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Now comes an exhibit that encourages a more creative approach. \u003cem>This is Not a Selfie\u003c/em>, running through Jan. 14 at the \u003ca href=\"http://sjmusart.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Museum of Art \u003c/a>, features artists who played with self-portraits long before “selfie” was ever a word: Cindy Sherman, William Wegman, Diane Arbus and many more.\u003c/p>\n\u003cfigure id=\"attachment_13807885\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-1020x1426.jpg\" alt=\"Nadar (Gaspard-Félix Tournachon), Self-Portrait in Indian Costume, circa 1863 Nadar (Gaspard-Félix Tournachon) Self-Portrait in Indian Costume, circa 1863 Albumen silver print 6 1/8 x 4 1/16 inches Los Angeles County of Art photo @ Museum Associates/LACMA\" width=\"640\" height=\"895\" class=\"size-large wp-image-13807885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-1020x1426.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-800x1118.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-768x1074.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-1180x1650.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-960x1342.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-240x336.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-375x524.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-520x727.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k.jpg 1465w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Nadar (Gaspard-Félix Tournachon), Self-Portrait in Indian Costume, circa 1863 Nadar (Gaspard-Félix Tournachon) Self-Portrait in Indian Costume, circa 1863 Albumen silver print 6 1/8 x 4 1/16 inches Los Angeles County of Art photo @ Museum Associates/LACMA\u003c/figcaption>\u003c/figure>\n\u003cp>San Jose Museum Associate Curator Rory Padeken notes that the photographers in the show generally created self-portraits that are not a reflection of who they are but how they think about the world. “It moves beyond the artist as the self to talk about things like politics or about gender identity. The artists are sort of using their body to talk about the larger social issues of our time.“ Yet even as the show celebrates these thoughtful self-portraits, it offers a couple of selfie stations where visitors can make their own self-portraits, post them on Instagram, and get them displayed in the exhibit. Art-making has never been this easy. \u003ca href=\"http://sjmusart.org/exhibition/not-selfie-photographic-self-portraits-audrey-and-sydney-irmas-collection\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13808356\" class=\"wp-caption aligncenter\" style=\"max-width: 719px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13808356\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie.jpg\" alt=\"Cy's selfie at the San Jose Museum of Art show 'This is Not a Selfie'\" width=\"719\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie.jpg 719w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-240x149.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-520x322.jpg 520w\" sizes=\"(max-width: 719px) 100vw, 719px\">\u003cfigcaption class=\"wp-caption-text\">Cy’s selfie at the San Jose Museum of Art show ‘This is Not a Selfie’ \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Museums around the world are split on the selfie, often banning selfie sticks — fearing the damage that a \u003ca href=\"https://www.nytimes.com/2017/07/14/arts/design/oops-a-museum-selfie-gone-wrong-causes-200000-in-damage.html?_r=0\" target=\"_blank\" rel=\"noopener noreferrer\">careless, self-absorbed patron might cause to the artwork\u003c/a> — but encouraging hand-held selfies to entice Instagram-happy millennials. Now comes an exhibit that encourages a more creative approach. \u003cem>This is Not a Selfie\u003c/em>, running through Jan. 14 at the \u003ca href=\"http://sjmusart.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Museum of Art \u003c/a>, features artists who played with self-portraits long before “selfie” was ever a word: Cindy Sherman, William Wegman, Diane Arbus and many more.\u003c/p>\n\u003cfigure id=\"attachment_13807885\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-1020x1426.jpg\" alt=\"Nadar (Gaspard-Félix Tournachon), Self-Portrait in Indian Costume, circa 1863 Nadar (Gaspard-Félix Tournachon) Self-Portrait in Indian Costume, circa 1863 Albumen silver print 6 1/8 x 4 1/16 inches Los Angeles County of Art photo @ Museum Associates/LACMA\" width=\"640\" height=\"895\" class=\"size-large wp-image-13807885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-1020x1426.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-800x1118.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-768x1074.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-1180x1650.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-960x1342.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-240x336.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-375x524.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k-520x727.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/36007871055_758602c5ec_k.jpg 1465w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Nadar (Gaspard-Félix Tournachon), Self-Portrait in Indian Costume, circa 1863 Nadar (Gaspard-Félix Tournachon) Self-Portrait in Indian Costume, circa 1863 Albumen silver print 6 1/8 x 4 1/16 inches Los Angeles County of Art photo @ Museum Associates/LACMA\u003c/figcaption>\u003c/figure>\n\u003cp>San Jose Museum Associate Curator Rory Padeken notes that the photographers in the show generally created self-portraits that are not a reflection of who they are but how they think about the world. “It moves beyond the artist as the self to talk about things like politics or about gender identity. The artists are sort of using their body to talk about the larger social issues of our time.“ Yet even as the show celebrates these thoughtful self-portraits, it offers a couple of selfie stations where visitors can make their own self-portraits, post them on Instagram, and get them displayed in the exhibit. Art-making has never been this easy. \u003ca href=\"http://sjmusart.org/exhibition/not-selfie-photographic-self-portraits-audrey-and-sydney-irmas-collection\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13808356\" class=\"wp-caption aligncenter\" style=\"max-width: 719px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13808356\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie.jpg\" alt=\"Cy's selfie at the San Jose Museum of Art show 'This is Not a Selfie'\" width=\"719\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie.jpg 719w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-240x149.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/09/Cys-selfie-at-the-San-Jose-Museum-of-Art-show-This-is-Not-a-Selfie-520x322.jpg 520w\" sizes=\"(max-width: 719px) 100vw, 719px\">\u003cfigcaption class=\"wp-caption-text\">Cy’s selfie at the San Jose Museum of Art show ‘This is Not a Selfie’ \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "What We Saw at Newport Folk 2017",
"headTitle": "What We Saw at Newport Folk 2017 | KQED",
"content": "\u003cp>Moments of unexpected magic are the Newport Folk Festival’s calling card. The festival typically sells out well before its lineup is even announced — but the official lineup is more of a rough guideline, anyway, since the weekend is peppered every year with surprise performances and collaborations.\u003c/p>\n\u003cp>An unannounced slot at the smallest of Newport’s main stages turned out to belong to Nathaniel Rateliff and The Night Sweats, who played some new music with the Preservation Hall Jazz Band and finished out their set by parading, second-line style, through the enormous crowd that had assembled.\u003c/p>\n\u003cp>Hiss Golden Messenger’s M.C. Taylor assembled a few friends — including Justin Vernon, Phil Cook and Natalie Prass — to perform a tribute to Bill Withers’ music.\u003c/p>\n\u003cp>And master songwriter John Prine, who played Sunday evening’s last set, brought out Vernon, Rateliff, Jim James, Margo Price and Roger Waters, before a stageful of the weekend’s performers gathered to sing “Paradise.”\u003c/p>\n\u003cp>Newport’s most dedicated festivalgoers, affectionately known as the Folk, know to expect surprises like this; they’re what have made Newport Folk Festival one of the country’s most unique and beloved music festivals for almost 60 years.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>NPR Music’s photographer Adam Kissick is ready for those surprises, too. He spent the weekend chasing them down, traversing the festival grounds at Fort Adams State Park many times over. (We asked him to check his step counter at the end of one day’s work: eight miles.) Below, find some of what we saw at this year’s festival. For some of what we heard, check back over the coming days as we continue to post audio from selected sets. \u003c/p>\n\u003cfigure id=\"attachment_13789409\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-800x535.jpg\" alt=\"The gates are open — no running!