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"content": "\u003cfigure id=\"attachment_105844\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/08/06/105836/rs6056_dsc_8696-scr/\" rel=\"attachment wp-att-105844\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-105844 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/08/RS6056_DSC_8696-scr-300x199.jpg\" alt='Joe Green, Mark Zuckerberg and Jose Antonio Vargas at the Yerba Buena Center for the Arts screening of \"Documented' width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joe Green, Mark Zuckerberg and Jose Antonio Vargas at the Yerba Buena Center for the Arts screening of “Documented.” (Monica Lam/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Monica Lam and Angela Hart\u003c/strong>\u003c/p>\n\u003cp>It’s always interesting when celebrities get involved in political debates. Often they’re mainly amplifying a message that others have articulated, and adding the heft of their reputation to that cause.\u003c/p>\n\u003cp>At Monday night’s screening of “Documented,” a film by undocumented immigrant Jose Antonio Vargas, Facebook CEO Mark Zuckerberg weighed in publicly on the immigration debate. In remarks preceding the film, Zuckerberg talked about his evolution from a Silicon Valley entrepreneur with a stake in how many H1-B visas get issued to someone who wants to play a broader role in the debate — a debate that includes farm workers and less educated immigrants.\u003c/p>\n\u003cp>“These are issues that don’t just touch our part of the industry but really touch the whole country,” he told the 700 or so in the audience at the Yerba Buena Center for the Arts in San Francisco, an invitation-only event.\u003c/p>\n\u003cp>The overall message of the evening was that the youth — the young, the innovative, the daring — are behind immigration reform. Zuckerberg talked about his conversations with his wife, which he credits with getting him involved more personally in the issue. “Our dinner conversations were largely about Facebook on the one hand, and kids on the other,” he joked.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Introducing Zuckerberg was Joe Green, head of the nonprofit advocacy group \u003ca href=\"http://fwd.us/\">FWD.us\u003c/a>, founded by Zuckerberg and a roster of other Silicon Valley upstarts. Green, who was Zuckerberg’s roommate at Harvard, turned down the opportunity to help start Facebook and instead finished school and worked on John Kerry’s 2004 presidential campaign.\u003c/p>\n\u003cp>\u003c!--more-->Green has come under fire for his group’s early forays into politics. But he seemed nonplussed, running onto stage with youthful exuberance, his curly hair waving and hip-nerd glasses perched on his handsome face. “It is extraordinary to look across this room and see such a diverse group of allies who all have a stake in immigration reform,” he said as he welcomed students and their families, elected officials and tech innovators.\u003c/p>\n\u003cp>Filmmaker Vargas, who was born in the Philippines, continued in the same vein. Earnest yet defiant, he wore a blazer and jeans, and talked about his love for his country, the United States. “I am an American,” he said. “I’m just waiting for my country to acknowledge it.” Vargas, who shared a Pulitzer Prize for his work as a journalist, revealed his own status as an undocumented immigrant in a 2011 New York Times \u003ca href=\"//www.nytimes.com/2011/06/26/magazine/my-life-as-an-undocumented-immigrant.html?pagewanted=all)\">essay\u003c/a>, much of which is reprised in his film.\u003c/p>\n\u003cp>In the audience were many members of San Francisco’s progressive vanguard. City Attorney Dennis Herrera said he hopes the debate over immigration — a divisive one on Capitol Hill — can bring people together. “I think how we deal with the whole issue of immigration is critically important to who we are as a society and as a country,” he said.\u003c/p>\n\u003cp>City Supervisor David Campos, who recently announced his intention to run for State Assembly, said his own story as an undocumented immigrant is reflected in the film. “When I was growing up as an undocumented child, that was just not something we talked about,” Campos said. “It’s incredible to see all these faces here tonight, many of whom are undocumented themselves.”\u003c/p>\n\u003cp>Among the undocumented faces was Dean Santos, a student at Notre Dame de Namur University in Belmont. “Vargas’ story is my story,” Santos said. “The more people we can get to put a human face on what being undocumented looks like, the better chance we have of moving forward as a country.”\u003c/p>\n\u003cp>Other big names in attendance included musician MC Hammer and NFL Hall of Famer Joe Montana. They entered the auditorium following a private reception held in a cordoned-off upstairs gallery of the arts center. Outside, a mobile photo studio took photographs that were later blown up in black and white and plastered on the walls of the center.\u003c/p>\n\u003cp>As the lights dimmed and the film began, the mood was rosy, with immigration largely viewed as positive. While there are many who don’t agree with this view, last night’s event pushed the FWD.us agenda: Immigration, as imagined by the talent of Silicon Valley, is as simple as letting other talented people into this country who will soon love it more than wherever they came from.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"description": "By Monica Lam and Angela Hart It’s always interesting when celebrities get involved in political debates. Often they’re mainly amplifying a message that others have articulated, and adding the heft of their reputation to that cause. At Monday night’s screening of “Documented,” a film by undocumented immigrant Jose Antonio Vargas, Facebook CEO Mark Zuckerberg weighed in publicly on the immigration debate. In remarks preceding the film, Zuckerberg talked about his evolution from a Silicon Valley entrepreneur with a stake in how many H1-B visas get issued to someone who wants to play a broader role in the debate -- a",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_105844\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/08/06/105836/rs6056_dsc_8696-scr/\" rel=\"attachment wp-att-105844\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-105844 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/08/RS6056_DSC_8696-scr-300x199.jpg\" alt='Joe Green, Mark Zuckerberg and Jose Antonio Vargas at the Yerba Buena Center for the Arts screening of \"Documented' width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joe Green, Mark Zuckerberg and Jose Antonio Vargas at the Yerba Buena Center for the Arts screening of “Documented.” (Monica Lam/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Monica Lam and Angela Hart\u003c/strong>\u003c/p>\n\u003cp>It’s always interesting when celebrities get involved in political debates. Often they’re mainly amplifying a message that others have articulated, and adding the heft of their reputation to that cause.\u003c/p>\n\u003cp>At Monday night’s screening of “Documented,” a film by undocumented immigrant Jose Antonio Vargas, Facebook CEO Mark Zuckerberg weighed in publicly on the immigration debate. In remarks preceding the film, Zuckerberg talked about his evolution from a Silicon Valley entrepreneur with a stake in how many H1-B visas get issued to someone who wants to play a broader role in the debate — a debate that includes farm workers and less educated immigrants.\u003c/p>\n\u003cp>“These are issues that don’t just touch our part of the industry but really touch the whole country,” he told the 700 or so in the audience at the Yerba Buena Center for the Arts in San Francisco, an invitation-only event.\u003c/p>\n\u003cp>The overall message of the evening was that the youth — the young, the innovative, the daring — are behind immigration reform. Zuckerberg talked about his conversations with his wife, which he credits with getting him involved more personally in the issue. “Our dinner conversations were largely about Facebook on the one hand, and kids on the other,” he joked.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Introducing Zuckerberg was Joe Green, head of the nonprofit advocacy group \u003ca href=\"http://fwd.us/\">FWD.us\u003c/a>, founded by Zuckerberg and a roster of other Silicon Valley upstarts. Green, who was Zuckerberg’s roommate at Harvard, turned down the opportunity to help start Facebook and instead finished school and worked on John Kerry’s 2004 presidential campaign.\u003c/p>\n\u003cp>\u003c!--more-->Green has come under fire for his group’s early forays into politics. But he seemed nonplussed, running onto stage with youthful exuberance, his curly hair waving and hip-nerd glasses perched on his handsome face. “It is extraordinary to look across this room and see such a diverse group of allies who all have a stake in immigration reform,” he said as he welcomed students and their families, elected officials and tech innovators.\u003c/p>\n\u003cp>Filmmaker Vargas, who was born in the Philippines, continued in the same vein. Earnest yet defiant, he wore a blazer and jeans, and talked about his love for his country, the United States. “I am an American,” he said. “I’m just waiting for my country to acknowledge it.” Vargas, who shared a Pulitzer Prize for his work as a journalist, revealed his own status as an undocumented immigrant in a 2011 New York Times \u003ca href=\"//www.nytimes.com/2011/06/26/magazine/my-life-as-an-undocumented-immigrant.html?pagewanted=all)\">essay\u003c/a>, much of which is reprised in his film.\u003c/p>\n\u003cp>In the audience were many members of San Francisco’s progressive vanguard. City Attorney Dennis Herrera said he hopes the debate over immigration — a divisive one on Capitol Hill — can bring people together. “I think how we deal with the whole issue of immigration is critically important to who we are as a society and as a country,” he said.\u003c/p>\n\u003cp>City Supervisor David Campos, who recently announced his intention to run for State Assembly, said his own story as an undocumented immigrant is reflected in the film. “When I was growing up as an undocumented child, that was just not something we talked about,” Campos said. “It’s incredible to see all these faces here tonight, many of whom are undocumented themselves.”\u003c/p>\n\u003cp>Among the undocumented faces was Dean Santos, a student at Notre Dame de Namur University in Belmont. “Vargas’ story is my story,” Santos said. “The more people we can get to put a human face on what being undocumented looks like, the better chance we have of moving forward as a country.”