Spencer Whitney is currently a Digital Editor for KQED News. Prior to joining KQED News, Spencer worked as the Multimedia Editor at the Oakland Post and an Assistant Editor in the Editorial department at the San Francisco Chronicle. He attended Howard University as an undergraduate and interned with SiriusXM. He also attended UC Berkeley's Graduate School of Journalism and had the opportunity to write for the hyperlocal news sites Richmond Confidential and Oakland North.
By Spencer Whitney
Could San Francisco Turn to Drones to Solve Its Illegal Dumping Problem?
B. DeVeaux: 'Safe Place (Dear B.)'
Drought: ‘An Invitation’
Lawmakers Praise John Burton for Shaping Generations of California Leaders
Discos Resaca Collective & Mariposas Del Alma: 'Cumbiafornia'
Held: ‘Shoreline’
Combo Tezeta: 'Ritmo Interestelar'
Angrybaby: 'Back to Life'
Cindy: 'All Weekend'
Deva Rani: 'darling'
Destiny Muhammad: 'AlgoRiddims'
The Artist B. Soleil: 'Gangsta Rap'
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> took a step forward on Thursday towards allowing the city to use drones and cameras to identify a visible problem — piles of illegally dumped trash on public streets.\u003c/p>\n\u003cp>A Board of Supervisors committee advanced a proposal to use automated license plate reader\u003cem>s \u003c/em>on cameras and drones to sweep the city and capture evidence of illegal dumping.\u003c/p>\n\u003cp>The proposed locations for illegal dumping cameras have been identified by Public Works using street data for service orders where garbage trucks have been dispatched.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Those caught piling trash next to city garbage cans, as well as auto parts and furniture — a misdemeanor offense — may receive a citation. Fines can reach up to $1,000 per dump.\u003c/p>\n\u003cp>The move from San Francisco comes after Oakland \u003ca href=\"https://oaklandside.org/2026/04/10/drones-illegal-dumping-oakland-aerbits/\">approved\u003c/a> a six-month deal with a San Francisco company to operate a similar program.\u003c/p>\n\u003cfigure id=\"attachment_12084819\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12084819\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711.jpg\" alt=\"\" width=\"1980\" height=\"1308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711-1536x1015.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">In an aerial view, a surveillance camera is seen on a light post on Dec. 2, 2025, in San Francisco, California. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In a recent interview with KQED, \u003ca href=\"https://www.kqed.org/news/12084482/oakland-mayor-barbara-lee-signals-shell-run-for-full-term-in-november\">Mayor Barbara Lee touted\u003c/a> the program as one of the successes of her tenure so far.\u003c/p>\n\u003cp>Privacy advocates, however, have called for more transparency for how the technology would be used and what guidelines would be in place for what data the surveillance drones capture.\u003c/p>\n\u003cp>Mike Katz-Lacabe, advocate and director of research for Oakland Privacy, questioned what the city will do with any footage inevitably captured that is unrelated to the dumping.\u003c/p>\n\u003cp>“And then what oversight of this program would there be?” Katz-Lacabe said. “And who would be conducting that oversight?\u003cem>”\u003c/em>[aside postID=news_12084352 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/SFZooGetty.jpg']According to Esther Lee, government affairs liaison with San Francisco Public Works, access to data is limited to specific employees.\u003c/p>\n\u003cp>“Data retention policies are exactly the way city and county of San Francisco policies are, 30 days for raw data,” Lee said. “Only video clips and images will be retained for authorized use in this policy, which is related to illegal dumping. Sharing of data with external parties is prohibited.”\u003c/p>\n\u003cp>The public works illegal dumping camera system currently consists of a two-camera system at each location, a video camera with pan-tilt-zoom capabilities and an automated license plate reader.\u003c/p>\n\u003cp>Lee said that authorized video clips would be shared with city departments on a case-by-case basis to pursue criminal charges for illegal dumping only.\u003cbr>\n\u003cem>\u003cbr>\n“\u003c/em>We plan to put this on our website and on social media,” she said. “And it’s polite to say it’s public education, but to us, we plan to shame these people for coming into San Francisco and dumping their trash onto our streets.”\u003c/p>\n\u003cfigure id=\"attachment_10643255\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10643255\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978.jpg\" alt=\"File photo of a unmanned aircraft, or drone, flying over a house.