window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10045091": {
"type": "attachments",
"id": "arts_10045091",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10045091",
"found": true
},
"parent": 45091,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/03/03022011news-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/03/03022011news-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/03/03022011news-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/03/03022011news-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/03/03022011news-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/03/03022011news-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1299038771,
"modified": 1299038771,
"caption": null,
"description": null,
"title": "Arts News Roundup: March 2, 2011-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10044893": {
"type": "attachments",
"id": "arts_10044893",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10044893",
"found": true
},
"parent": 44893,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/02/oscar2010-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/02/oscar2010-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/02/oscar2010-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/02/oscar2010-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/02/oscar2010-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/02/oscar2010-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1298874491,
"modified": 1298874491,
"caption": null,
"description": null,
"title": "Oscars Recap-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10041915": {
"type": "attachments",
"id": "arts_10041915",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10041915",
"found": true
},
"parent": 41915,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/01/bobsburgers-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2011/01/bobsburgers-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1294970512,
"modified": 1294970512,
"caption": null,
"description": null,
"title": "Bob's Burgers: SF Artists + Syndicated Cartoons = Love-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10040778": {
"type": "attachments",
"id": "arts_10040778",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10040778",
"found": true
},
"parent": 40778,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/tv2010-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/tv2010-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/tv2010-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/tv2010-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/tv2010-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/tv2010-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1293660169,
"modified": 1293660169,
"caption": null,
"description": null,
"title": "Bianculli Picks The Best (And Worst) TV Of 2010-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10040533": {
"type": "attachments",
"id": "arts_10040533",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10040533",
"found": true
},
"parent": 40533,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/wonderfulthings-248x1404.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/wonderfulthings-248x1404-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1293145418,
"modified": 1293145418,
"caption": null,
"description": null,
"title": "50 Wonderful Things From 2010-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10039756": {
"type": "attachments",
"id": "arts_10039756",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10039756",
"found": true
},
"parent": 39756,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/topchef-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/12/topchef-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1291941811,
"modified": 1291941811,
"caption": null,
"description": null,
"title": "'Top Chef': Tiffani And Jen Show How And How Not To Do All-Star Seasons-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10030589": {
"type": "attachments",
"id": "arts_10030589",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10030589",
"found": true
},
"parent": 30589,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/06/lassie-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/06/lassie-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/06/lassie-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/06/lassie-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/06/lassie-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/06/lassie-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1277931322,
"modified": 1277931322,
"caption": null,
"description": null,
"title": "Video of the Week: Cat Lassie-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029192": {
"type": "attachments",
"id": "arts_10029192",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029192",
"found": true
},
"parent": 29192,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/drag-race-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/drag-race-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/drag-race-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/drag-race-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/drag-race-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/drag-race-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1272266279,
"modified": 1272266279,
"caption": null,
"description": null,
"title": "Best of RuPaul's Drag Race-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10028147": {
"type": "attachments",
"id": "arts_10028147",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10028147",
"found": true
},
"parent": 28147,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/brief-history-248x1404.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/brief-history-248x1404-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1267664728,
"modified": 1267664728,
"caption": null,
"description": null,
"title": "Video of the Week: A Brief History of Pretty Much Everything-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10027671": {
"type": "attachments",
"id": "arts_10027671",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10027671",
"found": true
},
"parent": 27671,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/procrastination-248x1404.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/procrastination-248x1404-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1265314788,
"modified": 1265314788,
"caption": null,
"description": null,
"title": "Video of the Week: Procrastination-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10027634": {
"type": "attachments",
"id": "arts_10027634",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10027634",
"found": true
},
"parent": 27634,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/drag-race-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/drag-race-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/drag-race-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/drag-race-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/drag-race-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/02/drag-race-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1265141427,
"modified": 1265141427,
"caption": null,
"description": null,
"title": "RuPaul's Drag Race-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10027348": {
"type": "attachments",
"id": "arts_10027348",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10027348",
"found": true
},
"parent": 27348,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/01/runway-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/01/runway-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/01/runway-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/01/runway-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/01/runway-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/01/runway-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1263597079,
"modified": 1263597079,
"caption": null,
"description": null,
"title": "5 Reasons to Watch Project Runway-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_40778": {
"type": "authors",
"id": "byline_arts_40778",
"meta": {
"override": true
},
"slug": "byline_arts_40778",
"name": "David Bianculli",
"isLoading": false
},
"byline_arts_40533": {
"type": "authors",
"id": "byline_arts_40533",
"meta": {
"override": true
},
"slug": "byline_arts_40533",
"name": "Linda Holmes",
"isLoading": false
},
"byline_arts_39756": {
"type": "authors",
"id": "byline_arts_39756",
"meta": {
"override": true
},
"slug": "byline_arts_39756",
"name": "Linda Holmes",
"isLoading": false
},
"kfarr": {
"type": "authors",
"id": "16",
"meta": {
"index": "authors_1716337520",
"id": "16",
"found": true
},
"name": "Kristin Farr",
"firstName": "Kristin",
"lastName": "Farr",
"slug": "kfarr",
"email": "kfarr@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Kristin Farr is the creator and producer of KQED's Emmy Award-winning web video series, Art School, and she is also a contributing editor for Juxtapoz magazine. Her artwork has been exhibited at galleries around the Bay Area including YBCA, Fifty24SF, Anno Domini and The Bedford Gallery. Her FarrOut art app for iOS was released in 2013. She lives in the East Bay and her favorite color is all of them.",
"avatar": "https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g",
"twitter": "kristinfarr",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"contributor"
]
},
{
"site": "artschool",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Kristin Farr | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kfarr"
},
"mlee": {
"type": "authors",
"id": "21",
"meta": {
"index": "authors_1716337520",
"id": "21",
"found": true
},
"name": "Marie K. Lee",
"firstName": "Marie K.",
"lastName": "Lee",
"slug": "mlee",
"email": "mklee@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Marie K. Lee is a product manager at KQED. Lee produces sites for \u003ca href=\"http://blogs.kqed.org/makingof/\">\u003cb>The Making Of...\u003c/b>\u003c/a>, \u003ca href=\"http://www.pbs.org/soundtracks/\">\u003cb>Sound Tracks\u003c/b>\u003c/a>, \u003ca href=\"http://www.kqed.org/w/filmschoolshorts/\">\u003cb>Film School Shorts\u003c/b>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/trulyca/\">\u003cb>Truly CA\u003c/b>\u003c/a>, \u003ca href=\"http://www.kqed.org/arts/programs/imagemakers/\">\u003cb>ImageMakers\u003c/b>\u003c/a>, and \u003ca href=\"http://www.kqed.org/arts/programs/spark/\">\u003cb>Spark\u003c/b>\u003c/a>. For her work on the \u003cb>Spark\u003c/b> site, she garnered a 2003 Northern California Area EMMY Award for Interactivity. Together with Mark Taylor, Lee created the video podcast \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/\">\u003cb>Gallery Crawl\u003c/b>\u003c/a>, which she co-produced from 2005-07. She was also on the reading panel of the audio podcast \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/\">\u003cb>The Writers' Block\u003c/b>\u003c/a>.\r\n\r\n She earned a B.A. in visual arts at Bowdoin College. Being a farm gal from Maine, she's obsessed with crafting and will not give-up wearing her threadbare flannel shirts. Her other passions include eating, sleeping, dancing, traveling, watching films, playing Scrabble, and checking out art galleries.",
"avatar": "https://secure.gravatar.com/avatar/672c2170de4adaa3348f7be01e3a15a5?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "styleguide",
"roles": [
"subscriber"
]
},
{
"site": "imagemakers",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Marie K. Lee | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/672c2170de4adaa3348f7be01e3a15a5?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/672c2170de4adaa3348f7be01e3a15a5?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mlee"
},
"ehapsis": {
"type": "authors",
"id": "27",
"meta": {
"index": "authors_1716337520",
"id": "27",
"found": true
},
"name": "Emmanuel Hapsis",
"firstName": "Emmanuel",
"lastName": "Hapsis",
"slug": "ehapsis",
"email": "ehapsis@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emmanuel Hapsis is the creator and editor of KQED Pop and also the host of \u003cem>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>\u003c/em>. He studied creative writing at University of Maryland and went on to receive his MFA in the field from California College of the Arts. In his free time, he sings his heart out at karaoke.",
"avatar": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twitter": "xcusemybeauty",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Emmanuel Hapsis | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ehapsis"
}
},
"pagesReducer": {
"arts_category_popculture": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"score": 14.402988
},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"title": "Pop Culture",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 243
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=popculture",
"seeMore": false,
"paginated": true,
"page": 243
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_45091": {
"type": "posts",
"id": "arts_45091",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "45091",
"score": null,
"sort": [
1299038771000
]
},
"guestAuthors": [],
"slug": "arts_news_roundup_march_2_2011",
"title": "Arts News Roundup: March 2, 2011",
"publishDate": 1299038771,
"format": "standard",
"headTitle": "Arts News Roundup: March 2, 2011 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In celebration of the \u003cstrong>83rd Academy Awards\u003c/strong> being hosted by Palo Alto native James Franco, this week’s roundup is focused more on movies and stars — less on news.\u003c/p>\n\u003cp>If you missed the Oscars, you can see a list of the winners at \u003ca href=\"http://oscar.go.com\">\u003cstrong>oscar.go.com\u003c/strong>\u003c/a>, listen to \u003ca href=\"http://www.kqed.org/a/forum/R201102280900\">\u003cstrong>Forum’s Academy Awards Recap\u003c/strong>\u003c/a>, or read our \u003ca href=\"http://www.kqed.org/arts/multimedia/article.jsp?essid=44893\">\u003cstrong>Oscars Recap\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>Berkeleyside\u003c/i>: \u003cbr>\u003ca href=\"http://www.berkeleyside.com/2011/02/28/berkeley-filmmaker-wins-academy-award-for-inside-job/\">\u003cstrong>Berkeley Filmmaker Wins Academy Award for “Inside Job”\u003c/strong>\u003c/a>\u003cbr>To quote Anne Hathaway, “Woo hoo!” Other Bay Area winners are listed at \u003ca href=\"http://www.nbcbayarea.com/news/local/Bay-Area-Oscar-Winners-117034198.html\">\u003cstrong>NBC Bay Area\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/04/MVNJ1HHQCD.DTL\">\u003cstrong>Actor Jesse Eisenberg Seeking Roles, not Friends\u003c/strong>\u003c/a>\u003cbr>Surprisingly, Eisenberg from the movie, \u003cstrong>The Social Network\u003c/strong>, isn’t on Facebook. I guess he’s not a method actor.\u003c/p>\n\u003cp>From the \u003ci>BlackBook\u003c/i>: \u003cbr>\u003ca href=\"http://www.blackbookmag.com/article/oscars-boost-value-of-banksys-works/25064\">\u003cstrong>Oscars Boost Value of Banksy’s Works\u003c/strong>\u003c/a>\u003cbr>No surprises there. And disappointingly, no Banksy surprises at the Oscars.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i> via the \u003ci>Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/nationworld/world/europe/la-fgw-galliano-20110302,0,4465782.story\">\u003cstrong>Christian Dior Firing Designer John Galliano\u003c/strong>\u003c/a>\u003cbr>Oscar-winning actress Natalie Portman speaks out against the Hitler-praising Galliano.\u003c/p>\n\u003cp>From \u003ci>KQED’s News Fix\u003c/i>: \u003cbr>\u003ca href=\"http://ww2.kqed.org/news/2011/02/25/guess-who-will-be-performing-in-the-castro-next-month/\">\u003cstrong>Britney Spears to Perform in the Castro Next Month\u003c/strong>\u003c/a>\u003cbr>If you were wondering what Britney’s post-Oscar night announcement was, wonder no more.\u003c/p>\n\u003cp>From the \u003ci>Oakland Tribune\u003c/i>: \u003cbr>\u003ca href=\"http://www.insidebayarea.com/california/ci_17492467\">\u003cstrong>“Black Swan” Takes Four Honors at Spirit Awards \u003c/strong>\u003c/a>\u003cbr>Indie films had a big award ceremony last week as well — no Banksy antics spotted there either.\u003c/p>\n\u003cp>From \u003ci>San Jose Mercury News\u003c/i>: \u003cbr>\u003ca href=\"http://www.mercurynews.com/ci_17506031?IADID\">\u003cstrong>Cinequest Celebrates Lucky Number 21\u003c/strong>\u003c/a>\u003cbr>San Jose’s Cinequest film festival honors John Turturro with their Maverick Spirit award.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/11/MVTP1HKAA5.DTL\">\u003cstrong>‘Kaboom’ Director Gregg Araki Blasts Sexual Limits\u003c/strong>\u003c/a>\u003cbr>Bay Area filmmaker Gregg Araki talks about his artistic vision.\u003c/p>\n\u003cp>From the \u003ci>Examiner\u003c/i>: \u003cbr>\u003ca href=\"http://www.examiner.com/indie-movie-in-san-francisco/film-report-the-roxie-s-elliot-lavine-honored-by-s-f-film-critics-and-more\">\u003cstrong>Film report: The Roxie’s Elliot Lavine Honored by S.F. Film Critics, and more\u003c/strong>\u003c/a>\u003cbr>Lavine received The Marlon Riggs Award from the San Francisco Film Critics Circle.\u003c/p>\n\u003cp>From \u003ci>The Guardian\u003c/i>: \u003cbr>\u003ca href=\"http://www.guardian.co.uk/artanddesign/2011/feb/28/guangzhou-opera-house-zaha-hadid\">\u003cstrong>Move over, Sydney: Zaha Hadid’s Guangzhou Opera House\u003c/strong>\u003c/a>\u003cbr>Architect Hadid outdoes herself.\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/silicon-valley/story/steve-wozniak-agony-and-ecstasy-steve/\">\u003cstrong>Apple Co-Founder Responds to ‘The Agony and the Ecstasy of Steve Jobs’\u003c/strong>\u003c/a>\u003cbr>Is Mike Daisey’s monologue \u003cstrong>The Agony and Ecstasy of Steve Jobs\u003c/strong>, Apple’s \u003cstrong>The Social Network\u003c/strong>?\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/3-musical-experimenters-forge-indie/\">\u003cstrong>3 Musical Experimenters Forge Indie Success\u003c/strong>\u003c/a>\u003cbr>John Dwyer, Tim Cohen and Sonny Smith talk about creative risk-taking. (Also, \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/episode.jsp?essid=29103\">\u003cstrong>watch a video featuring Sonny Smith’s 100 Records show at Gallery 16\u003c/strong>\u003c/a> on \u003cstrong>Gallery Crawl\u003c/strong>.)\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Streep, James Taylor, Quincy Jones, Sonny Rollins, Van Cliburn, Philip Roth among national arts and humanities medalists\u003c/strong>\u003c/a>\u003cbr>Meryl Streep might not have been nominated for an Oscar this year, but a National Medal of Arts isn’t so shabby.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Jane Russell Dies at 89; Screen Siren had Sensational Debut in ‘The Outlaw’\u003c/strong>\u003c/a>\u003cbr>The \u003cstrong>Gentlemen Prefer Blondes\u003c/strong> star passes away.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/culturemonster/2011/02/arts-writers-declare-strike-against-huffington-post-1.html\">\u003cstrong>Arts Writers Declare ‘Strike’ against Huffington Post\u003c/strong>\u003c/a>\u003cbr>Writers for ArtScene and Visual Art Source are demanding to get paid.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/showtracker/2011/02/new-dancing-with-the-stars-cast-announced-1.html\">\u003cstrong>New ‘Dancing With the Stars’ Cast Announced\u003c/strong>\u003c/a>\u003cbr>Close your eyes and imagine a dance-off between the Karate Kid and Wendy Williams…\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>S.F. Ballet Review: Tchaikovsky Tribute\u003c/strong>\u003c/a>\u003cbr>I’m only mentioning this since you didn’t hear anything about Tchaikovsky with all of the \u003cstrong>Black Swan\u003c/strong> hype.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>‘Spelling Bee for Cheaters’ at Herbst in S.F.\u003c/strong>\u003c/a>\u003cbr>City Arts & Lectures and 826 Valencia held a unique fundraiser with celebrity contestants such as Tracy Chapman, Adam Savage, Daniel Handler, Lisa Brown and Michael Chabon. (Also, listen to \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=5292\">\u003cstrong>Brown\u003c/strong>\u003c/a> and \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=11186\">\u003cstrong>Handler\u003c/strong>\u003c/a> read on \u003cstrong>The Writers’ Block\u003c/strong>.)\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDCB1HVCAS.DTL\">\u003cstrong>‘Pearls Over Shanghai’ to Close after 22-month Run\u003c/strong>\u003c/a>\u003cbr>Cockettes fans, do not fret yet … the group’s 40th anniversary celebration will open on April 22.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/23/DDPD1HQB6K.DTL\">\u003cstrong>Kary Schulman a Champion of S.F. Arts for 30 Years\u003c/strong>\u003c/a>\u003cbr>It’s nice when the behind-the-scenes people get a shout out. \u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/25/PKUQ1HL00P.DTL\">\u003cstrong>Constantine Maroulis spans Broadway, L.A. in Play\u003c/strong>\u003c/a>\u003cbr>\u003cstrong>American Idol\u003c/strong> contestant Maroulis stars in \u003cstrong>Rock of Ages\u003c/strong>, a musical that opens March 8 at the Curran Theatre.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/24/DDP61HQAAI.DTL\">\u003cstrong>‘Bali: Art, Ritual, Performance,’ Asian Art Museum\u003c/strong>\u003c/a>\u003cbr>Featuring 130 pieces, \u003cstrong>Bali\u003c/strong> is the first exhibition in the U.S. to focus on the art and culture of Bali.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/02/28/suze-rotolo-muse-and-girlfriend-to-bob-dylan-dies-at-67/\">\u003cstrong>Suze Rotolo, Muse and Girlfriend to Bob Dylan, Dies at 67\u003c/strong>\u003c/a>\u003cbr>The author of \u003cstrong>A Freewheelin’ Time: A Memoir of Greenwich Village in the 60s\u003c/strong> loses a battle with lung cancer.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/02/arts/design/02susman.html\">\u003cstrong>In London, U.S. Art Enjoys Diplomatic Showcase\u003c/strong>\u003c/a>\u003cbr>Artwork by Louise Bourgeois, Jasper Johns and Mark Rothko adorn U.S. Envoy’s home in London.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/01/business/media/01live.html\">\u003cstrong>Weak Ticket Sales Contribute to Large Loss for Live Nation\u003c/strong>\u003c/a>\u003cbr>Hmmm, karma for their innumerable services fees?\u003c/p>\n\n",
