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"content": "\u003cp>OK great! Lets “start with an earthquake, birds and snakes, and aeroplanes…” It may be the end of the world as we know but I for one feel.. pretty secure about it. According to \u003ca href=\"http://en.wikipedia.org/wiki/Harold_Camping\">Harold Camping\u003c/a>, the biblical Judgment Day from the \u003ci>Book of Revelations\u003c/i> passed invisibly on May 21, 2011, which means the end of the world was slated for October 21. Camping’s widely publicized doomsday scenario involves natural disasters, the sun being drawn closer to the Earth, and the righteous ascending to heaven. So if you are reading this after October 21st, hello fellow unbaptised heathen!\u003c/p>\n\u003cp>Eschatology is the study of the end of the world. For centuries individuals have predicted and prepared for the end of the known world. In fact, people have been hypothesizing the end of time since the beginning of time. An Assyrian tablet from 2800 BCE is translated as, “Our earth is degenerate in these latter days. There are signs that the world is speedily coming to an end. Bribery and corruption are common.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/10/20/tiumph.jpg\">\u003cbr>Pieter Brueghel, \u003ci>The Triumph of Death\u003c/i>; Source: \u003ca href=\"http://en.wikipedia.org/wiki/The_Triumph_of_Death\">Wikipedia\u003c/a>\u003c/p>\n\u003cp>It is said that every generation believes it is the last generation, and perhaps no generation embraced that belief more than those living in early 14th century Europe. When the Bubonic Plague traveled west on the Silk Road and hit central Europe, one third of the population was wiped out. If that wasn’t bleak enough, I will add that plague survivors huddled in churches preparing for the end.\u003c/p>\n\u003cp>There have been thousands of guesses as to when the world will end, many involve comets, specific planetary alignments, messages from God, biblical translations, and Y2K, to name a few. One such guess was that the end would come on October 22, 1844 and is referred to as the “Great Disappointment.” Followers of \u003ca href=\"http://en.wikipedia.org/wiki/William_Miller_%28preacher%29\">William Miller\u003c/a>, a Baptist preacher, claimed that Jesus would return on that date to liberate the righteous. Thousands of believers gifted all their possessions and relocated to wait with Miller for the end, which as we know, never came. That is a great disappointment — depending on your perspective.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/10/20/bosch.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Hieronymus Bosch, \u003ci>The Last Judgment\u003c/i>; Source: \u003ca href=\"http://en.wikipedia.org/wiki/The_Last_Judgment_%28Bosch_triptych%29\">Wikipedia\u003c/a>\u003c/p>\n\u003cp>The 1910 end of the world panic was brought on, not by religious fanaticism, but by astronomer Camille Flammarion. Flammarion claimed that when Halley’s comet made its pass by Earth, the gas “would impregnate the atmosphere and possibly snuff out all life on the planet.” People rushed to their local snake-oil salesmen to purchase “anti-comet pills” and special reinforced umbrellas. The return of Haley’s comet did not prove fatal for Earth, but unfortunately one related prophecy proved true. Mark Twain is quoted as saying, “I came in with Halley’s comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don’t go out with Halley’s comet.” Twain died on April 21, 1910, the day after Halley’s comet reached perihelion.\u003c/p>\n\u003cp>If you are reading this, October 21, 2011 proved not to be humankind’s collective last day on the planet but I, for one, am going to be as virtuous as a girl scout in anticipation of December 21, 2012. On that date, the \u003ca href=\"http://en.wikipedia.org/wiki/Mesoamerican_Long_Count_calendar\">Mayan Long Count Calendar\u003c/a> comes to the end of a 5,126 year cycle and resets to zero. Interestingly, this is also the date that some astrologers believe the sun will align with the center of the Milky Way for the first time in 26,000 years. In some corners it is believed that this allignment will somehow create a gravitational connection with the supermassive black hole at the center of the galaxy and wreak havoc here on Earth. \u003ca href=\"http://en.wikipedia.org/wiki/2012_phenomenon\">Read more predictions for 2012\u003c/a> on wikipedia.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=Z0GFRcFm-aY?rel=0&w=420&h=315]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/10/20/bosch.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Hieronymus Bosch, \u003ci>The Last Judgment\u003c/i>; Source: \u003ca href=\"http://en.wikipedia.org/wiki/The_Last_Judgment_%28Bosch_triptych%29\">Wikipedia\u003c/a>\u003c/p>\n\u003cp>The 1910 end of the world panic was brought on, not by religious fanaticism, but by astronomer Camille Flammarion. Flammarion claimed that when Halley’s comet made its pass by Earth, the gas “would impregnate the atmosphere and possibly snuff out all life on the planet.” People rushed to their local snake-oil salesmen to purchase “anti-comet pills” and special reinforced umbrellas. The return of Haley’s comet did not prove fatal for Earth, but unfortunately one related prophecy proved true. Mark Twain is quoted as saying, “I came in with Halley’s comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don’t go out with Halley’s comet.” Twain died on April 21, 1910, the day after Halley’s comet reached perihelion.\u003c/p>\n\u003cp>If you are reading this, October 21, 2011 proved not to be humankind’s collective last day on the planet but I, for one, am going to be as virtuous as a girl scout in anticipation of December 21, 2012. On that date, the \u003ca href=\"http://en.wikipedia.org/wiki/Mesoamerican_Long_Count_calendar\">Mayan Long Count Calendar\u003c/a> comes to the end of a 5,126 year cycle and resets to zero. Interestingly, this is also the date that some astrologers believe the sun will align with the center of the Milky Way for the first time in 26,000 years. In some corners it is believed that this allignment will somehow create a gravitational connection with the supermassive black hole at the center of the galaxy and wreak havoc here on Earth. \u003ca href=\"http://en.wikipedia.org/wiki/2012_phenomenon\">Read more predictions for 2012\u003c/a> on wikipedia.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z0GFRcFm-aY?rel=0'\n title='//www.youtube.com/embed/Z0GFRcFm-aY?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "We Had So Much Fun While You Were At Burning Man",
"headTitle": "We Had So Much Fun While You Were At Burning Man | KQED",
"content": "\u003cp>The week/weekend before Labor Day is a special time in San Francisco. It begins with a large number of citizens packing up vans and trucks with all the water, art bikes and sand goggles they can carry and then leaving for the desert in Nevada, creating what is sometimes referred to as \u003ca href=\"http://twitter.com/#!/vicwomg/status/107949942034804736\"> #burningmanrapture\u003c/a> (“Burning Man Rapture” if you don’t read hashtag). This blissful week is characterized in the city by an availability of parking spots, tables at popular brunch locations and hands-on assists in yoga classes. For me, it is also tinged with sorrow. \u003ca href=\"http://sfbeats.wordpress.com/2011/05/12/the-original-burning-man-takes-a-look-at-the-new/\">My uncle was one of the original Burning Man dudes\u003c/a> and I have always secretly wanted to go. Every year it gets worse, with more and more of my friends going and more and more of me having a job, no car and no discretionary spending money. I always wonder what is so great that is happening over there in the hot sun? Is it really a perfect spiritual/artistic utopia? Will I ever get to join that elite group of 50,000 having SUCH A MAGICAL TIME in the desert? This year though, I only let my jealousy consume me for a minute. Then everyone left town and I realized the only thing I could possibly do was have the best week ever: \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cubicle.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128547\" alt=\"cubicle\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cubicle.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cubicle.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cubicle-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cubicle-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> For one thing, most of the office started emptying out early in the week. No one was there to tell me that Hammer pants don’t count as “dressing for success.” I just put on my headphones, drank some tea and turned my cubicle into my own private Burning Man dance party! Except I got paid and I didn’t have to die of heat stroke! \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/skatepark.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128548\" alt=\"skatepark\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/skatepark.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/skatepark.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/skatepark-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/skatepark-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> This was also a great time to practice all the skills that I am usually too embarrassed to practice in front of other people. Burning Man is a family event so that means the 200 pre-teen boys usually at the skate park were laughing at idiotic grown-ups a whole state away from me and I could practice “dropping in” (by which I mean sliding down to the bottom of the bowl on my bum) without any judgment, all day long. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/yogastudio.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128549\" alt=\"yogastudio\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/yogastudio.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/yogastudio.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/yogastudio-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/yogastudio-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Whole yoga classes were raptured during the week, which meant your pick of spots by the windows or a wall and all the personal attention during poses you could ever want. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/philz.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128550\" alt=\"philz\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/philz.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/philz.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/philz-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/philz-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> In terms of getting coffee, this was the week for it. Who knew it was even possible to sit on one of the benches in front of \u003ca href=\"http://www.philzcoffee.com\">Philz\u003c/a>? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ritual.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128551\" alt=\"ritual\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ritual.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ritual.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ritual-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ritual-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Or to get a table at \u003ca href=\"http://ritualroasters.com/\">Ritual\u003c/a>? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/4barrel.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128552\" alt=\"4barrel\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/4barrel.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/4barrel.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/4barrel-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/4barrel-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Or to sit at the parklet in front of \u003ca href=\"http://fourbarrelcoffee.com/\">Four Barrel\u003c/a>? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/universal.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128553\" alt=\"universal\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/universal.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/universal.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/universal-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/universal-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Oh, you wanted brunch? \u003ca href=\"http://www.universalcafe.net/\">Universal\u003c/a> was open for business without its trademark 2 hour wait on Sunday morning. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/bugaloos.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128554\" alt=\"bugaloos\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/bugaloos.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/bugaloos.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/bugaloos-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/bugaloos-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And there were so many open tables, you could have had your family reunion at \u003ca href=\"http://www.boogaloossf.com/\">Bugaloos\u003c/a> if you wanted. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ikes.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128555\" alt=\"ikes\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ikes.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ikes.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ikes-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ikes-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> If you want a sandwich at \u003ca href=\"http://ilikeikesplace.com/\">Ike’s\u003c/a>, this was the only weekend of the year I think you would have been able to get one without standing in line for the entire day. Sorry. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/civiccenter.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128556\" alt=\"civiccenter\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/civiccenter.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/civiccenter.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/civiccenter-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/civiccenter-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> It wasn’t just eating establishments: the whole city was quiet. A deserted Civic Center made me wonder if they have a special bus for the homeless so they can attend Burning Man too. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cablecar.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128557\" alt=\"cablecar\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cablecar.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cablecar.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cablecar-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cablecar-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And tourists? Do they also go to Black Rock City? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ferrybuilding.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128558\" alt=\"ferrybuilding\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ferrybuilding.jpg\" width=\"500\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ferrybuilding.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ferrybuilding-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ferrybuilding-224x300.jpg 224w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Apparently they do. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/rainbow.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128559\" alt=\"rainbow\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/rainbow.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/rainbow.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/rainbow-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/rainbow-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> This is also the perfect weekend to get all your \u003ca href=\"http://www.rainbow.coop/\">organic, cooperative grocery shopping\u003c/a> done. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/parkingspots.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128560\" alt=\"parkingspots\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/parkingspots.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/parkingspots.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/parkingspots-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/parkingspots-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And if you’ve ever wanted to park your car on Valenica or Mission, that time has come and gone. The streets were empty and if you wanted, you could pretend you were riding your art bike on the playa (honestly, I don’t really know what that means) (but here are my friends Courtney and Heather, making it happen). \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128563\" alt=\"zeitgeist1\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist1.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist1.