\" width=\"800\" height=\"535\" class=\"size-medium wp-image-13789409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-1180x789.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-960x642.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-520x348.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The gates are open — no running! \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789410\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-800x534.jpg\" alt=\"Roger Waters and John Prine.\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roger Waters and John Prine. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789421\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-800x532.jpg\" alt=\"Nancy And Beth (and Shakey Graves, and Nick Offerman).\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789421\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy And Beth (and Shakey Graves, and Nick Offerman). \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789424\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-800x531.jpg\" alt=\"Jim James and Preservation Hall Jazz Band.\" width=\"800\" height=\"531\" class=\"size-medium wp-image-13789424\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-1180x783.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-960x637.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-520x345.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jim James and Preservation Hall Jazz Band. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789454\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-800x532.jpg\" alt=\"Hurray For The Riff Raff.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789454\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hurray For The Riff Raff. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789458\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-800x532.jpg\" alt=\"Angel Olsen\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angel Olsen \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789466\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-800x534.jpg\" alt=\"High five!\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789466\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">High five! \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-800x449.jpg\" alt=\"L.A. Salami.\" width=\"800\" height=\"449\" class=\"size-medium wp-image-13789520\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-768x431.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-1020x572.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-1180x662.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-960x538.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-375x210.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">L.A. Salami. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789575\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-800x449.jpg\" alt=\"The Avett Brothers\" width=\"800\" height=\"449\" class=\"size-medium wp-image-13789575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-768x431.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-1020x572.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-1180x662.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-960x538.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-375x210.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Avett Brothers \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789646\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-800x532.jpg\" alt=\"Rhiannon Giddens\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rhiannon Giddens \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789649\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-800x534.jpg\" alt=\"Chicano Batman\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789649\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-800x532.jpg\" alt=\"Grandma's Hands (M.C. Taylor and friends).\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Grandma’s Hands (M.C. Taylor and friends). \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-800x532.jpg\" alt=\"Nathaniel Rateliff and Preservation Hall Jazz Band.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nathaniel Rateliff and Preservation Hall Jazz Band. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789656\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-800x532.jpg\" alt='\"Speak Out!\" with Sharon Van Etten' width=\"800\" height=\"532\" class=\"size-medium wp-image-13789656\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Speak Out!” with Sharon Van Etten \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-800x532.jpg\" alt=\"Jalen N'Gonda\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789655\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jalen N’Gonda \u003ccite>(Jalen N'Gonda)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-800x532.jpg\" alt=\"Robert Ellis\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Robert Ellis \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-800x534.jpg\" alt=\"Ben Gibbard\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ben Gibbard \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-800x532.jpg\" alt=\"Mandolin Orange.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789652\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/mandolin-orange_custom-88ea7ca7c6c2c7b6e3f5e680690537d2ad43e62c-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mandolin Orange \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-800x532.jpg\" alt=\"Wilco and Billy Bragg\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789651\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jeff-billy_custom-29482f60dd9680c3224ccd30003bf84c68d63c8a-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wilco and Billy Bragg \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789650\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-800x532.jpg\" alt='\"Speak Out!\" with Margo Price and Zach Williams' width=\"800\" height=\"532\" class=\"size-medium wp-image-13789650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-margo-price-zach-williams_custom-97aedddbd4fa9a2f05c89bd4db38ae8dd38c230d-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Speak Out!” with Margo Price and Zach Williams \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789666\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-800x534.jpg\" alt=\"It was all a blur\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789666\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/a-blur_custom-01bc94d9e7f47e859e9a954932bd7f7de40d0a86-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">It was all a blur \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What+We+Saw+At+Newport+Folk+2017&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The Newport Folk Festival is not just a festival — it's an annualized community. Photographer Adam Kissick captured it.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Moments of unexpected magic are the Newport Folk Festival’s calling card. The festival typically sells out well before its lineup is even announced — but the official lineup is more of a rough guideline, anyway, since the weekend is peppered every year with surprise performances and collaborations.\u003c/p>\n\u003cp>An unannounced slot at the smallest of Newport’s main stages turned out to belong to Nathaniel Rateliff and The Night Sweats, who played some new music with the Preservation Hall Jazz Band and finished out their set by parading, second-line style, through the enormous crowd that had assembled.\u003c/p>\n\u003cp>Hiss Golden Messenger’s M.C. Taylor assembled a few friends — including Justin Vernon, Phil Cook and Natalie Prass — to perform a tribute to Bill Withers’ music.\u003c/p>\n\u003cp>And master songwriter John Prine, who played Sunday evening’s last set, brought out Vernon, Rateliff, Jim James, Margo Price and Roger Waters, before a stageful of the weekend’s performers gathered to sing “Paradise.”\u003c/p>\n\u003cp>Newport’s most dedicated festivalgoers, affectionately known as the Folk, know to expect surprises like this; they’re what have made Newport Folk Festival one of the country’s most unique and beloved music festivals for almost 60 years.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>NPR Music’s photographer Adam Kissick is ready for those surprises, too. He spent the weekend chasing them down, traversing the festival grounds at Fort Adams State Park many times over. (We asked him to check his step counter at the end of one day’s work: eight miles.) Below, find some of what we saw at this year’s festival. For some of what we heard, check back over the coming days as we continue to post audio from selected sets. \u003c/p>\n\u003cfigure id=\"attachment_13789409\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-800x535.jpg\" alt=\"The gates are open — no running!\" width=\"800\" height=\"535\" class=\"size-medium wp-image-13789409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-1180x789.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-960x642.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85-520x348.