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"title": "How Did Trump Become Trump? ‘The Apprentice’ Has a Theory",
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"content": "\u003cp>Decades before he hosted \u003cem>The Apprentice\u003c/em>, Donald Trump was … an apprentice.\u003c/p>\n\u003cp>His mentor: Roy Cohn, the ruthless attorney who was a prominent New York power broker in the ’70s and ’80s after famously serving as a top aide to Sen. Joseph McCarthy.\u003c/p>\n\u003cp>[aside postid='arts_13966278']The Trump-Cohn connection is well known. But in \u003cem>The Apprentice\u003c/em>, his provocative if not quite shocking, entertaining if not quite illuminating, impeccably acted and inherently controversial film, Ali Abbasi takes it farther.\u003c/p>\n\u003cp>It’s this relationship, posits the Danish Iranian director, that essentially made a young real estate heir — inexperienced but wildly ambitious — into the man who would become the 45th U.S. president, smashing the norms of American politics along the way.\u003c/p>\n\u003cp>Speaking of unlikely paths: The mere route of \u003cem>The Apprentice\u003c/em> to the big screen is fodder for its own movie.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Written by Gabriel Sherman and starring an ingeniously cast trio of Sebastian Stan as Trump, Jeremy Strong as Cohn and Maria Bakalova as Ivana Trump, the film failed to get picked up at Cannes in May. That was surely due at least in part to a cease and desist letter from Trump lawyers.\u003c/p>\n\u003cp>Trump’s campaign spokesman called the movie “pure fiction” (the filmmakers call their script “fact-based”). One of the film’s investors — Trump supporter Dan Snyder, former owner of the Washington Commanders — saw it and wanted out. It was only weeks ago that Briarcliff Entertainment announced it would open \u003cem>The Apprentice\u003c/em> this Friday — less than four weeks before the U.S. election.\u003c/p>\n\u003cp>So, what kind of movie do we have here?\u003c/p>\n\u003cp>Contrary to some descriptions, Abbasi says his film isn’t a biopic at all, but a look at a relationship — and at a system that’s about winning at any cost.\u003c/p>\n\u003cp>[aside postid='arts_13966340']He’s also not, he says, trying to be political — an admirable goal but perhaps an impossible one. In any case, it’s hard to imagine anybody coming to this film to make their mind up about Donald Trump. While it’s hardly a hit job — the early Trump scenes are somewhat sympathetic — his supporters, should they come at all, will likely not be fans of many later scenes, most dramatically a rape scene with wife Ivana. Trump is also shown having scalp-reduction surgery to combat baldness, among many other things.\u003c/p>\n\u003cp>But the core of the film is his relationship with Cohn, whom a young Trump, son of Queens developer Fred Trump, meets in the ’70s. “Anybody who’s anybody comes here,” he tells an uninterested date in an exclusive Manhattan club. “They say I’m the youngest person ever admitted.”\u003c/p>\n\u003cp>He’s invited to Cohn’s table. Trump hopes the brash attorney will help his family fight a federal case alleging they discriminate against Black tenants. Cohn eventually agrees. Soon, he’s also paying the bill for Trump’s much-needed upgrade to expensive Brioni suits. He invites Trump to one of his wild parties, attended by notables like Andy Warhol, where, “if you’re indicted, you’re invited.”\u003c/p>\n\u003cp>Most importantly, Cohn imparts to Trump his three most important rules. First, “Attack, attack, attack.” Then: “Admit nothing, deny everything.” And finally: “No matter what happens, you claim victory and never admit defeat.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0tXEN0WNJUg\u003c/p>\n\u003cp>The younger Trump is portrayed here as a bit of a charmer — there are even comparisons to Robert Redford — with lovingly tended hair, aching to succeed and please his exacting father. Stan, on a roll after the recent \u003ca href=\"https://www.kqed.org/arts/13965270/a-different-man-movie-review-a24-sebastian-stan-beauty-adam-pearson\">\u003cem>A Different Man\u003c/em>\u003c/a> about a wholly different kind of transformation, gives a nuanced performance that manages to capture Trumpian qualities but not to mimic. Although familiar mannerisms and speech patterns emerge as Trump ages, this is no \u003ca href=\"https://www.kqed.org/arts/13965835/snl-best-impersonations-of-politicians-kamala-harris-maya-rudolph-tina-fey-palin\">\u003cem>Saturday Night Live\u003c/em>\u003c/a> skit.\u003c/p>\n\u003cp>[aside postid='arts_13966259']As for Strong, who better to play Cohn than the exquisitely tortured Kendall Roy of \u003ca href=\"https://www.kqed.org/arts/tag/succession\">\u003cem>Succession\u003c/em>\u003c/a>? Strong, famous for losing himself in roles, seems to have heard the word “reptilian” and, through sheer force of will and talent, found a way to actually resemble a snake.\u003c/p>\n\u003cp>Trump proves an eager learner, and Cohn’s help proves instrumental in achieving the younger man’s vision: placing a luxury hotel right on 42nd Street, a sleazy area he aims to revitalize. With some Cohn-esque pressure on city officials, the gleaming Grand Hyatt opens in 1980.\u003c/p>\n\u003cp>That’s three years after Trump marries Ivana, the Czech-born model he meets at the club and doggedly woos. Bakalova, who earned an Oscar nod for \u003cem>Borat Subsequent Moviefilm\u003c/em>, is terrific, both warm-hearted and fiery in her famous blonde updo.\u003c/p>\n\u003cp>Their failing marriage makes for the film’s most shocking scene. Ivana tries to spice up their sex life, but her husband says he’s no longer attracted to her — he even hates the fake breasts he made her acquire. She insults him back, and he forces himself upon her violently. (Ivana Trump, who died in 2022, accused Trump of rape in a sworn statement in the ’90s but later said she didn’t mean it literally.)\u003c/p>\n\u003cp>[aside postid='arts_13965858']Ivana has turned cold and bitter by the time she informs Cohn, now dying of AIDS, that a bejeweled gift Trump just gave him is a mere cheap imitation. “Donald has no shame,” she says.\u003c/p>\n\u003cp>Soon, the mentor is gone. And 30 years after the film ends, Trump will become president. This film’s biggest lack is the connective tissue — we don’t ever really understand, alas, how young Trump became President Trump.\u003c/p>\n\u003cp>But we do at least see the power of Cohn’s lessons. As Trump sits down at the end with the writer he’s hired to co-author his 1987 book \u003cem>Trump: The Art of the Deal\u003c/em>, he recites for him his three most important rules.\u003c/p>\n\u003cp>Guess what they are?\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Apprentice’ is released nationwide on Oct. 11, 2024.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Trump-Cohn connection is well known. But in \u003cem>The Apprentice\u003c/em>, his provocative if not quite shocking, entertaining if not quite illuminating, impeccably acted and inherently controversial film, Ali Abbasi takes it farther.\u003c/p>\n\u003cp>It’s this relationship, posits the Danish Iranian director, that essentially made a young real estate heir — inexperienced but wildly ambitious — into the man who would become the 45th U.S. president, smashing the norms of American politics along the way.\u003c/p>\n\u003cp>Speaking of unlikely paths: The mere route of \u003cem>The Apprentice\u003c/em> to the big screen is fodder for its own movie.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Written by Gabriel Sherman and starring an ingeniously cast trio of Sebastian Stan as Trump, Jeremy Strong as Cohn and Maria Bakalova as Ivana Trump, the film failed to get picked up at Cannes in May. That was surely due at least in part to a cease and desist letter from Trump lawyers.\u003c/p>\n\u003cp>Trump’s campaign spokesman called the movie “pure fiction” (the filmmakers call their script “fact-based”). One of the film’s investors — Trump supporter Dan Snyder, former owner of the Washington Commanders — saw it and wanted out. It was only weeks ago that Briarcliff Entertainment announced it would open \u003cem>The Apprentice\u003c/em> this Friday — less than four weeks before the U.S. election.\u003c/p>\n\u003cp>So, what kind of movie do we have here?\u003c/p>\n\u003cp>Contrary to some descriptions, Abbasi says his film isn’t a biopic at all, but a look at a relationship — and at a system that’s about winning at any cost.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He’s also not, he says, trying to be political — an admirable goal but perhaps an impossible one. In any case, it’s hard to imagine anybody coming to this film to make their mind up about Donald Trump. While it’s hardly a hit job — the early Trump scenes are somewhat sympathetic — his supporters, should they come at all, will likely not be fans of many later scenes, most dramatically a rape scene with wife Ivana. Trump is also shown having scalp-reduction surgery to combat baldness, among many other things.\u003c/p>\n\u003cp>But the core of the film is his relationship with Cohn, whom a young Trump, son of Queens developer Fred Trump, meets in the ’70s. “Anybody who’s anybody comes here,” he tells an uninterested date in an exclusive Manhattan club. “They say I’m the youngest person ever admitted.”\u003c/p>\n\u003cp>He’s invited to Cohn’s table. Trump hopes the brash attorney will help his family fight a federal case alleging they discriminate against Black tenants. Cohn eventually agrees. Soon, he’s also paying the bill for Trump’s much-needed upgrade to expensive Brioni suits. He invites Trump to one of his wild parties, attended by notables like Andy Warhol, where, “if you’re indicted, you’re invited.”\u003c/p>\n\u003cp>Most importantly, Cohn imparts to Trump his three most important rules. First, “Attack, attack, attack.” Then: “Admit nothing, deny everything.” And finally: “No matter what happens, you claim victory and never admit defeat.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0tXEN0WNJUg'\n title='//www.youtube.com/embed/0tXEN0WNJUg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The younger Trump is portrayed here as a bit of a charmer — there are even comparisons to Robert Redford — with lovingly tended hair, aching to succeed and please his exacting father. Stan, on a roll after the recent \u003ca href=\"https://www.kqed.org/arts/13965270/a-different-man-movie-review-a24-sebastian-stan-beauty-adam-pearson\">\u003cem>A Different Man\u003c/em>\u003c/a> about a wholly different kind of transformation, gives a nuanced performance that manages to capture Trumpian qualities but not to mimic. Although familiar mannerisms and speech patterns emerge as Trump ages, this is no \u003ca href=\"https://www.kqed.org/arts/13965835/snl-best-impersonations-of-politicians-kamala-harris-maya-rudolph-tina-fey-palin\">\u003cem>Saturday Night Live\u003c/em>\u003c/a> skit.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As for Strong, who better to play Cohn than the exquisitely tortured Kendall Roy of \u003ca href=\"https://www.kqed.org/arts/tag/succession\">\u003cem>Succession\u003c/em>\u003c/a>? Strong, famous for losing himself in roles, seems to have heard the word “reptilian” and, through sheer force of will and talent, found a way to actually resemble a snake.\u003c/p>\n\u003cp>Trump proves an eager learner, and Cohn’s help proves instrumental in achieving the younger man’s vision: placing a luxury hotel right on 42nd Street, a sleazy area he aims to revitalize. With some Cohn-esque pressure on city officials, the gleaming Grand Hyatt opens in 1980.\u003c/p>\n\u003cp>That’s three years after Trump marries Ivana, the Czech-born model he meets at the club and doggedly woos. Bakalova, who earned an Oscar nod for \u003cem>Borat Subsequent Moviefilm\u003c/em>, is terrific, both warm-hearted and fiery in her famous blonde updo.\u003c/p>\n\u003cp>Their failing marriage makes for the film’s most shocking scene. Ivana tries to spice up their sex life, but her husband says he’s no longer attracted to her — he even hates the fake breasts he made her acquire. She insults him back, and he forces himself upon her violently. (Ivana Trump, who died in 2022, accused Trump of rape in a sworn statement in the ’90s but later said she didn’t mean it literally.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Ivana has turned cold and bitter by the time she informs Cohn, now dying of AIDS, that a bejeweled gift Trump just gave him is a mere cheap imitation. “Donald has no shame,” she says.\u003c/p>\n\u003cp>Soon, the mentor is gone. And 30 years after the film ends, Trump will become president. This film’s biggest lack is the connective tissue — we don’t ever really understand, alas, how young Trump became President Trump.\u003c/p>\n\u003cp>But we do at least see the power of Cohn’s lessons. As Trump sits down at the end with the writer he’s hired to co-author his 1987 book \u003cem>Trump: The Art of the Deal\u003c/em>, he recites for him his three most important rules.\u003c/p>\n\u003cp>Guess what they are?\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Apprentice’ is released nationwide on Oct. 11, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It’s not hard to spend a few hours watching Florence Pugh and Andrew Garfield fall and be in love. In \u003cem>We Live In Time\u003c/em>, filmmaker John Crowley puts the audience up close and personal with this photogenic British couple through the highs and lows of a relationship in their 30s.\u003c/p>\n\u003cp>Everyone starts to think about the idea of time, and not having enough of it to do everything they want, at some point. But it seems to hit a lot of us very acutely in that tricky, lovely third decade. There’s that cruel biological clock, of course, but also careers and homes and families getting older. Throw a cancer diagnosis in there and that timer gets ever more aggressive.\u003c/p>\n\u003cp>[aside postid='arts_13966185']While we, and Tobias (Garfield) and Almut (Pugh), do indeed live in time, as we’re constantly reminded in big and small ways — clocks and stopwatches are ever-present, literally and metaphorically — the movie hovers above it. The storytelling jumps back and forth through time like a scattershot memory as we piece together these lives that intersect in an elaborate, mystical and darkly comedic way: Almut runs into Tobias with her car. Their first chat is in a hospital hallway, with those glaring fluorescent lights and him bruised and cut all over. But he’s so struck by this beautiful woman in front of him, he barely seems to care.\u003c/p>\n\u003cp>I suppose this could be considered a Lubitschian “meet-cute” even if it knowingly pushes the boundaries of our understanding of that romance trope. Before the hit, Tobias was in a hotel, attempting to sign divorce papers and his pens were out of ink and pencils kept breaking. In a fit of near-mania he leaves, wearing only his bathrobe, to go to a corner store and buy more. Walking back, he drops something in the street and bang: A new relationship is born. It’s the ultimate metaphor for the out-of-body vulnerability required to fall in love.\u003c/p>\n\u003cp>There are several moments of mania that await both, particularly around a baby that just isn’t ready to come out yet — until it is and they’re nowhere near the hospital. I won’t ruin it, but it is one of the funnier, more emotional and memorable birthing scenes I’ve ever seen on screen. It’s one of those scenes where you don’t expect tears, but there they are.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=MH02yagHaNw\u003c/p>\n\u003cp>Speaking of tears, there is a certain expectation, or assumption, that a movie like \u003cem>We Live in Time\u003c/em> is going to leave you a wreck, heaving with full body sobs. This was not my experience. Tear count is not exactly a science or even a reliable metric for quality: There have been truly bad movies that have had that effect and great ones that haven’t. But it did leave me wondering why, especially considering how Crowley knocked it out of the park with \u003cem>Brooklyn\u003c/em>.\u003c/p>\n\u003cp>Nick Payne’s script also leaves some things to be desired, especially in its fleshing out of Almut. By 34 she’s already a Michelin-starred chef and has a whole past life of athletic success that we learn about. And yet early in her relationship with Tobias when he asks her if she wants kids, she flips. Now, there are bad ways to approach this topic with women, but her response felt unnatural, especially considering that it’s entirely reasonable that adults who are getting serious have this conversation early. Instead, he’s the one who comes back and apologizes. Her decisions throughout are a little curious and will likely inspire some post-screening chats.