Californians Voted to Spend $1 Billion on K-12 Arts. Why Are Schools Returning the Money?
Proposition 28, which voters overwhelmingly approved in 2022, sets aside about $1 billion a year for the arts in California public schools.
Carolyn Jones, CalMatters
Leo Pham leads the way to his classroom after Jose Ortega Elementary School’s first morning circle of the school year on August 17, 2026, in San Francisco. The bill is currently in the suspense file in the Senate appropriations committee, awaiting approval Thursday. If the committee doesn’t agree to hear it, it’ll likely die. (Miles Cull/KQED)
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Three years after voters passed an ambitious arts education funding measure, California’s K-12 schools were supposed to be awash in dance, music, theater and fine arts. But some schools are returning their arts money to the state, saying the rules on how to spend it are too vague and they can’t find enough arts teachers.
“The sad thing is, this means that thousands of kids aren’t getting art,” said Austin Beutner, the former superintendent of Los Angeles Unified who wrote Proposition 28. “We thought Prop. 28 was clear.”
Prop. 28, which voters overwhelmingly approved in 2022, sets aside about $1 billion a year for the arts in California public schools.
A kindergarten classroom at Mission Bay Elementary School in San Francisco on August 6, 2026. Mission Bay Elementary is the first new public SFUSD school to open in 20 years. (Gina Castro for KQED)
Schools with more low-income students get more money, but otherwise funding is based on enrollment. Los Angeles Unified, with about 400,000 students, got about $72 million last year, while Death Valley Unified, with 21 students, got about $2,000.
Schools must spend at least 80% of their money on additional arts staff, with the rest going to art supplies and other arts expenses. Whatever they don’t spend, they’re required to return to the state after three years. The first three-year period just ended, and the California Department of Education hasn’t yet announced how much money schools returned.
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The state redistributes the unspent money to individual schools that are using their Prop. 28 money correctly, based on their annual spending reports.
State data compiled by Create CA, an arts nonprofit that supported Prop. 28, shows dozens, if not hundreds of schools that spent no money. Among them are charter schools, small schools, and mid-sized schools in every corner of the state.
At the other end of the spectrum, many districts have gone on spending sprees, hiring teachers and expanding programs at all schools.
Bakersfield City Schools, for example, doubled the size of its folklorico and mariachi dance programs, bought thousands of musical instruments and paired local artists with classroom teachers.
Long Beach Unified has also doubled down on the arts. Its high school course catalog offers dozens of arts classes, including classics like marching band and painting as well as more obscure classes like improvisational dance, steel drums, stage technology, chamber orchestra and photography.
Too few teachers, too much confusion
But other districts, particularly smaller and rural districts, have hit some snags. Even though the state allows districts to pool their Prop. 28 money to share a teacher, the law doesn’t provide explicit language about it.
Regardless, schools say there are not enough art teachers to hire. According to a recent Stanford Research Institute study, California needs at least 5,000 new arts teachers to meet the demand. Rural areas in general have a harder time hiring teachers, particularly those with specialized training.
Another obstacle is what some school officials describe as vague directions in the law. Prop. 28 broadly defines what constitutes an arts class, but it doesn’t require those classes to align with the state’s existing arts framework. And schools already get arts funding from the state, leaving some school officials wondering if they can mix their funds and still comply with the law.
Heather Posner (center), executive director of Carquinez Garden School, does arts and crafts with children in the school yard of Carquinez Garden School in Crockett on May 8, 2026. (Tâm Vũ/KQED)
“We need clarity and confidence that we’re doing this the right way,” said El Dorado County Superintendent of Schools Ed Manansala, saying schools are afraid of misusing the funds – for example, sharing a music teacher with another district but not dividing their time lawfully. “We have a long history of supporting the arts and we really want to make sure we do this right.”
Manansala and other school officials also say they’re afraid of getting sued if they don’t use the money correctly. That’s what happened to Los Angeles Unified. Beutner sued his former district last year, claiming it cut existing arts funding and backfilled it with Prop. 28 money, which is prohibited.
The lawsuit is pending in Los Angeles Superior Court. The district said that its use of Prop. 28 money was legal.
