.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Sounds Christian in the OG sense, but this talk did not go over well in mid-19th-century Ukraine. Still, Humnytsky would not cool his revolutionary jets. He got acquainted with – and radicalized by – locals who, decades before, were involved in a failed attempt to overthrow the czar, the emperor of Russia.\u003c/p>\n\u003cp>Humnytsky’s boss, the Metropolitan, saw trouble brewing, so he sent him out of the country. Because Ukraine was part of Russia at the time, he sent Humnytsky to serve in the chapel of the Imperial Russian Consulate in Greece. But there, too, Humnytsky fell in with like-minded revolutionaries. He started writing for a dissident journal called \u003cem>Kolokol\u003c/em>. In English, \u003cem>The Bell\u003c/em>.\u003c/p>\n\u003cp>After publishing searing articles calling for the emancipation of serfs and criticizing the Orthodox Church’s support for Tsarist autocracy, Humnytsky was arrested and imprisoned in the hold of the Russian warship, which set sail for what is now Istanbul.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>He managed to arrange an escape when they were holding him in Istanbul. He had an aunt who was in Moscow. She had some connections, managed to pull a few strings, maybe pay a few bribes.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>In his memoirs written decades later, the dissident priest recalled his optimism as a young man:\u003c/p>\n\u003cp>\u003cstrong>Voice actor reading from Humnytsky’s memoirs: \u003c/strong>“I escaped for an eternal glory, to be a Kozak in the free world.”\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Things didn’t quite pan out that way.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>In point of fact, this episode was just the start of a life on the run from Russian justice. Repeatedly over the years that followed, he’d pop up in a new location, work all sorts of odd hustles, and then the Russians would catch up with him. For instance, he had a facility with languages, so in London, he was a Russian language tutor to Greeks, and a specialist in old coins at the British Museum.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>How he picked up the specialty, I’m not sure, but I said he was a very bright guy and interested in history and archeology and theology and all kinds of things.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>It’s around this time that Humnytsky began using “Honcharenko” as his nom de plume. And – I mean, you can’t make this stuff up, this guy was extraordinarily bright – he picked up a craft – typesetting – that would come in handy later in his life.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan:\u003c/strong> …in a printer shop and learned how to print. He translated a rare sort of, I think it was a 15th century book called Stoflau // calling for reforms in the Orthodox Church.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Troublemaker, right? And remember, everywhere Humnytsky goes, he makes friends with anarchists, dissidents and revolutionaries. But he never lost his passion for spirituality. In fact, he returned to Greece for additional professional training.\u003c/p>\n\u003cp>\u003cem>Sound of monks chanting\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>…on a remote peninsula in the northeast. It’s home to the largest monastic community in the world, a UNESCO World Heritage Site today, and an excellent place to hide from the Russians.\u003c/p>\n\u003cp>This meant Humnytsky was now able to lead prayers, conduct marriages and baptisms, and otherwise tend to lay people’s spiritual needs.\u003c/p>\n\u003cp>Humnytsky bounced around for years. Jerusalem, the mountains of Lebanon, Cairo, where he survived a knifing paid for by the local Russian consulate.\u003c/p>\n\u003cp>Not long after, he decided to make a break for the New World, quite likely because he wanted to put as much space as he could between himself and the Russians. In 1865, in his early thirties, he landed in Boston, headed to New York, then New Orleans. But even on this side of the Atlantic, local Russians would eventually figure out Father Agapius was not actually a Greek with remarkably good command of Russian.\u003c/p>\n\u003cp>Around this time, Andrii Humnytsky changed his name – not just his nom de plum – to Agapius, or Ahapi, Honcharenko, to avoid detection from the Russians.\u003c/p>\n\u003cp>Also, while in New York, he married the daughter of one of the Italian radicals he met in the U.S., a young school teacher named Albina Citi.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>Not to the liking, particularly of her family.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Her deeply anti-religious family was put off by this…\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>… bearded orthodox priest in wearing cassocks and things. But they were in love, and they wanted to go to the West Coast.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>So, in his mid-30s, Honcharenko landed in San Francisco with his wife, Albina. Remember how he learned about printing in London? He bought a set of Cyrillic fonts and launched the \u003cem>Alaska Herald\u003c/em> — with a Ukrainian-language supplement. That was one of the very first Ukrainian publications in North America, and a must-read for Ukrainian expats from New York to Siberia. A must-read for a lot of Russian expats, too.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>He was successful in getting the paper going. He got funding from the American government initially.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Here’s an excerpt of an issue celebrating the publication’s second year:\u003c/p>\n\u003cp>\u003cstrong>Voice reading from newspaper article: \u003c/strong>From the day of its birth it assumed a certain attitude, and it has unflinchingly maintained its position and consistency during these two years. It has struggled hard and bitterly because it was on the side of right and justice, and they who champion the oppressed seldom find their work either cheerful or remunerative.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>OK, so Honcharenko could get a little strident and self-aggrandizing…\u003c/p>\n\u003cp>\u003cstrong>Voice reading from newspaper article: \u003c/strong>Of course, it has encountered severe hostility at the hands of those whom it has exposed; of course, it has made enemies for itself by the score.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The problem for Honcharenko was that he was a critic of imperial malfeasance wherever he saw it, and eventually, he bit the hand that fed him, none other than the U.S. government, a primary backer of the Alaska Herald.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>Because the administration that the Americans set up had problems with corruption. He was critical of the way the American administration treated Native people. He had some environmental concerns. When he became critical of what was going on in Alaska, they pulled the funding.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Meanwhile, the Russian Orthodox Church relocated its U.S. base of operations from Sitka in Alaska to San Francisco in California. And it came to their attention that a renegade priest was holding services in the city. And that’s when the couple decided to decamp for Alameda County.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Honcharenko sold his printing press, bought a 40-acre farm in the hills above Hayward, named the place “Ukraina,” and settled into a relatively calmer life for the next 40-odd years. He led weekly Orthodox church services on the farm for local and visiting Slavic immigrants, conducted baptisms, and weddings. The couple also gardened. They sent numerous samples of plants and vegetables to the editors of the \u003cem>California Horticulturalist and Floral Magazine\u003c/em>, who wrote back to praise the “monster squash,” and “some of the finest sugar table corn and nutmeg melons we have ever tasted.”\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>His life was amazing. He was eccentric, he was quirky. He had strange ideas about some things; there’s no doubt. But when you look at the trajectory of his life, it’s an amazing story.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>He continued to publish articles and even a memoir in 1894. His homestead became a stopping place for fellow countrymen passing through. For half a minute, a small group of dreamers tried a utopian colony on his land. The venture failed, but it burnished Honcharenko’s reputation and ensured his lasting memory in the Ukrainian diaspora.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>There are stories that say, no, no, he exaggerated or that he made up stories about his life and everything like that. He might have exaggerated certain things, but there are a lot of things that my research has shown actually were based in fact.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>The last years were hard. Their daughter died when she was just ten years old. The subsistence farming wasn’t enough to subsist on. But they’d given so much to so many over the decades, a lot of locals returned the favor.\u003c/p>\n\u003cp>\u003cstrong>Jars Balan: \u003c/strong>They were very poor at the end, and really dependent on the charity of ranchers in the surrounding community who took an interest in him and helped the two of them out in their last years. So his life wasn’t any easy life.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Honcharenko died at the age of 84 in 1916, a little over a year after his wife. His death was front-page news in several papers, and his life inspired a couple of biographies, but it wasn’t until 1997 that the California Historical Resources Commission designated his ranch and gravesite a state historical landmark, and a couple years later, a cairn and plaque honoring Honcharenko were unveiled there.\u003c/p>\n\u003cp>\u003cstrong>Sounds from the celebration: \u003c/strong>Odyn, dva, tray. Slava Ukraini! Slava Ukraini! Hey, I want to hear it again! Slava Ukraini! Slava Ukraini! OK, that’s better.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Back at Garin Regional Park, the group of Ukrainian-Americans we met at the start of this story takes a group photo, with the Ukrainian national salute that translates to “Glory to Ukraine!” This bucolic hilltop with its historic marker and park panels tells the broad arc: émigré priest, dissident publisher, gentleman farmer. Ukrainians here and abroad remember, but what about the rest of us? This whole story is certainly news to our question-asker, Tony.\u003c/p>\n\u003cp>\u003cstrong>Tony Divito: \u003c/strong>I think we’re incredibly fortunate and lucky to have him as part of Bay Area history. It goes with our history of allowing refuge, of allowing people from desperate situations to come here and thrive here and contribute to our community.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>His story was just, like, epic. Right? Like it’s, you know…\u003c/p>\n\u003cp>\u003cstrong>Tony Divito: \u003c/strong>It deserves, you know, a series. Like a television mini-series or an audiobook of some sort.\u003c/p>\n\u003cp>\u003cstrong>Rachael Myrow: \u003c/strong>Hit me up for the writers’ room, guys!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That was KQED’s Rachael Myrow. Special thanks to Gabriela Glueck, who literally went the extra mile up that hill to help us report this story, and to Dan Brekke, who read Honcharenko’s archival writings.\u003c/p>\n\u003cp>Tony Divito sent in today’s question, and I want you to be like Tony! Head to \u003ca href=\"http://baycurious.org\">BayCurious.org\u003c/a> to submit a question you’ve been wondering about. We are always on the lookout for great questions and yours could be what we tackle on next! Again, head to \u003ca href=\"http://baycuious.org\">BayCurious.org\u003c/a> to ask.\u003c/p>\n\u003cp>Bay Curious is made in San Francisco at member-supported KQED.\u003c/p>\n\u003cp>Our show is produced by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey, Dan Brekke and everyone on team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/p>\n\u003cp>I’m Olivia Allen-Price. See ya next time.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
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"slug": "inside-the-san-francisco-church-where-john-coltrane-is-a-saint",
"title": "Inside the San Francisco Church Where John Coltrane is a Saint",
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"headTitle": "Inside the San Francisco Church Where John Coltrane is a Saint | KQED",
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"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.kqed.org/arts/13892202/watch-saint-coltrane-a-short-film-about-the-san-francisco-church-built-on-a-love-supreme\">Saint John Coltrane \u003c/a>African Orthodox Church Global Spiritual Community begins \u003ca href=\"https://www.coltranechurch.org/\">Sunday mass\u003c/a> with the blow of a conch shell. Then the saxophone comes in, blaring the opening notes of John Coltrane’s jazz masterpiece, \u003cem>A Love Supreme\u003c/em>.\u003c/p>\n\u003cp>A Byzantine-style portrait of Coltrane is displayed on the altar. He’s wearing a white robe and clutching his soprano saxophone, a gold halo glittering above his head.\u003c/p>\n\u003cp>Throughout the service, the church band alternates between saxophone, bass and drum solos in a kind of makeshift jazz concert. Later, the sermon offered by His Eminence Archbishop Franzo W. King is a mix of traditional Christian teachings and references to Coltrane. It’s a fusion that King and his wife, the Most Reverend Mother Marina King, call “Coltrane Consciousness.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Coltrane Consciousness is acknowledging that the music and the sound of John Coltrane is that anointed sound that leaped down from the throne of heaven,” King said. “We want everybody to become aware of the power of this music, of this man, that testimony.”\u003c/p>\n\u003cp>The Coltrane Church, as it’s often called, is the \u003ca href=\"https://www.sf.gov/sites/default/files/2022-09/Item%202e.%20LBR-2021-22-019%20St.%20John%20Coltrane%20Church.pdf\">oldest \u003c/a>Black jazz organization in San Francisco now. And it has taken a windy path to achieve that longevity.\u003c/p>\n\u003ch2>A baptism of sound\u003c/h2>\n\u003cp>The Coltrane Church’s origins date back to the 1960s.\u003c/p>\n\u003cp>The Kings had recently moved to San Francisco as a young couple in love. Upon arrival they were met with a vibrant music scene, with jazz venues dotting the city. The Fillmore District became known as “The Harlem of the West” for its abundance of Black-owned nightclubs and restaurants.\u003c/p>\n\u003cfigure id=\"attachment_12068339\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068339\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Supreme Mother Rev. Marina King sings during Sunday mass at the St. John Coltrane Church at Fort Mason in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The music was as hip as you could get, and we were trying to be hipsters and being into this music,” King said. “You could leave your house on a Friday night and you wouldn’t have to come home until Sunday afternoon.”\u003c/p>\n\u003cp>On Sept. 18, 1965, the Kings celebrated their first wedding anniversary by going to see The John Coltrane Quartet at a North Beach club called The Jazz Workshop. King knew the doorman, who seated them in the front row despite them being underage.\u003c/p>\n\u003cp>As soon as Coltrane and his band entered the room, King said he felt the energy around him shift, “like [the band was] walking on a carpet of air.”\u003c/p>\n\u003cp>“It was immediate,” Mother Marina agreed. “You could feel the presence, that energy. And then [Coltrane] lifted his horn. We were right in front, and he pointed right at our table.”\u003c/p>\n\u003cp>The Kings said they were rendered speechless throughout Coltrane’s set, hardly touching their drinks as they were transported to a spiritual realm beyond the jazz club.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=MAgJ-igwuSQ\u003c/p>\n\u003cp>“We were caught in a windstorm of the spirit of the Holy Ghost. It was a powerful thing,” King said.\u003c/p>\n\u003cp>The Kings call this experience their “sound baptism.” From then on, their calling would be to spread John Coltrane’s gospel.\u003c/p>\n\u003ch2>From fans to worshippers\u003c/h2>\n\u003cp>They started out by hosting listening sessions with friends in their home. They’d cook up a pot of beans and some cornbread to share, then pour over music, interviews and liner notes from jazz greats like John Coltrane, Thelonious Monk and Charlie Parker.\u003c/p>\n\u003cp>On July 17, 1967, Archbishop King was out at a jazz club when he learned that Coltrane had died. The Kings’ daughter, Pastor Wanika King-Stephens, remembers walking into the living room the next morning to find that her dad and uncle had stayed up all night listening to Coltrane’s music.[aside postID=news_11954252 hero='https://ww2.kqed.org/app/uploads/sites/10/2023/06/062723-Wanda-Salvatto-07-RT-KQED-e1687904264135-1020x680.jpg']“They killed John,” King-Stephens recalled her father saying.\u003c/p>\n\u003cp>Coltrane died from liver cancer, most likely fueled by his drug and alcohol addiction in the earlier years of his fame. But Archbishop King believed Coltrane’s death symbolized the systems of racism that targeted Black men in America. This was a time of heightened tension for San Francisco’s Black population. Throughout the 1960s, the city’s so-called “\u003ca href=\"https://www.kqed.org/news/11825401/how-urban-renewal-decimated-the-fillmore-district-and-took-jazz-with-it\">redevelopment for urban renewal\u003c/a>” ” program targeted low-income neighborhoods with minority residents for demolition.\u003c/p>\n\u003cp>“The redevelopment came in with the Negro removal and devastated the community,” King said.\u003c/p>\n\u003cp>San Francisco’s redevelopment project brought an end to the “Harlem of the West” that had once defined the Fillmore District. Jazz clubs shuttered, minority and elderly residents were forced from their homes, and the city’s Black-owned music scene was decimated.\u003c/p>\n\u003cp>The Kings, though, were passionate that people still needed to hear this music. Motivated by an era of Black consciousness and political activity, they opened “The Yardbird Club,” a jazz club based out of their basement. The name paid homage to the jazz musician Charlie “Yardbird” Parker.\u003c/p>\n\u003cp>This makeshift venue functioned as a space where artists visiting San Francisco could experiment with new sounds, much like the city’s jazz clubs had once done.\u003c/p>\n\u003cp>But around 1969, something shifted for the Kings. It wasn’t just about saving the music or the culture anymore. It was about saving souls.\u003c/p>\n\u003cp>After years of studying Coltrane, they came to believe that his music, his activism — his whole belief system — was really a declaration of faith.\u003c/p>\n\u003cfigure id=\"attachment_12068329\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068329\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">His Eminence Archbishop Franzo W. King greets congregants after Sunday mass at the St. John Coltrane Church at Fort Mason in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We hear John Coltrane saying, ‘My music is the spiritual expression of what I am, my faith, my knowledge, my being,” King-Stephens said.\u003c/p>\n\u003cp>The Kings went all in on their devotion. “The Yardbird Club” became “The Yardbird Temple.” They didn’t just revere Coltrane anymore — they worshiped him, believed him to be the second coming of Christ and cited \u003cem>A Love Supreme\u003c/em> as his most sacred text.\u003c/p>\n\u003ch2>A higher power\u003c/h2>\n\u003cp>Coltrane composed \u003cem>A Love Supreme\u003c/em> in the aftermath of heroin and alcohol addiction. Though he had risen to fame by the 1950s, Coltrane’s substance abuse made him unreliable. Miles Davis famously fired Coltrane from his band because of it. Coltrane had hit rock bottom and his music career was foundering because of it. So, he got clean — went cold turkey — and heard the voice of God.[aside postID=news_11881696 hero='https://ww2.kqed.org/app/uploads/sites/10/2021/07/E-40.DeFremery-1020x682.jpg']Coltrane described this experience in the album’s liner notes: \u003cem>“During the year 1957, I experienced by the grace of God a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly ask to be given the means and the privilege to make others happy through music.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>A Love Supreme\u003c/em>, which came out in 1965, marked a turning point in Coltrane’s career. The album was his declaration to God and an expression of his commitment to love and the divine. For 32 minutes and 47 seconds, Coltrane’s saxophone pulses and intertwines with piano and drums — a four-note bassline bedded beneath the sound. It’s played in all 12 keys, sending a \u003ca href=\"https://www.npr.org/2000/10/23/148148986/a-love-supreme\">message\u003c/a> that you can find \u003cem>A Love Supreme\u003c/em> everywhere.\u003c/p>\n\u003cp>“We hear the Lord speaking to us in this music,” King said. “I’ve had John Coltrane through the music call my name. So we have revelations that come through the music.”\u003c/p>\n\u003cp>Mother Marina agreed. “Every time I hear it, there’s something new,” she said. “There’s always life there. It’s in the music. The magic is in the music.”\u003c/p>\n\u003cfigure id=\"attachment_12068328\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068328\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Rev. Marlee-I Mystic and His Eminence Archbishop Franzo W. King pause to speak with churchgoers following Sunday mass at the St. John Coltrane Church in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Kings say the album’s four song titles — \u003cem>Acknowledgement, Resolution, Pursuance \u003c/em>and \u003cem>Psalm\u003c/em> — offer a formula for how to reach a higher power.\u003c/p>\n\u003cp>“The way his notes are moving and the way the sounds are connected, it’s almost like a rumble. It’s like a war. Sometimes he’s pleading your case. It’s many different feelings,” Mother Marina said.\u003c/p>\n\u003ch2>The 1970s: A period of transformation\u003c/h2>\n\u003cp>Now a religious community, the Kings surrendered themselves to Coltrane. They prayed, meditated and fasted for days at a time.\u003c/p>\n\u003cp>Everything was falling into place, and the Kings “felt like we were in the right place at the right time, and that the spirit of God was really heavy in this part of the world,” King said.\u003c/p>\n\u003cfigure id=\"attachment_12068333\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Music memorabilia adorns the space in preparation for Sunday mass at the St. John Coltrane Church at Fort Mason in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Black Panther Party also became supporters of the church. Its co-founder, Huey P. Newton had become a mentor to Archbishop King and encouraged him to fuse politics, culture and religion. After moving to a storefront on Divisadero Street, the church began hosting programs that mirrored The Black Panthers’ Free Breakfast Program.\u003c/p>\n\u003cp>King-Stephens said the church’s free food program was “one of my [her] favorite things in the whole world.” Seven days a week, church members would prepare free vegetarian meals for hundreds of people. The lines snaked around the block.\u003c/p>\n\u003cp>“We would go to Safeways and the supermarkets and the stuff that they would throw out, we’d take it out, put it in a tub, clean it, and serve it to the people,” King said.\u003c/p>\n\u003cp>The Kings believed that to be right with God was to be right with the people. Inspired by San Francisco’s hippie movement in the 1970s, they also hosted free yoga classes, practiced vegetarianism, and started borrowing from Eastern spirituality, led by Coltrane’s music.\u003c/p>\n\u003cp>“John Coltrane has an album entitled \u003ca href=\"https://www.youtube.com/watch?v=GwrV0qCX1LU&list=RDGwrV0qCX1LU&start_radio=1\">\u003cem>Om\u003c/em>\u003c/a>, and we literally took that as John saying, ‘I am Om,’” Mother Marina said.\u003c/p>\n\u003cp>They studied the Sufi mystic, Inayat Khan, who believed music and sound to be the world’s life source, and incorporated Sanskrit chanting in their service.\u003c/p>\n\u003cp>“We embrace the unity of religious ideas,” King said. “If you want to say that Buddha is the light, we don’t have a problem with that.”\u003cem> \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12070432\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/GettyImages-74258876-scaled-e1768939107671.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12070432\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/GettyImages-74258876-scaled-e1768939107671.jpg\" alt=\"\" width=\"2000\" height=\"1420\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">American jazz musician and composer Alice Coltrane in 1970. \u003ccite>(Photo by Michael Ochs Archives/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1974, the Kings met Alice Coltrane, John’s widow. She had converted to Hinduism after her husband’s death and came to San Francisco to deepen her practice. The Kings joined her spiritual community in San Francisco, the Vedantic Center, and began worshipping her as the wife of God. They adopted Hindu names and sang backup on her early devotional \u003ca href=\"https://www.youtube.com/watch?v=759TXOUIpjQ\">records\u003c/a>.\u003c/p>\n\u003cp>But in 1981, Coltrane filed a $7.5 million \u003ca href=\"https://www.nytimes.com/1981/10/24/nyregion/notes-on-people-coltrane-s-widow-sues-san-francisco-church.html\">lawsuit\u003c/a> against the Coltrane Church for copyright infringement and using her husband’s name and likeness without permission. She eventually dropped the lawsuit, but it set the Kings on a new path. The incident drew the attention of the African Orthodox Church, which wanted to expand to the West Coast. To join, the Kings had to recharacterize Coltrane from their God incarnate to a patron saint. They agreed.\u003c/p>\n\u003ch2>Culture keepers\u003c/h2>\n\u003cp>The church joined the A.O.C and became the Saint John Coltrane African Orthodox Church in 1982. Now part of an organized religious movement, the Coltrane church leaned into its status as public-facing leaders and keepers of San Francisco culture.\u003c/p>\n\u003cp>“I think this is something people need to understand that this church has been an ambassador for this city,” King said.[aside postID=news_12059962 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/10/Jello-Biafra-of-the-Dead-Kennedys-performing-at-the-Mabuhay-Gardens-.jpg']They have traveled around the world, including to the \u003ca href=\"https://jazzajuan.com/en/\">Antibes Jazz Festival\u003c/a> in France — where Coltrane himself famously \u003ca href=\"https://www.youtube.com/watch?v=lWuhPVb175Y&list=RDlWuhPVb175Y&start_radio=1\">performed\u003c/a> A Love Supreme in 1965. The Kings were joined onstage by Carlos Santana, an early supporter of the church. Several travel guides even named them a top destination when visiting San Francisco.\u003c/p>\n\u003cp>The Kings and their church were vocal advocates on issues including environmental racism and police brutality, continuing the work that had long been part of their ethos. But the year 2000 marked yet another shift for the Coltrane Church. They were forced to leave their Divisadero storefront, the church’s home for nearly 30 years, after their rent more than \u003ca href=\"https://www.sfchronicle.com/news/article/coltrane-church-holds-last-service-at-longtime-3239485.php\">doubled\u003c/a>. They also had to end their free food program.\u003c/p>\n\u003cp>“That was our home,” King-Stephens said. “And then, I watched that whole community change. And I tell you, I couldn’t drive through that neighborhood without crying for a whole year.”\u003c/p>\n\u003ch2>Looking to the future\u003c/h2>\n\u003cp>They’ve relocated a few times since then. First, to the Fillmore, where they were one of just a handful of jazz institutions left. But they were evicted from that space too, before moving to their current location out of Fort Mason’s Magic Theater.\u003c/p>\n\u003cp>Now, King and Mother Marina see the church as a kind of Mecca, where Coltrane disciples from around the world can worship together. At the end of Sunday mass, Archbishop King and Mother Marina asked the community for donations. They’re trying to raise money to buy a building — what they hope will be a permanent home.\u003c/p>\n\u003cfigure id=\"attachment_12068330\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068330\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Rev. Marlee-I Mystic (center) closes Sunday mass in a burst of joy and laughter at the St. John Coltrane Church in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Kings are in their eighties and looking towards the future of the church. Their daughter plans to usher the church into its next chapter.\u003c/p>\n\u003cp>Since the first sound baptism in 1965, the Coltrane Church has had different names, locations and philosophies. In fact, King often said that as the seasons change, so do the needs of the people. Change, he said, is baked into the very essence of the church.\u003c/p>\n\u003cp>“And then at the same time, the church never changes,” King said. ”It remains constantly rooted in love and \u003cem>A Love Supreme\u003c/em>.”\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> John Coltrane on the saxophone is like nothing else.\u003c/p>\n\u003cp>\u003cem>Sound of Coltrane playing\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>He grew up in North Carolina in the 1930s…where the church was a big part of his life. Both of his grandfathers were ministers. But his calling was different. After high school, he moved to Philadelphia with his mother, where his music career started to take off. …\u003c/p>\n\u003cp>\u003cem>Music plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>By the mid-1950s, Coltrane was gaining recognition among other jazz musicians for the way he played, skipping scales in a style that became known as “sheets of sound.”\u003c/p>\n\u003cp>\u003cem>Music plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Here’s Coltrane in a 1960 radio interview.\u003c/p>\n\u003cp>\u003cstrong>John Coltrane: \u003c/strong>There’s some set things I know, some harmonic devices that I know that will take me out of the ordinary path if I use these. But I haven’t played them enough, and I”m not familiar enough, to take the one familiar line, so I play all of them so I can acclimate my ear. So I can hear.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>He was a famously hard worker, practicing fingering, breath control…even specific notes for hours at a time. He was even said to fall asleep with his horn in his mouth. He caught the attention of some of the most famous jazz artists of his day… playing with folks like Thelonious Monk and Miles Davis.\u003c/p>\n\u003cp>\u003cstrong>John Coltrane: \u003c/strong>When I started it it was a little different because I started through Miles Davis and he was an accepted musician, you see. They got used to me in the States now when they first heard me when I was here they did not like it I remember. It’s a little different. They’re going to reject it at first.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>But throughout these years of success, Coltrane struggled with alcohol and heroin addiction. Miles Davis famously fired him from his band for it.\u003c/p>\n\u003cp>And so, the story goes, Coltrane got clean, cold turkey, an experience he describes in the liner notes of his masterpiece, \u003cem>A Love Supreme\u003c/em>, which came out in 1965. Here’s Denzel Washington reading them in the documentary \u003cem>Chasing Trane\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Denzel Washington reading Coltrane: \u003c/strong>During the year 1957, I experienced by the grace of Gd a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly ask to be given the means and the privilege to make others happy through music.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>A Love Supreme marked a turning point in Coltrane’s career. The album was Coltrane’s declaration to God, his commitment to love and the divine.\u003c/p>\n\u003cp>And it has become the sacred text of a church in San Francisco — the Saint John Coltrane African Orthodox Church, Global Spiritual Community.\u003c/p>\n\u003cp>\u003cem>Opening riff of A Love Supreme plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Today on Bay Curious, we’re going to church to learn how a jazz musician came to be revered as a saint and how the Coltrane Church has been a part of many cultural movements over the decades, transforming alongside the city. I’m Olivia Allen-Price. Don’t go away.\u003c/p>\n\u003cp>\u003cem>Sponsor message\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>The Coltrane Church has been worshipping John Coltrane’s music, philosophy, and at times, even the man himself for 60 years. Reporter Asal Ehsanipour takes us to Sunday mass to learn more about what that sounds like.\u003c/p>\n\u003cp>\u003cem>Sounds of Coltrane Church Mass\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Saint John Coltrane African Orthodox Church opens Sunday mass with the blow of a conch shell.\u003c/p>\n\u003cp>\u003cem>Sound of conch shell blowing\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Then the saxophone comes in, blaring the opening notes of John Coltrane’s \u003cem>A Love Supreme\u003c/em>.\u003c/p>\n\u003cp>\u003cem>A Love Supreme plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>On the altar is a Byzantine-style portrait of John Coltrane. He’s wearing a white robe and clutching his soprano saxophone. A gold halo glitters above his head.\u003c/p>\n\u003cp>Throughout the service, the band alternates between sax, bass, and drum solos in a kind of makeshift jazz concert. Later, the sermon offered by His Eminence the Most Reverend Franzo W. King is a mix of traditional Christian teachings, and references to Coltrane.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King during mass: \u003c/strong>Jesus is the Lord of lords and the king of kings. And that one John Will.i.am Coltrane is that anointed sound that leaped down from the throne of heaven.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>For Archbishop King and his wife, the Most Reverend Mother Marina, the music and their worship is one and the same.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>The mission of the church is to paint the globe with Coltrane Consciousness.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Coltrane Consciousness.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>Coltrane Consciousness is acknowledging that the music and the sound of John Coltraine is that anointed sound. So we want everybody to become aware of the power of this music, of this man, that testimony.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Kings first heard the power of that testimony in 1960s San Francisco — as a young couple in love.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The music was as hip as you could get, and we were trying to be hipsters and being into this music.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>One weekend, 1965, Franzo and Marina planned to celebrate their first wedding anniversary. They wanted to see The John Coltrane Quartet at a club in North Beach called The Jazz Workshop.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>You had to be 21 and we were both underage, but I knew the doorman. And he took us right up front.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>As soon as Coltrane entered the room, the Kings felt the energy around them shift.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>When they walked out, it was almost like they were walking on a carpet of air.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina: \u003c/strong>It was immediate. You could feel the presence, that energy.\u003c/p>\n\u003cp>\u003cem>Coltrane music starts here\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>And then he lifted his horn. We were right in front, and he pointed right at our table.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>From the first note, we were lifted into another place beyond the confines of that jazz club. And when we finished, our drinks were still on the table, the ice had melted. I don’t remember us even talking to each other.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>I didn’t know exactly how to react to it. I was just in the moment of experiencing a new experience.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We were caught in a windstorm of the spirit of the Holy Ghost. It was a powerful thing.\u003c/p>\n\u003cp>They call this experience their “sound baptism.” From then on, their calling would be to spread John Coltrane’s gospel.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We couldn’t keep it to ourselves. We had to give testimony, we had to tell people.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>And tell people they did. Franzo and Marina had actually created a space to share their favorite music with friends — in a way, their first iteration of the Coltrane Church. Pastor Wanika King-Stephens still remembers those evenings her parents used to host.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>Really what that entailed was our listening clinic that took place in my parents’ living room. My mom would put on a pot of beans and make some cornbread and have people come over and they would sit and listen to the music of Thelonious Monk and Charlie Parker.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Franzo and Marina poured over liner notes and interviews, spent hours absorbed in the music, analyzing it together. Then came July 17, 1967.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>When John Coltrane died I came into the living room to find my dad and my uncle and they had been up all night. Listening to Trane and just talking about him and the music and so when I came in the room, I’m like, “what’s what’s wrong?” You know, they said, you know, “they killed John.”\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Coltrane died from liver cancer, most likely fueled by his drug and alcohol addiction. But to Franzo, his death symbolized the systems of racism that targeted Black men in America.\u003c/p>\n\u003cp>This was a time of heightened tension for San Francisco’s Black population. The city’s so-called “urban renewal” project was in full swing and it targeted low-income neighborhoods with minority residents for demolition.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The redevelopment came in with the Negro removal and devastated the community.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Redevelopment brought an end to the “Harlem of the West” that defined the Fillmore in the 40s and 50s. Jazz clubs shuttered. Minority and elderly residents were forced from their homes. And the city’s Black-owned music scene was decimated. Franzo, though, was passionate that people needed to hear this music.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>And it was during that period, too, where so-called black consciousness was coming out. It was just a very high cultural, political things going on.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>So he and Marina mobilized. They opened what was essentially an underground jazz club — from their basement.\u003c/p>\n\u003cp>Coltrane had spoken out about the corporatization of jazz. It was just \u003cu>one\u003c/u> example of how he’d grown into an icon for the Black Power movement.\u003c/p>\n\u003cp>\u003cem>Coltrane’s song Alabama plays \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Here’s Coltrane’s 1963 song, Alabama, about the 16th Street Church bombing in Birmingham that killed four African American girls. Coltrane composed it to the rhythm of Martin Luther King Jr.’s eulogy following the attack.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>So we’re living in these times of turmoil, yes it comes out in the music.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>But eventually, something shifted. For the Kings, the work stopped being about saving the music or the culture. It was about saving souls. Because after years of studying Coltrane, it had become clear to them that his music, his activism — his whole belief system — was really a declaration of faith.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>And we hear John Coltrane saying, my music is the spiritual expression of what I am, my faith, my knowledge, my being.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Kings went all in on their devotion. They converted the jazz club into a temple. Now they didn’t just revere Coltrane. They worshipped him. Believed he was the second coming of Christ.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>That he’s more than just a musician, but he is a prophet.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>And that \u003cem>A Love Supreme \u003c/em>was his sacred text — his doctrine.\u003c/p>\n\u003cp>\u003cem>A Love Supreme starts playing\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>For 32 minutes and 47 seconds, Coltrane’s saxophone pulses and intertwines with piano and drums, a four note bassline bedded beneath the sound. It’s played in all 12 keys, sending a message that you can find A Love Supreme everywhere.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We hear the Lord speaking to us in this music. I’ve had John Coltrane through the music call my name. So we have revelations that come through the music. And you find that in the sound of the music, you find it in the name of the compositions.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Archbishop King and Mother Marina say the album’s four song titles — \u003cem>Acknowledgment, Resolution, Pursuance, and Psalm —\u003c/em> offer a formula for how to reach a higher power.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>The way his notes are moving and the way the sounds are connected, it’s almost like a rumble. It’s like a war. Sometimes he’s pleading your case. Every time I hear it, there’s something new. There’s always life there. It’s in the music, the magic is in the music.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Franzo and Marina surrendered themselves to Coltrane. They prayed, meditated, and fasted for days at a time.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>And we just felt like we were in the right place at the right time, and that the Spirit of God was really heavy in this part of the world.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Around this time, The Black Panther Party was gaining traction. Started in Oakland in 1966 its co-founder Huey P. Newton had become a kind of mentor to Franzo.\u003c/p>\n\u003cp>\u003cstrong>Huey P. Newton: \u003c/strong>The Black Panther Party for self defense is organized now throughout the nation.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Here’s Newton in 1968 describing the mission of the Panthers.\u003c/p>\n\u003cp>\u003cstrong>Huey P Newton: \u003c/strong>And we advocate that all Black people in America are taught what politics is all about and what our history is all about.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Newton encouraged the Coltrane Church to fuse politics and culture with religion. And in 1971, the Kings opened their first permanent location in a storefront on Divisadero St. From there, they started hosting social programs, similar to the Black Panthers’ Free Breakfast Program.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>The food program was one of my favorite things in the whole world.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Pastor Wanika says that seven days a week, they’d give free vegetarian meals to hundreds of people. The lines snaked around the block.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>We would sing songs, you know, \u003cem>‘Serving the people makes me mighty glad. [fade under] \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We would go to Safeways and the supermarkets and the stuff that they would throw out. We’d take it out, put it in a tub, clean it, and serve it to the people.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Franzo and Marina believed that to be right with God was to be \u003cem>\u003cu>right\u003c/u>\u003c/em> with the people. So they also hosted free yoga classes and donated clothes to the community.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We kind of learned that stuff from the hippies.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The vibe was Flower Power, psychedelics…\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The Grateful Dead…\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Utopian communes based out of old Victorian houses.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The so-called hippie movement was a powerful thing and we were very much a part of that.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>And like the hippies, the Kings started borrowing from Eastern spirituality, led by Coltrane’s music.\u003c/p>\n\u003cp>\u003cem>Opening notes of “Om” by John Coltrane – 00:00\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>John Coltrane has an album entitled Om. I thought of that as far as one of the albums that meant so much to us, especially early on.\u003c/p>\n\u003cp>\u003cem>Sound of Coltrane’s “Om” playing \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>And we literally took that as John saying, “I am Om.”\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>By the mid-70s, the Kings began shifting away from Christianity.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We embrace the unity of religious ideas. If you want to say that Buddha is the light, we don’t have a problem with that.\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>They incorporated Sanskrit chanting in their service.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King chanting\u003cem>: \u003c/em>\u003c/strong>That’s something that we learned from Alice Coltrane.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Alice Coltrane, John’s widow, had been immersed in Hindu spirituality for years and had come to San Francisco to deepen her practice. The Kings met her here and eventually joined her \u003cu>new\u003c/u> religious community called the Vedantic Center. Franzo and Marina began worshipping Alice as the wife of God and adopted Hindu names.\u003c/p>\n\u003cp>Pastor Wanika remembers when her parents made that shift.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>So we go from jazz to Sanskrit and chanting and singing, you know, Hare Krishna and Shiva, Lord Shiva.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Kings sang backup on Alice’s early devotional records, like this one.\u003c/p>\n\u003cp>\u003cem>Singing \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>But in the early 80s, their relationship splintered. Alice filed a 7.5 million dollar lawsuit against the Coltrane Church for copyright infringement and using her husband’s name and likeness without permission. Alice eventually dropped the lawsuit, but the incident drew the attention of the African Orthodox Church, who wanted to expand to the West Coast. For the Kings, it was actually kind of similar to the temple they’d first opened except they had to recharacterize Coltrane from their God incarnate to a patron saint. They agreed.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>For me, John was always just sort of evolving in my consciousness. So for him to go from God to Saint was not a big stretch for me. It’s like, great, okay. I can swing with that.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>So in 1982, they became the \u003cem>\u003cu>Saint\u003c/u>\u003c/em> John Coltrane African Orthodox Church. Now part of an organized religious movement, the Coltrane Church leaned into its status as public facing leaders. Keepers, if you will, of San Francisco culture.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>I think this is something people need to understand that this church has been an ambassador for this city.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>They traveled around the world. Like to the Antibes Jazz Festival in France — where Coltrane himself famously performed \u003cem>A Love Supreme\u003c/em> in 1965.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>Carlos Santana joined us on the stage.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>And even on airlines, we would say, hey, I saw your church advertised on United Airlines, and it would, you know, it was like a goal of places you need to see in San Francisco, and it would be the St. John Coltrane Church.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>But the year 2000 marked yet another shift for the Coltrane Church when they were forced out of their Divisadero storefront. Their home of nearly 30 years.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>It was awful, it was awful. I mean, I know I never saw it coming.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Their rent more than doubled, and they had to end their free food program.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>We had to leave, and that was our home. That was our home. And then I watched that whole community change. And I just, I tell you, I couldn’t drive through that neighborhood without crying for, like, a whole year.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>They’ve relocated a few times since then. First to the Fillmore where they were one of just a handful of jazz institutions left. But they were evicted from that space too, before moving to their current location out of Fort Mason’s Magic Theater.\u003c/p>\n\u003cp>\u003cem>Sounds of Coltrane Church mass: Hallelujah! \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King during service: \u003c/strong>This next composition is entitled Tune Gene, and it means “He who comes in the glory of the Lord.” So I want you to clap your hands, pick up your tambourines. Do we have any dancers? You know, King David danced before the Lord with all the power of his might.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Now, Archbishop King and Mother Marina see the church as a kind of Mecca, where Coltrane disciples from just about anywhere can worship together. On the day I visit, they’ve come from New York, Seattle, and closer to home, Redwood City.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King in the service: \u003c/strong>This is the St. John Will-i-am Coltrane African Orthodox Church Global Spiritual Community. Amen. So we all are family, amen.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>At the end of Sunday mass Archbishop King and Mother Marina asked for donations. They’re trying to raise money to buy a building. What they hope will be a permanent home.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>So this church needs your money. Amen. Some of y’all are holding on to God’s money now.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Archbishop King and Mother Marina are in their 80s and are looking towards the future of the church, how it can live beyond them. Their daughter, Pastor Wanika, plans to take it over, to continue sharing the church’s message.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>So Coltrane Consciousness is a love supreme, a love supreme, a love supreme. That’s what this coltrane consciousness is all about.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Since Archbishop King and Mother Marina’s sound baptism in 1965, the Coltrane Church has had different names, locations, philosophies. In fact, Archbishop King often says that as the seasons change, so do the needs of the people. Change, he says, is baked into the very essence of the church.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>And then at the same time, the church never changes. It remains constantly rooted in love and \u003cem>A Love Supreme\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Music fades out\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> That story was reported by Asal Ehsanipour. You can attend mass at the Saint John Coltrane African Orthodox Church every Sunday at the Magic Theater at Fort Mason.\u003c/p>\n\u003cp>Bay Curious is produced at member-supported KQED in San Francisco.\u003c/p>\n\u003cp>Our show is made by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price.\u003c/p>\n\u003cp>With extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey and everyone on team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists, San Francisco, Northern California local.\u003c/p>\n\u003cp>Thanks for listening. Have a great week.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.kqed.org/arts/13892202/watch-saint-coltrane-a-short-film-about-the-san-francisco-church-built-on-a-love-supreme\">Saint John Coltrane \u003c/a>African Orthodox Church Global Spiritual Community begins \u003ca href=\"https://www.coltranechurch.org/\">Sunday mass\u003c/a> with the blow of a conch shell. Then the saxophone comes in, blaring the opening notes of John Coltrane’s jazz masterpiece, \u003cem>A Love Supreme\u003c/em>.\u003c/p>\n\u003cp>A Byzantine-style portrait of Coltrane is displayed on the altar. He’s wearing a white robe and clutching his soprano saxophone, a gold halo glittering above his head.\u003c/p>\n\u003cp>Throughout the service, the church band alternates between saxophone, bass and drum solos in a kind of makeshift jazz concert. Later, the sermon offered by His Eminence Archbishop Franzo W. King is a mix of traditional Christian teachings and references to Coltrane. It’s a fusion that King and his wife, the Most Reverend Mother Marina King, call “Coltrane Consciousness.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Coltrane Consciousness is acknowledging that the music and the sound of John Coltrane is that anointed sound that leaped down from the throne of heaven,” King said. “We want everybody to become aware of the power of this music, of this man, that testimony.”\u003c/p>\n\u003cp>The Coltrane Church, as it’s often called, is the \u003ca href=\"https://www.sf.gov/sites/default/files/2022-09/Item%202e.%20LBR-2021-22-019%20St.%20John%20Coltrane%20Church.pdf\">oldest \u003c/a>Black jazz organization in San Francisco now. And it has taken a windy path to achieve that longevity.\u003c/p>\n\u003ch2>A baptism of sound\u003c/h2>\n\u003cp>The Coltrane Church’s origins date back to the 1960s.\u003c/p>\n\u003cp>The Kings had recently moved to San Francisco as a young couple in love. Upon arrival they were met with a vibrant music scene, with jazz venues dotting the city. The Fillmore District became known as “The Harlem of the West” for its abundance of Black-owned nightclubs and restaurants.\u003c/p>\n\u003cfigure id=\"attachment_12068339\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068339\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-1_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Supreme Mother Rev. Marina King sings during Sunday mass at the St. John Coltrane Church at Fort Mason in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The music was as hip as you could get, and we were trying to be hipsters and being into this music,” King said. “You could leave your house on a Friday night and you wouldn’t have to come home until Sunday afternoon.”\u003c/p>\n\u003cp>On Sept. 18, 1965, the Kings celebrated their first wedding anniversary by going to see The John Coltrane Quartet at a North Beach club called The Jazz Workshop. King knew the doorman, who seated them in the front row despite them being underage.\u003c/p>\n\u003cp>As soon as Coltrane and his band entered the room, King said he felt the energy around him shift, “like [the band was] walking on a carpet of air.”\u003c/p>\n\u003cp>“It was immediate,” Mother Marina agreed. “You could feel the presence, that energy. And then [Coltrane] lifted his horn. We were right in front, and he pointed right at our table.”\u003c/p>\n\u003cp>The Kings said they were rendered speechless throughout Coltrane’s set, hardly touching their drinks as they were transported to a spiritual realm beyond the jazz club.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/MAgJ-igwuSQ'\n title='//www.youtube.com/embed/MAgJ-igwuSQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“We were caught in a windstorm of the spirit of the Holy Ghost. It was a powerful thing,” King said.\u003c/p>\n\u003cp>The Kings call this experience their “sound baptism.” From then on, their calling would be to spread John Coltrane’s gospel.\u003c/p>\n\u003ch2>From fans to worshippers\u003c/h2>\n\u003cp>They started out by hosting listening sessions with friends in their home. They’d cook up a pot of beans and some cornbread to share, then pour over music, interviews and liner notes from jazz greats like John Coltrane, Thelonious Monk and Charlie Parker.\u003c/p>\n\u003cp>On July 17, 1967, Archbishop King was out at a jazz club when he learned that Coltrane had died. The Kings’ daughter, Pastor Wanika King-Stephens, remembers walking into the living room the next morning to find that her dad and uncle had stayed up all night listening to Coltrane’s music.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“They killed John,” King-Stephens recalled her father saying.\u003c/p>\n\u003cp>Coltrane died from liver cancer, most likely fueled by his drug and alcohol addiction in the earlier years of his fame. But Archbishop King believed Coltrane’s death symbolized the systems of racism that targeted Black men in America. This was a time of heightened tension for San Francisco’s Black population. Throughout the 1960s, the city’s so-called “\u003ca href=\"https://www.kqed.org/news/11825401/how-urban-renewal-decimated-the-fillmore-district-and-took-jazz-with-it\">redevelopment for urban renewal\u003c/a>” ” program targeted low-income neighborhoods with minority residents for demolition.\u003c/p>\n\u003cp>“The redevelopment came in with the Negro removal and devastated the community,” King said.\u003c/p>\n\u003cp>San Francisco’s redevelopment project brought an end to the “Harlem of the West” that had once defined the Fillmore District. Jazz clubs shuttered, minority and elderly residents were forced from their homes, and the city’s Black-owned music scene was decimated.\u003c/p>\n\u003cp>The Kings, though, were passionate that people still needed to hear this music. Motivated by an era of Black consciousness and political activity, they opened “The Yardbird Club,” a jazz club based out of their basement. The name paid homage to the jazz musician Charlie “Yardbird” Parker.\u003c/p>\n\u003cp>This makeshift venue functioned as a space where artists visiting San Francisco could experiment with new sounds, much like the city’s jazz clubs had once done.\u003c/p>\n\u003cp>But around 1969, something shifted for the Kings. It wasn’t just about saving the music or the culture anymore. It was about saving souls.\u003c/p>\n\u003cp>After years of studying Coltrane, they came to believe that his music, his activism — his whole belief system — was really a declaration of faith.\u003c/p>\n\u003cfigure id=\"attachment_12068329\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068329\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-6_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">His Eminence Archbishop Franzo W. King greets congregants after Sunday mass at the St. John Coltrane Church at Fort Mason in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We hear John Coltrane saying, ‘My music is the spiritual expression of what I am, my faith, my knowledge, my being,” King-Stephens said.\u003c/p>\n\u003cp>The Kings went all in on their devotion. “The Yardbird Club” became “The Yardbird Temple.” They didn’t just revere Coltrane anymore — they worshiped him, believed him to be the second coming of Christ and cited \u003cem>A Love Supreme\u003c/em> as his most sacred text.\u003c/p>\n\u003ch2>A higher power\u003c/h2>\n\u003cp>Coltrane composed \u003cem>A Love Supreme\u003c/em> in the aftermath of heroin and alcohol addiction. Though he had risen to fame by the 1950s, Coltrane’s substance abuse made him unreliable. Miles Davis famously fired Coltrane from his band because of it. Coltrane had hit rock bottom and his music career was foundering because of it. So, he got clean — went cold turkey — and heard the voice of God.