\u003c/p>\n\u003cp>[aside postid='arts_13966146']The eventual child is also little more than a beautiful prop, with no spark or personality. We never see a tantrum, or a need or want from her that doesn’t keep the adult story chugging along. She is simply a shorthand for what will be left behind if Almut does not win the cancer fight.\u003c/p>\n\u003cp>The main reason to see \u003cem>We Live in Time\u003c/em> is not the promise of crying or the realities of having a young kid, though, but the quietly affecting performances from Pugh and Garfield, who seems to fit right into the nice guy mold we’re all celebrating now thanks to Adam Brody’s Hot Rabbi. It is charming and silly and sometimes cringey — other people’s relationships always are— and in the end it works exceedingly well because of them and their wonderful chemistry.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘We Live in Time’ is released nationwide on Oct. 18, 2024.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Pugh and Garfield’s exceptional chemistry elevates this sweet story about the highs and lows of a mid-life relationship.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s not hard to spend a few hours watching Florence Pugh and Andrew Garfield fall and be in love. In \u003cem>We Live In Time\u003c/em>, filmmaker John Crowley puts the audience up close and personal with this photogenic British couple through the highs and lows of a relationship in their 30s.\u003c/p>\n\u003cp>Everyone starts to think about the idea of time, and not having enough of it to do everything they want, at some point. But it seems to hit a lot of us very acutely in that tricky, lovely third decade. There’s that cruel biological clock, of course, but also careers and homes and families getting older. Throw a cancer diagnosis in there and that timer gets ever more aggressive.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While we, and Tobias (Garfield) and Almut (Pugh), do indeed live in time, as we’re constantly reminded in big and small ways — clocks and stopwatches are ever-present, literally and metaphorically — the movie hovers above it. The storytelling jumps back and forth through time like a scattershot memory as we piece together these lives that intersect in an elaborate, mystical and darkly comedic way: Almut runs into Tobias with her car. Their first chat is in a hospital hallway, with those glaring fluorescent lights and him bruised and cut all over. But he’s so struck by this beautiful woman in front of him, he barely seems to care.\u003c/p>\n\u003cp>I suppose this could be considered a Lubitschian “meet-cute” even if it knowingly pushes the boundaries of our understanding of that romance trope. Before the hit, Tobias was in a hotel, attempting to sign divorce papers and his pens were out of ink and pencils kept breaking. In a fit of near-mania he leaves, wearing only his bathrobe, to go to a corner store and buy more. Walking back, he drops something in the street and bang: A new relationship is born. It’s the ultimate metaphor for the out-of-body vulnerability required to fall in love.\u003c/p>\n\u003cp>There are several moments of mania that await both, particularly around a baby that just isn’t ready to come out yet — until it is and they’re nowhere near the hospital. I won’t ruin it, but it is one of the funnier, more emotional and memorable birthing scenes I’ve ever seen on screen. It’s one of those scenes where you don’t expect tears, but there they are.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/MH02yagHaNw'\n title='//www.youtube.com/embed/MH02yagHaNw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Speaking of tears, there is a certain expectation, or assumption, that a movie like \u003cem>We Live in Time\u003c/em> is going to leave you a wreck, heaving with full body sobs. This was not my experience. Tear count is not exactly a science or even a reliable metric for quality: There have been truly bad movies that have had that effect and great ones that haven’t. But it did leave me wondering why, especially considering how Crowley knocked it out of the park with \u003cem>Brooklyn\u003c/em>.\u003c/p>\n\u003cp>Nick Payne’s script also leaves some things to be desired, especially in its fleshing out of Almut. By 34 she’s already a Michelin-starred chef and has a whole past life of athletic success that we learn about. And yet early in her relationship with Tobias when he asks her if she wants kids, she flips. Now, there are bad ways to approach this topic with women, but her response felt unnatural, especially considering that it’s entirely reasonable that adults who are getting serious have this conversation early. Instead, he’s the one who comes back and apologizes. Her decisions throughout are a little curious and will likely inspire some post-screening chats.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The eventual child is also little more than a beautiful prop, with no spark or personality. We never see a tantrum, or a need or want from her that doesn’t keep the adult story chugging along. She is simply a shorthand for what will be left behind if Almut does not win the cancer fight.\u003c/p>\n\u003cp>The main reason to see \u003cem>We Live in Time\u003c/em> is not the promise of crying or the realities of having a young kid, though, but the quietly affecting performances from Pugh and Garfield, who seems to fit right into the nice guy mold we’re all celebrating now thanks to Adam Brody’s Hot Rabbi. It is charming and silly and sometimes cringey — other people’s relationships always are— and in the end it works exceedingly well because of them and their wonderful chemistry.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘We Live in Time’ is released nationwide on Oct. 18, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "nicki-minaj-fans-election-barbz-harris-trump",
"title": "The Beautiful Chaos of Nicki Minaj Fans During an Election",
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"headTitle": "The Beautiful Chaos of Nicki Minaj Fans During an Election | KQED",
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"content": "\u003cp>\u003cem>This story is part of the KQED series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>, exploring the election-year concerns and voting preferences of pop culture fanbases.\u003c/em>\u003c/p>\n\u003cp>[dropcap]W[/dropcap]hen we began planning to talk to pop culture fandoms about this year’s election, we knew we couldn’t overlook the Barbz.\u003c/p>\n\u003cp>Nicki Minaj fans come from all walks of life, unified in their fierce loyalty to the Queen of Rap. As a pivotal figure in music who blew open the doors for today’s female rappers, Nicki is an icon — one whose fanbase has as many different political leanings as \u003ca href=\"https://nickiminaj.fandom.com/wiki/Alter_egos\">she has alter egos\u003c/a>. [aside postID='news_11999092']\u003c/p>\n\u003cp>Nicki’s own politics don’t exactly fit into a box, either. She’s expressed \u003ca href=\"https://www.billboard.com/music/music-news/nicki-minaj-hillary-clinton-donald-trump-barack-obama-sandra-bland-6804598/\">admiration for Hillary Clinton and Barack Obama\u003c/a>, but has also \u003ca href=\"https://x.com/NICKIMINAJ/status/1438256221660663812?lang=en\">decried\u003c/a> being told what to do by Democrats, including getting COVID vaccines. In trademark chaotic style, she once \u003ca href=\"https://www.eonline.com/news/760126/nicki-minaj-dedicates-anaconda-to-donald-trump-and-joe-biden-at-time-100-gala\">dedicated her ass-centric hit “Anaconda”\u003c/a> to \u003cem>both\u003c/em> Joe Biden and Donald Trump, “in the spirit of unity.”\u003c/p>\n\u003cp>So it wasn’t too surprising that outside Nicki Minaj’s show at the Chase Center in San Francisco, just over a month before Election Day, we found Barbz for Trump, Barbz for Harris, Barbz who didn’t care — as well as Barbz who flat-out hate both candidates.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You already know in advance what political opinions you’ll get at a Ted Nugent concert. Or a Phoebe Bridgers concert. Nicki, though? It’s all over the place.\u003c/p>\n\u003cfigure id=\"attachment_13965820\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965820\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jeremiah Gage, left, and Elissa Amin, right, pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024 \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m voting Trump all the way, and anybody that got a problem can fight me,” said Elissa Amin, from Reno. “When he was president four years ago, everything was better, prices were lower. He’s even said he’s gonna lower all the prices.”\u003c/p>\n\u003cp>Amin praised Trump’s foreign policy as well. “I feel like we’ve just been at war with a lot of countries. You can just make peace with someone in a phone call. That’s what he does,” she said.\u003c/p>\n\u003cp>As for other issues, like abortion, Amin said that she was “definitely learning more about that stuff right now. I’m trying to extend my knowledge on that. But I’m definitely all about pro-choice, whatever a woman wants to do with her body.”\u003c/p>\n\u003cp>Her friend, Jeremiah Gage, just turned 18. “I’m not really big on politics,” he said. “But I feel like it’s cool. Everyone has an opinion, and everyone’s opinion can change the world, you know? Definitely, next year, I will be voting.”\u003c/p>\n\u003cfigure id=\"attachment_13965829\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965829\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Domi Nhan, left, and Anecia Brown, right, of Modesto pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Domi Nhan came to the show from Modesto with her friend Anecia Brown.\u003c/p>\n\u003cp>“Go Kamala,” Nhan said, planning to vote for the candidate who “can actually have a difference and not go backwards.”\u003c/p>\n\u003cp>“I mean, look at the presidential debate. It was a mess. You can’t spit false information 24/7 just to save your ass,” Nhan said. “And women’s rights mean a lot to me. That’s \u003cem>something\u003c/em>, at least, and I’d rather go forward with something than nothing.”\u003c/p>\n\u003cfigure id=\"attachment_13965830\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965830\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sierra Northcutt, left, and Leanna Taylor, right, of Sacramento pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sierra Northcutt, from Sacramento, was blunt about her stance on the candidates.\u003c/p>\n\u003cp>“They’re both evil. They both fuckin’ suck,” she said. “I don’t think any one of ’em would be a good choice. We need somebody who’s actually for the people.”\u003c/p>\n\u003cp>Her friend Leanna Taylor agreed.\u003c/p>\n\u003cp>[aside postID='arts_13963687']“Either one, they’re just not ready for the White House,” Taylor said. “’Cause [Kamala] stands with how Joe Biden stands. I feel like Joe Biden hasn’t really done as much as other presidents. And Donald Trump, people say he’s crazy and everything, but there’s also just his age. We need somebody a little bit younger, who sees more of the younger generation’s perspective on things.\u003c/p>\n\u003cp>So what qualities would their ideal candidate have?\u003c/p>\n\u003cp>“Somebody who doesn’t come from privilege, obviously,” said Northcutt. “And under 70. Actually, under 50.”\u003c/p>\n\u003cfigure id=\"attachment_13965828\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Siena Starr of San Jose, 15, poses for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Siena Starr was just one year old when Nicki Minaj’s debut album \u003cem>Pink Friday\u003c/em> was released. Hailing from San Jose, Starr plans to start voting when she turns 18, but for now, at the age of 15, she’s already paying attention.\u003c/p>\n\u003cp>“I mean, if I could vote, I’d vote for Kamala Harris,” Starr said. “I feel like she’s very woman-empowering. I feel like she’d be a good representative for our country.”\u003c/p>\n\u003cp>Starr added that she doesn’t like Trump, stating it plain: “He used to be our president, and I didn’t like the ideas he had.”\u003c/p>\n\u003cfigure id=\"attachment_13966341\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27.jpg\" alt=\"\" width=\"2000\" height=\"1320\" class=\"size-full wp-image-13966341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-800x528.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-1020x673.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-768x507.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-1536x1014.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-1920x1267.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Nikaiyah Williams and Kiera Baldwin attend the Nicki Minaj concert at Chase Center on Sept. 23, 2024 in San Francisco. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kiera Baldwin and Nikaiyah Williams, both from Hayward, are that rare breed of Bay Area voter: undecided about whether to vote for Harris or Trump. And it’s not that they don’t participate in elections.\u003c/p>\n\u003cp>“I vote,” Baldwin said. “But right now, I’m still thinking about it.” Baldwin cited the economy, homelessness and women’s rights as issues that are important to her.\u003c/p>\n\u003cp>Williams said her concerns in this election cycle include “homelessness and low-income families.”\u003c/p>\n\u003cp>As for any issue that Nicki fans are united on, “I would probably say women’s rights, most likely,” Baldwin offered, noting that Nicki Minaj is a mom.\u003c/p>\n\u003cfigure id=\"attachment_13965827\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965827\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trini of Oakland poses for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Trini, a recording artist from Oakland, did not hesitate in her opinion.\u003c/p>\n\u003cp>“Vote Kamala,” she implored. “Please get Trump out of my face. I don’t want to see him no more. And I just hate the fact that he’s even an option. If a felon can run the country, then why can’t felons get jobs?”\u003c/p>\n\u003cp>An advocate for reproductive rights, Trini worries about what could happen if Trump wins and assumes the role of a dictator, especially since he’s given a lot of leeway already, she said.\u003c/p>\n\u003cp>“As far as the debate, he didn’t answer no questions directly. Just tiptoein’ around. I’m just over it. It’s like a theatrical performance at this point,” Trini added.\u003c/p>\n\u003cfigure id=\"attachment_13965823\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965823\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ronnie Punani of Stockton poses for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ronnie Punani came from Stockton for the show to celebrate her four-year anniversary with partner Nate — but was decidedly not celebrating her choices at the ballot box.\u003c/p>\n\u003cp>Each candidate “kind of sucks ass, you know, at this point,” she said. “It’s like, what the lesser evil is.”\u003c/p>\n\u003cp>Still, Ronnie encouraged people to vote anyway. “There’s a lot of people that are not registered, whose voice does matter. Every voice matters, wherever you come from, no matter your skin tone or who you are. Your voice matters.”\u003c/p>\n\u003cp>Neither Nate nor Ronnie wanted to say who they’d be voting for. But Nate offered an array of issues on his mind this election cycle.\u003c/p>\n\u003cfigure id=\"attachment_13965824\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965824\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ronnie Punani of Stockton wears pink boots for a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everyday middle-class American jobs are always an issue,” Nate said. “Pay is always an issue. Living situations are always an issue. Groceries, everything from eggs to milk to bread and butter, are an issue.” He added that taxes, high rent, poverty and crime create poor living conditions.\u003c/p>\n\u003cp>“If you come in to the city, here in Frisco, it almost looks like a third-world country,” he said.\u003c/p>\n\u003cp>As for solutions? “I think we need to bring American jobs back to the states. I think taxes need to be lowered, I think police need to be reinforced, and I think that local government needs to step up.”\u003c/p>\n\u003cp>Ronnie said she’s not very concerned with Nicki Minaj making an endorsement of one candidate or the other.\u003c/p>\n\u003cp>“If you look in an interview, she always makes sure that her Barbz go to school. She’s encouraged people to make sure that they get their college degree. But when it comes down to politics, it’s like… you’ve seen the meme of Nicki Minaj with the American flag, right? Nicki for President, honestly. Period.”\u003c/p>\n\u003cfigure id=\"attachment_13965826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ally Thomas, left, and Cordè Faafiu, right, of Chico, pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ally Thomas came for the show from Chico with her friend Cordé Faafiu. And while the three-hour drive proved her passion for Nicki Minaj, Thomas doesn’t have the same interest the election.\u003c/p>\n\u003cp>“I try to avoid it, to be honest. It’s just a mess,” she said.\u003c/p>\n\u003cp>Asked about any issues that concern her in Chico, Thomas said, “I mean, wildfires are always a concern, up in Chico. I was evacuated twice this year.”\u003c/p>\n\u003cfigure id=\"attachment_13965831\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965831\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1428\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-1020x728.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-1536x1097.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-1920x1371.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Lakayla Shelton, Shanquae Perry and Loretta Stanberry pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lakayla Shelton, from San Francisco, said that with her background as a prosecutor, Harris would be a firm but fair president.\u003c/p>\n\u003cp>“She’s just a strong, independent woman, and that’s what we need in the office right now,” Shelton said.\u003c/p>\n\u003cp>[aside postID='arts_13960424']Her friend Loretta Stanberry, also from San Francisco, acknowledged some good in the Trump administration, like the stimulus checks authorized during the first year of COVID. But she plans to vote for Kamala, and “it’s not just because she’s a woman or she’s an African American,” she said.\u003c/p>\n\u003cp>“I feel like the direction Trump’s going, we’re not going to make it too long. And I also feel like if you could be a felon, indicted on felonies, and still run? I don’t think that’s fair.”\u003c/p>\n\u003cp>Stanberry went on to praise Harris’ mindset. “Even when working with Biden, she’s on our team, all the issues, she’s working for us. She’s for all minorities. No matter what descent, what you identify as, she’s equal to everybody. I feel like she’ll be a great president.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Read more stories of pop culture fandoms and the election in the KQED series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "At Nicki’s San Francisco concert, the Barbz spoke out on abortion, taxes and Trump.",
