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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">In celebration of Valentine’s Day, we asked listeners to share their stories about dating in the Bay Area. Today, we meet some daters from all around the region and hear how they’re navigating the highs and lows of the Bay Area dating scene. \u003c/span>\u003c/p>\n\u003cp>\u003cem>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2077177491&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:42] Hey, Carlos.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Carlos \u003c/strong>[00:03:44] Hi, Jessica.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:45] I’m so excited to talk to you today. Can you maybe start by telling us a bit about the people that you spoke to?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:03:52] For this story, I spoke to folks all over the Bay Area. We wanted to make sure that we understood the experiences of what it’s like to be single, of what it’s like to date. Most of the folks we spoke to were born and raised in the Bay Area. I also spoke to a couple of folks who had moved from other places and loved the Bay, but they told me that, hey, this little region that we call home has a very particular energy that sometimes takes a while to get used to.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:04:21] Sounds like we got a lot of really great perspectives and also there’s you, Carlos. You’re a dater in the Bay Area. Can you tell us a little bit about yourself?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:04:35] 5’8, deep dark brown eyes, melanated and marinated.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:04:41] There you go.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:04:43] I started using the apps, specifically Tinder, since I was able to. You know at that age, I was trying to figure out, like, hey, do I like girls, and I was like, oh, wait, I like both. And San Francisco is a place where I felt very comfortable and just being able to tell people that. I’ve met a lot of characters, a lot, a lot of characters, and I’m sure many of them can say the same about me.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:05:13] Speaking of the apps, you mentioned the apps, and honestly, that’s the first thing I think of when I think of dating, especially in the past five, 10 years. And I’m curious, what’s your experience been like on the apps?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:05:29] I’m a very spontaneous, instinctual person, and over time, I’ve learned that they’re tools, they’re helpful tools, but they’re also imperfect tools. But also, they make it really hard to just accurately express what you’re feeling, the energy, and also understand the other person. And also, it’s, you know, six, seven photos with maybe like two or three sentences. Right, right. How much are you going to get out of that?\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:05:54] Like you said, the apps are a tool. There’s good experiences to be had. There’s also not so great experiences to be had. But it seems like it’s just kind of an inevitable part of dating. And I want to get into the story of someone you talk to named Brenda. Can you tell me who she is and what her story is?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:06:15] Brenda B is a teacher. For privacy reasons, we’re only going to be using the first letter of her last name. She is from Walnut Creek. She’s in her late 30s. She’s been in the apps and online dating for about 20 years, since she was 15.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:06:30] So that’s mostly how I’ve been able to meet people. And I also like make sure, like on my profile, that I say exactly like what I’m looking for.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:06:44] What did she tell you about what her overall experience has been like on the apps?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:06:49] You know, one of the issues that comes up for her is that a lot of the guys she talks to, it’s just that they either don’t know what they want or they don’t want what she wants.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:06:59] A lot of people are interested in polyamory and/or non-monogamy. And so at my age and then wanting monogamy is really hard to find. I think in particular, that’s a unique trait of this area.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:07:19] Wow, I mean, I didn’t realize monogamy was out of style. Maybe I’m out of touch. But I’m curious, you know, when Brenda does meet people who are also interested in monogamy, has she had good experiences?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:07:37] She puts the best of herself out there. She’s very intentional. And she reminds me a lot of my female besties who go out to meet someone and they are putting so much thought into where the date’s gonna be, what they’re gonna wear, what they’re gonna talk about. And then they leave the house so excited and then a few hours later they come back and they’re like, the guy just didn’t measure up.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:08:03] Single guys in the bay, I feel like if you put in a little bit of effort, it will be appreciated. Don’t waste people’s time. If you’re not interested in dating anyone, just delete your app, please.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:08:17] Something else that bothers her is that she might go out with someone three, four, five times, start building a bit of a connection with them and then the guy’s like, “Wait a minute. This is not something I was ready for. I don’t know what I want. Let’s just stop seeing each other.” Brenda said it very clear. “Hey, it’s okay if you don’t wanna date or if you don’t want something serious, but communicate that from the beginning. The other person might be cool with that. But just don’t lead them along.”\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:08:55] People obviously resort to the apps because meeting people in real life is hard. I mean, even just making friends in real life is hard. But people are still managing to meet people IRL and I’m curious, based on the people you spoke to, what did you hear about that?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:09:12] I spoke to Bri Fritz. She’s from Napa, works at a community college and dates queer people.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:09:19] There are a couple queer people out here but it is very slim picking. For me, what I have found really successful is I joined sports leagues. Now, I’m not a sporty person. I had never played soccer, never played sports, but I went and they were so welcoming and through that, I met other people.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:09:37] She’s been able to form really cool networks of queer women and she’s been really intentional about this.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:09:43] I really wish I was a sporty girl, but I would get so intimidated. I would definitely be the worst on the team. How did Bri choose sports?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:10:01] These kind of spaces work really well for Bri because she’s not a drinker. She tries not to drink and wants to seek out spaces where drinking isn’t the center of what people are doing.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:10:12] The thing with the queer community is there’s a lot of focus on drinking and going to the bars and that’s not really my scene. I don’t like to just randomly approach people. I get pretty nervous.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:10:22] There’s a lot of really fun sports leagues for queer women, queer men, trans and non-binary folks all over the Bay Area and it can make meeting people a lot less daunting and even if you don’t meet someone that you’re romantically interested in, you’re now just gonna have a bigger network of people, of friends.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:10:46] I mean, it honestly sounds like a win -win. You know, she’s doing, she’s being active. She’s, you know, doing these fun activities. She’s meeting super cool people. I wonder, is Brie running into any challenges? Yes.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:11:02] The Bay Area is a huge place. It’s nine counties. But what that means is like, you know, you can meet someone at a bar or an app or something that might tell you, oh yeah, I live in the Bay too. And you might live in Marin and they’re like, and I live in San Jose. So you’re like, okay, how am I gonna make this work? Especially if you’re interested in them.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:11:21] I met actually somebody who’s originally from Napa, lived in Walnut Creek and then moved to Fremont and they were asking if I was okay with the commute. Luckily, I love to drive. I have a little Honda Fit. And so for me, that commute was okay. We would sometimes meet halfway but it was kind of difficult.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:11:37] I feel the commuting pain point. I live in San Jose. I obviously work here in San Francisco. I feel like I’m in a long distance relationship with the rest of the Bay team. But I’m curious, you know, besides joining a sports league which is super cool. What are some other good ways you heard from the people that you spoke to about meeting people in real life?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:12:04] Yeah, I spoke about that with Tim Huey. He’s in his 30s, living in Oakland and working as an organizer.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:12:12] When it comes to meeting people in real life that’s certainly something that is maybe a little bit of a lost art. And so for myself, one of those spaces is kind of within community organizing, activism and advocacy.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:12:30] Something that’s really important to Tim are the values, what the other person believes. Tim mentioned is that it helps you build trust with that person. That’s, I mean, in any relationship if you already have that, that makes things a lot stronger.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:12:43] You’re sitting in city hall for five hours for a meeting and you’re trying to wait for your turn to speak to you and making friends with people around you.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:12:51] Has this worked out romantically for Tim as well?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:12:55] In his case, it hasn’t worked out just because with the folks he’s met they mentioned that it’s best to not date within the movements.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:13:05] A lot of these spaces are very close -knit doing a lot of important and stressful work. So adding romantic relationships into that element can and has in some cases been a little bit more drama than maybe it’s worth to some people.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:13:24] Yeah, like dating within a particular community if it’s small or if it overlaps with your work like it definitely sounds like there are some real pitfalls there.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:13:36] Yeah, no, it makes things messy.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:13:43] Just to wrap up, Carlos, I know you asked each of these daters for their best advice and I’m curious, what did they tell you?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:13:51] I loved asking folks this question because what they told me it just made me smile. Like Bri, she actually printed out little business cards with her Instagram, funny facts, cool things about her that when she meets someone at a bar she’ll actually pass this card to them.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:14:15] It’s such a power move to be like, oh yeah, here, contact me. Everybody I’ve ever given one to they say that their friends think it’s so funny. It’s such a power move.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:14:24] I love that. I might take that idea, honestly. Business cards, we need to bring those back.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:14:28] Me too! Me too. Me too. And other folks had kind of like bigger suggestions. Brenda, she really recommends to other women to be clear about what you want from the beginning.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:14:41] I think women in particular have been taught to like kind of just smile and be happy and that we’re like too much and I think I bought into that and I’ve learned as I’ve dated more and as I’ve matured and gone to therapy that no, it’s really important to say like, hey, this is bothering me or this is something I’ve noticed.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:15:06] She mentioned that sometimes if you say, “Hey, I want something serious” or “I want kids” or “I don’t want kids” at the beginning it might be daunting because you’re like, hey, is the other person going to be turned off by that or are they just going to leave? But she pointed out that if they leave or they step away once you mention what you want, that’s just how it’s meant to be, right? You don’t want to be with someone who’s not interested in the same things or doesn’t have the same goal in mind as you are.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:15:36] That’s all such great advice. What about advice for the general dating pool? Were there any no-nos, anything that we should be leaving behind in 2025?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:15:48] Yeah, I really, really like what Tim said, that we need to get better at closure.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:15:55] Especially in this day and age with social media and digital communication or it can be seen as disposable or really ready to kind of move on to the next thing. There’s something to be said for messaging. Some may say I’m just not feeling it but I wish you the best on finding your person. Something simple like that rather than just ghosting. I think that’s the big thing that a lot of people have either experienced or have done themselves.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:16:23] You don’t have to be besties with everyone who you date, right? But at least in my case, I do appreciate when someone lets me know what they’re thinking and they’re honest that it’s not going to work out.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:16:43] Carlos, what is your takeaway from all these conversations, would you say?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:16:49] Every person I spoke to has a completely different background experience than I do. But hearing someone who lives in Walnut Creek is a teacher or lives in Napa or is an organizer but has gone through similar things as I have that has been ghosted or has dated someone who turned out to be in a committed relationship and didn’t communicate that to you or where you’ve been maybe not the good person. I think that’s really good to know that someone out there here in the Bay is going exactly through something that you’re going through right now. I mean, it’s not just affirming, but it’s like, okay, whoa, it’s not just about me.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:17:34] I love that so much and I’ve really, really loved this conversation. Thank you so much, Carlos.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:17:39] Thank you, Jessica.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:17:43] That was Carlos Cabrera-Lomelí, a community reporter for KQED. This conversation was cut down and edited by our intern Mel Velasquez. Dana Cronin added all the music and the tape. Alan Montecillo is our editor. Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists San Francisco, Northern California Local. Music courtesy of Audio Network and Blue Dot Sessions. Funding for The Bay is provided in part by the Osher Production Fund. I’m Jessica Kariisa, in for Erica Cruz Guevarra. Thanks for listening and happy Valentine’s Day!\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">In celebration of Valentine’s Day, we asked listeners to share their stories about dating in the Bay Area. Today, we meet some daters from all around the region and hear how they’re navigating the highs and lows of the Bay Area dating scene. \u003c/span>\u003c/p>\n\u003cp>\u003cem>Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local.\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC2077177491&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:42] Hey, Carlos.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Carlos \u003c/strong>[00:03:44] Hi, Jessica.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:03:45] I’m so excited to talk to you today. Can you maybe start by telling us a bit about the people that you spoke to?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:03:52] For this story, I spoke to folks all over the Bay Area. We wanted to make sure that we understood the experiences of what it’s like to be single, of what it’s like to date. Most of the folks we spoke to were born and raised in the Bay Area. I also spoke to a couple of folks who had moved from other places and loved the Bay, but they told me that, hey, this little region that we call home has a very particular energy that sometimes takes a while to get used to.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:04:21] Sounds like we got a lot of really great perspectives and also there’s you, Carlos. You’re a dater in the Bay Area. Can you tell us a little bit about yourself?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:04:35] 5’8, deep dark brown eyes, melanated and marinated.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:04:41] There you go.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:04:43] I started using the apps, specifically Tinder, since I was able to. You know at that age, I was trying to figure out, like, hey, do I like girls, and I was like, oh, wait, I like both. And San Francisco is a place where I felt very comfortable and just being able to tell people that. I’ve met a lot of characters, a lot, a lot of characters, and I’m sure many of them can say the same about me.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:05:13] Speaking of the apps, you mentioned the apps, and honestly, that’s the first thing I think of when I think of dating, especially in the past five, 10 years. And I’m curious, what’s your experience been like on the apps?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:05:29] I’m a very spontaneous, instinctual person, and over time, I’ve learned that they’re tools, they’re helpful tools, but they’re also imperfect tools. But also, they make it really hard to just accurately express what you’re feeling, the energy, and also understand the other person. And also, it’s, you know, six, seven photos with maybe like two or three sentences. Right, right. How much are you going to get out of that?\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:05:54] Like you said, the apps are a tool. There’s good experiences to be had. There’s also not so great experiences to be had. But it seems like it’s just kind of an inevitable part of dating. And I want to get into the story of someone you talk to named Brenda. Can you tell me who she is and what her story is?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:06:15] Brenda B is a teacher. For privacy reasons, we’re only going to be using the first letter of her last name. She is from Walnut Creek. She’s in her late 30s. She’s been in the apps and online dating for about 20 years, since she was 15.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:06:30] So that’s mostly how I’ve been able to meet people. And I also like make sure, like on my profile, that I say exactly like what I’m looking for.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:06:44] What did she tell you about what her overall experience has been like on the apps?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:06:49] You know, one of the issues that comes up for her is that a lot of the guys she talks to, it’s just that they either don’t know what they want or they don’t want what she wants.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:06:59] A lot of people are interested in polyamory and/or non-monogamy. And so at my age and then wanting monogamy is really hard to find. I think in particular, that’s a unique trait of this area.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:07:19] Wow, I mean, I didn’t realize monogamy was out of style. Maybe I’m out of touch. But I’m curious, you know, when Brenda does meet people who are also interested in monogamy, has she had good experiences?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:07:37] She puts the best of herself out there. She’s very intentional. And she reminds me a lot of my female besties who go out to meet someone and they are putting so much thought into where the date’s gonna be, what they’re gonna wear, what they’re gonna talk about. And then they leave the house so excited and then a few hours later they come back and they’re like, the guy just didn’t measure up.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:08:03] Single guys in the bay, I feel like if you put in a little bit of effort, it will be appreciated. Don’t waste people’s time. If you’re not interested in dating anyone, just delete your app, please.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:08:17] Something else that bothers her is that she might go out with someone three, four, five times, start building a bit of a connection with them and then the guy’s like, “Wait a minute. This is not something I was ready for. I don’t know what I want. Let’s just stop seeing each other.” Brenda said it very clear. “Hey, it’s okay if you don’t wanna date or if you don’t want something serious, but communicate that from the beginning. The other person might be cool with that. But just don’t lead them along.”\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:08:55] People obviously resort to the apps because meeting people in real life is hard. I mean, even just making friends in real life is hard. But people are still managing to meet people IRL and I’m curious, based on the people you spoke to, what did you hear about that?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:09:12] I spoke to Bri Fritz. She’s from Napa, works at a community college and dates queer people.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:09:19] There are a couple queer people out here but it is very slim picking. For me, what I have found really successful is I joined sports leagues. Now, I’m not a sporty person. I had never played soccer, never played sports, but I went and they were so welcoming and through that, I met other people.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:09:37] She’s been able to form really cool networks of queer women and she’s been really intentional about this.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:09:43] I really wish I was a sporty girl, but I would get so intimidated. I would definitely be the worst on the team. How did Bri choose sports?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:10:01] These kind of spaces work really well for Bri because she’s not a drinker. She tries not to drink and wants to seek out spaces where drinking isn’t the center of what people are doing.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:10:12] The thing with the queer community is there’s a lot of focus on drinking and going to the bars and that’s not really my scene. I don’t like to just randomly approach people. I get pretty nervous.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:10:22] There’s a lot of really fun sports leagues for queer women, queer men, trans and non-binary folks all over the Bay Area and it can make meeting people a lot less daunting and even if you don’t meet someone that you’re romantically interested in, you’re now just gonna have a bigger network of people, of friends.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:10:46] I mean, it honestly sounds like a win -win. You know, she’s doing, she’s being active. She’s, you know, doing these fun activities. She’s meeting super cool people. I wonder, is Brie running into any challenges? Yes.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:11:02] The Bay Area is a huge place. It’s nine counties. But what that means is like, you know, you can meet someone at a bar or an app or something that might tell you, oh yeah, I live in the Bay too. And you might live in Marin and they’re like, and I live in San Jose. So you’re like, okay, how am I gonna make this work? Especially if you’re interested in them.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:11:21] I met actually somebody who’s originally from Napa, lived in Walnut Creek and then moved to Fremont and they were asking if I was okay with the commute. Luckily, I love to drive. I have a little Honda Fit. And so for me, that commute was okay. We would sometimes meet halfway but it was kind of difficult.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:11:37] I feel the commuting pain point. I live in San Jose. I obviously work here in San Francisco. I feel like I’m in a long distance relationship with the rest of the Bay team. But I’m curious, you know, besides joining a sports league which is super cool. What are some other good ways you heard from the people that you spoke to about meeting people in real life?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:12:04] Yeah, I spoke about that with Tim Huey. He’s in his 30s, living in Oakland and working as an organizer.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:12:12] When it comes to meeting people in real life that’s certainly something that is maybe a little bit of a lost art. And so for myself, one of those spaces is kind of within community organizing, activism and advocacy.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:12:30] Something that’s really important to Tim are the values, what the other person believes. Tim mentioned is that it helps you build trust with that person. That’s, I mean, in any relationship if you already have that, that makes things a lot stronger.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:12:43] You’re sitting in city hall for five hours for a meeting and you’re trying to wait for your turn to speak to you and making friends with people around you.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:12:51] Has this worked out romantically for Tim as well?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:12:55] In his case, it hasn’t worked out just because with the folks he’s met they mentioned that it’s best to not date within the movements.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:13:05] A lot of these spaces are very close -knit doing a lot of important and stressful work. So adding romantic relationships into that element can and has in some cases been a little bit more drama than maybe it’s worth to some people.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:13:24] Yeah, like dating within a particular community if it’s small or if it overlaps with your work like it definitely sounds like there are some real pitfalls there.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:13:36] Yeah, no, it makes things messy.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:13:43] Just to wrap up, Carlos, I know you asked each of these daters for their best advice and I’m curious, what did they tell you?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:13:51] I loved asking folks this question because what they told me it just made me smile. Like Bri, she actually printed out little business cards with her Instagram, funny facts, cool things about her that when she meets someone at a bar she’ll actually pass this card to them.\u003c/p>\n\u003cp>\u003cstrong>Bri Fritz \u003c/strong>[00:14:15] It’s such a power move to be like, oh yeah, here, contact me. Everybody I’ve ever given one to they say that their friends think it’s so funny. It’s such a power move.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:14:24] I love that. I might take that idea, honestly. Business cards, we need to bring those back.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:14:28] Me too! Me too. Me too. And other folks had kind of like bigger suggestions. Brenda, she really recommends to other women to be clear about what you want from the beginning.\u003c/p>\n\u003cp>\u003cstrong>Brenda B \u003c/strong>[00:14:41] I think women in particular have been taught to like kind of just smile and be happy and that we’re like too much and I think I bought into that and I’ve learned as I’ve dated more and as I’ve matured and gone to therapy that no, it’s really important to say like, hey, this is bothering me or this is something I’ve noticed.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:15:06] She mentioned that sometimes if you say, “Hey, I want something serious” or “I want kids” or “I don’t want kids” at the beginning it might be daunting because you’re like, hey, is the other person going to be turned off by that or are they just going to leave? But she pointed out that if they leave or they step away once you mention what you want, that’s just how it’s meant to be, right? You don’t want to be with someone who’s not interested in the same things or doesn’t have the same goal in mind as you are.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:15:36] That’s all such great advice. What about advice for the general dating pool? Were there any no-nos, anything that we should be leaving behind in 2025?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:15:48] Yeah, I really, really like what Tim said, that we need to get better at closure.\u003c/p>\n\u003cp>\u003cstrong>Tim Huey \u003c/strong>[00:15:55] Especially in this day and age with social media and digital communication or it can be seen as disposable or really ready to kind of move on to the next thing. There’s something to be said for messaging. Some may say I’m just not feeling it but I wish you the best on finding your person. Something simple like that rather than just ghosting. I think that’s the big thing that a lot of people have either experienced or have done themselves.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:16:23] You don’t have to be besties with everyone who you date, right? But at least in my case, I do appreciate when someone lets me know what they’re thinking and they’re honest that it’s not going to work out.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:16:43] Carlos, what is your takeaway from all these conversations, would you say?\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:16:49] Every person I spoke to has a completely different background experience than I do. But hearing someone who lives in Walnut Creek is a teacher or lives in Napa or is an organizer but has gone through similar things as I have that has been ghosted or has dated someone who turned out to be in a committed relationship and didn’t communicate that to you or where you’ve been maybe not the good person. I think that’s really good to know that someone out there here in the Bay is going exactly through something that you’re going through right now. I mean, it’s not just affirming, but it’s like, okay, whoa, it’s not just about me.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:17:34] I love that so much and I’ve really, really loved this conversation. Thank you so much, Carlos.\u003c/p>\n\u003cp>\u003cstrong>Carlos Cabrera-Lomelí \u003c/strong>[00:17:39] Thank you, Jessica.\u003c/p>\n\u003cp>\u003cstrong>Jessica Kariisa \u003c/strong>[00:17:43] That was Carlos Cabrera-Lomelí, a community reporter for KQED. This conversation was cut down and edited by our intern Mel Velasquez. Dana Cronin added all the music and the tape. Alan Montecillo is our editor. Some members of the KQED podcast team are represented by the Screen Actors Guild American Federation of Television and Radio Artists San Francisco, Northern California Local. Music courtesy of Audio Network and Blue Dot Sessions. Funding for The Bay is provided in part by the Osher Production Fund. I’m Jessica Kariisa, in for Erica Cruz Guevarra. Thanks for listening and happy Valentine’s Day!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>This story was reported for K Onda KQED, a monthly newsletter focused on the Bay Area’s Latinx community. \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters/k-onda\">\u003cem>Click here to subscribe.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>I met children’s author Aida Salazar back in 2017 at an intensive, weeklong writing class. It was the type of class aspiring writers sign up for to receive feedback and encouragement to keep going, but few end up going pro.\u003c/p>\n\u003cp>Salazar landed a book deal. Since 2020, she has published four young adult novels, several anthologies, a handful of children’s books and translations.\u003c/p>\n\u003cp>I recently caught up with Salazar in the lobby of Freight & Salvage, a live music venue in Berkeley, before her partner, acclaimed Latin jazz percussionist John Santos, took the stage with his sextet. The sold-out show marked the 40th anniversary of Machete Records, the label he founded, and the release of his latest album, “Horizontes.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Salazar was in charge of the merchandise table, a role she begrudgingly took when they started dating more than 25 years ago.\u003c/p>\n\u003cp>“When I moved in with him, I said, ‘I’m not going to be the one selling your CDs,’ and now I’m always the one selling his CDs because I know his collection so well,” she said, laughing.\u003c/p>\n\u003cp>That night, she set out copies of her books alongside the rows of CDs, turning the merch table into another symbol of their partnership. Making a living as an artist in the Bay Area is hard enough for one person, let alone two.\u003c/p>\n\u003cfigure id=\"attachment_12026499\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12026499\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The John Santos Sextet performs to a sold out crowd at Freight & Salvage in Berkeley, California, Feb. 1, 2025. The concert marked the release of a new album, Horizontes, along with the 40th anniversary of the launch of Santos’ label, Machete Records. The sextet features bassist Saul Sierra, drummer David Flores, flutist John Calloway, saxophonist Charlie Gurke, and pianist and trumpeter Marco Diaz. The band was joined by percussionist Javier Navarrette; pianist Marcel Joao, Santos’ 17-year-old son; vocalists Maria Cora, Christelle Durandy and Juan Luis Pérez; cuatro player Pedro Pastrana; violinist Anthony Blea; and timbales legend Orestes Vilató. