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"title": "Got You Covered: Valentine's Day Cards for the Bay Area",
"headTitle": "Got You Covered: Valentine’s Day Cards for the Bay Area | KQED",
"content": "\u003cp>Last year we decided to help out all of you Valentine’s Day slackers by designing and providing you with some fun, \u003ca href=\"http://ww2.kqed.org/news/2014/02/12/say-i-love-you-with-bay-area-themed-valentines/\" target=\"_blank\" rel=\"noopener\">Bay Area-themed valentine cards.\u003c/a>\u003c/p>\n\u003cp>This year we took it a step further by commissioning six local artists to provide us with the art for this year’s list of Bay Area puns and inside jokes. As you will see below, the artists did not disappoint! Share, copy or print to your heart’s content.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/toteslove.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10383027\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/toteslove.png\" alt=\"toteslove\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-400x400.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-600x600.png 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-75x75.png 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>First is “I Totes Love You” by Jeff Meadows, local artist and sign painter. His work can be seen at \u003ca href=\"http://jeff-meadows.com/\" target=\"_blank\" rel=\"noopener\">jeff-meadows.com.\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Coit-Looker-e1423702683137.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382963\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Coit-Looker-e1423702683137.jpg\" alt=\"Coit Looker\" width=\"800\" height=\"800\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Next is “You’re Coit the Looker” by illustrator and graphic designer Brian Standeford, whose work can be seen regularly on \u003ca href=\"http://cargocollective.com/standeforddesign/Bold-Italic-Work\" target=\"_blank\" rel=\"noopener\">The Bold Italic\u003c/a>. But make sure to check out \u003ca href=\"http://cargocollective.com/standeforddesign\" target=\"_blank\" rel=\"noopener\">all of it\u003c/a>, especially his album covers and concert posters.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kqed-val.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382991\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kqed-val.jpg\" alt=\"kqed-val\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>We really lucked out in getting Sirron Norris to contribute “You’re My Bae.” If you haven’t seen his work and murals around the Mission, you \u003ca href=\"http://www.sirronnorris.com/latest\" target=\"_blank\" rel=\"noopener\">must seek it out\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Bill-Zindel.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382949\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Bill-Zindel.jpg\" alt=\"Bill Zindel\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Artist, illustrator, and designer Bill Zindel illustrates “You Had Me at Hella,” which exemplifies his wonderful collage work. You can see more of it on \u003ca href=\"http://billzindel.com/259737/projects\" target=\"_blank\" rel=\"noopener\">his website.\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/hayward2-e1423704261382.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382978\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/hayward2-e1423704261382.jpg\" alt=\"hayward\" width=\"800\" height=\"533\">\u003c/a>\u003c/p>\n\u003cp>Next is “You Make My Knees Wobble Like the Hayward Fault,” by comic book and visual artist Thien Pham. Join his fan club at \u003ca href=\"http://thienisawesome.blogspot.com/\" target=\"_blank\" rel=\"noopener\">thienisawesome.blogspot.com\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10383016\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003.jpg\" alt=\"MashaKouznetsova_LikeALightJacket_003\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Finally, we have “Like a Light Jacket” by the multi-talented Masha Kouznetsova. You can check out her wide variety of illustrations, drawings and sculptures on her\u003ca href=\"http://instagram.com/mashakouznetsova\" target=\"_blank\" rel=\"noopener\"> Instagram page\u003c/a>.\u003c/p>\n\n",
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"excerpt": "Want to give your loved one something cute, quirky and Bay Area-themed for Valentine's Day? Take your pick from six new valentines we commissioned just for you.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last year we decided to help out all of you Valentine’s Day slackers by designing and providing you with some fun, \u003ca href=\"http://ww2.kqed.org/news/2014/02/12/say-i-love-you-with-bay-area-themed-valentines/\" target=\"_blank\" rel=\"noopener\">Bay Area-themed valentine cards.\u003c/a>\u003c/p>\n\u003cp>This year we took it a step further by commissioning six local artists to provide us with the art for this year’s list of Bay Area puns and inside jokes. As you will see below, the artists did not disappoint! Share, copy or print to your heart’s content.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/toteslove.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10383027\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/toteslove.png\" alt=\"toteslove\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-400x400.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-600x600.png 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/toteslove-75x75.png 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>First is “I Totes Love You” by Jeff Meadows, local artist and sign painter. His work can be seen at \u003ca href=\"http://jeff-meadows.com/\" target=\"_blank\" rel=\"noopener\">jeff-meadows.com.\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Coit-Looker-e1423702683137.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382963\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Coit-Looker-e1423702683137.jpg\" alt=\"Coit Looker\" width=\"800\" height=\"800\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Next is “You’re Coit the Looker” by illustrator and graphic designer Brian Standeford, whose work can be seen regularly on \u003ca href=\"http://cargocollective.com/standeforddesign/Bold-Italic-Work\" target=\"_blank\" rel=\"noopener\">The Bold Italic\u003c/a>. But make sure to check out \u003ca href=\"http://cargocollective.com/standeforddesign\" target=\"_blank\" rel=\"noopener\">all of it\u003c/a>, especially his album covers and concert posters.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kqed-val.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382991\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kqed-val.jpg\" alt=\"kqed-val\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kqed-val-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>We really lucked out in getting Sirron Norris to contribute “You’re My Bae.” If you haven’t seen his work and murals around the Mission, you \u003ca href=\"http://www.sirronnorris.com/latest\" target=\"_blank\" rel=\"noopener\">must seek it out\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Bill-Zindel.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382949\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Bill-Zindel.jpg\" alt=\"Bill Zindel\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Bill-Zindel-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>Artist, illustrator, and designer Bill Zindel illustrates “You Had Me at Hella,” which exemplifies his wonderful collage work. You can see more of it on \u003ca href=\"http://billzindel.com/259737/projects\" target=\"_blank\" rel=\"noopener\">his website.\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/hayward2-e1423704261382.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10382978\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/hayward2-e1423704261382.jpg\" alt=\"hayward\" width=\"800\" height=\"533\">\u003c/a>\u003c/p>\n\u003cp>Next is “You Make My Knees Wobble Like the Hayward Fault,” by comic book and visual artist Thien Pham. Join his fan club at \u003ca href=\"http://thienisawesome.blogspot.com/\" target=\"_blank\" rel=\"noopener\">thienisawesome.blogspot.com\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10383016\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003.jpg\" alt=\"MashaKouznetsova_LikeALightJacket_003\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/MashaKouznetsova_LikeALightJacket_003-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Finally, we have “Like a Light Jacket” by the multi-talented Masha Kouznetsova. You can check out her wide variety of illustrations, drawings and sculptures on her\u003ca href=\"http://instagram.com/mashakouznetsova\" target=\"_blank\" rel=\"noopener\"> Instagram page\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The sign of a good podcast is when it makes the audience want to join in the fun. \u003cem>\u003ca href=\"http://www.earwolf.com/show/improv4humans/\" target=\"_blank\" rel=\"noopener\">Improv4humans\u003c/a>\u003c/em>, the podcast created by Upright Citizens Brigade (UCB) co-founder Matt Besser, is all but guaranteed to make listeners try improv. Besser and his ever-changing cast of longform improvisers—many of whom trained at UCB’s theaters in New York and Los Angeles—do the same kinds of “games” they use on the stage, but without an live audience, so they take on a looser, more laid-back feel. They never sound like they’re performing for the microphones; it just sounds like they’re trying to make each other laugh, and I for one, always wish I could join in. \u003c/p>\n\u003cp>\u003cem>Improv4humans\u003c/em> is only the latest in a long list of Besser’s successful experiments, and the result of years of comedy research. Besser and UCB share the same place in the hearts of millennials occupied by ’90s sketch shows \u003ci>The State\u003c/i> and \u003ci>Mr. Show\u003c/i>. The group’s show on Comedy Central, \u003cem>Upright Citizens Brigade\u003c/em>, was instrumental in introducing the world to the talents of Amy Poehler (\u003cem>Parks and Recreation\u003c/em>), Matt Walsh (\u003ci>Veep\u003c/i>) and Ian Roberts (\u003ci>Key and Peele\u003c/i>). Like the rest of the group, Besser would go on to amass \u003ca href=\"http://www.imdb.com/name/nm0078800/\" target=\"_blank\" rel=\"noopener\">a list of credits miles long\u003c/a>, from TV shows he helped create to roles in films like \u003ci>\u003ca href=\"http://www.imdb.com/title/tt0841046/?ref_=nm_flmg_act_44\" target=\"_blank\" rel=\"noopener\">Walk Hard: The Dewey Cox Story.\u003c/a>\u003c/i> \u003c/p>\n\u003cp>Being a fan of all of Besser’s work, when given the opportunity to interview him in advance of the \u003ci>improv4humans\u003c/i> show at \u003ca href=\"http://sfsketchfest2015.sched.org/event/2e3a3c36c3fc91cf802fdea96d35e63d#.VNVW_fnF98E\" target=\"_blank\" rel=\"noopener\">SF Sketchfest\u003c/a>, I not only wanted to talk about his career but what it’s like to work in comedy and improv at large. He did not disappoint. \u003c/p>\n\u003cfigure id=\"attachment_10368011\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade.jpg\" alt=\"The Upright Citizens Brigade\" width=\"640\" height=\"662\" class=\"size-full wp-image-10368011\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade-400x414.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade-580x600.jpg 580w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade-32x32.jpg 32w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Upright Citizens Brigade\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You’ve said that you started your comedy career on a college radio show. Was that at Amherst?\u003c/strong>\u003c/p>\n\u003cp>Yeah. It was supposedly a punk rock show, but every show I talked more and more. And as soon as I started to get positive feedback, I was hooked. “People actually think I’m funny? I definitely want to do this then.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then I started doing standup during the middle of a big standup boom, so it was a good time for me. \u003c/p>\n\u003cp>\u003cstrong>What did you do on the radio show?\u003c/strong>\u003c/p>\n\u003cp>Mostly just screwing around. I did do a lot of prank calls—really stupid prank calls. We’d call liquor stores and just do the stupidest prank calls. One thing we did was an ongoing challenge of calling people and seeing how many times you could work the word “anchovy” into the conversation, with it still making sense. \u003c/p>\n\u003cp>\u003cstrong>Was that what started you off on pranking people for comedy?\u003c/strong>\u003c/p>\n\u003cp>You could say that. I grew up loving when DJs made prank calls and that was something I was always into. I did them as a kid, just like every other kid. \u003c/p>\n\u003cp>\u003cstrong>But you weren’t just calling them up and asking if they had Prince Albert in a can.\u003c/strong>\u003c/p>\n\u003cp>I did stuff that, looking back at it, was really \u003cem>bad\u003c/em>. I’m not gonna even say. But we would really cause trouble. We wouldn’t do what they do today, like SWATing people—sending a SWAT team to people’s homes. But we’d order stuff to their houses that they did not want to come to their house… I’ll say that much.\u003c/p>\n\u003cp>\u003cstrong>A lot of your comedy career has involved pranks. You did big pranks with UCB, like \u003ca href=\"http://rulefortytwo.com/articles-essays/movies/upright-citizens-brigade/\" target=\"_blank\" rel=\"noopener\">the Pepsi incident\u003c/a>. Later, you had your MTV show with \u003ca href=\"http://www.imdb.com/title/tt0305116/?ref_=nm_flmg_slf_44\" target=\"_blank\" rel=\"noopener\">Redman & Method Man\u003c/a> and the amazing show \u003cem>Crossballs\u003c/em>. But it seems like in recent years, your prank comedy has tapered off.\u003c/strong>\u003c/p>\n\u003cp>[Laughs] Definitely! It takes a lot of intestinal fortitude to prank people and \u003cem>Crossballs\u003c/em> was really intense—even more than any of the other stuff I’ve done. It was a show where we debated people who did not know we were being characters, and I always wanted to prank people I thought deserved to be pranked versus just random people like most other shows. I would say about 75 percent of the people we pranked I viewed as “not good people.” Pro-gun rights people, anti-gay marriage advocates…\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TcPjirm9c5U\u003c/p>\n\u003cp>After we would prank them, they would not be delighted and think it was humorous, like on \u003ci>Punk’d;\u003c/i> they’d be mad and want to sue us. And after you have 24 shows with two to four people on each episode… With that many people in the world really angry at you because you pranked them, it’s tough to keep doing it, even if you don’t like them. [Laughs] \u003c/p>\n\u003cp>\u003cb>So the legal action takes all the fun out of the show?\u003c/b>\u003c/p>\n\u003cp>Yeah, it literally stopped the show. Just about every fourth guest threatened to sue us, six of them got lawyers and pursued it in some way, and one guy pursued it seriously and his episode never got on. That made Comedy Central go, “Okay, enough of this. The show isn’t worth all the trouble it’s causing.” \u003c/p>\n\u003cp>\u003cb>Would you do it today if you could?\u003c/b>\u003c/p>\n\u003cp>I don’t know if I would, especially now that I have a child, or if I would do it the same way. As I said, I was going up against a lot of people I think of as being almost evil, and I actually don’t like prank shows that just prank normal people. It’s like, why are you messing with those people? They don’t deserve to be messed with. \u003c/p>\n\u003cp>I like what we did but it was like going to war, in a way, and I just don’t feel like going to war. I had people threatening me online, and when you have a kid, you don’t want to bring them into that. I don’t want to do something that would be less than that either, because that was part of what made it cool. We were debating real issues and topics, but doing it in an absurd way. \u003c/p>\n\u003cp>*******\u003c/p>\n\u003cfigure id=\"attachment_10368012\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Besser-Poehler.jpg\" alt=\"Amy Poehler and Matt Besser back in the day\" width=\"640\" height=\"417\" class=\"size-full wp-image-10368012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-Poehler.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-Poehler-400x261.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Amy Poehler and Matt Besser back in the day\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Was the \u003ci>ASSSSCAT\u003c/i> podcast your entrance into the world of podcasting?\u003c/b>\u003c/p>\n\u003cp>Not really, because \u003ci>ASSSSCAT\u003c/i> was almost a second thought because we didn’t record it well, audio-wise—we didn’t have a great way to obtain a quality recording of those shows. We did it in a lazy manner, and once the podcasting fad got to the point where the listeners were demanding higher quality, we just gave up on it. We couldn’t do anything about the audio quality without completely redoing the way we did the show. We didn’t want to have to strap a lavalier mic on everybody. \u003c/p>\n\u003cp>I didn’t even think about doing a podcast until \u003ca href=\"http://www.earwolf.com/person/scott-aukerman/\" target=\"_blank\" rel=\"noopener\">Scott (Aukerman)\u003c/a> asked me. I realized that if I was going to do one, I wanted it to be like \u003ci>ASSSSCAT.\u003c/i>\u003c/p>\n\u003cp>\u003cb>When you started doing \u003ci>improv4humans,\u003c/i> were you worried at all that it wouldn’t work, especially since you’re doing improv without an audience?\u003c/b>\u003c/p>\n\u003cp>Well there’s two major things. First, doing improv without an audience is weird, but I guess doing any kind of comedy without an audience is something you have to get used to. It took me and my guests a little while to realize that we don’t need an audience. We can tell when things are going well. \u003c/p>\n\u003cp>And then there was the need to make up for the fact that there wasn’t a visual. So there’s more narrative description of what’s going on and getting used to that, as well as getting used to editing scenes and making clear to the audience that that is what’s happening. I think that was both a learning curve for the show and my guests. I would say the first six months were not as strong as it has been since then. \u003c/p>\n\u003cp>I also learned—though I already knew this lesson, but I try to stick to it more—the more you can have people that work together on the show, the better the show is going to be. It’s difficult to book that all the time, but I aim for that as much as possible. \u003c/p>\n\u003cfigure id=\"attachment_10368013\" class=\"wp-caption alignright\" style=\"max-width: 636px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/ASSSSCAT.jpg\" alt=\"ASSSCAT on stage \" width=\"636\" height=\"358\" class=\"size-full wp-image-10368013\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/ASSSSCAT.jpg 636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/ASSSSCAT-400x225.jpg 400w\" sizes=\"(max-width: 636px) 100vw, 636px\">\u003cfigcaption class=\"wp-caption-text\">ASSSCAT on stage\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>That leads me to my next question. I was an early fan of the show and I went onto the Earwolf online forums to start a discussion about possible guests for \u003ci>improv4humans.\u003c/i> Later as the show went along, you announced on the podcast that just because people we making suggestions on that list doesn’t mean you were going to have them on.\u003c/b>\u003c/p>\n\u003cp>Well there’s different kinds of suggestions. Some people just think that someone is funny and therefore, they can improvise. That’s just not true, and it’s usually just people recommending great standups who are really funny people but, to assume they can be one of the four improvisors, I don’t know; it just doesn’t work. And I know this sounds snobby, but I do prefer to work with improvisors who do the kind of UCB-style improv, which means finding the game of the scene. Not all improvisors do that, so even if they are good improvisors in their own style, that style could be the opposite of our style, so it doesn’t necessarily work. \u003c/p>\n\u003cp>And even improvisors who do the same style but are in different groups and have kind of different tones don’t work well together. That’s the lesson I learned: that even if I like playing with them both, they may not both be good together and I have to look more at that when I’m booking the shows. \u003c/p>\n\u003cp>\u003cb>So you’re thinking about the whole team dynamic when you’re putting a show together?\u003c/b>\u003c/p>\n\u003cp>Yeah, without question. Some of the best shows have been with people have been together forever because you can’t teach that, you can’t buy that, it only happens by them being together forever. It only happens over time. And it’s such a great thing to take advantage of in comedy; it’s why Jessica St. Clair and Lennon Parnham are so great together and that’s why \u003ca href=\"http://www.usanetwork.com/playinghouse\" target=\"_blank\" rel=\"noopener\">their sitcom\u003c/a> is so great. They can be great on any sitcom separately, but together they’re so much better on their own sitcom. They’re all funny individually but when they’re with their certain people, it just jives better.\u003c/p>\n\u003cp>*****\u003c/p>\n\u003cfigure id=\"attachment_10368014\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Besser-as-the-Pope.jpg\" alt='Matt Besser as \"The Pope\" onstage with James Adomian' width=\"640\" height=\"480\" class=\"size-full wp-image-10368014\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-as-the-Pope.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-as-the-Pope-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Matt Besser as “The Pope” onstage with James Adomian\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Is it true you taught Kanye West improv? And are those one-on-one sessions common for you?\u003c/b>\u003c/p>\n\u003cp>I have tutored off and on through the years, and he’s definitely the biggest star. I have not ever talked about it too much—it’s almost like a client confidentiality thing. But\u003cbr>\nWest had a show that was going to be kind of like \u003ci>Curb Your Enthusiasm\u003c/i> that he was going to do on HBO. He had made a pilot for it and he got me to tutor him on how to do improv.\u003c/p>\n\u003cp>\u003cb>Did you have a day rate?\u003c/b>\u003c/p>\n\u003cp>No, I was willing to do it for free. I don’t know how that came about, but I only do it if I think it’s interesting or it’s going to be an interesting experience, and it definitely was.\u003c/p>\n\u003cp>\u003cb>Are you all about spreading the word of improv?\u003c/b>\u003c/p>\n\u003cp>I don’t know if I’d say it that way. I mean, as I said, it was going to be an interesting experience. I’m not going to pretend that I’m out there to spread improv across the world out of the kindness in my heart. I think people who are good at improv should do improv and I want them to. And I also think that everyone could benefit from a level-one improv class. But once you go past that, I think you need to be serious about it. Not necessarily want to be a professional comedian, but want to be a good improvisor and not just doing it to get out of your shell. \u003c/p>\n\u003cp>\u003cb>So you’re not the Johnny Appleseed of improv, but you don’t look down on people who just want to try it out.