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"content": "\u003cp>The powerhouse ratings grabber that is the Oscars telecast dropped to record low viewership this year, falling nearly 20 percent from 2017. It’s the fourth consecutive year that viewership has declined.\u003c/p>\n\u003cp>Usually tied to the success of blockbuster movie hits, normally no fewer than 30 million people tune in on the big night to see the outcome of movie nominees. But this year just 26.5 million people watched, according to Nielsen records — which is even fewer than this year’s Winter Olympics opening ceremony in Pyeongchang, which drew 27.8 million viewers.\u003c/p>\n\u003cp>Box office numbers for nominated films have often signaled how ratings on the big night will fare, per The Associated Press:\u003c/p>\n\u003cblockquote>\n\u003cp>“The previous low-water mark for the Oscars came in 2008, when ‘No Country For Old Men’ won best picture.\u003c/p>\n\u003cp>Only four years ago the Oscar reached nearly 44 million viewers. The biggest Academy Awards audience on record came in 1998, when the blockbuster ‘Titanic’ was named best picture.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Acute political statements from celebrities also took center stage at this year’s 90th Academy Awards. Conservative media didn’t hesitate to link the low ratings to the powerful messages from social advocates.\u003c/p>\n\u003cp>\u003ca href=\"https://www.washingtonpost.com/news/arts-and-entertainment/wp/2018/03/05/the-anti-trump-oscars-were-a-ratings-disaster-conservatives-are-delighted/?utm_term=.5a70664b3381\">The Washington Post highlighted\u003c/a> sentiments perceived as “anti-Trump”:\u003c/p>\n\u003cblockquote>\n\u003cp>“On Monday, the awards show’s low ratings were a hot topic on Fox News, discussed at the top of the hour on both Tucker Carlson’s and Sean Hannity’s evening shows. Piers Morgan’s column for ‘The Daily Mail’ was \u003ca href=\"http://www.dailymail.co.uk/news/article-5465085/PIERS-MORGAN-10-point-plan-save-Oscars.html\">a 10-point plan to save the Oscars\u003c/a>. A headline \u003ca href=\"http://dailycaller.com/2018/03/05/oscars-ratings-all-time-low/\">on The Daily Caller’s website\u003c/a> read, ‘The Ratings For Jimmy Kimmel’s Trump Hate-Fest Oscars Crater Towards All-Time Low.’ And \u003ca href=\"http://www.breitbart.com/big-hollywood/2018/03/05/collapse-oscar-ratings-crash-double-digits/\">John Nolte of Breitbart News\u003c/a> said the ‘writing was on the wall for this ratings catastrophe,’ calling Kimmel one of the most ‘divisive and polarizing figures in the country’ and a ‘Trump-hating Democrat.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>On Tuesday, President Trump echoed the sentiments of conservatives in a morning tweet.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/realDonaldTrump/status/971013841395027968\u003c/p>\n\u003cp>The Oscars are also facing competition with streaming video, a recent challenge incurred by all major television events, according to the \u003cem>Los Angeles Times.\u003c/em> Viewing habits are changing as well, and “younger viewers are also showing a tendency to watch highlights of major TV events on social media platforms rather than watch a program in real time on television.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>According to Nielsen, which has been registering ratings for the The Academy Awards since 1974, the Oscars still bests other awards shows, such as The Golden Globes which “reached 19 million viewers in January and the Grammys [with] an audience of 19.8 million.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Oscars+TV+Ratings+Fall%2C+Again+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"title": "Tales of Seeking Sanctuary Woven into 36 Rugs at Fort Mason",
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"content": "\u003cp>The For-Site Foundation, which oversaw the provocative @\u003cem>Large: Ai Weiwei on Alcatraz\u003c/em> exhibition in 2014, is back with an equally thoughtful and troubling show about the idea of sanctuary as a basic human right. The concept dates back to biblical times, but the topic is certainly timely. Tens of millions of refugees currently struggle to find a temporary safe haven while countries (like the US) that once welcomed them now try to keep them out. \u003c/p>\n\u003cp>The exhibition is called \u003cem>Sanctuary\u003c/em>, and it’s a collection of 36 colorful rugs, hand made in Pakistan, and designed by artists from around the world. Many of the artists are from Arab countries listed in President Trump’s travel ban. \u003c/p>\n\u003cfigure id=\"attachment_13824627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg\" alt=\"The rug designed by Ammar al-Beik in For-Sites show 'Sanctuary' at the Fort Mason Chapel\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The rug designed by Ammar al-Beik in For-Sites show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You can walk on the rugs with your shoes off, even though they’re valuable works of art. I did so with curator and For-Site Founding Director Cheryl Haines. She pointed out one rug by Ammar al-Beik featuring chilling portraits of Donald Trump and Bashar Al Assad, facing each other under a chemical bomb, set like a frond of mistletoe between them.\u003c/p>\n\u003cfigure id=\"attachment_13824641\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824641\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-800x601.jpg\" alt=\"The rug designed by Sanaz Mazinani in For-Site's show 'Sanctuary' at the Fort Mason Chapel\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The rug designed by Sanaz Mazinani in For-Site’s show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the rugs are lovely to look at but reveal a troubled narrative of war and displacement. Haines pointed to one by Sanaz Mazinani, an Iranian-born artist now living in the Bay Area. “If you look across the field of these rugs, at first many appear to be abstraction only, but as you take a closer look, [at this one by] Sanaz Mazinani, [it features] beautiful kaleidoscopic imagery, but what it really is exploding bombs.”