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist1-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist1-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> For the first time ever, we had our pick of tables at \u003ca href=\"http://zeitgeistsf.com/\">Zeitgeist\u003c/a>. And enough space to hula hoop. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128564\" alt=\"zeitgeist3\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist3.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist3.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist3-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist3-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> The low number of people out also made it easier to make friends with people who usually wouldn’t talk to you (especially if you are, for some reason, wearing Lycra ski racing suits) (pictured: Heather, Marissa, tough motorcycle club prospect, me, Courtney). \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/dp1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128565\" alt=\"dp1\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/dp1.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/dp1.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/dp1-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/dp1-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> We basically had Dolores Park to ourselves. Again, for all the hula-hooping we could handle. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/sfmime.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128566\" alt=\"sfmime\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/sfmime.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/sfmime.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/sfmime-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/sfmime-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And front row seats (only row seats) to free shows in the park. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/lounging.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128567\" alt=\"lounging\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/lounging.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/lounging.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/lounging-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/lounging-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> The weather was so beautiful and we had so much space/time in the park, that I even got a sunburn. Maybe next year I will finally go to Burning Man. But as people start straggling back into the city and I think about all the driving I didn’t have to do and all the showers I got to take, I realize I am already starting to miss those last glorious days of summer, and I don’t feel so bad that I was left behind to fend for myself in the Burning Man Rapture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "The week/weekend before Labor Day is a special time in San Francisco. It begins with a large number of citizens leaving for the desert in Nevada, creating what is sometimes referred to as #burningmanrapture. (\"Burning Man Rapture\" if you don't read hashtag).",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The week/weekend before Labor Day is a special time in San Francisco. It begins with a large number of citizens packing up vans and trucks with all the water, art bikes and sand goggles they can carry and then leaving for the desert in Nevada, creating what is sometimes referred to as \u003ca href=\"http://twitter.com/#!/vicwomg/status/107949942034804736\"> #burningmanrapture\u003c/a> (“Burning Man Rapture” if you don’t read hashtag). This blissful week is characterized in the city by an availability of parking spots, tables at popular brunch locations and hands-on assists in yoga classes. For me, it is also tinged with sorrow. \u003ca href=\"http://sfbeats.wordpress.com/2011/05/12/the-original-burning-man-takes-a-look-at-the-new/\">My uncle was one of the original Burning Man dudes\u003c/a> and I have always secretly wanted to go. Every year it gets worse, with more and more of my friends going and more and more of me having a job, no car and no discretionary spending money. I always wonder what is so great that is happening over there in the hot sun? Is it really a perfect spiritual/artistic utopia? Will I ever get to join that elite group of 50,000 having SUCH A MAGICAL TIME in the desert? This year though, I only let my jealousy consume me for a minute. Then everyone left town and I realized the only thing I could possibly do was have the best week ever: \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cubicle.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128547\" alt=\"cubicle\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cubicle.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cubicle.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cubicle-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cubicle-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> For one thing, most of the office started emptying out early in the week. No one was there to tell me that Hammer pants don’t count as “dressing for success.” I just put on my headphones, drank some tea and turned my cubicle into my own private Burning Man dance party! Except I got paid and I didn’t have to die of heat stroke! \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/skatepark.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128548\" alt=\"skatepark\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/skatepark.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/skatepark.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/skatepark-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/skatepark-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> This was also a great time to practice all the skills that I am usually too embarrassed to practice in front of other people. Burning Man is a family event so that means the 200 pre-teen boys usually at the skate park were laughing at idiotic grown-ups a whole state away from me and I could practice “dropping in” (by which I mean sliding down to the bottom of the bowl on my bum) without any judgment, all day long. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/yogastudio.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128549\" alt=\"yogastudio\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/yogastudio.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/yogastudio.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/yogastudio-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/yogastudio-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Whole yoga classes were raptured during the week, which meant your pick of spots by the windows or a wall and all the personal attention during poses you could ever want. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/philz.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128550\" alt=\"philz\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/philz.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/philz.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/philz-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/philz-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> In terms of getting coffee, this was the week for it. Who knew it was even possible to sit on one of the benches in front of \u003ca href=\"http://www.philzcoffee.com\">Philz\u003c/a>? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ritual.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128551\" alt=\"ritual\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ritual.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ritual.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ritual-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ritual-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Or to get a table at \u003ca href=\"http://ritualroasters.com/\">Ritual\u003c/a>? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/4barrel.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128552\" alt=\"4barrel\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/4barrel.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/4barrel.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/4barrel-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/4barrel-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Or to sit at the parklet in front of \u003ca href=\"http://fourbarrelcoffee.com/\">Four Barrel\u003c/a>? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/universal.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128553\" alt=\"universal\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/universal.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/universal.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/universal-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/universal-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Oh, you wanted brunch? \u003ca href=\"http://www.universalcafe.net/\">Universal\u003c/a> was open for business without its trademark 2 hour wait on Sunday morning. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/bugaloos.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128554\" alt=\"bugaloos\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/bugaloos.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/bugaloos.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/bugaloos-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/bugaloos-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And there were so many open tables, you could have had your family reunion at \u003ca href=\"http://www.boogaloossf.com/\">Bugaloos\u003c/a> if you wanted. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ikes.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128555\" alt=\"ikes\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ikes.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ikes.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ikes-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ikes-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> If you want a sandwich at \u003ca href=\"http://ilikeikesplace.com/\">Ike’s\u003c/a>, this was the only weekend of the year I think you would have been able to get one without standing in line for the entire day. Sorry. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/civiccenter.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128556\" alt=\"civiccenter\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/civiccenter.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/civiccenter.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/civiccenter-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/civiccenter-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> It wasn’t just eating establishments: the whole city was quiet. A deserted Civic Center made me wonder if they have a special bus for the homeless so they can attend Burning Man too. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cablecar.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128557\" alt=\"cablecar\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/cablecar.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cablecar.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cablecar-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/cablecar-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And tourists? Do they also go to Black Rock City? \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ferrybuilding.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128558\" alt=\"ferrybuilding\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/ferrybuilding.jpg\" width=\"500\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ferrybuilding.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ferrybuilding-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/ferrybuilding-224x300.jpg 224w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> Apparently they do. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/rainbow.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128559\" alt=\"rainbow\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/rainbow.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/rainbow.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/rainbow-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/rainbow-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> This is also the perfect weekend to get all your \u003ca href=\"http://www.rainbow.coop/\">organic, cooperative grocery shopping\u003c/a> done. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/parkingspots.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128560\" alt=\"parkingspots\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/parkingspots.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/parkingspots.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/parkingspots-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/parkingspots-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And if you’ve ever wanted to park your car on Valenica or Mission, that time has come and gone. The streets were empty and if you wanted, you could pretend you were riding your art bike on the playa (honestly, I don’t really know what that means) (but here are my friends Courtney and Heather, making it happen). \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128563\" alt=\"zeitgeist1\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist1.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist1.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist1-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist1-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> For the first time ever, we had our pick of tables at \u003ca href=\"http://zeitgeistsf.com/\">Zeitgeist\u003c/a>. And enough space to hula hoop. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128564\" alt=\"zeitgeist3\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/zeitgeist3.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist3.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist3-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/zeitgeist3-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> The low number of people out also made it easier to make friends with people who usually wouldn’t talk to you (especially if you are, for some reason, wearing Lycra ski racing suits) (pictured: Heather, Marissa, tough motorcycle club prospect, me, Courtney). \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/dp1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128565\" alt=\"dp1\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/dp1.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/dp1.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/dp1-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/dp1-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> We basically had Dolores Park to ourselves. Again, for all the hula-hooping we could handle. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/sfmime.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128566\" alt=\"sfmime\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/sfmime.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/sfmime.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/sfmime-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/sfmime-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> And front row seats (only row seats) to free shows in the park. \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/lounging.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-128567\" alt=\"lounging\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/03/lounging.jpg\" width=\"500\" height=\"375\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/lounging.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/lounging-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/03/lounging-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a> The weather was so beautiful and we had so much space/time in the park, that I even got a sunburn. Maybe next year I will finally go to Burning Man. But as people start straggling back into the city and I think about all the driving I didn’t have to do and all the showers I got to take, I realize I am already starting to miss those last glorious days of summer, and I don’t feel so bad that I was left behind to fend for myself in the Burning Man Rapture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Moonwalking Through History (for Michael Jackson's 53rd Birthday)",