\u003c/b>\u003c/p>\n\u003cp>Not at all, and in fact, I think it would do a lot of people a good service. There’s certain basic tendencies that humans share that you see in improv classes, in 101 in particular. The two words that provide the basis of improv have always been “Yes and,” and it’s crazy how people’s natural instinct is just to say, “No but.” It’s crazy, and it’s one of the first things you pound out of people. \u003c/p>\n\u003cp>As a result, it makes you an easier person to be with, whether it’s in your personal life, your business or wherever. And there are certain listening skills that you think are just obvious or should be self-evident, but they’re not. People do the opposite of it and they’re easy exercises to help people not do that. They don’t necessarily have to train you to be a part of an improv ensemble; they just teach you how to be around other people. [Laughs]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>All photos of Besser are courtesy of \u003ca href=\"http://www.mattbesser.com/\" target=\"_blank\" rel=\"noopener\">Mattbesser.com\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"headline": "An Upright Citizen's Podcast Demonstrates Improv at its Best",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The sign of a good podcast is when it makes the audience want to join in the fun. \u003cem>\u003ca href=\"http://www.earwolf.com/show/improv4humans/\" target=\"_blank\" rel=\"noopener\">Improv4humans\u003c/a>\u003c/em>, the podcast created by Upright Citizens Brigade (UCB) co-founder Matt Besser, is all but guaranteed to make listeners try improv. Besser and his ever-changing cast of longform improvisers—many of whom trained at UCB’s theaters in New York and Los Angeles—do the same kinds of “games” they use on the stage, but without an live audience, so they take on a looser, more laid-back feel. They never sound like they’re performing for the microphones; it just sounds like they’re trying to make each other laugh, and I for one, always wish I could join in. \u003c/p>\n\u003cp>\u003cem>Improv4humans\u003c/em> is only the latest in a long list of Besser’s successful experiments, and the result of years of comedy research. Besser and UCB share the same place in the hearts of millennials occupied by ’90s sketch shows \u003ci>The State\u003c/i> and \u003ci>Mr. Show\u003c/i>. The group’s show on Comedy Central, \u003cem>Upright Citizens Brigade\u003c/em>, was instrumental in introducing the world to the talents of Amy Poehler (\u003cem>Parks and Recreation\u003c/em>), Matt Walsh (\u003ci>Veep\u003c/i>) and Ian Roberts (\u003ci>Key and Peele\u003c/i>). Like the rest of the group, Besser would go on to amass \u003ca href=\"http://www.imdb.com/name/nm0078800/\" target=\"_blank\" rel=\"noopener\">a list of credits miles long\u003c/a>, from TV shows he helped create to roles in films like \u003ci>\u003ca href=\"http://www.imdb.com/title/tt0841046/?ref_=nm_flmg_act_44\" target=\"_blank\" rel=\"noopener\">Walk Hard: The Dewey Cox Story.\u003c/a>\u003c/i> \u003c/p>\n\u003cp>Being a fan of all of Besser’s work, when given the opportunity to interview him in advance of the \u003ci>improv4humans\u003c/i> show at \u003ca href=\"http://sfsketchfest2015.sched.org/event/2e3a3c36c3fc91cf802fdea96d35e63d#.VNVW_fnF98E\" target=\"_blank\" rel=\"noopener\">SF Sketchfest\u003c/a>, I not only wanted to talk about his career but what it’s like to work in comedy and improv at large. He did not disappoint. \u003c/p>\n\u003cfigure id=\"attachment_10368011\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade.jpg\" alt=\"The Upright Citizens Brigade\" width=\"640\" height=\"662\" class=\"size-full wp-image-10368011\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade-400x414.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade-580x600.jpg 580w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Upright-Citizens-Brigade-32x32.jpg 32w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Upright Citizens Brigade\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You’ve said that you started your comedy career on a college radio show. Was that at Amherst?\u003c/strong>\u003c/p>\n\u003cp>Yeah. It was supposedly a punk rock show, but every show I talked more and more. And as soon as I started to get positive feedback, I was hooked. “People actually think I’m funny? I definitely want to do this then.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then I started doing standup during the middle of a big standup boom, so it was a good time for me. \u003c/p>\n\u003cp>\u003cstrong>What did you do on the radio show?\u003c/strong>\u003c/p>\n\u003cp>Mostly just screwing around. I did do a lot of prank calls—really stupid prank calls. We’d call liquor stores and just do the stupidest prank calls. One thing we did was an ongoing challenge of calling people and seeing how many times you could work the word “anchovy” into the conversation, with it still making sense. \u003c/p>\n\u003cp>\u003cstrong>Was that what started you off on pranking people for comedy?\u003c/strong>\u003c/p>\n\u003cp>You could say that. I grew up loving when DJs made prank calls and that was something I was always into. I did them as a kid, just like every other kid. \u003c/p>\n\u003cp>\u003cstrong>But you weren’t just calling them up and asking if they had Prince Albert in a can.\u003c/strong>\u003c/p>\n\u003cp>I did stuff that, looking back at it, was really \u003cem>bad\u003c/em>. I’m not gonna even say. But we would really cause trouble. We wouldn’t do what they do today, like SWATing people—sending a SWAT team to people’s homes. But we’d order stuff to their houses that they did not want to come to their house… I’ll say that much.\u003c/p>\n\u003cp>\u003cstrong>A lot of your comedy career has involved pranks. You did big pranks with UCB, like \u003ca href=\"http://rulefortytwo.com/articles-essays/movies/upright-citizens-brigade/\" target=\"_blank\" rel=\"noopener\">the Pepsi incident\u003c/a>. Later, you had your MTV show with \u003ca href=\"http://www.imdb.com/title/tt0305116/?ref_=nm_flmg_slf_44\" target=\"_blank\" rel=\"noopener\">Redman & Method Man\u003c/a> and the amazing show \u003cem>Crossballs\u003c/em>. But it seems like in recent years, your prank comedy has tapered off.\u003c/strong>\u003c/p>\n\u003cp>[Laughs] Definitely! It takes a lot of intestinal fortitude to prank people and \u003cem>Crossballs\u003c/em> was really intense—even more than any of the other stuff I’ve done. It was a show where we debated people who did not know we were being characters, and I always wanted to prank people I thought deserved to be pranked versus just random people like most other shows. I would say about 75 percent of the people we pranked I viewed as “not good people.” Pro-gun rights people, anti-gay marriage advocates…\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TcPjirm9c5U'\n title='//www.youtube.com/embed/TcPjirm9c5U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>After we would prank them, they would not be delighted and think it was humorous, like on \u003ci>Punk’d;\u003c/i> they’d be mad and want to sue us. And after you have 24 shows with two to four people on each episode… With that many people in the world really angry at you because you pranked them, it’s tough to keep doing it, even if you don’t like them. [Laughs] \u003c/p>\n\u003cp>\u003cb>So the legal action takes all the fun out of the show?\u003c/b>\u003c/p>\n\u003cp>Yeah, it literally stopped the show. Just about every fourth guest threatened to sue us, six of them got lawyers and pursued it in some way, and one guy pursued it seriously and his episode never got on. That made Comedy Central go, “Okay, enough of this. The show isn’t worth all the trouble it’s causing.” \u003c/p>\n\u003cp>\u003cb>Would you do it today if you could?\u003c/b>\u003c/p>\n\u003cp>I don’t know if I would, especially now that I have a child, or if I would do it the same way. As I said, I was going up against a lot of people I think of as being almost evil, and I actually don’t like prank shows that just prank normal people. It’s like, why are you messing with those people? They don’t deserve to be messed with. \u003c/p>\n\u003cp>I like what we did but it was like going to war, in a way, and I just don’t feel like going to war. I had people threatening me online, and when you have a kid, you don’t want to bring them into that. I don’t want to do something that would be less than that either, because that was part of what made it cool. We were debating real issues and topics, but doing it in an absurd way. \u003c/p>\n\u003cp>*******\u003c/p>\n\u003cfigure id=\"attachment_10368012\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Besser-Poehler.jpg\" alt=\"Amy Poehler and Matt Besser back in the day\" width=\"640\" height=\"417\" class=\"size-full wp-image-10368012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-Poehler.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-Poehler-400x261.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Amy Poehler and Matt Besser back in the day\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Was the \u003ci>ASSSSCAT\u003c/i> podcast your entrance into the world of podcasting?\u003c/b>\u003c/p>\n\u003cp>Not really, because \u003ci>ASSSSCAT\u003c/i> was almost a second thought because we didn’t record it well, audio-wise—we didn’t have a great way to obtain a quality recording of those shows. We did it in a lazy manner, and once the podcasting fad got to the point where the listeners were demanding higher quality, we just gave up on it. We couldn’t do anything about the audio quality without completely redoing the way we did the show. We didn’t want to have to strap a lavalier mic on everybody. \u003c/p>\n\u003cp>I didn’t even think about doing a podcast until \u003ca href=\"http://www.earwolf.com/person/scott-aukerman/\" target=\"_blank\" rel=\"noopener\">Scott (Aukerman)\u003c/a> asked me. I realized that if I was going to do one, I wanted it to be like \u003ci>ASSSSCAT.\u003c/i>\u003c/p>\n\u003cp>\u003cb>When you started doing \u003ci>improv4humans,\u003c/i> were you worried at all that it wouldn’t work, especially since you’re doing improv without an audience?\u003c/b>\u003c/p>\n\u003cp>Well there’s two major things. First, doing improv without an audience is weird, but I guess doing any kind of comedy without an audience is something you have to get used to. It took me and my guests a little while to realize that we don’t need an audience. We can tell when things are going well. \u003c/p>\n\u003cp>And then there was the need to make up for the fact that there wasn’t a visual. So there’s more narrative description of what’s going on and getting used to that, as well as getting used to editing scenes and making clear to the audience that that is what’s happening. I think that was both a learning curve for the show and my guests. I would say the first six months were not as strong as it has been since then. \u003c/p>\n\u003cp>I also learned—though I already knew this lesson, but I try to stick to it more—the more you can have people that work together on the show, the better the show is going to be. It’s difficult to book that all the time, but I aim for that as much as possible. \u003c/p>\n\u003cfigure id=\"attachment_10368013\" class=\"wp-caption alignright\" style=\"max-width: 636px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/ASSSSCAT.jpg\" alt=\"ASSSCAT on stage \" width=\"636\" height=\"358\" class=\"size-full wp-image-10368013\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/ASSSSCAT.jpg 636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/ASSSSCAT-400x225.jpg 400w\" sizes=\"(max-width: 636px) 100vw, 636px\">\u003cfigcaption class=\"wp-caption-text\">ASSSCAT on stage\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>That leads me to my next question. I was an early fan of the show and I went onto the Earwolf online forums to start a discussion about possible guests for \u003ci>improv4humans.\u003c/i> Later as the show went along, you announced on the podcast that just because people we making suggestions on that list doesn’t mean you were going to have them on.\u003c/b>\u003c/p>\n\u003cp>Well there’s different kinds of suggestions. Some people just think that someone is funny and therefore, they can improvise. That’s just not true, and it’s usually just people recommending great standups who are really funny people but, to assume they can be one of the four improvisors, I don’t know; it just doesn’t work. And I know this sounds snobby, but I do prefer to work with improvisors who do the kind of UCB-style improv, which means finding the game of the scene. Not all improvisors do that, so even if they are good improvisors in their own style, that style could be the opposite of our style, so it doesn’t necessarily work. \u003c/p>\n\u003cp>And even improvisors who do the same style but are in different groups and have kind of different tones don’t work well together. That’s the lesson I learned: that even if I like playing with them both, they may not both be good together and I have to look more at that when I’m booking the shows. \u003c/p>\n\u003cp>\u003cb>So you’re thinking about the whole team dynamic when you’re putting a show together?\u003c/b>\u003c/p>\n\u003cp>Yeah, without question. Some of the best shows have been with people have been together forever because you can’t teach that, you can’t buy that, it only happens by them being together forever. It only happens over time. And it’s such a great thing to take advantage of in comedy; it’s why Jessica St. Clair and Lennon Parnham are so great together and that’s why \u003ca href=\"http://www.usanetwork.com/playinghouse\" target=\"_blank\" rel=\"noopener\">their sitcom\u003c/a> is so great. They can be great on any sitcom separately, but together they’re so much better on their own sitcom. They’re all funny individually but when they’re with their certain people, it just jives better.\u003c/p>\n\u003cp>*****\u003c/p>\n\u003cfigure id=\"attachment_10368014\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/Besser-as-the-Pope.jpg\" alt='Matt Besser as \"The Pope\" onstage with James Adomian' width=\"640\" height=\"480\" class=\"size-full wp-image-10368014\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-as-the-Pope.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/Besser-as-the-Pope-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Matt Besser as “The Pope” onstage with James Adomian\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Is it true you taught Kanye West improv? And are those one-on-one sessions common for you?\u003c/b>\u003c/p>\n\u003cp>I have tutored off and on through the years, and he’s definitely the biggest star. I have not ever talked about it too much—it’s almost like a client confidentiality thing. But\u003cbr>\nWest had a show that was going to be kind of like \u003ci>Curb Your Enthusiasm\u003c/i> that he was going to do on HBO. He had made a pilot for it and he got me to tutor him on how to do improv.\u003c/p>\n\u003cp>\u003cb>Did you have a day rate?\u003c/b>\u003c/p>\n\u003cp>No, I was willing to do it for free. I don’t know how that came about, but I only do it if I think it’s interesting or it’s going to be an interesting experience, and it definitely was.\u003c/p>\n\u003cp>\u003cb>Are you all about spreading the word of improv?\u003c/b>\u003c/p>\n\u003cp>I don’t know if I’d say it that way. I mean, as I said, it was going to be an interesting experience. I’m not going to pretend that I’m out there to spread improv across the world out of the kindness in my heart. I think people who are good at improv should do improv and I want them to. And I also think that everyone could benefit from a level-one improv class. But once you go past that, I think you need to be serious about it. Not necessarily want to be a professional comedian, but want to be a good improvisor and not just doing it to get out of your shell. \u003c/p>\n\u003cp>\u003cb>So you’re not the Johnny Appleseed of improv, but you don’t look down on people who just want to try it out.\u003c/b>\u003c/p>\n\u003cp>Not at all, and in fact, I think it would do a lot of people a good service. There’s certain basic tendencies that humans share that you see in improv classes, in 101 in particular. The two words that provide the basis of improv have always been “Yes and,” and it’s crazy how people’s natural instinct is just to say, “No but.” It’s crazy, and it’s one of the first things you pound out of people. \u003c/p>\n\u003cp>As a result, it makes you an easier person to be with, whether it’s in your personal life, your business or wherever. And there are certain listening skills that you think are just obvious or should be self-evident, but they’re not. People do the opposite of it and they’re easy exercises to help people not do that. They don’t necessarily have to train you to be a part of an improv ensemble; they just teach you how to be around other people. [Laughs]\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>All photos of Besser are courtesy of \u003ca href=\"http://www.mattbesser.com/\" target=\"_blank\" rel=\"noopener\">Mattbesser.com\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a skateboarding Iranian vampire, neon art of Tupac, this one part in the \u003cem>Friends\u003c/em> theme song, and more!\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Emmanuel Hapsis\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Girl Walks Home Alone at Night\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=_YGmTdo3vuY\u003c/p>\n\u003cp>Every now and then, a movie comes along that sticks in your head long after you’ve left the theater, like a pesky high-school crush. You can’t stop thinking about it. Your friends get sick of hearing about it. \u003cem>A Girl Walks Home Alone at Night\u003c/em> is like that for me.\u003c/p>\n\u003cp>Director Ana Lily Amirpour transforms Taft, Calif. into an Iranian ghost town called Bad City, where a feminist vampire lurks around town punishing misbehaving men. When she’s not sinking her teeth into necks, she spends her time skateboarding, her chador floating behind her, or dancing in her room to Iranian New Wave (be prepared to fall in love with the soundtrack and have a mini-meltdown when you realize it’s not available to buy yet). In a culture inundated with sequels and prequels and remakes, it’s refreshing to come across such an original, stylish, weird, progressive film. Go see it tonight \u003ca href=\"http://www.roxie.com/ai1ec_event/girl-walks-home-alone-night/?instance_id=\" target=\"_blank\" rel=\"noopener\">at the Roxie\u003c/a> in SF or \u003ca href=\"http://thenewparkway.com/wp/?page_id=14\" target=\"_blank\" rel=\"noopener\">the New Parkway\u003c/a> in Oakland!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">That One Part in the \u003cem>Friends\u003c/em> Theme Song\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Xs-HbHCcK58\u003c/p>\n\u003cp>There’s some serious binge-watching of \u003cem>Friends\u003c/em> going on in my house right now, and my current obsession is the theme song by the Rembrandts. Specifically, the awkward high harmony on the “A” of the line “Your job’s a joke, you’re broke / Your love life’s D.O.A.” You know how some songs have one little part that you anticipate every time you hear it? As soon as I see Jennifer Aniston romping in that fountain, my brain goes, “Oooh, it’s coming, it’s coming.” I love it and hate it at the same time, like any effective jingle. Interestingly, the Rembrandts didn’t even write the \u003cem>Friends\u003c/em> theme song, but were made famous by it, and \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/features/the-rembrandts-so-no-one-told-me-it-was-going-to-be-this-way-6170741.html\" target=\"_blank\" rel=\"noopener\">this interview\u003c/a> outlines their mixed feelings about it. Every time the song comes on, I can’t imagine what life must be like now for the guy who sang that harmony.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kristin Farr\u003c/i> \u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Michelle Guintu’s Nostalgia Art\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10362349\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg\" alt=\"tumblr_n8wz3iLC2x1r2ftu7o1_500\" width=\"500\" height=\"365\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500-400x292.jpeg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/p>\n\u003cp class=\"p1\">One look at SF-based artist \u003ca href=\"http://michelleguintu.tumblr.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Michelle Guintu’s paintings\u003c/span>\u003c/a> and I said to myself, “Where has she been all my life?” Combining two of my favorite things, neon colors and ’90s celebrities, her paintings are like a hug from your old bestie from middle school, the one who wore the other half of your heart-shaped BFF necklace. And who doesn’t love artwork that makes you feel like a kid again?\u003c/p>\n\u003cp class=\"p1\">From the \u003ci>Wonder Years\u003c/i> rosy-cheeked cast, to Tupac and Biggie relaxing on a picnic blanket, to angsty Angela from \u003ci>My So-Called Life\u003c/i>, no one is safe from Guintu’s paint brush. People of a certain generation will be drawn in by her subjects, and others will appreciate the use of color and her deceptively simple portraiture techniques. You can currently see her work at a brand-new gallery, \u003ca href=\"http://goodmothergallery.com/\" target=\"_blank\" rel=\"noopener\">Good Mother\u003c/a>, in Oakland, and find affordable prints from the artist at \u003ca href=\"http://michelleguintu.bigcartel.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">BigCartel\u003c/span>\u003c/a> and \u003ca href=\"http://society6.com/product/wonder-years-mwz_print#1=45\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Society6\u003c/span>\u003c/a>. Michelle just had a solo show at New Image Art in L.A., a sure sign that her star is on the rise.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Stalking Book Requests at The British Library\u003c/h2>\n\u003cdiv id=\"watch7-user-header\" class=\" spf-link \">\u003c/div>\n\u003cp>http://youtu.be/3b5J9-lW8kg\u003c/p>\n\u003cp class=\"p1\">\u003cspan style=\"line-height: 1.5\">Thrill-seeker that I am, I’m currently obsessed with this video showing “10 hypnotic minutes of real-time book requests from the British Library’s book delivery system.” Yes, this really *is* just 10 minutes of scrolling book titles, and it’s mesmerizing. Marvel as you bounce from Hebrew poetry and a 1963 \u003cem>New York Review of Books\u003c/em> to \u003cem>The Life and Lore of the Bird\u003c/em>. Like whenever my dad insists on showing me his (admittedly fascinating) historical coin collection, I love wondering about the hands that these objects are being passed back and forth between; all the novels being researched, the PhDs and night classes being labored over. And in case that all sounds a bit insufferable, you’ve also got bizarro titles like \u003cem>London is a Man’s Town, But Women Go There\u003c/em> (1930) to chuckle at.