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/no-running_custom-edeec32d9aa9e780b508e1bab41877faaf732f70-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The gates are open — no running! \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789410\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-800x534.jpg\" alt=\"Roger Waters and John Prine.\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/waters-prine-2_custom-f2a880065f89508111f5998df74b87479a84f133-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roger Waters and John Prine. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789421\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-800x532.jpg\" alt=\"Nancy And Beth (and Shakey Graves, and Nick Offerman).\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789421\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nancy-and-beth-2_custom-93e409c108be453823aeebb17f101fe7ef581dcd-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy And Beth (and Shakey Graves, and Nick Offerman). \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789424\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-800x531.jpg\" alt=\"Jim James and Preservation Hall Jazz Band.\" width=\"800\" height=\"531\" class=\"size-medium wp-image-13789424\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-1180x783.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-960x637.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85-520x345.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jim-pres-hall_custom-4fb719c4ccf8156070c0da34f8d4efeb95cd5bb1-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jim James and Preservation Hall Jazz Band. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789454\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-800x532.jpg\" alt=\"Hurray For The Riff Raff.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789454\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/hurray-for-the-riff-raff-2_custom-756303542cafbf700b0984d0d5f8d07eb35d031f-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hurray For The Riff Raff. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789458\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-800x532.jpg\" alt=\"Angel Olsen\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/angel-olsen_custom-04d2170627f4b948ede13f6e5d52cc5dcb6a0a6c-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angel Olsen \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789466\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-800x534.jpg\" alt=\"High five!\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789466\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/high-five-line_custom-78e40f14c914ed5609642bf8a3e296295d68b5e7-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">High five! \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-800x449.jpg\" alt=\"L.A. Salami.\" width=\"800\" height=\"449\" class=\"size-medium wp-image-13789520\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-768x431.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-1020x572.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-1180x662.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-960x538.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-375x210.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/la-salami_custom-edd802320b554b005f7bfed1d90b74701e4e0540-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">L.A. Salami. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789575\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-800x449.jpg\" alt=\"The Avett Brothers\" width=\"800\" height=\"449\" class=\"size-medium wp-image-13789575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-800x449.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-768x431.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-1020x572.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-1180x662.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-960x538.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-375x210.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/avett-bros-5_custom-9d7d047bef092c296cb6eed5da7e5161af18bc75-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Avett Brothers \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789646\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-800x532.jpg\" alt=\"Rhiannon Giddens\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/rhiannon-giddens1_custom-7cefbcf59e1b66aab9fac4c9b0b9039928aeb4c6-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rhiannon Giddens \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789649\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-800x534.jpg\" alt=\"Chicano Batman\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789649\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/chicano-batman_custom-cdbd89b63628f4cc21f5b44782d02bf61509ef8e-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chicano Batman \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-800x532.jpg\" alt=\"Grandma's Hands (M.C. Taylor and friends).\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/grandmas-hands_custom-61ab6d2248d1a2412dd437d11bd6bf9e60d7a12d-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Grandma’s Hands (M.C. Taylor and friends). \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-800x532.jpg\" alt=\"Nathaniel Rateliff and Preservation Hall Jazz Band.\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789657\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/nathaniel-rateliff-pres-hall-2_custom-89d7561585e583fb8c2c64e684351abeccf3a93e-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nathaniel Rateliff and Preservation Hall Jazz Band. \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789656\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-800x532.jpg\" alt='\"Speak Out!\" with Sharon Van Etten' width=\"800\" height=\"532\" class=\"size-medium wp-image-13789656\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/speak-out-sharon-van-etten_custom-f89d50ef457858df4e1a48353913c93453b7e03d-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Speak Out!” with Sharon Van Etten \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-800x532.jpg\" alt=\"Jalen N'Gonda\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789655\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/jalen-n-gonda_custom-3f07d3bb2af089abc402dfc90ae75bb37117a522-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jalen N’Gonda \u003ccite>(Jalen N'Gonda)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-800x532.jpg\" alt=\"Robert Ellis\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13789654\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/robert-ellis-2_custom-26b436c6a37fd1078ba0e8f686f2d47b4ee29036-s1300-c85.jpg 1300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Robert Ellis \u003ccite>(Adam Kissick for NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13789653\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-800x534.jpg\" alt=\"Ben Gibbard\" width=\"800\" height=\"534\" class=\"size-medium wp-image-13789653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/ben-gibbard_custom-a00d1c3a35c7f07c667eb68c429531ebadca31da-s1300-c85-768x512.jpg 768w, 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"content": "\u003cp>“There are no jobs on a dead planet.” “Make the earth cool again.” “I need ice, ice, baby.” \u003c/p>\n\u003cp>As Bay Area comedian Margo Gomez and spoken-word artist Jevon Cochran took turns reading handmade signs from a bicycle-powered stage, hundreds of people danced, rallied and marched Saturday, choosing to spend a beautiful afternoon at Lake Merritt urging a fight against climate change.\u003c/p>\n\u003cp>On April 29, which marked the end of the first 100 days of the Trump administration, the rally featured talks from local artists, dozens of booths with information on sustainable living and live music from LoCura and Rupa & the April Fishes.\u003c/p>\n\u003cfigure id=\"attachment_13131277\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-800x533.jpg\" alt=\"Rupa & the April Fishes perform at the People's Climate march in Oakland, April 29, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13131277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rupa & the April Fishes perform at the People’s Climate march in Oakland, April 29, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gomez and Cochran urged the crowd to get more involved with their local community to push for action — and Cochran decided to lead by example, taking $5 out of his pocket and donating it to the Bay Area People’s Climate Movement.\u003c/p>\n\u003cp>The grassy area in front of the Lake Merritt Amphitheater teemed with a diverse mix of people: young children, parents, college students and veteran activists. Oakland’s was one of more than 250 sister marches supporting the People’s Climate March in Washington, D.C., and police estimated total attendance at 2,500. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Among those were groups of environmental activists choreographing a dance to a “Soil” version of Lorde’s “Royals,” a mother-daughter duo biking to power the stage, groups of people meditating on the grass and even a few dressed as polar bears. \u003c/p>\n\u003cfigure id=\"attachment_13131269\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-800x533.jpg\" alt=\"Event MCs Marga Gomez and Jevon Cocharan at the People's Climate march in Oakland, April 29, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13131269\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Event MCs Marga Gomez and Jevon Cocharan at the People’s Climate march in Oakland, April 29, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In true sustainable fashion, the stage was powered by Rock The Bike, a pedal-power concert and activities company owned by Paul Freedman. “I think people need to feel inspired by teamwork and personal action,” Freedman said. “We can’t wait for Teslas, solar panels and wind turbines to fix it, and we certainly can’t wait for politicians to fix it.”\u003c/p>\n\u003cp>Event coordinator Louise Chegwidden also said she hoped to inspire others. “The people who least contribute to greenhouse gasses are the first to be impacted by the ravages of climate change and that’s not right,” Chegwidden says. “I have a 14-year-old son, I breathe air, I drink water, I’m human and I’m part of the biosphere that we share with all other life — and we are the ones who are ruining the show for everybody. So we’re the ones who need to clean it up.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>More photos below. (All photos by Estefany Gonzalez.)\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" ids=\"13131278,13131265,13131272,13131267,13131275,13131266,13131273,13131268,13131270,13131264,13131271,13131276,13131274,13134190,13134189,13134188,13134187\"]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“There are no jobs on a dead planet.” “Make the earth cool again.” “I need ice, ice, baby.” \u003c/p>\n\u003cp>As Bay Area comedian Margo Gomez and spoken-word artist Jevon Cochran took turns reading handmade signs from a bicycle-powered stage, hundreds of people danced, rallied and marched Saturday, choosing to spend a beautiful afternoon at Lake Merritt urging a fight against climate change.\u003c/p>\n\u003cp>On April 29, which marked the end of the first 100 days of the Trump administration, the rally featured talks from local artists, dozens of booths with information on sustainable living and live music from LoCura and Rupa & the April Fishes.\u003c/p>\n\u003cfigure id=\"attachment_13131277\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-800x533.jpg\" alt=\"Rupa & the April Fishes perform at the People's Climate march in Oakland, April 29, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13131277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Rupa-The-April-Fishes-01-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rupa & the April Fishes perform at the People’s Climate march in Oakland, April 29, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gomez and Cochran urged the crowd to get more involved with their local community to push for action — and Cochran decided to lead by example, taking $5 out of his pocket and donating it to the Bay Area People’s Climate Movement.\u003c/p>\n\u003cp>The grassy area in front of the Lake Merritt Amphitheater teemed with a diverse mix of people: young children, parents, college students and veteran activists. Oakland’s was one of more than 250 sister marches supporting the People’s Climate March in Washington, D.C., and police estimated total attendance at 2,500. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Among those were groups of environmental activists choreographing a dance to a “Soil” version of Lorde’s “Royals,” a mother-daughter duo biking to power the stage, groups of people meditating on the grass and even a few dressed as polar bears. \u003c/p>\n\u003cfigure id=\"attachment_13131269\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-800x533.jpg\" alt=\"Event MCs Marga Gomez and Jevon Cocharan at the People's Climate march in Oakland, April 29, 2017.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13131269\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Event-MCs-Marga-Gomez-and-Jevon-Cocharan-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Event MCs Marga Gomez and Jevon Cocharan at the People’s Climate march in Oakland, April 29, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In true sustainable fashion, the stage was powered by Rock The Bike, a pedal-power concert and activities company owned by Paul Freedman. “I think people need to feel inspired by teamwork and personal action,” Freedman said. “We can’t wait for Teslas, solar panels and wind turbines to fix it, and we certainly can’t wait for politicians to fix it.”\u003c/p>\n\u003cp>Event coordinator Louise Chegwidden also said she hoped to inspire others. “The people who least contribute to greenhouse gasses are the first to be impacted by the ravages of climate change and that’s not right,” Chegwidden says. “I have a 14-year-old son, I breathe air, I drink water, I’m human and I’m part of the biosphere that we share with all other life — and we are the ones who are ruining the show for everybody. So we’re the ones who need to clean it up.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>More photos below. (All photos by Estefany Gonzalez.)\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>To celebrate the broadcast premiere of \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3 on KQED 9, \u003ca href=\"https://ww2.kqed.org/about/2016/04/28/baybackwhen-we-want-your-vintage-family-photographs-from-the-1960s/\">we asked our social media fans\u003c/a> to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did \u003cem>not\u003c/em> disappoint.\u003c/p>\n\u003cp>Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history!\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>(Click \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for more information on \u003cem>\u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\" rel=\"noopener\">Janis Joplin: Little Girl Blue\u003c/a>, \u003c/em>including interviews, \u003ca href=\"http://ww2.kqed.org/arts/2016/04/29/bonus-video-clips-and-excerpts-from-janis-little-girl-blue/\" target=\"_blank\" rel=\"noopener\">bonus video clips\u003c/a> and \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">more\u003c/a>.)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11545718\" class=\"wp-caption aligncenter\" style=\"max-width: 742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg\" alt='Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital \"in 1970 or so\"' width=\"742\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg 742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-400x518.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-464x600.jpg 464w\" sizes=\"(max-width: 742px) 100vw, 742px\">\u003cfigcaption class=\"wp-caption-text\">Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital “in 1970 or so”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551586\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551586\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg\" alt=\"Loriz Gomez, via Facebook: "'61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!"\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-450x600.jpg 450w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Loriz Gomez, via Facebook: “’61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545612\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545612\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg\" alt=\"Molly Robinson Couto, via Facebook: "Me holding my older sister's hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend."\" width=\"536\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-400x454.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-529x600.jpg 529w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Molly Robinson Couto, via Facebook: “Me holding my older sister’s hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551585\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551585\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg\" alt='Xochitl Selena Martinez, via Facebook: \"The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.\"' width=\"960\" height=\"628\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-400x262.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-768x502.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Xochitl Selena Martinez, via Facebook: “The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545734\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545734\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg\" alt='From Mary Elizabeth Ferla-Brown, via Facebook: \"My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">From Mary Elizabeth Ferla-Brown, via Facebook: “My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548842\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11548842 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg\" alt='\"This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”' width=\"1334\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg 1334w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-400x273.