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Artists are often credited with fueling the soul and character of a place, but in the Bay Area, artists are regularly forced to flee the high cost of living.\u003c/p>\n\u003cp>I sat down with Salazar and Santos in their home earlier this year to find out more about how they thrive as a couple — and as working artists in the Bay Area. Art, they said, brought them together as a spiritual practice, a creative practice and a vehicle for social justice.\u003c/p>\n\u003cp>Salazar’s books, including \u003cem>The Moon Within\u003c/em>, \u003cem>A Seed in the Sun\u003c/em> and \u003cem>Ultraviolet\u003c/em>, focus on the experiences of young Latinos navigating everything from their menstrual cycles to immigration to toxic masculinity. Her children’s book, \u003cem>Jovita Wore Pants\u003c/em>, tells the story of her distant aunt who dressed as a man to fight in a civil war over religious rights in 1920s Mexico.\u003c/p>\n\u003cp>[aside postID=news_12021877 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241216-KOndaJanuary-JY-009-1020x680.jpg']\u003c/p>\n\u003cp>Santos, 69, was born and raised in the Bernal Heights neighborhood of San Francisco. His mother’s family was originally from Puerto Rico, and his father’s from Cape Verde, a small island nation off the coast of West Africa. He learned traditional Caribbean and African rhythms from the various professional musicians in his family.\u003c/p>\n\u003cp>They met in 2000 in Los Angeles, where Salazar grew up. At 27, she was an artist who made a living producing cultural events for nonprofits and arts organizations. At the time, she had a rule of not dating musicians or actors because they “didn’t know when to stop performing.”\u003c/p>\n\u003cp>“John came in to do a performance at the museum where I was helping produce a concert series,” Salazar, now 52, continued. “He had an energy about him that was really awesome. I had to take him around to different gigs throughout the weekend, and he just made me laugh. He was so down-to-earth and so charismatic. He just didn’t feel like he was performing.”\u003c/p>\n\u003cp>It also didn’t hurt that he was tall and good-looking, she added.\u003c/p>\n\u003cp>“When I met Aida, she was a very beautiful young lady,” Santos said. “She’s very natural, very comfortable in her skin. And smart as a whip and communicative. She was very spunky. That was very attractive. And finding out about her work in the community and her background as an activist, I related to that.”\u003c/p>\n\u003cfigure id=\"attachment_12024525\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12024525\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">John Santos and Aida Salazar pose for a portrait in front of their home in Oakland, California, on Monday, Jan. 27, 2025. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They dated long-distance for about a year, exchanging many poetry-filled letters before Aida decided to move to the Bay Area.\u003c/p>\n\u003cp>The foundation of their life in Oakland is their house in the Fruitvale District.\u003c/p>\n\u003cp>The exterior is painted a deep blue with magenta accents. The inside is filled with photos, artwork and decor from Mexico and the Caribbean. A separate building in the back houses a recording studio.\u003c/p>\n\u003cp>Santos bought the house in 1997 because, like many San Francisco natives, he was priced out of his hometown. In retrospect, the purchase was fortuitous, given how much home values have risen in Oakland.[aside postID=news_12014006 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/11/Rogelio_Garcia_-_Convivir1-e1731360269373-1020x616.png']Santos’ focus on Latin jazz and Afro-Caribbean music could have pulled him to New York City, but he never had the desire to leave the Bay Area.\u003c/p>\n\u003cp>“I’m not interested in the commercial aspect of music. I’m not interested in winning a Grammy. I’m not interested in breaking records sales because I know that’s not realistic,” he said. “I’ve never felt limited being in the Bay Area. It’s kind of in my DNA. It’s more mellow here.”\u003c/p>\n\u003cp>Salazar referred to the house as a blessing.\u003c/p>\n\u003cp>“We call it La Casa Florida because there’s flowers everywhere outside like the big bougainvillea that I just adore,” she said. “It’s been like a canvas to be able to grow all of these plants everywhere and really make this place our home.”\u003c/p>\n\u003cp>They’ve focused on what Salazar calls “the ultimate creation,” their children. Their first child, Amaly Celeste, died a month after she was born — a loss they are still grappling with two decades later.\u003c/p>\n\u003cp>“The arts gave us something to express the grief we have and to dive into it and give us some solace,” Santos said.\u003c/p>\n\u003cp>They have two children. A daughter, Avelina Claridad, 19, is an accomplished dancer. Their son, Marcel Joao, 17, studies music at the Oakland School for the Arts.\u003c/p>\n\u003cp>“We facilitated them to find their own artistic path, and they became artists not because we wanted them to, but just because we were able to expose them to a world of the arts,” Salazar said.\u003c/p>\n\u003cp>Salazar plans to release \u003cem>Stream,\u003c/em> her fifth novel, next year. Santos hopes to perform at SF Jazz for his 70th birthday in November.\u003c/p>\n\u003cp>“We’re lucky to be still doing what we’re doing,” Santos said. “I feel fortunate to have met Aida, who I respect greatly for being an artist. It’s [an] ideal situation because we are coming from the same place in terms of how we see art and the role of art in the community and how it’s such an important voice for sanity and for peace in the world.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Salazar was in charge of the merchandise table, a role she begrudgingly took when they started dating more than 25 years ago.\u003c/p>\n\u003cp>“When I moved in with him, I said, ‘I’m not going to be the one selling your CDs,’ and now I’m always the one selling his CDs because I know his collection so well,” she said, laughing.\u003c/p>\n\u003cp>That night, she set out copies of her books alongside the rows of CDs, turning the merch table into another symbol of their partnership. Making a living as an artist in the Bay Area is hard enough for one person, let alone two.\u003c/p>\n\u003cfigure id=\"attachment_12026499\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12026499\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250201_K-Onda_DMB_04886-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The John Santos Sextet performs to a sold out crowd at Freight & Salvage in Berkeley, California, Feb. 1, 2025. The concert marked the release of a new album, Horizontes, along with the 40th anniversary of the launch of Santos’ label, Machete Records. The sextet features bassist Saul Sierra, drummer David Flores, flutist John Calloway, saxophonist Charlie Gurke, and pianist and trumpeter Marco Diaz. The band was joined by percussionist Javier Navarrette; pianist Marcel Joao, Santos’ 17-year-old son; vocalists Maria Cora, Christelle Durandy and Juan Luis Pérez; cuatro player Pedro Pastrana; violinist Anthony Blea; and timbales legend Orestes Vilató. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Artists are often credited with fueling the soul and character of a place, but in the Bay Area, artists are regularly forced to flee the high cost of living.\u003c/p>\n\u003cp>I sat down with Salazar and Santos in their home earlier this year to find out more about how they thrive as a couple — and as working artists in the Bay Area. Art, they said, brought them together as a spiritual practice, a creative practice and a vehicle for social justice.\u003c/p>\n\u003cp>Salazar’s books, including \u003cem>The Moon Within\u003c/em>, \u003cem>A Seed in the Sun\u003c/em> and \u003cem>Ultraviolet\u003c/em>, focus on the experiences of young Latinos navigating everything from their menstrual cycles to immigration to toxic masculinity. Her children’s book, \u003cem>Jovita Wore Pants\u003c/em>, tells the story of her distant aunt who dressed as a man to fight in a civil war over religious rights in 1920s Mexico.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Santos, 69, was born and raised in the Bernal Heights neighborhood of San Francisco. His mother’s family was originally from Puerto Rico, and his father’s from Cape Verde, a small island nation off the coast of West Africa. He learned traditional Caribbean and African rhythms from the various professional musicians in his family.\u003c/p>\n\u003cp>They met in 2000 in Los Angeles, where Salazar grew up. At 27, she was an artist who made a living producing cultural events for nonprofits and arts organizations. At the time, she had a rule of not dating musicians or actors because they “didn’t know when to stop performing.”\u003c/p>\n\u003cp>“John came in to do a performance at the museum where I was helping produce a concert series,” Salazar, now 52, continued. “He had an energy about him that was really awesome. I had to take him around to different gigs throughout the weekend, and he just made me laugh. He was so down-to-earth and so charismatic. He just didn’t feel like he was performing.”\u003c/p>\n\u003cp>It also didn’t hurt that he was tall and good-looking, she added.\u003c/p>\n\u003cp>“When I met Aida, she was a very beautiful young lady,” Santos said. “She’s very natural, very comfortable in her skin. And smart as a whip and communicative. She was very spunky. That was very attractive. And finding out about her work in the community and her background as an activist, I related to that.”\u003c/p>\n\u003cfigure id=\"attachment_12024525\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12024525\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250127_K-Onda_DB_00109-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">John Santos and Aida Salazar pose for a portrait in front of their home in Oakland, California, on Monday, Jan. 27, 2025. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They dated long-distance for about a year, exchanging many poetry-filled letters before Aida decided to move to the Bay Area.\u003c/p>\n\u003cp>The foundation of their life in Oakland is their house in the Fruitvale District.\u003c/p>\n\u003cp>The exterior is painted a deep blue with magenta accents. The inside is filled with photos, artwork and decor from Mexico and the Caribbean. A separate building in the back houses a recording studio.\u003c/p>\n\u003cp>Santos bought the house in 1997 because, like many San Francisco natives, he was priced out of his hometown. In retrospect, the purchase was fortuitous, given how much home values have risen in Oakland.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Santos’ focus on Latin jazz and Afro-Caribbean music could have pulled him to New York City, but he never had the desire to leave the Bay Area.\u003c/p>\n\u003cp>“I’m not interested in the commercial aspect of music. I’m not interested in winning a Grammy. I’m not interested in breaking records sales because I know that’s not realistic,” he said. “I’ve never felt limited being in the Bay Area. It’s kind of in my DNA. It’s more mellow here.”\u003c/p>\n\u003cp>Salazar referred to the house as a blessing.\u003c/p>\n\u003cp>“We call it La Casa Florida because there’s flowers everywhere outside like the big bougainvillea that I just adore,” she said. “It’s been like a canvas to be able to grow all of these plants everywhere and really make this place our home.”\u003c/p>\n\u003cp>They’ve focused on what Salazar calls “the ultimate creation,” their children. Their first child, Amaly Celeste, died a month after she was born — a loss they are still grappling with two decades later.\u003c/p>\n\u003cp>“The arts gave us something to express the grief we have and to dive into it and give us some solace,” Santos said.\u003c/p>\n\u003cp>They have two children. A daughter, Avelina Claridad, 19, is an accomplished dancer. Their son, Marcel Joao, 17, studies music at the Oakland School for the Arts.\u003c/p>\n\u003cp>“We facilitated them to find their own artistic path, and they became artists not because we wanted them to, but just because we were able to expose them to a world of the arts,” Salazar said.\u003c/p>\n\u003cp>Salazar plans to release \u003cem>Stream,\u003c/em> her fifth novel, next year. Santos hopes to perform at SF Jazz for his 70th birthday in November.\u003c/p>\n\u003cp>“We’re lucky to be still doing what we’re doing,” Santos said. “I feel fortunate to have met Aida, who I respect greatly for being an artist. It’s [an] ideal situation because we are coming from the same place in terms of how we see art and the role of art in the community and how it’s such an important voice for sanity and for peace in the world.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Whether Kishi Bashi is composing new music or performing it on stage, he is open to improvisation and imperfection. This might explain why he’s not afraid to release albums that experiment with genre and keep fans guessing. Kishi Bashi’s music moves between classical, rock, electronic, and indie pop — his lyrics are a combination of English and Japanese.\u003c/p>\n\u003cp>At his home near San José, Kishi Bashi demonstrated his spontaneous approach to composition. “If I want something super epic, I imagine what that could be in my head, and then I try to verbalize it,” he said, beatboxing an epic fanfare off the top of his head as an example.\u003c/p>\n\u003cp>Kishi Bashi is also an accomplished multi-instrumentalist. He picked up a guitar and made up a riff on the spot. As he strummed, he began humming and then singing, not worrying if his stray phrases about love and longing made any sense. Kishi Bashi called this “mouthing words.” Even as improvised sketches, his easy playing and sweet falsetto were captivating.\u003c/p>\n\u003cp>Kishi Bashi took the same playful approach to demonstrating how he composes, using each of his violins. The first violin he picked up was tuned differently than a Western classical violin. The second was built with an extra string so that Kishi Bashi could play the violin down into the lower range of a viola. He was playing around on that five-string violin-viola when he composed “For Every Voice That Never Sang.” The finished song is rich with musical layers, but you can hear those initial arpeggios in the background.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kSWMx8-0-i0\u003c/p>\n\u003cp>Whenever Kishi Bashi explores an idea for a new song, he records it onto his phone so he can review it later. For example, “Violin Akai” is the first song on \u003cem>Kantos\u003c/em>, his latest album. In the recording he made of his initial “Violin Akai” idea, he sang a melody with a swinging beat, his voice serving as the violin. It’s a very rough sketch — a few pencil lines, really — that Bashi later built into an exuberant, multi-instrument song for his band.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Yt5jUFjf8qg\u003c/p>\n\u003cp>Before Bashi became the solo artist Kishi Bashi, he was born Kaoru Ishibishi (now Kaoru Dill-Ishibashi). Kishi Bashi’s parents grew up in Japan and met at the University of Washington in Seattle. Kishi Bashi was born there, though the family soon moved to Ithaca, New York.\u003c/p>\n\u003cp>“My parents moved every 5 to 10 years,” Kishi Bashi said. “So I never felt grounded anywhere.” Bashi also regularly visited family in Japan while trying to fit in with predominantly white classmates at school.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In Ithaca, Kishi Bashi started learning the Suzuki violin, a method created by Japanese violinist Shinichi Suzuki that teaches children to learn violin as though learning a second language. Kishi Bashi started playing violin at age 7 — relatively late for a Suzuki student — yet he was soon called a child prodigy. By high school, Bashi and his family had moved to Virginia, where Kishi Bashi was exposed to jazz violin and improvisation.\u003c/p>\n\u003cp>After high school, Kishi Bashi attended Cornell University, where he continued playing jazz violin. Officially, though, he was majoring in engineering. It took him a couple of years to realize that music could be more than a hobby. Once that realization hit, he dropped out of Cornell and went to the Berklee School of Music to study film scoring. After graduating, he moved to New York to score films and write jingles for commercials.\u003c/p>\n\u003cfigure id=\"attachment_12020444\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020444 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bashi holds a custom guitar decorated with Manga cartoons at his home. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kishi Bashi’s true passion, however, was composing indie rock songs and playing in a band. In 2003, he founded a band called Jupiter One and explored another instrument: his voice. He recalled the moment things started taking off.\u003c/p>\n\u003cp>“[Before], we had tens of people — maybe all our friends — showing up at our shows,” Kishi Bashi said. “But then, once I started singing, more and more people started showing up. Girls and their boyfriends show up when you start singing.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7wlpmnAvGwk\u003c/p>\n\u003cp>In 2010, after touring with Jupiter One and opening for \u003ca href=\"https://en.wikipedia.org/wiki/Sondre_Lerche\">Sondre Lerche\u003c/a>, he decided to go solo. This was when he became the artist “Kishi Bashi.” He was 35, married, and had a young daughter. He and his family moved back in with his parents while he made the Kishi Bashi leap.\u003c/p>\n\u003cp>Kishi Bashi was no stranger to the challenge musicians face in making a living and being creative. Going solo was both exciting and risky.\u003c/p>\n\u003cp>“When I was starting my debut album, I was kind of struggling with the idea of imperfection,” he said. “I’m very self-conscious and afraid of judgment because one negative thing can crush my excitement. To me, that’s dangerous.”\u003c/p>\n\u003cfigure id=\"attachment_12020446\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020446 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bashi plays a 1970s Wurlitzer electric piano at his home. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bashi needn’t have been afraid. Once he finally released his first album, \u003cem>151a\u003c/em>, in 2012, it was well-received. When read in Japanese, \u003cem>151a\u003c/em> resembles the Japanese phrase \u003cem>ichi-go ichi-e\u003c/em>, which Bashi explained means “that one time, that one meeting; it is unique to itself, even with its imperfections.”\u003c/p>\n\u003cp>That debut album launched a successful solo career. Kishi Bashi recently released his fifth solo album and went on an international tour. At his San Francisco show last September, long-time fan Kevin Adamski described a typical Kishi Bashi concert as “a very joyful experience, very optimistic, very hopeful. The whole crowd is dancing. There’s confetti.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EewB7xHHIvE\u003c/p>\n\u003cp>Much of that San Francisco show was upbeat and celebratory, but in the middle, there was a moment of calm. The band exited the stage for a costume change, leaving Kishi Bashi standing alone in a spotlight with his violin. He plucked a rhythm, which continued looping as he added layers of mournful strings. Then he sang. As though under a spell, the audience’s boisterous energy settled into momentary stillness.\u003c/p>\n\u003cp>Kishi Bashi looked utterly at ease on stage with the surprises and improvisations of live performance. At one point, he started a violin loop for a new song and then stopped and restarted, saying he could do better. Everyone cheered.\u003c/p>\n\u003cfigure id=\"attachment_12020447\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020447 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kishi Bashi received this award from the Roger Ebert’s Film Festival in 2024, photographed in his home last month. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Early in Kishi Bashi’s career, messing up on stage felt like a big deal. One time, back when he was opening for Sondre Lerche, he had to restart a loop over and over again because the timing was off.\u003c/p>\n\u003cp>“I started to realize that I was just really not nailing it that night,” he said. That might seem like a panic-inducing moment for a live performer, but Kishi Bashi kept going, and the crowd started cheering. They kept cheering until he finally got the loop right.\u003c/p>\n\u003cp>“They wanted to see me succeed,” he said. It taught him a valuable lesson about live performance. “[The audience] are not just there to hear a perfect iteration of something … they [like] the idea that they’re supporting someone.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LJUQzs4n_3c\u003c/p>\n\u003cp>At the end of every Kishi Bashi show, the band does an acoustic encore. Kishi Bashi said it started when a venue told them to stop playing. “I got really annoyed and took the music to the crowd.” Taking the music into the crowd was an unexpected, almost spiritual end to the recent San Francisco show.\u003c/p>\n\u003cp>After playing with mics and amps on an elevated stage during the entire show, the band left the stage, grabbed acoustic instruments, and walked down into the middle of the audience. A couple of hundred fans clustered around the band, and then Kishi Bashi led everyone in a giant and intimate sing-along. Whatever improvisations and imperfections led to this unique moment, it was the perfect experience to share with other people.\u003c/p>\n\u003cfigure id=\"attachment_12020448\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020448\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Composer Kishi Bashi poses for a portrait at his home. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Whether Kishi Bashi is composing new music or performing it on stage, he is open to improvisation and imperfection. This might explain why he’s not afraid to release albums that experiment with genre and keep fans guessing. Kishi Bashi’s music moves between classical, rock, electronic, and indie pop — his lyrics are a combination of English and Japanese.\u003c/p>\n\u003cp>At his home near San José, Kishi Bashi demonstrated his spontaneous approach to composition. “If I want something super epic, I imagine what that could be in my head, and then I try to verbalize it,” he said, beatboxing an epic fanfare off the top of his head as an example.\u003c/p>\n\u003cp>Kishi Bashi is also an accomplished multi-instrumentalist. He picked up a guitar and made up a riff on the spot. As he strummed, he began humming and then singing, not worrying if his stray phrases about love and longing made any sense. Kishi Bashi called this “mouthing words.” Even as improvised sketches, his easy playing and sweet falsetto were captivating.\u003c/p>\n\u003cp>Kishi Bashi took the same playful approach to demonstrating how he composes, using each of his violins. The first violin he picked up was tuned differently than a Western classical violin. The second was built with an extra string so that Kishi Bashi could play the violin down into the lower range of a viola. He was playing around on that five-string violin-viola when he composed “For Every Voice That Never Sang.” The finished song is rich with musical layers, but you can hear those initial arpeggios in the background.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kSWMx8-0-i0'\n title='//www.youtube.com/embed/kSWMx8-0-i0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Whenever Kishi Bashi explores an idea for a new song, he records it onto his phone so he can review it later. For example, “Violin Akai” is the first song on \u003cem>Kantos\u003c/em>, his latest album. In the recording he made of his initial “Violin Akai” idea, he sang a melody with a swinging beat, his voice serving as the violin. It’s a very rough sketch — a few pencil lines, really — that Bashi later built into an exuberant, multi-instrument song for his band.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Yt5jUFjf8qg'\n title='//www.youtube.com/embed/Yt5jUFjf8qg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before Bashi became the solo artist Kishi Bashi, he was born Kaoru Ishibishi (now Kaoru Dill-Ishibashi). Kishi Bashi’s parents grew up in Japan and met at the University of Washington in Seattle. Kishi Bashi was born there, though the family soon moved to Ithaca, New York.\u003c/p>\n\u003cp>“My parents moved every 5 to 10 years,” Kishi Bashi said. “So I never felt grounded anywhere.” Bashi also regularly visited family in Japan while trying to fit in with predominantly white classmates at school.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In Ithaca, Kishi Bashi started learning the Suzuki violin, a method created by Japanese violinist Shinichi Suzuki that teaches children to learn violin as though learning a second language. Kishi Bashi started playing violin at age 7 — relatively late for a Suzuki student — yet he was soon called a child prodigy. By high school, Bashi and his family had moved to Virginia, where Kishi Bashi was exposed to jazz violin and improvisation.\u003c/p>\n\u003cp>After high school, Kishi Bashi attended Cornell University, where he continued playing jazz violin. Officially, though, he was majoring in engineering. It took him a couple of years to realize that music could be more than a hobby. Once that realization hit, he dropped out of Cornell and went to the Berklee School of Music to study film scoring. After graduating, he moved to New York to score films and write jingles for commercials.\u003c/p>\n\u003cfigure id=\"attachment_12020444\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020444 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00056-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bashi holds a custom guitar decorated with Manga cartoons at his home. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kishi Bashi’s true passion, however, was composing indie rock songs and playing in a band. In 2003, he founded a band called Jupiter One and explored another instrument: his voice. He recalled the moment things started taking off.\u003c/p>\n\u003cp>“[Before], we had tens of people — maybe all our friends — showing up at our shows,” Kishi Bashi said. “But then, once I started singing, more and more people started showing up. Girls and their boyfriends show up when you start singing.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7wlpmnAvGwk'\n title='//www.youtube.com/embed/7wlpmnAvGwk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2010, after touring with Jupiter One and opening for \u003ca href=\"https://en.wikipedia.org/wiki/Sondre_Lerche\">Sondre Lerche\u003c/a>, he decided to go solo. This was when he became the artist “Kishi Bashi.” He was 35, married, and had a young daughter. He and his family moved back in with his parents while he made the Kishi Bashi leap.\u003c/p>\n\u003cp>Kishi Bashi was no stranger to the challenge musicians face in making a living and being creative. Going solo was both exciting and risky.\u003c/p>\n\u003cp>“When I was starting my debut album, I was kind of struggling with the idea of imperfection,” he said. “I’m very self-conscious and afraid of judgment because one negative thing can crush my excitement. To me, that’s dangerous.”\u003c/p>\n\u003cfigure id=\"attachment_12020446\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020446 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00140-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bashi plays a 1970s Wurlitzer electric piano at his home. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bashi needn’t have been afraid. Once he finally released his first album, \u003cem>151a\u003c/em>, in 2012, it was well-received. When read in Japanese, \u003cem>151a\u003c/em> resembles the Japanese phrase \u003cem>ichi-go ichi-e\u003c/em>, which Bashi explained means “that one time, that one meeting; it is unique to itself, even with its imperfections.”\u003c/p>\n\u003cp>That debut album launched a successful solo career. Kishi Bashi recently released his fifth solo album and went on an international tour. At his San Francisco show last September, long-time fan Kevin Adamski described a typical Kishi Bashi concert as “a very joyful experience, very optimistic, very hopeful. The whole crowd is dancing. There’s confetti.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EewB7xHHIvE'\n title='//www.youtube.com/embed/EewB7xHHIvE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Much of that San Francisco show was upbeat and celebratory, but in the middle, there was a moment of calm. The band exited the stage for a costume change, leaving Kishi Bashi standing alone in a spotlight with his violin. He plucked a rhythm, which continued looping as he added layers of mournful strings. Then he sang. As though under a spell, the audience’s boisterous energy settled into momentary stillness.\u003c/p>\n\u003cp>Kishi Bashi looked utterly at ease on stage with the surprises and improvisations of live performance. At one point, he started a violin loop for a new song and then stopped and restarted, saying he could do better. Everyone cheered.\u003c/p>\n\u003cfigure id=\"attachment_12020447\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020447 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00151-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kishi Bashi received this award from the Roger Ebert’s Film Festival in 2024, photographed in his home last month. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Early in Kishi Bashi’s career, messing up on stage felt like a big deal. One time, back when he was opening for Sondre Lerche, he had to restart a loop over and over again because the timing was off.\u003c/p>\n\u003cp>“I started to realize that I was just really not nailing it that night,” he said. That might seem like a panic-inducing moment for a live performer, but Kishi Bashi kept going, and the crowd started cheering. They kept cheering until he finally got the loop right.\u003c/p>\n\u003cp>“They wanted to see me succeed,” he said. It taught him a valuable lesson about live performance. “[The audience] are not just there to hear a perfect iteration of something … they [like] the idea that they’re supporting someone.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LJUQzs4n_3c'\n title='//www.youtube.com/embed/LJUQzs4n_3c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At the end of every Kishi Bashi show, the band does an acoustic encore. Kishi Bashi said it started when a venue told them to stop playing. “I got really annoyed and took the music to the crowd.” Taking the music into the crowd was an unexpected, almost spiritual end to the recent San Francisco show.\u003c/p>\n\u003cp>After playing with mics and amps on an elevated stage during the entire show, the band left the stage, grabbed acoustic instruments, and walked down into the middle of the audience. A couple of hundred fans clustered around the band, and then Kishi Bashi led everyone in a giant and intimate sing-along. Whatever improvisations and imperfections led to this unique moment, it was the perfect experience to share with other people.\u003c/p>\n\u003cfigure id=\"attachment_12020448\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020448\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250106_KishiBashi_DMB_00206-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Composer Kishi Bashi poses for a portrait at his home. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "meet-sally-gearhart-the-most-famous-lgbtq-activist-youve-never-heard-of",
"title": "Meet Sally Gearhart, the Most Famous Bay Area LGBTQ Activist You've Never Heard Of",
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"headTitle": "Meet Sally Gearhart, the Most Famous Bay Area LGBTQ Activist You’ve Never Heard Of | KQED",
