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Jeffrey Gibson’s ‘Nothing is Eternal’ is Perfectly Chaotic

Frederick Douglass’ ‘Lessons’ Resound in the Contemporary Moment

The Center Cannot Hold in Kate Bonner’s Show of Monumental Detritus

A Scammer’s Daughter Questions the Family Business in ‘Kajillionaire’

Interface Marks its Final ‘Threshold’ with an Elegant Two-Person Show

On Being the Only One in Fraenkel Gallery’s ‘I’m Not the Only One’

Future Artifacts Gaze Back in Erica Deeman’s ‘Familiar Stranger’

All’s Fair Game in 'Love and Warcraft'

‘Arthur’ Reminds Us the Internet Can’t Replace Art Shows

‘The Truth’ Taps Our Nostalgia for Deneuve, Binoche and Their On-Screen Personas

Isabelle Frances McGuire’s Time Capsule of Pandemic Isolation

‘Shirley’ Role-Plays Women as Rivals, Victims, Sisters

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