\u003c/p>\n\u003cp>Details for the exhibition \u003cem>Sanctuary \u003c/em>through March 11 at the Fort Mason Chapel, including upcoming lectures and concerts, \u003ca href=\"https://www.for-site.org/project/sanctuary/\" target=\"_blank\" rel=\"noopener\">are here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The For-Site Foundation, which oversaw the provocative @\u003cem>Large: Ai Weiwei on Alcatraz\u003c/em> exhibition in 2014, is back with an equally thoughtful and troubling show about the idea of sanctuary as a basic human right. The concept dates back to biblical times, but the topic is certainly timely. Tens of millions of refugees currently struggle to find a temporary safe haven while countries (like the US) that once welcomed them now try to keep them out. \u003c/p>\n\u003cp>The exhibition is called \u003cem>Sanctuary\u003c/em>, and it’s a collection of 36 colorful rugs, hand made in Pakistan, and designed by artists from around the world. Many of the artists are from Arab countries listed in President Trump’s travel ban. \u003c/p>\n\u003cfigure id=\"attachment_13824627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824627\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg\" alt=\"The rug designed by Ammar al-Beik in For-Sites show 'Sanctuary' at the Fort Mason Chapel\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Al-Beik-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The rug designed by Ammar al-Beik in For-Sites show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You can walk on the rugs with your shoes off, even though they’re valuable works of art. I did so with curator and For-Site Founding Director Cheryl Haines. She pointed out one rug by Ammar al-Beik featuring chilling portraits of Donald Trump and Bashar Al Assad, facing each other under a chemical bomb, set like a frond of mistletoe between them.\u003c/p>\n\u003cfigure id=\"attachment_13824641\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13824641\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-800x601.jpg\" alt=\"The rug designed by Sanaz Mazinani in For-Site's show 'Sanctuary' at the Fort Mason Chapel\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-1920x1442.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-960x721.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1-520x391.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/ForSiteFoundation_Sanctuary_Mazinani-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The rug designed by Sanaz Mazinani in For-Site’s show ‘Sanctuary’ at the Fort Mason Chapel \u003ccite>(Photo: Robert Divers Herrick/For-Site Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the rugs are lovely to look at but reveal a troubled narrative of war and displacement. Haines pointed to one by Sanaz Mazinani, an Iranian-born artist now living in the Bay Area. “If you look across the field of these rugs, at first many appear to be abstraction only, but as you take a closer look, [at this one by] Sanaz Mazinani, [it features] beautiful kaleidoscopic imagery, but what it really is exploding bombs.”\u003c/p>\n\u003cp>Details for the exhibition \u003cem>Sanctuary \u003c/em>through March 11 at the Fort Mason Chapel, including upcoming lectures and concerts, \u003ca href=\"https://www.for-site.org/project/sanctuary/\" target=\"_blank\" rel=\"noopener\">are here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>For the second straight year, President Donald Trump is calling for the elimination of the National Endowment of the Arts and National Endowment of the Humanities.\u003c/p>\n\u003cp>In the budget proposal unveiled Monday, Trump asks that both organizations begin to shut down in 2019, saying the NEA and NEH should not be federal responsibilities.\u003c/p>\n\u003cp>The two grant programs were launched as part of Lyndon Johnson’s “Great Society” domestic agenda in the 1960s. Some conservatives have long criticized them, but the NEH and NEA have bipartisan support in Congress, which last year voted to restore funding. The budget for each agency is slightly under $150 million.\u003c/p>\n\u003cp>Trump is also again seeking to end federal support for the Corporation for Public Broadcasting, which also has strong backing in Congress.\u003c/p>\n\u003cp>\u003ci>Below is the statement from National Endowment for the Arts Chairman Jane Chu on the proposed 2019 budget:\u003c/i>\u003c/p>\n\u003cblockquote>\u003cp>\nToday we learned that the President’s FY 2019 budget proposes elimination of the National Endowment for the Arts. We are disappointed because we see our funding actively making a difference with individuals in thousands of communities and in every Congressional District in the nation.\u003c/p>\n\u003cp>In FY 2018 to date, the NEA has awarded 1,134 grants totaling $26.68 million to organizations and individuals in all 50 states plus the District of Columbia and Puerto Rico, launched a national songwriting competition for high school students, convened four summits across the country as part of Creative Forces: NEA Military Healing Arts Network, issued a research report on the economic impact of the arts in rural communities, and distributed emergency funding to arts agencies in Florida, Texas, Puerto Rico, and the U.S. Virgin Islands, among other activities.\u003c/p>\n\u003cp>We understand that the President’s budget request is a first step in a very long budget process. We stand ready to assist in that process as we continue to operate as usual.\u003c/p>\n\u003cp>As a federal government agency, the NEA cannot engage in advocacy, either directly or indirectly. We will, however, continue our practice of educating about the NEA’s vital role in serving our nation’s communities.\n\u003c/p>\u003c/blockquote>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For the second straight year, President Donald Trump is calling for the elimination of the National Endowment of the Arts and National Endowment of the Humanities.\u003c/p>\n\u003cp>In the budget proposal unveiled Monday, Trump asks that both organizations begin to shut down in 2019, saying the NEA and NEH should not be federal responsibilities.\u003c/p>\n\u003cp>The two grant programs were launched as part of Lyndon Johnson’s “Great Society” domestic agenda in the 1960s. Some conservatives have long criticized them, but the NEH and NEA have bipartisan support in Congress, which last year voted to restore funding. The budget for each agency is slightly under $150 million.\u003c/p>\n\u003cp>Trump is also again seeking to end federal support for the Corporation for Public Broadcasting, which also has strong backing in Congress.\u003c/p>\n\u003cp>\u003ci>Below is the statement from National Endowment for the Arts Chairman Jane Chu on the proposed 2019 budget:\u003c/i>\u003c/p>\n\u003cblockquote>\u003cp>\nToday we learned that the President’s FY 2019 budget proposes elimination of the National Endowment for the Arts. We are disappointed because we see our funding actively making a difference with individuals in thousands of communities and in every Congressional District in the nation.\u003c/p>\n\u003cp>In FY 2018 to date, the NEA has awarded 1,134 grants totaling $26.68 million to organizations and individuals in all 50 states plus the District of Columbia and Puerto Rico, launched a national songwriting competition for high school students, convened four summits across the country as part of Creative Forces: NEA Military Healing Arts Network, issued a research report on the economic impact of the arts in rural communities, and distributed emergency funding to arts agencies in Florida, Texas, Puerto Rico, and the U.S. Virgin Islands, among other activities.\u003c/p>\n\u003cp>We understand that the President’s budget request is a first step in a very long budget process. We stand ready to assist in that process as we continue to operate as usual.\u003c/p>\n\u003cp>As a federal government agency, the NEA cannot engage in advocacy, either directly or indirectly. We will, however, continue our practice of educating about the NEA’s vital role in serving our nation’s communities.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Tom Hanks Talks Trump, Weinstein, and America at City Arts & Lectures",