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Coltrane described this experience in the album’s liner notes: \u003cem>“During the year 1957, I experienced by the grace of God a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly ask to be given the means and the privilege to make others happy through music.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>A Love Supreme\u003c/em>, which came out in 1965, marked a turning point in Coltrane’s career. The album was his declaration to God and an expression of his commitment to love and the divine. For 32 minutes and 47 seconds, Coltrane’s saxophone pulses and intertwines with piano and drums — a four-note bassline bedded beneath the sound. It’s played in all 12 keys, sending a \u003ca href=\"https://www.npr.org/2000/10/23/148148986/a-love-supreme\">message\u003c/a> that you can find \u003cem>A Love Supreme\u003c/em> everywhere.\u003c/p>\n\u003cp>“We hear the Lord speaking to us in this music,” King said. “I’ve had John Coltrane through the music call my name. So we have revelations that come through the music.”\u003c/p>\n\u003cp>Mother Marina agreed. “Every time I hear it, there’s something new,” she said. “There’s always life there. It’s in the music. The magic is in the music.”\u003c/p>\n\u003cfigure id=\"attachment_12068328\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068328\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-5_qed-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Rev. Marlee-I Mystic and His Eminence Archbishop Franzo W. King pause to speak with churchgoers following Sunday mass at the St. John Coltrane Church in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Kings say the album’s four song titles — \u003cem>Acknowledgement, Resolution, Pursuance \u003c/em>and \u003cem>Psalm\u003c/em> — offer a formula for how to reach a higher power.\u003c/p>\n\u003cp>“The way his notes are moving and the way the sounds are connected, it’s almost like a rumble. It’s like a war. Sometimes he’s pleading your case. It’s many different feelings,” Mother Marina said.\u003c/p>\n\u003ch2>The 1970s: A period of transformation\u003c/h2>\n\u003cp>Now a religious community, the Kings surrendered themselves to Coltrane. They prayed, meditated and fasted for days at a time.\u003c/p>\n\u003cp>Everything was falling into place, and the Kings “felt like we were in the right place at the right time, and that the spirit of God was really heavy in this part of the world,” King said.\u003c/p>\n\u003cfigure id=\"attachment_12068333\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-12_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Music memorabilia adorns the space in preparation for Sunday mass at the St. John Coltrane Church at Fort Mason in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Black Panther Party also became supporters of the church. Its co-founder, Huey P. Newton had become a mentor to Archbishop King and encouraged him to fuse politics, culture and religion. After moving to a storefront on Divisadero Street, the church began hosting programs that mirrored The Black Panthers’ Free Breakfast Program.\u003c/p>\n\u003cp>King-Stephens said the church’s free food program was “one of my [her] favorite things in the whole world.” Seven days a week, church members would prepare free vegetarian meals for hundreds of people. The lines snaked around the block.\u003c/p>\n\u003cp>“We would go to Safeways and the supermarkets and the stuff that they would throw out, we’d take it out, put it in a tub, clean it, and serve it to the people,” King said.\u003c/p>\n\u003cp>The Kings believed that to be right with God was to be right with the people. Inspired by San Francisco’s hippie movement in the 1970s, they also hosted free yoga classes, practiced vegetarianism, and started borrowing from Eastern spirituality, led by Coltrane’s music.\u003c/p>\n\u003cp>“John Coltrane has an album entitled \u003ca href=\"https://www.youtube.com/watch?v=GwrV0qCX1LU&list=RDGwrV0qCX1LU&start_radio=1\">\u003cem>Om\u003c/em>\u003c/a>, and we literally took that as John saying, ‘I am Om,’” Mother Marina said.\u003c/p>\n\u003cp>They studied the Sufi mystic, Inayat Khan, who believed music and sound to be the world’s life source, and incorporated Sanskrit chanting in their service.\u003c/p>\n\u003cp>“We embrace the unity of religious ideas,” King said. “If you want to say that Buddha is the light, we don’t have a problem with that.”\u003cem> \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12070432\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/GettyImages-74258876-scaled-e1768939107671.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12070432\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/GettyImages-74258876-scaled-e1768939107671.jpg\" alt=\"\" width=\"2000\" height=\"1420\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">American jazz musician and composer Alice Coltrane in 1970. \u003ccite>(Photo by Michael Ochs Archives/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1974, the Kings met Alice Coltrane, John’s widow. She had converted to Hinduism after her husband’s death and came to San Francisco to deepen her practice. The Kings joined her spiritual community in San Francisco, the Vedantic Center, and began worshipping her as the wife of God. They adopted Hindu names and sang backup on her early devotional \u003ca href=\"https://www.youtube.com/watch?v=759TXOUIpjQ\">records\u003c/a>.\u003c/p>\n\u003cp>But in 1981, Coltrane filed a $7.5 million \u003ca href=\"https://www.nytimes.com/1981/10/24/nyregion/notes-on-people-coltrane-s-widow-sues-san-francisco-church.html\">lawsuit\u003c/a> against the Coltrane Church for copyright infringement and using her husband’s name and likeness without permission. She eventually dropped the lawsuit, but it set the Kings on a new path. The incident drew the attention of the African Orthodox Church, which wanted to expand to the West Coast. To join, the Kings had to recharacterize Coltrane from their God incarnate to a patron saint. They agreed.\u003c/p>\n\u003ch2>Culture keepers\u003c/h2>\n\u003cp>The church joined the A.O.C and became the Saint John Coltrane African Orthodox Church in 1982. Now part of an organized religious movement, the Coltrane church leaned into its status as public-facing leaders and keepers of San Francisco culture.\u003c/p>\n\u003cp>“I think this is something people need to understand that this church has been an ambassador for this city,” King said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>They have traveled around the world, including to the \u003ca href=\"https://jazzajuan.com/en/\">Antibes Jazz Festival\u003c/a> in France — where Coltrane himself famously \u003ca href=\"https://www.youtube.com/watch?v=lWuhPVb175Y&list=RDlWuhPVb175Y&start_radio=1\">performed\u003c/a> A Love Supreme in 1965. The Kings were joined onstage by Carlos Santana, an early supporter of the church. Several travel guides even named them a top destination when visiting San Francisco.\u003c/p>\n\u003cp>The Kings and their church were vocal advocates on issues including environmental racism and police brutality, continuing the work that had long been part of their ethos. But the year 2000 marked yet another shift for the Coltrane Church. They were forced to leave their Divisadero storefront, the church’s home for nearly 30 years, after their rent more than \u003ca href=\"https://www.sfchronicle.com/news/article/coltrane-church-holds-last-service-at-longtime-3239485.php\">doubled\u003c/a>. They also had to end their free food program.\u003c/p>\n\u003cp>“That was our home,” King-Stephens said. “And then, I watched that whole community change. And I tell you, I couldn’t drive through that neighborhood without crying for a whole year.”\u003c/p>\n\u003ch2>Looking to the future\u003c/h2>\n\u003cp>They’ve relocated a few times since then. First, to the Fillmore, where they were one of just a handful of jazz institutions left. But they were evicted from that space too, before moving to their current location out of Fort Mason’s Magic Theater.\u003c/p>\n\u003cp>Now, King and Mother Marina see the church as a kind of Mecca, where Coltrane disciples from around the world can worship together. At the end of Sunday mass, Archbishop King and Mother Marina asked the community for donations. They’re trying to raise money to buy a building — what they hope will be a permanent home.\u003c/p>\n\u003cfigure id=\"attachment_12068330\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068330\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251221_JohnColtraneChurch_December_GH-8_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Rev. Marlee-I Mystic (center) closes Sunday mass in a burst of joy and laughter at the St. John Coltrane Church in San Francisco on Dec. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Kings are in their eighties and looking towards the future of the church. Their daughter plans to usher the church into its next chapter.\u003c/p>\n\u003cp>Since the first sound baptism in 1965, the Coltrane Church has had different names, locations and philosophies. In fact, King often said that as the seasons change, so do the needs of the people. Change, he said, is baked into the very essence of the church.\u003c/p>\n\u003cp>“And then at the same time, the church never changes,” King said. ”It remains constantly rooted in love and \u003cem>A Love Supreme\u003c/em>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> John Coltrane on the saxophone is like nothing else.\u003c/p>\n\u003cp>\u003cem>Sound of Coltrane playing\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>He grew up in North Carolina in the 1930s…where the church was a big part of his life. Both of his grandfathers were ministers. But his calling was different. After high school, he moved to Philadelphia with his mother, where his music career started to take off. …\u003c/p>\n\u003cp>\u003cem>Music plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>By the mid-1950s, Coltrane was gaining recognition among other jazz musicians for the way he played, skipping scales in a style that became known as “sheets of sound.”\u003c/p>\n\u003cp>\u003cem>Music plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Here’s Coltrane in a 1960 radio interview.\u003c/p>\n\u003cp>\u003cstrong>John Coltrane: \u003c/strong>There’s some set things I know, some harmonic devices that I know that will take me out of the ordinary path if I use these. But I haven’t played them enough, and I”m not familiar enough, to take the one familiar line, so I play all of them so I can acclimate my ear. So I can hear.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>He was a famously hard worker, practicing fingering, breath control…even specific notes for hours at a time. He was even said to fall asleep with his horn in his mouth. He caught the attention of some of the most famous jazz artists of his day… playing with folks like Thelonious Monk and Miles Davis.\u003c/p>\n\u003cp>\u003cstrong>John Coltrane: \u003c/strong>When I started it it was a little different because I started through Miles Davis and he was an accepted musician, you see. They got used to me in the States now when they first heard me when I was here they did not like it I remember. It’s a little different. They’re going to reject it at first.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>But throughout these years of success, Coltrane struggled with alcohol and heroin addiction. Miles Davis famously fired him from his band for it.\u003c/p>\n\u003cp>And so, the story goes, Coltrane got clean, cold turkey, an experience he describes in the liner notes of his masterpiece, \u003cem>A Love Supreme\u003c/em>, which came out in 1965. Here’s Denzel Washington reading them in the documentary \u003cem>Chasing Trane\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Denzel Washington reading Coltrane: \u003c/strong>During the year 1957, I experienced by the grace of Gd a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly ask to be given the means and the privilege to make others happy through music.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>A Love Supreme marked a turning point in Coltrane’s career. The album was Coltrane’s declaration to God, his commitment to love and the divine.\u003c/p>\n\u003cp>And it has become the sacred text of a church in San Francisco — the Saint John Coltrane African Orthodox Church, Global Spiritual Community.\u003c/p>\n\u003cp>\u003cem>Opening riff of A Love Supreme plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Today on Bay Curious, we’re going to church to learn how a jazz musician came to be revered as a saint and how the Coltrane Church has been a part of many cultural movements over the decades, transforming alongside the city. I’m Olivia Allen-Price. Don’t go away.\u003c/p>\n\u003cp>\u003cem>Sponsor message\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>The Coltrane Church has been worshipping John Coltrane’s music, philosophy, and at times, even the man himself for 60 years. Reporter Asal Ehsanipour takes us to Sunday mass to learn more about what that sounds like.\u003c/p>\n\u003cp>\u003cem>Sounds of Coltrane Church Mass\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Saint John Coltrane African Orthodox Church opens Sunday mass with the blow of a conch shell.\u003c/p>\n\u003cp>\u003cem>Sound of conch shell blowing\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Then the saxophone comes in, blaring the opening notes of John Coltrane’s \u003cem>A Love Supreme\u003c/em>.\u003c/p>\n\u003cp>\u003cem>A Love Supreme plays\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>On the altar is a Byzantine-style portrait of John Coltrane. He’s wearing a white robe and clutching his soprano saxophone. A gold halo glitters above his head.\u003c/p>\n\u003cp>Throughout the service, the band alternates between sax, bass, and drum solos in a kind of makeshift jazz concert. Later, the sermon offered by His Eminence the Most Reverend Franzo W. King is a mix of traditional Christian teachings, and references to Coltrane.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King during mass: \u003c/strong>Jesus is the Lord of lords and the king of kings. And that one John Will.i.am Coltrane is that anointed sound that leaped down from the throne of heaven.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>For Archbishop King and his wife, the Most Reverend Mother Marina, the music and their worship is one and the same.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>The mission of the church is to paint the globe with Coltrane Consciousness.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Coltrane Consciousness.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>Coltrane Consciousness is acknowledging that the music and the sound of John Coltraine is that anointed sound. So we want everybody to become aware of the power of this music, of this man, that testimony.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Kings first heard the power of that testimony in 1960s San Francisco — as a young couple in love.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The music was as hip as you could get, and we were trying to be hipsters and being into this music.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>One weekend, 1965, Franzo and Marina planned to celebrate their first wedding anniversary. They wanted to see The John Coltrane Quartet at a club in North Beach called The Jazz Workshop.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>You had to be 21 and we were both underage, but I knew the doorman. And he took us right up front.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>As soon as Coltrane entered the room, the Kings felt the energy around them shift.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>When they walked out, it was almost like they were walking on a carpet of air.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina: \u003c/strong>It was immediate. You could feel the presence, that energy.\u003c/p>\n\u003cp>\u003cem>Coltrane music starts here\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>And then he lifted his horn. We were right in front, and he pointed right at our table.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>From the first note, we were lifted into another place beyond the confines of that jazz club. And when we finished, our drinks were still on the table, the ice had melted. I don’t remember us even talking to each other.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>I didn’t know exactly how to react to it. I was just in the moment of experiencing a new experience.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We were caught in a windstorm of the spirit of the Holy Ghost. It was a powerful thing.\u003c/p>\n\u003cp>They call this experience their “sound baptism.” From then on, their calling would be to spread John Coltrane’s gospel.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We couldn’t keep it to ourselves. We had to give testimony, we had to tell people.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>And tell people they did. Franzo and Marina had actually created a space to share their favorite music with friends — in a way, their first iteration of the Coltrane Church. Pastor Wanika King-Stephens still remembers those evenings her parents used to host.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>Really what that entailed was our listening clinic that took place in my parents’ living room. My mom would put on a pot of beans and make some cornbread and have people come over and they would sit and listen to the music of Thelonious Monk and Charlie Parker.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Franzo and Marina poured over liner notes and interviews, spent hours absorbed in the music, analyzing it together. Then came July 17, 1967.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>When John Coltrane died I came into the living room to find my dad and my uncle and they had been up all night. Listening to Trane and just talking about him and the music and so when I came in the room, I’m like, “what’s what’s wrong?” You know, they said, you know, “they killed John.”\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Coltrane died from liver cancer, most likely fueled by his drug and alcohol addiction. But to Franzo, his death symbolized the systems of racism that targeted Black men in America.\u003c/p>\n\u003cp>This was a time of heightened tension for San Francisco’s Black population. The city’s so-called “urban renewal” project was in full swing and it targeted low-income neighborhoods with minority residents for demolition.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The redevelopment came in with the Negro removal and devastated the community.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Redevelopment brought an end to the “Harlem of the West” that defined the Fillmore in the 40s and 50s. Jazz clubs shuttered. Minority and elderly residents were forced from their homes. And the city’s Black-owned music scene was decimated. Franzo, though, was passionate that people needed to hear this music.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>And it was during that period, too, where so-called black consciousness was coming out. It was just a very high cultural, political things going on.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>So he and Marina mobilized. They opened what was essentially an underground jazz club — from their basement.\u003c/p>\n\u003cp>Coltrane had spoken out about the corporatization of jazz. It was just \u003cu>one\u003c/u> example of how he’d grown into an icon for the Black Power movement.\u003c/p>\n\u003cp>\u003cem>Coltrane’s song Alabama plays \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Here’s Coltrane’s 1963 song, Alabama, about the 16th Street Church bombing in Birmingham that killed four African American girls. Coltrane composed it to the rhythm of Martin Luther King Jr.’s eulogy following the attack.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>So we’re living in these times of turmoil, yes it comes out in the music.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>But eventually, something shifted. For the Kings, the work stopped being about saving the music or the culture. It was about saving souls. Because after years of studying Coltrane, it had become clear to them that his music, his activism — his whole belief system — was really a declaration of faith.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>And we hear John Coltrane saying, my music is the spiritual expression of what I am, my faith, my knowledge, my being.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Kings went all in on their devotion. They converted the jazz club into a temple. Now they didn’t just revere Coltrane. They worshipped him. Believed he was the second coming of Christ.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>That he’s more than just a musician, but he is a prophet.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>And that \u003cem>A Love Supreme \u003c/em>was his sacred text — his doctrine.\u003c/p>\n\u003cp>\u003cem>A Love Supreme starts playing\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>For 32 minutes and 47 seconds, Coltrane’s saxophone pulses and intertwines with piano and drums, a four note bassline bedded beneath the sound. It’s played in all 12 keys, sending a message that you can find A Love Supreme everywhere.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We hear the Lord speaking to us in this music. I’ve had John Coltrane through the music call my name. So we have revelations that come through the music. And you find that in the sound of the music, you find it in the name of the compositions.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Archbishop King and Mother Marina say the album’s four song titles — \u003cem>Acknowledgment, Resolution, Pursuance, and Psalm —\u003c/em> offer a formula for how to reach a higher power.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>The way his notes are moving and the way the sounds are connected, it’s almost like a rumble. It’s like a war. Sometimes he’s pleading your case. Every time I hear it, there’s something new. There’s always life there. It’s in the music, the magic is in the music.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Franzo and Marina surrendered themselves to Coltrane. They prayed, meditated, and fasted for days at a time.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>And we just felt like we were in the right place at the right time, and that the Spirit of God was really heavy in this part of the world.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Around this time, The Black Panther Party was gaining traction. Started in Oakland in 1966 its co-founder Huey P. Newton had become a kind of mentor to Franzo.\u003c/p>\n\u003cp>\u003cstrong>Huey P. Newton: \u003c/strong>The Black Panther Party for self defense is organized now throughout the nation.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Here’s Newton in 1968 describing the mission of the Panthers.\u003c/p>\n\u003cp>\u003cstrong>Huey P Newton: \u003c/strong>And we advocate that all Black people in America are taught what politics is all about and what our history is all about.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Newton encouraged the Coltrane Church to fuse politics and culture with religion. And in 1971, the Kings opened their first permanent location in a storefront on Divisadero St. From there, they started hosting social programs, similar to the Black Panthers’ Free Breakfast Program.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>The food program was one of my favorite things in the whole world.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Pastor Wanika says that seven days a week, they’d give free vegetarian meals to hundreds of people. The lines snaked around the block.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>We would sing songs, you know, \u003cem>‘Serving the people makes me mighty glad. [fade under] \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We would go to Safeways and the supermarkets and the stuff that they would throw out. We’d take it out, put it in a tub, clean it, and serve it to the people.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Franzo and Marina believed that to be right with God was to be \u003cem>\u003cu>right\u003c/u>\u003c/em> with the people. So they also hosted free yoga classes and donated clothes to the community.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We kind of learned that stuff from the hippies.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The vibe was Flower Power, psychedelics…\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The Grateful Dead…\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Utopian communes based out of old Victorian houses.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>The so-called hippie movement was a powerful thing and we were very much a part of that.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>And like the hippies, the Kings started borrowing from Eastern spirituality, led by Coltrane’s music.\u003c/p>\n\u003cp>\u003cem>Opening notes of “Om” by John Coltrane – 00:00\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>John Coltrane has an album entitled Om. I thought of that as far as one of the albums that meant so much to us, especially early on.\u003c/p>\n\u003cp>\u003cem>Sound of Coltrane’s “Om” playing \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>And we literally took that as John saying, “I am Om.”\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>By the mid-70s, the Kings began shifting away from Christianity.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>We embrace the unity of religious ideas. If you want to say that Buddha is the light, we don’t have a problem with that.\u003cem> \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>They incorporated Sanskrit chanting in their service.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King chanting\u003cem>: \u003c/em>\u003c/strong>That’s something that we learned from Alice Coltrane.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Alice Coltrane, John’s widow, had been immersed in Hindu spirituality for years and had come to San Francisco to deepen her practice. The Kings met her here and eventually joined her \u003cu>new\u003c/u> religious community called the Vedantic Center. Franzo and Marina began worshipping Alice as the wife of God and adopted Hindu names.\u003c/p>\n\u003cp>Pastor Wanika remembers when her parents made that shift.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>So we go from jazz to Sanskrit and chanting and singing, you know, Hare Krishna and Shiva, Lord Shiva.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>The Kings sang backup on Alice’s early devotional records, like this one.\u003c/p>\n\u003cp>\u003cem>Singing \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>But in the early 80s, their relationship splintered. Alice filed a 7.5 million dollar lawsuit against the Coltrane Church for copyright infringement and using her husband’s name and likeness without permission. Alice eventually dropped the lawsuit, but the incident drew the attention of the African Orthodox Church, who wanted to expand to the West Coast. For the Kings, it was actually kind of similar to the temple they’d first opened except they had to recharacterize Coltrane from their God incarnate to a patron saint. They agreed.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>For me, John was always just sort of evolving in my consciousness. So for him to go from God to Saint was not a big stretch for me. It’s like, great, okay. I can swing with that.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>So in 1982, they became the \u003cem>\u003cu>Saint\u003c/u>\u003c/em> John Coltrane African Orthodox Church. Now part of an organized religious movement, the Coltrane Church leaned into its status as public facing leaders. Keepers, if you will, of San Francisco culture.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>I think this is something people need to understand that this church has been an ambassador for this city.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>They traveled around the world. Like to the Antibes Jazz Festival in France — where Coltrane himself famously performed \u003cem>A Love Supreme\u003c/em> in 1965.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>Carlos Santana joined us on the stage.\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King: \u003c/strong>And even on airlines, we would say, hey, I saw your church advertised on United Airlines, and it would, you know, it was like a goal of places you need to see in San Francisco, and it would be the St. John Coltrane Church.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>But the year 2000 marked yet another shift for the Coltrane Church when they were forced out of their Divisadero storefront. Their home of nearly 30 years.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>It was awful, it was awful. I mean, I know I never saw it coming.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Their rent more than doubled, and they had to end their free food program.\u003c/p>\n\u003cp>\u003cstrong>Wanika King-Stephens: \u003c/strong>We had to leave, and that was our home. That was our home. And then I watched that whole community change. And I just, I tell you, I couldn’t drive through that neighborhood without crying for, like, a whole year.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>They’ve relocated a few times since then. First to the Fillmore where they were one of just a handful of jazz institutions left. But they were evicted from that space too, before moving to their current location out of Fort Mason’s Magic Theater.\u003c/p>\n\u003cp>\u003cem>Sounds of Coltrane Church mass: Hallelujah! \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Mother Marina King during service: \u003c/strong>This next composition is entitled Tune Gene, and it means “He who comes in the glory of the Lord.” So I want you to clap your hands, pick up your tambourines. Do we have any dancers? You know, King David danced before the Lord with all the power of his might.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Now, Archbishop King and Mother Marina see the church as a kind of Mecca, where Coltrane disciples from just about anywhere can worship together. On the day I visit, they’ve come from New York, Seattle, and closer to home, Redwood City.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King in the service: \u003c/strong>This is the St. John Will-i-am Coltrane African Orthodox Church Global Spiritual Community. Amen. So we all are family, amen.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>At the end of Sunday mass Archbishop King and Mother Marina asked for donations. They’re trying to raise money to buy a building. What they hope will be a permanent home.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>So this church needs your money. Amen. Some of y’all are holding on to God’s money now.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Archbishop King and Mother Marina are in their 80s and are looking towards the future of the church, how it can live beyond them. Their daughter, Pastor Wanika, plans to take it over, to continue sharing the church’s message.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>So Coltrane Consciousness is a love supreme, a love supreme, a love supreme. That’s what this coltrane consciousness is all about.\u003c/p>\n\u003cp>\u003cstrong>Asal Ehsanipour: \u003c/strong>Since Archbishop King and Mother Marina’s sound baptism in 1965, the Coltrane Church has had different names, locations, philosophies. In fact, Archbishop King often says that as the seasons change, so do the needs of the people. Change, he says, is baked into the very essence of the church.\u003c/p>\n\u003cp>\u003cstrong>Archbishop King: \u003c/strong>And then at the same time, the church never changes. It remains constantly rooted in love and \u003cem>A Love Supreme\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Music fades out\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> That story was reported by Asal Ehsanipour. You can attend mass at the Saint John Coltrane African Orthodox Church every Sunday at the Magic Theater at Fort Mason.\u003c/p>\n\u003cp>Bay Curious is produced at member-supported KQED in San Francisco.\u003c/p>\n\u003cp>Our show is made by Katrina Schwartz, Christopher Beale and me, Olivia Allen-Price.\u003c/p>\n\u003cp>With extra support from Maha Sanad, Katie Sprenger, Jen Chien, Ethan Toven-Lindsey and everyone on team KQED.\u003c/p>\n\u003cp>Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists, San Francisco, Northern California local.\u003c/p>\n\u003cp>Thanks for listening. Have a great week.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
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"slug": "san-francisco-airports-fear-of-flying-clinic-welcomes-nervous-passengers-aboard",
"title": "San Francisco Airport’s Fear of Flying Clinic Welcomes Nervous Passengers Aboard",
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"headTitle": "San Francisco Airport’s Fear of Flying Clinic Welcomes Nervous Passengers Aboard | KQED",
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"content": "\u003cp>It’s twenty minutes before Alaska Airlines flight 626 takes off from \u003ca href=\"https://www.kqed.org/news/tag/san-francisco-international-airport\">San Francisco International Airport \u003c/a>for Seattle.\u003c/p>\n\u003cp>Colette Vance closes her eyes and calms herself with a string of rosary beads, hoping that her claustrophobia doesn’t trigger a panic attack.\u003c/p>\n\u003cp>It happened the year prior, when she was flying back to North Carolina for her final semester as a college senior. She had such intense anxiety that she felt as if she was about to die. After graduation, she avoided flying altogether and drove all the way back to California instead. It was on that long road trip home that she realized she needed to confront her fear of flying.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The fear of flying is less a single phobia than a place where other fears converge. For many people, it’s rooted in one or more anxieties that flying brings into focus — the fear of turbulence, of heights, or of having a panic attack in front of strangers with no escape.\u003c/p>\n\u003cp>For Vance, being inside an aircraft activates her claustrophobia — a condition she developed at nine years old. A series of surgeries caused her to feel severe anxiety in closed spaces. Her panic attacks increased during her teenage years, especially on airplanes.\u003c/p>\n\u003cp>“If I’m in a car, I can pull over, open my door and get some relief,” she says. “But when I’m in a plane, there’s no\u003cem> out\u003c/em>.”\u003c/p>\n\u003ch2>A safe space to face the fear\u003c/h2>\n\u003cp>Air travel isn’t something that most people can do often enough to ease their anxiety. Each trip can feel like starting all over again.\u003c/p>\n\u003cp>Luckily, Vance found somewhere to practice being uncomfortable: the \u003ca href=\"https://www.fofc.com/\">Fear of Flying Clinic,\u003c/a> a nonprofit support organization hosted at the San Francisco International Airport.\u003c/p>\n\u003cfigure id=\"attachment_12068789\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7569-scaled-e1767726106793.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7569-scaled-e1767726106793.jpg\" alt=\"\" width=\"2000\" height=\"1500\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Collette Vance, a participant in the Fear of Flying Clinic, prays before takeoff from San Francisco on Aug. 10, 2025. \u003ccite>(Evan Roberts/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fran Grant and Jeanne McElhatton, both licensed pilots, founded the clinic in 1976 in San Mateo, California. They created an educational program in order to help Grant’s husband overcome his turbulence anxiety so he could travel to Australia.\u003c/p>\n\u003cp>The curriculum demystified air travel and addressed the physical and psychological roots of fear. The first clinic welcomed a small group of anxious travelers and, by the end, Grant’s husband was calm enough to sleep through turbulence that had once overwhelmed him.\u003c/p>\n\u003cp>Today, clients from across California spend two consecutive weekends understanding the mechanics of flight and learning how to rewire their anxious thoughts. A four-day workshop culminates in a round-trip graduation flight to Seattle.\u003c/p>\n\u003cp>Vance arrives at the clinic on the first day with her mother, Louise, joining eight other participants, including one couple who drove in from Fresno. Volunteers run the workshop — many of whom are nervous flyers and have gone through the clinic themselves — and include instruction from working pilots, air traffic controllers, flight attendants and aircraft maintenance technicians.\u003c/p>\n\u003cp>Volunteer psychotherapist Paula Zimmerman begins the workshop by asking everyone to introduce themselves and their concerns about flying. Reasons for signing up range widely: panic attacks, childhood trauma from an earthquake, a decades-old rescue mission during the Vietnam War. One participant in their fifties had never even been inside an airplane.\u003c/p>\n\u003cp>Often, Zimmerman says, they sign up because of an important upcoming trip.\u003c/p>\n\u003ch2>Retrain the brain\u003c/h2>\n\u003cp>Zimmerman wants participants to understand the difference between adrenaline and real danger. Her goal is to help them to distinguish between the thing that’s happening to them and how they \u003cem>think \u003c/em>about the thing that’s happening to them.\u003c/p>\n\u003cp>She writes the letter “A” on a large sheet of paper at the front of the room. A stands for an activating event — like, for example, turbulence.[aside postID=news_12065083 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/11/wmn-afrofuturism-gallery-03-2000x1337.jpg']Then she adds “B”, for belief — the idea you have about the turbulence. Someone might believe, for example, that turbulence means the pilot has lost control, and the plane is going to crash.\u003c/p>\n\u003cp>Finally, she writes “C” — the consequence of that belief. For most everyone in the room, the consequence is often panic.\u003c/p>\n\u003cp>In particular, she wants the group to analyze the tricky second step of belief. If you believe turbulence means disaster, it makes sense you’d be terrified. But what if that belief simply isn’t true?\u003c/p>\n\u003cp>To help make her point, she brings in reinforcements: retired pilot Keith Koch, who flew commercially for 40 years, fields questions about turbulence all the time. Turbulence, he explains, rarely moves a plane more than a few feet.\u003c/p>\n\u003cp>“As long as your seatbelt is on, you’re perfectly safe in turbulence,” he says.\u003c/p>\n\u003cp>His claim is backed by \u003ca href=\"https://ral.ucar.edu/sites/default/files/docs/eick-turbulencerelatedaccidents.pdf\">data\u003c/a>: deaths from turbulence are very \u003ca href=\"https://www.usatoday.com/story/travel/airline-news/2024/05/21/turbulence-deaths-climate-change/73787876007/\">rare\u003c/a>, and no modern commercial aircraft has been lost to turbulence alone.\u003c/p>\n\u003cp>Zimmerman offers a reframing tool to help shift people out of fear and into fact. Instead of saying “turbulence scares me,” she suggests: “I upset myself when there’s turbulence.”\u003c/p>\n\u003cfigure id=\"attachment_12067124\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067124\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Captain Daniel Stellini gives a presentation at the Fear of Flying workshop at the Reflection Room at San Francisco International Airport in San Francisco on Dec. 13, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It sounds subtle, but the shift matters.\u003c/p>\n\u003cp>“If I give the power to turbulence,” she says, “that means every time I’m in a turbulent flight, I scare \u003cem>myself\u003c/em>!”\u003c/p>\n\u003cp>The goal is to recognize that the plane isn’t the source of the panic — it’s what you think about the plane that causes your adrenaline to rise.\u003c/p>\n\u003cp>In order to retrain their brains to respond differently, the group has to expose themselves to the very thing they think is dangerous: the inside of a plane.\u003c/p>\n\u003cp>“How are you going to be less afraid of dogs unless you meet a dog?” she asks. “How are you gonna be less afraid of flying unless you get on a plane?”\u003c/p>\n\u003ch2>Exposure, the good kind\u003c/h2>\n\u003cp>On the second day of the clinic, participants gather at United Airlines’ Technical Operations building just north of SFO. They wear bright orange safety vests, walk across the tarmac toward a maintenance hangar and gather beneath the tail of a 787 — also known as “the Dreamliner.”\u003c/p>\n\u003cp>Together, they observe the massive aircraft. Just seeing the outline of the emergency exit door triggers a familiar sense of dread and entrapment for Vance, who practices Zimmerman’s reframing.[aside postID=news_[aside postID=news_12065518 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-SFOEATING-31-BL-KQED.jpg']“It’s just an airplane,” she tells herself. “Airplanes don’t harm anybody.”\u003c/p>\n\u003cp>A metal staircase is rolled up to the 787’s back entrance. One by one, participants climb inside. They wander down the aisles, absorbing from all senses. One person peers into the oven in the galley. Another taps the top of each seatback. Vance pauses at the emergency exit door window, her hands clasped behind her as if she’s walking through a museum.\u003c/p>\n\u003cp>Zimmerman gathers the group toward the rear of the aircraft. A volunteer flight attendant plays the familiar chimes and announcements they’d hear during a real commercial flight.\u003c/p>\n\u003cp>As the group closes their eyes and focuses on their break, Zimmerman recites what’s called an “imaginal script” — a first-person narrative meant to help them rehearse their coping strategies and guide them through every step of the air travel experience.\u003c/p>\n\u003cp>“You feel the speed and the strong acceleration,” she reads. “You hear the sounds as the plane lifts. Your plane has reached cruising altitude.”\u003c/p>\n\u003ch2>Graduation in the sky\u003c/h2>\n\u003cp>The group reunites at the airport one week later. This time, they’re on a real commercial flight to Seattle. As the plane accelerates down the runway, Vance gives herself a pep talk.\u003c/p>\n\u003cp>“I’m in charge. I’m the boss,” she whispers. “I have God on my side.”\u003c/p>\n\u003cfigure id=\"attachment_12068794\" class=\"wp-caption alignright\" style=\"max-width: 1920px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-scaled.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-2000x2667.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Collette Vance looks out the window before takeoff from San Francisco on Aug. 10, 2025. \u003ccite>(Evan Roberts/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nearby, there are other nervous flyers from the clinic. Paul is seated just in front of her, and Sarah and Katherine are across the aisle.\u003c/p>\n\u003cp>Once the seat belt sign is off, volunteer instructor Koch is free to move about the cabin and check in with each participant. He’s wearing his pilot’s uniform: crisp white shirt and tie, navy blazer, and wings pinned near his lapel.\u003c/p>\n\u003cp>“The hardest thing you did was show up on day one,” he tells Vance. “If you show up on day one, there’s a really high chance you’ll end up here on day four — right where you are, on an airplane.”\u003c/p>\n\u003cp>The plane begins its descent into Seattle. It sinks in for Vance that she made it through the flight without a panic attack, and her excitement swells. She leans forward to Paul, seated in front of her.\u003c/p>\n\u003cp>“When the plane lands, do you wanna clap and cheer?” she asks. “Pass it down to everybody.” He does.\u003c/p>\n\u003cp>She looks out her window as the ground gets closer and closer. As the wheels hit the runway, the clinic group erupts with cheers and congratulations. Someone jokes that they wish this group could join them on every flight.\u003c/p>\n\u003cp>In the Seattle airport, they all eat lunch together at a Chinese restaurant and get fortune cookies. On the flight back to SFO later that day, Colette opens hers and shrieks with excitement.\u003c/p>\n\u003cp>Her fortune reads: “You will travel to many exotic places in the next few years.”\u003c/p>\n\u003cp>\u003cem>Reporter \u003c/em>\u003ca href=\"https://www.evandavidroberts.com/\">\u003cem>Evan Roberts\u003c/em>\u003c/a>\u003cem> was a 2025 Summer Fellow with \u003c/em>\u003ca href=\"https://www.kalw.org/people/evan-roberts\">\u003cem>KALW,\u003c/em>\u003c/a>\u003cem> where he first reported this piece.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s twenty minutes before Alaska Airlines flight 626 takes off from \u003ca href=\"https://www.kqed.org/news/tag/san-francisco-international-airport\">San Francisco International Airport \u003c/a>for Seattle.\u003c/p>\n\u003cp>Colette Vance closes her eyes and calms herself with a string of rosary beads, hoping that her claustrophobia doesn’t trigger a panic attack.\u003c/p>\n\u003cp>It happened the year prior, when she was flying back to North Carolina for her final semester as a college senior. She had such intense anxiety that she felt as if she was about to die. After graduation, she avoided flying altogether and drove all the way back to California instead. It was on that long road trip home that she realized she needed to confront her fear of flying.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The fear of flying is less a single phobia than a place where other fears converge. For many people, it’s rooted in one or more anxieties that flying brings into focus — the fear of turbulence, of heights, or of having a panic attack in front of strangers with no escape.\u003c/p>\n\u003cp>For Vance, being inside an aircraft activates her claustrophobia — a condition she developed at nine years old. A series of surgeries caused her to feel severe anxiety in closed spaces. Her panic attacks increased during her teenage years, especially on airplanes.\u003c/p>\n\u003cp>“If I’m in a car, I can pull over, open my door and get some relief,” she says. “But when I’m in a plane, there’s no\u003cem> out\u003c/em>.”\u003c/p>\n\u003ch2>A safe space to face the fear\u003c/h2>\n\u003cp>Air travel isn’t something that most people can do often enough to ease their anxiety. Each trip can feel like starting all over again.\u003c/p>\n\u003cp>Luckily, Vance found somewhere to practice being uncomfortable: the \u003ca href=\"https://www.fofc.com/\">Fear of Flying Clinic,\u003c/a> a nonprofit support organization hosted at the San Francisco International Airport.\u003c/p>\n\u003cfigure id=\"attachment_12068789\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7569-scaled-e1767726106793.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7569-scaled-e1767726106793.jpg\" alt=\"\" width=\"2000\" height=\"1500\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Collette Vance, a participant in the Fear of Flying Clinic, prays before takeoff from San Francisco on Aug. 10, 2025. \u003ccite>(Evan Roberts/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fran Grant and Jeanne McElhatton, both licensed pilots, founded the clinic in 1976 in San Mateo, California. They created an educational program in order to help Grant’s husband overcome his turbulence anxiety so he could travel to Australia.\u003c/p>\n\u003cp>The curriculum demystified air travel and addressed the physical and psychological roots of fear. The first clinic welcomed a small group of anxious travelers and, by the end, Grant’s husband was calm enough to sleep through turbulence that had once overwhelmed him.\u003c/p>\n\u003cp>Today, clients from across California spend two consecutive weekends understanding the mechanics of flight and learning how to rewire their anxious thoughts. A four-day workshop culminates in a round-trip graduation flight to Seattle.\u003c/p>\n\u003cp>Vance arrives at the clinic on the first day with her mother, Louise, joining eight other participants, including one couple who drove in from Fresno. Volunteers run the workshop — many of whom are nervous flyers and have gone through the clinic themselves — and include instruction from working pilots, air traffic controllers, flight attendants and aircraft maintenance technicians.\u003c/p>\n\u003cp>Volunteer psychotherapist Paula Zimmerman begins the workshop by asking everyone to introduce themselves and their concerns about flying. Reasons for signing up range widely: panic attacks, childhood trauma from an earthquake, a decades-old rescue mission during the Vietnam War. One participant in their fifties had never even been inside an airplane.\u003c/p>\n\u003cp>Often, Zimmerman says, they sign up because of an important upcoming trip.\u003c/p>\n\u003ch2>Retrain the brain\u003c/h2>\n\u003cp>Zimmerman wants participants to understand the difference between adrenaline and real danger. Her goal is to help them to distinguish between the thing that’s happening to them and how they \u003cem>think \u003c/em>about the thing that’s happening to them.\u003c/p>\n\u003cp>She writes the letter “A” on a large sheet of paper at the front of the room. A stands for an activating event — like, for example, turbulence.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Then she adds “B”, for belief — the idea you have about the turbulence. Someone might believe, for example, that turbulence means the pilot has lost control, and the plane is going to crash.\u003c/p>\n\u003cp>Finally, she writes “C” — the consequence of that belief. For most everyone in the room, the consequence is often panic.\u003c/p>\n\u003cp>In particular, she wants the group to analyze the tricky second step of belief. If you believe turbulence means disaster, it makes sense you’d be terrified. But what if that belief simply isn’t true?\u003c/p>\n\u003cp>To help make her point, she brings in reinforcements: retired pilot Keith Koch, who flew commercially for 40 years, fields questions about turbulence all the time. Turbulence, he explains, rarely moves a plane more than a few feet.\u003c/p>\n\u003cp>“As long as your seatbelt is on, you’re perfectly safe in turbulence,” he says.\u003c/p>\n\u003cp>His claim is backed by \u003ca href=\"https://ral.ucar.edu/sites/default/files/docs/eick-turbulencerelatedaccidents.pdf\">data\u003c/a>: deaths from turbulence are very \u003ca href=\"https://www.usatoday.com/story/travel/airline-news/2024/05/21/turbulence-deaths-climate-change/73787876007/\">rare\u003c/a>, and no modern commercial aircraft has been lost to turbulence alone.\u003c/p>\n\u003cp>Zimmerman offers a reframing tool to help shift people out of fear and into fact. Instead of saying “turbulence scares me,” she suggests: “I upset myself when there’s turbulence.”\u003c/p>\n\u003cfigure id=\"attachment_12067124\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067124\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251213-FEAROFFLYING00367_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Captain Daniel Stellini gives a presentation at the Fear of Flying workshop at the Reflection Room at San Francisco International Airport in San Francisco on Dec. 13, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It sounds subtle, but the shift matters.\u003c/p>\n\u003cp>“If I give the power to turbulence,” she says, “that means every time I’m in a turbulent flight, I scare \u003cem>myself\u003c/em>!”\u003c/p>\n\u003cp>The goal is to recognize that the plane isn’t the source of the panic — it’s what you think about the plane that causes your adrenaline to rise.\u003c/p>\n\u003cp>In order to retrain their brains to respond differently, the group has to expose themselves to the very thing they think is dangerous: the inside of a plane.\u003c/p>\n\u003cp>“How are you going to be less afraid of dogs unless you meet a dog?” she asks. “How are you gonna be less afraid of flying unless you get on a plane?”\u003c/p>\n\u003ch2>Exposure, the good kind\u003c/h2>\n\u003cp>On the second day of the clinic, participants gather at United Airlines’ Technical Operations building just north of SFO. They wear bright orange safety vests, walk across the tarmac toward a maintenance hangar and gather beneath the tail of a 787 — also known as “the Dreamliner.”\u003c/p>\n\u003cp>Together, they observe the massive aircraft. Just seeing the outline of the emergency exit door triggers a familiar sense of dread and entrapment for Vance, who practices Zimmerman’s reframing.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“It’s just an airplane,” she tells herself. “Airplanes don’t harm anybody.”\u003c/p>\n\u003cp>A metal staircase is rolled up to the 787’s back entrance. One by one, participants climb inside. They wander down the aisles, absorbing from all senses. One person peers into the oven in the galley. Another taps the top of each seatback. Vance pauses at the emergency exit door window, her hands clasped behind her as if she’s walking through a museum.\u003c/p>\n\u003cp>Zimmerman gathers the group toward the rear of the aircraft. A volunteer flight attendant plays the familiar chimes and announcements they’d hear during a real commercial flight.\u003c/p>\n\u003cp>As the group closes their eyes and focuses on their break, Zimmerman recites what’s called an “imaginal script” — a first-person narrative meant to help them rehearse their coping strategies and guide them through every step of the air travel experience.\u003c/p>\n\u003cp>“You feel the speed and the strong acceleration,” she reads. “You hear the sounds as the plane lifts. Your plane has reached cruising altitude.”\u003c/p>\n\u003ch2>Graduation in the sky\u003c/h2>\n\u003cp>The group reunites at the airport one week later. This time, they’re on a real commercial flight to Seattle. As the plane accelerates down the runway, Vance gives herself a pep talk.\u003c/p>\n\u003cp>“I’m in charge. I’m the boss,” she whispers. “I have God on my side.”\u003c/p>\n\u003cfigure id=\"attachment_12068794\" class=\"wp-caption alignright\" style=\"max-width: 1920px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-scaled.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-2000x2667.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/IMG_7701-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Collette Vance looks out the window before takeoff from San Francisco on Aug. 10, 2025. \u003ccite>(Evan Roberts/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nearby, there are other nervous flyers from the clinic. Paul is seated just in front of her, and Sarah and Katherine are across the aisle.\u003c/p>\n\u003cp>Once the seat belt sign is off, volunteer instructor Koch is free to move about the cabin and check in with each participant. He’s wearing his pilot’s uniform: crisp white shirt and tie, navy blazer, and wings pinned near his lapel.\u003c/p>\n\u003cp>“The hardest thing you did was show up on day one,” he tells Vance. “If you show up on day one, there’s a really high chance you’ll end up here on day four — right where you are, on an airplane.”\u003c/p>\n\u003cp>The plane begins its descent into Seattle. It sinks in for Vance that she made it through the flight without a panic attack, and her excitement swells. She leans forward to Paul, seated in front of her.\u003c/p>\n\u003cp>“When the plane lands, do you wanna clap and cheer?” she asks. “Pass it down to everybody.” He does.\u003c/p>\n\u003cp>She looks out her window as the ground gets closer and closer. As the wheels hit the runway, the clinic group erupts with cheers and congratulations. Someone jokes that they wish this group could join them on every flight.\u003c/p>\n\u003cp>In the Seattle airport, they all eat lunch together at a Chinese restaurant and get fortune cookies. On the flight back to SFO later that day, Colette opens hers and shrieks with excitement.\u003c/p>\n\u003cp>Her fortune reads: “You will travel to many exotic places in the next few years.”\u003c/p>\n\u003cp>\u003cem>Reporter \u003c/em>\u003ca href=\"https://www.evandavidroberts.com/\">\u003cem>Evan Roberts\u003c/em>\u003c/a>\u003cem> was a 2025 Summer Fellow with \u003c/em>\u003ca href=\"https://www.kalw.org/people/evan-roberts\">\u003cem>KALW,\u003c/em>\u003c/a>\u003cem> where he first reported this piece.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "scott-adams-whose-comic-strip-dilbert-ridiculed-white-collar-office-life-dies-at-68",
"title": "Scott Adams, Whose Comic Strip 'Dilbert' Ridiculed White-Collar Office Life, Dies at 68",