"blocks": [],
"excerpt": "In celebration of the \u003cstrong>83rd Academy Awards\u003c/strong> being hosted by Palo Alto native James Franco, this week's roundup is focused more on movies and stars -- less on news.",
"status": "publish",
"parent": 0,
"modified": 1726781940,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 29,
"wordCount": 809
},
"headData": {
"title": "Arts News Roundup: March 2, 2011 | KQED",
"description": "In celebration of the 83rd Academy Awards being hosted by Palo Alto native James Franco, this week's roundup is focused more on movies and stars -- less on news.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Arts News Roundup: March 2, 2011",
"datePublished": "2011-03-01T20:06:11-08:00",
"dateModified": "2024-09-19T14:39:00-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"path": "/arts/45091/arts_news_roundup_march_2_2011",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In celebration of the \u003cstrong>83rd Academy Awards\u003c/strong> being hosted by Palo Alto native James Franco, this week’s roundup is focused more on movies and stars — less on news.\u003c/p>\n\u003cp>If you missed the Oscars, you can see a list of the winners at \u003ca href=\"http://oscar.go.com\">\u003cstrong>oscar.go.com\u003c/strong>\u003c/a>, listen to \u003ca href=\"http://www.kqed.org/a/forum/R201102280900\">\u003cstrong>Forum’s Academy Awards Recap\u003c/strong>\u003c/a>, or read our \u003ca href=\"http://www.kqed.org/arts/multimedia/article.jsp?essid=44893\">\u003cstrong>Oscars Recap\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>Berkeleyside\u003c/i>: \u003cbr>\u003ca href=\"http://www.berkeleyside.com/2011/02/28/berkeley-filmmaker-wins-academy-award-for-inside-job/\">\u003cstrong>Berkeley Filmmaker Wins Academy Award for “Inside Job”\u003c/strong>\u003c/a>\u003cbr>To quote Anne Hathaway, “Woo hoo!” Other Bay Area winners are listed at \u003ca href=\"http://www.nbcbayarea.com/news/local/Bay-Area-Oscar-Winners-117034198.html\">\u003cstrong>NBC Bay Area\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/04/MVNJ1HHQCD.DTL\">\u003cstrong>Actor Jesse Eisenberg Seeking Roles, not Friends\u003c/strong>\u003c/a>\u003cbr>Surprisingly, Eisenberg from the movie, \u003cstrong>The Social Network\u003c/strong>, isn’t on Facebook. I guess he’s not a method actor.\u003c/p>\n\u003cp>From the \u003ci>BlackBook\u003c/i>: \u003cbr>\u003ca href=\"http://www.blackbookmag.com/article/oscars-boost-value-of-banksys-works/25064\">\u003cstrong>Oscars Boost Value of Banksy’s Works\u003c/strong>\u003c/a>\u003cbr>No surprises there. And disappointingly, no Banksy surprises at the Oscars.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i> via the \u003ci>Associated Press\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/nationworld/world/europe/la-fgw-galliano-20110302,0,4465782.story\">\u003cstrong>Christian Dior Firing Designer John Galliano\u003c/strong>\u003c/a>\u003cbr>Oscar-winning actress Natalie Portman speaks out against the Hitler-praising Galliano.\u003c/p>\n\u003cp>From \u003ci>KQED’s News Fix\u003c/i>: \u003cbr>\u003ca href=\"http://ww2.kqed.org/news/2011/02/25/guess-who-will-be-performing-in-the-castro-next-month/\">\u003cstrong>Britney Spears to Perform in the Castro Next Month\u003c/strong>\u003c/a>\u003cbr>If you were wondering what Britney’s post-Oscar night announcement was, wonder no more.\u003c/p>\n\u003cp>From the \u003ci>Oakland Tribune\u003c/i>: \u003cbr>\u003ca href=\"http://www.insidebayarea.com/california/ci_17492467\">\u003cstrong>“Black Swan” Takes Four Honors at Spirit Awards \u003c/strong>\u003c/a>\u003cbr>Indie films had a big award ceremony last week as well — no Banksy antics spotted there either.\u003c/p>\n\u003cp>From \u003ci>San Jose Mercury News\u003c/i>: \u003cbr>\u003ca href=\"http://www.mercurynews.com/ci_17506031?IADID\">\u003cstrong>Cinequest Celebrates Lucky Number 21\u003c/strong>\u003c/a>\u003cbr>San Jose’s Cinequest film festival honors John Turturro with their Maverick Spirit award.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/11/MVTP1HKAA5.DTL\">\u003cstrong>‘Kaboom’ Director Gregg Araki Blasts Sexual Limits\u003c/strong>\u003c/a>\u003cbr>Bay Area filmmaker Gregg Araki talks about his artistic vision.\u003c/p>\n\u003cp>From the \u003ci>Examiner\u003c/i>: \u003cbr>\u003ca href=\"http://www.examiner.com/indie-movie-in-san-francisco/film-report-the-roxie-s-elliot-lavine-honored-by-s-f-film-critics-and-more\">\u003cstrong>Film report: The Roxie’s Elliot Lavine Honored by S.F. Film Critics, and more\u003c/strong>\u003c/a>\u003cbr>Lavine received The Marlon Riggs Award from the San Francisco Film Critics Circle.\u003c/p>\n\u003cp>From \u003ci>The Guardian\u003c/i>: \u003cbr>\u003ca href=\"http://www.guardian.co.uk/artanddesign/2011/feb/28/guangzhou-opera-house-zaha-hadid\">\u003cstrong>Move over, Sydney: Zaha Hadid’s Guangzhou Opera House\u003c/strong>\u003c/a>\u003cbr>Architect Hadid outdoes herself.\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/silicon-valley/story/steve-wozniak-agony-and-ecstasy-steve/\">\u003cstrong>Apple Co-Founder Responds to ‘The Agony and the Ecstasy of Steve Jobs’\u003c/strong>\u003c/a>\u003cbr>Is Mike Daisey’s monologue \u003cstrong>The Agony and Ecstasy of Steve Jobs\u003c/strong>, Apple’s \u003cstrong>The Social Network\u003c/strong>?\u003c/p>\n\u003cp>From \u003ci>The Bay Citizen\u003c/i>: \u003cbr>\u003ca href=\"http://www.baycitizen.org/music/story/3-musical-experimenters-forge-indie/\">\u003cstrong>3 Musical Experimenters Forge Indie Success\u003c/strong>\u003c/a>\u003cbr>John Dwyer, Tim Cohen and Sonny Smith talk about creative risk-taking. (Also, \u003ca href=\"http://www.kqed.org/arts/programs/gallerycrawl/episode.jsp?essid=29103\">\u003cstrong>watch a video featuring Sonny Smith’s 100 Records show at Gallery 16\u003c/strong>\u003c/a> on \u003cstrong>Gallery Crawl\u003c/strong>.)\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Streep, James Taylor, Quincy Jones, Sonny Rollins, Van Cliburn, Philip Roth among national arts and humanities medalists\u003c/strong>\u003c/a>\u003cbr>Meryl Streep might not have been nominated for an Oscar this year, but a National Medal of Arts isn’t so shabby.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.latimes.com/news/obituaries/la-me-jane-russell-20110301,0,1095821.story\">\u003cstrong>Jane Russell Dies at 89; Screen Siren had Sensational Debut in ‘The Outlaw’\u003c/strong>\u003c/a>\u003cbr>The \u003cstrong>Gentlemen Prefer Blondes\u003c/strong> star passes away.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/culturemonster/2011/02/arts-writers-declare-strike-against-huffington-post-1.html\">\u003cstrong>Arts Writers Declare ‘Strike’ against Huffington Post\u003c/strong>\u003c/a>\u003cbr>Writers for ArtScene and Visual Art Source are demanding to get paid.\u003c/p>\n\u003cp>From the \u003ci>Los Angeles Times\u003c/i>: \u003cbr>\u003ca href=\"http://latimesblogs.latimes.com/showtracker/2011/02/new-dancing-with-the-stars-cast-announced-1.html\">\u003cstrong>New ‘Dancing With the Stars’ Cast Announced\u003c/strong>\u003c/a>\u003cbr>Close your eyes and imagine a dance-off between the Karate Kid and Wendy Williams…\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>S.F. Ballet Review: Tchaikovsky Tribute\u003c/strong>\u003c/a>\u003cbr>I’m only mentioning this since you didn’t hear anything about Tchaikovsky with all of the \u003cstrong>Black Swan\u003c/strong> hype.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDA41HVNVG.DTL\">\u003cstrong>‘Spelling Bee for Cheaters’ at Herbst in S.F.\u003c/strong>\u003c/a>\u003cbr>City Arts & Lectures and 826 Valencia held a unique fundraiser with celebrity contestants such as Tracy Chapman, Adam Savage, Daniel Handler, Lisa Brown and Michael Chabon. (Also, listen to \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=5292\">\u003cstrong>Brown\u003c/strong>\u003c/a> and \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/profile.jsp?essid=11186\">\u003cstrong>Handler\u003c/strong>\u003c/a> read on \u003cstrong>The Writers’ Block\u003c/strong>.)\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/03/01/DDCB1HVCAS.DTL\">\u003cstrong>‘Pearls Over Shanghai’ to Close after 22-month Run\u003c/strong>\u003c/a>\u003cbr>Cockettes fans, do not fret yet … the group’s 40th anniversary celebration will open on April 22.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/23/DDPD1HQB6K.DTL\">\u003cstrong>Kary Schulman a Champion of S.F. Arts for 30 Years\u003c/strong>\u003c/a>\u003cbr>It’s nice when the behind-the-scenes people get a shout out. \u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/25/PKUQ1HL00P.DTL\">\u003cstrong>Constantine Maroulis spans Broadway, L.A. in Play\u003c/strong>\u003c/a>\u003cbr>\u003cstrong>American Idol\u003c/strong> contestant Maroulis stars in \u003cstrong>Rock of Ages\u003c/strong>, a musical that opens March 8 at the Curran Theatre.\u003c/p>\n\u003cp>From \u003ci>SFGate\u003c/i>: \u003cbr>\u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/02/24/DDP61HQAAI.DTL\">\u003cstrong>‘Bali: Art, Ritual, Performance,’ Asian Art Museum\u003c/strong>\u003c/a>\u003cbr>Featuring 130 pieces, \u003cstrong>Bali\u003c/strong> is the first exhibition in the U.S. to focus on the art and culture of Bali.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://artsbeat.blogs.nytimes.com/2011/02/28/suze-rotolo-muse-and-girlfriend-to-bob-dylan-dies-at-67/\">\u003cstrong>Suze Rotolo, Muse and Girlfriend to Bob Dylan, Dies at 67\u003c/strong>\u003c/a>\u003cbr>The author of \u003cstrong>A Freewheelin’ Time: A Memoir of Greenwich Village in the 60s\u003c/strong> loses a battle with lung cancer.\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/02/arts/design/02susman.html\">\u003cstrong>In London, U.S. Art Enjoys Diplomatic Showcase\u003c/strong>\u003c/a>\u003cbr>Artwork by Louise Bourgeois, Jasper Johns and Mark Rothko adorn U.S. Envoy’s home in London.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>From \u003ci>The New York Times\u003c/i>: \u003cbr>\u003ca href=\"http://www.nytimes.com/2011/03/01/business/media/01live.html\">\u003cstrong>Weak Ticket Sales Contribute to Large Loss for Live Nation\u003c/strong>\u003c/a>\u003cbr>Hmmm, karma for their innumerable services fees?\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/45091/arts_news_roundup_march_2_2011",
"authors": [
"21"
],
"categories": [
"arts_75"
],
"featImg": "arts_10045091",
"label": "arts"
},
"arts_44893": {
"type": "posts",
"id": "arts_44893",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "44893",
"score": null,
"sort": [
1298874491000
]
},
"guestAuthors": [],
"slug": "oscars_recap",
"title": "Oscars Recap",
"publishDate": 1298874491,
"format": "standard",
"headTitle": "Oscars Recap | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Who will win? What will they wear? Will someone trip, show up drunk, or use a Native American as a liaison? These are some of the reasons why we gather to watch the Academy Awards every year, forgetting that the broadcast is often over 4 hours long and full of super boring filler (speeches from the ancient president of the Academy or the accountants who certify the results). Chances are you couldn’t make it through this endurance challenge, but you’re in luck! Here is a cheat sheet of what went down so you will be well-armed at the water-cooler today.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://images.ctv.ca/archives/CTVNews/img2/20110222/470_oscars.jpg\">\u003c/p>\n\u003cp>\u003cb>THE HOSTS:\u003c/b> James Franco and Anne Hathaway started things off with an \u003cb>Inception\u003c/b>-inspired skit, in which they gave Alec Baldwin some Ambien and entered his dreams to find out the secret to being a good awards show host. Sad to say, they didn’t find it. Other than a few bright spots (\u003ca href=\"http://img821.imageshack.us/img821/4569/scr10.gif\" target=\"offsite\" rel=\"noopener\">Franco as Marilyn Monroe\u003c/a>, Franco calling the winners for sound engineering “nerds,” and a funny exchange about possible lesbian subtext in \u003cb>Toy Story 3\u003c/b>), the duo mostly floundered in a sea of awkward pauses. Hathaway was giving it all she had (singing, doing that over-the-top Julia Roberts laugh, and \u003ca href=\"http://30.media.tumblr.com/tumblr_lhb5ncqz7e1qe9ztzo1_500.gif\" target=\"offsite\" rel=\"noopener\">shimmying\u003c/a>), while Franco barely tried (rolling his eyes and looking severely stoned). Sensing this hosting disaster, 94-year-old \u003ca href=\"http://nymag.com/daily/entertainment/2011/02/watch_kirk_douglas_filibuster.html\" target=\"offsite\" rel=\"noopener\">Kirk Douglas arrived\u003c/a> and essentially refused to leave the stage, cracking jokes, playing a game with the man holding his cane, hitting on Hathaway, and easily stealing the show. So much for shamelessly angling for a younger demographic.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/02/28/cateBlanchett.jpg\">\u003c/p>\n\u003cp>\u003ci>photo credit: Getty Images\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>THE FASHION:\u003c/b> Bjork really demolished my interest in red carpet fashion since there’s no way it can get more scintillating than arriving at the Oscars wearing a swan dress and \u003ca href=\"http://www.tampabay.com/blogs/divas/sites/tampabay.com.blogs.divas/files/images/typepad-legacy-files/45727.shared.bjork_swan_dress.jpg\" target=\"offsite\" rel=\"noopener\">laying an egg\u003c/a> on the red carpet. Nevertheless, some dresses from this year’s ceremony weren’t complete yawns. \u003ca href=\"http://i.imgur.com/v3OPt.jpg\" target=\"offsite\" rel=\"noopener\">Michelle Williams\u003c/a>, \u003ca href=\"http://i.imgur.com/PaUDY.jpg\" target=\"offsite\" rel=\"noopener\">Hailee Steinfeld\u003c/a>, and \u003ca href=\"http://i.imgur.com/y92RA.jpg\" target=\"offsite\" rel=\"noopener\">Anne Hathaway\u003c/a> all looked gorgeous. But it was Cate Blanchett who really rocked my world with her unconventional Givenchy dress (and rocked it further when she \u003ca href=\"http://img827.imageshack.us/img827/1304/tumblrlhb5v7bac01qc9j6h.gif\" target=\"offsite\" rel=\"noopener\">said this\u003c/a>).\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=mwhg17WLHlU&fs=1&hl=en_US&showinfo=0&rel=0]\u003c/p>\n\u003cp>\u003cb>BEST ACTOR:\u003c/b> No surprises here either. Colin Firth (\u003ca href=\"http://25.media.tumblr.com/tumblr_kp1ph9hiIc1qzk3pho1_400.jpg\" target=\"offsite\" rel=\"noopener\">a.k.a. Mr. Darcy\u003c/a>) is one of the most well-respected actors in Hollywood and has had this coming for a long time. He deserved the Oscar for last year’s \u003cb>A Single Man\u003c/b> and now he’s got it for stuttering his way through \u003cb>The King’s Speech\u003c/b>. The others guys didn’t have a shot in hell: Jeff Bridges won last year so he’s out. Jesse Eisenberg and James Franco are too green and Javier Bardem has enough good luck in his life (Penelope Cruz is his wife, after all). So it was really a no-brainer.\u003c/p>\n\u003cp>\u003cb>BEST DIRECTOR:\u003c/b> In what was the closest thing we got to an upset, the award went to Tom Hooper for \u003cb>The King’s Speech\u003c/b> instead of front-runner David Fincher for \u003cb>The Social Network\u003c/b>. The only thing that would have made this exciting is if Kanye West had sprinted on stage to say that Beyonce was the best director of all time.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://news.tvoneonline.com/wp-content/uploads/2009/09/us-vma-kanye-20090913ev.jpg\">\u003c/p>\n\u003cp>\u003cb>BEST ANIMATED FEATURE FILM:\u003c/b> \u003cb>Toy Story 3\u003c/b> won due to its overwhelming achievement in making grown men weep in public. Nostalgia for lost childhood gets ’em every time.\u003c/p>\n\u003cp>\u003cb>BEST PICTURE:\u003c/b> \u003cb>The King’s Speech\u003c/b> took the top honor, besting the favorite \u003cb>The Social Network\u003c/b>. Anglophilia combined with the fact that even the infamously difficult-to-please Queen Elizabeth enjoyed the movie must have pushed the movie over the edge. All in all, an unexciting end to a mostly boring snoozefest (see kitten below for visual representation of what most viewers at home looked like by the time this final award was presented).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/sleepy.gif\" width=\"350\" height=\"263\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For a complete list of award winners, \u003ca href=\"http://www.nytimes.com/slideshow/2011/02/28/movies/awardsseason/20110228-OSCARS.html?ref=awardsseason\" target=\"offsite\" rel=\"noopener\">visit nytimes.com\u003c/a>.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Chances are you couldn't make it through the endurance challenge that is the Oscars, but you're in luck! Here is a cheat sheet of what went down so you will be well-armed at the water-cooler today.",
"status": "publish",
"parent": 0,
"modified": 1726781941,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 16,
"wordCount": 671
},
"headData": {
"title": "Oscars Recap | KQED",
"description": "Chances are you couldn't make it through the endurance challenge that is the Oscars, but you're in luck! Here is a cheat sheet of what went down so you will be well-armed at the water-cooler today.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Oscars Recap",
"datePublished": "2011-02-27T22:28:11-08:00",
