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"content": "\u003cp>As a TV critic who keeps an eye on social issues, I’ve long been critical of ABC’s \u003cem>The Bachelor\u003c/em> and \u003cem>The Bachelorette\u003c/em> franchises. They urge viewers to believe completely contrived events are somehow spontaneous. They also support an unhealthy princess fantasy in which romance is conflated with an upper-middle class wonderland filled with reality TV fame and luxury resort getaways.\u003c/p>\n\u003cp>So why do I find it so important that \u003cem>The Bachelorette\u003c/em> is welcoming its first black woman as a star this season? The answer came as I watched Rachel Lindsay navigate what turned out to be a pretty typical \u003cem>Bachelorette\u003c/em> debut episode, which aired Monday night. The show hit all the expected notes: a quick review of how she was rejected by Nick Viall in the last \u003cem>Bachelor\u003c/em> season, a hasty reminder of her background as an attorney and a turn into the new life she was hoping for at the end of the \u003cem>Bachelorette\u003c/em> “journey.”\u003c/p>\n\u003cp>But part of the show’s princess fantasy involves building up its bachelorette as an archetype of beauty: a smart, personable, all-American woman who a bevy of Abercrombie & Fitch model lookalikes would fight over.\u003c/p>\n\u003cp>And this time — for the first time — that woman is black.\u003c/p>\n\u003cp>It’s worth noting that until relatively recently people of color — especially black people — have often been shut out of any significant representation on \u003cem>The Bachelor\u003c/em> and \u003cem>The Bachelorette.\u003c/em> In 2012, two black men sued the show for racial discrimination (a legal effort that \u003ca href=\"http://www.npr.org/sections/monkeysee/2012/10/16/162992776/a-judge-dismisses-the-bachelor-discrimination-lawsuit-but-not-its-concerns\" target=\"_blank\" rel=\"noopener\">ultimately failed\u003c/a>) and a different black woman (dentist and model Misee Harris) conducted a futile campaign to be chosen as a bachelorette just a few years ago. Occasionally, the show has presented moments where black contestants have struggled, but for the most part it has ignored or papered over its blind spots on race.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So it was with a mixture of trepidation and anticipation that I watched Lindsay meet 31 suitors in hopes that one would turn out to be Mr. Right. (And one did: Lindsay \u003ca href=\"http://www.npr.org/2017/05/22/529467044/rachel-lindsay-will-debut-as-the-first-black-bachelorette\" target=\"_blank\" rel=\"noopener\">told NPR\u003c/a> and other media outlets that she got engaged at the end of this season, which was filmed in advance).\u003c/p>\n\u003cp>Previous recent iterations of \u003cem>The Bachelorette\u003c/em> have only featured about 25 or 26 “suitors,” so it was odd to see so many guys on Lindsay’s season. And even though the field of men was the most diverse in franchise history, there were still only 11 black men in the running.\u003c/p>\n\u003cp>Given how previous shows have been dominated by white suitors, I thought there might have been even more people of color presented (and if they wanted to more closely reflect the population, Hispanic guys were severely underrepresented). My suspicion is that ABC was worried about having enough white guys in the mix for their mostly white audience, while making sure there was also lots of racial diversity onscreen.\u003c/p>\n\u003cp>The pattern of Monday’s episode was familiar. Lindsay met the guys and each one was a “type.” There was DeMario, the overconfident one who brought Lindsay plane tickets and a plan to elope in Las Vegas together; Bryan, the suave one who spoke to her in Spanish and won a rose for best first impression; and Lucas, the crazy one who kept shouting \u003ca href=\"http://www.tvguide.com/news/the-bachelorette-whaboom-lucas-yancey/\" target=\"_blank\" rel=\"noopener\">an outlandish catchphrase\u003c/a> and caused all sorts of drama when he was picked last among the 23 men chosen to move ahead — as if producers would let such a great pot-stirrer head home after just one episode.\u003c/p>\n\u003cp>Hopping out of limousines to meet her for the first time, some of the guys resorted to gimmicks that felt a bit contrived: breaking a block of ice with a sledgehammer (breaking the ice — get it?), bringing a creepy mannequin as a conversation starter, walking up with a marching band and, of course, Lucas with his frat-guy-at-a-kegger obnoxiousness and mini-bullhorn.\u003c/p>\n\u003cp>Also as usual, there wasn’t much acknowledgement of the elephant in the room. Though host Chris Harrison began the episode by saying, “Let’s take a look at the bachelorette everybody’s talking about,” he never really said \u003cem>why\u003c/em> people were talking about her. One of the black men noted how diverse the pool of suitors was and there was an awkward moment where the episode ended with several suitors freestyle rapping. (Really, \u003cem>Bachelorette\u003c/em>?)\u003c/p>\n\u003cp>For some, that may be a great development; a way to emphasize the universality of everyone’s experience. But \u003cem>The Bachelor\u003c/em> and \u003cem>The Bachelorette\u003c/em> franchises have always glorified an ideal culture that is both upper-middle class and very white. Even among the 23 men left, just eight are black, so the contestant pool will be still dominated by white men. And in the preview scenes flashed at the episode’s end, it seems they’ll be enjoying the typical array of luxury resorts and getaway experiences — places and activities that rarely include other black people.\u003c/p>\n\u003cp>From the show’s perspective, this was likely a home run: They presented a diverse field of contestants and a black bachelorette without upsetting the bedrock formula that makes this “reality TV” soap opera successful. (According to previews, we can look forward to one suitor’s surprise girlfriend bursting onto the show and ramping up the drama).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But for those of us hoping to see some of the show’s basic messaging about culture, class and race changed, it was a disappointment. True diversity isn’t just about expecting black people to assimilate into a mostly white world; it’s about widening that world to reflect the experiences of everyone in it. With any luck, maybe they’ll get around to that before this season is over. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27The+Bachelorette%27+May+Have+A+Black+Star%2C+But+It%27s+Still+Set+In+A+White+World&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As a TV critic who keeps an eye on social issues, I’ve long been critical of ABC’s \u003cem>The Bachelor\u003c/em> and \u003cem>The Bachelorette\u003c/em> franchises. They urge viewers to believe completely contrived events are somehow spontaneous. They also support an unhealthy princess fantasy in which romance is conflated with an upper-middle class wonderland filled with reality TV fame and luxury resort getaways.\u003c/p>\n\u003cp>So why do I find it so important that \u003cem>The Bachelorette\u003c/em> is welcoming its first black woman as a star this season? The answer came as I watched Rachel Lindsay navigate what turned out to be a pretty typical \u003cem>Bachelorette\u003c/em> debut episode, which aired Monday night. The show hit all the expected notes: a quick review of how she was rejected by Nick Viall in the last \u003cem>Bachelor\u003c/em> season, a hasty reminder of her background as an attorney and a turn into the new life she was hoping for at the end of the \u003cem>Bachelorette\u003c/em> “journey.”\u003c/p>\n\u003cp>But part of the show’s princess fantasy involves building up its bachelorette as an archetype of beauty: a smart, personable, all-American woman who a bevy of Abercrombie & Fitch model lookalikes would fight over.\u003c/p>\n\u003cp>And this time — for the first time — that woman is black.\u003c/p>\n\u003cp>It’s worth noting that until relatively recently people of color — especially black people — have often been shut out of any significant representation on \u003cem>The Bachelor\u003c/em> and \u003cem>The Bachelorette.\u003c/em> In 2012, two black men sued the show for racial discrimination (a legal effort that \u003ca href=\"http://www.npr.org/sections/monkeysee/2012/10/16/162992776/a-judge-dismisses-the-bachelor-discrimination-lawsuit-but-not-its-concerns\" target=\"_blank\" rel=\"noopener\">ultimately failed\u003c/a>) and a different black woman (dentist and model Misee Harris) conducted a futile campaign to be chosen as a bachelorette just a few years ago. Occasionally, the show has presented moments where black contestants have struggled, but for the most part it has ignored or papered over its blind spots on race.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So it was with a mixture of trepidation and anticipation that I watched Lindsay meet 31 suitors in hopes that one would turn out to be Mr. Right. (And one did: Lindsay \u003ca href=\"http://www.npr.org/2017/05/22/529467044/rachel-lindsay-will-debut-as-the-first-black-bachelorette\" target=\"_blank\" rel=\"noopener\">told NPR\u003c/a> and other media outlets that she got engaged at the end of this season, which was filmed in advance).