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"content": "\u003cp>Recently, at a party, I watched open-mouthed as a stranger started to moonwalk. Conversations around the room fell silent while everyone paused to appreciate the dancer’s skill. The moonwalk, as pop culture knows it, has been around since Michael Jackson debuted it in 1983. Turns out, the moonwalk is far older than MJ yet its appeal is as strong as ever. It’s the ultimate parlor trick.\u003c/p>\n\u003cp>What is it about this illusion that is so captivating? Video artist Hannah Ireland has this to say about it: “The illusion of effortlessly gliding backwards over the surface of the floor while walking in a forward motion contradicts the experience of trudging around carrying our body weight through the world everyday.” Hannah has seen her share of moonwalks; her video \u003cb>In Orbit\u003c/b> explores YouTube users’ homemade videos of the dance:\u003c/p>\n\u003cp>[vimeo 8831939 w=400 h=265]\u003c/p>\n\u003cp>Moonwalking is a classic mime manoveur. Here is an example of ‘walking into the wind:’\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=_EljzRNbEgY&w=420&h=345]\u003c/p>\n\u003cp>It has had various names including ‘the buzz’ and ‘the wind,’ but technically as long as the illusion of walking is created, then you have yourself a moonwalk. Moonwalking’s history lies not only in miming, but in jazz and tap as well, and can vary greatly from the ‘backwards pull’ that Michael Jackson was known for. Fred Astaire, the Nicholas Brothers, Sammy Davis Jr., all have their own versions of the step. In this video, we can see the great \u003ca href=\"http://www.youtube.com/watch?v=LWtHeJPgbXo&playnext=1&list=PL7891A814FC%200D9FDA\">Cab Calloway moonwalking forwards to his classic “Minnie the Moocher.”\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bill Bailey exiting the stage at the Apollo Theatre in 1955 is alleged to be the first Michael Jackson-style moonwalk ever recorded:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=y71njpDH3co&w=420&h=345]\u003c/p>\n\u003cp>Even David Bowie got in on the action. For the uber-theatricial \u003cb>Diamond Dogs\u003c/b> tour, Bowie studied with the famed mime Étienne Decroux. You can see Decroux’s influence throughout the tour. In the intro to this version of “Aladdin Sane” we can see Bowie doing a kabuki-esque in-place moonwalk:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=4LWiqTEwIJM&w=420&h=345]\u003c/p>\n\u003cp>The sparkly-socked moonwalk debuted in 1983 during “Billie Jean” at the \u003cb>Motown 25: Yesterday, Today, Forever\u003c/b> concert. Michael Jackson may not have invented the step but he certainly made it his own. Here is the classic moonwalk that we all know and love:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=3Qi43G3AoXc&w=420&h=345]\u003c/p>\n\u003cp>If Cab Calloway, street mimes, David Bowie, Michael Jackson, and about fifty thousand Youtube uploaders can master the moonwalk then surely you can too:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=Py82bWcPa0Q&w=420&h=345]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Recently, at a party, I watched open-mouthed as a stranger started to moonwalk. Conversations around the room fell silent while everyone paused to appreciate the dancer’s skill. The moonwalk, as pop culture knows it, has been around since Michael Jackson debuted it in 1983. Turns out, the moonwalk is far older than MJ yet its appeal is as strong as ever. It’s the ultimate parlor trick.\u003c/p>\n\u003cp>What is it about this illusion that is so captivating? Video artist Hannah Ireland has this to say about it: “The illusion of effortlessly gliding backwards over the surface of the floor while walking in a forward motion contradicts the experience of trudging around carrying our body weight through the world everyday.” Hannah has seen her share of moonwalks; her video \u003cb>In Orbit\u003c/b> explores YouTube users’ homemade videos of the dance:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Moonwalking is a classic mime manoveur. Here is an example of ‘walking into the wind:’\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_EljzRNbEgY'\n title='//www.youtube.com/embed/_EljzRNbEgY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>It has had various names including ‘the buzz’ and ‘the wind,’ but technically as long as the illusion of walking is created, then you have yourself a moonwalk. Moonwalking’s history lies not only in miming, but in jazz and tap as well, and can vary greatly from the ‘backwards pull’ that Michael Jackson was known for. Fred Astaire, the Nicholas Brothers, Sammy Davis Jr., all have their own versions of the step. In this video, we can see the great \u003ca href=\"http://www.youtube.com/watch?v=LWtHeJPgbXo&playnext=1&list=PL7891A814FC%200D9FDA\">Cab Calloway moonwalking forwards to his classic “Minnie the Moocher.”\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bill Bailey exiting the stage at the Apollo Theatre in 1955 is alleged to be the first Michael Jackson-style moonwalk ever recorded:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/y71njpDH3co'\n title='//www.youtube.com/embed/y71njpDH3co'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Even David Bowie got in on the action. For the uber-theatricial \u003cb>Diamond Dogs\u003c/b> tour, Bowie studied with the famed mime Étienne Decroux. You can see Decroux’s influence throughout the tour. In the intro to this version of “Aladdin Sane” we can see Bowie doing a kabuki-esque in-place moonwalk:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4LWiqTEwIJM'\n title='//www.youtube.com/embed/4LWiqTEwIJM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The sparkly-socked moonwalk debuted in 1983 during “Billie Jean” at the \u003cb>Motown 25: Yesterday, Today, Forever\u003c/b> concert. Michael Jackson may not have invented the step but he certainly made it his own. Here is the classic moonwalk that we all know and love:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3Qi43G3AoXc'\n title='//www.youtube.com/embed/3Qi43G3AoXc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>If Cab Calloway, street mimes, David Bowie, Michael Jackson, and about fifty thousand Youtube uploaders can master the moonwalk then surely you can too:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Py82bWcPa0Q'\n title='//www.youtube.com/embed/Py82bWcPa0Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A few months ago I spent about forty minutes staring at my computer screen, debating whether or not I could afford $75 for an un-usable table mirror. My argument for was this: it wasn’t just any table mirror. It was a piece of art, Issue 14 of \u003ca href=\"http://www.thethingquarterly.com/\">\u003ci>The Thing Quarterly\u003c/i>\u003c/a>, a table mirror on which the most beautiful, talented, beautiful, man of our time, James Franco, had written “Brad Forever” in lipstick. There was a picture of Brad Renfro (\u003ca href=\"http://en.wikipedia.org/wiki/Brad_Renfro\">the tortured, now-deceased child star of \u003cb>The Client\u003c/b>\u003c/a>) stuck in the frame. It meant something, clearly. And $75 was really a steal. This table mirror would only increase in value as Franco’s star rose. It would be the first real piece of art I owned. It would be the beginning of a collection.\u003c/p>\n\u003cp>The argument against was: I didn’t have $75.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mirror-franco.jpg\" style=\"margin-bottom:10px\" alt=\"\">\u003cbr>James Franco’s Brad Renfro mirror, courtesy of Anisse Gross\u003c/p>\n\u003cp>Ultimately, my desire to pay PG&E won out and I did not purchase the Franco Renfro Mirror. But I was not completely convinced I made the right decision. As much as part of me found the mirror gimmicky and pretentious, another part of me really, really wanted to touch it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>The Thing Quarterly\u003c/i>, based, like a lot of hip projects these days, right here in the Mission District of San Francisco, is a mix between a literary journal, \u003ca href=\"http://en.wikipedia.org/wiki/Zappos.com\">Zappos\u003c/a> and a mail-order art project. It is, according to its website: “a periodical in the form of an object. Each year, four artists, writers, musician or filmmakers are in invited by the editors (John Herschend and Will Rogan) to create a useful object that somehow incorporates text.” For me \u003ci>The Thing\u003c/i> is the next logical step in the \u003ca href=\"http://www.mcsweeneys.net/books#category0\">\u003ci>McSweeney’s Quarterly\u003c/i>\u003c/a> tradition, another magazine out of San Francisco that morphed from a straight forward literary journal into a quarterly design-project-in-the-mail. The new format allowed its creators to experiment with book design, packaging, juxtaposing music and text and trying to figure out what a literary journal even was anymore.\u003c/p>\n\u003cp>When I was in college I somehow convinced my parents to buy me a year-long subscription to \u003ci>McSweeney’s\u003c/i> and I was completely enthralled, but not by the stories. What I liked was the object-y-ness of the packages I received in the mail and even more than that, the proximity these objects had potentially had to the hands of my hero, my personal secular god of everything, editor of the journal Dave Eggers. I read his earth-shattering \u003cb>A Heartbreaking Work of Staggering Genius\u003c/b> when I was 18 — and very susceptible to having my earth-shattered. And I was not alone; even then the magazine was selling because of the cult of his personality. I mean, the stories were fine, the art was good and the concept solid, don’t get me wrong, but without the star quality of Dave Eggers, \u003ci>McSweeney’s\u003c/i> would not be what it is today \u003ca href=\"http://www.mcsweeneys.net/\">(a literary empire)\u003c/a>.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mcsweeneys.jpg\" style=\"margin-bottom:10px\">\u003cbr>Early editions of McSweeney’s in a place of great importance between the Bible and the Space Camp Fund\u003c/p>\n\u003cp>It’s easy for arts and literature people to brush these magazines off and even get mad at them for existing. I may have moved to San Francisco partially because it was the home of my idol, but once I got here, I encountered a lot of Eggers-hate from my fellow fiction-writing grad students. He was a sell-out, he wasn’t cool anymore, his \u003ca href=\"http://www.826valencia.org/store/index.html\">whole pirate thing\u003c/a> was a publicity stunt, he only published super famous people, whatever. In the same way, it’s easy to get angry with James Franco dominating popular media’s talk about art while not seeming to care at all about the actual “art world.”\u003c/p>\n\u003cp>In July, when James Franco reportedly \u003ca href=\"http://www.npr.org/blogs/thetwo-way/2011/07/22/138513048/woman-pays-10-000-for-non-visible-work-of-art\">sold a piece of “non-visible art”\u003c/a> (that’s exactly what it sounds like, by the way) to a woman for $10,000, I and every other sort-of-artist-who-doesn’t-get-paid was scandalized. Why should he get that much money for straight-up \u003ci>air\u003c/i>, when I have friends that wouldn’t come inside at my book launch because they didn’t want to spend $10 on my book?\u003c/p>\n\u003cp>And then there is the other question: what are these magazines producing anyway? Is it art? Kitsch? A cheap trick to get us to spend money? As humans, we like categories. How else do we know what is cool and what we should ignore and what we should hate? And also, why do I want that mirror so badly? I could make the exact thing myself for under $10.\u003c/p>\n\u003cp>And then, at some point, something occurred to me: these objects actually transcend the fine art that we are so used to. They defy categorization because they have become talismans that make us feel like we have a personal connection and a direct link to our idols who are basically our modern-day gods. When I got a \u003ci>McSweeney’s\u003c/i> in the mail, for that one blissful year, I touched it and cherished it, showed it off, tried to find the best places for it to sit on my bookshelf. I didn’t appreciate it in the way you appreciate a painting on a gallery wall or a sculpture in a park, I loved it like the pencil the boy I had a crush on in sixth grade dropped that I kept in my desk for the whole year. In the same way some people love the Shroud of Turin. Like I imagine ancient humans loved the paintings of horses on cave walls.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/brad_3.jpg\" style=\"margin-bottom:10px\" alt=\"\">\u003cbr>James Franco’s newest project for \u003ci>The Thing\u003c/i>, courtesy of Lenny Gonzalez\u003c/p>\n\u003cp>What’s amazing to me about James Franco’s pieces for \u003ci>The Thing\u003c/i> (his next project is an outrageously expensive, limited-edition \u003ca href=\"http://www.thethingquarterly.com/news/FRANCO-SWITCHBLADE/\">Brad Renfro switch blade\u003c/a>) is that he is creating an altar for his god (Brad Renfro) and selling it to us so we can use it to worship him. This reminds me of the Hindu monkey god Hanuman asking people who want to chant his name to chant to his beloved guru Rama. Or Jesus telling his followers to pray to God.\u003c/p>\n\u003cp>So maybe James Franco isn’t just a pretty face trying to scam us after all. Maybe he is tapping into the roots of art, back to where it was completely intertwined with mystery and religion, removing us from an art world that is predominately about aesthetics and ideas and putting us back in touch with the spiritual properties a picture or an object can hold.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I still haven’t found the funds to purchase the table mirror. I did discover though that a friend of mine owns one. She’s sent me some pictures and invited me to come over and touch it anytime.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A few months ago I spent about forty minutes staring at my computer screen, debating whether or not I could afford $75 for an un-usable table mirror. My argument for was this: it wasn’t just any table mirror. It was a piece of art, Issue 14 of \u003ca href=\"http://www.thethingquarterly.com/\">\u003ci>The Thing Quarterly\u003c/i>\u003c/a>, a table mirror on which the most beautiful, talented, beautiful, man of our time, James Franco, had written “Brad Forever” in lipstick. There was a picture of Brad Renfro (\u003ca href=\"http://en.wikipedia.org/wiki/Brad_Renfro\">the tortured, now-deceased child star of \u003cb>The Client\u003c/b>\u003c/a>) stuck in the frame. It meant something, clearly. And $75 was really a steal. This table mirror would only increase in value as Franco’s star rose. It would be the first real piece of art I owned. It would be the beginning of a collection.\u003c/p>\n\u003cp>The argument against was: I didn’t have $75.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mirror-franco.jpg\" style=\"margin-bottom:10px\" alt=\"\">\u003cbr>James Franco’s Brad Renfro mirror, courtesy of Anisse Gross\u003c/p>\n\u003cp>Ultimately, my desire to pay PG&E won out and I did not purchase the Franco Renfro Mirror. But I was not completely convinced I made the right decision. As much as part of me found the mirror gimmicky and pretentious, another part of me really, really wanted to touch it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>The Thing Quarterly\u003c/i>, based, like a lot of hip projects these days, right here in the Mission District of San Francisco, is a mix between a literary journal, \u003ca href=\"http://en.wikipedia.org/wiki/Zappos.com\">Zappos\u003c/a> and a mail-order art project. It is, according to its website: “a periodical in the form of an object. Each year, four artists, writers, musician or filmmakers are in invited by the editors (John Herschend and Will Rogan) to create a useful object that somehow incorporates text.” For me \u003ci>The Thing\u003c/i> is the next logical step in the \u003ca href=\"http://www.mcsweeneys.net/books#category0\">\u003ci>McSweeney’s Quarterly\u003c/i>\u003c/a> tradition, another magazine out of San Francisco that morphed from a straight forward literary journal into a quarterly design-project-in-the-mail. The new format allowed its creators to experiment with book design, packaging, juxtaposing music and text and trying to figure out what a literary journal even was anymore.\u003c/p>\n\u003cp>When I was in college I somehow convinced my parents to buy me a year-long subscription to \u003ci>McSweeney’s\u003c/i> and I was completely enthralled, but not by the stories. What I liked was the object-y-ness of the packages I received in the mail and even more than that, the proximity these objects had potentially had to the hands of my hero, my personal secular god of everything, editor of the journal Dave Eggers. I read his earth-shattering \u003cb>A Heartbreaking Work of Staggering Genius\u003c/b> when I was 18 — and very susceptible to having my earth-shattered. And I was not alone; even then the magazine was selling because of the cult of his personality. I mean, the stories were fine, the art was good and the concept solid, don’t get me wrong, but without the star quality of Dave Eggers, \u003ci>McSweeney’s\u003c/i> would not be what it is today \u003ca href=\"http://www.mcsweeneys.net/\">(a literary empire)\u003c/a>.