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"headTitle": "Scott Adams, Whose Comic Strip ‘Dilbert’ Ridiculed White-Collar Office Life, Dies at 68 | KQED",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/forum/201312171000/dilbert-creator-scott-adams-on-failure\">Scott Adams,\u003c/a> the Bay Area cartoonist whose popular comic strip “Dilbert” captured the frustration of beleaguered, white-collar cubicle workers and satirized the ridiculousness of modern office culture until he was abruptly \u003ca href=\"https://www.kqed.org/arts/13925686/scott-adams-dilbert-racist-rant-mcmeel-universal-rasmussen\">dropped from syndication in 2023\u003c/a> for racist remarks, has died. He was 68.\u003c/p>\n\u003cp>His first ex-wife, Shelly Miles, announced the death Tuesday on a livestream posted on Adams’ social media accounts. “He’s not with us right anymore,” she said. Adams revealed in 2025 that he \u003ca href=\"https://apnews.com/article/dilbert-scott-adams-biden-prostate-cancer-8f3edf0a108f55344138ceb4b27e02b9\">had prostate cancer\u003c/a> that had spread to his bones. Miles had said he was in hospice care in his Northern California home on Monday.\u003c/p>\n\u003cp>“I had an amazing life,” the statement said in part. “I gave it everything I had.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At its height, “Dilbert,” with its mouthless, bespectacled hero in a white short-sleeved shirt and a perpetually curled red tie, appeared in 2,000 newspapers worldwide in at least 70 countries and 25 languages.\u003c/p>\n\u003cp>Adams was the 1997 recipient of the National Cartoonist Society’s Reuben Award, considered one of the most prestigious awards for cartoonists. That same year, “Dilbert” became the first fictional character to make Time magazine’s list of the most influential Americans.\u003c/p>\n\u003cfigure id=\"attachment_12069515\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/AP26013581336027-scaled-e1768325483812.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12069515\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/AP26013581336027-scaled-e1768325483812.jpg\" alt=\"\" width=\"2000\" height=\"1705\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Scott Adams, creator of the comic strip Dilbert, poses for a portrait with the Dilbert character in his studio in Dublin, Calif., Oct. 26, 2006. \u003ccite>(AP Photo/Marcio Jose Sanchez, File)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We are rooting for him because he is our mouthpiece for the lessons we have accumulated — but are too afraid to express — in our effort to avoid cubicular homicide,” the magazine said.\u003c/p>\n\u003cp>“Dilbert” strips were routinely photocopied, pinned up, emailed and posted online, a popularity that would spawn bestselling books, merchandise, commercials for Office Depot and an animated TV series, with Daniel Stern voicing Dilbert.\u003c/p>\n\u003ch2>The collapse of ‘Dilbert’ empire\u003c/h2>\n\u003cp>It all collapsed quickly in 2023 when Adams, who was white, repeatedly referred to Black people as members of a “hate group” and said he would no longer “help Black Americans.” He later said he was being hyperbolic, yet continued to defend his stance.\u003c/p>\n\u003cp>Almost immediately, newspapers dropped “Dilbert” and his distributor, Andrews McMeel Universal, severed ties with the cartoonist. The Sun Chronicle in Attleboro, Massachusetts, decided to keep the “Dilbert” space blank for a while “as a reminder of the racism that pervades our society.” A planned book was scrapped.\u003cbr>\n[aside postID=pop_113061 hero='https://ww2.kqed.org/app/uploads/sites/12/2019/07/ScottAdams1-1020x638.jpg']“He’s not being canceled. He’s experiencing the consequences of expressing his views,” Bill Holbrook, the creator of the strip “On the Fastrack,” \u003ca href=\"https://apnews.com/article/dilbert-scott-adams-cartoonists-respond-109cb1a6dea03e931e2e6e3814bc743a\">told The Associated Press\u003c/a> at the time. “I am in full support with him saying anything he wants to, but then he has to own the consequences of saying them.”\u003c/p>\n\u003cp>Adams relaunched the same daily comic strip under the name Dilbert Reborn via the video platform Rumble, popular with conservatives and far-right groups. He also hosted a podcast, “Real Coffee,” where talked about various political and social issues.\u003c/p>\n\u003cp>After Jimmy Kimmel’s late-night show on ABC was suspended in September in the wake of the host’s comments on the murder of conservative activist Charlie Kirk, Adams stood for free speech.\u003c/p>\n\u003cp>“Would I like some revenge?” Adams said. “Yes. Yes, I would enjoy that. But that doesn’t mean I get it. That doesn’t mean I should pursue it. Doesn’t mean the world’s a better place if it happens.”\u003c/p>\n\u003ch2>How ‘Dilbert’ got its start\u003c/h2>\n\u003cp>Adams, who earned a bachelor’s degree from Hartwick College and an MBA from the University of California, Berkeley, was working a corporate job at the Pacific Bell telephone company in the 1980s, sharing his cartoons to amuse co-workers. He drew Dilbert as a computer programmer and engineer for a high-tech company and mailed a batch to cartoon syndicators.\u003c/p>\n\u003cp>“The take on office life was new and on target and insightful,” Sarah Gillespie, who helped discover “Dilbert” in the 1980s at United Media, told The Washington Post. “I looked first for humor and only secondarily for art, which with ‘Dilbert’ was a good thing, as the art is universally acknowledged to be… not great.”[aside postID=news_12069424 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-10-BL-KQED.jpg']The first “Dilbert” comic strip officially appeared April 16, 1989, long before such workplace comedies as “Office Space” and “The Office.” It portrayed corporate culture \u003ca href=\"https://apnews.com/article/severance-finale-season-2-ben-stiller-adam-scott-51f1c1e8665ef8915d9b3bb5c7370bd8\">as a “Severance”-like,\u003c/a> Kafkaesque world of heavy bureaucracy and pointless benchmarks, where employee effort and skill were underappreciated.\u003c/p>\n\u003cp>The strip would introduce the “Dilbert Principle”: The most ineffective workers will be systematically moved to the place where they can do the least damage — management.\u003c/p>\n\u003cp>“Throughout history, there have always been times when it’s very clear that the managers have all the power and the workers have none,” Adams told Time. “Through ‘Dilbert,’ I would think the balance of power has slightly changed.”\u003c/p>\n\u003cp>Other strip characters included Dilbert’s pointy-haired boss; Asok, a young, naive intern; Wally, a middle-aged slacker; and Alice, a worker so frustrated that she was prone to frequent outbursts of rage. Then there was \u003ca href=\"https://apnews.com/article/travel-museums-entertainment-arts-and-entertainment-lifestyle-22fc64a793f93191dd09f5c0531e607e\">Dilbert’s pet, Dogbert,\u003c/a> a megalomaniac.\u003c/p>\n\u003cp>“There’s a certain amount of anger you need to draw ‘Dilbert’ comics,” Adams told the Contra Costa Times in 2009.\u003c/p>\n\u003cp>In 1993, Adams became the first syndicated cartoonist to include his email address in his strip. That triggered a dialogue between the artist and his fans, giving Adams a fountain of ideas for the strip.\u003c/p>\n\u003cp>“Dilbert” was also known for generating aphorisms, like “All rumors are true — especially if your boss denies them” and “OK, let’s get this preliminary pre-meeting going.”\u003c/p>\n\u003cp>“If you can come to peace with the fact that you’re surrounded by idiots, you’ll realize that resistance is futile, your tension will dissipate, and you can sit back and have a good laugh at the expense of others,” Adams wrote in his 1996 book “The Dilbert Principle.”\u003c/p>\n\u003cp>In one real-life case, an Iowa worker was fired from the Catfish Bend Casino in 2007 for posting a “Dilbert” comic strip on the office bulletin board. In the strip, Adams wrote: “Why does it seem as if most of the decisions in my workplace are made by drunken lemurs?” A judge later sided with the worker; Adams helped find him a new job.\u003c/p>\n\u003ch2>A gradual darkening\u003c/h2>\n\u003cp>While Adams’ career \u003ca href=\"https://apnews.com/article/kansas-city-business-d1d88fe02461930d9c2ad70e1f55b136\">fall seemed swift, careful readers of “Dilbert”\u003c/a> saw a gradual darkening of the strip’s tone and its creator’s descent into misogyny, anti-immigration and racism.\u003c/p>\n\u003cp>He attracted attention for controversial comments, including saying in 2011 that women are treated differently by society for the same reason as children and the mentally disabled — “it’s just easier this way for everyone.” In a blog post from 2006, he questioned the death toll of the Holocaust.\u003c/p>\n\u003cp>In June 2020, Adams tweeted that when the “Dilbert” TV show ended in 2000 after just two seasons, it was “the third job I lost for being white.” But, at the time, he blamed it on lower viewership and time slot changes.\u003c/p>\n\u003cp>Adams’ beliefs began bleeding into his strips. In one in 2022, a boss says that traditional performance reviews would be replaced by a “wokeness” score. When an employee complains that could be subjective, the boss said, “That’ll cost you two points off your wokeness score, bigot.”\u003c/p>\n\u003cp>Adams put a brave face on his fall from grace, tweeting in 2023: “Only the dying leftist Fake News industry canceled me (for out-of-context news of course). Social media and banking unaffected. Personal life improved. Never been more popular in my life. Zero pushback in person. Black and White conservatives solidly supporting me.”\u003c/p>\n\u003cp>On Tuesday, President Donald Trump remembered Adams as a “Great Influencer.”\u003c/p>\n\u003cp>“He was a fantastic guy, who liked and respected me when it wasn’t fashionable to do so. He bravely fought a long battle against a terrible disease,” the president posted on his social media platform Truth Social.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/forum/201312171000/dilbert-creator-scott-adams-on-failure\">Scott Adams,\u003c/a> the Bay Area cartoonist whose popular comic strip “Dilbert” captured the frustration of beleaguered, white-collar cubicle workers and satirized the ridiculousness of modern office culture until he was abruptly \u003ca href=\"https://www.kqed.org/arts/13925686/scott-adams-dilbert-racist-rant-mcmeel-universal-rasmussen\">dropped from syndication in 2023\u003c/a> for racist remarks, has died. He was 68.\u003c/p>\n\u003cp>His first ex-wife, Shelly Miles, announced the death Tuesday on a livestream posted on Adams’ social media accounts. “He’s not with us right anymore,” she said. Adams revealed in 2025 that he \u003ca href=\"https://apnews.com/article/dilbert-scott-adams-biden-prostate-cancer-8f3edf0a108f55344138ceb4b27e02b9\">had prostate cancer\u003c/a> that had spread to his bones. Miles had said he was in hospice care in his Northern California home on Monday.\u003c/p>\n\u003cp>“I had an amazing life,” the statement said in part. “I gave it everything I had.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At its height, “Dilbert,” with its mouthless, bespectacled hero in a white short-sleeved shirt and a perpetually curled red tie, appeared in 2,000 newspapers worldwide in at least 70 countries and 25 languages.\u003c/p>\n\u003cp>Adams was the 1997 recipient of the National Cartoonist Society’s Reuben Award, considered one of the most prestigious awards for cartoonists. That same year, “Dilbert” became the first fictional character to make Time magazine’s list of the most influential Americans.\u003c/p>\n\u003cfigure id=\"attachment_12069515\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/AP26013581336027-scaled-e1768325483812.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12069515\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/01/AP26013581336027-scaled-e1768325483812.jpg\" alt=\"\" width=\"2000\" height=\"1705\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Scott Adams, creator of the comic strip Dilbert, poses for a portrait with the Dilbert character in his studio in Dublin, Calif., Oct. 26, 2006. \u003ccite>(AP Photo/Marcio Jose Sanchez, File)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We are rooting for him because he is our mouthpiece for the lessons we have accumulated — but are too afraid to express — in our effort to avoid cubicular homicide,” the magazine said.\u003c/p>\n\u003cp>“Dilbert” strips were routinely photocopied, pinned up, emailed and posted online, a popularity that would spawn bestselling books, merchandise, commercials for Office Depot and an animated TV series, with Daniel Stern voicing Dilbert.\u003c/p>\n\u003ch2>The collapse of ‘Dilbert’ empire\u003c/h2>\n\u003cp>It all collapsed quickly in 2023 when Adams, who was white, repeatedly referred to Black people as members of a “hate group” and said he would no longer “help Black Americans.” He later said he was being hyperbolic, yet continued to defend his stance.\u003c/p>\n\u003cp>Almost immediately, newspapers dropped “Dilbert” and his distributor, Andrews McMeel Universal, severed ties with the cartoonist. The Sun Chronicle in Attleboro, Massachusetts, decided to keep the “Dilbert” space blank for a while “as a reminder of the racism that pervades our society.” A planned book was scrapped.\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“He’s not being canceled. He’s experiencing the consequences of expressing his views,” Bill Holbrook, the creator of the strip “On the Fastrack,” \u003ca href=\"https://apnews.com/article/dilbert-scott-adams-cartoonists-respond-109cb1a6dea03e931e2e6e3814bc743a\">told The Associated Press\u003c/a> at the time. “I am in full support with him saying anything he wants to, but then he has to own the consequences of saying them.”\u003c/p>\n\u003cp>Adams relaunched the same daily comic strip under the name Dilbert Reborn via the video platform Rumble, popular with conservatives and far-right groups. He also hosted a podcast, “Real Coffee,” where talked about various political and social issues.\u003c/p>\n\u003cp>After Jimmy Kimmel’s late-night show on ABC was suspended in September in the wake of the host’s comments on the murder of conservative activist Charlie Kirk, Adams stood for free speech.\u003c/p>\n\u003cp>“Would I like some revenge?” Adams said. “Yes. Yes, I would enjoy that. But that doesn’t mean I get it. That doesn’t mean I should pursue it. Doesn’t mean the world’s a better place if it happens.”\u003c/p>\n\u003ch2>How ‘Dilbert’ got its start\u003c/h2>\n\u003cp>Adams, who earned a bachelor’s degree from Hartwick College and an MBA from the University of California, Berkeley, was working a corporate job at the Pacific Bell telephone company in the 1980s, sharing his cartoons to amuse co-workers. He drew Dilbert as a computer programmer and engineer for a high-tech company and mailed a batch to cartoon syndicators.\u003c/p>\n\u003cp>“The take on office life was new and on target and insightful,” Sarah Gillespie, who helped discover “Dilbert” in the 1980s at United Media, told The Washington Post. “I looked first for humor and only secondarily for art, which with ‘Dilbert’ was a good thing, as the art is universally acknowledged to be… not great.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The first “Dilbert” comic strip officially appeared April 16, 1989, long before such workplace comedies as “Office Space” and “The Office.” It portrayed corporate culture \u003ca href=\"https://apnews.com/article/severance-finale-season-2-ben-stiller-adam-scott-51f1c1e8665ef8915d9b3bb5c7370bd8\">as a “Severance”-like,\u003c/a> Kafkaesque world of heavy bureaucracy and pointless benchmarks, where employee effort and skill were underappreciated.\u003c/p>\n\u003cp>The strip would introduce the “Dilbert Principle”: The most ineffective workers will be systematically moved to the place where they can do the least damage — management.\u003c/p>\n\u003cp>“Throughout history, there have always been times when it’s very clear that the managers have all the power and the workers have none,” Adams told Time. “Through ‘Dilbert,’ I would think the balance of power has slightly changed.”\u003c/p>\n\u003cp>Other strip characters included Dilbert’s pointy-haired boss; Asok, a young, naive intern; Wally, a middle-aged slacker; and Alice, a worker so frustrated that she was prone to frequent outbursts of rage. Then there was \u003ca href=\"https://apnews.com/article/travel-museums-entertainment-arts-and-entertainment-lifestyle-22fc64a793f93191dd09f5c0531e607e\">Dilbert’s pet, Dogbert,\u003c/a> a megalomaniac.\u003c/p>\n\u003cp>“There’s a certain amount of anger you need to draw ‘Dilbert’ comics,” Adams told the Contra Costa Times in 2009.\u003c/p>\n\u003cp>In 1993, Adams became the first syndicated cartoonist to include his email address in his strip. That triggered a dialogue between the artist and his fans, giving Adams a fountain of ideas for the strip.\u003c/p>\n\u003cp>“Dilbert” was also known for generating aphorisms, like “All rumors are true — especially if your boss denies them” and “OK, let’s get this preliminary pre-meeting going.”\u003c/p>\n\u003cp>“If you can come to peace with the fact that you’re surrounded by idiots, you’ll realize that resistance is futile, your tension will dissipate, and you can sit back and have a good laugh at the expense of others,” Adams wrote in his 1996 book “The Dilbert Principle.”\u003c/p>\n\u003cp>In one real-life case, an Iowa worker was fired from the Catfish Bend Casino in 2007 for posting a “Dilbert” comic strip on the office bulletin board. In the strip, Adams wrote: “Why does it seem as if most of the decisions in my workplace are made by drunken lemurs?” A judge later sided with the worker; Adams helped find him a new job.\u003c/p>\n\u003ch2>A gradual darkening\u003c/h2>\n\u003cp>While Adams’ career \u003ca href=\"https://apnews.com/article/kansas-city-business-d1d88fe02461930d9c2ad70e1f55b136\">fall seemed swift, careful readers of “Dilbert”\u003c/a> saw a gradual darkening of the strip’s tone and its creator’s descent into misogyny, anti-immigration and racism.\u003c/p>\n\u003cp>He attracted attention for controversial comments, including saying in 2011 that women are treated differently by society for the same reason as children and the mentally disabled — “it’s just easier this way for everyone.” In a blog post from 2006, he questioned the death toll of the Holocaust.\u003c/p>\n\u003cp>In June 2020, Adams tweeted that when the “Dilbert” TV show ended in 2000 after just two seasons, it was “the third job I lost for being white.” But, at the time, he blamed it on lower viewership and time slot changes.\u003c/p>\n\u003cp>Adams’ beliefs began bleeding into his strips. In one in 2022, a boss says that traditional performance reviews would be replaced by a “wokeness” score. When an employee complains that could be subjective, the boss said, “That’ll cost you two points off your wokeness score, bigot.”\u003c/p>\n\u003cp>Adams put a brave face on his fall from grace, tweeting in 2023: “Only the dying leftist Fake News industry canceled me (for out-of-context news of course). Social media and banking unaffected. Personal life improved. Never been more popular in my life. Zero pushback in person. Black and White conservatives solidly supporting me.”\u003c/p>\n\u003cp>On Tuesday, President Donald Trump remembered Adams as a “Great Influencer.”\u003c/p>\n\u003cp>“He was a fantastic guy, who liked and respected me when it wasn’t fashionable to do so. He bravely fought a long battle against a terrible disease,” the president posted on his social media platform Truth Social.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Iconic, Often Reviled SF Fountain Is Down to Its Last Chance to Stave Off Removal",
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"headTitle": "Iconic, Often Reviled SF Fountain Is Down to Its Last Chance to Stave Off Removal | KQED",
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"content": "\u003cp>San Francisco could begin dismantling one of its most controversial public art pieces as soon as next month, unless the Board of Supervisors grants a request by supporters of \u003ca href=\"https://www.kqed.org/news/12055275/this-fountain-looms-over-sfs-skateboarding-scene-a-growing-few-are-trying-to-save-it\">the Vaillancourt Fountain\u003c/a> to halt its emergency removal on Tuesday.\u003c/p>\n\u003cp>The hulking concrete structure, built in 1971 in the shadow of the towering Embarcadero Freeway, has sustained major corrosion and degradation that makes it an imminent safety risk and exempts it from the full California Environmental Quality Act review process, according to the city. In November, the city’s Arts Commission gave the Recreation and Parks Department the go-ahead for an expedited removal of the fountain.\u003c/p>\n\u003cp>Now, a coalition of art historians, landscape architects and skateboarders are down to perhaps their last chance to keep the fountain in place. They are asking supervisors to require the review process before disassembly can move forward.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We feel that as a significant work of landscape architecture and art that is eligible for listing in the National Register of Historic Places, it should be subject to the California Environmental Quality Act,” said Charles Birnbaum, founder of the nonprofit Cultural Landscape Foundation.\u003c/p>\n\u003cp>“There’s a reason why people go through a process to assess and evaluate the historic significance of a place, so we don’t make a knee-jerk reaction. To me, this is no different.”\u003c/p>\n\u003cp>The battle over the 710-ton jumble of blocky concrete tubes, which has been compared to the excrements of a robot dog and “dynamited debris,” comes amid a plan to transform Embarcadero Plaza and nearby Sue Bierman Park into a grassy waterfront park. In 2024, San Francisco’s parks department announced it would partner with real estate developer Boston Properties (BXP) and Downtown SF Partnership on the project.\u003c/p>\n\u003cfigure id=\"attachment_12055237\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055237\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Vaillancourt Fountain in the Embarcadero Plaza in San Francisco on Sept. 8, 2025. The 40-foot concrete fountain was designed by artist Armand Vaillancourt and installed in 1971. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>City officials said at the time that the redevelopment would foster connectivity and community engagement, but Vaillancourt’s supporters worry that the current plans, which don’t include the fountain, abandon the history of the space.\u003c/p>\n\u003cp>The fountain’s rushing waters initially served to drown out the sound of cars on the nearby Embarcadero Freeway. Though the freeway came down after it was destroyed in the Loma Prieta earthquake in 1989, and the fountain itself has run dry periodically over time, it served as the backdrop of numerous protests, a free outdoor U2 concert, and countless photos and videos by street skateboarders in the 1980s and ’90s.\u003c/p>\n\u003cp>“It has always been a destination for everything from happenings to public protests,” said Birnbaum, who called the fountain and brick-lined Embarcadero Plaza significant emblems of modernist architecture and San Francisco’s social and cultural history. “The fountain was the magnetic icon that invited engagement and participation.”\u003c/p>\n\u003cp>There’s been pushback since redevelopment plans were announced in 2024, but tensions have intensified in recent months after the city was granted its emergency exemption from the California Environmental Quality Act process.[aside postID=news_12055275 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250910-VAILLANCOURT-FOUNTAIN-REMOVAL-MD-01-KQED.jpg']In November, Recreation and Parks project manager Eoanna Goodwin told the city’s Arts Commission, which is made up of working art professionals appointed by the mayor and oversees the fountain, that one of the massive arms of the fountain had failed and was bearing weight it was not intended to support. The department put up fencing and mesh screening to prohibit access, she said, but that had been repeatedly breached and could be dangerous to residents and visitors.\u003c/p>\n\u003cp>“This is not a sustainable, long-term solution,” Goodwin told the commission. “Disassembly and secure storage are the appropriate next steps and safe path forward.”\u003c/p>\n\u003cp>An engineering firm contracted to assess the fountain last year \u003ca href=\"https://static1.squarespace.com/static/5c806e5734c4e2faa1db54c9/t/68a80fea9a2a9f2b6e2a55e2/1755844586236/20250602+Vaillancourt+Fountain+Conditions+Assessment+Final.pdf\">found widespread corrosion\u003c/a> of the structural steel and concrete, and the \u003ca href=\"https://sfgov.legistar.com/View.ashx?M=F&ID=15053519&GUID=B66F97F1-DCD9-4C7A-8B4D-55CBF170D2BA\">Planning Department wrote in October\u003c/a> that parts of the structure could be at risk of “progressive or localized collapse” under its own weight, environmental loading or seismic activity.\u003c/p>\n\u003cp>But the fountain’s supporters say that degradation isn’t new. According to Birnbaum, the city has failed to do necessary maintenance work or invest in programming to keep the fountain and surrounding space a vibrant community hub.\u003c/p>\n\u003cp>“We’ve been involved in this site for a decade now, and it was clear the path that this was heading,” he told KQED. “The situation we find ourselves in is not an unexpected occurrence. It’s a predictable result of years of neglect.”\u003c/p>\n\u003cfigure id=\"attachment_12055239\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055239\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Vaillancourt Fountain in the Embarcadero Plaza in San Francisco on Sept. 8, 2025. The 40-foot concrete fountain was designed by artist Armand Vaillancourt and installed in 1971. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The appeal to the Board of Supervisors, filed by modernist conservation nonprofit Docomomo and supported by Birnbaum’s organization, alleges that parks officials invoked the emergency exemption not to mitigate an imminent risk but to avoid the long and often cumbersome CEQA process.\u003c/p>\n\u003cp>“The administrative record paints a clear picture: the [Recreation and Parks] Department decided to remove the Vaillancourt Fountain in late 2024 to make way for a pre-planned park renovation,” it reads. “Funding was secured for project management along with the explicitly declared strategy to use the removal of the fountain to “avoid an EIR [Environmental Impact Report].”\u003c/p>\n\u003cp>According to the appeal, the Planning Department granted the emergency exemption in November, shortly after it determined that the Vaillancourt Fountain was eligible for the National Register of Historic Places, triggering CEQA protections.\u003c/p>\n\u003cp>“There’s a reason why these procedures are in place,” Birnbaum said. “There’s a reason why people go through a process to assess and evaluate the historic significance of a place, so we don’t make a knee-jerk reaction.”\u003c/p>\n\u003cp>Some city officials and the Recreation and Parks Department, on the other hand, said that the space isn’t being used to its full potential and that the fountain hasn’t operated as it was designed to for years.\u003c/p>\n\u003cfigure id=\"attachment_12027567\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027567 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">District 3 Supervisor Danny Sauter speaks during a press conference in Union Square, San Francisco, on Feb. 18, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think there’s a lot of folks who have fond memories of a fountain, but maybe they have memories that are connected to when the fountain was there with the Embarcadero Freeway or when the fountain was newer and working fully and in better shape,” said Supervisor Danny Sauter, who represents the area. “If you’ve lived in the neighborhood 10, 20, 30 years, you have that memory. I would say some of the newer residents frankly don’t have as much of a connection.”\u003c/p>\n\u003cp>In general, he said, it seems like the groups fighting for the fountain to be maintained are those with an interest in architectural history, not neighbors.\u003c/p>\n\u003cp>“I don’t see that same passion and attachment to it from nearby residents, for example, and neighborhood groups in the Barbary Coast and then into the adjoining neighborhoods,” he said.\u003c/p>\n\u003cp>If the Board of Supervisors does not grant Docomomo’s request and allows the removal of the fountain to go forward, Recreation and Parks could begin disassembly as soon as February. The department said it plans to store the fountain’s pieces in a secure location, where it could further assess its damage and possible repairs.\u003c/p>\n\u003cp>But arts commissioners, and fountain fans, are wary of any path to restoration. Goodwin estimated that the construction to return the fountain to working condition could cost at least $29 million.\u003c/p>\n\u003cp>“My fear is that once it’s removed, it opens the door to never coming back,” Arts Commissioner Patrick Carney said at the November meeting. “If it is temporarily removed without a plan and funds in place beforehand to possibly restore it or move it, then its fate may be sealed.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco could begin dismantling one of its most controversial public art pieces as soon as next month, unless the Board of Supervisors grants a request by supporters of \u003ca href=\"https://www.kqed.org/news/12055275/this-fountain-looms-over-sfs-skateboarding-scene-a-growing-few-are-trying-to-save-it\">the Vaillancourt Fountain\u003c/a> to halt its emergency removal on Tuesday.\u003c/p>\n\u003cp>The hulking concrete structure, built in 1971 in the shadow of the towering Embarcadero Freeway, has sustained major corrosion and degradation that makes it an imminent safety risk and exempts it from the full California Environmental Quality Act review process, according to the city. In November, the city’s Arts Commission gave the Recreation and Parks Department the go-ahead for an expedited removal of the fountain.\u003c/p>\n\u003cp>Now, a coalition of art historians, landscape architects and skateboarders are down to perhaps their last chance to keep the fountain in place. They are asking supervisors to require the review process before disassembly can move forward.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We feel that as a significant work of landscape architecture and art that is eligible for listing in the National Register of Historic Places, it should be subject to the California Environmental Quality Act,” said Charles Birnbaum, founder of the nonprofit Cultural Landscape Foundation.\u003c/p>\n\u003cp>“There’s a reason why people go through a process to assess and evaluate the historic significance of a place, so we don’t make a knee-jerk reaction. To me, this is no different.”\u003c/p>\n\u003cp>The battle over the 710-ton jumble of blocky concrete tubes, which has been compared to the excrements of a robot dog and “dynamited debris,” comes amid a plan to transform Embarcadero Plaza and nearby Sue Bierman Park into a grassy waterfront park. In 2024, San Francisco’s parks department announced it would partner with real estate developer Boston Properties (BXP) and Downtown SF Partnership on the project.\u003c/p>\n\u003cfigure id=\"attachment_12055237\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055237\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-07-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Vaillancourt Fountain in the Embarcadero Plaza in San Francisco on Sept. 8, 2025. The 40-foot concrete fountain was designed by artist Armand Vaillancourt and installed in 1971. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>City officials said at the time that the redevelopment would foster connectivity and community engagement, but Vaillancourt’s supporters worry that the current plans, which don’t include the fountain, abandon the history of the space.\u003c/p>\n\u003cp>The fountain’s rushing waters initially served to drown out the sound of cars on the nearby Embarcadero Freeway. Though the freeway came down after it was destroyed in the Loma Prieta earthquake in 1989, and the fountain itself has run dry periodically over time, it served as the backdrop of numerous protests, a free outdoor U2 concert, and countless photos and videos by street skateboarders in the 1980s and ’90s.\u003c/p>\n\u003cp>“It has always been a destination for everything from happenings to public protests,” said Birnbaum, who called the fountain and brick-lined Embarcadero Plaza significant emblems of modernist architecture and San Francisco’s social and cultural history. “The fountain was the magnetic icon that invited engagement and participation.”\u003c/p>\n\u003cp>There’s been pushback since redevelopment plans were announced in 2024, but tensions have intensified in recent months after the city was granted its emergency exemption from the California Environmental Quality Act process.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In November, Recreation and Parks project manager Eoanna Goodwin told the city’s Arts Commission, which is made up of working art professionals appointed by the mayor and oversees the fountain, that one of the massive arms of the fountain had failed and was bearing weight it was not intended to support. The department put up fencing and mesh screening to prohibit access, she said, but that had been repeatedly breached and could be dangerous to residents and visitors.\u003c/p>\n\u003cp>“This is not a sustainable, long-term solution,” Goodwin told the commission. “Disassembly and secure storage are the appropriate next steps and safe path forward.”\u003c/p>\n\u003cp>An engineering firm contracted to assess the fountain last year \u003ca href=\"https://static1.squarespace.com/static/5c806e5734c4e2faa1db54c9/t/68a80fea9a2a9f2b6e2a55e2/1755844586236/20250602+Vaillancourt+Fountain+Conditions+Assessment+Final.pdf\">found widespread corrosion\u003c/a> of the structural steel and concrete, and the \u003ca href=\"https://sfgov.legistar.com/View.ashx?M=F&ID=15053519&GUID=B66F97F1-DCD9-4C7A-8B4D-55CBF170D2BA\">Planning Department wrote in October\u003c/a> that parts of the structure could be at risk of “progressive or localized collapse” under its own weight, environmental loading or seismic activity.\u003c/p>\n\u003cp>But the fountain’s supporters say that degradation isn’t new. According to Birnbaum, the city has failed to do necessary maintenance work or invest in programming to keep the fountain and surrounding space a vibrant community hub.\u003c/p>\n\u003cp>“We’ve been involved in this site for a decade now, and it was clear the path that this was heading,” he told KQED. “The situation we find ourselves in is not an unexpected occurrence. It’s a predictable result of years of neglect.”\u003c/p>\n\u003cfigure id=\"attachment_12055239\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055239\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250908-VAILLANCOURTFOUNTAINREMOVAL-12-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Vaillancourt Fountain in the Embarcadero Plaza in San Francisco on Sept. 8, 2025. The 40-foot concrete fountain was designed by artist Armand Vaillancourt and installed in 1971. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The appeal to the Board of Supervisors, filed by modernist conservation nonprofit Docomomo and supported by Birnbaum’s organization, alleges that parks officials invoked the emergency exemption not to mitigate an imminent risk but to avoid the long and often cumbersome CEQA process.\u003c/p>\n\u003cp>“The administrative record paints a clear picture: the [Recreation and Parks] Department decided to remove the Vaillancourt Fountain in late 2024 to make way for a pre-planned park renovation,” it reads. “Funding was secured for project management along with the explicitly declared strategy to use the removal of the fountain to “avoid an EIR [Environmental Impact Report].”\u003c/p>\n\u003cp>According to the appeal, the Planning Department granted the emergency exemption in November, shortly after it determined that the Vaillancourt Fountain was eligible for the National Register of Historic Places, triggering CEQA protections.\u003c/p>\n\u003cp>“There’s a reason why these procedures are in place,” Birnbaum said. “There’s a reason why people go through a process to assess and evaluate the historic significance of a place, so we don’t make a knee-jerk reaction.”\u003c/p>\n\u003cp>Some city officials and the Recreation and Parks Department, on the other hand, said that the space isn’t being used to its full potential and that the fountain hasn’t operated as it was designed to for years.\u003c/p>\n\u003cfigure id=\"attachment_12027567\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027567 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/250218-SFDowntown-17-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">District 3 Supervisor Danny Sauter speaks during a press conference in Union Square, San Francisco, on Feb. 18, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I think there’s a lot of folks who have fond memories of a fountain, but maybe they have memories that are connected to when the fountain was there with the Embarcadero Freeway or when the fountain was newer and working fully and in better shape,” said Supervisor Danny Sauter, who represents the area. “If you’ve lived in the neighborhood 10, 20, 30 years, you have that memory. I would say some of the newer residents frankly don’t have as much of a connection.”\u003c/p>\n\u003cp>In general, he said, it seems like the groups fighting for the fountain to be maintained are those with an interest in architectural history, not neighbors.\u003c/p>\n\u003cp>“I don’t see that same passion and attachment to it from nearby residents, for example, and neighborhood groups in the Barbary Coast and then into the adjoining neighborhoods,” he said.\u003c/p>\n\u003cp>If the Board of Supervisors does not grant Docomomo’s request and allows the removal of the fountain to go forward, Recreation and Parks could begin disassembly as soon as February. The department said it plans to store the fountain’s pieces in a secure location, where it could further assess its damage and possible repairs.\u003c/p>\n\u003cp>But arts commissioners, and fountain fans, are wary of any path to restoration. Goodwin estimated that the construction to return the fountain to working condition could cost at least $29 million.\u003c/p>\n\u003cp>“My fear is that once it’s removed, it opens the door to never coming back,” Arts Commissioner Patrick Carney said at the November meeting. “If it is temporarily removed without a plan and funds in place beforehand to possibly restore it or move it, then its fate may be sealed.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "how-to-safely-attend-a-protest-in-the-bay-area",
"title": "How to Stay Safe at a Rally in the Bay Area: Know Your Rights",
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"headTitle": "How to Stay Safe at a Rally in the Bay Area: Know Your Rights | KQED",
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"content": "\u003cp>The San Francisco Bay Area has a long history of protest.\u003c/p>\n\u003cp>But if you plan on attending a rally yourself, on any cause, how can you stay safe? What \u003cem>are\u003c/em> your rights as a protester?\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#start\">Tips on what to have ready before going to a protest.\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>If this is the first time you or your friends have gone to a protest, make sure to bookmark this guide, as our team frequently updates it with new information. We also have a \u003ca href=\"#immigrantrights\">new section on what your rights are if you are a not a U.S. citizen and plan to attend to a protest.\u003c/a>\u003c/p>\n\u003cp>And remember: If you’re unable to join a rally or protest in person for whatever reason but want to make your stance on an issue known, you always have the option to \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">contact your elected officials to express your opinions\u003c/a>. For more information on what “call your reps” actually means, how to do it, and what to expect as a result, read our explainer: \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">How Can I Call My Representative? A Step-by-Step Guide to the Process\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12013354\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12013354\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A crowd gathers for a candlelight vigil at Harvey Milk Plaza in San Francisco on Nov. 6, 2024, organized by the Harvey Milk LGBTQ Democratic Club for the community to come together post-election. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"start\">\u003c/a>Have a plan — and then a backup plan\u003c/h2>\n\u003cp>There’s a lot you can do before a protest in terms of logistics and planning:\u003c/p>\n\u003cp>\u003cstrong>Travel with friends\u003c/strong>\u003c/p>\n\u003cp>Choose a meeting place beforehand in the event you get separated. You may also want to designate a friend who is not at the protest as someone you can check in with.\u003c/p>\n\u003cp>Charge your phone. However, some activist groups also recommend taking digital security measures, such as disabling the fingerprint unlock feature to prevent a police officer from forcing you to unlock the phone. Others also recommend turning off text preview on messages and using a more secure messaging app, such as Signal.\u003c/p>\n\u003cp>Also, make sure that you can function without a phone. Consider writing down important phone numbers and keeping them with you.\u003c/p>\n\u003cp>\u003cstrong>Research the intended protest route if possible\u003c/strong>\u003c/p>\n\u003cp>This may be confusing since there’s not always a clearly stated route (a protest is, of course, not a parade), but some rallies do have preplanned routes.\u003c/p>\n\u003cp>By knowing where the protest is headed, you will be able to plan how you might \u003ca href=\"https://netpol.org/guide-to-kettles/\">avoid being caught in a “kettle”\u003c/a> or other containment method — and be able to leave when you are ready.\u003c/p>\n\u003cfigure id=\"attachment_11965032\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11965032 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut.jpg\" alt=\"A young woman stands in front of a high school building. She looks away from the camera and has the Palestinian flag painted on her rigth cheek.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Deena, a high school student, participates in a walkout to demand a cease-fire in the Israel-Hamas war in San Francisco on Oct. 18, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Know who is organizing the protest\u003c/strong>\u003c/p>\n\u003cp>It’s worth doing some research on the people and groups behind any protest you plan to attend to make sure it’s in alignment with your values and objectives. During certain Black Lives Matter protests in San Diego in June 2020, for instance, organizers warned demonstrators to avoid specific events they said likely had been surreptitiously coordinated by white nationalist groups.\u003c/p>\n\u003cp>\u003cstrong>Pack a small bag\u003c/strong>\u003c/p>\n\u003cp>Bring only essentials such as water, snacks, hand sanitizer and an extra phone charger.\u003c/p>\n\u003cp>The active component in tear gas adheres to moisture on your face. So it’s also a good idea to pack an extra N95, surgical mask or face covering in case you are exposed to tear gas.\u003c/p>\n\u003cp>Some people \u003ca href=\"https://lifehacker.com/how-to-protest-safely-and-legally-5859590\">recommend bringing basic medical supplies and a bandana soaked in vinegar\u003c/a> or \u003ca href=\"https://www.popsci.com/story/diy/tear-gas-guide/\">in water in a sealed plastic bag\u003c/a> in case there is tear gas. Others recommend a small bottle of water — or even better, a squirt bottle — to pour on your face and eyes.\u003c/p>\n\u003cp>If you get tear-gassed, it is often recommended to:\u003c/p>\n\u003cul>\n\u003cli>Close your eyes.\u003c/li>\n\u003cli>Hold your breath.\u003c/li>\n\u003cli>Get out of the area as soon as possible.\u003c/li>\n\u003cli>Rinse your eyes when possible (ideally using what you have packed with you).\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Know your rights\u003c/strong>\u003c/h2>\n\u003cp>You are entitled to free speech and freedom of assembly. However, your rights can be unclear during curfews and shelter-in-place orders. The American Civil Liberties Union has a \u003ca href=\"https://www.aclu.org/know-your-rights/protesters-rights/#i-want-to-take-pictures-or-shoot-video-at-a-protest\">detailed guide to your rights as a protester or a protest organizer\u003c/a>. Notably, when police issue an order to disperse, it is meant to be the last resort for law enforcement.\u003c/p>\n\u003cp>“If officers issue a dispersal order, they must provide a reasonable opportunity to comply, including sufficient time and a clear, unobstructed exit path,” \u003ca href=\"https://www.aclu.org/know-your-rights/protesters-rights/#i-want-to-take-pictures-or-shoot-video-at-a-protest\">according to the ACLU\u003c/a>. \u003ca href=\"https://www.kqed.org/news/11955465/dolores-hill-bomb-legal-rights-spectator-onlooker\">Read our guide to your rights as a spectator.\u003c/a>\u003c/p>\n\u003cp>If you are photographing others, it is recommended to respect privacy, as some may not want to have videos or photos taken. This may also depend on context, location and time of day. In some cases journalists, or those documenting events, have been the target of tear gas and rubber bullets.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#tellus\">Tell us: What else do you need information about right now?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>The First Amendment gives you the right to film police who are actively performing their duties, and bystander videos can provide important counternarratives to official accounts. Read our \u003ca href=\"https://www.kqed.org/news/11871364/recording-the-police-what-to-know-and-how-to-stay-safe-doing-it\">guide to filming encounters with the police safely and ethically\u003c/a> and where to share your footage.\u003c/p>\n\u003cp>Additional information can be found from the ACLU and the National Lawyers Guild — the NLG has \u003ca href=\"https://www.nlg.org/know-your-rights/\">pocket-sized know-your-rights guides\u003c/a> in multiple languages. Writing the number for the NLG hotline (and other important numbers such as emergency contacts) on your arm in case you lose your phone or have it confiscated is another suggested way to ensure you have it — should you need it.\u003c/p>\n\u003cfigure id=\"attachment_11958935\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11958935\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED.jpg\" alt=\"A large crowd with signs gathers in front of a large stone building. A line of police officers stands nearby.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protesters, counter-protesters, and SFPD are seen at a rally in front of the Ninth Circuit Court of Appeals in San Francisco on Wednesday, Aug. 23, 2023. The court is hearing arguments for the city’s appeal of an injunction filed by the Coalition on Homelessness, which has temporarily kept city workers from removing encampments on the streets. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Be aware of your surroundings\u003c/strong>\u003c/p>\n\u003cp>During the first few days of George Floyd protests in the Bay Area in June 2020, there were fireworks, fires, rubber bullets, tear gas, flash-bangs and even some gunshots. Being aware of your surroundings includes having an understanding of what possible actions may occur around you.\u003c/p>\n\u003ch2>Know the possible law enforcement ramifications of attending a protest\u003c/h2>\n\u003cp>In April 2024, San Francisco District Attorney Brooke Jenkins announced that \u003ca href=\"https://www.kqed.org/news/11983413/could-protesters-who-shut-down-golden-gate-bridge-be-charged-with-false-imprisonment\">she was considering charging a group of pro-Palestinian protesters\u003c/a> with a felony for \u003ca href=\"https://www.kqed.org/news/11982940/protesters-shut-down-880-freeway-in-oakland-as-part-of-economic-blockade-for-gaza\">blocking Bay Area freeways\u003c/a>. People who were stuck in traffic on the bridge, Jenkins \u003ca href=\"https://www.kqed.org/news/11983413/could-protesters-who-shut-down-golden-gate-bridge-be-charged-with-false-imprisonment\">wrote on X\u003c/a>, “may be entitled to restitution + have other victim rights guaranteed under Marsy’s law.”\u003c/p>\n\u003cp>While \u003ca href=\"https://abc7news.com/post/sf-judge-dismisses-majority-charges-pro-palestinian-protesters-shut-down-golden-gate-bridge-back-april/15582777/\">a judge dismissed most of the charges later that year\u003c/a>, and the agency that operates the Golden Gate Bridge \u003ca href=\"https://www.kqed.org/news/12063531/golden-gate-bridge-agency-drops-163k-restitution-claim-against-pro-palestinian-protesters\">withdrew its nearly $163,000 restitution claim\u003c/a> against the activists in November 2025, several of them still face more serious charges including felony conspiracy.[aside postID=news_11984807 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/240425-STANFORDGAZAPROTEST-011-BL-KQED-1020x680.jpg']\u003c/p>\n\u003cp>ACLU Northern California’s legal director, Shilpi Agarwal said she found the move by Jenkins had the potential to cast a “chilling effect” on speech in the Bay Area.\u003c/p>\n\u003cp>“Lawful protests are, by design, meant to be visible and inconvenient,” Agarwal said. And while the government can place “reasonable limits on protest” in what is called \u003ca href=\"https://firstamendment.mtsu.edu/article/time-place-and-manner-restrictions/\">a “time, place, and manner restriction\u003c/a>” — meaning authorities can call for certain parameters of protest for safety or other people using the space — the government may \u003ci>not \u003c/i>tell people they cannot protest. And in public spaces, Agarwal said, “people are allowed to protest.”\u003c/p>\n\u003cp>What kinds of law enforcement charges could protesters face, however? Agarwal said while \u003ca href=\"https://www.aclunc.org/our-work/know-your-rights\">charges for protests can be nuanced\u003c/a>, at a basic level, if you are engaged in a protest and encounter police officers who then determine for “some reason” you have violated the “parameters” of the protest, there are usually three charging options available to officers:\u003c/p>\n\u003cul>\n\u003cli>An infraction: typically a ticket where you show your ID, get a citation and may have to appear in court. Usually, an infraction is just a fine to pay.\u003c/li>\n\u003cli>A misdemeanor: for which “you rarely serve” jail time for low-level offenses, Agarwal said.\u003c/li>\n\u003cli>A felony: A more serious criminal charge that usually brings jail time.\u003c/li>\n\u003c/ul>\n\u003cp>Agarwal said the “vast majority of offenses that are commonly charged at protests, when the police do get involved, are typically infractions or misdemeanors.” Common provisions for protesters have been something like resisting arrest, disrupting a public meeting, and failing to disperse.\u003c/p>\n\u003cp>The Center for Protest Law and Litigation’s senior counsel, Rachel Lederman, said restitution is common in criminal cases, adding that \u003ca href=\"https://www.kqed.org/news/11967536/protesters-calling-for-gaza-ceasefire-block-bay-bridges-westbound-lanes\">pro-Palestinian protesters who previously blocked the Bay Bridge\u003c/a> in November 2023 are currently paying “a very small amount of restitution to one person who had a specific medical bill, that they attributed to the traffic blockage.”\u003c/p>\n\u003cp>In April 2024, California State Assemblymember Kate Sanchez introduced \u003ca href=\"https://www.courthousenews.com/california-bill-would-create-new-infraction-for-protesters-who-block-highways/\">a bill before the Assembly Transportation Committee\u003c/a> that would create a new infraction for those who obstruct a highway during a protest that affects an emergency vehicle. AB 2742 proposed a fine of between $200 and $500 for the first offense, $300 and $1000 for the second offense and $500 to $1000 for additional offenses, but\u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202320240ab2742\"> ultimately stalled in the California legislature.\u003c/a>\u003c/p>\n\u003cp>\u003cb>Reminder: Your rights are at their highest in a public forum\u003c/b>\u003c/p>\n\u003cp>When considering your rights, take into account the location where a protest may take place — it could be a campus, a city council meeting, or a usually busy road. And Agarwal said that while the law is complicated and can vary in different situations, First Amendment rights are generally “at their highest when something is a public forum” — that is, a place like a sidewalk or a public plaza.[aside postID='news_11984807,news_11967439,news_11955465,news_11871364,news_11827832' label='Related Guides From KQED']Aside from the \u003ca href=\"https://firstamendment.mtsu.edu/article/time-place-and-manner-restrictions/\">time, place, and manner restriction\u003c/a>, “when you have a public forum, there is very, very little that the government can do to regulate your speech,” she said.\u003c/p>\n\u003cp>Conversely, First Amendment rights are at their lowest at places like private homes, Agarwal said.\u003c/p>\n\u003cp>“It doesn’t mean that you have no rights, but it does mean that whenever and wherever you are on something that is not a public forum, the strength of your First Amendment rights starts to wane,” she said. “And the government can do more to regulate what you can and cannot say.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11984807/know-your-rights-california-protesters-legal-standing-under-the-first-amendment\">Read more about your First Amendment rights at a protest.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"immigrantrights\">\u003c/a>Attending a protest when you’re not a U.S. citizen\u003c/h2>\n\u003cp>One question that KQED has gotten over the years is: “I’m not a U.S. citizen. Can I even be part of a protest?”\u003c/p>\n\u003cp>It’s a question that’s only become more pressing against the backdrop of \u003ca href=\"https://www.kqed.org/news/12025647/what-to-do-if-you-encounter-ice\">high profile activity by U.S. Immigration and Customs Enforcement (ICE) agents\u003c/a> in the last year, spurred by President Trump’s promises to conduct mass deportations in his second term.\u003c/p>\n\u003cp>The \u003cem>technical\u003c/em> answer is: yes, you can attend a protest as a non-citizen. “As a general rule, people who are not citizens have the same First Amendment rights as citizens,” said attorney Carl Takei, the community safety program director at the \u003ca href=\"https://www.asianlawcaucus.org/get-help\">Asian Law Caucus\u003c/a>: a civil rights organization based in San Francisco that offers services to low-income, immigrant, and underserved Asian Americans and Pacific Islander communities.\u003c/p>\n\u003cp>The First Amendment of the United States Constitution is meant to \u003ca href=\"https://www.kqed.org/news/11984807/know-your-rights-california-protesters-legal-standing-under-the-first-amendment\">protect five basic rights\u003c/a>: freedom of religion, freedom of speech, freedom of the press, peaceful assembly and petitioning the government. Whether you have a green card or no permanent legal status, you are still protected by the Constitution, and that includes your right to be part of a peaceful assembly, like a march or rally.\u003c/p>\n\u003cp>However, \u003ca href=\"https://www.kqed.org/news/12028351/what-happens-if-the-president-disobeys-the-courts-a-constitutional-crisis-experts-say\">judges have argued that many of the Trump administrations plans and actions right now flatly go against the Constitution\u003c/a>. And legal scholars and immigration advocates have warned that \u003ca href=\"https://www.kqed.org/news/12042492/what-is-due-process-habeas-corpus-definition-courts-push-back-trump-moves-limit-this-right\">the president is testing his ability to challenge due process in the area of immigration particularly.\u003c/a>\u003c/p>\n\u003cp>Bear in mind also that there are limitations to First Amendment protections. For example, they do not protect speech that can be considered true threats, incitement, fighting words or harassment. The First Amendment also does not protect against “violent or unlawful conduct, even if the person engaging in it intends to express an idea.” \u003ca href=\"https://www.kqed.org/news/11984807/know-your-rights-california-protesters-legal-standing-under-the-first-amendment\">KQED has a complete guide on how First Amendment protections apply in protests.\u003c/a>\u003c/p>\n\u003cp>But what if you’re a non-citizen who’s determined to attend a protest right now? \u003ca href=\"https://www.kqed.org/news/12014436/undocumented-what-to-know-before-a-second-trump-term\">Undocumented people and green card holders have always faced additional risks\u003c/a> at a protest that citizens don’t, warned Takei — especially when law enforcement gets involved.\u003c/p>\n\u003cp>“\u003ca href=\"https://www.kqed.org/news/12065885/ice-immigration-us-citizens-detained-carry-passports-documentation-green-card\">A green card holder is required under federal law to carry\u003c/a> evidence of their permanent resident status,” he explained. He adds that carrying a fake green card or identification and presenting that to law enforcement could make the situation a lot more difficult.\u003c/p>\n\u003cp>“If you’re stopped by the police, \u003ca href=\"https://www.aclu.org/know-your-rights/protesters-rights#:~:text=If%20you%20are%20under%20arrest,are%20not%20allowed%20to%20listen.\">you have the same rights as anyone else\u003c/a>,” Takei said. “You don’t need to consent to a search, answer questions or sign anything.” Even if the situation seems intimidating, Takei explains,\u003ca href=\"https://www.kqed.org/news/12025647/what-to-do-if-you-encounter-ice\"> you have the right to remain silent and not share personal information with law enforcement.\u003c/a>\u003c/p>\n\u003cp>And if you’re asked a question about your immigration status and debating whether to share false information or remain silent, “it’s better to remain silent,” said Takei.\u003c/p>\n\u003cp>But ultimately, if you’re set on protesting as a non-citizen, the most important thing you can do to protect yourself is to make a safety plan for yourself before going to a protest, he recommended. “Write out the contact information for resources, including an attorney or legal organization, and make sure that you’ve talked with friends or family about what to do if you are arrested or if anything goes wrong,” he explained.\u003c/p>\n\u003ch2>Remember there are many ways to protest\u003c/h2>\n\u003cp>As the disability community continues to remind others, there are many ways to show up.\u003c/p>\n\u003cp>You can participate in many meaningful ways that don’t include attending an in-person protest or rally. This could include educating yourself, voting, talking to your community and supporting grassroots organizations, as outlined in \u003ca href=\"https://www.kqed.org/arts/13881199/5-ways-to-show-up-for-racial-justice-today\">this 2020 guide from KQED’s Nastia Voynovskaya\u003c/a>.\u003c/p>\n\u003cp>You can also \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">contact your elected officials to express your opinions\u003c/a>. For more information on what “call your reps” actually means, read our explainer, \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">How Can I Call My Representative? A Step-by-Step Guide to the Process\u003c/a>.\u003c/p>\n\u003ch2>COVID is still with us: What to know about your possible risks attending a protest\u003c/h2>\n\u003cp>The good news: Your risks of getting COVID-19 outdoors remain far lower than your risks indoors — about 20 times less, said Dr. Peter Chin-Hong, professor of medicine and infectious disease specialist at UCSF.\u003c/p>\n\u003cp>Also, being vaccinated and boosted will greatly reduce your risks of getting very sick, being hospitalized or dying from COVID-19.\u003c/p>\n\u003cp>But you should still think about your risks of getting (or spreading) COVID-19 at a big event full of people, even when you’re outdoors. As with so many decisions against the backdrop of COVID-19, a lot comes down to your personal risks and circumstances — not just to protect yourself but others, too. “I think it requires people to be thoughtful about who they are, who they live with, and what happens when they leave the protest and go back home,” Chin-Hong said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Consider bringing a mask along regardless\u003c/strong>\u003c/p>\n\u003cp>It’s not only the number of people you’ll encounter at a protest — it’s what they might be \u003cem>doing\u003c/em>. Even outside, screaming, chanting, coughing and singing all expel more of the particles that can spread COVID-19 than regular activity does, and you may decide to keep your mask on during a protest if it’s a super-crowded space.\u003c/p>\n\u003cp>You might also find that some protest organizers explicitly request you wear a mask and maintain social distancing at the event, especially if the event is being attended by groups or communities at higher risk for severe illness from COVID-19.\u003c/p>\n\u003cp>There’s also the possibility that you might not \u003cem>stay\u003c/em> outside the whole time. “Whenever you have a protest, nobody just stays necessarily outdoors,” Chin-Hong said, giving pre-protest gatherings and meetings or post-protest dinners as examples.\u003c/p>\n\u003cp>“These may be done in people’s homes. I think it’s the stuff that goes around the actual outdoor protest that I’m more worried about,” Chin-Hong said. He recommends that people “think about carrying a mask with them, like they carry an umbrella. So that they just bring out the ‘umbrella’ when it’s potentially ‘raining with COVID\u003ci>.\u003c/i>‘”\u003c/p>\n\u003cfigure id=\"attachment_11965077\" class=\"wp-caption aligncenter\" style=\"max-width: 1020px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11965077\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1.jpg\" alt=\"A large crowed with signs crowds around a building that has been fenced off. Many are pushing against the fence and others are carrying signs. Almost all are wearing facemasks.\" width=\"1020\" height=\"680\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1-160x107.jpg 160w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\">\u003cfigcaption class=\"wp-caption-text\">Protesters take a knee during a demonstration outside of Mission Police Station to honor of George Floyd on June 3, 2020, in San Francisco. Three years since the onset of the COVID-19 pandemic, it is still common to see people wearing facemasks at protests to protect themselves from a possible coronavirus infection.\u003c/figcaption>\u003c/figure>\n\u003cp>Back in 2021, Chin-Hong told KQED that protests against racist violence and the killing of Black people by police were themselves “a response to a public health threat, if you think about the impact of structural racism and stress on health care.”\u003c/p>\n\u003cp>Now, when it comes to weighing the desire to protest a cause with the risks of getting or spreading COVID-19, “I think the benefits of protesting are even more in favor of protesting now,” Chin-Hong told KQED in 2022. That “risk/benefit calculus,” as he puts it, is even more in favor of attending a rally — “because we have so many tools to keep people safer,” from vaccines and boosters to improved COVID-19 treatment if someone \u003cem>is\u003c/em> hospitalized.\u003c/p>\n\u003cp>\u003cem>This story includes reporting from KQED’s Lakshmi Sarah, Lisa Pickoff-White, Carly Severn, Nisa Khan and Carlos Cabrera-Lomelí. Beth LaBerge and \u003c/em>\u003cem>Peter Arcuni also contributed. A version of this story originally published on April 23, 2021. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Here are some tips on safety and preparation, should you choose to participate in a protest about a cause you care about.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Bay Area has a long history of protest.\u003c/p>\n\u003cp>But if you plan on attending a rally yourself, on any cause, how can you stay safe? What \u003cem>are\u003c/em> your rights as a protester?\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#start\">Tips on what to have ready before going to a protest.\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>If this is the first time you or your friends have gone to a protest, make sure to bookmark this guide, as our team frequently updates it with new information. We also have a \u003ca href=\"#immigrantrights\">new section on what your rights are if you are a not a U.S. citizen and plan to attend to a protest.\u003c/a>\u003c/p>\n\u003cp>And remember: If you’re unable to join a rally or protest in person for whatever reason but want to make your stance on an issue known, you always have the option to \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">contact your elected officials to express your opinions\u003c/a>. For more information on what “call your reps” actually means, how to do it, and what to expect as a result, read our explainer: \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">How Can I Call My Representative? A Step-by-Step Guide to the Process\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12013354\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12013354\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/241106-HarveyMilkElectionVigil-16-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A crowd gathers for a candlelight vigil at Harvey Milk Plaza in San Francisco on Nov. 6, 2024, organized by the Harvey Milk LGBTQ Democratic Club for the community to come together post-election. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"start\">\u003c/a>Have a plan — and then a backup plan\u003c/h2>\n\u003cp>There’s a lot you can do before a protest in terms of logistics and planning:\u003c/p>\n\u003cp>\u003cstrong>Travel with friends\u003c/strong>\u003c/p>\n\u003cp>Choose a meeting place beforehand in the event you get separated. You may also want to designate a friend who is not at the protest as someone you can check in with.\u003c/p>\n\u003cp>Charge your phone. However, some activist groups also recommend taking digital security measures, such as disabling the fingerprint unlock feature to prevent a police officer from forcing you to unlock the phone. Others also recommend turning off text preview on messages and using a more secure messaging app, such as Signal.\u003c/p>\n\u003cp>Also, make sure that you can function without a phone. Consider writing down important phone numbers and keeping them with you.\u003c/p>\n\u003cp>\u003cstrong>Research the intended protest route if possible\u003c/strong>\u003c/p>\n\u003cp>This may be confusing since there’s not always a clearly stated route (a protest is, of course, not a parade), but some rallies do have preplanned routes.\u003c/p>\n\u003cp>By knowing where the protest is headed, you will be able to plan how you might \u003ca href=\"https://netpol.org/guide-to-kettles/\">avoid being caught in a “kettle”\u003c/a> or other containment method — and be able to leave when you are ready.\u003c/p>\n\u003cfigure id=\"attachment_11965032\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11965032 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut.jpg\" alt=\"A young woman stands in front of a high school building. She looks away from the camera and has the Palestinian flag painted on her rigth cheek.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/231018-StudentWalkoutGaza-011-BL-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Deena, a high school student, participates in a walkout to demand a cease-fire in the Israel-Hamas war in San Francisco on Oct. 18, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Know who is organizing the protest\u003c/strong>\u003c/p>\n\u003cp>It’s worth doing some research on the people and groups behind any protest you plan to attend to make sure it’s in alignment with your values and objectives. During certain Black Lives Matter protests in San Diego in June 2020, for instance, organizers warned demonstrators to avoid specific events they said likely had been surreptitiously coordinated by white nationalist groups.\u003c/p>\n\u003cp>\u003cstrong>Pack a small bag\u003c/strong>\u003c/p>\n\u003cp>Bring only essentials such as water, snacks, hand sanitizer and an extra phone charger.\u003c/p>\n\u003cp>The active component in tear gas adheres to moisture on your face. So it’s also a good idea to pack an extra N95, surgical mask or face covering in case you are exposed to tear gas.\u003c/p>\n\u003cp>Some people \u003ca href=\"https://lifehacker.com/how-to-protest-safely-and-legally-5859590\">recommend bringing basic medical supplies and a bandana soaked in vinegar\u003c/a> or \u003ca href=\"https://www.popsci.com/story/diy/tear-gas-guide/\">in water in a sealed plastic bag\u003c/a> in case there is tear gas. Others recommend a small bottle of water — or even better, a squirt bottle — to pour on your face and eyes.\u003c/p>\n\u003cp>If you get tear-gassed, it is often recommended to:\u003c/p>\n\u003cul>\n\u003cli>Close your eyes.\u003c/li>\n\u003cli>Hold your breath.\u003c/li>\n\u003cli>Get out of the area as soon as possible.\u003c/li>\n\u003cli>Rinse your eyes when possible (ideally using what you have packed with you).\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Know your rights\u003c/strong>\u003c/h2>\n\u003cp>You are entitled to free speech and freedom of assembly. However, your rights can be unclear during curfews and shelter-in-place orders. The American Civil Liberties Union has a \u003ca href=\"https://www.aclu.org/know-your-rights/protesters-rights/#i-want-to-take-pictures-or-shoot-video-at-a-protest\">detailed guide to your rights as a protester or a protest organizer\u003c/a>. Notably, when police issue an order to disperse, it is meant to be the last resort for law enforcement.\u003c/p>\n\u003cp>“If officers issue a dispersal order, they must provide a reasonable opportunity to comply, including sufficient time and a clear, unobstructed exit path,” \u003ca href=\"https://www.aclu.org/know-your-rights/protesters-rights/#i-want-to-take-pictures-or-shoot-video-at-a-protest\">according to the ACLU\u003c/a>. \u003ca href=\"https://www.kqed.org/news/11955465/dolores-hill-bomb-legal-rights-spectator-onlooker\">Read our guide to your rights as a spectator.\u003c/a>\u003c/p>\n\u003cp>If you are photographing others, it is recommended to respect privacy, as some may not want to have videos or photos taken. This may also depend on context, location and time of day. In some cases journalists, or those documenting events, have been the target of tear gas and rubber bullets.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#tellus\">Tell us: What else do you need information about right now?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>The First Amendment gives you the right to film police who are actively performing their duties, and bystander videos can provide important counternarratives to official accounts. Read our \u003ca href=\"https://www.kqed.org/news/11871364/recording-the-police-what-to-know-and-how-to-stay-safe-doing-it\">guide to filming encounters with the police safely and ethically\u003c/a> and where to share your footage.\u003c/p>\n\u003cp>Additional information can be found from the ACLU and the National Lawyers Guild — the NLG has \u003ca href=\"https://www.nlg.org/know-your-rights/\">pocket-sized know-your-rights guides\u003c/a> in multiple languages. Writing the number for the NLG hotline (and other important numbers such as emergency contacts) on your arm in case you lose your phone or have it confiscated is another suggested way to ensure you have it — should you need it.\u003c/p>\n\u003cfigure id=\"attachment_11958935\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11958935\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED.jpg\" alt=\"A large crowd with signs gathers in front of a large stone building. A line of police officers stands nearby.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/08/RS68263_20230822-HomelessLawsuit-17-JY-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protesters, counter-protesters, and SFPD are seen at a rally in front of the Ninth Circuit Court of Appeals in San Francisco on Wednesday, Aug. 23, 2023. The court is hearing arguments for the city’s appeal of an injunction filed by the Coalition on Homelessness, which has temporarily kept city workers from removing encampments on the streets. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Be aware of your surroundings\u003c/strong>\u003c/p>\n\u003cp>During the first few days of George Floyd protests in the Bay Area in June 2020, there were fireworks, fires, rubber bullets, tear gas, flash-bangs and even some gunshots. Being aware of your surroundings includes having an understanding of what possible actions may occur around you.\u003c/p>\n\u003ch2>Know the possible law enforcement ramifications of attending a protest\u003c/h2>\n\u003cp>In April 2024, San Francisco District Attorney Brooke Jenkins announced that \u003ca href=\"https://www.kqed.org/news/11983413/could-protesters-who-shut-down-golden-gate-bridge-be-charged-with-false-imprisonment\">she was considering charging a group of pro-Palestinian protesters\u003c/a> with a felony for \u003ca href=\"https://www.kqed.org/news/11982940/protesters-shut-down-880-freeway-in-oakland-as-part-of-economic-blockade-for-gaza\">blocking Bay Area freeways\u003c/a>. People who were stuck in traffic on the bridge, Jenkins \u003ca href=\"https://www.kqed.org/news/11983413/could-protesters-who-shut-down-golden-gate-bridge-be-charged-with-false-imprisonment\">wrote on X\u003c/a>, “may be entitled to restitution + have other victim rights guaranteed under Marsy’s law.”\u003c/p>\n\u003cp>While \u003ca href=\"https://abc7news.com/post/sf-judge-dismisses-majority-charges-pro-palestinian-protesters-shut-down-golden-gate-bridge-back-april/15582777/\">a judge dismissed most of the charges later that year\u003c/a>, and the agency that operates the Golden Gate Bridge \u003ca href=\"https://www.kqed.org/news/12063531/golden-gate-bridge-agency-drops-163k-restitution-claim-against-pro-palestinian-protesters\">withdrew its nearly $163,000 restitution claim\u003c/a> against the activists in November 2025, several of them still face more serious charges including felony conspiracy.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>ACLU Northern California’s legal director, Shilpi Agarwal said she found the move by Jenkins had the potential to cast a “chilling effect” on speech in the Bay Area.\u003c/p>\n\u003cp>“Lawful protests are, by design, meant to be visible and inconvenient,” Agarwal said. And while the government can place “reasonable limits on protest” in what is called \u003ca href=\"https://firstamendment.mtsu.edu/article/time-place-and-manner-restrictions/\">a “time, place, and manner restriction\u003c/a>” — meaning authorities can call for certain parameters of protest for safety or other people using the space — the government may \u003ci>not \u003c/i>tell people they cannot protest. And in public spaces, Agarwal said, “people are allowed to protest.”\u003c/p>\n\u003cp>What kinds of law enforcement charges could protesters face, however? Agarwal said while \u003ca href=\"https://www.aclunc.org/our-work/know-your-rights\">charges for protests can be nuanced\u003c/a>, at a basic level, if you are engaged in a protest and encounter police officers who then determine for “some reason” you have violated the “parameters” of the protest, there are usually three charging options available to officers:\u003c/p>\n\u003cul>\n\u003cli>An infraction: typically a ticket where you show your ID, get a citation and may have to appear in court. Usually, an infraction is just a fine to pay.\u003c/li>\n\u003cli>A misdemeanor: for which “you rarely serve” jail time for low-level offenses, Agarwal said.\u003c/li>\n\u003cli>A felony: A more serious criminal charge that usually brings jail time.\u003c/li>\n\u003c/ul>\n\u003cp>Agarwal said the “vast majority of offenses that are commonly charged at protests, when the police do get involved, are typically infractions or misdemeanors.” Common provisions for protesters have been something like resisting arrest, disrupting a public meeting, and failing to disperse.\u003c/p>\n\u003cp>The Center for Protest Law and Litigation’s senior counsel, Rachel Lederman, said restitution is common in criminal cases, adding that \u003ca href=\"https://www.kqed.org/news/11967536/protesters-calling-for-gaza-ceasefire-block-bay-bridges-westbound-lanes\">pro-Palestinian protesters who previously blocked the Bay Bridge\u003c/a> in November 2023 are currently paying “a very small amount of restitution to one person who had a specific medical bill, that they attributed to the traffic blockage.”\u003c/p>\n\u003cp>In April 2024, California State Assemblymember Kate Sanchez introduced \u003ca href=\"https://www.courthousenews.com/california-bill-would-create-new-infraction-for-protesters-who-block-highways/\">a bill before the Assembly Transportation Committee\u003c/a> that would create a new infraction for those who obstruct a highway during a protest that affects an emergency vehicle. AB 2742 proposed a fine of between $200 and $500 for the first offense, $300 and $1000 for the second offense and $500 to $1000 for additional offenses, but\u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202320240ab2742\"> ultimately stalled in the California legislature.\u003c/a>\u003c/p>\n\u003cp>\u003cb>Reminder: Your rights are at their highest in a public forum\u003c/b>\u003c/p>\n\u003cp>When considering your rights, take into account the location where a protest may take place — it could be a campus, a city council meeting, or a usually busy road. And Agarwal said that while the law is complicated and can vary in different situations, First Amendment rights are generally “at their highest when something is a public forum” — that is, a place like a sidewalk or a public plaza.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Aside from the \u003ca href=\"https://firstamendment.mtsu.edu/article/time-place-and-manner-restrictions/\">time, place, and manner restriction\u003c/a>, “when you have a public forum, there is very, very little that the government can do to regulate your speech,” she said.\u003c/p>\n\u003cp>Conversely, First Amendment rights are at their lowest at places like private homes, Agarwal said.\u003c/p>\n\u003cp>“It doesn’t mean that you have no rights, but it does mean that whenever and wherever you are on something that is not a public forum, the strength of your First Amendment rights starts to wane,” she said. “And the government can do more to regulate what you can and cannot say.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11984807/know-your-rights-california-protesters-legal-standing-under-the-first-amendment\">Read more about your First Amendment rights at a protest.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"immigrantrights\">\u003c/a>Attending a protest when you’re not a U.S. citizen\u003c/h2>\n\u003cp>One question that KQED has gotten over the years is: “I’m not a U.S. citizen. Can I even be part of a protest?”\u003c/p>\n\u003cp>It’s a question that’s only become more pressing against the backdrop of \u003ca href=\"https://www.kqed.org/news/12025647/what-to-do-if-you-encounter-ice\">high profile activity by U.S. Immigration and Customs Enforcement (ICE) agents\u003c/a> in the last year, spurred by President Trump’s promises to conduct mass deportations in his second term.\u003c/p>\n\u003cp>The \u003cem>technical\u003c/em> answer is: yes, you can attend a protest as a non-citizen. “As a general rule, people who are not citizens have the same First Amendment rights as citizens,” said attorney Carl Takei, the community safety program director at the \u003ca href=\"https://www.asianlawcaucus.org/get-help\">Asian Law Caucus\u003c/a>: a civil rights organization based in San Francisco that offers services to low-income, immigrant, and underserved Asian Americans and Pacific Islander communities.\u003c/p>\n\u003cp>The First Amendment of the United States Constitution is meant to \u003ca href=\"https://www.kqed.org/news/11984807/know-your-rights-california-protesters-legal-standing-under-the-first-amendment\">protect five basic rights\u003c/a>: freedom of religion, freedom of speech, freedom of the press, peaceful assembly and petitioning the government. Whether you have a green card or no permanent legal status, you are still protected by the Constitution, and that includes your right to be part of a peaceful assembly, like a march or rally.\u003c/p>\n\u003cp>However, \u003ca href=\"https://www.kqed.org/news/12028351/what-happens-if-the-president-disobeys-the-courts-a-constitutional-crisis-experts-say\">judges have argued that many of the Trump administrations plans and actions right now flatly go against the Constitution\u003c/a>. And legal scholars and immigration advocates have warned that \u003ca href=\"https://www.kqed.org/news/12042492/what-is-due-process-habeas-corpus-definition-courts-push-back-trump-moves-limit-this-right\">the president is testing his ability to challenge due process in the area of immigration particularly.\u003c/a>\u003c/p>\n\u003cp>Bear in mind also that there are limitations to First Amendment protections. For example, they do not protect speech that can be considered true threats, incitement, fighting words or harassment. The First Amendment also does not protect against “violent or unlawful conduct, even if the person engaging in it intends to express an idea.” \u003ca href=\"https://www.kqed.org/news/11984807/know-your-rights-california-protesters-legal-standing-under-the-first-amendment\">KQED has a complete guide on how First Amendment protections apply in protests.\u003c/a>\u003c/p>\n\u003cp>But what if you’re a non-citizen who’s determined to attend a protest right now? \u003ca href=\"https://www.kqed.org/news/12014436/undocumented-what-to-know-before-a-second-trump-term\">Undocumented people and green card holders have always faced additional risks\u003c/a> at a protest that citizens don’t, warned Takei — especially when law enforcement gets involved.\u003c/p>\n\u003cp>“\u003ca href=\"https://www.kqed.org/news/12065885/ice-immigration-us-citizens-detained-carry-passports-documentation-green-card\">A green card holder is required under federal law to carry\u003c/a> evidence of their permanent resident status,” he explained. He adds that carrying a fake green card or identification and presenting that to law enforcement could make the situation a lot more difficult.\u003c/p>\n\u003cp>“If you’re stopped by the police, \u003ca href=\"https://www.aclu.org/know-your-rights/protesters-rights#:~:text=If%20you%20are%20under%20arrest,are%20not%20allowed%20to%20listen.\">you have the same rights as anyone else\u003c/a>,” Takei said. “You don’t need to consent to a search, answer questions or sign anything.” Even if the situation seems intimidating, Takei explains,\u003ca href=\"https://www.kqed.org/news/12025647/what-to-do-if-you-encounter-ice\"> you have the right to remain silent and not share personal information with law enforcement.\u003c/a>\u003c/p>\n\u003cp>And if you’re asked a question about your immigration status and debating whether to share false information or remain silent, “it’s better to remain silent,” said Takei.\u003c/p>\n\u003cp>But ultimately, if you’re set on protesting as a non-citizen, the most important thing you can do to protect yourself is to make a safety plan for yourself before going to a protest, he recommended. “Write out the contact information for resources, including an attorney or legal organization, and make sure that you’ve talked with friends or family about what to do if you are arrested or if anything goes wrong,” he explained.\u003c/p>\n\u003ch2>Remember there are many ways to protest\u003c/h2>\n\u003cp>As the disability community continues to remind others, there are many ways to show up.\u003c/p>\n\u003cp>You can participate in many meaningful ways that don’t include attending an in-person protest or rally. This could include educating yourself, voting, talking to your community and supporting grassroots organizations, as outlined in \u003ca href=\"https://www.kqed.org/arts/13881199/5-ways-to-show-up-for-racial-justice-today\">this 2020 guide from KQED’s Nastia Voynovskaya\u003c/a>.\u003c/p>\n\u003cp>You can also \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">contact your elected officials to express your opinions\u003c/a>. For more information on what “call your reps” actually means, read our explainer, \u003ca href=\"https://www.kqed.org/news/11967439/how-can-i-call-my-representative-a-step-by-step-guide-to-the-process\">How Can I Call My Representative? A Step-by-Step Guide to the Process\u003c/a>.\u003c/p>\n\u003ch2>COVID is still with us: What to know about your possible risks attending a protest\u003c/h2>\n\u003cp>The good news: Your risks of getting COVID-19 outdoors remain far lower than your risks indoors — about 20 times less, said Dr. Peter Chin-Hong, professor of medicine and infectious disease specialist at UCSF.\u003c/p>\n\u003cp>Also, being vaccinated and boosted will greatly reduce your risks of getting very sick, being hospitalized or dying from COVID-19.\u003c/p>\n\u003cp>But you should still think about your risks of getting (or spreading) COVID-19 at a big event full of people, even when you’re outdoors. As with so many decisions against the backdrop of COVID-19, a lot comes down to your personal risks and circumstances — not just to protect yourself but others, too. “I think it requires people to be thoughtful about who they are, who they live with, and what happens when they leave the protest and go back home,” Chin-Hong said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Consider bringing a mask along regardless\u003c/strong>\u003c/p>\n\u003cp>It’s not only the number of people you’ll encounter at a protest — it’s what they might be \u003cem>doing\u003c/em>. Even outside, screaming, chanting, coughing and singing all expel more of the particles that can spread COVID-19 than regular activity does, and you may decide to keep your mask on during a protest if it’s a super-crowded space.\u003c/p>\n\u003cp>You might also find that some protest organizers explicitly request you wear a mask and maintain social distancing at the event, especially if the event is being attended by groups or communities at higher risk for severe illness from COVID-19.\u003c/p>\n\u003cp>There’s also the possibility that you might not \u003cem>stay\u003c/em> outside the whole time. “Whenever you have a protest, nobody just stays necessarily outdoors,” Chin-Hong said, giving pre-protest gatherings and meetings or post-protest dinners as examples.\u003c/p>\n\u003cp>“These may be done in people’s homes. I think it’s the stuff that goes around the actual outdoor protest that I’m more worried about,” Chin-Hong said. He recommends that people “think about carrying a mask with them, like they carry an umbrella. So that they just bring out the ‘umbrella’ when it’s potentially ‘raining with COVID\u003ci>.\u003c/i>‘”\u003c/p>\n\u003cfigure id=\"attachment_11965077\" class=\"wp-caption aligncenter\" style=\"max-width: 1020px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11965077\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1.jpg\" alt=\"A large crowed with signs crowds around a building that has been fenced off. Many are pushing against the fence and others are carrying signs. Almost all are wearing facemasks.\" width=\"1020\" height=\"680\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/06/RS43804_GettyImages-1244191840-1-qut-1020x680-1-160x107.jpg 160w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\">\u003cfigcaption class=\"wp-caption-text\">Protesters take a knee during a demonstration outside of Mission Police Station to honor of George Floyd on June 3, 2020, in San Francisco. Three years since the onset of the COVID-19 pandemic, it is still common to see people wearing facemasks at protests to protect themselves from a possible coronavirus infection.\u003c/figcaption>\u003c/figure>\n\u003cp>Back in 2021, Chin-Hong told KQED that protests against racist violence and the killing of Black people by police were themselves “a response to a public health threat, if you think about the impact of structural racism and stress on health care.”\u003c/p>\n\u003cp>Now, when it comes to weighing the desire to protest a cause with the risks of getting or spreading COVID-19, “I think the benefits of protesting are even more in favor of protesting now,” Chin-Hong told KQED in 2022. That “risk/benefit calculus,” as he puts it, is even more in favor of attending a rally — “because we have so many tools to keep people safer,” from vaccines and boosters to improved COVID-19 treatment if someone \u003cem>is\u003c/em> hospitalized.\u003c/p>\n\u003cp>\u003cem>This story includes reporting from KQED’s Lakshmi Sarah, Lisa Pickoff-White, Carly Severn, Nisa Khan and Carlos Cabrera-Lomelí. Beth LaBerge and \u003c/em>\u003cem>Peter Arcuni also contributed. A version of this story originally published on April 23, 2021. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "No Plans for Christmas This Year? What Bay Area Events Are Still Happening",
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"content": "\u003cp>The rainstorms \u003ca href=\"https://www.kqed.org/news/12068281/bay-area-braces-for-storm-that-could-become-a-rare-bomb-cyclone-ahead-of-holiday-travel\">this week\u003c/a> have you feeling a little less joyous about the holidays this year? While thousands flock to San Francisco’s Union Square to ice skate under the Christmas tree or catch a glimpse of the \u003ca href=\"https://sfist.com/2025/11/17/those-puppies-and-kittens-return-to-the-macys-union-square-windows-for-the-holiday-season-this-friday/\">puppies in the Macy’s window displays\u003c/a>, you may be looking to do something completely different — and that’s okay.\u003c/p>\n\u003cp>You’re not the Grinch if you’re not “doing” Christmas this year. Maybe you grew up not celebrating Christmas, are processing a tough year or just want to try something completely new. The good news is that you have plenty of options if you want to get away from Santa for a bit.\u003c/p>\n\u003cp>While many businesses and public spaces have closed down for the week, some places in the Bay Area are still open and available to offer you distraction, solace or just a different experience from the more traditional Christmas gatherings.\u003c/p>\n\u003cfigure id=\"attachment_12029413\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12029413\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-scaled.jpg\" alt=\"Man wearing blue is about to dunk a basketball.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The Golden State Warriors will play the Dallas Mavericks on Dec. 25, 2026 at 2 p.m. in San Francisco. \u003ccite>(Matt Slocum/AP Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Watch the Warriors take on the Dallas Mavericks\u003c/h2>\n\u003cp>This is the last chance fans have to see Steph Curry and the rest of the team play at home in 2025. After a sluggish start to the season, the Golden State Warriors are coming fresh off a 120-97 win against the Orlando Magic, an opponent they have yet to play this season.[ad fullwidth]Chase Center will be already decked out in holiday regalia and guests will receive a complimentary holiday scarf before the game, but expect the thrill of the game to pull you straight into the dimension of basketball. \u003cstrong>The Golden State Warriors play against the Dallas Mavericks in San Francisco on Dec. 25 at 2 p.m. \u003ca href=\"https://www.ticketmaster.com/event/1C00630BB0966619\">Tickets available\u003c/a>\u003c/strong>\u003ca href=\"https://www.ticketmaster.com/event/1C00630BB0966619\"> here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12067436\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067436\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty.jpg\" alt=\"\" width=\"2000\" height=\"1376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty-1536x1057.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A resident eats a holiday meal at Glide Memorial Church in San Francisco, California, on Sunday, Dec. 25, 2022. \u003ccite>(Jane Tyska/Digital First Media/East Bay Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Share a meal with folks at Glide Memorial Church\u003c/h2>\n\u003cp>It may sound a bit counterintuitive to say you’re getting away from Christmas and then spend Dec. 25 at a church. But each year, thousands of different folks from different faiths and life experiences go to \u003ca href=\"https://www.glide.org/holidays-at-glide/\">Glide\u003c/a> — in San Francisco’s Tenderloin District — for a warm meal and a chance to meet new people, many who are far away from loved ones during the holidays. All volunteer slots for Christmas Day have already been taken up, but Glide invites anyone who is hungry to come in from 11 a.m. to 1 p.m.\u003c/p>\n\u003ch2>A ‘Queersada’ in San Francisco’s Castro District\u003c/h2>\n\u003cp>In many Spanish-speaking countries, it’s common for families during the December holidays to come together and host a \u003ca href=\"https://www.npr.org/2019/12/15/788261154/a-latin-american-christmas-tradition-takes-on-new-meaning-along-the-border\">“posada”\u003c/a> — a reenactment of the Virgin Mary and St. Joseph’s search through Bethlehem for a safe haven where Mary could give birth to Jesus Christ. While many families actually embark on a whole reenactment through their neighborhood, others opt to honor the experiences of the Nativity with a large dinner, featuring songs, gift exchanges and dancing.\u003c/p>\n\u003cp>The nonprofit BOSS Idea House has partnered up with the nightclub Beaux to host a free dinner on Thursday night for LGBTQ+ folks and allies who want to come together, either with their chosen family or to make new friends — and have named the event “Queersada,” or a queer posada. A dinner, which will include chicken pozole and pan con pavo, will be provided for free to all guests, who can also bring a dessert to share. \u003cstrong>Queersada will take place at Beaux in San Francisco on Dec. 25 from 2 p.m. to 5 p.m. and requires an \u003ca href=\"https://www.eventbrite.com/e/queersada-tickets-1971504787892\">RSVP ahead of time\u003c/a> (21+ event).\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_12056799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12056799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/Moon-View-e1758300999218.jpg\" alt=\"\" width=\"2000\" height=\"1265\">\u003cfigcaption class=\"wp-caption-text\">Platform viewing deck over pond in Moon Viewing Garden in San Francisco Botanical Garden with fall foliage color in Japanese Maple trees. \u003ccite>(Courtesy of Saxon Holt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Wander the San Francisco Botanical Garden for free — and stay for a light show\u003c/h2>\n\u003cp>Many museums, like the Oakland Museum of California or SFMOMA, are closed on Thursday. But not only does one of San Francisco’s most popular outdoor museums stay open on Christmas, it’s also free that day. The San Francisco Botanical Garden in Golden Gate Park confirmed that it’ll be offering free admission to everyone on Thursday, regardless of where you live (free admission is usually based on San Francisco residency). \u003cstrong>The garden opens on Dec. 25 from 7 a.m. to 4 p.m.\u003c/strong>[aside postID=news_12068281 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GettyImages-2252559644-2000x1334.jpg']However, it’s also important to mention that the Bay Area is expecting strong storms \u003ca href=\"https://www.kqed.org/science/1999678/bay-area-you-just-might-have-yourself-a-soggy-rainy-christmas\">on Thursday\u003c/a>. If the rain ends up spoiling your idea of a day in the gardens, another option nearby starting at 7 p.m. is “Lightscape,” a mile-long trail starting at the Conservatory of Flowers, which features larger-than-life light installations and sculptures — if weather permits, of course (Monday’s showing was canceled due to strong winds). Keep in mind that \u003ca href=\"https://gggp.my.salesforce-sites.com/ticket/#/instances/a0FWP00000KwIAj2AN\">tickets for Lightscape\u003c/a> start at $32 for adults and $20 for kids.\u003c/p>\n\u003ch2>Watch the ultimate holiday movie on the big screen — and then debate if it’s actually a holiday movie\u003c/h2>\n\u003cp>Should Bruce Willis jumping off a skyscraper in order to escape an explosion (while tied to a firehose) be part of our collective Christmas film canon? Debatable, perhaps. But no matter how you see it, 1988’s Die Hard is quite popular this time of year, despite the movie not really being about anything \u003ca href=\"https://www.npr.org/2025/12/20/nx-s1-5647738/is-die-hard-a-christmas-movie\">very “Christmas-y.”\u003c/a> Several movie theaters in the region — including San Francisco’s 4 Star Theater — will be showing the film on Thursday evening, so you can decide for yourself.[aside postID=news_12054079 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/250904-PRESIDIOHIKES-11-BL-KQED.jpg']And movie theaters will still be open to show the last big releases of the year. Will Timothée Chalamet reach ping-pong greatness in \u003ca href=\"https://www.npr.org/2025/12/20/nx-s1-5313842/why-marty-supreme-marks-a-new-chapter-for-josh-safdie\">\u003cem>Marty Supreme\u003c/em>\u003c/a>? What was James Cameron able to do with a $400 million budget for \u003ca href=\"https://www.npr.org/2025/12/19/nx-s1-5648236/avatar-fire-and-ash-is-one-battle-after-another\">the latest movie in the \u003cem>Avatar\u003c/em> franchise\u003c/a>? And if you want to escape the Christmas vibes \u003cem>completely\u003c/em> and would rather be transported to a haunted pizza restaurant, perhaps \u003ca href=\"https://www.npr.org/2025/12/05/nx-s1-5628410/five-nights-at-freddys-2-doubles-down-on-robots-but-forgoes-a-plot\">\u003cem>Five Nights at Freddy’s 2\u003c/em>\u003c/a> could be a good match?\u003c/p>\n\u003cp>All AMC and Cinemark theaters in the Bay Area are open Thursday and through the holiday weekend. Several independent theaters, like Alamo Drafthouse in San Francisco, Mountain View and Santa Clara, Oakland’s Grand Lake Theatre and El Cerrito’s Rialto Cinemas will also have showings on Thanksgiving.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The rainstorms \u003ca href=\"https://www.kqed.org/news/12068281/bay-area-braces-for-storm-that-could-become-a-rare-bomb-cyclone-ahead-of-holiday-travel\">this week\u003c/a> have you feeling a little less joyous about the holidays this year? While thousands flock to San Francisco’s Union Square to ice skate under the Christmas tree or catch a glimpse of the \u003ca href=\"https://sfist.com/2025/11/17/those-puppies-and-kittens-return-to-the-macys-union-square-windows-for-the-holiday-season-this-friday/\">puppies in the Macy’s window displays\u003c/a>, you may be looking to do something completely different — and that’s okay.\u003c/p>\n\u003cp>You’re not the Grinch if you’re not “doing” Christmas this year. Maybe you grew up not celebrating Christmas, are processing a tough year or just want to try something completely new. The good news is that you have plenty of options if you want to get away from Santa for a bit.\u003c/p>\n\u003cp>While many businesses and public spaces have closed down for the week, some places in the Bay Area are still open and available to offer you distraction, solace or just a different experience from the more traditional Christmas gatherings.\u003c/p>\n\u003cfigure id=\"attachment_12029413\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12029413\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-scaled.jpg\" alt=\"Man wearing blue is about to dunk a basketball.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/AP25061168611400-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The Golden State Warriors will play the Dallas Mavericks on Dec. 25, 2026 at 2 p.m. in San Francisco. \u003ccite>(Matt Slocum/AP Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Watch the Warriors take on the Dallas Mavericks\u003c/h2>\n\u003cp>This is the last chance fans have to see Steph Curry and the rest of the team play at home in 2025. After a sluggish start to the season, the Golden State Warriors are coming fresh off a 120-97 win against the Orlando Magic, an opponent they have yet to play this season.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Chase Center will be already decked out in holiday regalia and guests will receive a complimentary holiday scarf before the game, but expect the thrill of the game to pull you straight into the dimension of basketball. \u003cstrong>The Golden State Warriors play against the Dallas Mavericks in San Francisco on Dec. 25 at 2 p.m. \u003ca href=\"https://www.ticketmaster.com/event/1C00630BB0966619\">Tickets available\u003c/a>\u003c/strong>\u003ca href=\"https://www.ticketmaster.com/event/1C00630BB0966619\"> here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12067436\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067436\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty.jpg\" alt=\"\" width=\"2000\" height=\"1376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/GlideChurchSFGetty-1536x1057.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A resident eats a holiday meal at Glide Memorial Church in San Francisco, California, on Sunday, Dec. 25, 2022. \u003ccite>(Jane Tyska/Digital First Media/East Bay Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Share a meal with folks at Glide Memorial Church\u003c/h2>\n\u003cp>It may sound a bit counterintuitive to say you’re getting away from Christmas and then spend Dec. 25 at a church. But each year, thousands of different folks from different faiths and life experiences go to \u003ca href=\"https://www.glide.org/holidays-at-glide/\">Glide\u003c/a> — in San Francisco’s Tenderloin District — for a warm meal and a chance to meet new people, many who are far away from loved ones during the holidays. All volunteer slots for Christmas Day have already been taken up, but Glide invites anyone who is hungry to come in from 11 a.m. to 1 p.m.\u003c/p>\n\u003ch2>A ‘Queersada’ in San Francisco’s Castro District\u003c/h2>\n\u003cp>In many Spanish-speaking countries, it’s common for families during the December holidays to come together and host a \u003ca href=\"https://www.npr.org/2019/12/15/788261154/a-latin-american-christmas-tradition-takes-on-new-meaning-along-the-border\">“posada”\u003c/a> — a reenactment of the Virgin Mary and St. Joseph’s search through Bethlehem for a safe haven where Mary could give birth to Jesus Christ. While many families actually embark on a whole reenactment through their neighborhood, others opt to honor the experiences of the Nativity with a large dinner, featuring songs, gift exchanges and dancing.\u003c/p>\n\u003cp>The nonprofit BOSS Idea House has partnered up with the nightclub Beaux to host a free dinner on Thursday night for LGBTQ+ folks and allies who want to come together, either with their chosen family or to make new friends — and have named the event “Queersada,” or a queer posada. A dinner, which will include chicken pozole and pan con pavo, will be provided for free to all guests, who can also bring a dessert to share. \u003cstrong>Queersada will take place at Beaux in San Francisco on Dec. 25 from 2 p.m. to 5 p.m. and requires an \u003ca href=\"https://www.eventbrite.com/e/queersada-tickets-1971504787892\">RSVP ahead of time\u003c/a> (21+ event).\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_12056799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12056799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/Moon-View-e1758300999218.jpg\" alt=\"\" width=\"2000\" height=\"1265\">\u003cfigcaption class=\"wp-caption-text\">Platform viewing deck over pond in Moon Viewing Garden in San Francisco Botanical Garden with fall foliage color in Japanese Maple trees. \u003ccite>(Courtesy of Saxon Holt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Wander the San Francisco Botanical Garden for free — and stay for a light show\u003c/h2>\n\u003cp>Many museums, like the Oakland Museum of California or SFMOMA, are closed on Thursday. But not only does one of San Francisco’s most popular outdoor museums stay open on Christmas, it’s also free that day. The San Francisco Botanical Garden in Golden Gate Park confirmed that it’ll be offering free admission to everyone on Thursday, regardless of where you live (free admission is usually based on San Francisco residency). \u003cstrong>The garden opens on Dec. 25 from 7 a.m. to 4 p.m.\u003c/strong>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>However, it’s also important to mention that the Bay Area is expecting strong storms \u003ca href=\"https://www.kqed.org/science/1999678/bay-area-you-just-might-have-yourself-a-soggy-rainy-christmas\">on Thursday\u003c/a>. If the rain ends up spoiling your idea of a day in the gardens, another option nearby starting at 7 p.m. is “Lightscape,” a mile-long trail starting at the Conservatory of Flowers, which features larger-than-life light installations and sculptures — if weather permits, of course (Monday’s showing was canceled due to strong winds). Keep in mind that \u003ca href=\"https://gggp.my.salesforce-sites.com/ticket/#/instances/a0FWP00000KwIAj2AN\">tickets for Lightscape\u003c/a> start at $32 for adults and $20 for kids.\u003c/p>\n\u003ch2>Watch the ultimate holiday movie on the big screen — and then debate if it’s actually a holiday movie\u003c/h2>\n\u003cp>Should Bruce Willis jumping off a skyscraper in order to escape an explosion (while tied to a firehose) be part of our collective Christmas film canon? Debatable, perhaps. But no matter how you see it, 1988’s Die Hard is quite popular this time of year, despite the movie not really being about anything \u003ca href=\"https://www.npr.org/2025/12/20/nx-s1-5647738/is-die-hard-a-christmas-movie\">very “Christmas-y.”\u003c/a> Several movie theaters in the region — including San Francisco’s 4 Star Theater — will be showing the film on Thursday evening, so you can decide for yourself.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And movie theaters will still be open to show the last big releases of the year. Will Timothée Chalamet reach ping-pong greatness in \u003ca href=\"https://www.npr.org/2025/12/20/nx-s1-5313842/why-marty-supreme-marks-a-new-chapter-for-josh-safdie\">\u003cem>Marty Supreme\u003c/em>\u003c/a>? What was James Cameron able to do with a $400 million budget for \u003ca href=\"https://www.npr.org/2025/12/19/nx-s1-5648236/avatar-fire-and-ash-is-one-battle-after-another\">the latest movie in the \u003cem>Avatar\u003c/em> franchise\u003c/a>? And if you want to escape the Christmas vibes \u003cem>completely\u003c/em> and would rather be transported to a haunted pizza restaurant, perhaps \u003ca href=\"https://www.npr.org/2025/12/05/nx-s1-5628410/five-nights-at-freddys-2-doubles-down-on-robots-but-forgoes-a-plot\">\u003cem>Five Nights at Freddy’s 2\u003c/em>\u003c/a> could be a good match?\u003c/p>\n\u003cp>All AMC and Cinemark theaters in the Bay Area are open Thursday and through the holiday weekend. Several independent theaters, like Alamo Drafthouse in San Francisco, Mountain View and Santa Clara, Oakland’s Grand Lake Theatre and El Cerrito’s Rialto Cinemas will also have showings on Thanksgiving.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "the-bay-areas-year-in-photos-protests-political-upheaval-and-joyous-resistance",
"title": "The Bay Area’s Year in Photos: Protests, Political Upheaval and Joyous Resistance",
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"headTitle": "The Bay Area’s Year in Photos: Protests, Political Upheaval and Joyous Resistance | KQED",
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"content": "\u003cp>From civil unrest and joyful resistance in the face of national political attacks, to major natural disasters and consequential local elections, \u003ca href=\"https://www.kqed.org/photography\">KQED photographers\u003c/a> spent the year capturing the biggest stories affecting the Bay Area and California.\u003c/p>\n\u003cp>The year started with \u003ca href=\"https://www.kqed.org/news/12026093/they-want-to-rebuild-after-the-eaton-fire-but-first-comes-the-struggle-to-survive\">deadly fires\u003c/a> ripping through parts of Los Angeles and neighboring Altadena in January, burning 16,000 structures and killing 30 people, and sending hundreds of Northern California fire crews to the southern part of the state.\u003c/p>\n\u003cp>Back in the Bay, political winds shifted as Mayor Daniel Lurie \u003ca href=\"https://www.kqed.org/news/12020425/sf-mayor-daniel-lurie-celebrates-new-administration-chinatown-party\">took the helm of San Francisco\u003c/a>, making big changes to the city’s strategy on homelessness and the fentanyl crisis, and ushering a new class of moderate politicians into City Hall. Across the Bay, Oakland \u003ca href=\"https://www.kqed.org/news/12036919/barbara-lee-pledges-to-unite-oakland-in-first-remarks-as-mayor-elect\">elected former Rep. Barbara Lee\u003c/a> to lead the city in the wake of former Mayor Sheng Thao’s recall, with goals to bring stability and trust back to a city shaken by an ongoing federal corruption probe.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>President Donald Trump’s second inauguration also drew thousands of Bay Area residents \u003ca href=\"https://www.kqed.org/news/12023056/thousands-rally-in-sf-to-protest-trump-ahead-of-inauguration-day\">out in protest\u003c/a> in January, kicking off a year of political unrest. Trump’s immediate focus on expanding and intensifying immigration enforcement has been met \u003ca href=\"https://www.kqed.org/news/12067398/interfaith-activists-block-entrances-to-san-francisco-ice-office-risking-arrest\">with consistent opposition\u003c/a> — from faith leaders bearing witness at San Francisco’s immigration office, to protesters interrupting arrests on the streets of downtown.\u003c/p>\n\u003cp>In June, people flooded streets across the Bay Area, \u003ca href=\"https://www.kqed.org/news/12044426/no-kings-protests-draw-thousands-across-the-bay-area-to-rally-against-president-trump\">crying “No Kings”\u003c/a> in response to Trump’s military parade, and months later, \u003ca href=\"https://www.kqed.org/news/12060511/massive-no-kings-crowds-return-to-bay-area-streets-rebuking-trump\">crowds took to city centers\u003c/a> again as Californians prepared to vote on special redistricting maps favoring Democrats and endured the effects of the longest government shutdown in U.S. history.\u003c/p>\n\u003cp>Federal parks \u003ca href=\"https://www.kqed.org/news/12058298/at-muir-woods-tourists-heartbroken-over-national-park-closure-during-shutdown\">shut down\u003c/a> for weeks, hundreds of flights were canceled and delayed, and even Fleet Week fell victim to disruptions as legislators in Washington remained at a standstill. Cities across the Bay Area stepped up to fill \u003ca href=\"https://www.kqed.org/news/12064126/snap-benefits-hung-in-limbo-for-weeks-it-was-a-peek-at-life-under-long-term-cuts\">gaps in food stamp spending\u003c/a>, as thousands of people who rely on federal food assistance went weeks without electronic benefit transfers.\u003c/p>\n\u003cp>And, through a difficult year, the Bay Area found ways to come together: cheering on the inaugural season for \u003ca href=\"https://www.kqed.org/arts/13984639/valkyries-wnba-2025-in-review\">the Golden State Valkyries\u003c/a>, honoring the queer community with drag shows from August Hall in San Francisco to Calvin Simmons Theatre in Oakland, and celebrating the diverse cultures deeply rooted here.\u003c/p>\n\u003cp>\u003cem>Text by KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/kdebenedetti\">\u003cem>Katie DeBenedetti\u003c/em>\u003c/a>\u003cem>; photo editing by KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/mdonascimento\">\u003cem>Martin do Nascimento\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003ch2>January\u003c/h2>\n\u003cfigure id=\"attachment_12067187\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067187 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anthony Thomas, father of \u003ca href=\"https://www.kqed.org/news/12020128/shooting-san-francisco-home-leaves-man-dead-woman-seriously-injured\">Antoine Thomas, who died in an early morning shooting\u003c/a>, hugs his 4-year-old grandson Adon in San Francisco on Jan. 2, 2025. The shooting, at the 1000 block of Tompkins Avenue, left one victim pronounced dead at the scene and another transported to a hospital with life-threatening injuries. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067185\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067185\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Mayor-elect \u003ca href=\"https://www.kqed.org/news/12020422/san-francisco-mayor-elect-daniel-lurie-launches-political-career-cable-cars-chinatown-market-prayer\">Daniel Lurie receives a communal blessing\u003c/a> during an Interfaith Ceremony at Congregation Emanu-El in San Francisco on Jan. 7, 2025, the evening before his inauguration. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067184\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067184\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12021777/reporters-notebook\">Destruction in downtown Altadena\u003c/a>, after the Eaton Fire swept through the area northeast of Los Angeles, on Jan. 9, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067192\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067192\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Altadena resident Taylor Williams, 17, goes through pieces of her teacup collection from the home she shared with her family after it was destroyed in the Eaton Fire northeast of Los Angeles on Jan. 9, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067188\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067188\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sadako Nimura Kashiwagi, 91, holds a photo of her parents, Juninhi Nimura and Shizuko Nimura, at her home in Berkeley on Jan. 15, 2025. \u003ca href=\"https://www.kqed.org/news/12021919/bay-area-japanese-americans-draw-on-wwii-trauma-resist-deportation-threats\">Kashiwagi was incarcerated at Tule Lake concentration camp\u003c/a> at the age of 9, where she lived with her family for four years. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067189\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067189 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Chris Northart, with the Department of Water Resources’ Statewide Monitoring Network Unit, and a participant of the \u003ca href=\"https://www.kqed.org/science/1995954/at-hidden-tahoe-lab-scientists-learn-the-art-of-measuring-snow\">Snow Science School\u003c/a>, uses a magnification lens to measure the size of snow granules from the snowpack in a field outing near Soda Springs on Jan. 16, 2025. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067186\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067186\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Regular Timotha Doane sits at a table at Wild Side West in San Francisco’s Bernal Heights neighborhood on Jan. 28, 2025. Founded in 1962, \u003ca href=\"https://www.kqed.org/news/12029551/san-franciscos-oldest-lesbian-bar-has-been-a-safe-space-for-more-than-60-years\">Wild Side West is a historic lesbian bar\u003c/a> that began in Oakland before relocating to San Francisco, where it became a gathering space known for its eclectic decor, lush garden, and deep roots in the LGBTQ+ community. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067195\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067195\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Kimberly Lopez, a senior at UC Berkeley, speaks to hundreds of students and supporters \u003ca href=\"https://www.kqed.org/news/12024593/uc-berkeley-students-march-for-undocumented-classmates-say-school-isnt-doing-enough\">rallying in solidarity with their undocumented classmates\u003c/a> as the Trump administration begins to carry out nation-wide mass deportations, at Sproul Plaza at UC Berkeley in Berkeley on Jan. 29, 2025. Right: Maya Gill, center, holds up a sign that reads, “Jesus told us to love our neighbor not to deport them.” \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067190\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067190\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(left) Student Nicole Nuñez Rivera gets emotional and hugs DACA recipient Ana Rivera, right, during a rally against the Trump administration’s promises to carry out mass deportations, at UC Berkeley in Berkeley on Jan. 29, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>February\u003c/h2>\n\u003cfigure id=\"attachment_12067198\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Katherine (left), 9, and Nikki, 9, sit together at the start of the \u003ca href=\"https://www.kqed.org/news/12027348/san-francisco-celebrates-the-lunar-new-year-with-iconic-chinatown-parade\">Chinese New Year Parade\u003c/a> in San Francisco on Feb. 15, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067199\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067199\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fireworks go off in Chinatown during the Chinese New Year Parade in San Francisco on Feb. 15, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067205\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067205\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Artist Miko Lee looks out the window at the Walking Stories exhibit at the Edge on the Square gallery in San Francisco’s Chinatown neighborhood on Feb. 19, 2025. Right: Alistair Monroe stands outside the Oakland Cannery building, where his studio is located in Oakland, on Feb. 20, 2025. \u003ccite>(Beth LaBerge/KQED; Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067200\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067200\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Arthur Monroe’s art is on display in his son Alistair Monroe’s studio and home at the Oakland Cannery building in Oakland on Feb. 20, 2025. The Oakland Cannery is a historic live-work space in East Oakland where Arthur Monroe lived and produced art for decades. The building’s owners are seeking to turn the building into a pot-growing facility. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067202\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067202\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The band Th’ Losin Streaks play at the 4 Star Theater in San Francisco’s Richmond District on Feb. 22, 2025, during the \u003ca href=\"https://www.kqed.org/arts/13972528/noise-pop-festival-san-francisco-2025-review\">Noise Pop Festival\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067209\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067209\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Dawn Richard performs at the Independent, as part of the Noise Pop festival, in San Francisco on Feb. 26, 2025. Right: Dam-Funk performs at the Noise Pop opening night party at the California Academy of Sciences on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067201\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Geographer performs at August Hall in San Francisco as part of Noise Pop on Feb. 21, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067204\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067204 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of the University Professional and Technical Employees Local 9119 and the American Federation of State County and Municipal Employees Local 3299 \u003ca href=\"https://www.kqed.org/news/12028446/tens-of-thousands-uc-workers-strike-disrupting-campuses-hospitals-labs\">strike at the UC Mission Bay Campus in San Francisco\u003c/a> on Feb. 26, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067207\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067207\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers place their hands on Giovanna Sales’ head during a rehearsal for \u003ca href=\"https://www.kqed.org/arts/13972949/robert-moses-kin-30th-anniversary-the-kennings\">Robert Moses’ latest work, The Kennings\u003c/a>, at ODC Dance Commons in San Francisco on Feb. 26, 2025. The show explores themes of race, gender, war and human rights, while blending dance, theatre and music. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067203\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067203\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Andrea and Milo Ronquillo stand outside the Civic Center Courthouse in San Francisco on Feb. 26, 2025. The Ronquillos attended a workshop hosted by Alexis Levy about \u003ca href=\"https://www.kqed.org/news/12029428/how-californians-can-start-changing-names-and-gender-markers-on-government-ids\">changing the name and gender marker on official government documents\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>March\u003c/h2>\n\u003cfigure id=\"attachment_12067254\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067254\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A march through the UC Berkeley campus in association with the \u003ca href=\"https://www.kqed.org/news/12030313/uc-berkeley-scientists-protest-trump-administrations-cuts-to-research-funding\">national Stand Up for Science day of action\u003c/a> in Berkeley on March 7, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067259\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067259\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Marchers hold up signs including one that reads “Science is political” and march through the UC Berkeley campus in Berkeley on March 7, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067262\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067262 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12029568/in-san-mateo-county-this-market-is-a-community-destination-for-food-faith-and-ramadan-staples\">Besan’s International Market is a halal butcher, deli, and Middle Eastern market\u003c/a> in San Bruno. Year-round, it’s a go-to spot for the Arab, North African and Middle Eastern folks in this community. During Ramadan, customers come in and out for their groceries for iftar meals when they break fast during Ramadan. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067253\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067253\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Valerie Aquino and other \u003ca href=\"https://www.kqed.org/news/12030935/our-education-matters-richmond-high-schoolers-rally-against-teacher-layoffs\">students from Richmond’s John F. Kennedy High School stage a walkout and march\u003c/a> to the West Contra Costa Unified School District Offices to protest impending layoffs as part of cuts to the district’s budget in Richmond on March 12, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067255\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067255\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Eugene Tssui sketches in a notebook at his exhibition at the Rotten City Cultural District in Emeryville on March 17, 2025. The gallery featured his \u003ca href=\"https://www.kqed.org/arts/13973365/eugene-tssui-emeryville-residency-bay-street-architecture-fashion\">nature-inspired architectural designs, including photos of the renowned “Fish House,” along with his clothing designs and art.\u003c/a> \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067256\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067256\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Rep. Ro Khanna holds a town hall meeting at the MLK Community Center in Bakersfield on March 23, 2025. In three such events, \u003ca href=\"https://www.kqed.org/news/12032718/frustrated-democrats-push-wartime-leaders-bakersfield-town-hall\">Khanna urged residents of Republican-held congressional districts in California to organize\u003c/a> against the Trump administration’s proposed cuts to programs like Medicaid and the wider social safety net. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067260\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067260\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A line of people waiting to enter the town hall meeting with Rep. Ro Khanna. Right: Audrey Chavez and others listen at as Rep. Ro Khanna speaks. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067263\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067263\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana “Twinks” Vasquez cuts Angel Filimoehala’s hair at Steel and Strand barbershop in San Francisco on March 26, 2025. Twinks offered \u003ca href=\"https://www.kqed.org/news/12033501/the-sf-barber-that-welcomes-all-trans-people-into-his-shop\">free haircuts for the month of March to honor trans visibility\u003c/a>. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067264\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067264\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aslan Scardina lies in a patch of stinging nettle at \u003ca href=\"https://www.kqed.org/news/12034277/stories-of-las-zorthian-ranch-a-portal-to-a-different-way-of-life-damaged-in-eaton-fire\">Zorthian Ranch\u003c/a> on March 28 in Altadena. Scardina was living on the Ranch before it was destroyed in the Eaton fire. “I didn’t love plants until I met nettle,” she says. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067258\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067258\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Will Lohf waves an LGBTQ+ flag during a march for trans youth in Kentfield on March 31, 2025. \u003ca href=\"https://www.kqed.org/news/12033818/lgbtq-activists-rally-at-newsoms-home-demand-stronger-trans-rights-commitment\">Activists and community members marched\u003c/a> in the Marin County community where Gov. Gavin Newsom recently purchased a home as part of International Transgender Day of Visibility, which highlights discrimination faced by trans people worldwide. \u003ccite>(Aryk Copley for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>April\u003c/h2>\n\u003cfigure id=\"attachment_12067272\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067272 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tashenia Pearson stands beside \u003ca href=\"https://www.kqed.org/news/12036599/wall-war-vet-fight-land-one-familys-50-year-battle-livermore\">the wall separating her property from her neighbors’\u003c/a> in Livermore on April 9, 2025. Pearson’s parents bought the property in Livermore in 1971, only to discover the illegally built wall, which effectively gives 740 square feet of Pearson’s property to their neighbor. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067277\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067277\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">R-Evolution, \u003ca href=\"https://www.kqed.org/arts/13974401/r-evolution-marco-cochrane-embarcadero-plaza-nude-woman-sculpture\">a 45-foot metal sculpture of a giant naked woman\u003c/a> that is meant to symbolize feminine strength and liberation, by artist Marco Cochrane, at the Embarcadero Plaza on April 10, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067271\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067271\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sandy Stone, \u003ca href=\"https://www.kqed.org/arts/13977595/sandy-stone-olivia-records-jimi-hendrix-girl-island-documentary\">88-year-old legendary audio engineer and trans woman\u003c/a> who worked with rock ’n’ roll greats and was the in-house engineer at feminist label Olivia Records in the 1970s, in her home in Aptos on April 14, 2025. \u003ccite>(Florence Middleton for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067273\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067273\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12036555/barbara-lee-takes-decisive-lead-over-loren-taylor-in-oakland-mayoral-election\">Supporters of Oakland mayoral candidate Barbara Lee dance\u003c/a> to a live band on election night in Oakland on April 15, 2025. \u003ccite>(Aryk Copley for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067275\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067275\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Birders Daniela Sanchez (left) and Christopher Henry \u003ca href=\"https://www.kqed.org/arts/13974906/teen-birders-bird-watching-ebird\">look for birds\u003c/a> at Crissy Field in San Francisco and the Baylands Nature Preserve in Palo Alto, respectively, on April 16, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067278\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067278\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sadie Cosby examines a pigeon walking with a limp at the Miller/Knox Regional Shoreline in Richmond on April 16, 2025. Cosby has been birding for 4 years and is a member of the California Young Birders’ Club. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067274\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067274\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sam Liang weighs medical herbs at his shop, Run Feng Hai Wei Chinese Herbal Inc., in San Francisco’s Chinatown neighborhood on April 21, 2025. Business owners in San Francisco’s Chinatown said they were \u003ca href=\"https://www.kqed.org/news/12036939/san-francisco-chinatown-businesses-survival-mode-trade-war\">struggling to stay afloat, facing declining sales and an uncertain future\u003c/a>, in the face of the U.S.-China trade war. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067276\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067276\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Imported items fill the wall at Beijing Shopping Center in San Francisco’s Chinatown neighborhood on April 21, 2025. Right: Kiki Krunch, left, and Kalypso pose for a photo at the Portsmouth Square pedestrian bridge in San Francisco’s Chinatown on April 30, 2025. The 2024 and ’23 winners of the GLBTQ+ Asian Pacific Alliance drag pageant led the \u003ca href=\"https://www.kqed.org/arts/13976447/chinatown-pride-san-francisco-lgbtq-chinese-culture-center\">2025 Chinatown Pride\u003c/a> procession, visiting landmarks such as the Grant Street nightlife district, home in the 1930s and ’40s to underground queer speakeasies and tourist-y Chinese American nightclubs that featured “female impersonation” shows. \u003ccite>(Beth LaBerge/KQED; Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067279\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067279\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1288\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED-1536x989.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kiki Krunch (left) takes a photo with Fontaine Hu, 81, in San Francisco’s Chinatown on April 30, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>May\u003c/h2>\n\u003cfigure id=\"attachment_12067284\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067284\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Horetencia M. (left) and Maria E. chant and play buckets as drums as part of the \u003ca href=\"https://www.kqed.org/news/12038481/may-day-thousands-bay-area-take-streets-immigrant-worker-rights\">Oakland Sin Fronteras May Day March\u003c/a> for Labor & Immigrants in the Fruitvale neighborhood of Oakland on May 1, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067285\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067285\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12039501/wnbas-newest-team-golden-state-valkyries-kick-off-first-season\">Golden State Valkyries\u003c/a>’ Monique Billings practices during training camp held at the Sephora Performance Center in Oakland on May 1, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067292\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067292 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: The Golden State Valkyries take to the court for their \u003ca href=\"https://www.kqed.org/news/12040665/the-bay-areas-newest-basketball-team-makes-history\">first-ever home opener\u003c/a> against the Los Angeles Sparks at Chase Center on May 16, 2025. Right: Golden State Valkyries guard Tiffany Hayes (15) drives to the hoop against the Los Angeles Sparks. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067286\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067286\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Benicia mayor Steve Young drives by the Valero Benicia Refinery in Benicia on May 8, 2025, which processes up to 170,000 barrels of oil a day, making gasoline, diesel, and other fuels for California. \u003ca href=\"https://www.kqed.org/news/12039505/a-bay-area-refinery-town-contemplates-future-without-big-oil\">Valero planned to shut down the Benicia refinery\u003c/a> by April 2026, citing high costs and strict environmental rules. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067290\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067290\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Nests of California gull eggs are tucked in the grass near the Dumbarton Bridge in Fremont on May 12, 2025. Right: A team led by Nathan Van Schmidt (right), science director at the San Francisco Bay Bird Observatory, and Amy Parsons, lead biologist, conducts a \u003ca href=\"https://www.kqed.org/news/12051964/are-seagulls-native-or-invasive-to-the-bay-area-maybe-both\">California gull nest survey\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067287\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067287\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nesting California gulls circle overhead during a nest survey conducted by the San Francisco Bay Bird Observatory near the Dumbarton Bridge in Fremont on May 12, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067288\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067288\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The intersection of Highway 12 and Highway 113 in Solano County outside of Suisun City on May 13, 2025. The California Forever project is seeking to have Suisun City \u003ca href=\"https://www.kqed.org/news/12059985/california-forever-clears-first-hurdle-in-suisun-city-annexation\">annex the land where the company has proposed building a new city\u003c/a> in order to move forward with its plans, nearly a year after pulling an initiative seeking voter approval for the project. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067291\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067291\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Resident Letty Guzman sits on her bed with her dog Pappa in her room at Horizon Community Village at the Capri Motel on University Avenue in Berkeley on May 20, 2025. The site, operated by Dorothy Day House, provides \u003ca href=\"https://www.kqed.org/news/12043516/rv-encampments-are-notoriously-hard-to-close-this-city-found-something-that-works\">transitional housing and supportive services for unhoused individuals\u003c/a> in Berkeley. Right: Maximo Hernandez Perez stands in front of his home in Stockton on May 22, 2025. Perez and his daughter, Celina, then 14 years old, were \u003ca href=\"https://www.kqed.org/news/12040537/some-families-separated-at-the-border-got-free-legal-aid-the-us-just-cut-that-contract\">detained and separated after crossing the border\u003c/a> in 2017. \u003ccite>(Beth LaBerge/KQED; Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067289\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067289\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Valentina Stone, 14, gets ready for a school dance with the help of her mother, a correctional officer, at their home in the mobile home community next to the now-closed Federal Correctional Institution, Dublin, on May 30, 2025. When FCI Dublin abruptly shut down after years of turmoil, \u003ca href=\"https://www.kqed.org/news/12043352/fci-dublin-staff-bought-homes-on-site-then-the-prison-shut-down\">residents of the community were given eviction notices\u003c/a> and were ordered to remove their homes from the government’s land by September, according to a union representative. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067293\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067293 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1352\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED-1536x1038.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fearful of what he’d face if forced to leave the encampment, Travis Smith gets emotional at the \u003ca href=\"https://www.kqed.org/news/12041966/berkeley-residents-homeless-advocates-battle-over-fate-of-ohlone-park-encampment\">homeless encampment at Ohlone Park\u003c/a> in Berkeley on May 29, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>June\u003c/h2>\n\u003cfigure id=\"attachment_12067301\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067301\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jayvon Wilson (center) rallies alongside students, staff, and supporters outside the \u003ca href=\"https://www.kqed.org/news/12042895/san-francisco-job-corps-students-face-uncertain-future\">Treasure Island Job Corps Center\u003c/a> in San Francisco on June 5, 2025, protesting the facility’s closure, which they say could leave at-risk youth homeless. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067302\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067302\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Eric Garcia, who performs as Churro Nomi, co-director of Detour Productions and producer of the monthly queer cabaret Clutch The Pearls, poses for a photo at the Make Out Room in San Francisco on June 6, 2025. “This isn’t just about money, it’s about controlling narrative, visibility and power,” says Garcia, about \u003ca href=\"https://www.kqed.org/arts/13977200/the-great-quiet-quitting-of-dei-in-bay-area-arts\">arts organizations that have abandoned their DEI programming\u003c/a> and reconfigured or erased their websites’ DEI commitments. “We’re witnessing a deliberate effort to police not only what stories are told, but who is allowed to tell them.” \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067303\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067303\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protestors march in the Mission District in San Francisco i\u003ca href=\"https://www.kqed.org/news/12043445/a-moment-people-have-been-waiting-for-ice-arrests-fuel-sf-protests\">n opposition to the Trump Administration’s immigration policy\u003c/a> and enforcement on June 9, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067306\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067306\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Daniella holds up a Mexican flag during a \u003ca href=\"https://www.kqed.org/news/12044426/no-kings-protests-draw-thousands-across-the-bay-area-to-rally-against-president-trump\">No Kings Day protest\u003c/a> in San José on June 14, 2025. Right: Thousands of protesters march at the No Kings protest in Oakland on June 14, 2025. \u003ccite>(Aryk Copley for KQED; Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067304\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067304\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Supporters cheer from their cars as protesters march down Van Ness Ave. in San Francisco as part of the No Kings protest on June 14, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067308\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067308\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Congresswoman Lateefah Simon addresses hundreds of protesters at Frank H. Ogawa Plaza during the No Kings protest in Oakland on June 14, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067307\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067307\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: People fill the courtyard at the Oakland Museum of California in Oakland for the \u003ca href=\"https://www.kqed.org/news/12044959/hella-juneteenth-in-photos-black-joy-and-community-in-oakland\">Hella Juneteenth festival\u003c/a> on June 19, 2025. Right: Festivalgoers dance at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067309\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067309 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jordyn Johnson, 9, gets the continent of Africa painted on her face at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>July\u003c/h2>\n\u003cfigure id=\"attachment_12067311\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067311 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Designer Marisela Ginestra at the Levi’s offices in San Francisco on July 1, 2025. \u003ca href=\"https://www.kqed.org/news/12045274/levis-denim-gets-a-fresh-look-thanks-to-a-latinx-designer\">Ginestra takes inspiration from her grandparents\u003c/a> who worked harvesting fruits and vegetables in the Central Valley in the 1960s and who would dry their jeans in the sun, giving them a distinctive faded look. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067312\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067312\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Radha Weaver repairs a tutu dress for a mother and daughter during a \u003ca href=\"https://www.kqed.org/news/12052092/fix-a-zipper-and-save-the-planet-at-san-franciscos-free-clothing-repair-clinics\">Fix-It Clinic Clothing Repair workshop\u003c/a> at the Glen Park Branch Library in San Francisco on July 16, 2025. During the workshop, teachers offer hands-on fixes and mending tips. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067318\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067318\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Sewing supplies sit in bins at the Fix-It Clinic Clothing Repair workshop. Right: Mira Musank works with a clinic participant to repair her sweater. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067305\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067305\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/arts/13979195/the-furious-tits-queer-climate-punk-band-san-francisco-oakland\">The Furious Tits\u003c/a> perform live in San Francisco at the Castro Night Market on Friday, July 18, 2025. The band says they see punk as a perfect place to mouth off about human-caused climate change. \u003ccite>(Brian Frank/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067313\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067313 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Founder and leader of Urban Jazz Dance Company, Antoine Hunter (center), watches dancers practice choreography at a rehearsal at Shawl-Anderson Dance Center in Berkeley on July 20, 2025. The \u003ca href=\"https://www.kqed.org/arts/13979516/international-deaf-dance-festival-antoine-hunter-urban-jazz-dance\">Urban Jazz Dance Company performed at the International Deaf Dance Festival\u003c/a>, from Aug. 8–10 in San Francisco. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067314\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067314\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12050357/how-did-fremont-come-to-be-known-as-little-kabul\">Hasib Sepand plays the sitar at Sepand Studios\u003c/a> in Fremont on July 21, 2025, where his music academy offers instruction in sitar, tabla, harmonium, and other instruments, and he composes and produces music. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067315\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067315\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jagbir Kang looks out of a window at her home in Fremont on July 25, 2025. \u003ca href=\"https://www.kqed.org/news/12053210/in-the-face-of-abuse-she-chose-survival-and-now-helps-others-do-the-same\">Kang is a survivor of domestic violence\u003c/a> who now advocates on behalf of other survivors. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067316\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067316\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Lei stands on Spofford Street in San Francisco’s Chinatown on July 29, 2025, at \u003ca href=\"https://www.kqed.org/news/12050233/how-a-chinese-laundryman-shaped-us-civil-rights-from-san-francisco\">the historical site of the Chinese Laundry Association\u003c/a>, once located at 33 Spofford Street. A longtime resident and community historian, Lei has worked to preserve Chinatown’s cultural and educational legacy. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067319\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067319\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: \u003ca href=\"https://www.kqed.org/news/12050105/sf-kindness-crawl-spreads-joy-on-market-street-ahead-of-grateful-dead-weekend\">Kindness Crawl\u003c/a> organizer Scott Keneally (left) shares an embrace with a passerby near City Hall in San Francisco on July 31, 2025. Right: A Kindness Crawl volunteer beams while handing roses and flowers to two people inside a van in a moment of street-side joy. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067317\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067317\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A vintage VW bus filled with Kindness Crawl flower recipients drives past Alamo Square Park in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>August\u003c/h2>\n\u003cfigure id=\"attachment_12067320\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067320 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees dance at the \u003ca href=\"https://www.kqed.org/news/12050844/where-past-meets-possible-black-futures-ball-illuminates-dreams-in-oakland\">Black Futures Ball\u003c/a> hosted by The East Oakland Youth Development Center at the Chabot Space and Science Center in Oakland on Aug. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067328\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067328\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Charlene Richardson (left) and Charlette Richardson, also known as The LoveLove Twins, pose for a photo at the Black Futures Ball. Right: Selena Wilson, CEO of the EOYDC, speaks at the Black Futures Ball. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067322\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067322\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Francesca Thomas, a Hayward native and great-granddaughter of Leona Alves, owner of Ideal Dining and Miss Alves, a restaurant and nightclub in Russell City, holds a photograph of five generations of her family, from her mother to great-great-great-grandmother, in Hayward on Aug. 6, 2025. Thomas is involved in\u003ca href=\"https://www.google.com/search?q=KQED+Francesca+Thomas&newwindow=1&sca_esv=2719a2d50b2c4d54&rlz=1C5GCEM_enUS1182US1182&udm=2&biw=1870&bih=1054&ei=49BFacPCObzC0PEPwJq_EA&ved=0ahUKEwiDwKj12MqRAxU8ITQIHUDNDwIQ4dUDCBI&uact=5&oq=KQED+Francesca+Thomas&gs_lp=Egtnd3Mtd2l6LWltZyIVS1FFRCBGcmFuY2VzY2EgVGhvbWFzSKoUUM0SWM0ScAJ4AJABAJgBhQGgAYUBqgEDMC4xuAEDyAEA-AEC-AEBmAIAoAIAmAMAiAYBkgcAoActsgcAuAcAwgcAyAcAgAgA&sclient=gws-wiz-img#sv=CAMSVhoyKhBlLXAxQlFTSHREUFo2d3hNMg5wMUJRU0h0RFBaNnd4TToOR25xa3o5aWNXdTA5eE0gBCocCgZtb3NhaWMSEGUtcDFCUVNIdERQWjZ3eE0YADABGAcggZS_5QQwAkoKCAIQAhgCIAIoAg\"> efforts to preserve the community’s history\u003c/a> through the Russell City Reparative Justice Project. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067321\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067321 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protestors hold a banner reading “Stop AI” outside of Scale AI’s San Francisco headquarters on Aug. 6, 2025. \u003ca href=\"https://www.kqed.org/news/12051183/protesters-against-ai-militarization-rally-at-scale-ai-in-san-francisco\">Demonstrators oppose the company’s involvement in AI-driven warfare and surveillance\u003c/a>. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067323\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067323\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cows graze on the hills of Máyyan ‘Ooyákma, Coyote Ridge, a preserve owned by Open Space Authority, in Morgan Hill on Aug. 8, 2025.\u003ca href=\"https://www.kqed.org/news/12055329/invasion-of-the-grub-snatchers-how-one-rich-guys-russian-boars-colonized-california\"> Wild Boars are an invasive species\u003c/a> that endanger native plants, water sources and agriculture in the area. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067324\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067324\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Forestr volunteer picks apples from a Honeycrisp orchard on private property in Martinez on Aug. 12, 2025. \u003ca href=\"https://www.kqed.org/arts/13980694/contra-costa-county-fruit-rescue-gleaning-picking-pears-apples-peaches-volunteer\">The volunteers harvest surplus cherries, peaches, apples and pears\u003c/a> — whatever’s in season — from backyard orchards throughout Contra Costa County, donating the rescued fruit to local food pantries and soup kitchens. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067325\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067325\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Rob Lowe watches as workers clear RVs from Irene Street at Columbus Park in San José on Aug. 18, 2025. \u003ca href=\"https://www.kqed.org/news/12052645/san-jose-begins-clearing-columbus-park-the-citys-biggest-homeless-encampment\">The city removed RVs and tents from Columbus Park\u003c/a> in North San José, where hundreds of unhoused people have lived for years. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067329\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067329\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Shawn Spencer relocates his belongings from the Columbus Park encampment. Right: Fernando Alcantara watches as his RV is towed at Columbus Park in San José. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067326\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067326\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">William Wade, a formerly homeless veteran who was housed through the HUD-Veterans Affairs Supportive Housing program, poses for a portrait at the Laguna Commons supportive housing in Fremont on Aug. 20, 2025. \u003ca href=\"https://www.kqed.org/news/12054270/trumps-tectonic-shift-on-homelessness-could-have-dire-impacts-in-california\">California’s embrace of Housing First principles has become a liability\u003c/a> after the president directed federal agencies to stop funding that approach to homelessness. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067327\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067327\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Harnesha Burks walks with her son Zyon, 2, near their home in Antioch on Aug. 22, 2025. Burks is among one in three California parents of young kids who \u003ca href=\"https://www.kqed.org/news/12051850/as-californias-electricity-rates-rise-parents-struggle-to-pay-their-bills\">struggle to afford their utility bills\u003c/a>, according to a statewide survey, which found that when parents have trouble making ends meet, their children’s well-being and development suffer. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_12067330\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067330\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">‘The Stray Dog’ Oak Holden delivers a high knee to Sancho Dimera during the \u003ca href=\"https://www.kqed.org/arts/13981646/full-queer-pro-wrestling-oakland\">Full Queer Wrestling showcase\u003c/a> at Fluid510 in Oakland on Sept. 4, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067331\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067331\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Wendy, a volunteer who monitors ICE activity on busy streets near day laborer corners, patrols International Boulevard in front of a U-Haul in Oakland on Sept. 5, 2025. A nonprofit called “Adopt a Day Laborer Corner” has \u003ca href=\"https://www.kqed.org/news/12055084/california-volunteers-stand-guard-at-day-laborer-corners-amid-ice-sweeps\">inspired Californians to volunteer their time to accompany day laborers\u003c/a> who are at risk of deportation at highly visible intersections and monitor for immigration sweeps. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067337\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067337\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Alexander Ybarra, an 11th grader at Coliseum College Prep Academy, leads classmates in a \u003ca href=\"https://www.kqed.org/news/12054838/oakland-walkout\">walkout against gun violence\u003c/a> in Oakland on Sept. 5, 2025. Right: Posters made by students at Coliseum College Prep Academy read “Students Are Not Targets” and “Protect Students, Protect the Future” among others. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067332\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067332\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nimisha Jadav demonstrates to a customer how to wear a garment at her home-based clothing business, Nivy’s Nook, in Morgan Hill on Sept. 13, 2025. Jadav, known as Nimisha Aunty, runs an Indian clothing shop from her home in Morgan Hill, \u003ca href=\"https://www.kqed.org/news/12058796/need-a-gorgeous-diwali-outfit-nimisha-aunty-will-take-care-of-you\">creating a vibrant hub for South Asians\u003c/a> in the South Bay. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067333\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Delia Vargas and other\u003ca href=\"https://www.kqed.org/news/12056337/fast-food-workers-protest-alleged-wage-theft-and-poor-work-conditions-at-san-jose-chain\"> fast food workers protest in front of an El Pollo Loco\u003c/a> restaurant in San José on Sept. 17, 2025. \u003cspan class=\"\" title=\"\">The California Fast Food Workers Union filed complaints on behalf of a mother and daughter who said they were fired from the restaurant for speaking up about working conditions there.\u003c/span> \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067334\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The \u003ca href=\"https://www.kqed.org/news/12056563/better-than-i-ever-dreamed-valkyries-fans-reflect-on-historic-first-season\">Golden State Valkyries play the Minnesota Lynx\u003c/a> during Game 2 of the WNBA playoffs at the SAP Center in San José on Sept. 17, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067338\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067338\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Golden State Valkyries fans cheer during Game 2 of the Valkyries vs. Minnesota Lynx WNBA playoff game. Right: Golden State Valkyries team member Monique Billings applauds the crowd after losing to the Minnesota Lynx. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067335\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067335\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Festival-goers dance inside the Despacio Tent on the first day of \u003ca href=\"https://www.kqed.org/arts/13981607/portola-festival-2025-pier-80-san-francisco-review-photos\">Portola Festival at Pier 80\u003c/a> in San Francisco, on Sept. 20, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067339\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067339\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Christina Aguilera performs on the Pier Stage at Portola Festival in San Francisco on Sept. 20, 2025. Right: Ty Dowe (left) and Matt Lebowitz pose for a photo at the Pier Stage during the second day of Portola Festival in San Francisco on Sept. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067340\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067340\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin is interviewed by the media during a \u003ca href=\"https://www.kqed.org/news/12057180/middle-school-students-celebrate-betty-reid-soskin-the-nations-oldest-park-ranger-at-104\">104th birthday celebration\u003c/a> at Betty Reid Soskin Middle School in El Sobrante on Sept. 22, 2025. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067336\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067336 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Luis Viramontes, a Santa Rosa Junior College student, holds a candle at \u003ca href=\"https://www.kqed.org/news/12055641/after-kirks-death-trump-targets-critics-in-expanding-free-speech-fight\">a candlelight at a vigil for Charlie Kirk \u003c/a>hosted by the San Francisco State University chapter of Turning Point USA at Fort Funston in San Francisco on Sept. 22, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_12067342\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067342\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A visitor looks past a barrier at the entrance of Muir Woods National Monument in Marin County, which was temporarily\u003ca href=\"https://www.kqed.org/news/12058298/at-muir-woods-tourists-heartbroken-over-national-park-closure-during-shutdown\"> closed as a consequence of the government shutdown\u003c/a> on Oct. 1, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067353\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067353\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Sarah Spillane stands outside the entrance to the \u003ca href=\"https://www.kqed.org/news/12059460/bay-area-cities-expand-homeless-shelters-winning-over-neighbors-is-the-hard-part\">DignityMoves tiny home cabins\u003c/a> in the SoMa neighborhood of San Francisco on Oct. 1, 2025. Right: Noni Session, executive director of the East Bay Permanent Real Estate Cooperative, stands in front of the Barn next to \u003ca href=\"https://www.kqed.org/news/12062057/historic-west-oakland-blues-clubs-restoration-reveals-layers-of-hidden-history\">Esther’s Orbit Room\u003c/a> on 7th Street in West Oakland on Oct. 2, 2023. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067346\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067346 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hanna Longwell sits in the vanity room at Bimbo’s 365 Club in San Francisco’s North Beach neighborhood on Oct. 8, 2025. She performs as the club’s current “\u003ca href=\"https://www.kqed.org/news/12063643/the-girl-in-the-fishbowl-the-secret-behind-san-franciscos-quirkiest-nightclub-act\">Girl in the Fishbowl\u003c/a>,” an act that has been a distinctive part of the venue since it opened in 1931. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067344\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067344\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hanna Longwell performs as the “Girl in the Fishbowl” at Bimbo’s 365 Club on Oct. 8, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067347\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067347\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Estuary Institute members Sarah Pearce (left) and Emma Sevier conduct an assessment at a new wetland restoration site at Point Pinole Regional Park in Pinole on Oct. 9, 2025. A recent report found that restored \u003ca href=\"https://www.kqed.org/science/1998966/rising-tides-drive-a-bay-area-push-to-bring-back-vanished-marshlands\">tidal wetlands in San Francisco Bay nearly quadrupled\u003c/a> from 2000 to 2025, going against the global trend of wetland loss. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067348\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067348\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Windows look out onto the Bay Bridge from \u003ca href=\"https://www.kqed.org/news/12065901/theres-a-grand-historic-house-hiding-under-the-bay-bridge\">the Nimitz House on Yerba Buena Island\u003c/a> in San Francisco on Oct. 16, 2025. Built around 1900 as part of the Naval Training Station, the home later served as the residence of Fleet Admiral Chester Nimitz during the final years of his life. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067354\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067354\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A demonstrator carries an American flag during the \u003ca href=\"https://www.kqed.org/news/12060511/massive-no-kings-crowds-return-to-bay-area-streets-rebuking-trump\">No Kings National Day of Action\u003c/a> in Oakland on Oct. 18, 2025. Right: Protestors at the No Kings National Day of Action burn an American flag in Oakland. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067966\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067966\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The McDonald family sits on their car at a No Kings Day of Action rally in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067349\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067349 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A family enjoys Filipino street food during the celebratory Late Night DJ party for Filipino American heritage month hosted at Seafood City in Daly City on Oct. 18, 2025. Seafood City, a Filipino chain night market, celebrated Filipino American heritage month by throwing\u003ca href=\"https://www.kqed.org/arts/13983119/seafood-city-filipino-supermarket-dj-dance-party-daly-city\"> late-night DJ parties\u003c/a> across American chains. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067350\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067350 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Khatchadour Khatchadourian, an Armenian musician, stands in his backyard in Santa Rosa on Oct. 22, 2025. \u003ca href=\"https://www.kqed.org/news/12060906/meet-the-duduk-whisperer-a-bay-area-armenian-folk-musician-revives-centuries-of-soul\">Khatchadourian, plays the Duduk\u003c/a>, and uses his music to work through hardships and is coming out with his sixth album titled, “Breath.” \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067351\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067351\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tour guide William Fontana points visitors to climbers on El Capitan during \u003ca href=\"https://www.kqed.org/news/12062476/at-yosemite-youd-barely-know-a-shutdown-was-happening-why-advocates-say-that-matters\">a tour of the Yosemite Valley in Yosemite National Park\u003c/a> in the Sierra Nevada Mountains on Oct. 28, 2025. During the month-long government shutdown, Yosemite remained open, but with a drastically reduced federal workforce. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067352\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067352\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Workers sort fresh produce into boxes at the \u003ca href=\"https://www.kqed.org/news/12062577/bay-area-counties-pour-millions-into-food-aid-assistance-as-clock-runs-out-on-snap\">San Francisco‑Marin Food Bank warehouse\u003c/a> in San Francisco on Oct. 31, 2025. With the federal government shutdown, Bay Area officials anticipated surges in demand at food banks as thousands stood to loose CalFresh benefits. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_12067355\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067355\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Speaker Emerita Nancy Pelosi speaks at a press conference in support of Proposition 50 at the IBEW Local 6 offices in San Francisco on Nov. 3, 2025. The former House Speaker, who has represented San Francisco in Congress for 38 years, \u003ca href=\"https://www.kqed.org/news/12062796/nancy-pelosi-leaves-congress-after-38-years-defining-generations-of-democratic-power\">announced on Nov. 6 that she will not seek reelection\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067366\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067366 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of the Maidu tribe of Butte County, Berry Creek, Mechoopda, Mooretown, Enterprise and Konkow Valley, take part in a CAL-TREX prescribed burn, training in the application of fire to their native lands that have been devastated by recent catastrophic wildfires. \u003ccite>(Andri Tambunan for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067356\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067356 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oak trees stand on the plot of land in Cloverdale that the \u003ca href=\"https://www.kqed.org/news/12059557/esmeralda-courts-locals-as-it-tries-to-learn-from-california-forevers-mistakes\">Esmeralda Land Company is proposing to develop\u003c/a> in Sonoma County on Nov. 7, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067364\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067364\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Berkeley Police arrest a Turning Point USA supporter who engaged in a fight ahead of \u003ca href=\"https://www.kqed.org/news/12063406/uc-berkeley-turning-point-usa-event-draws-protests-after-charlie-kirks-death\">Turning Point USA’s last college stop\u003c/a> of the “American Comeback Tour” in Zellerbach Hall at UC Berkeley in Berkeley on Nov. 10, 2025. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067359\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067359\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mr. Lopez sits on his bed in his home in Pittsburg on Nov. 15, 2025. \u003ca href=\"https://www.kqed.org/news/12064693/california-doctors-urge-ban-on-engineered-stone-as-silicosis-cases-surge\">California stoneworkers like Lopez are becoming severely ill\u003c/a> from silica dust exposure from cutting engineered stone, prompting urgent warnings from doctors and workplace safety experts. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067362\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067362\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Trozalla Smith looks out the window of a BART train as she travels to the Alameda Food Bank on Nov. 14, 2025. \u003ca href=\"https://www.kqed.org/news/12064126/snap-benefits-hung-in-limbo-for-weeks-it-was-a-peek-at-life-under-long-term-cuts\">The government shutdown has delayed the distribution of SNAP benefits\u003c/a> to recipients such as Smith, who have had to turn to food pantries as an alternative. Right: Trozalla Smith rides the 96 bus while holding a loaf of bread in Alameda. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067357\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067357\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trozalla Smith looks at advertisements for CalFresh as she holds her groceries from the Alameda Food Bank while waiting for her train at the 12th Street BART Station in Oakland on Nov. 14, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12068070\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068070\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carin Lenk-Sloan, a licensed marriage and family therapist who is \u003ca href=\"https://www.kqed.org/science/1999325/we-cant-afford-to-stay-californians-weigh-drastic-moves-as-health-premiums-rise\">facing a hike in her family’s health insurance\u003c/a>, sits outside her practice in Davis on Tuesday 18, 2025. As the lapsing of federal subsidies are poised to cause health insurance premiums to increase, some Californians like Lenk-Sloan are having to decide on whether to forgo coverage or move. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067365\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067365\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Students stage \u003ca href=\"https://www.kqed.org/news/12064511/after-back-to-back-school-shootings-in-oakland-skyline-high-students-walk-out-of-class\">a walkout at Skyline High School\u003c/a> calling for the school and district to do more to counter gun violence in on Nov. 18, 2025. The walkout came less than a week after a student was injured in a shooting on the Oakland campus. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067361\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067361\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charles “CJ” Evans prepares an order at \u003ca href=\"https://www.kqed.org/news/12065744/richmonds-minister-of-food-serves-the-bay-area-southern-bbq-california-style\">CJ’s BBQ and Fish\u003c/a>, which serves barbecue, seafood and Southern-style comfort food, in Richmond on Nov. 19, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>December\u003c/h2>\n\u003cfigure id=\"attachment_12067858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">West Contra Costa Unified School District teachers \u003ca href=\"https://www.kqed.org/news/12066054/after-west-contra-costa-teachers-launch-strike-both-sides-will-return-to-the-table\">strike at Marina Bay Park\u003c/a> in Richmond on Dec. 5, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jerry Nagano poses with the California Theatre’s 1928 Wurlitzer lobby organ in San José on Dec. 10, 2025. \u003ca href=\"https://www.kqed.org/arts/13984931/jerry-nagano-great-theater-organist-stanford-california-pizza-joynt\">Nagano, a veteran theatre-organ performer\u003c/a> and retired Stanford systems engineer, has been a fixture in California’s organ community for decades. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A holiday display sits in front of a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ca href=\"https://www.kqed.org/news/12067283/get-in-the-holiday-spirit-by-visiting-these-bay-area-christmas-tree-lanes\">The tradition of holiday displays here\u003c/a> dates back to the early 1930s. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067867\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067867\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Holiday lights cover a home on Christmas Tree Lane. Right: Michael Martin sits with his handmade Wrap-o-Matic holiday display in front of his home on Christmas Tree Lane. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067869\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: An assortment of dishes at Chef Chu’s in Los Altos on Dec. 11, 2025. \u003ca href=\"https://www.kqed.org/news/12067747/chef-chus-the-family-owned-chinese-restaurant-that-grew-up-with-silicon-valley\">Chef Chu’s is a family-run business\u003c/a>, owned by Lawrence Chu, which has been operating since 1970 and is known not only for its food but also as a favorite for celebrities and tech innovators. Right: Jzhuang Qingqiang (left) and Kevin Ho prepare meals in the kitchen at Chef Chu’s. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067860\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067860 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Lawrence Chu, also known as Chef Chu, garnishes a plate of sweet and sour pork at Chef Chu’s. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067861 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker and journalist Kevin Epps (center) embraces his children Kamia (left) and Kamari at the Superior Court of San Francisco after \u003ca href=\"https://www.kqed.org/news/12066917/sf-filmmaker-kevin-epps-convicted-of-manslaughter-not-murder-in-2016-shooting\">a jury found him not guilty of the murder of his former brother-in-law\u003c/a>, Marcus Polk, in San Francisco on Dec. 15, 2025. The jury found Epps not guilty of the murder but did find him guilty of voluntary manslaughter. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Faith leaders and immigrant advocates block the entrance to the ICE field offices in San Francisco on Dec. 16, 2025. \u003ca href=\"https://www.kqed.org/news/12067398/interfaith-activists-block-entrances-to-san-francisco-ice-office-risking-arrest\">Demonstrators chained themselves to the ICE office’s doors\u003c/a>, blocked intersections and vehicle access, and sang hymns. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067870\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Department of Homeland Security officers detain demonstrators outside of the ICE field offices in San Francisco. At least 20 people were handcuffed. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067863\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067863\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Silvia Matias and her daughter Maria wait for their bus at the Eastmont Transit Center in Oakland on Dec. 17, 2025. \u003ca href=\"https://www.kqed.org/news/12067737/clipper-2-0-leaves-ac-transit-cash-riders-behind\">Transit advocates are calling attention to recent updates to Clipper\u003c/a> that fail to extend savings to people who pay with cash to ride AC Transit. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "KQED photographers spent the year capturing the biggest stories affecting the Bay Area and California. Here’s a collection of some of the highlights.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>From civil unrest and joyful resistance in the face of national political attacks, to major natural disasters and consequential local elections, \u003ca href=\"https://www.kqed.org/photography\">KQED photographers\u003c/a> spent the year capturing the biggest stories affecting the Bay Area and California.\u003c/p>\n\u003cp>The year started with \u003ca href=\"https://www.kqed.org/news/12026093/they-want-to-rebuild-after-the-eaton-fire-but-first-comes-the-struggle-to-survive\">deadly fires\u003c/a> ripping through parts of Los Angeles and neighboring Altadena in January, burning 16,000 structures and killing 30 people, and sending hundreds of Northern California fire crews to the southern part of the state.\u003c/p>\n\u003cp>Back in the Bay, political winds shifted as Mayor Daniel Lurie \u003ca href=\"https://www.kqed.org/news/12020425/sf-mayor-daniel-lurie-celebrates-new-administration-chinatown-party\">took the helm of San Francisco\u003c/a>, making big changes to the city’s strategy on homelessness and the fentanyl crisis, and ushering a new class of moderate politicians into City Hall. Across the Bay, Oakland \u003ca href=\"https://www.kqed.org/news/12036919/barbara-lee-pledges-to-unite-oakland-in-first-remarks-as-mayor-elect\">elected former Rep. Barbara Lee\u003c/a> to lead the city in the wake of former Mayor Sheng Thao’s recall, with goals to bring stability and trust back to a city shaken by an ongoing federal corruption probe.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>President Donald Trump’s second inauguration also drew thousands of Bay Area residents \u003ca href=\"https://www.kqed.org/news/12023056/thousands-rally-in-sf-to-protest-trump-ahead-of-inauguration-day\">out in protest\u003c/a> in January, kicking off a year of political unrest. Trump’s immediate focus on expanding and intensifying immigration enforcement has been met \u003ca href=\"https://www.kqed.org/news/12067398/interfaith-activists-block-entrances-to-san-francisco-ice-office-risking-arrest\">with consistent opposition\u003c/a> — from faith leaders bearing witness at San Francisco’s immigration office, to protesters interrupting arrests on the streets of downtown.\u003c/p>\n\u003cp>In June, people flooded streets across the Bay Area, \u003ca href=\"https://www.kqed.org/news/12044426/no-kings-protests-draw-thousands-across-the-bay-area-to-rally-against-president-trump\">crying “No Kings”\u003c/a> in response to Trump’s military parade, and months later, \u003ca href=\"https://www.kqed.org/news/12060511/massive-no-kings-crowds-return-to-bay-area-streets-rebuking-trump\">crowds took to city centers\u003c/a> again as Californians prepared to vote on special redistricting maps favoring Democrats and endured the effects of the longest government shutdown in U.S. history.\u003c/p>\n\u003cp>Federal parks \u003ca href=\"https://www.kqed.org/news/12058298/at-muir-woods-tourists-heartbroken-over-national-park-closure-during-shutdown\">shut down\u003c/a> for weeks, hundreds of flights were canceled and delayed, and even Fleet Week fell victim to disruptions as legislators in Washington remained at a standstill. Cities across the Bay Area stepped up to fill \u003ca href=\"https://www.kqed.org/news/12064126/snap-benefits-hung-in-limbo-for-weeks-it-was-a-peek-at-life-under-long-term-cuts\">gaps in food stamp spending\u003c/a>, as thousands of people who rely on federal food assistance went weeks without electronic benefit transfers.\u003c/p>\n\u003cp>And, through a difficult year, the Bay Area found ways to come together: cheering on the inaugural season for \u003ca href=\"https://www.kqed.org/arts/13984639/valkyries-wnba-2025-in-review\">the Golden State Valkyries\u003c/a>, honoring the queer community with drag shows from August Hall in San Francisco to Calvin Simmons Theatre in Oakland, and celebrating the diverse cultures deeply rooted here.\u003c/p>\n\u003cp>\u003cem>Text by KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/kdebenedetti\">\u003cem>Katie DeBenedetti\u003c/em>\u003c/a>\u003cem>; photo editing by KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/mdonascimento\">\u003cem>Martin do Nascimento\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003ch2>January\u003c/h2>\n\u003cfigure id=\"attachment_12067187\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067187 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250102_ALEMANYSHOOTING_GC-9-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Anthony Thomas, father of \u003ca href=\"https://www.kqed.org/news/12020128/shooting-san-francisco-home-leaves-man-dead-woman-seriously-injured\">Antoine Thomas, who died in an early morning shooting\u003c/a>, hugs his 4-year-old grandson Adon in San Francisco on Jan. 2, 2025. The shooting, at the 1000 block of Tompkins Avenue, left one victim pronounced dead at the scene and another transported to a hospital with life-threatening injuries. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067185\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067185\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250107-LURIEINTERFAITHCEREMONY-25-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Mayor-elect \u003ca href=\"https://www.kqed.org/news/12020422/san-francisco-mayor-elect-daniel-lurie-launches-political-career-cable-cars-chinatown-market-prayer\">Daniel Lurie receives a communal blessing\u003c/a> during an Interfaith Ceremony at Congregation Emanu-El in San Francisco on Jan. 7, 2025, the evening before his inauguration. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067184\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067184\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240109-CAWINDSTORM-069-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12021777/reporters-notebook\">Destruction in downtown Altadena\u003c/a>, after the Eaton Fire swept through the area northeast of Los Angeles, on Jan. 9, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067192\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067192\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-01-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Altadena resident Taylor Williams, 17, goes through pieces of her teacup collection from the home she shared with her family after it was destroyed in the Eaton Fire northeast of Los Angeles on Jan. 9, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067188\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067188\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250115_JAPANESEAMERICANACTIVISM_GC-47-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sadako Nimura Kashiwagi, 91, holds a photo of her parents, Juninhi Nimura and Shizuko Nimura, at her home in Berkeley on Jan. 15, 2025. \u003ca href=\"https://www.kqed.org/news/12021919/bay-area-japanese-americans-draw-on-wwii-trauma-resist-deportation-threats\">Kashiwagi was incarcerated at Tule Lake concentration camp\u003c/a> at the age of 9, where she lived with her family for four years. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067189\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067189 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250116_SNOW-SCHOOL_DMB_02943-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Chris Northart, with the Department of Water Resources’ Statewide Monitoring Network Unit, and a participant of the \u003ca href=\"https://www.kqed.org/science/1995954/at-hidden-tahoe-lab-scientists-learn-the-art-of-measuring-snow\">Snow Science School\u003c/a>, uses a magnification lens to measure the size of snow granules from the snowpack in a field outing near Soda Springs on Jan. 16, 2025. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067186\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067186\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250128-WILDSIDEWEST-15-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Regular Timotha Doane sits at a table at Wild Side West in San Francisco’s Bernal Heights neighborhood on Jan. 28, 2025. Founded in 1962, \u003ca href=\"https://www.kqed.org/news/12029551/san-franciscos-oldest-lesbian-bar-has-been-a-safe-space-for-more-than-60-years\">Wild Side West is a historic lesbian bar\u003c/a> that began in Oakland before relocating to San Francisco, where it became a gathering space known for its eclectic decor, lush garden, and deep roots in the LGBTQ+ community. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067195\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067195\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-02-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Kimberly Lopez, a senior at UC Berkeley, speaks to hundreds of students and supporters \u003ca href=\"https://www.kqed.org/news/12024593/uc-berkeley-students-march-for-undocumented-classmates-say-school-isnt-doing-enough\">rallying in solidarity with their undocumented classmates\u003c/a> as the Trump administration begins to carry out nation-wide mass deportations, at Sproul Plaza at UC Berkeley in Berkeley on Jan. 29, 2025. Right: Maya Gill, center, holds up a sign that reads, “Jesus told us to love our neighbor not to deport them.” \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067190\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067190\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250129_UCBERKELEYRALLY_GC-44-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(left) Student Nicole Nuñez Rivera gets emotional and hugs DACA recipient Ana Rivera, right, during a rally against the Trump administration’s promises to carry out mass deportations, at UC Berkeley in Berkeley on Jan. 29, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>February\u003c/h2>\n\u003cfigure id=\"attachment_12067198\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Katherine (left), 9, and Nikki, 9, sit together at the start of the \u003ca href=\"https://www.kqed.org/news/12027348/san-francisco-celebrates-the-lunar-new-year-with-iconic-chinatown-parade\">Chinese New Year Parade\u003c/a> in San Francisco on Feb. 15, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067199\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067199\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250215-CHINESENEWYEAR-14-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fireworks go off in Chinatown during the Chinese New Year Parade in San Francisco on Feb. 15, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067205\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067205\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-03-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Artist Miko Lee looks out the window at the Walking Stories exhibit at the Edge on the Square gallery in San Francisco’s Chinatown neighborhood on Feb. 19, 2025. Right: Alistair Monroe stands outside the Oakland Cannery building, where his studio is located in Oakland, on Feb. 20, 2025. \u003ccite>(Beth LaBerge/KQED; Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067200\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067200\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250220-OAKLAND-CANNERY-MD-05-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Arthur Monroe’s art is on display in his son Alistair Monroe’s studio and home at the Oakland Cannery building in Oakland on Feb. 20, 2025. The Oakland Cannery is a historic live-work space in East Oakland where Arthur Monroe lived and produced art for decades. The building’s owners are seeking to turn the building into a pot-growing facility. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067202\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067202\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250222-NOISEPOPFLAMINGROOVIES-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The band Th’ Losin Streaks play at the 4 Star Theater in San Francisco’s Richmond District on Feb. 22, 2025, during the \u003ca href=\"https://www.kqed.org/arts/13972528/noise-pop-festival-san-francisco-2025-review\">Noise Pop Festival\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067209\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067209\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-04-1-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Dawn Richard performs at the Independent, as part of the Noise Pop festival, in San Francisco on Feb. 26, 2025. Right: Dam-Funk performs at the Noise Pop opening night party at the California Academy of Sciences on Feb. 20, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067201\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250221-GEOGRAPHER-_-VIDEO-AGE-MD-02-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Geographer performs at August Hall in San Francisco as part of Noise Pop on Feb. 21, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067204\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067204 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-UC-STRIKE-MD-06-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of the University Professional and Technical Employees Local 9119 and the American Federation of State County and Municipal Employees Local 3299 \u003ca href=\"https://www.kqed.org/news/12028446/tens-of-thousands-uc-workers-strike-disrupting-campuses-hospitals-labs\">strike at the UC Mission Bay Campus in San Francisco\u003c/a> on Feb. 26, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067207\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067207\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250226_ROBERTMOSES_GC-16-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers place their hands on Giovanna Sales’ head during a rehearsal for \u003ca href=\"https://www.kqed.org/arts/13972949/robert-moses-kin-30th-anniversary-the-kennings\">Robert Moses’ latest work, The Kennings\u003c/a>, at ODC Dance Commons in San Francisco on Feb. 26, 2025. The show explores themes of race, gender, war and human rights, while blending dance, theatre and music. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067203\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067203\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250226-NAMEGENDERMARKERS-12-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Andrea and Milo Ronquillo stand outside the Civic Center Courthouse in San Francisco on Feb. 26, 2025. The Ronquillos attended a workshop hosted by Alexis Levy about \u003ca href=\"https://www.kqed.org/news/12029428/how-californians-can-start-changing-names-and-gender-markers-on-government-ids\">changing the name and gender marker on official government documents\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>March\u003c/h2>\n\u003cfigure id=\"attachment_12067254\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067254\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250307-BERKELEY-SCIENCE-PROTEST-MD-08-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A march through the UC Berkeley campus in association with the \u003ca href=\"https://www.kqed.org/news/12030313/uc-berkeley-scientists-protest-trump-administrations-cuts-to-research-funding\">national Stand Up for Science day of action\u003c/a> in Berkeley on March 7, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067259\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067259\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-05-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Marchers hold up signs including one that reads “Science is political” and march through the UC Berkeley campus in Berkeley on March 7, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067262\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067262 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250308_BESANS-MARKET_DMB_03247-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12029568/in-san-mateo-county-this-market-is-a-community-destination-for-food-faith-and-ramadan-staples\">Besan’s International Market is a halal butcher, deli, and Middle Eastern market\u003c/a> in San Bruno. Year-round, it’s a go-to spot for the Arab, North African and Middle Eastern folks in this community. During Ramadan, customers come in and out for their groceries for iftar meals when they break fast during Ramadan. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067253\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067253\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/240312-RICHMOND-WALKOUT-MD-01-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Valerie Aquino and other \u003ca href=\"https://www.kqed.org/news/12030935/our-education-matters-richmond-high-schoolers-rally-against-teacher-layoffs\">students from Richmond’s John F. Kennedy High School stage a walkout and march\u003c/a> to the West Contra Costa Unified School District Offices to protest impending layoffs as part of cuts to the district’s budget in Richmond on March 12, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067255\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067255\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250317-EUGENETSSUI-24-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Eugene Tssui sketches in a notebook at his exhibition at the Rotten City Cultural District in Emeryville on March 17, 2025. The gallery featured his \u003ca href=\"https://www.kqed.org/arts/13973365/eugene-tssui-emeryville-residency-bay-street-architecture-fashion\">nature-inspired architectural designs, including photos of the renowned “Fish House,” along with his clothing designs and art.\u003c/a> \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067256\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067256\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250323-DEM-TOWN-HALLS-MD-67-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Rep. Ro Khanna holds a town hall meeting at the MLK Community Center in Bakersfield on March 23, 2025. In three such events, \u003ca href=\"https://www.kqed.org/news/12032718/frustrated-democrats-push-wartime-leaders-bakersfield-town-hall\">Khanna urged residents of Republican-held congressional districts in California to organize\u003c/a> against the Trump administration’s proposed cuts to programs like Medicaid and the wider social safety net. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067260\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067260\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-06-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A line of people waiting to enter the town hall meeting with Rep. Ro Khanna. Right: Audrey Chavez and others listen at as Rep. Ro Khanna speaks. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067263\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067263\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250326_SFBARBER_GC-20-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Santana “Twinks” Vasquez cuts Angel Filimoehala’s hair at Steel and Strand barbershop in San Francisco on March 26, 2025. Twinks offered \u003ca href=\"https://www.kqed.org/news/12033501/the-sf-barber-that-welcomes-all-trans-people-into-his-shop\">free haircuts for the month of March to honor trans visibility\u003c/a>. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067264\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067264\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250328_ZORTHIAN-RANCH_SK_26-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aslan Scardina lies in a patch of stinging nettle at \u003ca href=\"https://www.kqed.org/news/12034277/stories-of-las-zorthian-ranch-a-portal-to-a-different-way-of-life-damaged-in-eaton-fire\">Zorthian Ranch\u003c/a> on March 28 in Altadena. Scardina was living on the Ranch before it was destroyed in the Eaton fire. “I didn’t love plants until I met nettle,” she says. \u003ccite>(Stella Kalinina for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067258\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067258\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250331-TRANS-NEWSOM-RALLY-AC-67-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Will Lohf waves an LGBTQ+ flag during a march for trans youth in Kentfield on March 31, 2025. \u003ca href=\"https://www.kqed.org/news/12033818/lgbtq-activists-rally-at-newsoms-home-demand-stronger-trans-rights-commitment\">Activists and community members marched\u003c/a> in the Marin County community where Gov. Gavin Newsom recently purchased a home as part of International Transgender Day of Visibility, which highlights discrimination faced by trans people worldwide. \u003ccite>(Aryk Copley for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>April\u003c/h2>\n\u003cfigure id=\"attachment_12067272\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067272 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250409-LIVERMORE-BLACK-LAND-MD-10-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tashenia Pearson stands beside \u003ca href=\"https://www.kqed.org/news/12036599/wall-war-vet-fight-land-one-familys-50-year-battle-livermore\">the wall separating her property from her neighbors’\u003c/a> in Livermore on April 9, 2025. Pearson’s parents bought the property in Livermore in 1971, only to discover the illegally built wall, which effectively gives 740 square feet of Pearson’s property to their neighbor. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067277\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067277\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20240410_GIANTNAKEDLADYEMBARCADERO_GC-36-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">R-Evolution, \u003ca href=\"https://www.kqed.org/arts/13974401/r-evolution-marco-cochrane-embarcadero-plaza-nude-woman-sculpture\">a 45-foot metal sculpture of a giant naked woman\u003c/a> that is meant to symbolize feminine strength and liberation, by artist Marco Cochrane, at the Embarcadero Plaza on April 10, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067271\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067271\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/2025.04.14_MIDDLETON_SANDYSTONE_15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sandy Stone, \u003ca href=\"https://www.kqed.org/arts/13977595/sandy-stone-olivia-records-jimi-hendrix-girl-island-documentary\">88-year-old legendary audio engineer and trans woman\u003c/a> who worked with rock ’n’ roll greats and was the in-house engineer at feminist label Olivia Records in the 1970s, in her home in Aptos on April 14, 2025. \u003ccite>(Florence Middleton for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067273\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067273\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250415-OAKLAND-MAYORAL-ELECTION-NIGHT-AC-67-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12036555/barbara-lee-takes-decisive-lead-over-loren-taylor-in-oakland-mayoral-election\">Supporters of Oakland mayoral candidate Barbara Lee dance\u003c/a> to a live band on election night in Oakland on April 15, 2025. \u003ccite>(Aryk Copley for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067275\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067275\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-07-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Birders Daniela Sanchez (left) and Christopher Henry \u003ca href=\"https://www.kqed.org/arts/13974906/teen-birders-bird-watching-ebird\">look for birds\u003c/a> at Crissy Field in San Francisco and the Baylands Nature Preserve in Palo Alto, respectively, on April 16, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067278\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067278\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250416_BIRDWATCHINGTEENS_GC-51-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sadie Cosby examines a pigeon walking with a limp at the Miller/Knox Regional Shoreline in Richmond on April 16, 2025. Cosby has been birding for 4 years and is a member of the California Young Birders’ Club. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067274\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067274\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250421-CHINATOWNTARIFFS-06-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sam Liang weighs medical herbs at his shop, Run Feng Hai Wei Chinese Herbal Inc., in San Francisco’s Chinatown neighborhood on April 21, 2025. Business owners in San Francisco’s Chinatown said they were \u003ca href=\"https://www.kqed.org/news/12036939/san-francisco-chinatown-businesses-survival-mode-trade-war\">struggling to stay afloat, facing declining sales and an uncertain future\u003c/a>, in the face of the U.S.-China trade war. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067276\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067276\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-08-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Imported items fill the wall at Beijing Shopping Center in San Francisco’s Chinatown neighborhood on April 21, 2025. Right: Kiki Krunch, left, and Kalypso pose for a photo at the Portsmouth Square pedestrian bridge in San Francisco’s Chinatown on April 30, 2025. The 2024 and ’23 winners of the GLBTQ+ Asian Pacific Alliance drag pageant led the \u003ca href=\"https://www.kqed.org/arts/13976447/chinatown-pride-san-francisco-lgbtq-chinese-culture-center\">2025 Chinatown Pride\u003c/a> procession, visiting landmarks such as the Grant Street nightlife district, home in the 1930s and ’40s to underground queer speakeasies and tourist-y Chinese American nightclubs that featured “female impersonation” shows. \u003ccite>(Beth LaBerge/KQED; Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067279\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067279\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1288\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250430_CHINATOWNPRIDE_GC-21-KQED-1536x989.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kiki Krunch (left) takes a photo with Fontaine Hu, 81, in San Francisco’s Chinatown on April 30, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>May\u003c/h2>\n\u003cfigure id=\"attachment_12067284\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067284\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-MAY-DAY-MARCH-OAKLAND-MD-12-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Horetencia M. (left) and Maria E. chant and play buckets as drums as part of the \u003ca href=\"https://www.kqed.org/news/12038481/may-day-thousands-bay-area-take-streets-immigrant-worker-rights\">Oakland Sin Fronteras May Day March\u003c/a> for Labor & Immigrants in the Fruitvale neighborhood of Oakland on May 1, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067285\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067285\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250501-VALKYRIESOPENERTEAMPROFILE-22-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12039501/wnbas-newest-team-golden-state-valkyries-kick-off-first-season\">Golden State Valkyries\u003c/a>’ Monique Billings practices during training camp held at the Sephora Performance Center in Oakland on May 1, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067292\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067292 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-11-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: The Golden State Valkyries take to the court for their \u003ca href=\"https://www.kqed.org/news/12040665/the-bay-areas-newest-basketball-team-makes-history\">first-ever home opener\u003c/a> against the Los Angeles Sparks at Chase Center on May 16, 2025. Right: Golden State Valkyries guard Tiffany Hayes (15) drives to the hoop against the Los Angeles Sparks. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067286\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067286\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250509-BENICIAREFINERY-52-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Benicia mayor Steve Young drives by the Valero Benicia Refinery in Benicia on May 8, 2025, which processes up to 170,000 barrels of oil a day, making gasoline, diesel, and other fuels for California. \u003ca href=\"https://www.kqed.org/news/12039505/a-bay-area-refinery-town-contemplates-future-without-big-oil\">Valero planned to shut down the Benicia refinery\u003c/a> by April 2026, citing high costs and strict environmental rules. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067290\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067290\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-09-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Nests of California gull eggs are tucked in the grass near the Dumbarton Bridge in Fremont on May 12, 2025. Right: A team led by Nathan Van Schmidt (right), science director at the San Francisco Bay Bird Observatory, and Amy Parsons, lead biologist, conducts a \u003ca href=\"https://www.kqed.org/news/12051964/are-seagulls-native-or-invasive-to-the-bay-area-maybe-both\">California gull nest survey\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067287\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067287\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250512-SEAGULLCOUNTY-20-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nesting California gulls circle overhead during a nest survey conducted by the San Francisco Bay Bird Observatory near the Dumbarton Bridge in Fremont on May 12, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067288\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067288\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250513-CALIFORNIAFOREVERANNEXEXPLAINER-17-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The intersection of Highway 12 and Highway 113 in Solano County outside of Suisun City on May 13, 2025. The California Forever project is seeking to have Suisun City \u003ca href=\"https://www.kqed.org/news/12059985/california-forever-clears-first-hurdle-in-suisun-city-annexation\">annex the land where the company has proposed building a new city\u003c/a> in order to move forward with its plans, nearly a year after pulling an initiative seeking voter approval for the project. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067291\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067291\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-10-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Resident Letty Guzman sits on her bed with her dog Pappa in her room at Horizon Community Village at the Capri Motel on University Avenue in Berkeley on May 20, 2025. The site, operated by Dorothy Day House, provides \u003ca href=\"https://www.kqed.org/news/12043516/rv-encampments-are-notoriously-hard-to-close-this-city-found-something-that-works\">transitional housing and supportive services for unhoused individuals\u003c/a> in Berkeley. Right: Maximo Hernandez Perez stands in front of his home in Stockton on May 22, 2025. Perez and his daughter, Celina, then 14 years old, were \u003ca href=\"https://www.kqed.org/news/12040537/some-families-separated-at-the-border-got-free-legal-aid-the-us-just-cut-that-contract\">detained and separated after crossing the border\u003c/a> in 2017. \u003ccite>(Beth LaBerge/KQED; Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067289\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067289\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250530-DUBLINEMPLOYEES-17-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Valentina Stone, 14, gets ready for a school dance with the help of her mother, a correctional officer, at their home in the mobile home community next to the now-closed Federal Correctional Institution, Dublin, on May 30, 2025. When FCI Dublin abruptly shut down after years of turmoil, \u003ca href=\"https://www.kqed.org/news/12043352/fci-dublin-staff-bought-homes-on-site-then-the-prison-shut-down\">residents of the community were given eviction notices\u003c/a> and were ordered to remove their homes from the government’s land by September, according to a union representative. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067293\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067293 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1352\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250529_OHLONEPARKENCAMPMENT_GC-3-1-KQED-1536x1038.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fearful of what he’d face if forced to leave the encampment, Travis Smith gets emotional at the \u003ca href=\"https://www.kqed.org/news/12041966/berkeley-residents-homeless-advocates-battle-over-fate-of-ohlone-park-encampment\">homeless encampment at Ohlone Park\u003c/a> in Berkeley on May 29, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>June\u003c/h2>\n\u003cfigure id=\"attachment_12067301\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067301\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250605-TREASUREISLANDJOBCORPS-24-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jayvon Wilson (center) rallies alongside students, staff, and supporters outside the \u003ca href=\"https://www.kqed.org/news/12042895/san-francisco-job-corps-students-face-uncertain-future\">Treasure Island Job Corps Center\u003c/a> in San Francisco on June 5, 2025, protesting the facility’s closure, which they say could leave at-risk youth homeless. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067302\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067302\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250606-DEIANDARTS-03-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Eric Garcia, who performs as Churro Nomi, co-director of Detour Productions and producer of the monthly queer cabaret Clutch The Pearls, poses for a photo at the Make Out Room in San Francisco on June 6, 2025. “This isn’t just about money, it’s about controlling narrative, visibility and power,” says Garcia, about \u003ca href=\"https://www.kqed.org/arts/13977200/the-great-quiet-quitting-of-dei-in-bay-area-arts\">arts organizations that have abandoned their DEI programming\u003c/a> and reconfigured or erased their websites’ DEI commitments. “We’re witnessing a deliberate effort to police not only what stories are told, but who is allowed to tell them.” \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067303\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067303\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250609-SF-IMMIGRATION-PROTESTS-MD-67-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protestors march in the Mission District in San Francisco i\u003ca href=\"https://www.kqed.org/news/12043445/a-moment-people-have-been-waiting-for-ice-arrests-fuel-sf-protests\">n opposition to the Trump Administration’s immigration policy\u003c/a> and enforcement on June 9, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067306\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067306\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-12-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Daniella holds up a Mexican flag during a \u003ca href=\"https://www.kqed.org/news/12044426/no-kings-protests-draw-thousands-across-the-bay-area-to-rally-against-president-trump\">No Kings Day protest\u003c/a> in San José on June 14, 2025. Right: Thousands of protesters march at the No Kings protest in Oakland on June 14, 2025. \u003ccite>(Aryk Copley for KQED; Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067304\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067304\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250614-NO-KINGS-SF-MD-13-KQED-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Supporters cheer from their cars as protesters march down Van Ness Ave. in San Francisco as part of the No Kings protest on June 14, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067308\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067308\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250614_NOKINGSOAKLAND_GC-44-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Congresswoman Lateefah Simon addresses hundreds of protesters at Frank H. Ogawa Plaza during the No Kings protest in Oakland on June 14, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067307\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067307\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-13-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: People fill the courtyard at the Oakland Museum of California in Oakland for the \u003ca href=\"https://www.kqed.org/news/12044959/hella-juneteenth-in-photos-black-joy-and-community-in-oakland\">Hella Juneteenth festival\u003c/a> on June 19, 2025. Right: Festivalgoers dance at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067309\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067309 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250619_HELLAJUNETEENTH_GC-11-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jordyn Johnson, 9, gets the continent of Africa painted on her face at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>July\u003c/h2>\n\u003cfigure id=\"attachment_12067311\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067311 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250701-K-ONDA-JULY-MD-01-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Designer Marisela Ginestra at the Levi’s offices in San Francisco on July 1, 2025. \u003ca href=\"https://www.kqed.org/news/12045274/levis-denim-gets-a-fresh-look-thanks-to-a-latinx-designer\">Ginestra takes inspiration from her grandparents\u003c/a> who worked harvesting fruits and vegetables in the Central Valley in the 1960s and who would dry their jeans in the sun, giving them a distinctive faded look. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067312\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067312\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250716-SFFIXITCLINIC-25-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Radha Weaver repairs a tutu dress for a mother and daughter during a \u003ca href=\"https://www.kqed.org/news/12052092/fix-a-zipper-and-save-the-planet-at-san-franciscos-free-clothing-repair-clinics\">Fix-It Clinic Clothing Repair workshop\u003c/a> at the Glen Park Branch Library in San Francisco on July 16, 2025. During the workshop, teachers offer hands-on fixes and mending tips. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067318\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067318\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-14-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Sewing supplies sit in bins at the Fix-It Clinic Clothing Repair workshop. Right: Mira Musank works with a clinic participant to repair her sweater. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067305\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067305\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250718_CLIMATEPUNK_012_BF_KQED-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/arts/13979195/the-furious-tits-queer-climate-punk-band-san-francisco-oakland\">The Furious Tits\u003c/a> perform live in San Francisco at the Castro Night Market on Friday, July 18, 2025. The band says they see punk as a perfect place to mouth off about human-caused climate change. \u003ccite>(Brian Frank/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067313\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067313 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250720-DEAFDANCEFESTIVAL_01323_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Founder and leader of Urban Jazz Dance Company, Antoine Hunter (center), watches dancers practice choreography at a rehearsal at Shawl-Anderson Dance Center in Berkeley on July 20, 2025. The \u003ca href=\"https://www.kqed.org/arts/13979516/international-deaf-dance-festival-antoine-hunter-urban-jazz-dance\">Urban Jazz Dance Company performed at the International Deaf Dance Festival\u003c/a>, from Aug. 8–10 in San Francisco. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067314\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067314\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250721-AFGHANSINFREMONT-11-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"https://www.kqed.org/news/12050357/how-did-fremont-come-to-be-known-as-little-kabul\">Hasib Sepand plays the sitar at Sepand Studios\u003c/a> in Fremont on July 21, 2025, where his music academy offers instruction in sitar, tabla, harmonium, and other instruments, and he composes and produces music. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067315\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067315\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250725-PLANNED-PARENTHOOD-CLOSURES-MD-09-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jagbir Kang looks out of a window at her home in Fremont on July 25, 2025. \u003ca href=\"https://www.kqed.org/news/12053210/in-the-face-of-abuse-she-chose-survival-and-now-helps-others-do-the-same\">Kang is a survivor of domestic violence\u003c/a> who now advocates on behalf of other survivors. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067316\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067316\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250729-YICKWOCIVILRIGHTS-01-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">David Lei stands on Spofford Street in San Francisco’s Chinatown on July 29, 2025, at \u003ca href=\"https://www.kqed.org/news/12050233/how-a-chinese-laundryman-shaped-us-civil-rights-from-san-francisco\">the historical site of the Chinese Laundry Association\u003c/a>, once located at 33 Spofford Street. A longtime resident and community historian, Lei has worked to preserve Chinatown’s cultural and educational legacy. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067319\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067319\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-15-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: \u003ca href=\"https://www.kqed.org/news/12050105/sf-kindness-crawl-spreads-joy-on-market-street-ahead-of-grateful-dead-weekend\">Kindness Crawl\u003c/a> organizer Scott Keneally (left) shares an embrace with a passerby near City Hall in San Francisco on July 31, 2025. Right: A Kindness Crawl volunteer beams while handing roses and flowers to two people inside a van in a moment of street-side joy. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067317\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067317\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250731_KINDNESSCRAWL_-0010_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A vintage VW bus filled with Kindness Crawl flower recipients drives past Alamo Square Park in San Francisco. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>August\u003c/h2>\n\u003cfigure id=\"attachment_12067320\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067320 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250802-AFROFUTURES_01096_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees dance at the \u003ca href=\"https://www.kqed.org/news/12050844/where-past-meets-possible-black-futures-ball-illuminates-dreams-in-oakland\">Black Futures Ball\u003c/a> hosted by The East Oakland Youth Development Center at the Chabot Space and Science Center in Oakland on Aug. 2, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067328\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067328\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-16-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Charlene Richardson (left) and Charlette Richardson, also known as The LoveLove Twins, pose for a photo at the Black Futures Ball. Right: Selena Wilson, CEO of the EOYDC, speaks at the Black Futures Ball. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067322\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067322\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806-HOLOCAUSTREPARATIONS-04-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Francesca Thomas, a Hayward native and great-granddaughter of Leona Alves, owner of Ideal Dining and Miss Alves, a restaurant and nightclub in Russell City, holds a photograph of five generations of her family, from her mother to great-great-great-grandmother, in Hayward on Aug. 6, 2025. Thomas is involved in\u003ca href=\"https://www.google.com/search?q=KQED+Francesca+Thomas&newwindow=1&sca_esv=2719a2d50b2c4d54&rlz=1C5GCEM_enUS1182US1182&udm=2&biw=1870&bih=1054&ei=49BFacPCObzC0PEPwJq_EA&ved=0ahUKEwiDwKj12MqRAxU8ITQIHUDNDwIQ4dUDCBI&uact=5&oq=KQED+Francesca+Thomas&gs_lp=Egtnd3Mtd2l6LWltZyIVS1FFRCBGcmFuY2VzY2EgVGhvbWFzSKoUUM0SWM0ScAJ4AJABAJgBhQGgAYUBqgEDMC4xuAEDyAEA-AEC-AEBmAIAoAIAmAMAiAYBkgcAoActsgcAuAcAwgcAyAcAgAgA&sclient=gws-wiz-img#sv=CAMSVhoyKhBlLXAxQlFTSHREUFo2d3hNMg5wMUJRU0h0RFBaNnd4TToOR25xa3o5aWNXdTA5eE0gBCocCgZtb3NhaWMSEGUtcDFCUVNIdERQWjZ3eE0YADABGAcggZS_5QQwAkoKCAIQAhgCIAIoAg\"> efforts to preserve the community’s history\u003c/a> through the Russell City Reparative Justice Project. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067321\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067321 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250806_SCALEAI_-0001_GH-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Protestors hold a banner reading “Stop AI” outside of Scale AI’s San Francisco headquarters on Aug. 6, 2025. \u003ca href=\"https://www.kqed.org/news/12051183/protesters-against-ai-militarization-rally-at-scale-ai-in-san-francisco\">Demonstrators oppose the company’s involvement in AI-driven warfare and surveillance\u003c/a>. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067323\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067323\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250808-WILDPIGS_00144_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cows graze on the hills of Máyyan ‘Ooyákma, Coyote Ridge, a preserve owned by Open Space Authority, in Morgan Hill on Aug. 8, 2025.\u003ca href=\"https://www.kqed.org/news/12055329/invasion-of-the-grub-snatchers-how-one-rich-guys-russian-boars-colonized-california\"> Wild Boars are an invasive species\u003c/a> that endanger native plants, water sources and agriculture in the area. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067324\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067324\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250812_RESCUING-FRUIT-IN-CONTRA-COSTA-COUNTY-_GH-15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Forestr volunteer picks apples from a Honeycrisp orchard on private property in Martinez on Aug. 12, 2025. \u003ca href=\"https://www.kqed.org/arts/13980694/contra-costa-county-fruit-rescue-gleaning-picking-pears-apples-peaches-volunteer\">The volunteers harvest surplus cherries, peaches, apples and pears\u003c/a> — whatever’s in season — from backyard orchards throughout Contra Costa County, donating the rescued fruit to local food pantries and soup kitchens. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067325\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067325\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250818-COLUMBUS-PARK-MD-07-KQED-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Rob Lowe watches as workers clear RVs from Irene Street at Columbus Park in San José on Aug. 18, 2025. \u003ca href=\"https://www.kqed.org/news/12052645/san-jose-begins-clearing-columbus-park-the-citys-biggest-homeless-encampment\">The city removed RVs and tents from Columbus Park\u003c/a> in North San José, where hundreds of unhoused people have lived for years. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067329\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067329\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-17-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Shawn Spencer relocates his belongings from the Columbus Park encampment. Right: Fernando Alcantara watches as his RV is towed at Columbus Park in San José. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067326\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067326\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250820-HOUSINGFIRST_02100_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">William Wade, a formerly homeless veteran who was housed through the HUD-Veterans Affairs Supportive Housing program, poses for a portrait at the Laguna Commons supportive housing in Fremont on Aug. 20, 2025. \u003ca href=\"https://www.kqed.org/news/12054270/trumps-tectonic-shift-on-homelessness-could-have-dire-impacts-in-california\">California’s embrace of Housing First principles has become a liability\u003c/a> after the president directed federal agencies to stop funding that approach to homelessness. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067327\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067327\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250822-ECONOMICINSTABILITYIMPACTONKIDS-08-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Harnesha Burks walks with her son Zyon, 2, near their home in Antioch on Aug. 22, 2025. Burks is among one in three California parents of young kids who \u003ca href=\"https://www.kqed.org/news/12051850/as-californias-electricity-rates-rise-parents-struggle-to-pay-their-bills\">struggle to afford their utility bills\u003c/a>, according to a statewide survey, which found that when parents have trouble making ends meet, their children’s well-being and development suffer. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_12067330\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067330\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250904_FULLQUEER_GH-28-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">‘The Stray Dog’ Oak Holden delivers a high knee to Sancho Dimera during the \u003ca href=\"https://www.kqed.org/arts/13981646/full-queer-pro-wrestling-oakland\">Full Queer Wrestling showcase\u003c/a> at Fluid510 in Oakland on Sept. 4, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067331\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067331\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250905-ADOPTACORNER_00647_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Wendy, a volunteer who monitors ICE activity on busy streets near day laborer corners, patrols International Boulevard in front of a U-Haul in Oakland on Sept. 5, 2025. A nonprofit called “Adopt a Day Laborer Corner” has \u003ca href=\"https://www.kqed.org/news/12055084/california-volunteers-stand-guard-at-day-laborer-corners-amid-ice-sweeps\">inspired Californians to volunteer their time to accompany day laborers\u003c/a> who are at risk of deportation at highly visible intersections and monitor for immigration sweeps. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067337\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067337\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-18-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Alexander Ybarra, an 11th grader at Coliseum College Prep Academy, leads classmates in a \u003ca href=\"https://www.kqed.org/news/12054838/oakland-walkout\">walkout against gun violence\u003c/a> in Oakland on Sept. 5, 2025. Right: Posters made by students at Coliseum College Prep Academy read “Students Are Not Targets” and “Protect Students, Protect the Future” among others. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067332\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067332\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250913-NIMISHAAUNTY00685_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nimisha Jadav demonstrates to a customer how to wear a garment at her home-based clothing business, Nivy’s Nook, in Morgan Hill on Sept. 13, 2025. Jadav, known as Nimisha Aunty, runs an Indian clothing shop from her home in Morgan Hill, \u003ca href=\"https://www.kqed.org/news/12058796/need-a-gorgeous-diwali-outfit-nimisha-aunty-will-take-care-of-you\">creating a vibrant hub for South Asians\u003c/a> in the South Bay. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067333\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067333\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-FAST-FOOD-WORKERS-MD-04-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Delia Vargas and other\u003ca href=\"https://www.kqed.org/news/12056337/fast-food-workers-protest-alleged-wage-theft-and-poor-work-conditions-at-san-jose-chain\"> fast food workers protest in front of an El Pollo Loco\u003c/a> restaurant in San José on Sept. 17, 2025. \u003cspan class=\"\" title=\"\">The California Fast Food Workers Union filed complaints on behalf of a mother and daughter who said they were fired from the restaurant for speaking up about working conditions there.\u003c/span> \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067334\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067334\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250917-VALKYRIESPLAYOFFS-38-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The \u003ca href=\"https://www.kqed.org/news/12056563/better-than-i-ever-dreamed-valkyries-fans-reflect-on-historic-first-season\">Golden State Valkyries play the Minnesota Lynx\u003c/a> during Game 2 of the WNBA playoffs at the SAP Center in San José on Sept. 17, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067338\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067338\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-19-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Golden State Valkyries fans cheer during Game 2 of the Valkyries vs. Minnesota Lynx WNBA playoff game. Right: Golden State Valkyries team member Monique Billings applauds the crowd after losing to the Minnesota Lynx. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067335\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067335\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250920_PORTOLA_DAY1_GH-7-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Festival-goers dance inside the Despacio Tent on the first day of \u003ca href=\"https://www.kqed.org/arts/13981607/portola-festival-2025-pier-80-san-francisco-review-photos\">Portola Festival at Pier 80\u003c/a> in San Francisco, on Sept. 20, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067339\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067339\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-20-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Christina Aguilera performs on the Pier Stage at Portola Festival in San Francisco on Sept. 20, 2025. Right: Ty Dowe (left) and Matt Lebowitz pose for a photo at the Pier Stage during the second day of Portola Festival in San Francisco on Sept. 21, 2025. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067340\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067340\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20250922_BETTYREIDSOSKIN104TH_GC-7-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin is interviewed by the media during a \u003ca href=\"https://www.kqed.org/news/12057180/middle-school-students-celebrate-betty-reid-soskin-the-nations-oldest-park-ranger-at-104\">104th birthday celebration\u003c/a> at Betty Reid Soskin Middle School in El Sobrante on Sept. 22, 2025. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067336\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067336 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/250922-KIRKVIGIL00438_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Luis Viramontes, a Santa Rosa Junior College student, holds a candle at \u003ca href=\"https://www.kqed.org/news/12055641/after-kirks-death-trump-targets-critics-in-expanding-free-speech-fight\">a candlelight at a vigil for Charlie Kirk \u003c/a>hosted by the San Francisco State University chapter of Turning Point USA at Fort Funston in San Francisco on Sept. 22, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_12067342\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067342\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251001-NATIONAL-PARKS-SHUTDOWN-MD-04-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A visitor looks past a barrier at the entrance of Muir Woods National Monument in Marin County, which was temporarily\u003ca href=\"https://www.kqed.org/news/12058298/at-muir-woods-tourists-heartbroken-over-national-park-closure-during-shutdown\"> closed as a consequence of the government shutdown\u003c/a> on Oct. 1, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067353\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067353\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-21-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Sarah Spillane stands outside the entrance to the \u003ca href=\"https://www.kqed.org/news/12059460/bay-area-cities-expand-homeless-shelters-winning-over-neighbors-is-the-hard-part\">DignityMoves tiny home cabins\u003c/a> in the SoMa neighborhood of San Francisco on Oct. 1, 2025. Right: Noni Session, executive director of the East Bay Permanent Real Estate Cooperative, stands in front of the Barn next to \u003ca href=\"https://www.kqed.org/news/12062057/historic-west-oakland-blues-clubs-restoration-reveals-layers-of-hidden-history\">Esther’s Orbit Room\u003c/a> on 7th Street in West Oakland on Oct. 2, 2023. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067346\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067346 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-GIRLINTHEFISHBOWL-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hanna Longwell sits in the vanity room at Bimbo’s 365 Club in San Francisco’s North Beach neighborhood on Oct. 8, 2025. She performs as the club’s current “\u003ca href=\"https://www.kqed.org/news/12063643/the-girl-in-the-fishbowl-the-secret-behind-san-franciscos-quirkiest-nightclub-act\">Girl in the Fishbowl\u003c/a>,” an act that has been a distinctive part of the venue since it opened in 1931. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067344\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067344\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251008-BIMBOSGIRLINTHEFISHBOWL-01-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hanna Longwell performs as the “Girl in the Fishbowl” at Bimbo’s 365 Club on Oct. 8, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067347\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067347\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251009-WETLANDWIN_00474_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Estuary Institute members Sarah Pearce (left) and Emma Sevier conduct an assessment at a new wetland restoration site at Point Pinole Regional Park in Pinole on Oct. 9, 2025. A recent report found that restored \u003ca href=\"https://www.kqed.org/science/1998966/rising-tides-drive-a-bay-area-push-to-bring-back-vanished-marshlands\">tidal wetlands in San Francisco Bay nearly quadrupled\u003c/a> from 2000 to 2025, going against the global trend of wetland loss. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067348\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067348\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251016-NIMITZHOUSE-25-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Windows look out onto the Bay Bridge from \u003ca href=\"https://www.kqed.org/news/12065901/theres-a-grand-historic-house-hiding-under-the-bay-bridge\">the Nimitz House on Yerba Buena Island\u003c/a> in San Francisco on Oct. 16, 2025. Built around 1900 as part of the Naval Training Station, the home later served as the residence of Fleet Admiral Chester Nimitz during the final years of his life. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067354\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067354\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-22-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A demonstrator carries an American flag during the \u003ca href=\"https://www.kqed.org/news/12060511/massive-no-kings-crowds-return-to-bay-area-streets-rebuking-trump\">No Kings National Day of Action\u003c/a> in Oakland on Oct. 18, 2025. Right: Protestors at the No Kings National Day of Action burn an American flag in Oakland. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067966\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067966\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-NoKingsSF-32-BL_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The McDonald family sits on their car at a No Kings Day of Action rally in San Francisco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067349\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067349 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251018-FILIPINODANCEPARTY00040_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A family enjoys Filipino street food during the celebratory Late Night DJ party for Filipino American heritage month hosted at Seafood City in Daly City on Oct. 18, 2025. Seafood City, a Filipino chain night market, celebrated Filipino American heritage month by throwing\u003ca href=\"https://www.kqed.org/arts/13983119/seafood-city-filipino-supermarket-dj-dance-party-daly-city\"> late-night DJ parties\u003c/a> across American chains. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067350\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067350 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251022-DUDUKWHISPERER00384_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Khatchadour Khatchadourian, an Armenian musician, stands in his backyard in Santa Rosa on Oct. 22, 2025. \u003ca href=\"https://www.kqed.org/news/12060906/meet-the-duduk-whisperer-a-bay-area-armenian-folk-musician-revives-centuries-of-soul\">Khatchadourian, plays the Duduk\u003c/a>, and uses his music to work through hardships and is coming out with his sixth album titled, “Breath.” \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067351\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067351\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251028-YOSEMITESHUTDOWN-95-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tour guide William Fontana points visitors to climbers on El Capitan during \u003ca href=\"https://www.kqed.org/news/12062476/at-yosemite-youd-barely-know-a-shutdown-was-happening-why-advocates-say-that-matters\">a tour of the Yosemite Valley in Yosemite National Park\u003c/a> in the Sierra Nevada Mountains on Oct. 28, 2025. During the month-long government shutdown, Yosemite remained open, but with a drastically reduced federal workforce. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067352\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067352\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251031-SFMARINFOODBANK-24-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Workers sort fresh produce into boxes at the \u003ca href=\"https://www.kqed.org/news/12062577/bay-area-counties-pour-millions-into-food-aid-assistance-as-clock-runs-out-on-snap\">San Francisco‑Marin Food Bank warehouse\u003c/a> in San Francisco on Oct. 31, 2025. With the federal government shutdown, Bay Area officials anticipated surges in demand at food banks as thousands stood to loose CalFresh benefits. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_12067355\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067355\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251103-NEWSOMPROP50RALLY-66-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Speaker Emerita Nancy Pelosi speaks at a press conference in support of Proposition 50 at the IBEW Local 6 offices in San Francisco on Nov. 3, 2025. The former House Speaker, who has represented San Francisco in Congress for 38 years, \u003ca href=\"https://www.kqed.org/news/12062796/nancy-pelosi-leaves-congress-after-38-years-defining-generations-of-democratic-power\">announced on Nov. 6 that she will not seek reelection\u003c/a>. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067366\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067366 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/KQED_PRESCRIBED-BURN_AT_257-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of the Maidu tribe of Butte County, Berry Creek, Mechoopda, Mooretown, Enterprise and Konkow Valley, take part in a CAL-TREX prescribed burn, training in the application of fire to their native lands that have been devastated by recent catastrophic wildfires. \u003ccite>(Andri Tambunan for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067356\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067356 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251107-ESMERALDA-WANTS-TO-LEARN-MD-05-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oak trees stand on the plot of land in Cloverdale that the \u003ca href=\"https://www.kqed.org/news/12059557/esmeralda-courts-locals-as-it-tries-to-learn-from-california-forevers-mistakes\">Esmeralda Land Company is proposing to develop\u003c/a> in Sonoma County on Nov. 7, 2025. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067364\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067364\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251110_UCBTURNINGPOINT_GC-14-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Berkeley Police arrest a Turning Point USA supporter who engaged in a fight ahead of \u003ca href=\"https://www.kqed.org/news/12063406/uc-berkeley-turning-point-usa-event-draws-protests-after-charlie-kirks-death\">Turning Point USA’s last college stop\u003c/a> of the “American Comeback Tour” in Zellerbach Hall at UC Berkeley in Berkeley on Nov. 10, 2025. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067359\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067359\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251115-DEADLY-LUNG-DISEASE-MD-01-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mr. Lopez sits on his bed in his home in Pittsburg on Nov. 15, 2025. \u003ca href=\"https://www.kqed.org/news/12064693/california-doctors-urge-ban-on-engineered-stone-as-silicosis-cases-surge\">California stoneworkers like Lopez are becoming severely ill\u003c/a> from silica dust exposure from cutting engineered stone, prompting urgent warnings from doctors and workplace safety experts. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067362\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067362\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-23-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Trozalla Smith looks out the window of a BART train as she travels to the Alameda Food Bank on Nov. 14, 2025. \u003ca href=\"https://www.kqed.org/news/12064126/snap-benefits-hung-in-limbo-for-weeks-it-was-a-peek-at-life-under-long-term-cuts\">The government shutdown has delayed the distribution of SNAP benefits\u003c/a> to recipients such as Smith, who have had to turn to food pantries as an alternative. Right: Trozalla Smith rides the 96 bus while holding a loaf of bread in Alameda. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067357\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067357\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251113-SNAPDELAYSFEATURE01284_TV-KQED_1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trozalla Smith looks at advertisements for CalFresh as she holds her groceries from the Alameda Food Bank while waiting for her train at the 12th Street BART Station in Oakland on Nov. 14, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12068070\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068070\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251118-ACA00113_TV_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Carin Lenk-Sloan, a licensed marriage and family therapist who is \u003ca href=\"https://www.kqed.org/science/1999325/we-cant-afford-to-stay-californians-weigh-drastic-moves-as-health-premiums-rise\">facing a hike in her family’s health insurance\u003c/a>, sits outside her practice in Davis on Tuesday 18, 2025. As the lapsing of federal subsidies are poised to cause health insurance premiums to increase, some Californians like Lenk-Sloan are having to decide on whether to forgo coverage or move. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067365\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067365\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251118_SKYLINE_WALKOUT_GH-18-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Students stage \u003ca href=\"https://www.kqed.org/news/12064511/after-back-to-back-school-shootings-in-oakland-skyline-high-students-walk-out-of-class\">a walkout at Skyline High School\u003c/a> calling for the school and district to do more to counter gun violence in on Nov. 18, 2025. The walkout came less than a week after a student was injured in a shooting on the Oakland campus. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067361\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067361\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251119-CJSBBQANDFISH-42-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charles “CJ” Evans prepares an order at \u003ca href=\"https://www.kqed.org/news/12065744/richmonds-minister-of-food-serves-the-bay-area-southern-bbq-california-style\">CJ’s BBQ and Fish\u003c/a>, which serves barbecue, seafood and Southern-style comfort food, in Richmond on Nov. 19, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>December\u003c/h2>\n\u003cfigure id=\"attachment_12067858\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067858\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251205-WCCUSDSTRIKERALLY01085_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">West Contra Costa Unified School District teachers \u003ca href=\"https://www.kqed.org/news/12066054/after-west-contra-costa-teachers-launch-strike-both-sides-will-return-to-the-table\">strike at Marina Bay Park\u003c/a> in Richmond on Dec. 5, 2025. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067865\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067865\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/20251210_JERRYNAGANO_DECEMBER_GH-12-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jerry Nagano poses with the California Theatre’s 1928 Wurlitzer lobby organ in San José on Dec. 10, 2025. \u003ca href=\"https://www.kqed.org/arts/13984931/jerry-nagano-great-theater-organist-stanford-california-pizza-joynt\">Nagano, a veteran theatre-organ performer\u003c/a> and retired Stanford systems engineer, has been a fixture in California’s organ community for decades. \u003ccite>(Gustavo Hernandez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067859\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067859\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-26-BL-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A holiday display sits in front of a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ca href=\"https://www.kqed.org/news/12067283/get-in-the-holiday-spirit-by-visiting-these-bay-area-christmas-tree-lanes\">The tradition of holiday displays here\u003c/a> dates back to the early 1930s. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067867\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067867\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-25-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Holiday lights cover a home on Christmas Tree Lane. Right: Michael Martin sits with his handmade Wrap-o-Matic holiday display in front of his home on Christmas Tree Lane. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067869\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-26-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: An assortment of dishes at Chef Chu’s in Los Altos on Dec. 11, 2025. \u003ca href=\"https://www.kqed.org/news/12067747/chef-chus-the-family-owned-chinese-restaurant-that-grew-up-with-silicon-valley\">Chef Chu’s is a family-run business\u003c/a>, owned by Lawrence Chu, which has been operating since 1970 and is known not only for its food but also as a favorite for celebrities and tech innovators. Right: Jzhuang Qingqiang (left) and Kevin Ho prepare meals in the kitchen at Chef Chu’s. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067860\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067860 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251211-CHEFCHU00432_TV-KQED-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Lawrence Chu, also known as Chef Chu, garnishes a plate of sweet and sour pork at Chef Chu’s. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067861\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12067861 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-KEVINEPPS00239SEQN_TV-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker and journalist Kevin Epps (center) embraces his children Kamia (left) and Kamari at the Superior Court of San Francisco after \u003ca href=\"https://www.kqed.org/news/12066917/sf-filmmaker-kevin-epps-convicted-of-manslaughter-not-murder-in-2016-shooting\">a jury found him not guilty of the murder of his former brother-in-law\u003c/a>, Marcus Polk, in San Francisco on Dec. 15, 2025. The jury found Epps not guilty of the murder but did find him guilty of voluntary manslaughter. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067862\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067862\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251216-SANSOMEICE-18-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Faith leaders and immigrant advocates block the entrance to the ICE field offices in San Francisco on Dec. 16, 2025. \u003ca href=\"https://www.kqed.org/news/12067398/interfaith-activists-block-entrances-to-san-francisco-ice-office-risking-arrest\">Demonstrators chained themselves to the ICE office’s doors\u003c/a>, blocked intersections and vehicle access, and sang hymns. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067870\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067870\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27.jpg\" alt=\"\" width=\"2500\" height=\"835\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-2000x668.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-1536x513.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251215-2025-in-Photos-Dip-27-2048x684.jpg 2048w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Department of Homeland Security officers detain demonstrators outside of the ICE field offices in San Francisco. At least 20 people were handcuffed. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12067863\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12067863\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251217-CLIPPER-EQUITY-MD-02-KQED-1-1-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Silvia Matias and her daughter Maria wait for their bus at the Eastmont Transit Center in Oakland on Dec. 17, 2025. \u003ca href=\"https://www.kqed.org/news/12067737/clipper-2-0-leaves-ac-transit-cash-riders-behind\">Transit advocates are calling attention to recent updates to Clipper\u003c/a> that fail to extend savings to people who pay with cash to ride AC Transit. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "betty-reid-soskin-oldest-u-s-park-ranger-and-trailblazing-historian-dies-at-104",