\u003c/p>\n\u003cp>Previous recent iterations of \u003cem>The Bachelorette\u003c/em> have only featured about 25 or 26 “suitors,” so it was odd to see so many guys on Lindsay’s season. And even though the field of men was the most diverse in franchise history, there were still only 11 black men in the running.\u003c/p>\n\u003cp>Given how previous shows have been dominated by white suitors, I thought there might have been even more people of color presented (and if they wanted to more closely reflect the population, Hispanic guys were severely underrepresented). My suspicion is that ABC was worried about having enough white guys in the mix for their mostly white audience, while making sure there was also lots of racial diversity onscreen.\u003c/p>\n\u003cp>The pattern of Monday’s episode was familiar. Lindsay met the guys and each one was a “type.” There was DeMario, the overconfident one who brought Lindsay plane tickets and a plan to elope in Las Vegas together; Bryan, the suave one who spoke to her in Spanish and won a rose for best first impression; and Lucas, the crazy one who kept shouting \u003ca href=\"http://www.tvguide.com/news/the-bachelorette-whaboom-lucas-yancey/\" target=\"_blank\" rel=\"noopener\">an outlandish catchphrase\u003c/a> and caused all sorts of drama when he was picked last among the 23 men chosen to move ahead — as if producers would let such a great pot-stirrer head home after just one episode.\u003c/p>\n\u003cp>Hopping out of limousines to meet her for the first time, some of the guys resorted to gimmicks that felt a bit contrived: breaking a block of ice with a sledgehammer (breaking the ice — get it?), bringing a creepy mannequin as a conversation starter, walking up with a marching band and, of course, Lucas with his frat-guy-at-a-kegger obnoxiousness and mini-bullhorn.\u003c/p>\n\u003cp>Also as usual, there wasn’t much acknowledgement of the elephant in the room. Though host Chris Harrison began the episode by saying, “Let’s take a look at the bachelorette everybody’s talking about,” he never really said \u003cem>why\u003c/em> people were talking about her. One of the black men noted how diverse the pool of suitors was and there was an awkward moment where the episode ended with several suitors freestyle rapping. (Really, \u003cem>Bachelorette\u003c/em>?)\u003c/p>\n\u003cp>For some, that may be a great development; a way to emphasize the universality of everyone’s experience. But \u003cem>The Bachelor\u003c/em> and \u003cem>The Bachelorette\u003c/em> franchises have always glorified an ideal culture that is both upper-middle class and very white. Even among the 23 men left, just eight are black, so the contestant pool will be still dominated by white men. And in the preview scenes flashed at the episode’s end, it seems they’ll be enjoying the typical array of luxury resorts and getaway experiences — places and activities that rarely include other black people.\u003c/p>\n\u003cp>From the show’s perspective, this was likely a home run: They presented a diverse field of contestants and a black bachelorette without upsetting the bedrock formula that makes this “reality TV” soap opera successful. (According to previews, we can look forward to one suitor’s surprise girlfriend bursting onto the show and ramping up the drama).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But for those of us hoping to see some of the show’s basic messaging about culture, class and race changed, it was a disappointment. True diversity isn’t just about expecting black people to assimilate into a mostly white world; it’s about widening that world to reflect the experiences of everyone in it. With any luck, maybe they’ll get around to that before this season is over. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27The+Bachelorette%27+May+Have+A+Black+Star%2C+But+It%27s+Still+Set+In+A+White+World&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "What Happened on 'Twin Peaks' Last Night? Even Superfans Aren't Entirely Sure",
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"content": "\u003cp>After a 25-year break, the third season of \u003ca href=\"http://www.imdb.com/title/tt4093826/\">\u003cem>Twin Peaks\u003c/em>\u003c/a> premiered on Showtime last night, and it's even stranger now than it was back in the early '90s. The new episodes are only partially set in Twin Peaks, and by the third episode, there's even a scene in outer space because: David Lynch.\u003c/p>\n\u003cp>To give you some idea of the off-the-scale weirdness involved, take into account that, this time around, Agent Cooper has at least two doppelgängers (one of whom closely resembles \u003ca href=\"https://upload.wikimedia.org/wikipedia/commons/thumb/7/7c/GlennDanzig.JPG/220px-GlennDanzig.JPG\">Glenn Danzig\u003c/a>); there's a glass box in an apartment building in New York City that appears to be a portal for violent evil; there's a talking twig dispensing advice in the Black Lodge; the Black Lodge is now accessible in casinos in South Dakota; Bobby is a cop; and Lucy and Andy's son happens to have grown up to become \u003ca href=\"https://twitter.com/TheLoserOf08/status/866512070514233344?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2Fwp-admin%2Fpost.php%3Fpost%3D82056%26action%3Dedit\">Michael Cera doing a Marlon Brando impersonation\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/CMWAshby/status/866643661051879425\u003c/p>\n\u003cp>https://twitter.com/MarkBrotherhood/status/866554512303108096\u003c/p>\n\u003cp>https://twitter.com/ChloeLyzun/status/866486754290925568\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In an attempt to grapple with all of this, it seemed best to get in touch with some experts. Regular attendees of the \u003ca href=\"https://www.twinpeaksfest.com/\">Twin Peaks Fest\u003c/a> have turned obsessing over the original show into a bonafide art form, so we tracked some of them down to see what they think of the show's new direction.\u003c/p>\n\u003cp>Brian Linss is an artist based in Beaverton, Oregon, and has been attending the fest for six years now. Having watched the first two episodes of the new season, he remains considerably less confused than most viewers. Of the different locations this time around, he says: \"The story is Cooper's return to Twin Peaks, so the new locations were expected.\" He believes that the glass box is \"probably two coordinates where \u003ca href=\"https://en.wikipedia.org/wiki/Ley_line\">ley lines\u003c/a> cross, creating a rift between two worlds.\" And of that amazing talking twig, Linss says, \"It is the evolution of The Arm, or in other words, the replacement for the Little Man from Another Place.\"\u003c/p>\n\u003cp>Another Twin Peaks Fest regular, writer Lori Savageau, wishes the new season stayed within the confines of the small town, and is having a hard time adjusting to current day \u003cem>Twin Peaks\u003c/em>. \"It jumps around so much and seems to be trying so hard, without establishing that small town feel I so loved in the first one,\" the Grass Valley resident says. \"I feel like such a downer about it because all my friends seem to love it. For me, it feels too much like David Lynch being... modern. I probably need to watch it again.\"\u003c/p>\n\u003cp>Savageau's friend and fellow Fest-goer, Mary Hütter, disagrees. \"I don't really know how I feel about the new \u003cem>Twin Peaks\u003c/em> season yet,\" she explains. \"It's beautiful and touching and complicated and hilarious. It's also going to take some digesting. I love it, but it leaves me at a loss for words that make sense. As \u003cem>Twin Peaks\u003c/em> has always been, it's more of a feeling.\"\u003c/p>\n\u003cp>When asked if he has any series\u003cem>-\u003c/em>related predictions to share, Brian Linss says simply: \"I predict these 18 hours will not be the last we hear of \u003cem>Twin Peaks\u003c/em>.\"\u003c/p>\n\u003cp>Even if the show does end after Season 3, we predict the internet will be having fun with all this for a long time to come.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://twitter.com/ThisJayThomas/status/866547035616542721\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After a 25-year break, the third season of \u003ca href=\"http://www.imdb.com/title/tt4093826/\">\u003cem>Twin Peaks\u003c/em>\u003c/a> premiered on Showtime last night, and it's even stranger now than it was back in the early '90s. The new episodes are only partially set in Twin Peaks, and by the third episode, there's even a scene in outer space because: David Lynch.\u003c/p>\n\u003cp>To give you some idea of the off-the-scale weirdness involved, take into account that, this time around, Agent Cooper has at least two doppelgängers (one of whom closely resembles \u003ca href=\"https://upload.wikimedia.org/wikipedia/commons/thumb/7/7c/GlennDanzig.JPG/220px-GlennDanzig.JPG\">Glenn Danzig\u003c/a>); there's a glass box in an apartment building in New York City that appears to be a portal for violent evil; there's a talking twig dispensing advice in the Black Lodge; the Black Lodge is now accessible in casinos in South Dakota; Bobby is a cop; and Lucy and Andy's son happens to have grown up to become \u003ca href=\"https://twitter.com/TheLoserOf08/status/866512070514233344?