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"content": "\u003cp>Sally Gearhart is one of the most important figures in LGBTQ history that you’ve probably never heard of. She was a radical lesbian feminist whose fight for equality and change sparked movements that still continue today.\u003c/p>\n\u003cp>But unlike her friend and contemporary, Harvey Milk, there are no airport terminals or schools named after Sally. Instead, she has largely been erased from history.\u003c/p>\n\u003cfigure id=\"attachment_12020640\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020640 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Sally Gearhart and ‘Sally!’ director Deborah Craig. \u003ccite>(Courtesy of Deborah Craig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Deborah Craig wanted to change that. Craig is a filmmaker and professor at San Francisco State University. Her latest film, \u003cem>Sally!\u003c/em>, is all about the life and work of Sally Gearhart. The documentary debuted in San Francisco this summer and since then has won four audience awards, one jury award, and one best director award. Craig spoke about the film in an interview with The California Report Magazine’s Bianca Taylor.\u003c/p>\n\u003cfigure id=\"attachment_12020641\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020641 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Miller-Gearhart-Peter-Adair-Papers-James-C.-Hormel-LGBTQIA-Center-San-Francisco-Public-Library-e1736286917204.jpg\" alt=\"\" width=\"600\" height=\"431\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Miller-Gearhart-Peter-Adair-Papers-James-C.-Hormel-LGBTQIA-Center-San-Francisco-Public-Library-e1736286917204.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Miller-Gearhart-Peter-Adair-Papers-James-C.-Hormel-LGBTQIA-Center-San-Francisco-Public-Library-e1736286917204-160x115.jpg 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Sally Miller Gearhart. \u003ccite>(Peter Adair Papers, James C. Hormel LGBTQIA Center, San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Below are excerpts from their conversation. For the full interview on The California Report Magazine, listen to the audio at the top of this story.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Bianca Taylor: Who was Sally Gearhart? \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Deborah Craig: \u003c/strong>To sum it up, Sally is complicated. Sally was this lesbian separatist [who] always had men in her life. She studied theater. She studied communication. She was a brilliant debater. She taught women’s studies and co-founded one of the first-ever women’s studies departments. She wrote fantasy novels. She moved full-time up to this women’s land community that she had co-created. She is extremely hard to pin down. The best way to say it is she’s really an amazing Renaissance woman who was always interested in everything and curious about everything and had very strong and radical opinions but also kept an open mind and was willing to change her mind.\u003c/p>\n\u003cfigure id=\"attachment_12020642\" class=\"wp-caption alignnone\" style=\"max-width: 2392px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020642 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig.png\" alt=\"\" width=\"2392\" height=\"1890\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig.png 2392w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-800x632.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-1020x806.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-160x126.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-1536x1214.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-2048x1618.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-1920x1517.png 1920w\" sizes=\"auto, (max-width: 2392px) 100vw, 2392px\">\u003cfigcaption class=\"wp-caption-text\">Harvey Milk and Sally Gearhart. \u003ccite>(Courtesy of Deborah Craig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Why make this film now? \u003c/strong>\u003c/p>\n\u003cp>I felt a sense of urgency because, by the time I met Sally, she was either 83 or 84. She was living alone. She had health issues, she had memory decline. And it felt like if we want to do this story, we need to do it now. But the other thing we felt [was] that [her] story is relevant now because we’re fighting those same battles. And it’s even more relevant after the election. There’s so much pushback in this country against women’s rights, against gay rights, against trans rights, etc. So this is not just a story about what happened in the past, and acknowledging the part that Sally played back then. It’s a story about how to fight for social justice. And Sally, as imperfect as she is, is such a beautiful role model of how to do that. And in fact, her imperfection makes her a role model in my mind, because there are no perfect heroes.\u003c/p>\n\u003cfigure id=\"attachment_12020647\" class=\"wp-caption alignnone\" style=\"max-width: 1088px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020647 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage.jpg\" alt=\"\" width=\"1088\" height=\"865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage.jpg 1088w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage-800x636.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage-1020x811.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage-160x127.jpg 160w\" sizes=\"auto, (max-width: 1088px) 100vw, 1088px\">\u003cfigcaption class=\"wp-caption-text\">Harvey Milk and Sally Gearhart. \u003ccite>(Courtesy of Steve Savage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sally Gearhart was instrumental in working with Harvey Milk to defeat Proposition 6, which would have banned gay people from working in public schools. But in the feature film, \u003cem>MILK\u003c/em>, Sally is completely left out. What happened? \u003c/strong>\u003c/p>\n\u003cp>There are a lot of people who are incredibly angry that Sally was left out of the film. And I talked to a lot of them. And Sally, I think, was very hurt that she was left out of the film. What helps me understand it is this: The Milk film was made in 2008. Sally left San Francisco in 1991, and she was up in her little cabin in Willits. So, she was erased, \u003cem>and \u003c/em>she removed herself from the spotlight. … I think both of those things are true.\u003c/p>\n\u003cfigure id=\"attachment_12020733\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020733\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image.jpg\" alt=\"A double image, on the left is a woman speaking into a microphone with the words 'No on 6' written behind her on a stage. On the right, the same woman but older is sitting and smoking a pipe by a window with trees outside, both photos are black and white.\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Sally Gearhart at a ‘No on 6’ rally. Right: A photograph of Sally Gearhart in Willits, Mendocino County. \u003ccite>(Left photo: Steve Savage. Right photo: Robert Giard Photographs Collection, James C. Hormel LGBTQIA Center, San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sally did — and said — controversial things that were included in the film. Was there a worry this would put people off of Sally, especially men?\u003c/strong>\u003c/p>\n\u003cp>I don’t think you make a film about Sally Gearhart and worry about offending somebody. So I just really made a practice of listening to people when they got offended and tried to learn from it. But you know what? I never heard anybody get their feathers ruffled about that one, interestingly enough. And more often, I found myself in scenes like doing the sound mix in the booth with two straight men who were laughing their asses off at Sally because she’s so funny and she’s so charming. And that made me so happy because it made me feel like she’s reaching … a lot of people because she’s so smart and charming and funny. And I think that was her superpower: her humor and her charm and being self-deprecating and funny. She could say something really outrageous and then say it with a smile and a twinkle in her eye.\u003c/p>\n\u003cfigure id=\"attachment_12020655\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020655 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-800x629.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-1020x802.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-1536x1207.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-2048x1609.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-1920x1509.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Sally Gearhart and Cleve Jones at Harvey Milk’s Birthday Street party — just one night after the White Night Riots — on May 22, 1979. \u003ccite>(Daniel Nicoletta)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What would Sally think of the current moment we’re living in?\u003c/strong>\u003c/p>\n\u003cp>It’s sort of like deja vu all over again. There are so many battles that were fought that we need to re-fight. And Sally, I guess depending on whether we channeled Sally in her 40s or 50s or 60s or 80s, would be either ready to step up on the podium and speak up or would want other people to step up and take the baton. I really hope that this film makes young people motivated to step up and get involved, and fight the kind of fights that we’re going to need to fight. And realize that fighting for social justice can be not just a slog but an adventure. It can be fun and exciting, and [we] can approach it with a spirit of kind of can-do-ness and curiosity. And so I hope that people can channel that sort of Sally vibe and spirit to help us move forward.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Sally Gearhart was an influential activist who shaped LGBTQ history and the women’s movement in the Bay Area. So why don’t more people know about her? ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sally Gearhart is one of the most important figures in LGBTQ history that you’ve probably never heard of. She was a radical lesbian feminist whose fight for equality and change sparked movements that still continue today.\u003c/p>\n\u003cp>But unlike her friend and contemporary, Harvey Milk, there are no airport terminals or schools named after Sally. Instead, she has largely been erased from history.\u003c/p>\n\u003cfigure id=\"attachment_12020640\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020640 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-and-Sally-Director-Deborah-Craig-courtesy-of-Deborah-Craig-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Sally Gearhart and ‘Sally!’ director Deborah Craig. \u003ccite>(Courtesy of Deborah Craig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Deborah Craig wanted to change that. Craig is a filmmaker and professor at San Francisco State University. Her latest film, \u003cem>Sally!\u003c/em>, is all about the life and work of Sally Gearhart. The documentary debuted in San Francisco this summer and since then has won four audience awards, one jury award, and one best director award. Craig spoke about the film in an interview with The California Report Magazine’s Bianca Taylor.\u003c/p>\n\u003cfigure id=\"attachment_12020641\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020641 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Miller-Gearhart-Peter-Adair-Papers-James-C.-Hormel-LGBTQIA-Center-San-Francisco-Public-Library-e1736286917204.jpg\" alt=\"\" width=\"600\" height=\"431\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Miller-Gearhart-Peter-Adair-Papers-James-C.-Hormel-LGBTQIA-Center-San-Francisco-Public-Library-e1736286917204.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Miller-Gearhart-Peter-Adair-Papers-James-C.-Hormel-LGBTQIA-Center-San-Francisco-Public-Library-e1736286917204-160x115.jpg 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Sally Miller Gearhart. \u003ccite>(Peter Adair Papers, James C. Hormel LGBTQIA Center, San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Below are excerpts from their conversation. For the full interview on The California Report Magazine, listen to the audio at the top of this story.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Bianca Taylor: Who was Sally Gearhart? \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Deborah Craig: \u003c/strong>To sum it up, Sally is complicated. Sally was this lesbian separatist [who] always had men in her life. She studied theater. She studied communication. She was a brilliant debater. She taught women’s studies and co-founded one of the first-ever women’s studies departments. She wrote fantasy novels. She moved full-time up to this women’s land community that she had co-created. She is extremely hard to pin down. The best way to say it is she’s really an amazing Renaissance woman who was always interested in everything and curious about everything and had very strong and radical opinions but also kept an open mind and was willing to change her mind.\u003c/p>\n\u003cfigure id=\"attachment_12020642\" class=\"wp-caption alignnone\" style=\"max-width: 2392px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020642 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig.png\" alt=\"\" width=\"2392\" height=\"1890\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig.png 2392w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-800x632.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-1020x806.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-160x126.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-1536x1214.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-2048x1618.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Courtesy-of-Deborah-Craig-1920x1517.png 1920w\" sizes=\"auto, (max-width: 2392px) 100vw, 2392px\">\u003cfigcaption class=\"wp-caption-text\">Harvey Milk and Sally Gearhart. \u003ccite>(Courtesy of Deborah Craig)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Why make this film now? \u003c/strong>\u003c/p>\n\u003cp>I felt a sense of urgency because, by the time I met Sally, she was either 83 or 84. She was living alone. She had health issues, she had memory decline. And it felt like if we want to do this story, we need to do it now. But the other thing we felt [was] that [her] story is relevant now because we’re fighting those same battles. And it’s even more relevant after the election. There’s so much pushback in this country against women’s rights, against gay rights, against trans rights, etc. So this is not just a story about what happened in the past, and acknowledging the part that Sally played back then. It’s a story about how to fight for social justice. And Sally, as imperfect as she is, is such a beautiful role model of how to do that. And in fact, her imperfection makes her a role model in my mind, because there are no perfect heroes.\u003c/p>\n\u003cfigure id=\"attachment_12020647\" class=\"wp-caption alignnone\" style=\"max-width: 1088px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020647 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage.jpg\" alt=\"\" width=\"1088\" height=\"865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage.jpg 1088w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage-800x636.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage-1020x811.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Harvey-Milk-and-Sally-Gearhart-Photo-Credit_-Steve-Savage-160x127.jpg 160w\" sizes=\"auto, (max-width: 1088px) 100vw, 1088px\">\u003cfigcaption class=\"wp-caption-text\">Harvey Milk and Sally Gearhart. \u003ccite>(Courtesy of Steve Savage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sally Gearhart was instrumental in working with Harvey Milk to defeat Proposition 6, which would have banned gay people from working in public schools. But in the feature film, \u003cem>MILK\u003c/em>, Sally is completely left out. What happened? \u003c/strong>\u003c/p>\n\u003cp>There are a lot of people who are incredibly angry that Sally was left out of the film. And I talked to a lot of them. And Sally, I think, was very hurt that she was left out of the film. What helps me understand it is this: The Milk film was made in 2008. Sally left San Francisco in 1991, and she was up in her little cabin in Willits. So, she was erased, \u003cem>and \u003c/em>she removed herself from the spotlight. … I think both of those things are true.\u003c/p>\n\u003cfigure id=\"attachment_12020733\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020733\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image.jpg\" alt=\"A double image, on the left is a woman speaking into a microphone with the words 'No on 6' written behind her on a stage. On the right, the same woman but older is sitting and smoking a pipe by a window with trees outside, both photos are black and white.\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Sally Gearhart at a ‘No on 6’ rally. Right: A photograph of Sally Gearhart in Willits, Mendocino County. \u003ccite>(Left photo: Steve Savage. Right photo: Robert Giard Photographs Collection, James C. Hormel LGBTQIA Center, San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sally did — and said — controversial things that were included in the film. Was there a worry this would put people off of Sally, especially men?\u003c/strong>\u003c/p>\n\u003cp>I don’t think you make a film about Sally Gearhart and worry about offending somebody. So I just really made a practice of listening to people when they got offended and tried to learn from it. But you know what? I never heard anybody get their feathers ruffled about that one, interestingly enough. And more often, I found myself in scenes like doing the sound mix in the booth with two straight men who were laughing their asses off at Sally because she’s so funny and she’s so charming. And that made me so happy because it made me feel like she’s reaching … a lot of people because she’s so smart and charming and funny. And I think that was her superpower: her humor and her charm and being self-deprecating and funny. She could say something really outrageous and then say it with a smile and a twinkle in her eye.\u003c/p>\n\u003cfigure id=\"attachment_12020655\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12020655 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-800x629.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-1020x802.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-1536x1207.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-2048x1609.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Sally-Gearhart-with-activist-Cleve-Jones-Photo-Credit_-Daniel-Nicoletta-1920x1509.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Sally Gearhart and Cleve Jones at Harvey Milk’s Birthday Street party — just one night after the White Night Riots — on May 22, 1979. \u003ccite>(Daniel Nicoletta)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What would Sally think of the current moment we’re living in?\u003c/strong>\u003c/p>\n\u003cp>It’s sort of like deja vu all over again. There are so many battles that were fought that we need to re-fight. And Sally, I guess depending on whether we channeled Sally in her 40s or 50s or 60s or 80s, would be either ready to step up on the podium and speak up or would want other people to step up and take the baton. I really hope that this film makes young people motivated to step up and get involved, and fight the kind of fights that we’re going to need to fight. And realize that fighting for social justice can be not just a slog but an adventure. It can be fun and exciting, and [we] can approach it with a spirit of kind of can-do-ness and curiosity. And so I hope that people can channel that sort of Sally vibe and spirit to help us move forward.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "surprising-ways-former-bay-area-military-bases-are-transforming-and-why-it-takes-so-long",
"title": "Surprising Ways Former Bay Area Military Bases Are Transforming (and Why It Takes So Long)",
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"content": "\u003cp>\u003ci>\u003ca href=\"#A\">View the full episode transcript.\u003c/a>\u003c/i>\u003c/p>\n\u003cp>If you live in the Bay Area — or even just visited — chances are you’ve set foot on a former military base.\u003c/p>\n\u003cp>Most people know the Presidio, which dates back to the Spanish, and Fort Mason, which launched over a million troops into the Pacific during World War II. The sites are now a mix of commerce, open space, and homes.\u003c/p>\n\u003cp>Then there are other popular places — that you may not have known used to be old military stomping grounds — like the Bay Area Discovery Museum in Sausalito.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>Other military sites have been collecting dust for decades, like Point Molate in Richmond, which is vacant and closed off to the public.\u003c/p>\n\u003cp>Bay Curious listener Cameron Tobey wanted to know why there are so many abandoned military bases in the Bay Area, and what is being done with them now (check out our other story about \u003ca href=\"https://www.kqed.org/news/12022479/why-are-there-so-many-abandoned-military-bases-in-the-bay-area\">the rise and fall of the military in the Bay Area\u003c/a>).\u003c/p>\n\u003cp>Decades after the military shuttered operations, many of these sites are mired in the drawn out process of being repurposed, redeveloped, razed and re-envisioned.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8389321979\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>The case of Mare Island\u003c/h2>\n\u003cp>There are dozens of former military sites around the Bay Area — according to author and historian \u003ca href=\"http://drelouise.com\">Elouise Epstein\u003c/a> — and they all have their own redevelopment story.\u003c/p>\n\u003cp>The former Mare Island Naval Shipyard in Vallejo is one of several former military sites that’s still in some stage of transition. \u003ca href=\"https://www.history.navy.mil/browse-by-topic/organization-and-administration/historic-bases/mare-island.html\">Opened back in 1854\u003c/a>, it was one of the most active navy yards in the world during World War II. But in 1996, the base was closed, along with many other Bay Area sites, \u003ca href=\"https://www.kqed.org/news/12022479/why-are-there-so-many-abandoned-military-bases-in-the-bay-area\">during the Base Realignment and Closure (BRAC) process\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12023596\" class=\"wp-caption aligncenter\" style=\"max-width: 1148px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023596\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon.jpg\" alt=\"\" width=\"1148\" height=\"717\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon.jpg 1148w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon-1020x637.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon-160x100.jpg 160w\" sizes=\"auto, (max-width: 1148px) 100vw, 1148px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A US Navy vehicle tows ‘pie wagons’ that carried food from the cafeterias to the individual shops to feed the workers during WW2 on Mare Island. This photograph is dated April 3, 1944. \u003ccite>(Courtesy of Mare Island Historic Park Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now, Mare Island (which is actually a peninsula) is open to the public, and spans 5,000 acres. It’s a combination of vast open space, a few hundred homes tucked away in clusters, and a handful of retail businesses. The most active area is in the warehouse district, which hosts manufacturers like high-end furniture makers and modular home builders.\u003c/p>\n\u003cp>Visitors to the island will see a post-industrial landscape with some intriguing charm. There are beautifully restored historic buildings right next to abandoned lots and randomly placed palm trees.\u003c/p>\n\u003cfigure id=\"attachment_12023741\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023741\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: The main door on Building 85 on Mare Island was expanded to remove a piece of machinery built inside in this undated archival image. Right: Inside Building 85, an old warehouse where submarines and other machines were made, sits empty on Mare Island, Vallejo, Tuesday, Jan. 14, 2025. \u003ccite>(Left: Courtesy of Mare Island Historic Park Foundation Right: David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s been this sort of hidden thing for a long, long time,” \u003cem>s\u003c/em>ays Kent Fortner, a resident, founder of the Mare Island Brewing Company, and board president of the \u003ca href=\"https://www.mihpf.org/\">Mare Island Historic Park Foundation\u003c/a>.\u003c/p>\n\u003cp>“If you have any desire to know Naval history from particularly World War I and World War II, this place makes your hair stand on end,” he said.\u003c/p>\n\u003cp>On a tour of the island, Fortner pointed out the signs of Navy life all over the place — cannons\u003cem>, \u003c/em>a giant metal anchor hidden in the bushes, an ammunition bunker and a firing range. The most impressive remnants are the huge rusty metal cranes on the main historic wharf that were used to repair and build large warships.\u003c/p>\n\u003cp>“It’s mind-boggling how large these ships were,” Fortner said.\u003c/p>\n\u003cfigure id=\"attachment_12023733\" class=\"wp-caption aligncenter\" style=\"max-width: 558px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023733\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989.jpg\" alt=\"\" width=\"558\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989.jpg 558w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989-160x181.jpg 160w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The USS Chicago being prepared for launching at Mare Island, Vallejo, April 8, 1930. \u003ccite>(Courtesy of Mare Island Historic Park Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even though Navy contamination has mostly been cleaned up, and Hollywood regularly drops in (see TV shows \u003ca href=\"https://www.imdb.com/title/tt0383126/\">\u003cem>Mythbusters\u003c/em>\u003c/a>, \u003ca href=\"https://www.imdb.com/title/tt1837492/\">\u003cem>13 Reasons Why\u003c/em>\u003c/a>, and the movie \u003ca href=\"https://www.imdb.com/title/tt4701182/\">\u003cem>Bumblebee\u003c/em>\u003c/a>), the former Navy base still doesn’t have enough amenities to make it a big residential draw.\u003c/p>\n\u003cp>“I can’t say that it’s thriving right now,” said Fortner about the lack of retail businesses, modern parks and walkable neighborhoods. “I mean, converting these naval bases is so complex.”\u003c/p>\n\u003ch2>Why does it take so long to redevelop military sites?\u003c/h2>\n\u003cp>Navy shipyards like the ones on Mare Island, Hunters Point and in Concord closed decades ago. So why is it taking so long to reinvent them?\u003c/p>\n\u003cp>Regional planners and developers agree the environmental clean up from the military can take decades.\u003c/p>\n\u003cp>“The military have never been famous for their environmental stewardship,” said Matt Regan, senior vice president for public policy at the Bay Area Council. “So there’s definitely cleanup challenges, which is expensive.\u003cem>”\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After the Navy left, Mare Island grappled with mercury and PCB contamination, petroleum in the soil, and underground fuel tanks.\u003c/p>\n\u003cp>The Hunters Point Naval Shipyard in San Francisco’s Bayview was declared one of the nation’s most contaminated sites in 1989. The city wants to put 10,000 homes there, but it’s been mired in a host of cleanup controversies. The Navy has spent decades cleaning there, but the work isn’t done (\u003ca href=\"https://www.kqed.org/news/12005257/the-hunters-point-cranes-legacy-is-both-majestic-and-troubling\">check out the Bay Curious episode on this\u003c/a>).\u003c/p>\n\u003cp>Soliciting public input on plans for redevelopment is another process that takes a long time. In the former Concord Naval Weapons Station’s case, that took seven years.[aside postID=news_12022479 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250114_Mare-Island_DMB_00333-1020x680.jpg']“We had a whole series of options and there were eight alternatives,” said Guy Bjerke, who is directing the base reuse project for the city of Concord. “So the process of developing community consensus is a challenge.”\u003c/p>\n\u003cp>A third major factor complicating the reinvention of these spaces is keeping private developers onboard.\u003c/p>\n\u003cp>Private developers assume a lot of financial risk when they take on massive naval base reuse projects, according to Mark Shorett, a principal regional planner with the Association of Bay Area Governments and Metropolitan Transportation Commission (ABAG/MTC).\u003c/p>\n\u003cp>Developers often pay for and install basic infrastructure like sewer, water and electricity for these sites, before they even start building “vertical” infrastructure like buildings. Because the environmental cleanup, community input process and regulatory processes take many years, developers may decide it doesn’t “pencil out” — and then walk away.\u003c/p>\n\u003cp>“They’re trying to create a profitable project and in some cases it’s very challenging for them to do that in the context of a long-range plan,” Shorett said.\u003c/p>\n\u003cp>And he points out that in other countries private developers don’t typically get involved in the creation of infrastructure.\u003c/p>\n\u003cfigure id=\"attachment_12023761\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023761\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed.jpg\" alt=\"\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-1920x1278.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Abandoned buildings at the Hunters Point Naval Shipyard in San Francisco on March 8, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12023764\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023764\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: An abandoned building at the Hunters Point Naval Shipyard in San Francisco on March 8, 2022. Right: Apartment buildings in the Bayview sit behind the Hunters Point Naval Shipyard in San Francisco on March 8, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Concord base reuse project is, again, an example of incurring delays because of trouble with developers.\u003c/p>\n\u003cp>Their base closed in 2005, and the site is now working with its third developer. The first company left after labor disputes. The second one was essentially dismissed by the city council. The current reuse plan includes 12,000 housing units, a sports complex and a college campus.\u003c/p>\n\u003cp>“Finding a master developer who is willing to meet community expectations around how the project should develop [has] been a complicated process,” said Bjerke, adding that it will probably be another four to six years before anything is built above ground in Concord.\u003c/p>\n\u003ch2>Is there a larger vision connecting different military sites?\u003c/h2>\n\u003cp>There’s a strong desire to create new housing on the Bay Area’s former military sites, especially the Navy bases, according to Shorett with ABAG/MTC, the planning agency for the Bay Area’s 101 cities. Not only are these sites valuable because of their sheer size, but because they’re transit friendly. They can help meet the area’s affordable housing and climate goals by keeping people where they work.\u003c/p>\n\u003cp>Housing has already successfully been built on former bases. Treasure Island was once Navy stomping grounds and now has a lot of apartments, with more on the way.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.novato.org/our-town/hamilton-field#:~:text=Constructed%20in%20the%20early%201930's,open%20space%2C%20and%20civic%20uses.\">new residential community on the former Hamilton Air Force Base in Novato\u003c/a> is another example.\u003c/p>\n\u003cp>Shorett said the redevelopment success at the Presidio and Fort Mason have no doubt been related to the fact that they’re on national park land.\u003c/p>\n\u003cp>“The federal government is able to continue to be involved over the long term with less constraints around needing to make a profit,” said Shorett.\u003c/p>\n\u003cp>He said one way to speed up development on some of these naval sites is to divide up big parcels of land so all the financial risk doesn’t fall on one developer. That way, multiple agencies can move forward with different projects at the same time.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1512985227\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>Artists are using the abandoned spaces\u003c/h2>\n\u003cp>While regional planners are eyeing the former military sites for housing, other people like them just how they are. History buffs, artists and makers like them raw, industrial, with lots of open space to create.\u003c/p>\n\u003cp>“We find ourselves pretty at home here,” said Kevin Corcoran, one of the founders of \u003ca href=\"https://www.re-sound.net/new-events-1\">Re: Sound\u003cem>, \u003c/em>a group of experimental sound artists\u003c/a> that have been holding performances at Mare Island for 10 years.\u003c/p>\n\u003cp>Recently, a cellist from Seattle, Lori Goldston, played in an empty metal storage shed right on the historic dock, surrounded by giant rusty cranes.\u003c/p>\n\u003cp>She is just one of many people here who have found a new purpose for the historic navy architecture.\u003c/p>\n\u003cp>“It’s nice to see all this infrastructure being put to good use,” she said. “I’ve seen a lot of empty space and wonder why there aren’t more things happening here\u003cem>.\u003c/em>”\u003c/p>\n\u003cp>While it might seem like the sprawling military bases found throughout the Bay Area are just sitting, in reality many of them are making their way through some kind of redevelopment process. But cleaning up after the military takes time. We’ll likely see more built on these sites — probably housing — but it’s going to take a while.\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2>\u003ca id=\"A\">\u003c/a>Episode Transcript:\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Hey everyone. This is Olivia Allen-Price. And last week on Bay Curious, we heard all about how the Bay Area went from military powerhouse to being left with dozens of vacant facilities. All to answer this question from listener Cameron Tobey…\u003c/p>\n\u003cp>\u003cstrong>Cameron Tobey: \u003c/strong>Why are there so many abandoned military bases around the Bay Area? And what’s the future plans for these bases?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> If you didn’t hear the episode, go give it a listen. It gets into the rise and fall of the military presence here. Today, we’re focusing on the future — what’s next for these spaces? Cameron is especially interested in if they can be used for housing.\u003c/p>\n\u003cp>\u003cstrong>Cameron Toby: \u003c/strong>You have a lot of abandoned homes in these. Do they plan on redeveloping those homes? Cuz we’re in desperate need of housing here in the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Today we’ll see how some old military sites are being repurposed, redeveloped, razed and re-envisioned. Sometimes in really creative ways.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone speaking on site during a musical performance at Mare Island: \u003c/strong>Here we go, we’re going to walk inside this warehouse where the performance is going to be…\u003c/p>\n\u003cp>\u003cem>Sound of cello music reverberating in an old military building made of metal\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>We’re also going to delve into why decades after the armed forces left, many of these spaces are still stuck in the long process of reinventing themselves.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>I don’t think anybody has a playbook for this. I mean, converting these naval bases is so complex…\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That’s all ahead on Bay Curious. Just after the break.\u003c/p>\n\u003cp>\u003cem>Sponsor Message Break\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Here to help us look at what is happening at the decommissioned military sites around the Bay Area is Pauline Bartolone. Welcome, Pauline!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Hey Olivia. Great to be here!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So, before we dive in, let’s acknowledge that there are dozens of former military sites around the Bay Area, and they all have their own story in terms of being redeveloped. So we’re going to talk about a few of them specifically, and then also broader trends.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Right! Some of these military sites are relatively small, like a swath of World War II barracks, and others are huge Navy bases covering several square miles. Chances are you’ve probably set foot on one without even realizing it.