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-768x524.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-1180x805.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-960x655.jpg 960w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Minh Steven Dovan: “This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545750\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545750\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg\" alt='Jacqueline Haber, via Facebook: \"Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Haber, via Facebook: “Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551587\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg\" alt='Stephanie Byrne Fiedler, via Facebook: \"Peace March in San Francisco - probably 1968 or 1969.\"' width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Stephanie Byrne Fiedler, via Facebook: “Peace March in San Francisco – probably 1968 or 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548061\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548061\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg\" alt=\"Gary Lucas, via Facebook: "I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about '68. I'm the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it."\" width=\"700\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon-400x279.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about ’68. I’m the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548064\" class=\"wp-caption aligncenter\" style=\"max-width: 964px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548064\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg\" alt=\"Theresa Anderson Glisson, via Facebook: "Here's my family photo from my hippie days......cousins, aunts, uncles, parents, grandparents, brother and sisters. I'm the cool one in front with the dog."\" width=\"964\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg 964w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-400x336.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-714x600.jpg 714w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-768x645.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-960x807.jpg 960w\" sizes=\"(max-width: 964px) 100vw, 964px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Anderson Glisson, via Facebook: “Here’s my family photo from my hippie days……cousins, aunts, uncles, parents, grandparents, brother and sisters. I’m the cool one in front with the dog.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551583\" class=\"wp-caption aligncenter\" style=\"max-width: 591px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11551583 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg\" alt=\"Julieta Zambrano Villa, via Facebook\" width=\"591\" height=\"527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg 591w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12-400x357.jpg 400w\" sizes=\"(max-width: 591px) 100vw, 591px\">\u003cfigcaption class=\"wp-caption-text\">Julieta Zambrano Villa, via Facebook\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551584\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551584\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg\" alt=\"Maureen Hurley, via Facebook: "Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I'm fairly certain the punch was spiked. Look at the little kid's expression."\" width=\"720\" height=\"713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-400x396.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-606x600.jpg 606w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Maureen Hurley, via Facebook: “Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I’m fairly certain the punch was spiked. Look at the little kid’s expression.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545757\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545757 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg\" alt='Cheri Mendieta, via Facebook: \"1967 free concert Golden Gate park, sisterly love with brother Bill Rook.\"' width=\"641\" height=\"707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-400x441.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-544x600.jpg 544w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Cheri Mendieta, via Facebook: “1967 free concert Golden Gate park, sisterly love with brother Bill Rook.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545611\" class=\"wp-caption aligncenter\" style=\"max-width: 603px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545611\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg\" alt='Molly Robinson Couto, via Facebook: \"This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool, 1961\"' width=\"603\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-150x150.jpg 150w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003cfigcaption class=\"wp-caption-text\">From Molly Robinson Couto, via Facebook: “This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool [Berkeley], 1961”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545732\" class=\"wp-caption aligncenter\" style=\"max-width: 358px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545732 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-HS-graduation-1967.jpg\" alt='Susan Sarra, via Facebook: \"My high school graduation, 1967\"' width=\"358\" height=\"395\">\u003cfigcaption class=\"wp-caption-text\">From Susan Sarra, via Facebook: “My high school graduation, 1967. Lovin’ the dress.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548063\" class=\"wp-caption aligncenter\" style=\"max-width: 644px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548063\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg\" alt=\"Gary Lucas, via Facebook: "One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about '67 somewhere in the Haight. "Hey Lana Jean," I hollered as I was pulling out of our small New Mexico farm town. "You wanna go to San Francisco?" We turned on, tuned in, and dropped out -- meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn't happen, up to us, pre-formed. We have the responsibility of making our own meaning."\" width=\"644\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg 644w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-400x391.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-613x600.jpg 613w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-64x64.jpg 64w\" sizes=\"(max-width: 644px) 100vw, 644px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about ’67 somewhere in the Haight. “Hey Lana Jean,” I hollered as I was pulling out of our small New Mexico farm town. “You wanna go to San Francisco?” We turned on, tuned in, and dropped out — meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn’t happen, up to us, pre-formed. We have the responsibility of making our own meaning.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545744\" class=\"wp-caption aligncenter\" style=\"max-width: 507px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545744\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg\" alt='Loretta Norton, via Facebook: \"Billy Jean King at party in the late 60s. I am at left playing guitar.\"' width=\"507\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s-400x351.jpg 400w\" sizes=\"(max-width: 507px) 100vw, 507px\">\u003cfigcaption class=\"wp-caption-text\">Loretta Norton, via Facebook: “Billy Jean King at party in the late 60s. I am at left playing guitar.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545760\" class=\"wp-caption aligncenter\" style=\"max-width: 851px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545760\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg\" alt='Deborah Wall McGraw, via Facebook: \"San Francisco, 1968\"' width=\"851\" height=\"681\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg 851w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-768x615.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “San Francisco, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545765\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545765\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg\" alt='Scott Klinepier, via Instagram: \"Me in 1969, Kentfield\"' width=\"635\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-150x150.jpg 150w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Scott Klinepier, via Instagram: “Me in 1969, Kentfield”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545885\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545885\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg\" alt='Shannon Barter, via Instagram: \"Me and the fam, Montara 1969.\"' width=\"640\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-400x499.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-481x600.jpg 481w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Barter, via Instagram: “Me and the fam, Montara 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545751\" class=\"wp-caption aligncenter\" style=\"max-width: 938px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg\" alt='Trish Grima, via Facebook: \"Oakland 1965 (in front of old Laurel School)\"' width=\"938\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg 938w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-586x600.jpg 586w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-768x786.