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The ‘Severance’ Finale Asks: How Far Would Your Innie Go for Your Outie?

‘Snow White’ Is No Poisoned Apple, But It Doesn’t Whistle

Susan Weil Graces SF With Seven Decades of Dazzling Art

Don’t Change the Channel on ACT’s Witty, Potent ‘Nobody Loves You’

‘Eephus’ Is the Best Baseball Movie Since ‘Moneyball’

Steven Soderbergh’s Sleek Spy Thriller ‘Black Bag’ Crackles

Poppy’s Tour Kickoff in San Francisco Was Beautiful Chaos

‘Democracy Noir’ Depicts Hungary’s Dark Slide — and Foretells Ours

‘All the Other Mothers Hate Me’ Is a Breezy Read from Sarah Harman

Surreal, Riveting ‘On Becoming a Guinea Fowl’ Centers on a Family Reckoning

The Lady Gaga You Loved and Missed Returns With ‘Mayhem’

Bong Joon Ho Slips Us a ‘Mickey 17’

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