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"content": "\u003cp>http://www.kqed.org/.stream/anon/radio/tcrmag/2014/02/2014-02-14f-tcrmag.mp3\u003c/p>\n\u003cp>I've got a broken heart -- and I'm ready to try anything to fix it. When I heard about a curandera, or Mexican folk healer, who created an herbal formula to treat just that, I had to meet her.\u003c/p>\n\u003cp>Her name is Atava Garcia Swiecicki, and she runs a small business in Oakland called \u003ca href=\"http://www.ancestralapothecary.com/\" target=\"_blank\">Ancestral Apothecary\u003c/a>, selling herbal products, teaching classes and conducting healing ceremonies like the limpia, a traditional cleansing ritual that helps people heal from loss, such as a death or a breakup.\u003c/p>\n\u003cp>That’s exactly what I need. A few months ago, my boyfriend and I split up. I’m a mess. Some days the tiniest reference to love and romance will make me start sobbing, and then every other part of my life feels like it’s falling apart, too. I know I’m not alone here -- breakups are something almost everyone goes through at some point -- but that doesn’t make it any easier.\u003c/p>\n\u003cp>“I had one client who was so heartbroken she said she felt like she had a bruise on her heart,” Swiecicki tells me when I show up at her office near Lake Merritt. “She’d wake up and look in the mirror, and be like, ‘Do I have a bruise there?’ It just felt sore.”\u003c/p>\n\u003cfigure id=\"attachment_10342108\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Curandera1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Curandera1-400x430.jpg\" alt=\"Atava Garcia Swiecicki is a curandera, or Mexican folk healer, based in Oakland. When she conducts limpias and other ceremonies, she dresses in traditional garb. (Sara Bernard/KQED)\" width=\"400\" height=\"430\" class=\"size-thumbnail wp-image-10342108\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/Curandera1-400x430.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/Curandera1.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Atava Garcia Swiecicki is a curandera, or Mexican folk healer, based in Oakland. When she conducts limpias and other ceremonies, she dresses in traditional garb. (Sara Bernard/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Swiecicki is half Mexican and half Polish, and has trained with many Mexican curanderas, conducting countless limpias for clients, friends and family. I’m crying every day, I can’t concentrate and I’m grasping at strings. I have to try it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>To begin the ceremony, Swiecicki sets up a small altar in the center of the room, carefully arranging the necessary objects -- a raw egg, feathers, a special resin called copal, a drum, a rattle, fresh rosemary and red hummingbird sage.\u003c/p>\n\u003cp>She holds the rosemary and sage to my nose. I take a deep breath. “I’m not going to burn these plants; I make a little broom, and -- with your permission -- hit you with the herbs,” she says with a laugh. “Gently, with love. It’s kind of like if the body was a house and we’re sweeping, we’re cleaning it off.”\u003c/p>\n\u003cp>The egg, Swiecicki says, is an especially important part of the limpia. “It’s used as a psychic vacuum cleaner. It’s rubbed all over the body, to pull off negative energy, cords, to move stuck emotions.”\u003c/p>\n\u003cp>And I do feel stuck. There’s just so much that’s tangled up in losing a romantic partner. There’s the sense of yourself that changes and, really, the whole direction of your life. I hope that, somehow, participating in a ceremony like this can help me transition into the next chapter. \u003c/p>\n\u003cfigure id=\"attachment_10342110\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Herbs.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Herbs-400x376.jpg\" alt=\"An herbalist as well as curandera, Swiecicki makes tinctures and distillations using plants she's gathered from around the Bay Area. (Sara Bernard/KQED)\" width=\"400\" height=\"376\" class=\"size-thumbnail wp-image-10342110\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/Herbs-400x376.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/Herbs.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An herbalist as well as curandera, Swiecicki makes tinctures and distillations using plants she's gathered from around the Bay Area. (Sara Bernard/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>When Swiecicki lights the copal resin with a candle, it starts to crackle and pop; a trail of fragrant smoke fills the air. I sit in a chair in front of the altar and glance around the room. It’s crammed with images of healers and deities from all sorts of traditions, glass bottles of herbal tinctures, crystals, rocks and candles. There are also lots of plants. Ever since Swiezecki started what she calls her “lifetime love affair” with flowers and herbs, she’s been fascinated with their wisdom. She uses them to help with physical, emotional and spiritual ailments -- not only for her clients, but also for herself.\u003c/p>\n\u003cp>“In my own life, I felt like I went through what you could call the dark night of the soul, or a descent into the underworld,” she tells me. “I hit a tremendous amount of grief, which I felt was from my lifetime but also ancestral. I was grieving, and I was crying so much that I had a rash from my tears.”\u003c/p>\n\u003cp>So she started experimenting, and came up with an herbal formula specifically designed to remedy the pain of an emotional loss. She called it Heart Mend. Ingredients include herbs and flowers thought to help both the literal -- and the figurative -- heart, such as hawthorn, lemon balm, red roses, and the flower and bark of the mimosa tree.\u003c/p>\n\u003cp>“In Chinese medicine, mimosa is called ‘the happiness bark’ or ‘the happiness plant,’ ” she says. “They grow around here. They have these wild, pink Dr. Seuss flowers. It’s known to be, quote unquote, ‘the herbal Prozac.’ ”\u003c/p>\n\u003cp>As Swiecicki begins to play the drum, slowly and rhythmically, I close my eyes. I’ve been crying. And I keep crying as Swiezecki brushes my arms and back with the herbs, and the egg, and lulls me into a kind of trance with the rattle and the drum.\u003c/p>\n\u003cfigure id=\"attachment_10342111\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/HeartMend.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/HeartMend-400x372.jpg\" alt=\"Swiecicki has been creating herbal formulas for about ten years. One of her products, Heart Mend, contains mimosa, lemon balm, red roses, and other herbs. (Sara Bernard/KQED)\" width=\"400\" height=\"372\" class=\"size-thumbnail wp-image-10342111\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/HeartMend-400x372.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/HeartMend.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Swiecicki has been creating herbal formulas for about ten years. One of her products, Heart Mend, contains mimosa, lemon balm, red roses, and other herbs. (Sara Bernard/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The ceremony couldn’t have lasted longer than half an hour -- and maybe far less -- but I feel really dizzy and overwhelmed. I realize my sadness isn’t just about this loss. It’s about all kinds of things I haven’t fully dealt with.\u003c/p>\n\u003cp>“Working with these medicines and these ceremonies doesn’t necessarily take away the heartbreak,” Swiecicki says. “But it’s like having a warm embrace, or a soft blanket, or that cup of tea, just something there to comfort us, to hold us, to feel like we’re not alone in it.”\u003c/p>\n\u003cp>Even if a ceremony like this doesn’t do much in and of itself, that’s probably not the point. I walk out of Atava Garcia Swiecicki’s office with a bottle of Heart Mend and the feeling that it is OK to be just exactly where I am.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Anne Hoffman contributed to this report.\u003c/em>\u003c/p>\n\n",
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"excerpt": "A raw egg, feathers, special resin, a drum, a rattle, fresh rosemary and sage — that's only part of it.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>http://www.kqed.org/.stream/anon/radio/tcrmag/2014/02/2014-02-14f-tcrmag.mp3\u003c/p>\n\u003cp>I've got a broken heart -- and I'm ready to try anything to fix it. When I heard about a curandera, or Mexican folk healer, who created an herbal formula to treat just that, I had to meet her.\u003c/p>\n\u003cp>Her name is Atava Garcia Swiecicki, and she runs a small business in Oakland called \u003ca href=\"http://www.ancestralapothecary.com/\" target=\"_blank\">Ancestral Apothecary\u003c/a>, selling herbal products, teaching classes and conducting healing ceremonies like the limpia, a traditional cleansing ritual that helps people heal from loss, such as a death or a breakup.\u003c/p>\n\u003cp>That’s exactly what I need. A few months ago, my boyfriend and I split up. I’m a mess. Some days the tiniest reference to love and romance will make me start sobbing, and then every other part of my life feels like it’s falling apart, too. I know I’m not alone here -- breakups are something almost everyone goes through at some point -- but that doesn’t make it any easier.\u003c/p>\n\u003cp>“I had one client who was so heartbroken she said she felt like she had a bruise on her heart,” Swiecicki tells me when I show up at her office near Lake Merritt. “She’d wake up and look in the mirror, and be like, ‘Do I have a bruise there?’ It just felt sore.”\u003c/p>\n\u003cfigure id=\"attachment_10342108\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Curandera1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Curandera1-400x430.jpg\" alt=\"Atava Garcia Swiecicki is a curandera, or Mexican folk healer, based in Oakland. When she conducts limpias and other ceremonies, she dresses in traditional garb. (Sara Bernard/KQED)\" width=\"400\" height=\"430\" class=\"size-thumbnail wp-image-10342108\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/Curandera1-400x430.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/Curandera1.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Atava Garcia Swiecicki is a curandera, or Mexican folk healer, based in Oakland. When she conducts limpias and other ceremonies, she dresses in traditional garb. (Sara Bernard/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Swiecicki is half Mexican and half Polish, and has trained with many Mexican curanderas, conducting countless limpias for clients, friends and family. I’m crying every day, I can’t concentrate and I’m grasping at strings. I have to try it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To begin the ceremony, Swiecicki sets up a small altar in the center of the room, carefully arranging the necessary objects -- a raw egg, feathers, a special resin called copal, a drum, a rattle, fresh rosemary and red hummingbird sage.\u003c/p>\n\u003cp>She holds the rosemary and sage to my nose. I take a deep breath. “I’m not going to burn these plants; I make a little broom, and -- with your permission -- hit you with the herbs,” she says with a laugh. “Gently, with love. It’s kind of like if the body was a house and we’re sweeping, we’re cleaning it off.”\u003c/p>\n\u003cp>The egg, Swiecicki says, is an especially important part of the limpia. “It’s used as a psychic vacuum cleaner. It’s rubbed all over the body, to pull off negative energy, cords, to move stuck emotions.”\u003c/p>\n\u003cp>And I do feel stuck. There’s just so much that’s tangled up in losing a romantic partner. There’s the sense of yourself that changes and, really, the whole direction of your life. I hope that, somehow, participating in a ceremony like this can help me transition into the next chapter. \u003c/p>\n\u003cfigure id=\"attachment_10342110\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Herbs.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/Herbs-400x376.jpg\" alt=\"An herbalist as well as curandera, Swiecicki makes tinctures and distillations using plants she's gathered from around the Bay Area. (Sara Bernard/KQED)\" width=\"400\" height=\"376\" class=\"size-thumbnail wp-image-10342110\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/Herbs-400x376.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/Herbs.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An herbalist as well as curandera, Swiecicki makes tinctures and distillations using plants she's gathered from around the Bay Area. (Sara Bernard/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>When Swiecicki lights the copal resin with a candle, it starts to crackle and pop; a trail of fragrant smoke fills the air. I sit in a chair in front of the altar and glance around the room. It’s crammed with images of healers and deities from all sorts of traditions, glass bottles of herbal tinctures, crystals, rocks and candles. There are also lots of plants. Ever since Swiezecki started what she calls her “lifetime love affair” with flowers and herbs, she’s been fascinated with their wisdom. She uses them to help with physical, emotional and spiritual ailments -- not only for her clients, but also for herself.\u003c/p>\n\u003cp>“In my own life, I felt like I went through what you could call the dark night of the soul, or a descent into the underworld,” she tells me. “I hit a tremendous amount of grief, which I felt was from my lifetime but also ancestral. I was grieving, and I was crying so much that I had a rash from my tears.”\u003c/p>\n\u003cp>So she started experimenting, and came up with an herbal formula specifically designed to remedy the pain of an emotional loss. She called it Heart Mend. Ingredients include herbs and flowers thought to help both the literal -- and the figurative -- heart, such as hawthorn, lemon balm, red roses, and the flower and bark of the mimosa tree.\u003c/p>\n\u003cp>“In Chinese medicine, mimosa is called ‘the happiness bark’ or ‘the happiness plant,’ ” she says. “They grow around here. They have these wild, pink Dr. Seuss flowers. It’s known to be, quote unquote, ‘the herbal Prozac.’ ”\u003c/p>\n\u003cp>As Swiecicki begins to play the drum, slowly and rhythmically, I close my eyes. I’ve been crying. And I keep crying as Swiezecki brushes my arms and back with the herbs, and the egg, and lulls me into a kind of trance with the rattle and the drum.\u003c/p>\n\u003cfigure id=\"attachment_10342111\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/HeartMend.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/HeartMend-400x372.jpg\" alt=\"Swiecicki has been creating herbal formulas for about ten years. One of her products, Heart Mend, contains mimosa, lemon balm, red roses, and other herbs. (Sara Bernard/KQED)\" width=\"400\" height=\"372\" class=\"size-thumbnail wp-image-10342111\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/HeartMend-400x372.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/HeartMend.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Swiecicki has been creating herbal formulas for about ten years. One of her products, Heart Mend, contains mimosa, lemon balm, red roses, and other herbs. (Sara Bernard/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>The ceremony couldn’t have lasted longer than half an hour -- and maybe far less -- but I feel really dizzy and overwhelmed. I realize my sadness isn’t just about this loss. It’s about all kinds of things I haven’t fully dealt with.\u003c/p>\n\u003cp>“Working with these medicines and these ceremonies doesn’t necessarily take away the heartbreak,” Swiecicki says. “But it’s like having a warm embrace, or a soft blanket, or that cup of tea, just something there to comfort us, to hold us, to feel like we’re not alone in it.”\u003c/p>\n\u003cp>Even if a ceremony like this doesn’t do much in and of itself, that’s probably not the point. I walk out of Atava Garcia Swiecicki’s office with a bottle of Heart Mend and the feeling that it is OK to be just exactly where I am.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Anne Hoffman contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "the-census-bureau-takes-a-hard-look-at-valentines-day",
"title": "The Census Bureau Takes a Hard Look at Valentine's Day",
"publishDate": 1392390037,
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"headTitle": "The Census Bureau Takes a Hard Look at Valentine’s Day | KQED",
