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"content": "\u003cp>Society likes to \u003ca href=\"http://www.elementsbehavioralhealth.com/featured/is-watching-too-much-tv-making-you-depressed/\">causally link\u003c/a> television and depression, but that hasn’t always been my experience. Yes, when used as a way to neglect relationships and responsibilities, TV \u003ci>can\u003c/i> be a correlative anchor for depression, but it doesn’t have to be -- or, at least, that’s not \u003ci>all \u003c/i>it might be.\u003c/p>\n\u003cp>In addition to acting as a lifeline for the depressed, TV has the power to change the way we think about mental illness -- both in ourselves and in others. In many ways, it is the most intimate of mediums, coming into our homes week after week and becoming part of the sustained cultural conversation we have with our friends and family.\u003c/p>\n\u003cp>Serialized television in particular allows for a more complex, nuanced exploration of character and theme. 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This town wears its prejudice against Partial Death Syndrome (PDS) sufferers as a badge of honor.\u003c/p>\n\u003cp>\u003ci>In the Flesh \u003c/i>is interesting because it explores mental illness not only through the eyes of a main character who is depressed, but uses zombie-ism as a metaphor to explore the stigma against mental illness (amongst other prejudices). Kieren’s zombie-ism is part of his identity, but so is his depression. He may have risen from the dead, but the first season is about learning to \u003ci>choose\u003c/i> the life he once purposefully ended. It’s about learning to live again, despite everything that's been lost.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Slings and Arrows\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you like your TV heavy on the Shakespearean themes...\u003c/i>\u003c/p>\n\u003cp>http://youtu.be/I0uVGCYRP4I\u003c/p>\n\u003cp>\u003ci>Slings and Arrows \u003c/i>proves that you don’t have to be a serious drama to explore mental illness well. This wacky, wonderful Canadian show about a struggling theater festival in fictional New Burbage follows the production of a different Shakespearean tragedy every season, using the play’s themes to shape the show’s behind-the-scenes action.\u003c/p>\n\u003cp>The first season uses \u003ci>Hamlet \u003c/i>for inspiration, exploring its central theme of madness through the emotional journey of protagonist Geoffrey Tennant. Seven years after suffering a nervous breakdown on stage while playing Hamlet, Geoffrey is back at the New Burbage Festival as creative director. With the help of his estranged mentor (who happens to be a ghost) and ex-fiance, Geoffrey attempts to get the festival back on track, without losing the semblance of sanity he’s managed to reclaim over the years.\u003c/p>\n\u003cp>In \u003ci>Slings and Arrows\u003c/i>, Geoffrey’s mental illness isn’t treated as unusual or as something he should be ashamed of. That’s not to say that other characters don’t try to shame him or that it is never an obstacle to his relationships and work, but Geoffrey is a compelling, competent, and caring character \u003ci>in addition\u003c/i> to his mental illness -- not \u003ci>in spite\u003c/i> of it.\u003c/p>\n\u003cp>Like \u003ci>In the Flesh\u003c/i>, \u003ci>Slings and Arrows \u003c/i>has at its heart this question of whether existence itself is worth it when life is filled with sadness and pain. Unlike the former, it never seems to stray too far from the answer that life is wonderful, confusing madness, and it is worth every performance we make.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Friday Night Lights\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you’re looking for cathartic comfort...\u003c/i>\u003c/p>\n\u003cp>http://youtu.be/AG37AylK1_s\u003c/p>\n\u003cp>If you are one of the people who has dismissed \u003ci>Friday Night Lights \u003c/i>as a viable viewing option because it’s “just a show about high school football,” think again. This community-based drama is a critical, yet optimistic look at what it is to live in contemporary small town America and is akin in quality to the best “prestige” dramas of the last decade.\u003c/p>\n\u003cp>Set in the fictional Dillon, Texas, it uses the family of Coach Eric Taylor as its focal point, but it is an ensemble drama involving a diverse cast of characters. Though mental health is not a major theme in the series, watching this show is truly a cathartic experience. If you’re in the mood to cry -- happy tears and sad, and about something other than your life -- then this is the show for you. In the process, you will be taken through nuanced, intimate, and compelling explorations of complex topics like classism, racism, sexism, and ableism that rarely feel heavy-handed.\u003c/p>\n\u003cp>\u003ci>Friday Night Lights \u003c/i>does make a notable exploration of mental illness in Season 1 with the character of Waverly Grady. The clever, independent, and opinionated daughter of a local reverend, Waverly is a love interest for one of the central characters and also happens to be bipolar. 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It’s about learning to live again, despite everything that's been lost.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Slings and Arrows\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you like your TV heavy on the Shakespearean themes...\u003c/i>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/I0uVGCYRP4I'\n title='//www.youtube.com/embed/I0uVGCYRP4I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ci>Slings and Arrows \u003c/i>proves that you don’t have to be a serious drama to explore mental illness well. This wacky, wonderful Canadian show about a struggling theater festival in fictional New Burbage follows the production of a different Shakespearean tragedy every season, using the play’s themes to shape the show’s behind-the-scenes action.