"headTitle": "Tom Hanks Talks Trump, Weinstein, and America at City Arts & Lectures | KQED",
"content": "\u003cp>Tom Hanks relishes the position he’s in – the comfortable crevice between “America’s Dad” and the left-leaning actor who grew up in the Bay Area and at this point has little to lose in Hollywood by speaking his mind.\u003c/p>\n\u003cfigure id=\"attachment_13812688\" class=\"wp-caption alignright\" style=\"max-width: 473px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/uncommon-type.jpg\" alt=\"'Uncommon Type,' by Tom Hanks.\" width=\"473\" height=\"720\" class=\"size-full wp-image-13812688\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type.jpg 473w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type-160x244.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type-240x365.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type-375x571.jpg 375w\" sizes=\"(max-width: 473px) 100vw, 473px\">\u003cfigcaption class=\"wp-caption-text\">‘Uncommon Type,’ by Tom Hanks.\u003c/figcaption>\u003c/figure>\n\u003cp>This was more than evident while Hanks, now 61 and a published author of \u003cem>Uncommon Type: Some Stories\u003c/em>, was interviewed by good friend and collaborator Dave Eggers for a City Arts & Lectures appearance at the Nourse Theater on Tuesday night. Hanks — born and raised in the East Bay, an upbringing he recalled fondly and lengthily on stage — took equal pleasure in performing a profanity-laden impression of a restaurant owner, sardonically mocking the failure of recent movie \u003cem>The Circle\u003c/em>, and decrying historical inaccuracies about John Adams in high school textbooks.\u003c/p>\n\u003cp>In other words, Hanks got to be himself, a luxury in Hollywood that he’s earned over 30 years of award-winning roles. That luxury of tenure includes the ability to comfortably criticize Donald Trump, and speak openly about Harvey Weinstein. (And also, to receive an ovation for declaring that he’d just pooped in his pants. You had to be there.)\u003c/p>\n\u003cp>Here’s what Hanks had to say about America in its current moment.\u003c/p>\n\u003cp>\u003cstrong>On Trump\u003c/strong>:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We have elected buffoons to public office many times in our history. We will do it again. But if you look at what has happened in American history, you have not only a bit of reassurance for where we can go in the future, but also a primer for how we do it. There’s an election every two years. Quite frankly, if you’re not satisfied with where we are politically, later on in the year 2018 we could kick some f-ckin’ ass.\u003c/p>\n\u003cfigure id=\"attachment_13812682\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-800x538.jpg\" alt=\"Nancy Pelosi sits with Tom Hanks during a photo-op in her private conference room at the Capitol on March 5, 2008 in Washington, DC. \" width=\"800\" height=\"538\" class=\"size-medium wp-image-13812682\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-520x350.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy Pelosi sits with Tom Hanks during a photo-op in her private conference room at the Capitol on March 5, 2008 in Washington, DC. \u003ccite>(TIM SLOAN/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We have a self-correcting nation here. I don’t want to be too jingoistic or too gung-ho, but are we the only nation that has self-improvement \u003cem>codified\u003c/em> into our foundation? I just saw the actual Constitution of the United States not too long ago, on display. I got chills. And when it was first written down, women did not have the right to vote, slaves and black people were considered only 3/5 of a human being, illiteracy ran rampant in the United States, and we had an indigenous population that was either being squeezed out of its land by musket, or by smallpox. And yet there it is, right there: “We the People of the United States, in order to form a more perfect union…” We are always seeking to form a more perfect union. Perfection is a status that we will never achieve, but we can come closer and closer and closer to it.\u003c/p>\n\u003cp>Look, the cities of San Francisco and Oakland are examples of this before our very eyes. I grew up during the SLA, Huey Newton and the Black Panthers, the Zodiac Killer, and Charlie Finley owning the Oakland A’s. Nothing is fixed to a level of perfection, but we are closer to a more perfect status than ever before. That’s what we can always rely on.”\u003c/p>\n\u003cp>\u003cstrong>On Weinstein and sexual assault in Hollywood\u003c/strong>:\u003c/p>\n\u003cp>“I was not surprised. I can’t say I witnessed it. But here’s the truth. There are people that go into any line of work – ours, Wall Street, whatever – because it’s fun, and because you can’t believe that someone would pay you to do something that you love. There’s people that go into it because you can make a pretty good buck at it if lightning strikes, and there’s nothing wrong with wanting a good buck; it solves a lot of problems. There’s other people that, if they can make it work, they get to have this power of celebrity, and celebrity is in charge. You can get addicted to being somebody who can get a reservation anywhere you want, or always gets cuts in line. Those are viable reasons to go into any line of work.\u003c/p>\n\u003cfigure id=\"attachment_13812684\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-800x788.jpg\" alt=\"Tom Hanks and Rita Wilson attend the afterparty for 'The Circle' during the 2017 Tribeca Film Festival on April 26, 2017 in New York City. \" width=\"800\" height=\"788\" class=\"size-medium wp-image-13812684\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-800x788.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-160x158.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-768x756.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-1020x1004.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-960x945.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-240x236.