‘We should not be fighting over this’
Nonetheless, the confusion led Assemblymember Al Muratsuchi to write a bill that would clarify some of the Prop. 28 language – for example, defining what constitutes supplemental arts funding. The legislation so far has had nearly unanimous bipartisan support, but one very vocal opponent: Beutner.
Beutner said that Muratsuchi’s bill, Assembly Bill 2440, essentially guts Prop. 28 by giving schools too much leeway to spend their money. Among his concerns is that districts will not increase arts education at all school sites, but instead cluster it at certain schools or try to pawn off a physical education class, for example, as an arts class.
“I believe in the arts, and what it can do for students. Some kids only come to school because of the arts,” Beutner said. “We should not be fighting over this. Prop. 28 is very clear” in that it requires schools to add extra arts programs, not replace existing programs.
The majority of students enrolled in the transitional kindergarten program at Kingsley Elementary School come from Spanish-speaking families. Teacher Ana Quintanilla helps them learn basic letters and words. (Ana Tintocalis/KQED)
Beutner also described the bill as a “get-out-of-jail-free card” for Los Angeles Unified, because he said it would give the district more freedom in how it spends its Prop. 28 money. District spokesperson Christy Hagen said in an email that the district had nothing to do with the bill and hasn’t taken a position on it.
Beutner said he’d like to see Muratsuchi’s legislation tabled until a judge rules on his lawsuit against Los Angeles Unified. Otherwise, spending the funding could become even more confusing.
The bill is currently in the suspense file in the Senate appropriations committee, awaiting approval Thursday. If the committee doesn’t agree to hear it, it’ll likely die.
Muratsuchi said he’s open to a last-minute compromise.
“(Beutner) and I share the same goal of Prop. 28 providing arts and music to every child in California regardless of zip code,” said Muratsuchi, a Democrat from Torrance. “We want to make sure the law’s language reflects that. Hopefully I convinced him that I mean well and we have the same objective.”
Urgent need for clarity
Clarifying the languageis crucial if the law is going to be successful, said Veronica Alvarez, executive director of Create CA, a nonprofit that promotes arts education in California schools.
Too many school districts are not spending their Prop. 28 money because they’re confused about the guidelines or can’t comply with what they view as overly narrow requirements, Alvarez said.
“We want clearer statewide rules, so all kids from Shasta to Bakersfield get high-quality arts education,” Alvarez said. “Hopefully we can move forward on this.”
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"slug": "californians-voted-to-spend-1-billion-on-k-12-arts-why-are-schools-returning-the-money",
"title": "Californians Voted to Spend $1 Billion on K-12 Arts. Why Are Schools Returning the Money?",
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"headTitle": "Californians Voted to Spend $1 Billion on K-12 Arts. Why Are Schools Returning the Money? | KQED",
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"content": "\u003cp>\u003c!-- Creative Commons Attribution-NonCommercial-NoDerivatives https://creativecommons.org/licenses/by-nc-nd/4.0/ -->\u003c/p>\n\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>Three years after voters passed an ambitious arts education funding measure, \u003ca href=\"https://www.kqed.org/news/tag/education\">California’s K-12 schools\u003c/a> were supposed to be awash in dance, music, theater and fine arts. But some schools are returning their arts money to the state, saying the rules on how to spend it are too vague and they can’t find enough arts teachers.\u003c/p>\n\u003cp>“The sad thing is, this means that thousands of kids aren’t getting art,” said Austin Beutner, the former superintendent of Los Angeles Unified who wrote \u003ca href=\"https://www.cde.ca.gov/eo/in/prop28artsandmusicedfunding.asp\">Proposition 28\u003c/a>. “We thought Prop. 28 was clear.”\u003c/p>\n\u003cp>Prop. 28, which voters overwhelmingly approved in 2022, sets aside about $1 billion a year for the arts in California public schools.\u003c/p>\n\u003cfigure id=\"attachment_12094193\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12094193\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A kindergarten classroom at Mission Bay Elementary School in San Francisco on August 6, 2026. Mission Bay Elementary is the first new public SFUSD school to open in 20 years. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schools with more low-income students get more money, but otherwise funding is based on enrollment. Los Angeles Unified, with about 400,000 students, got about $72 million last year, while Death Valley Unified, with 21 students, got about $2,000.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Schools must spend at least 80% of their money on additional arts staff, with the rest going to art supplies and other arts expenses. Whatever they don’t spend, they’re required to return to the state after three years. The first three-year period just ended, and the California Department of Education hasn’t yet announced how much money schools returned.[aside postID=news_12094994 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/260722-FAMILYSEPARATION-03-BL-KQED.jpg']The state redistributes the unspent money to individual schools that are using their Prop. 28 money correctly, based on their annual spending reports.\u003c/p>\n\u003cp>State data \u003ca href=\"https://createca.org/california-arts-education-data-project/\">compiled by Create CA\u003c/a>, an arts nonprofit that supported Prop. 28, shows dozens, if not hundreds of schools that spent no money. Among them are charter schools, small schools, and mid-sized schools in every corner of the state.\u003c/p>\n\u003cp>At the other end of the spectrum, many districts have gone on spending sprees, hiring teachers and expanding programs at all schools.\u003c/p>\n\u003cp>Bakersfield City Schools, for example, doubled the size of its folklorico and mariachi dance programs, bought thousands of musical instruments and paired local artists with classroom teachers.\u003c/p>\n\u003cp>Long Beach Unified has also doubled down on the arts. Its high school course catalog offers dozens of arts classes, including classics like marching band and painting as well as more obscure classes like improvisational dance, steel drums, stage technology, chamber orchestra and photography.\u003c/p>\n\u003ch2>Too few teachers, too much confusion\u003c/h2>\n\u003cp>But other districts, particularly smaller and rural districts, \u003ca href=\"https://calmatters.org/education/k-12-education/2024/05/arts-education/\">have hit some snags\u003c/a>. Even though the state allows districts to pool their Prop. 28 money to share a teacher, the law doesn’t provide explicit language about it.\u003c/p>\n\u003cp>Regardless, schools say there are not enough art teachers to hire. According to a \u003ca href=\"https://www.sri.com/wp-content/uploads/2025/10/California-Arts-Education-Landscape-2025.pdf\">recent Stanford Research Institute study\u003c/a>, California needs at least 5,000 new arts teachers to meet the demand. Rural areas in general \u003ca href=\"https://calmatters.org/education/k-12-education/2024/03/rural-schools-california/\">have a harder time\u003c/a> hiring teachers, particularly those with specialized training.\u003c/p>\n\u003cp>Another obstacle is what some school officials describe as vague directions in the law. Prop. 28 broadly defines what constitutes an arts class, but it doesn’t require those classes to align with the state’s existing \u003ca href=\"https://www.cde.ca.gov/ci/vp/cf/\">arts framework\u003c/a>. And schools already get arts funding from the state, leaving some school officials wondering if they can mix their funds and still comply with the law.\u003c/p>\n\u003cfigure id=\"attachment_12083046\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083046\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Heather Posner (center), executive director of Carquinez Garden School, does arts and crafts with children in the school yard of Carquinez Garden School in Crockett on May 8, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We need clarity and confidence that we’re doing this the right way,” said El Dorado County Superintendent of Schools Ed Manansala, saying schools are afraid of misusing the funds – for example, sharing a music teacher with another district but not dividing their time lawfully. “We have a long history of supporting the arts and we really want to make sure we do this right.”\u003c/p>\n\u003cp>Manansala and other school officials also say they’re afraid of getting sued if they don’t use the money correctly. That’s what happened to Los Angeles Unified. Beutner sued his former district last year, claiming it cut existing arts funding and backfilled it with Prop. 28 money, which is prohibited.\u003c/p>\n\u003cp>The lawsuit is pending in Los Angeles Superior Court. The district said that its use of Prop. 28 money was legal.\u003c/p>\n\u003ch2>‘We should not be fighting over this’\u003c/h2>\n\u003cp>Nonetheless, the confusion led Assemblymember \u003ca href=\"https://calmatters.digitaldemocracy.org/legislators/al-muratsuchi-34399\">Al Muratsuchi\u003c/a> to \u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202520260ab2440\">write a bill\u003c/a> that would clarify some of the Prop. 28 language – for example, defining what constitutes supplemental arts funding. The legislation so far has had nearly unanimous bipartisan support, but one very vocal opponent: Beutner.