\u003c/p>\n\u003cp>The first season uses \u003ci>Hamlet \u003c/i>for inspiration, exploring its central theme of madness through the emotional journey of protagonist Geoffrey Tennant. Seven years after suffering a nervous breakdown on stage while playing Hamlet, Geoffrey is back at the New Burbage Festival as creative director. With the help of his estranged mentor (who happens to be a ghost) and ex-fiance, Geoffrey attempts to get the festival back on track, without losing the semblance of sanity he’s managed to reclaim over the years.\u003c/p>\n\u003cp>In \u003ci>Slings and Arrows\u003c/i>, Geoffrey’s mental illness isn’t treated as unusual or as something he should be ashamed of. 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Unlike the former, it never seems to stray too far from the answer that life is wonderful, confusing madness, and it is worth every performance we make.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Friday Night Lights\u003c/b>\u003c/p>\n\u003cp>\u003ci>If you’re looking for cathartic comfort...\u003c/i>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AG37AylK1_s'\n title='//www.youtube.com/embed/AG37AylK1_s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you are one of the people who has dismissed \u003ci>Friday Night Lights \u003c/i>as a viable viewing option because it’s “just a show about high school football,” think again. This community-based drama is a critical, yet optimistic look at what it is to live in contemporary small town America and is akin in quality to the best “prestige” dramas of the last decade.\u003c/p>\n\u003cp>Set in the fictional Dillon, Texas, it uses the family of Coach Eric Taylor as its focal point, but it is an ensemble drama involving a diverse cast of characters. Though mental health is not a major theme in the series, watching this show is truly a cathartic experience. If you’re in the mood to cry -- happy tears and sad, and about something other than your life -- then this is the show for you. In the process, you will be taken through nuanced, intimate, and compelling explorations of complex topics like classism, racism, sexism, and ableism that rarely feel heavy-handed.\u003c/p>\n\u003cp>\u003ci>Friday Night Lights \u003c/i>does make a notable exploration of mental illness in Season 1 with the character of Waverly Grady. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s hard to name a groundbreaking TV show from the 1970s that wasn’t connected to writer and producer Norman Lear. “All in the Family,” “Good Times,” “The Jeffersons” and “Sanford and Son” were just a few of Lear’s trademark creations, shattering taboos with their edgy racial humor and willingness to \u003ca href=\"http://www.kqed.org/epArchive/R201410241000?pid=RD19\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://www.kqed.org/epArchive/R201410241000?pid=RD19\" target=\"_self\" title=\"'All in the Family' Producer Norman Lear: A Life of Pushing Boundaries\" rel=\"noopener\">Forum Arts\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Season 7 of ART21 is Here!",
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"content": "\u003cp>I just binge-watched the entire new season of \u003ci>ART21\u003c/i>. It was like a year’s worth of grad school lectures condensed into four hours, and for the most part, it was riveting. For artists or anyone who wants to understand contemporary art, this show is for you. Professional artists articulate the ideas intrinsic to their work, which can teach you how to ask questions of any artwork you encounter; you will see how a cross-section of international artists thinks. New seasons of \u003ci>ART21\u003c/i> are released every other year, like a biennial, and being featured on the show is like receiving a blue chip in the world of media and contemporary art. All artists are museum-level candidates for the history books.\u003c/p>\n\u003cfigure id=\"attachment_10144409\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art212.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art212.jpg\" alt=\"Still from ART21 season 7 trailer\" width=\"640\" height=\"360\" class=\"size-full wp-image-10144409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art212.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art212-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Still from \u003ci>ART21\u003c/i> season 7 trailer\u003c/figcaption>\u003c/figure>\n\u003cp>Each episode features three artists and is organized loosely around a theme that is purposely interpreted very broadly. “Investigation,” “Secrets,” “Legacy” and “Fiction” are this season’s focus. There are investigations of cultures and professions, military secrets, several mentions of influential families, and of course, fiction, something that art is almost always engaging with. \u003ci>ART21’s\u003c/i> signature production style often begins with “huh?” moments followed by a big reveal, however different methods are used to best match each artist’s practice. If a community (including studio assistants) is deeply involved in the work, their interviews are just as important as the artist’s. Sometimes photos tell the story, as with legendary photographer Graciela Iturbide, the artist behind \u003ci>Our Lady of Iguanas\u003c/i>, a memorable image of a woman wearing a crown of live iguanas for sale. Just like art, the artists’ words are left open to interpretation. It’s often up to you to decide what they’re really saying, and there are no interviews with critics or curators to speak for the artists or tell you what to think.