\u003c/p>\n\u003cp>Other big names in attendance included musician MC Hammer and NFL Hall of Famer Joe Montana. They entered the auditorium following a private reception held in a cordoned-off upstairs gallery of the arts center. Outside, a mobile photo studio took photographs that were later blown up in black and white and plastered on the walls of the center.\u003c/p>\n\u003cp>As the lights dimmed and the film began, the mood was rosy, with immigration largely viewed as positive. While there are many who don’t agree with this view, last night’s event pushed the FWD.us agenda: Immigration, as imagined by the talent of Silicon Valley, is as simple as letting other talented people into this country who will soon love it more than wherever they came from.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_105860\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/08/06/local-jazz-keyboardist-george-duke-dies-at-67/6419647317_ff87c1fd73_z/\" rel=\"attachment wp-att-105860\">\u003cimg class=\"size-medium wp-image-105860 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/08/6419647317_ff87c1fd73_z-300x199.jpg\" alt=\"George Duke. (Stella K Workshop/Flickr)\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">George Duke. (Stella K Workshop/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>George Duke, the Grammy-winning jazz keyboardist and producer whose sound infused acoustic jazz, electronic jazz, funk, R&B and soul in a 40-year-plus career, has died. He was 67.\u003c/p>\n\u003cp>A representative for Duke, who was born in San Rafael, said the performer died Monday night in Los Angeles. Duke was being treated for chronic lymphocytic leukemia.\u003c/p>\n\u003cp>Duke's son, Rashid, thanked his father's fans in a statement Tuesday.\u003c/p>\n\u003cp>``The outpouring of love and support that we have received from my father's friends, fans and the entire music community has been overwhelming,'' he said. ``Thank you all for your concern, prayers and support.''\u003c/p>\n\u003cp>Duke grew up in the Bay Area and earned degrees from the San Francisco Conservatory of Music and San Francisco State University.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->He began taking piano lessons when he was 4 years old, after seeing Duke Ellington perform.\u003c/p>\n\u003cp>``I don't remember it too well ... but my mother told me I went crazy,'' Duke said on his website. ``I ran around saying, `Get me a piano, get me a piano!'''\u003c/p>\n\u003cp>Duke said he learned a lot about music from going to church, which helped him add a funk style to his sound. He played in high-school jazz groups and was heavily influenced by Miles Davis.\u003c/p>\n\u003cp>His wife, Corine, died from cancer last year. He was unable to make music for months, but he overcame his grief to create the album ``DreamWeaver,'' released last month. It features a fusion of sounds and a touching tribute to his late wife on the romantic piano-driven ballad ``Missing You.''\u003c/p>\n\u003cp>Duke appeared on a number of Frank Zappa albums and played in the Don Ellis Orchestra, Cannonball Adderley's band and with jazz musician Stanley Clarke. Duke also played keyboard on Michael Jackson's multiplatinum 1979 album, ``Off the Wall.''\u003c/p>\n\u003cp>On tour as part of the George Duke Trio, he performed in Los Angeles at a show where Adderley, Zappa and Quincy Jones were in attendance. Duke soon joined Zappa on a tour for a year in 1969. He joined Adderley's band in 1971. He met Clarke through Adderley, and they formed the Clarke/Duke Project. Their song ``Sweet Baby'' was a Top 20 hit on the Billboard pop charts.\u003c/p>\n\u003cp>Duke became a solo artist in 1976 and released more than 30 solo albums. He also produced for Miles Davis, Smokey Robinson, Gladys Knight, Dionne Warwick and Natalie Cole.\u003c/p>\n\u003cp>He worked as musical director for the Soul Train Music Awards and other special events. He also scored songs on soundtracks for ``The Five Heartbeats'' and ``Karate Kid III.''\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_105860\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/08/06/local-jazz-keyboardist-george-duke-dies-at-67/6419647317_ff87c1fd73_z/\" rel=\"attachment wp-att-105860\">\u003cimg class=\"size-medium wp-image-105860 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/08/6419647317_ff87c1fd73_z-300x199.jpg\" alt=\"George Duke. (Stella K Workshop/Flickr)\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">George Duke. (Stella K Workshop/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>George Duke, the Grammy-winning jazz keyboardist and producer whose sound infused acoustic jazz, electronic jazz, funk, R&B and soul in a 40-year-plus career, has died. He was 67.\u003c/p>\n\u003cp>A representative for Duke, who was born in San Rafael, said the performer died Monday night in Los Angeles. Duke was being treated for chronic lymphocytic leukemia.\u003c/p>\n\u003cp>Duke's son, Rashid, thanked his father's fans in a statement Tuesday.\u003c/p>\n\u003cp>``The outpouring of love and support that we have received from my father's friends, fans and the entire music community has been overwhelming,'' he said. ``Thank you all for your concern, prayers and support.''\u003c/p>\n\u003cp>Duke grew up in the Bay Area and earned degrees from the San Francisco Conservatory of Music and San Francisco State University.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104721\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/new-BART-cars.jpg\" alt=\"new BART cars\" width=\"640\" height=\"450\">\u003cbr>\nBART \u003ca href=\"http://ww2.kqed.org/news/2013/07/23/new_bart_cars\">showcased its new cars\u003c/a> this week, scheduled to go into service in 2017. David Jaeger, carrying his son Nico, particularly likes the new bike racks. The mock train car was on display in the MacArthur BART station for riders to explore and give feedback. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104722\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/vietnamese-protest.jpg\" alt=\"vietnamese protest\" width=\"640\" height=\"450\">\u003cbr>\nMembers of the Vietnamese-American community marched to Vietnam's Consulate to protest \u003ca href=\"http://ww2.kqed.org/news/2013/07/25/104645/-vietnam-president-truong-kqed-newsrrom-thuy-vu\">Vietnam's President Truong Tan Sang's meeting\u003c/a> with President Obama in Washington, D.C. on July 25. Approximately 200 protesters stood opposite the consulate chanting, while some attempted to enter and were turned away. Many Vietnamese-Americans still feel bitter about losing their homeland to a regime that they view as corrupt and abusive. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104723\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130726steps.jpg\" alt=\"PhotoWeek130726steps\" width=\"640\" height=\"450\">\u003cbr>\nBerkeley residents were surprised and delighted to discover that their city was \u003ca href=\"http://www.berkeleyside.com/2013/07/23/kids-art-attack-berkeley-with-westside-studios-camp/\">\"art-attacked\u003c/a>.\" These chalk drawings covered the stairs leading to the Marin Circle. Other \"attacks\" included poems and collages found tucked under windshield wipers, and Andy Goldsworthy-style nature installations at Albany Bulb. They were created by campers, all aged under 10, at the Westside Studio summer art camp. (Deborah Durant / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104730\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130726garden.jpg\" alt=\"PhotoWeek130726garden\" width=\"640\" height=\"450\">\u003cbr>\n\u003ca href=\"http://www.berkeleyside.com/2013/07/26/green-skies-vertical-farm-brings-farming-to-berkeley/\">Green Skies Vertical Farm\u003c/a> on Channing and 5th Street in Berkeley is even more hyperlocal than a farmer's market. The food is grown, harvested and sold from the same spot, a once-vacant lot that is now home to stacked planters full of strawberries, lettuce, tomatoes and dozens of other edible plants. Shoppers can peruse the produce when it’s still in the ground, taste fruits right off the plant and pick exactly what they need – so there’s no waste. (Eden Teller / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104724\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/flower-stand.jpg\" alt=\"flower stand\" width=\"640\" height=\"449\">\u003cbr>\nIt's not just commuters who would be affected by another strike. A lot of \u003ca href=\"http://ww2.kqed.org/news/2013/07/25/104685/bart-strike-update-small-businesses\">small businesses also rely on BART\u003c/a>. Eva Liang's flower shop at the Montgomery BART Station in San Francisco took a hit when BART workers went on strike earlier this month and Liang is worried about the possibility of another strike if no agreement is reached by August 4. “We totally closed because it's empty, zero customers,” she said.\u003c/p>\n\n",
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"content": "\u003cfigure id=\"attachment_104662\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/25/104657/oscar-grants-mother/\" rel=\"attachment wp-att-104662\">\u003cimg class=\"size-medium wp-image-104662 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Oscar-Grants-Mother-300x210.jpg\" alt=\"Wanda Johnson, the mother of Oscar J. Grant III, is comforted by supporters. Mark Ralston/AFP/Getty Images)\" width=\"300\" height=\"210\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson, the mother of Oscar J. Grant III, is comforted by supporters. Mark Ralston/AFP/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Jack Bryson\u003cstrong>’\u003c/strong>s two sons were childhood friends of Oscar Grant III, and were on the train platform on New Year’s Day in 2009 when Grant was shot by a BART police officer in Oakland.\u003c/p>\n\u003cp>The shooting, which waas captured on videos by BART riders, sparked outrage around the country and led first-time director Ryan Coogler to make his feature film “\u003ca href=\"http://www.fruitvalefilm.com/\" target=\"_blank\">Fruitvale Station\u003c/a>.”\u003c/p>\n\u003cp>It also pushed Jack Bryson to become a community activist and spokesman on behalf of the “New Year’s Movement for Oscar Grant.”\u003c/p>\n\u003cp>Bryson says it’s hard for his sons to watch the movie.\u003c/p>\n\u003cp>\u003cem>Read/listen to the complete\u003cstrong> \u003ca href=\"http://hereandnow.wbur.org/2013/07/25/bryson-fruitvale-station\">report\u003c/a>\u003c/strong> from \"Here & Now\" from WBUR and NPR.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "Oakland Museum Show Captures the Glory and Danger of Building the Bay's Bridges",
"title": "Oakland Museum Show Captures the Glory and Danger of Building the Bay's Bridges",