\u003c/span>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kevin Jones\u003c/i>\u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Dollop\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=mlw3vIa66tI\u003c/p>\n\u003cp class=\"p1\">I love podcasts, especially ones that capture a group of friends having fun with each other—it’s sad to admit this, but sometimes they feel like the only social interaction I get outside of work (oh boy, that \u003cem>is\u003c/em> REALLY sad). My most recent discovery, \u003ca href=\"https://www.facebook.com/thedollop?fref=nf\" target=\"_blank\" rel=\"noopener\">The Dollop\u003c/a> with Dave Anthony and Gareth Reynolds, has had me wearing headphones at all times of the day. Each episode consists of Anthony, a standup comedian and writer/actor for IFC’s \u003cem>Maron\u003c/em>, reading an article about a messed up time in history to Reynolds, an up-and-coming standup and actor. Each story has been hand-picked to be ripped apart by the two, and they have a blast doing it. I highly suggest starting with the episode about \u003ca href=\"http://thedollop.libsyn.com/51-smollop-michael-malloy\" target=\"_blank\" rel=\"noopener\">Iron Michael Molloy\u003c/a> or \u003ca href=\"http://thedollop.libsyn.com/54-cassius-clay\" target=\"_blank\" rel=\"noopener\">the one on Cassius Clay\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">8tracks\u003c/h2>\n\u003cp>http://youtu.be/kuX2JYUKQeY?list=PLONMdg0KOyuOcQD_oV_t-uZYFd4CuICDL\u003c/p>\n\u003cp>I’ve recently been spending a lot of time on the \u003ca href=\"http://8tracks.com/\" target=\"_blank\" rel=\"noopener\">8tracks\u003c/a> app. Their main shtick is “internet radio created by people, not algorithms.” Music lovers create mixtapes of their own, to share with friends. It’s been a sweet way for me to discover new artists, and some of the mixes are 3-5 hours long and equally as good at the start as the end. I’ve been playing through their IDM, glitch-hop, minimal techno and ambient mixes and have been surprised by their selection. I’ll still use SoundCloud and Spotify, but 8tracks is my jam right now.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "This week, the KQED Arts gang is freaking out over a skateboarding Iranian vampire, neon art of Tupac, this one part in the Friends theme song, and more!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a skateboarding Iranian vampire, neon art of Tupac, this one part in the \u003cem>Friends\u003c/em> theme song, and more!\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Emmanuel Hapsis\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Girl Walks Home Alone at Night\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_YGmTdo3vuY'\n title='//www.youtube.com/embed/_YGmTdo3vuY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Every now and then, a movie comes along that sticks in your head long after you’ve left the theater, like a pesky high-school crush. You can’t stop thinking about it. Your friends get sick of hearing about it. \u003cem>A Girl Walks Home Alone at Night\u003c/em> is like that for me.\u003c/p>\n\u003cp>Director Ana Lily Amirpour transforms Taft, Calif. into an Iranian ghost town called Bad City, where a feminist vampire lurks around town punishing misbehaving men. When she’s not sinking her teeth into necks, she spends her time skateboarding, her chador floating behind her, or dancing in her room to Iranian New Wave (be prepared to fall in love with the soundtrack and have a mini-meltdown when you realize it’s not available to buy yet). In a culture inundated with sequels and prequels and remakes, it’s refreshing to come across such an original, stylish, weird, progressive film. Go see it tonight \u003ca href=\"http://www.roxie.com/ai1ec_event/girl-walks-home-alone-night/?instance_id=\" target=\"_blank\" rel=\"noopener\">at the Roxie\u003c/a> in SF or \u003ca href=\"http://thenewparkway.com/wp/?page_id=14\" target=\"_blank\" rel=\"noopener\">the New Parkway\u003c/a> in Oakland!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">That One Part in the \u003cem>Friends\u003c/em> Theme Song\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Xs-HbHCcK58'\n title='//www.youtube.com/embed/Xs-HbHCcK58'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s some serious binge-watching of \u003cem>Friends\u003c/em> going on in my house right now, and my current obsession is the theme song by the Rembrandts. Specifically, the awkward high harmony on the “A” of the line “Your job’s a joke, you’re broke / Your love life’s D.O.A.” You know how some songs have one little part that you anticipate every time you hear it? As soon as I see Jennifer Aniston romping in that fountain, my brain goes, “Oooh, it’s coming, it’s coming.” I love it and hate it at the same time, like any effective jingle. Interestingly, the Rembrandts didn’t even write the \u003cem>Friends\u003c/em> theme song, but were made famous by it, and \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/features/the-rembrandts-so-no-one-told-me-it-was-going-to-be-this-way-6170741.html\" target=\"_blank\" rel=\"noopener\">this interview\u003c/a> outlines their mixed feelings about it. Every time the song comes on, I can’t imagine what life must be like now for the guy who sang that harmony.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kristin Farr\u003c/i> \u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Michelle Guintu’s Nostalgia Art\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10362349\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg\" alt=\"tumblr_n8wz3iLC2x1r2ftu7o1_500\" width=\"500\" height=\"365\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500-400x292.jpeg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/p>\n\u003cp class=\"p1\">One look at SF-based artist \u003ca href=\"http://michelleguintu.tumblr.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Michelle Guintu’s paintings\u003c/span>\u003c/a> and I said to myself, “Where has she been all my life?” Combining two of my favorite things, neon colors and ’90s celebrities, her paintings are like a hug from your old bestie from middle school, the one who wore the other half of your heart-shaped BFF necklace. And who doesn’t love artwork that makes you feel like a kid again?\u003c/p>\n\u003cp class=\"p1\">From the \u003ci>Wonder Years\u003c/i> rosy-cheeked cast, to Tupac and Biggie relaxing on a picnic blanket, to angsty Angela from \u003ci>My So-Called Life\u003c/i>, no one is safe from Guintu’s paint brush. People of a certain generation will be drawn in by her subjects, and others will appreciate the use of color and her deceptively simple portraiture techniques. You can currently see her work at a brand-new gallery, \u003ca href=\"http://goodmothergallery.com/\" target=\"_blank\" rel=\"noopener\">Good Mother\u003c/a>, in Oakland, and find affordable prints from the artist at \u003ca href=\"http://michelleguintu.bigcartel.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">BigCartel\u003c/span>\u003c/a> and \u003ca href=\"http://society6.com/product/wonder-years-mwz_print#1=45\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Society6\u003c/span>\u003c/a>. Michelle just had a solo show at New Image Art in L.A., a sure sign that her star is on the rise.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Stalking Book Requests at The British Library\u003c/h2>\n\u003cdiv id=\"watch7-user-header\" class=\" spf-link \">\u003c/div>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3b5J9-lW8kg'\n title='//www.youtube.com/embed/3b5J9-lW8kg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">\u003cspan style=\"line-height: 1.5\">Thrill-seeker that I am, I’m currently obsessed with this video showing “10 hypnotic minutes of real-time book requests from the British Library’s book delivery system.” Yes, this really *is* just 10 minutes of scrolling book titles, and it’s mesmerizing. Marvel as you bounce from Hebrew poetry and a 1963 \u003cem>New York Review of Books\u003c/em> to \u003cem>The Life and Lore of the Bird\u003c/em>. Like whenever my dad insists on showing me his (admittedly fascinating) historical coin collection, I love wondering about the hands that these objects are being passed back and forth between; all the novels being researched, the PhDs and night classes being labored over. And in case that all sounds a bit insufferable, you’ve also got bizarro titles like \u003cem>London is a Man’s Town, But Women Go There\u003c/em> (1930) to chuckle at.\u003c/span>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kevin Jones\u003c/i>\u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Dollop\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mlw3vIa66tI'\n title='//www.youtube.com/embed/mlw3vIa66tI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">I love podcasts, especially ones that capture a group of friends having fun with each other—it’s sad to admit this, but sometimes they feel like the only social interaction I get outside of work (oh boy, that \u003cem>is\u003c/em> REALLY sad). My most recent discovery, \u003ca href=\"https://www.facebook.com/thedollop?fref=nf\" target=\"_blank\" rel=\"noopener\">The Dollop\u003c/a> with Dave Anthony and Gareth Reynolds, has had me wearing headphones at all times of the day. Each episode consists of Anthony, a standup comedian and writer/actor for IFC’s \u003cem>Maron\u003c/em>, reading an article about a messed up time in history to Reynolds, an up-and-coming standup and actor. Each story has been hand-picked to be ripped apart by the two, and they have a blast doing it. I highly suggest starting with the episode about \u003ca href=\"http://thedollop.libsyn.com/51-smollop-michael-malloy\" target=\"_blank\" rel=\"noopener\">Iron Michael Molloy\u003c/a> or \u003ca href=\"http://thedollop.libsyn.com/54-cassius-clay\" target=\"_blank\" rel=\"noopener\">the one on Cassius Clay\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">8tracks\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kuX2JYUKQeY'\n title='//www.youtube.com/embed/kuX2JYUKQeY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I’ve recently been spending a lot of time on the \u003ca href=\"http://8tracks.com/\" target=\"_blank\" rel=\"noopener\">8tracks\u003c/a> app. Their main shtick is “internet radio created by people, not algorithms.” Music lovers create mixtapes of their own, to share with friends. It’s been a sweet way for me to discover new artists, and some of the mixes are 3-5 hours long and equally as good at the start as the end. I’ve been playing through their IDM, glitch-hop, minimal techno and ambient mixes and have been surprised by their selection. I’ll still use SoundCloud and Spotify, but 8tracks is my jam right now.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "rockage-4-0-unites-gaming-music-under-one-nerdy-parasol",
"title": "Rockage 4.0 Unites Gaming, Music Under “One Nerdy Parasol”",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Rockage 4.0\u003c/h2>\n\u003cdiv class=\"event-desc\">Three-day celebration of gaming and music.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 6-8, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">San Jose State Student Union\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>“I’m Eric Fanali, I’m the creator of Rockage, and I’d love to talk to you all day about this.”\u003c/p>\n\u003cp>Fanali can’t help himself – \u003ca href=\"http://rockagesj.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Rockage\u003c/a> is his four-year-old, three-day-long child, a project he conceived to “connect people from different communities under one nerdy parasol,” and when we talk, it’s only a few weeks away. Some may only stop by the event—running Feb. 6-8—for a few hours, but he’s been planning those 72 hours for 11 months. \u003c/p>\n\u003cp>Fanali, a longtime promoter of punk and indie shows in the South Bay, reserves a special enthusiasm for Rockage. “I grew up playing games, and love the music from games. Now that people can incorporate that into live music, I’m all about it,” he says.\u003c/p>\n\u003cp>The mash-up of the two pastimes is represented at Rockage in fun and unexpected ways – expect everything from free arcade gameplay and funked-up video game covers to live shows that involve the act of live “\u003ca href=\"http://en.wikipedia.org/wiki/Speedrun\" target=\"_blank\" rel=\"noopener\">speedrunning\u003c/a>,” an act where gamers attempt to play, and finish, a game as quickly as possible regardless of score.\u003c/p>\n\u003cp>Music headliners this year include Portland’s the Thermals, making their Rockage debut; Bit Brigade, who will play alongside gamer Noah McCarthy as he attempts to complete Metroid in just 49 minutes; and \u003ca href=\"http://www.supersoulbros.com/\" target=\"_blank\" rel=\"noopener\">Super Soul Bros.\u003c/a>, a San Jose-based band known for their electric take on video game tunes. In fact, 42 bands in total play from Friday to Sunday, the largest gathering of musicians Fanali has ever assembled. Rockage will also include a series of 30-minute panels on everything from Mario Paint to Dungeons & Dragons.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One sound that captures the dual nature of Rockage’s programming is a musical movement Fanali characterizes as “digital punk rock”: chiptune, a style united by artists who use modified game systems to manipulate sounds created on the original Nintendo Entertainment System (NES) or Nintendo’s first portable gaming device, the Game Boy.\u003c/p>\n\u003cp>“I think right now, chiptune is really an aesthetic more than anything,” explains Morgan Tucker, who utilizes elements of the sound as part of his project \u003ca href=\"http://crashfaster.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">crashfaster\u003c/a>. He’s also the founder of \u003ca href=\"http://www.8bitsf.com/\" target=\"_blank\" rel=\"noopener\">8bitSF\u003c/a>, which hosts a monthly chiptune party at DNA Lounge in San Francisco. \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=5ZjgTO7u-ss&w=560&h=315]\u003c/p>\n\u003cp>The limited capability of the dated technology, coupled with the low cost of entry – Tucker says one can start making chiptune music for under $100 – has made it a wide-open space for creativity. That’s what attracted Oakland composer and multi-instrumentalist Matthew Joseph Payne, who returns to Rockage to perform with his group the \u003ca href=\"http://themineralkingdom.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Mineral Kingdom\u003c/a>.\u003c/p>\n\u003cp>“I think that there’s a lot to say for self-imposed limitations and restrictions as part of the compositional process. I know that’s a big part of it for me. At least it was when I started out,” Payne explains. “Now, I’ve done it for so long that it’s more about a very specific instrument that I’m very comfortable with.” \u003c/p>\n\u003cp>The different styles of the Mineral Kingdom and crashfaster help highlight Tucker’s point about chiptune as an aesthetic choice more than a unified sound. Crashfaster is rooted more in electro, likely stemming from Tucker’s interest in electronic and industrial music. Payne is a working composer, constantly delivering unlikely musical pairings with fascinating results.\u003c/p>\n\u003cp>Likewise, the unlikely pairings at the event aim to inspire open exploration of new fascinations, whether it’s a tournament gamer coming across a band they enjoy or a music junkie stumbling upon an old favorite console. To Eric Fanali, that’s what it’s all about. \u003c/p>\n\u003cp>“If it’s one thing I do in my lifetime,” he starts, before stopping to firmly snap his fingers and knock on wood, it’s to “connect as many people as possible, because if I can’t do something great, they can together.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=JGAW-VuLVpA&w=560&h=315]\u003c/p>\n\u003cp>One such connection takes place Saturday, when Payne takes the stage with A/B Duo. A/B Duo member Meerenai Shim, who also plays flute in Mineral Kingdom, commissioned a piece from Payne meant to sound like a video game score. During their set, A/B Duo will perform Payne’s composition while he plays a video game that Shim, in turn, designed to go along with the score. It’s a moment that could only happen at Rockage.\u003c/p>\n\u003cp>One aspect of the event’s new connection to San Jose State is the involvement of SJS’s \u003ca href=\"http://sjsugamedev.com/\" target=\"_blank\" rel=\"noopener\">Game Development Club\u003c/a>. Gamers get the chance to see students’ game design at work, beautifully on display in custom-made arcade cabinets, but it’s also an opportunity for the design students, as Rockage gives them a chance to watch the public react to the worlds they’ve created.\u003c/p>\n\u003cp>“We’re being put on the same level as both the indie developers that show up at Rockage and the professional cabinets that sit in the arcade room,” says James Morgan, faculty advisor for the club. “It’s all kind of a level playing field, and I think that does a lot to help the students. That makes them work a little bit harder because they really want to shine in that space.”\u003c/p>\n\u003cp>Several people involved with Rockage say this unifying spirit—a tone set by Fanali—is contagious, and what makes the festival feel so casual and welcoming.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tucker’s final words seem to capture that community spirit, echoed by all interviewed. “To be honest with you,” he says, “I’m most excited to see all my friends.”\u003c/p>\n\n",
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"excerpt": "The intersection of music and video games reaches full tilt at this fourth-annual festival, including performances of 8-bit \"chiptune\" artists, competitions and panels.",
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"title": "Rockage 4.0 Unites Gaming, Music Under “One Nerdy Parasol” | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Rockage 4.0\u003c/h2>\n\u003cdiv class=\"event-desc\">Three-day celebration of gaming and music.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Feb. 6-8, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">San Jose State Student Union\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rockage-4-0/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>“I’m Eric Fanali, I’m the creator of Rockage, and I’d love to talk to you all day about this.”\u003c/p>\n\u003cp>Fanali can’t help himself – \u003ca href=\"http://rockagesj.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Rockage\u003c/a> is his four-year-old, three-day-long child, a project he conceived to “connect people from different communities under one nerdy parasol,” and when we talk, it’s only a few weeks away. Some may only stop by the event—running Feb. 6-8—for a few hours, but he’s been planning those 72 hours for 11 months. \u003c/p>\n\u003cp>Fanali, a longtime promoter of punk and indie shows in the South Bay, reserves a special enthusiasm for Rockage. “I grew up playing games, and love the music from games. Now that people can incorporate that into live music, I’m all about it,” he says.\u003c/p>\n\u003cp>The mash-up of the two pastimes is represented at Rockage in fun and unexpected ways – expect everything from free arcade gameplay and funked-up video game covers to live shows that involve the act of live “\u003ca href=\"http://en.wikipedia.org/wiki/Speedrun\" target=\"_blank\" rel=\"noopener\">speedrunning\u003c/a>,” an act where gamers attempt to play, and finish, a game as quickly as possible regardless of score.\u003c/p>\n\u003cp>Music headliners this year include Portland’s the Thermals, making their Rockage debut; Bit Brigade, who will play alongside gamer Noah McCarthy as he attempts to complete Metroid in just 49 minutes; and \u003ca href=\"http://www.supersoulbros.com/\" target=\"_blank\" rel=\"noopener\">Super Soul Bros.\u003c/a>, a San Jose-based band known for their electric take on video game tunes. In fact, 42 bands in total play from Friday to Sunday, the largest gathering of musicians Fanali has ever assembled. Rockage will also include a series of 30-minute panels on everything from Mario Paint to Dungeons & Dragons.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One sound that captures the dual nature of Rockage’s programming is a musical movement Fanali characterizes as “digital punk rock”: chiptune, a style united by artists who use modified game systems to manipulate sounds created on the original Nintendo Entertainment System (NES) or Nintendo’s first portable gaming device, the Game Boy.\u003c/p>\n\u003cp>“I think right now, chiptune is really an aesthetic more than anything,” explains Morgan Tucker, who utilizes elements of the sound as part of his project \u003ca href=\"http://crashfaster.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">crashfaster\u003c/a>. He’s also the founder of \u003ca href=\"http://www.8bitsf.com/\" target=\"_blank\" rel=\"noopener\">8bitSF\u003c/a>, which hosts a monthly chiptune party at DNA Lounge in San Francisco. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5ZjgTO7u-ss'\n title='//www.youtube.com/embed/5ZjgTO7u-ss'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The limited capability of the dated technology, coupled with the low cost of entry – Tucker says one can start making chiptune music for under $100 – has made it a wide-open space for creativity. That’s what attracted Oakland composer and multi-instrumentalist Matthew Joseph Payne, who returns to Rockage to perform with his group the \u003ca href=\"http://themineralkingdom.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Mineral Kingdom\u003c/a>.\u003c/p>\n\u003cp>“I think that there’s a lot to say for self-imposed limitations and restrictions as part of the compositional process. I know that’s a big part of it for me. At least it was when I started out,” Payne explains. “Now, I’ve done it for so long that it’s more about a very specific instrument that I’m very comfortable with.” \u003c/p>\n\u003cp>The different styles of the Mineral Kingdom and crashfaster help highlight Tucker’s point about chiptune as an aesthetic choice more than a unified sound. Crashfaster is rooted more in electro, likely stemming from Tucker’s interest in electronic and industrial music. Payne is a working composer, constantly delivering unlikely musical pairings with fascinating results.\u003c/p>\n\u003cp>Likewise, the unlikely pairings at the event aim to inspire open exploration of new fascinations, whether it’s a tournament gamer coming across a band they enjoy or a music junkie stumbling upon an old favorite console. To Eric Fanali, that’s what it’s all about. \u003c/p>\n\u003cp>“If it’s one thing I do in my lifetime,” he starts, before stopping to firmly snap his fingers and knock on wood, it’s to “connect as many people as possible, because if I can’t do something great, they can together.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JGAW-VuLVpA'\n title='//www.youtube.com/embed/JGAW-VuLVpA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>One such connection takes place Saturday, when Payne takes the stage with A/B Duo. A/B Duo member Meerenai Shim, who also plays flute in Mineral Kingdom, commissioned a piece from Payne meant to sound like a video game score. During their set, A/B Duo will perform Payne’s composition while he plays a video game that Shim, in turn, designed to go along with the score. It’s a moment that could only happen at Rockage.\u003c/p>\n\u003cp>One aspect of the event’s new connection to San Jose State is the involvement of SJS’s \u003ca href=\"http://sjsugamedev.com/\" target=\"_blank\" rel=\"noopener\">Game Development Club\u003c/a>. Gamers get the chance to see students’ game design at work, beautifully on display in custom-made arcade cabinets, but it’s also an opportunity for the design students, as Rockage gives them a chance to watch the public react to the worlds they’ve created.\u003c/p>\n\u003cp>“We’re being put on the same level as both the indie developers that show up at Rockage and the professional cabinets that sit in the arcade room,” says James Morgan, faculty advisor for the club. “It’s all kind of a level playing field, and I think that does a lot to help the students. That makes them work a little bit harder because they really want to shine in that space.”\u003c/p>\n\u003cp>Several people involved with Rockage say this unifying spirit—a tone set by Fanali—is contagious, and what makes the festival feel so casual and welcoming.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Tucker’s final words seem to capture that community spirit, echoed by all interviewed. “To be honest with you,” he says, “I’m most excited to see all my friends.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Caught in Apple’s Infinite Loop",