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-375x369.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-520x512.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks and Rita Wilson attend the afterparty for ‘The Circle’ during the 2017 Tribeca Film Festival on April 26, 2017 in New York City. \u003ccite>(Photo by Rob Kim/Getty Images for 2017 Tribeca Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are, however, other people who go into it for one thing only: they want to hold power and influence over people, and they think that’s the coin of the realm. And the people who do that are kind of obvious — they demonstrate it in more than one way in the course of doing businesses with them. It doesn’t matter if you do good work or bad work, the end result, the main purchase that they’re trying to get is influence over you. There are plenty of people of every type, in every line of work, who say, “Here’s how power works. When I am in a position of power over you, I can reward you or I can punish you by whatever whim I choose. And that whim is sexual favors that I am going to demand of you. And if you don’t like those rules, get out of business, too bad, because this is the way it works. I have earned this position in order to hold sway over you.”\u003c/p>\n\u003cp>And that is sexual predatory behavior, and it is illegal, and it is cause for dismissal.\u003c/p>\n\u003cp>I don’t know how many women are here, but how many women in the workplace have experienced some form of predatory sexual behavior? [Nearly every woman in the theater claps.] That’s a lot of people. And it’s illegal.\u003c/p>\n\u003cp>I’m going to tell you that that is a portion of people, and also there are plenty people who would never do that in a million years, but that’s part of Western society. And the question is now: is everything going to change? I’m going to say yes. I think there’s going to be a sea change, and a type of discussion that’s going to be based on a code of ethics that is not an option to participate in, but is going to be a requirement.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "\"We have elected buffoons to public office many times in our history. We will do it again.\"",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tom Hanks relishes the position he’s in – the comfortable crevice between “America’s Dad” and the left-leaning actor who grew up in the Bay Area and at this point has little to lose in Hollywood by speaking his mind.\u003c/p>\n\u003cfigure id=\"attachment_13812688\" class=\"wp-caption alignright\" style=\"max-width: 473px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/uncommon-type.jpg\" alt=\"'Uncommon Type,' by Tom Hanks.\" width=\"473\" height=\"720\" class=\"size-full wp-image-13812688\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type.jpg 473w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type-160x244.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type-240x365.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/uncommon-type-375x571.jpg 375w\" sizes=\"(max-width: 473px) 100vw, 473px\">\u003cfigcaption class=\"wp-caption-text\">‘Uncommon Type,’ by Tom Hanks.\u003c/figcaption>\u003c/figure>\n\u003cp>This was more than evident while Hanks, now 61 and a published author of \u003cem>Uncommon Type: Some Stories\u003c/em>, was interviewed by good friend and collaborator Dave Eggers for a City Arts & Lectures appearance at the Nourse Theater on Tuesday night. Hanks — born and raised in the East Bay, an upbringing he recalled fondly and lengthily on stage — took equal pleasure in performing a profanity-laden impression of a restaurant owner, sardonically mocking the failure of recent movie \u003cem>The Circle\u003c/em>, and decrying historical inaccuracies about John Adams in high school textbooks.\u003c/p>\n\u003cp>In other words, Hanks got to be himself, a luxury in Hollywood that he’s earned over 30 years of award-winning roles. That luxury of tenure includes the ability to comfortably criticize Donald Trump, and speak openly about Harvey Weinstein. (And also, to receive an ovation for declaring that he’d just pooped in his pants. You had to be there.)\u003c/p>\n\u003cp>Here’s what Hanks had to say about America in its current moment.\u003c/p>\n\u003cp>\u003cstrong>On Trump\u003c/strong>:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We have elected buffoons to public office many times in our history. We will do it again. But if you look at what has happened in American history, you have not only a bit of reassurance for where we can go in the future, but also a primer for how we do it. There’s an election every two years. Quite frankly, if you’re not satisfied with where we are politically, later on in the year 2018 we could kick some f-ckin’ ass.\u003c/p>\n\u003cfigure id=\"attachment_13812682\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-800x538.jpg\" alt=\"Nancy Pelosi sits with Tom Hanks during a photo-op in her private conference room at the Capitol on March 5, 2008 in Washington, DC. \" width=\"800\" height=\"538\" class=\"size-medium wp-image-13812682\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Hanks.Pelosi-520x350.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy Pelosi sits with Tom Hanks during a photo-op in her private conference room at the Capitol on March 5, 2008 in Washington, DC. \u003ccite>(TIM SLOAN/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We have a self-correcting nation here. I don’t want to be too jingoistic or too gung-ho, but are we the only nation that has self-improvement \u003cem>codified\u003c/em> into our foundation? I just saw the actual Constitution of the United States not too long ago, on display. I got chills. And when it was first written down, women did not have the right to vote, slaves and black people were considered only 3/5 of a human being, illiteracy ran rampant in the United States, and we had an indigenous population that was either being squeezed out of its land by musket, or by smallpox. And yet there it is, right there: “We the People of the United States, in order to form a more perfect union…” We are always seeking to form a more perfect union. Perfection is a status that we will never achieve, but we can come closer and closer and closer to it.\u003c/p>\n\u003cp>Look, the cities of San Francisco and Oakland are examples of this before our very eyes. I grew up during the SLA, Huey Newton and the Black Panthers, the Zodiac Killer, and Charlie Finley owning the Oakland A’s. Nothing is fixed to a level of perfection, but we are closer to a more perfect status than ever before. That’s what we can always rely on.”