"dateModified": "2024-09-19T14:39:01-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"path": "/arts/44893/oscars_recap",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Who will win? What will they wear? Will someone trip, show up drunk, or use a Native American as a liaison? These are some of the reasons why we gather to watch the Academy Awards every year, forgetting that the broadcast is often over 4 hours long and full of super boring filler (speeches from the ancient president of the Academy or the accountants who certify the results). Chances are you couldn’t make it through this endurance challenge, but you’re in luck! Here is a cheat sheet of what went down so you will be well-armed at the water-cooler today.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://images.ctv.ca/archives/CTVNews/img2/20110222/470_oscars.jpg\">\u003c/p>\n\u003cp>\u003cb>THE HOSTS:\u003c/b> James Franco and Anne Hathaway started things off with an \u003cb>Inception\u003c/b>-inspired skit, in which they gave Alec Baldwin some Ambien and entered his dreams to find out the secret to being a good awards show host. Sad to say, they didn’t find it. Other than a few bright spots (\u003ca href=\"http://img821.imageshack.us/img821/4569/scr10.gif\" target=\"offsite\" rel=\"noopener\">Franco as Marilyn Monroe\u003c/a>, Franco calling the winners for sound engineering “nerds,” and a funny exchange about possible lesbian subtext in \u003cb>Toy Story 3\u003c/b>), the duo mostly floundered in a sea of awkward pauses. Hathaway was giving it all she had (singing, doing that over-the-top Julia Roberts laugh, and \u003ca href=\"http://30.media.tumblr.com/tumblr_lhb5ncqz7e1qe9ztzo1_500.gif\" target=\"offsite\" rel=\"noopener\">shimmying\u003c/a>), while Franco barely tried (rolling his eyes and looking severely stoned). Sensing this hosting disaster, 94-year-old \u003ca href=\"http://nymag.com/daily/entertainment/2011/02/watch_kirk_douglas_filibuster.html\" target=\"offsite\" rel=\"noopener\">Kirk Douglas arrived\u003c/a> and essentially refused to leave the stage, cracking jokes, playing a game with the man holding his cane, hitting on Hathaway, and easily stealing the show. So much for shamelessly angling for a younger demographic.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"//u.s.kqed.org/2011/02/28/cateBlanchett.jpg\">\u003c/p>\n\u003cp>\u003ci>photo credit: Getty Images\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>THE FASHION:\u003c/b> Bjork really demolished my interest in red carpet fashion since there’s no way it can get more scintillating than arriving at the Oscars wearing a swan dress and \u003ca href=\"http://www.tampabay.com/blogs/divas/sites/tampabay.com.blogs.divas/files/images/typepad-legacy-files/45727.shared.bjork_swan_dress.jpg\" target=\"offsite\" rel=\"noopener\">laying an egg\u003c/a> on the red carpet. Nevertheless, some dresses from this year’s ceremony weren’t complete yawns. \u003ca href=\"http://i.imgur.com/v3OPt.jpg\" target=\"offsite\" rel=\"noopener\">Michelle Williams\u003c/a>, \u003ca href=\"http://i.imgur.com/PaUDY.jpg\" target=\"offsite\" rel=\"noopener\">Hailee Steinfeld\u003c/a>, and \u003ca href=\"http://i.imgur.com/y92RA.jpg\" target=\"offsite\" rel=\"noopener\">Anne Hathaway\u003c/a> all looked gorgeous. But it was Cate Blanchett who really rocked my world with her unconventional Givenchy dress (and rocked it further when she \u003ca href=\"http://img827.imageshack.us/img827/1304/tumblrlhb5v7bac01qc9j6h.gif\" target=\"offsite\" rel=\"noopener\">said this\u003c/a>).\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mwhg17WLHlU'\n title='//www.youtube.com/embed/mwhg17WLHlU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>BEST ACTOR:\u003c/b> No surprises here either. Colin Firth (\u003ca href=\"http://25.media.tumblr.com/tumblr_kp1ph9hiIc1qzk3pho1_400.jpg\" target=\"offsite\" rel=\"noopener\">a.k.a. Mr. Darcy\u003c/a>) is one of the most well-respected actors in Hollywood and has had this coming for a long time. He deserved the Oscar for last year’s \u003cb>A Single Man\u003c/b> and now he’s got it for stuttering his way through \u003cb>The King’s Speech\u003c/b>. The others guys didn’t have a shot in hell: Jeff Bridges won last year so he’s out. Jesse Eisenberg and James Franco are too green and Javier Bardem has enough good luck in his life (Penelope Cruz is his wife, after all). So it was really a no-brainer.\u003c/p>\n\u003cp>\u003cb>BEST DIRECTOR:\u003c/b> In what was the closest thing we got to an upset, the award went to Tom Hooper for \u003cb>The King’s Speech\u003c/b> instead of front-runner David Fincher for \u003cb>The Social Network\u003c/b>. The only thing that would have made this exciting is if Kanye West had sprinted on stage to say that Beyonce was the best director of all time.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://news.tvoneonline.com/wp-content/uploads/2009/09/us-vma-kanye-20090913ev.jpg\">\u003c/p>\n\u003cp>\u003cb>BEST ANIMATED FEATURE FILM:\u003c/b> \u003cb>Toy Story 3\u003c/b> won due to its overwhelming achievement in making grown men weep in public. Nostalgia for lost childhood gets ’em every time.\u003c/p>\n\u003cp>\u003cb>BEST PICTURE:\u003c/b> \u003cb>The King’s Speech\u003c/b> took the top honor, besting the favorite \u003cb>The Social Network\u003c/b>. Anglophilia combined with the fact that even the infamously difficult-to-please Queen Elizabeth enjoyed the movie must have pushed the movie over the edge. All in all, an unexciting end to a mostly boring snoozefest (see kitten below for visual representation of what most viewers at home looked like by the time this final award was presented).\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/sleepy.gif\" width=\"350\" height=\"263\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For a complete list of award winners, \u003ca href=\"http://www.nytimes.com/slideshow/2011/02/28/movies/awardsseason/20110228-OSCARS.html?ref=awardsseason\" target=\"offsite\" rel=\"noopener\">visit nytimes.com\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/44893/oscars_recap",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10044893",
"label": "arts"
},
"arts_41915": {
"type": "posts",
"id": "arts_41915",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "41915",
"score": null,
"sort": [
1294970512000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1294970512,
"format": "standard",
"title": "Bob's Burgers: SF Artists + Syndicated Cartoons = Love",
"headTitle": "Bob’s Burgers: SF Artists + Syndicated Cartoons = Love | KQED",
"content": "\u003cp>\u003cb>Bob’s Burgers\u003c/b> is a new, animated show airing in a prime spot after \u003cb>The Simpsons\u003c/b> on FOX. And, guess what? Not just one, but two San Francisco artists created original artwork for the series: Sirron Norris made the backgrounds, and Jay Howell created the characters. While the artists are quite different in style and approach, their work is a perfect match for the cartoon. Both are local icons and their work can be seen all over the city, so I got in touch with them to find out more about their network television debut.\u003c/p>\n\u003cp>Most of Jay and Sirron’s work for \u003cb>Bob’s Burgers\u003c/b> is complete, but it wasn’t an easy gig. Sirron said it was the hardest he’d worked in years. “I worked my butt off for six months, 12 hours a day, plus weekends.” When asked how they felt seeing their art in the context of a prime time cartoon, both artists seemed stoked. Though it looked different than his final drawings, Sirron said it was cool to see how his “original intentions passed Fox scrutiny.” He drew himself into one of the scenes as a student “although,” he says “they put hair on me.” Jay says the characters are pretty close to his original design, though his “had bigger noses and were skinnier. As he puts it, “It’s been Simsonized to the max. I’m happy with how it turned out. It’s simply amazing to see something you worked on come alive on T.V.” Jay calls Loren Bouchard, the show’s creator, a genius and says he’s grateful to have worked on the show.\u003c/p>\n\u003cp>The Victorian-lined streets in the cartoon’s scenery are clearly inspired by San Francisco. Bouchard, who’s known for \u003cb>Dr. Katz\u003c/b> and his work on the Adult Swim channel, lived near some of Sirron’s first murals in the Mission, where the cartoon was originally intended to be set. Sirron said Bouchard wanted “every aspect of his show to stand out and be original,” and explained the production’s move from SF to LA. “We all worked out of a studio on 16th street and then FOX changed the animation style from Flash-based to Full-Motion, so Loren had no choice but to move it to LA. He felt bad leaving us for greener pastures but I encouraged him to forget about us — we had our own careers and he needed to do what was best for him.” \u003c/p>\n\u003cp>Sirron opened a studio and gallery for his work on Valencia Street last year where he teaches cartooning classes. He’s about to start an “epic mural on Sacramento & Polk” and plans to raise funds for the mural on Kickstarter.com. He’ll paint donors’ names into the piece as an incentive. He’s also branding a new restaurant, Taco Libre, which is set to open next month, and is working a reality series pilot based on his gallery and internship program.\u003c/p>\n\u003cp>Jay recently moved to LA to work on a new cartoon for Nickelodeon with SF pals Jim Dirshberger and Andreas Trolf. Local band The Oh Sees are writing the theme song and the show is “about a young boy and his wacky ass life, friends, and family.” Jay says it’s not as nasty as his other original cartoon, \u003cb>Forest City Rockers\u003c/b>, but “it’s gross, and for kids.” He’s still making art for gallery shows alongside the animated projects and says “being able to draw full-time for a living is the greatest job ever.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch the premiere episode of Bob’s Burgers on Hulu.com\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 654,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705051699,
"excerpt": "Two SF artists, Sirron Norris and Jay Howell, created original artwork for Fox's latest animated series, which follows \u003cb>The Simpsons\u003c/b> on Sunday nights.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Two SF artists, Sirron Norris and Jay Howell, created original artwork for Fox's latest animated series, which follows The Simpsons on Sunday nights.",
"title": "Bob's Burgers: SF Artists + Syndicated Cartoons = Love | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bob's Burgers: SF Artists + Syndicated Cartoons = Love",
"datePublished": "2011-01-13T18:01:52-08:00",
"dateModified": "2024-01-12T01:28:19-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bobs_burgers_sf_artists__syndicated_cartoons__love",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-tv/",
"sticky": false,
"path": "/arts/41915/bobs_burgers_sf_artists__syndicated_cartoons__love",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Bob’s Burgers\u003c/b> is a new, animated show airing in a prime spot after \u003cb>The Simpsons\u003c/b> on FOX. And, guess what? Not just one, but two San Francisco artists created original artwork for the series: Sirron Norris made the backgrounds, and Jay Howell created the characters. While the artists are quite different in style and approach, their work is a perfect match for the cartoon. Both are local icons and their work can be seen all over the city, so I got in touch with them to find out more about their network television debut.\u003c/p>\n\u003cp>Most of Jay and Sirron’s work for \u003cb>Bob’s Burgers\u003c/b> is complete, but it wasn’t an easy gig. Sirron said it was the hardest he’d worked in years. “I worked my butt off for six months, 12 hours a day, plus weekends.” When asked how they felt seeing their art in the context of a prime time cartoon, both artists seemed stoked. Though it looked different than his final drawings, Sirron said it was cool to see how his “original intentions passed Fox scrutiny.” He drew himself into one of the scenes as a student “although,” he says “they put hair on me.” Jay says the characters are pretty close to his original design, though his “had bigger noses and were skinnier. As he puts it, “It’s been Simsonized to the max. I’m happy with how it turned out. It’s simply amazing to see something you worked on come alive on T.V.” Jay calls Loren Bouchard, the show’s creator, a genius and says he’s grateful to have worked on the show.\u003c/p>\n\u003cp>The Victorian-lined streets in the cartoon’s scenery are clearly inspired by San Francisco. Bouchard, who’s known for \u003cb>Dr. Katz\u003c/b> and his work on the Adult Swim channel, lived near some of Sirron’s first murals in the Mission, where the cartoon was originally intended to be set. Sirron said Bouchard wanted “every aspect of his show to stand out and be original,” and explained the production’s move from SF to LA. “We all worked out of a studio on 16th street and then FOX changed the animation style from Flash-based to Full-Motion, so Loren had no choice but to move it to LA. He felt bad leaving us for greener pastures but I encouraged him to forget about us — we had our own careers and he needed to do what was best for him.” \u003c/p>\n\u003cp>Sirron opened a studio and gallery for his work on Valencia Street last year where he teaches cartooning classes. He’s about to start an “epic mural on Sacramento & Polk” and plans to raise funds for the mural on Kickstarter.com. He’ll paint donors’ names into the piece as an incentive. He’s also branding a new restaurant, Taco Libre, which is set to open next month, and is working a reality series pilot based on his gallery and internship program.\u003c/p>\n\u003cp>Jay recently moved to LA to work on a new cartoon for Nickelodeon with SF pals Jim Dirshberger and Andreas Trolf. Local band The Oh Sees are writing the theme song and the show is “about a young boy and his wacky ass life, friends, and family.” Jay says it’s not as nasty as his other original cartoon, \u003cb>Forest City Rockers\u003c/b>, but “it’s gross, and for kids.” He’s still making art for gallery shows alongside the animated projects and says “being able to draw full-time for a living is the greatest job ever.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Watch the premiere episode of Bob’s Burgers on Hulu.com\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/41915/bobs_burgers_sf_artists__syndicated_cartoons__love",
"authors": [
"16"
],
"categories": [
"arts_75"
],
"featImg": "arts_10041915",
"label": "arts"
},
"arts_40778": {
"type": "posts",
"id": "arts_40778",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "40778",
"score": null,
"sort": [
1293660169000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1293660169,
"format": "standard",
"title": "Bianculli Picks The Best (And Worst) TV Of 2010",
"headTitle": "Bianculli Picks The Best (And Worst) TV Of 2010 | KQED",
"content": "\u003cp>It’s been a good year for cable television, says \u003cem>Fresh Air\u003c/em>‘s TV critic David Bianculli. In his annual roundup of the year’s best and worst TV shows, Bianculli applauds the cable networks for “trying a lot of things” in 2010.\u003c/p>\n\u003cp>Broadcast television, on the other hand, proved something of a disappointment.\u003c/p>\n\u003cp>“It was kind of timid this year,” he tells \u003cem>Fresh Air\u003c/em>‘s Terry Gross. “Last year, we got \u003cem>Glee\u003c/em> and \u003cem>Modern Family\u003c/em>. This year, they tried a lot of things which didn’t actually work.”\u003c/p>\n\u003cp>That’s not to say the broadcast networks completely fell flat; Bianculli includes several of their shows on his top picks for 2010. But broadcast TV may be losing its edge.\u003c/p>\n\u003cp>Bianculli has been a TV critic since 1975 and a \u003cem>Fresh Air\u003c/em> contributor since the show’s inception. From 1993 to 2007, he was a staff critic for the \u003cem>New York Daily News. \u003c/em>An associate professor of TV and film at Rowan University in New Jersey, Bianculli is also the founder and editor of the online magazine \u003ca href=\"http://www.tvworthwatching.com/\">TVWorthWatching.com\u003c/a>.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>David Bianculli’s Top \u003cdel>12\u003c/del>13 TV Shows of 2010 (In No Particular Order)\u003cbr>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/breakingbad.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Breaking Bad\u003c/em> \u003c/strong>(AMC) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=124475421\">Vince Gilligan\u003c/a>‘s drama stars \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=18740159\">Bryan Cranston\u003c/a> as Walter White, a high school science teacher turned crystal-meth manufacturer — not a character with whom you’d normally empathize. But Cranston, as Bianculli said in a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=124833953\">review\u003c/a> that aired originally on March 19, 2010, “commits so highly to [his] role that [he] not only wins our sympathy, but disappears within the part [he’s] playing.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/choir.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Choir\u003c/em> \u003c/strong>(BBC) Most people haven’t heard of \u003cem>The Choir,\u003c/em> which aired on BBC America. Bianculli says he “fell in love” with \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/07/07/128355930/-the-choir-a-joyful-documentary-series-for-your-inner-theater-geek\">the show\u003c/a>, which revolves around a young choirmaster in his 20s who worked to put together a giant ensemble made up of schoolchildren and regular folks in a blue-collar English community, eventually bringing them to sing at London’s Royal Albert Hall. “You get how these students and community members and parents were transformed by the simple power of music,” he says. “It was a reality show where no one was trying to hog time just to get on the air or become a star.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Daily Show with Jon Stewart\u003c/em>\u003c/strong> (Comedy Central) “I am fascinated by how valuable it is and how entertaining it is,” says Bianculli. “That I not only laugh at it, but I learn from it. When he does media criticism, he does it smarter than most people who are doing it out there — and even when he has guests on and does interviews, he does a good job with those too.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Dexter\u003c/em>\u003c/strong> (Showtime) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=6166787\">Michael C. Hall\u003c/a>, who played the uptight gay undertaker on HBO’s \u003cem>Six Feet Under,\u003c/em> stars as Dexter Morgan, a forensics expert whose specialty is blood-spatter analysis. He helps solve murders as a member of the Miami Police Department. In a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=130077370\">review\u003c/a> that originally aired on Sept. 24, 2010, Bianculli said the show is “one of the most inventive and exciting shows on TV,” one that explores “twists with breathtaking imagination.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/fridaynightlights.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Friday Night Lights \u003c/em>\u003c/strong>(NBC) The TV series, based on Buzz Bissinger’s nonfiction book about a Texas high school team, came on the heels of a 2004 movie starring \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=4111061\">Billy Bob Thornton\u003c/a> as the high school coach. It began on NBC and almost got canceled — that is, until DirecTV stepped in and offered to share production costs with the network. “It’s a wonderful show,” says Bianculli. “It’s not only one of the best family dramas on television now; it’s one of the best family dramas that’s ever \u003cem>been\u003c/em> on television.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Glee\u003c/em>\u003c/strong> (Fox) “It tried a few too many Very Special Episodes in its second year,” says Bianculli — “or just using the music of Very Special People. You had a Madonna episode; you had a Lady Gaga episode. You had all these sorts of things. But I still really like the show, and I love its uniqueness and I love what it says — it’s probably the best show television has ever presented in terms of gay characters. And I think that’s valuable.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Good Wife\u003c/em>\u003c/strong> (CBS) Bianculli says both the acting and writing really work on this CBS legal drama, which stars Julianna Margulies as a litigator attempting to rebuild her reputation after her husband lands in jail on corruption charges. “But why I really want to support it is because this is old-style network television,” says Bianculli. “One of the thoughts that’s out there is that one of the reasons [cable] networks are succeeding is that they can spend so much more money, and they have so much more freedom to say things and to show things, that there’s no way to do a compelling drama under the financial and editorial restrictions of broadcast network TV. But then you say ‘Well, look at \u003cem>The Good Wife\u003c/em>. It does it just fine.’ “\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Mad Men\u003c/em>\u003c/strong> (AMC) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=128770109\">Matthew Weiner\u003c/a>‘s show about the people of ’60s ad firm Sterling Cooper Draper Pryce doesn’t have the raw audience numbers of \u003cem>Walking Dead\u003c/em> or \u003cem>American Idol,\u003c/em> but it continues to work because it’s “in the conversation,” says Bianculli. “If you turn to the Internet and you’re reading Huffington Post, it’s on there. If you’re reading national magazines, it’s on there. If you’re on network television and the morning shows, it’s on there.” Why has it had such an effect on our cultural zeitgeist? Because when it premiered four seasons ago, it was like nothing else on television. “But for it to succeed and thrive, it has to say something. \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=128770109\">Mad Men\u003c/a> is saying something about that period, but it’s also saying something about us, in every episode.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Modern Family\u003c/em>\u003c/strong> (ABC) Every September, Bianculli says he’s asked what TV shows are must-sees. And for the past few years, his answer on Wednesday nights has been \u003cem>Modern Family\u003c/em>. In a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=129940023\">review\u003c/a> that originally aired on Sept. 20, 2010, Bianculli applauded a sense of “risky creativity” that ended up being rewarded — both with solid ratings and at the Emmys.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rescue Me\u003c/em>\u003c/strong> (FX) The \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=102962938\">Denis Leary\u003c/a> drama about New York firefighters dealing with personal and professional issues in the aftermath of Sept. 11 is ending after this season, partially because it didn’t “get the attention it deserves,” says Bianculli. The show “has done some really strong stories” and featured some “spectacular acting” this year, including a great guest appearance by Michael J. Fox.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/trueblood.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>True Blood\u003c/em>\u003c/strong> (HBO)\u003cem> True Blood,\u003c/em> the HBO vampire series created by \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=103916780\">Alan Ball\u003c/a>, is a soap opera, pure and simple, said Bianculli in a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=127591908\">review\u003c/a> that aired originally on June 9, 2010. “Or more accurately it’s a soap opera, impure and complicated.” The show’s rococo plot twists — and the regular introduction of new characters — keep Bianculli hooked.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>30 Rock\u003c/em>\u003c/strong> (NBC) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=96494481\">Tina Fey\u003c/a>‘s sitcom is still as funny and clever as ever, says Bianculli. “There’s so much to love about \u003cem>30 Rock\u003c/em> and I’ve gushed about this show from the very start, so I won’t repeat myself,” he says. “But the more you get to know this rich collection of characters, the more you’ll adore them all. And I also love the writing on this show, which very smartly surprises you just when you think you know where things are going.”\u003c/p>\n\u003cp>Having bent the rules by bringing 12 shows to talk with Terry Gross about — and riled the host by \u003cem>still\u003c/em> not listing \u003cem>The Colbert Report, \u003c/em>one of her favorites — Bianculli admits he’d slot it in at No. 13. Other honorable mentions include \u003cem>The Walking Dead\u003c/em> on AMC, Showtime’s \u003cem>Nurse Jackie\u003c/em> and \u003cem>United States of Tara,\u003c/em> and HBO’s \u003cem>Treme\u003c/em> and \u003cem>Boardwalk Empire.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Bonus Round: The 3 Biggest Messes On The Small Screen\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Jersey\u003c/em>\u003cem> Shore\u003c/em>\u003cem> \u003c/em>\u003c/strong>(MTV) The reality show is “by far the worst” show on television. “I just cannot tell you how despicable this show is,” says Bianculli. “It makes me want to shower.”\u003c/p>\n\u003cp>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Bleep My Dad Says \u003c/em>(CBS) Based on a Twitter feed that was called something ruder, the William Shatner sitcom is “horrendous” and “so unfunny.” Because it follows the successful CBS sitcom \u003cem>The Big Bang Theory,\u003c/em> \u003cem>Bleep\u003c/em> still has an audience — but “if taste had anything to do with it, it would be gone.”\u003c/p>\n\u003cp>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Outlaw\u003c/em>\u003c/strong> (NBC) Jimmy Smits played a Supreme Court justice who stepped down in order to achieve \u003cem>real \u003c/em>justice by taking on cases one at a time. “You’re on the Supreme Court and you’re going to step down so that you can make a difference? It was such a mind-numbingly bad idea that there was no getting past that.”\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1588,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 31
},
"modified": 1705051726,
"excerpt": "\u003cem>Fresh Air\u003c/em>'s TV critic rounds up the hottest and the nottest of the year that was.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Fresh Air's TV critic rounds up the hottest and the nottest of the year that was.",
"title": "Bianculli Picks The Best (And Worst) TV Of 2010 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Bianculli Picks The Best (And Worst) TV Of 2010",
"datePublished": "2010-12-29T14:02:49-08:00",
"dateModified": "2024-01-12T01:28:46-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bianculli_picks_the_best_and_worst_tv_of_2010",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-tv/",
"nprByline": "David Bianculli",
"sticky": false,
"path": "/arts/40778/bianculli_picks_the_best_and_worst_tv_of_2010",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s been a good year for cable television, says \u003cem>Fresh Air\u003c/em>‘s TV critic David Bianculli. In his annual roundup of the year’s best and worst TV shows, Bianculli applauds the cable networks for “trying a lot of things” in 2010.\u003c/p>\n\u003cp>Broadcast television, on the other hand, proved something of a disappointment.\u003c/p>\n\u003cp>“It was kind of timid this year,” he tells \u003cem>Fresh Air\u003c/em>‘s Terry Gross. “Last year, we got \u003cem>Glee\u003c/em> and \u003cem>Modern Family\u003c/em>. This year, they tried a lot of things which didn’t actually work.”\u003c/p>\n\u003cp>That’s not to say the broadcast networks completely fell flat; Bianculli includes several of their shows on his top picks for 2010. But broadcast TV may be losing its edge.\u003c/p>\n\u003cp>Bianculli has been a TV critic since 1975 and a \u003cem>Fresh Air\u003c/em> contributor since the show’s inception. From 1993 to 2007, he was a staff critic for the \u003cem>New York Daily News. \u003c/em>An associate professor of TV and film at Rowan University in New Jersey, Bianculli is also the founder and editor of the online magazine \u003ca href=\"http://www.tvworthwatching.com/\">TVWorthWatching.com\u003c/a>.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>David Bianculli’s Top \u003cdel>12\u003c/del>13 TV Shows of 2010 (In No Particular Order)\u003cbr>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/breakingbad.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Breaking Bad\u003c/em> \u003c/strong>(AMC) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=124475421\">Vince Gilligan\u003c/a>‘s drama stars \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=18740159\">Bryan Cranston\u003c/a> as Walter White, a high school science teacher turned crystal-meth manufacturer — not a character with whom you’d normally empathize. But Cranston, as Bianculli said in a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=124833953\">review\u003c/a> that aired originally on March 19, 2010, “commits so highly to [his] role that [he] not only wins our sympathy, but disappears within the part [he’s] playing.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/choir.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Choir\u003c/em> \u003c/strong>(BBC) Most people haven’t heard of \u003cem>The Choir,\u003c/em> which aired on BBC America. Bianculli says he “fell in love” with \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/07/07/128355930/-the-choir-a-joyful-documentary-series-for-your-inner-theater-geek\">the show\u003c/a>, which revolves around a young choirmaster in his 20s who worked to put together a giant ensemble made up of schoolchildren and regular folks in a blue-collar English community, eventually bringing them to sing at London’s Royal Albert Hall. “You get how these students and community members and parents were transformed by the simple power of music,” he says. “It was a reality show where no one was trying to hog time just to get on the air or become a star.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Daily Show with Jon Stewart\u003c/em>\u003c/strong> (Comedy Central) “I am fascinated by how valuable it is and how entertaining it is,” says Bianculli. “That I not only laugh at it, but I learn from it. When he does media criticism, he does it smarter than most people who are doing it out there — and even when he has guests on and does interviews, he does a good job with those too.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Dexter\u003c/em>\u003c/strong> (Showtime) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=6166787\">Michael C. Hall\u003c/a>, who played the uptight gay undertaker on HBO’s \u003cem>Six Feet Under,\u003c/em> stars as Dexter Morgan, a forensics expert whose specialty is blood-spatter analysis. He helps solve murders as a member of the Miami Police Department. In a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=130077370\">review\u003c/a> that originally aired on Sept. 24, 2010, Bianculli said the show is “one of the most inventive and exciting shows on TV,” one that explores “twists with breathtaking imagination.”\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/fridaynightlights.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Friday Night Lights \u003c/em>\u003c/strong>(NBC) The TV series, based on Buzz Bissinger’s nonfiction book about a Texas high school team, came on the heels of a 2004 movie starring \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=4111061\">Billy Bob Thornton\u003c/a> as the high school coach. It began on NBC and almost got canceled — that is, until DirecTV stepped in and offered to share production costs with the network. “It’s a wonderful show,” says Bianculli. “It’s not only one of the best family dramas on television now; it’s one of the best family dramas that’s ever \u003cem>been\u003c/em> on television.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Glee\u003c/em>\u003c/strong> (Fox) “It tried a few too many Very Special Episodes in its second year,” says Bianculli — “or just using the music of Very Special People. You had a Madonna episode; you had a Lady Gaga episode. You had all these sorts of things. But I still really like the show, and I love its uniqueness and I love what it says — it’s probably the best show television has ever presented in terms of gay characters. And I think that’s valuable.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Good Wife\u003c/em>\u003c/strong> (CBS) Bianculli says both the acting and writing really work on this CBS legal drama, which stars Julianna Margulies as a litigator attempting to rebuild her reputation after her husband lands in jail on corruption charges. “But why I really want to support it is because this is old-style network television,” says Bianculli. “One of the thoughts that’s out there is that one of the reasons [cable] networks are succeeding is that they can spend so much more money, and they have so much more freedom to say things and to show things, that there’s no way to do a compelling drama under the financial and editorial restrictions of broadcast network TV. But then you say ‘Well, look at \u003cem>The Good Wife\u003c/em>. It does it just fine.’ “\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Mad Men\u003c/em>\u003c/strong> (AMC) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=128770109\">Matthew Weiner\u003c/a>‘s show about the people of ’60s ad firm Sterling Cooper Draper Pryce doesn’t have the raw audience numbers of \u003cem>Walking Dead\u003c/em> or \u003cem>American Idol,\u003c/em> but it continues to work because it’s “in the conversation,” says Bianculli. “If you turn to the Internet and you’re reading Huffington Post, it’s on there. If you’re reading national magazines, it’s on there. If you’re on network television and the morning shows, it’s on there.” Why has it had such an effect on our cultural zeitgeist? Because when it premiered four seasons ago, it was like nothing else on television. “But for it to succeed and thrive, it has to say something. \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=128770109\">Mad Men\u003c/a> is saying something about that period, but it’s also saying something about us, in every episode.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Modern Family\u003c/em>\u003c/strong> (ABC) Every September, Bianculli says he’s asked what TV shows are must-sees. And for the past few years, his answer on Wednesday nights has been \u003cem>Modern Family\u003c/em>. In a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=129940023\">review\u003c/a> that originally aired on Sept. 20, 2010, Bianculli applauded a sense of “risky creativity” that ended up being rewarded — both with solid ratings and at the Emmys.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rescue Me\u003c/em>\u003c/strong> (FX) The \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=102962938\">Denis Leary\u003c/a> drama about New York firefighters dealing with personal and professional issues in the aftermath of Sept. 11 is ending after this season, partially because it didn’t “get the attention it deserves,” says Bianculli. The show “has done some really strong stories” and featured some “spectacular acting” this year, including a great guest appearance by Michael J. Fox.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/trueblood.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>True Blood\u003c/em>\u003c/strong> (HBO)\u003cem> True Blood,\u003c/em> the HBO vampire series created by \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=103916780\">Alan Ball\u003c/a>, is a soap opera, pure and simple, said Bianculli in a \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=127591908\">review\u003c/a> that aired originally on June 9, 2010. “Or more accurately it’s a soap opera, impure and complicated.” The show’s rococo plot twists — and the regular introduction of new characters — keep Bianculli hooked.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>30 Rock\u003c/em>\u003c/strong> (NBC) \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=96494481\">Tina Fey\u003c/a>‘s sitcom is still as funny and clever as ever, says Bianculli. “There’s so much to love about \u003cem>30 Rock\u003c/em> and I’ve gushed about this show from the very start, so I won’t repeat myself,” he says. “But the more you get to know this rich collection of characters, the more you’ll adore them all. And I also love the writing on this show, which very smartly surprises you just when you think you know where things are going.”\u003c/p>\n\u003cp>Having bent the rules by bringing 12 shows to talk with Terry Gross about — and riled the host by \u003cem>still\u003c/em> not listing \u003cem>The Colbert Report, \u003c/em>one of her favorites — Bianculli admits he’d slot it in at No. 13. Other honorable mentions include \u003cem>The Walking Dead\u003c/em> on AMC, Showtime’s \u003cem>Nurse Jackie\u003c/em> and \u003cem>United States of Tara,\u003c/em> and HBO’s \u003cem>Treme\u003c/em> and \u003cem>Boardwalk Empire.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Bonus Round: The 3 Biggest Messes On The Small Screen\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Jersey\u003c/em>\u003cem> Shore\u003c/em>\u003cem> \u003c/em>\u003c/strong>(MTV) The reality show is “by far the worst” show on television. “I just cannot tell you how despicable this show is,” says Bianculli. “It makes me want to shower.”\u003c/p>\n\u003cp>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Bleep My Dad Says \u003c/em>(CBS) Based on a Twitter feed that was called something ruder, the William Shatner sitcom is “horrendous” and “so unfunny.” Because it follows the successful CBS sitcom \u003cem>The Big Bang Theory,\u003c/em> \u003cem>Bleep\u003c/em> still has an audience — but “if taste had anything to do with it, it would be gone.”\u003c/p>\n\u003cp>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Outlaw\u003c/em>\u003c/strong> (NBC) Jimmy Smits played a Supreme Court justice who stepped down in order to achieve \u003cem>real \u003c/em>justice by taking on cases one at a time. “You’re on the Supreme Court and you’re going to step down so that you can make a difference? It was such a mind-numbingly bad idea that there was no getting past that.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/40778/bianculli_picks_the_best_and_worst_tv_of_2010",
"authors": [
"byline_arts_40778"
],
"categories": [
"arts_75"
],
"featImg": "arts_10040778",
"label": "arts"
},
"arts_40533": {
"type": "posts",
"id": "arts_40533",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "40533",
"score": null,
"sort": [
1293145418000
]
},
"guestAuthors": [],
"slug": "50_wonderful_things_from_2010",
"title": "50 Wonderful Things From 2010",
"publishDate": 1293145418,
"format": "standard",