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"title": "The Beautiful Chaos of Nicki Minaj Fans During an Election | KQED",
"description": "At Nicki’s San Francisco concert, the Barbz spoke out on abortion, taxes and Trump.",
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"headline": "The Beautiful Chaos of Nicki Minaj Fans During an Election",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story is part of the KQED series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>, exploring the election-year concerns and voting preferences of pop culture fanbases.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">W\u003c/span>\u003c/p>\u003cp>hen we began planning to talk to pop culture fandoms about this year’s election, we knew we couldn’t overlook the Barbz.\u003c/p>\n\u003cp>Nicki Minaj fans come from all walks of life, unified in their fierce loyalty to the Queen of Rap. As a pivotal figure in music who blew open the doors for today’s female rappers, Nicki is an icon — one whose fanbase has as many different political leanings as \u003ca href=\"https://nickiminaj.fandom.com/wiki/Alter_egos\">she has alter egos\u003c/a>. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nicki’s own politics don’t exactly fit into a box, either. She’s expressed \u003ca href=\"https://www.billboard.com/music/music-news/nicki-minaj-hillary-clinton-donald-trump-barack-obama-sandra-bland-6804598/\">admiration for Hillary Clinton and Barack Obama\u003c/a>, but has also \u003ca href=\"https://x.com/NICKIMINAJ/status/1438256221660663812?lang=en\">decried\u003c/a> being told what to do by Democrats, including getting COVID vaccines. In trademark chaotic style, she once \u003ca href=\"https://www.eonline.com/news/760126/nicki-minaj-dedicates-anaconda-to-donald-trump-and-joe-biden-at-time-100-gala\">dedicated her ass-centric hit “Anaconda”\u003c/a> to \u003cem>both\u003c/em> Joe Biden and Donald Trump, “in the spirit of unity.”\u003c/p>\n\u003cp>So it wasn’t too surprising that outside Nicki Minaj’s show at the Chase Center in San Francisco, just over a month before Election Day, we found Barbz for Trump, Barbz for Harris, Barbz who didn’t care — as well as Barbz who flat-out hate both candidates.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You already know in advance what political opinions you’ll get at a Ted Nugent concert. Or a Phoebe Bridgers concert. Nicki, though? It’s all over the place.\u003c/p>\n\u003cfigure id=\"attachment_13965820\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965820\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-1-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jeremiah Gage, left, and Elissa Amin, right, pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024 \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m voting Trump all the way, and anybody that got a problem can fight me,” said Elissa Amin, from Reno. “When he was president four years ago, everything was better, prices were lower. He’s even said he’s gonna lower all the prices.”\u003c/p>\n\u003cp>Amin praised Trump’s foreign policy as well. “I feel like we’ve just been at war with a lot of countries. You can just make peace with someone in a phone call. That’s what he does,” she said.\u003c/p>\n\u003cp>As for other issues, like abortion, Amin said that she was “definitely learning more about that stuff right now. I’m trying to extend my knowledge on that. But I’m definitely all about pro-choice, whatever a woman wants to do with her body.”\u003c/p>\n\u003cp>Her friend, Jeremiah Gage, just turned 18. “I’m not really big on politics,” he said. “But I feel like it’s cool. Everyone has an opinion, and everyone’s opinion can change the world, you know? Definitely, next year, I will be voting.”\u003c/p>\n\u003cfigure id=\"attachment_13965829\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965829\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-15-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Domi Nhan, left, and Anecia Brown, right, of Modesto pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Domi Nhan came to the show from Modesto with her friend Anecia Brown.\u003c/p>\n\u003cp>“Go Kamala,” Nhan said, planning to vote for the candidate who “can actually have a difference and not go backwards.”\u003c/p>\n\u003cp>“I mean, look at the presidential debate. It was a mess. You can’t spit false information 24/7 just to save your ass,” Nhan said. “And women’s rights mean a lot to me. That’s \u003cem>something\u003c/em>, at least, and I’d rather go forward with something than nothing.”\u003c/p>\n\u003cfigure id=\"attachment_13965830\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965830\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-16-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sierra Northcutt, left, and Leanna Taylor, right, of Sacramento pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sierra Northcutt, from Sacramento, was blunt about her stance on the candidates.\u003c/p>\n\u003cp>“They’re both evil. They both fuckin’ suck,” she said. “I don’t think any one of ’em would be a good choice. We need somebody who’s actually for the people.”\u003c/p>\n\u003cp>Her friend Leanna Taylor agreed.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Either one, they’re just not ready for the White House,” Taylor said. “’Cause [Kamala] stands with how Joe Biden stands. I feel like Joe Biden hasn’t really done as much as other presidents. And Donald Trump, people say he’s crazy and everything, but there’s also just his age. We need somebody a little bit younger, who sees more of the younger generation’s perspective on things.\u003c/p>\n\u003cp>So what qualities would their ideal candidate have?\u003c/p>\n\u003cp>“Somebody who doesn’t come from privilege, obviously,” said Northcutt. “And under 70. Actually, under 50.”\u003c/p>\n\u003cfigure id=\"attachment_13965828\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-12-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Siena Starr of San Jose, 15, poses for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Siena Starr was just one year old when Nicki Minaj’s debut album \u003cem>Pink Friday\u003c/em> was released. Hailing from San Jose, Starr plans to start voting when she turns 18, but for now, at the age of 15, she’s already paying attention.\u003c/p>\n\u003cp>“I mean, if I could vote, I’d vote for Kamala Harris,” Starr said. “I feel like she’s very woman-empowering. I feel like she’d be a good representative for our country.”\u003c/p>\n\u003cp>Starr added that she doesn’t like Trump, stating it plain: “He used to be our president, and I didn’t like the ideas he had.”\u003c/p>\n\u003cfigure id=\"attachment_13966341\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27.jpg\" alt=\"\" width=\"2000\" height=\"1320\" class=\"size-full wp-image-13966341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-800x528.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-1020x673.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-768x507.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-1536x1014.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/20240923_NickiMinajFandomVote-27-1920x1267.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Nikaiyah Williams and Kiera Baldwin attend the Nicki Minaj concert at Chase Center on Sept. 23, 2024 in San Francisco. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kiera Baldwin and Nikaiyah Williams, both from Hayward, are that rare breed of Bay Area voter: undecided about whether to vote for Harris or Trump. And it’s not that they don’t participate in elections.\u003c/p>\n\u003cp>“I vote,” Baldwin said. “But right now, I’m still thinking about it.” Baldwin cited the economy, homelessness and women’s rights as issues that are important to her.\u003c/p>\n\u003cp>Williams said her concerns in this election cycle include “homelessness and low-income families.”\u003c/p>\n\u003cp>As for any issue that Nicki fans are united on, “I would probably say women’s rights, most likely,” Baldwin offered, noting that Nicki Minaj is a mom.\u003c/p>\n\u003cfigure id=\"attachment_13965827\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965827\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-11-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trini of Oakland poses for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Trini, a recording artist from Oakland, did not hesitate in her opinion.\u003c/p>\n\u003cp>“Vote Kamala,” she implored. “Please get Trump out of my face. I don’t want to see him no more. And I just hate the fact that he’s even an option. If a felon can run the country, then why can’t felons get jobs?”\u003c/p>\n\u003cp>An advocate for reproductive rights, Trini worries about what could happen if Trump wins and assumes the role of a dictator, especially since he’s given a lot of leeway already, she said.\u003c/p>\n\u003cp>“As far as the debate, he didn’t answer no questions directly. Just tiptoein’ around. I’m just over it. It’s like a theatrical performance at this point,” Trini added.\u003c/p>\n\u003cfigure id=\"attachment_13965823\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965823\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-5-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ronnie Punani of Stockton poses for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ronnie Punani came from Stockton for the show to celebrate her four-year anniversary with partner Nate — but was decidedly not celebrating her choices at the ballot box.\u003c/p>\n\u003cp>Each candidate “kind of sucks ass, you know, at this point,” she said. “It’s like, what the lesser evil is.”\u003c/p>\n\u003cp>Still, Ronnie encouraged people to vote anyway. “There’s a lot of people that are not registered, whose voice does matter. Every voice matters, wherever you come from, no matter your skin tone or who you are. Your voice matters.”\u003c/p>\n\u003cp>Neither Nate nor Ronnie wanted to say who they’d be voting for. But Nate offered an array of issues on his mind this election cycle.\u003c/p>\n\u003cfigure id=\"attachment_13965824\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965824\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-6-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ronnie Punani of Stockton wears pink boots for a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Everyday middle-class American jobs are always an issue,” Nate said. “Pay is always an issue. Living situations are always an issue. Groceries, everything from eggs to milk to bread and butter, are an issue.” He added that taxes, high rent, poverty and crime create poor living conditions.\u003c/p>\n\u003cp>“If you come in to the city, here in Frisco, it almost looks like a third-world country,” he said.\u003c/p>\n\u003cp>As for solutions? “I think we need to bring American jobs back to the states. I think taxes need to be lowered, I think police need to be reinforced, and I think that local government needs to step up.”\u003c/p>\n\u003cp>Ronnie said she’s not very concerned with Nicki Minaj making an endorsement of one candidate or the other.\u003c/p>\n\u003cp>“If you look in an interview, she always makes sure that her Barbz go to school. She’s encouraged people to make sure that they get their college degree. But when it comes down to politics, it’s like… you’ve seen the meme of Nicki Minaj with the American flag, right? Nicki for President, honestly. Period.”\u003c/p>\n\u003cfigure id=\"attachment_13965826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-9-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Ally Thomas, left, and Cordè Faafiu, right, of Chico, pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ally Thomas came for the show from Chico with her friend Cordé Faafiu. And while the three-hour drive proved her passion for Nicki Minaj, Thomas doesn’t have the same interest the election.\u003c/p>\n\u003cp>“I try to avoid it, to be honest. It’s just a mess,” she said.\u003c/p>\n\u003cp>Asked about any issues that concern her in Chico, Thomas said, “I mean, wildfires are always a concern, up in Chico. I was evacuated twice this year.”\u003c/p>\n\u003cfigure id=\"attachment_13965831\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965831\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1428\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-1020x728.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-1536x1097.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/20240923_NICKIMINAJFANDOMVOTE_GC-17-KQED-1920x1371.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, Lakayla Shelton, Shanquae Perry and Loretta Stanberry pose for a photo ahead of a Nicki Minaj concert at the Chase Center on September 23, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lakayla Shelton, from San Francisco, said that with her background as a prosecutor, Harris would be a firm but fair president.\u003c/p>\n\u003cp>“She’s just a strong, independent woman, and that’s what we need in the office right now,” Shelton said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Her friend Loretta Stanberry, also from San Francisco, acknowledged some good in the Trump administration, like the stimulus checks authorized during the first year of COVID. But she plans to vote for Kamala, and “it’s not just because she’s a woman or she’s an African American,” she said.\u003c/p>\n\u003cp>“I feel like the direction Trump’s going, we’re not going to make it too long. And I also feel like if you could be a felon, indicted on felonies, and still run? I don’t think that’s fair.”\u003c/p>\n\u003cp>Stanberry went on to praise Harris’ mindset. “Even when working with Biden, she’s on our team, all the issues, she’s working for us. She’s for all minorities. No matter what descent, what you identify as, she’s equal to everybody. I feel like she’ll be a great president.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Read more stories of pop culture fandoms and the election in the KQED series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966268\" style=\"font-weight: bold;background-color: transparent;font-size: 16px\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man.png\" alt=\"A huge wicker structure built in the shape of a man, stands on a hillside with a ladder propped up against its center. On the ground a circle of people with torches stand.\" width=\"2000\" height=\"1568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-800x627.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1020x800.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-160x125.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-768x602.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1536x1204.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1920x1505.