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"content": "\u003cfigure id=\"attachment_126374\" class=\"wp-caption aligncenter\" style=\"max-width: 1028px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8757_IMG_7836-lpr.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-126374\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8757_IMG_7836-lpr-1028x771.jpg\" alt=\"A flower stand on Shattuck Avenue in North Berkeley is all ready for Valentine's Day.\" width=\"1028\" height=\"771\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A flower stand on Shattuck Avenue in North Berkeley is all ready for Valentine’s Day. (Patricia Yollin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Anyone who thinks that love can’t be quantified should talk to the U.S. Census Bureau.\u003c/p>\n\u003cp>The numbers-crunchers in Washington have produced enough data and statistics about Valentine’s Day to obliterate any hint of a romantic tinge.\u003c/p>\n\u003cp>Still, the Census Bureau tries. In fact, it suggests quite a few places in the country that would be appropriate venues for Valentine’s Day observances, including Romeoville in Illinois, Valentine in Nebraska, Love Valley in North Carolina and Darling in Minnesota.\u003c/p>\n\u003cp>These revelations are part of the \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/\">“Facts for Features” \u003c/a>series produced by the \u003ca href=\"https://www.census.gov\">Census Bureau,\u003c/a> which covers about 15 themes a year – ranging from the Super Bowl and hurricane season to the Fourth of July and Halloween.\u003c/p>\n\u003cfigure id=\"attachment_126375\" class=\"wp-caption alignright\" style=\"max-width: 1028px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8758_IMG_7849-lpr.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-126375 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8758_IMG_7849-lpr-1028x771.jpg\" alt=\"\" width=\"1028\" height=\"771\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Red-and-pink balloons could be found in North Berkeley’s Gourmet Ghetto. (Patricia Yollin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Although there are lots of facts and figures to wallow through, most are interesting and some are startling.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Census Bureau reported that 69 percent of people 15 and older in the United States in 2013 had been married at some point in their lives. As of two years ago, 19 percent of them have been married twice and 5 percent three or more times. But 75 percent have tied the knot only once, countering the widespread notion that divorce is rampant.\u003c/p>\n\u003cp>Some of those unions have, in fact, lasted a long time. As of 2009, 6 percent of currently wed women had been married for at least 50 years. The median age for a first marriage last year was 26.6 for women and 29 for men.\u003c/p>\n\u003cp>To keep those marriages going, candy, jewelry and flowers are always useful, and the Census Bureau took a look at how those particular enticements have been doing.\u003c/p>\n\u003cp>The Bureau reported that California led the nation three years ago, with 122 manufacturing establishments that produced chocolate and cocoa — a $13.5 billion industry in this country in 2011. The state also was ahead of the pack in making non-chocolate confectionary products, with 56 businesses.\u003c/p>\n\u003cp>There were almost 23,400 jewelry stores in the United States three years ago. Last February, they sold an estimated $2.8 billion in merchandise. By comparison, there were about 15,300 florists in 2011. And last year alone, through October, the total value of fresh-cut roses amounted to almost $355 million.\u003c/p>\n\u003cp>So, it’s clear that the accoutrements of romance add up to big business, not that anyone would doubt it, especially this month. Equally unsurprising: In 2011, Nevada was the most popular state as far as places to get married, followed by Hawaii.\u003c/p>\n\u003cp>Beyond its usual outpouring of data, the Census Bureau even had something to say about where the day originated:\u003c/p>\n\u003cp>“Opinions differ as to who was the original Valentine, but the most popular theory is that he was a clergyman who was executed for secretly marrying couples in ancient Rome. In A.D. 496, Pope Gelasius I declared Feb. 14 as Valentine Day. Esther Howland, a native of Massachusetts, is given credit for selling the first mass-produced Valentine cards in the 1840s.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Facts for Features” covered \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb14-ff03.html\">Black History Month\u003c/a> as well this February. \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb14-ff05.html\">Women’s History Month\u003c/a> and \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb14-ff02.html\">St. Patrick’s Day\u003c/a> are coming up in March. April appears to be completely uneventful, but May is the Census Bureau’s most prolific time of year, given Mother’s Day, Cinco de Mayo, Older Americans Month and Asian/Pacific American Heritage Month.\u003c/p>\n\u003cfigure id=\"attachment_126373\" class=\"wp-caption aligncenter\" style=\"max-width: 771px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8756_IMG_7834-lpr.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-126373\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8756_IMG_7834-lpr-771x1028.jpg\" alt=\"Red-and-pink balloons could be found on Shattuck Avenue and on Vine Street in North Berkeley's Gourmet Ghetto.\" width=\"771\" height=\"1028\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">This is the window of a lingerie shop on Vine Street in North Berkeley. (Patricia Yollin/KQED)\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_126374\" class=\"wp-caption aligncenter\" style=\"max-width: 1028px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8757_IMG_7836-lpr.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-126374\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8757_IMG_7836-lpr-1028x771.jpg\" alt=\"A flower stand on Shattuck Avenue in North Berkeley is all ready for Valentine's Day.\" width=\"1028\" height=\"771\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A flower stand on Shattuck Avenue in North Berkeley is all ready for Valentine’s Day. (Patricia Yollin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Anyone who thinks that love can’t be quantified should talk to the U.S. Census Bureau.\u003c/p>\n\u003cp>The numbers-crunchers in Washington have produced enough data and statistics about Valentine’s Day to obliterate any hint of a romantic tinge.\u003c/p>\n\u003cp>Still, the Census Bureau tries. In fact, it suggests quite a few places in the country that would be appropriate venues for Valentine’s Day observances, including Romeoville in Illinois, Valentine in Nebraska, Love Valley in North Carolina and Darling in Minnesota.\u003c/p>\n\u003cp>These revelations are part of the \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/\">“Facts for Features” \u003c/a>series produced by the \u003ca href=\"https://www.census.gov\">Census Bureau,\u003c/a> which covers about 15 themes a year – ranging from the Super Bowl and hurricane season to the Fourth of July and Halloween.\u003c/p>\n\u003cfigure id=\"attachment_126375\" class=\"wp-caption alignright\" style=\"max-width: 1028px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8758_IMG_7849-lpr.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-126375 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8758_IMG_7849-lpr-1028x771.jpg\" alt=\"\" width=\"1028\" height=\"771\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Red-and-pink balloons could be found in North Berkeley’s Gourmet Ghetto. (Patricia Yollin/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Although there are lots of facts and figures to wallow through, most are interesting and some are startling.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Census Bureau reported that 69 percent of people 15 and older in the United States in 2013 had been married at some point in their lives. As of two years ago, 19 percent of them have been married twice and 5 percent three or more times. But 75 percent have tied the knot only once, countering the widespread notion that divorce is rampant.\u003c/p>\n\u003cp>Some of those unions have, in fact, lasted a long time. As of 2009, 6 percent of currently wed women had been married for at least 50 years. The median age for a first marriage last year was 26.6 for women and 29 for men.\u003c/p>\n\u003cp>To keep those marriages going, candy, jewelry and flowers are always useful, and the Census Bureau took a look at how those particular enticements have been doing.\u003c/p>\n\u003cp>The Bureau reported that California led the nation three years ago, with 122 manufacturing establishments that produced chocolate and cocoa — a $13.5 billion industry in this country in 2011. The state also was ahead of the pack in making non-chocolate confectionary products, with 56 businesses.\u003c/p>\n\u003cp>There were almost 23,400 jewelry stores in the United States three years ago. Last February, they sold an estimated $2.8 billion in merchandise. By comparison, there were about 15,300 florists in 2011. And last year alone, through October, the total value of fresh-cut roses amounted to almost $355 million.\u003c/p>\n\u003cp>So, it’s clear that the accoutrements of romance add up to big business, not that anyone would doubt it, especially this month. Equally unsurprising: In 2011, Nevada was the most popular state as far as places to get married, followed by Hawaii.\u003c/p>\n\u003cp>Beyond its usual outpouring of data, the Census Bureau even had something to say about where the day originated:\u003c/p>\n\u003cp>“Opinions differ as to who was the original Valentine, but the most popular theory is that he was a clergyman who was executed for secretly marrying couples in ancient Rome. In A.D. 496, Pope Gelasius I declared Feb. 14 as Valentine Day. Esther Howland, a native of Massachusetts, is given credit for selling the first mass-produced Valentine cards in the 1840s.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Facts for Features” covered \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb14-ff03.html\">Black History Month\u003c/a> as well this February. \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb14-ff05.html\">Women’s History Month\u003c/a> and \u003ca href=\"http://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb14-ff02.html\">St. Patrick’s Day\u003c/a> are coming up in March. April appears to be completely uneventful, but May is the Census Bureau’s most prolific time of year, given Mother’s Day, Cinco de Mayo, Older Americans Month and Asian/Pacific American Heritage Month.\u003c/p>\n\u003cfigure id=\"attachment_126373\" class=\"wp-caption aligncenter\" style=\"max-width: 771px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8756_IMG_7834-lpr.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-126373\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/RS8756_IMG_7834-lpr-771x1028.jpg\" alt=\"Red-and-pink balloons could be found on Shattuck Avenue and on Vine Street in North Berkeley's Gourmet Ghetto.\" width=\"771\" height=\"1028\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">This is the window of a lingerie shop on Vine Street in North Berkeley. (Patricia Yollin/KQED)\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Here are some Bay Area-themed Valentines to make that special someone's heart flutter.\u003c/p>\n\u003cp>Share, copy or print to your heart's content. Now you can't say that the only thing you ever got from KQED was a tote bag! And if you think you can one-up us with more clever Valentines, leave your ideas at the bottom of the page. We might add to the collection, or keep them in mind for next year. (And keep it SFW, please. Best to leave off references to Twin Peaks and the Tenderloin.)\u003c/p>\n\u003cp>\u003cem>Valentines designed by Olivia Hubert-Allen. Copy by Dan Brekke, David Marks, \u003cem>Olivia Hubert-Allen, \u003c/em>Kelly Dunleavy O'Mara and Gabriel Coan.\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/Calineedsrain.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/Calineedsrain.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\nCheck out KQED's \u003ca href=\"http://stateofdrought.tumblr.com/\">State of Drought blog\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/CrossBayBridge.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/CrossBayBridge.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\n(Created with photo by Deborah Svoboda)\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/muirbeach.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/muirbeach.jpg\" alt=\"\" width=\"592px\" height=\"592\" align=\"middle\">\u003c/a>\u003cbr>\n\u003ca href=\"http://u.s.kqed.net/2014/02/12/muirbeach.jpg\">\u003cbr>\n\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/ourlovehasmerritt.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/ourlovehasmerritt.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\n\u003ca href=\"http://u.s.kqed.net/2014/02/12/ourlovehasmerritt.jpg\">\u003cbr>\n\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/OvertheMuni2.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/OvertheMuni2.jpg\" alt=\"\" width=\"640px\" height=\"802\">\u003c/a>\u003cbr>\n\u003ca href=\"http://u.s.kqed.net/2014/02/12/OvertheMuni2.jpg\">\u003cbr>\n\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/rentcontrol.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/rentcontrol.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\n\u003ca href=\"http://u.s.kqed.net/2014/02/12/rentcontrol.jpg\">\u003cbr>\n\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/sealofapproval.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/sealofapproval.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\nAn astute commenter pointed out that this is \u003ca href=\"http://www.dolphinencounters.com/images/seal_vs_sea_lion.jpg\" target=\"_blank\">actually a sea lion.\u003c/a> Oops! But \"You get my sea lion of approval\" just doesn't have the same ring.\u003cbr>\n(Created with photo by \u003ca href=\"http://www.flickr.com/photos/latteda\" target=\"_blank\">latteda\u003c/a>/Flickr)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/evicted.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/evicted.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\n\u003ca href=\"http://u.s.kqed.net/2014/02/12/evicted.jpg\">\u003cbr>\n\u003c/a>\u003c/p>\n\n",
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"excerpt": "Show your sweetheart how much you care with these eight Valentines that only NorCal residents can truly love.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Here are some Bay Area-themed Valentines to make that special someone's heart flutter.\u003c/p>\n\u003cp>Share, copy or print to your heart's content. Now you can't say that the only thing you ever got from KQED was a tote bag! And if you think you can one-up us with more clever Valentines, leave your ideas at the bottom of the page. We might add to the collection, or keep them in mind for next year. (And keep it SFW, please. Best to leave off references to Twin Peaks and the Tenderloin.)\u003c/p>\n\u003cp>\u003cem>Valentines designed by Olivia Hubert-Allen. Copy by Dan Brekke, David Marks, \u003cem>Olivia Hubert-Allen, \u003c/em>Kelly Dunleavy O'Mara and Gabriel Coan.\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://u.s.kqed.net/2014/02/12/Calineedsrain.jpg\">\u003cimg src=\"http://u.s.kqed.net/2014/02/12/Calineedsrain.jpg\" alt=\"\" width=\"640px\" height=\"800\">\u003c/a>\u003cbr>\nCheck out KQED's \u003ca href=\"http://stateofdrought.tumblr.com/\">State of Drought blog\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Obituary: Diplomat, Actress Shirley Temple Black, 1928-2014",
"title": "Obituary: Diplomat, Actress Shirley Temple Black, 1928-2014",
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"content": "\u003cp>\u003cstrong>By Martha Mendoza\u003cbr>\nAssociated Press\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-image\">\u003ciframe src=\"//www.youtube.com/embed/1r4bbgv1If8\" frameborder=\"0\" width=\"630\" height=\"473\">\u003c/iframe>Shirley Temple, the dimpled, curly-haired child star who sang, danced, sobbed and grinned her way into the hearts of Depression-era moviegoers, has died. She was 85.\u003c/div>\n\u003cdiv class=\"single-image\">\u003c/div>\n\u003cdiv class=\"single-image\">\u003c/div>\n\u003cdiv class=\"single-image\">Temple, known in private life as Shirley Temple Black, died Monday night at her home in the Peninsula suburb of Woodside. She was surrounded by family members and caregivers, publicist Cheryl Kagan said.\n\u003caside class=\"pullquote alignleft\">'As long as our country has Shirley Temple, we will be all right.'\u003ccite>President Franklin D. Roosevelt\u003c/cite>\u003c/aside>\n\u003cp>\"We salute her for a life of remarkable achievements as an actor, as a diplomat, and most importantly as our beloved mother, grandmother, great-grandmother, and adored wife for fifty-five years of the late and much missed Charles Alden Black,\" a family statement said. The family would not disclose Temple's cause of death.\u003c/p>\n\u003cp>A talented and ultra-adorable entertainer, Shirley Temple was America's top box-office draw from 1935 to 1938, a record no other child star has come near. She beat out such grown-ups as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford.In 1999, the American Film Institute ranking of the top 50 screen legends ranked Temple at No. 18 among the 25 actresses. She appeared in scores of movies and kept children singing \"On the Good Ship Lollipop\" for generations.Temple was credited with helping save 20th Century Fox from bankruptcy with films such as \"Curly Top\" and \"The Littlest Rebel.\" She even had a drink named after her, an appropriately sweet and innocent cocktail of ginger ale and grenadine, topped with a maraschino cherry.\u003c/p>\n\u003cp>Temple blossomed into a pretty young woman, but audiences lost interest, and she retired from films at 21. She raised a family and later became active in politics and held several diplomatic posts in Republican administrations, including ambassador to Czechoslovakia during the historic collapse of communism in 1989.\u003c/p>\n\u003cfigure id=\"attachment_125875\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/56701421.jpg\">\u003cimg class=\"size-thumbnail wp-image-125875\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/56701421-300x300.jpg\" alt=\"Actress and diplomat Shirley Temple Black with Jamie Lee Curtis at 2006 Screen Actors Guild Awards. (Kevin Winter/Getty Images)\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actress and diplomat Shirley Temple Black with Jamie Lee Curtis at 2006 Screen Actors Guild Awards. (Kevin Winter/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>\"I have one piece of advice for those of you who want to receive the lifetime achievement award. Start early,\" she quipped in 2006 as she was honored by the Screen Actors Guild.\u003c/p>\n\u003cp>But she also said that evening that her greatest roles were as wife, mother and grandmother. \"There's nothing like real love. Nothing.