\u003c/p>\n\u003cp>Some episodes will speak to you more than others, and that is totally on you. It’s not about whether you like the art, because your mind can be changed once you learn more about it. It’s more about your aesthetic taste, of course, but also your taste in ideas. \u003c/p>\n\u003cp>Trevor Paglen, a UC Berkeley grad now living in New York, is incredibly knowledgeable about so many things that it seems like his very large brain must have an external hard drive to hold all that information. He has an MFA and a PhD and knows everything about the universe, the military, history, geography, technology and the foundation of art. He talks about the perception of the night sky as a mirror of culture, and the same has been said about art. He and another artist in the series both reference drones, a noticeably contemporary concern. Paglen knows the history of government technologies, but also the emotion behind those developments, an illustration of the balance between his scientific and artistic practices. He is a badass. He takes pictures of secret military operations from a technically safe distance, but on the very edge of danger. KQED sponsored a lecture with him at SF State several years ago. After meeting him, I was convinced he would be offed for his investigations, though he has actually been embraced by the holders of government secrets.\u003c/p>\n\u003cp>Where else but \u003ci>ART21\u003c/i> could you find someone who lives in a glass house and spends months collecting pollen from a dandelion meadow to create sifted works so ephemeral they could be sneezed away? Art’s effect can be that of a strange dream land, and documentary video is the closest you’ll ever get to being behind the scenes because you can’t go visiting a bunch of famous artists. Wolfgang Laib is the pollen artist, and he also uses beeswax and milk, other timeless materials.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I was most excited to see Katharina Grosse create her huge, sculptural forms covered in piles of pure pigment. They are explosions of color. She says colors are like the voice of a singer, and her work has a very loud and lyrical impact. She calls herself a trickster, and though \u003ci>ART21\u003c/i> has an incredibly serious tone, the lighter sides of artists’ personalities are subtly revealed. I loved seeing Grosse in a tie-dyed sweatshirt reminiscent of her work. Even trivial details like this contribute to the story of a creator’s life and persona.\u003c/p>\n\u003cfigure id=\"attachment_10144410\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art213.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art213.jpg\" alt=\"Art by Thomas Hirschorn\" width=\"640\" height=\"360\" class=\"size-full wp-image-10144410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art213.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art213-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Art by Thomas Hirschorn\u003c/figcaption>\u003c/figure>\n\u003cp>Here is a long list of more things that grabbed me this season: Arlene Shechet’s desire to create structure from mush; Elliot Hudley reinterpreting his own thoughts, and his ideas about collage as an ancient and populist art form; Leonardo Drew discovering his voice when he saw a Pollock painting and abandoned his highly advanced drawing skills, which were actually getting in his way; Tania Burguera’s assertion that today’s art should happen outside of museums; Katharina Grosse’s statement that defining your work by medium (sculpture, painting, etc.) doesn’t make it any clearer; Graciela Iturbide’s resonant words, “A camera is a pretext for knowing the world;” Thomas Hirschorn’s mantra, “Energy yes, quality no.”\u003c/p>\n\u003cp>This season of \u003ci>ART21\u003c/i> was just as inspiring and educational as all the others. It’s important television. Only a true art nerd has made it this far into the article, and to you, I say thanks for reading, and consider your next four Friday nights booked. Catch \u003cem>Art21\u003c/em> 11pm on November 2, 9, 16 and 23 on KQED Life and November 12, 19, 26 and December 24 on KQED Plus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This article is dedicated to Susan Sollins, \u003ci>ART21\u003c/i> founder and executive director, who passed away earlier this month. She set the gold standard for arts media production in the PBS community, and her leadership will be missed by all of us who looked up to her. \u003ca href=\"http://www.art21.org/in-memoriam-susan-sollins\" target=\"_blank\" rel=\"noopener\">Read more about Susan Sollins\u003c/a> at art21.org.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I just binge-watched the entire new season of \u003ci>ART21\u003c/i>. It was like a year’s worth of grad school lectures condensed into four hours, and for the most part, it was riveting. For artists or anyone who wants to understand contemporary art, this show is for you. Professional artists articulate the ideas intrinsic to their work, which can teach you how to ask questions of any artwork you encounter; you will see how a cross-section of international artists thinks. New seasons of \u003ci>ART21\u003c/i> are released every other year, like a biennial, and being featured on the show is like receiving a blue chip in the world of media and contemporary art. All artists are museum-level candidates for the history books.\u003c/p>\n\u003cfigure id=\"attachment_10144409\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art212.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art212.jpg\" alt=\"Still from ART21 season 7 trailer\" width=\"640\" height=\"360\" class=\"size-full wp-image-10144409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art212.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art212-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Still from \u003ci>ART21\u003c/i> season 7 trailer\u003c/figcaption>\u003c/figure>\n\u003cp>Each episode features three artists and is organized loosely around a theme that is purposely interpreted very broadly. “Investigation,” “Secrets,” “Legacy” and “Fiction” are this season’s focus. There are investigations of cultures and professions, military secrets, several mentions of influential families, and of course, fiction, something that art is almost always engaging with. \u003ci>ART21’s\u003c/i> signature production style often begins with “huh?” moments followed by a big reveal, however different methods are used to best match each artist’s practice. If a community (including studio assistants) is deeply involved in the work, their interviews are just as important as the artist’s. Sometimes photos tell the story, as with legendary photographer Graciela Iturbide, the artist behind \u003ci>Our Lady of Iguanas\u003c/i>, a memorable image of a woman wearing a crown of live iguanas for sale. Just like art, the artists’ words are left open to interpretation. It’s often up to you to decide what they’re really saying, and there are no interviews with critics or curators to speak for the artists or tell you what to think.