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"content": "\u003cfigure id=\"attachment_104217\" class=\"wp-caption alignright\" style=\"max-width: 262px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/bridge-quitting-time/\" rel=\"attachment wp-att-104217\">\u003cimg class=\"size-full wp-image-104217\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Bridge-quitting-time.gif\" alt=\"Men head home early after a death during construction of the Bay Bridge. Photo: Peter Stackpole, Quitting Time, 1935. \" width=\"262\" height=\"174\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Men head home early after a death during construction of the Bay Bridge.. Photo: Peter Stackpole, \"Quitting Time,\" 1935.\u003c/figcaption>\u003c/figure>\n\u003cp>As Caltrans continues to work on the new eastern span of the Bay Bridge, the Oakland Museum of California is looking back at the beginning of both bridges that span the Bay, as well as the men who helped build them.\u003c/p>\n\u003cp>The exhibit features black-and-white images from photographer Peter Stackpole of the building of the Bay and Golden Gate bridges. The vivid photos started Stackpole on a brilliant career working for Life and other magazines, but \u003ca href=\"http://www.kqed.org/news/story/2013/07/19/123519/a_soaring_photographic_tribute_to_sf_bay_bridges_and_those_who?category=bay+area\" target=\"_blank\">the show's curator, Drew Johnson, told KQED's Cy Musiker\u003c/a> it was partially just luck that Stackpole was able to get such breathtaking shots.\u003c/p>\n\u003cblockquote>\u003cp>And so he was hanging around, basically around by the Embarcadero watching the piers go up. And a bridge worker noticed him and must have sensed what he was thinking or something because he said, 'Hey kid, why don't you come out with us, you'll get some good pictures.' And Peter said, 'That was the invitation I was waiting for.'\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_104218\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/collection-of-the-oakland-museum-of-california/\" rel=\"attachment wp-att-104218\">\u003cimg class=\"size-full wp-image-104218\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Bridge-being-built.jpg\" alt=\"Peter Stackpole, Catwalk and Marin Tower, 1936. \" width=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Stackpole, \"Catwalk and Marin Tower,\" 1936.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/news/story/2013/07/19/123519/a_soaring_photographic_tribute_to_sf_bay_bridges_and_those_who?category=bay+area\" target=\"_blank\">Musiker got a preview of the show from Johnson\u003c/a>, who also talked about the stories behind the photos. Here they discuss \"Quitting Time\" featured at the top of this page.\u003c/p>\n\u003cfigure id=\"attachment_104219\" class=\"wp-caption alignright\" style=\"max-width: 201px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/bridge-2/\" rel=\"attachment wp-att-104219\">\u003cimg class=\"size-medium wp-image-104219 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/bridge-201x300.jpg\" alt=\"Peter Stackpole, Wrapped Cable, Golden Gate Bridge, 1936. \" width=\"201\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Stackpole, \"Wrapped Cable, Golden Gate Bridge,\" 1936.\u003c/figcaption>\u003c/figure>\n\u003cblockquote>\u003cp>\u003cstrong>Musiker\u003c/strong>: [\"Quitting Time\"] is an amazing picture. I've kind of got chills looking at it. Tell me why.\u003c/p>\n\u003cp>\u003cstrong>Johnson\u003c/strong>: At first glance, you think this is just some tired looking men on a boat heading back to shore from the towers in the background.\u003c/p>\n\u003cp>\u003cstrong>Johnson\u003c/strong>: The title is \"Quitting Time,\" so you're thinking, 'Well, they're just going home at the end of the day,' but in fact, they're going home early because there's been a fatality on the bridge. And there were 28 fatalities on the construction of the Bay Bridge. And then if you read Peter's comment, it mentions that one of the men in the photograph that you're looking at actually was a fatality later on.\u003c/p>\u003c/blockquote>\n\u003cp>The show started Saturday and runs until Jan. 26, 2014 at \u003ca href=\"http://www.museumca.org/exhibit/peter-stackpole-bridging-bay\" target=\"_blank\">Oakland Museum of California\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_104223\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/collection-of-the-oakland-museum-of-california-2/\" rel=\"attachment wp-att-104223\">\u003cimg class=\"size-full wp-image-104223\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Bridge-two-men.jpg\" alt=\"Peter Stackpole, Waiting on Catwalk, 1935. \" width=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Stackpole, \"Waiting on Catwalk,\" 1935.\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_104217\" class=\"wp-caption alignright\" style=\"max-width: 262px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/bridge-quitting-time/\" rel=\"attachment wp-att-104217\">\u003cimg class=\"size-full wp-image-104217\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Bridge-quitting-time.gif\" alt=\"Men head home early after a death during construction of the Bay Bridge. Photo: Peter Stackpole, Quitting Time, 1935. \" width=\"262\" height=\"174\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Men head home early after a death during construction of the Bay Bridge.. Photo: Peter Stackpole, \"Quitting Time,\" 1935.\u003c/figcaption>\u003c/figure>\n\u003cp>As Caltrans continues to work on the new eastern span of the Bay Bridge, the Oakland Museum of California is looking back at the beginning of both bridges that span the Bay, as well as the men who helped build them.\u003c/p>\n\u003cp>The exhibit features black-and-white images from photographer Peter Stackpole of the building of the Bay and Golden Gate bridges. The vivid photos started Stackpole on a brilliant career working for Life and other magazines, but \u003ca href=\"http://www.kqed.org/news/story/2013/07/19/123519/a_soaring_photographic_tribute_to_sf_bay_bridges_and_those_who?category=bay+area\" target=\"_blank\">the show's curator, Drew Johnson, told KQED's Cy Musiker\u003c/a> it was partially just luck that Stackpole was able to get such breathtaking shots.\u003c/p>\n\u003cblockquote>\u003cp>And so he was hanging around, basically around by the Embarcadero watching the piers go up. And a bridge worker noticed him and must have sensed what he was thinking or something because he said, 'Hey kid, why don't you come out with us, you'll get some good pictures.' And Peter said, 'That was the invitation I was waiting for.'\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_104218\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/collection-of-the-oakland-museum-of-california/\" rel=\"attachment wp-att-104218\">\u003cimg class=\"size-full wp-image-104218\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Bridge-being-built.jpg\" alt=\"Peter Stackpole, Catwalk and Marin Tower, 1936. \" width=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Stackpole, \"Catwalk and Marin Tower,\" 1936.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/news/story/2013/07/19/123519/a_soaring_photographic_tribute_to_sf_bay_bridges_and_those_who?category=bay+area\" target=\"_blank\">Musiker got a preview of the show from Johnson\u003c/a>, who also talked about the stories behind the photos. Here they discuss \"Quitting Time\" featured at the top of this page.\u003c/p>\n\u003cfigure id=\"attachment_104219\" class=\"wp-caption alignright\" style=\"max-width: 201px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/bridge-2/\" rel=\"attachment wp-att-104219\">\u003cimg class=\"size-medium wp-image-104219 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/bridge-201x300.jpg\" alt=\"Peter Stackpole, Wrapped Cable, Golden Gate Bridge, 1936. \" width=\"201\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Stackpole, \"Wrapped Cable, Golden Gate Bridge,\" 1936.\u003c/figcaption>\u003c/figure>\n\u003cblockquote>\u003cp>\u003cstrong>Musiker\u003c/strong>: [\"Quitting Time\"] is an amazing picture. I've kind of got chills looking at it. Tell me why.\u003c/p>\n\u003cp>\u003cstrong>Johnson\u003c/strong>: At first glance, you think this is just some tired looking men on a boat heading back to shore from the towers in the background.\u003c/p>\n\u003cp>\u003cstrong>Johnson\u003c/strong>: The title is \"Quitting Time,\" so you're thinking, 'Well, they're just going home at the end of the day,' but in fact, they're going home early because there's been a fatality on the bridge. And there were 28 fatalities on the construction of the Bay Bridge. And then if you read Peter's comment, it mentions that one of the men in the photograph that you're looking at actually was a fatality later on.\u003c/p>\u003c/blockquote>\n\u003cp>The show started Saturday and runs until Jan. 26, 2014 at \u003ca href=\"http://www.museumca.org/exhibit/peter-stackpole-bridging-bay\" target=\"_blank\">Oakland Museum of California\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_104223\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/22/104216/collection-of-the-oakland-museum-of-california-2/\" rel=\"attachment wp-att-104223\">\u003cimg class=\"size-full wp-image-104223\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Bridge-two-men.jpg\" alt=\"Peter Stackpole, Waiting on Catwalk, 1935. \" width=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Stackpole, \"Waiting on Catwalk,\" 1935.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_104137\" class=\"wp-caption alignleft\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/19/104136/-pianos-beach/5688-beach-pianos/\" rel=\"attachment wp-att-104137\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-104137 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/5688-Beach-Pianos.jpg\" alt=\"The dozen old pianos that Artist Mauro Fortissimo hauled out to the beaches of San Mateo County are inspiring spontaneous concerts. (Francesca Segrè/KQED)\" width=\"350\" height=\"263\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The dozen old pianos that artist Mauro Ffortissimo hauled out to the beaches of San Mateo County are inspiring spontaneous concerts. (Francesca Segrè/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Francesca Segrè\u003c/strong>\u003c/p>\n\u003cp>A Half Moon Bay sculptor hauled a dozen old pianos out to the bluffs along the San Mateo County coast. The guerrilla art installation is catching the attention of tourists, locals and authorities.\u003c/p>\n\u003cp>Artist Mauro Di Nucci, who goes by the name Mauro Ffortissimo, pushed the pianos out to the scenic spots without waiting for permits to come through, which he says could have taken years.\u003c/p>\n\u003cp>Instead, he wanted to draw people together immediately, through music and spontaneous piano playing.\u003c/p>\n\u003cp>“I have neighbors who haven’t seen each other in years! The piano brought them out of the house,” Ffortissimo says. “It gets them to step away from the computer a bit.”