\" width=\"1920\" height=\"1377\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-400x287.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-800x574.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-1440x1033.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-1180x846.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-960x689.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An unmanned drone flying over a house. \u003ccite>(Craig Miller/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>However, Shilpi Agarwal, legal director with the ACLU Foundation of Northern California, said it’s hard for “any public body” to say that “they can safely and warrantlessly use drones for civil enforcement without actually spying on people.”\u003cstrong>\u003cbr>\n\u003c/strong>\u003cbr>\n“The power of drone technology, the specificity of the images, the degree to which they can fit, the depth and detail with which they capture sort of the goings on that they are surveilling is really sort of unparalleled and has never before been kind of tested in the courts,” Agarwal said.\u003c/p>\n\u003cp>The full Board of Supervisors will review the committee’s recommendations on June 2.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Those caught piling trash next to city garbage cans, as well as auto parts and furniture — a misdemeanor offense — may receive a citation. Fines can reach up to $1,000 per dump.\u003c/p>\n\u003cp>The move from San Francisco comes after Oakland \u003ca href=\"https://oaklandside.org/2026/04/10/drones-illegal-dumping-oakland-aerbits/\">approved\u003c/a> a six-month deal with a San Francisco company to operate a similar program.\u003c/p>\n\u003cfigure id=\"attachment_12084819\" class=\"wp-caption aligncenter\" style=\"max-width: 1980px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12084819\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711.jpg\" alt=\"\" width=\"1980\" height=\"1308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711.jpg 1980w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2026/05/GettyImages-2249629711-1536x1015.jpg 1536w\" sizes=\"auto, (max-width: 1980px) 100vw, 1980px\">\u003cfigcaption class=\"wp-caption-text\">In an aerial view, a surveillance camera is seen on a light post on Dec. 2, 2025, in San Francisco, California. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In a recent interview with KQED, \u003ca href=\"https://www.kqed.org/news/12084482/oakland-mayor-barbara-lee-signals-shell-run-for-full-term-in-november\">Mayor Barbara Lee touted\u003c/a> the program as one of the successes of her tenure so far.\u003c/p>\n\u003cp>Privacy advocates, however, have called for more transparency for how the technology would be used and what guidelines would be in place for what data the surveillance drones capture.\u003c/p>\n\u003cp>Mike Katz-Lacabe, advocate and director of research for Oakland Privacy, questioned what the city will do with any footage inevitably captured that is unrelated to the dumping.\u003c/p>\n\u003cp>“And then what oversight of this program would there be?” Katz-Lacabe said. “And who would be conducting that oversight?\u003cem>”\u003c/em>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>According to Esther Lee, government affairs liaison with San Francisco Public Works, access to data is limited to specific employees.\u003c/p>\n\u003cp>“Data retention policies are exactly the way city and county of San Francisco policies are, 30 days for raw data,” Lee said. “Only video clips and images will be retained for authorized use in this policy, which is related to illegal dumping. Sharing of data with external parties is prohibited.”\u003c/p>\n\u003cp>The public works illegal dumping camera system currently consists of a two-camera system at each location, a video camera with pan-tilt-zoom capabilities and an automated license plate reader.\u003c/p>\n\u003cp>Lee said that authorized video clips would be shared with city departments on a case-by-case basis to pursue criminal charges for illegal dumping only.\u003cbr>\n\u003cem>\u003cbr>\n“\u003c/em>We plan to put this on our website and on social media,” she said. “And it’s polite to say it’s public education, but to us, we plan to shame these people for coming into San Francisco and dumping their trash onto our streets.”\u003c/p>\n\u003cfigure id=\"attachment_10643255\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10643255\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978.jpg\" alt=\"File photo of a unmanned aircraft, or drone, flying over a house.\" width=\"1920\" height=\"1377\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-400x287.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-800x574.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-1440x1033.