\u003c/p>\n\u003cp>Many people know the Presidio, and Fort Mason in San Francisco, which is now a mix of commercial, open space, and homes. There are other popular places like the Bay Area Discovery Museum in Sausalito, which is on a former army site. But then places mostly closed off to the public, like Point Molate in Richmond, which looks like it’s been collecting dust for decades.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So some of these sites have been successfully redeveloped?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Yeah. Another would be Treasure Island. It was once Navy stomping grounds and now has a lot of apartments, with more on the way. Way more. But a lot of the spots I learned about were very much in some stage of transition. Especially the former big Navy bases, like Mare Island in Vallejo.\u003c/p>\n\u003cp>You heard a lot about the Mare Island Naval Shipyard on the last episode. It opened more than 150 years ago, just after the Gold Rush, and was one of the most active Navy yards in the world during World War II. But 30 years ago, the Navy stopped maintaining ships and submarines there.\u003c/p>\n\u003cp>The contamination from the Navy has mostly been cleaned up, but it hasn’t really taken shape as a new viable, residential community. The whole swath of land, which by the way is actually a peninsula … long story … is about 5000 acres.\u003c/p>\n\u003cp>\u003cem>Ambiance from the base fades up\u003c/em>\u003c/p>\n\u003cp>Right now, there are just a few hundred homes there, a handful of retail businesses and a pretty active industrial sector. Anyone who takes a tour of it — which I did, it’s open to the public — will see it’s an eclectic mix of revitalization, and decay. But it has an intriguing charm. It’s a vast post-industrial landscape with beautifully restored historic buildings, right next to abandoned lots and warehouses.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>It’s been this sort of hidden thing for a long, long time.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Kent Fortner is a perfect person to show me around. He’s a resident, and a business owner here. He converted an old Navy coal shed and turned it into the Mare Island Brewing Company. When he’s not brewing beer, he’s researching the area’s history through the local historic association.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>if you have any desire to know naval history from particularly World War I and World War II, this place makes your hair stand on end…\u003c/p>\n\u003cp>\u003cem>Sound of car door slamming\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>So we’ll drive through the old officers road down here…\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>The residential neighborhoods are mostly tucked away in a couple of clusters. So you can drive for a block or two and see nothing but pavement on each side, then, a randomly placed palm tree. Actually, the trees here are a sight to see. Apparently the Navy collected saplings from all over the world.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>Arborists from all over come to look at all of this.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>There are more signs of Navy life all over the place. Kent pointed a lot of them out during our drive. Like cannons…\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>The cannons you see over here…\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>And giant metal anchors taller than most of us.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>…Hidden in the bushes over here.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>An ammunition bunker and a firing range…\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>There’s still bullet casings and potentially unexploded bullets in the soil. So that needs to be cleaned up.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Then, an old Navy hospital that specialized in lost limbs.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>This is where you came to get your prosthetic fixed.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>But the most glaring remnants of the Navy are the huge rusty metal cranes on the main historic wharf. There’s a row of them — towering several stories high, with massive empty concrete dry dock for the ships below.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>Those are cranes that can lift incredible amounts of weight and that’s how they would assemble the ships back in the day … it’s mind boggling how large these ships were.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>A number of Hollywood producers have been drawn in by the patchwork of landscapes here, using Mare Island as a backdrop for movies and TV shows.\u003c/p>\n\u003cp>\u003cem>Movie sound effect of robot transforming\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Like \u003cem>Bumblebee\u003c/em>, the transformer movie.\u003c/p>\n\u003cp>\u003cem>Clip from \u003c/em>13 Reasons Why\u003cem>: “Omg … What are you?”\u003c/em>\u003c/p>\n\u003cp>And the more quiet teenage thriller, \u003cem>13 Reasons Why\u003c/em> on Netflix.\u003c/p>\n\u003cp>\u003cem>Clip from \u003c/em>13 Reasons Why\u003cem>: Voice 1 “I’m not going, not now, not ever.” Voice 2: “Why didn’t you say this to me when I was alive?”\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>But it’s not all military ruins. There are signs of rebirth too. Touro University bought the Navy hospital and holds classes there. Dozens of manufacturing-type businesses have set up here — high end furniture makers, modular home builders, and alcohol entrepreneurs, like Kent. But in terms of amenities for everyday living, like stores, modern parks and walkable neighborhoods … the former military base is not there.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>I can’t say that it’s thriving right now. But we’re in this weird seam between when all the cleanup had to get done and when the new stuff is all going to start getting developed.\u003c/p>\n\u003cp>\u003cem>Music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So Pauline … the Mare Island Navy Shipyard closed back in the mid 1990s. Other bases also closed decades ago. Why does it take so long to reinvent them?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Well I talked to regional planners, developers and city officials and heard some common things.\u003c/p>\n\u003cp>Number one is there is just a lot of environmental clean up to do on military sites. In Mare Island’s case, things like mercury, petroleum, underground fuel tanks, PCBs (those are chemicals in electrical equipment that were banned in the ’70s.) And this clean up takes a really long time. Like decades. Mare island’s not fully done with it.\u003c/p>\n\u003cp>Another process that takes a long time is public input to come up with a new plan for the site. In one case I heard, that took 7 years.\u003c/p>\n\u003cp>And a third factor is, it’s hard to keep private developers in the game. The developers are for-profit, and they assume a lot of risk and front-end costs in these massive projects. They take on basic infrastructure like sewer, water and electricity for these sites. They have to prove to their shareholders that the project will “pencil out” over a long period. One regional planner I talked to says the amount of investment private developers take on in these projects is pretty unique to the U.S. — he says in other countries the private sector wouldn’t be as involved at the infrastructure stage.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That’s interesting. Can you tell me more about this problem keeping private developers engaged?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Yeah, the former Concord Naval Weapons Station is a perfect example of this. Their base closed in 2005, and they’re on their third private developer. The first developer left after labor disputes. The second developer was essentially booted by the city council. Now they have an ambitious plan for 12,000 housing units, a sports complex, even a college campus on the former site.\u003c/p>\n\u003cp>I talked to Guy Bjerke with the City of Concord about their drawn out process, and he says there are many regulatory steps they have to wait out.\u003c/p>\n\u003cp>\u003cstrong>Guy Bjerke: \u003c/strong>The need to get all of the resource permitting for wetlands and endangered species, and cultural sites right and the burial grounds. and those sorts of things. The need to work with the Navy to both monitor and facilitate how they’re cleaning up the sites so it can be turned into housing. So these are all complicated issues.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Bjerke says it’s probably going to be another 4–6 years before people see anything built above ground on the former Concord base. And again it closed 20 years ago.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>As for some of the other military sites … what are some of the plans for development there?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Well in general there’s a strong desire to create new housing on these sites, especially on the five major Navy bases like Mare Island, Alameda and Concord. Not only do these sites have a lot of acreage, but they’re also transit friendly, so they can help meet the area’s affordable housing and climate goals by keeping people where they work as opposed to commuting from Tracy.\u003c/p>\n\u003cp>There are examples of housing built on military sites. The former Hamilton Air Force Base in Novato, in Marin County, is just one example, and of course, Treasure Island.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>One note here — We’ve done some reporting on the redevelopment of the Hunters Point Naval Shipyard in San Francisco’s Bayview, another massive project in the works. The base was declared one of the nation’s most contaminated sites in 1989. The city wants to put 10,000 homes on the land … but it’s been mired in a host of cleanup controversies. The Navy has spent decades cleaning there, but the work isn’t done. There are major concerns about contaminants they may have missed, and how sea-level rise could cause deeply buried toxins to resurface. Additional clean up is planned. There’s a lot to that story, more than we can get into right now, but we’ll link to some resources in our show notes.\u003c/p>\n\u003cp>Pauline, What can we learn from the sites that have been successfully redeveloped?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Well I’m told places like the Presidio and Fort Mason have really benefited from being on national park land. They’ve had one consistent owner with steady revenue — the federal government — which can see through a long term vision for the place. For the other spaces, one proposal I heard for speeding up the development is to essentially divide the projects up so a collection of groups can move things along at the same time.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Sounds like reinventing these sites is very complicated and involves a lot of different players, but perhaps that’s not surprising.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Right … I do want to say that some people like the bases just how they are: raw, industrial, with lots of open space. History buffs for sure, and artists and makers. There’s plenty of space to create. In fact, a group of sound artists have been holding performances regularly at Mare Island for 10 years.\u003c/p>\n\u003cp>\u003cem>Sound of a crowd gathering in a big room. A voice says “Hello everybody”\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>They call the series Re:Sound … And it’s pretty experimental.\u003c/p>\n\u003cp>\u003cem>Music played with a cello\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>The day I went, a cellist named Lori Goldston from Seattle was playing … improvising of course.\u003c/p>\n\u003cp>\u003cem>Music played with a cello\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>She performed in an empty metal storage shed right on the historic dock. The giant rusty cranes were all around us. The Navy architecture was part of the show … the metal walls creaked with the breeze. The audience sat on the concrete floor, which was once covered with military supplies.\u003c/p>\n\u003cp>\u003cem>Distant birds with cello music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Many listened with their eyes closed, almost in a trance, taking in the string music and the birds in the distance.\u003c/p>\n\u003cp>Artists like Lori Goldston are among many people here who are working with the island’s rich history just as it is, while finding a new purpose for it at the same time.\u003c/p>\n\u003cp>\u003cstrong>Lori Goldston: \u003c/strong>It’s nice to see all this infrastructure being put to good use. I’ve seen a lot of empty space and wonder why there aren’t more things happening here.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>We’ll see more built on these military bases. Probably housing. But it’s going to take a while.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Pauline Bartolone, thank you!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>My pleasure.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Thanks to listener Cameron Tobey for asking the question that sparked this two-part story. And a special thanks to Matt Regan of the Bay Area Council and Mark Shorett of the Association of Bay Area Governments for their expertise.\u003c/p>\n\u003cp>Bay Curious is made in SF at member-supported KQED. Find out more about becoming a member, and supported the work of Bay Curious, at \u003ca href=\"http://kqed.org/donate\">KQED.org/donate\u003c/a>.\u003c/p>\n\u003cp>Bay Curious is made by Amanda Font, Katrina Schwartz, Christopher Beale, and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Additional Support from Jen Chien, Katie Sprenger, Maha Sanad, Holly Kernan and everyone on Team KQED. Thanks for listening!\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>\u003ca href=\"#A\">View the full episode transcript.\u003c/a>\u003c/i>\u003c/p>\n\u003cp>If you live in the Bay Area — or even just visited — chances are you’ve set foot on a former military base.\u003c/p>\n\u003cp>Most people know the Presidio, which dates back to the Spanish, and Fort Mason, which launched over a million troops into the Pacific during World War II. The sites are now a mix of commerce, open space, and homes.\u003c/p>\n\u003cp>Then there are other popular places — that you may not have known used to be old military stomping grounds — like the Bay Area Discovery Museum in Sausalito.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Other military sites have been collecting dust for decades, like Point Molate in Richmond, which is vacant and closed off to the public.\u003c/p>\n\u003cp>Bay Curious listener Cameron Tobey wanted to know why there are so many abandoned military bases in the Bay Area, and what is being done with them now (check out our other story about \u003ca href=\"https://www.kqed.org/news/12022479/why-are-there-so-many-abandoned-military-bases-in-the-bay-area\">the rise and fall of the military in the Bay Area\u003c/a>).\u003c/p>\n\u003cp>Decades after the military shuttered operations, many of these sites are mired in the drawn out process of being repurposed, redeveloped, razed and re-envisioned.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC8389321979\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>The case of Mare Island\u003c/h2>\n\u003cp>There are dozens of former military sites around the Bay Area — according to author and historian \u003ca href=\"http://drelouise.com\">Elouise Epstein\u003c/a> — and they all have their own redevelopment story.\u003c/p>\n\u003cp>The former Mare Island Naval Shipyard in Vallejo is one of several former military sites that’s still in some stage of transition. \u003ca href=\"https://www.history.navy.mil/browse-by-topic/organization-and-administration/historic-bases/mare-island.html\">Opened back in 1854\u003c/a>, it was one of the most active navy yards in the world during World War II. But in 1996, the base was closed, along with many other Bay Area sites, \u003ca href=\"https://www.kqed.org/news/12022479/why-are-there-so-many-abandoned-military-bases-in-the-bay-area\">during the Base Realignment and Closure (BRAC) process\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12023596\" class=\"wp-caption aligncenter\" style=\"max-width: 1148px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023596\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon.jpg\" alt=\"\" width=\"1148\" height=\"717\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon.jpg 1148w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon-1020x637.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Pie-Wagon-160x100.jpg 160w\" sizes=\"auto, (max-width: 1148px) 100vw, 1148px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A US Navy vehicle tows ‘pie wagons’ that carried food from the cafeterias to the individual shops to feed the workers during WW2 on Mare Island. This photograph is dated April 3, 1944. \u003ccite>(Courtesy of Mare Island Historic Park Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now, Mare Island (which is actually a peninsula) is open to the public, and spans 5,000 acres. It’s a combination of vast open space, a few hundred homes tucked away in clusters, and a handful of retail businesses. The most active area is in the warehouse district, which hosts manufacturers like high-end furniture makers and modular home builders.\u003c/p>\n\u003cp>Visitors to the island will see a post-industrial landscape with some intriguing charm. There are beautifully restored historic buildings right next to abandoned lots and randomly placed palm trees.\u003c/p>\n\u003cfigure id=\"attachment_12023741\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023741\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-2-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: The main door on Building 85 on Mare Island was expanded to remove a piece of machinery built inside in this undated archival image. Right: Inside Building 85, an old warehouse where submarines and other machines were made, sits empty on Mare Island, Vallejo, Tuesday, Jan. 14, 2025. \u003ccite>(Left: Courtesy of Mare Island Historic Park Foundation Right: David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s been this sort of hidden thing for a long, long time,” \u003cem>s\u003c/em>ays Kent Fortner, a resident, founder of the Mare Island Brewing Company, and board president of the \u003ca href=\"https://www.mihpf.org/\">Mare Island Historic Park Foundation\u003c/a>.\u003c/p>\n\u003cp>“If you have any desire to know Naval history from particularly World War I and World War II, this place makes your hair stand on end,” he said.\u003c/p>\n\u003cp>On a tour of the island, Fortner pointed out the signs of Navy life all over the place — cannons\u003cem>, \u003c/em>a giant metal anchor hidden in the bushes, an ammunition bunker and a firing range. The most impressive remnants are the huge rusty metal cranes on the main historic wharf that were used to repair and build large warships.\u003c/p>\n\u003cp>“It’s mind-boggling how large these ships were,” Fortner said.\u003c/p>\n\u003cfigure id=\"attachment_12023733\" class=\"wp-caption aligncenter\" style=\"max-width: 558px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023733\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989.jpg\" alt=\"\" width=\"558\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989.jpg 558w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Launch-of-Ship-e1737657619989-160x181.jpg 160w\" sizes=\"auto, (max-width: 558px) 100vw, 558px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The USS Chicago being prepared for launching at Mare Island, Vallejo, April 8, 1930. \u003ccite>(Courtesy of Mare Island Historic Park Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even though Navy contamination has mostly been cleaned up, and Hollywood regularly drops in (see TV shows \u003ca href=\"https://www.imdb.com/title/tt0383126/\">\u003cem>Mythbusters\u003c/em>\u003c/a>, \u003ca href=\"https://www.imdb.com/title/tt1837492/\">\u003cem>13 Reasons Why\u003c/em>\u003c/a>, and the movie \u003ca href=\"https://www.imdb.com/title/tt4701182/\">\u003cem>Bumblebee\u003c/em>\u003c/a>), the former Navy base still doesn’t have enough amenities to make it a big residential draw.\u003c/p>\n\u003cp>“I can’t say that it’s thriving right now,” said Fortner about the lack of retail businesses, modern parks and walkable neighborhoods. “I mean, converting these naval bases is so complex.”\u003c/p>\n\u003ch2>Why does it take so long to redevelop military sites?\u003c/h2>\n\u003cp>Navy shipyards like the ones on Mare Island, Hunters Point and in Concord closed decades ago. So why is it taking so long to reinvent them?\u003c/p>\n\u003cp>Regional planners and developers agree the environmental clean up from the military can take decades.\u003c/p>\n\u003cp>“The military have never been famous for their environmental stewardship,” said Matt Regan, senior vice president for public policy at the Bay Area Council. “So there’s definitely cleanup challenges, which is expensive.\u003cem>”\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the Navy left, Mare Island grappled with mercury and PCB contamination, petroleum in the soil, and underground fuel tanks.\u003c/p>\n\u003cp>The Hunters Point Naval Shipyard in San Francisco’s Bayview was declared one of the nation’s most contaminated sites in 1989. The city wants to put 10,000 homes there, but it’s been mired in a host of cleanup controversies. The Navy has spent decades cleaning there, but the work isn’t done (\u003ca href=\"https://www.kqed.org/news/12005257/the-hunters-point-cranes-legacy-is-both-majestic-and-troubling\">check out the Bay Curious episode on this\u003c/a>).\u003c/p>\n\u003cp>Soliciting public input on plans for redevelopment is another process that takes a long time. In the former Concord Naval Weapons Station’s case, that took seven years.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“We had a whole series of options and there were eight alternatives,” said Guy Bjerke, who is directing the base reuse project for the city of Concord. “So the process of developing community consensus is a challenge.”\u003c/p>\n\u003cp>A third major factor complicating the reinvention of these spaces is keeping private developers onboard.\u003c/p>\n\u003cp>Private developers assume a lot of financial risk when they take on massive naval base reuse projects, according to Mark Shorett, a principal regional planner with the Association of Bay Area Governments and Metropolitan Transportation Commission (ABAG/MTC).\u003c/p>\n\u003cp>Developers often pay for and install basic infrastructure like sewer, water and electricity for these sites, before they even start building “vertical” infrastructure like buildings. Because the environmental cleanup, community input process and regulatory processes take many years, developers may decide it doesn’t “pencil out” — and then walk away.\u003c/p>\n\u003cp>“They’re trying to create a profitable project and in some cases it’s very challenging for them to do that in the context of a long-range plan,” Shorett said.\u003c/p>\n\u003cp>And he points out that in other countries private developers don’t typically get involved in the creation of infrastructure.\u003c/p>\n\u003cfigure id=\"attachment_12023761\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023761\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed.jpg\" alt=\"\" width=\"2000\" height=\"1331\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/038_KQED_BaykeeperBayviewHuntersPoint_03082022_qed-1920x1278.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Abandoned buildings at the Hunters Point Naval Shipyard in San Francisco on March 8, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12023764\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12023764\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-3-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: An abandoned building at the Hunters Point Naval Shipyard in San Francisco on March 8, 2022. Right: Apartment buildings in the Bayview sit behind the Hunters Point Naval Shipyard in San Francisco on March 8, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Concord base reuse project is, again, an example of incurring delays because of trouble with developers.\u003c/p>\n\u003cp>Their base closed in 2005, and the site is now working with its third developer. The first company left after labor disputes. The second one was essentially dismissed by the city council. The current reuse plan includes 12,000 housing units, a sports complex and a college campus.\u003c/p>\n\u003cp>“Finding a master developer who is willing to meet community expectations around how the project should develop [has] been a complicated process,” said Bjerke, adding that it will probably be another four to six years before anything is built above ground in Concord.\u003c/p>\n\u003ch2>Is there a larger vision connecting different military sites?\u003c/h2>\n\u003cp>There’s a strong desire to create new housing on the Bay Area’s former military sites, especially the Navy bases, according to Shorett with ABAG/MTC, the planning agency for the Bay Area’s 101 cities. Not only are these sites valuable because of their sheer size, but because they’re transit friendly. They can help meet the area’s affordable housing and climate goals by keeping people where they work.\u003c/p>\n\u003cp>Housing has already successfully been built on former bases. Treasure Island was once Navy stomping grounds and now has a lot of apartments, with more on the way.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.novato.org/our-town/hamilton-field#:~:text=Constructed%20in%20the%20early%201930's,open%20space%2C%20and%20civic%20uses.\">new residential community on the former Hamilton Air Force Base in Novato\u003c/a> is another example.\u003c/p>\n\u003cp>Shorett said the redevelopment success at the Presidio and Fort Mason have no doubt been related to the fact that they’re on national park land.\u003c/p>\n\u003cp>“The federal government is able to continue to be involved over the long term with less constraints around needing to make a profit,” said Shorett.\u003c/p>\n\u003cp>He said one way to speed up development on some of these naval sites is to divide up big parcels of land so all the financial risk doesn’t fall on one developer. That way, multiple agencies can move forward with different projects at the same time.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC1512985227\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>Artists are using the abandoned spaces\u003c/h2>\n\u003cp>While regional planners are eyeing the former military sites for housing, other people like them just how they are. History buffs, artists and makers like them raw, industrial, with lots of open space to create.\u003c/p>\n\u003cp>“We find ourselves pretty at home here,” said Kevin Corcoran, one of the founders of \u003ca href=\"https://www.re-sound.net/new-events-1\">Re: Sound\u003cem>, \u003c/em>a group of experimental sound artists\u003c/a> that have been holding performances at Mare Island for 10 years.\u003c/p>\n\u003cp>Recently, a cellist from Seattle, Lori Goldston, played in an empty metal storage shed right on the historic dock, surrounded by giant rusty cranes.\u003c/p>\n\u003cp>She is just one of many people here who have found a new purpose for the historic navy architecture.\u003c/p>\n\u003cp>“It’s nice to see all this infrastructure being put to good use,” she said. “I’ve seen a lot of empty space and wonder why there aren’t more things happening here\u003cem>.\u003c/em>”\u003c/p>\n\u003cp>While it might seem like the sprawling military bases found throughout the Bay Area are just sitting, in reality many of them are making their way through some kind of redevelopment process. But cleaning up after the military takes time. We’ll likely see more built on these sites — probably housing — but it’s going to take a while.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca id=\"A\">\u003c/a>Episode Transcript:\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Hey everyone. This is Olivia Allen-Price. And last week on Bay Curious, we heard all about how the Bay Area went from military powerhouse to being left with dozens of vacant facilities. All to answer this question from listener Cameron Tobey…\u003c/p>\n\u003cp>\u003cstrong>Cameron Tobey: \u003c/strong>Why are there so many abandoned military bases around the Bay Area? And what’s the future plans for these bases?\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> If you didn’t hear the episode, go give it a listen. It gets into the rise and fall of the military presence here. Today, we’re focusing on the future — what’s next for these spaces? Cameron is especially interested in if they can be used for housing.\u003c/p>\n\u003cp>\u003cstrong>Cameron Toby: \u003c/strong>You have a lot of abandoned homes in these. Do they plan on redeveloping those homes? Cuz we’re in desperate need of housing here in the Bay Area.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Today we’ll see how some old military sites are being repurposed, redeveloped, razed and re-envisioned. Sometimes in really creative ways.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone speaking on site during a musical performance at Mare Island: \u003c/strong>Here we go, we’re going to walk inside this warehouse where the performance is going to be…\u003c/p>\n\u003cp>\u003cem>Sound of cello music reverberating in an old military building made of metal\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>We’re also going to delve into why decades after the armed forces left, many of these spaces are still stuck in the long process of reinventing themselves.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>I don’t think anybody has a playbook for this. I mean, converting these naval bases is so complex…\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That’s all ahead on Bay Curious. Just after the break.\u003c/p>\n\u003cp>\u003cem>Sponsor Message Break\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Here to help us look at what is happening at the decommissioned military sites around the Bay Area is Pauline Bartolone. Welcome, Pauline!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone:\u003c/strong> Hey Olivia. Great to be here!\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So, before we dive in, let’s acknowledge that there are dozens of former military sites around the Bay Area, and they all have their own story in terms of being redeveloped. So we’re going to talk about a few of them specifically, and then also broader trends.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Right! Some of these military sites are relatively small, like a swath of World War II barracks, and others are huge Navy bases covering several square miles. Chances are you’ve probably set foot on one without even realizing it.\u003c/p>\n\u003cp>Many people know the Presidio, and Fort Mason in San Francisco, which is now a mix of commercial, open space, and homes. There are other popular places like the Bay Area Discovery Museum in Sausalito, which is on a former army site. But then places mostly closed off to the public, like Point Molate in Richmond, which looks like it’s been collecting dust for decades.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So some of these sites have been successfully redeveloped?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Yeah. Another would be Treasure Island. It was once Navy stomping grounds and now has a lot of apartments, with more on the way. Way more. But a lot of the spots I learned about were very much in some stage of transition. Especially the former big Navy bases, like Mare Island in Vallejo.\u003c/p>\n\u003cp>You heard a lot about the Mare Island Naval Shipyard on the last episode. It opened more than 150 years ago, just after the Gold Rush, and was one of the most active Navy yards in the world during World War II. But 30 years ago, the Navy stopped maintaining ships and submarines there.\u003c/p>\n\u003cp>The contamination from the Navy has mostly been cleaned up, but it hasn’t really taken shape as a new viable, residential community. The whole swath of land, which by the way is actually a peninsula … long story … is about 5000 acres.\u003c/p>\n\u003cp>\u003cem>Ambiance from the base fades up\u003c/em>\u003c/p>\n\u003cp>Right now, there are just a few hundred homes there, a handful of retail businesses and a pretty active industrial sector. Anyone who takes a tour of it — which I did, it’s open to the public — will see it’s an eclectic mix of revitalization, and decay. But it has an intriguing charm. It’s a vast post-industrial landscape with beautifully restored historic buildings, right next to abandoned lots and warehouses.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>It’s been this sort of hidden thing for a long, long time.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Kent Fortner is a perfect person to show me around. He’s a resident, and a business owner here. He converted an old Navy coal shed and turned it into the Mare Island Brewing Company. When he’s not brewing beer, he’s researching the area’s history through the local historic association.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>if you have any desire to know naval history from particularly World War I and World War II, this place makes your hair stand on end…\u003c/p>\n\u003cp>\u003cem>Sound of car door slamming\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>So we’ll drive through the old officers road down here…\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>The residential neighborhoods are mostly tucked away in a couple of clusters. So you can drive for a block or two and see nothing but pavement on each side, then, a randomly placed palm tree. Actually, the trees here are a sight to see. Apparently the Navy collected saplings from all over the world.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>Arborists from all over come to look at all of this.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>There are more signs of Navy life all over the place. Kent pointed a lot of them out during our drive. Like cannons…\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>The cannons you see over here…\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>And giant metal anchors taller than most of us.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>…Hidden in the bushes over here.