\u003c/p>\n\u003cp>Some episodes will speak to you more than others, and that is totally on you. It’s not about whether you like the art, because your mind can be changed once you learn more about it. It’s more about your aesthetic taste, of course, but also your taste in ideas. \u003c/p>\n\u003cp>Trevor Paglen, a UC Berkeley grad now living in New York, is incredibly knowledgeable about so many things that it seems like his very large brain must have an external hard drive to hold all that information. He has an MFA and a PhD and knows everything about the universe, the military, history, geography, technology and the foundation of art. He talks about the perception of the night sky as a mirror of culture, and the same has been said about art. He and another artist in the series both reference drones, a noticeably contemporary concern. Paglen knows the history of government technologies, but also the emotion behind those developments, an illustration of the balance between his scientific and artistic practices. He is a badass. He takes pictures of secret military operations from a technically safe distance, but on the very edge of danger. KQED sponsored a lecture with him at SF State several years ago. After meeting him, I was convinced he would be offed for his investigations, though he has actually been embraced by the holders of government secrets.\u003c/p>\n\u003cp>Where else but \u003ci>ART21\u003c/i> could you find someone who lives in a glass house and spends months collecting pollen from a dandelion meadow to create sifted works so ephemeral they could be sneezed away? Art’s effect can be that of a strange dream land, and documentary video is the closest you’ll ever get to being behind the scenes because you can’t go visiting a bunch of famous artists. Wolfgang Laib is the pollen artist, and he also uses beeswax and milk, other timeless materials.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I was most excited to see Katharina Grosse create her huge, sculptural forms covered in piles of pure pigment. They are explosions of color. She says colors are like the voice of a singer, and her work has a very loud and lyrical impact. She calls herself a trickster, and though \u003ci>ART21\u003c/i> has an incredibly serious tone, the lighter sides of artists’ personalities are subtly revealed. I loved seeing Grosse in a tie-dyed sweatshirt reminiscent of her work. Even trivial details like this contribute to the story of a creator’s life and persona.\u003c/p>\n\u003cfigure id=\"attachment_10144410\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art213.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/10/art213.jpg\" alt=\"Art by Thomas Hirschorn\" width=\"640\" height=\"360\" class=\"size-full wp-image-10144410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art213.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/10/art213-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Art by Thomas Hirschorn\u003c/figcaption>\u003c/figure>\n\u003cp>Here is a long list of more things that grabbed me this season: Arlene Shechet’s desire to create structure from mush; Elliot Hudley reinterpreting his own thoughts, and his ideas about collage as an ancient and populist art form; Leonardo Drew discovering his voice when he saw a Pollock painting and abandoned his highly advanced drawing skills, which were actually getting in his way; Tania Burguera’s assertion that today’s art should happen outside of museums; Katharina Grosse’s statement that defining your work by medium (sculpture, painting, etc.) doesn’t make it any clearer; Graciela Iturbide’s resonant words, “A camera is a pretext for knowing the world;” Thomas Hirschorn’s mantra, “Energy yes, quality no.”\u003c/p>\n\u003cp>This season of \u003ci>ART21\u003c/i> was just as inspiring and educational as all the others. It’s important television. Only a true art nerd has made it this far into the article, and to you, I say thanks for reading, and consider your next four Friday nights booked. Catch \u003cem>Art21\u003c/em> 11pm on November 2, 9, 16 and 23 on KQED Life and November 12, 19, 26 and December 24 on KQED Plus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This article is dedicated to Susan Sollins, \u003ci>ART21\u003c/i> founder and executive director, who passed away earlier this month. She set the gold standard for arts media production in the PBS community, and her leadership will be missed by all of us who looked up to her. \u003ca href=\"http://www.art21.org/in-memoriam-susan-sollins\" target=\"_blank\" rel=\"noopener\">Read more about Susan Sollins\u003c/a> at art21.org.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Top Chef Alumni in the Bay Area",
"title": "Top Chef Alumni in the Bay Area",