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-32x32.jpg 32w\" sizes=\"(max-width: 938px) 100vw, 938px\">\u003cfigcaption class=\"wp-caption-text\">Trish Grima, via Facebook: “Oakland 1965 (in front of old Laurel School)”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545762\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545762\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg\" alt='Steve Quinlan, via Facebook: \"Robert & Tomiko Quinlan. Fairfield,1969.\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Steve Quinlan, via Facebook: “Robert & Tomiko Quinlan. Fairfield,1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545736\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545736\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg\" alt='Melanie Hofmann, via Facebook: \"Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA\"' width=\"960\" height=\"637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-768x510.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Hofmann, via Facebook: “Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545763\" class=\"wp-caption aligncenter\" style=\"max-width: 682px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545763\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg\" alt=\"Susan Sarra Kelly, via Facebook: "Christmas '69. Me & my Mom"\" width=\"682\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg 682w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-426x600.jpg 426w\" sizes=\"(max-width: 682px) 100vw, 682px\">\u003cfigcaption class=\"wp-caption-text\">Susan Sarra Kelly, via Facebook: “Christmas ’69. Me & my Mom”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545737\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg\" alt=\"Ivee Broussard, via Facebook: "Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother's (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father's (Ivan) Sinatra look. 1968, Church of the Epiphany."\" width=\"626\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg 626w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-400x422.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-568x600.jpg 568w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003cfigcaption class=\"wp-caption-text\">Ivee Broussard, via Facebook: “Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother’s (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father’s (Ivan) Sinatra look. 1968, Church of the Epiphany.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545759\" class=\"wp-caption aligncenter\" style=\"max-width: 643px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545759\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg\" alt='Marisol Colon Santoni, via Facebook: \"17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.\"' width=\"643\" height=\"598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni-400x372.jpg 400w\" sizes=\"(max-width: 643px) 100vw, 643px\">\u003cfigcaption class=\"wp-caption-text\">Marisol Colon Santoni, via Facebook: “17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545755\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545755\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg\" alt='Russ Dugoni, via Facebook: \"Groovy! 1969 family pic.\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Russ Dugoni, via Facebook: “Groovy! 1969 family pic.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545738\" class=\"wp-caption aligncenter\" style=\"max-width: 347px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545738\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ali-Madigan-FB-San-Pablo-1969.jpg\" alt=\"Ali Madigan, via Facebook: "San Pablo 1969. Me, riding the pony, with my 3 siblings & 2 neighbor kids. You can just see the tail end of mom's VW bus on the right. Now famous for being the quintessential "Hippie" van, for our family of 7 it was the "mini van" of the day."\" width=\"347\" height=\"448\">\u003cfigcaption class=\"wp-caption-text\">Ali Madigan, via Facebook: “San Pablo 1969. Me, riding the pony, with my three siblings and two neighbor kids. You can just see the tail end of Mom’s VW bus on the right. Now famous for being the quintessential “Hippie” van, for our family of seven it was the “minivan” of the day.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545752\" class=\"wp-caption aligncenter\" style=\"max-width: 621px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg\" alt='Deborah Wall McGraw, via Facebook: \"A concert in the Bay Area, 1968\"' width=\"621\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-400x408.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-588x600.jpg 588w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-64x64.jpg 64w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “A concert in the Bay Area, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545745\" class=\"wp-caption aligncenter\" style=\"max-width: 604px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545745\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg\" alt='Jan Rosen, via Facebook: \"Saratoga 1962\"' width=\"604\" height=\"386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962-400x256.jpg 400w\" sizes=\"(max-width: 604px) 100vw, 604px\">\u003cfigcaption class=\"wp-caption-text\">Jan Rosen, via Facebook: “Saratoga 1962”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545746\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg\" alt='Katherine Murray, via Facebook: \"Half Moon Bay in our new 1965 Mustang.\"' width=\"960\" height=\"954\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-768x763.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Katherine Murray, via Facebook: “Half Moon Bay in our new 1965 Mustang.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545748\" class=\"wp-caption aligncenter\" style=\"max-width: 554px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg\" alt='Christine Suppes, via Facebook: \"Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!\"' width=\"554\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg 554w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-400x536.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-448x600.jpg 448w\" sizes=\"(max-width: 554px) 100vw, 554px\">\u003cfigcaption class=\"wp-caption-text\">Christine Suppes, via Facebook: “Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545754\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg\" alt='Jacqueline Dever, via Facebook: \"Bolinas Beach, with Stinson in the background.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Dever, via Facebook: “Bolinas Beach, with Stinson in the background.”\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"title": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums | KQED",
"description": "To celebrate the broadcast premiere of Janis Joplin: Little Girl Blue on Tuesday, May 3 on KQED 9, we asked our social media fans to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did not disappoint. Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history! (Click here",
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"headline": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums",
"datePublished": "2016-05-02T22:13:39-07:00",
"dateModified": "2024-09-19T16:21:19-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>To celebrate the broadcast premiere of \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3 on KQED 9, \u003ca href=\"https://ww2.kqed.org/about/2016/04/28/baybackwhen-we-want-your-vintage-family-photographs-from-the-1960s/\">we asked our social media fans\u003c/a> to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did \u003cem>not\u003c/em> disappoint.\u003c/p>\n\u003cp>Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history!\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>(Click \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for more information on \u003cem>\u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\" rel=\"noopener\">Janis Joplin: Little Girl Blue\u003c/a>, \u003c/em>including interviews, \u003ca href=\"http://ww2.kqed.org/arts/2016/04/29/bonus-video-clips-and-excerpts-from-janis-little-girl-blue/\" target=\"_blank\" rel=\"noopener\">bonus video clips\u003c/a> and \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">more\u003c/a>.)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11545718\" class=\"wp-caption aligncenter\" style=\"max-width: 742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg\" alt='Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital \"in 1970 or so\"' width=\"742\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg 742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-400x518.