\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Neil Merrilees, swirling a glass of white wine, lives half a block from one piano at Surfer’s Beach in Half Moon Bay. He’s been coming nightly to listen. “It’s been packed every night — in that it’s been played — up until 11 o’clock. Even in the dark,” he reports.\u003c/p>\n\u003cfigure id=\"attachment_104210\" class=\"wp-caption alignright\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/19/104136/-pianos-beach/5690pianos-2/\" rel=\"attachment wp-att-104210\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-104210 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/5690pianos1.jpg\" alt=\"Neighbors and tourists gather around the old pianos that Artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\" width=\"350\" height=\"263\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Neighbors and tourists gather around the old pianos that Artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>A couple of miles down the road at Francis Beach, Mauro Fortissimo plays a baby grand. He accompanies two men who are reading poetry to an audience of two dozen. As if poetry and piano in \u003cem>plein\u003c/em> air weren’t enough, Ffortissimo simultaneously plays the melodica, an instrument somewhat like an accordion. But instead of pumping it, he blows into it.\u003c/p>\n\u003cp>Ffortissimo believes the music created in the drop-in concerts travels beyond the immediate beaches. “The idea of bringing music out is to just get away from the concert halls where they bounce from wall to wall and ends there,” Fortissimo says. “This, you put the sounds out and they travel.”\u003c/p>\n\u003cp>A 6-year-old girl is next at the bench, followed by 20-year-old Rebecca Young of Belmont. “Combining music and nature – it’s inspiring. It’s surreal,” Young says.\u003c/p>\n\u003cp>The idea to push the pianos to the beach came to Ffortissimo after the Oakland Unified School District gave him nine old pianos it couldn’t find a buyer for. Ffortissimo collects old pianos. He deconstructs the instruments (he calls it “liberating”) and reconstructs them into sculpture.\u003c/p>\n\u003cfigure id=\"attachment_104208\" class=\"wp-caption alignleft\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/19/104136/-pianos-beach/5693pianos/\" rel=\"attachment wp-att-104208\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-104208 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/5693pianos.jpg\" alt=\"Six-year-old Penelope Keep performs at Francis Beach in Half Moon Bay on one of twelve old pianos that artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\" width=\"350\" height=\"263\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Six-year-old Penelope Keep performs at Francis Beach in Half Moon Bay on one of twelve old pianos that artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>But since Ffortissimo decided against waiting for permits to start this art project, authorities have been removing the 800-pound pianos from their beachfront spots one at a time over the past two weeks. Ffortisimo laughs: “The Federales are after me!”\u003c/p>\n\u003cp>Ffortisimo expects two of the original twelve pianos to hold their ground at Tunitas Beach and Francis Beach until the grand finale at sunset Sunday night, at which point Ffortissimo will haul what’s left to his studio to transform them into their next artistic incarnation.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F101787755\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Neil Merrilees, swirling a glass of white wine, lives half a block from one piano at Surfer’s Beach in Half Moon Bay. He’s been coming nightly to listen. “It’s been packed every night — in that it’s been played — up until 11 o’clock. Even in the dark,” he reports.\u003c/p>\n\u003cfigure id=\"attachment_104210\" class=\"wp-caption alignright\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/19/104136/-pianos-beach/5690pianos-2/\" rel=\"attachment wp-att-104210\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-104210 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/5690pianos1.jpg\" alt=\"Neighbors and tourists gather around the old pianos that Artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\" width=\"350\" height=\"263\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Neighbors and tourists gather around the old pianos that Artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>A couple of miles down the road at Francis Beach, Mauro Fortissimo plays a baby grand. He accompanies two men who are reading poetry to an audience of two dozen. As if poetry and piano in \u003cem>plein\u003c/em> air weren’t enough, Ffortissimo simultaneously plays the melodica, an instrument somewhat like an accordion. But instead of pumping it, he blows into it.\u003c/p>\n\u003cp>Ffortissimo believes the music created in the drop-in concerts travels beyond the immediate beaches. “The idea of bringing music out is to just get away from the concert halls where they bounce from wall to wall and ends there,” Fortissimo says. “This, you put the sounds out and they travel.”\u003c/p>\n\u003cp>A 6-year-old girl is next at the bench, followed by 20-year-old Rebecca Young of Belmont. “Combining music and nature – it’s inspiring. It’s surreal,” Young says.\u003c/p>\n\u003cp>The idea to push the pianos to the beach came to Ffortissimo after the Oakland Unified School District gave him nine old pianos it couldn’t find a buyer for. Ffortissimo collects old pianos. He deconstructs the instruments (he calls it “liberating”) and reconstructs them into sculpture.\u003c/p>\n\u003cfigure id=\"attachment_104208\" class=\"wp-caption alignleft\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/19/104136/-pianos-beach/5693pianos/\" rel=\"attachment wp-att-104208\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-104208 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/5693pianos.jpg\" alt=\"Six-year-old Penelope Keep performs at Francis Beach in Half Moon Bay on one of twelve old pianos that artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\" width=\"350\" height=\"263\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Six-year-old Penelope Keep performs at Francis Beach in Half Moon Bay on one of twelve old pianos that artist Mauro Fortissimo hauled out to the beaches of San Mateo County. (Francesca Segrѐ/ KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>But since Ffortissimo decided against waiting for permits to start this art project, authorities have been removing the 800-pound pianos from their beachfront spots one at a time over the past two weeks. Ffortisimo laughs: “The Federales are after me!”\u003c/p>\n\u003cp>Ffortisimo expects two of the original twelve pianos to hold their ground at Tunitas Beach and Francis Beach until the grand finale at sunset Sunday night, at which point Ffortissimo will haul what’s left to his studio to transform them into their next artistic incarnation.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F101787755\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "News Pix: Zimmerman Acquittal Protests, Napolitano Appointed Head of UC and Beach Pianos",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104145\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719Trayvonfire.jpg\" alt=\"PhotoWeek130719Trayvonfire\" width=\"640\" height=\"450\">\u003cbr>\nA woman dances in the street in front of a trash can fire set by protesters at 18th Street and Telegraph Avenue in \u003ca href=\"http://ww2.kqed.org/news/2013/07/16/jean-quan-oakland-protests-trayvon-martin/\">Oakland on Saturday, July 13\u003c/a>. Some protesters turned violent in response to the acquittal of George Zimmerman in the Trayvon Martin trial. (\u003ca href=\"http://www.annavignet.com\">Anna Vignet\u003c/a> / \u003ca href=\"http://sfpublicpress.org/\">San Francisco Public Press\u003c/a>)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104146\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/TrayvonMarch.jpg\" alt=\"TrayvonMarch\" width=\"640\" height=\"450\">\u003cbr>\nAbout 150 people marched through downtown Oakland on July 13, 2013, \u003ca href=\"http://ww2.kqed.org/news/2013/07/15/zimmerman-verdict-trayvon-martin/\">protesting the acquittal of George Zimmerman\u003c/a> for killing unarmed black teenager Trayvon Martin last year in Florida. Many marchers were peaceful, but some people broke storefront windows and lit fires in the street. (Alex Emslie / KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104147\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719buildingbrid.jpg\" alt=\"PhotoWeek130719buildingbrid\" width=\"640\" height=\"450\">\u003cbr>\nAs the eastern span of the Bay Bridge enters its final building phase, a new show at the Oakland Museum of California offers 23 \u003ca href=\"http://www.berkeleyside.com/2013/07/18/local-boy-gets-to-shoot-2-bay-bridges-under-construction/\">stunning photos of the original Bay Bridge and Golden Gate Bridge under construction\u003c/a>. Oakland photographer Peter Stackpole was only 20 when he was granted informal access to the bridges, and shot the images between 1934 and 1936. Twenty-three men died while building the bridge. This photo, \"Quitting Time,\" likely shows workers heading home early after one of their colleagues died on the job. (\u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a> / Courtesy of Collection of the Oakland Museum of California)\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104148\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/beach-piano.jpg\" alt=\"beach piano\" width=\"640\" height=\"449\">\u003c/p>\n\u003cp>Six-year-old Penelope Keep performs at Francis Beach in Half Moon Bay on one of 12 old pianos that artist Mauro Ffortissimo hauled out to the beaches of San Mateo County. (Francesa Segre / KQED)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104150\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719turkeys.jpg\" alt=\"PhotoWeek130719turkeys\" width=\"640\" height=\"450\">\u003cbr>\n\u003ca href=\"http://www.berkeleyside.com/2013/07/16/wild-turkeys-take-their-young-for-walks-through-berkeley/\">Wild turkeys\u003c/a> are a common site on Berkeley's streets as they forage for food in the urban landscape. It's not often you see so many turkey poults all at once, though. These were spotted on Cornell Avenue near Hopkins Street. (Neil Mishalov / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104149\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Napolitano2.jpg\" alt=\"Napolitano2\" width=\"640\" height=\"450\">\u003cbr>\nThe UC Regents nominated \u003ca href=\"http://ww2.kqed.org/news/2013/07/18/104055/-uc-protest-janet-napolitano\">Janet Napolitano to head the University of California \u003c/a>system. She accepted the position on Thursday. Many undocumented UC students protested her nomination, upset by her former role as secretary of Homeland Security. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104151\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719clothes.jpg\" alt=\"PhotoWeek130719clothes\" width=\"640\" height=\"450\">\u003cbr>\n\"You're not with it if you're not air-drying your clothes!\" was the message conveyed on Wednesday, July 17, when a gigantic clothesline was erected at Berkeley's Civic Center Park. Members of Rising Sun Energy Center's California Youth Energy Services (CYES) program proudly explained the work they've been doing \u003ca href=\"http://www.berkeleyside.com/2013/07/18/youre-not-with-it-if-youre-not-air-drying-your-clothes/\">to make Berkeley's community more sustainable\u003c/a>. (Julia Hannafin / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104152\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Ivanapah.jpg\" alt=\"Ivanapah\" width=\"639\" height=\"450\">\u003cbr>\nThe \u003ca href=\"http://blogs.kqed.org/science/audio/as-worlds-largest-solar-thermal-plant-opens-california-looks-to-end-solar-wars/\">largest solar thermal plant in the world will soon start producing power\u003c/a> in California's Mojave Desert. The Ivanpah Solar Electric Generating System will supply both Northern and Southern California, inching the state one step closer to its ambitious renewable energy goal. Ivanpah doesn't use the solar technology most of us think of – those dark silicon panels sitting on rooftops. The project harnesses the sun's heat, reflecting off a field of 170,000 mirrors. They shimmer across a dry, dusty valley about 5 miles from the California-Nevada state line, surrounding three 400-foot concrete towers. (Lauren Sommer / KQED)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104145\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719Trayvonfire.jpg\" alt=\"PhotoWeek130719Trayvonfire\" width=\"640\" height=\"450\">\u003cbr>\nA woman dances in the street in front of a trash can fire set by protesters at 18th Street and Telegraph Avenue in \u003ca href=\"http://ww2.kqed.org/news/2013/07/16/jean-quan-oakland-protests-trayvon-martin/\">Oakland on Saturday, July 13\u003c/a>. Some protesters turned violent in response to the acquittal of George Zimmerman in the Trayvon Martin trial. (\u003ca href=\"http://www.annavignet.com\">Anna Vignet\u003c/a> / \u003ca href=\"http://sfpublicpress.org/\">San Francisco Public Press\u003c/a>)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104146\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/TrayvonMarch.jpg\" alt=\"TrayvonMarch\" width=\"640\" height=\"450\">\u003cbr>\nAbout 150 people marched through downtown Oakland on July 13, 2013, \u003ca href=\"http://ww2.kqed.org/news/2013/07/15/zimmerman-verdict-trayvon-martin/\">protesting the acquittal of George Zimmerman\u003c/a> for killing unarmed black teenager Trayvon Martin last year in Florida. Many marchers were peaceful, but some people broke storefront windows and lit fires in the street. (Alex Emslie / KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104147\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719buildingbrid.jpg\" alt=\"PhotoWeek130719buildingbrid\" width=\"640\" height=\"450\">\u003cbr>\nAs the eastern span of the Bay Bridge enters its final building phase, a new show at the Oakland Museum of California offers 23 \u003ca href=\"http://www.berkeleyside.com/2013/07/18/local-boy-gets-to-shoot-2-bay-bridges-under-construction/\">stunning photos of the original Bay Bridge and Golden Gate Bridge under construction\u003c/a>. Oakland photographer Peter Stackpole was only 20 when he was granted informal access to the bridges, and shot the images between 1934 and 1936. Twenty-three men died while building the bridge. This photo, \"Quitting Time,\" likely shows workers heading home early after one of their colleagues died on the job. (\u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a> / Courtesy of Collection of the Oakland Museum of California)\u003c!--more-->\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104148\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/beach-piano.jpg\" alt=\"beach piano\" width=\"640\" height=\"449\">\u003c/p>\n\u003cp>Six-year-old Penelope Keep performs at Francis Beach in Half Moon Bay on one of 12 old pianos that artist Mauro Ffortissimo hauled out to the beaches of San Mateo County. (Francesa Segre / KQED)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104150\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719turkeys.jpg\" alt=\"PhotoWeek130719turkeys\" width=\"640\" height=\"450\">\u003cbr>\n\u003ca href=\"http://www.berkeleyside.com/2013/07/16/wild-turkeys-take-their-young-for-walks-through-berkeley/\">Wild turkeys\u003c/a> are a common site on Berkeley's streets as they forage for food in the urban landscape. It's not often you see so many turkey poults all at once, though. These were spotted on Cornell Avenue near Hopkins Street. (Neil Mishalov / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104149\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Napolitano2.jpg\" alt=\"Napolitano2\" width=\"640\" height=\"450\">\u003cbr>\nThe UC Regents nominated \u003ca href=\"http://ww2.kqed.org/news/2013/07/18/104055/-uc-protest-janet-napolitano\">Janet Napolitano to head the University of California \u003c/a>system. She accepted the position on Thursday. Many undocumented UC students protested her nomination, upset by her former role as secretary of Homeland Security. (Deborah Svoboda / KQED)\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104151\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130719clothes.jpg\" alt=\"PhotoWeek130719clothes\" width=\"640\" height=\"450\">\u003cbr>\n\"You're not with it if you're not air-drying your clothes!\" was the message conveyed on Wednesday, July 17, when a gigantic clothesline was erected at Berkeley's Civic Center Park. Members of Rising Sun Energy Center's California Youth Energy Services (CYES) program proudly explained the work they've been doing \u003ca href=\"http://www.berkeleyside.com/2013/07/18/youre-not-with-it-if-youre-not-air-drying-your-clothes/\">to make Berkeley's community more sustainable\u003c/a>. (Julia Hannafin / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-104152\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Ivanapah.jpg\" alt=\"Ivanapah\" width=\"639\" height=\"450\">\u003cbr>\nThe \u003ca href=\"http://blogs.kqed.org/science/audio/as-worlds-largest-solar-thermal-plant-opens-california-looks-to-end-solar-wars/\">largest solar thermal plant in the world will soon start producing power\u003c/a> in California's Mojave Desert. The Ivanpah Solar Electric Generating System will supply both Northern and Southern California, inching the state one step closer to its ambitious renewable energy goal. Ivanpah doesn't use the solar technology most of us think of – those dark silicon panels sitting on rooftops. The project harnesses the sun's heat, reflecting off a field of 170,000 mirrors. They shimmer across a dry, dusty valley about 5 miles from the California-Nevada state line, surrounding three 400-foot concrete towers. (Lauren Sommer / KQED)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Singer Kim Nalley's Powerful New Song About Trayvon Martin",
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"content": "\u003cp>\u003ciframe src=\"//www.youtube.com/embed/NaM7UHdu7s0\" frameborder=\"0\" width=\"620\" height=\"400\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>By Cy Musiker\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_103589\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/15/zimmerman-verdict-trayvon-martin/trayvonmartinprotest-jpg/\" rel=\"attachment wp-att-103589\">\u003cimg class=\"size-thumbnail wp-image-103589 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/TrayvonMartinProtest.jpg-200x200.jpg\" alt=\"George Zimmerman was found not guilty of the murder of Trayvon Martin on July 13. (Scott Olson/Getty Images)\" width=\"200\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">George Zimmerman was found not guilty of the murder of Trayvon Martin on July 13. (Scott Olson/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>A Florida jury's recent acquittal of George Zimmerman in the shooting death of Trayvon Martin has triggered numerous demonstrations, of course, but it has also inspired some powerful artistic responses.\u003c/p>\n\u003cp>Here, singer Kim Nalley, known for her sophisticated blend of blues, jazz and soul, does more of a field holler, an original song that captures the many layers of emotional complexity in the Trayvon Martin story. I got chills watching it.\u003c/p>\n\u003cp>Nalley plays the Mendocino Music Festival Friday, and then she does four nights at Dizzy’s Club Coca Cola in New York as part of Jazz at Lincoln Center.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Listen to my recent interview with Nalley for KQED News.\u003cbr>\n\u003ciframe src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F101608509%3Fsecret_token%3Ds-9LqcD\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\">\u003c/iframe>\u003c/p>\n\n",
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"description": "By Cy Musiker A Florida jury's recent acquittal of George Zimmerman in the shooting death of Trayvon Martin has triggered numerous demonstrations, of course, but it has also inspired some powerful artistic responses. Here, singer Kim Nalley, known for her sophisticated blend of blues, jazz and soul, does more of a field holler, an original song",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ciframe src=\"//www.youtube.com/embed/NaM7UHdu7s0\" frameborder=\"0\" width=\"620\" height=\"400\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>By Cy Musiker\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_103589\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/2013/07/15/zimmerman-verdict-trayvon-martin/trayvonmartinprotest-jpg/\" rel=\"attachment wp-att-103589\">\u003cimg class=\"size-thumbnail wp-image-103589 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/TrayvonMartinProtest.jpg-200x200.jpg\" alt=\"George Zimmerman was found not guilty of the murder of Trayvon Martin on July 13. (Scott Olson/Getty Images)\" width=\"200\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">George Zimmerman was found not guilty of the murder of Trayvon Martin on July 13. (Scott Olson/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>A Florida jury's recent acquittal of George Zimmerman in the shooting death of Trayvon Martin has triggered numerous demonstrations, of course, but it has also inspired some powerful artistic responses.\u003c/p>\n\u003cp>Here, singer Kim Nalley, known for her sophisticated blend of blues, jazz and soul, does more of a field holler, an original song that captures the many layers of emotional complexity in the Trayvon Martin story. I got chills watching it.