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>An ammunition bunker and a firing range…\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>There’s still bullet casings and potentially unexploded bullets in the soil. So that needs to be cleaned up.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Then, an old Navy hospital that specialized in lost limbs.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>This is where you came to get your prosthetic fixed.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>But the most glaring remnants of the Navy are the huge rusty metal cranes on the main historic wharf. There’s a row of them — towering several stories high, with massive empty concrete dry dock for the ships below.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>Those are cranes that can lift incredible amounts of weight and that’s how they would assemble the ships back in the day … it’s mind boggling how large these ships were.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>A number of Hollywood producers have been drawn in by the patchwork of landscapes here, using Mare Island as a backdrop for movies and TV shows.\u003c/p>\n\u003cp>\u003cem>Movie sound effect of robot transforming\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Like \u003cem>Bumblebee\u003c/em>, the transformer movie.\u003c/p>\n\u003cp>\u003cem>Clip from \u003c/em>13 Reasons Why\u003cem>: “Omg … What are you?”\u003c/em>\u003c/p>\n\u003cp>And the more quiet teenage thriller, \u003cem>13 Reasons Why\u003c/em> on Netflix.\u003c/p>\n\u003cp>\u003cem>Clip from \u003c/em>13 Reasons Why\u003cem>: Voice 1 “I’m not going, not now, not ever.” Voice 2: “Why didn’t you say this to me when I was alive?”\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>But it’s not all military ruins. There are signs of rebirth too. Touro University bought the Navy hospital and holds classes there. Dozens of manufacturing-type businesses have set up here — high end furniture makers, modular home builders, and alcohol entrepreneurs, like Kent. But in terms of amenities for everyday living, like stores, modern parks and walkable neighborhoods … the former military base is not there.\u003c/p>\n\u003cp>\u003cstrong>Kent Fortner: \u003c/strong>I can’t say that it’s thriving right now. But we’re in this weird seam between when all the cleanup had to get done and when the new stuff is all going to start getting developed.\u003c/p>\n\u003cp>\u003cem>Music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>So Pauline … the Mare Island Navy Shipyard closed back in the mid 1990s. Other bases also closed decades ago. Why does it take so long to reinvent them?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Well I talked to regional planners, developers and city officials and heard some common things.\u003c/p>\n\u003cp>Number one is there is just a lot of environmental clean up to do on military sites. In Mare Island’s case, things like mercury, petroleum, underground fuel tanks, PCBs (those are chemicals in electrical equipment that were banned in the ’70s.) And this clean up takes a really long time. Like decades. Mare island’s not fully done with it.\u003c/p>\n\u003cp>Another process that takes a long time is public input to come up with a new plan for the site. In one case I heard, that took 7 years.\u003c/p>\n\u003cp>And a third factor is, it’s hard to keep private developers in the game. The developers are for-profit, and they assume a lot of risk and front-end costs in these massive projects. They take on basic infrastructure like sewer, water and electricity for these sites. They have to prove to their shareholders that the project will “pencil out” over a long period. One regional planner I talked to says the amount of investment private developers take on in these projects is pretty unique to the U.S. — he says in other countries the private sector wouldn’t be as involved at the infrastructure stage.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>That’s interesting. Can you tell me more about this problem keeping private developers engaged?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Yeah, the former Concord Naval Weapons Station is a perfect example of this. Their base closed in 2005, and they’re on their third private developer. The first developer left after labor disputes. The second developer was essentially booted by the city council. Now they have an ambitious plan for 12,000 housing units, a sports complex, even a college campus on the former site.\u003c/p>\n\u003cp>I talked to Guy Bjerke with the City of Concord about their drawn out process, and he says there are many regulatory steps they have to wait out.\u003c/p>\n\u003cp>\u003cstrong>Guy Bjerke: \u003c/strong>The need to get all of the resource permitting for wetlands and endangered species, and cultural sites right and the burial grounds. and those sorts of things. The need to work with the Navy to both monitor and facilitate how they’re cleaning up the sites so it can be turned into housing. So these are all complicated issues.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Bjerke says it’s probably going to be another 4–6 years before people see anything built above ground on the former Concord base. And again it closed 20 years ago.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>As for some of the other military sites … what are some of the plans for development there?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Well in general there’s a strong desire to create new housing on these sites, especially on the five major Navy bases like Mare Island, Alameda and Concord. Not only do these sites have a lot of acreage, but they’re also transit friendly, so they can help meet the area’s affordable housing and climate goals by keeping people where they work as opposed to commuting from Tracy.\u003c/p>\n\u003cp>There are examples of housing built on military sites. The former Hamilton Air Force Base in Novato, in Marin County, is just one example, and of course, Treasure Island.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>One note here — We’ve done some reporting on the redevelopment of the Hunters Point Naval Shipyard in San Francisco’s Bayview, another massive project in the works. The base was declared one of the nation’s most contaminated sites in 1989. The city wants to put 10,000 homes on the land … but it’s been mired in a host of cleanup controversies. The Navy has spent decades cleaning there, but the work isn’t done. There are major concerns about contaminants they may have missed, and how sea-level rise could cause deeply buried toxins to resurface. Additional clean up is planned. There’s a lot to that story, more than we can get into right now, but we’ll link to some resources in our show notes.\u003c/p>\n\u003cp>Pauline, What can we learn from the sites that have been successfully redeveloped?\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Well I’m told places like the Presidio and Fort Mason have really benefited from being on national park land. They’ve had one consistent owner with steady revenue — the federal government — which can see through a long term vision for the place. For the other spaces, one proposal I heard for speeding up the development is to essentially divide the projects up so a collection of groups can move things along at the same time.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Sounds like reinventing these sites is very complicated and involves a lot of different players, but perhaps that’s not surprising.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Right … I do want to say that some people like the bases just how they are: raw, industrial, with lots of open space. History buffs for sure, and artists and makers. There’s plenty of space to create. In fact, a group of sound artists have been holding performances regularly at Mare Island for 10 years.\u003c/p>\n\u003cp>\u003cem>Sound of a crowd gathering in a big room. A voice says “Hello everybody”\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>They call the series Re:Sound … And it’s pretty experimental.\u003c/p>\n\u003cp>\u003cem>Music played with a cello\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>The day I went, a cellist named Lori Goldston from Seattle was playing … improvising of course.\u003c/p>\n\u003cp>\u003cem>Music played with a cello\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>She performed in an empty metal storage shed right on the historic dock. The giant rusty cranes were all around us. The Navy architecture was part of the show … the metal walls creaked with the breeze. The audience sat on the concrete floor, which was once covered with military supplies.\u003c/p>\n\u003cp>\u003cem>Distant birds with cello music\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>Many listened with their eyes closed, almost in a trance, taking in the string music and the birds in the distance.\u003c/p>\n\u003cp>Artists like Lori Goldston are among many people here who are working with the island’s rich history just as it is, while finding a new purpose for it at the same time.\u003c/p>\n\u003cp>\u003cstrong>Lori Goldston: \u003c/strong>It’s nice to see all this infrastructure being put to good use. I’ve seen a lot of empty space and wonder why there aren’t more things happening here.\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>We’ll see more built on these military bases. Probably housing. But it’s going to take a while.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Pauline Bartolone, thank you!\u003c/p>\n\u003cp>\u003cstrong>Pauline Bartolone: \u003c/strong>My pleasure.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price: \u003c/strong>Thanks to listener Cameron Tobey for asking the question that sparked this two-part story. And a special thanks to Matt Regan of the Bay Area Council and Mark Shorett of the Association of Bay Area Governments for their expertise.\u003c/p>\n\u003cp>Bay Curious is made in SF at member-supported KQED. Find out more about becoming a member, and supported the work of Bay Curious, at \u003ca href=\"http://kqed.org/donate\">KQED.org/donate\u003c/a>.\u003c/p>\n\u003cp>Bay Curious is made by Amanda Font, Katrina Schwartz, Christopher Beale, and me, Olivia Allen-Price.\u003c/p>\n\u003cp>Additional Support from Jen Chien, Katie Sprenger, Maha Sanad, Holly Kernan and everyone on Team KQED. Thanks for listening!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>President-elect Donald Trump said Saturday that he will “most likely” give TikTok a 90-day reprieve from \u003ca href=\"https://www.npr.org/2025/01/17/nx-s1-5258396/supreme-court-upholds-tiktok-ban\">a looming ban\u003c/a> once he assumes office on Monday.\u003c/p>\n\u003cp>“I think that would be, certainly, an option that we look at,” Trump said in \u003ca href=\"https://www.nbcnews.com/politics/donald-trump/trump-likely-give-tiktok-90-day-extension-avoid-ban-rcna188258\">an interview\u003c/a> on NBC News’ \u003cem>Meet The Press \u003c/em>with Kristen Welker.\u003c/p>\n\u003cp>But inside TikTok, the short-term focus is on 12:01 a.m. Sunday — when the ban under law officially takes effect. It is set to force Apple and Google to remove TikTok from app stores, as well as require TikTok’s web-hosting companies, including Oracle and Amazon Web Services, to sever ties with the app.\u003c/p>\n\u003cp>Failing to comply with the law carries stiff financial penalties: Up to $5,000 per user for companies supporting TikTok, fines that can easily reach into the billions of dollars given the size of the app’s U.S. userbase.\u003c/p>\n\u003cp>Late on Friday, TikTok announced it “will be forced to go dark” on Sunday unless the Biden administration guarantees it will not start issuing fines to firms supporting the app.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In response, White House press secretary Karine Jean-Pierre derided the statement as “a stunt,” saying the Biden administration believes neither TikTok nor other companies backing TikTok need to take any action.\u003c/p>\n\u003cp>“We have laid out our position clearly and straightforwardly: actions to implement this law will fall to the next administration. So TikTok and other companies should take up any concerns with them,” Jean-Pierre said.\u003c/p>\n\u003cp>A spokesman for TikTok did not return a request for comment on Saturday. It is unclear if Jean-Pierre’s assurance is enough for TikTok to back off its promise of taking the service dark early Sunday.\u003c/p>\n\u003cp>No matter how it plays out, Sunday will mark the first time ever the U.S. has had a law banning a social media app domestically. Rights advocates have argued it undermines America’s ability to push against censorship and to advocate for free expression on the global stage.\u003c/p>\n\u003ch2>Uncertainty for TikTok follows Supreme Court decision upholding ban law\u003c/h2>\n\u003cp>President Biden punting enforcement of the law, which bans TikTok nationwide unless the service divests from its China-based parent company, ByteDance, follows the president \u003ca href=\"https://www.npr.org/2024/04/24/1246663779/biden-ban-tiktok-us\">signing the law\u003c/a> in April.\u003c/p>\n\u003cp>Congress advanced the law to Biden’s desk with overwhelming bipartisan support, a reflection of how TikTok’s Chinese ownership has made the app a pariah in Washington. Lawmakers fear the Chinese Community Party could use the app to spy on Americans, or push dangerous disinformation — even if concrete evidence of that happening now has never been cited by TikTok’s critics.[aside label=\"Related Stories\" postID=\"news_12022673,arts_13970457,news_12021209\"]TikTok challenged the law as an infringement of millions of Americans’ free speech rights, but it lost in court. On Friday, a final legal judgement was entered when the U.S. \u003ca href=\"https://www.npr.org/2025/01/17/nx-s1-5258396/supreme-court-upholds-tiktok-ban\">Supreme Court upheld the law\u003c/a>.\u003c/p>\n\u003cp>The law provides the option of the president issuing a one-time 90-day pause, but only if the president can demonstrate that “significant progress” has been made toward a potential sale, or severing of TikTok’s connection to ByteDance.\u003c/p>\n\u003cp>While many bidders have stepped forward claiming to be interested in acquiring TikTok, ByteDance’s official position has long been that TikTok is not for sale. But China experts say that could change given the pressure the ban places on ByteDance.\u003c/p>\n\u003cp>During the Supreme Court arguments, justices asked whether it is even possible to extend a law for 90 days even after the law starts.\u003c/p>\n\u003cp>“I think it tees up a statutory interpretation question,” responded U.S. Solicitor General Elizabeth Prelogar. “I’m not prepared to take a position on that.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR’s Emma Bowman contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In response, White House press secretary Karine Jean-Pierre derided the statement as “a stunt,” saying the Biden administration believes neither TikTok nor other companies backing TikTok need to take any action.\u003c/p>\n\u003cp>“We have laid out our position clearly and straightforwardly: actions to implement this law will fall to the next administration. So TikTok and other companies should take up any concerns with them,” Jean-Pierre said.\u003c/p>\n\u003cp>A spokesman for TikTok did not return a request for comment on Saturday. It is unclear if Jean-Pierre’s assurance is enough for TikTok to back off its promise of taking the service dark early Sunday.\u003c/p>\n\u003cp>No matter how it plays out, Sunday will mark the first time ever the U.S. has had a law banning a social media app domestically. Rights advocates have argued it undermines America’s ability to push against censorship and to advocate for free expression on the global stage.\u003c/p>\n\u003ch2>Uncertainty for TikTok follows Supreme Court decision upholding ban law\u003c/h2>\n\u003cp>President Biden punting enforcement of the law, which bans TikTok nationwide unless the service divests from its China-based parent company, ByteDance, follows the president \u003ca href=\"https://www.npr.org/2024/04/24/1246663779/biden-ban-tiktok-us\">signing the law\u003c/a> in April.\u003c/p>\n\u003cp>Congress advanced the law to Biden’s desk with overwhelming bipartisan support, a reflection of how TikTok’s Chinese ownership has made the app a pariah in Washington. Lawmakers fear the Chinese Community Party could use the app to spy on Americans, or push dangerous disinformation — even if concrete evidence of that happening now has never been cited by TikTok’s critics.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>TikTok challenged the law as an infringement of millions of Americans’ free speech rights, but it lost in court. On Friday, a final legal judgement was entered when the U.S. \u003ca href=\"https://www.npr.org/2025/01/17/nx-s1-5258396/supreme-court-upholds-tiktok-ban\">Supreme Court upheld the law\u003c/a>.\u003c/p>\n\u003cp>The law provides the option of the president issuing a one-time 90-day pause, but only if the president can demonstrate that “significant progress” has been made toward a potential sale, or severing of TikTok’s connection to ByteDance.\u003c/p>\n\u003cp>While many bidders have stepped forward claiming to be interested in acquiring TikTok, ByteDance’s official position has long been that TikTok is not for sale. But China experts say that could change given the pressure the ban places on ByteDance.\u003c/p>\n\u003cp>During the Supreme Court arguments, justices asked whether it is even possible to extend a law for 90 days even after the law starts.\u003c/p>\n\u003cp>“I think it tees up a statutory interpretation question,” responded U.S. Solicitor General Elizabeth Prelogar. “I’m not prepared to take a position on that.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR’s Emma Bowman contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "things-to-do-in-the-bay-area-families-events-live-music-listings-newsletters",
"title": "Free Things to Do in the Bay Area: Bookmark These Sites and Newsletters",
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"content": "\u003cp>Was “getting out more” one of your resolutions for 2025? Thinking about how to keep this resolution? Good news: in the Bay Area, you’ll never run out of things to do when San Francisco, Oakland, San José and everywhere in between offer \u003ca href=\"https://www.kqed.org/thedolist\">concerts, art shows, family activities and more\u003c/a> virtually every day.\u003c/p>\n\u003cp>But how do you know exactly \u003cem>when \u003c/em>all these things are happening? And how do you find what’s low-cost or free? (Especially when scrolling through social media may now only be showing you \u003ca href=\"https://dl.acm.org/doi/10.1145/3687046\">content that you’re already familiar with\u003c/a> rather than giving you new ideas for local goings-on?)\u003c/p>\n\u003cp>Luckily, Bay Area residents have been using the Internet to circulate information about free local events way before social media was even invented — after all, \u003ca href=\"https://www.indybay.org/newsitems/2005/03/11/17262451.php\">independent media collective IndyBay got its start in the year 2000\u003c/a>. And 25 years later, this tradition of online event listings is going strong.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-in-the-bay-area\">The Bay Area’s classic listings sites\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#live-music-bay-area\">Live music in the Bay Area\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-for-families-bay-area\">Events for families in the Bay Area\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#art-shows-bay-area\">Arts and culture events in the Bay Area\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Keep reading for our collection of Bay Area social calendars for you to browse and consult for your next day (or night) out — with a focus on those with newsletters so you can keep up with all the happenings in your inbox.\u003c/p>\n\u003cfigure id=\"attachment_12022557\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022557\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Helen Yool and Jacky Romano at the Under the Bay gallery at the Aquarium of the Bay in San Francisco on March 4, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"things-to-do-in-the-bay-area\">\u003c/a>The Bay Area’s classic event listing sites\u003c/strong>\u003c/h2>\n\u003cp>You know the scene: It’s your day off, you head over to the park to chill, and as soon as you get there, a huge event is taking place … that you had no idea about. If you’ve been left thinking, ‘How did all these people know this was happening and not me?’ you’re not alone. Folks organize very quickly in the Bay Area, but there are several places online that always have details about the biggest free events in the region:\u003c/p>\n\u003cp>\u003ca href=\"https://sf.funcheap.com/free-events/\">\u003cstrong>FunCheapSF\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Now in its 22nd year, FunCheapSF is one of the most reliable places to find free museum days, cheap concert tickets and event-free ticket giveaways. Despite the name, FunCheapSF has info about events all over the Bay.\u003c/p>\n\u003cp>\u003cem>Newsletter: Find the FunCheapSF newsletter sign-up link on the right side of the page.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12063214\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12063214 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Rodrigo performs during her “Guts” World Tour at the Chase Center in San Francisco on August 2, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.indybay.org/calendar/?page_id=12\">\u003cstrong>IndyBay\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A place with deep connections to the region’s organizing spaces, IndyBay also has a very detailed calendar of free workshops, teach-ins and family-friendly activities with a social focus.\u003c/p>\n\u003cp>\u003cem>Newsletter: Yes, although \u003c/em>\u003ca href=\"https://lists.riseup.net/www/subscribe/indybay-news\">\u003cem>an additional sign-up to riseup.net is required\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://sf-events.brokeassstuart.com/\">\u003cstrong>Broke-Ass Stuart\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>[aside postID=news_11979339 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/03/GettyImages-1244474782_qut-1038x576.jpg']\u003c/p>\n\u003cp>What began in the 2000s as a zine from Stuart Schuffman, alias Broke-Ass Stuart, is now one of the best places online to find concerts and nightlife events in the Bay Area.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://brokeassstuart.com/stuart-2/\">\u003cem>Sign up for the Broke-Ass Stuart newsletter\u003c/em>\u003c/a>\u003cem> on his site.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12034579\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Conservatory of Flowers in San Francisco’s Golden Gate Park. \u003ccite>(Lisa Aliferis/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://bartable.bart.gov/\">\u003cstrong>BARTable\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A collection of both events and year-round activities that — you guessed it — are all reachable by BART. Everything included is either free or low-cost.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://bartable.bart.gov/\">\u003cem>Sign up for the BARTable This Week newsletter\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://oaklandside.org/events/\">\u003cstrong>Oaklandside\u003c/strong>\u003c/a>\u003cstrong> and \u003c/strong>\u003ca href=\"https://richmondside.org/events/\">\u003cstrong>Richmondside\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>These two local news publications are always updating their events calendar, which includes both journalism-focused events but also fun activities for both families, seniors and young people.\u003c/p>\n\u003cp>\u003cem>Newsletter: You can sign up for \u003c/em>\u003ca href=\"https://oaklandside.org/newsletters/\">\u003cem>Oaklandside’s newsletter\u003c/em>\u003c/a>\u003cem> or \u003c/em>\u003ca href=\"https://richmondside.org/newsletters/\">\u003cem>Richmond’s newsletter\u003c/em>\u003c/a>\u003cem> (or both.)\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12022560\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Children go down a concrete slide at Youngblood Colman Community Learning Hub in San Francisco on Dec. 10, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/events\">\u003cstrong>KQED Live\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Of course, we have to highlight the work done by the KQED Live Events team. Free and low-cost events, many of them featuring KQED journalists, are held throughout the year at both KQED headquarters in San Francisco and throughout the Bay Area.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters\">\u003cem>Sign up for the KQED Live newsletter\u003c/em>\u003c/a>\u003cem> to receive advance notice of events.\u003c/em>\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"live-music-bay-area\">\u003c/a>More live music, please\u003c/strong>\u003c/h2>\n\u003cp>The Bay Area does \u003cem>not \u003c/em>lack a live music scene, and you may even find your new favorite band performing at a small bar somewhere in Solano County or a plaza in the middle of San José. Since everything is happening everywhere — all at once — keep yourself organized with these sites and listings.\u003c/p>\n\u003cfigure id=\"attachment_12022561\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022561\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Arias, 12, sings along with Mexican American singer-songwriter DannyLux as he performs during his ‘Tour of Lux’ at the Regency Ballroom in San Francisco on Wednesday, May 1, 2024. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.sfstation.com/calendar/bay-area/free-events\">\u003cstrong>SF Station\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>What began as a site to promote local artists in 1996 keeps going strong. These listings contain free concerts, details on how to enter contests for free tickets and other cool stuff too, like community service events, wine dinners and workshops.\u003c/p>\n\u003cp>\u003ca href=\"http://www.foopee.com/punk/the-list/\">\u003cstrong>The List\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>In almost 30 years, this website’s format has been updated only a handful of times. But don’t be fooled by its lo-fi look: The List is incredibly thorough, curated by Steve Koepke with details for punk and rock concerts for almost every venue and bar in the Bay Area and Santa Cruz area. It’s also helpful for keeping up with emerging local musicians. You can also \u003ca href=\"https://stevelist.com/\">subscribe to Koepke’s List via email. \u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12022562\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022562\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An attendee of the Cyndi Lauper concert looks up at the crowd during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://latinbayarea.com/\">\u003cstrong>LatinBayArea\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A site that mostly highlights concerts featuring both established and rising stars in Latin music and also includes \u003ca href=\"https://latinbayarea.com/events/category/free/\">a free events section\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://dothebay.com/\">\u003cstrong>DoTheBay\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Mostly focused on nightlife and parties, DoTheBay also has \u003ca href=\"https://dothebay.com/free\">a free events section\u003c/a>, along with plenty of promotions for free or discounted tickets to big concerts.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/thedolist\">\u003cstrong>KQED Arts: The To-Do List\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>The Arts team interviews Bay Area artists as they tour the region or release new music. Around-the-year concert and festival coverage complemented by great journalism.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters\">\u003cem>Sign up for the KQED Arts & Culture newsletter.\u003c/em>\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12022565\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022565\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ariel Thomas (left) and her 5-year-old daughter Aurora Duarte soak in The Offspring’s performance from the front row of the Verizon Stage at BottleRock Napa Valley festival on Sunday, May 26, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"things-to-do-for-families-bay-area\">\u003c/a>Events for Bay Area families\u003c/strong>\u003c/h2>\n\u003cp>Sometimes, the newsletter with details about the latest club or rave just isn’t going to work with the 7-year-old. But no worries: there are sites keeping track of events for infants, older kids and teens. And even KQED \u003ca href=\"https://www.kqed.org/newsletters/kid-friendly-kqed\">has its own monthly newsletter full of programming for families: Kid Friendly\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://bayareaparent.com/event-calendar/#/\">\u003cstrong>Bay Area Parent\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Created, read and shared by parents across the nine-county Bay Area, BAP is a great resource for planning your family’s week — and comes with great family-focused reporting as well.\u003c/p>\n\u003cp>Newsletter: You can sign up \u003ca href=\"https://www.bayareaparent.com/subscribe/\">for several subscriptions Bay Area Parent has\u003c/a>, including newsletters for Editors’ top picks, promotions and special offers.\u003c/p>\n\u003cfigure id=\"attachment_12022566\" class=\"wp-caption aligncenter\" style=\"max-width: 1988px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022566\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed.jpg\" alt=\"\" width=\"1988\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed.jpg 1988w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-1020x684.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-1536x1030.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-1920x1287.jpg 1920w\" sizes=\"auto, (max-width: 1988px) 100vw, 1988px\">\u003cfigcaption class=\"wp-caption-text\">Children play under a giant parachute at Lincoln Square Park in Oakland on Friday, May 24, 2024. Last year, the city of Oakland introduced their ‘Ready, Set, Go’ vehicle, an RV converted into a Head Start classroom, which travels to homeless shelters, providing educational and social services to families experiencing housing instability. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.bayareakidfun.com/family-friendly-events-in-the-bay-area/\">\u003cstrong>Bay Area Kid Fun\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Storytime, soccer, family-friendly marches and more can be found on this listings site, which particularly boasts a lot of events for folks in the South Bay and on the Peninsula.\u003c/p>\n\u003cp>\u003ca href=\"https://www.510families.com/calendar/\">\u003cstrong>510families\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Are you an Alameda or Contra Costa County family? Keep this website close. 510families’ listings are especially helpful for families with younger kids.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"art-shows-bay-area\">\u003c/a>Arts and culture event listings in the Bay Area\u003c/strong>\u003c/h2>\n\u003cp>Missed \u003ca href=\"https://www.kqed.org/news/11943906/how-to-find-free-museum-tickets-in-the-bay-area\">a free museum day\u003c/a>? Want to learn more about photography but don’t know where to start?\u003c/p>\n\u003cp>Not only is the Bay full of creative talent, it’s also full of people working hard to make sure you check out their work — and below are just of few of these arts and culture listings in the Bay:\u003c/p>\n\u003cfigure id=\"attachment_12022567\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022567\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Southern Exposure art gallery polling place in San Francisco on Nov. 3, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.bayartagenda.com/\">\u003cstrong>Bay Art Agenda\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Bookmark this one just in time for San Francisco Art Week (which \u003ca href=\"https://www.eventbrite.com/e/sf-art-week-kickoff-party-at-ica-sf-tickets-1127100210069?aff=ehometext\">kicks off on Jan. 18\u003c/a>). The Bay Area Art Agenda includes gallery openings, free showings and plenty of community activities.\u003c/p>\n\u003cp>\u003ca href=\"https://docs.google.com/document/d/1EPuQY0pmQEolKP1764UwgB1sXGJw6oG72_rZL4D9nhk/edit?tab=t.0\">\u003cstrong>Bay Area Art Happenings\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/author/shotchkiss\">KQED Arts’ very own Sarah Hotchkiss\u003c/a> maintains an annual list of gallery openings and closings, with opportunities to meet artists and see in person what the Arts team reports on — which you can keep up with by bookmarking KQED Arts’ \u003ca href=\"https://www.kqed.org/thedolist\">\u003cstrong>The Do List\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfarts.org/calendar/?experiences=Free\">\u003cstrong>SF/Arts Free Calendar\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A must-have listing resource from SF/Arts magazine, full of film screenings, author talks and performances.\u003c/p>\n\u003cp>\u003cem>Newsletter: You can sign up at the bottom of the \u003c/em>\u003ca href=\"https://www.sfarts.org/calendar\">\u003cem>calendar page\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12022568\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022568\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">View from the SkyStar Observation Wheel of the de Young Museum in Golden Gate Park on March 4, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://eltecolote.org/content/en/newsletter/\">\u003cstrong>Acción Latina and El Tecolote\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>El Tecolote is one of the oldest bilingual newspapers in the country and its Calendario section has been keeping up with some of the biggest events targeted to the Latino community for decades, including rallies, teach-ins and family cultural events.\u003c/p>\n\u003cp>\u003cem>Newsletter: You can sign up \u003c/em>\u003ca href=\"https://eltecolote.org/content/en/newsletter/\">\u003cem>for the newsletter from El Tecolote’s parent organization, Acción Latina\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>SFGate’s \u003c/strong>\u003ca href=\"https://www.sfgate.com/sf-culture/article/sf-underrated-venue-closes-10-20025871.php\">\u003cstrong>Fogcutter\u003c/strong>\u003c/a>\u003cstrong> column\u003c/strong>\u003c/p>\n\u003cp>SFGate began \u003ca href=\"https://www.sfgate.com/sf-culture/article/sf-underrated-venue-closes-10-20025871.php\">Fogcutter\u003c/a> as a weekly column “tracking the coolest events in the Bay Area,” from concerts and restaurants to hikes, bars and comedy.\u003c/p>\n\u003cfigure id=\"attachment_12022569\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Members of the DIY Museum meet at the Crisis Club Gallery in Oakland on July 23, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>And don’t forget … your local library\u003c/strong>\u003c/p>\n\u003cp>While it may feel like many events are focused around big cities, remember that your local library is also home to often fantastic programming that highlights local writers and artists.\u003c/p>\n\u003cp>For example, check out all the free events planned for this month at \u003ca href=\"https://events.sonomalibrary.org/events/month\">Sonoma County Library\u003c/a>, which has branches all over the county. You’ll also likely find events listed on posters on your library’s lobby pinboard.\u003c/p>\n\u003cfigure id=\"attachment_12022571\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022571\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Mychal Threets works organizing and displaying books in the children’s section of the Fairfield Civic Center Library in Fairfield on Oct. 19, 2023. Right: King Art Babe reads the book ‘This Day in June’ to children and parents during a Drag Queen Story Hour event at the Castro Valley Library in Castro Valley on Tuesday, June 21, 2022. \u003ccite>(Left: Martin do Nascimento/KQED, right: Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n",