\u003c/p>\n\u003cp>\u003cstrong>On Weinstein and sexual assault in Hollywood\u003c/strong>:\u003c/p>\n\u003cp>“I was not surprised. I can’t say I witnessed it. But here’s the truth. There are people that go into any line of work – ours, Wall Street, whatever – because it’s fun, and because you can’t believe that someone would pay you to do something that you love. There’s people that go into it because you can make a pretty good buck at it if lightning strikes, and there’s nothing wrong with wanting a good buck; it solves a lot of problems. There’s other people that, if they can make it work, they get to have this power of celebrity, and celebrity is in charge. You can get addicted to being somebody who can get a reservation anywhere you want, or always gets cuts in line. Those are viable reasons to go into any line of work.\u003c/p>\n\u003cfigure id=\"attachment_13812684\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-800x788.jpg\" alt=\"Tom Hanks and Rita Wilson attend the afterparty for 'The Circle' during the 2017 Tribeca Film Festival on April 26, 2017 in New York City. \" width=\"800\" height=\"788\" class=\"size-medium wp-image-13812684\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-800x788.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-160x158.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-768x756.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-1020x1004.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-960x945.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-240x236.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-375x369.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-520x512.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/GettyImages-673618988.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tom Hanks and Rita Wilson attend the afterparty for ‘The Circle’ during the 2017 Tribeca Film Festival on April 26, 2017 in New York City. \u003ccite>(Photo by Rob Kim/Getty Images for 2017 Tribeca Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are, however, other people who go into it for one thing only: they want to hold power and influence over people, and they think that’s the coin of the realm. And the people who do that are kind of obvious — they demonstrate it in more than one way in the course of doing businesses with them. It doesn’t matter if you do good work or bad work, the end result, the main purchase that they’re trying to get is influence over you. There are plenty of people of every type, in every line of work, who say, “Here’s how power works. When I am in a position of power over you, I can reward you or I can punish you by whatever whim I choose. And that whim is sexual favors that I am going to demand of you. And if you don’t like those rules, get out of business, too bad, because this is the way it works. I have earned this position in order to hold sway over you.”\u003c/p>\n\u003cp>And that is sexual predatory behavior, and it is illegal, and it is cause for dismissal.\u003c/p>\n\u003cp>I don’t know how many women are here, but how many women in the workplace have experienced some form of predatory sexual behavior? [Nearly every woman in the theater claps.] That’s a lot of people. And it’s illegal.\u003c/p>\n\u003cp>I’m going to tell you that that is a portion of people, and also there are plenty people who would never do that in a million years, but that’s part of Western society. And the question is now: is everything going to change? I’m going to say yes. I think there’s going to be a sea change, and a type of discussion that’s going to be based on a code of ethics that is not an option to participate in, but is going to be a requirement.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Eminem, Kaepernick and Who Gets Credit for Calling Out Trump",
"headTitle": "Eminem, Kaepernick and Who Gets Credit for Calling Out Trump | KQED",
"content": "\u003cp>The internet is aflame with praise for Eminem, who slammed Trump from every conceivable angle in a freestyle at the \u003ca href=\"http://www.bet.com/shows/hip-hop-awards.html\" target=\"_blank\" rel=\"noopener\">BET Hip Hop Awards\u003c/a> last night on Oct. 10. The Detroit rapper took the president to task for his cozy relationships with white supremacists, his inaction in the face of tragedies in Las Vegas and Puerto Rico, his constant golf trips, and his petty Twitter beefs with celebrities and \u003ca href=\"https://ww2.kqed.org/news/2017/09/27/curry-to-trump-kneeling-is-all-about-race/\" target=\"_blank\" rel=\"noopener\">athletes\u003c/a>. “He’s bored and would rather cause a Twitter storm with the Packers,” Eminem spits as he paces around a dim Detroit parking garage. Like the \u003ca href=\"https://projects.fivethirtyeight.com/trump-approval-ratings/\" target=\"_blank\" rel=\"noopener\">other 56 percent\u003c/a> of Americans who currently disapprove of Trump, it seems that Eminem has finally had enough.\u003c/p>\n\u003cp>https://youtu.be/LunHybOKIjU\u003c/p>\n\u003cp>At three minutes and 32 seconds in, Eminem raises his fist high and says “This is for Colin / Ball up a fist / And keep that shit bald / Like Donald the bitch,” shouting out former San Francisco 49ers quarterback \u003ca href=\"https://ww2.kqed.org/arts/2017/09/26/america-and-colin-kaepernick-needs-a-new-contract/\" target=\"_blank\" rel=\"noopener\">Colin Kaepernick\u003c/a>, whose kneeling protest against racism and police brutality galvanized a wave of political activism from fellow athletes, many of whom have also taken knees during the national anthem to protest the Trump administration. (The Oakland Raiders’ own Marshawn Lynch recently made waves with his “Everybody vs Trump” T-shirt, a design from Dope Era, \u003ca href=\"https://ww2.kqed.org/arts/2017/04/03/public-safety-or-racial-profiling-mistah-f-a-b-alleges-harassment-by-the-opd/\" target=\"_blank\" rel=\"noopener\">Oakland rapper Mistah F.A.B.’s clothing label\u003c/a>.)\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">2020 presidential candidate Marshawn Lynch wearing an “Everybody vs. Trump” shirt today. \u003ca href=\"https://t.co/bA58tktjTm\">pic.twitter.com/bA58tktjTm\u003c/a>\u003c/p>\n\u003cp>— Jeff Eisenband (@JeffEisenband) \u003ca href=\"https://twitter.com/JeffEisenband/status/914569826353467393?ref_src=twsrc%5Etfw\">October 1, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Since the Eminem freestyle started making the rounds, Kaepernick took to Twitter to praise Eminem, and so did many prominent figures from the sports and entertainment worlds, including LeBron James and veteran sports commentator Keith Olbermann, who apparently is now a newly minted rap fan thanks to Eminem.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">I appreciate you \u003ca href=\"https://twitter.com/Eminem?ref_src=twsrc%5Etfw\">@Eminem\u003c/a> ✊🏾 \u003ca href=\"https://t.co/nwavBwsOkQ\">pic.twitter.com/nwavBwsOkQ\u003c/a>\u003c/p>\n\u003cp>— Colin Kaepernick (@Kaepernick7) \u003ca href=\"https://twitter.com/Kaepernick7/status/917955545197314048?