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"content": "\u003cp>\u003cstrong>By Kimra McPherson\u003c/strong> The Bay Area’s strong food scene has always been a great feeder for Bravo’s cooking competition show \u003cem>Top Chef\u003c/em>, and now a wave of contestants have returned to feed us. Three new projects from \u003cem>Top Chef\u003c/em> competitors have opened within the past two months, joining an existing crop of alumni-led restaurants on both sides of the Bay. The “\u003cem>Top Chef\u003c/em> veteran” tag can nab any project a bit of instant attention, but it also makes it easy to lose track of whether those chefs were actually any good on the show. Did they sail through Quickfire Challenges, narrowly escape elimination, or consistently draw the ire of Padma Lakshmi? Here’s how six of the Top Chefs currently cooking in the Bay Area fared in front of Bravo’s rolling cameras and where you can get a taste of what they're cooking up now:\u003c/p>\n\u003cfigure id=\"attachment_13909\" class=\"wp-caption alignright\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/casey-top-chef-xl.jpg\">\u003cimg class=\"wp-image-13909\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/casey-top-chef-xl.jpg\" alt=\"casey-top-chef-xl\" width=\"350\" height=\"350\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-75x75.jpg 75w\" sizes=\"(max-width: 350px) 100vw, 350px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Casey Thompson\u003c/strong> \u003cem>The Project: \u003c/em>Aveline, Union Square \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> None \u003cem>The Top Chef Result:\u003c/em> Runner-up, season 3 (Miami); Fan Favorite, season 3; eliminated in the 5\u003csup>th\u003c/sup> episode of Season 8 (All-Stars) \u003cem>Reality TV Stereotype:\u003c/em> The Hot One \u003cem>Best Known For:\u003c/em> Chopping onions really slowly during a Quickfire challenge relay in Miami; later butchering a lamb really quickly during All-Stars, possibly as redemption for the onion thing; “The Casey Curse,” in which her friends and cooking partners consistently lost challenges or got eliminated, while she moved on in the competition — including in Season 5, when she served as sous chef to eventual runner-up Carla Hall.\u003c/p>\n\u003cfigure id=\"attachment_13911\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jamie-lauren-top-chef.jpg\">\u003cimg class=\"wp-image-13911\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jamie-lauren-top-chef.jpg\" alt=\"jamie-lauren-top-chef\" width=\"300\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jamie Lauren\u003c/strong> \u003cem>The Project:\u003c/em> \u003ca href=\"http://www.hechoinsf.com/\">Hecho\u003c/a> to Upper Market \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Absinthe Brasserie & Bar \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 11\u003csup>th\u003c/sup> episode of season 5 (New York); eliminated in the 6\u003csup>th\u003c/sup> episode of Season 8 (All-Stars) \u003cem>Reality TV Stereotype:\u003c/em> The Foul-Mouthed One \u003cem>Best Known For:\u003c/em> Making scallops often enough that fellow contestant \u003ca href=\"http://youtu.be/UNNuWWtqgqs\">Fabio Viviani lamented, “It’s Top Chef, not Top Scallops!”\u003c/a>; being the longest-surviving member of LGBT gang “Team Rainbow”; being hopelessly crushed upon by Finnish contestant Stefan Richter.\u003c/p>\n\u003cfigure id=\"attachment_13907\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jen.jpg\">\u003cimg class=\"wp-image-13907\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jen.jpg\" alt=\"TOP CHEF -- Pictured: Jennifer Biesty -- Bravo Photo: Chuck Hodes\" width=\"300\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jen Biesty\u003c/strong> \u003cem>The Project:\u003c/em> Shakewell , Oakland (with \u003cem>Top Chef: Just Desserts\u003c/em>’ Tim Nugent) \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> COCO500 (later at The Sir Francis Drake/Scala’s Bistro) \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 7\u003csup>th\u003c/sup> episode of Season 4 (Chicago) \u003cem>Reality TV Stereotype:\u003c/em> The Sent-Home-Too-Soon One \u003cem>Best Known For:\u003c/em> Competing alongside/against her then-girlfriend, Zoi Antonitsas; being the last of four San Francisco-based chefs left standing in her season; rocking a sweet faux-hawk.\u003c/p>\n\u003cfigure id=\"attachment_13908\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts.jpg\">\u003cimg class=\"wp-image-13908\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts-400x531.jpg\" alt=\"yigit-pura-top-chef-just-desserts\" width=\"300\" height=\"399\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts-400x531.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts.jpg 770w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Yigit Pura\u003c/strong> \u003cem>The Project:\u003c/em> Tout Sweet Patisserie, Union Square \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Taste Catering \u003cem>The Top Chef Result:\u003c/em> Winner and Fan Favorite, Top Chef: Just Desserts Season 1 \u003cem>Reality TV Stereotype:\u003c/em> The Cute One \u003cem>Best Known For:\u003c/em> Not being \u003ca href=\"http://www.youtube.com/watch?v=sNYWJ67VPwY\">the \"red hots are for my mommy\" guy\u003c/a>; getting filmed shirtless a lot; once barely escaping elimination after a disastrous dessert tribute to Madonna.\u003c/p>\n\u003cfigure id=\"attachment_13912\" class=\"wp-caption alignright\" style=\"max-width: 291px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/52613-Ryans-Headshot-md.jpg\">\u003cimg class=\"wp-image-13912 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/52613-Ryans-Headshot-md.jpg\" alt=\"52613-Ryans-Headshot-md\" width=\"291\" height=\"384\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Ryan Scott\u003c/strong> \u003cem>The Project:\u003c/em> Market & Rye, Potrero Hill and West Portal \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Myth, Myth Café (later at Mission Beach Café and the pop-up Brunch Drunk Love) \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 6\u003csup>th\u003c/sup> episode of season 4 (Chicago) \u003cem>Reality TV Stereotype Fulfilled\u003c/em>: The Self-Proclaimed Metrosexual One \u003cem>Best Known For:\u003c/em> Making a multi-course meal including poached pears for a Chicago Bears tailgate challenge; generally seeming to not really know what a tailgate is.\u003c/p>\n\u003cfigure id=\"attachment_13913\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/preeti-mistry-top-chef.jpg\">\u003cimg class=\"wp-image-13913\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/preeti-mistry-top-chef-400x571.jpg\" alt=\"preeti-mistry-top-chef\" width=\"300\" height=\"429\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/preeti-mistry-top-chef-400x571.