"title": "Betty Reid Soskin, Oldest U.S. Park Ranger and Trailblazing Historian, Dies at 104",
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"headTitle": "Betty Reid Soskin, Oldest U.S. Park Ranger and Trailblazing Historian, Dies at 104 | KQED",
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"content": "\u003cp>Betty Reid Soskin, the nation’s oldest park ranger when she \u003ca href=\"https://www.kqed.org/news/11910061/betty-reid-soskin-americas-oldest-park-ranger-retires-at-100\">retired in 2022 at age 100\u003c/a>, and a trailblazer in preserving the history of Black Americans and women, died Dec. 21. She was 104.\u003c/p>\n\u003cp>Soskin devoted her life to telling stories that might otherwise have gone untold, highlighting the contributions of marginalized communities and ensuring that forgotten voices were brought to the forefront of American history.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Born Betty Charbonnet in Detroit on Sept. 22, 1921, Soskin spent her early years in New Orleans with her Creole family. She survived the devastating Great Mississippi Flood of 1927, an event that displaced her family and prompted their move to Oakland. Her childhood experiences shaped her understanding of race, resilience and community, laying the foundation for her lifelong commitment to advocacy and justice.\u003c/p>\n\u003cfigure id=\"attachment_12068222\" class=\"wp-caption aligncenter\" style=\"max-width: 1086px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068222\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/BettyYoungWomanPortrait1-1-scaled_qed.jpg\" alt=\"\" width=\"1086\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/BettyYoungWomanPortrait1-1-scaled_qed.jpg 1086w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/BettyYoungWomanPortrait1-1-scaled_qed-160x196.jpg 160w\" sizes=\"auto, (max-width: 1086px) 100vw, 1086px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin poses for a photograph in the 1940s. \u003ccite>(Courtesy of Betty Reid Soskin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During World War II, Soskin worked as a file clerk for the U.S. Air Force but resigned after discovering that her employers had hired her under the assumption that she was white. This pivotal moment illuminated the systemic racism of the era and fueled her passion for equity and truth-telling. She later worked in a segregated unit of the Boilermakers union, where she witnessed firsthand the discrimination faced by Black workers in the wartime industry.\u003c/p>\n\u003cfigure id=\"attachment_12068221\" class=\"wp-caption aligncenter\" style=\"max-width: 1101px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068221\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Betty-in-60s-Asilomar-in-music-circle-1_qed.jpg\" alt=\"\" width=\"1101\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Betty-in-60s-Asilomar-in-music-circle-1_qed.jpg 1101w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Betty-in-60s-Asilomar-in-music-circle-1_qed-160x194.jpg 160w\" sizes=\"auto, (max-width: 1101px) 100vw, 1101px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin sits in a music circle in the Asilomar area of Monterey Bay in the 1960s, reflecting her lifelong connection to music, community and cultural activism. \u003ccite>(Courtesy of Betty Reid Soskin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1945, she and her first husband, Mel Reid, \u003ca href=\"https://www.berkeleyside.org/2019/02/05/reids-records-californias-oldest-record-shop-to-close-in-the-fall\">founded Reid’s Records\u003c/a> in Berkeley, one of the first Black-owned record stores in the Bay Area. For nearly 75 years, the store served as a community hub, providing music and resources to South Berkeley’s Black community. It was also a space for activism and cultural exchange, reflecting Soskin’s enduring dedication to uplifting marginalized voices.[aside postID=news_11914312 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2021/06/BETTYREIDSOSKIN.jpg']Soskin’s advocacy took on new dimensions later in life when she became a prominent voice at the Rosie the Riveter/WWII Home Front National Historical Park in Richmond. Starting as a temporary employee at the age of 84, she became a permanent National Park Service ranger in 2011.\u003c/p>\n\u003cp>Over the next 15 years, she shared her personal experiences and those of African American workers during the war, shedding light on the racial segregation and systemic challenges of the era. Her storytelling drew large audiences, captivated by her firsthand accounts and her insistence on an inclusive historical narrative.\u003c/p>\n\u003cp>“What gets remembered is a function of who’s in the room doing the remembering,” Soskin often said.\u003c/p>\n\u003cp>She worked tirelessly to ensure that the contributions of women and Black Americans during World War II were not overshadowed in the broader historical narrative. Her efforts were instrumental in shaping the park’s mission and its dedication to uncovering overlooked histories.\u003c/p>\n\u003cp>Soskin’s impact extended far beyond the park. She was honored as California Woman of the Year in 1995 and received numerous accolades throughout her life, including a presidential coin from President Barack Obama in 2015 after she lit the National Christmas Tree at the White House.\u003c/p>\n\u003cfigure id=\"attachment_11889541\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11889541\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut.jpg\" alt=\"Betty Reid Soskin, smiling, sits in a wheelchair and holds a bright bouquet of flowers.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin poses beneath a sign for the newly renamed Betty Reid Soskin Middle School in El Sobrante during a student-led renaming ceremony on her 100th birthday, Sept. 22, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 2022, on the day of her 100th birthday, the West Contra Costa Unified School District \u003ca href=\"https://www.kqed.org/news/11889493/east-bay-middle-school-renamed-for-pioneering-park-ranger-betty-reid-soskin-on-her-100th-birthday\">renamed Juan Crespi Middle School in El Sobrante\u003c/a> in her honor, celebrating her legacy with a ribbon-cutting ceremony attended by local leaders, students and her family. The renaming process was driven by students and teachers who sought to honor a local figure dedicated to equity and justice.\u003c/p>\n\u003cp>At the ceremony, Soskin was showered with flowers and presented with a birthday cake.\u003c/p>\n\u003cp>“I don’t know what one might do to justify a long life,” she said. “I think that you have pretty much got it made.”\u003c/p>\n\u003cp>The \u003ca href=\"https://www.kqed.org/news/11889493/east-bay-middle-school-renamed-for-pioneering-park-ranger-betty-reid-soskin-on-her-100th-birthday\">renaming of Betty Reid Soskin Middle School\u003c/a> was the culmination of a student-led movement to honor a local figure whose legacy stood for truth and justice. The students researched their former namesake, Juan Crespi, a Spanish Franciscan missionary, and learned about the mission system’s exploitation of Indigenous peoples.\u003c/p>\n\u003cfigure id=\"attachment_11889544\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11889544\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021.jpg\" alt=\"Masked students hold up signs thanking Betty Reid Soskin.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Students wait to present gifts to Betty Reid Soskin during a school renaming ceremony on her 100th birthday at the renamed Betty Reid Soskin Middle School in El Sobrante. Students and teachers led the effort to rename the school in her honor, citing her lifelong advocacy for racial justice, equity and inclusive history. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Inspired by the social justice movements of the COVID-19 pandemic, they sought to rename the school for someone who embodied resilience and advocacy.[aside postID=news_11889493 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51596_041_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut.jpg']“I learned a lot these past couple of months, being on the naming committee and doing the project in general,” said Anaya Zenad, a former student who helped lead the renaming effort.\u003c/p>\n\u003cp>California Superintendent of Public Instruction Tony Thurmond, who attended the renaming ceremony, grew emotional as he spoke about Soskin’s impact.\u003c/p>\n\u003cp>“We have someone who has fought for civil rights, for women’s rights, for racial justice, and our children deserve to have someone to look up to,” he said at the ceremony.\u003c/p>\n\u003cp>Her personal resilience was as remarkable as her professional achievements. In 2016, at the age of 94, she survived a violent home invasion, during which she was assaulted and robbed. Despite the trauma, Soskin returned to work weeks later, demonstrating her unyielding strength and dedication to her mission.\u003c/p>\n\u003cfigure id=\"attachment_12068219\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068219\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The four performers portraying Betty Reid Soskin in the stage play Sign My Name to Freedom — from left, Cathleen Riddley, Aidaa Peerzada, Lucca Troutman and Tierra Allen — each represent a different period of Soskin’s life, drawn from her memoir and lifelong work documenting Black history, music and activism. \u003ccite>(Photo by Alexa 'LexMex' Treviño)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Soskin’s life and work were chronicled in her memoir, \u003cem>Sign My Name to Freedom\u003c/em>, which \u003ca href=\"https://www.kqed.org/arts/13955108/betty-reid-soskin-stage-play-z-space-sign-my-name-to-freedom-review\">inspired both a stage play\u003c/a> and a documentary.\u003c/p>\n\u003cp>The documentary, \u003ca href=\"https://www.kqed.org/arts/13952570/betty-reid-soskin-music-documentary-sign-my-name-to-freedom\">\u003cem>Sign My Name to Freedom: The Lost Music of Betty Reid Soskin\u003c/em>\u003c/a>, directed by Bryan Gibel, explores her life through the lens of her music, activism, and reflections on systemic racism.\u003c/p>\n\u003cp>“Betty’s life story is a testament to the resilience and strength of those who face systemic challenges yet refuse to be defined by them,” Gibel said.\u003c/p>\n\u003cfigure id=\"attachment_12068220\" class=\"wp-caption aligncenter\" style=\"max-width: 1008px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068220\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF_STILL2.jpg\" alt=\"\" width=\"1008\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF_STILL2.jpg 1008w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF_STILL2-160x100.jpg 160w\" sizes=\"auto, (max-width: 1008px) 100vw, 1008px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin listens to recordings of her own music as film director Bryan Gibel watches during the making of the documentary Sign My Name to Freedom: The Lost Music of Betty Reid Soskin. \u003ccite>(Courtesy of Bryan Gibel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The film captures intimate moments from her life, including her rediscovery of old recordings and her performance at Oakland’s Paramount Theatre with the Oakland Symphony and a 200-person choir.\u003c/p>\n\u003cp>Soskin’s dedication to justice and education was evident in her involvement with the civil rights movement and her work for former state Assemblymembers Dion Aroner and Loni Hancock. She fought for fair housing and educational opportunities for marginalized communities, emphasizing the need for systemic change in policies that disproportionately affected Black and low-income families.\u003c/p>\n\u003cp>Her tireless advocacy and presence at legislative meetings ensured that equity remained a focus in California politics.\u003c/p>\n\u003cp>Even after retiring at age 100, Soskin continued to inspire through public appearances and reflections on her life, a powerful reminder of the importance of storytelling and preserving the full scope of history.\u003c/p>\n\u003ch2>Betty Reid Soskin: A Life of Advocacy and Storytelling\u003c/h2>\n\u003cul>\n\u003cli>1921 : Born Betty Charbonnet in Detroit, Michigan.\u003c/li>\n\u003cli>1927: Survives the Great Mississippi Flood, prompting her family’s move to Oakland, California.\u003c/li>\n\u003cli>1942: Works for the U.S. Air Force as a file clerk but resigns after discovering she was hired under the assumption that she was white.\u003c/li>\n\u003cli>1945: Co-founds Reid’s Records in Berkeley with her first husband, Mel Reid, making it one of the first Black-owned record stores in the Bay Area. The store remains a community hub for nearly 75 years.\u003c/li>\n\u003cli>1960s-1970s: Becomes active in the civil rights movement and fights for fair housing and educational opportunities.\u003c/li>\n\u003cli>1995: Named California Woman of the Year for her contributions to advocacy and community empowerment.\u003c/li>\n\u003cli>2000: Plays a key role in planning the Rosie the Riveter/WWII Home Front National Historical Park in Richmond, ensuring the inclusion of Black workers’ experiences in its historical narrative.\u003c/li>\n\u003cli>2004: Begins working with the National Park Service as a temporary interpretive ranger at the age of 84.\u003c/li>\n\u003cli>2011: Becomes a permanent National Park Service ranger at the age of 89.\u003c/li>\n\u003cli>2015: Lights the National Christmas Tree at the White House and receives a presidential coin from President Barack Obama.\u003c/li>\n\u003cli>2016: Survives a violent home invasion at 94 but returns to work just weeks later.\u003c/li>\n\u003cli>2018: Performs at Oakland’s Paramount Theatre with the Oakland Symphony and a 200-person choir, showcasing her musical activism.\u003c/li>\n\u003cli>2019: Her memoir, \u003cem>Sign My Name to Freedom\u003c/em>, is published, chronicling her life and advocacy.\u003c/li>\n\u003cli>2021: Documentary \u003cem>Sign My Name to Freedom: The Lost Music of Betty Reid Soskin\u003c/em> begins production.\u003c/li>\n\u003cli>2022: Retires at age 100 from the National Park Service. On the same day, the West Contra Costa Unified School District renamed Juan Crespi Middle School in El Sobrante as Betty Reid Soskin Middle School.\u003c/li>\n\u003c/ul>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Betty Reid Soskin, the nation’s oldest National Park Service ranger and a pioneering historian at Rosie the Riveter WWII Home Front National Historical Park, devoted her life to preserving Black history, women’s stories and overlooked voices in the Bay Area and beyond.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Betty Reid Soskin, the nation’s oldest park ranger when she \u003ca href=\"https://www.kqed.org/news/11910061/betty-reid-soskin-americas-oldest-park-ranger-retires-at-100\">retired in 2022 at age 100\u003c/a>, and a trailblazer in preserving the history of Black Americans and women, died Dec. 21. She was 104.\u003c/p>\n\u003cp>Soskin devoted her life to telling stories that might otherwise have gone untold, highlighting the contributions of marginalized communities and ensuring that forgotten voices were brought to the forefront of American history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Born Betty Charbonnet in Detroit on Sept. 22, 1921, Soskin spent her early years in New Orleans with her Creole family. She survived the devastating Great Mississippi Flood of 1927, an event that displaced her family and prompted their move to Oakland. Her childhood experiences shaped her understanding of race, resilience and community, laying the foundation for her lifelong commitment to advocacy and justice.\u003c/p>\n\u003cfigure id=\"attachment_12068222\" class=\"wp-caption aligncenter\" style=\"max-width: 1086px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068222\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/BettyYoungWomanPortrait1-1-scaled_qed.jpg\" alt=\"\" width=\"1086\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/BettyYoungWomanPortrait1-1-scaled_qed.jpg 1086w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/BettyYoungWomanPortrait1-1-scaled_qed-160x196.jpg 160w\" sizes=\"auto, (max-width: 1086px) 100vw, 1086px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin poses for a photograph in the 1940s. \u003ccite>(Courtesy of Betty Reid Soskin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During World War II, Soskin worked as a file clerk for the U.S. Air Force but resigned after discovering that her employers had hired her under the assumption that she was white. This pivotal moment illuminated the systemic racism of the era and fueled her passion for equity and truth-telling. She later worked in a segregated unit of the Boilermakers union, where she witnessed firsthand the discrimination faced by Black workers in the wartime industry.\u003c/p>\n\u003cfigure id=\"attachment_12068221\" class=\"wp-caption aligncenter\" style=\"max-width: 1101px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068221\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Betty-in-60s-Asilomar-in-music-circle-1_qed.jpg\" alt=\"\" width=\"1101\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Betty-in-60s-Asilomar-in-music-circle-1_qed.jpg 1101w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/Betty-in-60s-Asilomar-in-music-circle-1_qed-160x194.jpg 160w\" sizes=\"auto, (max-width: 1101px) 100vw, 1101px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin sits in a music circle in the Asilomar area of Monterey Bay in the 1960s, reflecting her lifelong connection to music, community and cultural activism. \u003ccite>(Courtesy of Betty Reid Soskin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1945, she and her first husband, Mel Reid, \u003ca href=\"https://www.berkeleyside.org/2019/02/05/reids-records-californias-oldest-record-shop-to-close-in-the-fall\">founded Reid’s Records\u003c/a> in Berkeley, one of the first Black-owned record stores in the Bay Area. For nearly 75 years, the store served as a community hub, providing music and resources to South Berkeley’s Black community. It was also a space for activism and cultural exchange, reflecting Soskin’s enduring dedication to uplifting marginalized voices.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Soskin’s advocacy took on new dimensions later in life when she became a prominent voice at the Rosie the Riveter/WWII Home Front National Historical Park in Richmond. Starting as a temporary employee at the age of 84, she became a permanent National Park Service ranger in 2011.\u003c/p>\n\u003cp>Over the next 15 years, she shared her personal experiences and those of African American workers during the war, shedding light on the racial segregation and systemic challenges of the era. Her storytelling drew large audiences, captivated by her firsthand accounts and her insistence on an inclusive historical narrative.\u003c/p>\n\u003cp>“What gets remembered is a function of who’s in the room doing the remembering,” Soskin often said.\u003c/p>\n\u003cp>She worked tirelessly to ensure that the contributions of women and Black Americans during World War II were not overshadowed in the broader historical narrative. Her efforts were instrumental in shaping the park’s mission and its dedication to uncovering overlooked histories.\u003c/p>\n\u003cp>Soskin’s impact extended far beyond the park. She was honored as California Woman of the Year in 1995 and received numerous accolades throughout her life, including a presidential coin from President Barack Obama in 2015 after she lit the National Christmas Tree at the White House.\u003c/p>\n\u003cfigure id=\"attachment_11889541\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11889541\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut.jpg\" alt=\"Betty Reid Soskin, smiling, sits in a wheelchair and holds a bright bouquet of flowers.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/RS51635_081_ElSobrante_BettyReidSoskinMiddleSchool_09222021-qut-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin poses beneath a sign for the newly renamed Betty Reid Soskin Middle School in El Sobrante during a student-led renaming ceremony on her 100th birthday, Sept. 22, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 2022, on the day of her 100th birthday, the West Contra Costa Unified School District \u003ca href=\"https://www.kqed.org/news/11889493/east-bay-middle-school-renamed-for-pioneering-park-ranger-betty-reid-soskin-on-her-100th-birthday\">renamed Juan Crespi Middle School in El Sobrante\u003c/a> in her honor, celebrating her legacy with a ribbon-cutting ceremony attended by local leaders, students and her family. The renaming process was driven by students and teachers who sought to honor a local figure dedicated to equity and justice.\u003c/p>\n\u003cp>At the ceremony, Soskin was showered with flowers and presented with a birthday cake.\u003c/p>\n\u003cp>“I don’t know what one might do to justify a long life,” she said. “I think that you have pretty much got it made.”\u003c/p>\n\u003cp>The \u003ca href=\"https://www.kqed.org/news/11889493/east-bay-middle-school-renamed-for-pioneering-park-ranger-betty-reid-soskin-on-her-100th-birthday\">renaming of Betty Reid Soskin Middle School\u003c/a> was the culmination of a student-led movement to honor a local figure whose legacy stood for truth and justice. The students researched their former namesake, Juan Crespi, a Spanish Franciscan missionary, and learned about the mission system’s exploitation of Indigenous peoples.\u003c/p>\n\u003cfigure id=\"attachment_11889544\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11889544\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021.jpg\" alt=\"Masked students hold up signs thanking Betty Reid Soskin.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/09/028_ElSobrante_BettyReidSoskinMiddleSchool_09222021-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Students wait to present gifts to Betty Reid Soskin during a school renaming ceremony on her 100th birthday at the renamed Betty Reid Soskin Middle School in El Sobrante. Students and teachers led the effort to rename the school in her honor, citing her lifelong advocacy for racial justice, equity and inclusive history. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Inspired by the social justice movements of the COVID-19 pandemic, they sought to rename the school for someone who embodied resilience and advocacy.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I learned a lot these past couple of months, being on the naming committee and doing the project in general,” said Anaya Zenad, a former student who helped lead the renaming effort.\u003c/p>\n\u003cp>California Superintendent of Public Instruction Tony Thurmond, who attended the renaming ceremony, grew emotional as he spoke about Soskin’s impact.\u003c/p>\n\u003cp>“We have someone who has fought for civil rights, for women’s rights, for racial justice, and our children deserve to have someone to look up to,” he said at the ceremony.\u003c/p>\n\u003cp>Her personal resilience was as remarkable as her professional achievements. In 2016, at the age of 94, she survived a violent home invasion, during which she was assaulted and robbed. Despite the trauma, Soskin returned to work weeks later, demonstrating her unyielding strength and dedication to her mission.\u003c/p>\n\u003cfigure id=\"attachment_12068219\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068219\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF-LexMexArt-28-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The four performers portraying Betty Reid Soskin in the stage play Sign My Name to Freedom — from left, Cathleen Riddley, Aidaa Peerzada, Lucca Troutman and Tierra Allen — each represent a different period of Soskin’s life, drawn from her memoir and lifelong work documenting Black history, music and activism. \u003ccite>(Photo by Alexa 'LexMex' Treviño)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Soskin’s life and work were chronicled in her memoir, \u003cem>Sign My Name to Freedom\u003c/em>, which \u003ca href=\"https://www.kqed.org/arts/13955108/betty-reid-soskin-stage-play-z-space-sign-my-name-to-freedom-review\">inspired both a stage play\u003c/a> and a documentary.\u003c/p>\n\u003cp>The documentary, \u003ca href=\"https://www.kqed.org/arts/13952570/betty-reid-soskin-music-documentary-sign-my-name-to-freedom\">\u003cem>Sign My Name to Freedom: The Lost Music of Betty Reid Soskin\u003c/em>\u003c/a>, directed by Bryan Gibel, explores her life through the lens of her music, activism, and reflections on systemic racism.\u003c/p>\n\u003cp>“Betty’s life story is a testament to the resilience and strength of those who face systemic challenges yet refuse to be defined by them,” Gibel said.\u003c/p>\n\u003cfigure id=\"attachment_12068220\" class=\"wp-caption aligncenter\" style=\"max-width: 1008px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12068220\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF_STILL2.jpg\" alt=\"\" width=\"1008\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF_STILL2.jpg 1008w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/SMNTF_STILL2-160x100.jpg 160w\" sizes=\"auto, (max-width: 1008px) 100vw, 1008px\">\u003cfigcaption class=\"wp-caption-text\">Betty Reid Soskin listens to recordings of her own music as film director Bryan Gibel watches during the making of the documentary Sign My Name to Freedom: The Lost Music of Betty Reid Soskin. \u003ccite>(Courtesy of Bryan Gibel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The film captures intimate moments from her life, including her rediscovery of old recordings and her performance at Oakland’s Paramount Theatre with the Oakland Symphony and a 200-person choir.\u003c/p>\n\u003cp>Soskin’s dedication to justice and education was evident in her involvement with the civil rights movement and her work for former state Assemblymembers Dion Aroner and Loni Hancock. She fought for fair housing and educational opportunities for marginalized communities, emphasizing the need for systemic change in policies that disproportionately affected Black and low-income families.\u003c/p>\n\u003cp>Her tireless advocacy and presence at legislative meetings ensured that equity remained a focus in California politics.\u003c/p>\n\u003cp>Even after retiring at age 100, Soskin continued to inspire through public appearances and reflections on her life, a powerful reminder of the importance of storytelling and preserving the full scope of history.\u003c/p>\n\u003ch2>Betty Reid Soskin: A Life of Advocacy and Storytelling\u003c/h2>\n\u003cul>\n\u003cli>1921 : Born Betty Charbonnet in Detroit, Michigan.\u003c/li>\n\u003cli>1927: Survives the Great Mississippi Flood, prompting her family’s move to Oakland, California.\u003c/li>\n\u003cli>1942: Works for the U.S. Air Force as a file clerk but resigns after discovering she was hired under the assumption that she was white.\u003c/li>\n\u003cli>1945: Co-founds Reid’s Records in Berkeley with her first husband, Mel Reid, making it one of the first Black-owned record stores in the Bay Area. The store remains a community hub for nearly 75 years.\u003c/li>\n\u003cli>1960s-1970s: Becomes active in the civil rights movement and fights for fair housing and educational opportunities.\u003c/li>\n\u003cli>1995: Named California Woman of the Year for her contributions to advocacy and community empowerment.\u003c/li>\n\u003cli>2000: Plays a key role in planning the Rosie the Riveter/WWII Home Front National Historical Park in Richmond, ensuring the inclusion of Black workers’ experiences in its historical narrative.\u003c/li>\n\u003cli>2004: Begins working with the National Park Service as a temporary interpretive ranger at the age of 84.\u003c/li>\n\u003cli>2011: Becomes a permanent National Park Service ranger at the age of 89.\u003c/li>\n\u003cli>2015: Lights the National Christmas Tree at the White House and receives a presidential coin from President Barack Obama.\u003c/li>\n\u003cli>2016: Survives a violent home invasion at 94 but returns to work just weeks later.\u003c/li>\n\u003cli>2018: Performs at Oakland’s Paramount Theatre with the Oakland Symphony and a 200-person choir, showcasing her musical activism.\u003c/li>\n\u003cli>2019: Her memoir, \u003cem>Sign My Name to Freedom\u003c/em>, is published, chronicling her life and advocacy.\u003c/li>\n\u003cli>2021: Documentary \u003cem>Sign My Name to Freedom: The Lost Music of Betty Reid Soskin\u003c/em> begins production.\u003c/li>\n\u003cli>2022: Retires at age 100 from the National Park Service. On the same day, the West Contra Costa Unified School District renamed Juan Crespi Middle School in El Sobrante as Betty Reid Soskin Middle School.\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "The Best San Francisco Movies to Stream This Holiday Season",
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"content": "\u003cp>\u003cem>This article originally published in 2020. It has been lightly updated.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Bay Curious listener Ben Kaiser asked for our favorite movies that are filmed and set in San Francisco. While we don’t normally take on subjective questions, we figured with cozy season upon us, it was a great time to cuddle up on the sofa with some classics.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4565381532&light=true\" width=\"100%\" we asked peter hartlaub san francisco chronicle culture critic and host carly severn kqed senior editor of audience news resident movie obsessive to share their top picks on a recent bay curious podcast episode. they shared the movies would be most likely sit down watch over holidays not necessarily critically acclaimed films. our some favorites too>Star Trek IV: The Voyage Home (1986)\n\u003cp>https://www.youtube.com/watch?v=QOhoIBkOYf0\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0092007/\">IMDB\u003c/a>:\u003c/strong> “To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> This charming, lighthearted movie makes the Bay Area look undeniably fun. One KQED fan said the film was “influential in shaping how I think about the environment and is the Star Trek movie with the most heart in it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch1>Inside Out (2015)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=yRUAzGQ3nSY\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt2096673/\">IMDB\u003c/a>:\u003c/strong> “After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions — Joy, Fear, Anger, Disgust and Sadness — conflict on how best to navigate a new city, house, and school.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Pixar has dropped Bay Area references in several animated films over the years, but “Inside Out” takes it to the next level. The film takes place in the Bay Area, and features rich and detailed imagery from around the region.\u003c/p>\n\u003ch1>Zodiac (2007)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=yNncHPl1UXg\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0443706/\">IMDB\u003c/a>:\u003c/strong> “In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “Second only to Alfred Hitchcock, director David Fincher has a great sensibility for San Francisco,” says Peter Hartlaub. “This film absolutely captures a place in time. The music choices, the visual cues, the production design. Nothing’s wasted. I was a little kid, and I remember hearing about the Zodiac killer, and this movie brought that back so well.”\u003c/p>\n\u003ch1>The Last Black Man in San Francisco (2019)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=C0FnJDhY9-0\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt4353250/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A young man searches for home in the changing city that seems to have left him behind.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One of the few films on our list that is a commentary on the Bay Area, and how gentrification has decimated once vibrant Black neighborhoods. The cinematography will absolutely take your breath away. Pause the movie at any point and you might be inspired to hang the still image on your wall.\u003c/p>\n\u003ch1>Basic Instinct (1992)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=4f96x3UpoaQ\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0103772/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “The plot is ludicrous … but it’s a romp. It’s a riot. It also looks way better than it needs to, and it sounds way better than it needs to,” says Carly Severn. “I love the way it uses San Francisco. It goes for all the classic shots — there’s North Beach, there’s Telegraph Hill.” You’ll also find lots of gorgeous helicopter shots in this one.\u003c/p>\n\u003ch1>Always Be My Maybe (2019)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=iHBcWHY9lN4\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt7374948/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> Everyone assumed Sasha and Marcus would wind up together except for Sasha and Marcus. Reconnecting after 15 years, the two start to wonder — maybe?\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “It makes San Francisco look really cool, but it also makes San Francisco look normal. A lot of it is set in the Outer Richmond,” says Carly Severn. “As a resident of the Bay Area there’s such a pleasure in looking at the screen and saying, ‘Oh, I know that! That’s cool!”\u003c/p>\n\u003ch1>Invasion of the Body Snatchers (1978)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=vc_0dlmSq7I\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0077745/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, where they replicate the residents into emotionless automatons one body at a time.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “I think this is the most underrated San Francisco movie,” says Peter Hartlaub. “A lot of directors come in and they love San Francisco, but they shoot from the same seven places — Telegraph Hill, the Golden Gate Bridge, The Palace of Fine Arts. Director Philip Kaufman shot in places I think he always wanted to shoot — the Tenderloin is a huge character in the movie. Civic Center. Obscure places like Pier 70.”\u003c/p>\n\u003ch1>Vertigo (1958)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=Z5jvQwwHQNY\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0052357/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> If you’re going to watch one movie set in San Francisco, a lot of critics would argue it should be this Alfred Hitchcock classic. The plot is woven into the location in a way that few movies can rival. And if you’re wanting to really *see* the city — this film is a hit parade of gorgeous locations.\u003c/p>\n\u003ch1>So I Married an Axe Murderer! (1993)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=yto08I_IiAg\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0108174/?ref_=nv_sr_srsg_0\">IMDB\u003c/a>:\u003c/strong> A San Francisco poet who fears commitment suspects his girlfriend may have a knack for killing off her significant others.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One KQED fan says it “captures something of the SF that I grew up in” and another calls this film “a love letter to SF.” It highlights many of the city’s most famous sights — like the Golden Gate Bridge to the Palace of Fine Arts and Alcatraz.\u003c/p>\n\u003ch1>Bullitt (1968)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=BsvD806qNM8\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0062765/?ref_=fn_al_tt_1\">IMDB:\u003c/a>\u003c/strong> An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Do we need to say much more than “epic car chase scenes on San Francisco hills?” This film features tons of on-location filming, so you’ll get a big taste of the city.\u003c/p>\n\u003ch1>Mrs. Doubtfire (1993)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=3euGQ7-brs4\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0107614/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>After a bitter divorce, an actor disguises himself as a female housekeeper to spend time with his children held in custody by his former wife.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> We couldn’t leave this film off the list. After all, it features one of the Bay Area’s most beloved celebrities, Robin Williams. After his death, the house featured in this film at 2640 Steiner St. became a pop-up memorial. You’ll spot everything from ordinary streets to iconic San Francisco locations throughout the film.\u003c/p>\n\u003ch1>The Rock (1996)\u003c/h1>\n\u003cp>https://www.youtube.com/watch?v=6DWu_dT0Phc\u003c/p>\n\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0117500/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Much of the film was shot on in and around Alcatraz, a tall order given the production crew had to do it all while tour groups milled around the site of the former federal penitentiary. Other locations in the film include the Fairmont Hotel, San Francisco City Hall and Pier 39.\u003c/p>\n\u003cp>These 12 films are still just the tip of the iceberg when it comes to great movies filmed in the Bay Area. Other audience favorites include: Chan Is Missing, The Conversation, Blindspotting, Sorry to Bother You, The Princess Diaries, Parrots of Telegraph Hill and La Mission. Find even more suggestions on \u003ca href=\"https://x.com/KQED/status/1336822068541734912\">this X thread\u003c/a>, and on \u003ca href=\"https://www.facebook.com/KQED/posts/10157640695916191\">KQED’s Facebook page. \u003c/a>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Hey everyone, I’m Olivia Allen Price and this is Bay Curious. Let’s go!\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">My name is Ben Kaiser and believe it or not I live in Atlanta, Georgia.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Ben visited San Francisco for the first time four years ago. And as soon as he got here, he felt a connection.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">It sort of seemed like I had been there before or that I belonged there. And I just absolutely fell in love with it. And I’ve been back in four years, probably nine or ten times.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">That’s a lot of flights between Atlanta and SFO. Now, when Ben can’t be here, he’s found a way to visit without leaving his living room.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Because I don’t live in San Francisco, I want to be connected to it as much as I possibly can. And one of the ways is watching movies shot there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Anything that can transport him here, even if only for a few hours. Ben’s seen a lot already, but he wants more, so he came to Bay Curious.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">I asked what were some of the movies set in San Francisco that were actually shot in San Francisco, and which ones are your favorites or your recommendations?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Now we don’t often delve into subjective matters here on the show, but hey, it’s the holidays, cozy season is here, and we thought maybe we could all use some solid movie recommendations. Today’s episode will sound a little bit different from what you usually hear on Bay Curious. We’ve got a panel of local cultural experts here to convince Ben and you how you should spend some time devouring the Bay Area in all its cinematic glory. This episode first aired in 2020 and has been lightly revised for you today. So throw some popcorn in the microwave, cozy up on your couch, and press play. All right, I have to start out this episode with a confession. I, Olivia Allen Price, am really bad at movies, like possibly the last person that you would want on your trivia team during the movie round. So I called in some much needed backup on this one. Here to help me out today is Peter Hartlaub. He was born and raised in the Bay Area. He’s a cultural critic with the San Francisco Chronicle, and he writes the total SF newsletter. Welcome, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Thank you so much for having me.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah. Also, I’ve got Carly Severn here. She’s a senior editor here at KQED and a Bay Curious Reporter, who you are probably familiar with. She’s also a former co-host of The Cooler Podcast and one of KQED’s resident movie obsessives. Hey Carly.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Hey, Olivia. Hey, Peter. Lovely to be here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">So before we get into recommendations, I’m curious, what do you guys think makes San Francisco a good spot to shoot a film?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Internationally recognizable landmarks, Golden Gate Bridge, Alcatraz, the topography. You can get up on a hill and see those landmarks. You can have a chase scene and get a little air. But I think the biggest thing is the weather. And it’s sort of the secret ingredient because it allows a director to convey mood. And then the city sort of becomes the mood of the director. You have the fog coming in, you have the sun coming in, subtle shifts. You can’t do that in Atlanta. You can’t do it in Houston. You can’t even really do that in LA. And I think that’s a big reason why San Francisco ends up being, you know, a top pick if you’re a director and you want to shoot like a thriller or an action film, something like that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I would agree with all of that and I must kind of confess I do have a similar cinematic relationship with San Francisco as listener Ben does. I grew up watching San Francisco on screen as a kid in the middle of nowhere in England and it just seemed like the coolest place in the world to me. So I get it. I get his quest.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Now, despite all these things, all these sort of great attributes that make, you know, San Francisco a great place to shoot, you still don’t see it in films as often as, you know, in New York or in LA or maybe even in Atlanta, even though you don’t necessarily know you’re in Atlanta when you are in Atlanta. A lot of sh movies are shot there. Why do you all think that is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s expensive to get a hotel here, much less a bunch of hotels if you’ve got a lot of people coming. People are all crammed in together. And if you’re gonna shoot Sister Act in Noe Valley, or if you’re gonna shoot a car chase scene going through Russian Hill, the neighbors are gonna notice. And I think San Francisco, more than some of those other cities, because it’s sort of compact like that, makes it harder to film. Expensive and compact.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I think logistically you have all of these issues, but I do think there’s this thematic problem with San Francisco, it’s so in your face. It is it does end up being a character. If you want to just have like any town USA to set your story in, like San Francisco is not the place to come. It really isn’t, because you’ll end up having to do all of this narrative work bending over backwards to kind of explain why it’s a San Francisco story. That’s my take anyway.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I do want to get on to answering Ben’s question and get to some of your San Francisco movie recommendations, but I thought we’d actually start with his because he has seen a lot of movies and he has his own thoughts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo’s probably my all time favorite movie in the fact that it’s shot in San Francisco. But, you know, a lot of the real common ones, you know, I I’m not embarrassed to say the other night I watched The Rock and enjoyed The Rock. But you know, Mrs. Doubtfire, Milk, The Room, those are just, you know, some of the ones that I enjoy.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">So it sounds like he’s definitely seen some of the classics, which I know we aren’t necessarily gonna talk as much about today in your lists, right?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo, The Conversation, the Hitchcock films, the Coppola films. If I’m teaching a film class about San Francisco, they’re gonna be right in there. If I’m turning on my TV right now ’cause I just need to chill and escape a little bit, I’ve got a whole different set of films that I’m gonna pick, my favorite films, and that’s what I’m gonna pick today.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">A hundred percent cosign. And may I just say to Ben that he never has to be embarrassed about watching the rock. There is nothing to be embarrassed about there.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s totally cool to just love the rock and shout it from the rooftops.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, so I asked each of you guys to bring your top three recommendations. And what we’re gonna do is go through all of those and then let Ben decide who has been the most convincing and which movie he is going to watch next. So let’s dive in, Carly. \u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cspan style=\"font-weight: 400;\">Let us know what is your number three pick and why.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Carly Severn: First of all, I want to kind of set up my thinking here. I wanted to pay homage to the classic TLC album Crazy Sexy Cool with three picks that make San Francisco look either crazy, sexy, or cool. And so I’m gonna start with cool. It is Always Be My Maybe. It is the 2019 Netflix movie directed by Nahnatchka Khan . It’s got Ali Wong as a celebrity chef, and she returns home to San Francisco, where she grew up, and she reconnects with her childhood boyfriend, Randall Park.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn \u003c/b>\u003cspan style=\"font-weight: 400;\">[00:07:18] \u003c/span>\u003cspan style=\"font-weight: 400;\"> I love this movie so much. It makes San Francisco look really cool, but it also makes it look really normal. And it’s not the kind of parade of Golden Gate Bridge, Golden Gate Park Ad nauseum. Like a lot of it’s set in the outer Richmond, like the farmers market that they go to. It’s not some bougie little farmer’s market. It’s the like the civic center farmers market. So as a resident of the Bay Area, there’s such a pleasure in in kind of doing that thing where you’re looking at the screen going like, Oh, I know that. That’s really cool. I should admit that so much of it is filmed in San Francisco at these amazing locations that are like super normal and super lived in. But Vancouver, of course it’s always Vancouver. Vancouver actually doubles for a lot of the San Francisco locations. Particularly Goodluck Dim sum, which is where Ali Wong it’s one of her favorite restaurants in San Francisco. She’s it’s on Clements Street. She says it’s where she grew up eating. She really wanted that set there, but they had to double the interior in Vancouver. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">She thought that the restaurant would really love the fact that she had given them the shout-out, and it turns out they they kind of didn’t care. She put on Instagram that she had gone to the restaurant, and this is her caption. So the picture is of her waiting in line at this place that she’s just made super famous in a movie. And she’s like, Me, hello, I’m Ali Wong. The dim sum scene in my movie Always Be My Maybe is based on this very place where I grew up eating. Good luck, dim sum staff. We don’t give a bleep. We have no idea who you are. Get in line.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Oh I love that. Tough being famous in San Francisco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">There’s a lot of little things in there that are San Francisco too. Ali Wong got Dan the Automator to do the score and also write the music for the greatest San Francisco band in a movie, Hello Peril, which do three songs in the movie, including the closing credits. My only complaint, and Carly mentioned it, and I don’t want to start like negative ad campaigns here, but we’re winning Ben’s vote, and there’s only one vote. They did the exterior on Clement Street, and they’re walking down what’s supposed to be Clement Street, and it is so not Clements Street. It is so Vancouver. I love the movie, but as a location, San Francisco location movie, I find it to be kind of hit and miss.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, well let’s get on to your number three then, mister Hartlob. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">Mine is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. I think it’s the most underrated San Francisco movie. Shot, it came out in 1978, a Philip Kaufman movie. He’s a San Francisco resident to this day. And it was a remake of a 1950s movie about alien pods that come in, they’re replacing the human race slowly, and you can’t fall asleep. And it’s there’s just a lot of intrigue and it’s a thriller and it’s horror. I love it as a San Francisco movie because a lot of directors come in and they love San Francisco, but they shoot from the same seven places. You know, Telegraph Hill, Golden Gate Bridge, Palace of Fine Arts. Philip Kaufman shot in places that I think he always wanted to shoot, that that really add to the movie. The tenderloin is a huge, huge character in the movie. Civic Center. There’s a couple of really cool shots there. Obscure places like Pier 70. Right here, we have Donald Sutherland in a very famous scene where he is revealing himself to be one of the pod people by screeching. The screech is a pig squeal, I believe played backwards. And he’s pointing, he’s pointing at you on the other side of the screen. He’s in the civic center, pointing at you. Great San Francisco movie, great horror movie, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I loved this movie. I actually was ashamed to say that I hadn’t seen it before I started prepping to have this conversation with you guys. And it starts off, you know, like a little bit cheesy, and I was like, oh god, what has Peter chosen? I couldn’t have been more wrong. It is such a great movie. I I could not agree ever with more with everything he said about the way it uses San Francisco, and particularly like a lot of like civic buildings around Civic Center, and just like a lot of it set at the the Department of Public Health, which I always like it when those guys are the good guys in the movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I haven’t seen this movie yet. It’s now gonna be on my list, I will say, but I am I love the idea that there’s a movie that that really highlights some of the lesser used locations around San Francisco. Because I think there is, you know, a divide between how tourists experience the city and how people who live in the city experience the city. Let’s move on to your number two picks, making our way up the list. Carly, what do you have?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I did say I was gonna do Crazy Sexy Cool, and we’re now into the sexy phase of this pick. It is 1992’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Basic Instinct\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. And I thought long and hard before choosing this one because, you know, many parts of it haven’t aged well, let’s be honest. But it is a prime example of the 90s erotic thriller. It is made by Paul Verhoven, and the plot is ludicrous. Michael Douglas is the shady San Francisco detective. He’s investigating this bombshell crime novelist, Sharon Stone, who definitely, maybe almost certainly, killed one of her boyfriends. It’s a romp, it’s a riot, it wants to be a Hitchcock noir very, very badly. So it looks way better than it needs to, and it sounds way better than it needs to. I tried long and hard to find a safe for Bay Curious clip from this movie and failed miserably. So let’s just listen to a little bit of the trailer.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Basic Instinct \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love the way it uses San Francisco. It goes for all the classic shots, like, you know, there’s North Beach, there’s Telegraph Hill. One thing I should note is that San Francisco wasn’t always thrilled about being the kind of poster child for this movie. Sharon Stone’s character is bisexual and setting a movie with an LGBTQ woman who has a lot of sex and kills the people that she sleeps with in San Francisco in 1992 at a time when AIDS was still so prevalent and claiming so many lives. Like that’s a definite choice. And this isn’t just like 2020 hindsight. The movie was picketed at the time by LGBTQ groups for being kind of prejudice in its representation of that community. So I do feel like I should flag that. A lot of that animosity, I feel like, has gone away over time, but it’s definitely something to note. Also, I think the reason people don’t like this movie is that they take it quite seriously. And I think if you look at Paul Behoven’s back catalog, like Starship Troopers, like Total Recall, like Showgirls, I think he has a sense of humor about what he’s doing. So I think that this movie should be taken as a time capsule and with a hefty fistful of salt.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I love this film. I think it’s a great pick. I think it’s underrated. There are more helicopter shots in this movie of San Francisco, of someone driving a car around a windy road. His embracing San Francisco, making love to San Francisco with his camera budget was off the charts. So I think it’s a great pick. I really like this movie a lot.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Definitely one that makes San Francisco look sexy, Carly. Don’t you agree?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, okay, so this is where I genuinely want you guys’ opinion, because I have spent the best part of a week thinking about this question. Is San Francisco a sexy city? And I was trying to think of cities that are like off the charts sexy, you’re right. New Orleans sprang to mind. But then I’m thinking, is it just about like sweating? Is it just like the weather? Is is is that all sexiness is to me.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b>\u003cspan style=\"font-weight: 400;\"> I gotta say, the the weather is it. You don’t sweat in San Francisco. LA sexy city. New Orleans sexy city. Miami. Miami Vice sexy city. Streets of San Francisco is not a sexy TV show.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I’m gonna have to disagree with you guys and you are the cultural critics here, so your your opinion has more weight than mine, but I don’t know, I see fog and I wanna cuddle. That’s my take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I don’t know.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think Peter and I are of the same mind here where we’re just like It’s step one, guys.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s a cuddly city. I don’t know if it’s a sexy city.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I cuddle my dog. All right.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right. Well let’s get into Peter, what’s your number two pick?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">My number two is\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\"> Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. It is a David Fincher film. He shot \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Game\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> first and then \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> in San Francisco. And second to Hitchcock, I think he’s the one who really is a great sensibility for San Francisco. It is shot also in the San Francisco Chronicle Newsroom. They shot in our publisher’s office, I believe, outside, and they used our lobby and elevator. The story goes that David Fincher came up to our newsroom, walked inside, said an expletive and said this is too much of a mess, walked outside and they recreated our newsroom pillar for pillar. You cannot tell the difference in Los Angeles. But absolutely, absolutely captures a place in time. The music choices, the visual cues, the production design, nothing’s wasted. And honestly, even though they didn’t shoot in the Chronicle Newsroom, the newsroom banter is pitch perfect. Here’s a little bit of it right now.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">So that’s the way we talk. That’s the way we talk to each other. It’s all like a David Fincher or Aaron Sorkin drama.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">No, this is this is a great film, and the plot is almost secondary in this film, a killer from the 70s and 80s who they never caught, and I’m giving away the ending, but the ending isn’t the important thing. The important thing is the mood, the city, what it felt like to be in the 1970s and be scared. I was a little kid. I remember hearing about the Zodiac Killer, and this movie brought that back so well. My favorite shot in the film, it is a visual effects shot of them in sped up time building the Transamerica Pyramid, and again, just David Fincher using every little arrow in his quiver to capture that mood of San Francisco at a particular time. It’s a fantastic location movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">And I think it’s the only one on this list that is based on a true story unless there’s something I need to know about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think that’s true. And and and you know, there there’s a little bit of myth in there, but he he’s stuck a lot closer than a lot of other people do to the facts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I will say as somebody who was not living in the Bay Area at the time of Zodiac, I found \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> to be really helpful just to kind of I guess get a sense of what it was like to be here during that time, like you experienced, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, and people remember and if people weren’t around, they know the myth. When when people come to the chronicle and ask for a tour, the two things they want to see are Herb Kane’s typewriter and the Zodiac Files. Can you show us the Zodiac files?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, let’s get on to your top choices. These are top of your list. Let’s let’s hear it, Carly. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Okay, guys, I’m reaching the climax of my crazy sexy cool plan, which I think paid off. My number one pick, it’s Crazy San Francisco. It’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Star Trek 4\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. 