"headTitle": "50 Wonderful Things From 2010 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The thing that’s frustrating about this time of year is that it can wind up feeling like listmaking is all about eliminating things you would like to compliment. You’d like to compliment 13 TV shows, but you’re supposed to pick 10, and all you can feel is the three that were left out.\u003c/p>\n\u003cp>So I decided to eschew the whole thing. Honestly, the hands-down best part of this job is coming in every day and being repeatedly delighted, and if I ever get to the point where I’m not repeatedly and genuinely delighted, it will be time to quit. In absolutely no particular order, with no attempt at completeness, with no promise that I have located the \u003cem>most\u003c/em> anything of anything, here are 50 things I heartily, unironically, truly admired and enjoyed this year. This is a list I came up with without breaking a sweat, which is how you know that even though critics can be … well, critical, we spend a lot of our time being treated to other people’s good work.\u003c/p>\n\u003cp>Here are some treats I was particularly happy to encounter in the last 12 months. I thank everybody who made this stuff. It’s a pleasure to take it in.\u003c/p>\n\u003cp>\u003cstrong>1. \u003c/strong>\u003cstrong>Justin Timberlake and Jimmy Fallon doing the History Of Rap. \u003c/strong>I’ve said it before, but I’ll say it one more time: Jimmy Fallon has found exactly the right job for himself and exactly the right show for him to do, and between \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/09/30/130237475/justin-timberlake-and-jimmy-fallon-are-having-more-fun-than-you-are\">this\u003c/a> and the great \u003ca href=\"http://www.youtube.com/watch?v=PjkDxlhleN8\">Emmy opening\u003c/a>, he’s had maybe the best pop-culture year of anyone. (This clip has been taken down, unfortunately.)\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>2. Ken Burns’ \u003cem>The Tenth Inning\u003c/em>\u003c/strong>. A love letter to a deeply flawed game, is what it really was.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>3. Tiny Desk Concerts. \u003c/strong>Just to name a few essentials: \u003ca href=\"http://www.npr.org/2010/12/15/131963244/the-heligoats-tiny-desk-concert\">The Heligoats\u003c/a>. \u003ca href=\"http://www.npr.org/2010/12/08/130870090/nick-lowe-tiny-desk-concert\">Nick Lowe\u003c/a>. \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=128383652\">Jimmy Cliff\u003c/a>. \u003ca href=\"http://www.npr.org/2010/05/21/127043684/bettye-lavette-tiny-desk-concert\">Bettye LaVette\u003c/a>. Watch more \u003ca href=\"http://www.npr.org/series/tiny-desk-concerts/\">here\u003c/a>. (Special mention: the Tinier Desk Concerts — in particular, \u003ca href=\"http://www.npr.org/internedition/fall10/?p=2395\">The Polka Dots\u003c/a>.) \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>4. Craig Ferguson’s robot, Geoff Peterson.\u003c/strong> Designed by \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/04/he_has_no_armaments_does_craig.html\" target=\"_blank\" rel=\"noopener\">Grant Imahara from \u003cem>Mythbusters\u003c/em>\u003c/a>. Ferguson continues to be wonderful at what he does, and this was a marvelous marriage of the sensibility of his show with the sensibility of\u003cem> Mythbusters\u003c/em> — which, while we’re at it, is also consistently a joy.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>5. The last 15 minutes of \u003cem>Lost\u003c/em>. \u003c/strong>Many hated it; I loved it. Immensely moving, incredibly satisfying, and fully earned. I still cry. Every time.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>6. Ron Swanson taking a header on the grass during the season finale of \u003cem>Parks and Recreation\u003c/em>\u003c/strong>. Great show, miraculous cast, and an unexpected moment of completely extraneous physical comedy.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>7. The descriptions of people in Jonathan Franzen’s \u003cem>Freedom\u003c/em>\u003c/strong>. I didn’t love everything about the book, but the ability to sum up human beings in bite-sized descriptions is the thing at which Franzen is a superhero. \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>8. The expansive, imaginative \u003cem>Inception\u003c/em> cinematography. \u003c/strong>In some ways, it may have been too good for its own good, in that its slickness allowed it to be taken for granted.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>9. The Night Of 140 Tweets.\u003c/strong> A fundraiser for Haiti that brought prolific and funny tweeters together at the UCB theater in Los Angeles. (\u003ca href=\"http://www.amazon.com/gp/product/B003BNZILO/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=486539851&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=B003BWV75G&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=1F8EJNKH58DHFP90NQ11\">Still available at Amazon\u003c/a>.) \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>10. Ben Folds on \u003cem>The Sing-Off\u003c/em>\u003c/strong>. Still great. Makes it seem like it’s possible to be a reality-show judge and come off well, which is quite an accomplishment.\u003c/p>\n\u003cp>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>11. Helena Bonham Carter in the opening scenes of \u003cem>The King’s Speech. \u003c/em>\u003c/strong>Yes, Firth and Rush have fabulous chemistry that carries the movie, but the confident, wry way that Bonham Carter lifts the beginning of the film is very important and humanizes the king. She’s done a lot of fairly extreme acting (to put it mildly) in recent years; it was interesting to see her do everything small again, and learn that she’s still got that, too.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>12. The pop-culture ascendancy and triumph of \u003cem>The Hunger Games \u003c/em>series\u003c/strong>. Tied to the release of the third book, \u003cem>Mockingjay\u003c/em>, the passage of this series into legend was richly deserved.\u003cbr>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>13. James Wolk in \u003cem>Lone Star\u003c/em>\u003c/strong>. The show was flawed, yes. And doomed, perhaps. And it was two episodes and out, unfortunately. But the central performance from James Wolk was one of the best I’ve seen in a while, and deserved better.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>14. Glen Weldon’s piece on the graphic memoir \u003cem>Special Exits\u003c/em>. \u003c/strong>I’m not too shy to tell you that right here in this very blog, we had the privilege to run \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/11/30/131699453/going-gentle-into-that-good-night-goes-awry-the-graphic-memoir-special-exits\">one of my favorite pieces of writing\u003c/a> from this year: lovely and touching but not mawkish or sentimental, from a friend and colleague who helped light up my 2010 big-time.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>15. The voice acting in Disney’s \u003cem>Tangled\u003c/em>\u003c/strong>. Zachary Levi, Mandy Moore, Donna Murphy, Ron Perlman, M.C. Gainey, Paul F. Tompkins, and many more. It’s a special movie, very nicely executed, and the acting is part of the reason why.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>16. Will Leitch’s discussion of the Jim Joyce blown call\u003c/strong>. Top-notch \u003ca href=\"http://nymag.com/daily/sports/2010/06/how_a_botched_perfect_game_cal.html\">writing\u003c/a> that exemplifies how you do rapid response to a big controversy without acting like a jerk. That Leitch is often tagged with being the worst of the Internet just because of his association with Deadspin is, to say the least, ironic. (See also: \u003ca href=\"http://deadspin.com/5482198/my-roger-ebert-story\">Leitch’s devastatingly introspective Roger Ebert post\u003c/a>.)\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>17. The \u003cem>Mad Men \u003c/em>episode “The Suitcase.” \u003c/strong>And specifically the part where Don Draper (Jon Hamm) yells, “THAT’S WHAT THE MONEY IS FOR!” So very much genius in a single hour of television. \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>18. The NPR rap. \u003c/strong>Spectacularly done and also \u003ca href=\"http://www.youtube.com/watch?v=vxRgNnue-zk\">weirdly moving\u003c/a>, from the standpoint of someone who works here.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>19. That moment in the \u003cem>Community\u003c/em> episode “Contemporary American Poultry” where they discuss the phrase “streets ahead.” \u003c/strong>Show creator Dan Harmon does sometimes let his temper get the better of him on Twitter, but \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/04/community_and_the_art_of_confi.html\">this\u003c/a> was a perfect example of needling detractors without overreacting. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>20. The part of \u003cem>Joan Rivers: A Piece Of Work\u003c/em> where she shows off her many, many drawers of jokes on index cards. \u003c/strong>Comedians work, just like everybody else. And they create a product, just like everybody else. I’ve never seen it illustrated better than in this moment in the very smart and admirably restrained documentary about Rivers that came out this year.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>21. Conan O’Brien’s speech about cynicism.\u003c/strong> “I hate cynicism — it’s my least favorite quality and it doesn’t lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you’re kind, amazing things will happen. I’m telling you, amazing things will happen.” A great way to go out on his last \u003cem>Tonight Show\u003c/em>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>22. ESPN’s \u003cem>30 For 30 \u003c/em>documentary “Winning Time: Reggie Miller vs. The New York Knicks.” \u003c/strong>This has been a series with installments I loved and installments I didn’t, but “Winning Time” is pure, joyful, sports-loving brilliance, and the only thing I would have changed about it was that I wished it were longer.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>23. Jesse Eisenberg’s twitchy, unsettling performance in \u003cem>The Social Network\u003c/em>\u003c/strong>. Putting aside matters of veracity (as I think you have to), it was a tremendously specific interpretation of a young, intense entrepreneur. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>24. Edgar Wright’s dynamic direction of \u003cem>Scott Pilgrim Versus The World\u003c/em>\u003c/strong>. The film wasn’t commercially successful, but the highly stylized presentation was genuinely inventive and surprising, and the warmth of the story survived the gimmicks.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>25. The unsparing ending of \u003cem>Toy Story 3\u003c/em>\u003c/strong>. I won’t spoil it if you haven’t seen it, but there’s a lusciously unsparing brutality to the march of time, and the movie threaded the needle perfectly so that it neither denies that nor gives in to it in despair. It’s hard for sadness and happiness to be conveyed at the same time, I think, but they got it done.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>26. Baby Monkey (Going Backwards On A Pig)\u003c/strong>. \u003ca href=\"http://www.youtube.com/watch?v=5_sfnQDr1-o\">I am a cheap date\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>27. The moment on \u003cem>Modern Family\u003c/em> where Sofia Vergara says “Shia LaBeouf.” \u003c/strong>\u003ca href=\"http://nymag.com/daily/entertainment/2010/09/sofia_vergara_demonstrates_how.html\">Clip here.\u003c/a> I am not a crackpot. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>28. The Cee\u003c/strong>–\u003cstrong>Lo song. \u003c/strong>Yep, it has profanity. It’s also a great song. I listen to it regularly. No regrets.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>29. Damon Lindelof accepting his TCA Award. \u003c/strong>Upon being honored by the Television Critics Association this summer, the \u003cem>Lost\u003c/em> co-creator did a hilariously dark reading of some of the angry, profane tweets that followed the finale. It was pretty epic, I have to tell you. Hard to watch, as \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/08/24/129398373/-lost-loads-up-the-bonus-features-and-proves-it-didn-t-need-them\">I mentioned\u003c/a>, but something I actually look back on very fondly. (Special mention: Tom Hanks on the same night, cracking up the room with his opener about looking around the room and seeing Ryan Murphy and others dressed down: “This is the last [bleep]ing time I’m dressing up for you people.”)\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>30. The OK Go Rube Goldberg Machine video.\u003c/strong> Some things that go viral deserve to go viral. It’s colorful, meticulous and vital, in addition to just being a freakishly \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/03/things_that_are_great_day_cont.html\">impressive accomplishment\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>31. My Old Spice message. \u003c/strong>\u003ca href=\"http://www.youtube.com/watch?v=xi-abeYIgxU\">I am not made of stone\u003c/a> over here, people. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>32. Zach Gilford’s performance in the \u003cem>Friday Night Lights\u003c/em> episode “The Son.” \u003c/strong>Gilford and the creative team at \u003cem>FNL\u003c/em> have kept Matt Saracen awkward, uncomfortable, and only reluctantly heroic throughout the show’s run. This was a mesmerizing, heartbreaking payoff to years of character development, and a fine example of why this show is so, so very good. NBC’s deal with DirecTV kept the show on the air long enough for Kyle Chandler and Connie Britton to get their ridiculously overdue Emmy nominations, and fans will get a much more acceptable send-off than they easily could have had a couple of years ago.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>33. \u003c/strong>\u003cstrong>Bill Carter’s book, \u003cem>The War For Late Night\u003c/em>\u003c/strong>\u003cem>. \u003c/em>Even if you’re so very over the whole story of Conan and Jay, Carter (who wrote \u003cem>The Late Shift\u003c/em> about the original Leno-Letterman standoff) has written a very compelling story of human beings who all think they’re right and all wind up feeling wronged.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>34. “Mapping The Heavens” at UCB Theater in L.A. \u003c/strong>While in L.A. for press tour, I was lucky enough to be rescued by a pal with a car who nabbed available tickets from Twitter (no, really!) and taken to see live comedy from Dave Holmes and Rob Delaney, as well as Patton Oswalt and Chelsea Peretti. If you ever get the chance to see \u003cem>any \u003c/em>of these people live, please do it.\u003cstrong>\u003cem>\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>35.\u003c/em>\u003cem> The Choir\u003c/em>\u003c/strong>. There are not enough words to say how joyous this BBC show is, and while it doesn’t technically belong to 2010, that’s when it came to BBC America, and that’s when I saw it, and it made me happier than anything else all year long, musically speaking.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>36. Annette Bening in \u003cem>The Kids Are All Right\u003c/em>\u003c/strong>. I haven’t always been a fan of Bening, but this sometimes unappealing performance as a genuinely unpleasant person who was nonetheless very loving really turned me around on her.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>37. Judge Judy hearing a case involving stolen armor and members of the Society For Creative Anachronism. \u003c/strong>You’re just going to have to take my word for it.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>38. The “So You Wanna Be A Chef” chapter of Anthony Bourdain’s \u003cem>Medium Raw: A Bloody Valentine To The World Of Food And The People Who Cook. \u003c/em>\u003c/strong>There are people who find Bourdain too acidic to be enjoyable; I am not one of them. This is a fine and vibrant book, and in this chapter, he shoots straight about the many people who are not cut out for a chef’s life.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>39. Dan Fienberg’s Hitfix review of \u003cem>Grown Ups\u003c/em>\u003c/strong>. The fact that I’m not taking shots at anything here doesn’t mean that taking shots doesn’t have its time and place. In \u003ca href=\"http://www.hitfix.com/blogs/the-fien-print/posts/movie-review-grown-ups\">this review at Hitfix\u003c/a>, Dan does the difficult job of giving enough of a damn about the stupid movie \u003cem>Grown Ups\u003c/em> to explain what’s actually wrong with it, which is more trouble than many go to. One of my favorite takedowns of the year.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>40. \u003cem>Moby-Dick\u003c/em>. \u003c/strong>No, it’s not from 2010. But my reading of it was, and I’ll be a grape popsicle if I’m not going to cram it into every list I make for the rest of my life. But seriously — it feels like an accomplishment, and it has given me the opportunity to make jokes I otherwise could not have. (“Randy Jackson is now the Ishmael of \u003cem>American Idol\u003c/em>,” for instance.) Read the classics. They are handy.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>41. “Safety Dance” on \u003cem>Glee\u003c/em>. \u003c/strong>Kevin McHale, who normally uses a wheelchair to play Artie, got a shot at dancing in this joyful production number that was also one of the first to showcase the fantastic Heather Morris (Brittany), whose role has been expanding ever since. Part of the very good “Dream On” episode, directed by Joss Whedon and co-starring Neil Patrick Harris, it was one of the most organic-feeling dances the show has ever produced.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>42. Crystal Bowersox singing “People Get Ready” on \u003cem>American Idol\u003c/em>. \u003c/strong>This was a very, very underwhelming season of \u003cem>Idol\u003c/em>, but every now and then, something good happens in spite of everything else that’s happening, and Crystal’s \u003ca href=\"http://www.youtube.com/watch?v=Z-niRO5IpBA\">performance\u003c/a> was one of the many reasons that her not winning was so irksome.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>43. Jon Hamm’s hook hands on \u003cem>30 Rock\u003c/em>. \u003c/strong>It’s sick and it’s wrong, but it was \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/05/14/126826606/-30-rock-offers-another-dose-of-intermittent-reinforcement\">so funny\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>44. When Tim Gunn took on superhero costumes.\u003c/strong> Seriously, just could not have been more delightful, \u003ca href=\"http://www.geekosystem.com/tim-gunn-comic-book-video/\">this\u003c/a>. “From the deltoids up, I get it.” Oh, Tim Gunn.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>45. James Franco and Mila Kunis in \u003cem>Date Night. \u003c/em>\u003c/strong>\u003cem>Date Night\u003c/em> is a pretty cute comedy, and Tina Fey and Steve Carell are pretty good in it. But when James Franco and Mila Kunis show up, the movie briefly becomes — no fooling — brilliant. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>46. The stalk-eyed fly on Discovery’s \u003cem>Life\u003c/em>. \u003c/strong>‘Nuff said. \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/03/life_a_stunning_parade_of_funn.html\">Watch\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>47. The Betty White renaissance.\u003c/strong> It’s incredibly strange that we’re already at a point where people are like, “Okay, enough Betty White already.” For once, we have managed to appreciate and salute someone with a long history of being great for reasons other than death. That’s a good development, whether you entirely buy into the groundswell or not.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>48. Johnny Weir’s press conference. \u003c/strong>The Olympic skater found himself criticized by two skating commentators for being a bad example for male skaters and perhaps being in need of a gender test. While keeping an admirable grasp on his temper and his tone, Weir stood up for himself and, in turn, for everyone who identifies with him. It was a fine, fine \u003ca href=\"http://www.youtube.com/watch?v=a6-MAmhGKsU\">moment of grace\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>49. “Chuck Versus The Other Guy.” \u003c/strong>\u003cem>Chuck\u003c/em> is a show that has never quite been able to stay stable for a long period of time, but as facile as it seems to salute the “finally, the leads get together!” episode, it was great. It was touching and sweet and worth the wait. Payoff that fans really want is a very hard thing to do with any sort of integrity, but this was an example of doing it right.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>50. Claire Danes in \u003cem>Temple\u003c/em>\u003cem> Grandin\u003c/em>\u003c/strong>. It’s hard to play people whose affects are unusual, as the real Temple Grandin’s is. It’s hard to adequately convey that they are unusual without being a cartoon, but Danes was just wonderful in this HBO movie that told both Grandin’s personal story and a story about the evolution of livestock management. It could have been strange; it was lovely.\u003cbr>\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So there they are: 50 things that brought me a lot of happiness in 2010, that I enjoyed unironically and unreservedly. Feel free to add your own, and let’s all look forward to an equally good 2011.\u003cstrong>\u003cbr>\u003c/strong>\u003c/p>\n\n",
"blocks": [],
"excerpt": "From books to television to movies to the strange things the Internet brings on a daily basis, here are 50 of the things I truly enjoyed in 2010.",
"status": "publish",
"parent": 0,
"modified": 1726781955,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 57,
"wordCount": 2785
},
"headData": {
"title": "50 Wonderful Things From 2010 | KQED",
"description": "From books to television to movies to the strange things the Internet brings on a daily basis, here are 50 of the things I truly enjoyed in 2010.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "50 Wonderful Things From 2010",
"datePublished": "2010-12-23T15:03:38-08:00",
"dateModified": "2024-09-19T14:39:15-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"nprByline": "Linda Holmes",