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/p>\n\u003cp>In 1973’s ‘The Wicker Man,’ British policeman (Edward Woodward) visits a remote Scottish island to find that the locals have embraced a form of paganism.It’s October. Some of your neighbors will spend this, the official first weekend of spooky season, going all-out with inflatable yard skeletons and ghosts. They will embark upon the annual attempt to make candy corn, aka high-fructose ear wax, a thing. They’ll adorn their front porches with those cotton spider webs that look nothing like real spider webs and instead just make it look like they went and ritually murdered a white sweater so they could hang its dismembered corpse across their doorway as a grisly warning to all other knitwear.\u003c/p>\n\u003cp>[aside postid='arts_13962878']For me, it’s a more simple, elemental formula: Hot cider, cider donuts, folk horror.\u003c/p>\n\u003cp>The appeal of cider and donuts is universal, but folk horror might need some defining. Essentially, it’s horror set in remote, isolated areas where nature still holds sway. Well, nature paired with the superstitious beliefs of the locals, who tend to treat unwary outsiders with suspicion (if the outsiders are lucky) or malice (if they’re not).\u003c/p>\n\u003cp>The classic example is 1973’s \u003ca href=\"https://www.kqed.org/pop/112213/how-religious-sect-movies-like-midsommar-get-so-far-under-our-skin\">\u003cem>The Wicker Man\u003c/em>\u003c/a>, in which an uptight, devout, and veddy \u003cem>veddy \u003c/em>British policeman (Edward Woodward) visits a remote Scottish island to investigate the disappearance of a young girl. Turns out the locals have embraced a form of Celtic paganism, which doesn’t sit right with him. He says as much to the island’s aristocratic leader, a mysterious and charismatic sort played by Christopher Lee. Things don’t end well for our poor British bobby — though presumably the island \u003cem>will \u003c/em>enjoy a bountiful harvest, so, you know: Big picture, it’s still a win.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=a-tDnavDCwI\u003c/p>\n\u003cp>Other founding classics of the genre include 1968’s \u003cem>The Witchfinder General\u003c/em> and 1971’s \u003cem>The Blood on Satan’s Claws\u003c/em>, which of the three films has the least going for it, apart from its title, which is, all reasonable people can agree, \u003cem>metal AF\u003c/em>.\u003c/p>\n\u003cp>I love me some folk horror, and am never happier than when I can while away a damp, foggy (and thus obligingly atmospheric) October afternoon mainlining new and old examples of the form like \u003cem>Kill List\u003c/em>, \u003cem>You Won’t Be Alone\u003c/em>, \u003cem>Viv\u003c/em>,\u003cem> The Ritual\u003c/em>, \u003cem>Häxan\u003c/em>, \u003cem>The Medium\u003c/em>, \u003cem>Apostle\u003c/em>, \u003cem>Midsommar\u003c/em>, \u003cem>The Witch\u003c/em>, \u003cem>Hereditary\u003c/em>, \u003cem>Night of the Demon\u003c/em>, \u003cem>A Field in England\u003c/em>, \u003cem>Robin Redbreast\u003c/em>, and \u003cem>Men\u003c/em>. (Looking for more examples? Check out the documentary \u003cem>Woodlands Dark and Days Bewitched: A History of Folk Horror\u003c/em>.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iQXmlf3Sefg\u003c/p>\n\u003cp>Some folk horror involves supernatural elements, but I confess a particular fondness for those stories that don’t — stories where it’s the folk themselves (read: the locals, and their beliefs) who are the true and only source of the horror. (I won’t spoil which of the above films traffic in human vs. supernatural evil, in case you haven’t seen them.)\u003c/p>\n\u003ch3>Talismans and turtlenecks\u003c/h3>\n\u003cp>\u003cem>The Wicker Man\u003c/em> was the first folk horror film I saw as a kid, which is maybe why I harbor a deep love of folk horror set in ’70s Britain, a time and place when an interest in the occult became faddish, inspiring a wave of folk horror specifically inflected with Satanic panic. Many of these films were set in the past, but those like \u003cem>The Wicker Man \u003c/em>were set in the then-present, a time when men wore wavy hair and tight bell bottoms. Christopher Lee’s Lord Summerisle, for example, sported a kicky tweed leisure suit topped off by a burnt-orange sweater.\u003c/p>\n\u003cp>[aside postid='arts_13964075']It’s why I think of this very specific subgenre of ’70s folk horror as Talismans and Turtlenecks.\u003c/p>\n\u003cp>I just came across a new-to-me example of T & T last Sunday afternoon, which was suitably cold and wet and misty: 1970’s \u003cem>The Dunwich Horror\u003c/em>. A stiff-haired Sandra Dee, desperately attempting to shake her goody-goody image, plays a woman who falls under the sway of a young and hilariously intense, wide-eyed Dean Stockwell. (Seriously, you keep waiting for his character to blink, but instead he just keeps goggling fixedly at the world around him. At one point he makes a pot of tea, staring at it so fiercely through every stage of the process you start to wonder if he’s trying to convince it to hop into bed with him.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QA1WCp8hGB0\u003c/p>\n\u003cp>Don’t get me wrong: It’s a cheesy film, filled with crummy dialogue and hammy acting and cheap sets and one fight scene so wildly inept that has to be seen to be disbelieved. I won’t reveal if the threat hanging over the film is human or supernatural (though the fact that it’s based on an H.P. Lovecraft short story should tip you off). But I \u003cem>will \u003c/em>say that Stockwell sports a thick, curly hairdo, a cravat, two count-em \u003cem>two \u003c/em>pinky rings, and a huge mustache that curls \u003cem>under \u003c/em>itself at either end, in the process effectively turning my guy’s mouth into a parenthetical statement.\u003c/p>\n\u003cp>[aside postid='arts_13962666']You can watch it for free, with commercials, on Pluto TV, which I swear is a real streaming service and not something I made up. \u003cem>The Dunwich Horror\u003c/em> is not remotely scary, but it does have something to say, I suppose, about the madness of crowds and what, back in grad school, we used to call “othering.” (The Stockwell character is the scion of an eccentric family that the local community has shunned for generations, you see.)\u003c/p>\n\u003cp>And that, of course, is the abiding appeal of folk horror: It takes those universal feelings of alienation and isolation that make us all feel like outsiders in our own communities and gives them flesh. When the supernatural is involved, sometimes that flesh pulses and oozes. Sometimes it’s furry and clawed.\u003c/p>\n\u003cp>But whenever the story is about our collective tendency to cling to belief in the supernatural, the flesh involved is all too human, and probably gets stabbed with a sacrificial dagger in the final reel. Happy spooky season, y’all.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1Vnghdsjmd0\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/a-tDnavDCwI'\n title='//www.youtube.com/embed/a-tDnavDCwI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Other founding classics of the genre include 1968’s \u003cem>The Witchfinder General\u003c/em> and 1971’s \u003cem>The Blood on Satan’s Claws\u003c/em>, which of the three films has the least going for it, apart from its title, which is, all reasonable people can agree, \u003cem>metal AF\u003c/em>.\u003c/p>\n\u003cp>I love me some folk horror, and am never happier than when I can while away a damp, foggy (and thus obligingly atmospheric) October afternoon mainlining new and old examples of the form like \u003cem>Kill List\u003c/em>, \u003cem>You Won’t Be Alone\u003c/em>, \u003cem>Viv\u003c/em>,\u003cem> The Ritual\u003c/em>, \u003cem>Häxan\u003c/em>, \u003cem>The Medium\u003c/em>, \u003cem>Apostle\u003c/em>, \u003cem>Midsommar\u003c/em>, \u003cem>The Witch\u003c/em>, \u003cem>Hereditary\u003c/em>, \u003cem>Night of the Demon\u003c/em>, \u003cem>A Field in England\u003c/em>, \u003cem>Robin Redbreast\u003c/em>, and \u003cem>Men\u003c/em>. (Looking for more examples? Check out the documentary \u003cem>Woodlands Dark and Days Bewitched: A History of Folk Horror\u003c/em>.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iQXmlf3Sefg'\n title='//www.youtube.com/embed/iQXmlf3Sefg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Some folk horror involves supernatural elements, but I confess a particular fondness for those stories that don’t — stories where it’s the folk themselves (read: the locals, and their beliefs) who are the true and only source of the horror. (I won’t spoil which of the above films traffic in human vs. supernatural evil, in case you haven’t seen them.)\u003c/p>\n\u003ch3>Talismans and turtlenecks\u003c/h3>\n\u003cp>\u003cem>The Wicker Man\u003c/em> was the first folk horror film I saw as a kid, which is maybe why I harbor a deep love of folk horror set in ’70s Britain, a time and place when an interest in the occult became faddish, inspiring a wave of folk horror specifically inflected with Satanic panic. Many of these films were set in the past, but those like \u003cem>The Wicker Man \u003c/em>were set in the then-present, a time when men wore wavy hair and tight bell bottoms. Christopher Lee’s Lord Summerisle, for example, sported a kicky tweed leisure suit topped off by a burnt-orange sweater.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It’s why I think of this very specific subgenre of ’70s folk horror as Talismans and Turtlenecks.\u003c/p>\n\u003cp>I just came across a new-to-me example of T & T last Sunday afternoon, which was suitably cold and wet and misty: 1970’s \u003cem>The Dunwich Horror\u003c/em>. A stiff-haired Sandra Dee, desperately attempting to shake her goody-goody image, plays a woman who falls under the sway of a young and hilariously intense, wide-eyed Dean Stockwell. (Seriously, you keep waiting for his character to blink, but instead he just keeps goggling fixedly at the world around him. At one point he makes a pot of tea, staring at it so fiercely through every stage of the process you start to wonder if he’s trying to convince it to hop into bed with him.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QA1WCp8hGB0'\n title='//www.youtube.com/embed/QA1WCp8hGB0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Don’t get me wrong: It’s a cheesy film, filled with crummy dialogue and hammy acting and cheap sets and one fight scene so wildly inept that has to be seen to be disbelieved. I won’t reveal if the threat hanging over the film is human or supernatural (though the fact that it’s based on an H.P. Lovecraft short story should tip you off). But I \u003cem>will \u003c/em>say that Stockwell sports a thick, curly hairdo, a cravat, two count-em \u003cem>two \u003c/em>pinky rings, and a huge mustache that curls \u003cem>under \u003c/em>itself at either end, in the process effectively turning my guy’s mouth into a parenthetical statement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>You can watch it for free, with commercials, on Pluto TV, which I swear is a real streaming service and not something I made up. \u003cem>The Dunwich Horror\u003c/em> is not remotely scary, but it does have something to say, I suppose, about the madness of crowds and what, back in grad school, we used to call “othering.” (The Stockwell character is the scion of an eccentric family that the local community has shunned for generations, you see.)\u003c/p>\n\u003cp>And that, of course, is the abiding appeal of folk horror: It takes those universal feelings of alienation and isolation that make us all feel like outsiders in our own communities and gives them flesh. When the supernatural is involved, sometimes that flesh pulses and oozes. Sometimes it’s furry and clawed.\u003c/p>\n\u003cp>But whenever the story is about our collective tendency to cling to belief in the supernatural, the flesh involved is all too human, and probably gets stabbed with a sacrificial dagger in the final reel. Happy spooky season, y’all.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1Vnghdsjmd0'\n title='//www.youtube.com/embed/1Vnghdsjmd0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_13966246\" class=\"wp-caption aligncenter\" style=\"max-width: 1377px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966246\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue.png\" alt=\"A book cover featuring an open window looking out onto the sea.\" width=\"1377\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue.png 1377w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue-800x1162.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue-1020x1481.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue-160x232.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue-768x1115.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/ph-blue-1058x1536.png 1058w\" sizes=\"(max-width: 1377px) 100vw, 1377px\">\u003cfigcaption class=\"wp-caption-text\">‘The Blue Hour’ by Paula Hawkins. \u003ccite>(Mariner Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since bursting on the scene in 2015 with \u003cem>The Girl on a Train\u003c/em>, Paula Hawkins has established herself as a reliable writer of psychological thrillers set in the U.K. \u003cem>The Blue Hour\u003c/em> doesn’t plow any new ground on that front, but it’s a tight story with interesting characters that keeps you engaged until the end.\u003c/p>\n\u003cp>Set mostly on an isolated Scottish island named Eris, where a famous painter and ceramicist named Vanessa Chapman once lived and worked, the story begins with a discovery. A bone in one of Chapman’s sculptures, now owned by an estate, may be human. That revelation links together the three main characters — Chapman’s longtime companion Grace Winters, a Chapman scholar who works for Fairburn Estate named James Becker, and Julian, Chapman’s ex-husband who went missing 20 years ago.\u003c/p>\n\u003cp>[aside postid='arts_13966153']Told in the present, in flashbacks from two decades ago, and via excerpts from Chapman’s diary, the plot moves along steadily. It’s not really a keep-the-reader-guessing type of thriller, but more of a slow build that culminates in a shocking ending.\u003c/p>\n\u003cp>Hawkins weaves artistic themes and the creative process through the novel. Chapman’s diary entries are filled with references to the landscape that inspires her — the “terrible chaos” of waves, the sky “miraculous azure or threatening gunmetal.” The title refers to a time at dusk before the stars come out when the color leaches from the day but it’s not yet full dark. Hawkins’ prose often mirrors Chapman’s artistic eye. Here’s Becker’s first glimpse of Grace: “Her face is soft, cheeks relaxing gently into jowls, and her colors are muddied: from her bowl of hair to her slightly protuberant eyes … she is painted in varying shades of brown.”\u003c/p>\n\u003cp>The novel’s setting is a character unto itself. Eris is reachable from the mainland only when the tide is out, in two six-hour chunks each day, and so it’s a fine place to bury secrets — physical and psychological. Learning those secrets is the fun of the novel, and there are few authors writing today who drip them out, page by excruciating page, like Hawkins.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>’The Blue Hour’ by Paula Hawkins is released on Oct. 29, 2024, via Mariner Books.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cfigure id=\"attachment_13966209\" class=\"wp-caption aligncenter\" style=\"max-width: 1365px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966209\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george.png\" alt=\"A book cover with the word George written on it four tines.\" width=\"1365\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george.png 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george-800x1172.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george-1020x1495.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george-160x234.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george-768x1125.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/george-1048x1536.png 1048w\" sizes=\"(max-width: 1365px) 100vw, 1365px\">\u003cfigcaption class=\"wp-caption-text\">‘The Book of George’ by Kate Greathead. \u003ccite>(Henry Holt and Co.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The Book of George\u003c/em> is a novel of many finely crafted, often funny moments that arrive episodically as the title character grows older. At first he’s a millennial kid, then a college guy as the Twin Towers fall on 9/11.\u003c/p>\n\u003cp>In time, George — he’s given no surname — graduates and struggles over what to do with the rest of his life. Fate actually treats him pretty well. He’s an attractive, smart New Yorker; his family has some money; and he’s often quite lucky.\u003c/p>\n\u003cp>[aside postid='arts_13966153']But you wouldn’t know it from his clownish, sour, perplexed, defeatist attitude. He’s self-absorbed and self-disparaging, lovable and devilish — the list could go on.