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"title": "Free Things to Do in the Bay Area: Bookmark These Sites and Newsletters | KQED",
"description": "Was “getting out more” one of your resolutions for 2025? Thinking about how to keep this resolution? Good news: in the Bay Area, you’ll never run out of things to do when San Francisco, Oakland, San José and everywhere in between offer concerts, art shows, family activities and more virtually every day. But how do you know exactly when all these things are happening? And how do you find what’s low-cost or free? (Especially when scrolling through social media may now only be showing you content that you’re already familiar with rather than giving you new ideas for local goings-on?) Luckily,",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Was “getting out more” one of your resolutions for 2025? Thinking about how to keep this resolution? Good news: in the Bay Area, you’ll never run out of things to do when San Francisco, Oakland, San José and everywhere in between offer \u003ca href=\"https://www.kqed.org/thedolist\">concerts, art shows, family activities and more\u003c/a> virtually every day.\u003c/p>\n\u003cp>But how do you know exactly \u003cem>when \u003c/em>all these things are happening? And how do you find what’s low-cost or free? (Especially when scrolling through social media may now only be showing you \u003ca href=\"https://dl.acm.org/doi/10.1145/3687046\">content that you’re already familiar with\u003c/a> rather than giving you new ideas for local goings-on?)\u003c/p>\n\u003cp>Luckily, Bay Area residents have been using the Internet to circulate information about free local events way before social media was even invented — after all, \u003ca href=\"https://www.indybay.org/newsitems/2005/03/11/17262451.php\">independent media collective IndyBay got its start in the year 2000\u003c/a>. And 25 years later, this tradition of online event listings is going strong.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-in-the-bay-area\">The Bay Area’s classic listings sites\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#live-music-bay-area\">Live music in the Bay Area\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-for-families-bay-area\">Events for families in the Bay Area\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#art-shows-bay-area\">Arts and culture events in the Bay Area\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Keep reading for our collection of Bay Area social calendars for you to browse and consult for your next day (or night) out — with a focus on those with newsletters so you can keep up with all the happenings in your inbox.\u003c/p>\n\u003cfigure id=\"attachment_12022557\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022557\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/015_SanFrancisco_AquariumoftheBay_03042021_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Helen Yool and Jacky Romano at the Under the Bay gallery at the Aquarium of the Bay in San Francisco on March 4, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"things-to-do-in-the-bay-area\">\u003c/a>The Bay Area’s classic event listing sites\u003c/strong>\u003c/h2>\n\u003cp>You know the scene: It’s your day off, you head over to the park to chill, and as soon as you get there, a huge event is taking place … that you had no idea about. If you’ve been left thinking, ‘How did all these people know this was happening and not me?’ you’re not alone. Folks organize very quickly in the Bay Area, but there are several places online that always have details about the biggest free events in the region:\u003c/p>\n\u003cp>\u003ca href=\"https://sf.funcheap.com/free-events/\">\u003cstrong>FunCheapSF\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Now in its 22nd year, FunCheapSF is one of the most reliable places to find free museum days, cheap concert tickets and event-free ticket giveaways. Despite the name, FunCheapSF has info about events all over the Bay.\u003c/p>\n\u003cp>\u003cem>Newsletter: Find the FunCheapSF newsletter sign-up link on the right side of the page.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12063214\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12063214 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/20240802_OliviaRodrigo_GC-22_qed-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Rodrigo performs during her “Guts” World Tour at the Chase Center in San Francisco on August 2, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.indybay.org/calendar/?page_id=12\">\u003cstrong>IndyBay\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A place with deep connections to the region’s organizing spaces, IndyBay also has a very detailed calendar of free workshops, teach-ins and family-friendly activities with a social focus.\u003c/p>\n\u003cp>\u003cem>Newsletter: Yes, although \u003c/em>\u003ca href=\"https://lists.riseup.net/www/subscribe/indybay-news\">\u003cem>an additional sign-up to riseup.net is required\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://sf-events.brokeassstuart.com/\">\u003cstrong>Broke-Ass Stuart\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What began in the 2000s as a zine from Stuart Schuffman, alias Broke-Ass Stuart, is now one of the best places online to find concerts and nightlife events in the Bay Area.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://brokeassstuart.com/stuart-2/\">\u003cem>Sign up for the Broke-Ass Stuart newsletter\u003c/em>\u003c/a>\u003cem> on his site.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12034579\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12034579\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Free-Things-to-Do-1920x1280-Resize-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Conservatory of Flowers in San Francisco’s Golden Gate Park. \u003ccite>(Lisa Aliferis/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://bartable.bart.gov/\">\u003cstrong>BARTable\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A collection of both events and year-round activities that — you guessed it — are all reachable by BART. Everything included is either free or low-cost.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://bartable.bart.gov/\">\u003cem>Sign up for the BARTable This Week newsletter\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://oaklandside.org/events/\">\u003cstrong>Oaklandside\u003c/strong>\u003c/a>\u003cstrong> and \u003c/strong>\u003ca href=\"https://richmondside.org/events/\">\u003cstrong>Richmondside\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>These two local news publications are always updating their events calendar, which includes both journalism-focused events but also fun activities for both families, seniors and young people.\u003c/p>\n\u003cp>\u003cem>Newsletter: You can sign up for \u003c/em>\u003ca href=\"https://oaklandside.org/newsletters/\">\u003cem>Oaklandside’s newsletter\u003c/em>\u003c/a>\u003cem> or \u003c/em>\u003ca href=\"https://richmondside.org/newsletters/\">\u003cem>Richmond’s newsletter\u003c/em>\u003c/a>\u003cem> (or both.)\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12022560\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022560\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/022_KQED_SanFrancisco_Playgrounds_12102020_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Children go down a concrete slide at Youngblood Colman Community Learning Hub in San Francisco on Dec. 10, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/events\">\u003cstrong>KQED Live\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Of course, we have to highlight the work done by the KQED Live Events team. Free and low-cost events, many of them featuring KQED journalists, are held throughout the year at both KQED headquarters in San Francisco and throughout the Bay Area.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters\">\u003cem>Sign up for the KQED Live newsletter\u003c/em>\u003c/a>\u003cem> to receive advance notice of events.\u003c/em>\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"live-music-bay-area\">\u003c/a>More live music, please\u003c/strong>\u003c/h2>\n\u003cp>The Bay Area does \u003cem>not \u003c/em>lack a live music scene, and you may even find your new favorite band performing at a small bar somewhere in Solano County or a plaza in the middle of San José. Since everything is happening everywhere — all at once — keep yourself organized with these sites and listings.\u003c/p>\n\u003cfigure id=\"attachment_12022561\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022561\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240501-DannyLux-JY-019_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Arias, 12, sings along with Mexican American singer-songwriter DannyLux as he performs during his ‘Tour of Lux’ at the Regency Ballroom in San Francisco on Wednesday, May 1, 2024. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.sfstation.com/calendar/bay-area/free-events\">\u003cstrong>SF Station\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>What began as a site to promote local artists in 1996 keeps going strong. These listings contain free concerts, details on how to enter contests for free tickets and other cool stuff too, like community service events, wine dinners and workshops.\u003c/p>\n\u003cp>\u003ca href=\"http://www.foopee.com/punk/the-list/\">\u003cstrong>The List\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>In almost 30 years, this website’s format has been updated only a handful of times. But don’t be fooled by its lo-fi look: The List is incredibly thorough, curated by Steve Koepke with details for punk and rock concerts for almost every venue and bar in the Bay Area and Santa Cruz area. It’s also helpful for keeping up with emerging local musicians. You can also \u003ca href=\"https://stevelist.com/\">subscribe to Koepke’s List via email. \u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12022562\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022562\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20241127_CyndiLauper_GC-21_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">An attendee of the Cyndi Lauper concert looks up at the crowd during the Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 27, 2024. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://latinbayarea.com/\">\u003cstrong>LatinBayArea\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A site that mostly highlights concerts featuring both established and rising stars in Latin music and also includes \u003ca href=\"https://latinbayarea.com/events/category/free/\">a free events section\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://dothebay.com/\">\u003cstrong>DoTheBay\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Mostly focused on nightlife and parties, DoTheBay also has \u003ca href=\"https://dothebay.com/free\">a free events section\u003c/a>, along with plenty of promotions for free or discounted tickets to big concerts.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/thedolist\">\u003cstrong>KQED Arts: The To-Do List\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>The Arts team interviews Bay Area artists as they tour the region or release new music. Around-the-year concert and festival coverage complemented by great journalism.\u003c/p>\n\u003cp>\u003cem>Newsletter: \u003c/em>\u003ca href=\"https://www.kqed.org/newsletters\">\u003cem>Sign up for the KQED Arts & Culture newsletter.\u003c/em>\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12022565\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022565\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240524_BottleRock_EG_77_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ariel Thomas (left) and her 5-year-old daughter Aurora Duarte soak in The Offspring’s performance from the front row of the Verizon Stage at BottleRock Napa Valley festival on Sunday, May 26, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"things-to-do-for-families-bay-area\">\u003c/a>Events for Bay Area families\u003c/strong>\u003c/h2>\n\u003cp>Sometimes, the newsletter with details about the latest club or rave just isn’t going to work with the 7-year-old. But no worries: there are sites keeping track of events for infants, older kids and teens. And even KQED \u003ca href=\"https://www.kqed.org/newsletters/kid-friendly-kqed\">has its own monthly newsletter full of programming for families: Kid Friendly\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://bayareaparent.com/event-calendar/#/\">\u003cstrong>Bay Area Parent\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Created, read and shared by parents across the nine-county Bay Area, BAP is a great resource for planning your family’s week — and comes with great family-focused reporting as well.\u003c/p>\n\u003cp>Newsletter: You can sign up \u003ca href=\"https://www.bayareaparent.com/subscribe/\">for several subscriptions Bay Area Parent has\u003c/a>, including newsletters for Editors’ top picks, promotions and special offers.\u003c/p>\n\u003cfigure id=\"attachment_12022566\" class=\"wp-caption aligncenter\" style=\"max-width: 1988px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022566\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed.jpg\" alt=\"\" width=\"1988\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed.jpg 1988w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-1020x684.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-1536x1030.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20240524_MobileHeadStart-14_qed-1920x1287.jpg 1920w\" sizes=\"auto, (max-width: 1988px) 100vw, 1988px\">\u003cfigcaption class=\"wp-caption-text\">Children play under a giant parachute at Lincoln Square Park in Oakland on Friday, May 24, 2024. Last year, the city of Oakland introduced their ‘Ready, Set, Go’ vehicle, an RV converted into a Head Start classroom, which travels to homeless shelters, providing educational and social services to families experiencing housing instability. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.bayareakidfun.com/family-friendly-events-in-the-bay-area/\">\u003cstrong>Bay Area Kid Fun\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Storytime, soccer, family-friendly marches and more can be found on this listings site, which particularly boasts a lot of events for folks in the South Bay and on the Peninsula.\u003c/p>\n\u003cp>\u003ca href=\"https://www.510families.com/calendar/\">\u003cstrong>510families\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Are you an Alameda or Contra Costa County family? Keep this website close. 510families’ listings are especially helpful for families with younger kids.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"art-shows-bay-area\">\u003c/a>Arts and culture event listings in the Bay Area\u003c/strong>\u003c/h2>\n\u003cp>Missed \u003ca href=\"https://www.kqed.org/news/11943906/how-to-find-free-museum-tickets-in-the-bay-area\">a free museum day\u003c/a>? Want to learn more about photography but don’t know where to start?\u003c/p>\n\u003cp>Not only is the Bay full of creative talent, it’s also full of people working hard to make sure you check out their work — and below are just of few of these arts and culture listings in the Bay:\u003c/p>\n\u003cfigure id=\"attachment_12022567\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022567\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/046_KQED_SanFrancisco_ElectionDayVoting_11032020_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Southern Exposure art gallery polling place in San Francisco on Nov. 3, 2020. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.bayartagenda.com/\">\u003cstrong>Bay Art Agenda\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Bookmark this one just in time for San Francisco Art Week (which \u003ca href=\"https://www.eventbrite.com/e/sf-art-week-kickoff-party-at-ica-sf-tickets-1127100210069?aff=ehometext\">kicks off on Jan. 18\u003c/a>). The Bay Area Art Agenda includes gallery openings, free showings and plenty of community activities.\u003c/p>\n\u003cp>\u003ca href=\"https://docs.google.com/document/d/1EPuQY0pmQEolKP1764UwgB1sXGJw6oG72_rZL4D9nhk/edit?tab=t.0\">\u003cstrong>Bay Area Art Happenings\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/author/shotchkiss\">KQED Arts’ very own Sarah Hotchkiss\u003c/a> maintains an annual list of gallery openings and closings, with opportunities to meet artists and see in person what the Arts team reports on — which you can keep up with by bookmarking KQED Arts’ \u003ca href=\"https://www.kqed.org/thedolist\">\u003cstrong>The Do List\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfarts.org/calendar/?experiences=Free\">\u003cstrong>SF/Arts Free Calendar\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>A must-have listing resource from SF/Arts magazine, full of film screenings, author talks and performances.\u003c/p>\n\u003cp>\u003cem>Newsletter: You can sign up at the bottom of the \u003c/em>\u003ca href=\"https://www.sfarts.org/calendar\">\u003cem>calendar page\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12022568\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022568\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/009_SanFrancisco_SkyStarWheel_03042021_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">View from the SkyStar Observation Wheel of the de Young Museum in Golden Gate Park on March 4, 2021. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://eltecolote.org/content/en/newsletter/\">\u003cstrong>Acción Latina and El Tecolote\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>El Tecolote is one of the oldest bilingual newspapers in the country and its Calendario section has been keeping up with some of the biggest events targeted to the Latino community for decades, including rallies, teach-ins and family cultural events.\u003c/p>\n\u003cp>\u003cem>Newsletter: You can sign up \u003c/em>\u003ca href=\"https://eltecolote.org/content/en/newsletter/\">\u003cem>for the newsletter from El Tecolote’s parent organization, Acción Latina\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>SFGate’s \u003c/strong>\u003ca href=\"https://www.sfgate.com/sf-culture/article/sf-underrated-venue-closes-10-20025871.php\">\u003cstrong>Fogcutter\u003c/strong>\u003c/a>\u003cstrong> column\u003c/strong>\u003c/p>\n\u003cp>SFGate began \u003ca href=\"https://www.sfgate.com/sf-culture/article/sf-underrated-venue-closes-10-20025871.php\">Fogcutter\u003c/a> as a weekly column “tracking the coolest events in the Bay Area,” from concerts and restaurants to hikes, bars and comedy.\u003c/p>\n\u003cfigure id=\"attachment_12022569\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022569\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/240723-DIYMuseum-17-BL_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Members of the DIY Museum meet at the Crisis Club Gallery in Oakland on July 23, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>And don’t forget … your local library\u003c/strong>\u003c/p>\n\u003cp>While it may feel like many events are focused around big cities, remember that your local library is also home to often fantastic programming that highlights local writers and artists.\u003c/p>\n\u003cp>For example, check out all the free events planned for this month at \u003ca href=\"https://events.sonomalibrary.org/events/month\">Sonoma County Library\u003c/a>, which has branches all over the county. You’ll also likely find events listed on posters on your library’s lobby pinboard.\u003c/p>\n\u003cfigure id=\"attachment_12022571\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12022571\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/Copy-of-KQED-side-by-side-downpage-image-1-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: Mychal Threets works organizing and displaying books in the children’s section of the Fairfield Civic Center Library in Fairfield on Oct. 19, 2023. Right: King Art Babe reads the book ‘This Day in June’ to children and parents during a Drag Queen Story Hour event at the Castro Valley Library in Castro Valley on Tuesday, June 21, 2022. \u003ccite>(Left: Martin do Nascimento/KQED, right: Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "supreme-court-seems-likely-to-uphold-a-federal-law-that-could-ban-tiktok-in-us",
"title": "Supreme Court Seems Likely to Uphold a Federal Law That Could Ban TikTok in US",
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"content": "\u003cp>The \u003ca href=\"https://apnews.com/hub/us-supreme-court\">Supreme Court\u003c/a> on Friday seemed likely to uphold a law that would ban \u003ca href=\"https://apnews.com/article/supreme-court-tiktok-china-speech-national-security-22d672d946b6b4065ae5fb7f3e0d8bed\">TikTok\u003c/a> in the United States beginning Jan. 19, unless the popular social media program is sold by its China-based parent company.\u003c/p>\n\u003cp>Hearing arguments in a momentous clash of free speech and national security concerns, the justices seemed persuaded by arguments that the national security threat posed by the company’s connections to China overrides concerns about restricting the speech either of TikTok or its 170 million users in the United States.\u003c/p>\n\u003cp>Early in arguments that lasted more than two and a half hours, Chief Justice John Roberts identified as the “main concern” in the case TikTok’s ownership by China-based ByteDance and the parent company’s requirement to cooperate with the Chinese government’s intelligence operations.\u003c/p>\n\u003cp>If left in place, the law passed by bipartisan majorities in Congress and signed by President Joe Biden in April will require TikTok to “go dark” on Jan. 19, lawyer Noel Francisco told the justices on behalf of TikTok.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At the very least, Francisco urged the justices to enter a temporary pause that would allow TikTok to keep operating. “We might be in a different world again” after President-elect Donald Trump takes office on Jan. 20. Trump, who has 14.7 million followers on TikTok, also has called for the deadline to be pushed back to give him time to negotiate a “political resolution.”\u003c/p>\n\u003cp>But it was not clear whether any justices would choose such a course. And only Justice Neil Gorsuch sounded like he would side with TikTok to find the ban violates the Constitution.\u003c/p>\n\u003cp>Gorsuch labeled arguments advanced by the Biden administration in defense of the law a “paternalistic point of view.” TikTok, he said, has offered to post a warning that the Chinese government could manipulate the content.\u003c/p>\n\u003cp>“Don’t we normally assume that the best remedy for problematic speech is counterspeech?” he asked Solicitor General Elizabeth Prelogar, who defended the law for the Biden administration.\u003c/p>\n\u003cp>A warning wouldn’t be enough to counterbalance the spread of misinformation, Prelogar said.\u003c/p>\n\u003cp>But Francisco and lawyer Jeffrey Fisher, representing content creators and TikTok users, faced much more skeptical questioning from every other justice.\u003c/p>\n\u003cp>Justice Brett Kavanaugh focused on U.S. concerns about China accessing information on tens of millions of Americans, including especially teenagers and people in their 20s, with whom TikTok is extremely popular.\u003c/p>\n\u003cp>“That seems like a huge concern for the future of the country,” said Kavanaugh, whose daughters are in that age range.\u003c/p>\n\u003cp>Roberts downplayed Fisher’s argument that banning TikTok violates American users’ free speech rights. “Congress is fine with the expression,” Roberts said. “They’re not fine with a foreign adversary, as they’ve determined it is, gathering all this information about the 170 million people who use TikTok.”\u003c/p>\n\u003cp>The justices are expected to act within days, almost certainly ahead of the Jan. 19 deadline.\u003c/p>\n\u003cp>Content creators and small business owners who rely on the app are awaiting a decision with anxiety.\u003c/p>\n\u003cp>“There’s really no replacement for this app,” said Skip Chapman, co-owner of KAFX Body in Manasquan, New Jersey, a maker and seller of natural deodorants. Chapman said more than 80% of his sales come on TikTok and he has not found the same traction on Amazon or other platforms.\u003c/p>\n\u003cp>Lee Zavorskas, a TikTok creator and a licensed esthetician based in New Hampshire, said she makes nearly half of her income on the platform by promoting products for other businesses. Zavorskas said she found it too stressful to listen to Friday’s arguments. Instead, she spent her time building a YouTube channel.\u003c/p>\n\u003cp>ByteDance has said it won’t sell the short-form video platform. However, some investors have been eyeing it, including Trump’s \u003ca href=\"https://apnews.com/article/tiktok-mnuchin-house-senate-ffdf37776e63a09bb6966d741df7093b\">Former Treasury Secretary Steven Mnuchin\u003c/a> and billionaire businessman \u003ca href=\"https://apnews.com/article/tiktok-ban-mccourt-sale-bytedance-843d24334321f90bebeeac4b32896a9a\">Frank McCourt\u003c/a>. On Thursday, McCourt’s Project Liberty initiative said it, along with its unnamed partners, presented a proposal to ByteDance to acquire TikTok’s U.S. assets. The consortium, which includes\u003cem> Shark Tank\u003c/em> host Kevin O’Leary, did not disclose the financial terms of the offer.\u003c/p>\n\u003cp>If TikTok isn’t sold to an approved buyer, the federal law would prohibit app stores, such as those operated by Apple and Google, from offering the popular app. It would also bar internet hosting services from hosting TikTok.\u003c/p>\n\u003cp>TikTok users who already have the app on their phones will continue to have access to it. But new users won’t be able to download the app, and existing ones will no longer be able to receive updates. That will eventually render the app unworkable, the Justice Department has said in court filings.\u003c/p>\n\u003cp>Prelogar said an eventual sale of the platform, even after the ban kicks in, would allow TikTok to resume operations. The sale of Twitter to Elon Musk, who renamed it X, shows that the sale of a social media platform can happen quickly, she said.\u003c/p>\n\u003cp>That high-profile transaction went through in about six months from offer to completion, she said.[aside label=\"Related Stories\" postID=\"forum_2010101908398,news_12021209,news_12008456\"]TikTok, meanwhile, has been “on notice” since 2020, during Trump’s first term that its sale could be required if it couldn’t satisfy the U.S. government’s national security concerns\u003c/p>\n\u003cp>The federal law was the culmination of a \u003ca href=\"https://apnews.com/article/tiktok-timeline-ban-biden-india-d3219a32de913f8083612e71ecf1f428\">yearslong saga in Washington\u003c/a> over TikTok, which the government \u003ca href=\"https://apnews.com/article/tiktok-bytedance-shou-zi-chew-8d8a6a9694357040d484670b7f4833be\">sees as a national security threat\u003c/a> due to its connections to China.\u003c/p>\n\u003cp>U.S. officials argue that the vast amounts of user data that TikTok collects, including sensitive information on viewing habits, could fall into the hands of the Chinese government through coercion. They are also concerned that the proprietary algorithm that fuels what users see on the app is vulnerable to manipulation by Chinese authorities, who could pressure ByteDance to shape content on the platform in a way that’s difficult to detect.\u003c/p>\n\u003cp>TikTok, which sued the government last year over the law, has long denied it could be used as a tool of Beijing.\u003c/p>\n\u003cp>The company negotiated with the Biden administration between 2021 and 2022 to resolve the concerns around U.S. data privacy and potential algorithmic manipulation. In court documents, it has accused the administration of essentially walking away from those negotiations after it presented a draft agreement in August 2022. However, the Justice Department has said that the Biden administration concluded the proposal was “insufficient” because it would maintain TikTok’s ties to China. The agency said the Executive Branch also could “neither trust ByteDance to comply nor detect noncompliance before it was too late.”\u003c/p>\n\u003cp>A three-judge panel made up of two Republican appointees and a Democratic appointee unanimously upheld the law in December, prompting TikTok’s quick appeal to the Supreme Court.\u003c/p>\n\u003cp>\u003cem>Associated Press writers Mae Anderson, Haleluya Hadero, Fatima Hussein, Didi Tang and Lindsay Whitehurst contributed to this report. Anderson reported from New York.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://apnews.com/hub/us-supreme-court\">Supreme Court\u003c/a> on Friday seemed likely to uphold a law that would ban \u003ca href=\"https://apnews.com/article/supreme-court-tiktok-china-speech-national-security-22d672d946b6b4065ae5fb7f3e0d8bed\">TikTok\u003c/a> in the United States beginning Jan. 19, unless the popular social media program is sold by its China-based parent company.\u003c/p>\n\u003cp>Hearing arguments in a momentous clash of free speech and national security concerns, the justices seemed persuaded by arguments that the national security threat posed by the company’s connections to China overrides concerns about restricting the speech either of TikTok or its 170 million users in the United States.\u003c/p>\n\u003cp>Early in arguments that lasted more than two and a half hours, Chief Justice John Roberts identified as the “main concern” in the case TikTok’s ownership by China-based ByteDance and the parent company’s requirement to cooperate with the Chinese government’s intelligence operations.\u003c/p>\n\u003cp>If left in place, the law passed by bipartisan majorities in Congress and signed by President Joe Biden in April will require TikTok to “go dark” on Jan. 19, lawyer Noel Francisco told the justices on behalf of TikTok.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the very least, Francisco urged the justices to enter a temporary pause that would allow TikTok to keep operating. “We might be in a different world again” after President-elect Donald Trump takes office on Jan. 20. Trump, who has 14.7 million followers on TikTok, also has called for the deadline to be pushed back to give him time to negotiate a “political resolution.”\u003c/p>\n\u003cp>But it was not clear whether any justices would choose such a course. And only Justice Neil Gorsuch sounded like he would side with TikTok to find the ban violates the Constitution.\u003c/p>\n\u003cp>Gorsuch labeled arguments advanced by the Biden administration in defense of the law a “paternalistic point of view.” TikTok, he said, has offered to post a warning that the Chinese government could manipulate the content.\u003c/p>\n\u003cp>“Don’t we normally assume that the best remedy for problematic speech is counterspeech?” he asked Solicitor General Elizabeth Prelogar, who defended the law for the Biden administration.\u003c/p>\n\u003cp>A warning wouldn’t be enough to counterbalance the spread of misinformation, Prelogar said.\u003c/p>\n\u003cp>But Francisco and lawyer Jeffrey Fisher, representing content creators and TikTok users, faced much more skeptical questioning from every other justice.\u003c/p>\n\u003cp>Justice Brett Kavanaugh focused on U.S. concerns about China accessing information on tens of millions of Americans, including especially teenagers and people in their 20s, with whom TikTok is extremely popular.\u003c/p>\n\u003cp>“That seems like a huge concern for the future of the country,” said Kavanaugh, whose daughters are in that age range.\u003c/p>\n\u003cp>Roberts downplayed Fisher’s argument that banning TikTok violates American users’ free speech rights. “Congress is fine with the expression,” Roberts said. “They’re not fine with a foreign adversary, as they’ve determined it is, gathering all this information about the 170 million people who use TikTok.”\u003c/p>\n\u003cp>The justices are expected to act within days, almost certainly ahead of the Jan. 19 deadline.\u003c/p>\n\u003cp>Content creators and small business owners who rely on the app are awaiting a decision with anxiety.\u003c/p>\n\u003cp>“There’s really no replacement for this app,” said Skip Chapman, co-owner of KAFX Body in Manasquan, New Jersey, a maker and seller of natural deodorants. Chapman said more than 80% of his sales come on TikTok and he has not found the same traction on Amazon or other platforms.\u003c/p>\n\u003cp>Lee Zavorskas, a TikTok creator and a licensed esthetician based in New Hampshire, said she makes nearly half of her income on the platform by promoting products for other businesses. Zavorskas said she found it too stressful to listen to Friday’s arguments. Instead, she spent her time building a YouTube channel.\u003c/p>\n\u003cp>ByteDance has said it won’t sell the short-form video platform. However, some investors have been eyeing it, including Trump’s \u003ca href=\"https://apnews.com/article/tiktok-mnuchin-house-senate-ffdf37776e63a09bb6966d741df7093b\">Former Treasury Secretary Steven Mnuchin\u003c/a> and billionaire businessman \u003ca href=\"https://apnews.com/article/tiktok-ban-mccourt-sale-bytedance-843d24334321f90bebeeac4b32896a9a\">Frank McCourt\u003c/a>. On Thursday, McCourt’s Project Liberty initiative said it, along with its unnamed partners, presented a proposal to ByteDance to acquire TikTok’s U.S. assets. The consortium, which includes\u003cem> Shark Tank\u003c/em> host Kevin O’Leary, did not disclose the financial terms of the offer.\u003c/p>\n\u003cp>If TikTok isn’t sold to an approved buyer, the federal law would prohibit app stores, such as those operated by Apple and Google, from offering the popular app. It would also bar internet hosting services from hosting TikTok.\u003c/p>\n\u003cp>TikTok users who already have the app on their phones will continue to have access to it. But new users won’t be able to download the app, and existing ones will no longer be able to receive updates. That will eventually render the app unworkable, the Justice Department has said in court filings.\u003c/p>\n\u003cp>Prelogar said an eventual sale of the platform, even after the ban kicks in, would allow TikTok to resume operations. The sale of Twitter to Elon Musk, who renamed it X, shows that the sale of a social media platform can happen quickly, she said.\u003c/p>\n\u003cp>That high-profile transaction went through in about six months from offer to completion, she said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>TikTok, meanwhile, has been “on notice” since 2020, during Trump’s first term that its sale could be required if it couldn’t satisfy the U.S. government’s national security concerns\u003c/p>\n\u003cp>The federal law was the culmination of a \u003ca href=\"https://apnews.com/article/tiktok-timeline-ban-biden-india-d3219a32de913f8083612e71ecf1f428\">yearslong saga in Washington\u003c/a> over TikTok, which the government \u003ca href=\"https://apnews.com/article/tiktok-bytedance-shou-zi-chew-8d8a6a9694357040d484670b7f4833be\">sees as a national security threat\u003c/a> due to its connections to China.\u003c/p>\n\u003cp>U.S. officials argue that the vast amounts of user data that TikTok collects, including sensitive information on viewing habits, could fall into the hands of the Chinese government through coercion. They are also concerned that the proprietary algorithm that fuels what users see on the app is vulnerable to manipulation by Chinese authorities, who could pressure ByteDance to shape content on the platform in a way that’s difficult to detect.\u003c/p>\n\u003cp>TikTok, which sued the government last year over the law, has long denied it could be used as a tool of Beijing.\u003c/p>\n\u003cp>The company negotiated with the Biden administration between 2021 and 2022 to resolve the concerns around U.S. data privacy and potential algorithmic manipulation. In court documents, it has accused the administration of essentially walking away from those negotiations after it presented a draft agreement in August 2022. However, the Justice Department has said that the Biden administration concluded the proposal was “insufficient” because it would maintain TikTok’s ties to China. The agency said the Executive Branch also could “neither trust ByteDance to comply nor detect noncompliance before it was too late.”\u003c/p>\n\u003cp>A three-judge panel made up of two Republican appointees and a Democratic appointee unanimously upheld the law in December, prompting TikTok’s quick appeal to the Supreme Court.\u003c/p>\n\u003cp>\u003cem>Associated Press writers Mae Anderson, Haleluya Hadero, Fatima Hussein, Didi Tang and Lindsay Whitehurst contributed to this report. Anderson reported from New York.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "heres-how-some-major-landmarks-are-faring-in-the-los-angeles-fires",