\u003c/p>\n\u003cp>Nalley plays the Mendocino Music Festival Friday, and then she does four nights at Dizzy’s Club Coca Cola in New York as part of Jazz at Lincoln Center.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Listen to my recent interview with Nalley for KQED News.\u003cbr>\n\u003ciframe src=\"https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F101608509%3Fsecret_token%3Ds-9LqcD\" frameborder=\"no\" scrolling=\"no\" width=\"100%\" height=\"166\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A \u003ca href=\"https://www.youtube.com/watch?feature=player_embedded&v=ZBdzTvtDmKs\" target=\"_blank\" rel=\"noopener\">video\u003c/a> of Lester Chambers being pushed hard to the ground on-stage at the Hayward Russell City Blues Festival on Saturday was posted on the legendary soul singer’s \u003ca href=\"https://www.facebook.com/lester.chambers.96\" target=\"_blank\" rel=\"noopener\">Facebook page\u003c/a> this afternoon. The attack, which comes at the end of the video at 4:18, shows Dinalynn Andrews Potter climbing on stage and pushing Chambers over during a performance of “People Get Ready.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"//www.youtube.com/embed/ZBdzTvtDmKs\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca target=\"_blank\" rel=\"noopener\">News reports\u003c/a> said that Chambers had dedicated the song to slain African American teenager Trayvon Martin, but that is not shown in the video. George Zimmerman, who shot and killed Martin, was acquitted by a Florida jury on Saturday.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.mercurynews.com/breaking-news/ci_23659522/hayward-woman-allegedly-attacks-73-year-old-musician\" target=\"_blank\" rel=\"noopener\">Bay Area News Group reported\u003c/a> that Chambers’ family is pressing police to file hate crime charges against Potter. Chambers’ son Dylan posted a \u003ca href=\"http://media.cmgdigital.com/shared/lt/lt_cache/thumbnail/615/img/photos/2013/07/14/36/2f/LEsterChambersInjury.jpg\" target=\"_blank\" rel=\"noopener\">photo of Chambers\u003c/a> with a big bruise on his back recovering from the attack at home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "News Pix: Asiana Plane Crash, CCSF Supporters Rally and Prisoners Go on Hunger Strike",
"title": "News Pix: Asiana Plane Crash, CCSF Supporters Rally and Prisoners Go on Hunger Strike",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103443\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712Asiana.jpg\" alt=\"PhotoWeek130712Asiana\" width=\"640\" height=\"450\">\u003cbr>\nAsiana Airlines Flight 214 \u003ca href=\"http://ww2.kqed.org/news/2013/07/06/airliner-crash-lands-at-san-francisco-international-airport/\">crash landed at SFO\u003c/a> on Saturday, July 6. Two young women died in the crash and 182 people were treated for injuries at nearby hospitals. The National Transportation Safety Board (NTSB) has been investigating the crash to determine its cause. Runway 28L has been closed since the crash, but SFO workers are working to clear debris and restore landing equipment in order to open the runway in a few days. (Courtesy of the \u003ca href=\"http://flightaware.com/photos/aircraft/HL7742\">NTSB\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103444\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/CCSF-rally.jpg\" alt=\"CCSF rally\" width=\"640\" height=\"450\">\u003cbr>\nSupporters of the Community College of San Francisco rallied Wednesday, July 10 in support of the college's efforts to \u003ca href=\"http://ww2.kqed.org/news/2013/07/10/103173/\">appeal a decision revoking its accreditation\u003c/a>. Elsy Rivas (left) is set to graduate from CCSF this year and Gabriela Herrera, beside her, graduated from CCSF in May. \"We want to conserve public education,\" said Rivas. (Ryder Diaz / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://solitary-lives.apps.cironline.org/\">\u003cimg class=\"aligncenter size-full wp-image-103445\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712LonnieRose.jpg\" alt=\"PhotoWeek130712LonnieRose\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nFor nearly 25 years, the California Department of Corrections and Rehabilitation banned inmates held in isolation, known as security housing units, from having a \u003ca href=\"http://www.californiareport.org/archive/R201307080850/a\">current photo to keep or share \u003c/a>with family and friends. Over 12,000 inmates at Pelican Bay and Crescent City prisons have begun a \u003ca href=\"http://www.californiareport.org/archive/R201307110850/a\">hunger strike\u003c/a> to protest harsh conditions like this. Lonnie Rose spent more than 10 years in two security housing units. He recently was released from prison under Proposition 36, which allowed the release or parole of nonviolent third-strike offenders. Here he holds two photos of himself, one taken in 1999 (left) and the other taken in March. (Adithya Sambamurthy / \u003ca href=\"http://solitary-lives.apps.cironline.org/\">The Center for Investigative Reporting\u003c/a>)\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://solitary-lives.apps.cironline.org/\">\u003cimg class=\"aligncenter size-full wp-image-103446\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712prisonfamily.jpg\" alt=\"PhotoWeek130712prisonfamily\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nAfter Pietro Sartoresi was detained at \u003ca href=\"http://www.californiareport.org/archive/R201307110850/a\">Pelican Bay State Prison\u003c/a>, relatives chose to include a framed photo of him (on picnic table) in their family portrait. With phone calls and photos banned by the prison, the Sartoresi family says the portrait brought him into their everyday life. (Adithya Sambamurthy / \u003ca href=\"http://cironline.org/\">The Center for Investigative Reporting\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=gallery\">\u003cimg class=\"aligncenter size-full wp-image-103447\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712GreatHighway.jpg\" alt=\"PhotoWeek130712GreatHighway\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nHundreds of San Francisco residents flocked to the end of Lincoln Avenue and Great Highway to enjoy a number of vendors offering everything from electric-bicycle test drives to lunch during \u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=slide\">Sunday Streets\u003c/a>, an event which closes down local streets to car traffic on Sunday, July 7, in San Francisco. (Nick Moone / \u003ca href=\"http://oceanbeachbulletin.com/\">Ocean Beach Bulletin\u003c/a>)\u003cbr>\n\u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=gallery\">\u003cimg class=\"aligncenter size-full wp-image-103448\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712sax.jpg\" alt=\"PhotoWeek130712sax\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nMatt Chroust on saxaphone for a local band, Noble Savages, set up and played for the passing crowds near \u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=gallery\">Judah and Great Highway during Sunday Streets\u003c/a>, an event which closes down local streets to car traffic on Sunday, July 7. (Nick Moone / \u003ca href=\"http://oceanbeachbulletin.com/\">Ocean Beach Bulletin\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.berkeleyside.com/2013/07/08/berkeleys-sundays-on-telegraph-event-gains-momentum/\">\u003cimg class=\"aligncenter size-full wp-image-103449\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712Telegraph.jpg\" alt=\"PhotoWeek130712Telegraph\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nJugglers perform at \u003ca href=\"http://www.berkeleyside.com/2013/07/08/berkeleys-sundays-on-telegraph-event-gains-momentum/\">Sundays on Telegraph \u003c/a>in Berkeley on July 7. The weekly event runs throughout the summer and is an attempt to draw people back to what was once Berkeley's most well-known and vibrant street. (\u003ca href=\"http://www.flickr.com/photos/wnewton/\">William Newton\u003c/a> / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103443\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712Asiana.jpg\" alt=\"PhotoWeek130712Asiana\" width=\"640\" height=\"450\">\u003cbr>\nAsiana Airlines Flight 214 \u003ca href=\"http://ww2.kqed.org/news/2013/07/06/airliner-crash-lands-at-san-francisco-international-airport/\">crash landed at SFO\u003c/a> on Saturday, July 6. Two young women died in the crash and 182 people were treated for injuries at nearby hospitals. The National Transportation Safety Board (NTSB) has been investigating the crash to determine its cause. Runway 28L has been closed since the crash, but SFO workers are working to clear debris and restore landing equipment in order to open the runway in a few days. (Courtesy of the \u003ca href=\"http://flightaware.com/photos/aircraft/HL7742\">NTSB\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103444\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/CCSF-rally.jpg\" alt=\"CCSF rally\" width=\"640\" height=\"450\">\u003cbr>\nSupporters of the Community College of San Francisco rallied Wednesday, July 10 in support of the college's efforts to \u003ca href=\"http://ww2.kqed.org/news/2013/07/10/103173/\">appeal a decision revoking its accreditation\u003c/a>. Elsy Rivas (left) is set to graduate from CCSF this year and Gabriela Herrera, beside her, graduated from CCSF in May. \"We want to conserve public education,\" said Rivas. (Ryder Diaz / KQED)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://solitary-lives.apps.cironline.org/\">\u003cimg class=\"aligncenter size-full wp-image-103445\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712LonnieRose.jpg\" alt=\"PhotoWeek130712LonnieRose\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nFor nearly 25 years, the California Department of Corrections and Rehabilitation banned inmates held in isolation, known as security housing units, from having a \u003ca href=\"http://www.californiareport.org/archive/R201307080850/a\">current photo to keep or share \u003c/a>with family and friends. Over 12,000 inmates at Pelican Bay and Crescent City prisons have begun a \u003ca href=\"http://www.californiareport.org/archive/R201307110850/a\">hunger strike\u003c/a> to protest harsh conditions like this. Lonnie Rose spent more than 10 years in two security housing units. He recently was released from prison under Proposition 36, which allowed the release or parole of nonviolent third-strike offenders. Here he holds two photos of himself, one taken in 1999 (left) and the other taken in March. (Adithya Sambamurthy / \u003ca href=\"http://solitary-lives.apps.cironline.org/\">The Center for Investigative Reporting\u003c/a>)\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://solitary-lives.apps.cironline.org/\">\u003cimg