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-1180x846.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/08/RS8329_IMG_1308.JPG-alt_319-e1439586720978-960x689.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">An unmanned drone flying over a house. \u003ccite>(Craig Miller/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>However, Shilpi Agarwal, legal director with the ACLU Foundation of Northern California, said it’s hard for “any public body” to say that “they can safely and warrantlessly use drones for civil enforcement without actually spying on people.”\u003cstrong>\u003cbr>\n\u003c/strong>\u003cbr>\n“The power of drone technology, the specificity of the images, the degree to which they can fit, the depth and detail with which they capture sort of the goings on that they are surveilling is really sort of unparalleled and has never before been kind of tested in the courts,” Agarwal said.\u003c/p>\n\u003cp>The full Board of Supervisors will review the committee’s recommendations on June 2.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>B. DeVeaux was dogsitting for one of their old teachers at the Oakland School for the Arts when they wrote their new album’s closing track, “Safe Place (Dear B.).”\u003c/p>\n\u003cp>“I knew I really wanted this song on the project,” DeVeaux says, adding that it felt like a beautiful place to land after hearing the emotional rollercoaster of the full-length record.\u003c/p>\n\u003cp>Growing up in the Bay Area has shaped DeVeaux’s artistry in a multitude of ways. “Oakland really has taught me to be fearless,” the artist says, “especially as a Black, queer person who sings music that maybe isn’t your typical [genre] that you’d expect.” DeVeaux defines themselves as a neo-soul vocalist and songwriter.\u003c/p>\n\u003cp>Indeed, DeVeaux earns that “vocalist” title with their skillful and raw delivery, as the artist effortlessly embellishes the track with vocal runs worthy of an Olympic gold medal. “I did probably at least 15 takes,” they say, “because I was just being really anal about the way I wanted it to sound.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With the song, DeVeaux hopes to inspire listeners to be a “safe place” for themselves and to relay the message that everything people need in this life exists within them. “Even if you feel alone, you’re always loved,” they want to remind their listeners.\u003c/p>\n\u003cp>“Safe Place (Dear B.),” from B. DeVeaux’s first full-length album \u003ci>‘CHRYSALIS,’\u003c/i> is \u003ca href=\"https://www.youtube.com/watch?v=-CYF7Q4XMgE&list=RD-CYF7Q4XMgE\">available now\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>DeVeaux will take the stage as part of the artist collective Oakland Rising at ‘Oakland Grown: Student Arts & Music Festival’ on Saturday, Oct. 25, from 12–4 p.m. at the \u003ca href=\"https://museumca.org/\">Oakland Museum of California\u003c/a>. Tickets can be purchased \u003ca href=\"https://www.classy.org/event/oakland-grown-student-art-and-music-festival-2025/e715644/register/new/select-tickets\">here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cp>The political rise of Willie Brown, Dianne Feinstein, Nancy Pelosi, Kamala Harris and countless others can be traced to two brothers: \u003ca href=\"https://www.kqed.org/news/12054886/john-burton-architect-of-california-democratic-machine-dies-at-92\">Phillip and John Burton\u003c/a>.\u003c/p>\n\u003cp>In the 1960s, the Burtons built what became known in San Francisco as “the Burton Machine,” a coalition of unions, religious leaders and community activists that perfected the art of winning elections.\u003c/p>\n\u003cp>Burton — a civil rights and environmental advocate who served in the state Assembly and Congress — died Sunday at 92. His death drew tributes from California lawmakers, many of whom credited the longtime San Francisco power broker with shaping their political paths and the state’s progressive agenda.\u003c/p>\n\u003cp>In a post on social media platform \u003ca href=\"https://x.com/CAgovernor/status/1964781417327743361\">X\u003c/a>, Gov. Gavin Newsom called Burton “a legendary powerhouse that breathed life into our party and fought for a better California for everyone — uniting Democrats across race, belief, and background.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Over decades in Sacramento and Washington, D.C., Burton built a reputation for blunt, profanity-laced candor as he fought for labor unions and the working class. He was far from perfect, but he was known for championing ordinary people.\u003c/p>\n\u003cp>A staunch Democrat, he also crossed the aisle to work with Republican governors and legislators — many of whom he counted as friends in an era of a very different Republican Party.