\" Her husband of more than 50 years, Charles Black, had died just a few months earlier.\u003c/p>\n\u003cp>They lived for many years in Woodside.\u003c/p>\n\u003cp>Temple's expert singing and tap dancing in the 1934 feature \"Stand Up and Cheer!\" first gained her wide notice. The number she performed with future Oscar winner James Dunn, \"Baby Take a Bow,\" became the title of one of her first starring features later that year.\u003c/p>\n\u003cp>Also in 1934, she starred in \"Little Miss Marker,\" a comedy-drama based on a story by Damon Runyon that showcased her acting talent. In \"Bright Eyes,\" Temple introduced \"On the Good Ship Lollipop\" and did battle with a charmingly bratty Jane Withers, launching Withers as a major child star, too.\u003c/p>\n\u003cp>She was \"just absolutely marvelous, greatest in the world,\" director Allan Dwan told filmmaker-author Peter Bogdanovich in his book \"Who the Devil Made It: Conversations With Legendary Film Directors.\" \"With Shirley, you'd just tell her once and she'd remember the rest of her life,\" said Dwan, who directed \"Heidi\" and \"Rebecca of Sunnybrook Farm.\" \"Whatever it was she was supposed to do — she'd do it. ... And if one of the actors got stuck, she'd tell him what his line was — she knew it better than he did.\"\u003c/p>\n\u003cp>Temple's mother, Gertrude, worked to keep her daughter from being spoiled by fame and was a constant presence during filming. Her daughter said years later that her mother had been furious when a director once sent her off on an errand and then got the child to cry for a scene by frightening her. \"She never again left me alone on a set,\" she said.\u003c/p>\n\u003cfigure id=\"attachment_125874\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/136735748.jpg\">\u003cimg class=\"size-thumbnail wp-image-125874\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/136735748-300x300.jpg\" alt=\"Shirley Temple in 1937 with another celebrity, FBI Director J. Edgar Hoover. (AFP/Getty Images)\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shirley Temple in 1937 with another celebrity, FBI Director J. Edgar Hoover. (AFP/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Temple became a nationwide sensation. Mothers dressed their little girls like her, and a line of dolls was launched that are now highly sought-after collectibles. Her immense popularity prompted President Franklin D. Roosevelt to say that \"as long as our country has Shirley Temple, we will be all right.\"\"When the spirit of the people is lower than at any other time during this Depression, it is a splendid thing that for just 15 cents, an American can go to a movie and look at the smiling face of a baby and forget his troubles,\" Roosevelt said.\u003c/p>\n\u003cp>She followed up in the next few years with a string of hit films, most with sentimental themes and musical subplots. She often played an orphan, as in \"Curly Top,\" where she introduced the hit \"Animal Crackers in My Soup,\" and \"Stowaway,\" in which she was befriended by Robert Young, later of \"Father Knows Best\" fame.\u003c/p>\n\u003cp>\u003cstrong>Historic dance roles\u003c/strong>\u003c/p>\n\u003cp>She teamed with the great black dancer Bill \"Bojangles\" Robinson in two 1935 films with Civil War themes, \"The Little Colonel\" and \"The Littlest Rebel.\" Their tap dance up the steps in \"The Little Colonel\" (at a time when interracial teamings were unheard of in Hollywood) became a landmark in the history of film dance.\u003c/p>\n\u003cp>Some of her pictures were remakes of silent films, such as \"Captain January,\" in which she recreated the role originally played by the silent star Baby Peggy Montgomery in 1924. \"Poor Little Rich Girl\" and \"Rebecca of Sunnybrook Farm,\" done a generation earlier by Mary Pickford, were heavily rewritten for Temple, with show biz added to the plots to give her opportunities to sing.\u003c/p>\n\u003cp>In its review of \"Rebecca,\" the show business publication Variety complained that a \"more fitting title would be \"Rebecca of Radio City.'\"\u003c/p>\n\u003cp>She won a special Academy Award in early 1935 for her \"outstanding contribution to screen entertainment\" in the previous year.\u003c/p>\n\u003cp>\"She is a legacy of a different time in motion pictures. She caught the imagination of the entire country in a way that no one had before,\" actor Martin Landau said when the two were honored at the Academy Awards in 1998.\u003c/p>\n\u003cp>Temple's fans agreed. Her fans seemed interested in every last golden curl on her head: It was once guessed that she had more than 50. Her mother was said to have done her hair in pin curls for each movie, with every hairstyle having exactly 56 curls.\u003c/p>\n\u003cp>\u003cstrong>Worldwide fascination with child star\u003c/strong>\u003c/p>\n\u003cp>On her eighth birthday — she actually was turning 9, but the studio wanted her to be younger — Temple received more than 135,000 presents from around the world, according to \"The Films of Shirley Temple,\" a 1978 book by Robert Windeler. The gifts included a baby kangaroo from Australia and a prize Jersey calf from schoolchildren in Oregon.\u003c/p>\n\u003cp>\"She's indelible in the history of America because she appeared at a time of great social need, and people took her to their hearts,\" the late Roddy McDowall, a fellow child star and friend, once said.\u003c/p>\n\u003cp>Although by the early 1960s she was retired from the entertainment industry, her interest in politics soon brought her back into the spotlight.\u003c/p>\n\u003cp>She made an unsuccessful bid as a Republican candidate for Congress in 1967. After Richard Nixon became president in 1969, he appointed her as a member of the U.S. delegation to the United Nations General Assembly. In the 1970s, she was U.S. ambassador to Ghana and later U.S. chief of protocol.\u003c/p>\n\u003cp>\u003cstrong>Posted to Czechoslovakia\u003c/strong>\u003c/p>\n\u003cp>She then served as ambassador to Czechoslovakia during the administration of the first President George Bush. A few months after she arrived in Prague in mid-1989, communist rule was overthrown in Czechoslovakia as the Iron Curtain collapsed across Eastern Europe.\u003c/p>\n\u003cp>\"My main job (initially) was human rights, trying to keep people like future President Vaclav Havel out of jail,\" she said in a 1999 Associated Press interview. Within months, she was accompanying Havel, the former dissident playwright, when he came to Washington as his country's new president.\u003c/p>\n\u003cp>She considered her background in entertainment an asset to her political career.\u003c/p>\n\u003cp>\"Politicians are actors too, don't you think?\" she once said. \"Usually if you like people and you're outgoing, not a shy little thing, you can do pretty well in politics.\"\u003c/p>\n\u003cp>Born in Santa Monica to an accountant and his wife, Temple was little more than 3 years old when she made her film debut in 1932 in the Baby Burlesks, a series of short films in which tiny performers parodied grown-up movies, sometimes with risque results.\u003c/p>\n\u003cp>Among the shorts were \"War Babies,\" a parody of \"What Price Glory\" and \"Polly Tix in Washington,\" with Shirley in the title role.\u003c/p>\n\u003cp>Her young life was free of the scandals that plagued so many other child stars — parental feuds, drug and alcohol addiction — but Temple at times hinted at a childhood she may have missed out on.\u003c/p>\n\u003cp>\u003cstrong>Santa asked for her autograph\u003c/strong>\u003c/p>\n\u003cp>She stopped believing in Santa Claus at age 6, she once said, when \"Mother took me to see him in a department store and he asked for my autograph.\"\u003c/p>\n\u003cp>After her years at the top, maintaining that level of stardom proved difficult for her and her producers. The proposal to have her play Dorothy in \"The Wizard of Oz\" didn't pan out (20th Century Fox chief Darryl Zanuck refused to lend out his greatest asset.) And \"The Little Princess\" in 1939 and \"The Blue Bird\" in 1940 didn't draw big crowds, prompting Fox to let Temple go.\u003c/p>\n\u003cp>Among her later films were \"The Bachelor and the Bobby-Soxer,\" with Cary Grant, and \"That Hagen Girl,\" with Ronald Reagan. Several, including the wartime drama \"Since You Went Away,\" were produced by David O. Selznick. One, \"Fort Apache,\" was directed by John Ford, who had also directed her \"Wee Willie Winkie\" years earlier.\u003c/p>\n\u003cp>Her 1942 film, \"Miss Annie Rooney,\" included her first on-screen kiss, bestowed by another maturing child star, Dickie Moore.\u003c/p>\n\u003cp>After her film career effectively ended, she concentrated on raising her family and turned to television to host and act in 16 specials called \"Shirley Temple's Storybook\" on ABC. In 1960, she joined NBC and aired \"The Shirley Temple Show.\"\u003c/p>\n\u003cp>Her 1988 autobiography, \"Child Star,\" became a best-seller.\u003c/p>\n\u003cp>Temple had married Army Air Corps Pvt. John Agar, the brother of a classmate at Westlake, her exclusive L.A. girls' school, in 1945. He took up acting and the pair appeared together in two films, \"Fort Apache\" and \"Adventure in Baltimore.\" She and Agar had a daughter, Susan, in 1948, but she filed for divorce the following year.\u003c/p>\n\u003cp>She married Black in 1950, and they had two more children, Lori and Charles. That marriage lasted until his death in 2005 at age 86.\u003c/p>\n\u003cp>In 1972, she underwent successful surgery for breast cancer. She issued a statement urging other women to get checked by their doctors and vowed, \"I have much more to accomplish before I am through.\"\u003c/p>\n\u003cp>During a 1996 interview, she said she loved both politics and show business.\u003c/p>\n\u003cp>\"It's certainly two different career tracks,\" she said, \"both completely different but both very rewarding personally.\"\u003c/p>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Martha Mendoza\u003cbr>\nAssociated Press\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-image\">\u003ciframe src=\"//www.youtube.com/embed/1r4bbgv1If8\" frameborder=\"0\" width=\"630\" height=\"473\">\u003c/iframe>Shirley Temple, the dimpled, curly-haired child star who sang, danced, sobbed and grinned her way into the hearts of Depression-era moviegoers, has died. She was 85.\u003c/div>\n\u003cdiv class=\"single-image\">\u003c/div>\n\u003cdiv class=\"single-image\">\u003c/div>\n\u003cdiv class=\"single-image\">Temple, known in private life as Shirley Temple Black, died Monday night at her home in the Peninsula suburb of Woodside. She was surrounded by family members and caregivers, publicist Cheryl Kagan said.\n\u003caside class=\"pullquote alignleft\">'As long as our country has Shirley Temple, we will be all right.'\u003ccite>President Franklin D. Roosevelt\u003c/cite>\u003c/aside>\n\u003cp>\"We salute her for a life of remarkable achievements as an actor, as a diplomat, and most importantly as our beloved mother, grandmother, great-grandmother, and adored wife for fifty-five years of the late and much missed Charles Alden Black,\" a family statement said. The family would not disclose Temple's cause of death.\u003c/p>\n\u003cp>A talented and ultra-adorable entertainer, Shirley Temple was America's top box-office draw from 1935 to 1938, a record no other child star has come near. She beat out such grown-ups as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford.In 1999, the American Film Institute ranking of the top 50 screen legends ranked Temple at No. 18 among the 25 actresses. She appeared in scores of movies and kept children singing \"On the Good Ship Lollipop\" for generations.Temple was credited with helping save 20th Century Fox from bankruptcy with films such as \"Curly Top\" and \"The Littlest Rebel.\" She even had a drink named after her, an appropriately sweet and innocent cocktail of ginger ale and grenadine, topped with a maraschino cherry.\u003c/p>\n\u003cp>Temple blossomed into a pretty young woman, but audiences lost interest, and she retired from films at 21. She raised a family and later became active in politics and held several diplomatic posts in Republican administrations, including ambassador to Czechoslovakia during the historic collapse of communism in 1989.\u003c/p>\n\u003cfigure id=\"attachment_125875\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/56701421.jpg\">\u003cimg class=\"size-thumbnail wp-image-125875\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/56701421-300x300.jpg\" alt=\"Actress and diplomat Shirley Temple Black with Jamie Lee Curtis at 2006 Screen Actors Guild Awards. (Kevin Winter/Getty Images)\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actress and diplomat Shirley Temple Black with Jamie Lee Curtis at 2006 Screen Actors Guild Awards. (Kevin Winter/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>\"I have one piece of advice for those of you who want to receive the lifetime achievement award. Start early,\" she quipped in 2006 as she was honored by the Screen Actors Guild.\u003c/p>\n\u003cp>But she also said that evening that her greatest roles were as wife, mother and grandmother. \"There's nothing like real love. Nothing.\" Her husband of more than 50 years, Charles Black, had died just a few months earlier.\u003c/p>\n\u003cp>They lived for many years in Woodside.\u003c/p>\n\u003cp>Temple's expert singing and tap dancing in the 1934 feature \"Stand Up and Cheer!\" first gained her wide notice. The number she performed with future Oscar winner James Dunn, \"Baby Take a Bow,\" became the title of one of her first starring features later that year.\u003c/p>\n\u003cp>Also in 1934, she starred in \"Little Miss Marker,\" a comedy-drama based on a story by Damon Runyon that showcased her acting talent. In \"Bright Eyes,\" Temple introduced \"On the Good Ship Lollipop\" and did battle with a charmingly bratty Jane Withers, launching Withers as a major child star, too.\u003c/p>\n\u003cp>She was \"just absolutely marvelous, greatest in the world,\" director Allan Dwan told filmmaker-author Peter Bogdanovich in his book \"Who the Devil Made It: Conversations With Legendary Film Directors.\" \"With Shirley, you'd just tell her once and she'd remember the rest of her life,\" said Dwan, who directed \"Heidi\" and \"Rebecca of Sunnybrook Farm.\" \"Whatever it was she was supposed to do — she'd do it. ... And if one of the actors got stuck, she'd tell him what his line was — she knew it better than he did.\"\u003c/p>\n\u003cp>Temple's mother, Gertrude, worked to keep her daughter from being spoiled by fame and was a constant presence during filming. Her daughter said years later that her mother had been furious when a director once sent her off on an errand and then got the child to cry for a scene by frightening her. \"She never again left me alone on a set,\" she said.\u003c/p>\n\u003cfigure id=\"attachment_125874\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/136735748.jpg\">\u003cimg class=\"size-thumbnail wp-image-125874\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/136735748-300x300.jpg\" alt=\"Shirley Temple in 1937 with another celebrity, FBI Director J. Edgar Hoover. (AFP/Getty Images)\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shirley Temple in 1937 with another celebrity, FBI Director J. Edgar Hoover. (AFP/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Temple became a nationwide sensation. Mothers dressed their little girls like her, and a line of dolls was launched that are now highly sought-after collectibles. Her immense popularity prompted President Franklin D. Roosevelt to say that \"as long as our country has Shirley Temple, we will be all right.\"\"When the spirit of the people is lower than at any other time during this Depression, it is a splendid thing that for just 15 cents, an American can go to a movie and look at the smiling face of a baby and forget his troubles,\" Roosevelt said.\u003c/p>\n\u003cp>She followed up in the next few years with a string of hit films, most with sentimental themes and musical subplots. She often played an orphan, as in \"Curly Top,\" where she introduced the hit \"Animal Crackers in My Soup,\" and \"Stowaway,\" in which she was befriended by Robert Young, later of \"Father Knows Best\" fame.\u003c/p>\n\u003cp>\u003cstrong>Historic dance roles\u003c/strong>\u003c/p>\n\u003cp>She teamed with the great black dancer Bill \"Bojangles\" Robinson in two 1935 films with Civil War themes, \"The Little Colonel\" and \"The Littlest Rebel.\" Their tap dance up the steps in \"The Little Colonel\" (at a time when interracial teamings were unheard of in Hollywood) became a landmark in the history of film dance.\u003c/p>\n\u003cp>Some of her pictures were remakes of silent films, such as \"Captain January,\" in which she recreated the role originally played by the silent star Baby Peggy Montgomery in 1924. \"Poor Little Rich Girl\" and \"Rebecca of Sunnybrook Farm,\" done a generation earlier by Mary Pickford, were heavily rewritten for Temple, with show biz added to the plots to give her opportunities to sing.\u003c/p>\n\u003cp>In its review of \"Rebecca,\" the show business publication Variety complained that a \"more fitting title would be \"Rebecca of Radio City.'\"\u003c/p>\n\u003cp>She won a special Academy Award in early 1935 for her \"outstanding contribution to screen entertainment\" in the previous year.\u003c/p>\n\u003cp>\"She is a legacy of a different time in motion pictures. She caught the imagination of the entire country in a way that no one had before,\" actor Martin Landau said when the two were honored at the Academy Awards in 1998.\u003c/p>\n\u003cp>Temple's fans agreed. Her fans seemed interested in every last golden curl on her head: It was once guessed that she had more than 50. Her mother was said to have done her hair in pin curls for each movie, with every hairstyle having exactly 56 curls.