1986. It is directed by Mr. Spark himself, Leonard Nimoy. I almost find it hard to talk about this film kind of critically because I love it so much. Just to quickly tell you about the plot, it picks up where 1984’s Search for Spark, Star Trek III left off. So the Earth of the Future is being menaced by a big alien probe. Only Kirk and the crew of the Enterprise can save the planet by time traveling back to 1980s San Francisco to bring back two Wales to talk to the alien probe and get it to leave Earth alone. You have to go with it. That’s the plot, and I can’t change that, okay? It’s not the best Star Trek movie. That’s The Wrath of Khan. That’s just undisputable. But it is the best Star Trek movie set in San Francisco with Wales, which is to say, it is the only one of that. Where do I start with how wonderful this movie is? People think I’m joking when I say that it’s the reason I moved to San Francisco, and I’m like 5% joking about that. But the other 95% is really serious. Growing up with this movie and watching San Francisco just look so fun, so warm, so crazy, so inviting. Like I wanted to be a part of that. It is totally joyous. Ben, if you’re listening and you haven’t seen Star Trek 4, don’t worry. You don’t need to watch any of the other Star Trek movies. It stands alone, it’s kind of perfect in that sense. The pleasures of watching like the quite serious crew of the Enterprise traverse San Francisco and just have a ball doing it. It’s just great. So I really wanted to play you one of the most iconic scenes, which is Kirk and Spock on a Muni bus that is traveling over the Golden Gate Bridge. Mr. Spock has to take out a young punk on the bus and get him to stop playing his music. And then this happens.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Star Trek 4\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">The gag there, of course, being that Jacqueline Cezanne and Harold Robbins. Oh, I had to look up Harold Robbins, by the way. Like, they are not the giants of literature, but it’s just hilarious to think that the people of the future have deemed them to be so. I know of no movie that is like warmer and and sweeter than Star Trek Four. So, Ben, pick me, pick Star Trek Four. The choice is easy. Come on.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I don’t even wanna argue against you, and I’m gonna pick a number one, but I love this film so much. It is just a lovely movie, funny movie, finds all kinds of different ways to explore San Francisco and make it part of the gag, but in a in a funny, warm way. It’s one of the greats, one of the classics.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, and up there with one of the greats must be your number one choice, Peter. What do you have for your number one?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">2015 Pixar film Inside Out. It takes place inside the brain of tween girl coming of age, Riley. And then also outside in San Francisco, Riley has moved from I believe Minnesota to San Francisco, and she’s horrified. And what the Pixar people did with animation is so fantastic. They take San Francisco and make it like 10 to 15% more. The streets are a little narrower, parking’s a little harder, street signs are a little more incomprehensible. Fantastic, fantastic use of San Francisco. It’s more of a character in the movie than any of their other movies. They had always kind of flirted around with the Bay Area and maybe dropped San Pablo Avenue and the Incredibles. This one, they really talk about San Francisco. And you don’t see that often. You see a lot of mainstream films set in San Francisco, and San Francisco is a backdrop and it’s almost like a prop. Very few films are a commentary on the city. Last black man in San Francisco, Medicine for Melancholy, and Inside Out. Inside Out is poking fun of the city. It is completely honest. If you live here, you totally get it. If you’re not from here, you’re gonna get some of the humor, including taking just an absolute, absolute dagger stab at our Pizza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Inside Out\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Honestly, the first time I saw this film, I didn’t love it. I liked it a lot. I’m glad I didn’t review it because I think I would have given it less than the highest rating. Upon rewatch, there’s so many little things that come out. You learn more things, and the San Francisco parts become clearer and clearer. I just think it’s a fantastic film, and it’s a fantastic San Francisco location film.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well I think Ben is gonna have a really hard time deciding between all of those very compelling pitches for for movies he should be watching this weekend. Peter Hartlob, Bay Area native, culture critic with the SF Chronicle, co-host of Total SF podcast. Thank you so much. Is there anywhere that listeners can connect with you further?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Subscribe to the Total SF newsletter, that’s where I explore the Bay Area and pass on all my favorite finds, the best hikes to take, the best tourist traps to visit, where I’m finding the best papusas to eat, and read my work at sfchronicle.com.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Awesome. And Carly, you are my longtime pop culture, I don’t know, guru. You’ve you’ve really helped me with questions over the years. So thank you for coming on the show. Where can people connect with you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, you can find my work for Bay Curious in the podcast feed, including my two part series on the Donner Party in the archives, since we’re now feeling the wintry vibes here in the bay. You can also visit kqbd.org slash explainers to see what me and my team are up to every day in the KQED newsroom.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Alright, well thanks to you both. Big thanks to Ben for asking this week’s question.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Carly and Peter, I appreciate your suggestions for which San Francisco movie I should watch next. Full disclosure, three of them I’ve already seen. Those are: Always Be My Maybe, Basic Instinct and Zodiac, which is one of my all-time favorite movies. So it comes down to the other three, but I’m torn between Inside Out and Star Trek Four. But in the end, my vote is going to go to Star Trek Four. I’ve never seen a Star Trek movie, but it seems to be such a beloved film, and Carly campaigned it very, very well. So tonight, that’s what I’ll be watching.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">This is our last episode of the year, and I wanted to offer a warm thanks to you, our listeners, for your inspiring questions and your steadfast support. If you’re not yet a member of KQED, join us now by making a year-end donation. Details at kqed.org/slash donate. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious is made at KQED in San Francisco by Katrina Schwartz, Christopher Beale and me, Olivia Allen Price. Additional Engineering by Jim Bennett. We get extra support from Maha Sanad, Katie Springer, Jen Chien,\u003c/span> \u003cspan style=\"font-weight: 400;\">Ethan Tovin Lindsay and everyone on Team KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists, San Francisco, Northern California local. I hope you have a wonderful holiday. I’ll see ya in twenty twenty six.\u003c/span>\u003c/p>\n\u003c/iframe>\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This article originally published in 2020. It has been lightly updated.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Bay Curious listener Ben Kaiser asked for our favorite movies that are filmed and set in San Francisco. While we don’t normally take on subjective questions, we figured with cozy season upon us, it was a great time to cuddle up on the sofa with some classics.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC4565381532&light=true\" width=\"100%\" we asked peter hartlaub san francisco chronicle culture critic and host carly severn kqed senior editor of audience news resident movie obsessive to share their top picks on a recent bay curious podcast episode. they shared the movies would be most likely sit down watch over holidays not necessarily critically acclaimed films. our some favorites too>Star Trek IV: The Voyage Home (1986)\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QOhoIBkOYf0'\n title='//www.youtube.com/embed/QOhoIBkOYf0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0092007/\">IMDB\u003c/a>:\u003c/strong> “To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> This charming, lighthearted movie makes the Bay Area look undeniably fun. One KQED fan said the film was “influential in shaping how I think about the environment and is the Star Trek movie with the most heart in it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch1>Inside Out (2015)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yRUAzGQ3nSY'\n title='//www.youtube.com/embed/yRUAzGQ3nSY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt2096673/\">IMDB\u003c/a>:\u003c/strong> “After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions — Joy, Fear, Anger, Disgust and Sadness — conflict on how best to navigate a new city, house, and school.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Pixar has dropped Bay Area references in several animated films over the years, but “Inside Out” takes it to the next level. The film takes place in the Bay Area, and features rich and detailed imagery from around the region.\u003c/p>\n\u003ch1>Zodiac (2007)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yNncHPl1UXg'\n title='//www.youtube.com/embed/yNncHPl1UXg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0443706/\">IMDB\u003c/a>:\u003c/strong> “In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.”\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “Second only to Alfred Hitchcock, director David Fincher has a great sensibility for San Francisco,” says Peter Hartlaub. “This film absolutely captures a place in time. The music choices, the visual cues, the production design. Nothing’s wasted. I was a little kid, and I remember hearing about the Zodiac killer, and this movie brought that back so well.”\u003c/p>\n\u003ch1>The Last Black Man in San Francisco (2019)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C0FnJDhY9-0'\n title='//www.youtube.com/embed/C0FnJDhY9-0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt4353250/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A young man searches for home in the changing city that seems to have left him behind.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One of the few films on our list that is a commentary on the Bay Area, and how gentrification has decimated once vibrant Black neighborhoods. The cinematography will absolutely take your breath away. Pause the movie at any point and you might be inspired to hang the still image on your wall.\u003c/p>\n\u003ch1>Basic Instinct (1992)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4f96x3UpoaQ'\n title='//www.youtube.com/embed/4f96x3UpoaQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0103772/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “The plot is ludicrous … but it’s a romp. It’s a riot. It also looks way better than it needs to, and it sounds way better than it needs to,” says Carly Severn. “I love the way it uses San Francisco. It goes for all the classic shots — there’s North Beach, there’s Telegraph Hill.” You’ll also find lots of gorgeous helicopter shots in this one.\u003c/p>\n\u003ch1>Always Be My Maybe (2019)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iHBcWHY9lN4'\n title='//www.youtube.com/embed/iHBcWHY9lN4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt7374948/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> Everyone assumed Sasha and Marcus would wind up together except for Sasha and Marcus. Reconnecting after 15 years, the two start to wonder — maybe?\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “It makes San Francisco look really cool, but it also makes San Francisco look normal. A lot of it is set in the Outer Richmond,” says Carly Severn. “As a resident of the Bay Area there’s such a pleasure in looking at the screen and saying, ‘Oh, I know that! That’s cool!”\u003c/p>\n\u003ch1>Invasion of the Body Snatchers (1978)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vc_0dlmSq7I'\n title='//www.youtube.com/embed/vc_0dlmSq7I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0077745/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>When strange seeds drift to earth from space, mysterious pods begin to grow and invade San Francisco, where they replicate the residents into emotionless automatons one body at a time.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> “I think this is the most underrated San Francisco movie,” says Peter Hartlaub. “A lot of directors come in and they love San Francisco, but they shoot from the same seven places — Telegraph Hill, the Golden Gate Bridge, The Palace of Fine Arts. Director Philip Kaufman shot in places I think he always wanted to shoot — the Tenderloin is a huge character in the movie. Civic Center. Obscure places like Pier 70.”\u003c/p>\n\u003ch1>Vertigo (1958)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z5jvQwwHQNY'\n title='//www.youtube.com/embed/Z5jvQwwHQNY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0052357/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> If you’re going to watch one movie set in San Francisco, a lot of critics would argue it should be this Alfred Hitchcock classic. The plot is woven into the location in a way that few movies can rival. And if you’re wanting to really *see* the city — this film is a hit parade of gorgeous locations.\u003c/p>\n\u003ch1>So I Married an Axe Murderer! (1993)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yto08I_IiAg'\n title='//www.youtube.com/embed/yto08I_IiAg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0108174/?ref_=nv_sr_srsg_0\">IMDB\u003c/a>:\u003c/strong> A San Francisco poet who fears commitment suspects his girlfriend may have a knack for killing off her significant others.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> One KQED fan says it “captures something of the SF that I grew up in” and another calls this film “a love letter to SF.” It highlights many of the city’s most famous sights — like the Golden Gate Bridge to the Palace of Fine Arts and Alcatraz.\u003c/p>\n\u003ch1>Bullitt (1968)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BsvD806qNM8'\n title='//www.youtube.com/embed/BsvD806qNM8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0062765/?ref_=fn_al_tt_1\">IMDB:\u003c/a>\u003c/strong> An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Do we need to say much more than “epic car chase scenes on San Francisco hills?” This film features tons of on-location filming, so you’ll get a big taste of the city.\u003c/p>\n\u003ch1>Mrs. Doubtfire (1993)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3euGQ7-brs4'\n title='//www.youtube.com/embed/3euGQ7-brs4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0107614/?ref_=fn_al_tt_1\">IMDB\u003c/a>: \u003c/strong>After a bitter divorce, an actor disguises himself as a female housekeeper to spend time with his children held in custody by his former wife.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> We couldn’t leave this film off the list. After all, it features one of the Bay Area’s most beloved celebrities, Robin Williams. After his death, the house featured in this film at 2640 Steiner St. became a pop-up memorial. You’ll spot everything from ordinary streets to iconic San Francisco locations throughout the film.\u003c/p>\n\u003ch1>The Rock (1996)\u003c/h1>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6DWu_dT0Phc'\n title='//www.youtube.com/embed/6DWu_dT0Phc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Plot summary from \u003ca href=\"https://www.imdb.com/title/tt0117500/?ref_=fn_al_tt_1\">IMDB\u003c/a>:\u003c/strong> A mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.\u003c/p>\n\u003cp>\u003cstrong>Why we love it:\u003c/strong> Much of the film was shot on in and around Alcatraz, a tall order given the production crew had to do it all while tour groups milled around the site of the former federal penitentiary. Other locations in the film include the Fairmont Hotel, San Francisco City Hall and Pier 39.\u003c/p>\n\u003cp>These 12 films are still just the tip of the iceberg when it comes to great movies filmed in the Bay Area. Other audience favorites include: Chan Is Missing, The Conversation, Blindspotting, Sorry to Bother You, The Princess Diaries, Parrots of Telegraph Hill and La Mission. Find even more suggestions on \u003ca href=\"https://x.com/KQED/status/1336822068541734912\">this X thread\u003c/a>, and on \u003ca href=\"https://www.facebook.com/KQED/posts/10157640695916191\">KQED’s Facebook page. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Hey everyone, I’m Olivia Allen Price and this is Bay Curious. Let’s go!\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">My name is Ben Kaiser and believe it or not I live in Atlanta, Georgia.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Ben visited San Francisco for the first time four years ago. And as soon as he got here, he felt a connection.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">It sort of seemed like I had been there before or that I belonged there. And I just absolutely fell in love with it. And I’ve been back in four years, probably nine or ten times.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">That’s a lot of flights between Atlanta and SFO. Now, when Ben can’t be here, he’s found a way to visit without leaving his living room.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Because I don’t live in San Francisco, I want to be connected to it as much as I possibly can. And one of the ways is watching movies shot there.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Anything that can transport him here, even if only for a few hours. Ben’s seen a lot already, but he wants more, so he came to Bay Curious.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">I asked what were some of the movies set in San Francisco that were actually shot in San Francisco, and which ones are your favorites or your recommendations?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Now we don’t often delve into subjective matters here on the show, but hey, it’s the holidays, cozy season is here, and we thought maybe we could all use some solid movie recommendations. Today’s episode will sound a little bit different from what you usually hear on Bay Curious. We’ve got a panel of local cultural experts here to convince Ben and you how you should spend some time devouring the Bay Area in all its cinematic glory. This episode first aired in 2020 and has been lightly revised for you today. So throw some popcorn in the microwave, cozy up on your couch, and press play. All right, I have to start out this episode with a confession. I, Olivia Allen Price, am really bad at movies, like possibly the last person that you would want on your trivia team during the movie round. So I called in some much needed backup on this one. Here to help me out today is Peter Hartlaub. He was born and raised in the Bay Area. He’s a cultural critic with the San Francisco Chronicle, and he writes the total SF newsletter. Welcome, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Thank you so much for having me.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah. Also, I’ve got Carly Severn here. She’s a senior editor here at KQED and a Bay Curious Reporter, who you are probably familiar with. She’s also a former co-host of The Cooler Podcast and one of KQED’s resident movie obsessives. Hey Carly.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Hey, Olivia. Hey, Peter. Lovely to be here.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">So before we get into recommendations, I’m curious, what do you guys think makes San Francisco a good spot to shoot a film?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Internationally recognizable landmarks, Golden Gate Bridge, Alcatraz, the topography. You can get up on a hill and see those landmarks. You can have a chase scene and get a little air. But I think the biggest thing is the weather. And it’s sort of the secret ingredient because it allows a director to convey mood. And then the city sort of becomes the mood of the director. You have the fog coming in, you have the sun coming in, subtle shifts. You can’t do that in Atlanta. You can’t do it in Houston. You can’t even really do that in LA. And I think that’s a big reason why San Francisco ends up being, you know, a top pick if you’re a director and you want to shoot like a thriller or an action film, something like that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I would agree with all of that and I must kind of confess I do have a similar cinematic relationship with San Francisco as listener Ben does. I grew up watching San Francisco on screen as a kid in the middle of nowhere in England and it just seemed like the coolest place in the world to me. So I get it. I get his quest.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Now, despite all these things, all these sort of great attributes that make, you know, San Francisco a great place to shoot, you still don’t see it in films as often as, you know, in New York or in LA or maybe even in Atlanta, even though you don’t necessarily know you’re in Atlanta when you are in Atlanta. A lot of sh movies are shot there. Why do you all think that is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s expensive to get a hotel here, much less a bunch of hotels if you’ve got a lot of people coming. People are all crammed in together. And if you’re gonna shoot Sister Act in Noe Valley, or if you’re gonna shoot a car chase scene going through Russian Hill, the neighbors are gonna notice. And I think San Francisco, more than some of those other cities, because it’s sort of compact like that, makes it harder to film. Expensive and compact.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I think logistically you have all of these issues, but I do think there’s this thematic problem with San Francisco, it’s so in your face. It is it does end up being a character. If you want to just have like any town USA to set your story in, like San Francisco is not the place to come. It really isn’t, because you’ll end up having to do all of this narrative work bending over backwards to kind of explain why it’s a San Francisco story. That’s my take anyway.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I do want to get on to answering Ben’s question and get to some of your San Francisco movie recommendations, but I thought we’d actually start with his because he has seen a lot of movies and he has his own thoughts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo’s probably my all time favorite movie in the fact that it’s shot in San Francisco. But, you know, a lot of the real common ones, you know, I I’m not embarrassed to say the other night I watched The Rock and enjoyed The Rock. But you know, Mrs. Doubtfire, Milk, The Room, those are just, you know, some of the ones that I enjoy.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">So it sounds like he’s definitely seen some of the classics, which I know we aren’t necessarily gonna talk as much about today in your lists, right?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Vertigo, The Conversation, the Hitchcock films, the Coppola films. If I’m teaching a film class about San Francisco, they’re gonna be right in there. If I’m turning on my TV right now ’cause I just need to chill and escape a little bit, I’ve got a whole different set of films that I’m gonna pick, my favorite films, and that’s what I’m gonna pick today.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">A hundred percent cosign. And may I just say to Ben that he never has to be embarrassed about watching the rock. There is nothing to be embarrassed about there.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s totally cool to just love the rock and shout it from the rooftops.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, so I asked each of you guys to bring your top three recommendations. And what we’re gonna do is go through all of those and then let Ben decide who has been the most convincing and which movie he is going to watch next. So let’s dive in, Carly. \u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cspan style=\"font-weight: 400;\">Let us know what is your number three pick and why.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Carly Severn: First of all, I want to kind of set up my thinking here. I wanted to pay homage to the classic TLC album Crazy Sexy Cool with three picks that make San Francisco look either crazy, sexy, or cool. And so I’m gonna start with cool. It is Always Be My Maybe. It is the 2019 Netflix movie directed by Nahnatchka Khan . It’s got Ali Wong as a celebrity chef, and she returns home to San Francisco, where she grew up, and she reconnects with her childhood boyfriend, Randall Park.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn \u003c/b>\u003cspan style=\"font-weight: 400;\">[00:07:18] \u003c/span>\u003cspan style=\"font-weight: 400;\"> I love this movie so much. It makes San Francisco look really cool, but it also makes it look really normal. And it’s not the kind of parade of Golden Gate Bridge, Golden Gate Park Ad nauseum. Like a lot of it’s set in the outer Richmond, like the farmers market that they go to. It’s not some bougie little farmer’s market. It’s the like the civic center farmers market. So as a resident of the Bay Area, there’s such a pleasure in in kind of doing that thing where you’re looking at the screen going like, Oh, I know that. That’s really cool. I should admit that so much of it is filmed in San Francisco at these amazing locations that are like super normal and super lived in. But Vancouver, of course it’s always Vancouver. Vancouver actually doubles for a lot of the San Francisco locations. Particularly Goodluck Dim sum, which is where Ali Wong it’s one of her favorite restaurants in San Francisco. She’s it’s on Clements Street. She says it’s where she grew up eating. She really wanted that set there, but they had to double the interior in Vancouver. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Always Be My Maybe \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">She thought that the restaurant would really love the fact that she had given them the shout-out, and it turns out they they kind of didn’t care. She put on Instagram that she had gone to the restaurant, and this is her caption. So the picture is of her waiting in line at this place that she’s just made super famous in a movie. And she’s like, Me, hello, I’m Ali Wong. The dim sum scene in my movie Always Be My Maybe is based on this very place where I grew up eating. Good luck, dim sum staff. We don’t give a bleep. We have no idea who you are. Get in line.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Oh I love that. Tough being famous in San Francisco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">There’s a lot of little things in there that are San Francisco too. Ali Wong got Dan the Automator to do the score and also write the music for the greatest San Francisco band in a movie, Hello Peril, which do three songs in the movie, including the closing credits. My only complaint, and Carly mentioned it, and I don’t want to start like negative ad campaigns here, but we’re winning Ben’s vote, and there’s only one vote. They did the exterior on Clement Street, and they’re walking down what’s supposed to be Clement Street, and it is so not Clements Street. It is so Vancouver. I love the movie, but as a location, San Francisco location movie, I find it to be kind of hit and miss.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">All right, well let’s get on to your number three then, mister Hartlob. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">Mine is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. I think it’s the most underrated San Francisco movie. Shot, it came out in 1978, a Philip Kaufman movie. He’s a San Francisco resident to this day. And it was a remake of a 1950s movie about alien pods that come in, they’re replacing the human race slowly, and you can’t fall asleep. And it’s there’s just a lot of intrigue and it’s a thriller and it’s horror. I love it as a San Francisco movie because a lot of directors come in and they love San Francisco, but they shoot from the same seven places. You know, Telegraph Hill, Golden Gate Bridge, Palace of Fine Arts. Philip Kaufman shot in places that I think he always wanted to shoot, that that really add to the movie. The tenderloin is a huge, huge character in the movie. Civic Center. There’s a couple of really cool shots there. Obscure places like Pier 70. Right here, we have Donald Sutherland in a very famous scene where he is revealing himself to be one of the pod people by screeching. The screech is a pig squeal, I believe played backwards. And he’s pointing, he’s pointing at you on the other side of the screen. He’s in the civic center, pointing at you. Great San Francisco movie, great horror movie, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I loved this movie. I actually was ashamed to say that I hadn’t seen it before I started prepping to have this conversation with you guys. And it starts off, you know, like a little bit cheesy, and I was like, oh god, what has Peter chosen? I couldn’t have been more wrong. It is such a great movie. I I could not agree ever with more with everything he said about the way it uses San Francisco, and particularly like a lot of like civic buildings around Civic Center, and just like a lot of it set at the the Department of Public Health, which I always like it when those guys are the good guys in the movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I haven’t seen this movie yet. It’s now gonna be on my list, I will say, but I am I love the idea that there’s a movie that that really highlights some of the lesser used locations around San Francisco. Because I think there is, you know, a divide between how tourists experience the city and how people who live in the city experience the city. Let’s move on to your number two picks, making our way up the list. Carly, what do you have?\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Well, I did say I was gonna do Crazy Sexy Cool, and we’re now into the sexy phase of this pick. It is 1992’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Basic Instinct\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. And I thought long and hard before choosing this one because, you know, many parts of it haven’t aged well, let’s be honest. But it is a prime example of the 90s erotic thriller. It is made by Paul Verhoven, and the plot is ludicrous. Michael Douglas is the shady San Francisco detective. He’s investigating this bombshell crime novelist, Sharon Stone, who definitely, maybe almost certainly, killed one of her boyfriends. It’s a romp, it’s a riot, it wants to be a Hitchcock noir very, very badly. So it looks way better than it needs to, and it sounds way better than it needs to. I tried long and hard to find a safe for Bay Curious clip from this movie and failed miserably. So let’s just listen to a little bit of the trailer.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Basic Instinct \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">I love the way it uses San Francisco. It goes for all the classic shots, like, you know, there’s North Beach, there’s Telegraph Hill. One thing I should note is that San Francisco wasn’t always thrilled about being the kind of poster child for this movie. Sharon Stone’s character is bisexual and setting a movie with an LGBTQ woman who has a lot of sex and kills the people that she sleeps with in San Francisco in 1992 at a time when AIDS was still so prevalent and claiming so many lives. Like that’s a definite choice. And this isn’t just like 2020 hindsight. The movie was picketed at the time by LGBTQ groups for being kind of prejudice in its representation of that community. So I do feel like I should flag that. A lot of that animosity, I feel like, has gone away over time, but it’s definitely something to note. Also, I think the reason people don’t like this movie is that they take it quite seriously. And I think if you look at Paul Behoven’s back catalog, like Starship Troopers, like Total Recall, like Showgirls, I think he has a sense of humor about what he’s doing. So I think that this movie should be taken as a time capsule and with a hefty fistful of salt.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I love this film. I think it’s a great pick. I think it’s underrated. There are more helicopter shots in this movie of San Francisco, of someone driving a car around a windy road. His embracing San Francisco, making love to San Francisco with his camera budget was off the charts. So I think it’s a great pick. I really like this movie a lot.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Definitely one that makes San Francisco look sexy, Carly. Don’t you agree?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, okay, so this is where I genuinely want you guys’ opinion, because I have spent the best part of a week thinking about this question. Is San Francisco a sexy city? And I was trying to think of cities that are like off the charts sexy, you’re right. New Orleans sprang to mind. But then I’m thinking, is it just about like sweating? Is it just like the weather? Is is is that all sexiness is to me.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b>\u003cspan style=\"font-weight: 400;\"> I gotta say, the the weather is it. You don’t sweat in San Francisco. LA sexy city. New Orleans sexy city. Miami. Miami Vice sexy city. Streets of San Francisco is not a sexy TV show.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I’m gonna have to disagree with you guys and you are the cultural critics here, so your your opinion has more weight than mine, but I don’t know, I see fog and I wanna cuddle. That’s my take.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, I don’t know.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think Peter and I are of the same mind here where we’re just like It’s step one, guys.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">It’s a cuddly city. I don’t know if it’s a sexy city.\u003c/span>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">I cuddle my dog. All right.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right. Well let’s get into Peter, what’s your number two pick?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">My number two is\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\"> Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. It is a David Fincher film. He shot \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">The Game\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> first and then \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> in San Francisco. And second to Hitchcock, I think he’s the one who really is a great sensibility for San Francisco. It is shot also in the San Francisco Chronicle Newsroom. They shot in our publisher’s office, I believe, outside, and they used our lobby and elevator. The story goes that David Fincher came up to our newsroom, walked inside, said an expletive and said this is too much of a mess, walked outside and they recreated our newsroom pillar for pillar. You cannot tell the difference in Los Angeles. But absolutely, absolutely captures a place in time. The music choices, the visual cues, the production design, nothing’s wasted. And honestly, even though they didn’t shoot in the Chronicle Newsroom, the newsroom banter is pitch perfect. Here’s a little bit of it right now.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">So that’s the way we talk. That’s the way we talk to each other. It’s all like a David Fincher or Aaron Sorkin drama.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Vertigo\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">No, this is this is a great film, and the plot is almost secondary in this film, a killer from the 70s and 80s who they never caught, and I’m giving away the ending, but the ending isn’t the important thing. The important thing is the mood, the city, what it felt like to be in the 1970s and be scared. I was a little kid. I remember hearing about the Zodiac Killer, and this movie brought that back so well. My favorite shot in the film, it is a visual effects shot of them in sped up time building the Transamerica Pyramid, and again, just David Fincher using every little arrow in his quiver to capture that mood of San Francisco at a particular time. It’s a fantastic location movie.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">And I think it’s the only one on this list that is based on a true story unless there’s something I need to know about \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Invasion of the Body Snatchers\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">I think that’s true. And and and you know, there there’s a little bit of myth in there, but he he’s stuck a lot closer than a lot of other people do to the facts.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">I will say as somebody who was not living in the Bay Area at the time of Zodiac, I found \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Zodiac\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> to be really helpful just to kind of I guess get a sense of what it was like to be here during that time, like you experienced, Peter.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Yeah, and people remember and if people weren’t around, they know the myth. When when people come to the chronicle and ask for a tour, the two things they want to see are Herb Kane’s typewriter and the Zodiac Files. Can you show us the Zodiac files?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, let’s get on to your top choices. These are top of your list. Let’s let’s hear it, Carly. What do you got?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">Okay, guys, I’m reaching the climax of my crazy sexy cool plan, which I think paid off. My number one pick, it’s Crazy San Francisco. It’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Star Trek 4\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\">. 1986. It is directed by Mr. Spark himself, Leonard Nimoy. I almost find it hard to talk about this film kind of critically because I love it so much. Just to quickly tell you about the plot, it picks up where 1984’s Search for Spark, Star Trek III left off. So the Earth of the Future is being menaced by a big alien probe. Only Kirk and the crew of the Enterprise can save the planet by time traveling back to 1980s San Francisco to bring back two Wales to talk to the alien probe and get it to leave Earth alone. You have to go with it. That’s the plot, and I can’t change that, okay? It’s not the best Star Trek movie. That’s The Wrath of Khan. That’s just undisputable. But it is the best Star Trek movie set in San Francisco with Wales, which is to say, it is the only one of that. Where do I start with how wonderful this movie is? People think I’m joking when I say that it’s the reason I moved to San Francisco, and I’m like 5% joking about that. But the other 95% is really serious. Growing up with this movie and watching San Francisco just look so fun, so warm, so crazy, so inviting. Like I wanted to be a part of that. It is totally joyous. Ben, if you’re listening and you haven’t seen Star Trek 4, don’t worry. You don’t need to watch any of the other Star Trek movies. It stands alone, it’s kind of perfect in that sense. The pleasures of watching like the quite serious crew of the Enterprise traverse San Francisco and just have a ball doing it. It’s just great. So I really wanted to play you one of the most iconic scenes, which is Kirk and Spock on a Muni bus that is traveling over the Golden Gate Bridge. Mr. Spock has to take out a young punk on the bus and get him to stop playing his music. And then this happens.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Star Trek 4\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Carly Severn: \u003c/b>\u003cspan style=\"font-weight: 400;\">The gag there, of course, being that Jacqueline Cezanne and Harold Robbins. Oh, I had to look up Harold Robbins, by the way. Like, they are not the giants of literature, but it’s just hilarious to think that the people of the future have deemed them to be so. I know of no movie that is like warmer and and sweeter than Star Trek Four. So, Ben, pick me, pick Star Trek Four. The choice is easy. Come on.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub: \u003c/b>\u003cspan style=\"font-weight: 400;\">You know, I don’t even wanna argue against you, and I’m gonna pick a number one, but I love this film so much. It is just a lovely movie, funny movie, finds all kinds of different ways to explore San Francisco and make it part of the gag, but in a in a funny, warm way. It’s one of the greats, one of the classics.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">All right, and up there with one of the greats must be your number one choice, Peter. What do you have for your number one?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">2015 Pixar film Inside Out. It takes place inside the brain of tween girl coming of age, Riley. And then also outside in San Francisco, Riley has moved from I believe Minnesota to San Francisco, and she’s horrified. And what the Pixar people did with animation is so fantastic. They take San Francisco and make it like 10 to 15% more. The streets are a little narrower, parking’s a little harder, street signs are a little more incomprehensible. Fantastic, fantastic use of San Francisco. It’s more of a character in the movie than any of their other movies. They had always kind of flirted around with the Bay Area and maybe dropped San Pablo Avenue and the Incredibles. This one, they really talk about San Francisco. And you don’t see that often. You see a lot of mainstream films set in San Francisco, and San Francisco is a backdrop and it’s almost like a prop. Very few films are a commentary on the city. Last black man in San Francisco, Medicine for Melancholy, and Inside Out. Inside Out is poking fun of the city. It is completely honest. If you live here, you totally get it. If you’re not from here, you’re gonna get some of the humor, including taking just an absolute, absolute dagger stab at our Pizza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">Clip from Inside Out\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Honestly, the first time I saw this film, I didn’t love it. I liked it a lot. I’m glad I didn’t review it because I think I would have given it less than the highest rating. Upon rewatch, there’s so many little things that come out. You learn more things, and the San Francisco parts become clearer and clearer. I just think it’s a fantastic film, and it’s a fantastic San Francisco location film.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well I think Ben is gonna have a really hard time deciding between all of those very compelling pitches for for movies he should be watching this weekend. Peter Hartlob, Bay Area native, culture critic with the SF Chronicle, co-host of Total SF podcast. Thank you so much. Is there anywhere that listeners can connect with you further?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Peter Hartlaub:\u003c/b> \u003cspan style=\"font-weight: 400;\">Subscribe to the Total SF newsletter, that’s where I explore the Bay Area and pass on all my favorite finds, the best hikes to take, the best tourist traps to visit, where I’m finding the best papusas to eat, and read my work at sfchronicle.com.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">Awesome. And Carly, you are my longtime pop culture, I don’t know, guru. You’ve you’ve really helped me with questions over the years. So thank you for coming on the show. Where can people connect with you?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Carly Severn:\u003c/b> \u003cspan style=\"font-weight: 400;\">Well, you can find my work for Bay Curious in the podcast feed, including my two part series on the Donner Party in the archives, since we’re now feeling the wintry vibes here in the bay. You can also visit kqbd.org slash explainers to see what me and my team are up to every day in the KQED newsroom.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price:\u003c/b> \u003cspan style=\"font-weight: 400;\">Alright, well thanks to you both. Big thanks to Ben for asking this week’s question.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Ben Kaiser:\u003c/b> \u003cspan style=\"font-weight: 400;\">Carly and Peter, I appreciate your suggestions for which San Francisco movie I should watch next. Full disclosure, three of them I’ve already seen. Those are: Always Be My Maybe, Basic Instinct and Zodiac, which is one of my all-time favorite movies. So it comes down to the other three, but I’m torn between Inside Out and Star Trek Four. But in the end, my vote is going to go to Star Trek Four. I’ve never seen a Star Trek movie, but it seems to be such a beloved film, and Carly campaigned it very, very well. So tonight, that’s what I’ll be watching.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Olivia Allen-Price: \u003c/b>\u003cspan style=\"font-weight: 400;\">This is our last episode of the year, and I wanted to offer a warm thanks to you, our listeners, for your inspiring questions and your steadfast support. If you’re not yet a member of KQED, join us now by making a year-end donation. Details at kqed.org/slash donate. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bay Curious is made at KQED in San Francisco by Katrina Schwartz, Christopher Beale and me, Olivia Allen Price. Additional Engineering by Jim Bennett. We get extra support from Maha Sanad, Katie Springer, Jen Chien,\u003c/span> \u003cspan style=\"font-weight: 400;\">Ethan Tovin Lindsay and everyone on Team KQED. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists, San Francisco, Northern California local. I hope you have a wonderful holiday. I’ll see ya in twenty twenty six.\u003c/span>\u003c/p>\n\u003c/iframe>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>"
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"slug": "get-in-the-holiday-spirit-by-visiting-these-bay-area-christmas-tree-lanes",
"title": "Get in the Holiday Spirit by Visiting These Bay Area Christmas Tree Lanes",
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"headTitle": "Get in the Holiday Spirit by Visiting These Bay Area Christmas Tree Lanes | KQED",
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"content": "\u003cp>Mike Martin and his family were looking for their next home in the \u003ca href=\"https://www.kqed.org/news/tag/east-bay\">East Bay\u003c/a> when a listing came open on Thompson Avenue, \u003ca href=\"https://www.kqed.org/news/tag/alameda\">Alameda\u003c/a>’s “Christmas Tree Lane.”\u003c/p>\n\u003cp>Martin had long been taking his kids to the residential street, which has been going all-out on Christmas decorations since 1938.\u003c/p>\n\u003cp>“We were like, ‘Oh my goodness, are we up for this?’” he said.\u003c/p>\n\u003cp>As it turns out, they were.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Twenty years later, Martin’s decorative toy factory — the “Wrap-O-Matic,” which shuttles toy parts to be assembled and then wrapped in a magic box and ready for Santa’s delivery — is an Alameda Christmas Tree Lane staple.\u003c/p>\n\u003cp>This neighborhood is among a handful in the Bay Area that will be lit up all month long for the holiday season, welcoming those looking to get into the Christmas spirit to come on by.\u003c/p>\n\u003cfigure id=\"attachment_12066791\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066791\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Michael Martin sits with his handmade Wrap-o-Matic holiday display in front of his home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Being able to share this with thousands of people that come through the street is really special,” Martin said.\u003c/p>\n\u003cp>It takes a village to keep the Christmas spirit alive on these festive streets, and that includes those who visit to enjoy the experience. Read on for some helpful suggestions, and depending on the night you drop by, you may even get to meet Santa Claus.\u003c/p>\n\u003cp>Just remember: Drive slowly and expect traffic along the holiday-themed streets.\u003c/p>\n\u003ch2>Christmas Tree Lane in Alameda\u003c/h2>\n\u003cp>\u003cem>Thompson Avenue\u003c/em>\u003c/p>\n\u003cp>Martin and his neighbors decorate their houses independently, but he said they do get together to make sure they all turn on their lights on the same day.\u003c/p>\n\u003cp>He said they also coordinate with Santa, who sits in his red sleigh in the road’s median every night from 6:30 to 8:30 p.m. until Dec. 23.\u003c/p>\n\u003cfigure id=\"attachment_12066790\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Holiday lights cover a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While greeting families and handing out candy canes, Santa said his elves are “hard at work” at the North Pole.\u003c/p>\n\u003cp>“Those elves pulled together,” he said. “We’ve got Christmas in the bag.”\u003c/p>\n\u003cfigure id=\"attachment_12066793\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066793\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A holiday display sits in front of a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But he won’t be there to hand out candy canes on Christmas Eve. “Of course, the 24th, he is too busy,” Martin said.\u003c/p>\n\u003cp>Martin said the street’s business ramps up significantly as Christmas Day nears, so come soon if you’re hoping for a quieter visit — or delay until the week before the holiday to join in on the busiest, most festive time of year.\u003c/p>\n\u003ch2>Christmas Tree Lane in Santa Rosa\u003c/h2>\n\u003cp>\u003cem>Hermit Way and Hartley Drive\u003c/em>\u003c/p>\n\u003cp>As far as Mark Gibbons knows, the two streets that comprise Santa Rosa’s Christmas Tree Lane have been in the holiday spirit since they were first built in the ’50s.\u003c/p>\n\u003cp>“When you purchase a house on these two streets here, you’ll typically find the previous person’s decorations for outside,” Gibbons said.\u003c/p>\n\u003cfigure id=\"attachment_12066792\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066792\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of the Tagle Family meet Santa Claus on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When he moved in, he found a bunch of deer and a large Santa wooden cutout, the former of which they still have and display today.\u003c/p>\n\u003cp>But the real event is Gibbons’ commitment to playing Santa — after he moved to the area and realized that the former Santa had moved on to other commitments.\u003c/p>\n\u003cfigure id=\"attachment_12066794\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Menorah sits inside a gingerbread house on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My father in the UK has for many, many years portrayed Santa at Christmastime, and so I just thought: ‘Why not take on the mantle of doing it and bring it back?’” he said.\u003c/p>\n\u003cp>This year, Gibbons said he’ll be out as Santa on Dec. 19 and 20.\u003c/p>\n\u003ch2>More festive neighborhoods in the Bay Area\u003c/h2>\n\u003cp>\u003ca href=\"http://crippsmasplace.org/\">\u003cstrong>Crippsmas Place\u003c/strong>\u003c/a>\u003cstrong> in Fremont\u003c/strong>\u003c/p>\n\u003cp>Candy canes will be handed out nightly from 6 to 10 p.m. until Dec. 27. A full schedule of events, including appearances from Santa and Mrs. Claus, is available \u003ca href=\"https://www.crippsmasplace.org/vip-visitors-to-crippsmas-place/\">here\u003c/a>. Carolers are welcome.\u003c/p>\n\u003cfigure id=\"attachment_12066799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A holiday Charlie Brown display sits in front of a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://casadelpomba.com/\">\u003cstrong>Deacon Dave’s\u003c/strong>\u003c/a>\u003cstrong> in Livermore\u003c/strong>\u003c/p>\n\u003cp>This year’s theme is “Storyland Christmas.” The display is open weeknights 6 to 9 p.m. and weekends 6 to 10 p.m. There are no public restrooms.\u003c/p>\n\u003cp>\u003ca href=\"https://www.cityofsancarlos.org/community/eucalyptus_ave_holiday_lights.php\">\u003cstrong>Christmas Tree Lane\u003c/strong>\u003c/a>\u003cstrong> in San Carlos\u003c/strong>\u003c/p>\n\u003cp>One-way traffic is in place on Eucalyptus Avenue between Dec. 2 and Dec. 26.\u003c/p>\n\u003cp>Overflow parking is available every weekend in December at Arroyo School at 1710 Arroyo Ave. Security will be present on the street.\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "Swing by any evening this month, and you may even catch a glimpse of Santa Claus himself.\r\n",
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"title": "Get in the Holiday Spirit by Visiting These Bay Area Christmas Tree Lanes | KQED",
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"headline": "Get in the Holiday Spirit by Visiting These Bay Area Christmas Tree Lanes",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mike Martin and his family were looking for their next home in the \u003ca href=\"https://www.kqed.org/news/tag/east-bay\">East Bay\u003c/a> when a listing came open on Thompson Avenue, \u003ca href=\"https://www.kqed.org/news/tag/alameda\">Alameda\u003c/a>’s “Christmas Tree Lane.”\u003c/p>\n\u003cp>Martin had long been taking his kids to the residential street, which has been going all-out on Christmas decorations since 1938.\u003c/p>\n\u003cp>“We were like, ‘Oh my goodness, are we up for this?’” he said.\u003c/p>\n\u003cp>As it turns out, they were.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Twenty years later, Martin’s decorative toy factory — the “Wrap-O-Matic,” which shuttles toy parts to be assembled and then wrapped in a magic box and ready for Santa’s delivery — is an Alameda Christmas Tree Lane staple.\u003c/p>\n\u003cp>This neighborhood is among a handful in the Bay Area that will be lit up all month long for the holiday season, welcoming those looking to get into the Christmas spirit to come on by.\u003c/p>\n\u003cfigure id=\"attachment_12066791\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066791\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-05-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Michael Martin sits with his handmade Wrap-o-Matic holiday display in front of his home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Being able to share this with thousands of people that come through the street is really special,” Martin said.\u003c/p>\n\u003cp>It takes a village to keep the Christmas spirit alive on these festive streets, and that includes those who visit to enjoy the experience. Read on for some helpful suggestions, and depending on the night you drop by, you may even get to meet Santa Claus.\u003c/p>\n\u003cp>Just remember: Drive slowly and expect traffic along the holiday-themed streets.\u003c/p>\n\u003ch2>Christmas Tree Lane in Alameda\u003c/h2>\n\u003cp>\u003cem>Thompson Avenue\u003c/em>\u003c/p>\n\u003cp>Martin and his neighbors decorate their houses independently, but he said they do get together to make sure they all turn on their lights on the same day.\u003c/p>\n\u003cp>He said they also coordinate with Santa, who sits in his red sleigh in the road’s median every night from 6:30 to 8:30 p.m. until Dec. 23.\u003c/p>\n\u003cfigure id=\"attachment_12066790\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-04-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Holiday lights cover a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While greeting families and handing out candy canes, Santa said his elves are “hard at work” at the North Pole.\u003c/p>\n\u003cp>“Those elves pulled together,” he said. “We’ve got Christmas in the bag.”\u003c/p>\n\u003cfigure id=\"attachment_12066793\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066793\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-14-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A holiday display sits in front of a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But he won’t be there to hand out candy canes on Christmas Eve. “Of course, the 24th, he is too busy,” Martin said.\u003c/p>\n\u003cp>Martin said the street’s business ramps up significantly as Christmas Day nears, so come soon if you’re hoping for a quieter visit — or delay until the week before the holiday to join in on the busiest, most festive time of year.\u003c/p>\n\u003ch2>Christmas Tree Lane in Santa Rosa\u003c/h2>\n\u003cp>\u003cem>Hermit Way and Hartley Drive\u003c/em>\u003c/p>\n\u003cp>As far as Mark Gibbons knows, the two streets that comprise Santa Rosa’s Christmas Tree Lane have been in the holiday spirit since they were first built in the ’50s.\u003c/p>\n\u003cp>“When you purchase a house on these two streets here, you’ll typically find the previous person’s decorations for outside,” Gibbons said.\u003c/p>\n\u003cfigure id=\"attachment_12066792\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066792\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-08-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Members of the Tagle Family meet Santa Claus on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When he moved in, he found a bunch of deer and a large Santa wooden cutout, the former of which they still have and display today.\u003c/p>\n\u003cp>But the real event is Gibbons’ commitment to playing Santa — after he moved to the area and realized that the former Santa had moved on to other commitments.\u003c/p>\n\u003cfigure id=\"attachment_12066794\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-15-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A Menorah sits inside a gingerbread house on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My father in the UK has for many, many years portrayed Santa at Christmastime, and so I just thought: ‘Why not take on the mantle of doing it and bring it back?’” he said.\u003c/p>\n\u003cp>This year, Gibbons said he’ll be out as Santa on Dec. 19 and 20.\u003c/p>\n\u003ch2>More festive neighborhoods in the Bay Area\u003c/h2>\n\u003cp>\u003ca href=\"http://crippsmasplace.org/\">\u003cstrong>Crippsmas Place\u003c/strong>\u003c/a>\u003cstrong> in Fremont\u003c/strong>\u003c/p>\n\u003cp>Candy canes will be handed out nightly from 6 to 10 p.m. until Dec. 27. A full schedule of events, including appearances from Santa and Mrs. Claus, is available \u003ca href=\"https://www.crippsmasplace.org/vip-visitors-to-crippsmas-place/\">here\u003c/a>. Carolers are welcome.\u003c/p>\n\u003cfigure id=\"attachment_12066799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12066799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/12/251210-HOLIDAYLIGHTS-29-BL-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A holiday Charlie Brown display sits in front of a home on Christmas Tree Lane on the 3200 block of Thompson Avenue in Alameda on Dec. 10, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://casadelpomba.com/\">\u003cstrong>Deacon Dave’s\u003c/strong>\u003c/a>\u003cstrong> in Livermore\u003c/strong>\u003c/p>\n\u003cp>This year’s theme is “Storyland Christmas.” The display is open weeknights 6 to 9 p.m. and weekends 6 to 10 p.m. There are no public restrooms.\u003c/p>\n\u003cp>\u003ca href=\"https://www.cityofsancarlos.org/community/eucalyptus_ave_holiday_lights.php\">\u003cstrong>Christmas Tree Lane\u003c/strong>\u003c/a>\u003cstrong> in San Carlos\u003c/strong>\u003c/p>\n\u003cp>One-way traffic is in place on Eucalyptus Avenue between Dec. 2 and Dec. 26.\u003c/p>\n\u003cp>Overflow parking is available every weekend in December at Arroyo School at 1710 Arroyo Ave. Security will be present on the street.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
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"source": "Commonwealth Club of California"
},
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"title": "Forum",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"meta": {
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"source": "WNYC"
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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