\u003c/p>\n\u003cp>Beutner said that Muratsuchi’s bill, \u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202520260ab2440\">Assembly Bill 2440\u003c/a>, essentially guts Prop. 28 by giving schools too much leeway to spend their money. Among his concerns is that districts will not increase arts education at all school sites, but instead cluster it at certain schools or try to pawn off a physical education class, for example, as an arts class.\u003c/p>\n\u003cp>“I believe in the arts, and what it can do for students. Some kids only come to school because of the arts,” Beutner said. “We should not be fighting over this. Prop. 28 is very clear” in that it requires schools to add extra arts programs, not replace existing programs.\u003c/p>\n\u003cfigure id=\"attachment_12089615\" class=\"wp-caption aligncenter\" style=\"max-width: 1777px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12089615\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed.jpg\" alt=\"\" width=\"1777\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed.jpg 1777w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1777px) 100vw, 1777px\">\u003cfigcaption class=\"wp-caption-text\">The majority of students enrolled in the transitional kindergarten program at Kingsley Elementary School come from Spanish-speaking families. Teacher Ana Quintanilla helps them learn basic letters and words. \u003ccite>(Ana Tintocalis/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Beutner also described the bill as a “get-out-of-jail-free card” for Los Angeles Unified, because he said it would give the district more freedom in how it spends its Prop. 28 money. District spokesperson Christy Hagen said in an email that the district had nothing to do with the bill and hasn’t taken a position on it.\u003c/p>\n\u003cp>Beutner said he’d like to see Muratsuchi’s legislation tabled until a judge rules on his lawsuit against Los Angeles Unified. Otherwise, spending the funding could become even more confusing.\u003c/p>\n\u003cp>The bill is currently in the suspense file in the Senate appropriations committee, awaiting approval Thursday. If the committee doesn’t agree to hear it, it’ll likely die.\u003c/p>\n\u003cp>Muratsuchi said he’s open to a last-minute compromise.\u003c/p>\n\u003cp>“(Beutner) and I share the same goal of Prop. 28 providing arts and music to every child in California regardless of zip code,” said Muratsuchi, a Democrat from Torrance. “We want to make sure the law’s language reflects that. Hopefully I convinced him that I mean well and we have the same objective.”\u003c/p>\n\u003ch2>Urgent need for clarity\u003c/h2>\n\u003cp>Clarifying the languageis crucial if the law is going to be successful, said Veronica Alvarez, executive director of Create CA, a nonprofit that promotes arts education in California schools.\u003c/p>\n\u003cp>Too many school districts are not spending their Prop. 28 money because they’re confused about the guidelines or can’t comply with what they view as overly narrow requirements, Alvarez said.\u003c/p>\n\u003cp>“We want clearer statewide rules, so all kids from Shasta to Bakersfield get high-quality arts education,” Alvarez said. “Hopefully we can move forward on this.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This article was \u003ca href=\"https://calmatters.org/education/2026/08/arts-programs-california/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Proposition 28, which voters overwhelmingly approved in 2022, sets aside about $1 billion a year for the arts in California public schools.\r\n\r\n",
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"title": "Californians Voted to Spend $1 Billion on K-12 Arts. Why Are Schools Returning the Money? | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- Creative Commons Attribution-NonCommercial-NoDerivatives https://creativecommons.org/licenses/by-nc-nd/4.0/ -->\u003c/p>\n\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>Three years after voters passed an ambitious arts education funding measure, \u003ca href=\"https://www.kqed.org/news/tag/education\">California’s K-12 schools\u003c/a> were supposed to be awash in dance, music, theater and fine arts. But some schools are returning their arts money to the state, saying the rules on how to spend it are too vague and they can’t find enough arts teachers.\u003c/p>\n\u003cp>“The sad thing is, this means that thousands of kids aren’t getting art,” said Austin Beutner, the former superintendent of Los Angeles Unified who wrote \u003ca href=\"https://www.cde.ca.gov/eo/in/prop28artsandmusicedfunding.asp\">Proposition 28\u003c/a>. “We thought Prop. 28 was clear.”