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"content": "\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This video is a co-production between KQED and Yerba Buena Center for the Arts.\u003c/span>\u003c/i>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">For dancer and queer immigrant Gerald Casel, the body is a recording device — one that asks: Can we design freedom? And if so, what do we do with it?\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"http://www.geraldcasel.com/\">Gerald Casel\u003c/a> is a queer immigrant artist-activist and educator who creates and presents dances that ask questions about human beings — who they are, what they do and how their actions affect the world in which they live. He experiences the body as a recording device that documents feelings, emotions and states from an entire lifetime of experiences. 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When it arrives, we’ll know, but until then, we have work to do. Acknowledging inequity in all dimensions (in our interactions with one other as well as in institutionalized systems of oppression) is where we start to dismantle what prevents the arrival of freedom.\u003c/p>\n\u003cp>\u003cstrong> What inspires you to dance?\u003c/strong>\u003c/p>\n\u003cp>Dancing connects my analytic mind with my feeling body (intuition/sensation/empathy). It provides me with structure and rigor and can also free me from self-imposed and societal constraints. 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I focus on function and mechanics rather than replication of beauty.\u003c/p>\n\u003cp>\u003cstrong>Can you tell me about your residency at \u003ca href=\"http://www.odcdance.org/theater_innerpage.php?linkid=11&categid=77&subcategid=181\" target=\"_blank\" rel=\"noopener\">ODC\u003c/a>?\u003c/strong>\u003c/p>\n\u003cp>It is a three-year residency that provides artistic and administrative mentoring, production support, and on a more personal level (since my work has not been critically well-received in the Bay Area), a certain sense of validation and legitimacy. It has provided a “home” for my company and our creative experiments together.\u003c/p>\n\u003cp>\u003cstrong>Can you tell me about your classes at \u003ca href=\"http://theater.ucsc.edu/dance\" target=\"_blank\" rel=\"noopener\">University of California at Santa Cruz\u003c/a>?\u003c/strong>\u003c/p>\n\u003cp>I am the \u003ca href=\"http://theater.ucsc.edu/dance\" target=\"_blank\" rel=\"noopener\">Assistant Professor of Dance\u003c/a> at University of California at Santa Cruz. I teach several levels of somatic-based modern dance technique, choreography, and improvisation, as well as directing the annual student-run dance concert. I also create original work on my students where they can practice working on the creation of a devised piece of choreography while developing performance skills and practical experience around production, publicity, and presentation. I also get to work with graduate students on refining their thesis projects.\u003c/p>\n\u003cp>\u003cstrong>Who are your mentors?\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://petron.io/\" target=\"_blank\" rel=\"noopener\">Stephen Petronio\u003c/a>, Janet Lilly, \u003ca href=\"http://www.mjdc.org/\" target=\"_blank\" rel=\"noopener\">Margaret Jenkins\u003c/a>, \u003ca href=\"https://www.odcdance.org/images/press/ODC%20Theater%20Director%20PR2012031210342403.pdf\" target=\"_blank\" rel=\"noopener\">Christy Bolingbroke\u003c/a> and \u003ca href=\"http://theater.ucsc.edu/faculty/ted-warburton\" target=\"_blank\" rel=\"noopener\">Ted Warburton\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong> Where can we see you perform next?\u003c/strong>\u003c/p>\n\u003cp>Oct. 14–15: \u003cem>Ten Artists Respond to Locus\u003c/em> with \u003ca href=\"http://www.hopemohr.org/\" target=\"_blank\" rel=\"noopener\">Hope Mohr Dance\u003c/a>.\u003c/p>\n\u003cp>Oct. 22: \u003cem>Wrecking \u003c/em>with \u003ca href=\"http://www.funschdance.org/\" target=\"_blank\" rel=\"noopener\">Christy Funsch Dance Experience\u003c/a>.\u003c/p>\n\u003cp>Dec. 1: \u003cem>Bodies Matter\u003c/em>, at California State University Long Beach with \u003ca href=\"https://web.csulb.edu/depts/dance/faculty_staff/full_time_faculty/johnson_keith/index.html\" target=\"_blank\" rel=\"noopener\">Keith Johnson \u003c/a>.\u003c/p>\n\u003cp>My company, GERALDCASELDANCE will present our home season and a preview of two new works.\u003c/p>\n\u003cp>\u003cstrong> What’s on the horizon? \u003c/strong>\u003c/p>\n\u003cp>This week I’m presenting a paper on \u003ca href=\"https://thetripledogdare.wordpress.com/2015/12/14/choreography-as-a-colonizing-force-gerald-casels-splinters-in-our-ankles-by-marie-tollon/\" target=\"_blank\" rel=\"noopener\">choreography as a colonizing force\u003c/a> at NDEO (National Dance Education Organization) in Washington D.C. I’ll also continue developing my next work, \u003cem>Cover Your Mouth When You Smile\u003c/em>, in collaboration with Na-ye Kim (Seoul/Hong Kong) and \u003ca href=\"http://www.peilingkaodances.com/\" target=\"_blank\" rel=\"noopener\">Peiling Kao\u003c/a> (Taiwan/Honolulu).