"title": "Here's How Some Major Landmarks Are Faring in the Los Angeles Fires",
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"headTitle": "Here’s How Some Major Landmarks Are Faring in the Los Angeles Fires | KQED",
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"content": "\u003cp>Southern California is fighting multiple major wildfires, exacerbated by hurricane-strength winds that have resulted in red flag warnings and evacuation orders in multiple zones. The current fires are the Palisades Fire in the Pacific Palisades, the Eaton Fire, the Hurst Fire in the Sylmar area and the Tyler Fire in Riverside County.\u003c/p>\n\u003cp>These offshoots of Los Angeles are home to many cultural institutions renowned for everything from iconic Hollywood nightlife to groundbreaking scientific research.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://apps.npr.org/datawrapper/xse37/13/?initialWidth=953&childId=responsive-embed-xse37&parentTitle=How%20the%20Los%20Angeles%20fires%20are%20affecting%20several%20major%20landmarks%20%3A%20NPR&parentUrl=https%3A%2F%2Fwww.npr.org%2F2025%2F01%2F08%2Fnx-s1-5252587%2Flos-angeles-fires-landmarks-culture-arts\" width=\"800\" height=\"750\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Here’s where several of them stand as of Wednesday afternoon:\u003c/p>\n\u003cp>\u003cstrong>Will Rogers State Historic Park\u003c/strong>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.parks.ca.gov/?page_id=626\" target=\"_blank\" rel=\"noopener\">former home\u003c/a> of actor, radio personality and humorist Will Rogers, a 186-acre ranch that was on the U.S. National Register of Historic Places, was gutted by the Palisades fire.\u003c/p>\n\u003cp>People on social media posted photos and videos of the site, which showed only chimneys poking up through rubble.\u003c/p>\n\u003cp>The estate and historic park were home to many Western artifacts, as well as objects from Will Rogers’ daily life. In the 1930s, he was Hollywood’s highest-paid film star. His widow, Betty Rogers, had donated the house and stables to Californian in 1944.\u003c/p>\n\u003cp>According to the California State Parks \u003ca href=\"https://www.parks.ca.gov/NewsRelease/1346\" target=\"_blank\" rel=\"noopener\">website\u003c/a>, horses and some of the cultural artifacts at the Will Rogers State Historic Park were safely evacuated ahead of the fire.\u003c/p>\n\u003cp>\u003cstrong>Topanga State Park\u003c/strong>\u003c/p>\n\u003cp>Parts of the Topanga State Park — a national park located within the city of Los Angeles that is known for its scenic hiking and mountain bike trails — were also devastated by the Palisades fire. The historic \u003ca href=\"https://www.parks.ca.gov/NewsRelease/1346\" target=\"_blank\" rel=\"noopener\">Topanga Ranch Motel\u003c/a>, which was once owned by newspaper publisher and politician William Randolph Hearst, was destroyed.\u003c/p>\n\u003cp>\u003cstrong>Sunset Boulevard\u003c/strong>\u003c/p>\n\u003cp>The West Hollywood strip, known for its nightlife and restaurant scene, was gridlocked Tuesday by Los Angeles residents fleeing the Palisades area. Officials told those on Sunset Boulevard to abandon their cars and walk to safety. The Los Angeles Fire Department later moved the abandoned vehicles to make way for firefighters. The stretch of Sunset Boulevard between San Vicente and Crescent Heights remains closed.\u003c/p>\n\u003cfigure id=\"attachment_12021217\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021217\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25.jpg\" alt=\"Cars jammed on a road with smoke all around.\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">People evacuate on Sunset Boulevard from the Palisades Fire on Jan. 7, 2025, in the Pacific Palisades neighborhood of Los Angeles. \u003ccite>(Apu Gomes/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Getty Villa and Getty Center\u003c/strong>\u003c/p>\n\u003cp>Some trees and vegetation were burned on the site of the Getty Villa, a Greco-Roman art museum on the Pacific Coast Highway in the Pacific Palisades. The museum \u003ca href=\"https://www.instagram.com/p/DEi-ISkvlta/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> that collections and staff were so far unharmed and that fire and smoke mitigation plans were in place. Both the Getty Villa and the Getty Center, which is not in the current fire zone, will remain closed until at least Monday, Jan. 13.\u003c/p>\n\u003cfigure id=\"attachment_12021219\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021219\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy.jpg\" alt=\"Orange smoky glowing sky above and behind an estate, with a stone sign outside that says 'The Getty Villa'\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Flames from the Palisades Fire reach the grounds of the Getty Villa Museum on the Pacific Coast Highway amid a powerful windstorm on Jan. 8, 2025, in Los Angeles. \u003ccite>(Apu Gomes/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Palisades Charter High School\u003c/strong>\u003c/p>\n\u003cp>A filming location for popular shows and films such as \u003cem>Teen Wolf, Carrie, \u003c/em>and \u003cem>Freaky Friday\u003c/em>, Palisades Charter High School has been severely damaged by the Palisades fire. Students and faculty are still on winter break, scheduled through Jan. 10. According to the high school’s website, they will provide updates for students and families prior to the start of the spring semester.\u003c/p>\n\u003cp>\u003cstrong>The Jet Propulsion Laboratory\u003c/strong>\u003c/p>\n\u003cp>NASA’s Jet Propulsion Laboratory, a research hub for robotic space exploration, is included in the areas with \u003ca href=\"https://www.latimes.com/california/story/2025-01-07/eaton-fire-evacuations-pasadena-altadena\" target=\"_blank\" rel=\"noopener\">evacuation orders\u003c/a> due to the Eaton fire.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Universal Studios and CityWalk\u003c/strong>\u003c/p>\n\u003cp>Though not under mandatory evacuation, the Universal Studios theme park and the attached dining, shopping and entertainment plaza, Universal CityWalk, are closed Wednesday “as a result of the extreme winds and fire conditions,” the studios \u003ca href=\"https://x.com/UniStudios/status/1876995419240030363\">announced\u003c/a> Wednesday morning.\u003c/p>\n\u003cp>\u003cstrong>The Hammer Museum at UCLA\u003c/strong>\u003c/p>\n\u003cp>The Hammer Museum at UCLA, a contemporary art museum, is \u003ca href=\"https://hammer.ucla.edu/visit\" target=\"_blank\" rel=\"noopener\">also closed\u003c/a> due to the nearby fires and severe weather warnings. The \u003ca href=\"https://bso.ucla.edu/\" target=\"_blank\" rel=\"noopener\">University of California, Los Angeles\u003c/a> campus, where the museum is located, has canceled classes for undergraduates and moved graduate classes online as of Thursday morning.\u003c/p>\n\u003cp>\u003cstrong>The Rose Bowl\u003c/strong>\u003c/p>\n\u003cp>As of Wednesday morning, the Rose Bowl stadium in Pasadena is not considered at high risk of being impacted by the fires. The stadium is being used as a large animal evacuation center, according to the \u003ca href=\"https://x.com/LHSLASD/status/1876923497609363573\" target=\"_blank\" rel=\"noopener\">Los Angeles Sheriff’s Department\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12021223\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021223\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26.jpg\" alt=\"\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">An aerial image shows smoke covering the hillsides behind the Rose Bowl stadium from wildfires, including the Eaton Fire, at sunset over Pasadena, Los Angeles County, on Jan. 8, 2025. \u003ccite>(Patrick T. Fallon/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Huntington Library, Art Museum and Botanical Gardens\u003c/strong>\u003c/p>\n\u003cp>The extensive collections in the library, museum, and gardens in San Marino, known as “\u003ca href=\"https://huntington.org/\" target=\"_blank\" rel=\"noopener\">The H\u003c/a>,” remain safe as of early Thursday morning. The campus remains closed at least through Friday, Jan. 10. A few trees were lost and uprooted in the area due to high winds and the property sustained minor damage from falling debris, the Huntington \u003ca href=\"https://www.instagram.com/p/DEllwbDsY-a/?hl=en\" target=\"_blank\" rel=\"noopener\">shared on Instagram\u003c/a> on Wednesday night.\u003c/p>\n\u003cp>\u003cstrong>Eames House\u003c/strong>\u003c/p>\n\u003cp>Located in the Pacific Palisades neighborhood, the architectural landmark, famously made with experimental industrial materials, is at risk in the Palisades fire. The property, also known as Case Study House No. 8, posted an update to its \u003ca href=\"https://www.instagram.com/stories/eameshouse/\" target=\"_blank\" rel=\"noopener\">Instagram stories\u003c/a> on Wednesday morning that the house remained unharmed.\u003c/p>\n\u003cp>\u003cstrong>Warner Bros.\u003c/strong>\u003c/p>\n\u003cp>The Warner Bros. Studio in Hollywood, which offers tours — including backlots and sets from beloved television shows — is \u003ca href=\"https://www.wbstudiotour.com/\" target=\"_blank\" rel=\"noopener\">closed Wednesday\u003c/a> due to the fire conditions and strong winds.\u003c/p>\n\u003cp>\u003cstrong>Los Angeles Zoo and Botanical Gardens\u003c/strong>\u003c/p>\n\u003cp>The Los Angeles Zoo and Botanical Gardens, located in Griffith Park, closed to the public \u003ca href=\"https://x.com/LAZoo/status/1876685554424688818\" target=\"_blank\" rel=\"noopener\">on Tuesday\u003c/a> and remains \u003ca href=\"https://lazoo.org/\" target=\"_blank\" rel=\"noopener\">closed\u003c/a> Wednesday.\u003c/p>\n\u003cp>\u003cstrong>Griffith Observatory\u003c/strong>\u003c/p>\n\u003cp>The popular scientific observatory and planetarium located at the top of the Hollywood Hills is \u003ca href=\"https://griffithobservatory.org/\" target=\"_blank\" rel=\"noopener\">closed Wednesday\u003c/a> due to the wind.\u003c/p>\n\u003cfigure id=\"attachment_12021224\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021224\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1.jpg\" alt=\"\" width=\"1600\" height=\"1061\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-1536x1019.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Smoke from wildfires hangs in the sky over Griffith Observatory on Jan. 8, 2025, in Los Angeles. \u003ccite>(Andy Bao/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Empire Polo Club\u003c/strong>\u003c/p>\n\u003cp>Home to the annual Coachella Music Festival, the Empire Polo Club in Indio has not reported any closures. The club is about seven miles away from the Tyler fire’s starting point.\u003c/p>\n\u003ch2>\u003cstrong>Hollywood Landmarks\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>Hollywood Sign\u003c/strong>\u003c/p>\n\u003cp>Located in the Hollywood Hills, the iconic Hollywood sign \u003ca href=\"https://www.instagram.com/p/DEkmN7NP4n0/?hl=en\" target=\"_blank\" rel=\"noopener\">remains closed\u003c/a> as of Thursday morning, along with all of Griffith Park. The Hollywood Sign Trust’s official Instagram account posted an update to their stories on Wednesday night, saying that the sign was not on fire.\u003c/p>\n\u003cp>\u003cstrong>Hollywood Bowl\u003c/strong>\u003c/p>\n\u003cp>Host to many live music performances since it opened in 1922, the amphitheater received evacuation orders on Wednesday night. According to a post on their \u003ca href=\"https://www.instagram.com/p/DElzAs1pc3r/\" target=\"_blank\" rel=\"noopener\">Instagram\u003c/a>, all staff has evacuated the premises safely.\u003c/p>\n\u003cp>\u003cstrong>TCL Chinese Theatre and Dolby Theatre \u003c/strong>\u003c/p>\n\u003cp>The TCL Chinese Theatre, a movie palace more popularly called Grauman’s Chinese Theatre, has hosted premiers and film festivals since it opened in 1927. The landmark was included in an evacuation zone on Wednesday. The Dolby Theatre, where the Academy Awards are held, was also in that zone. Both theaters closed Wednesday night. There have been no reports of damage and the evacuation orders have been lifted.\u003c/p>\n\u003cp>\u003cem>The California Newsroom is following the extreme weather from across the region. Click through to \u003c/em>\u003ca href=\"https://laist.com/\" target=\"_blank\" rel=\"noopener\">\u003cem>LAist’s coverage\u003c/em>\u003c/a>\u003cem> for the latest. \u003c/em>\u003cem>Jennifer Vanasco edited this story.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Los Angeles and its offshoots are home to many cultural institutions renowned for everything from iconic Hollywood nightlife to groundbreaking scientific research. Here's where several of them stand as of Wednesday afternoon.",
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"nprByline": "\u003ca href=\"https://www.npr.org/people/g-s1-30654/dhanika-pineda\">Dhanika Pineda\u003c/a>, NPR",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Southern California is fighting multiple major wildfires, exacerbated by hurricane-strength winds that have resulted in red flag warnings and evacuation orders in multiple zones. The current fires are the Palisades Fire in the Pacific Palisades, the Eaton Fire, the Hurst Fire in the Sylmar area and the Tyler Fire in Riverside County.\u003c/p>\n\u003cp>These offshoots of Los Angeles are home to many cultural institutions renowned for everything from iconic Hollywood nightlife to groundbreaking scientific research.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://apps.npr.org/datawrapper/xse37/13/?initialWidth=953&childId=responsive-embed-xse37&parentTitle=How%20the%20Los%20Angeles%20fires%20are%20affecting%20several%20major%20landmarks%20%3A%20NPR&parentUrl=https%3A%2F%2Fwww.npr.org%2F2025%2F01%2F08%2Fnx-s1-5252587%2Flos-angeles-fires-landmarks-culture-arts\" width=\"800\" height=\"750\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Here’s where several of them stand as of Wednesday afternoon:\u003c/p>\n\u003cp>\u003cstrong>Will Rogers State Historic Park\u003c/strong>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.parks.ca.gov/?page_id=626\" target=\"_blank\" rel=\"noopener\">former home\u003c/a> of actor, radio personality and humorist Will Rogers, a 186-acre ranch that was on the U.S. National Register of Historic Places, was gutted by the Palisades fire.\u003c/p>\n\u003cp>People on social media posted photos and videos of the site, which showed only chimneys poking up through rubble.\u003c/p>\n\u003cp>The estate and historic park were home to many Western artifacts, as well as objects from Will Rogers’ daily life. In the 1930s, he was Hollywood’s highest-paid film star. His widow, Betty Rogers, had donated the house and stables to Californian in 1944.\u003c/p>\n\u003cp>According to the California State Parks \u003ca href=\"https://www.parks.ca.gov/NewsRelease/1346\" target=\"_blank\" rel=\"noopener\">website\u003c/a>, horses and some of the cultural artifacts at the Will Rogers State Historic Park were safely evacuated ahead of the fire.\u003c/p>\n\u003cp>\u003cstrong>Topanga State Park\u003c/strong>\u003c/p>\n\u003cp>Parts of the Topanga State Park — a national park located within the city of Los Angeles that is known for its scenic hiking and mountain bike trails — were also devastated by the Palisades fire. The historic \u003ca href=\"https://www.parks.ca.gov/NewsRelease/1346\" target=\"_blank\" rel=\"noopener\">Topanga Ranch Motel\u003c/a>, which was once owned by newspaper publisher and politician William Randolph Hearst, was destroyed.\u003c/p>\n\u003cp>\u003cstrong>Sunset Boulevard\u003c/strong>\u003c/p>\n\u003cp>The West Hollywood strip, known for its nightlife and restaurant scene, was gridlocked Tuesday by Los Angeles residents fleeing the Palisades area. Officials told those on Sunset Boulevard to abandon their cars and walk to safety. The Los Angeles Fire Department later moved the abandoned vehicles to make way for firefighters. The stretch of Sunset Boulevard between San Vicente and Crescent Heights remains closed.\u003c/p>\n\u003cfigure id=\"attachment_12021217\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021217\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25.jpg\" alt=\"Cars jammed on a road with smoke all around.\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-25-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">People evacuate on Sunset Boulevard from the Palisades Fire on Jan. 7, 2025, in the Pacific Palisades neighborhood of Los Angeles. \u003ccite>(Apu Gomes/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Getty Villa and Getty Center\u003c/strong>\u003c/p>\n\u003cp>Some trees and vegetation were burned on the site of the Getty Villa, a Greco-Roman art museum on the Pacific Coast Highway in the Pacific Palisades. The museum \u003ca href=\"https://www.instagram.com/p/DEi-ISkvlta/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> that collections and staff were so far unharmed and that fire and smoke mitigation plans were in place. Both the Getty Villa and the Getty Center, which is not in the current fire zone, will remain closed until at least Monday, Jan. 13.\u003c/p>\n\u003cfigure id=\"attachment_12021219\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021219\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy.jpg\" alt=\"Orange smoky glowing sky above and behind an estate, with a stone sign outside that says 'The Getty Villa'\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Flames from the Palisades Fire reach the grounds of the Getty Villa Museum on the Pacific Coast Highway amid a powerful windstorm on Jan. 8, 2025, in Los Angeles. \u003ccite>(Apu Gomes/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Palisades Charter High School\u003c/strong>\u003c/p>\n\u003cp>A filming location for popular shows and films such as \u003cem>Teen Wolf, Carrie, \u003c/em>and \u003cem>Freaky Friday\u003c/em>, Palisades Charter High School has been severely damaged by the Palisades fire. Students and faculty are still on winter break, scheduled through Jan. 10. According to the high school’s website, they will provide updates for students and families prior to the start of the spring semester.\u003c/p>\n\u003cp>\u003cstrong>The Jet Propulsion Laboratory\u003c/strong>\u003c/p>\n\u003cp>NASA’s Jet Propulsion Laboratory, a research hub for robotic space exploration, is included in the areas with \u003ca href=\"https://www.latimes.com/california/story/2025-01-07/eaton-fire-evacuations-pasadena-altadena\" target=\"_blank\" rel=\"noopener\">evacuation orders\u003c/a> due to the Eaton fire.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Universal Studios and CityWalk\u003c/strong>\u003c/p>\n\u003cp>Though not under mandatory evacuation, the Universal Studios theme park and the attached dining, shopping and entertainment plaza, Universal CityWalk, are closed Wednesday “as a result of the extreme winds and fire conditions,” the studios \u003ca href=\"https://x.com/UniStudios/status/1876995419240030363\">announced\u003c/a> Wednesday morning.\u003c/p>\n\u003cp>\u003cstrong>The Hammer Museum at UCLA\u003c/strong>\u003c/p>\n\u003cp>The Hammer Museum at UCLA, a contemporary art museum, is \u003ca href=\"https://hammer.ucla.edu/visit\" target=\"_blank\" rel=\"noopener\">also closed\u003c/a> due to the nearby fires and severe weather warnings. The \u003ca href=\"https://bso.ucla.edu/\" target=\"_blank\" rel=\"noopener\">University of California, Los Angeles\u003c/a> campus, where the museum is located, has canceled classes for undergraduates and moved graduate classes online as of Thursday morning.\u003c/p>\n\u003cp>\u003cstrong>The Rose Bowl\u003c/strong>\u003c/p>\n\u003cp>As of Wednesday morning, the Rose Bowl stadium in Pasadena is not considered at high risk of being impacted by the fires. The stadium is being used as a large animal evacuation center, according to the \u003ca href=\"https://x.com/LHSLASD/status/1876923497609363573\" target=\"_blank\" rel=\"noopener\">Los Angeles Sheriff’s Department\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12021223\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021223\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26.jpg\" alt=\"\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-copy-26-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">An aerial image shows smoke covering the hillsides behind the Rose Bowl stadium from wildfires, including the Eaton Fire, at sunset over Pasadena, Los Angeles County, on Jan. 8, 2025. \u003ccite>(Patrick T. Fallon/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Huntington Library, Art Museum and Botanical Gardens\u003c/strong>\u003c/p>\n\u003cp>The extensive collections in the library, museum, and gardens in San Marino, known as “\u003ca href=\"https://huntington.org/\" target=\"_blank\" rel=\"noopener\">The H\u003c/a>,” remain safe as of early Thursday morning. The campus remains closed at least through Friday, Jan. 10. A few trees were lost and uprooted in the area due to high winds and the property sustained minor damage from falling debris, the Huntington \u003ca href=\"https://www.instagram.com/p/DEllwbDsY-a/?hl=en\" target=\"_blank\" rel=\"noopener\">shared on Instagram\u003c/a> on Wednesday night.\u003c/p>\n\u003cp>\u003cstrong>Eames House\u003c/strong>\u003c/p>\n\u003cp>Located in the Pacific Palisades neighborhood, the architectural landmark, famously made with experimental industrial materials, is at risk in the Palisades fire. The property, also known as Case Study House No. 8, posted an update to its \u003ca href=\"https://www.instagram.com/stories/eameshouse/\" target=\"_blank\" rel=\"noopener\">Instagram stories\u003c/a> on Wednesday morning that the house remained unharmed.\u003c/p>\n\u003cp>\u003cstrong>Warner Bros.\u003c/strong>\u003c/p>\n\u003cp>The Warner Bros. Studio in Hollywood, which offers tours — including backlots and sets from beloved television shows — is \u003ca href=\"https://www.wbstudiotour.com/\" target=\"_blank\" rel=\"noopener\">closed Wednesday\u003c/a> due to the fire conditions and strong winds.\u003c/p>\n\u003cp>\u003cstrong>Los Angeles Zoo and Botanical Gardens\u003c/strong>\u003c/p>\n\u003cp>The Los Angeles Zoo and Botanical Gardens, located in Griffith Park, closed to the public \u003ca href=\"https://x.com/LAZoo/status/1876685554424688818\" target=\"_blank\" rel=\"noopener\">on Tuesday\u003c/a> and remains \u003ca href=\"https://lazoo.org/\" target=\"_blank\" rel=\"noopener\">closed\u003c/a> Wednesday.\u003c/p>\n\u003cp>\u003cstrong>Griffith Observatory\u003c/strong>\u003c/p>\n\u003cp>The popular scientific observatory and planetarium located at the top of the Hollywood Hills is \u003ca href=\"https://griffithobservatory.org/\" target=\"_blank\" rel=\"noopener\">closed Wednesday\u003c/a> due to the wind.\u003c/p>\n\u003cfigure id=\"attachment_12021224\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12021224\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1.jpg\" alt=\"\" width=\"1600\" height=\"1061\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/npr.brightspotcdn-1-copy-1-1536x1019.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Smoke from wildfires hangs in the sky over Griffith Observatory on Jan. 8, 2025, in Los Angeles. \u003ccite>(Andy Bao/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The Empire Polo Club\u003c/strong>\u003c/p>\n\u003cp>Home to the annual Coachella Music Festival, the Empire Polo Club in Indio has not reported any closures. The club is about seven miles away from the Tyler fire’s starting point.\u003c/p>\n\u003ch2>\u003cstrong>Hollywood Landmarks\u003c/strong>\u003c/h2>\n\u003cp>\u003cstrong>Hollywood Sign\u003c/strong>\u003c/p>\n\u003cp>Located in the Hollywood Hills, the iconic Hollywood sign \u003ca href=\"https://www.instagram.com/p/DEkmN7NP4n0/?hl=en\" target=\"_blank\" rel=\"noopener\">remains closed\u003c/a> as of Thursday morning, along with all of Griffith Park. The Hollywood Sign Trust’s official Instagram account posted an update to their stories on Wednesday night, saying that the sign was not on fire.\u003c/p>\n\u003cp>\u003cstrong>Hollywood Bowl\u003c/strong>\u003c/p>\n\u003cp>Host to many live music performances since it opened in 1922, the amphitheater received evacuation orders on Wednesday night. According to a post on their \u003ca href=\"https://www.instagram.com/p/DElzAs1pc3r/\" target=\"_blank\" rel=\"noopener\">Instagram\u003c/a>, all staff has evacuated the premises safely.\u003c/p>\n\u003cp>\u003cstrong>TCL Chinese Theatre and Dolby Theatre \u003c/strong>\u003c/p>\n\u003cp>The TCL Chinese Theatre, a movie palace more popularly called Grauman’s Chinese Theatre, has hosted premiers and film festivals since it opened in 1927. The landmark was included in an evacuation zone on Wednesday. The Dolby Theatre, where the Academy Awards are held, was also in that zone. Both theaters closed Wednesday night. There have been no reports of damage and the evacuation orders have been lifted.\u003c/p>\n\u003cp>\u003cem>The California Newsroom is following the extreme weather from across the region. Click through to \u003c/em>\u003ca href=\"https://laist.com/\" target=\"_blank\" rel=\"noopener\">\u003cem>LAist’s coverage\u003c/em>\u003c/a>\u003cem> for the latest. \u003c/em>\u003cem>Jennifer Vanasco edited this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "bay-area-director-spotlights-ukraines-art-amid-rubble-in-porcelain-war",
"title": "Bay Area Director Spotlights Ukraine's Art Amid Rubble in 'Porcelain War'",
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"headTitle": "Bay Area Director Spotlights Ukraine’s Art Amid Rubble in ‘Porcelain War’ | KQED",