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fww2.kqed.org%2Fpop%2Fwp-admin%2Fpost.php%3Fpost%3D82056%26action%3Dedit\">Michael Cera doing a Marlon Brando impersonation\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In an attempt to grapple with all of this, it seemed best to get in touch with some experts. Regular attendees of the \u003ca href=\"https://www.twinpeaksfest.com/\">Twin Peaks Fest\u003c/a> have turned obsessing over the original show into a bonafide art form, so we tracked some of them down to see what they think of the show's new direction.\u003c/p>\n\u003cp>Brian Linss is an artist based in Beaverton, Oregon, and has been attending the fest for six years now. Having watched the first two episodes of the new season, he remains considerably less confused than most viewers. Of the different locations this time around, he says: \"The story is Cooper's return to Twin Peaks, so the new locations were expected.\" He believes that the glass box is \"probably two coordinates where \u003ca href=\"https://en.wikipedia.org/wiki/Ley_line\">ley lines\u003c/a> cross, creating a rift between two worlds.\" And of that amazing talking twig, Linss says, \"It is the evolution of The Arm, or in other words, the replacement for the Little Man from Another Place.\"\u003c/p>\n\u003cp>Another Twin Peaks Fest regular, writer Lori Savageau, wishes the new season stayed within the confines of the small town, and is having a hard time adjusting to current day \u003cem>Twin Peaks\u003c/em>. \"It jumps around so much and seems to be trying so hard, without establishing that small town feel I so loved in the first one,\" the Grass Valley resident says. \"I feel like such a downer about it because all my friends seem to love it. For me, it feels too much like David Lynch being... modern. I probably need to watch it again.\"\u003c/p>\n\u003cp>Savageau's friend and fellow Fest-goer, Mary Hütter, disagrees. \"I don't really know how I feel about the new \u003cem>Twin Peaks\u003c/em> season yet,\" she explains. \"It's beautiful and touching and complicated and hilarious. It's also going to take some digesting. I love it, but it leaves me at a loss for words that make sense. As \u003cem>Twin Peaks\u003c/em> has always been, it's more of a feeling.\"\u003c/p>\n\u003cp>When asked if he has any series\u003cem>-\u003c/em>related predictions to share, Brian Linss says simply: \"I predict these 18 hours will not be the last we hear of \u003cem>Twin Peaks\u003c/em>.\"\u003c/p>\n\u003cp>Even if the show does end after Season 3, we predict the internet will be having fun with all this for a long time to come.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
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"title": "Powers Boothe, Who Appeared In 'Deadwood' And 'Sin City,' Dies At 68",
"headTitle": "Powers Boothe, Who Appeared In ‘Deadwood’ And ‘Sin City,’ Dies At 68 | KQED",
"content": "\u003cp>Powers Boothe, a character actor who worked on television and in the movies, died Sunday in Los Angeles.\u003c/p>\n\u003cp>A representative tells news agencies that Boothe died of natural causes at his home. He was 68.\u003c/p>\n\u003cp>According to The \u003ca href=\"http://www.hollywoodreporter.com/news/powers-boothe-dead-agents-shield-sin-city-actor-was-68-1003667\">Hollywood Reporter\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“Boothe gained a reputation for playing villains with memorable roles in the action film\u003cem> Sudden Death\u003c/em> (1995), Bill Paxton’s \u003cem>Frailty\u003c/em> (2001) and the nefarious Senator Roark in \u003cem>Sin City\u003c/em> (2005). Perhaps his most famous villain role was Cy Tolliver, the ruthless saloon owner on HBO’s \u003cem>Deadwood. \u003c/em>\u003c/p>\n\u003cp>“More recently, Boothe took on the role of Gideon Malick as part of the Marvel Cinematic Universe, debuting the role in 2012’s \u003cem>The Avengers\u003c/em> and reprising it on ABC’s\u003cem> Agents of S.H.I.E.L.D.\u003c/em>\u003c/p>\n\u003cp>“He portrayed Alexander Haig in \u003cem>Nixon \u003c/em>(1995) and a sheriff in another Oliver Stone film, \u003cem>U Turn (\u003c/em>1997), and was unforgettable as the wicked gunman Curly Bill Brocius in \u003cem>Tombstone \u003c/em>(1993).\u003c/p>\n\u003cp>“He also played Connie Britton’s father, the industrialist and former mayor Lamar Wyatt, on \u003cem>Nashville\u003c/em> and portrayed Noah Daniels, the vice president and then the U.S. president, on \u003cem>24.”\u003c/em>\u003c/p>\n\u003c/blockquote>\n\u003cp>In 1980, Boothe gained national attention playing cult leader Jim Jones in the CBS-TV movie \u003cem>Guyana Tragedy: The Story of Jim Jones\u003c/em>.\u003c/p>\n\u003cp>He won an Emmy Award for that performance — beating out veteran actors Henry Fonda and Jason Robards.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Actor Beau Bridges \u003ca href=\"https://twitter.com/MrBeauBridges/status/863871266914054144\" target=\"_blank\" rel=\"noopener\">tweeted the news of Boothe’s death\u003c/a> and called him “a dear friend, great actor, devoted father & husband.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Powers+Boothe%2C+Who+Appeared+In+%27Deadwood%27+And+%27Sin+City%2C%27+Dies+At+68&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Powers Boothe, a character actor who worked on television and in the movies, died Sunday in Los Angeles.\u003c/p>\n\u003cp>A representative tells news agencies that Boothe died of natural causes at his home. He was 68.\u003c/p>\n\u003cp>According to The \u003ca href=\"http://www.hollywoodreporter.com/news/powers-boothe-dead-agents-shield-sin-city-actor-was-68-1003667\">Hollywood Reporter\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“Boothe gained a reputation for playing villains with memorable roles in the action film\u003cem> Sudden Death\u003c/em> (1995), Bill Paxton’s \u003cem>Frailty\u003c/em> (2001) and the nefarious Senator Roark in \u003cem>Sin City\u003c/em> (2005). Perhaps his most famous villain role was Cy Tolliver, the ruthless saloon owner on HBO’s \u003cem>Deadwood. \u003c/em>\u003c/p>\n\u003cp>“More recently, Boothe took on the role of Gideon Malick as part of the Marvel Cinematic Universe, debuting the role in 2012’s \u003cem>The Avengers\u003c/em> and reprising it on ABC’s\u003cem> Agents of S.H.I.E.L.D.\u003c/em>\u003c/p>\n\u003cp>“He portrayed Alexander Haig in \u003cem>Nixon \u003c/em>(1995) and a sheriff in another Oliver Stone film, \u003cem>U Turn (\u003c/em>1997), and was unforgettable as the wicked gunman Curly Bill Brocius in \u003cem>Tombstone \u003c/em>(1993).\u003c/p>\n\u003cp>“He also played Connie Britton’s father, the industrialist and former mayor Lamar Wyatt, on \u003cem>Nashville\u003c/em> and portrayed Noah Daniels, the vice president and then the U.S. president, on \u003cem>24.”\u003c/em>\u003c/p>\n\u003c/blockquote>\n\u003cp>In 1980, Boothe gained national attention playing cult leader Jim Jones in the CBS-TV movie \u003cem>Guyana Tragedy: The Story of Jim Jones\u003c/em>.\u003c/p>\n\u003cp>He won an Emmy Award for that performance — beating out veteran actors Henry Fonda and Jason Robards.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Michael Parks, a prolific character actor who found early fame in 1960s countercultural roles and later became a favorite of directors including Quentin Tarantino and Kevin Smith, has died. He was 77.\u003c/p>\n\u003cp>He died on Tuesday in Los Angeles, his agent, Jane Schulman, said on Wednesday. No cause of death was announced.\u003c/p>\n\u003cp>In a career that spanned six decades, Parks acted in more than 100 films and TV shows. Many of his early starring roles were in anti-establishment ’60s-era films such as \u003cem>Wild Seed\u003c/em>, \u003cem>The Happening\u003c/em>, with Anthony Quinn, and \u003cem>Bus Riley’s Back in Town\u003c/em>, alongside Ann-Margret.\u003c/p>\n\u003cp>Parks also starred as a disillusioned, motorcycle-riding newsman in the 1969 series \u003cem>Then Came Bronson\u003c/em>. For the series, Parks, who recorded a number of albums throughout his career, sang the popular closing theme song, “Long Lonesome Highway.”\u003c/p>\n\u003cp>He played the Canadian drug runner Jean Renault on David Lynch’s \u003cem>Twin Peaks\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Parks found perhaps his most famous parts in the 1990s thanks to the interest of Tarantino, Smith and Robert Rodriguez, the often connected independent filmmakers. Each turned to Parks again and again for meaty supporting roles. Tarantino cast him in multiple roles in both parts of \u003cem>Kill Bill\u003c/em> and his \u003cem>Death Proof\u003c/em> half of 2007’s \u003cem>Grindhouse\u003c/em>.\u003c/p>\n\u003cp>Sometimes, the characters followed Parks from filmmaker to filmmaker. He played Texas Ranger Earl McGraw in Rodriguez’s \u003cem>From Dusk Till Dawn\u003c/em>, a role he reprised in \u003cem>Kill Bill\u003c/em> and \u003cem>Grindhouse\u003c/em>. His actor son, James Parks, often joined him, playing McGraw’s son Edgar.