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-464x600.jpg 464w\" sizes=\"(max-width: 742px) 100vw, 742px\">\u003cfigcaption class=\"wp-caption-text\">Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital “in 1970 or so”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551586\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551586\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg\" alt=\"Loriz Gomez, via Facebook: "'61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!"\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-450x600.jpg 450w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Loriz Gomez, via Facebook: “’61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545612\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545612\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg\" alt=\"Molly Robinson Couto, via Facebook: "Me holding my older sister's hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend."\" width=\"536\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-400x454.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-529x600.jpg 529w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Molly Robinson Couto, via Facebook: “Me holding my older sister’s hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551585\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551585\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg\" alt='Xochitl Selena Martinez, via Facebook: \"The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.\"' width=\"960\" height=\"628\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-400x262.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-768x502.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Xochitl Selena Martinez, via Facebook: “The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545734\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545734\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg\" alt='From Mary Elizabeth Ferla-Brown, via Facebook: \"My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">From Mary Elizabeth Ferla-Brown, via Facebook: “My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548842\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11548842 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg\" alt='\"This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”' width=\"1334\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg 1334w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-400x273.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-768x524.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-1180x805.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-960x655.jpg 960w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Minh Steven Dovan: “This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545750\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545750\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg\" alt='Jacqueline Haber, via Facebook: \"Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Haber, via Facebook: “Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551587\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg\" alt='Stephanie Byrne Fiedler, via Facebook: \"Peace March in San Francisco - probably 1968 or 1969.\"' width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Stephanie Byrne Fiedler, via Facebook: “Peace March in San Francisco – probably 1968 or 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548061\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548061\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg\" alt=\"Gary Lucas, via Facebook: "I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about '68. I'm the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it."\" width=\"700\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon-400x279.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about ’68. I’m the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548064\" class=\"wp-caption aligncenter\" style=\"max-width: 964px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548064\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg\" alt=\"Theresa Anderson Glisson, via Facebook: "Here's my family photo from my hippie days......cousins, aunts, uncles, parents, grandparents, brother and sisters. I'm the cool one in front with the dog."\" width=\"964\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg 964w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-400x336.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-714x600.jpg 714w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-768x645.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-960x807.jpg 960w\" sizes=\"(max-width: 964px) 100vw, 964px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Anderson Glisson, via Facebook: “Here’s my family photo from my hippie days……cousins, aunts, uncles, parents, grandparents, brother and sisters. I’m the cool one in front with the dog.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551583\" class=\"wp-caption aligncenter\" style=\"max-width: 591px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11551583 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg\" alt=\"Julieta Zambrano Villa, via Facebook\" width=\"591\" height=\"527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg 591w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12-400x357.jpg 400w\" sizes=\"(max-width: 591px) 100vw, 591px\">\u003cfigcaption class=\"wp-caption-text\">Julieta Zambrano Villa, via Facebook\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551584\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551584\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg\" alt=\"Maureen Hurley, via Facebook: "Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I'm fairly certain the punch was spiked. Look at the little kid's expression."\" width=\"720\" height=\"713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-400x396.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-606x600.jpg 606w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Maureen Hurley, via Facebook: “Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I’m fairly certain the punch was spiked. Look at the little kid’s expression.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545757\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545757 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg\" alt='Cheri Mendieta, via Facebook: \"1967 free concert Golden Gate park, sisterly love with brother Bill Rook.\"' width=\"641\" height=\"707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-400x441.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-544x600.jpg 544w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Cheri Mendieta, via Facebook: “1967 free concert Golden Gate park, sisterly love with brother Bill Rook.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545611\" class=\"wp-caption aligncenter\" style=\"max-width: 603px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545611\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg\" alt='Molly Robinson Couto, via Facebook: \"This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool, 1961\"' width=\"603\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-150x150.jpg 150w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003cfigcaption class=\"wp-caption-text\">From Molly Robinson Couto, via Facebook: “This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool [Berkeley], 1961”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545732\" class=\"wp-caption aligncenter\" style=\"max-width: 358px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545732 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-HS-graduation-1967.jpg\" alt='Susan Sarra, via Facebook: \"My high school graduation, 1967\"' width=\"358\" height=\"395\">\u003cfigcaption class=\"wp-caption-text\">From Susan Sarra, via Facebook: “My high school graduation, 1967. Lovin’ the dress.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548063\" class=\"wp-caption aligncenter\" style=\"max-width: 644px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548063\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg\" alt=\"Gary Lucas, via Facebook: "One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about '67 somewhere in the Haight. "Hey Lana Jean," I hollered as I was pulling out of our small New Mexico farm town. "You wanna go to San Francisco?" We turned on, tuned in, and dropped out -- meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn't happen, up to us, pre-formed. We have the responsibility of making our own meaning."\" width=\"644\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg 644w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-400x391.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-613x600.jpg 613w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-64x64.jpg 64w\" sizes=\"(max-width: 644px) 100vw, 644px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about ’67 somewhere in the Haight. “Hey Lana Jean,” I hollered as I was pulling out of our small New Mexico farm town. “You wanna go to San Francisco?” We turned on, tuned in, and dropped out — meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn’t happen, up to us, pre-formed. We have the responsibility of making our own meaning.