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.geraldcasel.com/\">\u003cspan style=\"font-weight: 400\">Gerald Casel\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> is a 2016 YBCA Fellow. \u003c/span>\u003ca href=\"https://www.ybca.org/ybca-fellows\">\u003cspan style=\"font-weight: 400\">YBCA Fellows\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> serves as a cultural incubator — bringing together creative citizens from across the Bay Area for a yearlong, facilitated process of inquiry, dialogue and project generation. Each cohort responds to a bold question that YBCA is pursuing, such as: What does equity look like? Can we design freedom? Why citizenship? Through their work, YBCA Fellows seek to inspire community transformation and drive new possibilities into the public imagination. \u003c/span>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cspan style=\"font-weight: 400\">Launched in April 2016, the “Freedom” cohort of YBCA Fellows is responding to the question: Can we design freedom? This diverse group of citizens includes artists, economists, activists, software developers, architects, professors, designers, and scientists. \u003c/span>\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This video is a co-production between KQED and Yerba Buena Center for the Arts.\u003c/span>\u003c/i>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">For dancer and queer immigrant Gerald Casel, the body is a recording device — one that asks: Can we design freedom? And if so, what do we do with it?\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"http://www.geraldcasel.com/\">Gerald Casel\u003c/a> is a queer immigrant artist-activist and educator who creates and presents dances that ask questions about human beings — who they are, what they do and how their actions affect the world in which they live. He experiences the body as a recording device that documents feelings, emotions and states from an entire lifetime of experiences. He is deeply curious about how habituation, oppression and identity play out in movement, dance and the human form.\u003c/p>\n\u003cp>Gerald was born in Manila and raised in Oakland and San Jose. During high school he devoured music videos and movies, looking to learn more about movement and dance, and went on to graduate from the Juilliard School. He now teaches at national dance festivals like the American Dance Festival and Mountain Dance Fest, and continues his work with the next generation of Bay Area dancers as an \u003ca href=\"http://theater.ucsc.edu/dance\" target=\"_blank\" rel=\"noopener\">Assistant Professor of Dance\u003c/a> at University of California at Santa Cruz.\u003c/p>\n\u003cp>\u003cstrong>What is your idea of freedom?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Freedom means freedom for everyone; if someone is unfairly oppressed, it is a reflection on all of us and we have to do everything we can to undo that oppression. When it arrives, we’ll know, but until then, we have work to do. Acknowledging inequity in all dimensions (in our interactions with one other as well as in institutionalized systems of oppression) is where we start to dismantle what prevents the arrival of freedom.\u003c/p>\n\u003cp>\u003cstrong> What inspires you to dance?\u003c/strong>\u003c/p>\n\u003cp>Dancing connects my analytic mind with my feeling body (intuition/sensation/empathy). It provides me with structure and rigor and can also free me from self-imposed and societal constraints. Dancing gives my body permission to complicate what I know and to ask questions that scare me.\u003c/p>\n\u003cp>\u003cstrong>What is the most challenging part of being a dancer?\u003c/strong>\u003c/p>\n\u003cp>Physical restrictions and habituation.\u003c/p>\n\u003cp>\u003cstrong>What thread runs through your dance? \u003c/strong>\u003c/p>\n\u003cp>The search for meaning in my relationships with ideas, other people, and nature — it always starts with the body.\u003c/p>\n\u003cp>\u003cstrong> Tell us about the dance classes you teach.\u003c/strong>\u003c/p>\n\u003cp>My classes are like movement meditations; they are body-friendly and rigorously structured. I use somatic techniques — physical practices that connect the mind and body through a deeply personal sense of discernment to release the dancer from operating on a set of fixed and imposed aesthetic values. I focus on function and mechanics rather than replication of beauty.\u003c/p>\n\u003cp>\u003cstrong>Can you tell me about your residency at \u003ca href=\"http://www.odcdance.org/theater_innerpage.php?linkid=11&categid=77&subcategid=181\" target=\"_blank\" rel=\"noopener\">ODC\u003c/a>?\u003c/strong>\u003c/p>\n\u003cp>It is a three-year residency that provides artistic and administrative mentoring, production support, and on a more personal level (since my work has not been critically well-received in the Bay Area), a certain sense of validation and legitimacy. It has provided a “home” for my company and our creative experiments together.