\u003c/p>\n\u003cp>Smith gave Parks the largest roles of the trio, including his 2014 film \u003cem>Tusk\u003c/em>, which paired him with Johnny Depp, and 2011’s \u003cem>Red State\u003c/em>, as a preacher. Smith on Wednesday called him “my cinematic muse.”\u003c/p>\n\u003cp>“Michael was, and will likely forever remain, the best actor I’ve ever known,” Smith wrote on Instagram. “I wrote both \u003cem>Red State\u003c/em> and \u003cem>Tusk\u003c/em> for Parks, I loved his acting so much. He was hands-down the most incredible thespian I ever had the pleasure to watch perform. And Parks brought out the absolute best in me every time he got near my set.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Parks was briefly married while 16 years old to Louise Johnson, with whom he had a daughter. He is survived by his wife, Oriana Parks, whom he married in 1997, and his son.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Parks found perhaps his most famous parts in the 1990s thanks to the interest of Tarantino, Smith and Robert Rodriguez, the often connected independent filmmakers. Each turned to Parks again and again for meaty supporting roles. Tarantino cast him in multiple roles in both parts of \u003cem>Kill Bill\u003c/em> and his \u003cem>Death Proof\u003c/em> half of 2007’s \u003cem>Grindhouse\u003c/em>.\u003c/p>\n\u003cp>Sometimes, the characters followed Parks from filmmaker to filmmaker. He played Texas Ranger Earl McGraw in Rodriguez’s \u003cem>From Dusk Till Dawn\u003c/em>, a role he reprised in \u003cem>Kill Bill\u003c/em> and \u003cem>Grindhouse\u003c/em>. His actor son, James Parks, often joined him, playing McGraw’s son Edgar.\u003c/p>\n\u003cp>Smith gave Parks the largest roles of the trio, including his 2014 film \u003cem>Tusk\u003c/em>, which paired him with Johnny Depp, and 2011’s \u003cem>Red State\u003c/em>, as a preacher. Smith on Wednesday called him “my cinematic muse.”\u003c/p>\n\u003cp>“Michael was, and will likely forever remain, the best actor I’ve ever known,” Smith wrote on Instagram. “I wrote both \u003cem>Red State\u003c/em> and \u003cem>Tusk\u003c/em> for Parks, I loved his acting so much. He was hands-down the most incredible thespian I ever had the pleasure to watch perform. And Parks brought out the absolute best in me every time he got near my set.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Parks was briefly married while 16 years old to Louise Johnson, with whom he had a daughter. He is survived by his wife, Oriana Parks, whom he married in 1997, and his son.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Girls, Bye: Can a Series Finale Ever Satisfy?",
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"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>We process the end of Lena Dunham’s \u003cem>Girls\u003c/em>, share our best and worst TV finales, discuss the \"profound silence\" of certain celebs, freak out over what’s actually in certain kinds of wine, celebrate a beautifully worded feature on Rachel Dolezal, and provide a few reasons why you should give One Direction’s Harry Styles a chance.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/04/GirlsBye.mp3\" title=\"Girls, Bye: Can a Series Finale Ever Satisfy?\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Girls\u003c/em> is over. Some of us are okay with that.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_obea2pYZt61r8dxfio1_400.gif\">\u003cimg class=\"aligncenter size-full wp-image-77415\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_obea2pYZt61r8dxfio1_400.gif\" alt=\"shania twain whatever gif\" width=\"350\" height=\"254\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Should celebrities be outspoken politically or be quiet?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/shhh.gif\">\u003cimg class=\"aligncenter size-full wp-image-77417\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/shhh.gif\" alt=\"shhh\" width=\"498\" height=\"296\">\u003c/a>\u003c/p>\n\u003cp>If you knew what was actually in some kinds of wine, you might never drink it again.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/marilyn-monroe-ew-gif.gif\">\u003cimg class=\"aligncenter size-full wp-image-77418\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/marilyn-monroe-ew-gif.gif\" alt=\"marilyn monroe ew gif\" width=\"244\" height=\"336\">\u003c/a>\u003c/p>\n\u003cp>This takedown of Rachel Dolezal is one for the ages:\u003c/p>\n\u003cp>http://www.thestranger.com/features/2017/04/19/25082450/the-heart-of-whiteness-ijeoma-oluo-interviews-rachel-dolezal-the-white-woman-who-identifies-as-black\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>And we ride out on Harry Styles' debut single, \"Sign of the Times:\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=z0GKGpObgPY\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Should celebrities be outspoken politically or be quiet?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/shhh.gif\">\u003cimg class=\"aligncenter size-full wp-image-77417\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/shhh.gif\" alt=\"shhh\" width=\"498\" height=\"296\">\u003c/a>\u003c/p>\n\u003cp>If you knew what was actually in some kinds of wine, you might never drink it again.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/marilyn-monroe-ew-gif.gif\">\u003cimg class=\"aligncenter size-full wp-image-77418\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/marilyn-monroe-ew-gif.gif\" alt=\"marilyn monroe ew gif\" width=\"244\" height=\"336\">\u003c/a>\u003c/p>\n\u003cp>This takedown of Rachel Dolezal is one for the ages:\u003c/p>\n\u003cp>http://www.thestranger.com/features/2017/04/19/25082450/the-heart-of-whiteness-ijeoma-oluo-interviews-rachel-dolezal-the-white-woman-who-identifies-as-black\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>And we ride out on Harry Styles' debut single, \"Sign of the Times:\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/z0GKGpObgPY'\n title='//www.youtube.com/embed/z0GKGpObgPY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "New 'Mystery Science Theater' Coming to Netflix in the Not-Too-Distant Future",
"headTitle": "New ‘Mystery Science Theater’ Coming to Netflix in the Not-Too-Distant Future | KQED",
"content": "\u003cp>Here’s the setup: Mad scientists send a guy (Joel) into space and force him to watch cheesy movies. He can’t get back home because he’s used parts from his spaceship to build two robots whose commentaries make the movies bearable.\u003c/p>\n\u003cp>Sure, \u003cem>Mystery Science Theater 3000\u003c/em> had a silly premise — but it also had a cult following. The show aired in the 1990s and helped spawn the entire attitude of the Internet, where nothing is off limits from being mocked. \u003cem>MST3K\u003c/em> eventually came to an end, but now, to the delight of millions, it’s back.\u003c/p>\n\u003cp>The show was the brainchild of Joel Hodgson, a prop comic from Wisconsin who made a few appearances on \u003cem>Saturday Night Live\u003c/em>. His combination of stoner absurdism and Midwestern nice proved perfect when he got the chance to start his own show on Minneapolis cable access TV in 1988. Making fun of dumb movies with your friends is a time-honored tradition, but with \u003cem>MST3K\u003c/em>, your friends were much funnier.\u003c/p>\n\u003cp>The program got picked up by Comedy Central, where it ran for six seasons, then moved to the Sci-Fi Channel for another three. In the middle of all that, in 1993, Hodgson left over creative differences and a new host took over.\u003c/p>\n\u003cp>“It was really like a tragedy for me the way it worked out,” he says. “It was like the most public, frustrating thing I could imagine. And so that took a really long time to grapple with. And then once I started to get more distance from it, I started to kind of feel like it could happen again.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the meantime, the show acquired such fans as Frank Zappa, Questlove from The Roots, Al Gore and Jonah Ray, a stand-up comic who hosts a parody travel show called \u003cem>Hidden America\u003c/em>. Ray grew up watching \u003cem>MST3K\u003c/em>. He says, “\u003cem>Mystery Science Theater\u003c/em> was someone I could watch old sci-fi movies with and make fun of them by myself. You know, essentially you have these friends with you while you’re by yourself. And I think that’s why it connects with people.”\u003c/p>\n\u003cp>A lot of people. When Hodgson got the rights back and launched a Kickstarter campaign to produce a new season, it broke the crowdfunding site’s record for video projects, raising more than $5.5 million. Super fan Jonah Ray got the call of a lifetime when Hodgson asked him to be the new host.\u003c/p>\n\u003cp>“I was just like, ‘Wha?’ ” he remembers. “How does that even happen? … That’s the one thing I always wanted. Like, when I was growing up, that’s what I wanted.”\u003c/p>\n\u003cp>Netflix signed on to distribute it and the new \u003cem>MST3K\u003c/em> started shooting last fall. The cast includes Baron Vaughn and Hampton Yount as the new robots, and Patton Oswalt and Felicia Day as the new mad scientists.