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"content": "\u003cp>Russia invaded Ukraine nearly three years ago. As the war continues, a new documentary from a Bay Area-raised filmmaker aims to show the beauty in the midst of the destruction. \u003cem>Porcelain War,\u003c/em> one of \u003ca href=\"https://deadline.com/2024/12/best-documentaries-2024-1236243224/\">Deadline’s top ten documentaries of 2024\u003c/a>, \u003ca href=\"https://www.porcelainwar.com/tickets\">opens in Bay Area theaters\u003c/a> on Jan. 3. The film’s codirector and Palo Alto native, Brendan Bellomo, spoke with KQED’s Lakshmi Sarah.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Lakshmi Sarah: The film, \u003cem>Porcelain War\u003c/em>, is the story of three Ukrainian artists who chose not to flee as Russian tanks barreled through their homeland. Can you share a little bit about what prompted the idea for the film? \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Brendan Bellomo: \u003c/strong>One of our producers grew up under Russian oppression and she was in communist Poland as a child, and then became a political refugee when her parents and her and her sister escaped to the United States. About eight years ago, she discovered [Ukrainian artists] \u003ca href=\"https://www.facebook.com/AnyaSlava/\">Anya and Slava’s figurines\u003c/a>. And she was so moved by them because they reminded her of home.\u003c/p>\n\u003cp>She shared them with me, and I was absolutely blown away. I’d never seen anything like them. And I couldn’t believe that something so small could have such huge stories. We all started to work together on an animation project. And then Russia invaded Ukraine. I called up Slava to ask, “When are you leaving? Are you guys okay?” And he told me, “We’re not going to leave.”\u003c/p>\n\u003cp>“We’re going to keep making our art at night,” he told me. He was in the Ukrainian special forces and training civilians. There was a story that wasn’t being told.\u003c/p>\n\u003cp>We really wanted to empower them to share their story with the world. We realized, if we can work together with a translator over Zoom and essentially create an impromptu film school, we could teach them to translate their instincts as artists into cinema. And what they captured is \u003cem>Porcelain War. \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12020291\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020291\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1710\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-1536x1026.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-2048x1368.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-1920x1282.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Left to Right) Artist and Codirector Slava Leontyev with fellow artist Anya Stasenko and Codirector Brendan Bellomo. \u003ccite>(Courtesy of Picturehouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The film is the winner of the 2024 Sundance Grand Jury Prize for a U.S. documentary and it shows ordinary people, living through extreme circumstances. Are there specific scenes that stick out to you?\u003c/strong>\u003c/p>\n\u003cp>Slava and Anya draw deep inspiration from nature, and they told me they were going to go mushroom picking and that they would film. I received a text from Slava that they’d encountered a minefield. My blood froze. Then he sent another text and he said, “Everything’s fine, I’m removing all the mines so that we can still pick mushrooms.”\u003c/p>\n\u003cp>We got this footage back and it was absolutely harrowing to realize that \u003ca href=\"https://www.washingtonpost.com/world/2023/07/22/ukraine-is-now-most-mined-country-it-will-take-decades-make-safe/\">Ukraine is now the most mined country in the world\u003c/a>. And yet, they were still choosing to live and to find creative inspiration. The contrast that occurred would be inherent in the fact that they just wanted to live their lives and participate and be inspired by the world.\u003c/p>\n\u003cp>\u003cstrong>Codirector and one of the people featured in the film, Slava Leontyev is quoted saying: “Ukraine is like porcelain, easy to break, yet impossible to destroy.” What are some ways you aimed to show this idea in the film? \u003c/strong>\u003c/p>\n\u003cp>First and foremost, it’s in the resilience of people. Everybody in the film chose to maintain their humanity, even with everything crumbling around them, and to continue being creative. When you look at the fact that when Russia first invaded, they destroyed museums and universities and they killed artists. This is, in essence, a genocidal war, and Ukrainian culture is a primary target of that aggression, so the fact that they’re choosing to continue to be creative and to continue living is an act of resistance. And to record those processes, is another form of resistance. It just shows that people are unbreakable.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dQDUGX_ueVg\u003c/p>\n\u003cp>\u003cstrong>Can you talk a little bit about using animation to bring the paintings and the story to life?\u003c/strong>\u003c/p>\n\u003cp>As Anya says in the film, “Her drawings are her language,” and there were certain places that we couldn’t bring the camera to. We don’t have a time machine to go back and see their beautiful life in Crimea before it was annexed to Russia. At the end of the film, Anya and Slava shared their dreams for a peaceful Ukraine in the future. We worked with \u003ca href=\"https://www.behance.net/BluBluStudios?locale=en_US\">BluBlu Studios in Poland\u003c/a>, a collection of artists, and they hand drew 7000 frames of animation, and that’s what brought Anya’s love of porcelain figurines to life.\u003c/p>\n\u003cp>\u003cstrong>As someone who grew up in the Bay Area, how does it feel to have the film available here in the Bay, what does that mean to you?\u003c/strong>\u003c/p>\n\u003cp>When I grew up in the Bay Area, there was a deep sense of community and of art serving both the purpose of aesthetic value, but also something that could participate and make an impact in that community. Being able to return now with my first film and with this amazing collaboration from artistic communities around the world, feels really incredible. I think the Bay Area is kind of emblematic of that type of attitude — that collaboration and artistic expression can have real meaning for people.\u003c/p>\n\u003cfigure id=\"attachment_12020216\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020216\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7.jpg\" alt=\"\" width=\"2000\" height=\"1044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-800x418.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-1020x532.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-1536x802.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-1920x1002.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Special Forces soldier, Kharkiv, Ukraine, ‘Porcelain Wars.’ \u003ccite>(Courtesy of Picturehouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Your film comes to the Bay Area just before President-elect Trump begins his second term. How are you feeling about what that means for U.S. policy and its role in Ukraine?\u003c/strong>\u003c/p>\n\u003cp>I think there’s a great deal of uncertainty. He’s expressed this eagerness to end the war quickly. But I think, given the history of his interactions with authoritarian leaders and with Russia, we don’t really know what he’s going to do. When Slava speaks about this, he’s really hopeful that the American people will continue their support and will recognize that not only does Ukraine need help as a free democratic nation that was invaded, but that the outcome of this war affects all of us.\u003c/p>\n\u003cp>You have China that is watching the outcome of this war. If Russia wins, it might embolden them to attack Taiwan. This is the largest conflict in Europe since World War II and it truly does affect all of us around the world. Freedom and democracy are at risk now more than ever. I hope there is an awareness, and I hope that this film can give an additional perspective on what everyday people are going through, and how it can affect all of us.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "As the war in Ukraine continues, one award-winning film shines a light on the daily lives of artists who remain in the country. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Russia invaded Ukraine nearly three years ago. As the war continues, a new documentary from a Bay Area-raised filmmaker aims to show the beauty in the midst of the destruction. \u003cem>Porcelain War,\u003c/em> one of \u003ca href=\"https://deadline.com/2024/12/best-documentaries-2024-1236243224/\">Deadline’s top ten documentaries of 2024\u003c/a>, \u003ca href=\"https://www.porcelainwar.com/tickets\">opens in Bay Area theaters\u003c/a> on Jan. 3. The film’s codirector and Palo Alto native, Brendan Bellomo, spoke with KQED’s Lakshmi Sarah.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Lakshmi Sarah: The film, \u003cem>Porcelain War\u003c/em>, is the story of three Ukrainian artists who chose not to flee as Russian tanks barreled through their homeland. Can you share a little bit about what prompted the idea for the film? \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Brendan Bellomo: \u003c/strong>One of our producers grew up under Russian oppression and she was in communist Poland as a child, and then became a political refugee when her parents and her and her sister escaped to the United States. About eight years ago, she discovered [Ukrainian artists] \u003ca href=\"https://www.facebook.com/AnyaSlava/\">Anya and Slava’s figurines\u003c/a>. And she was so moved by them because they reminded her of home.\u003c/p>\n\u003cp>She shared them with me, and I was absolutely blown away. I’d never seen anything like them. And I couldn’t believe that something so small could have such huge stories. We all started to work together on an animation project. And then Russia invaded Ukraine. I called up Slava to ask, “When are you leaving? Are you guys okay?” And he told me, “We’re not going to leave.”\u003c/p>\n\u003cp>“We’re going to keep making our art at night,” he told me. He was in the Ukrainian special forces and training civilians. There was a story that wasn’t being told.\u003c/p>\n\u003cp>We really wanted to empower them to share their story with the world. We realized, if we can work together with a translator over Zoom and essentially create an impromptu film school, we could teach them to translate their instincts as artists into cinema. And what they captured is \u003cem>Porcelain War. \u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_12020291\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020291\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1710\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-1536x1026.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-2048x1368.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/martiniouk_150101_9768-1920x1282.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Left to Right) Artist and Codirector Slava Leontyev with fellow artist Anya Stasenko and Codirector Brendan Bellomo. \u003ccite>(Courtesy of Picturehouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The film is the winner of the 2024 Sundance Grand Jury Prize for a U.S. documentary and it shows ordinary people, living through extreme circumstances. Are there specific scenes that stick out to you?\u003c/strong>\u003c/p>\n\u003cp>Slava and Anya draw deep inspiration from nature, and they told me they were going to go mushroom picking and that they would film. I received a text from Slava that they’d encountered a minefield. My blood froze. Then he sent another text and he said, “Everything’s fine, I’m removing all the mines so that we can still pick mushrooms.”\u003c/p>\n\u003cp>We got this footage back and it was absolutely harrowing to realize that \u003ca href=\"https://www.washingtonpost.com/world/2023/07/22/ukraine-is-now-most-mined-country-it-will-take-decades-make-safe/\">Ukraine is now the most mined country in the world\u003c/a>. And yet, they were still choosing to live and to find creative inspiration. The contrast that occurred would be inherent in the fact that they just wanted to live their lives and participate and be inspired by the world.\u003c/p>\n\u003cp>\u003cstrong>Codirector and one of the people featured in the film, Slava Leontyev is quoted saying: “Ukraine is like porcelain, easy to break, yet impossible to destroy.” What are some ways you aimed to show this idea in the film? \u003c/strong>\u003c/p>\n\u003cp>First and foremost, it’s in the resilience of people. Everybody in the film chose to maintain their humanity, even with everything crumbling around them, and to continue being creative. When you look at the fact that when Russia first invaded, they destroyed museums and universities and they killed artists. This is, in essence, a genocidal war, and Ukrainian culture is a primary target of that aggression, so the fact that they’re choosing to continue to be creative and to continue living is an act of resistance. And to record those processes, is another form of resistance. It just shows that people are unbreakable.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dQDUGX_ueVg'\n title='//www.youtube.com/embed/dQDUGX_ueVg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Can you talk a little bit about using animation to bring the paintings and the story to life?\u003c/strong>\u003c/p>\n\u003cp>As Anya says in the film, “Her drawings are her language,” and there were certain places that we couldn’t bring the camera to. We don’t have a time machine to go back and see their beautiful life in Crimea before it was annexed to Russia. At the end of the film, Anya and Slava shared their dreams for a peaceful Ukraine in the future. We worked with \u003ca href=\"https://www.behance.net/BluBluStudios?locale=en_US\">BluBlu Studios in Poland\u003c/a>, a collection of artists, and they hand drew 7000 frames of animation, and that’s what brought Anya’s love of porcelain figurines to life.\u003c/p>\n\u003cp>\u003cstrong>As someone who grew up in the Bay Area, how does it feel to have the film available here in the Bay, what does that mean to you?\u003c/strong>\u003c/p>\n\u003cp>When I grew up in the Bay Area, there was a deep sense of community and of art serving both the purpose of aesthetic value, but also something that could participate and make an impact in that community. Being able to return now with my first film and with this amazing collaboration from artistic communities around the world, feels really incredible. I think the Bay Area is kind of emblematic of that type of attitude — that collaboration and artistic expression can have real meaning for people.\u003c/p>\n\u003cfigure id=\"attachment_12020216\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12020216\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7.jpg\" alt=\"\" width=\"2000\" height=\"1044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-800x418.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-1020x532.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-1536x802.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/PorcelainWar_7-1920x1002.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Special Forces soldier, Kharkiv, Ukraine, ‘Porcelain Wars.’ \u003ccite>(Courtesy of Picturehouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Your film comes to the Bay Area just before President-elect Trump begins his second term. How are you feeling about what that means for U.S. policy and its role in Ukraine?\u003c/strong>\u003c/p>\n\u003cp>I think there’s a great deal of uncertainty. He’s expressed this eagerness to end the war quickly. But I think, given the history of his interactions with authoritarian leaders and with Russia, we don’t really know what he’s going to do. When Slava speaks about this, he’s really hopeful that the American people will continue their support and will recognize that not only does Ukraine need help as a free democratic nation that was invaded, but that the outcome of this war affects all of us.\u003c/p>\n\u003cp>You have China that is watching the outcome of this war. If Russia wins, it might embolden them to attack Taiwan. This is the largest conflict in Europe since World War II and it truly does affect all of us around the world. Freedom and democracy are at risk now more than ever. I hope there is an awareness, and I hope that this film can give an additional perspective on what everyday people are going through, and how it can affect all of us.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "its-a-big-family-bay-area-sneakerheads-gather-for-15th-anniversary-sneaker-con",
"title": "'It's a Big Family': Bay Area Sneakerheads Gather for 15th Anniversary Sneaker Con",
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"headTitle": "‘It’s a Big Family’: Bay Area Sneakerheads Gather for 15th Anniversary Sneaker Con | KQED",
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"content": "\u003cp>Colorful sneakers are lined up at booths, tables and tarps as sneaker heads milled through the Santa Clara Convention Center for the 15th anniversary of Sneaker Con.\u003c/p>\n\u003cp>Shoe lovers from all over the Bay Area, and beyond, came out to buy, sell and get their sneakers autographed at “The Greatest Sneaker Show on Earth.”\u003c/p>\n\u003cp>“It’s a big family,” said Juan Ruedas, 36, who traveled seven hours by bus with his son for the convention. “Everybody supports everybody.”\u003c/p>\n\u003cp>Ruedas said he likes looking for sneakers as a hobby, because it’s something he can do with his son. They left the rest of the family at home in the San Gabriel Valley this weekend to explore the convention.\u003c/p>\n\u003cfigure id=\"attachment_12019563\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019563\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aaron Chen (left) and Calvin Wu carry boxes of shoes during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019559\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019559\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees buy, sell, and trade sneakers with collectors from around the country at Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019554\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Atiyah Brinson talks with a shopper at the booth All Star Finds during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Attendees can buy, sell, and trade with collectors from around the country. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anthony Perez, from Fremont, says he got started in the sneaker community at a young age through thrifting and selling. “We didn’t have a lot growing up,” he said. “Having nice, expensive shoes wasn’t really feasible.”\u003c/p>\n\u003cp>He joined a Facebook group with other sneakerheads and said he would thrift and trade to get better ones — riding up and down BART in the East Bay.\u003c/p>\n\u003cp>Perez echoes Ruedas saying Bay Area sneaker fans are a real community. He likes being among others in the sneaker community who are able to talk about different aspects of sneaker history.\u003c/p>\n\u003cp>Picking up a red shoe, Perez explained that it’s a $300 shoe from 2018, adding “sneakerheads know that.” Perez brought 250 pairs of shoes, but his company has closer to 2000, he said.\u003c/p>\n\u003cfigure id=\"attachment_12019552\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019552\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jose Angeles poses for a portrait at Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Attendees can buy, sell, and trade with collectors from around the country. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019557\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019557\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bobby Jackson holds a shoe called Lovers and Friends from the Black Love collection during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Jackson said the shoe celebrates the extra love during Black History Month and people coming together. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a nearby booth, \u003ca href=\"https://www.instagram.com/twojskicks/?hl=en\">Jaysse Lopez\u003c/a>, from Las Vegas, is being asked to pose for photos. Lopez said his foray into sneakers changed his life. He went from “showering in fountains at Caesars Palace” and working there, to owning a store, he said.\u003c/p>\n\u003cfigure id=\"attachment_12019558\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019558\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Left: Anthony Vargas, from San Francisco, poses for a photo with former professional baseball player Jose Conseco during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Right: Vargas holds a baseball card signed by Conseco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019562\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019562\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sang Yu holds a Nike Grateful Dead Dunk at his booth, One Punch Panda, during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Yu also works with the non-profit Aaron & Marvin’s House of Sneakers to give away shoes to youth in the Bay Area. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He’s the founder of \u003ca href=\"https://urbannecessities.com/\">Urban Necessities\u003c/a> and though he no longer owns a store, he now travels around with Sneaker Con. “I’ve done almost 200 shows,” he said. He’s also the subject of a documentary called \u003ca href=\"https://www.youtube.com/watch?v=qfWHhIAdnw4\">\u003cem>Sole Survivor\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>At his booth he has several pairs of sneakers in clear boxes, including the Paris Dunk. Lopez says it came out nearly 20 years ago. “This is a promo sample,” he said. “This is a six figure shoe.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_12019553\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019553\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Haley Carson washes an Air Jordan 10 Retro ‘Tinker’ sneaker with Kika Cleaner, a shoe cleaner, at Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019551\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019551\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Brady Barraclough works at a booth for Fire Kicks Bay Area during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Attendees can buy, sell, and trade with collectors from around the country. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>KQED’s Maria Fernanda Bernal contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "This weekend Santa Clara Convention Center hosts the 15th anniversary of Sneaker Con, where Bay Area sneaker fans are buying and selling shoes.",
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"title": "'It's a Big Family': Bay Area Sneakerheads Gather for 15th Anniversary Sneaker Con | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Colorful sneakers are lined up at booths, tables and tarps as sneaker heads milled through the Santa Clara Convention Center for the 15th anniversary of Sneaker Con.\u003c/p>\n\u003cp>Shoe lovers from all over the Bay Area, and beyond, came out to buy, sell and get their sneakers autographed at “The Greatest Sneaker Show on Earth.”\u003c/p>\n\u003cp>“It’s a big family,” said Juan Ruedas, 36, who traveled seven hours by bus with his son for the convention. “Everybody supports everybody.”\u003c/p>\n\u003cp>Ruedas said he likes looking for sneakers as a hobby, because it’s something he can do with his son. They left the rest of the family at home in the San Gabriel Valley this weekend to explore the convention.\u003c/p>\n\u003cfigure id=\"attachment_12019563\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019563\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-27-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aaron Chen (left) and Calvin Wu carry boxes of shoes during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019559\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019559\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-22-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Attendees buy, sell, and trade sneakers with collectors from around the country at Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019554\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-11-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Atiyah Brinson talks with a shopper at the booth All Star Finds during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Attendees can buy, sell, and trade with collectors from around the country. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anthony Perez, from Fremont, says he got started in the sneaker community at a young age through thrifting and selling. “We didn’t have a lot growing up,” he said. “Having nice, expensive shoes wasn’t really feasible.”\u003c/p>\n\u003cp>He joined a Facebook group with other sneakerheads and said he would thrift and trade to get better ones — riding up and down BART in the East Bay.\u003c/p>\n\u003cp>Perez echoes Ruedas saying Bay Area sneaker fans are a real community. He likes being among others in the sneaker community who are able to talk about different aspects of sneaker history.\u003c/p>\n\u003cp>Picking up a red shoe, Perez explained that it’s a $300 shoe from 2018, adding “sneakerheads know that.” Perez brought 250 pairs of shoes, but his company has closer to 2000, he said.\u003c/p>\n\u003cfigure id=\"attachment_12019552\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019552\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-05-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jose Angeles poses for a portrait at Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Attendees can buy, sell, and trade with collectors from around the country. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019557\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019557\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-20-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bobby Jackson holds a shoe called Lovers and Friends from the Black Love collection during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Jackson said the shoe celebrates the extra love during Black History Month and people coming together. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a nearby booth, \u003ca href=\"https://www.instagram.com/twojskicks/?hl=en\">Jaysse Lopez\u003c/a>, from Las Vegas, is being asked to pose for photos. Lopez said his foray into sneakers changed his life. He went from “showering in fountains at Caesars Palace” and working there, to owning a store, he said.\u003c/p>\n\u003cfigure id=\"attachment_12019558\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019558\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-Diptych-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Left: Anthony Vargas, from San Francisco, poses for a photo with former professional baseball player Jose Conseco during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Right: Vargas holds a baseball card signed by Conseco. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019562\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019562\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-26-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sang Yu holds a Nike Grateful Dead Dunk at his booth, One Punch Panda, during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Yu also works with the non-profit Aaron & Marvin’s House of Sneakers to give away shoes to youth in the Bay Area. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He’s the founder of \u003ca href=\"https://urbannecessities.com/\">Urban Necessities\u003c/a> and though he no longer owns a store, he now travels around with Sneaker Con. “I’ve done almost 200 shows,” he said. He’s also the subject of a documentary called \u003ca href=\"https://www.youtube.com/watch?v=qfWHhIAdnw4\">\u003cem>Sole Survivor\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>At his booth he has several pairs of sneakers in clear boxes, including the Paris Dunk. Lopez says it came out nearly 20 years ago. “This is a promo sample,” he said. “This is a six figure shoe.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_12019553\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019553\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-09-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Haley Carson washes an Air Jordan 10 Retro ‘Tinker’ sneaker with Kika Cleaner, a shoe cleaner, at Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019551\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019551\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/241221-SneakerCon-02-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Brady Barraclough works at a booth for Fire Kicks Bay Area during Sneaker Con Bay Area at the Santa Clara Convention Center on Dec. 21, 2024. Attendees can buy, sell, and trade with collectors from around the country. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>KQED’s Maria Fernanda Bernal contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "In Downtown San José, 2 Christmas Trees Make Space for Community Grief",
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"headTitle": "In Downtown San José, 2 Christmas Trees Make Space for Community Grief | KQED",
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"content": "\u003cp>Walking through San José’s Plaza de Cesar Chavez, there’s all the sparkle and gleam of the holidays: brightly colored bulbs, shimmering ornaments and the familiar melody of Christmas music.\u003c/p>\n\u003cp>But as you snake through the paths of community-decorated Christmas trees and light displays for the city’s annual \u003ca href=\"https://christmasinthepark.com/\">Christmas in the Park\u003c/a>, there are two trees with a deeper message.\u003c/p>\n\u003cp>“It’s a non-threatening way to learn about Palestine,” said Dina Saba, a Palestinian Christian resident of San José. She’s standing in front of two Christmas trees she and a group of 15 volunteers decorated to highlight the ongoing violence in Gaza and the West Bank.\u003c/p>\n\u003cfigure id=\"attachment_12019575\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019575\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Dina Saba adjusts the top of one of the tree she and volunteers decorated to bring attention to ongoing violence in the West Bank and Gaza at San José’s Christmas in the Park on Dec. 15, 2024. \u003ccite>(Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first, dedicated to Gaza, is covered with ornaments showing pictures of smiling, happy children, all of whom have been killed.\u003c/p>\n\u003cp>“It’s devastating to see the children’s faces before they were killed,” she said. “They’re just beautiful faces. We wanted to honor them.”\u003c/p>\n\u003cp>Not far away is their second tree, dedicated to the West Bank, with images of the wall between Israel and Palestinian territories, ornaments with Palestinian traditional dress and an olive branch at the top.\u003c/p>\n\u003cp>She and the volunteers spent a month preparing ornaments and printing out images to adorn the trees to honor those who have died and shine a light on continuing violence.\u003c/p>\n\u003cp>“I felt that it was actually imperative to recognize, honor and raise awareness on what is actually happening in Gaza — which is a genocide,” Saba said. The United Nations found \u003ca href=\"https://www.ohchr.org/en/press-releases/2024/11/un-special-committee-finds-israels-warfare-methods-gaza-consistent-genocide\">Israel’s warfare in Gaza\u003c/a> “consistent with the characteristics of genocide, with mass civilian casualties and life-threatening conditions intentionally imposed on Palestinians.”\u003c/p>\n\u003cfigure id=\"attachment_12019013\" class=\"wp-caption alignnone\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019013\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064.jpg\" alt=\"\" width=\"1600\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">A tree decorated with photos and other ornaments to raise awareness of the plight of children in Gaza is one of the many trees decorated by members of the community at this year’s Christmas in the Park celebration at Plaza de Cesar Chavez in downtown San José on Wednesday, Dec. 18, 2024. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Violence in the region worsened after the Oct. 7, 2023 Hamas-led cross-border attack into Southern Israel — killing more than 1,200 people and taking approximately 240 hostages, according to the Israeli government.\u003c/p>\n\u003cp>“It’s emotional for us because these are our people and our families,” Saba tears up looking at the tree honoring Gaza. “I have relatives in Gaza that have been killed.”[aside tag=\"israel-hamas,palestine\" label=\"More Related Stories\"]Last October, Palestinian Christians in Gaza dedicated services to the victims of a nearby airstrike that damaged an Orthodox church compound \u003ca href=\"https://www.npr.org/2023/10/22/1207912701/churchgoers-dedicate-prayers-to-palestinian-christians-who-died-in-airstrike\">and killed at least 18 people\u003c/a>. The Church of the Holy Sepulchre in the Old City of Jerusalem plays an important role in Christian faith. It is said to be where Jesus was crucified and laid to rest, then rose again.\u003c/p>\n\u003cp>Though normally she celebrates Christmas every year, Saba said this marks the second year in a row she won’t be.\u003c/p>\n\u003cp>Saba says it’s mentally and emotionally exhausting to grapple with the idea that U.S. tax dollars, that she contributes to, are “killing her own people,” as she says.\u003c/p>\n\u003cp>“We’re devastated. Our people are being annihilated,” she said. “It’s hard for us to celebrate while knowing that our family, our community, our people are being completely slaughtered.”\u003c/p>\n\u003cp>The trees are on display until January 1.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "Dina Saba decorated two Christmas trees to highlight the ongoing violence in Gaza and the West Bank. 'We're devastated. Our people are being annihilated,' she said. ",
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"title": "In Downtown San José, 2 Christmas Trees Make Space for Community Grief | KQED",
"description": "Dina Saba decorated two Christmas trees to highlight the ongoing violence in Gaza and the West Bank. 'We're devastated. Our people are being annihilated,' she said. ",
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"headline": "In Downtown San José, 2 Christmas Trees Make Space for Community Grief",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Walking through San José’s Plaza de Cesar Chavez, there’s all the sparkle and gleam of the holidays: brightly colored bulbs, shimmering ornaments and the familiar melody of Christmas music.\u003c/p>\n\u003cp>But as you snake through the paths of community-decorated Christmas trees and light displays for the city’s annual \u003ca href=\"https://christmasinthepark.com/\">Christmas in the Park\u003c/a>, there are two trees with a deeper message.\u003c/p>\n\u003cp>“It’s a non-threatening way to learn about Palestine,” said Dina Saba, a Palestinian Christian resident of San José. She’s standing in front of two Christmas trees she and a group of 15 volunteers decorated to highlight the ongoing violence in Gaza and the West Bank.\u003c/p>\n\u003cfigure id=\"attachment_12019575\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019575\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/05_IMG_2263-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Dina Saba adjusts the top of one of the tree she and volunteers decorated to bring attention to ongoing violence in the West Bank and Gaza at San José’s Christmas in the Park on Dec. 15, 2024. \u003ccite>(Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first, dedicated to Gaza, is covered with ornaments showing pictures of smiling, happy children, all of whom have been killed.\u003c/p>\n\u003cp>“It’s devastating to see the children’s faces before they were killed,” she said. “They’re just beautiful faces. We wanted to honor them.”\u003c/p>\n\u003cp>Not far away is their second tree, dedicated to the West Bank, with images of the wall between Israel and Palestinian territories, ornaments with Palestinian traditional dress and an olive branch at the top.\u003c/p>\n\u003cp>She and the volunteers spent a month preparing ornaments and printing out images to adorn the trees to honor those who have died and shine a light on continuing violence.\u003c/p>\n\u003cp>“I felt that it was actually imperative to recognize, honor and raise awareness on what is actually happening in Gaza — which is a genocide,” Saba said. The United Nations found \u003ca href=\"https://www.ohchr.org/en/press-releases/2024/11/un-special-committee-finds-israels-warfare-methods-gaza-consistent-genocide\">Israel’s warfare in Gaza\u003c/a> “consistent with the characteristics of genocide, with mass civilian casualties and life-threatening conditions intentionally imposed on Palestinians.”\u003c/p>\n\u003cfigure id=\"attachment_12019013\" class=\"wp-caption alignnone\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019013\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064.jpg\" alt=\"\" width=\"1600\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241218_Palestinian-Christmas-Trees_0064-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">A tree decorated with photos and other ornaments to raise awareness of the plight of children in Gaza is one of the many trees decorated by members of the community at this year’s Christmas in the Park celebration at Plaza de Cesar Chavez in downtown San José on Wednesday, Dec. 18, 2024. \u003ccite>(David M. Barreda/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Violence in the region worsened after the Oct. 7, 2023 Hamas-led cross-border attack into Southern Israel — killing more than 1,200 people and taking approximately 240 hostages, according to the Israeli government.\u003c/p>\n\u003cp>“It’s emotional for us because these are our people and our families,” Saba tears up looking at the tree honoring Gaza. “I have relatives in Gaza that have been killed.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Last October, Palestinian Christians in Gaza dedicated services to the victims of a nearby airstrike that damaged an Orthodox church compound \u003ca href=\"https://www.npr.org/2023/10/22/1207912701/churchgoers-dedicate-prayers-to-palestinian-christians-who-died-in-airstrike\">and killed at least 18 people\u003c/a>. The Church of the Holy Sepulchre in the Old City of Jerusalem plays an important role in Christian faith. It is said to be where Jesus was crucified and laid to rest, then rose again.\u003c/p>\n\u003cp>Though normally she celebrates Christmas every year, Saba said this marks the second year in a row she won’t be.\u003c/p>\n\u003cp>Saba says it’s mentally and emotionally exhausting to grapple with the idea that U.S. tax dollars, that she contributes to, are “killing her own people,” as she says.\u003c/p>\n\u003cp>“We’re devastated. Our people are being annihilated,” she said. “It’s hard for us to celebrate while knowing that our family, our community, our people are being completely slaughtered.”\u003c/p>\n\u003cp>The trees are on display until January 1.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"science-friday": {
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