[aside postID=news_12054886 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/JohnBurtonGetty3.jpg']“He was firm in his commitment to working families, to poor people, and he was really a progressive warrior,” Rep. Nancy Pelosi, who Burton mentored, told KQED.\u003c/p>\n\u003cp>In a statement released earlier on Sunday, she lauded him as a progressive warrior and “ferocious champion for working families.”\u003c/p>\n\u003cp>“All who knew John knew that behind his profanity-laden language was a profound progressive vision for how to make real the promise of America,” Pelosi said in a statement. “And for more than three decades in the Congress, I was blessed to have John as a source of wise counsel, sound judgement and brash humor — and he always served as a constant reinvigoration of my inspiration to carry on the fight For The People.”\u003c/p>\n\u003cp>Born in Cincinnati, Ohio, Burton grew up in San Francisco with his brothers Phillip and Bob Burton. As John Burton climbed the ladder in California, Phil Burton became a powerhouse in Washington, D.C., mastering the art of reapportionment — using oddly drawn or gerrymandered districts to help elect Democrats.\u003c/p>\n\u003cfigure id=\"attachment_12055034\" class=\"wp-caption aligncenter\" style=\"max-width: 1992px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055034\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed.jpg\" alt=\"\" width=\"1992\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed.jpg 1992w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed-1536x1028.jpg 1536w\" sizes=\"auto, (max-width: 1992px) 100vw, 1992px\">\u003cfigcaption class=\"wp-caption-text\">Rep. John Burton pictured in his office, February 1980. \u003ccite>(Janet Fries/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1974, amid the Watergate scandal, Burton was elected to represent San Francisco and part of Marin County in Congress. He served until 1982, when he stepped down to address his cocaine addiction.\u003c/p>\n\u003cp>In 1996, Burton won a state Senate seat, rising to become president pro tem until term limits forced him out in 2004. After leaving the Legislature, he chaired the California Democratic Party from 2009 until 2017. When Democrats opened a new Sacramento office in 2014, they named it the John L. Burton Democratic Headquarters in his honor.\u003c/p>\n\u003cp>“California has lost a giant,” state Senate President Pro Tem Mike McGuire wrote on \u003ca href=\"https://x.com/ilike_mike/status/1964757021221392433\">X\u003c/a>. “John Burton — who led the State Senate with passion and empowered a generation of Californians — never stopped fighting for the most vulnerable and he used his real political power to help those who needed it most.”[aside postID=news_12054630 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GavinNewsomAP.jpg']Sen. Alex Padilla praised Burton for expanding health care access, strengthening worker protections and increasing funding for education.\u003c/p>\n\u003cp>“John was bluntly honest and never shied away from a fight if it meant protecting the vulnerable and giving a voice to the voiceless — a mission he carried on even after his political career by providing a pathway to a better life for thousands of foster youth and securing billions of dollars to invest in their success,” Padilla said in a statement.\u003c/p>\n\u003cp>Assembly Speaker Robert Rivas (D-Salinas) praised Burton for promoting Democratic values that shaped generations of politics and activism in the country.\u003c/p>\n\u003cp>“He leveraged California’s size and influence to do the most good across decades, from divestment in South Africa to supporting farmworkers to enshrining abortion rights in our Constitution,” Rivas said in a statement.\u003c/p>\n\u003cp>Local leaders also weighed in on Burton’s passing. San Francisco Mayor Daniel Lurie praised him for dedicating his life to public service.\u003c/p>\n\u003cp>“His legacy is woven into the fabric of our city and state—in the rights of workers, in protections for foster youth and the most vulnerable, and in the countless public servants he mentored,” he posted on \u003ca href=\"https://x.com/DanielLurie/status/1964772774024781835\">X\u003c/a>.\u003c/p>\n\u003cp>Oakland Mayor Barbara Lee called Burton her “dear friend.”\u003c/p>\n\u003cp>“For more than five decades, John fought for those without a voice — from foster children to farmworkers, from union members to the elderly,” Lee said on \u003ca href=\"https://x.com/BarbaraLee_CA/status/1964792717608976560\">X\u003c/a>. “His mentorship shaped generations of Democratic leaders, and his legacy is alive in every progressive victory in California.