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Racism is the only thing he’s Fantastic 4(fantastic for), cause that’s how he gets his rock off, he’s orange. Sheesh \u003ca href=\"https://twitter.com/Eminem?ref_src=twsrc%5Etfw\">@Eminem\u003c/a>!! 🔥🔥✊🏾🔥🔥\u003ca href=\"https://twitter.com/hashtag/United?src=hash&ref_src=twsrc%5Etfw\">#United\u003c/a> \u003ca href=\"https://t.co/wcL28BCWpy\">pic.twitter.com/wcL28BCWpy\u003c/a>\u003c/p>\n\u003cp>— LeBron James (@KingJames) \u003ca href=\"https://twitter.com/KingJames/status/917961576350699520?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">After 27 years of doubts about rap I am now an \u003ca href=\"https://twitter.com/Eminem?ref_src=twsrc%5Etfw\">@Eminem\u003c/a> fan.\u003c/p>\n\u003cp>Best political writing of the year, period. 👏👏👏👏👏\u003ca href=\"https://twitter.com/hashtag/Eminem2020?src=hash&ref_src=twsrc%5Etfw\">#Eminem2020\u003c/a> \u003ca href=\"https://t.co/yS2Y72n8WS\">https://t.co/yS2Y72n8WS\u003c/a>\u003c/p>\n\u003cp>— Keith Olbermann (@KeithOlbermann) \u003ca href=\"https://twitter.com/KeithOlbermann/status/917931141730009088?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Twitter users have not been remiss to point out that Eminem’s freestyle is not the best nor the most original Trump diss — L.A. rappers YG and Nipsey Hussle \u003ca href=\"http://www.billboard.com/articles/columns/hip-hop/7348438/yg-secret-service-donald-trump-fdt\" target=\"_blank\" rel=\"noopener\">caught flack\u003c/a> last year for their much catchier pre-election slapper “FDT,” which later got a remix featuring Macklemore and Oakland’s G-Eazy as a gesture of racial unity. Whiz Ward, an Oakland native and member of the music collective HNRL, pointed out the irony of Olbermann and others praising Eminem, a white rapper, as the best thing that’s ever happened to a black art form.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">A white rapper makes a statement about a white supremacist president then is deemed the ONLY good thing about a historically black art-form? \u003ca href=\"https://t.co/y3roJIRuIt\">https://t.co/y3roJIRuIt\u003c/a>\u003c/p>\n\u003cp>— WHIZ WARD (@yopotnawhiz) \u003ca href=\"https://twitter.com/yopotnawhiz/status/918008735003394049?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Unfortunately but unsurprisingly, widespread praise for Eminem’s freestyle at a time when Kaepernick is blacklisted from the NFL shows that there are major racial disparities in how the public receives criticism against Trump.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But because there can never be too many Trump diss tracks in your playlist, let’s look back at some of the best anti-Trump rap songs that’ve come out since he announced his presidential bid.\u003c/p>\n\u003cp>https://youtu.be/WkZ5e94QnWk\u003c/p>\n\u003cp>https://youtu.be/j9ja3i9u2Og\u003c/p>\n\u003cp>https://youtu.be/v0cHeM6C7_k\u003c/p>\n\u003cp>https://youtu.be/rhO0Exhmpdg\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://youtu.be/j3Sj6VKYt4I\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The internet is aflame with praise for Eminem, who slammed Trump from every conceivable angle in a freestyle at the \u003ca href=\"http://www.bet.com/shows/hip-hop-awards.html\" target=\"_blank\" rel=\"noopener\">BET Hip Hop Awards\u003c/a> last night on Oct. 10. The Detroit rapper took the president to task for his cozy relationships with white supremacists, his inaction in the face of tragedies in Las Vegas and Puerto Rico, his constant golf trips, and his petty Twitter beefs with celebrities and \u003ca href=\"https://ww2.kqed.org/news/2017/09/27/curry-to-trump-kneeling-is-all-about-race/\" target=\"_blank\" rel=\"noopener\">athletes\u003c/a>. “He’s bored and would rather cause a Twitter storm with the Packers,” Eminem spits as he paces around a dim Detroit parking garage. Like the \u003ca href=\"https://projects.fivethirtyeight.com/trump-approval-ratings/\" target=\"_blank\" rel=\"noopener\">other 56 percent\u003c/a> of Americans who currently disapprove of Trump, it seems that Eminem has finally had enough.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LunHybOKIjU'\n title='//www.youtube.com/embed/LunHybOKIjU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At three minutes and 32 seconds in, Eminem raises his fist high and says “This is for Colin / Ball up a fist / And keep that shit bald / Like Donald the bitch,” shouting out former San Francisco 49ers quarterback \u003ca href=\"https://ww2.kqed.org/arts/2017/09/26/america-and-colin-kaepernick-needs-a-new-contract/\" target=\"_blank\" rel=\"noopener\">Colin Kaepernick\u003c/a>, whose kneeling protest against racism and police brutality galvanized a wave of political activism from fellow athletes, many of whom have also taken knees during the national anthem to protest the Trump administration. (The Oakland Raiders’ own Marshawn Lynch recently made waves with his “Everybody vs Trump” T-shirt, a design from Dope Era, \u003ca href=\"https://ww2.kqed.org/arts/2017/04/03/public-safety-or-racial-profiling-mistah-f-a-b-alleges-harassment-by-the-opd/\" target=\"_blank\" rel=\"noopener\">Oakland rapper Mistah F.A.B.’s clothing label\u003c/a>.)\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">2020 presidential candidate Marshawn Lynch wearing an “Everybody vs. Trump” shirt today. \u003ca href=\"https://t.co/bA58tktjTm\">pic.twitter.com/bA58tktjTm\u003c/a>\u003c/p>\n\u003cp>— Jeff Eisenband (@JeffEisenband) \u003ca href=\"https://twitter.com/JeffEisenband/status/914569826353467393?ref_src=twsrc%5Etfw\">October 1, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Since the Eminem freestyle started making the rounds, Kaepernick took to Twitter to praise Eminem, and so did many prominent figures from the sports and entertainment worlds, including LeBron James and veteran sports commentator Keith Olbermann, who apparently is now a newly minted rap fan thanks to Eminem.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">I appreciate you \u003ca href=\"https://twitter.com/Eminem?ref_src=twsrc%5Etfw\">@Eminem\u003c/a> ✊🏾 \u003ca href=\"https://t.co/nwavBwsOkQ\">pic.twitter.com/nwavBwsOkQ\u003c/a>\u003c/p>\n\u003cp>— Colin Kaepernick (@Kaepernick7) \u003ca href=\"https://twitter.com/Kaepernick7/status/917955545197314048?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">Racism is the only thing he’s Fantastic 4(fantastic for), cause that’s how he gets his rock off, he’s orange. Sheesh \u003ca href=\"https://twitter.com/Eminem?ref_src=twsrc%5Etfw\">@Eminem\u003c/a>!! 🔥🔥✊🏾🔥🔥\u003ca href=\"https://twitter.com/hashtag/United?src=hash&ref_src=twsrc%5Etfw\">#United\u003c/a> \u003ca href=\"https://t.co/wcL28BCWpy\">pic.twitter.com/wcL28BCWpy\u003c/a>\u003c/p>\n\u003cp>— LeBron James (@KingJames) \u003ca href=\"https://twitter.com/KingJames/status/917961576350699520?