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/preeti-mistry-top-chef.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Preeti Mistry\u003c/strong> \u003cem>The Project:\u003c/em> Juhu Beach Club, Oakland \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Cooking at Google \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 3\u003csup>rd\u003c/sup> episode of Season 6 (Las Vegas) \u003cem>Reality TV Stereotype Fulfilled:\u003c/em> The Unknown One \u003cem>Best Known For:\u003c/em> Attempting to shuck clams for the first time ever during a relay race and finishing dead last; not much else, unfortunately.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Get a taste of what some Top Chef alumni are cooking up around the Bay.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Kimra McPherson\u003c/strong> The Bay Area’s strong food scene has always been a great feeder for Bravo’s cooking competition show \u003cem>Top Chef\u003c/em>, and now a wave of contestants have returned to feed us. Three new projects from \u003cem>Top Chef\u003c/em> competitors have opened within the past two months, joining an existing crop of alumni-led restaurants on both sides of the Bay. The “\u003cem>Top Chef\u003c/em> veteran” tag can nab any project a bit of instant attention, but it also makes it easy to lose track of whether those chefs were actually any good on the show. Did they sail through Quickfire Challenges, narrowly escape elimination, or consistently draw the ire of Padma Lakshmi? Here’s how six of the Top Chefs currently cooking in the Bay Area fared in front of Bravo’s rolling cameras and where you can get a taste of what they're cooking up now:\u003c/p>\n\u003cfigure id=\"attachment_13909\" class=\"wp-caption alignright\" style=\"max-width: 350px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/casey-top-chef-xl.jpg\">\u003cimg class=\"wp-image-13909\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/casey-top-chef-xl.jpg\" alt=\"casey-top-chef-xl\" width=\"350\" height=\"350\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/casey-top-chef-xl-75x75.jpg 75w\" sizes=\"(max-width: 350px) 100vw, 350px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Casey Thompson\u003c/strong> \u003cem>The Project: \u003c/em>Aveline, Union Square \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> None \u003cem>The Top Chef Result:\u003c/em> Runner-up, season 3 (Miami); Fan Favorite, season 3; eliminated in the 5\u003csup>th\u003c/sup> episode of Season 8 (All-Stars) \u003cem>Reality TV Stereotype:\u003c/em> The Hot One \u003cem>Best Known For:\u003c/em> Chopping onions really slowly during a Quickfire challenge relay in Miami; later butchering a lamb really quickly during All-Stars, possibly as redemption for the onion thing; “The Casey Curse,” in which her friends and cooking partners consistently lost challenges or got eliminated, while she moved on in the competition — including in Season 5, when she served as sous chef to eventual runner-up Carla Hall.\u003c/p>\n\u003cfigure id=\"attachment_13911\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jamie-lauren-top-chef.jpg\">\u003cimg class=\"wp-image-13911\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jamie-lauren-top-chef.jpg\" alt=\"jamie-lauren-top-chef\" width=\"300\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jamie Lauren\u003c/strong> \u003cem>The Project:\u003c/em> \u003ca href=\"http://www.hechoinsf.com/\">Hecho\u003c/a> to Upper Market \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Absinthe Brasserie & Bar \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 11\u003csup>th\u003c/sup> episode of season 5 (New York); eliminated in the 6\u003csup>th\u003c/sup> episode of Season 8 (All-Stars) \u003cem>Reality TV Stereotype:\u003c/em> The Foul-Mouthed One \u003cem>Best Known For:\u003c/em> Making scallops often enough that fellow contestant \u003ca href=\"http://youtu.be/UNNuWWtqgqs\">Fabio Viviani lamented, “It’s Top Chef, not Top Scallops!”\u003c/a>; being the longest-surviving member of LGBT gang “Team Rainbow”; being hopelessly crushed upon by Finnish contestant Stefan Richter.\u003c/p>\n\u003cfigure id=\"attachment_13907\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jen.jpg\">\u003cimg class=\"wp-image-13907\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/jen.jpg\" alt=\"TOP CHEF -- Pictured: Jennifer Biesty -- Bravo Photo: Chuck Hodes\" width=\"300\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jen Biesty\u003c/strong> \u003cem>The Project:\u003c/em> Shakewell , Oakland (with \u003cem>Top Chef: Just Desserts\u003c/em>’ Tim Nugent) \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> COCO500 (later at The Sir Francis Drake/Scala’s Bistro) \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 7\u003csup>th\u003c/sup> episode of Season 4 (Chicago) \u003cem>Reality TV Stereotype:\u003c/em> The Sent-Home-Too-Soon One \u003cem>Best Known For:\u003c/em> Competing alongside/against her then-girlfriend, Zoi Antonitsas; being the last of four San Francisco-based chefs left standing in her season; rocking a sweet faux-hawk.\u003c/p>\n\u003cfigure id=\"attachment_13908\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts.jpg\">\u003cimg class=\"wp-image-13908\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts-400x531.jpg\" alt=\"yigit-pura-top-chef-just-desserts\" width=\"300\" height=\"399\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts-400x531.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/yigit-pura-top-chef-just-desserts.jpg 770w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Yigit Pura\u003c/strong> \u003cem>The Project:\u003c/em> Tout Sweet Patisserie, Union Square \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Taste Catering \u003cem>The Top Chef Result:\u003c/em> Winner and Fan Favorite, Top Chef: Just Desserts Season 1 \u003cem>Reality TV Stereotype:\u003c/em> The Cute One \u003cem>Best Known For:\u003c/em> Not being \u003ca href=\"http://www.youtube.com/watch?v=sNYWJ67VPwY\">the \"red hots are for my mommy\" guy\u003c/a>; getting filmed shirtless a lot; once barely escaping elimination after a disastrous dessert tribute to Madonna.