\u003c/p>\n\u003cp>Prop. 28, which voters overwhelmingly approved in 2022, sets aside about $1 billion a year for the arts in California public schools.\u003c/p>\n\u003cfigure id=\"attachment_12094193\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12094193\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/08/20260806_SFUSDNEWSCHOOL_GC-15-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A kindergarten classroom at Mission Bay Elementary School in San Francisco on August 6, 2026. Mission Bay Elementary is the first new public SFUSD school to open in 20 years. \u003ccite>(Gina Castro for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schools with more low-income students get more money, but otherwise funding is based on enrollment. Los Angeles Unified, with about 400,000 students, got about $72 million last year, while Death Valley Unified, with 21 students, got about $2,000.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Schools must spend at least 80% of their money on additional arts staff, with the rest going to art supplies and other arts expenses. Whatever they don’t spend, they’re required to return to the state after three years. The first three-year period just ended, and the California Department of Education hasn’t yet announced how much money schools returned.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The state redistributes the unspent money to individual schools that are using their Prop. 28 money correctly, based on their annual spending reports.\u003c/p>\n\u003cp>State data \u003ca href=\"https://createca.org/california-arts-education-data-project/\">compiled by Create CA\u003c/a>, an arts nonprofit that supported Prop. 28, shows dozens, if not hundreds of schools that spent no money. Among them are charter schools, small schools, and mid-sized schools in every corner of the state.\u003c/p>\n\u003cp>At the other end of the spectrum, many districts have gone on spending sprees, hiring teachers and expanding programs at all schools.\u003c/p>\n\u003cp>Bakersfield City Schools, for example, doubled the size of its folklorico and mariachi dance programs, bought thousands of musical instruments and paired local artists with classroom teachers.\u003c/p>\n\u003cp>Long Beach Unified has also doubled down on the arts. Its high school course catalog offers dozens of arts classes, including classics like marching band and painting as well as more obscure classes like improvisational dance, steel drums, stage technology, chamber orchestra and photography.\u003c/p>\n\u003ch2>Too few teachers, too much confusion\u003c/h2>\n\u003cp>But other districts, particularly smaller and rural districts, \u003ca href=\"https://calmatters.org/education/k-12-education/2024/05/arts-education/\">have hit some snags\u003c/a>. Even though the state allows districts to pool their Prop. 28 money to share a teacher, the law doesn’t provide explicit language about it.\u003c/p>\n\u003cp>Regardless, schools say there are not enough art teachers to hire. According to a \u003ca href=\"https://www.sri.com/wp-content/uploads/2025/10/California-Arts-Education-Landscape-2025.pdf\">recent Stanford Research Institute study\u003c/a>, California needs at least 5,000 new arts teachers to meet the demand. Rural areas in general \u003ca href=\"https://calmatters.org/education/k-12-education/2024/03/rural-schools-california/\">have a harder time\u003c/a> hiring teachers, particularly those with specialized training.\u003c/p>\n\u003cp>Another obstacle is what some school officials describe as vague directions in the law. Prop. 28 broadly defines what constitutes an arts class, but it doesn’t require those classes to align with the state’s existing \u003ca href=\"https://www.cde.ca.gov/ci/vp/cf/\">arts framework\u003c/a>. And schools already get arts funding from the state, leaving some school officials wondering if they can mix their funds and still comply with the law.\u003c/p>\n\u003cfigure id=\"attachment_12083046\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12083046\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/260508-EXPANSIONCONSEQUENCE-TV-05194-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Heather Posner (center), executive director of Carquinez Garden School, does arts and crafts with children in the school yard of Carquinez Garden School in Crockett on May 8, 2026. \u003ccite>(Tâm Vũ/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We need clarity and confidence that we’re doing this the right way,” said El Dorado County Superintendent of Schools Ed Manansala, saying schools are afraid of misusing the funds – for example, sharing a music teacher with another district but not dividing their time lawfully. “We have a long history of supporting the arts and we really want to make sure we do this right.”