\u003c/p>\n\u003cp>Day also grew up watching \u003cem>MST3K\u003c/em>, and in addition to starring in \u003cem>Dr. Horrible’s Sing-Along Blog\u003c/em> she created a popular web series called \u003cem>The Guild\u003c/em>. She says \u003cem>MST3K\u003c/em> spawned a whole culture of silly online commentary. “Nowadays people are used to having that commentary in their day-to-day lives, you know. They’re used to commenting on Twitter about, like, ‘Hey, did you see Batman’s new codpiece? It looks like a misshapen face,’ or something.”\u003c/p>\n\u003cp>The Internet is a make-fun-of-everything, snarky place that can sometimes be downright mean — but not \u003cem>MST3K\u003c/em>. “I actually think there’s a kindness to the sense of humor and the overall aspect and tone of \u003cem>Mystery Science Theater\u003c/em>,” Day says. “Joel — on the conference calls when we talk about the movies before we started writing on them — would always talk with love about the movies, never hate. He would be like, ‘Guys, this movie is \u003cem>so awesome\u003c/em>. There’s this thing and he’s flying through the air.’ You’re like, ‘Oh wait, this sounds terrible.’ But Joel \u003cem>loves\u003c/em> it.”\u003c/p>\n\u003cp>Hodgson makes a few on-screen cameos in the new \u003cem>MST3K\u003c/em>, but he mostly stays behind the camera as a writer and creative director. “Honestly, I would have preferred that from the beginning,” he says. “It kind of makes me uptight and it’s a lot of pressure and I just feel so relieved to not have to worry about being on camera. I’m like really happy just being the guy who came up with it and being creative.”\u003c/p>\n\u003cp>Hodgson’s absence as host and head movie-riffer may make nostalgic fans sad, and even lead to some snark online. But we suggest those fans take a cue from \u003ca href=\"https://www.youtube.com/watch?v=VF7cO4t0o9c\" target=\"_blank\" rel=\"noopener\">the show’s theme song\u003c/a>: “Just repeat to yourself, ‘It’s just a show. I should really just relax.’ ”\u003c/p>\n\u003cp>Netflix is releasing the full first season of \u003cem>Mystery Science Theater 3000: The Return\u003c/em> on April 14.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Editor \u003ca href=\"http://www.npr.org/people/2100368/tom-cole\" target=\"_blank\" rel=\"noopener\">Tom Cole\u003c/a> and digital producer \u003ca href=\"http://www.npr.org/people/348780034/nicole-cohen\" target=\"_blank\" rel=\"noopener\">Nicole Cohen\u003c/a> contributed to this report.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=New+%27Mystery+Science+Theater%27+Coming+To+Netflix+In+The+Not-Too-Distant+Future&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Here’s the setup: Mad scientists send a guy (Joel) into space and force him to watch cheesy movies. He can’t get back home because he’s used parts from his spaceship to build two robots whose commentaries make the movies bearable.\u003c/p>\n\u003cp>Sure, \u003cem>Mystery Science Theater 3000\u003c/em> had a silly premise — but it also had a cult following. The show aired in the 1990s and helped spawn the entire attitude of the Internet, where nothing is off limits from being mocked. \u003cem>MST3K\u003c/em> eventually came to an end, but now, to the delight of millions, it’s back.\u003c/p>\n\u003cp>The show was the brainchild of Joel Hodgson, a prop comic from Wisconsin who made a few appearances on \u003cem>Saturday Night Live\u003c/em>. His combination of stoner absurdism and Midwestern nice proved perfect when he got the chance to start his own show on Minneapolis cable access TV in 1988. Making fun of dumb movies with your friends is a time-honored tradition, but with \u003cem>MST3K\u003c/em>, your friends were much funnier.\u003c/p>\n\u003cp>The program got picked up by Comedy Central, where it ran for six seasons, then moved to the Sci-Fi Channel for another three. In the middle of all that, in 1993, Hodgson left over creative differences and a new host took over.\u003c/p>\n\u003cp>“It was really like a tragedy for me the way it worked out,” he says. “It was like the most public, frustrating thing I could imagine. And so that took a really long time to grapple with. And then once I started to get more distance from it, I started to kind of feel like it could happen again.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the meantime, the show acquired such fans as Frank Zappa, Questlove from The Roots, Al Gore and Jonah Ray, a stand-up comic who hosts a parody travel show called \u003cem>Hidden America\u003c/em>. Ray grew up watching \u003cem>MST3K\u003c/em>. He says, “\u003cem>Mystery Science Theater\u003c/em> was someone I could watch old sci-fi movies with and make fun of them by myself. You know, essentially you have these friends with you while you’re by yourself. And I think that’s why it connects with people.”\u003c/p>\n\u003cp>A lot of people. When Hodgson got the rights back and launched a Kickstarter campaign to produce a new season, it broke the crowdfunding site’s record for video projects, raising more than $5.5 million. Super fan Jonah Ray got the call of a lifetime when Hodgson asked him to be the new host.\u003c/p>\n\u003cp>“I was just like, ‘Wha?’ ” he remembers. “How does that even happen? … That’s the one thing I always wanted. Like, when I was growing up, that’s what I wanted.”\u003c/p>\n\u003cp>Netflix signed on to distribute it and the new \u003cem>MST3K\u003c/em> started shooting last fall. The cast includes Baron Vaughn and Hampton Yount as the new robots, and Patton Oswalt and Felicia Day as the new mad scientists.\u003c/p>\n\u003cp>Day also grew up watching \u003cem>MST3K\u003c/em>, and in addition to starring in \u003cem>Dr. Horrible’s Sing-Along Blog\u003c/em> she created a popular web series called \u003cem>The Guild\u003c/em>. She says \u003cem>MST3K\u003c/em> spawned a whole culture of silly online commentary. “Nowadays people are used to having that commentary in their day-to-day lives, you know. They’re used to commenting on Twitter about, like, ‘Hey, did you see Batman’s new codpiece? It looks like a misshapen face,’ or something.”\u003c/p>\n\u003cp>The Internet is a make-fun-of-everything, snarky place that can sometimes be downright mean — but not \u003cem>MST3K\u003c/em>. “I actually think there’s a kindness to the sense of humor and the overall aspect and tone of \u003cem>Mystery Science Theater\u003c/em>,” Day says. “Joel — on the conference calls when we talk about the movies before we started writing on them — would always talk with love about the movies, never hate. He would be like, ‘Guys, this movie is \u003cem>so awesome\u003c/em>. There’s this thing and he’s flying through the air.’ You’re like, ‘Oh wait, this sounds terrible.’ But Joel \u003cem>loves\u003c/em> it.”\u003c/p>\n\u003cp>Hodgson makes a few on-screen cameos in the new \u003cem>MST3K\u003c/em>, but he mostly stays behind the camera as a writer and creative director. “Honestly, I would have preferred that from the beginning,” he says. “It kind of makes me uptight and it’s a lot of pressure and I just feel so relieved to not have to worry about being on camera. I’m like really happy just being the guy who came up with it and being creative.”\u003c/p>\n\u003cp>Hodgson’s absence as host and head movie-riffer may make nostalgic fans sad, and even lead to some snark online. But we suggest those fans take a cue from \u003ca href=\"https://www.youtube.com/watch?v=VF7cO4t0o9c\" target=\"_blank\" rel=\"noopener\">the show’s theme song\u003c/a>: “Just repeat to yourself, ‘It’s just a show. I should really just relax.’ ”\u003c/p>\n\u003cp>Netflix is releasing the full first season of \u003cem>Mystery Science Theater 3000: The Return\u003c/em> on April 14.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Editor \u003ca href=\"http://www.npr.org/people/2100368/tom-cole\" target=\"_blank\" rel=\"noopener\">Tom Cole\u003c/a> and digital producer \u003ca href=\"http://www.npr.org/people/348780034/nicole-cohen\" target=\"_blank\" rel=\"noopener\">Nicole Cohen\u003c/a> contributed to this report.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=New+%27Mystery+Science+Theater%27+Coming+To+Netflix+In+The+Not-Too-Distant+Future&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Hasan Minhaj to Host 2017 White House Correspondents' Dinner",