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The political rise of Willie Brown, Dianne Feinstein, Nancy Pelosi, Kamala Harris and countless others can be traced to two brothers: \u003ca href=\"https://www.kqed.org/news/12054886/john-burton-architect-of-california-democratic-machine-dies-at-92\">Phillip and John Burton\u003c/a>.\u003c/p>\n\u003cp>In the 1960s, the Burtons built what became known in San Francisco as “the Burton Machine,” a coalition of unions, religious leaders and community activists that perfected the art of winning elections.\u003c/p>\n\u003cp>Burton — a civil rights and environmental advocate who served in the state Assembly and Congress — died Sunday at 92. His death drew tributes from California lawmakers, many of whom credited the longtime San Francisco power broker with shaping their political paths and the state’s progressive agenda.\u003c/p>\n\u003cp>In a post on social media platform \u003ca href=\"https://x.com/CAgovernor/status/1964781417327743361\">X\u003c/a>, Gov. Gavin Newsom called Burton “a legendary powerhouse that breathed life into our party and fought for a better California for everyone — uniting Democrats across race, belief, and background.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Over decades in Sacramento and Washington, D.C., Burton built a reputation for blunt, profanity-laced candor as he fought for labor unions and the working class. He was far from perfect, but he was known for championing ordinary people.\u003c/p>\n\u003cp>A staunch Democrat, he also crossed the aisle to work with Republican governors and legislators — many of whom he counted as friends in an era of a very different Republican Party.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“He was firm in his commitment to working families, to poor people, and he was really a progressive warrior,” Rep. Nancy Pelosi, who Burton mentored, told KQED.\u003c/p>\n\u003cp>In a statement released earlier on Sunday, she lauded him as a progressive warrior and “ferocious champion for working families.”\u003c/p>\n\u003cp>“All who knew John knew that behind his profanity-laden language was a profound progressive vision for how to make real the promise of America,” Pelosi said in a statement. “And for more than three decades in the Congress, I was blessed to have John as a source of wise counsel, sound judgement and brash humor — and he always served as a constant reinvigoration of my inspiration to carry on the fight For The People.”\u003c/p>\n\u003cp>Born in Cincinnati, Ohio, Burton grew up in San Francisco with his brothers Phillip and Bob Burton. As John Burton climbed the ladder in California, Phil Burton became a powerhouse in Washington, D.C., mastering the art of reapportionment — using oddly drawn or gerrymandered districts to help elect Democrats.\u003c/p>\n\u003cfigure id=\"attachment_12055034\" class=\"wp-caption aligncenter\" style=\"max-width: 1992px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12055034\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed.jpg\" alt=\"\" width=\"1992\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed.jpg 1992w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/09/GettyImages-1415221422_qed-1536x1028.jpg 1536w\" sizes=\"auto, (max-width: 1992px) 100vw, 1992px\">\u003cfigcaption class=\"wp-caption-text\">Rep. John Burton pictured in his office, February 1980. \u003ccite>(Janet Fries/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1974, amid the Watergate scandal, Burton was elected to represent San Francisco and part of Marin County in Congress. He served until 1982, when he stepped down to address his cocaine addiction.\u003c/p>\n\u003cp>In 1996, Burton won a state Senate seat, rising to become president pro tem until term limits forced him out in 2004. After leaving the Legislature, he chaired the California Democratic Party from 2009 until 2017. When Democrats opened a new Sacramento office in 2014, they named it the John L. Burton Democratic Headquarters in his honor.\u003c/p>\n\u003cp>“California has lost a giant,” state Senate President Pro Tem Mike McGuire wrote on \u003ca href=\"https://x.com/ilike_mike/status/1964757021221392433\">X\u003c/a>. “John Burton — who led the State Senate with passion and empowered a generation of Californians — never stopped fighting for the most vulnerable and he used his real political power to help those who needed it most.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Sen. Alex Padilla praised Burton for expanding health care access, strengthening worker protections and increasing funding for education.\u003c/p>\n\u003cp>“John was bluntly honest and never shied away from a fight if it meant protecting the vulnerable and giving a voice to the voiceless — a mission he carried on even after his political career by providing a pathway to a better life for thousands of foster youth and securing billions of dollars to invest in their success,” Padilla said in a statement.