\u003c/p>\n\u003cp>\u003cstrong>Worldwide fascination with child star\u003c/strong>\u003c/p>\n\u003cp>On her eighth birthday — she actually was turning 9, but the studio wanted her to be younger — Temple received more than 135,000 presents from around the world, according to \"The Films of Shirley Temple,\" a 1978 book by Robert Windeler. The gifts included a baby kangaroo from Australia and a prize Jersey calf from schoolchildren in Oregon.\u003c/p>\n\u003cp>\"She's indelible in the history of America because she appeared at a time of great social need, and people took her to their hearts,\" the late Roddy McDowall, a fellow child star and friend, once said.\u003c/p>\n\u003cp>Although by the early 1960s she was retired from the entertainment industry, her interest in politics soon brought her back into the spotlight.\u003c/p>\n\u003cp>She made an unsuccessful bid as a Republican candidate for Congress in 1967. After Richard Nixon became president in 1969, he appointed her as a member of the U.S. delegation to the United Nations General Assembly. In the 1970s, she was U.S. ambassador to Ghana and later U.S. chief of protocol.\u003c/p>\n\u003cp>\u003cstrong>Posted to Czechoslovakia\u003c/strong>\u003c/p>\n\u003cp>She then served as ambassador to Czechoslovakia during the administration of the first President George Bush. A few months after she arrived in Prague in mid-1989, communist rule was overthrown in Czechoslovakia as the Iron Curtain collapsed across Eastern Europe.\u003c/p>\n\u003cp>\"My main job (initially) was human rights, trying to keep people like future President Vaclav Havel out of jail,\" she said in a 1999 Associated Press interview. Within months, she was accompanying Havel, the former dissident playwright, when he came to Washington as his country's new president.\u003c/p>\n\u003cp>She considered her background in entertainment an asset to her political career.\u003c/p>\n\u003cp>\"Politicians are actors too, don't you think?\" she once said. \"Usually if you like people and you're outgoing, not a shy little thing, you can do pretty well in politics.\"\u003c/p>\n\u003cp>Born in Santa Monica to an accountant and his wife, Temple was little more than 3 years old when she made her film debut in 1932 in the Baby Burlesks, a series of short films in which tiny performers parodied grown-up movies, sometimes with risque results.\u003c/p>\n\u003cp>Among the shorts were \"War Babies,\" a parody of \"What Price Glory\" and \"Polly Tix in Washington,\" with Shirley in the title role.\u003c/p>\n\u003cp>Her young life was free of the scandals that plagued so many other child stars — parental feuds, drug and alcohol addiction — but Temple at times hinted at a childhood she may have missed out on.\u003c/p>\n\u003cp>\u003cstrong>Santa asked for her autograph\u003c/strong>\u003c/p>\n\u003cp>She stopped believing in Santa Claus at age 6, she once said, when \"Mother took me to see him in a department store and he asked for my autograph.\"\u003c/p>\n\u003cp>After her years at the top, maintaining that level of stardom proved difficult for her and her producers. The proposal to have her play Dorothy in \"The Wizard of Oz\" didn't pan out (20th Century Fox chief Darryl Zanuck refused to lend out his greatest asset.) And \"The Little Princess\" in 1939 and \"The Blue Bird\" in 1940 didn't draw big crowds, prompting Fox to let Temple go.\u003c/p>\n\u003cp>Among her later films were \"The Bachelor and the Bobby-Soxer,\" with Cary Grant, and \"That Hagen Girl,\" with Ronald Reagan. Several, including the wartime drama \"Since You Went Away,\" were produced by David O. Selznick. One, \"Fort Apache,\" was directed by John Ford, who had also directed her \"Wee Willie Winkie\" years earlier.\u003c/p>\n\u003cp>Her 1942 film, \"Miss Annie Rooney,\" included her first on-screen kiss, bestowed by another maturing child star, Dickie Moore.\u003c/p>\n\u003cp>After her film career effectively ended, she concentrated on raising her family and turned to television to host and act in 16 specials called \"Shirley Temple's Storybook\" on ABC. In 1960, she joined NBC and aired \"The Shirley Temple Show.\"\u003c/p>\n\u003cp>Her 1988 autobiography, \"Child Star,\" became a best-seller.\u003c/p>\n\u003cp>Temple had married Army Air Corps Pvt. John Agar, the brother of a classmate at Westlake, her exclusive L.A. girls' school, in 1945. He took up acting and the pair appeared together in two films, \"Fort Apache\" and \"Adventure in Baltimore.\" She and Agar had a daughter, Susan, in 1948, but she filed for divorce the following year.\u003c/p>\n\u003cp>She married Black in 1950, and they had two more children, Lori and Charles. That marriage lasted until his death in 2005 at age 86.\u003c/p>\n\u003cp>In 1972, she underwent successful surgery for breast cancer. She issued a statement urging other women to get checked by their doctors and vowed, \"I have much more to accomplish before I am through.\"\u003c/p>\n\u003cp>During a 1996 interview, she said she loved both politics and show business.\u003c/p>\n\u003cp>\"It's certainly two different career tracks,\" she said, \"both completely different but both very rewarding personally.\"\u003c/p>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_125628\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/braid-rug640.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-125628\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/braid-rug640.jpg\" alt=\"Fritz Haeg’s Domestic Integrities, Part I. (Berkeley Art Museum & Pacific Film Archive)\" width=\"640\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Fritz Haeg’s “Domestic Integrities, Part I.”(Berkeley Art Museum & Pacific Film Archive)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Andrew Gilbert, \u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\" rel=\"noopener\">Berkeleyside\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>Over the next four months the \u003ca href=\"http://www.bampfa.berkeley.edu/\" target=\"_blank\" rel=\"noopener\">Berkeley Art Museum & Pacific Film Archive\u003c/a> is the site of a grand experiment optimistically titled “\u003ca href=\"http://www.bampfa.berkeley.edu/exhibition/possible\" target=\"_blank\" rel=\"noopener\">The Possible\u003c/a>.” Rather than showcasing finished objects and artifacts, the building is hosting a series of interdisciplinary encounters involving nearly 100 artists and museum-goers organized by Oakland illustrator and renegade impresario \u003ca href=\"http://www.davidwilsonandribbons.com/index.php?/cv/\" target=\"_blank\" rel=\"noopener\">David Wilson\u003c/a>.\u003c/p>\n\u003cp>Built around interactive Sunday workshops featuring a dye lab, print shop, ceramics studio and recording facility, “The Possible” sprawls through five galleries and, weather permitting, the museum’s sculpture garden, turning the institution into a beehive of activity that runs through May 25. Families are encouraged to attend the Kids Club gallery, which is designed to involve children in the creative process.\u003c/p>\n\u003cp>In preparing for the building’s closure at the end of the year, BAM seems to be challenging conventional notions about art museums. As works are completed, they’ll end up as part of “The Possible’s” installation.\u003c/p>\n\u003cp>“It is the antithesis of a typical museum, with different things happening every day, even every minute,” says BAM/PFA Director Lawrence Rinder. “It’s a wonderful challenge to this institution and how we do things on every level, even how we say what ‘The Possible’ is. It’s only been up a week now and goodness know how the next four months will unfold. We’ll learn a lot about what’s possible and what’s not possible for a museum to do.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This Sunday’s workshop, which runs from 11 a.m. to 3 p.m., gives a good sense of what “The Possible” involves. The public can join in braiding additional rings on artist Fritz Haeg’s already expansive rug, work with clay in the ceramics studio or join a song session led by Berkeley Carnatic vocalist Gautam Tejas Ganeshan, the founder of the Sangati Center (which presents regular South Indian classical recitals at the Subterranean Art House downtown).\u003c/p>\n\u003caside class=\"pullquote alignleft\">“It is the antithesis of a typical museum, with different things happening every day, even every minute.”\u003c/aside>\n\u003cp>“Each Sunday there’s a different combination of offerings,” says Wilson, who’s been convening interdisciplinary gatherings at outdoor locales since he settled in Oakland a decade ago. “This Sunday we’re lucky to have first in a series of song sessions, what Gautam is calling Bhajana, an informal Carnatic gathering and exchange of music. That will set a wonderful tone for the day, starting at 11 a.m. on the giant rug that Fritz has installed. It’s now 28 feet in diameter, and ever expanding, giving the gallery an intimate living room feel.”\u003c/p>\n\u003cp>Ganeshan and Wilson have worked together in numerous settings over the past few years, but never under the auspices of an institution. Their first collaboration came to an abrupt conclusion when the police arrived to break up an off-the-grid multimedia gathering in the Marin Headlands. An inauspicious start, perhaps, but Wilson’s gift for bringing together disparate creative figures has dovetailed beautifully with Ganeshan’s commitment to bringing Carnatic music to new audiences.\u003c/p>\n\u003cp>“Gautam and his group of musicians offered an incredible presence for that Headlands event,” Wilson recalls. “It was broken up by the police, but this very gentle renegade performance turned into a house concert. Having that kind of adventure right off the bat we developed a tight bond, and I’ve invited him to each project since then, and it always works out.”\u003c/p>\n\u003cp>Deepa Natarajan, the UC Botanical Garden’s public education program coordinator (and Ganeshan’s wife), is also involved in “The Possible” through her work at Fibershed, which is supplying California-grown indigo for the textile lab’s dye station. Founded by Rebecca Burgess, who’s also deeply involved in “The Possible,” Fibershed supports the development of local, sustainable textile culture. Other artists and artisans participating in the project include Jana Blankenship, Sarah Cahill, Anna Halprin, Alexander Kori Girard, Meara O’Reilly, Brion Nuda Rosch, Rowena Sartin, Amy Trachtenberg and Yoshiko Wada, with new participants added throughout the exhibition.\u003c/p>\n\u003cp>“Part of David’s art practice has been convening groups of creative people – musicians, designers, painters, dancers — at gatherings that often happen at natural sites like Angel Island or the Headlands,” says Rinder, who started talking with Wilson about curating a project at the museum about two years ago. “I’ve attended several of his events and been very inspired by his ability to get some of the most creative people around to engage in very genuine way, to coordinate very complex events in a seemingly effortless way, so that artists do their best work in a stress-free way.”\u003c/p>\n\u003cp>While it might sound like the museum staff is turning over the premises to the artists, part of “The Possible” involves selecting objects created in the workshops for display. Gallery 3 features a display case built by Kori Girard that “although empty is a beautiful thing itself,” Rinder says. “It’s not just an empty display, it’s sculptural, so there’s no before and after. We’re always in the creative space if we choose to see it that way. That blank space is itself a beautiful thing.”\u003c/p>\n\u003cp>“The Possible” runs until May 25, 2014, at the Berkeley Art Museum, 2575 Bancroft Way. See the planning process for the \u003ca href=\"http://thepossible-correspondence.tumblr.com/\" target=\"_blank\" rel=\"noopener\">exhibit on its Tumblr page\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Andrew Gilbert covers music and dance for Berkeleyside, San Jose Mercury News, Contra Costa Times, Los Angeles Times, Boston Globe and East Bay Express. He lives in West Berkeley.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED News Associate \u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\" rel=\"noopener\">Berkeleyside\u003c/a> is an independently owned news website based in Berkeley, Calif. \u003ca href=\"http://eepurl.com/lh_3b\" target=\"_blank\" rel=\"noopener\">Click here\u003c/a> if you would you like to receive the latest Berkeley news in your inbox once a day for free with Berkeleyside’s Daily Briefing email.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This Sunday’s workshop, which runs from 11 a.m. to 3 p.m., gives a good sense of what “The Possible” involves. The public can join in braiding additional rings on artist Fritz Haeg’s already expansive rug, work with clay in the ceramics studio or join a song session led by Berkeley Carnatic vocalist Gautam Tejas Ganeshan, the founder of the Sangati Center (which presents regular South Indian classical recitals at the Subterranean Art House downtown).\u003c/p>\n\u003caside class=\"pullquote alignleft\">“It is the antithesis of a typical museum, with different things happening every day, even every minute.”\u003c/aside>\n\u003cp>“Each Sunday there’s a different combination of offerings,” says Wilson, who’s been convening interdisciplinary gatherings at outdoor locales since he settled in Oakland a decade ago. “This Sunday we’re lucky to have first in a series of song sessions, what Gautam is calling Bhajana, an informal Carnatic gathering and exchange of music. That will set a wonderful tone for the day, starting at 11 a.m. on the giant rug that Fritz has installed. It’s now 28 feet in diameter, and ever expanding, giving the gallery an intimate living room feel.”\u003c/p>\n\u003cp>Ganeshan and Wilson have worked together in numerous settings over the past few years, but never under the auspices of an institution. Their first collaboration came to an abrupt conclusion when the police arrived to break up an off-the-grid multimedia gathering in the Marin Headlands. An inauspicious start, perhaps, but Wilson’s gift for bringing together disparate creative figures has dovetailed beautifully with Ganeshan’s commitment to bringing Carnatic music to new audiences.\u003c/p>\n\u003cp>“Gautam and his group of musicians offered an incredible presence for that Headlands event,” Wilson recalls. “It was broken up by the police, but this very gentle renegade performance turned into a house concert. Having that kind of adventure right off the bat we developed a tight bond, and I’ve invited him to each project since then, and it always works out.”\u003c/p>\n\u003cp>Deepa Natarajan, the UC Botanical Garden’s public education program coordinator (and Ganeshan’s wife), is also involved in “The Possible” through her work at Fibershed, which is supplying California-grown indigo for the textile lab’s dye station. Founded by Rebecca Burgess, who’s also deeply involved in “The Possible,” Fibershed supports the development of local, sustainable textile culture. Other artists and artisans participating in the project include Jana Blankenship, Sarah Cahill, Anna Halprin, Alexander Kori Girard, Meara O’Reilly, Brion Nuda Rosch, Rowena Sartin, Amy Trachtenberg and Yoshiko Wada, with new participants added throughout the exhibition.\u003c/p>\n\u003cp>“Part of David’s art practice has been convening groups of creative people – musicians, designers, painters, dancers — at gatherings that often happen at natural sites like Angel Island or the Headlands,” says Rinder, who started talking with Wilson about curating a project at the museum about two years ago. “I’ve attended several of his events and been very inspired by his ability to get some of the most creative people around to engage in very genuine way, to coordinate very complex events in a seemingly effortless way, so that artists do their best work in a stress-free way.”\u003c/p>\n\u003cp>While it might sound like the museum staff is turning over the premises to the artists, part of “The Possible” involves selecting objects created in the workshops for display. Gallery 3 features a display case built by Kori Girard that “although empty is a beautiful thing itself,” Rinder says. “It’s not just an empty display, it’s sculptural, so there’s no before and after. We’re always in the creative space if we choose to see it that way. That blank space is itself a beautiful thing.”\u003c/p>\n\u003cp>“The Possible” runs until May 25, 2014, at the Berkeley Art Museum, 2575 Bancroft Way. See the planning process for the \u003ca href=\"http://thepossible-correspondence.tumblr.com/\" target=\"_blank\" rel=\"noopener\">exhibit on its Tumblr page\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Andrew Gilbert covers music and dance for Berkeleyside, San Jose Mercury News, Contra Costa Times, Los Angeles Times, Boston Globe and East Bay Express. He lives in West Berkeley.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED News Associate \u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\" rel=\"noopener\">Berkeleyside\u003c/a> is an independently owned news website based in Berkeley, Calif. \u003ca href=\"http://eepurl.com/lh_3b\" target=\"_blank\" rel=\"noopener\">Click here\u003c/a> if you would you like to receive the latest Berkeley news in your inbox once a day for free with Berkeleyside’s Daily Briefing email.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "First Big Berkeley Celebration of Black History Month on Saturday",