\u003c/p>\n\u003cfigure id=\"attachment_13912\" class=\"wp-caption alignright\" style=\"max-width: 291px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/52613-Ryans-Headshot-md.jpg\">\u003cimg class=\"wp-image-13912 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/52613-Ryans-Headshot-md.jpg\" alt=\"52613-Ryans-Headshot-md\" width=\"291\" height=\"384\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Ryan Scott\u003c/strong> \u003cem>The Project:\u003c/em> Market & Rye, Potrero Hill and West Portal \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Myth, Myth Café (later at Mission Beach Café and the pop-up Brunch Drunk Love) \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 6\u003csup>th\u003c/sup> episode of season 4 (Chicago) \u003cem>Reality TV Stereotype Fulfilled\u003c/em>: The Self-Proclaimed Metrosexual One \u003cem>Best Known For:\u003c/em> Making a multi-course meal including poached pears for a Chicago Bears tailgate challenge; generally seeming to not really know what a tailgate is.\u003c/p>\n\u003cfigure id=\"attachment_13913\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/preeti-mistry-top-chef.jpg\">\u003cimg class=\"wp-image-13913\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/preeti-mistry-top-chef-400x571.jpg\" alt=\"preeti-mistry-top-chef\" width=\"300\" height=\"429\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/preeti-mistry-top-chef-400x571.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/preeti-mistry-top-chef.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Bravo\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Preeti Mistry\u003c/strong> \u003cem>The Project:\u003c/em> Juhu Beach Club, Oakland \u003cem>Pre-Top Chef Bay Area Gig:\u003c/em> Cooking at Google \u003cem>The Top Chef Result:\u003c/em> Eliminated in the 3\u003csup>rd\u003c/sup> episode of Season 6 (Las Vegas) \u003cem>Reality TV Stereotype Fulfilled:\u003c/em> The Unknown One \u003cem>Best Known For:\u003c/em> Attempting to shuck clams for the first time ever during a relay race and finishing dead last; not much else, unfortunately.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "HBO Without Cable, Coming In 2015",
"headTitle": "HBO Without Cable, Coming In 2015 | KQED",
"content": "\u003cp>HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you’ve needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn’t. (Although it should be noted: Wide sharing of HBO GO logins with friends and family who don’t have HBO \u003ca href=\"http://www.nytimes.com/2013/04/07/business/streaming-sites-and-the-rise-of-shared-accounts.html?pagewanted=all\" target=\"_blank\" rel=\"noopener\">has been an open secret\u003c/a> that the network hasn’t appeared to care about, particularly.)\u003c/p>\n\u003cp>But today, HBO Chairman and CEO Richard Plepler announced the news that fans of the network’s programming but not of cable packages have been waiting to hear: Beginning in 2015, HBO will offer a streaming service to cord-cutters and other nonsubscribers on an a la carte basis. It should be noted that the announcement HBO released to the media does not\u003cem> \u003c/em>explicitly say the service will be HBO GO (or that it won’t), only that it will be “a stand-alone, over-the-top, HBO service.” And, of course, it doesn’t say how much the service will cost. It doesn’t even say it will carry every HBO show, let alone what archival material will be available — HBO GO has a \u003cem>lot\u003c/em>. Those who are currently jumping up and down and declaring their independence from their cable provider may or may not be as happy when more details emerge.\u003c/p>\n\u003cp>The move, though, would seem to be a big one, given that requiring a cable subscription is standard on many services besides HBO that provide streaming access to cable programming (without requiring episode-by-episode purchase through services like iTunes or Amazon). The announcement says HBO will “work with our current partners” and “explore models with new partners,” but it seems inevitable that an arrangement like this will unsettle cable providers who have been able to use legitimate access to premium networks like HBO as one of the remaining barriers against cord-cutting, the practice of declining to have a cable subscription in favor of watching online. (Others remain, including live sports broadcasts on cable.)\u003c/p>\n\u003cp>Many observers have expected an eventual full or partial decoupling of premium programming — and perhaps all programming — from the cable television subscription model beyond what has already happened (remember, Emmy nominations are now going to shows like Netflix’s \u003cem>Orange Is the New Black \u003c/em>and \u003cem>House of Cards\u003c/em>, which are television shows that never aired on either broadcast or cable television). How large a step in that direction the HBO service will represent remains to be seen, but some version of a service people have been demanding for a very long time is in the near, and increasingly complex, future. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2014 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=HBO+Without+Cable%2C+Coming+In+2015&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you’ve needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn’t. (Although it should be noted: Wide sharing of HBO GO logins with friends and family who don’t have HBO \u003ca href=\"http://www.nytimes.com/2013/04/07/business/streaming-sites-and-the-rise-of-shared-accounts.html?pagewanted=all\" target=\"_blank\" rel=\"noopener\">has been an open secret\u003c/a> that the network hasn’t appeared to care about, particularly.)