"path": "/arts/40533/50_wonderful_things_from_2010",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The thing that’s frustrating about this time of year is that it can wind up feeling like listmaking is all about eliminating things you would like to compliment. You’d like to compliment 13 TV shows, but you’re supposed to pick 10, and all you can feel is the three that were left out.\u003c/p>\n\u003cp>So I decided to eschew the whole thing. Honestly, the hands-down best part of this job is coming in every day and being repeatedly delighted, and if I ever get to the point where I’m not repeatedly and genuinely delighted, it will be time to quit. In absolutely no particular order, with no attempt at completeness, with no promise that I have located the \u003cem>most\u003c/em> anything of anything, here are 50 things I heartily, unironically, truly admired and enjoyed this year. This is a list I came up with without breaking a sweat, which is how you know that even though critics can be … well, critical, we spend a lot of our time being treated to other people’s good work.\u003c/p>\n\u003cp>Here are some treats I was particularly happy to encounter in the last 12 months. I thank everybody who made this stuff. It’s a pleasure to take it in.\u003c/p>\n\u003cp>\u003cstrong>1. \u003c/strong>\u003cstrong>Justin Timberlake and Jimmy Fallon doing the History Of Rap. \u003c/strong>I’ve said it before, but I’ll say it one more time: Jimmy Fallon has found exactly the right job for himself and exactly the right show for him to do, and between \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/09/30/130237475/justin-timberlake-and-jimmy-fallon-are-having-more-fun-than-you-are\">this\u003c/a> and the great \u003ca href=\"http://www.youtube.com/watch?v=PjkDxlhleN8\">Emmy opening\u003c/a>, he’s had maybe the best pop-culture year of anyone. (This clip has been taken down, unfortunately.)\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>2. Ken Burns’ \u003cem>The Tenth Inning\u003c/em>\u003c/strong>. A love letter to a deeply flawed game, is what it really was.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>3. Tiny Desk Concerts. \u003c/strong>Just to name a few essentials: \u003ca href=\"http://www.npr.org/2010/12/15/131963244/the-heligoats-tiny-desk-concert\">The Heligoats\u003c/a>. \u003ca href=\"http://www.npr.org/2010/12/08/130870090/nick-lowe-tiny-desk-concert\">Nick Lowe\u003c/a>. \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=128383652\">Jimmy Cliff\u003c/a>. \u003ca href=\"http://www.npr.org/2010/05/21/127043684/bettye-lavette-tiny-desk-concert\">Bettye LaVette\u003c/a>. Watch more \u003ca href=\"http://www.npr.org/series/tiny-desk-concerts/\">here\u003c/a>. (Special mention: the Tinier Desk Concerts — in particular, \u003ca href=\"http://www.npr.org/internedition/fall10/?p=2395\">The Polka Dots\u003c/a>.) \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>4. Craig Ferguson’s robot, Geoff Peterson.\u003c/strong> Designed by \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/04/he_has_no_armaments_does_craig.html\" target=\"_blank\" rel=\"noopener\">Grant Imahara from \u003cem>Mythbusters\u003c/em>\u003c/a>. Ferguson continues to be wonderful at what he does, and this was a marvelous marriage of the sensibility of his show with the sensibility of\u003cem> Mythbusters\u003c/em> — which, while we’re at it, is also consistently a joy.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>5. The last 15 minutes of \u003cem>Lost\u003c/em>. \u003c/strong>Many hated it; I loved it. Immensely moving, incredibly satisfying, and fully earned. I still cry. Every time.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>6. Ron Swanson taking a header on the grass during the season finale of \u003cem>Parks and Recreation\u003c/em>\u003c/strong>. Great show, miraculous cast, and an unexpected moment of completely extraneous physical comedy.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>7. The descriptions of people in Jonathan Franzen’s \u003cem>Freedom\u003c/em>\u003c/strong>. I didn’t love everything about the book, but the ability to sum up human beings in bite-sized descriptions is the thing at which Franzen is a superhero. \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>8. The expansive, imaginative \u003cem>Inception\u003c/em> cinematography. \u003c/strong>In some ways, it may have been too good for its own good, in that its slickness allowed it to be taken for granted.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>9. The Night Of 140 Tweets.\u003c/strong> A fundraiser for Haiti that brought prolific and funny tweeters together at the UCB theater in Los Angeles. (\u003ca href=\"http://www.amazon.com/gp/product/B003BNZILO/ref=pd_lpo_k2_dp_sr_1?pf_rd_p=486539851&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=B003BWV75G&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=1F8EJNKH58DHFP90NQ11\">Still available at Amazon\u003c/a>.) \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>10. Ben Folds on \u003cem>The Sing-Off\u003c/em>\u003c/strong>. Still great. Makes it seem like it’s possible to be a reality-show judge and come off well, which is quite an accomplishment.\u003c/p>\n\u003cp>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>11. Helena Bonham Carter in the opening scenes of \u003cem>The King’s Speech. \u003c/em>\u003c/strong>Yes, Firth and Rush have fabulous chemistry that carries the movie, but the confident, wry way that Bonham Carter lifts the beginning of the film is very important and humanizes the king. She’s done a lot of fairly extreme acting (to put it mildly) in recent years; it was interesting to see her do everything small again, and learn that she’s still got that, too.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>12. The pop-culture ascendancy and triumph of \u003cem>The Hunger Games \u003c/em>series\u003c/strong>. Tied to the release of the third book, \u003cem>Mockingjay\u003c/em>, the passage of this series into legend was richly deserved.\u003cbr>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>13. James Wolk in \u003cem>Lone Star\u003c/em>\u003c/strong>. The show was flawed, yes. And doomed, perhaps. And it was two episodes and out, unfortunately. But the central performance from James Wolk was one of the best I’ve seen in a while, and deserved better.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>14. Glen Weldon’s piece on the graphic memoir \u003cem>Special Exits\u003c/em>. \u003c/strong>I’m not too shy to tell you that right here in this very blog, we had the privilege to run \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/11/30/131699453/going-gentle-into-that-good-night-goes-awry-the-graphic-memoir-special-exits\">one of my favorite pieces of writing\u003c/a> from this year: lovely and touching but not mawkish or sentimental, from a friend and colleague who helped light up my 2010 big-time.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>15. The voice acting in Disney’s \u003cem>Tangled\u003c/em>\u003c/strong>. Zachary Levi, Mandy Moore, Donna Murphy, Ron Perlman, M.C. Gainey, Paul F. Tompkins, and many more. It’s a special movie, very nicely executed, and the acting is part of the reason why.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>16. Will Leitch’s discussion of the Jim Joyce blown call\u003c/strong>. Top-notch \u003ca href=\"http://nymag.com/daily/sports/2010/06/how_a_botched_perfect_game_cal.html\">writing\u003c/a> that exemplifies how you do rapid response to a big controversy without acting like a jerk. That Leitch is often tagged with being the worst of the Internet just because of his association with Deadspin is, to say the least, ironic. (See also: \u003ca href=\"http://deadspin.com/5482198/my-roger-ebert-story\">Leitch’s devastatingly introspective Roger Ebert post\u003c/a>.)\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>17. The \u003cem>Mad Men \u003c/em>episode “The Suitcase.” \u003c/strong>And specifically the part where Don Draper (Jon Hamm) yells, “THAT’S WHAT THE MONEY IS FOR!” So very much genius in a single hour of television. \u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>18. The NPR rap. \u003c/strong>Spectacularly done and also \u003ca href=\"http://www.youtube.com/watch?v=vxRgNnue-zk\">weirdly moving\u003c/a>, from the standpoint of someone who works here.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>19. That moment in the \u003cem>Community\u003c/em> episode “Contemporary American Poultry” where they discuss the phrase “streets ahead.” \u003c/strong>Show creator Dan Harmon does sometimes let his temper get the better of him on Twitter, but \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/04/community_and_the_art_of_confi.html\">this\u003c/a> was a perfect example of needling detractors without overreacting. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>20. The part of \u003cem>Joan Rivers: A Piece Of Work\u003c/em> where she shows off her many, many drawers of jokes on index cards. \u003c/strong>Comedians work, just like everybody else. And they create a product, just like everybody else. I’ve never seen it illustrated better than in this moment in the very smart and admirably restrained documentary about Rivers that came out this year.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>21. Conan O’Brien’s speech about cynicism.\u003c/strong> “I hate cynicism — it’s my least favorite quality and it doesn’t lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you’re kind, amazing things will happen. I’m telling you, amazing things will happen.” A great way to go out on his last \u003cem>Tonight Show\u003c/em>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>22. ESPN’s \u003cem>30 For 30 \u003c/em>documentary “Winning Time: Reggie Miller vs. The New York Knicks.” \u003c/strong>This has been a series with installments I loved and installments I didn’t, but “Winning Time” is pure, joyful, sports-loving brilliance, and the only thing I would have changed about it was that I wished it were longer.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>23. Jesse Eisenberg’s twitchy, unsettling performance in \u003cem>The Social Network\u003c/em>\u003c/strong>. Putting aside matters of veracity (as I think you have to), it was a tremendously specific interpretation of a young, intense entrepreneur. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>24. Edgar Wright’s dynamic direction of \u003cem>Scott Pilgrim Versus The World\u003c/em>\u003c/strong>. The film wasn’t commercially successful, but the highly stylized presentation was genuinely inventive and surprising, and the warmth of the story survived the gimmicks.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>25. The unsparing ending of \u003cem>Toy Story 3\u003c/em>\u003c/strong>. I won’t spoil it if you haven’t seen it, but there’s a lusciously unsparing brutality to the march of time, and the movie threaded the needle perfectly so that it neither denies that nor gives in to it in despair. It’s hard for sadness and happiness to be conveyed at the same time, I think, but they got it done.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>26. Baby Monkey (Going Backwards On A Pig)\u003c/strong>. \u003ca href=\"http://www.youtube.com/watch?v=5_sfnQDr1-o\">I am a cheap date\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>27. The moment on \u003cem>Modern Family\u003c/em> where Sofia Vergara says “Shia LaBeouf.” \u003c/strong>\u003ca href=\"http://nymag.com/daily/entertainment/2010/09/sofia_vergara_demonstrates_how.html\">Clip here.\u003c/a> I am not a crackpot. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>28. The Cee\u003c/strong>–\u003cstrong>Lo song. \u003c/strong>Yep, it has profanity. It’s also a great song. I listen to it regularly. No regrets.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>29. Damon Lindelof accepting his TCA Award. \u003c/strong>Upon being honored by the Television Critics Association this summer, the \u003cem>Lost\u003c/em> co-creator did a hilariously dark reading of some of the angry, profane tweets that followed the finale. It was pretty epic, I have to tell you. Hard to watch, as \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/08/24/129398373/-lost-loads-up-the-bonus-features-and-proves-it-didn-t-need-them\">I mentioned\u003c/a>, but something I actually look back on very fondly. (Special mention: Tom Hanks on the same night, cracking up the room with his opener about looking around the room and seeing Ryan Murphy and others dressed down: “This is the last [bleep]ing time I’m dressing up for you people.”)\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>30. The OK Go Rube Goldberg Machine video.\u003c/strong> Some things that go viral deserve to go viral. It’s colorful, meticulous and vital, in addition to just being a freakishly \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/03/things_that_are_great_day_cont.html\">impressive accomplishment\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>31. My Old Spice message. \u003c/strong>\u003ca href=\"http://www.youtube.com/watch?v=xi-abeYIgxU\">I am not made of stone\u003c/a> over here, people. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>32. Zach Gilford’s performance in the \u003cem>Friday Night Lights\u003c/em> episode “The Son.” \u003c/strong>Gilford and the creative team at \u003cem>FNL\u003c/em> have kept Matt Saracen awkward, uncomfortable, and only reluctantly heroic throughout the show’s run. This was a mesmerizing, heartbreaking payoff to years of character development, and a fine example of why this show is so, so very good. NBC’s deal with DirecTV kept the show on the air long enough for Kyle Chandler and Connie Britton to get their ridiculously overdue Emmy nominations, and fans will get a much more acceptable send-off than they easily could have had a couple of years ago.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>33. \u003c/strong>\u003cstrong>Bill Carter’s book, \u003cem>The War For Late Night\u003c/em>\u003c/strong>\u003cem>. \u003c/em>Even if you’re so very over the whole story of Conan and Jay, Carter (who wrote \u003cem>The Late Shift\u003c/em> about the original Leno-Letterman standoff) has written a very compelling story of human beings who all think they’re right and all wind up feeling wronged.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>34. “Mapping The Heavens” at UCB Theater in L.A. \u003c/strong>While in L.A. for press tour, I was lucky enough to be rescued by a pal with a car who nabbed available tickets from Twitter (no, really!) and taken to see live comedy from Dave Holmes and Rob Delaney, as well as Patton Oswalt and Chelsea Peretti. If you ever get the chance to see \u003cem>any \u003c/em>of these people live, please do it.\u003cstrong>\u003cem>\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>35.\u003c/em>\u003cem> The Choir\u003c/em>\u003c/strong>. There are not enough words to say how joyous this BBC show is, and while it doesn’t technically belong to 2010, that’s when it came to BBC America, and that’s when I saw it, and it made me happier than anything else all year long, musically speaking.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>36. Annette Bening in \u003cem>The Kids Are All Right\u003c/em>\u003c/strong>. I haven’t always been a fan of Bening, but this sometimes unappealing performance as a genuinely unpleasant person who was nonetheless very loving really turned me around on her.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>37. Judge Judy hearing a case involving stolen armor and members of the Society For Creative Anachronism. \u003c/strong>You’re just going to have to take my word for it.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>38. The “So You Wanna Be A Chef” chapter of Anthony Bourdain’s \u003cem>Medium Raw: A Bloody Valentine To The World Of Food And The People Who Cook. \u003c/em>\u003c/strong>There are people who find Bourdain too acidic to be enjoyable; I am not one of them. This is a fine and vibrant book, and in this chapter, he shoots straight about the many people who are not cut out for a chef’s life.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>39. Dan Fienberg’s Hitfix review of \u003cem>Grown Ups\u003c/em>\u003c/strong>. The fact that I’m not taking shots at anything here doesn’t mean that taking shots doesn’t have its time and place. In \u003ca href=\"http://www.hitfix.com/blogs/the-fien-print/posts/movie-review-grown-ups\">this review at Hitfix\u003c/a>, Dan does the difficult job of giving enough of a damn about the stupid movie \u003cem>Grown Ups\u003c/em> to explain what’s actually wrong with it, which is more trouble than many go to. One of my favorite takedowns of the year.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>40. \u003cem>Moby-Dick\u003c/em>. \u003c/strong>No, it’s not from 2010. But my reading of it was, and I’ll be a grape popsicle if I’m not going to cram it into every list I make for the rest of my life. But seriously — it feels like an accomplishment, and it has given me the opportunity to make jokes I otherwise could not have. (“Randy Jackson is now the Ishmael of \u003cem>American Idol\u003c/em>,” for instance.) Read the classics. They are handy.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>41. “Safety Dance” on \u003cem>Glee\u003c/em>. \u003c/strong>Kevin McHale, who normally uses a wheelchair to play Artie, got a shot at dancing in this joyful production number that was also one of the first to showcase the fantastic Heather Morris (Brittany), whose role has been expanding ever since. Part of the very good “Dream On” episode, directed by Joss Whedon and co-starring Neil Patrick Harris, it was one of the most organic-feeling dances the show has ever produced.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>42. Crystal Bowersox singing “People Get Ready” on \u003cem>American Idol\u003c/em>. \u003c/strong>This was a very, very underwhelming season of \u003cem>Idol\u003c/em>, but every now and then, something good happens in spite of everything else that’s happening, and Crystal’s \u003ca href=\"http://www.youtube.com/watch?v=Z-niRO5IpBA\">performance\u003c/a> was one of the many reasons that her not winning was so irksome.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>43. Jon Hamm’s hook hands on \u003cem>30 Rock\u003c/em>. \u003c/strong>It’s sick and it’s wrong, but it was \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/05/14/126826606/-30-rock-offers-another-dose-of-intermittent-reinforcement\">so funny\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>44. When Tim Gunn took on superhero costumes.\u003c/strong> Seriously, just could not have been more delightful, \u003ca href=\"http://www.geekosystem.com/tim-gunn-comic-book-video/\">this\u003c/a>. “From the deltoids up, I get it.” Oh, Tim Gunn.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>45. James Franco and Mila Kunis in \u003cem>Date Night. \u003c/em>\u003c/strong>\u003cem>Date Night\u003c/em> is a pretty cute comedy, and Tina Fey and Steve Carell are pretty good in it. But when James Franco and Mila Kunis show up, the movie briefly becomes — no fooling — brilliant. \u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>46. The stalk-eyed fly on Discovery’s \u003cem>Life\u003c/em>. \u003c/strong>‘Nuff said. \u003ca href=\"http://www.npr.org/blogs/monkeysee/2010/03/life_a_stunning_parade_of_funn.html\">Watch\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>47. The Betty White renaissance.\u003c/strong> It’s incredibly strange that we’re already at a point where people are like, “Okay, enough Betty White already.” For once, we have managed to appreciate and salute someone with a long history of being great for reasons other than death. That’s a good development, whether you entirely buy into the groundswell or not.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>48. Johnny Weir’s press conference. \u003c/strong>The Olympic skater found himself criticized by two skating commentators for being a bad example for male skaters and perhaps being in need of a gender test. While keeping an admirable grasp on his temper and his tone, Weir stood up for himself and, in turn, for everyone who identifies with him. It was a fine, fine \u003ca href=\"http://www.youtube.com/watch?v=a6-MAmhGKsU\">moment of grace\u003c/a>.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>49. “Chuck Versus The Other Guy.” \u003c/strong>\u003cem>Chuck\u003c/em> is a show that has never quite been able to stay stable for a long period of time, but as facile as it seems to salute the “finally, the leads get together!” episode, it was great. It was touching and sweet and worth the wait. Payoff that fans really want is a very hard thing to do with any sort of integrity, but this was an example of doing it right.\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>50. Claire Danes in \u003cem>Temple\u003c/em>\u003cem> Grandin\u003c/em>\u003c/strong>. It’s hard to play people whose affects are unusual, as the real Temple Grandin’s is. It’s hard to adequately convey that they are unusual without being a cartoon, but Danes was just wonderful in this HBO movie that told both Grandin’s personal story and a story about the evolution of livestock management. It could have been strange; it was lovely.\u003cbr>\u003cstrong>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So there they are: 50 things that brought me a lot of happiness in 2010, that I enjoyed unironically and unreservedly. Feel free to add your own, and let’s all look forward to an equally good 2011.\u003cstrong>\u003cbr>\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/40533/50_wonderful_things_from_2010",