"headTitle": "Caught in Apple’s Infinite Loop | KQED",
"content": "\u003cp>I always get lost in \u003ca href=\"http://www.cupertino.org/\" target=\"_blank\" rel=\"noopener\">Cupertino\u003c/a>. Do I get off on Stevens Creek or De Anza? I curse Highways 85 and 280 and the indistinguishable grid of strip malls and car dealerships I’ve found myself locked in. I hold the home button on my iPhone until I hear the familiar chime. “How do I get to Infinite Loop?” I ask Siri.\u003c/p>\n\u003cp>Although my navigation skills are shaky at best, I grew up in Silicon Valley, and I know that before computer chips, this valley was known for its fruit. My parents remember walking through open plum, apricot and cherry orchards that contained more trees than people who lived in their small town. When you drive through the South Bay today, office buildings and suburban sprawl have largely supplanted these trees. The only fruit to speak of in this valley now is \u003ca href=\"https://www.apple.com/\" target=\"_blank\" rel=\"noopener\">Apple\u003c/a>.\u003c/p>\n\u003cp>While I’ve had far too few occasions to frolic through the few remaining orchards as a child, I did unwittingly meander across Apple’s campus every time my family drove along De Anza Boulevard near the 280 interchange in Cupertino. Along this stretch of road, seemingly omnipresent Apple employees identified by Apple badges wait to cross the busy intersection as they move in a steady stream between their ever-sprawling office buildings.\u003c/p>\n\u003cfigure id=\"attachment_10296799\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Facade.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10296799\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Facade.jpg\" alt=\"Apple's One Infinite Loop, 2015\" width=\"640\" height=\"962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Facade.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Facade-400x601.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Facade-399x600.jpg 399w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Apple’s One Infinite Loop, 2015 \u003ccite>(Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I carefully try to avoid these Apple workers as I pull onto Infinite Loop, the street that encircles Apple’s first campus. I see Apple’s sign and the address reads as One Infinite Loop, which is a reference to computer programming that goes completely over my head. The Apple employees I’ve met refer to it as “IL,” and it always seems to be on the tip of their tongues. “You have arrived at your destination,” says Siri.\u003c/p>\n\u003cp>Steve Jobs put Cupertino on the map, literally—Apple headquarters are the icon for the Apple Maps app. Jobs grew up in Cupertino, attending \u003ca href=\"http://www.edline.net/pages/Cupertino_Middle_School\" target=\"_blank\" rel=\"noopener\">Cupertino Middle School\u003c/a> and \u003ca href=\"http://www.hhs.fuhsd.org/\" target=\"_blank\" rel=\"noopener\">Homestead High School\u003c/a>. When Apple was ready to leave Jobs’ parents’ garage, it began in earnest in Cupertino. And when Apple decided to build “the best office building in the world” with a second campus in Cupertino (both fondly and ominously referred to as the mothership), it firmly rooted itself in this dusty corner of the Silicon Valley.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[googlemaps https://www.google.com/maps/embed?pb=!1m12!1m8!1m3!1d3172.4606343720334!2d-122.02994950000001!3d37.33160199999999!3m2!1i1024!2i768!4f13.1!2m1!1sapple+infinite+loop!5e0!3m2!1sen!2sus!4v1421092796629&w=600&h=450]\u003c/p>\n\u003cp>Sitting in the center courtyard of IL1 as a lunch guest, it’s hard to remember I’m only 15 minutes from where I grew up. After devouring delicious sushi made by Toshi Sakuma, whom Jobs hired personally, I look up and notice senior vice president of design, Jony Ive, sitting one table over. I hear conversations in three different languages as I decide to return to the cafeteria for gelato and an espresso. When in Cupertino, right?\u003c/p>\n\u003cfigure id=\"attachment_10296802\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Company-Store.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10296802\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Company-Store.jpg\" alt=\"The Company Store at Apple's Infinite Loop, 2015\" width=\"640\" height=\"962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Company-Store.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Company-Store-400x601.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Company-Store-399x600.jpg 399w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Company Store at Apple’s Infinite Loop, 2015 \u003ccite>(Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cupertino doesn’t even have enough traffic to sustain its own Apple Store. There is, however, the \u003ca href=\"https://www.apple.com/companystore/\" target=\"_blank\" rel=\"noopener\">Company Store\u003c/a> at Infinite Loop with more Apple memorabilia than electronics. Shirts, hats, baby onesies and more boast Apple logos and ever changing catch phrases like, “iPhone, therefore I am,” and “The mothership has landed.” These can only be the products of a self-aware company poking fun at its iconic status and the need to have a gift shop at its corporate headquarters.\u003c/p>\n\u003cp>When I return to IL on a Sunday to take some photos, I am surprised to see families and tourists congregating around the office complex. Coming from places as far flung as Hong Kong and Russia, these Apple enthusiasts seem both worshipful and a little disappointed. Firstly that the Company Store is closed, and secondly, that there isn’t more to see on the campus or in the surrounding area. Maybe there is enough traffic after all?\u003c/p>\n\u003cp>A Vietnamese group by way of Los Angeles asks me to take their picture in front of the Infinite Loop sign. This is just one stop in their tour of the Silicon Valley. When I ask them what their impression of Cupertino is, they are silent. Maybe because I just told them I was from around here. \u003c/p>\n\u003cp>“It seems disconnected,” the non-Apple lover in the group declares. “San Francisco is much more vibrant.”\u003c/p>\n\u003cp>As I drive away from IL, I see one of many construction projects underway, with a sign that reads, “Welcome to Downtown Cupertino.” I can’t help but laugh.\u003c/p>\n\u003cp>Established in 1955, it may seem that Cupertino could not exist without Apple. However, it’s Apple that truly needs Cupertino to humble its infallible monolithic posturing. In the low-quality video below, Jobs addresses a mostly empty Cupertino City Council on Apple’s 30th anniversary and explains its decision to stay. Without a keynote presentation, without a legion of followers, it is easier to see Jobs as just another Cupertino constituent.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=meVQqYNGzYA?rel=0&controls=0&showinfo=0]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Apple is moving veritable mountains along Homestead Road. Before the mothership lands, take a look around so you can say you knew Cupertino when.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I always get lost in \u003ca href=\"http://www.cupertino.org/\" target=\"_blank\" rel=\"noopener\">Cupertino\u003c/a>. Do I get off on Stevens Creek or De Anza? I curse Highways 85 and 280 and the indistinguishable grid of strip malls and car dealerships I’ve found myself locked in. I hold the home button on my iPhone until I hear the familiar chime. “How do I get to Infinite Loop?” I ask Siri.\u003c/p>\n\u003cp>Although my navigation skills are shaky at best, I grew up in Silicon Valley, and I know that before computer chips, this valley was known for its fruit. My parents remember walking through open plum, apricot and cherry orchards that contained more trees than people who lived in their small town. When you drive through the South Bay today, office buildings and suburban sprawl have largely supplanted these trees. The only fruit to speak of in this valley now is \u003ca href=\"https://www.apple.com/\" target=\"_blank\" rel=\"noopener\">Apple\u003c/a>.\u003c/p>\n\u003cp>While I’ve had far too few occasions to frolic through the few remaining orchards as a child, I did unwittingly meander across Apple’s campus every time my family drove along De Anza Boulevard near the 280 interchange in Cupertino. Along this stretch of road, seemingly omnipresent Apple employees identified by Apple badges wait to cross the busy intersection as they move in a steady stream between their ever-sprawling office buildings.\u003c/p>\n\u003cfigure id=\"attachment_10296799\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Facade.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10296799\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Facade.jpg\" alt=\"Apple's One Infinite Loop, 2015\" width=\"640\" height=\"962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Facade.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Facade-400x601.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Facade-399x600.jpg 399w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Apple’s One Infinite Loop, 2015 \u003ccite>(Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I carefully try to avoid these Apple workers as I pull onto Infinite Loop, the street that encircles Apple’s first campus. I see Apple’s sign and the address reads as One Infinite Loop, which is a reference to computer programming that goes completely over my head. The Apple employees I’ve met refer to it as “IL,” and it always seems to be on the tip of their tongues. “You have arrived at your destination,” says Siri.\u003c/p>\n\u003cp>Steve Jobs put Cupertino on the map, literally—Apple headquarters are the icon for the Apple Maps app. Jobs grew up in Cupertino, attending \u003ca href=\"http://www.edline.net/pages/Cupertino_Middle_School\" target=\"_blank\" rel=\"noopener\">Cupertino Middle School\u003c/a> and \u003ca href=\"http://www.hhs.fuhsd.org/\" target=\"_blank\" rel=\"noopener\">Homestead High School\u003c/a>. When Apple was ready to leave Jobs’ parents’ garage, it began in earnest in Cupertino. And when Apple decided to build “the best office building in the world” with a second campus in Cupertino (both fondly and ominously referred to as the mothership), it firmly rooted itself in this dusty corner of the Silicon Valley.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003ciframe\n src='https://www.google.com/maps/embed?pb=!1m12!1m8!1m3!1d3172.4606343720334!2d-122.02994950000001!3d37.33160199999999!3m2!1i1024!2i768!4f13.1!2m1!1sapple+infinite+loop!5e0!3m2!1sen!2sus!4v1421092796629&w=600&h=450'\n title='https://www.google.com/maps/embed?pb=!1m12!1m8!1m3!1d3172.4606343720334!2d-122.02994950000001!3d37.33160199999999!3m2!1i1024!2i768!4f13.1!2m1!1sapple+infinite+loop!5e0!3m2!1sen!2sus!4v1421092796629&w=600&h=450'\n width='600'\n height='450'\n scrolling='no'\n frameborder='no'>\u003c/iframe>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Sitting in the center courtyard of IL1 as a lunch guest, it’s hard to remember I’m only 15 minutes from where I grew up. After devouring delicious sushi made by Toshi Sakuma, whom Jobs hired personally, I look up and notice senior vice president of design, Jony Ive, sitting one table over. I hear conversations in three different languages as I decide to return to the cafeteria for gelato and an espresso. When in Cupertino, right?\u003c/p>\n\u003cfigure id=\"attachment_10296802\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Company-Store.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10296802\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/IL-Company-Store.jpg\" alt=\"The Company Store at Apple's Infinite Loop, 2015\" width=\"640\" height=\"962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Company-Store.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Company-Store-400x601.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/IL-Company-Store-399x600.jpg 399w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Company Store at Apple’s Infinite Loop, 2015 \u003ccite>(Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cupertino doesn’t even have enough traffic to sustain its own Apple Store. There is, however, the \u003ca href=\"https://www.apple.com/companystore/\" target=\"_blank\" rel=\"noopener\">Company Store\u003c/a> at Infinite Loop with more Apple memorabilia than electronics. Shirts, hats, baby onesies and more boast Apple logos and ever changing catch phrases like, “iPhone, therefore I am,” and “The mothership has landed.” These can only be the products of a self-aware company poking fun at its iconic status and the need to have a gift shop at its corporate headquarters.\u003c/p>\n\u003cp>When I return to IL on a Sunday to take some photos, I am surprised to see families and tourists congregating around the office complex. Coming from places as far flung as Hong Kong and Russia, these Apple enthusiasts seem both worshipful and a little disappointed. Firstly that the Company Store is closed, and secondly, that there isn’t more to see on the campus or in the surrounding area. Maybe there is enough traffic after all?\u003c/p>\n\u003cp>A Vietnamese group by way of Los Angeles asks me to take their picture in front of the Infinite Loop sign. This is just one stop in their tour of the Silicon Valley. When I ask them what their impression of Cupertino is, they are silent. Maybe because I just told them I was from around here. \u003c/p>\n\u003cp>“It seems disconnected,” the non-Apple lover in the group declares. “San Francisco is much more vibrant.”\u003c/p>\n\u003cp>As I drive away from IL, I see one of many construction projects underway, with a sign that reads, “Welcome to Downtown Cupertino.” I can’t help but laugh.\u003c/p>\n\u003cp>Established in 1955, it may seem that Cupertino could not exist without Apple. However, it’s Apple that truly needs Cupertino to humble its infallible monolithic posturing. In the low-quality video below, Jobs addresses a mostly empty Cupertino City Council on Apple’s 30th anniversary and explains its decision to stay. Without a keynote presentation, without a legion of followers, it is easier to see Jobs as just another Cupertino constituent.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/meVQqYNGzYA?rel=0'\n title='//www.youtube.com/embed/meVQqYNGzYA?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Apple is moving veritable mountains along Homestead Road. Before the mothership lands, take a look around so you can say you knew Cupertino when.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>My high school experience was—to use the official adjective of sullen teenagers—“fine.” I wasn’t tortured by jocks or mocked by mean girls. I wasn’t a nerd. I wasn’t interesting or smart enough to be considered one. I was just sort of there, doing my best to stay out of the way.\u003c/p>\n\u003cp>If I were to relive high school today, knowing what I know now, would I make the same sensible (i.e., boring) choices? I don’t have a DeLorean and flux capacitor, but I do have an iPhone and plenty of free time. These days that’s enough to get an answer.\u003c/p>\n\u003cp>\u003ca href=\"http://store.steampowered.com/app/339510/\" target=\"_blank\" rel=\"noopener\">Psy High\u003c/a> is a choose your adventure story/game that allows users to step into the shoes of a psychic high school student. The player’s choices determine the main character’s personality and the plot of the story. And while there’s an overarching mystery for the player to unravel (why are the students suddenly so studious?), I began the game with a mission of my own: to turn my character into a loud, overly confident, back stabbing, two-timing, test-cheating asshat.\u003c/p>\n\u003cp>Why? I wanted to be a character who, unlike the real me, would be reviled by students and faculty for years to come. (Lord knows I still remember the jerks from my high school days.) Plus, bad choices are more fun, especially when there no consequences. That was my theory, anyway.\u003c/p>\n\u003cp>I named my alter ego Chaz and got to work by shoving a freshman in the hallway. The real me felt bad about the bullying, but I bravely powered through the guilt. The game progressed. I lied to my parents, broke curfew, ratted out my friend to the scary teacher, broke into school, and ditched my oldest pal because she wasn’t popular enough. I even started dealing drugs on campus (really, that’s possible in the game).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At first being a butthead was fun. But as I continued playing, something strange happened. I found it harder and harder to act like a jerk. The game hadn’t changed. I could still make any number of poor choices, but it was as if my natural instincts to follow the rules and do the right (boring) thing were setting in.\u003c/p>\n\u003cp>I got annoyed. This is a game, I mumbled to myself. Do something rebellious, Chaz baby. Don’t stay after class for extra credit. Sabotage the pep rally! Don’t be nice to the drama geeks! Threaten your rival for the lead in the school play with physical harm!\u003c/p>\n\u003cp>But the harder I tried to be the kind of unforgettable jerk that my classmates would describe to therapists for years to come, the more I wanted to be a nice, average guy. I had yearned to be Chaz in all his Chazziness. But ’twas not meant to be. As Sammy Davis Jr. said, I gotta be me.\u003c/p>\n\u003cp>By the end of the game, my character had changed from obnoxious jerk to studious do-gooder. Bad Chaz had left the building, never to return.\u003c/p>\n\u003cp>That’s not to say the real me always does the right thing and follows the rules. Hardly. But, if this game is any indication, I usually try. Bummer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So, if I could go back to high school and do it all over again, would I? Nope. I’ve seen the future and I think my past would turn out pretty much the same way.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>My high school experience was—to use the official adjective of sullen teenagers—“fine.” I wasn’t tortured by jocks or mocked by mean girls. I wasn’t a nerd. I wasn’t interesting or smart enough to be considered one. I was just sort of there, doing my best to stay out of the way.\u003c/p>\n\u003cp>If I were to relive high school today, knowing what I know now, would I make the same sensible (i.e., boring) choices? I don’t have a DeLorean and flux capacitor, but I do have an iPhone and plenty of free time. These days that’s enough to get an answer.\u003c/p>\n\u003cp>\u003ca href=\"http://store.steampowered.com/app/339510/\" target=\"_blank\" rel=\"noopener\">Psy High\u003c/a> is a choose your adventure story/game that allows users to step into the shoes of a psychic high school student. The player’s choices determine the main character’s personality and the plot of the story. And while there’s an overarching mystery for the player to unravel (why are the students suddenly so studious?), I began the game with a mission of my own: to turn my character into a loud, overly confident, back stabbing, two-timing, test-cheating asshat.\u003c/p>\n\u003cp>Why? I wanted to be a character who, unlike the real me, would be reviled by students and faculty for years to come. (Lord knows I still remember the jerks from my high school days.) Plus, bad choices are more fun, especially when there no consequences. That was my theory, anyway.\u003c/p>\n\u003cp>I named my alter ego Chaz and got to work by shoving a freshman in the hallway. The real me felt bad about the bullying, but I bravely powered through the guilt. The game progressed. I lied to my parents, broke curfew, ratted out my friend to the scary teacher, broke into school, and ditched my oldest pal because she wasn’t popular enough. I even started dealing drugs on campus (really, that’s possible in the game).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At first being a butthead was fun. But as I continued playing, something strange happened. I found it harder and harder to act like a jerk. The game hadn’t changed. I could still make any number of poor choices, but it was as if my natural instincts to follow the rules and do the right (boring) thing were setting in.\u003c/p>\n\u003cp>I got annoyed. This is a game, I mumbled to myself. Do something rebellious, Chaz baby. Don’t stay after class for extra credit. Sabotage the pep rally! Don’t be nice to the drama geeks! Threaten your rival for the lead in the school play with physical harm!\u003c/p>\n\u003cp>But the harder I tried to be the kind of unforgettable jerk that my classmates would describe to therapists for years to come, the more I wanted to be a nice, average guy. I had yearned to be Chaz in all his Chazziness. But ’twas not meant to be. As Sammy Davis Jr. said, I gotta be me.\u003c/p>\n\u003cp>By the end of the game, my character had changed from obnoxious jerk to studious do-gooder. Bad Chaz had left the building, never to return.\u003c/p>\n\u003cp>That’s not to say the real me always does the right thing and follows the rules. Hardly. But, if this game is any indication, I usually try. Bummer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So, if I could go back to high school and do it all over again, would I? Nope. I’ve seen the future and I think my past would turn out pretty much the same way.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Oscar Nominations a Smokescreen for Hollywood's Financial Reality",
"headTitle": "Oscar Nominations a Smokescreen for Hollywood’s Financial Reality | KQED",