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"content": "\u003cfigure id=\"attachment_125621\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Atule.png\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Atule-640x382.png\" alt=\"Akayaa Atule will perform at the Berkeley Black History Celebration. (Elizabeth Heath/Berkeleyside)\" width=\"640\" height=\"382\" class=\"size-medium wp-image-125621\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Akayaa Atule will perform at the Berkeley Black History Celebration. (Elizabeth Heath/Berkeleyside)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Frances Dinkelspiel, \u003ca href=\"http://www.berkeleyside.com/2014/02/06/first-berkeley-black-history-celebration-on-saturday/\" target=\"_blank\">Berkeleyside\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>The organizers who have been putting on Berkeley’s Juneteenth celebration for the last 27 years are expanding and will produce the first annual \u003ca href=\"http://www.berkeleyblackhistorycelebration.com/\" target=\"_blank\">Berkeley Black History Celebration\u003c/a> at a seven-hour free event on Saturday.\u003c/p>\n\u003cp>The theme of the celebration is “Harambee: Community Pulling Together,” and will feature music, historical exhibits, a short film, good food, games and an award ceremony, according to Gerald Baptiste Jr. the chair of the event. \u003c/p>\n\u003cp>The filmmaker \u003ca href=\"http://dougharrismedia.com/doug.html\" target=\"_blank\">Doug Harris\u003c/a> will show a 10-minute clip from his film-in-progress about \u003ca href=\"http://en.wikipedia.org/wiki/William_Byron_Rumford\" target=\"_blank\">William Byron Rumford\u003c/a>, the Berkeley state assemblyman who was instrumental in passing fair housing and fair employment legislation. Rumford, who died in 1986, was one of the state’s first African-American assemblymen.\u003c/p>\n\u003cp>The family-friendly celebration will take place at the Berkeley Community Theater, 1930 Allston Way, from 1 p.m. to 8 p.m. It will be free, in part because the city of Berkeley and the Cooperative Center Federal Credit Union have donated funds. Berkeleyside is a media sponsor for the event. Other sponsors include the Berkeley Unified School District, the NAACP, KPOO-FM, Berkeley High School’s African-American Studies Department, and Parents of Children of African Descent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ron Wesley of Alotoffun Productions, which puts on numerous free music festivals, worked with the Juneteenth Committee to craft the program and entertainment for the day. He has booked Zulu Spear, AfroFunk Experience, Kev Choice, and Akayaa Atule.\u003c/p>\n\u003cp>The highlight of the day may be the awards ceremony, which will take place in the afternoon, according to Delores Cooper, the executive secretary of Berkeley Juneteenth.\u003c/p>\n\u003cp>At first the committee thought about handing out awards to some of Berkeley’s iconic civil rights leaders, like \u003ca href=\"http://www.berkeleyplaques.org/index.php?page=frances-albrier\" target=\"_blank\">Frances Albrier\u003c/a>, who organized to push Berkeley schools to hire their first African-American teacher and was the first African-American to run for the Berkeley City Council in 1939. Then the group decided to honor people who are active today. They are not announcing the two winners ahead of time; they want it to be a surprise.\u003c/p>\n\u003cp>“We looked for someone who is very active and is doing some civil rights-type thing right now,” said Cooper. “We are only going to do two (awards.) We don’t want to do too many because we want to make them special.”\u003c/p>\n\u003cp>For more information, check out the Berkeley Black History Celebration’s \u003ca href=\"https://www.facebook.com/events/413518332085006/?ref=22\" target=\"_blank\">Facebook page\u003c/a> or \u003ca href=\"http://www.berkeleyblackhistorycelebration.com/\" target=\"_blank\">website\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED News Associate \u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\">Berkeleyside\u003c/a> is an independently owned news website based in Berkeley, Calif. \u003ca href=\"http://eepurl.com/lh_3b\" target=\"_blank\">Click here\u003c/a> if you would you like to receive the latest Berkeley news in your inbox once a day for free with Berkeleyside's Daily Briefing email.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_125621\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Atule.png\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Atule-640x382.png\" alt=\"Akayaa Atule will perform at the Berkeley Black History Celebration. (Elizabeth Heath/Berkeleyside)\" width=\"640\" height=\"382\" class=\"size-medium wp-image-125621\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Akayaa Atule will perform at the Berkeley Black History Celebration. (Elizabeth Heath/Berkeleyside)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>By Frances Dinkelspiel, \u003ca href=\"http://www.berkeleyside.com/2014/02/06/first-berkeley-black-history-celebration-on-saturday/\" target=\"_blank\">Berkeleyside\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>The organizers who have been putting on Berkeley’s Juneteenth celebration for the last 27 years are expanding and will produce the first annual \u003ca href=\"http://www.berkeleyblackhistorycelebration.com/\" target=\"_blank\">Berkeley Black History Celebration\u003c/a> at a seven-hour free event on Saturday.\u003c/p>\n\u003cp>The theme of the celebration is “Harambee: Community Pulling Together,” and will feature music, historical exhibits, a short film, good food, games and an award ceremony, according to Gerald Baptiste Jr. the chair of the event. \u003c/p>\n\u003cp>The filmmaker \u003ca href=\"http://dougharrismedia.com/doug.html\" target=\"_blank\">Doug Harris\u003c/a> will show a 10-minute clip from his film-in-progress about \u003ca href=\"http://en.wikipedia.org/wiki/William_Byron_Rumford\" target=\"_blank\">William Byron Rumford\u003c/a>, the Berkeley state assemblyman who was instrumental in passing fair housing and fair employment legislation. Rumford, who died in 1986, was one of the state’s first African-American assemblymen.\u003c/p>\n\u003cp>The family-friendly celebration will take place at the Berkeley Community Theater, 1930 Allston Way, from 1 p.m. to 8 p.m. It will be free, in part because the city of Berkeley and the Cooperative Center Federal Credit Union have donated funds. Berkeleyside is a media sponsor for the event. Other sponsors include the Berkeley Unified School District, the NAACP, KPOO-FM, Berkeley High School’s African-American Studies Department, and Parents of Children of African Descent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ron Wesley of Alotoffun Productions, which puts on numerous free music festivals, worked with the Juneteenth Committee to craft the program and entertainment for the day. He has booked Zulu Spear, AfroFunk Experience, Kev Choice, and Akayaa Atule.\u003c/p>\n\u003cp>The highlight of the day may be the awards ceremony, which will take place in the afternoon, according to Delores Cooper, the executive secretary of Berkeley Juneteenth.\u003c/p>\n\u003cp>At first the committee thought about handing out awards to some of Berkeley’s iconic civil rights leaders, like \u003ca href=\"http://www.berkeleyplaques.org/index.php?page=frances-albrier\" target=\"_blank\">Frances Albrier\u003c/a>, who organized to push Berkeley schools to hire their first African-American teacher and was the first African-American to run for the Berkeley City Council in 1939. Then the group decided to honor people who are active today. They are not announcing the two winners ahead of time; they want it to be a surprise.\u003c/p>\n\u003cp>“We looked for someone who is very active and is doing some civil rights-type thing right now,” said Cooper. “We are only going to do two (awards.) We don’t want to do too many because we want to make them special.”\u003c/p>\n\u003cp>For more information, check out the Berkeley Black History Celebration’s \u003ca href=\"https://www.facebook.com/events/413518332085006/?ref=22\" target=\"_blank\">Facebook page\u003c/a> or \u003ca href=\"http://www.berkeleyblackhistorycelebration.com/\" target=\"_blank\">website\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED News Associate \u003ca href=\"http://www.berkeleyside.com/\" target=\"_blank\">Berkeleyside\u003c/a> is an independently owned news website based in Berkeley, Calif. \u003ca href=\"http://eepurl.com/lh_3b\" target=\"_blank\">Click here\u003c/a> if you would you like to receive the latest Berkeley news in your inbox once a day for free with Berkeleyside's Daily Briefing email.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_125469\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-125469\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/firstfriday-640x480.jpg\" alt=\"(Photo: Oakland First Fridays)\" width=\"640\" height=\"480\">\u003cfigcaption class=\"wp-caption-text\">(Photo: Oakland First Fridays). \u003ccite>(KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Update:\u003c/strong> A friend reminds us: Art galleries, restaurants and bars in the First Friday fun zone will be open as usual tonight. It’s just the outdoor component that’s been washed out by our late-arriving wet season.\u003c/p>\n\u003cp>\u003cstrong>Bay City News\u003c/strong>\u003c/p>\n\u003cp>For the first time in its two-year history, a \u003ca href=\"http://www.oaklandfirstfridays.org/\">First Fridays\u003c/a> event in downtown Oakland is being canceled because of rain, organizers said Thursday. \u003c/p>\n\u003cp>The street party, which takes place on Telegraph Avenue from West Grand Avenue to 27th Street, draws thousands of people to Oakland’s Uptown district on the first Friday of every month. It is an offshoot of Art Murmur, a gallery walk that occurs earlier on the same night.\u003c/p>\n\u003cp>Although the street party won’t be held this Friday, organizers said there will still be plenty of indoor activities such as the Art Murmur walk, and people can still visit the 25th Street Collective, a warehouse for slow food and slow fashion artisans. And of course, bars, restaurants and music venues in the area will remain open. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Festival coordinator Sarah Kidder said that until now, First Fridays has been blessed with good weather, although an unexpected storm limited attendance at the event in December. \u003c/p>\n\u003cp>“We’ve been fortunate until now, and we’re thrilled that there’s rain because of the drought,” Kidder said. She said it would be unsafe to hold the event this Friday because most musicians, street vendors and artists who have outdoor booths don’t have tents.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> “People and art would get wet, and there might be electrocution issues,” Kidder said. She said First Fridays will return on March 7, as long as there isn’t more rain then.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_125469\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-125469\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/firstfriday-640x480.jpg\" alt=\"(Photo: Oakland First Fridays)\" width=\"640\" height=\"480\">\u003cfigcaption class=\"wp-caption-text\">(Photo: Oakland First Fridays). \u003ccite>(KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Update:\u003c/strong> A friend reminds us: Art galleries, restaurants and bars in the First Friday fun zone will be open as usual tonight. It’s just the outdoor component that’s been washed out by our late-arriving wet season.\u003c/p>\n\u003cp>\u003cstrong>Bay City News\u003c/strong>\u003c/p>\n\u003cp>For the first time in its two-year history, a \u003ca href=\"http://www.oaklandfirstfridays.org/\">First Fridays\u003c/a> event in downtown Oakland is being canceled because of rain, organizers said Thursday. \u003c/p>\n\u003cp>The street party, which takes place on Telegraph Avenue from West Grand Avenue to 27th Street, draws thousands of people to Oakland’s Uptown district on the first Friday of every month. It is an offshoot of Art Murmur, a gallery walk that occurs earlier on the same night.\u003c/p>\n\u003cp>Although the street party won’t be held this Friday, organizers said there will still be plenty of indoor activities such as the Art Murmur walk, and people can still visit the 25th Street Collective, a warehouse for slow food and slow fashion artisans. And of course, bars, restaurants and music venues in the area will remain open. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Money Trouble in Internet Porn",
"title": "Money Trouble in Internet Porn",
"headTitle": "News Fix | KQED News",
"content": "\u003cfigure id=\"attachment_125390\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"size-thumbnail wp-image-125390\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/2388589-300x300.jpg\" alt=\"The online porn industry is facing a financial crisis as consumers find free alternatives. (Spencer Platt/Getty Images)\" width=\"300\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">The online porn industry is facing a financial crisis as consumers find free alternatives. (Spencer Platt/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Online pornography helped to build the Internet. It was the \u003ca href=\"http://thenextweb.com/insider/2012/10/07/cybersex-ascii-pinups-celebrity-fakes-how-the-internet-created-a-97-billion-porn-industry/#!uutAd\">cutting edge of e-commerce\u003c/a> when sites like Amazon.com were just starting. But today the porn industry is suffering. It’s got lots of eyeballs, but experts say fewer are paying to view. A porn empire based in San Francisco is trying to recover by using data analytics.\u003c/p>\n\u003cp>Pornography is not some hidden corner of the Internet. Analysts estimate that about \u003ca href=\"http://internet-filter-review.toptenreviews.com/internet-pornography-statistics.html\">one-quarter of all web searches\u003c/a> are for porn. (Also, here’s a \u003ca href=\"http://blog.clinicalcareconsultants.com/wp-content/uploads/2013/12/porn_stats_2013_covenant_eyes.pdf\">nice literature review\u003c/a> on porn stats and why they’re hard to obtain, given the private industry structure and how much sex is in hidden torrent sites.)\u003c/p>\n\u003cp>I hit the streets of San Francisco to ask strangers their favorite search terms. It was not hard to get answers \u003cem>on the record\u003c/em>.\u003c/p>\n\u003cp>At a coffee shop, Jason Ravel says, “I like teacher porn, student-teacher, fantasy. That’s who I was around most often in grade school. I was a good student.”\u003c/p>\n\u003cp>Chanelle Dorton, who’s passing by a BART station, is into ebony lesbian sex. “I don’t like straight porn,” she says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lyft driver Neel Bell likes “heterosexual porn that doesn’t involve porn stars. It lets you think it’s a real-life situation more.”\u003c/p>\n\u003cp>Dorton says she consumes porn like some people consume news. “I check my email, play games online. So it probably falls after that -- like an extracurricular activity, I guess.”\u003c/p>\n\u003cp>But just about everyone I ask says he or she never, ever pays for it. Bell explains, “Never pay for porn, never pay for sex. I guess I’m a cheapskate when it comes down to it. I download all my music, too.”\u003c/p>\n\u003cp>\u003cstrong>Industry crisis\u003c/strong>\u003c/p>\n\u003cp>That is exactly the problem, according to Internet \u003ca href=\"http://www.nytimes.com/2007/04/29/magazine/29kink.t.html?_r=0\">porn mogul Peter Acworth\u003c/a>. “We’re suffering what happened to the music industry a while back. It’s becoming much easier to get content for free and people are less apt to want to pay for it,” he says.\u003c/p>\n\u003cp>Acworth is founder of \u003ca href=\"http://www.kink.com/k/?c=1\">Kink.com\u003c/a>, a San Francisco fetish porn conglomerate that had 205 million views last year alone.\u003c/p>\n\u003cp>Back in the late 1990s, Acworth was getting his Ph.D. in finance at Columbia University. He realized there was lots of money to be made in streaming sex. So he started video shoots right out of his own room. “You honestly couldn’t add the sites fast enough. It was like money was falling from the sky.”\u003c/p>\n\u003caside class=\"pullquote alignleft\">It’s becoming much easier to get content for free and people are less apt to want to pay for it.\u003ccite>— Peter Acworth, Kink.com founder\u003c/cite>\u003c/aside>\n\u003cp>Earnings were so strong that, by 2006, the company decided to make a major real estate investment and purchased the Armory – a towering building that takes up a city block in the Mission District.\u003c/p>\n\u003cp>But because of \u003ca href=\"https://litigation-essentials.lexisnexis.com/webcd/app?action=DocumentDisplay&crawlid=1&doctype=cite&docid=37+S.+Ill.+U.+L.+J.+419&srctype=smi&srcid=3B15&key=f781a0904237ac9f75085d55290c8956\">piracy\u003c/a> and an explosion of free sites, the heyday is over.\u003c/p>\n\u003cp>The porn industry trade group \u003ca href=\"http://www.businessweek.com/printer/articles/58466-the-new-republic-of-porn\">Free Speech Coalition estimated\u003c/a> that global revenue plummeted by 50 percent, from $20 billion in 2007 to $10 billion by 2011. Kink.com saw a decline in its own revenue for the first time that year.\u003c/p>\n\u003cp>Porn has a distinct problem that less racy media companies do not have. Users are afraid of leaving a digital record -- and not because of \u003ca href=\"http://www.huffingtonpost.com/2013/11/26/nsa-porn-muslims_n_4346128.html\">the National Security Agency\u003c/a>.\u003c/p>\n\u003cp>Acworth says, \"We get constantly email from people's wives, because they found a charge on the husband's credit card and they're upset to find out it's for pornography.