\u003c/p>\n\u003cp>\u003cstrong>Can you tell me about your classes at \u003ca href=\"http://theater.ucsc.edu/dance\" target=\"_blank\" rel=\"noopener\">University of California at Santa Cruz\u003c/a>?\u003c/strong>\u003c/p>\n\u003cp>I am the \u003ca href=\"http://theater.ucsc.edu/dance\" target=\"_blank\" rel=\"noopener\">Assistant Professor of Dance\u003c/a> at University of California at Santa Cruz. I teach several levels of somatic-based modern dance technique, choreography, and improvisation, as well as directing the annual student-run dance concert. I also create original work on my students where they can practice working on the creation of a devised piece of choreography while developing performance skills and practical experience around production, publicity, and presentation. I also get to work with graduate students on refining their thesis projects.\u003c/p>\n\u003cp>\u003cstrong>Who are your mentors?\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://petron.io/\" target=\"_blank\" rel=\"noopener\">Stephen Petronio\u003c/a>, Janet Lilly, \u003ca href=\"http://www.mjdc.org/\" target=\"_blank\" rel=\"noopener\">Margaret Jenkins\u003c/a>, \u003ca href=\"https://www.odcdance.org/images/press/ODC%20Theater%20Director%20PR2012031210342403.pdf\" target=\"_blank\" rel=\"noopener\">Christy Bolingbroke\u003c/a> and \u003ca href=\"http://theater.ucsc.edu/faculty/ted-warburton\" target=\"_blank\" rel=\"noopener\">Ted Warburton\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong> Where can we see you perform next?\u003c/strong>\u003c/p>\n\u003cp>Oct. 14–15: \u003cem>Ten Artists Respond to Locus\u003c/em> with \u003ca href=\"http://www.hopemohr.org/\" target=\"_blank\" rel=\"noopener\">Hope Mohr Dance\u003c/a>.\u003c/p>\n\u003cp>Oct. 22: \u003cem>Wrecking \u003c/em>with \u003ca href=\"http://www.funschdance.org/\" target=\"_blank\" rel=\"noopener\">Christy Funsch Dance Experience\u003c/a>.\u003c/p>\n\u003cp>Dec. 1: \u003cem>Bodies Matter\u003c/em>, at California State University Long Beach with \u003ca href=\"https://web.csulb.edu/depts/dance/faculty_staff/full_time_faculty/johnson_keith/index.html\" target=\"_blank\" rel=\"noopener\">Keith Johnson \u003c/a>.\u003c/p>\n\u003cp>My company, GERALDCASELDANCE will present our home season and a preview of two new works.\u003c/p>\n\u003cp>\u003cstrong> What’s on the horizon? \u003c/strong>\u003c/p>\n\u003cp>This week I’m presenting a paper on \u003ca href=\"https://thetripledogdare.wordpress.com/2015/12/14/choreography-as-a-colonizing-force-gerald-casels-splinters-in-our-ankles-by-marie-tollon/\" target=\"_blank\" rel=\"noopener\">choreography as a colonizing force\u003c/a> at NDEO (National Dance Education Organization) in Washington D.C. I’ll also continue developing my next work, \u003cem>Cover Your Mouth When You Smile\u003c/em>, in collaboration with Na-ye Kim (Seoul/Hong Kong) and \u003ca href=\"http://www.peilingkaodances.com/\" target=\"_blank\" rel=\"noopener\">Peiling Kao\u003c/a> (Taiwan/Honolulu).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.geraldcasel.com/\">\u003cspan style=\"font-weight: 400\">Gerald Casel\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> is a 2016 YBCA Fellow. \u003c/span>\u003ca href=\"https://www.ybca.org/ybca-fellows\">\u003cspan style=\"font-weight: 400\">YBCA Fellows\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> serves as a cultural incubator — bringing together creative citizens from across the Bay Area for a yearlong, facilitated process of inquiry, dialogue and project generation. Each cohort responds to a bold question that YBCA is pursuing, such as: What does equity look like? Can we design freedom? Why citizenship? Through their work, YBCA Fellows seek to inspire community transformation and drive new possibilities into the public imagination. \u003c/span>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cspan style=\"font-weight: 400\">Launched in April 2016, the “Freedom” cohort of YBCA Fellows is responding to the question: Can we design freedom? This diverse group of citizens includes artists, economists, activists, software developers, architects, professors, designers, and scientists. \u003c/span>\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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},
"closealltabs": {
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"order": 9
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"meta": {
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"source": "WNYC"
},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
},
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
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},
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
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},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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