\u003c/p>\n\u003cp>The novel’s author, Kate Greathead, is a gifted storyteller who reels off dialogue filled with wit and humor so well it makes page-turning a pleasure and \u003cem>The Book of George\u003c/em> an easy read.\u003c/p>\n\u003cp>But just as the indecisive George doesn’t know where he is going in life, the reader doesn’t know where his story is going either. Getting there, in a way, is the point.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>George groans inwardly at the vacuous “sitcom-level banter” that comes easily to him in conversation. Greathead is deft at dishing out such dialogue, too, and chapter after chapter, as George ages and a variety of crises large and small arise, this episodic novel seems a form of first-rate TV sitcom between covers.\u003c/p>\n\u003cp>George would be glad to call it “the show about nothing,” similar to \u003cem>Seinfeld\u003c/em>. Then he would cancel it.\u003c/p>\n\u003cp>Choosing philosophy as his college major, George writes his thesis on Arthur Schopenhauer, a 19th-century philosopher often seen as deeply pessimistic, much like George himself. Greathead, in the book’s epigraph, quotes from an 1807 letter written by Johanna Schopenhauer to her 19-year-old son, Arthur, whom she says could be “a credit to human society” but is nevertheless “irritating and unbearable.”\u003c/p>\n\u003cp>George’s own mother, Ellen, couldn’t have said it better.\u003c/p>\n\u003cp>[aside postid='arts_13965937']After graduating, George eventually decides to become a writer. He starts a novel, but agonizes over the point of it. Early on, George says the book is “about a boy who grows up to be a man who is disappointed by life.” The book shifts gears over time. It’s title, finally, is \u003cem>All For Naught\u003c/em>.\u003c/p>\n\u003cp>George may be a doom-and-gloom sort, but that’s not the case for Greathead’s novel. Page after page, her writing is full of humor built around prickly sarcasm and woebegone twists in George’s life.\u003c/p>\n\u003cp>There are serious, even sad, moments, plus plot turns that give the narrative depth. The reader may begin to feel an emotional tug. Jenny, a young woman who falls in love with George, lives with him for long, often agonizing stretches. They hit midlife as the pandemic hits the country, and Jenny brings real poignancy to the story.\u003c/p>\n\u003cp>She even grasps, finally, what George is all about.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Book of George’ by Kate Greathead is out on Oct. 8, 2024, via Henry Holt and Co.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>George groans inwardly at the vacuous “sitcom-level banter” that comes easily to him in conversation. Greathead is deft at dishing out such dialogue, too, and chapter after chapter, as George ages and a variety of crises large and small arise, this episodic novel seems a form of first-rate TV sitcom between covers.\u003c/p>\n\u003cp>George would be glad to call it “the show about nothing,” similar to \u003cem>Seinfeld\u003c/em>. Then he would cancel it.\u003c/p>\n\u003cp>Choosing philosophy as his college major, George writes his thesis on Arthur Schopenhauer, a 19th-century philosopher often seen as deeply pessimistic, much like George himself. Greathead, in the book’s epigraph, quotes from an 1807 letter written by Johanna Schopenhauer to her 19-year-old son, Arthur, whom she says could be “a credit to human society” but is nevertheless “irritating and unbearable.”\u003c/p>\n\u003cp>George’s own mother, Ellen, couldn’t have said it better.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After graduating, George eventually decides to become a writer. He starts a novel, but agonizes over the point of it. Early on, George says the book is “about a boy who grows up to be a man who is disappointed by life.” The book shifts gears over time. It’s title, finally, is \u003cem>All For Naught\u003c/em>.\u003c/p>\n\u003cp>George may be a doom-and-gloom sort, but that’s not the case for Greathead’s novel. Page after page, her writing is full of humor built around prickly sarcasm and woebegone twists in George’s life.\u003c/p>\n\u003cp>There are serious, even sad, moments, plus plot turns that give the narrative depth. The reader may begin to feel an emotional tug. Jenny, a young woman who falls in love with George, lives with him for long, often agonizing stretches. They hit midlife as the pandemic hits the country, and Jenny brings real poignancy to the story.\u003c/p>\n\u003cp>She even grasps, finally, what George is all about.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Book of George’ by Kate Greathead is out on Oct. 8, 2024, via Henry Holt and Co.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it’s actually sort of on-brand.\u003c/p>\n\u003cp>\u003cem>Piece by Piece\u003c/em> is a bright, clever song-filled biopic that pretends it’s a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it’s a bit of both.\u003c/p>\n\u003cp>[aside postid='arts_13966146']Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in \u003cem>Won’t You Be My Neighbor?, Roadrunner: A Film About Anthony Bourdain\u003c/em> and \u003cem>Steve! (Martin): A Documentary in Two Pieces\u003c/em> — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.\u003c/p>\n\u003cp>The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it’s very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.\u003c/p>\n\u003cp>Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it’s his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter. There are highs and lows and then highs again.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt’s Adrian Young’s mohawk. (Take my money, Lego.)\u003c/p>\n\u003cp>We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7Bc6trBc1kc&t=59s\u003c/p>\n\u003cp>The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams’ collection of cool beats depicted as bouncing bricks with lights in them. There’s Lego McDonald’s nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.\u003c/p>\n\u003cp>Lego, while seemingly a restrictive medium — the hands are clips and everyone’s walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth’s lights as an distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements. (Special kudos to the team that made Lego champagne bubbles.)\u003c/p>\n\u003cp>Music credits are notoriously hard to pin down — Williams claims to have created McDonald’s notoriously mysterious jingle “I’m lovin’ it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”\u003c/p>\n\u003cp>[aside postid='arts_13965858']There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”\u003c/p>\n\u003cp>The documentary lags a little during Williams’ way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.\u003c/p>\n\u003cp>“I think we’re done,” are the last words we hear as the filmmakers finally give up. But they’ve left behind a trippy, sweet portrait of a genius, forever in building blocks.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Piece by Piece’ is released nationwide on Oct. 11, 2024.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt’s Adrian Young’s mohawk. (Take my money, Lego.)\u003c/p>\n\u003cp>We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7Bc6trBc1kc'\n title='//www.youtube.com/embed/7Bc6trBc1kc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams’ collection of cool beats depicted as bouncing bricks with lights in them. There’s Lego McDonald’s nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.\u003c/p>\n\u003cp>Lego, while seemingly a restrictive medium — the hands are clips and everyone’s walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth’s lights as an distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements. (Special kudos to the team that made Lego champagne bubbles.)\u003c/p>\n\u003cp>Music credits are notoriously hard to pin down — Williams claims to have created McDonald’s notoriously mysterious jingle “I’m lovin’ it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”\u003c/p>\n\u003cp>The documentary lags a little during Williams’ way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.\u003c/p>\n\u003cp>“I think we’re done,” are the last words we hear as the filmmakers finally give up. But they’ve left behind a trippy, sweet portrait of a genius, forever in building blocks.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Piece by Piece’ is released nationwide on Oct. 11, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>For most of its history, Hollywood made its money by putting stars the public liked to watch in stories that wouldn’t be worth watching without them. These days, such star-driven films are falling out of fashion — except on our streamers.\u003c/p>\n\u003cp>That’s where you’ll find \u003cem>Wolfs\u003c/em>, an AppleTV+ vehicle that features \u003ca href=\"https://www.kqed.org/arts/13890684/george-clooney-says-midnight-sky-is-about-our-desperate-need-to-be-with-loved-ones\">George Clooney\u003c/a> and \u003ca href=\"https://www.kqed.org/pop/tag/brad-pitt\">Brad Pitt\u003c/a> skating through a crime plot in glamorously grizzled mode. They play two professional “fixers” — they’ll do \u003cem>anything \u003c/em>to clean up a client’s mess — who collide while working the same job. Written and directed by Jon Watts (who did a popular \u003ca href=\"https://www.kqed.org/pop/91487/origin-al-sin-what-hollywood-must-learn-from-spider-man-homecoming\">Spider-Man\u003c/a> reboot), \u003cem>Wolfs\u003c/em> matters more for its stars than for the characters they play.\u003c/p>\n\u003cp>[aside postid='arts_13966048']The action begins when a New York politico played by Amy Ryan has a casual fling at a posh hotel that goes terribly wrong. She calls Clooney, a seasoned pro who knows how to make trouble disappear. He’s doing just that when they’re interrupted. Enter Pitt who, as it turns out, is working for the hotel, which also wants the problem to go away. Because Clooney and Pitt (their characters don’t use names) always work alone, both bristle at each other’s presence.\u003c/p>\n\u003cp>The two bicker and gibe and question each other’s expertise — Pitt keeps hinting that Clooney’s an old man. And naturally, they discover that their task is more challenging than it looked.\u003c/p>\n\u003cp>All too soon they’re dealing with four bricks of stolen drugs, a goofy college kid and a group of murderous gangsters. Over the course of a long night the two come to a kind of understanding — not only with one another, but about their larger role in the world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wLJUPjiRbAM\u003c/p>\n\u003cp>If I’d paid to see \u003cem>Wolfs\u003c/em> in a theater rather than screened it on TV — which has the lowered expectations of in-flight viewing — I’d probably have been bugged by its lack of imagination and urgency. Watts’ script gives you no singing dialogue a la Elmore Leonard or \u003ca href=\"https://www.kqed.org/arts/11191894/tarantino-holes-up-a-few-outlaws-in-the-hateful-eight\">Quentin Tarantino\u003c/a>, none of the stinging emotional force you find in comparable two-hander stories — Elaine May’s \u003cem>Mikey and Nicky\u003c/em>, say, or Martin McDonagh’s \u003cem>In Bruges\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13965877']And yet the movie’s still enjoyable. Clooney and Pitt are such deft, charismatic actors that, even in a lazy, low-key picture like this one, you get a lot of pleasure from their barbed asides and mocking silences. It’s clear why they’ve been stars for three decades.\u003c/p>\n\u003cp>Thirty years ago, one would have wagered that Clooney, a smart man with a wide-ranging mind, would wind up with the weightier resume of the two. And indeed, he’s been in lots of terrific movies, like \u003cem>Out of Sight\u003c/em>, \u003cem>Up in the Air\u003c/em> and his work with the \u003ca href=\"https://www.kqed.org/arts/11762007/coen-brothers-inspired-dark-comedy-with-actors-from-veep-true-blood\">Coen Brothers\u003c/a>. Yet just as he’s drawn to the idea of Frank Sinatra’s Rat Pack — he has one of his own — he often throws himself into projects that feel like throwbacks to the 1950s or ‘60s. He’s an old-fashioned kind of star. And while a lot of his movies are fun — think \u003ca href=\"https://video.kqed.org/video/oceans-11-web-extra-kbfvd7/\">\u003cem>Ocean’s Eleven\u003c/em>\u003c/a> — they rarely resonate in the culture as much as he does off the screen.\u003c/p>\n\u003cp>For all his prettiness and ubiquity in the tabloids, Pitt’s movies do. Maybe because he’s always been running away from his beauty — he’s never happier than when scruffed up — he’s chosen a more adventurous path. From \u003ca href=\"https://www.kqed.org/arts/13897161/thirty-years-after-thelma-louise-feminist-revenge-movie-endings-still-suck\">\u003cem>Thelma & Louise\u003c/em>\u003c/a> and \u003cem>Se7en\u003c/em>, to \u003cem>Fight Club\u003c/em> and \u003ca href=\"https://www.kqed.org/arts/56273/the_tree_of_life\">\u003cem>The Tree of Life\u003c/em>\u003c/a>, to \u003ca href=\"https://www.kqed.org/arts/128101/for_a_free_spirit_a_grim_12_years_in_chains\">\u003cem>12 Years a Slave\u003c/em> \u003c/a>and \u003ca href=\"https://www.kqed.org/news/tag/moneyball\">\u003cem>Moneyball\u003c/em> \u003c/a>and \u003ca href=\"https://www.kqed.org/pop/113016/tarantinos-turned-on-tuned-in-tinseltown-once-upon-a-time-in-hollywood\">\u003cem>Once Upon a Time in … Hollywood\u003c/em>\u003c/a>, he’s made movies that feel in touch with our present moment.\u003c/p>\n\u003cp>[aside postid='arts_13965858']What Clooney and Pitt share, beyond friendship, is that both achieved stardom by doing the kind of movies that rarely get made anymore. That’s why, even though \u003cem>Wolfs\u003c/em> is slight, I can see how they might find it meaningful.\u003c/p>\n\u003cp>After all, this is a story about two old pros who each start out thinking he’s irreplaceable — the only one who can do this special job. Then each discovers that, far from being unique, there’s somebody else who does exactly what they do. And so far from being indispensable, they’re working for soulless people who have no qualms about getting rid of them and hiring somebody new. Which is to say, \u003cem>Wolfs\u003c/em> isn’t really a film about being a fixer. It’s a film about being an aging movie star.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Wolfs’ is streaming on Apple TV+ now.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For most of its history, Hollywood made its money by putting stars the public liked to watch in stories that wouldn’t be worth watching without them. These days, such star-driven films are falling out of fashion — except on our streamers.\u003c/p>\n\u003cp>That’s where you’ll find \u003cem>Wolfs\u003c/em>, an AppleTV+ vehicle that features \u003ca href=\"https://www.kqed.org/arts/13890684/george-clooney-says-midnight-sky-is-about-our-desperate-need-to-be-with-loved-ones\">George Clooney\u003c/a> and \u003ca href=\"https://www.kqed.org/pop/tag/brad-pitt\">Brad Pitt\u003c/a> skating through a crime plot in glamorously grizzled mode. They play two professional “fixers” — they’ll do \u003cem>anything \u003c/em>to clean up a client’s mess — who collide while working the same job. Written and directed by Jon Watts (who did a popular \u003ca href=\"https://www.kqed.org/pop/91487/origin-al-sin-what-hollywood-must-learn-from-spider-man-homecoming\">Spider-Man\u003c/a> reboot), \u003cem>Wolfs\u003c/em> matters more for its stars than for the characters they play.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The action begins when a New York politico played by Amy Ryan has a casual fling at a posh hotel that goes terribly wrong. She calls Clooney, a seasoned pro who knows how to make trouble disappear. He’s doing just that when they’re interrupted. Enter Pitt who, as it turns out, is working for the hotel, which also wants the problem to go away. Because Clooney and Pitt (their characters don’t use names) always work alone, both bristle at each other’s presence.\u003c/p>\n\u003cp>The two bicker and gibe and question each other’s expertise — Pitt keeps hinting that Clooney’s an old man. And naturally, they discover that their task is more challenging than it looked.\u003c/p>\n\u003cp>All too soon they’re dealing with four bricks of stolen drugs, a goofy college kid and a group of murderous gangsters. Over the course of a long night the two come to a kind of understanding — not only with one another, but about their larger role in the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wLJUPjiRbAM'\n title='//www.youtube.com/embed/wLJUPjiRbAM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If I’d paid to see \u003cem>Wolfs\u003c/em> in a theater rather than screened it on TV — which has the lowered expectations of in-flight viewing — I’d probably have been bugged by its lack of imagination and urgency. Watts’ script gives you no singing dialogue a la Elmore Leonard or \u003ca href=\"https://www.kqed.org/arts/11191894/tarantino-holes-up-a-few-outlaws-in-the-hateful-eight\">Quentin Tarantino\u003c/a>, none of the stinging emotional force you find in comparable two-hander stories — Elaine May’s \u003cem>Mikey and Nicky\u003c/em>, say, or Martin McDonagh’s \u003cem>In Bruges\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And yet the movie’s still enjoyable. Clooney and Pitt are such deft, charismatic actors that, even in a lazy, low-key picture like this one, you get a lot of pleasure from their barbed asides and mocking silences. It’s clear why they’ve been stars for three decades.