\"\u003c/p>\n\u003cp>\u003cstrong>Brand loyalty and data mining\u003c/strong>\u003c/p>\n\u003cp>Acworth has come under fire recently by regulators for \u003ca href=\"http://us6.campaign-archive1.com/?e=233a827e34&id=ef368d7d14&u=f47bf6e41fa03f3e27798b3de\">risky employment practices\u003c/a> such as unprotected sex. But his central business concern is viewer loyalty. Kink.com is on a campaign to lure viewers out of the shadows, and into credit card payments, by offering a better product. He takes me upstairs at Kink headquarters, to the set of a live porn shoot.\u003c/p>\n\u003cp>A model who is performing in front of a webcam says in a sultry tone, “The part of my body that I like the most would probably be …” Her voice tapers off and she shows rather than tells.\u003c/p>\n\u003cp>Paying subscribers are watching and typing in what they’d like her to do next. Across the Internet, roughly 15 percent of Web pages are porn sites. A lot of the free stuff is poorly made, low resolution or just shows a short clip of a longer video. But Acworth points out that counterfeiters can’t pirate this kind of personal request.\u003c/p>\n\u003cp>At the other end of the room, there’s a community event. Members of Kink.com are dressed in tuxedos and gowns -- which they'll take off when it's time for spanking. The emcee prods them, “Have as much of a plot about how the day is going to go for you as you can.”\u003c/p>\n\u003cp>Acworth is creating a lifestyle brand -- a common strategy for media companies that need to build loyalty with fans. He’s also hiring a team of data analysts to make Kink.com like the movie company Netflix: track your every move and -- based on what you search and click -- push the content you like most right in front of you.\u003c/p>\n\u003cp>Acworth says no one has to worry about personal data getting sold to outside advertisers. “I shouldn't think anyone would be interested in that. Who would want to buy data pertaining to whether somebody likes bondage or spanking?\"\u003c/p>\n\u003cp>\u003cstrong>Is nothing private?\u003c/strong>\u003c/p>\n\u003cp>Andrew Kahl has spent many research hours researching that question.\u003c/p>\n\u003cp>He is an analyst with Evidon, a New York-based company that creates privacy tools. Last summer he studied porn websites and found that they are indeed investing in analytics. \u003ca href=\"https://purplebox.ghostery.com/post/1016023854\">Nearly 900 million porn site visitors were tracked\u003c/a> by hundreds of third-party advertising companies. “It is bigger than a few companies you might have heard of,” he says.\u003c/p>\n\u003cp>While a buyer for that data does not exist yet to Kahl’s knowledge, he can easily think up hypotheticals.\u003c/p>\n\u003cp>A condom manufacturer could go to a credible news site and say, “Hey, I would only show condom advertisements to people who have also viewed porn today.” That news site might decide to be less concerned about the sensitivity of the user and say, “Yeah, we'll take your condom advertising money.'\"\u003c/p>\n\u003cp>Kahl says porn companies are doing data analytics for a reason: to get back on top of e-commerce.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ciframe style=\"border: none\" height=\"450\" width=\"100%\" scrolling=\"no\" src=\"http://assets-polarb-com.a.ssl.fastly.net/api/v4/publishers/kqednews/embedded_polls/iframe?poll_id=157404\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_125390\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg class=\"size-thumbnail wp-image-125390\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/2388589-300x300.jpg\" alt=\"The online porn industry is facing a financial crisis as consumers find free alternatives. (Spencer Platt/Getty Images)\" width=\"300\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">The online porn industry is facing a financial crisis as consumers find free alternatives. (Spencer Platt/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Online pornography helped to build the Internet. It was the \u003ca href=\"http://thenextweb.com/insider/2012/10/07/cybersex-ascii-pinups-celebrity-fakes-how-the-internet-created-a-97-billion-porn-industry/#!uutAd\">cutting edge of e-commerce\u003c/a> when sites like Amazon.com were just starting. But today the porn industry is suffering. It’s got lots of eyeballs, but experts say fewer are paying to view. A porn empire based in San Francisco is trying to recover by using data analytics.\u003c/p>\n\u003cp>Pornography is not some hidden corner of the Internet. Analysts estimate that about \u003ca href=\"http://internet-filter-review.toptenreviews.com/internet-pornography-statistics.html\">one-quarter of all web searches\u003c/a> are for porn. (Also, here’s a \u003ca href=\"http://blog.clinicalcareconsultants.com/wp-content/uploads/2013/12/porn_stats_2013_covenant_eyes.pdf\">nice literature review\u003c/a> on porn stats and why they’re hard to obtain, given the private industry structure and how much sex is in hidden torrent sites.)\u003c/p>\n\u003cp>I hit the streets of San Francisco to ask strangers their favorite search terms. It was not hard to get answers \u003cem>on the record\u003c/em>.\u003c/p>\n\u003cp>At a coffee shop, Jason Ravel says, “I like teacher porn, student-teacher, fantasy. That’s who I was around most often in grade school. I was a good student.”\u003c/p>\n\u003cp>Chanelle Dorton, who’s passing by a BART station, is into ebony lesbian sex. “I don’t like straight porn,” she says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lyft driver Neel Bell likes “heterosexual porn that doesn’t involve porn stars. It lets you think it’s a real-life situation more.”\u003c/p>\n\u003cp>Dorton says she consumes porn like some people consume news. “I check my email, play games online. So it probably falls after that -- like an extracurricular activity, I guess.”\u003c/p>\n\u003cp>But just about everyone I ask says he or she never, ever pays for it. Bell explains, “Never pay for porn, never pay for sex. I guess I’m a cheapskate when it comes down to it. I download all my music, too.”\u003c/p>\n\u003cp>\u003cstrong>Industry crisis\u003c/strong>\u003c/p>\n\u003cp>That is exactly the problem, according to Internet \u003ca href=\"http://www.nytimes.com/2007/04/29/magazine/29kink.t.html?_r=0\">porn mogul Peter Acworth\u003c/a>. “We’re suffering what happened to the music industry a while back. It’s becoming much easier to get content for free and people are less apt to want to pay for it,” he says.\u003c/p>\n\u003cp>Acworth is founder of \u003ca href=\"http://www.kink.com/k/?c=1\">Kink.com\u003c/a>, a San Francisco fetish porn conglomerate that had 205 million views last year alone.\u003c/p>\n\u003cp>Back in the late 1990s, Acworth was getting his Ph.D. in finance at Columbia University. He realized there was lots of money to be made in streaming sex. So he started video shoots right out of his own room. “You honestly couldn’t add the sites fast enough. It was like money was falling from the sky.”\u003c/p>\n\u003caside class=\"pullquote alignleft\">It’s becoming much easier to get content for free and people are less apt to want to pay for it.\u003ccite>— Peter Acworth, Kink.com founder\u003c/cite>\u003c/aside>\n\u003cp>Earnings were so strong that, by 2006, the company decided to make a major real estate investment and purchased the Armory – a towering building that takes up a city block in the Mission District.\u003c/p>\n\u003cp>But because of \u003ca href=\"https://litigation-essentials.lexisnexis.com/webcd/app?action=DocumentDisplay&crawlid=1&doctype=cite&docid=37+S.+Ill.+U.+L.+J.+419&srctype=smi&srcid=3B15&key=f781a0904237ac9f75085d55290c8956\">piracy\u003c/a> and an explosion of free sites, the heyday is over.\u003c/p>\n\u003cp>The porn industry trade group \u003ca href=\"http://www.businessweek.com/printer/articles/58466-the-new-republic-of-porn\">Free Speech Coalition estimated\u003c/a> that global revenue plummeted by 50 percent, from $20 billion in 2007 to $10 billion by 2011. Kink.com saw a decline in its own revenue for the first time that year.\u003c/p>\n\u003cp>Porn has a distinct problem that less racy media companies do not have. Users are afraid of leaving a digital record -- and not because of \u003ca href=\"http://www.huffingtonpost.com/2013/11/26/nsa-porn-muslims_n_4346128.html\">the National Security Agency\u003c/a>.\u003c/p>\n\u003cp>Acworth says, \"We get constantly email from people's wives, because they found a charge on the husband's credit card and they're upset to find out it's for pornography.\"\u003c/p>\n\u003cp>\u003cstrong>Brand loyalty and data mining\u003c/strong>\u003c/p>\n\u003cp>Acworth has come under fire recently by regulators for \u003ca href=\"http://us6.campaign-archive1.com/?e=233a827e34&id=ef368d7d14&u=f47bf6e41fa03f3e27798b3de\">risky employment practices\u003c/a> such as unprotected sex. But his central business concern is viewer loyalty. Kink.com is on a campaign to lure viewers out of the shadows, and into credit card payments, by offering a better product. He takes me upstairs at Kink headquarters, to the set of a live porn shoot.\u003c/p>\n\u003cp>A model who is performing in front of a webcam says in a sultry tone, “The part of my body that I like the most would probably be …” Her voice tapers off and she shows rather than tells.\u003c/p>\n\u003cp>Paying subscribers are watching and typing in what they’d like her to do next. Across the Internet, roughly 15 percent of Web pages are porn sites. A lot of the free stuff is poorly made, low resolution or just shows a short clip of a longer video. But Acworth points out that counterfeiters can’t pirate this kind of personal request.\u003c/p>\n\u003cp>At the other end of the room, there’s a community event. Members of Kink.com are dressed in tuxedos and gowns -- which they'll take off when it's time for spanking. The emcee prods them, “Have as much of a plot about how the day is going to go for you as you can.”\u003c/p>\n\u003cp>Acworth is creating a lifestyle brand -- a common strategy for media companies that need to build loyalty with fans. He’s also hiring a team of data analysts to make Kink.com like the movie company Netflix: track your every move and -- based on what you search and click -- push the content you like most right in front of you.\u003c/p>\n\u003cp>Acworth says no one has to worry about personal data getting sold to outside advertisers. “I shouldn't think anyone would be interested in that. Who would want to buy data pertaining to whether somebody likes bondage or spanking?\"\u003c/p>\n\u003cp>\u003cstrong>Is nothing private?\u003c/strong>\u003c/p>\n\u003cp>Andrew Kahl has spent many research hours researching that question.\u003c/p>\n\u003cp>He is an analyst with Evidon, a New York-based company that creates privacy tools. Last summer he studied porn websites and found that they are indeed investing in analytics. \u003ca href=\"https://purplebox.ghostery.com/post/1016023854\">Nearly 900 million porn site visitors were tracked\u003c/a> by hundreds of third-party advertising companies. “It is bigger than a few companies you might have heard of,” he says.\u003c/p>\n\u003cp>While a buyer for that data does not exist yet to Kahl’s knowledge, he can easily think up hypotheticals.\u003c/p>\n\u003cp>A condom manufacturer could go to a credible news site and say, “Hey, I would only show condom advertisements to people who have also viewed porn today.” That news site might decide to be less concerned about the sensitivity of the user and say, “Yeah, we'll take your condom advertising money.'\"\u003c/p>\n\u003cp>Kahl says porn companies are doing data analytics for a reason: to get back on top of e-commerce.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_125203\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Screenshot-2014-02-04-00.18.06.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-125203\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Screenshot-2014-02-04-00.18.06-640x353.png\" alt=\"Artist's rendering of proposed Lucas Cultural Arts Museum in San Francisco's Presidio. The body governing the former Army base has rejected the museum and two other proposals. (Lucas Cultural Art Museum presentation, January 2014)\" width=\"640\" height=\"353\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist’s rendering of proposed Lucas Cultural Arts Museum in San Francisco’s Presidio. The body governing the former Army base has rejected the museum and two other proposals. (Lucas Cultural Art Museum presentation, January 2014)\u003c/figcaption>\u003c/figure>\n\u003cp>You might forgive George Lucas if right now he’s wondering, “What does a guy have to do to get something built around here?”\u003c/p>\n\u003cp>A couple years ago, his neighbors in Marin County made it clear they didn’t want his big new movie studio. And Monday, the group that oversees development of San Francisco’s historic former Army base, the Presidio, very politely said “no thanks” to the filmmaker’s bid to erect a new museum to house what, by all accounts, is \u003ca href=\"http://www.sfgate.com/default/article/George-Lucas-proposes-Presidio-museum-4331417.php\" target=\"_blank\" rel=\"noopener\">an epic collection\u003c/a> of popular art celebrating the history of visual storytelling — including comics, children’s books, cinema, digital technology and illustrations of artists such as Norman Rockwell and Maxfield Parrish.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.presidio.gov/Pages/default.aspx\" target=\"_blank\" rel=\"noopener\">Presidio Trust\u003c/a> also turned down two other finalists in the marathon bidding process to build a new cultural center at mid-Crissy Field, now the site of a former Army commissary that currently houses a hip but culturally unprepossessing branch of fitness retailer Sports Basement. The two other proposals, the \u003ca href=\"http://www.presidio.gov/about/Pages/commissary-the-presidio-exchange.aspx\" target=\"_blank\" rel=\"noopener\">Presidio Exchange \u003c/a>and the \u003ca href=\"http://www.presidio.gov/about/Pages/commissary-bridge-sustainability-institute.aspx\" target=\"_blank\" rel=\"noopener\">Bridge/Sustainability Institute\u003c/a>, focused on environment, local history and cultural education.\u003c/p>\n\u003cp>The Trust’s public explanation for turning down all three proposals? As Presidio Trust officials put it \u003ca href=\"http://www.presidio.gov/about/Administrative%20Documents/PLN-305-Statement%20from%20the%20Trust%20Board%2002032014.pdf\" target=\"_blank\" rel=\"noopener\">in a statement\u003c/a>, “We simply do not believe any of the projects were right for this location.” The Trust suggested it wants to reserve the Sports Basement property as open space as Doyle Drive, the elevated freeway leading to the Golden Gate Bridge, gives way to the less obtrusive \u003ca href=\"http://www.presidioparkway.org/about/\" target=\"_blank\" rel=\"noopener\">Presidio Parkway\u003c/a>.\u003c/p>\n\u003cp>Lucas had \u003ca href=\"http://www.sfgate.com/default/article/George-Lucas-proposes-Presidio-museum-4331417.php#page-1\" target=\"_blank\" rel=\"noopener\">reportedly planned \u003c/a>to spend $250 million to $300 million to build his new museum and grant the institution $800 million in endowments. The Presidio Trust said it would like to continue discussions with Lucas in hopes of finding a site for the museum elsewhere in the 1,500-acre Presidio, which is part of the National Park Service’s Golden Gate National Recreation Area.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But in a statement, Lucas seemed cool to the idea of looking for an alternative Presidio location. And \u003ca href=\"http://blog.sfgate.com/matierandross/2014/02/03/george-lucas-shot-down-at-crissy-field-but-not-out/\" target=\"_blank\" rel=\"noopener\">the San Francisco Chronicle’s Phil Matier and Andy Ross reported Monday\u003c/a> that a Lucas spokesman seemed taken aback by the Presidio Trust’s decision and offer to look for another site:\u003c/p>\n\u003cblockquote>\u003cp>“This is something that caught us completely by surprise,” David Perry, spokesman for Lucas, said of the latest offer for another site, at an undisclosed location closer to the Main Post.\u003c/p>\n\u003cp>“For four years, we have been told that the only site available for development is the Sports Basement site — and we have worked and reworked our plan to make it work,” Perry said. “Now, literally in the past few hours, we hear there is an alternative site.\u003c/p>\n\u003cp>“We are intrigued,” Perry said, but “a lot of other people have asked us to dance, and we will start calling them back.”\u003c/p>\n\u003cp>Perry apparently was referring, in particular, to an offer to Lucas to build his museum in Chicago, where the director’s new wife lives.\u003c/p>\n\u003cp>Perry ruled out one site that others have suggested, at the Palace of Fine Arts, saying the Lucas team had examined the property and concluded it wouldn’t work.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>The Presidio development marks the second major reversal for Lucas in his attempts to get ambitious, signature projects built in the Bay Area. In April 2012, he \u003ca href=\"http://www.northbaybusinessjournal.com/52467/lucas-drops-grady-ranch-studio-project/\" target=\"_blank\" rel=\"noopener\">withdrew a proposal\u003c/a> for a major new movie production complex on his Grady Ranch property in Marin County’s Lucas Valley. That decision came after protracted battles with neighbors who sought to block the project. Lucas said he would try to develop the site for low-income and affordable housing instead, but so far he has not found a developer to partner with on the project.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_125203\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Screenshot-2014-02-04-00.18.06.