"authors": [
"byline_arts_40533"
],
"categories": [
"arts_75"
],
"featImg": "arts_10040533",
"label": "arts"
},
"arts_39756": {
"type": "posts",
"id": "arts_39756",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "39756",
"score": null,
"sort": [
1291941811000
]
},
"guestAuthors": [],
"slug": "top_chef_tiffani_and_jen_show_how_and_how_not_to_do_allstar",
"title": "'Top Chef': Tiffani And Jen Show How And How Not To Do All-Star Seasons",
"publishDate": 1291941811,
"format": "standard",
"headTitle": "‘Top Chef’: Tiffani And Jen Show How And How Not To Do All-Star Seasons | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Thanks to a combination of good casting, good luck, and the fact that \u003cem>Top Chef \u003c/em> casts fairly interesting people to begin with, the first two episodes of the show’s current All-Star season have been exceptionally enjoyable and interesting. And last night, two stories cast light on one of the most intriguing questions that a show like this can raise: What does a person who’s seen herself on television do differently the second time around?\u003c/p>\n\u003cp>(A discussion of last night’s episode follows, so beware.)\u003c/p>\n\u003cp>In \u003cem>Top Chef\u003c/em>‘s first season, Tiffani Faison finished second, after spending the season as an obviously skilled but often controversial contestant. She had trouble getting along with people, she expressed little patience with anyone who had problems with her, and in the third episode, she expressed contempt for the challenge of cooking for a group of kids, brushing off her failure to please them by declaring that they had unsophisticated palates and she wasn’t going to pander to them.\u003c/p>\n\u003cp>In the show’s sixth season, Jen Carroll — who came in with the impressive pedigree of working at one of Eric Ripert’s restaurants — finished fourth. Another strong chef who could come off as perhaps a little brusque, she was obviously talented, but lost out in a final four round that included three other people who were also obviously talented.\u003c/p>\n\u003cp>So they’d both been great, and they’d both not won, and neither one of them was universally adored for having a winning personality (though Jen’s personality was, it appeared, significantly less problematic than Tiffani’s).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now, they’re both on the All-Star season.\u003c/p>\n\u003cp>From the get-go this round, Tiffani has been infinitely more pleasant, laid-back, and self-deprecating than she ever was when she was on TV in 2006. Her sour defensiveness seems to have evaporated and been replaced by a welcome sense of humor. She found herself again confronted in last night’s episode by a bunch of kids — and this time, not only did she acknowledge that her job was to find something she could make that they’d like, but she further declared that in her first season, in the food-for-kids challenge, she was “a complete a–h—.” (Her word, not mine.)\u003c/p>\n\u003cp>Obviously, it’s guesswork to attribute a changed attitude to seeing yourself on television and wanting to come off differently, but Tiffani’s ability to openly regret her own earlier behavior certainly seems like a good model for contestants who do return: she admits her weaknesses, she smiles more, and — perhaps most importantly — she seems to have put the entire thing in perspective. That’s why it’s okay to cater to kids when you’re literally catering to kids: if you lose \u003cem>Top Chef\u003c/em> or if people decide you’re not serious because you make a sugary concoction as a midnight snack, it really doesn’t matter. You can go right back to doing what you do.\u003c/p>\n\u003cp>Jen, on the other hand, has been snippy and unpleasant on her second try, and last night, she went out on just about as unfortunate of a note as one can. On a team preparing breakfast foods using only meat and other animal products (dairy and eggs, basically), she made what she called a version of eggs and bacon that used porkbelly. Fellow contestant Casey declared in an interview that she’d tasted the porkbelly herself and found it to taste like “wet bacon.” Not a compliment.\u003c/p>\n\u003cp>The judges didn’t like it, either. Across the board, they found it bland and unappealing. But Jen was absolutely unbending, insisting that her dish was perfectly fine, and that the entire panel of judges was flatly wrong to say the eggs were underseasoned. While everyone admires a chef who doesn’t cave in as soon as anyone criticizes what she does, Jen was positively twitching with anger the entire time, angry from the get-go that her team lost the challenge. When judge Tom Colicchio asked why the team chose to put everything on one plate instead of plating dishes separately, Jen snapped, “You guys are smart enough, you’re the judges; why didn’t you say, ‘Hey, can I get a different plate for this?'”\u003c/p>\n\u003cp>And it was Tiffani who responded to this — at least according to the way the show was edited — with a simple muttered “Oh, wow.”\u003c/p>\n\u003cp>Jen was eliminated for her lousy dish, but on her way out, she took the all-too-common reality-show route of insisting she was booted for being too “strong” — meaning that she was too outspoken in defense of her dish, and that’s the reason they got rid of her. She is not the first person to want to believe she was eliminated for excess awesomeness, but it’s never a very flattering thing to do.\u003c/p>\n\u003cp>What Tiffani did right this time around — mostly worry about the competition less — seems to have gone just as wrong for Jen. As her exit interview shows, she became genuinely infuriated (there’s a lot of bleeped swearing here, be aware), insisting that there was absolutely no way she should have been anywhere close to being sent home, and hinting that there are other forces at play other than the quality of the food.\u003c/p>\n\u003cp>No less a straight shooter than Anthony Bourdain, by the way, has insisted (in, among other places, his book \u003cem>Medium Raw\u003c/em>) that in his considerable experience on the show, the \u003cem>Top Chef\u003c/em> judging is completely based on the quality of the food, and not on producer interference or personality. But Jen insists it has something to do with behavior, not performance.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>As entertaining and oddball of a meltdown as this was, it’s kind of sad when someone who came off relatively well — if possessed of a strong personality — on a previous appearance hurts herself on a second. The lesson may be that if you’re going to return for a second go-round with something like this, make sure you become less tense about it, not more tense. Because if you can’t, it might be better to just let sleeping reputations lie. Copyright 2010 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://metrics.npr.org/b/ss/nprapidev/5/1291941491?&gn=%27Top+Chef%27%3A+Tiffani+And+Jen+Show+How+And+How+Not+To+Do+All-Star+Seasons&ev=event2&ch=93568166&h1=Television,Monkey+See,Pop+Culture,Arts+%26+Life&c3=D%3Dgn&v3=D%3Dgn&c4=131930151&c7=1048&v7=D%3Dc7&c18=1048&v18=D%3Dc18&c19=20101209&v19=D%3Dc19&c20=1&v20=D%3Dc20&c31=126677694,93568166,126679326,126677694,93568166,124532348,5163715,126678353,126677694,93568166,93568166,126677694,93568166,126677694,93568166,126677694,93568166,126678130,126677716,126677694,93568166,131441422,131564484,131564479,127602855,127602802,127602596,126934821,103943429,131546131,131546128,131546121,127605092,127602802,127602405,103943429,93568166,126679326,126677694,93568166,126689748,126677694,93568166,126679368,126677694,93568166,129472378,126677937,126677694,93568166,126677694,93568166,126677731,126677694,93568166,126677694,93568166,5163715&v31=D%3Dc31&c45=MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001\">\u003c/p>\n\n",
"blocks": [],
"excerpt": "In this All-Star season of Bravo's \u003cem>Top Chef\u003c/em>, two contestants are learning and teaching the lessons of experience. For one, the return has been a triumph, and for another, it hasn't.",
"status": "publish",
"parent": 0,
"modified": 1726781957,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 1106
},
"headData": {
"title": "'Top Chef': Tiffani And Jen Show How And How Not To Do All-Star Seasons | KQED",
"description": "In this All-Star season of Bravo's Top Chef, two contestants are learning and teaching the lessons of experience. For one, the return has been a triumph, and for another, it hasn't.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Top Chef': Tiffani And Jen Show How And How Not To Do All-Star Seasons",
"datePublished": "2010-12-09T16:43:31-08:00",
"dateModified": "2024-09-19T14:39:17-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"nprByline": "Linda Holmes",
"path": "/arts/39756/top_chef_tiffani_and_jen_show_how_and_how_not_to_do_allstar",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thanks to a combination of good casting, good luck, and the fact that \u003cem>Top Chef \u003c/em> casts fairly interesting people to begin with, the first two episodes of the show’s current All-Star season have been exceptionally enjoyable and interesting. And last night, two stories cast light on one of the most intriguing questions that a show like this can raise: What does a person who’s seen herself on television do differently the second time around?\u003c/p>\n\u003cp>(A discussion of last night’s episode follows, so beware.)\u003c/p>\n\u003cp>In \u003cem>Top Chef\u003c/em>‘s first season, Tiffani Faison finished second, after spending the season as an obviously skilled but often controversial contestant. She had trouble getting along with people, she expressed little patience with anyone who had problems with her, and in the third episode, she expressed contempt for the challenge of cooking for a group of kids, brushing off her failure to please them by declaring that they had unsophisticated palates and she wasn’t going to pander to them.\u003c/p>\n\u003cp>In the show’s sixth season, Jen Carroll — who came in with the impressive pedigree of working at one of Eric Ripert’s restaurants — finished fourth. Another strong chef who could come off as perhaps a little brusque, she was obviously talented, but lost out in a final four round that included three other people who were also obviously talented.\u003c/p>\n\u003cp>So they’d both been great, and they’d both not won, and neither one of them was universally adored for having a winning personality (though Jen’s personality was, it appeared, significantly less problematic than Tiffani’s).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now, they’re both on the All-Star season.\u003c/p>\n\u003cp>From the get-go this round, Tiffani has been infinitely more pleasant, laid-back, and self-deprecating than she ever was when she was on TV in 2006. Her sour defensiveness seems to have evaporated and been replaced by a welcome sense of humor. She found herself again confronted in last night’s episode by a bunch of kids — and this time, not only did she acknowledge that her job was to find something she could make that they’d like, but she further declared that in her first season, in the food-for-kids challenge, she was “a complete a–h—.” (Her word, not mine.)\u003c/p>\n\u003cp>Obviously, it’s guesswork to attribute a changed attitude to seeing yourself on television and wanting to come off differently, but Tiffani’s ability to openly regret her own earlier behavior certainly seems like a good model for contestants who do return: she admits her weaknesses, she smiles more, and — perhaps most importantly — she seems to have put the entire thing in perspective. That’s why it’s okay to cater to kids when you’re literally catering to kids: if you lose \u003cem>Top Chef\u003c/em> or if people decide you’re not serious because you make a sugary concoction as a midnight snack, it really doesn’t matter. You can go right back to doing what you do.\u003c/p>\n\u003cp>Jen, on the other hand, has been snippy and unpleasant on her second try, and last night, she went out on just about as unfortunate of a note as one can. On a team preparing breakfast foods using only meat and other animal products (dairy and eggs, basically), she made what she called a version of eggs and bacon that used porkbelly. Fellow contestant Casey declared in an interview that she’d tasted the porkbelly herself and found it to taste like “wet bacon.” Not a compliment.\u003c/p>\n\u003cp>The judges didn’t like it, either. Across the board, they found it bland and unappealing. But Jen was absolutely unbending, insisting that her dish was perfectly fine, and that the entire panel of judges was flatly wrong to say the eggs were underseasoned. While everyone admires a chef who doesn’t cave in as soon as anyone criticizes what she does, Jen was positively twitching with anger the entire time, angry from the get-go that her team lost the challenge. When judge Tom Colicchio asked why the team chose to put everything on one plate instead of plating dishes separately, Jen snapped, “You guys are smart enough, you’re the judges; why didn’t you say, ‘Hey, can I get a different plate for this?'”\u003c/p>\n\u003cp>And it was Tiffani who responded to this — at least according to the way the show was edited — with a simple muttered “Oh, wow.”\u003c/p>\n\u003cp>Jen was eliminated for her lousy dish, but on her way out, she took the all-too-common reality-show route of insisting she was booted for being too “strong” — meaning that she was too outspoken in defense of her dish, and that’s the reason they got rid of her. She is not the first person to want to believe she was eliminated for excess awesomeness, but it’s never a very flattering thing to do.\u003c/p>\n\u003cp>What Tiffani did right this time around — mostly worry about the competition less — seems to have gone just as wrong for Jen. As her exit interview shows, she became genuinely infuriated (there’s a lot of bleeped swearing here, be aware), insisting that there was absolutely no way she should have been anywhere close to being sent home, and hinting that there are other forces at play other than the quality of the food.\u003c/p>\n\u003cp>No less a straight shooter than Anthony Bourdain, by the way, has insisted (in, among other places, his book \u003cem>Medium Raw\u003c/em>) that in his considerable experience on the show, the \u003cem>Top Chef\u003c/em> judging is completely based on the quality of the food, and not on producer interference or personality. But Jen insists it has something to do with behavior, not performance.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As entertaining and oddball of a meltdown as this was, it’s kind of sad when someone who came off relatively well — if possessed of a strong personality — on a previous appearance hurts herself on a second. The lesson may be that if you’re going to return for a second go-round with something like this, make sure you become less tense about it, not more tense. Because if you can’t, it might be better to just let sleeping reputations lie. Copyright 2010 National Public Radio. To see more, visit \u003ca href=\"http://www.npr.org/\">http://www.npr.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://metrics.npr.org/b/ss/nprapidev/5/1291941491?&gn=%27Top+Chef%27%3A+Tiffani+And+Jen+Show+How+And+How+Not+To+Do+All-Star+Seasons&ev=event2&ch=93568166&h1=Television,Monkey+See,Pop+Culture,Arts+%26+Life&c3=D%3Dgn&v3=D%3Dgn&c4=131930151&c7=1048&v7=D%3Dc7&c18=1048&v18=D%3Dc18&c19=20101209&v19=D%3Dc19&c20=1&v20=D%3Dc20&c31=126677694,93568166,126679326,126677694,93568166,124532348,5163715,126678353,126677694,93568166,93568166,126677694,93568166,126677694,93568166,126677694,93568166,126678130,126677716,126677694,93568166,131441422,131564484,131564479,127602855,127602802,127602596,126934821,103943429,131546131,131546128,131546121,127605092,127602802,127602405,103943429,93568166,126679326,126677694,93568166,126689748,126677694,93568166,126679368,126677694,93568166,129472378,126677937,126677694,93568166,126677694,93568166,126677731,126677694,93568166,126677694,93568166,5163715&v31=D%3Dc31&c45=MDAzOTIwODA0MDEyNTA4MTM1OTcyMGJmMA001\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/39756/top_chef_tiffani_and_jen_show_how_and_how_not_to_do_allstar",
"authors": [
"byline_arts_39756"
],
"categories": [
"arts_75"
],
"featImg": "arts_10039756",
"label": "arts"
},
"arts_30589": {
"type": "posts",
"id": "arts_30589",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "30589",
"score": null,
"sort": [
1277927722000
]
},
"guestAuthors": [],
"slug": "video_of_the_week_cat_lassie",
"title": "Video of the Week: Cat Lassie",
"publishDate": 1277927722,
"format": "standard",
"headTitle": "Video of the Week: Cat Lassie | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>What if Lassie was a cat? Would she run off and get help for a clumsy child who has fallen down a well? Or a portly kid who has squeezed through a hole too small? You know the answer to this. Cats have far better things to occupy themselves with, like giving death stares, being massaged, and of course napping. Oh, and that whole plotting to take over the human world thing.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=_Q2s8AJbsps&hl=en_US&fs=1&rel=0&color1=0x234900&color2=0x4e9e00]\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "What if Lassie was a cat? Would she run off and get help for a clumsy child who has fallen down a well? Or a portly kid who squeezed through a hole too small? You know the answer to this.",
"status": "publish",
"parent": 0,
"modified": 1726781967,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 125
},
"headData": {
"title": "Video of the Week: Cat Lassie | KQED",
"description": "What if Lassie was a cat? Would she run off and get help for a clumsy child who has fallen down a well? Or a portly kid who squeezed through a hole too small? You know the answer to this.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Video of the Week: Cat Lassie",
"datePublished": "2010-06-30T12:55:22-07:00",
"dateModified": "2024-09-19T14:39:27-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"path": "/arts/30589/video_of_the_week_cat_lassie",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What if Lassie was a cat? Would she run off and get help for a clumsy child who has fallen down a well? Or a portly kid who has squeezed through a hole too small? You know the answer to this. Cats have far better things to occupy themselves with, like giving death stares, being massaged, and of course napping. Oh, and that whole plotting to take over the human world thing.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_Q2s8AJbsps'\n title='//www.youtube.com/embed/_Q2s8AJbsps'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/30589/video_of_the_week_cat_lassie",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10030589",
"label": "arts"
},
"arts_29192": {
"type": "posts",
"id": "arts_29192",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29192",
"score": null,
"sort": [
1272262679000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1272262679,
"format": "standard",
"title": "Best of RuPaul's Drag Race",
"headTitle": "Best of RuPaul’s Drag Race | KQED",