\u003c/p>\n\u003cp>Thirty years ago, one would have wagered that Clooney, a smart man with a wide-ranging mind, would wind up with the weightier resume of the two. And indeed, he’s been in lots of terrific movies, like \u003cem>Out of Sight\u003c/em>, \u003cem>Up in the Air\u003c/em> and his work with the \u003ca href=\"https://www.kqed.org/arts/11762007/coen-brothers-inspired-dark-comedy-with-actors-from-veep-true-blood\">Coen Brothers\u003c/a>. Yet just as he’s drawn to the idea of Frank Sinatra’s Rat Pack — he has one of his own — he often throws himself into projects that feel like throwbacks to the 1950s or ‘60s. He’s an old-fashioned kind of star. And while a lot of his movies are fun — think \u003ca href=\"https://video.kqed.org/video/oceans-11-web-extra-kbfvd7/\">\u003cem>Ocean’s Eleven\u003c/em>\u003c/a> — they rarely resonate in the culture as much as he does off the screen.\u003c/p>\n\u003cp>For all his prettiness and ubiquity in the tabloids, Pitt’s movies do. Maybe because he’s always been running away from his beauty — he’s never happier than when scruffed up — he’s chosen a more adventurous path. From \u003ca href=\"https://www.kqed.org/arts/13897161/thirty-years-after-thelma-louise-feminist-revenge-movie-endings-still-suck\">\u003cem>Thelma & Louise\u003c/em>\u003c/a> and \u003cem>Se7en\u003c/em>, to \u003cem>Fight Club\u003c/em> and \u003ca href=\"https://www.kqed.org/arts/56273/the_tree_of_life\">\u003cem>The Tree of Life\u003c/em>\u003c/a>, to \u003ca href=\"https://www.kqed.org/arts/128101/for_a_free_spirit_a_grim_12_years_in_chains\">\u003cem>12 Years a Slave\u003c/em> \u003c/a>and \u003ca href=\"https://www.kqed.org/news/tag/moneyball\">\u003cem>Moneyball\u003c/em> \u003c/a>and \u003ca href=\"https://www.kqed.org/pop/113016/tarantinos-turned-on-tuned-in-tinseltown-once-upon-a-time-in-hollywood\">\u003cem>Once Upon a Time in … Hollywood\u003c/em>\u003c/a>, he’s made movies that feel in touch with our present moment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>What Clooney and Pitt share, beyond friendship, is that both achieved stardom by doing the kind of movies that rarely get made anymore. That’s why, even though \u003cem>Wolfs\u003c/em> is slight, I can see how they might find it meaningful.\u003c/p>\n\u003cp>After all, this is a story about two old pros who each start out thinking he’s irreplaceable — the only one who can do this special job. Then each discovers that, far from being unique, there’s somebody else who does exactly what they do. And so far from being indispensable, they’re working for soulless people who have no qualms about getting rid of them and hiring somebody new. Which is to say, \u003cem>Wolfs\u003c/em> isn’t really a film about being a fixer. It’s a film about being an aging movie star.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Wolfs’ is streaming on Apple TV+ now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>How could she not become a social media sensation? She looks like a slimy over-inflated football that’s been left out under the sprinklers for too long. She wants to chew on everything including zookeeper limbs and her mom’s butt. Her name is Moo Deng (“Bouncy Pork”), she’s a baby pygmy hippo living in Thailand, and if you’ve so much as glanced at the internet in the last few weeks, you’ll have already seen her dopey little face. Which, in case you need a refresher, looks like this:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@ksxrvq/video/7417288798796533024\" data-video-id=\"7417288798796533024\">\n\u003csection>\u003ca title=\"@ksxrvq\" href=\"https://www.tiktok.com/@ksxrvq?refer=embed\" target=\"_blank\" rel=\"noopener\">@ksxrvq\u003c/a> \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#MOODENG\u003c/a> || who is this DIVA 💜 || \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"pygmyhippo\" href=\"https://www.tiktok.com/tag/pygmyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#pygmyhippo\u003c/a> \u003ca title=\"hippo\" href=\"https://www.tiktok.com/tag/hippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#hippo\u003c/a> \u003ca title=\"cute\" href=\"https://www.tiktok.com/tag/cute?refer=embed\" target=\"_blank\" rel=\"noopener\">#cute\u003c/a> \u003ca title=\"diva\" href=\"https://www.tiktok.com/tag/diva?refer=embed\" target=\"_blank\" rel=\"noopener\">#diva\u003c/a> \u003ca title=\"fancy\" href=\"https://www.tiktok.com/tag/fancy?refer=embed\" target=\"_blank\" rel=\"noopener\">#fancy\u003c/a> \u003ca title=\"iggyazalea\" href=\"https://www.tiktok.com/tag/iggyazalea?refer=embed\" target=\"_blank\" rel=\"noopener\">#iggyazalea\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"foryoupage\" href=\"https://www.tiktok.com/tag/foryoupage?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryoupage\u003c/a> \u003ca title=\"edit\" href=\"https://www.tiktok.com/tag/edit?refer=embed\" target=\"_blank\" rel=\"noopener\">#edit\u003c/a> \u003ca title=\"xyzbca\" href=\"https://www.tiktok.com/tag/xyzbca?refer=embed\" target=\"_blank\" rel=\"noopener\">#xyzbca\u003c/a> \u003ca title=\"dontletthisflop\" href=\"https://www.tiktok.com/tag/dontletthisflop?refer=embed\" target=\"_blank\" rel=\"noopener\">#dontletthisflop\u003c/a> \u003ca title=\"♬ original sound - ksxrvq\" href=\"https://www.tiktok.com/music/original-sound-7417288933387586337?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – ksxrvq\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>A lot of people don’t need a refresher because there’s literally a \u003ca href=\"https://www.zoodio.live/th/live-streaming\">Moo Deng livestream\u003c/a> now, courtesy of the \u003ca href=\"https://khaokheow.zoothailand.org/en/index.php\">Khao Kheow Open Zoo\u003c/a> in Chon Buri province. Moo Deng lives there with her eternally-eating 25-year-old mom Jona, her dad Tony (yes, Tony), and her siblings Moo Wan (“Sweet Pork”) and Moo Tun (“Stewed Pork”). They are just a few of the approximately 350 pygmy hippos currently living in zoos around the world. Originally hailing from West Africa, these little hippos are endangered, with less than 3,000 remaining in the wild.\u003c/p>\n\u003cp>Moo Deng has distinguished herself among the other captive pygmys for being both very cute and also full of bitey rage. Which is what prompted so many people on the internet to make videos like this:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@brainblenderboy/video/7418239312606530849\" data-video-id=\"7418239312606530849\">\n\u003csection>\u003ca title=\"@brainblenderboy\" href=\"https://www.tiktok.com/@brainblenderboy?refer=embed\" target=\"_blank\" rel=\"noopener\">@brainblenderboy\u003c/a> \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#MOODENG\u003c/a> is disrespecting her surroundings 🤨\u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"pygmyhippo\" href=\"https://www.tiktok.com/tag/pygmyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#pygmyhippo\u003c/a> \u003ca title=\"hippo\" href=\"https://www.tiktok.com/tag/hippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#hippo\u003c/a> \u003ca title=\"cute\" href=\"https://www.tiktok.com/tag/cute?refer=embed\" target=\"_blank\" rel=\"noopener\">#cute\u003c/a> \u003ca title=\"diva\" href=\"https://www.tiktok.com/tag/diva?refer=embed\" target=\"_blank\" rel=\"noopener\">#diva\u003c/a> \u003ca title=\"fancy\" href=\"https://www.tiktok.com/tag/fancy?refer=embed\" target=\"_blank\" rel=\"noopener\">#fancy\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"edit\" href=\"https://www.tiktok.com/tag/edit?refer=embed\" target=\"_blank\" rel=\"noopener\">#edit\u003c/a> \u003ca title=\"meme\" href=\"https://www.tiktok.com/tag/meme?refer=embed\" target=\"_blank\" rel=\"noopener\">#meme\u003c/a> \u003ca title=\"disrespectyoursurroundings\" href=\"https://www.tiktok.com/tag/disrespectyoursurroundings?refer=embed\" target=\"_blank\" rel=\"noopener\">#disrespectyoursurroundings\u003c/a> \u003ca title=\"♬ original sound - BrainBlenderBoy\" href=\"https://www.tiktok.com/music/original-sound-7418239319200025377?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – BrainBlenderBoy\u003c/a>\u003c/section>\n\u003cp>[tiktok]\u003c/p>\u003c/blockquote>\n\u003cp>And also whatever the hell this is:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@gentlebl0ke/video/7419311144508329249\" data-video-id=\"7419311144508329249\">\n\u003csection>\u003ca title=\"@gentlebl0ke\" href=\"https://www.tiktok.com/@gentlebl0ke?refer=embed\" target=\"_blank\" rel=\"noopener\">@gentlebl0ke\u003c/a> \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"hippo\" href=\"https://www.tiktok.com/tag/hippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#hippo\u003c/a> \u003ca title=\"new\" href=\"https://www.tiktok.com/tag/new?refer=embed\" target=\"_blank\" rel=\"noopener\">#new\u003c/a> \u003ca title=\"♬ original sound - gentlebl0ke\" href=\"https://www.tiktok.com/music/original-sound-7419311140175465248?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – gentlebl0ke\u003c/a>\u003c/section>\n\u003cp>[tiktok]\u003c/p>\u003c/blockquote>\n\u003cp>And also this little slice of Godzilla-inspired madness \u003ca href=\"https://www.kqed.org/arts/13965276/massive-baby-penguin-australian-pesto-videos-melbourne-aquarium\">co-starring Pesto\u003c/a>, the enormous baby penguin currently residing at Sea Life Melbourne Aquarium in Australia:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@gentlebl0ke/video/7418573967826406688\" data-video-id=\"7418573967826406688\">\n\u003csection>\u003ca title=\"@gentlebl0ke\" href=\"https://www.tiktok.com/@gentlebl0ke?refer=embed\" target=\"_blank\" rel=\"noopener\">@gentlebl0ke\u003c/a> Moo Deng vs. Pesto the Penguin \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"pesto\" href=\"https://www.tiktok.com/tag/pesto?refer=embed\" target=\"_blank\" rel=\"noopener\">#pesto\u003c/a> \u003ca title=\"penguin\" href=\"https://www.tiktok.com/tag/penguin?refer=embed\" target=\"_blank\" rel=\"noopener\">#penguin\u003c/a> \u003ca title=\"new\" href=\"https://www.tiktok.com/tag/new?refer=embed\" target=\"_blank\" rel=\"noopener\">#new\u003c/a> \u003ca title=\"♬ original sound - gentlebl0ke\" href=\"https://www.tiktok.com/music/original-sound-7418573970731387681?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – gentlebl0ke\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Since finding fame, Moo Deng has been so bombarded with visitors, the zoo had to put a five-minute time limit on people standing at her enclosure. Plus, they had to employ extra security after some dumbass \u003ca href=\"https://twitter.com/iioimioii/status/1833338959511839100?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1833338959511839100%7Ctwgr%5E7ccba4fbe355469049a9f2a906a26d0f5b95bada%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.firstpost.com%2Fexplainers%2Fhow-fame-is-hurting-thailands-viral-baby-pygmy-hippo-moo-deng-13815740.html\">jerks decided to throw water and food at her\u003c/a>. (In case we needed a reminder that humans are the actual worst.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Moo Deng’s profile is now so colossal, Bowen Yang just appeared on \u003cem>Saturday Night Live’\u003c/em>s Weekend Update in character as the baby hippo. (And also made comparisons between the sentient potato and Chappell Roan in a way that actually made sense.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vfIbbP3vuwA\u003c/p>\n\u003cp>Moo Deng was all so very fun … for a minute.\u003c/p>\n\u003cp>As with anything gleeful that exists on the internet, the unfiltered joy could only last so long. Moo Deng might have started out as something to lift our spirits during election season and several ongoing wars, but she is now being held up in some corners as a reflection of all that is wrong in the world. (All the old classics are here: capitalism, exploitation, destruction of natural resources, etc.)\u003c/p>\n\u003cp>\u003ca href=\"https://petaasia.com/media/peta-statement-on-moo-deng-the-baby-hippo-born-in-captivity-in-thailand/\">PETA weighed in\u003c/a> soon after everyone’s favorite butterball went viral. “Hippos belong in the wild, but Moo Deng will never live outside a cage,” the animal rights organization said in a deeply depressing statement. “She faces a lifetime of confinement, deprived of her freedom and the opportunity to experience her natural habitat and the social structures of her species. Animals do not exist for our entertainment.”\u003c/p>\n\u003cp>Criticism only increased after the Khao Kheow Open Zoo announced that it would be \u003ca href=\"https://www.tiktok.com/@skynews/video/7416321845147864352?lang=en\">trademarking Moo Deng’s likeness\u003c/a>, with the goal of using all the extra profits to make\u003ca href=\"https://www.ndtv.com/world-news/thai-zoo-that-homes-viral-pygmy-hippo-moo-deng-earns-4-times-more-now-6657099\"> improvements\u003c/a> at the zoo.\u003c/p>\n\u003cp>\u003ca href=\"https://greatergood.com/blogs/news/free-moo-deng/?utm_source=social&utm_medium=facebook&utm_campaign=free-moo-deng&fbclid=IwY2xjawFruqJleHRuA2FlbQIxMQABHZrtYXxY3JVvRi4qVFTMbgOYXulzO03DycmIDwz6c-rUPdGc-c_dtDlauA_aem_HzBgGxlf5IiWuZFn_bCOig\">Greater Good pointed out\u003c/a>: “The story of Moo Deng forces us to ask uncomfortable questions about the relationship between human entertainment and wildlife conservation,” the charitable organization stated in a blog post. “While she has undoubtedly raised awareness about the plight of pygmy hippos, her life in captivity highlights a broader issue: the ethical treatment of endangered animals. Is it right to confine a wild animal for public display, even if it contributes to conservation?”\u003c/p>\n\u003cp>A nonprofit named World Animal Protection US had stronger words, in its own \u003ca href=\"https://www.worldanimalprotection.us/latest/blogs/internet-sensation-moo-deng-belongs-in-the-wild-not-the-zoo/\">blog post about Moo Deng\u003c/a>. “The Khao Kheow Open Zoo is flagged as not meeting TripAdvisor’s animal welfare guidelines,” the organization stated. “Sharing Moo Deng content might seem innocuous, but it promotes cruelty to animals.”\u003c/p>\n\u003cp>One of the biggest discussions on TikTok has indeed concerned the ways in which Moo Deng’s zookeepers poke at her, tap her butt and rub her belly.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@bestofmoodeng/video/7418328722605985055\" data-video-id=\"7418328722605985055\">\n\u003csection>\u003ca title=\"@bestofmoodeng\" href=\"https://www.tiktok.com/@bestofmoodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">@bestofmoodeng\u003c/a> Poor moo deng 😭, maybe this is why she’s always angry \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"cuteanimals\" href=\"https://www.tiktok.com/tag/cuteanimals?refer=embed\" target=\"_blank\" rel=\"noopener\">#cuteanimals\u003c/a> \u003ca title=\"xyzabc\" href=\"https://www.tiktok.com/tag/xyzabc?refer=embed\" target=\"_blank\" rel=\"noopener\">#xyzabc\u003c/a> \u003ca title=\"viral\" href=\"https://www.tiktok.com/tag/viral?refer=embed\" target=\"_blank\" rel=\"noopener\">#viral\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"♬ dilemma - Galuh\" href=\"https://www.tiktok.com/music/dilemma-7233743527400770310?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ dilemma – Galuh\u003c/a>\u003c/section>\n\u003cp>[tiktok]\u003c/p>\u003c/blockquote>\n\u003cp>For every TikTok-er concerned for Moo Deng’s mental health, another one pops up with a justification for the ways that the zoo staff interacts with her. “The zoo handler is pushing the baby hippo around as part of its early socialization and training,” \u003ca href=\"https://www.tiktok.com/@forevergreenapp/video/7418959282189765918\">one video by an ecologically-minded start-up\u003c/a> stated. “By handling them in their formative years, zoo staff help the baby hippo get used to human interactions in a safe and controlled way.”\u003c/p>\n\u003cp>Either way you look at all this, any serotonin boosts Moo Deng may have provided your tired brain with a few weeks ago have basically evaporated at this point. Maybe it’s time to check back in with \u003ca href=\"https://cincinnatizoo.org/fiona-the-world-famous-hippo/\">Fiona, the much less controversial baby hippo\u003c/a> who went viral at the Cincinnati Zoo back in 2017. She’s not a baby anymore, but she is a big sister to two-year-old Fritz and very much appears to still be living her best life.