"content": "\u003cp>The announcement of nominees for the Academy Awards, the American film industry’s highest honor, took place in Los Angeles early this morning. The riches were spread among a mere handful of pictures, with \u003cem>Birdman or (The Unexpected Virtue of Ignorance)\u003c/em> and \u003cem>The Grand Budapest Hotel\u003c/em> nabbing nine nominations apiece. \u003cem>The Imitation Game\u003c/em> scored eight nods, and \u003cem>Boyhood\u003c/em> and \u003cem>American Sniper\u003c/em> each tallied six.\u003c/p>\n\u003cp>Those five titles—notably, three of them independent films, and one British—are in the running for Best Picture, along with \u003cem>Selma\u003c/em> (one of only two studio productions, the other being \u003cem>American Sniper\u003c/em>), \u003cem>The Theory of Everything\u003c/em> (also from England), and another indie and the biggest surprise in this category, \u003cem>Whiplash\u003c/em>.\u003c/p>\n\u003cp>Only two of the Best Picture nominees were released before Labor Day last year, confirming the thinking moviegoer’s perception that Hollywood essentially ignores adults for seven months of the year. (January is a special case, with \u003cem>American Sniper\u003c/em> and \u003cem>Selma\u003c/em> now receiving national releases and the other nominees opportunistically opening wider.)\u003c/p>\n\u003cp>But today’s nominations also serve as a smokescreen. The Hollywood studios will spend every minute until ABC’s Oscar telecast on Feb. 22 toasting “quality” and “art,” but their bread and butter—and allegiance and attention—is in blockbusters propelled by brand-name recognition (i.e., sequels) and special effects. This is not a new development in American cinema, but it’s fascinating this time of year to observe the deftness with which the industry masks its usual priorities.\u003c/p>\n\u003cfigure id=\"attachment_10305920\" class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Interstellar.jpg\" alt=\"'Interstellar,' though well-received, picked up nominations only for technical awards. \" width=\"500\" height=\"333\" class=\"size-full wp-image-10305920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Interstellar.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Interstellar-400x266.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">‘Interstellar,’ though well-received, picked up nominations only for technical awards.\u003c/figcaption>\u003c/figure>\n\u003cp>The bluff and bluster also will obscure the fact that the number of movie tickets sold last year was down five percent from 2013, and in fact marked its lowest level in 20 years (even as the average ticket price remained unchanged and the overall economy improved slightly). From an existential standpoint, the big screen is steadily being overtaken by smaller screens, with long-form television gradually replacing film as the benchmark for quality adult entertainment.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A perennial side effect of the blockbuster approach is the lack of great roles for women, which is reflected in this year’s nominees. Rosamund Pike (\u003cem>Gone Girl\u003c/em>) and Felicity Jones (\u003cem>The Theory of Everything\u003c/em>) provide the glamour in the Best Actress category, while one could say Julianne Moore (\u003cem>Still Alice\u003c/em>), Reese Witherspoon (\u003cem>Wild\u003c/em>) and Marion Cotillard (\u003cem>Two Days, One Night\u003c/em>) were acknowledged for bravely shedding their glamour.\u003c/p>\n\u003cp>The Supporting Actress category features Patricia Arquette, whose performance was essential to \u003cem>Boyhood\u003c/em>, and Laura Dern, who succeeded in creating a vivid, touching character in just a few minutes of chopped-up flashbacks in \u003cem>Wild\u003c/em>. Keira Knightley (\u003cem>The Imitation Game\u003c/em>) and Emma Stone (\u003cem>Birdman\u003c/em>) made the most of what were incidental roles, to put it frankly, while the inclusion yet again of Meryl Streep (\u003cem>Into the Woods\u003c/em>) attests to the shortage of good female roles this year (or confirms our suspicion that Streep’s name puts Academy members under a spell).\u003c/p>\n\u003cp>The Best Actor nominees are notable for the physicality of their performances. Eddie Redmayne (\u003cem>The Theory of Everything\u003c/em>), Steve Carell (\u003cem>Foxcatcher\u003c/em>) and Michael Keaton (\u003cem>Birdman\u003c/em>) did unique and unexpected work, while Bradley Cooper (\u003cem>American Sniper\u003c/em>) and Benedict Cumberbatch (\u003cem>The Imitation Game\u003c/em>) offered contrasting takes on masculinity.\u003c/p>\n\u003cp>As always, several high-profile films came up short, notably Angelina Jolie’s ambitious \u003cem>Unbroken\u003c/em> (nominations only for cinematography, sound editing and sound mixing) and David Fincher’s much-hyped \u003cem>Gone Girl\u003c/em> (just Rosamund Pike). Among the year’s biggest-grossing films, \u003cem>Interstellar\u003c/em> was recognized for original score, production design, visual effects, sound mixing and sound editing.\u003c/p>\n\u003cp>There was a surfeit of strong documentaries last year, led by Laura Poitras’ \u003cem>Citizenfour\u003c/em> and the artist portrait \u003cem>Finding Vivian Maier\u003c/em>. The other nominees, somewhat surprisingly, are \u003cem>Last Days in Vietnam\u003c/em>, \u003cem>Salt of the Earth\u003c/em> and \u003cem>Virunga\u003c/em>.\u003c/p>\n\u003cp>Aficionados will also debate the Foreign Language finalists, led by runaway favorite \u003cem>Ida\u003c/em> (Poland) with \u003cem>Timbuktu\u003c/em> (Mauritania), \u003cem>Tangerines\u003c/em> (Estonia), \u003cem>Leviathan\u003c/em> (Russia) and \u003cem>Wild Tales\u003c/em> (Argentina) filling out the field.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But today’s focus, for better or worse, is the vestiges of prestige and glitter that the Oscars can still muster in a world of myriad award shows and devalued stardom.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The announcement of nominees for the Academy Awards, the American film industry’s highest honor, took place in Los Angeles early this morning. The riches were spread among a mere handful of pictures, with \u003cem>Birdman or (The Unexpected Virtue of Ignorance)\u003c/em> and \u003cem>The Grand Budapest Hotel\u003c/em> nabbing nine nominations apiece. \u003cem>The Imitation Game\u003c/em> scored eight nods, and \u003cem>Boyhood\u003c/em> and \u003cem>American Sniper\u003c/em> each tallied six.\u003c/p>\n\u003cp>Those five titles—notably, three of them independent films, and one British—are in the running for Best Picture, along with \u003cem>Selma\u003c/em> (one of only two studio productions, the other being \u003cem>American Sniper\u003c/em>), \u003cem>The Theory of Everything\u003c/em> (also from England), and another indie and the biggest surprise in this category, \u003cem>Whiplash\u003c/em>.\u003c/p>\n\u003cp>Only two of the Best Picture nominees were released before Labor Day last year, confirming the thinking moviegoer’s perception that Hollywood essentially ignores adults for seven months of the year. (January is a special case, with \u003cem>American Sniper\u003c/em> and \u003cem>Selma\u003c/em> now receiving national releases and the other nominees opportunistically opening wider.)\u003c/p>\n\u003cp>But today’s nominations also serve as a smokescreen. The Hollywood studios will spend every minute until ABC’s Oscar telecast on Feb. 22 toasting “quality” and “art,” but their bread and butter—and allegiance and attention—is in blockbusters propelled by brand-name recognition (i.e., sequels) and special effects. This is not a new development in American cinema, but it’s fascinating this time of year to observe the deftness with which the industry masks its usual priorities.\u003c/p>\n\u003cfigure id=\"attachment_10305920\" class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Interstellar.jpg\" alt=\"'Interstellar,' though well-received, picked up nominations only for technical awards. \" width=\"500\" height=\"333\" class=\"size-full wp-image-10305920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Interstellar.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Interstellar-400x266.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">‘Interstellar,’ though well-received, picked up nominations only for technical awards.\u003c/figcaption>\u003c/figure>\n\u003cp>The bluff and bluster also will obscure the fact that the number of movie tickets sold last year was down five percent from 2013, and in fact marked its lowest level in 20 years (even as the average ticket price remained unchanged and the overall economy improved slightly). From an existential standpoint, the big screen is steadily being overtaken by smaller screens, with long-form television gradually replacing film as the benchmark for quality adult entertainment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A perennial side effect of the blockbuster approach is the lack of great roles for women, which is reflected in this year’s nominees. Rosamund Pike (\u003cem>Gone Girl\u003c/em>) and Felicity Jones (\u003cem>The Theory of Everything\u003c/em>) provide the glamour in the Best Actress category, while one could say Julianne Moore (\u003cem>Still Alice\u003c/em>), Reese Witherspoon (\u003cem>Wild\u003c/em>) and Marion Cotillard (\u003cem>Two Days, One Night\u003c/em>) were acknowledged for bravely shedding their glamour.\u003c/p>\n\u003cp>The Supporting Actress category features Patricia Arquette, whose performance was essential to \u003cem>Boyhood\u003c/em>, and Laura Dern, who succeeded in creating a vivid, touching character in just a few minutes of chopped-up flashbacks in \u003cem>Wild\u003c/em>. Keira Knightley (\u003cem>The Imitation Game\u003c/em>) and Emma Stone (\u003cem>Birdman\u003c/em>) made the most of what were incidental roles, to put it frankly, while the inclusion yet again of Meryl Streep (\u003cem>Into the Woods\u003c/em>) attests to the shortage of good female roles this year (or confirms our suspicion that Streep’s name puts Academy members under a spell).\u003c/p>\n\u003cp>The Best Actor nominees are notable for the physicality of their performances. Eddie Redmayne (\u003cem>The Theory of Everything\u003c/em>), Steve Carell (\u003cem>Foxcatcher\u003c/em>) and Michael Keaton (\u003cem>Birdman\u003c/em>) did unique and unexpected work, while Bradley Cooper (\u003cem>American Sniper\u003c/em>) and Benedict Cumberbatch (\u003cem>The Imitation Game\u003c/em>) offered contrasting takes on masculinity.\u003c/p>\n\u003cp>As always, several high-profile films came up short, notably Angelina Jolie’s ambitious \u003cem>Unbroken\u003c/em> (nominations only for cinematography, sound editing and sound mixing) and David Fincher’s much-hyped \u003cem>Gone Girl\u003c/em> (just Rosamund Pike). Among the year’s biggest-grossing films, \u003cem>Interstellar\u003c/em> was recognized for original score, production design, visual effects, sound mixing and sound editing.\u003c/p>\n\u003cp>There was a surfeit of strong documentaries last year, led by Laura Poitras’ \u003cem>Citizenfour\u003c/em> and the artist portrait \u003cem>Finding Vivian Maier\u003c/em>. The other nominees, somewhat surprisingly, are \u003cem>Last Days in Vietnam\u003c/em>, \u003cem>Salt of the Earth\u003c/em> and \u003cem>Virunga\u003c/em>.\u003c/p>\n\u003cp>Aficionados will also debate the Foreign Language finalists, led by runaway favorite \u003cem>Ida\u003c/em> (Poland) with \u003cem>Timbuktu\u003c/em> (Mauritania), \u003cem>Tangerines\u003c/em> (Estonia), \u003cem>Leviathan\u003c/em> (Russia) and \u003cem>Wild Tales\u003c/em> (Argentina) filling out the field.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But today’s focus, for better or worse, is the vestiges of prestige and glitter that the Oscars can still muster in a world of myriad award shows and devalued stardom.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Amazon has announced that Woody Allen will write and direct a new half-hour series for its video-streaming service — news that feels a little like hearing \u003cem>Mad Men\u003c/em>‘s Don Draper just founded an Internet advertising agency.\u003c/p>\n\u003cp>Allen, known for his old-school approach to filmmaking, may be the biggest name from Hollywood’s old studio system to step into the modern TV age. Even as film stars such as Matthew McConaughey and Kevin Spacey rack up awards and critical praise for their television work, auteurs such as Martin Scorsese and David Lynch have developed TV projects that nearly erase old boundaries between the worlds of film and television.\u003c/p>\n\u003cp>“I don’t know how I got into this,” reads a quote from Allen included in Amazon’s press release on the deal. “I have no ideas and I’m not sure where to begin.”\u003c/p>\n\u003cp>Amazon released few details on the series, currently named \u003cem>Untitled Woody Allen Project\u003c/em>. The series will feature half-hour episodes, but Amazon hasn’t said how many it will make, when they will be released or what the series idea is.\u003c/p>\n\u003cp>It’s a high-profile deal for Amazon, which made news Sunday by winning its first two Golden Globe awards for the original series on a character transitioning genders, \u003cem>Transparent\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At a time when competitors such as Netflix are developing series with marquee names such as David Fincher (\u003cem>House of Cards\u003c/em>) and Tina Fey (\u003cem>Unbreakable Kimmy Schmidt\u003c/em>), the Globes win and Allen deal may help Amazon remain competitive in an increasingly crowded field.\u003c/p>\n\u003cp>The news also drew criticism from some on Twitter, noting Allen’s controversial personal history, including his marriage to Soon-Yi Previn, the adopted daughter of his former longtime girlfriend Mia Farrow.\u003c/p>\n\u003cp>Dylan Farrow, who was adopted by Mia Farrow and Allen, also \u003ca href=\"http://kristof.blogs.nytimes.com/2014/02/01/an-open-letter-from-dylan-farrow/?_r=0\">accused\u003c/a> the director of molesting her as a child in a column published in \u003cem>The\u003c/em> \u003cem>New York Times\u003c/em>; Allen wrote his own column \u003ca href=\"http://www.nytimes.com/2014/02/09/opinion/sunday/woody-allen-speaks-out.html\">denying\u003c/a> the allegations.\u003c/p>\n\u003cp>As Allen’s name began trending on Twitter, some wondered if he would face the same public criticism — and problems with canceled projects — that befell Bill Cosby as a growing number of women have accused the comic of drugging and sexually assaulting them.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>All this suggests that Amazon’s deal with Allen may offer unique challenges that reach far beyond the difficulties of translating Allen’s idea into the new medium of streaming television. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Woody+Allen+Is+The+Latest+Hollywood+Star+Director+To+Try+TV&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Amazon has announced that Woody Allen will write and direct a new half-hour series for its video-streaming service — news that feels a little like hearing \u003cem>Mad Men\u003c/em>‘s Don Draper just founded an Internet advertising agency.\u003c/p>\n\u003cp>Allen, known for his old-school approach to filmmaking, may be the biggest name from Hollywood’s old studio system to step into the modern TV age. Even as film stars such as Matthew McConaughey and Kevin Spacey rack up awards and critical praise for their television work, auteurs such as Martin Scorsese and David Lynch have developed TV projects that nearly erase old boundaries between the worlds of film and television.\u003c/p>\n\u003cp>“I don’t know how I got into this,” reads a quote from Allen included in Amazon’s press release on the deal. “I have no ideas and I’m not sure where to begin.”\u003c/p>\n\u003cp>Amazon released few details on the series, currently named \u003cem>Untitled Woody Allen Project\u003c/em>. The series will feature half-hour episodes, but Amazon hasn’t said how many it will make, when they will be released or what the series idea is.\u003c/p>\n\u003cp>It’s a high-profile deal for Amazon, which made news Sunday by winning its first two Golden Globe awards for the original series on a character transitioning genders, \u003cem>Transparent\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At a time when competitors such as Netflix are developing series with marquee names such as David Fincher (\u003cem>House of Cards\u003c/em>) and Tina Fey (\u003cem>Unbreakable Kimmy Schmidt\u003c/em>), the Globes win and Allen deal may help Amazon remain competitive in an increasingly crowded field.\u003c/p>\n\u003cp>The news also drew criticism from some on Twitter, noting Allen’s controversial personal history, including his marriage to Soon-Yi Previn, the adopted daughter of his former longtime girlfriend Mia Farrow.\u003c/p>\n\u003cp>Dylan Farrow, who was adopted by Mia Farrow and Allen, also \u003ca href=\"http://kristof.blogs.nytimes.com/2014/02/01/an-open-letter-from-dylan-farrow/?_r=0\">accused\u003c/a> the director of molesting her as a child in a column published in \u003cem>The\u003c/em> \u003cem>New York Times\u003c/em>; Allen wrote his own column \u003ca href=\"http://www.nytimes.com/2014/02/09/opinion/sunday/woody-allen-speaks-out.html\">denying\u003c/a> the allegations.\u003c/p>\n\u003cp>As Allen’s name began trending on Twitter, some wondered if he would face the same public criticism — and problems with canceled projects — that befell Bill Cosby as a growing number of women have accused the comic of drugging and sexually assaulting them.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>All this suggests that Amazon’s deal with Allen may offer unique challenges that reach far beyond the difficulties of translating Allen’s idea into the new medium of streaming television. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Woody+Allen+Is+The+Latest+Hollywood+Star+Director+To+Try+TV&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Internet Cartoons for Every Day of the Week",
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"content": "\u003cp>If ever there was a compelling reason to wake up early on Saturdays, it was Saturday morning cartoons. But who watches television anymore? The crippling nostalgia this programming evokes is enough to make you enter into an ill-advised contractual agreement with a notorious cable company. But before you reach for the remote, take a moment to click through your burgeoning Internet options.\u003c/p>\n\u003cfigure id=\"attachment_10277604\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Bill-Ted.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Bill-Ted.jpg\" alt=\"Bill & Ted's Excellent Cereal, 1990; courtesy billandted.org\" width=\"640\" height=\"856\" class=\"size-full wp-image-10277604\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Bill-Ted.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Bill-Ted-400x535.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Bill-Ted-448x600.jpg 448w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bill & Ted’s Excellent Cereal, 1990; courtesy billandted.org\u003c/figcaption>\u003c/figure>\n\u003cp>“Nothing beats cartoons and cereal,” says the online video streaming service, \u003ca href=\"http://www.hulu.com\" target=\"_blank\" rel=\"noopener\">Hulu\u003c/a>. Even without a subscription, users can browse a selection of free \u003ca href=\"http://www.hulu.com/search?q=Saturday+Morning+Cartoons\" target=\"_blank\" rel=\"noopener\">Saturday Morning Cartoons\u003c/a>, including classics like \u003ca href=\"http://www.hulu.com/felix-the-cat\" target=\"_blank\" rel=\"noopener\">\u003cem>Felix the Cat\u003c/em>\u003c/a>, or “by the power of Grayskull,” \u003ca href=\"http://www.hulu.com/he-man-and-the-masters-of-the-universe\" target=\"_blank\" rel=\"noopener\">\u003cem>He-Man\u003c/em>\u003c/a> and my personal favorite, \u003ca href=\"http://www.hulu.com/bill-and-teds-excellent-adventures\" target=\"_blank\" rel=\"noopener\">\u003cem>Bill and Ted’s Excellent [animated] Adventures\u003c/em>\u003c/a>. Too bad \u003ca href=\"http://www.billandted.org/merchandisefoodbtcereal.htm\" target=\"_blank\" rel=\"noopener\">Bill and Ted’s Excellent Cereal\u003c/a> has been discontinued.\u003c/p>\n\u003cp>But if you’re not willing to trade one monthly bill for another in order to watch Hulu’s entire catalog of cartoons, then keep clicking, because this is the Internet and there’s a lot of free stuff around these parts. In fact, an entire generation of cartoonists regularly create content exclusively for the web at no cost to their viewers.\u003c/p>\n\u003cp>If you are a fan of alternative cartoons, but would like to steer clear of the unsavory material that often pervades the Internet, \u003ca href=\"https://www.youtube.com/user/ChannelFrederator\" target=\"_blank\" rel=\"noopener\">Channel Frederator Network\u003c/a> on YouTube is a good place to start. Founded in 2005 by \u003ca href=\"http://en.wikipedia.org/wiki/Fred_Seibert\" target=\"_blank\" rel=\"noopener\">Fred Seibert\u003c/a>, \u003ca href=\"http://frederator.com/about/\" target=\"_blank\" rel=\"noopener\">Frederator Studios\u003c/a> has proven itself as “Cartoon Central on the Internet” by bringing together \u003ca href=\"http://www.channelfrederatornetwork.com/our-network/\" target=\"_blank\" rel=\"noopener\">thousands of independent artists\u003c/a> for hundreds of millions of viewers.\u003c/p>\n\u003cp>Through its partnership with YouTube and now \u003ca href=\"http://www.sonypicturesanimation.com\" target=\"-blank\" rel=\"noopener\">Sony Pictures Animation\u003c/a>, \u003ca href=\"http://www.channelfrederatornetwork.com\" target=\"_blank\" rel=\"noopener\">Channel Frederator Network\u003c/a> champions innovative animators and empowers them to keep doing what they love even as the industry changes. Internet-based animator, \u003ca href=\"https://www.youtube.com/user/SamGreenMedia\" target=\"_blank\" rel=\"noopener\">Sam Green\u003c/a> said, “[The Channel Frederator Network] has literally changed my life. They’ve allowed me to move out of my parents’ basement.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Frederator not only carries on the legacy of irreverent Saturday Morning Cartoons but has also colonized most other days of the week in the name of animation as well, proclaiming Tuesday as \u003ca href=\"https://www.youtube.com/playlist?list=PLsvYuSgEtSsKO027wfhBc2p0_0TtpDQwX\" target=\"_blank\" rel=\"noopener\">“ToonsDay!”\u003c/a> Now that Saturday morning cartoons are available any day of the week, you can “consume irresponsibly,” as Frederator’s \u003ca href=\"http://cartoonhangover.com\" target=\"_blank\" rel=\"noopener\">Cartoon Hangover\u003c/a> encourages you to do, every day. Here is a sample itinerary for a week-long cartoon binge:\u003c/p>\n\u003ch3>Monday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=CsGYh8AacgY\u003c/p>\n\u003cp>In 2005, \u003ca href=\"https://www.youtube.com/user/SecretAgentBob\" target=\"_blank\" rel=\"noopener\">Jason Steele\u003c/a> created a flash animation test called \u003cem>Charlie the Unicorn\u003c/em> for his mother, which went viral. You may feel a little bit like this curmudgeonly unicorn at the beginning of the week, but the trip to Candy Mountain will make you feel better about being a grump.\u003c/p>\n\u003ch3>Tuesday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=zF3RDvPlVYA\u003c/p>\n\u003cp>A great way to discover new talent, \u003ca href=\"https://www.youtube.com/playlist?list=PLsvYuSgEtSsKO027wfhBc2p0_0TtpDQwX\" target=\"_blank\" rel=\"noopener\">“ToonsDay!”\u003c/a> on Channel Frederator spotlights one of the many gifted animators on the Channel Frederator Network every Tuesday. The “Spacetime Fabric Softener by Professor Soap” episode (above) from 2014 is one of my favorites.