\u003c/p>\n\u003cp>Assembly Speaker Robert Rivas (D-Salinas) praised Burton for promoting Democratic values that shaped generations of politics and activism in the country.\u003c/p>\n\u003cp>“He leveraged California’s size and influence to do the most good across decades, from divestment in South Africa to supporting farmworkers to enshrining abortion rights in our Constitution,” Rivas said in a statement.\u003c/p>\n\u003cp>Local leaders also weighed in on Burton’s passing. San Francisco Mayor Daniel Lurie praised him for dedicating his life to public service.\u003c/p>\n\u003cp>“His legacy is woven into the fabric of our city and state—in the rights of workers, in protections for foster youth and the most vulnerable, and in the countless public servants he mentored,” he posted on \u003ca href=\"https://x.com/DanielLurie/status/1964772774024781835\">X\u003c/a>.\u003c/p>\n\u003cp>Oakland Mayor Barbara Lee called Burton her “dear friend.”\u003c/p>\n\u003cp>“For more than five decades, John fought for those without a voice — from foster children to farmworkers, from union members to the elderly,” Lee said on \u003ca href=\"https://x.com/BarbaraLee_CA/status/1964792717608976560\">X\u003c/a>. “His mentorship shaped generations of Democratic leaders, and his legacy is alive in every progressive victory in California.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Bay Area-based Discos Resaca Collective, a kind of supergroup of local cumbia artists, felt they struck alchemy when writing “Cumbiafornia.”\u003c/p>\n\u003cp>“It came up very organically,” said Marina Meza, of the all-sisters group Mariposas Del Alma, which fronts Discos Resaca along with MC Deuce Eclipse. “We kind of composed the song in the span of a rehearsal, like two hours.”\u003c/p>\n\u003cp>The idea for “Cumbiafornia” started when the members wanted to pay homage to the Bay Area and California at large through the fuel of cumbia — a style of Latin music known for its iconic and approachable rhythm that often lends itself to dance floors.\u003c/p>\n\u003cp>At the peak of the song, all three voices — the Mariposas’ and Deuce Eclipse’s — join together in a chant: “cumbia, Colombiana, Mexicana, El Salvador, Area de la Bahía, Los Angeles.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s like, hey, we’re all representing these countries, but we’re here in the Bay Area and in Los Angeles and everywhere in between in California,” said Ivan Flores, the collective’s accordion player and band director. “That’s the beauty of California. We have a whole world’s worth of culture in one place.”\u003c/p>\n\u003cp>Earlier this year, Discos Resaca Collective was able to share this musical love letter to California beyond state — and even country — lines. In a surreal, pinch-me moment, they performed “Cumbiafornia” at the birthplace of cumbia itself: in San Jacinto Bolivar, Colombia, during Cumbia Festival.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“It was very special to perform it [there]. To be embraced in a place with so much cultura for cumbia… it’s very honorable of them to be open and not closed off,” Deuce Eclipse said. “We are ‘Cumbiafornia,’ we do come from all these places, but we honor the tradition of the music as well as try to give it a new voice.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regarding the band’s name, Gill says that she wanted something opaque that didn’t tell anyone much about the music. “It’s one of those names that fits a lot of different types and lots of personalities,” she said. “And so I liked how it was recognizable, but also didn’t lead you down a specific road of thought.”\u003c/p>\n\u003cp>Gill hopes people will pay attention to the music in a relaxed way. “I think that’s a kind of great thing to hear something and have your ear caught long enough that you’re not thinking about what you have to eat for dinner or whatever [and] that you’re able to just pay attention to the experience of it,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band’s members also include Olly Lipton, Stayzhe Rodriguez, and Will Smith. “All Weekend” also features Stanley Martinez on guitar and Mike Ramos on drums. You can see them perform at the \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/the-reds-pinks-and-purples-cindy-7pm-doors-8pm-show-20\">Four Star Theater\u003c/a> in San Francisco on Oct. 11th at 7 p.m.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>\u003cem>This audio segment was produced by Bianca Taylor. Taylor also produced\u003c/em> \u003ca href=\"https://www.kqed.org/news/12000787/oakland-composer-and-harpist-destiny-muhammad-has-always-charted-her-own-path\">\u003ci>a story about Destiny\u003c/i>\u003c/a>\u003ci> for KQED’s California Report Magazine series, \u003c/i>\u003ca href=\"https://www.kqed.org/news/tag/california-composers\">\u003ci>California Composers.