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, for Moo Deng — and all of us — it’s all feeling a bit more like this…\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@nilston27/video/7421022338164051218\" data-video-id=\"7421022338164051218\">\n\u003csection>\u003ca title=\"@nilston27\" href=\"https://www.tiktok.com/@nilston27?refer=embed\" target=\"_blank\" rel=\"noopener\">@nilston27\u003c/a> ท่านอนพักผ่อนน้องหมูเด้ง….🦛🦛\u003ca title=\"หมูเด้ง\" href=\"https://www.tiktok.com/tag/%E0%B8%AB%E0%B8%A1%E0%B8%B9%E0%B9%80%E0%B8%94%E0%B9%89%E0%B8%87?refer=embed\" target=\"_blank\" rel=\"noopener\">#หมูเด้ง\u003c/a> \u003ca title=\"ฮิปโป\" href=\"https://www.tiktok.com/tag/%E0%B8%AE%E0%B8%B4%E0%B8%9B%E0%B9%82%E0%B8%9B?refer=embed\" target=\"_blank\" rel=\"noopener\">#ฮิปโป\u003c/a> \u003ca title=\"น่ารัก\" href=\"https://www.tiktok.com/tag/%E0%B8%99%E0%B9%88%E0%B8%B2%E0%B8%A3%E0%B8%B1%E0%B8%81?refer=embed\" target=\"_blank\" rel=\"noopener\">#น่ารัก\u003c/a> @NilsShop27 @NilsShop27 @NilsShop27 \u003ca title=\"♬ เสียงต้นฉบับ - NilsShop27\" href=\"https://www.tiktok.com/music/%E0%B9%80%E0%B8%AA%E0%B8%B5%E0%B8%A2%E0%B8%87%E0%B8%95%E0%B9%89%E0%B8%99%E0%B8%89%E0%B8%9A%E0%B8%B1%E0%B8%9A-NilsShop27-7421022366177839889?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ เสียงต้นฉบับ – NilsShop27\u003c/a>\u003c/section>\n\u003cp>[tiktok]\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>How could she not become a social media sensation? She looks like a slimy over-inflated football that’s been left out under the sprinklers for too long. She wants to chew on everything including zookeeper limbs and her mom’s butt. Her name is Moo Deng (“Bouncy Pork”), she’s a baby pygmy hippo living in Thailand, and if you’ve so much as glanced at the internet in the last few weeks, you’ll have already seen her dopey little face. Which, in case you need a refresher, looks like this:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@ksxrvq/video/7417288798796533024\" data-video-id=\"7417288798796533024\">\n\u003csection>\u003ca title=\"@ksxrvq\" href=\"https://www.tiktok.com/@ksxrvq?refer=embed\" target=\"_blank\" rel=\"noopener\">@ksxrvq\u003c/a> \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#MOODENG\u003c/a> || who is this DIVA 💜 || \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"pygmyhippo\" href=\"https://www.tiktok.com/tag/pygmyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#pygmyhippo\u003c/a> \u003ca title=\"hippo\" href=\"https://www.tiktok.com/tag/hippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#hippo\u003c/a> \u003ca title=\"cute\" href=\"https://www.tiktok.com/tag/cute?refer=embed\" target=\"_blank\" rel=\"noopener\">#cute\u003c/a> \u003ca title=\"diva\" href=\"https://www.tiktok.com/tag/diva?refer=embed\" target=\"_blank\" rel=\"noopener\">#diva\u003c/a> \u003ca title=\"fancy\" href=\"https://www.tiktok.com/tag/fancy?refer=embed\" target=\"_blank\" rel=\"noopener\">#fancy\u003c/a> \u003ca title=\"iggyazalea\" href=\"https://www.tiktok.com/tag/iggyazalea?refer=embed\" target=\"_blank\" rel=\"noopener\">#iggyazalea\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"foryoupage\" href=\"https://www.tiktok.com/tag/foryoupage?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryoupage\u003c/a> \u003ca title=\"edit\" href=\"https://www.tiktok.com/tag/edit?refer=embed\" target=\"_blank\" rel=\"noopener\">#edit\u003c/a> \u003ca title=\"xyzbca\" href=\"https://www.tiktok.com/tag/xyzbca?refer=embed\" target=\"_blank\" rel=\"noopener\">#xyzbca\u003c/a> \u003ca title=\"dontletthisflop\" href=\"https://www.tiktok.com/tag/dontletthisflop?refer=embed\" target=\"_blank\" rel=\"noopener\">#dontletthisflop\u003c/a> \u003ca title=\"♬ original sound - ksxrvq\" href=\"https://www.tiktok.com/music/original-sound-7417288933387586337?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – ksxrvq\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A lot of people don’t need a refresher because there’s literally a \u003ca href=\"https://www.zoodio.live/th/live-streaming\">Moo Deng livestream\u003c/a> now, courtesy of the \u003ca href=\"https://khaokheow.zoothailand.org/en/index.php\">Khao Kheow Open Zoo\u003c/a> in Chon Buri province. Moo Deng lives there with her eternally-eating 25-year-old mom Jona, her dad Tony (yes, Tony), and her siblings Moo Wan (“Sweet Pork”) and Moo Tun (“Stewed Pork”). They are just a few of the approximately 350 pygmy hippos currently living in zoos around the world. Originally hailing from West Africa, these little hippos are endangered, with less than 3,000 remaining in the wild.\u003c/p>\n\u003cp>Moo Deng has distinguished herself among the other captive pygmys for being both very cute and also full of bitey rage. Which is what prompted so many people on the internet to make videos like this:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@brainblenderboy/video/7418239312606530849\" data-video-id=\"7418239312606530849\">\n\u003csection>\u003ca title=\"@brainblenderboy\" href=\"https://www.tiktok.com/@brainblenderboy?refer=embed\" target=\"_blank\" rel=\"noopener\">@brainblenderboy\u003c/a> \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#MOODENG\u003c/a> is disrespecting her surroundings 🤨\u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"pygmyhippo\" href=\"https://www.tiktok.com/tag/pygmyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#pygmyhippo\u003c/a> \u003ca title=\"hippo\" href=\"https://www.tiktok.com/tag/hippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#hippo\u003c/a> \u003ca title=\"cute\" href=\"https://www.tiktok.com/tag/cute?refer=embed\" target=\"_blank\" rel=\"noopener\">#cute\u003c/a> \u003ca title=\"diva\" href=\"https://www.tiktok.com/tag/diva?refer=embed\" target=\"_blank\" rel=\"noopener\">#diva\u003c/a> \u003ca title=\"fancy\" href=\"https://www.tiktok.com/tag/fancy?refer=embed\" target=\"_blank\" rel=\"noopener\">#fancy\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"edit\" href=\"https://www.tiktok.com/tag/edit?refer=embed\" target=\"_blank\" rel=\"noopener\">#edit\u003c/a> \u003ca title=\"meme\" href=\"https://www.tiktok.com/tag/meme?refer=embed\" target=\"_blank\" rel=\"noopener\">#meme\u003c/a> \u003ca title=\"disrespectyoursurroundings\" href=\"https://www.tiktok.com/tag/disrespectyoursurroundings?refer=embed\" target=\"_blank\" rel=\"noopener\">#disrespectyoursurroundings\u003c/a> \u003ca title=\"♬ original sound - BrainBlenderBoy\" href=\"https://www.tiktok.com/music/original-sound-7418239319200025377?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – BrainBlenderBoy\u003c/a>\u003c/section>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/blockquote>\n\u003cp>And also whatever the hell this is:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@gentlebl0ke/video/7419311144508329249\" data-video-id=\"7419311144508329249\">\n\u003csection>\u003ca title=\"@gentlebl0ke\" href=\"https://www.tiktok.com/@gentlebl0ke?refer=embed\" target=\"_blank\" rel=\"noopener\">@gentlebl0ke\u003c/a> \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"hippo\" href=\"https://www.tiktok.com/tag/hippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#hippo\u003c/a> \u003ca title=\"new\" href=\"https://www.tiktok.com/tag/new?refer=embed\" target=\"_blank\" rel=\"noopener\">#new\u003c/a> \u003ca title=\"♬ original sound - gentlebl0ke\" href=\"https://www.tiktok.com/music/original-sound-7419311140175465248?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – gentlebl0ke\u003c/a>\u003c/section>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/blockquote>\n\u003cp>And also this little slice of Godzilla-inspired madness \u003ca href=\"https://www.kqed.org/arts/13965276/massive-baby-penguin-australian-pesto-videos-melbourne-aquarium\">co-starring Pesto\u003c/a>, the enormous baby penguin currently residing at Sea Life Melbourne Aquarium in Australia:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@gentlebl0ke/video/7418573967826406688\" data-video-id=\"7418573967826406688\">\n\u003csection>\u003ca title=\"@gentlebl0ke\" href=\"https://www.tiktok.com/@gentlebl0ke?refer=embed\" target=\"_blank\" rel=\"noopener\">@gentlebl0ke\u003c/a> Moo Deng vs. Pesto the Penguin \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"pesto\" href=\"https://www.tiktok.com/tag/pesto?refer=embed\" target=\"_blank\" rel=\"noopener\">#pesto\u003c/a> \u003ca title=\"penguin\" href=\"https://www.tiktok.com/tag/penguin?refer=embed\" target=\"_blank\" rel=\"noopener\">#penguin\u003c/a> \u003ca title=\"new\" href=\"https://www.tiktok.com/tag/new?refer=embed\" target=\"_blank\" rel=\"noopener\">#new\u003c/a> \u003ca title=\"♬ original sound - gentlebl0ke\" href=\"https://www.tiktok.com/music/original-sound-7418573970731387681?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – gentlebl0ke\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since finding fame, Moo Deng has been so bombarded with visitors, the zoo had to put a five-minute time limit on people standing at her enclosure. Plus, they had to employ extra security after some dumbass \u003ca href=\"https://twitter.com/iioimioii/status/1833338959511839100?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1833338959511839100%7Ctwgr%5E7ccba4fbe355469049a9f2a906a26d0f5b95bada%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.firstpost.com%2Fexplainers%2Fhow-fame-is-hurting-thailands-viral-baby-pygmy-hippo-moo-deng-13815740.html\">jerks decided to throw water and food at her\u003c/a>. (In case we needed a reminder that humans are the actual worst.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Moo Deng’s profile is now so colossal, Bowen Yang just appeared on \u003cem>Saturday Night Live’\u003c/em>s Weekend Update in character as the baby hippo. (And also made comparisons between the sentient potato and Chappell Roan in a way that actually made sense.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vfIbbP3vuwA'\n title='//www.youtube.com/embed/vfIbbP3vuwA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Moo Deng was all so very fun … for a minute.\u003c/p>\n\u003cp>As with anything gleeful that exists on the internet, the unfiltered joy could only last so long. Moo Deng might have started out as something to lift our spirits during election season and several ongoing wars, but she is now being held up in some corners as a reflection of all that is wrong in the world. (All the old classics are here: capitalism, exploitation, destruction of natural resources, etc.)\u003c/p>\n\u003cp>\u003ca href=\"https://petaasia.com/media/peta-statement-on-moo-deng-the-baby-hippo-born-in-captivity-in-thailand/\">PETA weighed in\u003c/a> soon after everyone’s favorite butterball went viral. “Hippos belong in the wild, but Moo Deng will never live outside a cage,” the animal rights organization said in a deeply depressing statement. “She faces a lifetime of confinement, deprived of her freedom and the opportunity to experience her natural habitat and the social structures of her species. Animals do not exist for our entertainment.”\u003c/p>\n\u003cp>Criticism only increased after the Khao Kheow Open Zoo announced that it would be \u003ca href=\"https://www.tiktok.com/@skynews/video/7416321845147864352?lang=en\">trademarking Moo Deng’s likeness\u003c/a>, with the goal of using all the extra profits to make\u003ca href=\"https://www.ndtv.com/world-news/thai-zoo-that-homes-viral-pygmy-hippo-moo-deng-earns-4-times-more-now-6657099\"> improvements\u003c/a> at the zoo.\u003c/p>\n\u003cp>\u003ca href=\"https://greatergood.com/blogs/news/free-moo-deng/?utm_source=social&utm_medium=facebook&utm_campaign=free-moo-deng&fbclid=IwY2xjawFruqJleHRuA2FlbQIxMQABHZrtYXxY3JVvRi4qVFTMbgOYXulzO03DycmIDwz6c-rUPdGc-c_dtDlauA_aem_HzBgGxlf5IiWuZFn_bCOig\">Greater Good pointed out\u003c/a>: “The story of Moo Deng forces us to ask uncomfortable questions about the relationship between human entertainment and wildlife conservation,” the charitable organization stated in a blog post. “While she has undoubtedly raised awareness about the plight of pygmy hippos, her life in captivity highlights a broader issue: the ethical treatment of endangered animals. Is it right to confine a wild animal for public display, even if it contributes to conservation?”\u003c/p>\n\u003cp>A nonprofit named World Animal Protection US had stronger words, in its own \u003ca href=\"https://www.worldanimalprotection.us/latest/blogs/internet-sensation-moo-deng-belongs-in-the-wild-not-the-zoo/\">blog post about Moo Deng\u003c/a>. “The Khao Kheow Open Zoo is flagged as not meeting TripAdvisor’s animal welfare guidelines,” the organization stated. “Sharing Moo Deng content might seem innocuous, but it promotes cruelty to animals.”\u003c/p>\n\u003cp>One of the biggest discussions on TikTok has indeed concerned the ways in which Moo Deng’s zookeepers poke at her, tap her butt and rub her belly.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@bestofmoodeng/video/7418328722605985055\" data-video-id=\"7418328722605985055\">\n\u003csection>\u003ca title=\"@bestofmoodeng\" href=\"https://www.tiktok.com/@bestofmoodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">@bestofmoodeng\u003c/a> Poor moo deng 😭, maybe this is why she’s always angry \u003ca title=\"moodeng\" href=\"https://www.tiktok.com/tag/moodeng?refer=embed\" target=\"_blank\" rel=\"noopener\">#moodeng\u003c/a> \u003ca title=\"babyhippo\" href=\"https://www.tiktok.com/tag/babyhippo?refer=embed\" target=\"_blank\" rel=\"noopener\">#babyhippo\u003c/a> \u003ca title=\"cuteanimals\" href=\"https://www.tiktok.com/tag/cuteanimals?refer=embed\" target=\"_blank\" rel=\"noopener\">#cuteanimals\u003c/a> \u003ca title=\"xyzabc\" href=\"https://www.tiktok.com/tag/xyzabc?refer=embed\" target=\"_blank\" rel=\"noopener\">#xyzabc\u003c/a> \u003ca title=\"viral\" href=\"https://www.tiktok.com/tag/viral?refer=embed\" target=\"_blank\" rel=\"noopener\">#viral\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"♬ dilemma - Galuh\" href=\"https://www.tiktok.com/music/dilemma-7233743527400770310?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ dilemma – Galuh\u003c/a>\u003c/section>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/blockquote>\n\u003cp>For every TikTok-er concerned for Moo Deng’s mental health, another one pops up with a justification for the ways that the zoo staff interacts with her. “The zoo handler is pushing the baby hippo around as part of its early socialization and training,” \u003ca href=\"https://www.tiktok.com/@forevergreenapp/video/7418959282189765918\">one video by an ecologically-minded start-up\u003c/a> stated. “By handling them in their formative years, zoo staff help the baby hippo get used to human interactions in a safe and controlled way.”\u003c/p>\n\u003cp>Either way you look at all this, any serotonin boosts Moo Deng may have provided your tired brain with a few weeks ago have basically evaporated at this point. Maybe it’s time to check back in with \u003ca href=\"https://cincinnatizoo.org/fiona-the-world-famous-hippo/\">Fiona, the much less controversial baby hippo\u003c/a> who went viral at the Cincinnati Zoo back in 2017. She’s not a baby anymore, but she is a big sister to two-year-old Fritz and very much appears to still be living her best life.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, for Moo Deng — and all of us — it’s all feeling a bit more like this…\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@nilston27/video/7421022338164051218\" data-video-id=\"7421022338164051218\">\n\u003csection>\u003ca title=\"@nilston27\" href=\"https://www.tiktok.com/@nilston27?refer=embed\" target=\"_blank\" rel=\"noopener\">@nilston27\u003c/a> ท่านอนพักผ่อนน้องหมูเด้ง….🦛🦛\u003ca title=\"หมูเด้ง\" href=\"https://www.tiktok.com/tag/%E0%B8%AB%E0%B8%A1%E0%B8%B9%E0%B9%80%E0%B8%94%E0%B9%89%E0%B8%87?refer=embed\" target=\"_blank\" rel=\"noopener\">#หมูเด้ง\u003c/a> \u003ca title=\"ฮิปโป\" href=\"https://www.tiktok.com/tag/%E0%B8%AE%E0%B8%B4%E0%B8%9B%E0%B9%82%E0%B8%9B?refer=embed\" target=\"_blank\" rel=\"noopener\">#ฮิปโป\u003c/a> \u003ca title=\"น่ารัก\" href=\"https://www.tiktok.com/tag/%E0%B8%99%E0%B9%88%E0%B8%B2%E0%B8%A3%E0%B8%B1%E0%B8%81?refer=embed\" target=\"_blank\" rel=\"noopener\">#น่ารัก\u003c/a> @NilsShop27 @NilsShop27 @NilsShop27 \u003ca title=\"♬ เสียงต้นฉบับ - NilsShop27\" href=\"https://www.tiktok.com/music/%E0%B9%80%E0%B8%AA%E0%B8%B5%E0%B8%A2%E0%B8%87%E0%B8%95%E0%B9%89%E0%B8%99%E0%B8%89%E0%B8%9A%E0%B8%B1%E0%B8%9A-NilsShop27-7421022366177839889?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ เสียงต้นฉบับ – NilsShop27\u003c/a>\u003c/section>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>It’s never a bad time for stories celebrating acts of kindness, but the current news cycle makes it ever so more appreciated. In the new film \u003cem>White Bird\u003c/em>, in theaters Friday, the act is quite significant: A family in Nazi-occupied France shelters a young Jewish girl, whose friends and family have all been taken away.