\u003c/p>\n\u003ch3>Wednesday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=5ArAFwo47VE\u003c/p>\n\u003cp>What would the Internet be without cats? \u003ca href=\"http://www.simonscat.com\" target=\"_blank\" rel=\"noopener\">\u003cem>Simon’s Cat\u003c/em>\u003c/a> is this generation’s Garfield. In the video above, creator Simon Tofield, shows us how he draws his mischievous cat.\u003c/p>\n\u003ch3>Thursday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=Tq7IGCIcEg8\u003c/p>\n\u003cp>San Francisco-based artist, Levni Yilmaz, animates \u003ca href=\"https://www.youtube.com/user/AgentXPQ\" target=\"_blank\" rel=\"noopener\">\u003ci>Tales of Mere Existence\u003c/i>\u003c/a> by filming his drawing process on the back of vellum. He describes it as “confused comedy for confused people.”\u003c/p>\n\u003ch3>Friday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=XoKGhce5-08\u003c/p>\n\u003cp>Check out \u003ca href=\"https://www.youtube.com/channel/UCIA9jUDnKVMYc4SmqTxcwqg\" target=\"_blank\" rel=\"noopener\">\u003cem>Cartoon Hangover’s\u003c/em>\u003c/a> shorts, \u003ci>Too Cool! Cartoons\u003c/i>, which give up-and-coming animators a chance to share their best work in the hopes of having it spun off into syndicated series. Watch the \u003ca href=\"https://www.youtube.com/playlist?list=PL2DcNkn8HAwQLcXTiDB876bU13hT0OhsZ\" target=\"_blank\" rel=\"noopener\">\u003cem>Bee and PuppyCat\u003c/em>\u003c/a> short by Natasha Allegri, which recently got its own Internet series.\u003c/p>\n\u003ch3>Saturday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=GWfY4w_0ZpY\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/playlist?list=PLsvYuSgEtSsLkPO07j1Fj3iU3Fi5bCNDZ\" target=\"_blank\" rel=\"noopener\">Saturday Morning Cartoons\u003c/a> on Channel Frederator often feature shorts from three different animators, which is good because all that sugary cereal is probably giving you a short attention span.\u003c/p>\n\u003ch3>Sunday\u003c/h3>\n\u003cp>http://www.youtube.com/watch?v=lZzKAZODy2c\u003c/p>\n\u003cp>Influential animator \u003ca href=\"http://www.bitterfilms.com\" target=\"_blank\" rel=\"noopener\">Don Hertzfeldt\u003c/a> is originally from Fremont, CA. This clip introduced \u003ca href=\"http://en.wikipedia.org/wiki/The_Animation_Show\" target=\"_blank\" rel=\"noopener\">\u003cem>The Animation Show\u003c/em>\u003c/a> he and \u003ca href=\"http://en.wikipedia.org/wiki/Mike_Judge\" target=\"_blank\" rel=\"noopener\">Mike Judge\u003c/a> sponsored and explains some of his philosophies on animation. Even though Hertzfeld prefers to show his work in movie theaters, this is a good way to end any cartoon binge. Hertzfeldt’s short film, \u003cem>World of Tomorrow\u003c/em>, will premiere at this year’s Sundance Festival.\u003c/p>\n\u003cp>In the words of Hertzfeldt’s characters, “I hope we’ve all learned a little something about the fascinating world of animation today and can now think of it a little differently. An animated film is not just a random series of mindless, self-indulgent, violent cartoon images meant only to be enjoyed by young children or people with mental handicaps, but is a serious valid art medium all unto itself in which the artist is free to explore the purity of the film medium down to each and every single frame, the animated arts are –”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“ROBOTS!”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If ever there was a compelling reason to wake up early on Saturdays, it was Saturday morning cartoons. But who watches television anymore? The crippling nostalgia this programming evokes is enough to make you enter into an ill-advised contractual agreement with a notorious cable company. But before you reach for the remote, take a moment to click through your burgeoning Internet options.\u003c/p>\n\u003cfigure id=\"attachment_10277604\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Bill-Ted.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Bill-Ted.jpg\" alt=\"Bill & Ted's Excellent Cereal, 1990; courtesy billandted.org\" width=\"640\" height=\"856\" class=\"size-full wp-image-10277604\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Bill-Ted.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Bill-Ted-400x535.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Bill-Ted-448x600.jpg 448w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bill & Ted’s Excellent Cereal, 1990; courtesy billandted.org\u003c/figcaption>\u003c/figure>\n\u003cp>“Nothing beats cartoons and cereal,” says the online video streaming service, \u003ca href=\"http://www.hulu.com\" target=\"_blank\" rel=\"noopener\">Hulu\u003c/a>. Even without a subscription, users can browse a selection of free \u003ca href=\"http://www.hulu.com/search?q=Saturday+Morning+Cartoons\" target=\"_blank\" rel=\"noopener\">Saturday Morning Cartoons\u003c/a>, including classics like \u003ca href=\"http://www.hulu.com/felix-the-cat\" target=\"_blank\" rel=\"noopener\">\u003cem>Felix the Cat\u003c/em>\u003c/a>, or “by the power of Grayskull,” \u003ca href=\"http://www.hulu.com/he-man-and-the-masters-of-the-universe\" target=\"_blank\" rel=\"noopener\">\u003cem>He-Man\u003c/em>\u003c/a> and my personal favorite, \u003ca href=\"http://www.hulu.com/bill-and-teds-excellent-adventures\" target=\"_blank\" rel=\"noopener\">\u003cem>Bill and Ted’s Excellent [animated] Adventures\u003c/em>\u003c/a>. Too bad \u003ca href=\"http://www.billandted.org/merchandisefoodbtcereal.htm\" target=\"_blank\" rel=\"noopener\">Bill and Ted’s Excellent Cereal\u003c/a> has been discontinued.\u003c/p>\n\u003cp>But if you’re not willing to trade one monthly bill for another in order to watch Hulu’s entire catalog of cartoons, then keep clicking, because this is the Internet and there’s a lot of free stuff around these parts. In fact, an entire generation of cartoonists regularly create content exclusively for the web at no cost to their viewers.\u003c/p>\n\u003cp>If you are a fan of alternative cartoons, but would like to steer clear of the unsavory material that often pervades the Internet, \u003ca href=\"https://www.youtube.com/user/ChannelFrederator\" target=\"_blank\" rel=\"noopener\">Channel Frederator Network\u003c/a> on YouTube is a good place to start. Founded in 2005 by \u003ca href=\"http://en.wikipedia.org/wiki/Fred_Seibert\" target=\"_blank\" rel=\"noopener\">Fred Seibert\u003c/a>, \u003ca href=\"http://frederator.com/about/\" target=\"_blank\" rel=\"noopener\">Frederator Studios\u003c/a> has proven itself as “Cartoon Central on the Internet” by bringing together \u003ca href=\"http://www.channelfrederatornetwork.com/our-network/\" target=\"_blank\" rel=\"noopener\">thousands of independent artists\u003c/a> for hundreds of millions of viewers.\u003c/p>\n\u003cp>Through its partnership with YouTube and now \u003ca href=\"http://www.sonypicturesanimation.com\" target=\"-blank\" rel=\"noopener\">Sony Pictures Animation\u003c/a>, \u003ca href=\"http://www.channelfrederatornetwork.com\" target=\"_blank\" rel=\"noopener\">Channel Frederator Network\u003c/a> champions innovative animators and empowers them to keep doing what they love even as the industry changes. Internet-based animator, \u003ca href=\"https://www.youtube.com/user/SamGreenMedia\" target=\"_blank\" rel=\"noopener\">Sam Green\u003c/a> said, “[The Channel Frederator Network] has literally changed my life. They’ve allowed me to move out of my parents’ basement.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Frederator not only carries on the legacy of irreverent Saturday Morning Cartoons but has also colonized most other days of the week in the name of animation as well, proclaiming Tuesday as \u003ca href=\"https://www.youtube.com/playlist?list=PLsvYuSgEtSsKO027wfhBc2p0_0TtpDQwX\" target=\"_blank\" rel=\"noopener\">“ToonsDay!”\u003c/a> Now that Saturday morning cartoons are available any day of the week, you can “consume irresponsibly,” as Frederator’s \u003ca href=\"http://cartoonhangover.com\" target=\"_blank\" rel=\"noopener\">Cartoon Hangover\u003c/a> encourages you to do, every day. Here is a sample itinerary for a week-long cartoon binge:\u003c/p>\n\u003ch3>Monday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CsGYh8AacgY'\n title='//www.youtube.com/embed/CsGYh8AacgY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2005, \u003ca href=\"https://www.youtube.com/user/SecretAgentBob\" target=\"_blank\" rel=\"noopener\">Jason Steele\u003c/a> created a flash animation test called \u003cem>Charlie the Unicorn\u003c/em> for his mother, which went viral. You may feel a little bit like this curmudgeonly unicorn at the beginning of the week, but the trip to Candy Mountain will make you feel better about being a grump.\u003c/p>\n\u003ch3>Tuesday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zF3RDvPlVYA'\n title='//www.youtube.com/embed/zF3RDvPlVYA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A great way to discover new talent, \u003ca href=\"https://www.youtube.com/playlist?list=PLsvYuSgEtSsKO027wfhBc2p0_0TtpDQwX\" target=\"_blank\" rel=\"noopener\">“ToonsDay!”\u003c/a> on Channel Frederator spotlights one of the many gifted animators on the Channel Frederator Network every Tuesday. The “Spacetime Fabric Softener by Professor Soap” episode (above) from 2014 is one of my favorites.\u003c/p>\n\u003ch3>Wednesday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5ArAFwo47VE'\n title='//www.youtube.com/embed/5ArAFwo47VE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>What would the Internet be without cats? \u003ca href=\"http://www.simonscat.com\" target=\"_blank\" rel=\"noopener\">\u003cem>Simon’s Cat\u003c/em>\u003c/a> is this generation’s Garfield. In the video above, creator Simon Tofield, shows us how he draws his mischievous cat.\u003c/p>\n\u003ch3>Thursday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Tq7IGCIcEg8'\n title='//www.youtube.com/embed/Tq7IGCIcEg8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>San Francisco-based artist, Levni Yilmaz, animates \u003ca href=\"https://www.youtube.com/user/AgentXPQ\" target=\"_blank\" rel=\"noopener\">\u003ci>Tales of Mere Existence\u003c/i>\u003c/a> by filming his drawing process on the back of vellum. He describes it as “confused comedy for confused people.”\u003c/p>\n\u003ch3>Friday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XoKGhce5-08'\n title='//www.youtube.com/embed/XoKGhce5-08'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Check out \u003ca href=\"https://www.youtube.com/channel/UCIA9jUDnKVMYc4SmqTxcwqg\" target=\"_blank\" rel=\"noopener\">\u003cem>Cartoon Hangover’s\u003c/em>\u003c/a> shorts, \u003ci>Too Cool! Cartoons\u003c/i>, which give up-and-coming animators a chance to share their best work in the hopes of having it spun off into syndicated series. Watch the \u003ca href=\"https://www.youtube.com/playlist?list=PL2DcNkn8HAwQLcXTiDB876bU13hT0OhsZ\" target=\"_blank\" rel=\"noopener\">\u003cem>Bee and PuppyCat\u003c/em>\u003c/a> short by Natasha Allegri, which recently got its own Internet series.\u003c/p>\n\u003ch3>Saturday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GWfY4w_0ZpY'\n title='//www.youtube.com/embed/GWfY4w_0ZpY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"https://www.youtube.com/playlist?list=PLsvYuSgEtSsLkPO07j1Fj3iU3Fi5bCNDZ\" target=\"_blank\" rel=\"noopener\">Saturday Morning Cartoons\u003c/a> on Channel Frederator often feature shorts from three different animators, which is good because all that sugary cereal is probably giving you a short attention span.\u003c/p>\n\u003ch3>Sunday\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lZzKAZODy2c'\n title='//www.youtube.com/embed/lZzKAZODy2c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Influential animator \u003ca href=\"http://www.bitterfilms.com\" target=\"_blank\" rel=\"noopener\">Don Hertzfeldt\u003c/a> is originally from Fremont, CA. This clip introduced \u003ca href=\"http://en.wikipedia.org/wiki/The_Animation_Show\" target=\"_blank\" rel=\"noopener\">\u003cem>The Animation Show\u003c/em>\u003c/a> he and \u003ca href=\"http://en.wikipedia.org/wiki/Mike_Judge\" target=\"_blank\" rel=\"noopener\">Mike Judge\u003c/a> sponsored and explains some of his philosophies on animation. Even though Hertzfeld prefers to show his work in movie theaters, this is a good way to end any cartoon binge. Hertzfeldt’s short film, \u003cem>World of Tomorrow\u003c/em>, will premiere at this year’s Sundance Festival.\u003c/p>\n\u003cp>In the words of Hertzfeldt’s characters, “I hope we’ve all learned a little something about the fascinating world of animation today and can now think of it a little differently. An animated film is not just a random series of mindless, self-indulgent, violent cartoon images meant only to be enjoyed by young children or people with mental handicaps, but is a serious valid art medium all unto itself in which the artist is free to explore the purity of the film medium down to each and every single frame, the animated arts are –”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“ROBOTS!”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>B.J. Novak came to the San Francisco offices of \u003ca href=\"https://medium.com/foreword\" target=\"_blank\" rel=\"noopener\">\u003cem>Medium\u003c/em>\u003c/a> recently to talk about comedy’s relationship to the dark side with \u003cem>Foreword\u003c/em> host Kelly Corrigan. In this excerpt, Corrigan asks Novak to explain why a very grim quote about marriage is so wickedly funny. His response speaks to the close ties between what makes us laugh, what makes us cringe and what makes us weep. \u003c/p>\n\u003cp>Novak is a comedian, actor and writer known for his work in \u003cem>The Office,\u003c/em> where he was also an executive producer, and in films like \u003cem>Inglorious Basterds\u003c/em> and \u003cem>Saving Mr. Banks.\u003c/em> His book of short stories, \u003cem>One More Thing,\u003c/em> was published by Knopf last year. \u003cem>Foreword\u003c/em> — hosted by the bestselling author Kelly Corrigan (\u003cem>The Middle Place\u003c/em>, \u003cem>LIFT\u003c/em>), is a digital series where thinkers and writers take on big ideas in front of a live studio audience. \u003c/p>\n\u003cp>The full interview is available at \u003ca href=\"https://medium.com/foreword/b-j-novak-on-surprise-bold-moves-and-taboo-subjects-in-comedy-b5b533f19ac5\" target=\"_blank\" rel=\"noopener\">medium.com/foreword\u003c/a> and \u003ca href=\"https://www.facebook.com/mediumforeword\" target=\"_blank\" rel=\"noopener\">www.facebook.com/mediumforeword\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>B.J. Novak came to the San Francisco offices of \u003ca href=\"https://medium.com/foreword\" target=\"_blank\" rel=\"noopener\">\u003cem>Medium\u003c/em>\u003c/a> recently to talk about comedy’s relationship to the dark side with \u003cem>Foreword\u003c/em> host Kelly Corrigan. In this excerpt, Corrigan asks Novak to explain why a very grim quote about marriage is so wickedly funny. His response speaks to the close ties between what makes us laugh, what makes us cringe and what makes us weep. \u003c/p>\n\u003cp>Novak is a comedian, actor and writer known for his work in \u003cem>The Office,\u003c/em> where he was also an executive producer, and in films like \u003cem>Inglorious Basterds\u003c/em> and \u003cem>Saving Mr. Banks.\u003c/em> His book of short stories, \u003cem>One More Thing,\u003c/em> was published by Knopf last year. \u003cem>Foreword\u003c/em> — hosted by the bestselling author Kelly Corrigan (\u003cem>The Middle Place\u003c/em>, \u003cem>LIFT\u003c/em>), is a digital series where thinkers and writers take on big ideas in front of a live studio audience. \u003c/p>\n\u003cp>The full interview is available at \u003ca href=\"https://medium.com/foreword/b-j-novak-on-surprise-bold-moves-and-taboo-subjects-in-comedy-b5b533f19ac5\" target=\"_blank\" rel=\"noopener\">medium.com/foreword\u003c/a> and \u003ca href=\"https://www.facebook.com/mediumforeword\" target=\"_blank\" rel=\"noopener\">www.facebook.com/mediumforeword\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "New Year’s Goals: Becoming the Person Yogi Tea Wants Me To Be",
"headTitle": "New Year’s Goals: Becoming the Person Yogi Tea Wants Me To Be | KQED",
"content": "\u003cp>New Years resolutions are complicated things. Some people love them (see: gym owners), while others abhor them (see: chocolatiers), but most people seem to have a more ambivalent, even downright contradictory relationship with them. Wouldn’t you like to watch less TV? But wouldn’t you also \u003cem>love\u003c/em> it if your computer was hooked up to your TV? It’s not so simple.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_7881-e1420063992940.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_7881-e1420063992940.jpg\" alt=\"IMG_7881\" width=\"400\" height=\"533\" class=\"alignleft size-full wp-image-10216367\">\u003c/a>\u003c/p>\n\u003cp>So you \u003ca title=\"cat morning face\" href=\"http://instagram.com/p/wH0YEJDuM-/\" target=\"_blank\" rel=\"noopener\">wake up\u003c/a>, it’s the first day of 2015, and things are going to be different this year. Sure, your head is pounding, you knocked over your water glass at some point during the night — do you even have any ibuprofen? It doesn’t matter, your transformation is imminent. You’re wondering if Grubhub is delivering this early, but then you pick your iPhone (praying it’s not waterlogged) off the floor and realize it’s almost noon. The sinking feeling that change is going to be harder than you thought five minutes ago begins to settle in. You dismiss this as a champagne headache, make your way to the kitchen, and start boiling water for tea cause, hah, your stomach can’t handle coffee right now. How are you going to: lose weight, get rid of unnecessary items, save money, be more patient, travel, and do something for charity?\u003c/p>\n\u003cp>The water is ready, you rip open the tea wrapper, and find your answer.\u003c/p>\n\u003cp>You’re not willing to accept this. You (right now) are not the truth. But your mission is clear and you know who you want to be: you want to be the person Yogi Tea wants you to be. Today you start your journey, trying to live by the mantra of the wise tea bags.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_8026-e1418585374472.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_8026-e1418585353731-400x533.jpg\" alt=\"\" width=\"400\" height=\"533\" class=\"alignright size-thumbnail wp-image-10216368\">\u003c/a>\u003c/p>\n\u003ch3>Do Something for Charity\u003c/h3>\n\u003cp>There are so many simple and gratifying ways to volunteer. \u003ca title=\"VolunteerMatch\" href=\"http://www.volunteermatch.org/\" target=\"_blank\" rel=\"noopener\">VolunteerMatch.org\u003c/a> allows you to narrow your search by cause, location, or by keywords. Plus, you can even volunteer \u003cem>virtually\u003c/em>. So if you make time to shop online (surely not during work hours) and get all those mystery packages from Amazon, then you really have no excuses. The SF-Marin Food Bank is always looking for volunteers and all it takes is a three-hour shift to provide various local food pantries with over 100,000 meals a day. Signing up is straightforward: you can register, view, and select available shifts on their \u003ca title=\"voluteer\" href=\"http://www.sfmfoodbank.org/volunteer\" target=\"_blank\" rel=\"noopener\">site\u003c/a>. Not only are you doing something good for the community, you’re building your own community as volunteering is a great way to meet new (as well as generous and compassionate) people in a non-work/school/bar environment.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/beautiful.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/beautiful-400x300.jpg\" alt=\"beautiful\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264385\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/beautiful-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/beautiful.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Lose Weight and Drink Less\u003c/h3>\n\u003cp>Do you remember when you were a kid and relatives would wish you “good health” on your birthday? Didn’t you find that to be a complete waste of a wish? Your concerns were limited to who was going to sit next to you at the movie theater and whether or not your parents got you the right Lego set. But after losing loved ones and undergoing your own health scares, your mortality becomes more evident and the wishes for good health take on a different meaning. Eating pizza and drinking beer with reckless abandon (or after 10) comes with a price beyond the initial cash spent. Hangovers linger longer, as do reminders of that extra piece of cake you had — it’s OK, though. Bay Area dwellers are a healthy crowd and you can be part of it. Just go into your local co-op and ask someone in workout clothes, eyeing the organic baby arugula, about their diet and workout routine. People love talking about those things.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/recycle.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/recycle-400x300.jpg\" alt=\"recycle\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/recycle-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/recycle.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Get Rid of Unwanted Items\u003c/h3>\n\u003cp>We love our stuff. Our stuff is everywhere — commandeering our garages and packing them to capacity with clothes and furniture and old bills we haven’t touched in years, leaving the cars we value and use every day exposed to the elements in our driveway. It’s pretty bad. And lets not get started on storage units… Much like creating and keeping resolutions, part of the challenge is trying to tackle the whole issue without a plan of action. We look at the mess, deem it untamable, and carry on. To prevent future stockpiling, consider bringing your gently worn clothes to one of the many buy-sell-trade stores in the Bay Area and walk out with some cash or perhaps something you’ll actually wear. The more regularly you clean out your closet the easier it will be and the more benefits you’ll get to reap. Motivation and rewards fuel a chain reaction effect, so who knows, maybe you’ll be inspired to make room for your car inside the garage!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/manners.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/manners-400x300.jpg\" alt=\"manners\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264387\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/manners-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/manners.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Cut Out Toxic Friends\u003c/h3>\n\u003cp>When it comes to friendship, no one can encapsulate my views on it better than Ann Friedman, so I’m just going to go ahead and quote a part of her \u003ca title=\"shine theory\" href=\"http://nymag.com/thecut/2013/05/shine-theory-how-to-stop-female-competition.html\" target=\"_blank\" rel=\"noopener\">“Shine Theory,”\u003c/a> which is directed at women, but applies to everyone. “I want the strongest, happiest, smartest women in my corner, pushing me to negotiate for more money, telling me to drop men who make me feel bad about myself, and responding to my outfit selfies from a place of love and stylishness, not competition and body-snarking.” Plainly put, life is too short for crappy people. No crap, cut the crap.