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mcsweeneys.jpg\" style=\"margin-bottom:10px\">\u003cbr>Early editions of McSweeney’s in a place of great importance between the Bible and the Space Camp Fund\u003c/p>\n\u003cp>It’s easy for arts and literature people to brush these magazines off and even get mad at them for existing. I may have moved to San Francisco partially because it was the home of my idol, but once I got here, I encountered a lot of Eggers-hate from my fellow fiction-writing grad students. He was a sell-out, he wasn’t cool anymore, his \u003ca href=\"http://www.826valencia.org/store/index.html\">whole pirate thing\u003c/a> was a publicity stunt, he only published super famous people, whatever. In the same way, it’s easy to get angry with James Franco dominating popular media’s talk about art while not seeming to care at all about the actual “art world.”\u003c/p>\n\u003cp>In July, when James Franco reportedly \u003ca href=\"http://www.npr.org/blogs/thetwo-way/2011/07/22/138513048/woman-pays-10-000-for-non-visible-work-of-art\">sold a piece of “non-visible art”\u003c/a> (that’s exactly what it sounds like, by the way) to a woman for $10,000, I and every other sort-of-artist-who-doesn’t-get-paid was scandalized. Why should he get that much money for straight-up \u003ci>air\u003c/i>, when I have friends that wouldn’t come inside at my book launch because they didn’t want to spend $10 on my book?\u003c/p>\n\u003cp>And then there is the other question: what are these magazines producing anyway? Is it art? Kitsch? A cheap trick to get us to spend money? As humans, we like categories. How else do we know what is cool and what we should ignore and what we should hate? And also, why do I want that mirror so badly? I could make the exact thing myself for under $10.\u003c/p>\n\u003cp>And then, at some point, something occurred to me: these objects actually transcend the fine art that we are so used to. They defy categorization because they have become talismans that make us feel like we have a personal connection and a direct link to our idols who are basically our modern-day gods. When I got a \u003ci>McSweeney’s\u003c/i> in the mail, for that one blissful year, I touched it and cherished it, showed it off, tried to find the best places for it to sit on my bookshelf. I didn’t appreciate it in the way you appreciate a painting on a gallery wall or a sculpture in a park, I loved it like the pencil the boy I had a crush on in sixth grade dropped that I kept in my desk for the whole year. In the same way some people love the Shroud of Turin. Like I imagine ancient humans loved the paintings of horses on cave walls.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/brad_3.jpg\" style=\"margin-bottom:10px\" alt=\"\">\u003cbr>James Franco’s newest project for \u003ci>The Thing\u003c/i>, courtesy of Lenny Gonzalez\u003c/p>\n\u003cp>What’s amazing to me about James Franco’s pieces for \u003ci>The Thing\u003c/i> (his next project is an outrageously expensive, limited-edition \u003ca href=\"http://www.thethingquarterly.com/news/FRANCO-SWITCHBLADE/\">Brad Renfro switch blade\u003c/a>) is that he is creating an altar for his god (Brad Renfro) and selling it to us so we can use it to worship him. This reminds me of the Hindu monkey god Hanuman asking people who want to chant his name to chant to his beloved guru Rama. Or Jesus telling his followers to pray to God.\u003c/p>\n\u003cp>So maybe James Franco isn’t just a pretty face trying to scam us after all. Maybe he is tapping into the roots of art, back to where it was completely intertwined with mystery and religion, removing us from an art world that is predominately about aesthetics and ideas and putting us back in touch with the spiritual properties a picture or an object can hold.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>If you’re like me, you understand the future to be that ‘other’ reality that is constantly looming on the horizon. It might not be as dramatic as \u003cb>Mad Max\u003c/b>, but the future, at least some components of it as envisioned by the science fiction writers of yesterday, is definitely upon us. Here are 7 surprising examples of future technologies that are with us today.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cb>1. Interactive Product Displays:\u003c/b>\u003cbr>This self-selling product display is reminiscent of the bar on \u003cb>Star Trek: The Next Generation\u003c/b>. I, for one, am willing to do without overly-perky baristas, unless, of course, the bartender is Whoopi Goldberg.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/display.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Interactive Product Display; Source: \u003ca href=\"http://itechfuture.com/interactive-product-presentation/#more-2684\">Future Technology\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>2. Big Dog Robot:\u003c/b>\u003cbr>At 2.5 foot tall, 250 pounds, and with a 4-mile an hour pace, these bizarre-looking rough terrain robots are the new battlefield pack mules. Just terrifying enough to make you check your gear for a change of fatigues.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bigdog.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Boston Dynamics’ BigDog; Source: \u003ca href=\"http://www.robaid.com/robotics/bigdog-%E2%80%93-a-rough-terrain-robot.htm\">RobAid\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>3. Virtual Keyboarding:\u003c/b>\u003cbr>Tom Cruise had one in \u003cb>Minority Report\u003c/b>, and for about $150 you can too. The future is here and it’s iPad compatible.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/keyboard.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Bluetooth Laser Virtual Keyboard; Source: \u003ca href=\"http://www.markpascua.com/2008/10/04/bluetooth-laser-virtual-keyboard/\">Mark_Pascua\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>4. Human Exoskeleton:\u003c/b>\u003cbr>Just what you need for the human version of Rock ‘Em Sock ‘Em Robots, and you thought brass knuckles were an unfair advantage.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http://www.youtube.com/embed/mO0xNI3xpmE\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>5. Virtual Shopping:\u003c/b>\u003cbr>Let me see if I’ve got this right. Instead of walking to the convenience store, a customer goes to the virtual convenience store, purchases items by scanning UPC codes with a smartphone…and then conveniently all items are delivered at some later time?\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tesco.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Tesco Virtual Supermarket; Source: \u003ca href=\"http://www.designboom.com/weblog/cat/16/view/15557/tesco-virtual-supermarket-in-a-subway-station.html\">Design Boom\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>6. Vegetarian Meat:\u003c/b>\u003cbr>It may not be Soylent Green but it’s just as creepy. Test tube meat is not only promising to help vegetarians enjoy a juicy burger, but it’s also alleged to help solve the hunger problem. In vitro meat is being perfected today and could be on your plate tomorrow. (By the way, \u003ca href=\"http://www.thinkgeek.com/caffeine/wacky-edibles/e9aa/\">Soylent Green Crackers\u003c/a> really do exist, but they’re not people, they’re plankton — or are they?)\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/labmeat.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Artificial or “Vitro” Meat; Source: \u003ca href=\"http://rosamundwo.com/2010/artificial-meat-eater-in-2050/\">Design Boom\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>7. Smart Clothes:\u003c/b>\u003cbr>This item could easily win the ‘Orwell Award’ for most unsettling feature on this list. Sensors imbedded in the fabric allow for heart rate monitoring, act as a pedometer, and can even update your location to social networking sites. Who could see any wrong with that?!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/jacket.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Nano Tube Yarns; Source: \u003ca href=\"http://www.zeitnews.org/nanotechnology/nanotube-yarns-let-smart-clothing-survive-the-laundry.html\">ZeitNews\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’re like me, you understand the future to be that ‘other’ reality that is constantly looming on the horizon. It might not be as dramatic as \u003cb>Mad Max\u003c/b>, but the future, at least some components of it as envisioned by the science fiction writers of yesterday, is definitely upon us. Here are 7 surprising examples of future technologies that are with us today.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cb>1. Interactive Product Displays:\u003c/b>\u003cbr>This self-selling product display is reminiscent of the bar on \u003cb>Star Trek: The Next Generation\u003c/b>. I, for one, am willing to do without overly-perky baristas, unless, of course, the bartender is Whoopi Goldberg.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/display.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Interactive Product Display; Source: \u003ca href=\"http://itechfuture.com/interactive-product-presentation/#more-2684\">Future Technology\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>2. Big Dog Robot:\u003c/b>\u003cbr>At 2.5 foot tall, 250 pounds, and with a 4-mile an hour pace, these bizarre-looking rough terrain robots are the new battlefield pack mules. Just terrifying enough to make you check your gear for a change of fatigues.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bigdog.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Boston Dynamics’ BigDog; Source: \u003ca href=\"http://www.robaid.com/robotics/bigdog-%E2%80%93-a-rough-terrain-robot.htm\">RobAid\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>3. Virtual Keyboarding:\u003c/b>\u003cbr>Tom Cruise had one in \u003cb>Minority Report\u003c/b>, and for about $150 you can too. The future is here and it’s iPad compatible.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/keyboard.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Bluetooth Laser Virtual Keyboard; Source: \u003ca href=\"http://www.markpascua.com/2008/10/04/bluetooth-laser-virtual-keyboard/\">Mark_Pascua\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>4. Human Exoskeleton:\u003c/b>\u003cbr>Just what you need for the human version of Rock ‘Em Sock ‘Em Robots, and you thought brass knuckles were an unfair advantage.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http://www.youtube.com/embed/mO0xNI3xpmE\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>5. Virtual Shopping:\u003c/b>\u003cbr>Let me see if I’ve got this right. Instead of walking to the convenience store, a customer goes to the virtual convenience store, purchases items by scanning UPC codes with a smartphone…and then conveniently all items are delivered at some later time?\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tesco.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Tesco Virtual Supermarket; Source: \u003ca href=\"http://www.designboom.com/weblog/cat/16/view/15557/tesco-virtual-supermarket-in-a-subway-station.html\">Design Boom\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>6. Vegetarian Meat:\u003c/b>\u003cbr>It may not be Soylent Green but it’s just as creepy. Test tube meat is not only promising to help vegetarians enjoy a juicy burger, but it’s also alleged to help solve the hunger problem. In vitro meat is being perfected today and could be on your plate tomorrow. (By the way, \u003ca href=\"http://www.thinkgeek.com/caffeine/wacky-edibles/e9aa/\">Soylent Green Crackers\u003c/a> really do exist, but they’re not people, they’re plankton — or are they?)\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/labmeat.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Artificial or “Vitro” Meat; Source: \u003ca href=\"http://rosamundwo.com/2010/artificial-meat-eater-in-2050/\">Design Boom\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>\u003cb>7. Smart Clothes:\u003c/b>\u003cbr>This item could easily win the ‘Orwell Award’ for most unsettling feature on this list. Sensors imbedded in the fabric allow for heart rate monitoring, act as a pedometer, and can even update your location to social networking sites. Who could see any wrong with that?!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/jacket.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Nano Tube Yarns; Source: \u003ca href=\"http://www.zeitnews.org/nanotechnology/nanotube-yarns-let-smart-clothing-survive-the-laundry.html\">ZeitNews\u003c/a>\n\u003cp>\u003c/p>\u003c/center>\n\n\u003c/div>\u003c/p>",
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"title": "\"Broke-Ass\" Stuart Broke No More?",
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"content": "\u003cp>Stuart Schuffman, travel writer and blogger, is better known as “Broke-Ass Stuart,” purveyor of all things inexpensive and idiosyncratic. Based in the Bay Area, Schuffman has written for Lonely Planet’s travel guides, created a couple of zines, and put together a website, \u003ca href=\"http://brokeassstuart.com/\">Broke-Ass Stuart’s Goddamn Website\u003c/a>, where he and his team of young, broke writers blog about affordable and quirky goings-on in San Francisco and New York. He has two books out, one on each city, and now Schuffman is the host of a new TV series, premiering Friday, June 24, 2011 on IFC, where he will showcase the weird, wonderful, and cheap in six U.S. cities: Baltimore, Boston, Detroit, Memphis, New Orleans, and San Diego.\u003c/p>\n\u003cp>\u003cb>Young, Broke & Beautiful\u003c/b> is the title of the show, as well as Schuffman’s personal motto and the tag line of the industry he has built around the concept of “Broke-Ass.” Everything he covers and promotes is either free or almost free, but a slim pocketbook isn’t enough to earn the moniker. Broke-Ass is measured not by how little money you spend, but by how cool and eccentric you can get on as little cash as possible.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/broke-ass-stuart3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>In the first episode, Schuffman descends on Louisiana looking for a good time on a low budget. Armed with a cheerful, try-anything attitude that sometimes borders on manic, he visits the requisite New Orleans bars, gnaws at crayfish, and ogles a crocodile in the heart of a swamp. But Schuffman also lives up to his claim to fame — getting off the beaten path, drawing out a city’s secrets, and spreading the word to his fellow Broke-Asses. The unexpected stops on his wandering path include a cemetery, a fang-fitting parlor, and a very cool tree house. Schuffman is particularly fascinated by the music scene, and the show takes a welcome break from its speedy pace for a Cajun band’s front porch jam session.\u003c/p>\n\u003cp>Although Schuffman has conceded to the mainstream enough to let a camera crew follow him around on his exploits, his transition from online, independent print media to television is not entirely without peculiarities. The show is constantly interrupted with text splashed across the screen — facts, commentaries, and even links to websites — giving it the feel and functionality of a blog. Despite the spectacle inherent in a TV show, the emphasis is still on DIY, cheap, and uncommon fun for the common man. For everything he does, Schuffman tallies up the cost or vetoes it with a decided, “This is not Broke-Ass!”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/broke-ass-stuart2.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>\u003cb>Young, Broke & Beautiful\u003c/b> brings Schuffman’s unique brand of adventurous budget travel to a more mainstream setting but mostly preserves his indie flair. Targeted at anyone who loves a good deal or anyone keen to get beyond the surface of a city, the show will open up some of America’s hidden urban gems as well as encourage the spread of the Broke-Ass lifestyle. And along the way, it might just make Broke-Ass Stuart a bit less broke.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Young, Broke & Beautiful\u003c/b> premieres Friday, June 24 at 11pm on IFC. For \u003ca href=\"http://www.ifc.com/young-broke-beautiful/?utm_source=google&utm_medium=cpc&utm_term=young%20broke%20beautiful&utm_campaign=original%20series\">more information\u003c/a> visit ifc.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Stuart Schuffman, travel writer and blogger, is better known as “Broke-Ass Stuart,” purveyor of all things inexpensive and idiosyncratic. Based in the Bay Area, Schuffman has written for Lonely Planet’s travel guides, created a couple of zines, and put together a website, \u003ca href=\"http://brokeassstuart.com/\">Broke-Ass Stuart’s Goddamn Website\u003c/a>, where he and his team of young, broke writers blog about affordable and quirky goings-on in San Francisco and New York. He has two books out, one on each city, and now Schuffman is the host of a new TV series, premiering Friday, June 24, 2011 on IFC, where he will showcase the weird, wonderful, and cheap in six U.S. cities: Baltimore, Boston, Detroit, Memphis, New Orleans, and San Diego.