"content": "\u003cp>Back in February, when I \u003ca href=\"http://www.kqed.org/arts/multimedia/article.jsp?essid=27634\">strongly advised you all to get with the program\u003c/a> and watch the second season of \u003cb>RuPaul’s Drag Race\u003c/b>, I knew it would be damn good, but never imagined how much so. After three months of lip-synch death matches, a parade of fabulous guest judges (Kathy Griffin, Debbie Reynolds, and Jackie Collins, to name a few), and everything from a bridal challenge to another centered around transforming older gays into drag mothers, I can honestly say that the past 20 or so years of the reality show genre have been leading up to this pinnacle of TV greatness. It just doesn’t get better.\u003c/p>\n\u003cp>In case you need proof, here are some of the best moments from the season, including a Puerto Rican drag queen in a chicken suit, a dead-on impression of Carol Channing, and splits galore!\u003c/p>\n\u003cp>1. Pandora Boxx, the campiest queen of all, got a lot of flack from the judges all season long, but her impression of Carol Channing shut them up.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=iH5dJFeHjd0&hl=en_US&fs=1&showinfo=0&color1=0xe1600f&color2=0xfebd01]\u003c/p>\n\u003cp>There’s bound to be even more classic moments on the 2 hour season finale, which airs tonight on LOGO at 9pm and reairs Tuesday on VH1 at 8pm. You bettah watch!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 232,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705052179,
"excerpt": "A collection of the greatest moments from the second season of \u003cb>RuPaul's Drag Race\u003c/b>, including a drag queen in a chicken suit, a dead-on impression of Carol Channing, and splits galore!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A collection of the greatest moments from the second season of RuPaul's Drag Race, including a drag queen in a chicken suit, a dead-on impression of Carol Channing, and splits galore!",
"title": "Best of RuPaul's Drag Race | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Best of RuPaul's Drag Race",
"datePublished": "2010-04-25T23:17:59-07:00",
"dateModified": "2024-01-12T01:36:19-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "best_of_rupauls_drag_race",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-tv/",
"sticky": false,
"path": "/arts/29192/best_of_rupauls_drag_race",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Back in February, when I \u003ca href=\"http://www.kqed.org/arts/multimedia/article.jsp?essid=27634\">strongly advised you all to get with the program\u003c/a> and watch the second season of \u003cb>RuPaul’s Drag Race\u003c/b>, I knew it would be damn good, but never imagined how much so. After three months of lip-synch death matches, a parade of fabulous guest judges (Kathy Griffin, Debbie Reynolds, and Jackie Collins, to name a few), and everything from a bridal challenge to another centered around transforming older gays into drag mothers, I can honestly say that the past 20 or so years of the reality show genre have been leading up to this pinnacle of TV greatness. It just doesn’t get better.\u003c/p>\n\u003cp>In case you need proof, here are some of the best moments from the season, including a Puerto Rican drag queen in a chicken suit, a dead-on impression of Carol Channing, and splits galore!\u003c/p>\n\u003cp>1. Pandora Boxx, the campiest queen of all, got a lot of flack from the judges all season long, but her impression of Carol Channing shut them up.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iH5dJFeHjd0'\n title='//www.youtube.com/embed/iH5dJFeHjd0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>There’s bound to be even more classic moments on the 2 hour season finale, which airs tonight on LOGO at 9pm and reairs Tuesday on VH1 at 8pm. You bettah watch!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29192/best_of_rupauls_drag_race",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10029192",
"label": "arts"
},
"arts_28147": {
"type": "posts",
"id": "arts_28147",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "28147",
"score": null,
"sort": [
1267664728000
]
},
"guestAuthors": [],
"slug": "video_of_the_week_a_brief_history_of_pretty_much_everything",
"title": "Video of the Week: A Brief History of Pretty Much Everything",
"publishDate": 1267664728,
"format": "standard",
"headTitle": "Video of the Week: A Brief History of Pretty Much Everything | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Mother Earth and her inhabitants go way back. From the Big Bang and evolution all the way to Einstein and space exploration, it’s all here in \u003cb>A Brief History of Pretty Much Everything\u003c/b>. Created by Jamie Bell for one of his art courses, the stop-motion video was made using only 2,100 pages of a flipbook and biro pens. MacGyver would be proud.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=gNYZH9kuaYM&hl=en_US&fs=1&rel=0&color1=0x5d1719&color2=0xcd311b]\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "In \u003cb>A Brief History of Pretty Much Everything\u003c/b>, Jamie Bell documents everything from the Big Bang and evolution all the way to Einstein and space exploration, using only 2,100 pages of a flipbook and biro pens. MacGyver would be proud.",
"status": "publish",
"parent": 0,
"modified": 1726781970,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 119
},
"headData": {
"title": "Video of the Week: A Brief History of Pretty Much Everything | KQED",
"description": "In A Brief History of Pretty Much Everything, Jamie Bell documents everything from the Big Bang and evolution all the way to Einstein and space exploration, using only 2,100 pages of a flipbook and biro pens. MacGyver would be proud.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Video of the Week: A Brief History of Pretty Much Everything",
"datePublished": "2010-03-03T17:05:28-08:00",
"dateModified": "2024-09-19T14:39:30-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"path": "/arts/28147/video_of_the_week_a_brief_history_of_pretty_much_everything",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mother Earth and her inhabitants go way back. From the Big Bang and evolution all the way to Einstein and space exploration, it’s all here in \u003cb>A Brief History of Pretty Much Everything\u003c/b>. Created by Jamie Bell for one of his art courses, the stop-motion video was made using only 2,100 pages of a flipbook and biro pens. MacGyver would be proud.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gNYZH9kuaYM'\n title='//www.youtube.com/embed/gNYZH9kuaYM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/28147/video_of_the_week_a_brief_history_of_pretty_much_everything",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10028147",
"label": "arts"
},
"arts_27671": {
"type": "posts",
"id": "arts_27671",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "27671",
"score": null,
"sort": [
1265314788000
]
},
"guestAuthors": [],
"slug": "video_of_the_week_procrastination",
"title": "Video of the Week: Procrastination",
"publishDate": 1265314788,
"format": "standard",
"headTitle": "Video of the Week: Procrastination | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Every Thursday, the KQED Arts blog features a new \u003cb>Video of the Week\u003c/b> to help you forget that it isn’t Friday yet.\u003c/p>\n\u003cp>Procrastination is a disease more common than the flu. You have it. I have it. Your cat has it. You’re probably procrastinating right now. But it doesn’t count if you’re procrastinating by watching a video about procrastination. The two cancel each other out. For \u003ca href=\"http://www.mickeyandjohnny.com/\">Johnny Kelly\u003c/a>‘s thesis for his MA in animation at the Royal College of Art, he investigates the art of putting off doing one single thing by doing dozens of others. We are not alone.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=UXziurFkQxM&hl=en_US&fs=1&rel=0]\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Johnny Kelly's thesis project proves that you are not alone in your procrastinatory tendencies. You're probably procrastinating right now, aren't you?",
"status": "publish",
"parent": 0,
"modified": 1726781976,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 6,
"wordCount": 157
},
"headData": {
"title": "Video of the Week: Procrastination | KQED",
"description": "Johnny Kelly's thesis project proves that you are not alone in your procrastinatory tendencies. You're probably procrastinating right now, aren't you?",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Video of the Week: Procrastination",
"datePublished": "2010-02-04T12:19:48-08:00",
"dateModified": "2024-09-19T14:39:36-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-popculture/",
"sticky": false,
"path": "/arts/27671/video_of_the_week_procrastination",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every Thursday, the KQED Arts blog features a new \u003cb>Video of the Week\u003c/b> to help you forget that it isn’t Friday yet.\u003c/p>\n\u003cp>Procrastination is a disease more common than the flu. You have it. I have it. Your cat has it. You’re probably procrastinating right now. But it doesn’t count if you’re procrastinating by watching a video about procrastination. The two cancel each other out. For \u003ca href=\"http://www.mickeyandjohnny.com/\">Johnny Kelly\u003c/a>‘s thesis for his MA in animation at the Royal College of Art, he investigates the art of putting off doing one single thing by doing dozens of others. We are not alone.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UXziurFkQxM'\n title='//www.youtube.com/embed/UXziurFkQxM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/27671/video_of_the_week_procrastination",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10027671",
"label": "arts"
},
"arts_27634": {
"type": "posts",
"id": "arts_27634",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "27634",
"score": null,
"sort": [
1265141427000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1265141427,
"format": "standard",
"title": "RuPaul's Drag Race",
"headTitle": "RuPaul’s Drag Race | KQED",
"content": "\u003cp>\u003cb>RuPaul’s Drag Race\u003c/b> is the television show you don’t know you already love. Not many people have LOGO, the one and only gay cable network, so it’s no surprise that many missed out on the show’s brilliant first season. There were showgirls snapping their fingers, weaves flying off bald heads, and ridiculous amounts of “charisma, uniqueness, nerve, and talent.”\u003c/p>\n\u003cp>And this season promises to be even more outrageous. Not only have the new batch of contestants had the advantage of watching the first season and tailoring their inner divas accordingly, but the show’s success has afforded for a larger budget this time around (last season’s contestants stayed in cheap hotels during filming and suffered through Dollar Store challenges).\u003c/p>\n\u003cp>Just in case you are one of the unfortunate souls who has yet to see this show, let me break it down for you. The concept is best described as the bastard child of \u003cb>Project Runway\u003c/b>, \u003cb>American Idol\u003c/b>, and \u003cb>America’s Next Top Model\u003c/b> (minus Tyra’s bloated ego, of course). The twelve ladies must sew their own outrageous costumes, work it on the runway, and “lip-synch for their life” if the judges aren’t adequately convinced by their transformation. This lip-synch death match to decide who will “chanté you stay” or “shashay away” is often the highlight of the show, featuring aggressive wig flipping and overblown miming to gay classics (Madonna, Cher, Beyonce, et al.).\u003c/p>\n\u003cp>With the draggiest straight woman alive, Kathy Griffin, as guest judge, and a challenge to make a look out of drapes a la Scarlet O’Hara, the second season premiere did not disappoint. Watch the premiere’s best moments:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=lXMhZKf6inY&hl=en_US&fs=1&showinfo=0color1=0xe1600f&color2=0xfebd01]\u003c/p>\n\u003cp>Watch \u003cb>RuPaul’s Drag Race\u003c/b> every Monday at 9p on LOGO. Or on logoonline.com the following day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 343,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705052302,
"excerpt": "\u003cb>RuPaul's Drag Race\u003c/b> is the television show you don't know you already love. A cross between Project Runway, American Idol, and America's Next Top Model, the show brings the finger snapping, flying weaves, and lip-synch death matches.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "RuPaul's Drag Race is the television show you don't know you already love. A cross between Project Runway, American Idol, and America's Next Top Model, the show brings the finger snapping, flying weaves, and lip-synch death matches.",
"title": "RuPaul's Drag Race | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "RuPaul's Drag Race",
"datePublished": "2010-02-02T12:10:27-08:00",
"dateModified": "2024-01-12T01:38:22-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "rupauls_drag_race",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-tv/",
"sticky": false,
"path": "/arts/27634/rupauls_drag_race",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>RuPaul’s Drag Race\u003c/b> is the television show you don’t know you already love. Not many people have LOGO, the one and only gay cable network, so it’s no surprise that many missed out on the show’s brilliant first season. There were showgirls snapping their fingers, weaves flying off bald heads, and ridiculous amounts of “charisma, uniqueness, nerve, and talent.”\u003c/p>\n\u003cp>And this season promises to be even more outrageous. Not only have the new batch of contestants had the advantage of watching the first season and tailoring their inner divas accordingly, but the show’s success has afforded for a larger budget this time around (last season’s contestants stayed in cheap hotels during filming and suffered through Dollar Store challenges).\u003c/p>\n\u003cp>Just in case you are one of the unfortunate souls who has yet to see this show, let me break it down for you. The concept is best described as the bastard child of \u003cb>Project Runway\u003c/b>, \u003cb>American Idol\u003c/b>, and \u003cb>America’s Next Top Model\u003c/b> (minus Tyra’s bloated ego, of course). The twelve ladies must sew their own outrageous costumes, work it on the runway, and “lip-synch for their life” if the judges aren’t adequately convinced by their transformation. This lip-synch death match to decide who will “chanté you stay” or “shashay away” is often the highlight of the show, featuring aggressive wig flipping and overblown miming to gay classics (Madonna, Cher, Beyonce, et al.).\u003c/p>\n\u003cp>With the draggiest straight woman alive, Kathy Griffin, as guest judge, and a challenge to make a look out of drapes a la Scarlet O’Hara, the second season premiere did not disappoint. Watch the premiere’s best moments:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lXMhZKf6inY'\n title='//www.youtube.com/embed/lXMhZKf6inY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Watch \u003cb>RuPaul’s Drag Race\u003c/b> every Monday at 9p on LOGO. Or on logoonline.com the following day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/27634/rupauls_drag_race",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10027634",
"label": "arts"
},
"arts_27348": {
"type": "posts",
"id": "arts_27348",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "27348",
"score": null,
"sort": [
1263597079000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1263597079,
"format": "standard",
"title": "5 Reasons to Watch Project Runway",
"headTitle": "5 Reasons to Watch Project Runway | KQED",
"content": "\u003cp>Project Runway is much like cockroaches or Cher, in that it just refuses to die and will likely outlast you and your grandchildren. The show has survived \u003ca href=\"http://www.nytimes.com/2008/11/19/arts/television/19runway.html\">a year-long stint in legal limbo\u003c/a>, an ill-conceived move to LA, and an abysmal sixth season that left many fans wishing someone would just take the aging show out back and put it out of its misery.\u003c/p>\n\u003cp>But Project Runway prevailed over all of its troubles and, last night, its seventh season premiered on Lifetime (the network geared towards women and gays who don’t mind terrible made-for-TV movies and a good cry). Even though the show has lost some of its initial spark over the years, the premiere episode was overall pretty enjoyable. Maybe critics and former fans were too hasty in suggesting euthanasia.\u003c/p>\n\u003cp>Here are five reasons why Season 7 is worth watching:\u003c/p>\n\u003cp>1. The breakout star is already plainly clear. His name is Anthony. He’s gay, black, and from Alabama and he won’t let you forget it, honey! He’s already made the normally poised Tim Gunn and guest judge Nicole Richie crack up. Are you next?\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=eKzKiWi4jCI&hl=en_US&fs=1&rel=0&color1=0x402061&color2=0x9461ca&showinfo=0]\u003c/p>\n\u003cp>\u003cb>Project Runway\u003c/b> is on every Thursday at 10p on Lifetime.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 233,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705052322,
"excerpt": "Project Runway is much like cockroaches or Cher, in that it just refuses to die and will likely outlast you and your grandchildren. Here are five reasons the show's seventh season is worth watching.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Project Runway is much like cockroaches or Cher, in that it just refuses to die and will likely outlast you and your grandchildren. Here are five reasons the show's seventh season is worth watching.",
"title": "5 Reasons to Watch Project Runway | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "5 Reasons to Watch Project Runway",
"datePublished": "2010-01-15T15:11:19-08:00",
"dateModified": "2024-01-12T01:38:42-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "5_reasons_to_watch_project_runway",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/multimedia/multimedia-tv/",
"sticky": false,
"path": "/arts/27348/5_reasons_to_watch_project_runway",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Project Runway is much like cockroaches or Cher, in that it just refuses to die and will likely outlast you and your grandchildren. The show has survived \u003ca href=\"http://www.nytimes.com/2008/11/19/arts/television/19runway.html\">a year-long stint in legal limbo\u003c/a>, an ill-conceived move to LA, and an abysmal sixth season that left many fans wishing someone would just take the aging show out back and put it out of its misery.\u003c/p>\n\u003cp>But Project Runway prevailed over all of its troubles and, last night, its seventh season premiered on Lifetime (the network geared towards women and gays who don’t mind terrible made-for-TV movies and a good cry). Even though the show has lost some of its initial spark over the years, the premiere episode was overall pretty enjoyable. Maybe critics and former fans were too hasty in suggesting euthanasia.\u003c/p>\n\u003cp>Here are five reasons why Season 7 is worth watching:\u003c/p>\n\u003cp>1. The breakout star is already plainly clear. His name is Anthony. He’s gay, black, and from Alabama and he won’t let you forget it, honey! He’s already made the normally poised Tim Gunn and guest judge Nicole Richie crack up. Are you next?\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eKzKiWi4jCI'\n title='//www.youtube.com/embed/eKzKiWi4jCI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>Project Runway\u003c/b> is on every Thursday at 10p on Lifetime.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/27348/5_reasons_to_watch_project_runway",
"authors": [
"27"
],
"categories": [
"arts_75"
],
"featImg": "arts_10027348",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=popculture": {
"isFetching": false,
"latestQuery": {
"from": 2904,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2975,
"relation": "eq"
},
"items": [
"arts_45091",
"arts_44893",
"arts_41915",
"arts_40778",
"arts_40533",
"arts_39756",
"arts_30589",
"arts_29192",
"arts_28147",
"arts_27671",
"arts_27634",
"arts_27348"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_popculture": {
"isLoading": true
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