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">After 27 years of doubts about rap I am now an \u003ca href=\"https://twitter.com/Eminem?ref_src=twsrc%5Etfw\">@Eminem\u003c/a> fan.\u003c/p>\n\u003cp>Best political writing of the year, period. 👏👏👏👏👏\u003ca href=\"https://twitter.com/hashtag/Eminem2020?src=hash&ref_src=twsrc%5Etfw\">#Eminem2020\u003c/a> \u003ca href=\"https://t.co/yS2Y72n8WS\">https://t.co/yS2Y72n8WS\u003c/a>\u003c/p>\n\u003cp>— Keith Olbermann (@KeithOlbermann) \u003ca href=\"https://twitter.com/KeithOlbermann/status/917931141730009088?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Twitter users have not been remiss to point out that Eminem’s freestyle is not the best nor the most original Trump diss — L.A. rappers YG and Nipsey Hussle \u003ca href=\"http://www.billboard.com/articles/columns/hip-hop/7348438/yg-secret-service-donald-trump-fdt\" target=\"_blank\" rel=\"noopener\">caught flack\u003c/a> last year for their much catchier pre-election slapper “FDT,” which later got a remix featuring Macklemore and Oakland’s G-Eazy as a gesture of racial unity. Whiz Ward, an Oakland native and member of the music collective HNRL, pointed out the irony of Olbermann and others praising Eminem, a white rapper, as the best thing that’s ever happened to a black art form.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">A white rapper makes a statement about a white supremacist president then is deemed the ONLY good thing about a historically black art-form? \u003ca href=\"https://t.co/y3roJIRuIt\">https://t.co/y3roJIRuIt\u003c/a>\u003c/p>\n\u003cp>— WHIZ WARD (@yopotnawhiz) \u003ca href=\"https://twitter.com/yopotnawhiz/status/918008735003394049?ref_src=twsrc%5Etfw\">October 11, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Unfortunately but unsurprisingly, widespread praise for Eminem’s freestyle at a time when Kaepernick is blacklisted from the NFL shows that there are major racial disparities in how the public receives criticism against Trump.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But because there can never be too many Trump diss tracks in your playlist, let’s look back at some of the best anti-Trump rap songs that’ve come out since he announced his presidential bid.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WkZ5e94QnWk'\n title='//www.youtube.com/embed/WkZ5e94QnWk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://youtu.be/j9ja3i9u2Og\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v0cHeM6C7_k'\n title='//www.youtube.com/embed/v0cHeM6C7_k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://youtu.be/rhO0Exhmpdg\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j3Sj6VKYt4I'\n title='//www.youtube.com/embed/j3Sj6VKYt4I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"title": "With SF-Based ’30 Days, 30 Songs' Project, Musicians Rally Against Trump",
"headTitle": "With SF-Based ’30 Days, 30 Songs’ Project, Musicians Rally Against Trump | KQED",
"content": "\u003cp>If the past few weeks of election coverage have felt more like a couple of years, you’re not alone.\u003c/p>\n\u003cp>That’s just one reason \u003cem>\u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30 Days, 30 Songs\u003c/a>\u003c/em> feels like such a light at the end of the tunnel: It’s confirmation that we’ve hit a 30-day countdown. The project, helmed by Noise Pop co-founder Jordan Kurland and McSweeney’s founder Dave Eggers, will release one new, original anti-Trump song from both emerging and established artists each morning at 9am until Election Day; a statement by the day’s artist accompanies a YouTube video and Spotify stream at the website \u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30days30songs.com\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XE0nOfTA3pY\u003c/p>\n\u003cp>Day one, on Oct. 10, brought a new Death Cab for Cutie song called “Million Dollar Loan,” while the morning of Oct. 11 delivered a wry, uptempo song by Aimee Mann written from the Donald’s point of view, called “Can’t You Tell?”\u003c/p>\n\u003cp>“I wanted to write about Trump in the first person because I think it’s more interesting to speculate on what people’s inner life might be,” writes Mann in the post accompanying her contribution. “I had heard a theory that Trump’s interest in running for President was really kicked off at the 2011 White House Correspondent’s dinner when President Obama basically roasted him, so that’s where I started. And my own feeling was that it wasn’t really the job itself he wanted, but the thrill of running and winning, and that maybe it had all gotten out of hand and was a runaway train that he couldn’t stop.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qROQ0XYP4Ck\u003c/p>\n\u003cp>Before the first week is out, the project’s organizers promise new songs from the hip-hop trio \u003ca href=\"https://www.subpop.com/artists/clipping\" target=\"_blank\" rel=\"noopener\">clipping.\u003c/a> (featuring Hamilton star and \u003ca href=\"https://ww2.kqed.org/pop/2016/05/10/watch-hamilton-star-and-oakland-native-daveed-diggs-can-rap-very-very-fast/\" target=\"_blank\" rel=\"noopener\">Oakland native Daveed Diggs\u003c/a>), local indie favorites \u003ca href=\"https://ww2.kqed.org/news/2016/04/30/thao-nguyen-on-songwriting-s-f-and-sorting-through-her-troubled-relationship-with-her-dad/\" target=\"_blank\" rel=\"noopener\">Thao Nguyen \u003c/a>and \u003ca href=\"http://www.npr.org/2015/05/16/407212524/in-rhythm-bhi-bhimans-music-isnt-limited-by-national-borders\" target=\"_blank\" rel=\"noopener\">Bhi Bhiman\u003c/a>, and a new live track from everyone’s favorite liberal uncles (\u003ca href=\"https://ww2.kqed.org/pop/2015/09/09/r-e-m-to-donald-trump-go-f-yourself/\" target=\"_blank\" rel=\"noopener\">and documented Trump haters\u003c/a>) R.E.M.\u003c/p>\n\u003cp>Per the project’s mission statement, a note signed “Artists For a Trump-Free America”:\u003c/p>\n\u003cblockquote>\u003cp>As artists, we are united in our desire to speak out against the ignorant, divisive, and hateful campaign of Donald Trump. We will not be duped by Mr. Trump’s rhetorical contortions, by his pandering and lies and false promises. He has shown the content of his character time and time again, and the very fact of his candidacy is a blight on the nation. His words incite hatred and celebrate inequity. Most troubling of all, over the past year, the country has become inured to the towering vileness of his rhetoric and deeds, his attacks on women, Mexican-Americans, Muslims, and those with disabilities. But we have to remember these acts, and act against them. In the words of Cornell West, we cannot become “well-adjusted to injustice.”