\u003c/p>\n\u003cp>\u003cb>Young, Broke & Beautiful\u003c/b> is the title of the show, as well as Schuffman’s personal motto and the tag line of the industry he has built around the concept of “Broke-Ass.” Everything he covers and promotes is either free or almost free, but a slim pocketbook isn’t enough to earn the moniker. Broke-Ass is measured not by how little money you spend, but by how cool and eccentric you can get on as little cash as possible.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/broke-ass-stuart3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>In the first episode, Schuffman descends on Louisiana looking for a good time on a low budget. Armed with a cheerful, try-anything attitude that sometimes borders on manic, he visits the requisite New Orleans bars, gnaws at crayfish, and ogles a crocodile in the heart of a swamp. But Schuffman also lives up to his claim to fame — getting off the beaten path, drawing out a city’s secrets, and spreading the word to his fellow Broke-Asses. The unexpected stops on his wandering path include a cemetery, a fang-fitting parlor, and a very cool tree house. Schuffman is particularly fascinated by the music scene, and the show takes a welcome break from its speedy pace for a Cajun band’s front porch jam session.\u003c/p>\n\u003cp>Although Schuffman has conceded to the mainstream enough to let a camera crew follow him around on his exploits, his transition from online, independent print media to television is not entirely without peculiarities. The show is constantly interrupted with text splashed across the screen — facts, commentaries, and even links to websites — giving it the feel and functionality of a blog. Despite the spectacle inherent in a TV show, the emphasis is still on DIY, cheap, and uncommon fun for the common man. For everything he does, Schuffman tallies up the cost or vetoes it with a decided, “This is not Broke-Ass!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>From \u003ci>The New York Times\u003c/i>:\u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/04/05/kate-bush-has-permission-to-use-words-of-james-joyce/?ref=arts\">Kate Bush Has Permission to Use Words of James Joyce\u003c/a>\u003c/p>\n\u003cp>More than twenty years after being denied the rights to use Molly Bloom’s famed soliloquy from James Joyce’s \u003cb>Ulysses\u003c/b> in a song, Kate Bush has finally received permission from his estate and intends to rework the title song from her 1989 album \u003cb>The Sensual World\u003c/b> for the release of her first album in six years, \u003cb>Director’s Cut\u003c/b> (\u003ca href=\"http://pitchfork.com/news/42100-kate-bush-reveals-lp-details-new-song/\">listen to the first single\u003c/a>). This isn’t the first time Bush has incorporated classic literature into her music. Check out her interpretive dance-athon music video for “Wuthering Heights” below.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=BW3gKKiTvjs&fs=1&hl=en_US&rel=0]\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>:\u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/backstage-britney/\">Heklina Goes Backstage with Britney\u003c/a>\u003c/p>\n\u003cp>As you probably already know, Britney Spears paid San Francisco a visit to use the gays…I mean, to perform for her fans at a Good Morning America taping. Thankfully for us, San Francisco’s most fabulous drag queen, Heklina, got the behind the scenes scoop and spills the goods, such as when a producer from ABC said “We don’t want the drag queens in the shot.” Speaking of Ms. Spears, Slate has shockingly called her new album “\u003ca href=\"http://www.slate.com/id/2289681/\">an avant-garde pop masterpiece\u003c/a>.” Apparently \u003ca href=\"\">shaving off all your hair\u003c/a> works wonders.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>:\u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/04/05/a-plan-to-dig-up-the-bones-of-a-suspected-mona-lisa-model/\">A Plan to Dig Up the Bones of a Suspected Mona Lisa Model\u003c/a>\u003c/p>\n\u003cp>A former Italian television producer plans to try and find the remains of Lisa Gherardini, the woman some believe to be the model for da Vinci’s Mona Lisa, and use skull fragments to recreate her face to determine whether she really was the model or not. I can’t decide if this is intriguing or just morbid.\u003c/p>\n\u003cp>From \u003ci>The Washington Post\u003c/i>:\u003cbr>\u003ca href=\"http://www.washingtonpost.com/lifestyle/style/gauguin_masterpiece_unharmed_after_attack_at_national_gallery/2011/04/04/AFvAiZeC_story.html?wprss=rss_homepage\">Gauguin masterpiece unharmed after attack at National Gallery\u003c/a>\u003c/p>\n\u003cp>A 53 year old woman attacked Paul Gaguin’s masterpiece “Two Tahitian Women” at the National Gallery of Art on Friday, snatching it from the wall and proceeding to pound on it with her fists while calling Gaguin “evil” and the painting “homosexual.” And to think that some people think museums are a snooze.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://4.bp.blogspot.com/_H4mvm5jGMUY/R4Yk7VcmYKI/AAAAAAAABAs/NFVlrw6P9jQ/s400/mbarney+model+3.jpg\">\t\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>:\u003cbr>\u003ca href=\"http://articles.sfgate.com/2011-03-25/movies/29187182_1_matthew-barney-vision-award-cremaster-cycle\">Matthew Barney to get S.F. film fest vision award\u003c/a>\u003c/p>\n\u003cp>Matthew Barney is to receive the Golden Gate Persistence of Vision Award at the San Francisco International Film Festival. Award-winning artist, former hot-flash-inducing model, and partner of Bjork. I guess you really can have it all.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>:\u003cbr>\u003ca href=\"http://www.nytimes.com/2011/04/05/arts/design/harry-potter-exhibition-at-discovery-times-square-review.html?_r=1&ref=arts\">Behind the Wizard’s Wand: Making the Harry Potter Films\u003c/a>\u003c/p>\n\u003cp>A new exhibition at Discovery Times Square in NYC displays artifacts from the Harry Potter franchise, from wands and Yule Ball gowns to Harry’s famous glasses and quidditch quaffles. Christmas has arrived early for the geeks!\u003c/p>\n\u003cp>From \u003ci>MSNBC\u003c/i>:\u003cbr>\u003ca href=\"http://www.msnbc.msn.com/id/42364240/ns/technology_and_science-science/\">Mobile scanner brings x-rays to old paintings\u003c/a>\u003c/p>\n\u003cp>A brand new mobile scanning device is sparing scientists the trouble of transporting precious artworks to an X-ray machine and instead allows them to find hidden layers and changes the artist made centuries ago as the work hangs in the museum.\u003c/p>\n\u003cp>From \u003ci>The Los Angeles Times\u003c/i>:\u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/culturemonster/2011/04/dispatch-from-detroit-charlie-sheen-kicks-off-his-tour.html\">Charlie Sheen bombs in his concert kickoff\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At the launch of Charlie Sheen’s “My Violent Torpedo of Truth / Defeat Is Not an Option Show,” the self-professed warlock with “Adonis DNA” and “tiger blood” was met with boos and jeers. I officially declare this meme dead.\u003c/p>\n\n",
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"title": "Arts News Roundup: April 6, 2011 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>From \u003ci>The New York Times\u003c/i>:\u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/04/05/kate-bush-has-permission-to-use-words-of-james-joyce/?ref=arts\">Kate Bush Has Permission to Use Words of James Joyce\u003c/a>\u003c/p>\n\u003cp>More than twenty years after being denied the rights to use Molly Bloom’s famed soliloquy from James Joyce’s \u003cb>Ulysses\u003c/b> in a song, Kate Bush has finally received permission from his estate and intends to rework the title song from her 1989 album \u003cb>The Sensual World\u003c/b> for the release of her first album in six years, \u003cb>Director’s Cut\u003c/b> (\u003ca href=\"http://pitchfork.com/news/42100-kate-bush-reveals-lp-details-new-song/\">listen to the first single\u003c/a>). This isn’t the first time Bush has incorporated classic literature into her music. Check out her interpretive dance-athon music video for “Wuthering Heights” below.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BW3gKKiTvjs'\n title='//www.youtube.com/embed/BW3gKKiTvjs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>:\u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/backstage-britney/\">Heklina Goes Backstage with Britney\u003c/a>\u003c/p>\n\u003cp>As you probably already know, Britney Spears paid San Francisco a visit to use the gays…I mean, to perform for her fans at a Good Morning America taping. Thankfully for us, San Francisco’s most fabulous drag queen, Heklina, got the behind the scenes scoop and spills the goods, such as when a producer from ABC said “We don’t want the drag queens in the shot.” Speaking of Ms. Spears, Slate has shockingly called her new album “\u003ca href=\"http://www.slate.com/id/2289681/\">an avant-garde pop masterpiece\u003c/a>.” Apparently \u003ca href=\"\">shaving off all your hair\u003c/a> works wonders.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>:\u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/04/05/a-plan-to-dig-up-the-bones-of-a-suspected-mona-lisa-model/\">A Plan to Dig Up the Bones of a Suspected Mona Lisa Model\u003c/a>\u003c/p>\n\u003cp>A former Italian television producer plans to try and find the remains of Lisa Gherardini, the woman some believe to be the model for da Vinci’s Mona Lisa, and use skull fragments to recreate her face to determine whether she really was the model or not. I can’t decide if this is intriguing or just morbid.\u003c/p>\n\u003cp>From \u003ci>The Washington Post\u003c/i>:\u003cbr>\u003ca href=\"http://www.washingtonpost.com/lifestyle/style/gauguin_masterpiece_unharmed_after_attack_at_national_gallery/2011/04/04/AFvAiZeC_story.html?wprss=rss_homepage\">Gauguin masterpiece unharmed after attack at National Gallery\u003c/a>\u003c/p>\n\u003cp>A 53 year old woman attacked Paul Gaguin’s masterpiece “Two Tahitian Women” at the National Gallery of Art on Friday, snatching it from the wall and proceeding to pound on it with her fists while calling Gaguin “evil” and the painting “homosexual.” And to think that some people think museums are a snooze.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://4.bp.blogspot.com/_H4mvm5jGMUY/R4Yk7VcmYKI/AAAAAAAABAs/NFVlrw6P9jQ/s400/mbarney+model+3.jpg\">\t\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>:\u003cbr>\u003ca href=\"http://articles.sfgate.com/2011-03-25/movies/29187182_1_matthew-barney-vision-award-cremaster-cycle\">Matthew Barney to get S.F. film fest vision award\u003c/a>\u003c/p>\n\u003cp>Matthew Barney is to receive the Golden Gate Persistence of Vision Award at the San Francisco International Film Festival. Award-winning artist, former hot-flash-inducing model, and partner of Bjork. I guess you really can have it all.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>:\u003cbr>\u003ca href=\"http://www.nytimes.com/2011/04/05/arts/design/harry-potter-exhibition-at-discovery-times-square-review.html?_r=1&ref=arts\">Behind the Wizard’s Wand: Making the Harry Potter Films\u003c/a>\u003c/p>\n\u003cp>A new exhibition at Discovery Times Square in NYC displays artifacts from the Harry Potter franchise, from wands and Yule Ball gowns to Harry’s famous glasses and quidditch quaffles. Christmas has arrived early for the geeks!\u003c/p>\n\u003cp>From \u003ci>MSNBC\u003c/i>:\u003cbr>\u003ca href=\"http://www.msnbc.msn.com/id/42364240/ns/technology_and_science-science/\">Mobile scanner brings x-rays to old paintings\u003c/a>\u003c/p>\n\u003cp>A brand new mobile scanning device is sparing scientists the trouble of transporting precious artworks to an X-ray machine and instead allows them to find hidden layers and changes the artist made centuries ago as the work hangs in the museum.\u003c/p>\n\u003cp>From \u003ci>The Los Angeles Times\u003c/i>:\u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/culturemonster/2011/04/dispatch-from-detroit-charlie-sheen-kicks-off-his-tour.html\">Charlie Sheen bombs in his concert kickoff\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At the launch of Charlie Sheen’s “My Violent Torpedo of Truth / Defeat Is Not an Option Show,” the self-professed warlock with “Adonis DNA” and “tiger blood” was met with boos and jeers. I officially declare this meme dead.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "'Mildred Pierce': A Masterpiece Of Modern Film Noir",
"headTitle": "‘Mildred Pierce’: A Masterpiece Of Modern Film Noir | KQED",
"content": "\u003cp>At the start of the fall TV season, HBO gave us the best new series of the year with \u003cem>Boardwalk Empire\u003c/em>, which was set in the Prohibition era in Atlantic City, N.J. This Sunday, HBO launches an ambitious, impressive five-hour miniseries — and as with \u003cem>Boardwalk Empire\u003c/em>, it’s set during the Depression.\u003c/p>\n\u003cp>But this one, called \u003cem>Mildred Pierce\u003c/em>, is more intimate and, in the end, more emotional and more haunting. It’s based on the 1941 novel by James M. Cain, about a middle-class woman trying to survive — and feed and nurture her young daughters — during very tough times. In 1945, it was one of three Cain stories made into a hit Hollywood movie in as many years — after \u003cem>Double Indemnity\u003c/em>, and before \u003cem>The Postman Always Rings Twice\u003c/em>. And the title role of \u003cem>Mildred Pierce\u003c/em> won Joan Crawford an Oscar.\u003c/p>\n\u003cp>This new HBO version hands the title role to Kate Winslet, who does wonders with it. It’s directed by Todd Haynes, who wrote the screenplay adaptation with Jon Raymond, and they put almost all the drama’s weight on the shoulders of their leading lady. Todd Haynes also directed \u003cem>I’m Not There\u003c/em> — that brilliant fable of a movie in which different actors and actresses play Bob Dylan at various times in his life — but for \u003cem>Mildred Pierce\u003c/em>, it’s all about keeping it real. Astoundingly real, down to the period magazines and wallpaper, the food on the diner plates and the slightly muted photography.\u003c/p>\n\u003cp>Remaking the story of \u003cem>Mildred Pierce\u003c/em>, at this point in this decade, is particularly shrewd. As the drama opens — in Glendale, California, in 1931 — Mildred’s marriage to her husband Bert breaks up suddenly. It leaves her, in the early years of the Depression, with two young daughters, no prospects for work and no idea how to keep going.\u003c/p>\n\u003cp>It’s easy to relate that sort of anxiety to today’s financial meltdown — and even easier because Kate Winslet, early on, vanishes completely into the role of Mildred. She’s determined to provide for her daughters, but a visit to an employment agency generates nothing, except a lecture about how she isn’t qualified to do anything but cook or clean — and, during hard times, there are plenty of people willing to do that. But when Mildred is asked out for a date by a predatory friend of her soon-to-be-ex-husband’s, her neighbor has some more practical advice. And the neighbor is played by Melissa Leo, who follows up her Oscar-winning role in \u003cem>The Fighter\u003c/em> with another winning performance here.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At first, this seems like a very old-fashioned, unenlightened narrative — suggesting that the only way for a woman to survive is to throw herself at a man. And even when the employment agent calls back with an out-of-the-blue job offer to be a waitress, Mildred doesn’t see it as…suitable.\u003c/p>\n\u003cp>It’s no accident that in the earliest scenes, Mildred doesn’t talk much. It takes a while for her to find her voice, and even longer to find a direction — especially since the thought of taking that waitress job makes her sick. Literally sick. But she takes it anyway, and uses her skill at baking pies to bring in some extra money from the diner, and to start her on her way.\u003c/p>\n\u003cp>But this is James M. Cain, not some fairy tale, so not every turn in the story is a triumph, and not every man she meets is a prince. As actors, however, the men in Mildred’s life, led by Guy Pierce as a dashing young playboy, are charming. And it’s not until the fourth hour that Mildred’s eldest daughter grows up enough to be played by Even Rachel Wood — the vampire queen from \u003cem>True Blood \u003c/em> — but she’s worth the wait. Her defiant disdain of her mother’s work ethic is one of the key elements in this miniseries, and, ultimately, provides its biggest payoff. And it’s a different payoff than the one in the 1945 movie because this version is more faithful to the original novel.\u003c/p>\n\u003cp>I really, really enjoyed this miniseries — especially because it’s perfect as a miniseries. The sheer length of the drama, and the journey Mildred has to take, makes her struggles more potent, more painful and more real. \u003cem>Mildred Pierce\u003c/em> is a masterpiece of modern film noir — or, if you prefer, TV noir — and it’s anchored by a performance by Kate Winslet that is unlikely to be beaten at next year’s Emmys.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Oh, and one last thing — HBO’s \u003cem>Mildred Pierce\u003c/em> will make you hungrier for pie than any television offering since \u003cem>Twin Peaks\u003c/em> and \u003cem>Pushing Daisies\u003c/em>. Select your TV snacks accordingly.\u003c/p>\n\n",