\u003c/p>\n\u003cp>From German director Marc Forster (\u003cem>Finding Neverland\u003c/em>, \u003cem>The Kite Runner\u003c/em>) \u003cem>White Bird\u003c/em> is a handsome adaptation of R.J. Palacio’s graphic novel aimed at young adults. This, too, is perfectly suited to that audience — a story within a story with all the drama of war and young romance wrapped up in it. Let’s just not overplay the idea that it’s part of some shared cinematic kindness universe with the Julia Roberts and Owen Wilson film \u003cem>Wonder\u003c/em>, also based on Palacio’s work.\u003c/p>\n\u003cp>[aside postid='arts_13965970']It’s framed as something a grandmother is telling her grandson, who seems to be going down the wrong path. Helen Mirren is said Grandmère, or Sara Blum, a famous artist who opens up to young Julian (Bryce Gheisar) one evening over dinner about what she went through during the war. For being a neglected rich kid who is prone to getting kicked out of fancy private schools, Julian’s immediate, earnest interest in what his Grandmère has to say is perhaps the most unbelievable part of this story, which includes some deus ex machina wolves. It’s a way in, I suppose, and Mirren makes for a lovely narrator.\u003c/p>\n\u003cp>Ariella Glaser plays young Sara Blum, who leads a nice life in her small French town with educated, professional parents Max (Ishai Golan) and Rose (Olivia Ross). She barely notices the changing tides as the war ramps up, more concerned with her friends and the cute boy in school. The story takes care to note that she barely noticed the classmate that would end up saving her life: Julien (Orlando Schwerdt), who walks with a crutch and whose father works in the sewers. Not, in other words, a popular kid. In an awkward moment, the audience, and Julien, realize that she doesn’t even know his name.\u003c/p>\n\u003cp>But when the Nazis come to round up the Jewish students in the school, he’s there to help get her to his family’s property. Gillian Anderson plays Julien’s mother, Vivienne, a grounding presence but very much a side character until a devastating sequence late in the film.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aTTPea6gHh4\u003c/p>\n\u003cp>The young actors are very good and well-cast in their journey to friendship and then first love. They get to know one another and spend time dreaming up a world in which they’re not confined to a barn, their imaginations brought to life through dreamy projected images.\u003c/p>\n\u003cp>[aside postid='arts_13965966']\u003cem>White Bird\u003c/em>, which was shot in early 2021, was delayed several times over the past two years. Often, that signals some sort of quality issue and an obligation to begrudgingly release in spite of it. But that’s not the case here: This is a very finely made movie that seemed to have just gotten caught in a sort of release limbo that’s only partially related to the strikes.\u003c/p>\n\u003cp>It’s a little by-the-book — exactly, perhaps, what you might expect from elevated historical fiction aimed at young adults. Being a good-hearted, straightforward film that might even have you shedding a few tears is no crime against cinema.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘White Bird’ is released nationwide on Oct. 4, 2024.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s never a bad time for stories celebrating acts of kindness, but the current news cycle makes it ever so more appreciated. In the new film \u003cem>White Bird\u003c/em>, in theaters Friday, the act is quite significant: A family in Nazi-occupied France shelters a young Jewish girl, whose friends and family have all been taken away.\u003c/p>\n\u003cp>From German director Marc Forster (\u003cem>Finding Neverland\u003c/em>, \u003cem>The Kite Runner\u003c/em>) \u003cem>White Bird\u003c/em> is a handsome adaptation of R.J. Palacio’s graphic novel aimed at young adults. This, too, is perfectly suited to that audience — a story within a story with all the drama of war and young romance wrapped up in it. Let’s just not overplay the idea that it’s part of some shared cinematic kindness universe with the Julia Roberts and Owen Wilson film \u003cem>Wonder\u003c/em>, also based on Palacio’s work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It’s framed as something a grandmother is telling her grandson, who seems to be going down the wrong path. Helen Mirren is said Grandmère, or Sara Blum, a famous artist who opens up to young Julian (Bryce Gheisar) one evening over dinner about what she went through during the war. For being a neglected rich kid who is prone to getting kicked out of fancy private schools, Julian’s immediate, earnest interest in what his Grandmère has to say is perhaps the most unbelievable part of this story, which includes some deus ex machina wolves. It’s a way in, I suppose, and Mirren makes for a lovely narrator.\u003c/p>\n\u003cp>Ariella Glaser plays young Sara Blum, who leads a nice life in her small French town with educated, professional parents Max (Ishai Golan) and Rose (Olivia Ross). She barely notices the changing tides as the war ramps up, more concerned with her friends and the cute boy in school. The story takes care to note that she barely noticed the classmate that would end up saving her life: Julien (Orlando Schwerdt), who walks with a crutch and whose father works in the sewers. Not, in other words, a popular kid. In an awkward moment, the audience, and Julien, realize that she doesn’t even know his name.\u003c/p>\n\u003cp>But when the Nazis come to round up the Jewish students in the school, he’s there to help get her to his family’s property. Gillian Anderson plays Julien’s mother, Vivienne, a grounding presence but very much a side character until a devastating sequence late in the film.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>White Bird\u003c/em>, which was shot in early 2021, was delayed several times over the past two years. Often, that signals some sort of quality issue and an obligation to begrudgingly release in spite of it. But that’s not the case here: This is a very finely made movie that seemed to have just gotten caught in a sort of release limbo that’s only partially related to the strikes.\u003c/p>\n\u003cp>It’s a little by-the-book — exactly, perhaps, what you might expect from elevated historical fiction aimed at young adults. Being a good-hearted, straightforward film that might even have you shedding a few tears is no crime against cinema.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘White Bird’ is released nationwide on Oct. 4, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Let’s put on a happy face, at least to start, for \u003cem>Joker: Folie à Deux\u003c/em>.\u003c/p>\n\u003cp>If there’s one undeniably compelling thing about both \u003ca href=\"https://www.kqed.org/arts/13867607/joker-is-wild-ly-dull\">Todd Phillips’ divisive 2019 original\u003c/a> and his new follow-up, it’s that these movies are best when they dance. The first movie might have been a muddled attempt to retrofit a \u003cem>Taxi Driver\u003c/em>-styled ’70s realism into a Joker origin story, but, man, when Joaquin Phoenix is on his toes, it’s hard to look away.\u003c/p>\n\u003cp>Just the image of a gaunt Phoenix decked out in the red suit, with his green-streaked hair slicked back, was enough to give \u003cem>Joker\u003c/em> a kick. The role gave Phoenix, a full-bodied actor, a day-glo canvas on which to unleash torrents of movement, cycling between wounded restraint and flamboyant release, in a comic-book genre that usually leaves performers paralyzed by spandex.\u003c/p>\n\u003cp>[aside postid='arts_13965555']He’s nearly as captivating in \u003cem>Joker: Folie à Deux\u003c/em>, a musical that closely follows the events of the first film as an imprisoned Arthur Fleck (Phoenix) goes on trial for the murders that occurred at the culmination of \u003cem>Joker\u003c/em>. Even the way Phoenix theatrically smokes as Arthur — which he does quite a lot in \u003cem>Folie à Deux\u003c/em> — shows you how much he’s luxuriating in the limber physicality of the character.\u003c/p>\n\u003cp>But any sense of forward momentum has gone out the window in \u003cem>Joker: Folie à Deux\u003c/em>, which opens in theaters Thursday. Phillips has followed his very anti-hero take on the Joker with an a very anti-sequel. It combines prison drama, courthouse thriller and musical, and yet turns out remarkably inert given how combustible the original was. If \u003cem>Joker\u003c/em> — which some claimed sympathized the kind of lone gunmen that populate our real world — stirred debate, \u003cem>Folie à Deux\u003c/em> is a self-conscious rejoinder to all that discussion, spending much of its time interrogating Arthur’s actions from the last movie.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That makes it a theoretically interesting film but a curiously dull one, particularly given that it stars two such incredibly watchable performers in Phoenix and Lady Gaga, who plays a fellow inmate, Lee Quinzel, infatuated with the Joker. Phillips deserves credit for subverting expectations. Most directors would turn Arthur loose for a sequel chock-full of violence and mayhem, not Burt Bacharach song-and-dance sequences. But laudable as the intentions of \u003cem>Folie à Deux\u003c/em> may be, it feels thoughtfully but tiresomely stuck in the past.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_OKAwz2MsJs&t=101s\u003c/p>\n\u003cp>“You gotta joke for us today?” asks an Arkham State Hospital guard (Brendan Gleeson, back inside a jail post-\u003cem>Paddington 2\u003c/em>) as they pull Arthur from his cell. He is seemingly even thinner now, his shoulder blades sticking out. A wan look shows he’s jokeless, too, having clearly reverted back to the depression that Arthur earlier stewed in.\u003c/p>\n\u003cp>[aside postid='arts_13965970']That interaction, and others that follow, carries on some of the themes of \u003cem>Joker\u003c/em>, which imagined Arthur and the mania that springs from him as the warped product of a cruel urban world and failed social safety net. Arthur is now heading for either the death penalty or life in prison, it’s just a matter of whether his attorney (Catherine Keener) can convince a jury that he suffers from split personality syndrome.\u003c/p>\n\u003cp>We are again asked to consider and weigh how Arthur is treated by those around him, including the guards who at turns mock him, ask him for his autograph or show him a little compassion. Gotham City district attorney, Harvey Dent (Harry Lawtey), believes he should die for killing five, including the late-night talk-show host Murray Franklin live on air. Does Arthur deserve our sympathy? \u003cem>Folie à Deux\u003c/em> is a little like the \u003cem>Seinfeld\u003c/em> finale: a moral, courtroom rehashing.\u003c/p>\n\u003cp>The throngs outside the courthouse clamor not for Arthur but the Joker, who they regard as an anarchist martyr. They crave entertainment, and Arthur, or the Joker, is tempted to give it to them. One psychology expert claims Arthur’s mental illness is “just a show.” In many ways — including a mock Looney Tunes cartoon that opens the movie — \u003cem>Folie à Deux\u003c/em> continues the first movie’s interest in considering, and satirizing, what it is we crave in entertainment. Do we want the “real” story of Arthur or the fantasy of the Joker?\u003c/p>\n\u003cp>I’m not sure \u003cem>Folie à Deux\u003c/em> always successfully pegs audience desire, though. What I most wanted in \u003cem>Folie à Deux\u003c/em> was for it to stop playing with the concepts of its characters and instead let them breathe a little more on their own. It’s not surprising that the movie works best when Arthur and Lee lock into one other. This is Arthur’s first blush with the love he’s lacked (“She gets me,” he says), but their connection may also have more to do with fantasy. Their time together is actually somewhat limited but, in Arthur’s imagination, their emotions soar in songs, mostly old standards (“Get Happy,” “For Once in My Life,” “That’s Life”), they sing tenderly to one another.\u003c/p>\n\u003cp>[aside postid='arts_13965877']These musical interludes break free of an otherwise fairly bleak and belabored narrative, as a legal and penal system that doesn’t know how to handle Arthur’s pain — or that he’s a reflection of their failure — help twist him back into the Joker. Once the Joker does fully emerge, Phoenix’s Fleck is visibly aghast at what he’s wrought.\u003c/p>\n\u003cp>All of this wrestling with \u003cem>The Joker\u003c/em> makes \u003cem>Folie à Deux\u003c/em> impressively un-superhero-movie-like, and a deliberate denial of audience expectation. But it’s also spinning its wheels. It’s not surprising that \u003cem>Folie à Deux\u003c/em> originated in concept as a stage show. It’s stuck in place, with only Phoenix’s dazzling contortions to marvel at.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Joker: Folie à Deux’ is released nationwide on Oct. 4, 2024.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Let’s put on a happy face, at least to start, for \u003cem>Joker: Folie à Deux\u003c/em>.\u003c/p>\n\u003cp>If there’s one undeniably compelling thing about both \u003ca href=\"https://www.kqed.org/arts/13867607/joker-is-wild-ly-dull\">Todd Phillips’ divisive 2019 original\u003c/a> and his new follow-up, it’s that these movies are best when they dance. The first movie might have been a muddled attempt to retrofit a \u003cem>Taxi Driver\u003c/em>-styled ’70s realism into a Joker origin story, but, man, when Joaquin Phoenix is on his toes, it’s hard to look away.\u003c/p>\n\u003cp>Just the image of a gaunt Phoenix decked out in the red suit, with his green-streaked hair slicked back, was enough to give \u003cem>Joker\u003c/em> a kick. The role gave Phoenix, a full-bodied actor, a day-glo canvas on which to unleash torrents of movement, cycling between wounded restraint and flamboyant release, in a comic-book genre that usually leaves performers paralyzed by spandex.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He’s nearly as captivating in \u003cem>Joker: Folie à Deux\u003c/em>, a musical that closely follows the events of the first film as an imprisoned Arthur Fleck (Phoenix) goes on trial for the murders that occurred at the culmination of \u003cem>Joker\u003c/em>. Even the way Phoenix theatrically smokes as Arthur — which he does quite a lot in \u003cem>Folie à Deux\u003c/em> — shows you how much he’s luxuriating in the limber physicality of the character.\u003c/p>\n\u003cp>But any sense of forward momentum has gone out the window in \u003cem>Joker: Folie à Deux\u003c/em>, which opens in theaters Thursday. Phillips has followed his very anti-hero take on the Joker with an a very anti-sequel. It combines prison drama, courthouse thriller and musical, and yet turns out remarkably inert given how combustible the original was. If \u003cem>Joker\u003c/em> — which some claimed sympathized the kind of lone gunmen that populate our real world — stirred debate, \u003cem>Folie à Deux\u003c/em> is a self-conscious rejoinder to all that discussion, spending much of its time interrogating Arthur’s actions from the last movie.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That makes it a theoretically interesting film but a curiously dull one, particularly given that it stars two such incredibly watchable performers in Phoenix and Lady Gaga, who plays a fellow inmate, Lee Quinzel, infatuated with the Joker. Phillips deserves credit for subverting expectations. Most directors would turn Arthur loose for a sequel chock-full of violence and mayhem, not Burt Bacharach song-and-dance sequences. But laudable as the intentions of \u003cem>Folie à Deux\u003c/em> may be, it feels thoughtfully but tiresomely stuck in the past.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_OKAwz2MsJs'\n title='//www.youtube.com/embed/_OKAwz2MsJs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“You gotta joke for us today?” asks an Arkham State Hospital guard (Brendan Gleeson, back inside a jail post-\u003cem>Paddington 2\u003c/em>) as they pull Arthur from his cell. He is seemingly even thinner now, his shoulder blades sticking out. A wan look shows he’s jokeless, too, having clearly reverted back to the depression that Arthur earlier stewed in.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"id": "fresh-air",
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"hidden-brain": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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},
"link": "/radio/program/on-the-media",
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"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
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},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"order": 14
},
"link": "/perspectives",
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"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"meta": {
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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