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"content": "\u003cp>Hasan Minhaj, a senior correspondent at \u003cem>The Daily Show\u003c/em> who started his comedy career in the Bay Area, will host this year’s White House Correspondents’ Dinner.\u003c/p>\n\u003cp>\u003ca href=\"http://www.whca.net/news.htm\" target=\"_blank\" rel=\"noopener\">In an announcement\u003c/a> from the White House Correspondents Association (WHCA) Tuesday, Minhaj said he was honored to speak at the event on Saturday, Apr. 29, despite President Donald Trump’s \u003ca href=\"http://www.npr.org/2017/02/25/517257273/trump-will-be-first-president-in-36-years-to-skip-white-house-correspondents-din\" target=\"_blank\" rel=\"noopener\">decision not to attend\u003c/a>.\u003c/p>\n\u003cp>“It is a tremendous honor to be a part of such a historic event even though the president has chosen not to attend this year,” Minhaj said. “Now more than ever, it is vital that we honor the First Amendment and the freedom of the press.”\u003c/p>\n\u003cp>The last time a sitting president skipped the dinner was 36 years ago, when Ronald Reagan couldn’t attend after being shot during an assassination attempt. Instead, he called into the event from Camp David and joked about the shooting, saying, “If I could give you just one little bit of advice: when somebody tells you to get in a car quick, do it.”\u003c/p>\n\u003cfigure id=\"attachment_13038147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13038147\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg\" alt=\"Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \u003ccite>(Photo: Brad Barket/Getty Images for Comedy Central)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s dinner has struggled to find a host. The host is traditionally announced months before the event, and \u003ca href=\"http://www.hollywoodreporter.com/news/trump-press-wars-effect-white-house-correspondents-dinner-attendance-973097\" target=\"_blank\" rel=\"noopener\">The Hollywood Reporter (THR)\u003c/a> reported back in February that a few candidates including the \u003cem>Late Late Show\u003c/em>‘s James Corden had turned down the job. In the same piece, THR also found that many celebrities and publications who have attended in recent years would be passing this time around, and that former \u003ci>Daily Show\u003c/i> correspondent Samantha Bee would be hosting an event called “\u003ca href=\"http://www.hollywoodreporter.com/news/samantha-bee-roast-trump-at-not-white-house-correspondents-dinner-970088\" target=\"_blank\" rel=\"noopener\">Not the White House Correspondents’ Dinner\u003c/a>” on the same night.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Trump’s staffers have also announced that they would be skipping the event “\u003ca href=\"http://www.hollywoodreporter.com/news/white-house-correspondents-dinner-white-house-staff-not-attending-show-solidarity-trump-989602\" target=\"_blank\" rel=\"noopener\">in solidarity\u003c/a>” with the president.\u003c/p>\n\u003cp>Minhaj, 31, was born and raised in \u003ca href=\"http://www.sacbee.com/entertainment/tv/article28715740.html\" target=\"_blank\" rel=\"noopener\">Davis, California\u003c/a>, and began performing stand-up comedy in Sacramento and later San Francisco. He started making a name for himself alongside other notable Bay Area comics such as \u003ca href=\"https://ww2.kqed.org/pop/tag/w-kamau-bell/\" target=\"_blank\" rel=\"noopener\">W. Kamau Bell\u003c/a> and \u003ca href=\"https://ww2.kqed.org/arts/2015/12/16/nato-green-on-his-san-francisco-childhood-and-life-as-a-comic/\" target=\"_blank\" rel=\"noopener\">Nato Green\u003c/a>.\u003c/p>\n\u003cp>Former \u003ci>Daily Show\u003c/i> host \u003ca href=\"http://www.npr.org/sections/codeswitch/2015/10/14/448572486/daily-shows-hasan-minhaj-on-proms-immigrants-and-white-folks-at-desi-weddings\" target=\"_blank\" rel=\"noopener\">Jon Stewart hired Minhaj\u003c/a> as a correspondent before he left in 2014. Since then, Minhaj has made headlines for his work both on the show and off it, including his calling out of congress over its inability to pass gun control legislation at the \u003ca href=\"https://www.youtube.com/watch?v=NUymQKZqP6w\" target=\"_blank\" rel=\"noopener\">2016 Radio and Television Correspondents’ Dinner\u003c/a>.\u003c/p>\n\u003cp>\u003ci>Watch Minhaj’s report on the “Muslim Makeover” for the Daily Show in 2014:\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hSTywVwZCjw\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hasan Minhaj, a senior correspondent at \u003cem>The Daily Show\u003c/em> who started his comedy career in the Bay Area, will host this year’s White House Correspondents’ Dinner.\u003c/p>\n\u003cp>\u003ca href=\"http://www.whca.net/news.htm\" target=\"_blank\" rel=\"noopener\">In an announcement\u003c/a> from the White House Correspondents Association (WHCA) Tuesday, Minhaj said he was honored to speak at the event on Saturday, Apr. 29, despite President Donald Trump’s \u003ca href=\"http://www.npr.org/2017/02/25/517257273/trump-will-be-first-president-in-36-years-to-skip-white-house-correspondents-din\" target=\"_blank\" rel=\"noopener\">decision not to attend\u003c/a>.\u003c/p>\n\u003cp>“It is a tremendous honor to be a part of such a historic event even though the president has chosen not to attend this year,” Minhaj said. “Now more than ever, it is vital that we honor the First Amendment and the freedom of the press.”\u003c/p>\n\u003cp>The last time a sitting president skipped the dinner was 36 years ago, when Ronald Reagan couldn’t attend after being shot during an assassination attempt. Instead, he called into the event from Camp David and joked about the shooting, saying, “If I could give you just one little bit of advice: when somebody tells you to get in a car quick, do it.”\u003c/p>\n\u003cfigure id=\"attachment_13038147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13038147\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg\" alt=\"Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \u003ccite>(Photo: Brad Barket/Getty Images for Comedy Central)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s dinner has struggled to find a host. The host is traditionally announced months before the event, and \u003ca href=\"http://www.hollywoodreporter.com/news/trump-press-wars-effect-white-house-correspondents-dinner-attendance-973097\" target=\"_blank\" rel=\"noopener\">The Hollywood Reporter (THR)\u003c/a> reported back in February that a few candidates including the \u003cem>Late Late Show\u003c/em>‘s James Corden had turned down the job. In the same piece, THR also found that many celebrities and publications who have attended in recent years would be passing this time around, and that former \u003ci>Daily Show\u003c/i> correspondent Samantha Bee would be hosting an event called “\u003ca href=\"http://www.hollywoodreporter.com/news/samantha-bee-roast-trump-at-not-white-house-correspondents-dinner-970088\" target=\"_blank\" rel=\"noopener\">Not the White House Correspondents’ Dinner\u003c/a>” on the same night.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Trump’s staffers have also announced that they would be skipping the event “\u003ca href=\"http://www.hollywoodreporter.com/news/white-house-correspondents-dinner-white-house-staff-not-attending-show-solidarity-trump-989602\" target=\"_blank\" rel=\"noopener\">in solidarity\u003c/a>” with the president.\u003c/p>\n\u003cp>Minhaj, 31, was born and raised in \u003ca href=\"http://www.sacbee.com/entertainment/tv/article28715740.html\" target=\"_blank\" rel=\"noopener\">Davis, California\u003c/a>, and began performing stand-up comedy in Sacramento and later San Francisco. He started making a name for himself alongside other notable Bay Area comics such as \u003ca href=\"https://ww2.kqed.org/pop/tag/w-kamau-bell/\" target=\"_blank\" rel=\"noopener\">W. Kamau Bell\u003c/a> and \u003ca href=\"https://ww2.kqed.org/arts/2015/12/16/nato-green-on-his-san-francisco-childhood-and-life-as-a-comic/\" target=\"_blank\" rel=\"noopener\">Nato Green\u003c/a>.\u003c/p>\n\u003cp>Former \u003ci>Daily Show\u003c/i> host \u003ca href=\"http://www.npr.org/sections/codeswitch/2015/10/14/448572486/daily-shows-hasan-minhaj-on-proms-immigrants-and-white-folks-at-desi-weddings\" target=\"_blank\" rel=\"noopener\">Jon Stewart hired Minhaj\u003c/a> as a correspondent before he left in 2014. Since then, Minhaj has made headlines for his work both on the show and off it, including his calling out of congress over its inability to pass gun control legislation at the \u003ca href=\"https://www.youtube.com/watch?v=NUymQKZqP6w\" target=\"_blank\" rel=\"noopener\">2016 Radio and Television Correspondents’ Dinner\u003c/a>.\u003c/p>\n\u003cp>\u003ci>Watch Minhaj’s report on the “Muslim Makeover” for the Daily Show in 2014:\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hSTywVwZCjw'\n title='//www.youtube.com/embed/hSTywVwZCjw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"http://www.bbc.com/\" target=\"_blank\" rel=\"noopener\">The BBC \u003c/a>has pulled the plug on a TV special celebrating the 50th Anniversary of the first worldwide simulcast, during which the \u003ca href=\"http://www.thebeatles.com/feature/our-world-global-satellite-broadcast\" target=\"_blank\" rel=\"noopener\">Beatles premiered the song “All You Need Is Love.\u003c/a>” And the cancellation threatens a San Francisco component of the project, produced by the \u003ca href=\"https://www.thehipestore.com/\" target=\"_blank\" rel=\"noopener\">Antenna Theater\u003c/a>.\u003c/p>\n\u003cp>On June 25, the BBC was planning to air several three-minute segments from dozens of cities around the world, including London, Venice, Italy, and San Francisco. For the videos, local arts producers would create visual spectacles on the theme of love.\u003c/p>\n\u003cp>Chris Hardman, founder and artistic director of San Francisco’s Antenna Theater, was planning San Francisco’s contribution: a live video stream in which two planes would sky-write a heart over the Golden Gate Bridge while local choruses sang the iconic Beatles’ song from a fleet of boats on the San Francisco Bay. \u003c/p>\n\u003cp>“The timing,” Hardman said Monday, “was perfect, with the anniversary of the Summer of Love.