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"excerpt": "The HBO miniseries \u003cem>Mildred Pierce\u003c/em> is based on the 1941 novel by James M. Cain, replacing Joan Crawford -- who won an Oscar for the 1945 film version -- with Kate Winslet. TV critic David Bianculli says Winslet does wonders with her role -- and will be tough to beat, come Emmy season.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the start of the fall TV season, HBO gave us the best new series of the year with \u003cem>Boardwalk Empire\u003c/em>, which was set in the Prohibition era in Atlantic City, N.J. This Sunday, HBO launches an ambitious, impressive five-hour miniseries — and as with \u003cem>Boardwalk Empire\u003c/em>, it’s set during the Depression.\u003c/p>\n\u003cp>But this one, called \u003cem>Mildred Pierce\u003c/em>, is more intimate and, in the end, more emotional and more haunting. It’s based on the 1941 novel by James M. Cain, about a middle-class woman trying to survive — and feed and nurture her young daughters — during very tough times. In 1945, it was one of three Cain stories made into a hit Hollywood movie in as many years — after \u003cem>Double Indemnity\u003c/em>, and before \u003cem>The Postman Always Rings Twice\u003c/em>. And the title role of \u003cem>Mildred Pierce\u003c/em> won Joan Crawford an Oscar.\u003c/p>\n\u003cp>This new HBO version hands the title role to Kate Winslet, who does wonders with it. It’s directed by Todd Haynes, who wrote the screenplay adaptation with Jon Raymond, and they put almost all the drama’s weight on the shoulders of their leading lady. Todd Haynes also directed \u003cem>I’m Not There\u003c/em> — that brilliant fable of a movie in which different actors and actresses play Bob Dylan at various times in his life — but for \u003cem>Mildred Pierce\u003c/em>, it’s all about keeping it real. Astoundingly real, down to the period magazines and wallpaper, the food on the diner plates and the slightly muted photography.\u003c/p>\n\u003cp>Remaking the story of \u003cem>Mildred Pierce\u003c/em>, at this point in this decade, is particularly shrewd. As the drama opens — in Glendale, California, in 1931 — Mildred’s marriage to her husband Bert breaks up suddenly. It leaves her, in the early years of the Depression, with two young daughters, no prospects for work and no idea how to keep going.\u003c/p>\n\u003cp>It’s easy to relate that sort of anxiety to today’s financial meltdown — and even easier because Kate Winslet, early on, vanishes completely into the role of Mildred. She’s determined to provide for her daughters, but a visit to an employment agency generates nothing, except a lecture about how she isn’t qualified to do anything but cook or clean — and, during hard times, there are plenty of people willing to do that. But when Mildred is asked out for a date by a predatory friend of her soon-to-be-ex-husband’s, her neighbor has some more practical advice. And the neighbor is played by Melissa Leo, who follows up her Oscar-winning role in \u003cem>The Fighter\u003c/em> with another winning performance here.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At first, this seems like a very old-fashioned, unenlightened narrative — suggesting that the only way for a woman to survive is to throw herself at a man. And even when the employment agent calls back with an out-of-the-blue job offer to be a waitress, Mildred doesn’t see it as…suitable.\u003c/p>\n\u003cp>It’s no accident that in the earliest scenes, Mildred doesn’t talk much. It takes a while for her to find her voice, and even longer to find a direction — especially since the thought of taking that waitress job makes her sick. Literally sick. But she takes it anyway, and uses her skill at baking pies to bring in some extra money from the diner, and to start her on her way.\u003c/p>\n\u003cp>But this is James M. Cain, not some fairy tale, so not every turn in the story is a triumph, and not every man she meets is a prince. As actors, however, the men in Mildred’s life, led by Guy Pierce as a dashing young playboy, are charming. And it’s not until the fourth hour that Mildred’s eldest daughter grows up enough to be played by Even Rachel Wood — the vampire queen from \u003cem>True Blood \u003c/em> — but she’s worth the wait. Her defiant disdain of her mother’s work ethic is one of the key elements in this miniseries, and, ultimately, provides its biggest payoff. And it’s a different payoff than the one in the 1945 movie because this version is more faithful to the original novel.\u003c/p>\n\u003cp>I really, really enjoyed this miniseries — especially because it’s perfect as a miniseries. The sheer length of the drama, and the journey Mildred has to take, makes her struggles more potent, more painful and more real. \u003cem>Mildred Pierce\u003c/em> is a masterpiece of modern film noir — or, if you prefer, TV noir — and it’s anchored by a performance by Kate Winslet that is unlikely to be beaten at next year’s Emmys.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Oh, and one last thing — HBO’s \u003cem>Mildred Pierce\u003c/em> will make you hungrier for pie than any television offering since \u003cem>Twin Peaks\u003c/em> and \u003cem>Pushing Daisies\u003c/em>. Select your TV snacks accordingly.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/21/DDGS1IE7PF.DTL\">\u003cstrong>Hugh Jackman Exclusive at Curran Theatre in May\u003c/strong>\u003c/a>\u003cbr>Wolverine will be in town performing some of his favorite musical numbers, backed by a 17-piece orchestra.\u003c/p>\n\u003cp>From \u003ci>The Huffington Post\u003c/i>: \u003cbr>\u003ca href=\"http://www.huffingtonpost.com/2011/03/23/elizabeth-taylor-dead_n_839435.html\">\u003cstrong>Elizabeth Taylor Dead: Actress Dies At 79 \u003c/strong>\u003c/a>\u003cbr>We must say, “Goodbye” to the violet-eyed actress.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://blogs.sfweekly.com/thesnitch/2011/03/charlie_sheen_torpedo_sf.php\">\u003cstrong>Charlie Sheen’s S.F. ‘Torpedo of Truth’ Show: Top Five Things Most Likely to Happen\u003c/strong>\u003c/a>\u003cbr>Speaking of celebrities, we would like to think that this one falls under “performance art.”\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/22/DDIR1IFNPA.DTL\">\u003cstrong>Michael Tilson Thomas Fine-tunes YouTube Symphony\u003c/strong>\u003c/a>\u003cbr>MTT leads an orchestra with members from 33 countries. The performance was streamed live from the Sydney Opera House.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://blogs.sfweekly.com/thesnitch/2011/03/sheila_m_addison_burlesque-per.php\">\u003cstrong>Sheila Addison, Burlesque Professor: Striptease ‘Impacts Her Teaching,’ University Says\u003c/strong>\u003c/a>\u003cbr>Addison filed a lawsuit against her former employer John F. Kennedy University for firing her. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/19/DDTA1IC4G3.DTL\">\u003cstrong>Judy Kaye Leads Cast of ‘Tales’\u003c/strong>\u003c/a>\u003cbr>ACT announces the cast of the long-awaited \u003cstrong>Armistead Maupin’s Tales of the City\u003c/strong> and that the music will be written by the Scissors Sisters.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/18/PK881I8S1O.DTL\">\u003cstrong>Classic Roots, Burning Man to Meld in Terminal Art\u003c/strong>\u003c/a>\u003cbr>Odd title…. but read the article to find out more about the plans for the four-story sculpture in the new Transbay Terminal.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i> via \u003ci>The Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2011/03/22/state/n005105D05.DTL\">\u003cstrong>Longtime Blues Piano Player Pinetop Perkins dies\u003c/strong>\u003c/a>\u003cbr>The oldest Grammy winner dies at his home of cardiac arrest.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/03/22/12-million-gift-for-concert-hall-in-california/\">\u003cstrong>$12 Million Gift for Concert Hall in California\u003c/strong>\u003c/a>\u003cbr>Sanford I. Weill and his wife, Joan, have given a $12 million gift to Sonoma State University for the completion of a concert hall at the Green Music Center, which is scheduled to open in the fall of 2012.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/03/21/a-new-ballet-from-twyla-tharp/\">\u003cstrong>A New Ballet From Twyla Tharp\u003c/strong>\u003c/a>\u003cbr>At (almost) 70, the famous choreographer keeps creating work. \u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/19/arts/design/brian-lanker-pulitzer-winning-photojournalist-dies-at-63.html\">\u003cstrong>Brian Lanker, Pulitzer-Winning Photojournalist, Dies at 63\u003c/strong>\u003c/a>\u003cbr>Lanker was a photographer and PBS documentary filmmaker.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/23/technology/23google.html\">\u003cstrong>Judge Rejects Google’s Deal to Digitize Books\u003c/strong>\u003c/a>\u003cbr>Google’s plan to take over the world, oops, I meant, build the world’s largest digital library and bookstore is foiled. \u003c/p>\n\u003cp>From \u003ci>The Seattle Times\u003c/i>: \u003cbr>\u003ca href=\"http://seattletimes.nwsource.com/html/microsoftpri0/2014560501_microsoftsuesbarnesandnobleoverereadernook.html\">\u003cstrong>Microsoft sues Barnes & Noble over Nook E-reader\u003c/strong>\u003c/a>\u003cbr>More on the e-legality of e-books.\u003c/p>\n\u003cp>From \u003ci>San Jose Mercury News\u003c/i> via \u003ci>The Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.mercurynews.com/books/ci_17637786\">\u003cstrong>Sales of E-books Jump in January Past Hardcovers\u003c/strong>\u003c/a>\u003cbr>And, perhaps the root of all the e-book debacles?\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/books/story/boom-times-bay-area-literary-events/\">\u003cstrong>Boom Times for Bay Area Literary Events\u003c/strong>\u003c/a>\u003cbr>If you didn’t get the memo, the lit scene is hot here…. \u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/battle-over-kusfs-future-rages/\">\u003cstrong>Battle over KUSF’s Future Rages On\u003c/strong>\u003c/a>\u003cbr>A group called Save KUSF hopes to buy the signal.\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/blogs/frequencies/uk-graffiti-artist-eine-bombs-streets/\">\u003cstrong>UK Graffiti Artist EINE Bombs SF\u003c/strong>\u003c/a>\u003cbr>If you have been wondering about the huge block letter graffiti showing up around the city, wonder no more.\u003c/p>\n\u003cp>\u003cstrong>Miscellaneous News You Can Use\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003cp>The 80th Annual California Book Award Finalists were announced. Read the announcement at \u003ca href=\"http://www.commonwealthclub.org/bookawards/\">\u003cstrong>commonwealthclub.org\u003c/strong>\u003c/a>. (Also, listen to winners \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=41641\">\u003cstrong>Suzanne Rivecca\u003c/strong>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=28288\">\u003cstrong>Eric Puchner\u003c/strong>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=29242\">\u003cstrong>Zachary Mason\u003c/strong>\u003c/a> read on \u003cstrong>The Writers’ Block\u003c/strong>.) \u003c/p>\n\u003cp>And since it was a slow week in the “art news” department, we suggest watching this video if you have some time to kill. \u003cstrong>Please note: This video is for mature audiences with an immature sense of humor.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp align=\"center\">\n\u003c/p>\u003cdiv style=\"background-color:#000000;width:408px\">\n\u003cdiv style=\"padding:4px\">\u003c/div>\n\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/21/DDGS1IE7PF.DTL\">\u003cstrong>Hugh Jackman Exclusive at Curran Theatre in May\u003c/strong>\u003c/a>\u003cbr>Wolverine will be in town performing some of his favorite musical numbers, backed by a 17-piece orchestra.\u003c/p>\n\u003cp>From \u003ci>The Huffington Post\u003c/i>: \u003cbr>\u003ca href=\"http://www.huffingtonpost.com/2011/03/23/elizabeth-taylor-dead_n_839435.html\">\u003cstrong>Elizabeth Taylor Dead: Actress Dies At 79 \u003c/strong>\u003c/a>\u003cbr>We must say, “Goodbye” to the violet-eyed actress.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://blogs.sfweekly.com/thesnitch/2011/03/charlie_sheen_torpedo_sf.php\">\u003cstrong>Charlie Sheen’s S.F. ‘Torpedo of Truth’ Show: Top Five Things Most Likely to Happen\u003c/strong>\u003c/a>\u003cbr>Speaking of celebrities, we would like to think that this one falls under “performance art.”\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/22/DDIR1IFNPA.DTL\">\u003cstrong>Michael Tilson Thomas Fine-tunes YouTube Symphony\u003c/strong>\u003c/a>\u003cbr>MTT leads an orchestra with members from 33 countries. The performance was streamed live from the Sydney Opera House.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://blogs.sfweekly.com/thesnitch/2011/03/sheila_m_addison_burlesque-per.php\">\u003cstrong>Sheila Addison, Burlesque Professor: Striptease ‘Impacts Her Teaching,’ University Says\u003c/strong>\u003c/a>\u003cbr>Addison filed a lawsuit against her former employer John F. Kennedy University for firing her. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/19/DDTA1IC4G3.DTL\">\u003cstrong>Judy Kaye Leads Cast of ‘Tales’\u003c/strong>\u003c/a>\u003cbr>ACT announces the cast of the long-awaited \u003cstrong>Armistead Maupin’s Tales of the City\u003c/strong> and that the music will be written by the Scissors Sisters.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/18/PK881I8S1O.DTL\">\u003cstrong>Classic Roots, Burning Man to Meld in Terminal Art\u003c/strong>\u003c/a>\u003cbr>Odd title…. but read the article to find out more about the plans for the four-story sculpture in the new Transbay Terminal.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i> via \u003ci>The Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2011/03/22/state/n005105D05.DTL\">\u003cstrong>Longtime Blues Piano Player Pinetop Perkins dies\u003c/strong>\u003c/a>\u003cbr>The oldest Grammy winner dies at his home of cardiac arrest.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/03/22/12-million-gift-for-concert-hall-in-california/\">\u003cstrong>$12 Million Gift for Concert Hall in California\u003c/strong>\u003c/a>\u003cbr>Sanford I. Weill and his wife, Joan, have given a $12 million gift to Sonoma State University for the completion of a concert hall at the Green Music Center, which is scheduled to open in the fall of 2012.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/03/21/a-new-ballet-from-twyla-tharp/\">\u003cstrong>A New Ballet From Twyla Tharp\u003c/strong>\u003c/a>\u003cbr>At (almost) 70, the famous choreographer keeps creating work. \u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/19/arts/design/brian-lanker-pulitzer-winning-photojournalist-dies-at-63.html\">\u003cstrong>Brian Lanker, Pulitzer-Winning Photojournalist, Dies at 63\u003c/strong>\u003c/a>\u003cbr>Lanker was a photographer and PBS documentary filmmaker.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/23/technology/23google.html\">\u003cstrong>Judge Rejects Google’s Deal to Digitize Books\u003c/strong>\u003c/a>\u003cbr>Google’s plan to take over the world, oops, I meant, build the world’s largest digital library and bookstore is foiled. \u003c/p>\n\u003cp>From \u003ci>The Seattle Times\u003c/i>: \u003cbr>\u003ca href=\"http://seattletimes.nwsource.com/html/microsoftpri0/2014560501_microsoftsuesbarnesandnobleoverereadernook.html\">\u003cstrong>Microsoft sues Barnes & Noble over Nook E-reader\u003c/strong>\u003c/a>\u003cbr>More on the e-legality of e-books.\u003c/p>\n\u003cp>From \u003ci>San Jose Mercury News\u003c/i> via \u003ci>The Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.mercurynews.com/books/ci_17637786\">\u003cstrong>Sales of E-books Jump in January Past Hardcovers\u003c/strong>\u003c/a>\u003cbr>And, perhaps the root of all the e-book debacles?\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/books/story/boom-times-bay-area-literary-events/\">\u003cstrong>Boom Times for Bay Area Literary Events\u003c/strong>\u003c/a>\u003cbr>If you didn’t get the memo, the lit scene is hot here…. \u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/battle-over-kusfs-future-rages/\">\u003cstrong>Battle over KUSF’s Future Rages On\u003c/strong>\u003c/a>\u003cbr>A group called Save KUSF hopes to buy the signal.\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/blogs/frequencies/uk-graffiti-artist-eine-bombs-streets/\">\u003cstrong>UK Graffiti Artist EINE Bombs SF\u003c/strong>\u003c/a>\u003cbr>If you have been wondering about the huge block letter graffiti showing up around the city, wonder no more.