\u003c/p>\u003c/blockquote>\n\u003cp>If the one-new-thing-a-day premise sounds familiar, it’s probably because the project is brought to you by the same folks behind \u003cem>\u003ca href=\"http://90days90reasons.net/\">90 Days, 90 Reasons\u003c/a>\u003c/em>, which in 2012 recruited writers and artists to pen essays that motivated voters to elect President Obama for a second term.\u003c/p>\n\u003cp>But while those pieces of writing were sweet, convincing (for many) and full of renewed hope, it must be said: there’s really nothing like a protest song. Just ask Pete Seeger, Billy Bragg, or NOFX’s Fat Mike, who in 2004 recruited other punks and alternative acts for two full \u003cem>Rock Against Bush\u003c/em> compilation albums and a tour to help prevent Bush’s re-election.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZSb3nG4oTNQ\u003c/p>\n\u003cp>Of course, we all know how that one turned out. In this election, as of this writing, we have 28 more days of crazy-making headlines and (I’ll speak for myself here) constant, low-humming anxiety. But hey: at least now it’s got a nice new soundtrack.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "In which Death Cab For Cutie, R.E.M., Aimee Mann and other artists pen protest songs for the last month of election season. ",
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"description": "In which Death Cab For Cutie, R.E.M., Aimee Mann and other artists pen protest songs for the last month of election season. ",
"title": "With SF-Based ’30 Days, 30 Songs' Project, Musicians Rally Against Trump | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If the past few weeks of election coverage have felt more like a couple of years, you’re not alone.\u003c/p>\n\u003cp>That’s just one reason \u003cem>\u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30 Days, 30 Songs\u003c/a>\u003c/em> feels like such a light at the end of the tunnel: It’s confirmation that we’ve hit a 30-day countdown. The project, helmed by Noise Pop co-founder Jordan Kurland and McSweeney’s founder Dave Eggers, will release one new, original anti-Trump song from both emerging and established artists each morning at 9am until Election Day; a statement by the day’s artist accompanies a YouTube video and Spotify stream at the website \u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30days30songs.com\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XE0nOfTA3pY'\n title='//www.youtube.com/embed/XE0nOfTA3pY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Day one, on Oct. 10, brought a new Death Cab for Cutie song called “Million Dollar Loan,” while the morning of Oct. 11 delivered a wry, uptempo song by Aimee Mann written from the Donald’s point of view, called “Can’t You Tell?”\u003c/p>\n\u003cp>“I wanted to write about Trump in the first person because I think it’s more interesting to speculate on what people’s inner life might be,” writes Mann in the post accompanying her contribution. “I had heard a theory that Trump’s interest in running for President was really kicked off at the 2011 White House Correspondent’s dinner when President Obama basically roasted him, so that’s where I started. And my own feeling was that it wasn’t really the job itself he wanted, but the thrill of running and winning, and that maybe it had all gotten out of hand and was a runaway train that he couldn’t stop.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qROQ0XYP4Ck'\n title='//www.youtube.com/embed/qROQ0XYP4Ck'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before the first week is out, the project’s organizers promise new songs from the hip-hop trio \u003ca href=\"https://www.subpop.com/artists/clipping\" target=\"_blank\" rel=\"noopener\">clipping.\u003c/a> (featuring Hamilton star and \u003ca href=\"https://ww2.kqed.org/pop/2016/05/10/watch-hamilton-star-and-oakland-native-daveed-diggs-can-rap-very-very-fast/\" target=\"_blank\" rel=\"noopener\">Oakland native Daveed Diggs\u003c/a>), local indie favorites \u003ca href=\"https://ww2.kqed.org/news/2016/04/30/thao-nguyen-on-songwriting-s-f-and-sorting-through-her-troubled-relationship-with-her-dad/\" target=\"_blank\" rel=\"noopener\">Thao Nguyen \u003c/a>and \u003ca href=\"http://www.npr.org/2015/05/16/407212524/in-rhythm-bhi-bhimans-music-isnt-limited-by-national-borders\" target=\"_blank\" rel=\"noopener\">Bhi Bhiman\u003c/a>, and a new live track from everyone’s favorite liberal uncles (\u003ca href=\"https://ww2.kqed.org/pop/2015/09/09/r-e-m-to-donald-trump-go-f-yourself/\" target=\"_blank\" rel=\"noopener\">and documented Trump haters\u003c/a>) R.E.M.\u003c/p>\n\u003cp>Per the project’s mission statement, a note signed “Artists For a Trump-Free America”:\u003c/p>\n\u003cblockquote>\u003cp>As artists, we are united in our desire to speak out against the ignorant, divisive, and hateful campaign of Donald Trump. We will not be duped by Mr. Trump’s rhetorical contortions, by his pandering and lies and false promises. He has shown the content of his character time and time again, and the very fact of his candidacy is a blight on the nation. His words incite hatred and celebrate inequity. Most troubling of all, over the past year, the country has become inured to the towering vileness of his rhetoric and deeds, his attacks on women, Mexican-Americans, Muslims, and those with disabilities. But we have to remember these acts, and act against them. In the words of Cornell West, we cannot become “well-adjusted to injustice.”\u003c/p>\u003c/blockquote>\n\u003cp>If the one-new-thing-a-day premise sounds familiar, it’s probably because the project is brought to you by the same folks behind \u003cem>\u003ca href=\"http://90days90reasons.net/\">90 Days, 90 Reasons\u003c/a>\u003c/em>, which in 2012 recruited writers and artists to pen essays that motivated voters to elect President Obama for a second term.\u003c/p>\n\u003cp>But while those pieces of writing were sweet, convincing (for many) and full of renewed hope, it must be said: there’s really nothing like a protest song. Just ask Pete Seeger, Billy Bragg, or NOFX’s Fat Mike, who in 2004 recruited other punks and alternative acts for two full \u003cem>Rock Against Bush\u003c/em> compilation albums and a tour to help prevent Bush’s re-election.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZSb3nG4oTNQ'\n title='//www.youtube.com/embed/ZSb3nG4oTNQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Of course, we all know how that one turned out. In this election, as of this writing, we have 28 more days of crazy-making headlines and (I’ll speak for myself here) constant, low-humming anxiety. But hey: at least now it’s got a nice new soundtrack.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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