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/infinity.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/infinity-400x300.jpg\" alt=\"infinity\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264392\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/infinity-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/infinity.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Travel\u003c/h3>\n\u003cp>Everyone has heard, “I’d love to travel if I had more time,” or, “That’d be really nice if I had more money.” And to a certain degree, yes, traveling is a luxury, but not every trip has to be a week-long, countryside vineyard tour in France. Living in the Bay Area makes us really fortunate, considering we have such a wide array of travel opportunities that take us somewhere novel in a matter of hours. From Big Sur to Big Basin to Lake Tahoe, there are a multitude of places where you can get away on any kind of budget. And regardless of whether your excursion is a fantasy montage of meditation and massages at the \u003ca title=\"post ranch inn\" href=\"http://www.postranchinn.com/\" target=\"_blank\" rel=\"noopener\">Post Ranch Inn\u003c/a> or charred hot dogs that fell in the fire pit, studies show that sharing experiences with other people gives us more pleasure than going it \u003ca title=\"shared experiences\" href=\"http://www.theatlantic.com/health/archive/2014/10/the-importance-of-sharing-experiences/381493/\" target=\"_blank\" rel=\"noopener\">alone\u003c/a>, so bring your friends and laugh about it either way.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/compassion1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/compassion1-400x300.jpg\" alt=\"compassion\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264389\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/compassion1-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/compassion1.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Be More Patient\u003c/h3>\n\u003cp>People can be frustrating. People can be especially frustrating when you’re trying to find parking in your neighborhood after 6pm, or when MUNI is already at its glacial-pace and people crawl on only to get off at the next stop. Instead of draining your energy and nerves on things out of your control, try to put the situation into perspective. Will this really matter next week? Next month? Probably not. In fact, you’ll likely forget about it tomorrow. Surely you’ve held up a line before because you forgot your wallet at home, or experienced the death stare of 80 people when you were the last passenger getting on a plane. So next time you’re inclined to be brusque and let someone know what a pain they’re being, remember yourself and practice empathy.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/pays.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/pays-400x300.jpg\" alt=\"pays\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264390\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/pays-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/pays.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Save Money\u003c/h3>\n\u003cp>Telling ourselves \u003ca title=\"little lies\" href=\"http://www.youtube.com/watch?v=kyE4CLM0QIA\" target=\"_blank\" rel=\"noopener\">lies\u003c/a> over and over until we consider them truths is insanely appealing. While denial (overall) can be comforting and offers temporary solutions to many of life’s problems, it’s basically like sucking your thumb when you really need stitches. Some days we don’t want to accept responsibility for not washing the dishes and prefer to credit the mess to our housemates. But deep down we know which is our own cereal bowl. Same thing goes for saving money. Sushirrito is as glorious a bastardized gimmicky roll of deliciousness there ever was, but for $12 a pop, there must be a better way to spend that money. Speak the truth, now. Opting to make lunch at home isn’t the only way you can painlessly save. Everyone wants to have good hair, but spending $200 for a cut and color is understandably hard to swallow. Luckily, there are hundreds of hair school graduates going through their training programs throughout the city, refining their skills and getting one day a week to take models. Searching the Craigslist Beauty section under “Services” yields free cuts and $30 highlights at top salons under the supervision of trained experts. If you’re flexible with your time, your fresh new hair and wallet will thank you.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/enjoy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/enjoy-400x300.jpg\" alt=\"enjoy\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264388\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/enjoy-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/enjoy.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Spend More Time with Friends and Family and Cut Out Social Media\u003c/h3>\n\u003cp>Our various devices have made it impossibly convenient for us to keep in touch with friends, relatives, and \u003ca title=\"germany email\" href=\"http://www.npr.org/blogs/parallels/2014/12/01/366806938/german-government-may-say-nein-to-work-emails-after-six\" target=\"_blank\" rel=\"noopener\">work life\u003c/a>, but it hasn’t necessarily improved the quality of those relationships. We run into old friends, exchange numbers, “friend” each other on Facebook, follow each other on Instagram, text each other saying we’re going to hang out, and then that never happens, because we’re too \u003cdel>lazy\u003c/del> busy. On top of it, I’m a chronic mental texter, finding myself under the impression that I responded, though that never happened because telepathy doesn’t exist — yet. You can’t compare spending time with friends IRL versus group text, so next time you run into a friend when you’re out, see if they’re available for coffee that evening, not sometime-later-one-day-it’ll-just-happen. Show the people you care about that you really care about them by giving them face time, not FaceTime.\u003c/p>\n\u003cp>And there you have it — you’re all set. From here on out you’re going to be the person who flosses regularly and jogs (even jogs on the corner while waiting for the light so your heart rate doesn’t fall.)\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Namaste.\u003c/p>\n\n",
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"excerpt": "New Years resolutions are complicated. Some people love them, while others abhor them. This is a guide to being your highest self, to being the person Yogi Tea wants you to be. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>New Years resolutions are complicated things. Some people love them (see: gym owners), while others abhor them (see: chocolatiers), but most people seem to have a more ambivalent, even downright contradictory relationship with them. Wouldn’t you like to watch less TV? But wouldn’t you also \u003cem>love\u003c/em> it if your computer was hooked up to your TV? It’s not so simple.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_7881-e1420063992940.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_7881-e1420063992940.jpg\" alt=\"IMG_7881\" width=\"400\" height=\"533\" class=\"alignleft size-full wp-image-10216367\">\u003c/a>\u003c/p>\n\u003cp>So you \u003ca title=\"cat morning face\" href=\"http://instagram.com/p/wH0YEJDuM-/\" target=\"_blank\" rel=\"noopener\">wake up\u003c/a>, it’s the first day of 2015, and things are going to be different this year. Sure, your head is pounding, you knocked over your water glass at some point during the night — do you even have any ibuprofen? It doesn’t matter, your transformation is imminent. You’re wondering if Grubhub is delivering this early, but then you pick your iPhone (praying it’s not waterlogged) off the floor and realize it’s almost noon. The sinking feeling that change is going to be harder than you thought five minutes ago begins to settle in. You dismiss this as a champagne headache, make your way to the kitchen, and start boiling water for tea cause, hah, your stomach can’t handle coffee right now. How are you going to: lose weight, get rid of unnecessary items, save money, be more patient, travel, and do something for charity?\u003c/p>\n\u003cp>The water is ready, you rip open the tea wrapper, and find your answer.\u003c/p>\n\u003cp>You’re not willing to accept this. You (right now) are not the truth. But your mission is clear and you know who you want to be: you want to be the person Yogi Tea wants you to be. Today you start your journey, trying to live by the mantra of the wise tea bags.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_8026-e1418585374472.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/IMG_8026-e1418585353731-400x533.jpg\" alt=\"\" width=\"400\" height=\"533\" class=\"alignright size-thumbnail wp-image-10216368\">\u003c/a>\u003c/p>\n\u003ch3>Do Something for Charity\u003c/h3>\n\u003cp>There are so many simple and gratifying ways to volunteer. \u003ca title=\"VolunteerMatch\" href=\"http://www.volunteermatch.org/\" target=\"_blank\" rel=\"noopener\">VolunteerMatch.org\u003c/a> allows you to narrow your search by cause, location, or by keywords. Plus, you can even volunteer \u003cem>virtually\u003c/em>. So if you make time to shop online (surely not during work hours) and get all those mystery packages from Amazon, then you really have no excuses. The SF-Marin Food Bank is always looking for volunteers and all it takes is a three-hour shift to provide various local food pantries with over 100,000 meals a day. Signing up is straightforward: you can register, view, and select available shifts on their \u003ca title=\"voluteer\" href=\"http://www.sfmfoodbank.org/volunteer\" target=\"_blank\" rel=\"noopener\">site\u003c/a>. Not only are you doing something good for the community, you’re building your own community as volunteering is a great way to meet new (as well as generous and compassionate) people in a non-work/school/bar environment.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/beautiful.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/beautiful-400x300.jpg\" alt=\"beautiful\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264385\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/beautiful-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/beautiful.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Lose Weight and Drink Less\u003c/h3>\n\u003cp>Do you remember when you were a kid and relatives would wish you “good health” on your birthday? Didn’t you find that to be a complete waste of a wish? Your concerns were limited to who was going to sit next to you at the movie theater and whether or not your parents got you the right Lego set. But after losing loved ones and undergoing your own health scares, your mortality becomes more evident and the wishes for good health take on a different meaning. Eating pizza and drinking beer with reckless abandon (or after 10) comes with a price beyond the initial cash spent. Hangovers linger longer, as do reminders of that extra piece of cake you had — it’s OK, though. Bay Area dwellers are a healthy crowd and you can be part of it. Just go into your local co-op and ask someone in workout clothes, eyeing the organic baby arugula, about their diet and workout routine. People love talking about those things.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/recycle.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/recycle-400x300.jpg\" alt=\"recycle\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/recycle-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/recycle.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Get Rid of Unwanted Items\u003c/h3>\n\u003cp>We love our stuff. Our stuff is everywhere — commandeering our garages and packing them to capacity with clothes and furniture and old bills we haven’t touched in years, leaving the cars we value and use every day exposed to the elements in our driveway. It’s pretty bad. And lets not get started on storage units… Much like creating and keeping resolutions, part of the challenge is trying to tackle the whole issue without a plan of action. We look at the mess, deem it untamable, and carry on. To prevent future stockpiling, consider bringing your gently worn clothes to one of the many buy-sell-trade stores in the Bay Area and walk out with some cash or perhaps something you’ll actually wear. The more regularly you clean out your closet the easier it will be and the more benefits you’ll get to reap. Motivation and rewards fuel a chain reaction effect, so who knows, maybe you’ll be inspired to make room for your car inside the garage!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/manners.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/manners-400x300.jpg\" alt=\"manners\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264387\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/manners-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/manners.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Cut Out Toxic Friends\u003c/h3>\n\u003cp>When it comes to friendship, no one can encapsulate my views on it better than Ann Friedman, so I’m just going to go ahead and quote a part of her \u003ca title=\"shine theory\" href=\"http://nymag.com/thecut/2013/05/shine-theory-how-to-stop-female-competition.html\" target=\"_blank\" rel=\"noopener\">“Shine Theory,”\u003c/a> which is directed at women, but applies to everyone. “I want the strongest, happiest, smartest women in my corner, pushing me to negotiate for more money, telling me to drop men who make me feel bad about myself, and responding to my outfit selfies from a place of love and stylishness, not competition and body-snarking.” Plainly put, life is too short for crappy people. No crap, cut the crap.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/infinity.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/infinity-400x300.jpg\" alt=\"infinity\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264392\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/infinity-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/infinity.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Travel\u003c/h3>\n\u003cp>Everyone has heard, “I’d love to travel if I had more time,” or, “That’d be really nice if I had more money.” And to a certain degree, yes, traveling is a luxury, but not every trip has to be a week-long, countryside vineyard tour in France. Living in the Bay Area makes us really fortunate, considering we have such a wide array of travel opportunities that take us somewhere novel in a matter of hours. From Big Sur to Big Basin to Lake Tahoe, there are a multitude of places where you can get away on any kind of budget. And regardless of whether your excursion is a fantasy montage of meditation and massages at the \u003ca title=\"post ranch inn\" href=\"http://www.postranchinn.com/\" target=\"_blank\" rel=\"noopener\">Post Ranch Inn\u003c/a> or charred hot dogs that fell in the fire pit, studies show that sharing experiences with other people gives us more pleasure than going it \u003ca title=\"shared experiences\" href=\"http://www.theatlantic.com/health/archive/2014/10/the-importance-of-sharing-experiences/381493/\" target=\"_blank\" rel=\"noopener\">alone\u003c/a>, so bring your friends and laugh about it either way.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/compassion1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/compassion1-400x300.jpg\" alt=\"compassion\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264389\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/compassion1-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/compassion1.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Be More Patient\u003c/h3>\n\u003cp>People can be frustrating. People can be especially frustrating when you’re trying to find parking in your neighborhood after 6pm, or when MUNI is already at its glacial-pace and people crawl on only to get off at the next stop. Instead of draining your energy and nerves on things out of your control, try to put the situation into perspective. Will this really matter next week? Next month? Probably not. In fact, you’ll likely forget about it tomorrow. Surely you’ve held up a line before because you forgot your wallet at home, or experienced the death stare of 80 people when you were the last passenger getting on a plane. So next time you’re inclined to be brusque and let someone know what a pain they’re being, remember yourself and practice empathy.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/pays.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/pays-400x300.jpg\" alt=\"pays\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264390\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/pays-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/pays.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Save Money\u003c/h3>\n\u003cp>Telling ourselves \u003ca title=\"little lies\" href=\"http://www.youtube.com/watch?v=kyE4CLM0QIA\" target=\"_blank\" rel=\"noopener\">lies\u003c/a> over and over until we consider them truths is insanely appealing. While denial (overall) can be comforting and offers temporary solutions to many of life’s problems, it’s basically like sucking your thumb when you really need stitches. Some days we don’t want to accept responsibility for not washing the dishes and prefer to credit the mess to our housemates. But deep down we know which is our own cereal bowl. Same thing goes for saving money. Sushirrito is as glorious a bastardized gimmicky roll of deliciousness there ever was, but for $12 a pop, there must be a better way to spend that money. Speak the truth, now. Opting to make lunch at home isn’t the only way you can painlessly save. Everyone wants to have good hair, but spending $200 for a cut and color is understandably hard to swallow. Luckily, there are hundreds of hair school graduates going through their training programs throughout the city, refining their skills and getting one day a week to take models. Searching the Craigslist Beauty section under “Services” yields free cuts and $30 highlights at top salons under the supervision of trained experts. If you’re flexible with your time, your fresh new hair and wallet will thank you.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/enjoy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/enjoy-400x300.jpg\" alt=\"enjoy\" width=\"400\" height=\"300\" class=\"alignright size-thumbnail wp-image-10264388\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/enjoy-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/enjoy.jpg 640w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch3>Spend More Time with Friends and Family and Cut Out Social Media\u003c/h3>\n\u003cp>Our various devices have made it impossibly convenient for us to keep in touch with friends, relatives, and \u003ca title=\"germany email\" href=\"http://www.npr.org/blogs/parallels/2014/12/01/366806938/german-government-may-say-nein-to-work-emails-after-six\" target=\"_blank\" rel=\"noopener\">work life\u003c/a>, but it hasn’t necessarily improved the quality of those relationships. We run into old friends, exchange numbers, “friend” each other on Facebook, follow each other on Instagram, text each other saying we’re going to hang out, and then that never happens, because we’re too \u003cdel>lazy\u003c/del> busy. On top of it, I’m a chronic mental texter, finding myself under the impression that I responded, though that never happened because telepathy doesn’t exist — yet. You can’t compare spending time with friends IRL versus group text, so next time you run into a friend when you’re out, see if they’re available for coffee that evening, not sometime-later-one-day-it’ll-just-happen. Show the people you care about that you really care about them by giving them face time, not FaceTime.\u003c/p>\n\u003cp>And there you have it — you’re all set. From here on out you’re going to be the person who flosses regularly and jogs (even jogs on the corner while waiting for the light so your heart rate doesn’t fall.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Hands up, umbrellas out, hoodies on, fists raised — the icons of protest have long played a significant role in movements of social change and revolution. From flower power to Rosie the Riveter to the rainbow flag, icons have momentous social potency and live on as cultural currency that is exchanged, needed and protected sometimes long past the initial movements of their birth.\u003c/p>\n\u003cp>Icons are sought after and are coming to be needed more and more. Perhaps it is easier to understand an image than it is to know the world, let alone how to change it.\u003c/p>\n\u003cp>Uploading an icon to a profile picture or posting a response or article bleeds into thousands who are doing the same and suddenly an entire social media feed is parroting the same visual calls. Today, protest icons are disseminated rapidly and with such reach that, while the news is mired in arguing over factual evidence of whether or not Mike Brown’s hands were actually raised or not, the image has already hit the streets. There thousands of protesters begin to raise their hands and take photos with their hoodies pulled tight or make videos of themselves dumping buckets of ice over their heads.\u003c/p>\n\u003cp>Images lead to creative actions. For once, the value of these images is separate from the art or entertainment markets, propositioning us to rethink the worlds and systems occupied by them. Some of the most potent protest icons of 2014 appeared in just the last four months of the year.\u003c/p>\n\u003cfigure id=\"attachment_10238460\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/handsup2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/handsup2.jpg\" alt=\"WASHINGTON, DC - NOVEMBER 25: Chanting, 'Hands up, don't shoot!' more than one thousand demonstrators gather on the steps of the National Portrait Gallery the day after the Ferguson grand jury decision to not indict officer Darren Wilson in the Michael Brown case November 25, 2014 in Washington, DC.; Photo by Chip Somodevilla/Getty Images\" width=\"640\" height=\"427\" class=\"size-full wp-image-10238460\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/handsup2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/handsup2-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">WASHINGTON, DC – NOVEMBER 25: Chanting, ‘Hands up, don’t shoot!’ more than one thousand demonstrators gather on the steps of the National Portrait Gallery the day after the Ferguson grand jury decision to not indict officer Darren Wilson in the Michael Brown case November 25, 2014 in Washington, DC.; Photo by Chip Somodevilla/Getty Images\u003c/figcaption>\u003c/figure>\n\u003ch3>Hands Up, Don’t Shoot\u003c/h3>\n\u003cp>Thousands are still protesting across the country in the aftermath of the non-indictments of the police officers involved in the deaths of \u003ca href=\"http://www.kqed.org/news/story/2014/12/04/150898/new_york_braces_for_more_demonstrations_over_eric_garner?source=npr&category=u.s.