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-125203\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/Screenshot-2014-02-04-00.18.06-640x353.png\" alt=\"Artist's rendering of proposed Lucas Cultural Arts Museum in San Francisco's Presidio. The body governing the former Army base has rejected the museum and two other proposals. (Lucas Cultural Art Museum presentation, January 2014)\" width=\"640\" height=\"353\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist’s rendering of proposed Lucas Cultural Arts Museum in San Francisco’s Presidio. The body governing the former Army base has rejected the museum and two other proposals. (Lucas Cultural Art Museum presentation, January 2014)\u003c/figcaption>\u003c/figure>\n\u003cp>You might forgive George Lucas if right now he’s wondering, “What does a guy have to do to get something built around here?”\u003c/p>\n\u003cp>A couple years ago, his neighbors in Marin County made it clear they didn’t want his big new movie studio. And Monday, the group that oversees development of San Francisco’s historic former Army base, the Presidio, very politely said “no thanks” to the filmmaker’s bid to erect a new museum to house what, by all accounts, is \u003ca href=\"http://www.sfgate.com/default/article/George-Lucas-proposes-Presidio-museum-4331417.php\" target=\"_blank\" rel=\"noopener\">an epic collection\u003c/a> of popular art celebrating the history of visual storytelling — including comics, children’s books, cinema, digital technology and illustrations of artists such as Norman Rockwell and Maxfield Parrish.\u003c/p>\n\u003cp>The \u003ca href=\"http://www.presidio.gov/Pages/default.aspx\" target=\"_blank\" rel=\"noopener\">Presidio Trust\u003c/a> also turned down two other finalists in the marathon bidding process to build a new cultural center at mid-Crissy Field, now the site of a former Army commissary that currently houses a hip but culturally unprepossessing branch of fitness retailer Sports Basement. The two other proposals, the \u003ca href=\"http://www.presidio.gov/about/Pages/commissary-the-presidio-exchange.aspx\" target=\"_blank\" rel=\"noopener\">Presidio Exchange \u003c/a>and the \u003ca href=\"http://www.presidio.gov/about/Pages/commissary-bridge-sustainability-institute.aspx\" target=\"_blank\" rel=\"noopener\">Bridge/Sustainability Institute\u003c/a>, focused on environment, local history and cultural education.\u003c/p>\n\u003cp>The Trust’s public explanation for turning down all three proposals? As Presidio Trust officials put it \u003ca href=\"http://www.presidio.gov/about/Administrative%20Documents/PLN-305-Statement%20from%20the%20Trust%20Board%2002032014.pdf\" target=\"_blank\" rel=\"noopener\">in a statement\u003c/a>, “We simply do not believe any of the projects were right for this location.” The Trust suggested it wants to reserve the Sports Basement property as open space as Doyle Drive, the elevated freeway leading to the Golden Gate Bridge, gives way to the less obtrusive \u003ca href=\"http://www.presidioparkway.org/about/\" target=\"_blank\" rel=\"noopener\">Presidio Parkway\u003c/a>.\u003c/p>\n\u003cp>Lucas had \u003ca href=\"http://www.sfgate.com/default/article/George-Lucas-proposes-Presidio-museum-4331417.php#page-1\" target=\"_blank\" rel=\"noopener\">reportedly planned \u003c/a>to spend $250 million to $300 million to build his new museum and grant the institution $800 million in endowments. The Presidio Trust said it would like to continue discussions with Lucas in hopes of finding a site for the museum elsewhere in the 1,500-acre Presidio, which is part of the National Park Service’s Golden Gate National Recreation Area.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But in a statement, Lucas seemed cool to the idea of looking for an alternative Presidio location. And \u003ca href=\"http://blog.sfgate.com/matierandross/2014/02/03/george-lucas-shot-down-at-crissy-field-but-not-out/\" target=\"_blank\" rel=\"noopener\">the San Francisco Chronicle’s Phil Matier and Andy Ross reported Monday\u003c/a> that a Lucas spokesman seemed taken aback by the Presidio Trust’s decision and offer to look for another site:\u003c/p>\n\u003cblockquote>\u003cp>“This is something that caught us completely by surprise,” David Perry, spokesman for Lucas, said of the latest offer for another site, at an undisclosed location closer to the Main Post.\u003c/p>\n\u003cp>“For four years, we have been told that the only site available for development is the Sports Basement site — and we have worked and reworked our plan to make it work,” Perry said. “Now, literally in the past few hours, we hear there is an alternative site.\u003c/p>\n\u003cp>“We are intrigued,” Perry said, but “a lot of other people have asked us to dance, and we will start calling them back.”\u003c/p>\n\u003cp>Perry apparently was referring, in particular, to an offer to Lucas to build his museum in Chicago, where the director’s new wife lives.\u003c/p>\n\u003cp>Perry ruled out one site that others have suggested, at the Palace of Fine Arts, saying the Lucas team had examined the property and concluded it wouldn’t work.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>The Presidio development marks the second major reversal for Lucas in his attempts to get ambitious, signature projects built in the Bay Area. In April 2012, he \u003ca href=\"http://www.northbaybusinessjournal.com/52467/lucas-drops-grady-ranch-studio-project/\" target=\"_blank\" rel=\"noopener\">withdrew a proposal\u003c/a> for a major new movie production complex on his Grady Ranch property in Marin County’s Lucas Valley. That decision came after protracted battles with neighbors who sought to block the project. Lucas said he would try to develop the site for low-income and affordable housing instead, but so far he has not found a developer to partner with on the project.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Philip Seymour Hoffman's Bay Area Cameo: the A's, Art Howe and 'Moneyball'",
"title": "Philip Seymour Hoffman's Bay Area Cameo: the A's, Art Howe and 'Moneyball'",
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"content": "\u003cfigure id=\"attachment_125090\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302.jpg\">\u003cimg class=\"size-medium wp-image-125090\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302-640x473.jpg\" alt=\"Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film "Moneyball." Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\" width=\"640\" height=\"473\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film \"Moneyball.\" Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Since I don't see nearly as many movies as a modern human being is expected to, I can't say I know the Philip Seymour Hoffman canon too well. But given what I saw him in — \"The Big Lebowski,\" \"Almost Famous,\" \"State and Main,\" \"The Talented Mr. Ripley\" and especially \"Capote\" — I think my opinion comported with what I perceive to be the general view: The guy could act. On that basis, and considering his age, 46, hearing about \u003ca href=\"http://www.nytimes.com/2014/02/03/movies/philip-seymour-hoffman-actor-dies-at-46.html?hp\" target=\"_blank\">his death earlier today\u003c/a> was, and is, stunning.\u003c/p>\n\u003cp>[contextly_sidebar id=\"a53eb99b85630e70d02b2531e489dac6\"]\u003c/p>\n\u003cp>Hoffman had one role in recent years with a prominent Bay Area tie, playing former Oakland A's Manager Art Howe in \"\u003ca href=\"http://www.imdb.com/title/tt1210166/?ref_=nm_flmg_act_10\" target=\"_blank\">Moneyball\u003c/a>.\" I don't think it rated as one of Hoffman's career highlights.\u003c/p>\n\u003cp>For as much as I like the A's and the \"Moneyball\" story — both the Michael Lewis book about the non-traditional views of A's General Manager Billy Beane and the way those views have so often come to entertaining life on the field — the Art Howe in the movie felt more than a little off. Hoffman's portrayal was competent enough. But we were seeing the depiction of someone who we, as followers of the local nine, felt we had sort of gotten to know. The guy we had watched on the dugout steps, heard on the radio and read about in the paper year after year in the late Nineties and early Oughts didn't seem like the humorless, narrow-minded, shackled-to-baseball-tradition jerk we were seeing on screen.\u003c/p>\n\u003cp>Howe complained bitterly about the portrayal. (See \"\u003ca href=\"http://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/\" target=\"_blank\">Art Howe Rips 'Moneyball' and Billy Beane\u003c/a>,\" a post colleague Jon Brooks wrote soon after the movie came out in 2011.) But among those Howe didn't blame was the actor who played him.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Howe is still talking about the movie — but now to express shock at Hoffman's sudden passing. \u003ca href=\"http://www.tmz.com/2014/02/02/philip-seymore-hoffman-art-howe-moneyball-forgive/#ixzz2sD1qQQF6\" target=\"_blank\">He told TMZ today\u003c/a> that he never held the portrayal against Hoffman:\u003c/p>\n\u003cblockquote>\u003cp>Howe says he was \"in shock\" when he learned PSH had passed away Sunday ... explaining, \"We never got to meet. I remember reading an article where he said he wanted to meet me and apologize for how he portrayed me. Now we're never going to have that chance.\"\u003c/p>\n\u003cp>Howe says he was very unhappy with the way he was portrayed in the flick -- but says he points the finger at the producers and the writers ... not PSH.\u003c/p>\n\u003cp>\"Even though I didn't agree with the way I was portrayed, I didn't blame him -- he was just playing the part he was given,\" Howe says.\u003c/p>\u003c/blockquote>\n\u003cp>KQED News colleague Nina Thorsen was one of thousands of people who volunteered to be an extra when \"Moneyball\" filmed its climactic scene — the A's winning their 20th straight game in 2002 — during a series of late-night shoots at the Coliseum in 2010.\u003c/p>\n\u003cp>When the news about Hoffman's passing broke this morning, Nina wrote:\u003c/p>\n\u003cblockquote>\u003cp>I think every one of the thousands of us who were \"Moneyball\" extras got at least a smile and a wave, and some of my friends who had slightly bigger extra roles said he'd make a point of coming over to sit down and talk with them.\u003c/p>\u003c/blockquote>\n\u003cp>Here's Hoffman as Howe in \"Moneyball,\" followed by the latest version of the Associated Press obituary on Philip Seymour Hoffman:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/SdCNcN-NFXA\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>Jake Coyle and Tom Hays\u003c/strong>\u003c/p>\n\u003cp>Associated Press\u003c/p>\n\u003cp>NEW YORK — Philip Seymour Hoffman, who won the Oscar for best actor in 2006 for his portrayal of writer Truman Capote and created a gallery of other vivid characters, many of them slovenly and somewhat dissipated, was found dead Sunday in his apartment with what officials said was a needle in his arm. He was 46.\u003c/p>\n\u003cp>Two law enforcement officials, who spoke to The Associated Press on condition of anonymity because they were not authorized to talk about the evidence, said the actor apparently died of a drug overdose. Glassine envelopes containing what was believed to be heroin were found with him, they said.\u003c/p>\n\u003cp>Hoffman — no matinee idol, with his lumpy build and limp blond hair — made his career mostly as a character actor, and was one of the most prolific in the business, plying his craft with a rumpled naturalism that also made him one of the most admired performers of his generation.\u003c/p>\n\u003cp>The stage-trained actor was nominated for Academy Awards four times in all: for \"Capote,\" ''The Master,\" ''Doubt\" and \"Charlie Wilson's War.\" He also received three Tony nominations for his work on Broadway, which included an acclaimed turn as the weary and defeated Willy Loman in \"Death of a Salesman.\"\u003c/p>\n\u003cp>Hoffman spoke candidly over the years about past struggles with drug addiction. After 23 years sober, he admitted in interviews last year to falling off the wagon and developing a heroin problem that led to a stint in rehab.\u003c/p>\n\u003cp>Tributes poured in from other Hollywood figures.\u003c/p>\n\u003cp>\"One of the greatest actors of a generation and a sweet, funny & humble man,\" actor Ricky Gervais tweeted. Director Spike Lee said on Twitter: \"Damn, We Lost Another Great Artist.\"\u003c/p>\n\u003cp>And Kevin Costner said in an AP interview: \"Philip was a very important actor and really takes his place among the real great actors. It's a shame. Who knows what he would have been able to do? But we're left with the legacy of the work he's done and it all speaks for itself.\"\u003c/p>\n\u003cp>\"No words for this. He was too great and we're too shattered,\" said Mike Nichols, who directed Hoffman in \"Charlie Wilson's War\" and \"Death of a Salesman.\"\u003c/p>\n\u003cp>The law enforcement officials said Hoffman's body was discovered in a bathroom at his Greenwich Village apartment by a friend who made the 911 call and his assistant.\u003c/p>\n\u003cp>Late Sunday, a police crime-scene van was parked out front, and technicians carrying brown paper bags went in and out. Police kept a growing crowd of onlookers back. A single red daisy had been placed in front of the lobby door.\u003c/p>\n\u003cp>Hoffman's family called the news \"tragic and sudden.\" Hoffman is survived by his partner of 15 years, Mimi O'Donnell, and their three children.\u003c/p>\n\u003cp>\"We are devastated by the loss of our beloved Phil and appreciate the outpouring of love and support we have received from everyone,\" the family said in a statement.\u003c/p>\n\u003cp>In one of his earliest screen roles, he played a spoiled prep school student in \"Scent of a Woman\" in 1992. One of his breakthroughs came as a gay member of a porno film crew in \"Boogie Nights,\" one of several movies directed by Paul Thomas Anderson that he would eventually appear in.\u003c/p>\n\u003cp>He often played comic, slightly off-kilter characters in movies like \"Along Came Polly,\" ''The Big Lebowski\" and \"Almost Famous.\"\u003c/p>\n\u003cp>More recently, he was Plutarch Heavensbee in \"The Hunger Games: Catching Fire\" and was reprising that role in the two-part sequel, \"The Hunger Games: Mockingjay,\" which is in the works. And in \"Moneyball,\" he played Art Howe, the grumpy manager of the Oakland Athletics who resisted new thinking about baseball talent.\u003c/p>\n\u003cp>Just weeks ago, Showtime announced Hoffman would star in \"Happyish,\" a new comedy series about a middle-aged man's pursuit of happiness.\u003c/p>\n\u003cp>He was nominated for the 2013 Academy Award for best supporting actor for his role in \"The Master\" as the charismatic leader of a religious movement. The film, inspired in part by the life of Scientology founder L. Ron Hubbard, reunited the actor with Anderson.\u003c/p>\n\u003cp>He also received a 2009 best-supporting nomination for \"Doubt,\" as a priest who comes under suspicion because of his relationship with a boy, and another best-supporting nomination as a CIA officer in \"Charlie Wilson's War.\"\u003c/p>\n\u003cp>Born in 1967 in Fairport, N.Y., Hoffman was interested in acting from an early age, mesmerized at 12 by a local production of Arthur Miller's \"All My Sons.\" He studied theater as a teenager with the New York State Summer School of the Arts and the Circle in the Square Theatre. He then majored in drama at New York University.\u003c/p>\n\u003cp>In his Oscar acceptance speech for \"Capote,\" he thanked his mother for raising him and his three siblings alone, and for taking him to his first play. Hoffman's parents divorced when he was 9.\u003c/p>\n\u003cp>He could seemingly take on any role, large or small, loathsome or sympathetic, and appeared to be utterly lacking in vanity.\u003c/p>\n\u003cp>On Broadway, in addition to starring as Willy Loman, he played Jamie in \"Long Day's Journey Into Night\" and both leads in \"True West.\" All three performances were Tony-nominated.\u003c/p>\n\u003cp>His 2012 performance in \"Death of a Salesman\" was praised as \"heartbreaking\" by AP theater critic Mark Kennedy.\u003c/p>\n\u003cp>\"Hoffman is only 44, but he nevertheless sags in his brokenness like a man closer to retirement age, lugging about his sample cases filled with his self-denial and disillusionment,\" Kennedy wrote. \"His fraying connection to reality is pronounced in this production, with Hoffman quick to anger and a hard edge emerging from his babbling.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Two films starring Hoffman premiered last month at the Sundance Film Festival: the espionage thriller \"A Most Wanted Man\" and \"God's Pocket.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_125090\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302.jpg\">\u003cimg class=\"size-medium wp-image-125090\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302-640x473.jpg\" alt=\"Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film "Moneyball." Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\" width=\"640\" height=\"473\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film \"Moneyball.\" Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Since I don't see nearly as many movies as a modern human being is expected to, I can't say I know the Philip Seymour Hoffman canon too well. But given what I saw him in — \"The Big Lebowski,\" \"Almost Famous,\" \"State and Main,\" \"The Talented Mr. Ripley\" and especially \"Capote\" — I think my opinion comported with what I perceive to be the general view: The guy could act. On that basis, and considering his age, 46, hearing about \u003ca href=\"http://www.nytimes.com/2014/02/03/movies/philip-seymour-hoffman-actor-dies-at-46.html?hp\" target=\"_blank\">his death earlier today\u003c/a> was, and is, stunning.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Hoffman had one role in recent years with a prominent Bay Area tie, playing former Oakland A's Manager Art Howe in \"\u003ca href=\"http://www.imdb.com/title/tt1210166/?ref_=nm_flmg_act_10\" target=\"_blank\">Moneyball\u003c/a>.