class=\"aligncenter size-full wp-image-103446\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712prisonfamily.jpg\" alt=\"PhotoWeek130712prisonfamily\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nAfter Pietro Sartoresi was detained at \u003ca href=\"http://www.californiareport.org/archive/R201307110850/a\">Pelican Bay State Prison\u003c/a>, relatives chose to include a framed photo of him (on picnic table) in their family portrait. With phone calls and photos banned by the prison, the Sartoresi family says the portrait brought him into their everyday life. (Adithya Sambamurthy / \u003ca href=\"http://cironline.org/\">The Center for Investigative Reporting\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=gallery\">\u003cimg class=\"aligncenter size-full wp-image-103447\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712GreatHighway.jpg\" alt=\"PhotoWeek130712GreatHighway\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nHundreds of San Francisco residents flocked to the end of Lincoln Avenue and Great Highway to enjoy a number of vendors offering everything from electric-bicycle test drives to lunch during \u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=slide\">Sunday Streets\u003c/a>, an event which closes down local streets to car traffic on Sunday, July 7, in San Francisco. (Nick Moone / \u003ca href=\"http://oceanbeachbulletin.com/\">Ocean Beach Bulletin\u003c/a>)\u003cbr>\n\u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=gallery\">\u003cimg class=\"aligncenter size-full wp-image-103448\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712sax.jpg\" alt=\"PhotoWeek130712sax\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nMatt Chroust on saxaphone for a local band, Noble Savages, set up and played for the passing crowds near \u003ca href=\"http://oceanbeachbulletin.com/2013/07/11/sunday-streets-great-highway-in-photos/?show=gallery\">Judah and Great Highway during Sunday Streets\u003c/a>, an event which closes down local streets to car traffic on Sunday, July 7. (Nick Moone / \u003ca href=\"http://oceanbeachbulletin.com/\">Ocean Beach Bulletin\u003c/a>)\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.berkeleyside.com/2013/07/08/berkeleys-sundays-on-telegraph-event-gains-momentum/\">\u003cimg class=\"aligncenter size-full wp-image-103449\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/PhotoWeek130712Telegraph.jpg\" alt=\"PhotoWeek130712Telegraph\" width=\"640\" height=\"450\">\u003c/a>\u003cbr>\nJugglers perform at \u003ca href=\"http://www.berkeleyside.com/2013/07/08/berkeleys-sundays-on-telegraph-event-gains-momentum/\">Sundays on Telegraph \u003c/a>in Berkeley on July 7. The weekly event runs throughout the summer and is an attempt to draw people back to what was once Berkeley's most well-known and vibrant street. (\u003ca href=\"http://www.flickr.com/photos/wnewton/\">William Newton\u003c/a> / \u003ca href=\"http://www.berkeleyside.com/\">Berkeleyside\u003c/a>)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'Fruitvale Station' Opens: The Movie About the Life and Death of Oscar Grant ",
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"content": "\u003cfigure id=\"attachment_27061\" class=\"wp-caption alignleft\" style=\"max-width: 298px\">\u003ca href=\"http://ww2.kqed.org/news/2011/05/11/bart-excused-from-oscar-grant-civil-lawsuit/oscargrantfam0511/\" rel=\"attachment wp-att-27061\">\u003cimg class=\"size-full wp-image-27061 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/05/oscargrantfam0511.jpg\" alt=\"Wanda Johnson, the mother of Oscar J. Grant III, was comforted by her supporters outside the Los Angeles Superior Court after Johannes Mesherle was sentanced to voluntary manslaughter. Mark Ralston/AFP/Getty \" width=\"298\" height=\"198\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson, the mother of Oscar J. Grant III, was comforted by her supporters outside the Los Angeles Superior Court after Johannes Mesherle was sentanced to voluntary manslaughter. Mark Ralston/AFP/Getty\u003c/figcaption>\u003c/figure>\n\u003cp>The new film \"Fruitvale Station,\" which opens today, examines the final 24 hours in the life of Oscar Grant, the 22 year-old, unarmed black man who was shot and killed by a BART police officer early on New Year's Day 2009. The death triggered riots in Oakland, and raised serious questions about relationship between citizens and the police. The film won the Grand Jury Prize and Audience Award at this year's Sundance Film Festival.\u003c/p>\n\u003cp>NPR has an \u003ca href=\"http://www.npr.org/2013/07/11/201139403/-fruitvale-station-stars-take-on-oakland-shooting\">article\u003c/a> about how the stars of the film -- Michael B. Jordan, who plays Oscar Grant, and Octavia Spencer, who plays his mother -- felt about what is was like to act in the movie based on a true story.\u003c/p>\n\u003cp>KQED's Jon Brooks\u003ca href=\"http://www.kqed.org/arts/movies/article.jsp?essid=123209\"> reviewed\u003c/a> the movie, observing: \"'Fruitvale Station' certainly does humanize Grant, in a way that turns someone who has existed as a mere headline for many and a symbol for many more, into a person with hopes, dreams, and flaws.\"\u003c/p>\n\u003cp>\"Fruitvale Station\" is the first feature for writer/director and Oakland native Ryan Coogler. In an \u003ca href=\"http://www.7x7.com/arts-culture/fruitvale-station-oscar-grant-san-francisco\"> interview\u003c/a>, Coogler stated, \"It was my goal that this film could be shared with people who would never come in contact with somebody like Oscar Grant. We focused on the human relationships. Everybody knows what it's like to have a mom, everybody knows how it is to have somebody they love, a lot of people know what it's like to have a daughter and a lot people know what it's like to be 22 years old.\"\u003c!--more-->\u003c/p>\n\u003cp>In advance of the film opening tonight, KQED reporter Stephanie Martin spoke with two young Oakland residents on Thursday about the movie and their hopes for it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Stephanie Martin\u003c/strong>: The film \"Fruitvale Station\" opens in theaters nationwide tomorrow and nowhere will it hit closer to home than East Oakland. It tells the story of 22-year-old Oscar Grant, who was unarmed when BART police officer Johannes Mehserle shot him on the Fruitvale train platform early New Year’s Day 2009.\u003c/p>\n\u003cp>Today I visited Oakland’s Youth Uprising Community Center. There I met Brandon Robbins and Dimitrius McWilliams. The two young men didn’t know Oscar Grant, but they say they identify with him in many ways. Robbins says he took BART to San Francisco from Fruitvale on New Year’s Eve and heard about the shooting the following day.\u003c/p>\n\u003cp>\u003cstrong>Brandon Robbins:\u003c/strong> I saw it online and when I saw it online the first thing I thought was this is just visual evidence of something that happens, I don’t want to say quite often, but it happens. It’s happened in history plenty of times. It’s just the first time it’s actually on camera, flat out on camera. I didn’t realize the power of social media in this decade.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: After you learned about what happened, did it change the way you felt when you rode BART? Did it change the way you felt in society?\u003c/p>\n\u003cp>\u003cstrong>Robbins\u003c/strong>: No, because for me since I was a kid, my parents, we really don’t like the police and there’s reasons. For me it’s always been I try to stay far away from the police.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: What about you Dimitrius? Did your outlook change at all after the Oscar Grant killing?\u003c/p>\n\u003cp>\u003cstrong>Dimitrius McWilliams\u003c/strong>: My outlook on BART police changed in that I’m more cautious and it kinds of makes me think that could have been me if I was him.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: The movie comes out tomorrow. You’ve seen the trailers, but you haven’t seen the film, neither one of you. What are you hoping this movie shows?\u003c/p>\n\u003cp>\u003cstrong>Robbins\u003c/strong>: I would hope and think they would go into more of the case, the facts about the case. It’s similar to the Trayvon Martin case, at this point it’s become much bigger than Oscar Grant. It’s become a civilians v. the police type thing, so I’m hoping that they actually in a way celebrate him, but at the same time make it very clear this is an issue and this is an issue that won’t be tolerated.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: And how about you Dimitrius?\u003c/p>\n\u003cp>\u003cstrong>McWilliams:\u003c/strong> I feel every time I see the trailer I get kind of happy, because it’s starting to show you can do anything, make a movie about it and bring it to everybody’s attention and they can have a conversation about it and have the ability to speak about how they feel. Also, when the movie comes out I hope it shows things aren’t always what it seems. You can have one side of the story and the other side of the story, but this movie, like what Brandon was saying, I hope it also does show the actual inside, in-depth details, not too in-depth, but in-depth details, so people can actually understand and not just say, \"Mehserle, blah, blah, blah, he’s racist, he’s racist.\"\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: Of course, the backdrop is your town Oakland, the place you live. What are you hoping for Oakland?\u003c/p>\n\u003cp>\u003cstrong>McWilliams:\u003c/strong> I want to see Oakland join and stop all the fighting, and everybody should all at least care for one another, start caring.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: Do you think a movie has that kind of power?\u003c/p>\n\u003cp>\u003cstrong>Robbins\u003c/strong>: Yeah, it definitely can. They say video games have that kind of power, so I think a movie can. Because I know plenty of people who were like, “Oh, Mehserle is a cold-blooded killer,” but then they’ll go outside and do around the same thing. They’ll shoot somebody or they’ll say, “I should have shot him.” We shall see, we shall see if the movie has as much power. But, I’m the type of person, I can watch ‘Lion King’ and get something from it. I think this is an opportunity. We can pivot things, definitely.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: Brandon, Demetrius, thank you so much. Johannes Mehserle was convicted of involuntary manslaughter in the case. This has been Stephanie Martin.