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545744\" class=\"wp-caption aligncenter\" style=\"max-width: 507px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545744\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg\" alt='Loretta Norton, via Facebook: \"Billy Jean King at party in the late 60s. I am at left playing guitar.\"' width=\"507\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s-400x351.jpg 400w\" sizes=\"(max-width: 507px) 100vw, 507px\">\u003cfigcaption class=\"wp-caption-text\">Loretta Norton, via Facebook: “Billy Jean King at party in the late 60s. I am at left playing guitar.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545760\" class=\"wp-caption aligncenter\" style=\"max-width: 851px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545760\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg\" alt='Deborah Wall McGraw, via Facebook: \"San Francisco, 1968\"' width=\"851\" height=\"681\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg 851w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-768x615.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “San Francisco, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545765\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545765\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg\" alt='Scott Klinepier, via Instagram: \"Me in 1969, Kentfield\"' width=\"635\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-150x150.jpg 150w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Scott Klinepier, via Instagram: “Me in 1969, Kentfield”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545885\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545885\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg\" alt='Shannon Barter, via Instagram: \"Me and the fam, Montara 1969.\"' width=\"640\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-400x499.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-481x600.jpg 481w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Barter, via Instagram: “Me and the fam, Montara 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545751\" class=\"wp-caption aligncenter\" style=\"max-width: 938px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg\" alt='Trish Grima, via Facebook: \"Oakland 1965 (in front of old Laurel School)\"' width=\"938\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg 938w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-586x600.jpg 586w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-768x786.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-32x32.jpg 32w\" sizes=\"(max-width: 938px) 100vw, 938px\">\u003cfigcaption class=\"wp-caption-text\">Trish Grima, via Facebook: “Oakland 1965 (in front of old Laurel School)”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545762\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545762\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg\" alt='Steve Quinlan, via Facebook: \"Robert & Tomiko Quinlan. Fairfield,1969.\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Steve Quinlan, via Facebook: “Robert & Tomiko Quinlan. Fairfield,1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545736\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545736\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg\" alt='Melanie Hofmann, via Facebook: \"Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA\"' width=\"960\" height=\"637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-768x510.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Hofmann, via Facebook: “Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545763\" class=\"wp-caption aligncenter\" style=\"max-width: 682px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545763\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg\" alt=\"Susan Sarra Kelly, via Facebook: "Christmas '69. Me & my Mom"\" width=\"682\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg 682w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-426x600.jpg 426w\" sizes=\"(max-width: 682px) 100vw, 682px\">\u003cfigcaption class=\"wp-caption-text\">Susan Sarra Kelly, via Facebook: “Christmas ’69. Me & my Mom”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545737\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg\" alt=\"Ivee Broussard, via Facebook: "Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother's (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father's (Ivan) Sinatra look. 1968, Church of the Epiphany."\" width=\"626\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg 626w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-400x422.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-568x600.jpg 568w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003cfigcaption class=\"wp-caption-text\">Ivee Broussard, via Facebook: “Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother’s (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father’s (Ivan) Sinatra look. 1968, Church of the Epiphany.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545759\" class=\"wp-caption aligncenter\" style=\"max-width: 643px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545759\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg\" alt='Marisol Colon Santoni, via Facebook: \"17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.\"' width=\"643\" height=\"598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni-400x372.jpg 400w\" sizes=\"(max-width: 643px) 100vw, 643px\">\u003cfigcaption class=\"wp-caption-text\">Marisol Colon Santoni, via Facebook: “17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545755\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545755\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg\" alt='Russ Dugoni, via Facebook: \"Groovy! 1969 family pic.\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Russ Dugoni, via Facebook: “Groovy! 1969 family pic.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545738\" class=\"wp-caption aligncenter\" style=\"max-width: 347px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545738\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ali-Madigan-FB-San-Pablo-1969.jpg\" alt=\"Ali Madigan, via Facebook: "San Pablo 1969. Me, riding the pony, with my 3 siblings & 2 neighbor kids. You can just see the tail end of mom's VW bus on the right. Now famous for being the quintessential "Hippie" van, for our family of 7 it was the "mini van" of the day."\" width=\"347\" height=\"448\">\u003cfigcaption class=\"wp-caption-text\">Ali Madigan, via Facebook: “San Pablo 1969. Me, riding the pony, with my three siblings and two neighbor kids. You can just see the tail end of Mom’s VW bus on the right. Now famous for being the quintessential “Hippie” van, for our family of seven it was the “minivan” of the day.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545752\" class=\"wp-caption aligncenter\" style=\"max-width: 621px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg\" alt='Deborah Wall McGraw, via Facebook: \"A concert in the Bay Area, 1968\"' width=\"621\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-400x408.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-588x600.jpg 588w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-64x64.jpg 64w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “A concert in the Bay Area, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545745\" class=\"wp-caption aligncenter\" style=\"max-width: 604px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545745\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg\" alt='Jan Rosen, via Facebook: \"Saratoga 1962\"' width=\"604\" height=\"386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962-400x256.jpg 400w\" sizes=\"(max-width: 604px) 100vw, 604px\">\u003cfigcaption class=\"wp-caption-text\">Jan Rosen, via Facebook: “Saratoga 1962”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545746\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg\" alt='Katherine Murray, via Facebook: \"Half Moon Bay in our new 1965 Mustang.\"' width=\"960\" height=\"954\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-768x763.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Katherine Murray, via Facebook: “Half Moon Bay in our new 1965 Mustang.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545748\" class=\"wp-caption aligncenter\" style=\"max-width: 554px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg\" alt='Christine Suppes, via Facebook: \"Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!\"' width=\"554\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg 554w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-400x536.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-448x600.jpg 448w\" sizes=\"(max-width: 554px) 100vw, 554px\">\u003cfigcaption class=\"wp-caption-text\">Christine Suppes, via Facebook: “Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545754\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg\" alt='Jacqueline Dever, via Facebook: \"Bolinas Beach, with Stinson in the background.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Dever, via Facebook: “Bolinas Beach, with Stinson in the background.”\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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