\u003c/p>\n\u003cp>\u003cstrong>Miscellaneous News You Can Use\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003cp>The 80th Annual California Book Award Finalists were announced. Read the announcement at \u003ca href=\"http://www.commonwealthclub.org/bookawards/\">\u003cstrong>commonwealthclub.org\u003c/strong>\u003c/a>. (Also, listen to winners \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=41641\">\u003cstrong>Suzanne Rivecca\u003c/strong>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=28288\">\u003cstrong>Eric Puchner\u003c/strong>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=29242\">\u003cstrong>Zachary Mason\u003c/strong>\u003c/a> read on \u003cstrong>The Writers’ Block\u003c/strong>.) \u003c/p>\n\u003cp>And since it was a slow week in the “art news” department, we suggest watching this video if you have some time to kill. \u003cstrong>Please note: This video is for mature audiences with an immature sense of humor.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp align=\"center\">\n\u003c/p>\u003cdiv style=\"background-color:#000000;width:408px\">\n\u003cdiv style=\"padding:4px\">\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In celebration of the \u003cstrong>83rd Academy Awards\u003c/strong> being hosted by Palo Alto native James Franco, this week’s roundup is focused more on movies and stars — less on news.\u003c/p>\n\u003cp>If you missed the Oscars, you can see a list of the winners at \u003ca href=\"http://oscar.go.com\">\u003cstrong>oscar.go.com\u003c/strong>\u003c/a>, listen to \u003ca href=\"http://www.kqed.org/a/forum/R201102280900\">\u003cstrong>Forum’s Academy Awards Recap\u003c/strong>\u003c/a>, or read our \u003ca href=\"http://www.kqed.org/arts/multimedia/article.jsp?essid=44893\">\u003cstrong>Oscars Recap\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>Berkeleyside\u003c/i>: \u003cbr>\u003ca href=\"http://www.berkeleyside.com/2011/02/28/berkeley-filmmaker-wins-academy-award-for-inside-job/\">\u003cstrong>Berkeley Filmmaker Wins Academy Award for “Inside Job”\u003c/strong>\u003c/a>\u003cbr>To quote Anne Hathaway, “Woo hoo!” Other Bay Area winners are listed at \u003ca href=\"http://www.nbcbayarea.com/news/local/Bay-Area-Oscar-Winners-117034198.html\">\u003cstrong>NBC Bay Area\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/04/MVNJ1HHQCD.DTL\">\u003cstrong>Actor Jesse Eisenberg Seeking Roles, not Friends\u003c/strong>\u003c/a>\u003cbr>Surprisingly, Eisenberg from the movie, \u003cstrong>The Social Network\u003c/strong>, isn’t on Facebook. I guess he’s not a method actor.\u003c/p>\n\u003cp>From the \u003ci>BlackBook\u003c/i>: \u003cbr>\u003ca href=\"http://www.blackbookmag.com/article/oscars-boost-value-of-banksys-works/25064\">\u003cstrong>Oscars Boost Value of Banksy’s Works\u003c/strong>\u003c/a>\u003cbr>No surprises there. And disappointingly, no Banksy surprises at the Oscars.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i> via the \u003ci>Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/nationworld/world/europe/la-fgw-galliano-20110302,0,4465782.story\">\u003cstrong>Christian Dior Firing Designer John Galliano\u003c/strong>\u003c/a>\u003cbr>Oscar-winning actress Natalie Portman speaks out against the Hitler-praising Galliano.\u003c/p>\n\u003cp>From \u003ci>KQED’s News Fix\u003c/i>: \u003cbr>\u003ca href=\"http://ww2.kqed.org/news/2011/02/25/guess-who-will-be-performing-in-the-castro-next-month/\">\u003cstrong>Britney Spears to Perform in the Castro Next Month\u003c/strong>\u003c/a>\u003cbr>If you were wondering what Britney’s post-Oscar night announcement was, wonder no more.\u003c/p>\n\u003cp>From the \u003ci>Oakland Tribune\u003c/i>: \u003cbr>\u003ca href=\"http://www.insidebayarea.com/california/ci_17492467\">\u003cstrong>“Black Swan” Takes Four Honors at Spirit Awards \u003c/strong>\u003c/a>\u003cbr>Indie films had a big award ceremony last week as well — no Banksy antics spotted there either.\u003c/p>\n\u003cp>From \u003ci>San Jose Mercury News\u003c/i>: \u003cbr>\u003ca href=\"http://www.mercurynews.com/ci_17506031?IADID\">\u003cstrong>Cinequest Celebrates Lucky Number 21\u003c/strong>\u003c/a>\u003cbr>San Jose’s Cinequest film festival honors John Turturro with their Maverick Spirit award.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/11/MVTP1HKAA5.DTL\">\u003cstrong>‘Kaboom’ Director Gregg Araki Blasts Sexual Limits\u003c/strong>\u003c/a>\u003cbr>Bay Area filmmaker Gregg Araki talks about his artistic vision.\u003c/p>\n\u003cp>From the \u003ci>Examiner\u003c/i>: \u003cbr>\u003ca href=\"http://www.examiner.com/indie-movie-in-san-francisco/film-report-the-roxie-s-elliot-lavine-honored-by-s-f-film-critics-and-more\">\u003cstrong>Film report: The Roxie’s Elliot Lavine Honored by S.F. Film Critics, and more\u003c/strong>\u003c/a>\u003cbr>Lavine received The Marlon Riggs Award from the San Francisco Film Critics Circle.\u003c/p>\n\u003cp>From \u003ci>The Guardian\u003c/i>: \u003cbr>\u003ca href=\"http://www.guardian.co.uk/artanddesign/2011/feb/28/guangzhou-opera-house-zaha-hadid\">\u003cstrong>Move over, Sydney: Zaha Hadid’s Guangzhou Opera House\u003c/strong>\u003c/a>\u003cbr>Architect Hadid outdoes herself.\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/silicon-valley/story/steve-wozniak-agony-and-ecstasy-steve/\">\u003cstrong>Apple Co-Founder Responds to ‘The Agony and the Ecstasy of Steve Jobs’\u003c/strong>\u003c/a>\u003cbr>Is Mike Daisey’s monologue \u003cstrong>The Agony and Ecstasy of Steve Jobs\u003c/strong>, Apple’s \u003cstrong>The Social Network\u003c/strong>?\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/3-musical-experimenters-forge-indie/\">\u003cstrong>3 Musical Experimenters Forge Indie Success\u003c/strong>\u003c/a>\u003cbr>John Dwyer, Tim Cohen and Sonny Smith talk about creative risk-taking. (Also, \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/episode.jsp?essid=29103\">\u003cstrong>watch a video featuring Sonny Smith’s 100 Records show at Gallery 16\u003c/strong>\u003c/a> on \u003cstrong>Gallery Crawl\u003c/strong>.)\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Streep, James Taylor, Quincy Jones, Sonny Rollins, Van Cliburn, Philip Roth among national arts and humanities medalists\u003c/strong>\u003c/a>\u003cbr>Meryl Streep might not have been nominated for an Oscar this year, but a National Medal of Arts isn’t so shabby.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Jane Russell Dies at 89; Screen Siren had Sensational Debut in ‘The Outlaw’\u003c/strong>\u003c/a>\u003cbr>The \u003cstrong>Gentlemen Prefer Blondes\u003c/strong> star passes away.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/culturemonster/2011/02/arts-writers-declare-strike-against-huffington-post-1.html\">\u003cstrong>Arts Writers Declare ‘Strike’ against Huffington Post\u003c/strong>\u003c/a>\u003cbr>Writers for ArtScene and Visual Art Source are demanding to get paid.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/showtracker/2011/02/new-dancing-with-the-stars-cast-announced-1.html\">\u003cstrong>New ‘Dancing With the Stars’ Cast Announced\u003c/strong>\u003c/a>\u003cbr>Close your eyes and imagine a dance-off between the Karate Kid and Wendy Williams…\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>S.F. Ballet Review: Tchaikovsky Tribute\u003c/strong>\u003c/a>\u003cbr>I’m only mentioning this since you didn’t hear anything about Tchaikovsky with all of the \u003cstrong>Black Swan\u003c/strong> hype.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>‘Spelling Bee for Cheaters’ at Herbst in S.F.\u003c/strong>\u003c/a>\u003cbr>City Arts & Lectures and 826 Valencia held a unique fundraiser with celebrity contestants such as Tracy Chapman, Adam Savage, Daniel Handler, Lisa Brown and Michael Chabon. (Also, listen to \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=5292\">\u003cstrong>Brown\u003c/strong>\u003c/a> and \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=11186\">\u003cstrong>Handler\u003c/strong>\u003c/a> read on \u003cstrong>The Writers’ Block\u003c/strong>.)\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDCB1HVCAS.DTL\">\u003cstrong>‘Pearls Over Shanghai’ to Close after 22-month Run\u003c/strong>\u003c/a>\u003cbr>Cockettes fans, do not fret yet … the group’s 40th anniversary celebration will open on April 22.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/23/DDPD1HQB6K.DTL\">\u003cstrong>Kary Schulman a Champion of S.F. Arts for 30 Years\u003c/strong>\u003c/a>\u003cbr>It’s nice when the behind-the-scenes people get a shout out. \u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/25/PKUQ1HL00P.DTL\">\u003cstrong>Constantine Maroulis spans Broadway, L.A. in Play\u003c/strong>\u003c/a>\u003cbr>\u003cstrong>American Idol\u003c/strong> contestant Maroulis stars in \u003cstrong>Rock of Ages\u003c/strong>, a musical that opens March 8 at the Curran Theatre.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/24/DDP61HQAAI.DTL\">\u003cstrong>‘Bali: Art, Ritual, Performance,’ Asian Art Museum\u003c/strong>\u003c/a>\u003cbr>Featuring 130 pieces, \u003cstrong>Bali\u003c/strong> is the first exhibition in the U.S. to focus on the art and culture of Bali.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/02/28/suze-rotolo-muse-and-girlfriend-to-bob-dylan-dies-at-67/\">\u003cstrong>Suze Rotolo, Muse and Girlfriend to Bob Dylan, Dies at 67\u003c/strong>\u003c/a>\u003cbr>The author of \u003cstrong>A Freewheelin’ Time: A Memoir of Greenwich Village in the 60s\u003c/strong> loses a battle with lung cancer.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/02/arts/design/02susman.html\">\u003cstrong>In London, U.S. Art Enjoys Diplomatic Showcase\u003c/strong>\u003c/a>\u003cbr>Artwork by Louise Bourgeois, Jasper Johns and Mark Rothko adorn U.S. Envoy’s home in London.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/01/business/media/01live.html\">\u003cstrong>Weak Ticket Sales Contribute to Large Loss for Live Nation\u003c/strong>\u003c/a>\u003cbr>Hmmm, karma for their innumerable services fees?\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In celebration of the \u003cstrong>83rd Academy Awards\u003c/strong> being hosted by Palo Alto native James Franco, this week’s roundup is focused more on movies and stars — less on news.\u003c/p>\n\u003cp>If you missed the Oscars, you can see a list of the winners at \u003ca href=\"http://oscar.go.com\">\u003cstrong>oscar.go.com\u003c/strong>\u003c/a>, listen to \u003ca href=\"http://www.kqed.org/a/forum/R201102280900\">\u003cstrong>Forum’s Academy Awards Recap\u003c/strong>\u003c/a>, or read our \u003ca href=\"http://www.kqed.org/arts/multimedia/article.jsp?essid=44893\">\u003cstrong>Oscars Recap\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>Berkeleyside\u003c/i>: \u003cbr>\u003ca href=\"http://www.berkeleyside.com/2011/02/28/berkeley-filmmaker-wins-academy-award-for-inside-job/\">\u003cstrong>Berkeley Filmmaker Wins Academy Award for “Inside Job”\u003c/strong>\u003c/a>\u003cbr>To quote Anne Hathaway, “Woo hoo!” Other Bay Area winners are listed at \u003ca href=\"http://www.nbcbayarea.com/news/local/Bay-Area-Oscar-Winners-117034198.html\">\u003cstrong>NBC Bay Area\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/04/MVNJ1HHQCD.DTL\">\u003cstrong>Actor Jesse Eisenberg Seeking Roles, not Friends\u003c/strong>\u003c/a>\u003cbr>Surprisingly, Eisenberg from the movie, \u003cstrong>The Social Network\u003c/strong>, isn’t on Facebook. I guess he’s not a method actor.\u003c/p>\n\u003cp>From the \u003ci>BlackBook\u003c/i>: \u003cbr>\u003ca href=\"http://www.blackbookmag.com/article/oscars-boost-value-of-banksys-works/25064\">\u003cstrong>Oscars Boost Value of Banksy’s Works\u003c/strong>\u003c/a>\u003cbr>No surprises there. And disappointingly, no Banksy surprises at the Oscars.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i> via the \u003ci>Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/nationworld/world/europe/la-fgw-galliano-20110302,0,4465782.story\">\u003cstrong>Christian Dior Firing Designer John Galliano\u003c/strong>\u003c/a>\u003cbr>Oscar-winning actress Natalie Portman speaks out against the Hitler-praising Galliano.\u003c/p>\n\u003cp>From \u003ci>KQED’s News Fix\u003c/i>: \u003cbr>\u003ca href=\"http://ww2.kqed.org/news/2011/02/25/guess-who-will-be-performing-in-the-castro-next-month/\">\u003cstrong>Britney Spears to Perform in the Castro Next Month\u003c/strong>\u003c/a>\u003cbr>If you were wondering what Britney’s post-Oscar night announcement was, wonder no more.\u003c/p>\n\u003cp>From the \u003ci>Oakland Tribune\u003c/i>: \u003cbr>\u003ca href=\"http://www.insidebayarea.com/california/ci_17492467\">\u003cstrong>“Black Swan” Takes Four Honors at Spirit Awards \u003c/strong>\u003c/a>\u003cbr>Indie films had a big award ceremony last week as well — no Banksy antics spotted there either.\u003c/p>\n\u003cp>From \u003ci>San Jose Mercury News\u003c/i>: \u003cbr>\u003ca href=\"http://www.mercurynews.com/ci_17506031?IADID\">\u003cstrong>Cinequest Celebrates Lucky Number 21\u003c/strong>\u003c/a>\u003cbr>San Jose’s Cinequest film festival honors John Turturro with their Maverick Spirit award.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/11/MVTP1HKAA5.DTL\">\u003cstrong>‘Kaboom’ Director Gregg Araki Blasts Sexual Limits\u003c/strong>\u003c/a>\u003cbr>Bay Area filmmaker Gregg Araki talks about his artistic vision.\u003c/p>\n\u003cp>From the \u003ci>Examiner\u003c/i>: \u003cbr>\u003ca href=\"http://www.examiner.com/indie-movie-in-san-francisco/film-report-the-roxie-s-elliot-lavine-honored-by-s-f-film-critics-and-more\">\u003cstrong>Film report: The Roxie’s Elliot Lavine Honored by S.F. Film Critics, and more\u003c/strong>\u003c/a>\u003cbr>Lavine received The Marlon Riggs Award from the San Francisco Film Critics Circle.\u003c/p>\n\u003cp>From \u003ci>The Guardian\u003c/i>: \u003cbr>\u003ca href=\"http://www.guardian.co.uk/artanddesign/2011/feb/28/guangzhou-opera-house-zaha-hadid\">\u003cstrong>Move over, Sydney: Zaha Hadid’s Guangzhou Opera House\u003c/strong>\u003c/a>\u003cbr>Architect Hadid outdoes herself.\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/silicon-valley/story/steve-wozniak-agony-and-ecstasy-steve/\">\u003cstrong>Apple Co-Founder Responds to ‘The Agony and the Ecstasy of Steve Jobs’\u003c/strong>\u003c/a>\u003cbr>Is Mike Daisey’s monologue \u003cstrong>The Agony and Ecstasy of Steve Jobs\u003c/strong>, Apple’s \u003cstrong>The Social Network\u003c/strong>?\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/3-musical-experimenters-forge-indie/\">\u003cstrong>3 Musical Experimenters Forge Indie Success\u003c/strong>\u003c/a>\u003cbr>John Dwyer, Tim Cohen and Sonny Smith talk about creative risk-taking. (Also, \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/episode.jsp?essid=29103\">\u003cstrong>watch a video featuring Sonny Smith’s 100 Records show at Gallery 16\u003c/strong>\u003c/a> on \u003cstrong>Gallery Crawl\u003c/strong>.)\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Streep, James Taylor, Quincy Jones, Sonny Rollins, Van Cliburn, Philip Roth among national arts and humanities medalists\u003c/strong>\u003c/a>\u003cbr>Meryl Streep might not have been nominated for an Oscar this year, but a National Medal of Arts isn’t so shabby.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Jane Russell Dies at 89; Screen Siren had Sensational Debut in ‘The Outlaw’\u003c/strong>\u003c/a>\u003cbr>The \u003cstrong>Gentlemen Prefer Blondes\u003c/strong> star passes away.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/culturemonster/2011/02/arts-writers-declare-strike-against-huffington-post-1.html\">\u003cstrong>Arts Writers Declare ‘Strike’ against Huffington Post\u003c/strong>\u003c/a>\u003cbr>Writers for ArtScene and Visual Art Source are demanding to get paid.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/showtracker/2011/02/new-dancing-with-the-stars-cast-announced-1.html\">\u003cstrong>New ‘Dancing With the Stars’ Cast Announced\u003c/strong>\u003c/a>\u003cbr>Close your eyes and imagine a dance-off between the Karate Kid and Wendy Williams…\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>S.F. Ballet Review: Tchaikovsky Tribute\u003c/strong>\u003c/a>\u003cbr>I’m only mentioning this since you didn’t hear anything about Tchaikovsky with all of the \u003cstrong>Black Swan\u003c/strong> hype.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>‘Spelling Bee for Cheaters’ at Herbst in S.F.\u003c/strong>\u003c/a>\u003cbr>City Arts & Lectures and 826 Valencia held a unique fundraiser with celebrity contestants such as Tracy Chapman, Adam Savage, Daniel Handler, Lisa Brown and Michael Chabon. (Also, listen to \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=5292\">\u003cstrong>Brown\u003c/strong>\u003c/a> and \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=11186\">\u003cstrong>Handler\u003c/strong>\u003c/a> read on \u003cstrong>The Writers’ Block\u003c/strong>.)\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDCB1HVCAS.DTL\">\u003cstrong>‘Pearls Over Shanghai’ to Close after 22-month Run\u003c/strong>\u003c/a>\u003cbr>Cockettes fans, do not fret yet … the group’s 40th anniversary celebration will open on April 22.