\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.youtube.com/embed/CxUG-FjefDk\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_27061\" class=\"wp-caption alignleft\" style=\"max-width: 298px\">\u003ca href=\"http://ww2.kqed.org/news/2011/05/11/bart-excused-from-oscar-grant-civil-lawsuit/oscargrantfam0511/\" rel=\"attachment wp-att-27061\">\u003cimg class=\"size-full wp-image-27061 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/05/oscargrantfam0511.jpg\" alt=\"Wanda Johnson, the mother of Oscar J. Grant III, was comforted by her supporters outside the Los Angeles Superior Court after Johannes Mesherle was sentanced to voluntary manslaughter. Mark Ralston/AFP/Getty \" width=\"298\" height=\"198\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson, the mother of Oscar J. Grant III, was comforted by her supporters outside the Los Angeles Superior Court after Johannes Mesherle was sentanced to voluntary manslaughter. Mark Ralston/AFP/Getty\u003c/figcaption>\u003c/figure>\n\u003cp>The new film \"Fruitvale Station,\" which opens today, examines the final 24 hours in the life of Oscar Grant, the 22 year-old, unarmed black man who was shot and killed by a BART police officer early on New Year's Day 2009. The death triggered riots in Oakland, and raised serious questions about relationship between citizens and the police. The film won the Grand Jury Prize and Audience Award at this year's Sundance Film Festival.\u003c/p>\n\u003cp>NPR has an \u003ca href=\"http://www.npr.org/2013/07/11/201139403/-fruitvale-station-stars-take-on-oakland-shooting\">article\u003c/a> about how the stars of the film -- Michael B. Jordan, who plays Oscar Grant, and Octavia Spencer, who plays his mother -- felt about what is was like to act in the movie based on a true story.\u003c/p>\n\u003cp>KQED's Jon Brooks\u003ca href=\"http://www.kqed.org/arts/movies/article.jsp?essid=123209\"> reviewed\u003c/a> the movie, observing: \"'Fruitvale Station' certainly does humanize Grant, in a way that turns someone who has existed as a mere headline for many and a symbol for many more, into a person with hopes, dreams, and flaws.\"\u003c/p>\n\u003cp>\"Fruitvale Station\" is the first feature for writer/director and Oakland native Ryan Coogler. In an \u003ca href=\"http://www.7x7.com/arts-culture/fruitvale-station-oscar-grant-san-francisco\"> interview\u003c/a>, Coogler stated, \"It was my goal that this film could be shared with people who would never come in contact with somebody like Oscar Grant. We focused on the human relationships. Everybody knows what it's like to have a mom, everybody knows how it is to have somebody they love, a lot of people know what it's like to have a daughter and a lot people know what it's like to be 22 years old.\"\u003c!--more-->\u003c/p>\n\u003cp>In advance of the film opening tonight, KQED reporter Stephanie Martin spoke with two young Oakland residents on Thursday about the movie and their hopes for it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Stephanie Martin\u003c/strong>: The film \"Fruitvale Station\" opens in theaters nationwide tomorrow and nowhere will it hit closer to home than East Oakland. It tells the story of 22-year-old Oscar Grant, who was unarmed when BART police officer Johannes Mehserle shot him on the Fruitvale train platform early New Year’s Day 2009.\u003c/p>\n\u003cp>Today I visited Oakland’s Youth Uprising Community Center. There I met Brandon Robbins and Dimitrius McWilliams. The two young men didn’t know Oscar Grant, but they say they identify with him in many ways. Robbins says he took BART to San Francisco from Fruitvale on New Year’s Eve and heard about the shooting the following day.\u003c/p>\n\u003cp>\u003cstrong>Brandon Robbins:\u003c/strong> I saw it online and when I saw it online the first thing I thought was this is just visual evidence of something that happens, I don’t want to say quite often, but it happens. It’s happened in history plenty of times. It’s just the first time it’s actually on camera, flat out on camera. I didn’t realize the power of social media in this decade.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: After you learned about what happened, did it change the way you felt when you rode BART? Did it change the way you felt in society?\u003c/p>\n\u003cp>\u003cstrong>Robbins\u003c/strong>: No, because for me since I was a kid, my parents, we really don’t like the police and there’s reasons. For me it’s always been I try to stay far away from the police.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: What about you Dimitrius? Did your outlook change at all after the Oscar Grant killing?\u003c/p>\n\u003cp>\u003cstrong>Dimitrius McWilliams\u003c/strong>: My outlook on BART police changed in that I’m more cautious and it kinds of makes me think that could have been me if I was him.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: The movie comes out tomorrow. You’ve seen the trailers, but you haven’t seen the film, neither one of you. What are you hoping this movie shows?\u003c/p>\n\u003cp>\u003cstrong>Robbins\u003c/strong>: I would hope and think they would go into more of the case, the facts about the case. It’s similar to the Trayvon Martin case, at this point it’s become much bigger than Oscar Grant. It’s become a civilians v. the police type thing, so I’m hoping that they actually in a way celebrate him, but at the same time make it very clear this is an issue and this is an issue that won’t be tolerated.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: And how about you Dimitrius?\u003c/p>\n\u003cp>\u003cstrong>McWilliams:\u003c/strong> I feel every time I see the trailer I get kind of happy, because it’s starting to show you can do anything, make a movie about it and bring it to everybody’s attention and they can have a conversation about it and have the ability to speak about how they feel. Also, when the movie comes out I hope it shows things aren’t always what it seems. You can have one side of the story and the other side of the story, but this movie, like what Brandon was saying, I hope it also does show the actual inside, in-depth details, not too in-depth, but in-depth details, so people can actually understand and not just say, \"Mehserle, blah, blah, blah, he’s racist, he’s racist.\"\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: Of course, the backdrop is your town Oakland, the place you live. What are you hoping for Oakland?\u003c/p>\n\u003cp>\u003cstrong>McWilliams:\u003c/strong> I want to see Oakland join and stop all the fighting, and everybody should all at least care for one another, start caring.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: Do you think a movie has that kind of power?\u003c/p>\n\u003cp>\u003cstrong>Robbins\u003c/strong>: Yeah, it definitely can. They say video games have that kind of power, so I think a movie can. Because I know plenty of people who were like, “Oh, Mehserle is a cold-blooded killer,” but then they’ll go outside and do around the same thing. They’ll shoot somebody or they’ll say, “I should have shot him.” We shall see, we shall see if the movie has as much power. But, I’m the type of person, I can watch ‘Lion King’ and get something from it. I think this is an opportunity. We can pivot things, definitely.\u003c/p>\n\u003cp>\u003cstrong>Martin\u003c/strong>: Brandon, Demetrius, thank you so much. Johannes Mehserle was convicted of involuntary manslaughter in the case. This has been Stephanie Martin.\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.youtube.com/embed/CxUG-FjefDk\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_103194\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://www.flickr.com/photos/13530282@N05/4175153845/in/photolist-7mWKM8-a46wLj\">\u003cimg class=\"size-full wp-image-103194\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Jupiter.jpg\" alt=\"Jupiter, located in the middle of downtown Berkeley is well known for its outdoor patio. It's just one of the restaurants that makes this area a hot spot for patios. (professor evil/Flickr)\" width=\"640\" height=\"360\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jupiter, located in the middle of downtown Berkeley, is well known for its outdoor patio. It's just one of the restaurants that makes this area a hot spot for patios. (professor evil/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Julia Hannafin, \u003ca href=\"http://www.berkeleyside.com/2013/07/10/new-yelp-feature-shines-fun-light-on-berkeley-hotspots/\">Berkeleyside\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>A new Yelp feature called \u003ca href=\"http://www.yelp.com/wordmap/sf\">Wordmap\u003c/a> offers a window into the stereotypes of Berkeley neighborhoods. Wordmap shows heat maps that “(show) density of keywords used in Yelp reviews to reveal fascinating patterns of local discovery.” Users can choose from 14 major cities, which each have their own set of keywords. San Francisco’s Wordmap, \u003ca href=\"http://insidescoopsf.sfgate.com/blog/2013/07/02/yelp-unveils-wordmaps-to-highlight-hipsters-yuppies-and-pbr-hotspots/\">explored in detail by Inside Scoop SF\u003c/a>, has a range of keywords, from “hipster” to “noodles” to “bacon.”\u003cimg class=\"alignright size-full wp-image-103197\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Berkeleyside-logo-small.jpg\" alt=\"Berkeleyside-logo-small\" width=\"163\" height=\"38\">\u003c/p>\n\u003cp>In order to check out Berkeley’s own Wordmap, you can click on the \u003ca href=\"http://www.yelp.com/wordmap/sf/\">San Francisco Wordmap\u003c/a>, and scroll over to the East Bay. The dark red areas are the places where Yelp users \u003cem>really \u003c/em>like to use that keyword in reviews of the area. A look at Berkeley’s Wordmap doesn't reveal anything revolutionary, but it’s fun.\u003c/p>\n\u003cp>What was the keyword that lit up the most of Berkeley? “Cheap” and “patio” were among the most popular.\u003c!--more-->\u003c/p>\n\u003cp>Words that barely showed up at all were “tourist,” “valet,” “romantic” and “sketchy.” “Yuppie” showed a red cluster hovering over Fourth Street, but nowhere else in the city.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Check out Berkeley’s Wordmap, or plug in another city to see what keywords stick out in popular neighborhoods around the country. Any keywords missing from the list?\u003c/p>\n\u003cp>\u003cstrong>CHEAP:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103188\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/cheap.jpg\" alt=\"cheap\" width=\"640\" height=\"360\">\u003c/p>\n\u003cp>\u003cstrong>PATIO:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103189\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/Patio.jpg\" alt=\"Patio\" width=\"640\" height=\"360\">\u003c/p>\n\u003cp>\u003cstrong>HANGOVER:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-103190\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/07/hangover.jpg\" alt=\"hangover\" width=\"640\" height=\"360\">\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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