\u003c/p>\n\u003cp>Manansala and other school officials also say they’re afraid of getting sued if they don’t use the money correctly. That’s what happened to Los Angeles Unified. Beutner sued his former district last year, claiming it cut existing arts funding and backfilled it with Prop. 28 money, which is prohibited.\u003c/p>\n\u003cp>The lawsuit is pending in Los Angeles Superior Court. The district said that its use of Prop. 28 money was legal.\u003c/p>\n\u003ch2>‘We should not be fighting over this’\u003c/h2>\n\u003cp>Nonetheless, the confusion led Assemblymember \u003ca href=\"https://calmatters.digitaldemocracy.org/legislators/al-muratsuchi-34399\">Al Muratsuchi\u003c/a> to \u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202520260ab2440\">write a bill\u003c/a> that would clarify some of the Prop. 28 language – for example, defining what constitutes supplemental arts funding. The legislation so far has had nearly unanimous bipartisan support, but one very vocal opponent: Beutner.\u003c/p>\n\u003cp>Beutner said that Muratsuchi’s bill, \u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202520260ab2440\">Assembly Bill 2440\u003c/a>, essentially guts Prop. 28 by giving schools too much leeway to spend their money. Among his concerns is that districts will not increase arts education at all school sites, but instead cluster it at certain schools or try to pawn off a physical education class, for example, as an arts class.\u003c/p>\n\u003cp>“I believe in the arts, and what it can do for students. Some kids only come to school because of the arts,” Beutner said. “We should not be fighting over this. Prop. 28 is very clear” in that it requires schools to add extra arts programs, not replace existing programs.\u003c/p>\n\u003cfigure id=\"attachment_12089615\" class=\"wp-caption aligncenter\" style=\"max-width: 1777px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12089615\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed.jpg\" alt=\"\" width=\"1777\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed.jpg 1777w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/07/IMG_6623_qed-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 1777px) 100vw, 1777px\">\u003cfigcaption class=\"wp-caption-text\">The majority of students enrolled in the transitional kindergarten program at Kingsley Elementary School come from Spanish-speaking families. Teacher Ana Quintanilla helps them learn basic letters and words. \u003ccite>(Ana Tintocalis/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Beutner also described the bill as a “get-out-of-jail-free card” for Los Angeles Unified, because he said it would give the district more freedom in how it spends its Prop. 28 money. District spokesperson Christy Hagen said in an email that the district had nothing to do with the bill and hasn’t taken a position on it.\u003c/p>\n\u003cp>Beutner said he’d like to see Muratsuchi’s legislation tabled until a judge rules on his lawsuit against Los Angeles Unified. Otherwise, spending the funding could become even more confusing.\u003c/p>\n\u003cp>The bill is currently in the suspense file in the Senate appropriations committee, awaiting approval Thursday. If the committee doesn’t agree to hear it, it’ll likely die.\u003c/p>\n\u003cp>Muratsuchi said he’s open to a last-minute compromise.\u003c/p>\n\u003cp>“(Beutner) and I share the same goal of Prop. 28 providing arts and music to every child in California regardless of zip code,” said Muratsuchi, a Democrat from Torrance. “We want to make sure the law’s language reflects that. Hopefully I convinced him that I mean well and we have the same objective.”\u003c/p>\n\u003ch2>Urgent need for clarity\u003c/h2>\n\u003cp>Clarifying the languageis crucial if the law is going to be successful, said Veronica Alvarez, executive director of Create CA, a nonprofit that promotes arts education in California schools.\u003c/p>\n\u003cp>Too many school districts are not spending their Prop. 28 money because they’re confused about the guidelines or can’t comply with what they view as overly narrow requirements, Alvarez said.\u003c/p>\n\u003cp>“We want clearer statewide rules, so all kids from Shasta to Bakersfield get high-quality arts education,” Alvarez said. “Hopefully we can move forward on this.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/news/series/baycurious",
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"order": 3
},
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
"link": "/radio/program/code-switch-life-kit",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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