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/23/DDPD1HQB6K.DTL\">\u003cstrong>Kary Schulman a Champion of S.F. Arts for 30 Years\u003c/strong>\u003c/a>\u003cbr>It’s nice when the behind-the-scenes people get a shout out. \u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/25/PKUQ1HL00P.DTL\">\u003cstrong>Constantine Maroulis spans Broadway, L.A. in Play\u003c/strong>\u003c/a>\u003cbr>\u003cstrong>American Idol\u003c/strong> contestant Maroulis stars in \u003cstrong>Rock of Ages\u003c/strong>, a musical that opens March 8 at the Curran Theatre.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/24/DDP61HQAAI.DTL\">\u003cstrong>‘Bali: Art, Ritual, Performance,’ Asian Art Museum\u003c/strong>\u003c/a>\u003cbr>Featuring 130 pieces, \u003cstrong>Bali\u003c/strong> is the first exhibition in the U.S. to focus on the art and culture of Bali.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/02/28/suze-rotolo-muse-and-girlfriend-to-bob-dylan-dies-at-67/\">\u003cstrong>Suze Rotolo, Muse and Girlfriend to Bob Dylan, Dies at 67\u003c/strong>\u003c/a>\u003cbr>The author of \u003cstrong>A Freewheelin’ Time: A Memoir of Greenwich Village in the 60s\u003c/strong> loses a battle with lung cancer.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/02/arts/design/02susman.html\">\u003cstrong>In London, U.S. Art Enjoys Diplomatic Showcase\u003c/strong>\u003c/a>\u003cbr>Artwork by Louise Bourgeois, Jasper Johns and Mark Rothko adorn U.S. Envoy’s home in London.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/01/business/media/01live.html\">\u003cstrong>Weak Ticket Sales Contribute to Large Loss for Live Nation\u003c/strong>\u003c/a>\u003cbr>Hmmm, karma for their innumerable services fees?\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Who will win? What will they wear? Will someone trip, show up drunk, or use a Native American as a liaison? These are some of the reasons why we gather to watch the Academy Awards every year, forgetting that the broadcast is often over 4 hours long and full of super boring filler (speeches from the ancient president of the Academy or the accountants who certify the results). Chances are you couldn’t make it through this endurance challenge, but you’re in luck! Here is a cheat sheet of what went down so you will be well-armed at the water-cooler today.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://images.ctv.ca/archives/CTVNews/img2/20110222/470_oscars.jpg\">\u003c/p>\n\u003cp>\u003cb>THE HOSTS:\u003c/b> James Franco and Anne Hathaway started things off with an \u003cb>Inception\u003c/b>-inspired skit, in which they gave Alec Baldwin some Ambien and entered his dreams to find out the secret to being a good awards show host. Sad to say, they didn’t find it. Other than a few bright spots (\u003ca href=\"http://img821.imageshack.us/img821/4569/scr10.gif\" target=\"offsite\" rel=\"noopener\">Franco as Marilyn Monroe\u003c/a>, Franco calling the winners for sound engineering “nerds,” and a funny exchange about possible lesbian subtext in \u003cb>Toy Story 3\u003c/b>), the duo mostly floundered in a sea of awkward pauses. Hathaway was giving it all she had (singing, doing that over-the-top Julia Roberts laugh, and \u003ca href=\"http://30.media.tumblr.com/tumblr_lhb5ncqz7e1qe9ztzo1_500.gif\" target=\"offsite\" rel=\"noopener\">shimmying\u003c/a>), while Franco barely tried (rolling his eyes and looking severely stoned). Sensing this hosting disaster, 94-year-old \u003ca href=\"http://nymag.com/daily/entertainment/2011/02/watch_kirk_douglas_filibuster.html\" target=\"offsite\" rel=\"noopener\">Kirk Douglas arrived\u003c/a> and essentially refused to leave the stage, cracking jokes, playing a game with the man holding his cane, hitting on Hathaway, and easily stealing the show. So much for shamelessly angling for a younger demographic.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/02/28/cateBlanchett.jpg\">\u003c/p>\n\u003cp>\u003ci>photo credit: Getty Images\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>THE FASHION:\u003c/b> Bjork really demolished my interest in red carpet fashion since there’s no way it can get more scintillating than arriving at the Oscars wearing a swan dress and \u003ca href=\"http://www.tampabay.com/blogs/divas/sites/tampabay.com.blogs.divas/files/images/typepad-legacy-files/45727.shared.bjork_swan_dress.jpg\" target=\"offsite\" rel=\"noopener\">laying an egg\u003c/a> on the red carpet. Nevertheless, some dresses from this year’s ceremony weren’t complete yawns. \u003ca href=\"http://i.imgur.com/v3OPt.jpg\" target=\"offsite\" rel=\"noopener\">Michelle Williams\u003c/a>, \u003ca href=\"http://i.imgur.com/PaUDY.jpg\" target=\"offsite\" rel=\"noopener\">Hailee Steinfeld\u003c/a>, and \u003ca href=\"http://i.imgur.com/y92RA.jpg\" target=\"offsite\" rel=\"noopener\">Anne Hathaway\u003c/a> all looked gorgeous. But it was Cate Blanchett who really rocked my world with her unconventional Givenchy dress (and rocked it further when she \u003ca href=\"http://img827.imageshack.us/img827/1304/tumblrlhb5v7bac01qc9j6h.gif\" target=\"offsite\" rel=\"noopener\">said this\u003c/a>).\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=mwhg17WLHlU&fs=1&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>BEST ACTOR:\u003c/b> No surprises here either. Colin Firth (\u003ca href=\"http://25.media.tumblr.com/tumblr_kp1ph9hiIc1qzk3pho1_400.jpg\" target=\"offsite\" rel=\"noopener\">a.k.a. Mr. Darcy\u003c/a>) is one of the most well-respected actors in Hollywood and has had this coming for a long time. He deserved the Oscar for last year’s \u003cb>A Single Man\u003c/b> and now he’s got it for stuttering his way through \u003cb>The King’s Speech\u003c/b>. The others guys didn’t have a shot in hell: Jeff Bridges won last year so he’s out. Jesse Eisenberg and James Franco are too green and Javier Bardem has enough good luck in his life (Penelope Cruz is his wife, after all). So it was really a no-brainer.\u003c/p>\n\u003cp>\u003cb>BEST DIRECTOR:\u003c/b> In what was the closest thing we got to an upset, the award went to Tom Hooper for \u003cb>The King’s Speech\u003c/b> instead of front-runner David Fincher for \u003cb>The Social Network\u003c/b>. The only thing that would have made this exciting is if Kanye West had sprinted on stage to say that Beyonce was the best director of all time.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://news.tvoneonline.com/wp-content/uploads/2009/09/us-vma-kanye-20090913ev.jpg\">\u003c/p>\n\u003cp>\u003cb>BEST ANIMATED FEATURE FILM:\u003c/b> \u003cb>Toy Story 3\u003c/b> won due to its overwhelming achievement in making grown men weep in public. Nostalgia for lost childhood gets ’em every time.\u003c/p>\n\u003cp>\u003cb>BEST PICTURE:\u003c/b> \u003cb>The King’s Speech\u003c/b> took the top honor, besting the favorite \u003cb>The Social Network\u003c/b>. Anglophilia combined with the fact that even the infamously difficult-to-please Queen Elizabeth enjoyed the movie must have pushed the movie over the edge. All in all, an unexciting end to a mostly boring snoozefest (see kitten below for visual representation of what most viewers at home looked like by the time this final award was presented).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/sleepy.gif\" width=\"350\" height=\"263\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For a complete list of award winners, \u003ca href=\"http://www.nytimes.com/slideshow/2011/02/28/movies/awardsseason/20110228-OSCARS.html?ref=awardsseason\" target=\"offsite\" rel=\"noopener\">visit nytimes.com\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Who will win? What will they wear? Will someone trip, show up drunk, or use a Native American as a liaison? These are some of the reasons why we gather to watch the Academy Awards every year, forgetting that the broadcast is often over 4 hours long and full of super boring filler (speeches from the ancient president of the Academy or the accountants who certify the results). Chances are you couldn’t make it through this endurance challenge, but you’re in luck! Here is a cheat sheet of what went down so you will be well-armed at the water-cooler today.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://images.ctv.ca/archives/CTVNews/img2/20110222/470_oscars.jpg\">\u003c/p>\n\u003cp>\u003cb>THE HOSTS:\u003c/b> James Franco and Anne Hathaway started things off with an \u003cb>Inception\u003c/b>-inspired skit, in which they gave Alec Baldwin some Ambien and entered his dreams to find out the secret to being a good awards show host. Sad to say, they didn’t find it. Other than a few bright spots (\u003ca href=\"http://img821.imageshack.us/img821/4569/scr10.gif\" target=\"offsite\" rel=\"noopener\">Franco as Marilyn Monroe\u003c/a>, Franco calling the winners for sound engineering “nerds,” and a funny exchange about possible lesbian subtext in \u003cb>Toy Story 3\u003c/b>), the duo mostly floundered in a sea of awkward pauses. Hathaway was giving it all she had (singing, doing that over-the-top Julia Roberts laugh, and \u003ca href=\"http://30.media.tumblr.com/tumblr_lhb5ncqz7e1qe9ztzo1_500.gif\" target=\"offsite\" rel=\"noopener\">shimmying\u003c/a>), while Franco barely tried (rolling his eyes and looking severely stoned). Sensing this hosting disaster, 94-year-old \u003ca href=\"http://nymag.com/daily/entertainment/2011/02/watch_kirk_douglas_filibuster.html\" target=\"offsite\" rel=\"noopener\">Kirk Douglas arrived\u003c/a> and essentially refused to leave the stage, cracking jokes, playing a game with the man holding his cane, hitting on Hathaway, and easily stealing the show. So much for shamelessly angling for a younger demographic.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/02/28/cateBlanchett.jpg\">\u003c/p>\n\u003cp>\u003ci>photo credit: Getty Images\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>THE FASHION:\u003c/b> Bjork really demolished my interest in red carpet fashion since there’s no way it can get more scintillating than arriving at the Oscars wearing a swan dress and \u003ca href=\"http://www.tampabay.com/blogs/divas/sites/tampabay.com.blogs.divas/files/images/typepad-legacy-files/45727.shared.bjork_swan_dress.jpg\" target=\"offsite\" rel=\"noopener\">laying an egg\u003c/a> on the red carpet. Nevertheless, some dresses from this year’s ceremony weren’t complete yawns. \u003ca href=\"http://i.imgur.com/v3OPt.jpg\" target=\"offsite\" rel=\"noopener\">Michelle Williams\u003c/a>, \u003ca href=\"http://i.imgur.com/PaUDY.jpg\" target=\"offsite\" rel=\"noopener\">Hailee Steinfeld\u003c/a>, and \u003ca href=\"http://i.imgur.com/y92RA.jpg\" target=\"offsite\" rel=\"noopener\">Anne Hathaway\u003c/a> all looked gorgeous. But it was Cate Blanchett who really rocked my world with her unconventional Givenchy dress (and rocked it further when she \u003ca href=\"http://img827.imageshack.us/img827/1304/tumblrlhb5v7bac01qc9j6h.gif\" target=\"offsite\" rel=\"noopener\">said this\u003c/a>).\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mwhg17WLHlU'\n title='//www.youtube.com/embed/mwhg17WLHlU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>BEST ACTOR:\u003c/b> No surprises here either. Colin Firth (\u003ca href=\"http://25.media.tumblr.com/tumblr_kp1ph9hiIc1qzk3pho1_400.jpg\" target=\"offsite\" rel=\"noopener\">a.k.a. Mr. Darcy\u003c/a>) is one of the most well-respected actors in Hollywood and has had this coming for a long time. He deserved the Oscar for last year’s \u003cb>A Single Man\u003c/b> and now he’s got it for stuttering his way through \u003cb>The King’s Speech\u003c/b>. The others guys didn’t have a shot in hell: Jeff Bridges won last year so he’s out. Jesse Eisenberg and James Franco are too green and Javier Bardem has enough good luck in his life (Penelope Cruz is his wife, after all). So it was really a no-brainer.\u003c/p>\n\u003cp>\u003cb>BEST DIRECTOR:\u003c/b> In what was the closest thing we got to an upset, the award went to Tom Hooper for \u003cb>The King’s Speech\u003c/b> instead of front-runner David Fincher for \u003cb>The Social Network\u003c/b>. The only thing that would have made this exciting is if Kanye West had sprinted on stage to say that Beyonce was the best director of all time.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://news.tvoneonline.com/wp-content/uploads/2009/09/us-vma-kanye-20090913ev.jpg\">\u003c/p>\n\u003cp>\u003cb>BEST ANIMATED FEATURE FILM:\u003c/b> \u003cb>Toy Story 3\u003c/b> won due to its overwhelming achievement in making grown men weep in public. Nostalgia for lost childhood gets ’em every time.\u003c/p>\n\u003cp>\u003cb>BEST PICTURE:\u003c/b> \u003cb>The King’s Speech\u003c/b> took the top honor, besting the favorite \u003cb>The Social Network\u003c/b>. Anglophilia combined with the fact that even the infamously difficult-to-please Queen Elizabeth enjoyed the movie must have pushed the movie over the edge. All in all, an unexciting end to a mostly boring snoozefest (see kitten below for visual representation of what most viewers at home looked like by the time this final award was presented).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/sleepy.gif\" width=\"350\" height=\"263\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For a complete list of award winners, \u003ca href=\"http://www.nytimes.com/slideshow/2011/02/28/movies/awardsseason/20110228-OSCARS.html?ref=awardsseason\" target=\"offsite\" rel=\"noopener\">visit nytimes.com\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Bob’s Burgers\u003c/b> is a new, animated show airing in a prime spot after \u003cb>The Simpsons\u003c/b> on FOX. And, guess what? Not just one, but two San Francisco artists created original artwork for the series: Sirron Norris made the backgrounds, and Jay Howell created the characters. While the artists are quite different in style and approach, their work is a perfect match for the cartoon. Both are local icons and their work can be seen all over the city, so I got in touch with them to find out more about their network television debut.\u003c/p>\n\u003cp>Most of Jay and Sirron’s work for \u003cb>Bob’s Burgers\u003c/b> is complete, but it wasn’t an easy gig. Sirron said it was the hardest he’d worked in years. “I worked my butt off for six months, 12 hours a day, plus weekends.” When asked how they felt seeing their art in the context of a prime time cartoon, both artists seemed stoked. Though it looked different than his final drawings, Sirron said it was cool to see how his “original intentions passed Fox scrutiny.” He drew himself into one of the scenes as a student “although,” he says “they put hair on me.” Jay says the characters are pretty close to his original design, though his “had bigger noses and were skinnier. As he puts it, “It’s been Simsonized to the max. I’m happy with how it turned out. It’s simply amazing to see something you worked on come alive on T.V.” Jay calls Loren Bouchard, the show’s creator, a genius and says he’s grateful to have worked on the show.\u003c/p>\n\u003cp>The Victorian-lined streets in the cartoon’s scenery are clearly inspired by San Francisco. Bouchard, who’s known for \u003cb>Dr. Katz\u003c/b> and his work on the Adult Swim channel, lived near some of Sirron’s first murals in the Mission, where the cartoon was originally intended to be set. Sirron said Bouchard wanted “every aspect of his show to stand out and be original,” and explained the production’s move from SF to LA. “We all worked out of a studio on 16th street and then FOX changed the animation style from Flash-based to Full-Motion, so Loren had no choice but to move it to LA. He felt bad leaving us for greener pastures but I encouraged him to forget about us — we had our own careers and he needed to do what was best for him.” \u003c/p>\n\u003cp>Sirron opened a studio and gallery for his work on Valencia Street last year where he teaches cartooning classes. He’s about to start an “epic mural on Sacramento & Polk” and plans to raise funds for the mural on Kickstarter.com. He’ll paint donors’ names into the piece as an incentive. He’s also branding a new restaurant, Taco Libre, which is set to open next month, and is working a reality series pilot based on his gallery and internship program.\u003c/p>\n\u003cp>Jay recently moved to LA to work on a new cartoon for Nickelodeon with SF pals Jim Dirshberger and Andreas Trolf. Local band The Oh Sees are writing the theme song and the show is “about a young boy and his wacky ass life, friends, and family.” Jay says it’s not as nasty as his other original cartoon, \u003cb>Forest City Rockers\u003c/b>, but “it’s gross, and for kids.” He’s still making art for gallery shows alongside the animated projects and says “being able to draw full-time for a living is the greatest job ever.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch the premiere episode of Bob’s Burgers on Hulu.com\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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