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=t5ze_e4R9QY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The last time I talked to them, the word was full steam ahead, green light,” Hardman said. “And then three days ago we got an email from the BBC saying, ‘We’re just not going to do it.’”\u003c/p>\n\u003cp>In the email, Guy Freeman, BBC’s Editor of Special Events and Formats, wrote that many of the collaborating producers were optimistic about the project but were having trouble “securing funding.” With the deadline for the show nine weeks away, the BBC had to face the “harsh reality of needing to be able to guarantee world-class content suitable for live, prime time broadcasting. And so with a heavy heart we feel that we have no choice but to put this project on hold now.”\u003c/p>\n\u003cp>Hardman said he was almost done producing a Kickstarter video to raise the needed funds for the extravaganza, with a budget he estimated at somewhere between $10,000 and $50,000. Hardman said he’s already raised $5,000, enough for one skywriter.\u003c/p>\n\u003cp>“I’ll have to push the video off,” Hardman said, “but we just don’t want to close this down. I believe there’s just a lot of people who would say, ‘please can I sing “All You Need is Love,” so the world can hear my voice instead of this screaming war noise that our government is producing every minute of the day.’”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>KQED was briefly in negotiation to play some part in the San Francisco production, before dropping out over concerns about cost and logistics.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.bbc.com/\" target=\"_blank\" rel=\"noopener\">The BBC \u003c/a>has pulled the plug on a TV special celebrating the 50th Anniversary of the first worldwide simulcast, during which the \u003ca href=\"http://www.thebeatles.com/feature/our-world-global-satellite-broadcast\" target=\"_blank\" rel=\"noopener\">Beatles premiered the song “All You Need Is Love.\u003c/a>” And the cancellation threatens a San Francisco component of the project, produced by the \u003ca href=\"https://www.thehipestore.com/\" target=\"_blank\" rel=\"noopener\">Antenna Theater\u003c/a>.\u003c/p>\n\u003cp>On June 25, the BBC was planning to air several three-minute segments from dozens of cities around the world, including London, Venice, Italy, and San Francisco. For the videos, local arts producers would create visual spectacles on the theme of love.\u003c/p>\n\u003cp>Chris Hardman, founder and artistic director of San Francisco’s Antenna Theater, was planning San Francisco’s contribution: a live video stream in which two planes would sky-write a heart over the Golden Gate Bridge while local choruses sang the iconic Beatles’ song from a fleet of boats on the San Francisco Bay. \u003c/p>\n\u003cp>“The timing,” Hardman said Monday, “was perfect, with the anniversary of the Summer of Love.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t5ze_e4R9QY'\n title='//www.youtube.com/embed/t5ze_e4R9QY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The last time I talked to them, the word was full steam ahead, green light,” Hardman said. “And then three days ago we got an email from the BBC saying, ‘We’re just not going to do it.’”\u003c/p>\n\u003cp>In the email, Guy Freeman, BBC’s Editor of Special Events and Formats, wrote that many of the collaborating producers were optimistic about the project but were having trouble “securing funding.” With the deadline for the show nine weeks away, the BBC had to face the “harsh reality of needing to be able to guarantee world-class content suitable for live, prime time broadcasting. And so with a heavy heart we feel that we have no choice but to put this project on hold now.”\u003c/p>\n\u003cp>Hardman said he was almost done producing a Kickstarter video to raise the needed funds for the extravaganza, with a budget he estimated at somewhere between $10,000 and $50,000. Hardman said he’s already raised $5,000, enough for one skywriter.\u003c/p>\n\u003cp>“I’ll have to push the video off,” Hardman said, “but we just don’t want to close this down. I believe there’s just a lot of people who would say, ‘please can I sing “All You Need is Love,” so the world can hear my voice instead of this screaming war noise that our government is producing every minute of the day.’”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>KQED was briefly in negotiation to play some part in the San Francisco production, before dropping out over concerns about cost and logistics.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Police Brutality Is Officially Over, Thanks to Kendall Jenner's Messy Pepsi Commercial",
"title": "Police Brutality Is Officially Over, Thanks to Kendall Jenner's Messy Pepsi Commercial",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>In recent months, people have been taking to the streets (and the airports, and the town halls) to voice their concerns about what's happening in this country. The solidarity and recommitment to political action have been beautiful to witness. It was only a matter of time before some corporation tried to monetize it all.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dA5Yq1DLSmQ\u003c/p>\n\u003cp>In Pepsi's new commercial, clunkily titled \"Live For Now Moments Anthem,\" a crowd as diverse as a United Colors of Benetton ad marches for some generic form of peace. A hot Asian cellist chugs some Pepsi before joining the march (#priorities). He walks by Kendall Jenner and convinces her to scrap her photoshoot and get woke with a single sexy look.\u003c/p>\n\u003cp>Protected by her white privilege, Kendall walks right up to the line of police and offers an olive branch in the form of a can of Pepsi. One of the cops decides to drink it instead of assaulting someone. Everyone cheers! The arc of history is long but bends toward soda! World peace finally gets its right swipe! White people finally agree that black lives do matter! Trans people can pee wherever they want! Women finally snag the full dollar! All forms of bigotry and fascism: cancelled! Thanks, Pepsi!\u003c/p>\n\u003cp>To make matters even more worthy of all the eye rolls, the image of Kendall handing over the revolutionary can of cola is more than a little reminiscent of this image of Ieshia Evans:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/mayaelysee/status/849387923816550402\u003c/p>\n\u003cp>Needless to say, Twitter has some feelings (and jokes) about all of this:\u003c/p>\n\u003cp>https://twitter.com/daweiner/status/849386517722169346\u003c/p>\n\u003cp>https://twitter.com/MicahSingleton/status/849394433275703298\u003c/p>\n\u003cp>https://twitter.com/petertaggart/status/849396993915047937\u003c/p>\n\u003cp>https://twitter.com/JMN/status/849381988041719809\u003c/p>\n\u003cp>https://twitter.com/ultratwigs/status/849394294209359872\u003c/p>\n\u003cp>https://twitter.com/braddybb/status/849383181392515075\u003c/p>\n\u003cp>https://twitter.com/francis_maxwell/status/849387517585522689\u003c/p>\n\u003cp>https://twitter.com/MorganJerkins/status/849391643782467584\u003c/p>\n\u003cp>I don't know about you, but I'm not going to hold my breath for that apology.\u003c/p>\n\u003cp>\u003cstrong>UPDATE (April, 5, 2017):\u003c/strong> Pepsi defended their tone-deaf ad yesterday through the following statement:\u003c/p>\n\u003cblockquote>\u003cp>\"The creative showcases a moment of unity, and a point where multiple storylines converge in the final advert. It depicts various groups of people embracing a spontaneous moment, and showcasing Pepsi’s brand rallying cry to 'Live For Now,' in an exploration of what that truly means to live life unbounded, unfiltered and uninhibited.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Today, they've apologized and decided to pull the ad:\u003c/p>\n\u003cblockquote>\u003cp>\"Pepsi was trying to project a global message of unity, peace and understanding. Clearly we missed the mark, and we apologize. We did not intend to make light of any serious issue. We are removing the content and halting any further rollout. We also apologize for putting Kendall Jenner in this position.\"\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In recent months, people have been taking to the streets (and the airports, and the town halls) to voice their concerns about what's happening in this country. The solidarity and recommitment to political action have been beautiful to witness. It was only a matter of time before some corporation tried to monetize it all.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dA5Yq1DLSmQ'\n title='//www.youtube.com/embed/dA5Yq1DLSmQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In Pepsi's new commercial, clunkily titled \"Live For Now Moments Anthem,\" a crowd as diverse as a United Colors of Benetton ad marches for some generic form of peace. A hot Asian cellist chugs some Pepsi before joining the march (#priorities). He walks by Kendall Jenner and convinces her to scrap her photoshoot and get woke with a single sexy look.