\" I don't think it rated as one of Hoffman's career highlights.\u003c/p>\n\u003cp>For as much as I like the A's and the \"Moneyball\" story — both the Michael Lewis book about the non-traditional views of A's General Manager Billy Beane and the way those views have so often come to entertaining life on the field — the Art Howe in the movie felt more than a little off. Hoffman's portrayal was competent enough. But we were seeing the depiction of someone who we, as followers of the local nine, felt we had sort of gotten to know. The guy we had watched on the dugout steps, heard on the radio and read about in the paper year after year in the late Nineties and early Oughts didn't seem like the humorless, narrow-minded, shackled-to-baseball-tradition jerk we were seeing on screen.\u003c/p>\n\u003cp>Howe complained bitterly about the portrayal. (See \"\u003ca href=\"http://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/\" target=\"_blank\">Art Howe Rips 'Moneyball' and Billy Beane\u003c/a>,\" a post colleague Jon Brooks wrote soon after the movie came out in 2011.) But among those Howe didn't blame was the actor who played him.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Howe is still talking about the movie — but now to express shock at Hoffman's sudden passing. \u003ca href=\"http://www.tmz.com/2014/02/02/philip-seymore-hoffman-art-howe-moneyball-forgive/#ixzz2sD1qQQF6\" target=\"_blank\">He told TMZ today\u003c/a> that he never held the portrayal against Hoffman:\u003c/p>\n\u003cblockquote>\u003cp>Howe says he was \"in shock\" when he learned PSH had passed away Sunday ... explaining, \"We never got to meet. I remember reading an article where he said he wanted to meet me and apologize for how he portrayed me. Now we're never going to have that chance.\"\u003c/p>\n\u003cp>Howe says he was very unhappy with the way he was portrayed in the flick -- but says he points the finger at the producers and the writers ... not PSH.\u003c/p>\n\u003cp>\"Even though I didn't agree with the way I was portrayed, I didn't blame him -- he was just playing the part he was given,\" Howe says.\u003c/p>\u003c/blockquote>\n\u003cp>KQED News colleague Nina Thorsen was one of thousands of people who volunteered to be an extra when \"Moneyball\" filmed its climactic scene — the A's winning their 20th straight game in 2002 — during a series of late-night shoots at the Coliseum in 2010.\u003c/p>\n\u003cp>When the news about Hoffman's passing broke this morning, Nina wrote:\u003c/p>\n\u003cblockquote>\u003cp>I think every one of the thousands of us who were \"Moneyball\" extras got at least a smile and a wave, and some of my friends who had slightly bigger extra roles said he'd make a point of coming over to sit down and talk with them.\u003c/p>\u003c/blockquote>\n\u003cp>Here's Hoffman as Howe in \"Moneyball,\" followed by the latest version of the Associated Press obituary on Philip Seymour Hoffman:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/SdCNcN-NFXA\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>Jake Coyle and Tom Hays\u003c/strong>\u003c/p>\n\u003cp>Associated Press\u003c/p>\n\u003cp>NEW YORK — Philip Seymour Hoffman, who won the Oscar for best actor in 2006 for his portrayal of writer Truman Capote and created a gallery of other vivid characters, many of them slovenly and somewhat dissipated, was found dead Sunday in his apartment with what officials said was a needle in his arm. He was 46.\u003c/p>\n\u003cp>Two law enforcement officials, who spoke to The Associated Press on condition of anonymity because they were not authorized to talk about the evidence, said the actor apparently died of a drug overdose. Glassine envelopes containing what was believed to be heroin were found with him, they said.\u003c/p>\n\u003cp>Hoffman — no matinee idol, with his lumpy build and limp blond hair — made his career mostly as a character actor, and was one of the most prolific in the business, plying his craft with a rumpled naturalism that also made him one of the most admired performers of his generation.\u003c/p>\n\u003cp>The stage-trained actor was nominated for Academy Awards four times in all: for \"Capote,\" ''The Master,\" ''Doubt\" and \"Charlie Wilson's War.\" He also received three Tony nominations for his work on Broadway, which included an acclaimed turn as the weary and defeated Willy Loman in \"Death of a Salesman.\"\u003c/p>\n\u003cp>Hoffman spoke candidly over the years about past struggles with drug addiction. After 23 years sober, he admitted in interviews last year to falling off the wagon and developing a heroin problem that led to a stint in rehab.\u003c/p>\n\u003cp>Tributes poured in from other Hollywood figures.\u003c/p>\n\u003cp>\"One of the greatest actors of a generation and a sweet, funny & humble man,\" actor Ricky Gervais tweeted. Director Spike Lee said on Twitter: \"Damn, We Lost Another Great Artist.\"\u003c/p>\n\u003cp>And Kevin Costner said in an AP interview: \"Philip was a very important actor and really takes his place among the real great actors. It's a shame. Who knows what he would have been able to do? But we're left with the legacy of the work he's done and it all speaks for itself.\"\u003c/p>\n\u003cp>\"No words for this. He was too great and we're too shattered,\" said Mike Nichols, who directed Hoffman in \"Charlie Wilson's War\" and \"Death of a Salesman.\"\u003c/p>\n\u003cp>The law enforcement officials said Hoffman's body was discovered in a bathroom at his Greenwich Village apartment by a friend who made the 911 call and his assistant.\u003c/p>\n\u003cp>Late Sunday, a police crime-scene van was parked out front, and technicians carrying brown paper bags went in and out. Police kept a growing crowd of onlookers back. A single red daisy had been placed in front of the lobby door.\u003c/p>\n\u003cp>Hoffman's family called the news \"tragic and sudden.\" Hoffman is survived by his partner of 15 years, Mimi O'Donnell, and their three children.\u003c/p>\n\u003cp>\"We are devastated by the loss of our beloved Phil and appreciate the outpouring of love and support we have received from everyone,\" the family said in a statement.\u003c/p>\n\u003cp>In one of his earliest screen roles, he played a spoiled prep school student in \"Scent of a Woman\" in 1992. One of his breakthroughs came as a gay member of a porno film crew in \"Boogie Nights,\" one of several movies directed by Paul Thomas Anderson that he would eventually appear in.\u003c/p>\n\u003cp>He often played comic, slightly off-kilter characters in movies like \"Along Came Polly,\" ''The Big Lebowski\" and \"Almost Famous.\"\u003c/p>\n\u003cp>More recently, he was Plutarch Heavensbee in \"The Hunger Games: Catching Fire\" and was reprising that role in the two-part sequel, \"The Hunger Games: Mockingjay,\" which is in the works. And in \"Moneyball,\" he played Art Howe, the grumpy manager of the Oakland Athletics who resisted new thinking about baseball talent.\u003c/p>\n\u003cp>Just weeks ago, Showtime announced Hoffman would star in \"Happyish,\" a new comedy series about a middle-aged man's pursuit of happiness.\u003c/p>\n\u003cp>He was nominated for the 2013 Academy Award for best supporting actor for his role in \"The Master\" as the charismatic leader of a religious movement. The film, inspired in part by the life of Scientology founder L. Ron Hubbard, reunited the actor with Anderson.\u003c/p>\n\u003cp>He also received a 2009 best-supporting nomination for \"Doubt,\" as a priest who comes under suspicion because of his relationship with a boy, and another best-supporting nomination as a CIA officer in \"Charlie Wilson's War.\"\u003c/p>\n\u003cp>Born in 1967 in Fairport, N.Y., Hoffman was interested in acting from an early age, mesmerized at 12 by a local production of Arthur Miller's \"All My Sons.\" He studied theater as a teenager with the New York State Summer School of the Arts and the Circle in the Square Theatre. He then majored in drama at New York University.\u003c/p>\n\u003cp>In his Oscar acceptance speech for \"Capote,\" he thanked his mother for raising him and his three siblings alone, and for taking him to his first play. Hoffman's parents divorced when he was 9.\u003c/p>\n\u003cp>He could seemingly take on any role, large or small, loathsome or sympathetic, and appeared to be utterly lacking in vanity.\u003c/p>\n\u003cp>On Broadway, in addition to starring as Willy Loman, he played Jamie in \"Long Day's Journey Into Night\" and both leads in \"True West.\" All three performances were Tony-nominated.\u003c/p>\n\u003cp>His 2012 performance in \"Death of a Salesman\" was praised as \"heartbreaking\" by AP theater critic Mark Kennedy.\u003c/p>\n\u003cp>\"Hoffman is only 44, but he nevertheless sags in his brokenness like a man closer to retirement age, lugging about his sample cases filled with his self-denial and disillusionment,\" Kennedy wrote. \"His fraying connection to reality is pronounced in this production, with Hoffman quick to anger and a hard edge emerging from his babbling.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Jazz Review: The Nathan Clevenger Group's 'Observatory'",
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"content": "\u003cp>http://www.kqed.org/.stream/anon/radio/tcrmag/2014/01/2014-01-31e-tcrmag.mp3\u003c/p>\n\u003cfigure id=\"attachment_10342393\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/clevenger.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/clevenger-400x225.jpg\" alt=\"Nathan Clevenger (L) and Sam Bevan (Michael Zelner/Flickr)\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10342393\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/clevenger-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/clevenger.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nathan Clevenger (L) and Sam Bevan (Michael Zelner/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>The Bay Area’s improvised music scene is made up of dozens of projects and bands drawing on a shared pool of talent, so it’s not unusual for musicians to play together in multiple ensembles. The Nathan Clevenger Group includes many of the scene’s leading figures, but he’s created a sound that stands out from the crowd.\u003c/p>\n\u003cp>Led by the Oakland guitarist/composer of the same name, the Nathan Clevenger Group has been around since 2003, although the band didn’t release its debut album, “The Evening Earth,” until 2010. On its new album, “Observatory,” there’s the sense the ensemble has grown into Clevenger’s music, figuring out details that are all the more tricky for unfurling at an unhurried pace, like the playfully episodic “Dia de los Monos.”\u003c/p>\n\u003cp>Nine of the album’s 10 tracks feature a sextet, and the core of the group is built around Clevenger’s cool-toned guitar, the texture-minded drummer Jon Arkin, bassist Sam Bevan and alto saxophonist Kasey Knudsen, a player whose presence is always a reliable sign that something interesting is going on.\u003c/p>\n\u003cp>Drawing on orchestral jazz concepts pioneered by Duke Ellington, Sun Ra and Gil Evans, he revels in coaxing a kaleidoscopic array of voicings from the band, writing extended dreamscapes that unfold with their own quirky internal logic. On the atmospheric ballad “Monsoon,” the slowly building intensity leads up to a long keening solo by Knudsen, but the storm always stays far offshore.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Much like Harry Carney’s supple baritone saxophone anchored and defined the sound of the Duke Ellington Orchestra, Clevenger is clearly inspired by reedy lower registers. Almost every track features either Aaron Novik or Cory Wright on bass clarinet, and the contrast between their woody rumblings and the guitar, alto sax and flute provides a good deal of drama. On the jaunty “Slipshod Caffeine,” the band sounds like Sun Ra riding a particularly pleasant space wave.\u003c/p>\n\u003cp>Over the past decade, Clevenger has intersected with some of the Bay Area’s most creative musicians, including saxophonist Phillip Greenlief, bassist Lisa Mezzacappa, trumpeter Darren Johnston and clarinetist Aaron Novik (he performed and recorded as part of Novik’s extended work “The Samuel Suite,” which was released on the Evander label in 2008). Like them, he draws on a pool of players who can be found working together in various combinations, like Cory Wright’s excellent new album “Apples + Oranges” (Singlespeed Music), a quintet session that also features saxophonist/flutist Evan Francis and was also recorded by Eli Crews and mastered by Myles Boisen.\u003c/p>\n\u003cp>Part of what makes Clevenger’s music so much fun is that he’s found a sweet spot between imposing his ideas as an arranger and opening up his material to his cast of vivid improvisers. He employs a similarly deft touch as a player. Throughout the album, Clevenger doesn’t take more than a handful of solos, but he is often guiding the ensemble with luscious chords and carefully placed lines. In many ways, the band itself is his instrument.\u003c/p>\n\u003cp>On “Observatory” he makes brilliant use of the many colors at his disposal, like on the sumptuous closer “O Syracuse,” an opulently appointed melody that cries out for a witty lyric.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More: \u003ca href=\"http://www.nathanclevengermusic.com/\" target=\"_blank\">About Nathan Clevenger (Official Website)\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>http://www.kqed.org/.stream/anon/radio/tcrmag/2014/01/2014-01-31e-tcrmag.mp3\u003c/p>\n\u003cfigure id=\"attachment_10342393\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/clevenger.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/10/clevenger-400x225.jpg\" alt=\"Nathan Clevenger (L) and Sam Bevan (Michael Zelner/Flickr)\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10342393\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/10/clevenger-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/10/clevenger.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nathan Clevenger (L) and Sam Bevan (Michael Zelner/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>The Bay Area’s improvised music scene is made up of dozens of projects and bands drawing on a shared pool of talent, so it’s not unusual for musicians to play together in multiple ensembles. The Nathan Clevenger Group includes many of the scene’s leading figures, but he’s created a sound that stands out from the crowd.\u003c/p>\n\u003cp>Led by the Oakland guitarist/composer of the same name, the Nathan Clevenger Group has been around since 2003, although the band didn’t release its debut album, “The Evening Earth,” until 2010. On its new album, “Observatory,” there’s the sense the ensemble has grown into Clevenger’s music, figuring out details that are all the more tricky for unfurling at an unhurried pace, like the playfully episodic “Dia de los Monos.”\u003c/p>\n\u003cp>Nine of the album’s 10 tracks feature a sextet, and the core of the group is built around Clevenger’s cool-toned guitar, the texture-minded drummer Jon Arkin, bassist Sam Bevan and alto saxophonist Kasey Knudsen, a player whose presence is always a reliable sign that something interesting is going on.\u003c/p>\n\u003cp>Drawing on orchestral jazz concepts pioneered by Duke Ellington, Sun Ra and Gil Evans, he revels in coaxing a kaleidoscopic array of voicings from the band, writing extended dreamscapes that unfold with their own quirky internal logic. On the atmospheric ballad “Monsoon,” the slowly building intensity leads up to a long keening solo by Knudsen, but the storm always stays far offshore.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Much like Harry Carney’s supple baritone saxophone anchored and defined the sound of the Duke Ellington Orchestra, Clevenger is clearly inspired by reedy lower registers. Almost every track features either Aaron Novik or Cory Wright on bass clarinet, and the contrast between their woody rumblings and the guitar, alto sax and flute provides a good deal of drama. On the jaunty “Slipshod Caffeine,” the band sounds like Sun Ra riding a particularly pleasant space wave.\u003c/p>\n\u003cp>Over the past decade, Clevenger has intersected with some of the Bay Area’s most creative musicians, including saxophonist Phillip Greenlief, bassist Lisa Mezzacappa, trumpeter Darren Johnston and clarinetist Aaron Novik (he performed and recorded as part of Novik’s extended work “The Samuel Suite,” which was released on the Evander label in 2008). Like them, he draws on a pool of players who can be found working together in various combinations, like Cory Wright’s excellent new album “Apples + Oranges” (Singlespeed Music), a quintet session that also features saxophonist/flutist Evan Francis and was also recorded by Eli Crews and mastered by Myles Boisen.\u003c/p>\n\u003cp>Part of what makes Clevenger’s music so much fun is that he’s found a sweet spot between imposing his ideas as an arranger and opening up his material to his cast of vivid improvisers. He employs a similarly deft touch as a player. Throughout the album, Clevenger doesn’t take more than a handful of solos, but he is often guiding the ensemble with luscious chords and carefully placed lines. In many ways, the band itself is his instrument.\u003c/p>\n\u003cp>On “Observatory” he makes brilliant use of the many colors at his disposal, like on the sumptuous closer “O Syracuse,” an opulently appointed melody that cries out for a witty lyric.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More: \u003ca href=\"http://www.nathanclevengermusic.com/\" target=\"_blank\">About Nathan Clevenger (Official Website)\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
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