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Oakland-based composer and musician Destiny Muhammad dreamed about playing the harp as a child after watching the character Harpo Marx play the instrument on an episode of \u003cem>I Love Lucy\u003c/em>. She purchased her first harp in 1992 for $400.\u003c/p>\n\u003cp>“For the first 30 days, I’m just running my fingers across the strings, not even sure how to even hold it,” said Muhammad. “And I said, ‘I guess I better get a teacher.'”\u003c/p>\n\u003cp>Her instructor taught her the fundamentals of playing the harp through songs like “Twinkle, Twinkle, Little Star,” “Hot Cross Buns,” and “Go Tell Aunt Rhody.” Muhammad credits these lessons as helping her become a better musician.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She says that while her musical path wasn’t always clear, she had faith that opportunities would present themselves.\u003c/p>\n\u003cp>“I started [taking lessons] at 30,” said Muhammad. “I am 61, stepping into my 62nd year on the planet. I’m as excited now as I was when I got my first harp.”\u003c/p>\n\u003cp>She has received numerous accolades throughout her career, including becoming \u003ca href=\"https://www.recordingacademy.com/membership/governance\">governor of the board for the San Francisco Chapter of the Recording Academy\u003c/a> and a \u003ca href=\"https://arts.ca.gov/wp-content/uploads/2021/10/CAC_INA_2021_Fellows.pdf\">California Arts Council Legacy Fellow\u003c/a>.\u003c/p>\n\u003cp>She composes original scores for her group, the Destiny Muhammad trio. The trio includes Arthur Chico Lopez on upright bass and Leon Joyce Jr. on drums and percussion.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear them live, they will be performing a \u003ca href=\"https://www.sfjazz.org/tickets/productions/24-25/education/family-matinees/honoring-our-ancestors-destiny-muhammad-trio-special-guests/\">tribute to Native American Jazz Musician Jim Pepper\u003c/a> at SFJazz on Nov. 16. They will also be performing a holiday concert at San Francisco’s \u003ca href=\"https://gracecathedral.org/calendar-events/soulful-joy/\">Grace Cathedral\u003c/a> on Dec. 20.\u003c/p>\n\n",
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"title": "The Artist B. Soleil: 'Gangsta Rap' | KQED",
"description": "In this episode of the Sunday Music Drop, Oakland-based The Artist B. Soleil shares their song "Gangsta Rap" and what it means to make "genre-nonconforming" music.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>The Artist B. Soleil is an Oakland-based “genre-nonconforming” musician originally from Houston, Texas. They produce, write songs and rap with a musical style influenced by artists like Tupac Shakur, Alice Coltrane and Prince.\u003c/p>\n\u003cp>“If you think of gender nonconformity as being this spectrum of how we exist, I feel like music is also a similar spectrum,” B. Soleil said. “I can still like hip hop, but with this really cool rock guitar solo sound on it, like everything doesn’t have to be so into boxes.”\u003c/p>\n\u003cp>Growing up, they were introduced to music at an early age. B. Soleil’s great-grandmother taught them how to play the piano at the age of three and they later joined the marching band and a jazz combo, playing the flute, clarinet and bass.\u003c/p>\n\u003cp>“I have a lot of family who are also musicians,” they said. “My mom sings, my aunt is a singer and an entertainer. My dad was a music producer. I didn’t have a choice.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>B. Soleil said their song “Gangsta Rap” was inspired when they visited South Africa and saw a t-shirt that said, “Gangsta Rap made me do it.”\u003c/p>\n\u003cp>“When you think about it, [gangster rap] is just very stigmatized, and the antithesis to gangster rap is kind of like reggae-conscious Bob Marley,” they said. “I feel like in making the song, it was kind of like a joke of gangsta rap made me write a song like a Rasta, which could be offensive too, in some regard.”\u003c/p>\n\u003cp>B. Soleil says the message in their music is to always believe in something and to take a stand for what you believe in.\u003c/p>\n\u003cp>“I feel like through those motions, we can create that change,” they said. “I feel like we should always be using our gifts and our tools to do that.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear them live, The Artist B. Soleil will perform at 3545 International Blvd. in Oakland on Aug. 31st at 4 p.m.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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}