\u003c/p>\n\u003cp>Protected by her white privilege, Kendall walks right up to the line of police and offers an olive branch in the form of a can of Pepsi. One of the cops decides to drink it instead of assaulting someone. Everyone cheers! The arc of history is long but bends toward soda! World peace finally gets its right swipe! White people finally agree that black lives do matter! Trans people can pee wherever they want! Women finally snag the full dollar! All forms of bigotry and fascism: cancelled! Thanks, Pepsi!\u003c/p>\n\u003cp>To make matters even more worthy of all the eye rolls, the image of Kendall handing over the revolutionary can of cola is more than a little reminiscent of this image of Ieshia Evans:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>I don't know about you, but I'm not going to hold my breath for that apology.\u003c/p>\n\u003cp>\u003cstrong>UPDATE (April, 5, 2017):\u003c/strong> Pepsi defended their tone-deaf ad yesterday through the following statement:\u003c/p>\n\u003cblockquote>\u003cp>\"The creative showcases a moment of unity, and a point where multiple storylines converge in the final advert. It depicts various groups of people embracing a spontaneous moment, and showcasing Pepsi’s brand rallying cry to 'Live For Now,' in an exploration of what that truly means to live life unbounded, unfiltered and uninhibited.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Today, they've apologized and decided to pull the ad:\u003c/p>\n\u003cblockquote>\u003cp>\"Pepsi was trying to project a global message of unity, peace and understanding. Clearly we missed the mark, and we apologize. We did not intend to make light of any serious issue. We are removing the content and halting any further rollout. We also apologize for putting Kendall Jenner in this position.\"\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Republican President Donald Trump’s lawyers say he’s immune while president from defamation claims brought by a former contestant on his reality TV show \u003cem>The Apprentice\u003c/em> who accused him of unwanted sexual contact.\u003c/p>\n\u003cp>The lawyers said in a state Supreme Court filing Monday they’ll formally ask for a dismissal or a suspension of the January claims by Summer Zervos until he leaves office. They said the Constitution immunizes Trump from being sued in state court while he’s president.\u003c/p>\n\u003cp>The lawyers said their position is supported by a long line of U.S. Supreme Court cases requiring courts to show deference to the president and his schedule.\u003c/p>\n\u003cp>Zervos was a contestant on Trump’s reality show in 2006. She sued after Trump dismissed as “fabricated and made-up charges” her claims at a news conference that he made unwanted sexual contact with her at a Beverly Hills hotel in 2007.\u003c/p>\n\u003cp>The lawsuit sought an apology and $2,914.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Trump’s lawyers said in Monday’s filing that the president denies “these unfounded accusations” and was prepared to show that they were “false, legally insufficient and made in a transparent politically-motivated attack.” They said the allegations have been disputed even by a member of Zervos’ family.\u003c/p>\n\u003cp>Zervos was among several women who made sexual allegations against Trump when he was the Republican nominee during the presidential race last year. Trump has strenuously denied their allegations.\u003c/p>\n\u003cp>After appearing on Trump’s show, Zervos said she later asked him for a job. She said they met and he kissed her on the lips and asked for her phone number. She said at a later meeting at a California hotel he became sexually aggressive, kissing her and touching her breasts.\u003c/p>\n\u003cp>During the presidential campaign, a tape of Trump talking about fame enabling him to grope and try to have sex with women emerged. On the 2005 “Access Hollywood” tape, Trump says when he’s attracted to beautiful women “I just start kissing them. It’s like a magnet.” He says when you’re a star, women let you.\u003c/p>\n\u003cp>“Grab them by the p—-,” Trump adds. “You can do anything.”\u003c/p>\n\u003cp>Trump later said in a presidential debate that he never did any of the actions heard on the tape, which he described as locker room talk.\u003c/p>\n\u003cp>Trump’s wife, Melania Trump, blamed \u003cem>Access Hollywood\u003c/em> host Billy Bush for what Trump said. She said they were involved in “boy talk, and he was led on, like egged on, from the host to say dirty and bad stuff.”\u003c/p>\n\u003cp>A Zervos attorney, Gloria Allred, said she doesn’t believe the president of the United States enjoys legal immunity from a defamation lawsuit. She said the Supreme Court addressed the legal immunity issue in a case involving Democratic President Bill Clinton and “determined unanimously that no man is above the law, and that includes the president of the United States.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We look forward,” she said, “to arguing this issue in court.”\u003c/p>\n\n",
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"content": "\u003cp>Chuck Barris not only hosted \u003cem>The Gong Show\u003c/em>, but he is responsible for creating such iconic TV game shows as \u003cem>The Dating Game\u003c/em> and \u003cem>The Newlywed Game\u003c/em>.\u003c/p>\n\u003cp>Barris died of natural causes Tuesday at his home in Palisades, N.Y., according to publicist Paul Shefrin.\u003c/p>\n\u003cp>On Barris’ gambit into game shows, \u003ca href=\"http://variety.com/2017/tv/news/chuck-barris-dead-dies-gong-show-host-1202013790/\" target=\"_blank\" rel=\"noopener\">Variety reports\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“He formed Chuck Barris Productions in 1965 and created \u003cem>The Dating Game\u003c/em>, hosted by Jim Lange, which introduced swinging 1960s double entendres to the formerly staid game show genre and ran for 11 out of the next 15 years. In 1966 he launched \u003cem>The Newlywed Game\u003c/em>, hosted by Bob Eubanks, which ran for 19 years; Game Show Network still airs a version of the show.\u003c/p>\n\u003cp>“Barris finally made it in front of the camera when he began hosting \u003cem>The Gong Show\u003c/em> in 1976. Though it only ran two years on NBC and four years in syndication, the show is still remembered for its wacky spoof of the talent show format. He introduced the amateur contestants dressed in colorful clothing with odd props, with judges Jamie Farr, Jaye P. Morgan and Arte Johnson adding to the goofy atmosphere. Other offbeat characters on the show included “Gene Gene the Dancing Machine” and Murray Langston, the “Unknown Comic,” who wore a paper bag over his head.\u003c/p>\n\u003c/blockquote>\n\u003cp>https://www.youtube.com/watch?v=Oh04k5YonjU\u003c/p>\n\u003cp>In 1962, before his time in game shows, Barris wrote a popular pop song called “Palisades Park.” The tribute to the old amusement park in New Jersey was a hit for singer Freddy Cannon.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Barris, a Philadelphia native, also put pen to paper in 1984 for his autobiography: \u003cem>Confessions of a Dangerous Mind: An Unauthorized Biography\u003c/em>.\u003c/p>\n\u003cp>In it, he claimed to be an assassin for the CIA. The book was turned into a movie in 2002 and was a first-time directing gig for George Clooney.\u003c/p>\n\u003cp>As far as the CIA assassin claim goes, The Associated Press reports:\u003c/p>\n\u003cp>“It sounds like he has been standing too close to the gong all those years,” quipped CIA spokesman Tom Crispell. “Chuck Barris has never been employed by the CIA and the allegation that he was a hired assassin is absurd,” Crispell added.\u003c/p>\n\u003cp>Perhaps the closest Barris got to working for the CIA was when he was hired by a TV network. According to \u003ca href=\"http://www.hollywoodreporter.com/news/chuck-barris-dead-gong-show-929310\">The Hollywood Reporter\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“After working various odd jobs, including traveling around the country selling teleprompters, Barris moved to New York and became an NBC page. He went through a management training program and took a sales job, but then the network fired everyone in the department.\u003c/p>\n\u003cp>“He then was hired by ABC, which offered him the dubious assignment of tailing Dick Clark, the young and popular host of TV’s American Bandstand, at Philadelphia station WFIL-TV. Barris’ task was to ascertain whether Clark was involved in the illegal practice of payola.\u003c/p>\n\u003cp>“It was so ridiculous. If I left at 6 o’clock, what’s to say he couldn’t be doing anything nefarious after 6 o’clock?” Barris said.\u003c/p>\n\u003cp>“Still, he wrote daily memos detailing the goings-on at American Bandstand for about a year, and his notes were presented before a House of Representatives subcommittee in Washington. Ultimately, Clark was absolved of any wrongdoing.”\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Chuck Barris, who critics called “The King of Schlock” or “The Baron of Bad Taste” was 87. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Gong+Show%27+Host+Chuck+Barris+Dies%3B+Game+Show+Creator+Was+87&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
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