\" target=\"_blank\" rel=\"noopener\">Mike Brown and Eric Garner (along with many others)\u003c/a>. Images of hands raised above one’s head in a “hands up, don’t shoot” position have flooded the media from footage of protesters across the nation to members of Congress on the House floor. On December 1, \u003ca href=\"http://www.cnn.com/2014/12/04/us/rams-threats-ferguson/\" target=\"_blank\" rel=\"noopener\">five St. Louis Rams’ players \u003c/a>held their hands up during pregame introductions in a peaceful and poignant use of their public platform to millions of viewers. Their stadium is located only 11 miles from the battlegrounds of Ferguson.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hands up, don’t shoot is bigger than Mike Brown’s case, and is reminiscent of Tommie Smith and John Carlos, who bravely raised black-gloved fists during the playing of the “Star Spangled Banner” at their 1968 Olympic medal ceremony. Like Smith and Carlos, whose raised fists aligned with Black Power but also appealed for greater human rights, the “hands up, don’t shoot” icon has come to confront a history of perceived systemic and disproportionate police brutality, while calling for transparency within the criminal justice system and the confrontation of institutional racism. The action is a reminder that all is not yet equal and serves as a desperate proposition that we are all a part of this system, no matter how far you are from Ferguson, or Staten Island, or Sanford, or Fruitvale Station.\u003c/p>\n\u003cfigure id=\"attachment_10189956\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/internet-slowdown.png\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/internet-slowdown.png\" alt=\"The 'spinning wheel of death' uploaded to over 40,000 websites in protest over the changes to 'net neutrality'\" width=\"600\" height=\"599\" class=\"size-full wp-image-10189956\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown.png 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-400x399.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-75x75.png 75w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The ‘spinning wheel of death’ uploaded to over 40,000 websites in protest over the changes to ‘net neutrality’ \u003ccite>(Photo : Twitter / @democracynow)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The ‘Spinning Wheel of Death’\u003c/h3>\n\u003cp>The Internet is the most critical tool in activism and protest. Its utility comes in its speed, lack of regulation and ubiquity, but the current war to privatize the Internet could pose a threat not just to the pending revolution, but to one’s daily online activity as well.\u003c/p>\n\u003cp>On September 10, 2014, dubbed \u003ca href=\"https://www.battleforthenet.com/sept10th/\" target=\"_blank\" rel=\"noopener\">Internet Slow Down Day\u003c/a>, you may have noticed that many of your usual sites were loading… and loading… and loading…\u003c/p>\n\u003cp>The ‘spinning wheel of death’ is part of an online campaign in support of what is most commonly known as net neutrality, or the call for an open and free Internet. This year, the FCC began considering new regulations that would, among other things, create “Internet fast lanes” where broadband service companies, like Comcast and AT&T would be able to collect fees from content companies, such as Netflix or Amazon, for special priority to their networks.\u003c/p>\n\u003cp>In response, 40,000 websites, including Netflix, Tumblr, Vimeo, Kickstarter and Etsy all participated by installing mock loading icons on their home pages — both a poignant protest and an ominous forewarning. Response was so great that the comments section of the FCC was shut down. The Internet still offers great opportunity that does not exist anywhere else — this is part of its value and it’s up to its users to keep it that way. After all, if the privatization of the Internet allows speed to be manipulated by the highest bidder and corporate interest, how can one be sure they’ll even find the revolution?\u003c/p>\n\u003cfigure id=\"attachment_10189957\" class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3.jpg\" alt=\"Columbia University senior Emma Sulkowicz carries her mattress on campus as part of her senior thesis, a performance art piece called “Carry That Weight.” \" width=\"500\" height=\"333\" class=\"size-full wp-image-10189957\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3-400x266.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Columbia University senior Emma Sulkowicz carries her mattress on campus as part of her senior thesis, a performance art piece called “Carry That Weight.” \u003ccite>(Emma Sulkowicz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Mattress\u003c/h3>\n\u003cp>On October 29, 2014, mattresses and pillows became unexpected symbols confronting sexual assault on college campuses. Inspired by the activist/performance art of Columbia University senior Emma Sulkowicz, who has been carrying her dorm mattress with her everywhere she goes, even to class, since September. Sulkowicz claims to have been raped on the first day of her sophomore year by another Columbia student.\u003c/p>\n\u003cp>The accused was ultimately found not guilty — Sulkowicz’s appeals were dismissed — and he still attends classes at Columbia. In protest of the way her case was handled and the lack of seriousness afforded to her accusations, Sulkowicz will carry this mattress with her until her accused rapist leaves the school; she was one of three students to accuse him of assault.\u003c/p>\n\u003cp>\u003ca href=\"http://www.carryingtheweighttogether.com\" target=\"_blank\" rel=\"noopener\">Carry That Weight\u003c/a>, was a day of collective support and action confronting the unforgivable amount of assault that occurs on American college campuses—\u003ca href=\"https://www.ncjrs.gov/pdffiles1/nij/grants/221153.pdf\" target=\"_blank\" rel=\"noopener\">one in five students\u003c/a> report some experience of assault or attempted assault, compared to the many presumed not to report anything.\u003c/p>\n\u003cp>Mattresses and pillows are often the private specters of sexual assault survivors confront daily, but have now become a public icon for the inequity and inability for post-secondary institutions to protect and provide safe environments for all students to learn. Pointing to the seriousness of safety for students, President Obama recently launched \u003ca href=\"http://itsonus.org\" target=\"_blank\" rel=\"noopener\">\u003cem>It’s On Us\u003c/em>\u003c/a>, a national campaign to raise awareness and end sexual assault on college campuses. \u003c/p>\n\u003cp>It is on us to acknowledge the gravity of a system that protects or dismisses sexual predators and a public that takes more interest in a young woman’s mattress than in her accusations of rape. Sulkowicz is one of twenty-eight students filing a \u003ca href=\"http://endrapeoncampus.org/schools-weve-assisted/\" target=\"_blank\" rel=\"noopener\">Title IX federal claim against Columbia University.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_10238464\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/umbrella2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/umbrella2.jpg\" alt=\"Protestors shout slogans during a march to the movement's main pro-democracy protest site in the Admiralty district of Hong Kong on December 5, 2014; Photo by Johannes Eisele/AFP/Getty Images \" width=\"640\" height=\"417\" class=\"size-full wp-image-10238464\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/umbrella2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/umbrella2-400x260.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Protestors shout slogans during a march to the movement’s main pro-democracy protest site in the Admiralty district of Hong Kong on December 5, 2014; Photo by Johannes Eisele/AFP/Getty Images\u003cbr>\u003c/figcaption>\u003c/figure>\n\u003ch3>Hong Kong’s ‘Umbrella Revolution’\u003c/h3>\n\u003cp>Expecting a system or government to care for its’ citizens shouldn’t be so hard to imagine. But in Hong Kong, over a hundred thousand protesters filled the streets in response to China reneging on the promise to grant it open elections by 2017. After it was announced that the candidates for election would be vetted by China first, students took to the streets. For two months since September, pro-democracy activists occupied the streets of Hong Kong.\u003c/p>\n\u003cp>Hong Kong police responded with liberal use of pepper spray and activists found that umbrellas, sometimes turned inside out, were an effective way to shield their bodies from the attacks. The umbrellas came to have a creative utility — they protected activists from the sweltering midday sun, along with shielding them from pepper spray and tear gas. They were sometimes painted bright colors, donned with activist slogans or were joined with other umbrellas to form symbols when seen from above.\u003c/p>\n\u003cp>The images are reminiscent of the 1989 student protests in Tiananmen Square with many connections drawn to the iconic image, ‘Tank Man,’ who appears to bravely step in front of a column of tanks, a lone hero performing an isolated act of courage. Yet, he was one hero amongst thousands who happened to be cropped out of the famous photo. In Hong Kong the protesters used their umbrellas to shield their own bodies, but most effectively brought umbrellas together to form a giant collective shield over the mass of protesters. \u003c/p>\n\u003cp>Images of the umbrella in Hong Kong fundamentally capture the collective agency needed in movements of change and serve as a reminder that — in numbers — even a flimsy umbrella can become an impenetrable force. \u003c/p>\n\u003cp>And when these protests fade, their visual legacies will be remade and exchanged again as reminders that while movements may end the fight for human rights battles on.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/CAC-300-e1414012584579.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-10144333\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/CAC-300-e1414012584579.jpg\" alt=\"CAC-300\" width=\"250\" height=\"67\">\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Funding for coverage of arts that explore social issues is provided by the California Arts Council.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hands up, umbrellas out, hoodies on, fists raised — the icons of protest have long played a significant role in movements of social change and revolution. From flower power to Rosie the Riveter to the rainbow flag, icons have momentous social potency and live on as cultural currency that is exchanged, needed and protected sometimes long past the initial movements of their birth.\u003c/p>\n\u003cp>Icons are sought after and are coming to be needed more and more. Perhaps it is easier to understand an image than it is to know the world, let alone how to change it.\u003c/p>\n\u003cp>Uploading an icon to a profile picture or posting a response or article bleeds into thousands who are doing the same and suddenly an entire social media feed is parroting the same visual calls. Today, protest icons are disseminated rapidly and with such reach that, while the news is mired in arguing over factual evidence of whether or not Mike Brown’s hands were actually raised or not, the image has already hit the streets. There thousands of protesters begin to raise their hands and take photos with their hoodies pulled tight or make videos of themselves dumping buckets of ice over their heads.\u003c/p>\n\u003cp>Images lead to creative actions. For once, the value of these images is separate from the art or entertainment markets, propositioning us to rethink the worlds and systems occupied by them. Some of the most potent protest icons of 2014 appeared in just the last four months of the year.\u003c/p>\n\u003cfigure id=\"attachment_10238460\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/handsup2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/handsup2.jpg\" alt=\"WASHINGTON, DC - NOVEMBER 25: Chanting, 'Hands up, don't shoot!' more than one thousand demonstrators gather on the steps of the National Portrait Gallery the day after the Ferguson grand jury decision to not indict officer Darren Wilson in the Michael Brown case November 25, 2014 in Washington, DC.; Photo by Chip Somodevilla/Getty Images\" width=\"640\" height=\"427\" class=\"size-full wp-image-10238460\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/handsup2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/handsup2-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">WASHINGTON, DC – NOVEMBER 25: Chanting, ‘Hands up, don’t shoot!’ more than one thousand demonstrators gather on the steps of the National Portrait Gallery the day after the Ferguson grand jury decision to not indict officer Darren Wilson in the Michael Brown case November 25, 2014 in Washington, DC.; Photo by Chip Somodevilla/Getty Images\u003c/figcaption>\u003c/figure>\n\u003ch3>Hands Up, Don’t Shoot\u003c/h3>\n\u003cp>Thousands are still protesting across the country in the aftermath of the non-indictments of the police officers involved in the deaths of \u003ca href=\"http://www.kqed.org/news/story/2014/12/04/150898/new_york_braces_for_more_demonstrations_over_eric_garner?source=npr&category=u.s.\" target=\"_blank\" rel=\"noopener\">Mike Brown and Eric Garner (along with many others)\u003c/a>. Images of hands raised above one’s head in a “hands up, don’t shoot” position have flooded the media from footage of protesters across the nation to members of Congress on the House floor. On December 1, \u003ca href=\"http://www.cnn.com/2014/12/04/us/rams-threats-ferguson/\" target=\"_blank\" rel=\"noopener\">five St. Louis Rams’ players \u003c/a>held their hands up during pregame introductions in a peaceful and poignant use of their public platform to millions of viewers. Their stadium is located only 11 miles from the battlegrounds of Ferguson.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hands up, don’t shoot is bigger than Mike Brown’s case, and is reminiscent of Tommie Smith and John Carlos, who bravely raised black-gloved fists during the playing of the “Star Spangled Banner” at their 1968 Olympic medal ceremony. Like Smith and Carlos, whose raised fists aligned with Black Power but also appealed for greater human rights, the “hands up, don’t shoot” icon has come to confront a history of perceived systemic and disproportionate police brutality, while calling for transparency within the criminal justice system and the confrontation of institutional racism. The action is a reminder that all is not yet equal and serves as a desperate proposition that we are all a part of this system, no matter how far you are from Ferguson, or Staten Island, or Sanford, or Fruitvale Station.\u003c/p>\n\u003cfigure id=\"attachment_10189956\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/internet-slowdown.png\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/internet-slowdown.png\" alt=\"The 'spinning wheel of death' uploaded to over 40,000 websites in protest over the changes to 'net neutrality'\" width=\"600\" height=\"599\" class=\"size-full wp-image-10189956\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown.png 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-400x399.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/internet-slowdown-75x75.png 75w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The ‘spinning wheel of death’ uploaded to over 40,000 websites in protest over the changes to ‘net neutrality’ \u003ccite>(Photo : Twitter / @democracynow)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The ‘Spinning Wheel of Death’\u003c/h3>\n\u003cp>The Internet is the most critical tool in activism and protest. Its utility comes in its speed, lack of regulation and ubiquity, but the current war to privatize the Internet could pose a threat not just to the pending revolution, but to one’s daily online activity as well.\u003c/p>\n\u003cp>On September 10, 2014, dubbed \u003ca href=\"https://www.battleforthenet.com/sept10th/\" target=\"_blank\" rel=\"noopener\">Internet Slow Down Day\u003c/a>, you may have noticed that many of your usual sites were loading… and loading… and loading…\u003c/p>\n\u003cp>The ‘spinning wheel of death’ is part of an online campaign in support of what is most commonly known as net neutrality, or the call for an open and free Internet. This year, the FCC began considering new regulations that would, among other things, create “Internet fast lanes” where broadband service companies, like Comcast and AT&T would be able to collect fees from content companies, such as Netflix or Amazon, for special priority to their networks.\u003c/p>\n\u003cp>In response, 40,000 websites, including Netflix, Tumblr, Vimeo, Kickstarter and Etsy all participated by installing mock loading icons on their home pages — both a poignant protest and an ominous forewarning. Response was so great that the comments section of the FCC was shut down. The Internet still offers great opportunity that does not exist anywhere else — this is part of its value and it’s up to its users to keep it that way. After all, if the privatization of the Internet allows speed to be manipulated by the highest bidder and corporate interest, how can one be sure they’ll even find the revolution?\u003c/p>\n\u003cfigure id=\"attachment_10189957\" class=\"wp-caption alignright\" style=\"max-width: 500px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3.jpg\" alt=\"Columbia University senior Emma Sulkowicz carries her mattress on campus as part of her senior thesis, a performance art piece called “Carry That Weight.” \" width=\"500\" height=\"333\" class=\"size-full wp-image-10189957\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/2fd449c2a267b30d32522638629146f6bea5d5b3-400x266.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Columbia University senior Emma Sulkowicz carries her mattress on campus as part of her senior thesis, a performance art piece called “Carry That Weight.” \u003ccite>(Emma Sulkowicz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Mattress\u003c/h3>\n\u003cp>On October 29, 2014, mattresses and pillows became unexpected symbols confronting sexual assault on college campuses. Inspired by the activist/performance art of Columbia University senior Emma Sulkowicz, who has been carrying her dorm mattress with her everywhere she goes, even to class, since September. Sulkowicz claims to have been raped on the first day of her sophomore year by another Columbia student.\u003c/p>\n\u003cp>The accused was ultimately found not guilty — Sulkowicz’s appeals were dismissed — and he still attends classes at Columbia. In protest of the way her case was handled and the lack of seriousness afforded to her accusations, Sulkowicz will carry this mattress with her until her accused rapist leaves the school; she was one of three students to accuse him of assault.\u003c/p>\n\u003cp>\u003ca href=\"http://www.carryingtheweighttogether.com\" target=\"_blank\" rel=\"noopener\">Carry That Weight\u003c/a>, was a day of collective support and action confronting the unforgivable amount of assault that occurs on American college campuses—\u003ca href=\"https://www.ncjrs.gov/pdffiles1/nij/grants/221153.pdf\" target=\"_blank\" rel=\"noopener\">one in five students\u003c/a> report some experience of assault or attempted assault, compared to the many presumed not to report anything.\u003c/p>\n\u003cp>Mattresses and pillows are often the private specters of sexual assault survivors confront daily, but have now become a public icon for the inequity and inability for post-secondary institutions to protect and provide safe environments for all students to learn. Pointing to the seriousness of safety for students, President Obama recently launched \u003ca href=\"http://itsonus.org\" target=\"_blank\" rel=\"noopener\">\u003cem>It’s On Us\u003c/em>\u003c/a>, a national campaign to raise awareness and end sexual assault on college campuses. \u003c/p>\n\u003cp>It is on us to acknowledge the gravity of a system that protects or dismisses sexual predators and a public that takes more interest in a young woman’s mattress than in her accusations of rape. Sulkowicz is one of twenty-eight students filing a \u003ca href=\"http://endrapeoncampus.org/schools-weve-assisted/\" target=\"_blank\" rel=\"noopener\">Title IX federal claim against Columbia University.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_10238464\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/umbrella2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/umbrella2.jpg\" alt=\"Protestors shout slogans during a march to the movement's main pro-democracy protest site in the Admiralty district of Hong Kong on December 5, 2014; Photo by Johannes Eisele/AFP/Getty Images \" width=\"640\" height=\"417\" class=\"size-full wp-image-10238464\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/umbrella2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/umbrella2-400x260.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Protestors shout slogans during a march to the movement’s main pro-democracy protest site in the Admiralty district of Hong Kong on December 5, 2014; Photo by Johannes Eisele/AFP/Getty Images\u003cbr>\u003c/figcaption>\u003c/figure>\n\u003ch3>Hong Kong’s ‘Umbrella Revolution’\u003c/h3>\n\u003cp>Expecting a system or government to care for its’ citizens shouldn’t be so hard to imagine. But in Hong Kong, over a hundred thousand protesters filled the streets in response to China reneging on the promise to grant it open elections by 2017. After it was announced that the candidates for election would be vetted by China first, students took to the streets. For two months since September, pro-democracy activists occupied the streets of Hong Kong.\u003c/p>\n\u003cp>Hong Kong police responded with liberal use of pepper spray and activists found that umbrellas, sometimes turned inside out, were an effective way to shield their bodies from the attacks. The umbrellas came to have a creative utility — they protected activists from the sweltering midday sun, along with shielding them from pepper spray and tear gas. They were sometimes painted bright colors, donned with activist slogans or were joined with other umbrellas to form symbols when seen from above.\u003c/p>\n\u003cp>The images are reminiscent of the 1989 student protests in Tiananmen Square with many connections drawn to the iconic image, ‘Tank Man,’ who appears to bravely step in front of a column of tanks, a lone hero performing an isolated act of courage. Yet, he was one hero amongst thousands who happened to be cropped out of the famous photo. In Hong Kong the protesters used their umbrellas to shield their own bodies, but most effectively brought umbrellas together to form a giant collective shield over the mass of protesters. \u003c/p>\n\u003cp>Images of the umbrella in Hong Kong fundamentally capture the collective agency needed in movements of change and serve as a reminder that — in numbers — even a flimsy umbrella can become an impenetrable force. \u003c/p>\n\u003cp>And when these protests fade, their visual legacies will be remade and exchanged again as reminders that while movements may end the fight for human rights battles on.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/CAC-300-e1414012584579.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-10144333\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/CAC-300-e1414012584579.jpg\" alt=\"CAC-300\" width=\"250\" height=\"67\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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