\u003c/p>\n\u003cp>But today, HBO Chairman and CEO Richard Plepler announced the news that fans of the network’s programming but not of cable packages have been waiting to hear: Beginning in 2015, HBO will offer a streaming service to cord-cutters and other nonsubscribers on an a la carte basis. It should be noted that the announcement HBO released to the media does not\u003cem> \u003c/em>explicitly say the service will be HBO GO (or that it won’t), only that it will be “a stand-alone, over-the-top, HBO service.” And, of course, it doesn’t say how much the service will cost. It doesn’t even say it will carry every HBO show, let alone what archival material will be available — HBO GO has a \u003cem>lot\u003c/em>. Those who are currently jumping up and down and declaring their independence from their cable provider may or may not be as happy when more details emerge.\u003c/p>\n\u003cp>The move, though, would seem to be a big one, given that requiring a cable subscription is standard on many services besides HBO that provide streaming access to cable programming (without requiring episode-by-episode purchase through services like iTunes or Amazon). The announcement says HBO will “work with our current partners” and “explore models with new partners,” but it seems inevitable that an arrangement like this will unsettle cable providers who have been able to use legitimate access to premium networks like HBO as one of the remaining barriers against cord-cutting, the practice of declining to have a cable subscription in favor of watching online. (Others remain, including live sports broadcasts on cable.)\u003c/p>\n\u003cp>Many observers have expected an eventual full or partial decoupling of premium programming — and perhaps all programming — from the cable television subscription model beyond what has already happened (remember, Emmy nominations are now going to shows like Netflix’s \u003cem>Orange Is the New Black \u003c/em>and \u003cem>House of Cards\u003c/em>, which are television shows that never aired on either broadcast or cable television). How large a step in that direction the HBO service will represent remains to be seen, but some version of a service people have been demanding for a very long time is in the near, and increasingly complex, future. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2014 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=HBO+Without+Cable%2C+Coming+In+2015&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Girlfriend Intervention\u003c/em> is a new makeover show airing on Lifetime, and it’s been the source of some controversy since it started airing this summer. \u003ca href=\"http://flavorwire.com/476271/lifetimes-girlfriend-intervention-is-a-racist-mess\">Flavorwire called \u003cem>Girlfriend Intervention\u003c/em>\u003c/a> “a racist mess” and “\u003ca href=\"http://en.wikipedia.org/wiki/Queer_Eye\">\u003cem>Queer Eye\u003c/em>\u003c/a> but with black women.\" The four hosts of \u003cem>Girlfriend\u003c/em> \u003cem>Intervention\u003c/em> are Tracy, Nikki, Tiffiny, and Tanisha, who specialize in beauty, home, style and fashion, and soul. They play up archetypal (bordering on stereotypical) versions of the “sassy black girlfriend” often seen in romantic comedies or television series that feature a white female lead.\u003c/p>\n\u003cp>The experts generalize along racial and cultural lines when they speak directly to the camera (“My white girlfriends, if they’re anything other than a size 2, they are nervous and scared… As a black woman, we definitely embrace our size for what it is”), but that was also true of \u003cem>Queer Eye\u003c/em>. On the one hand, it’s nice to see a show with a multitude of African-American women in lead roles. It happens on occasion (see: the excellent \u003ca href=\"http://en.wikipedia.org/wiki/Girlfriends\">\u003cem>Girlfriends\u003c/em>\u003c/a>\u003cem>; \u003c/em>the, err, very popular \u003ca href=\"http://www.bravotv.com/the-real-housewives-of-atlanta\">\u003cem>The Real Housewives of Atlanta\u003c/em>\u003c/a>), but not often enough.\u003c/p>\n\u003cp>Archetypes that border on stereotypes aren’t \u003cem>Girlfriend Intervention\u003c/em>’s biggest problem. It’s the fact that, as a makeover show, it’s pushing a brand instead of treating participants like individuals.\u003c/p>\n\u003cp>TLC’s \u003ca href=\"http://www.tlc.com/tv-shows/what-not-to-wear\">\u003cem>What Not To Wear\u003c/em>\u003c/a>\u003cem>, \u003c/em>hosted by \u003ca href=\"https://twitter.com/stacylondon\">Stacy London\u003c/a> and \u003ca href=\"https://twitter.com/clinton_kelly\">Clinton Kelly\u003c/a> presented \u003ca href=\"http://www.upi.com/Entertainment_News/TV/2013/09/02/What-Not-to-Wear-stars-list-10-rules-to-dress-by/UPI-79831378132106/\">very specific fashion rules\u003c/a>, and then applied them to individuals. \u003cem>Girlfriend Intervention\u003c/em> and \u003cem>Queer Eye\u003c/em> have a brand, look, and show philosophy, and they fit individuals into that branding. \u003cem>WNTW, \u003c/em>which aired from 2003-2013, has passed on to the great reality TV playground in the sky, but I still think about it all the time. And that’s mostly because of the great shift that took place when the show switched up its hairdressers in the seventh season. Originally, \u003cem>WNTW’s \u003c/em>hairdresser was \u003ca href=\"http://www.examiner.com/article/what-happened-to-nick-arrojo\">Nick Arrojo\u003c/a>, a kind of sarcastic, resting-\u003cem>meh\u003c/em>-face dude who gave the same, pixie/mom haircut to any and all of the show’s contributors that sat in his chair. And then came \u003ca href=\"https://twitter.com/tedgibson\">Ted Gibson\u003c/a>.\u003c/p>\n\u003cp>http://youtu.be/d-5-GU9aPm8?t=50s\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“How was your week?” Ted would so often begin. And then, in the face of frightened contributors who are way out of their comfort zone, “That’s a \u003cem>really\u003c/em> heavy sigh. What’s up with that?” Ted talked to them about what they wanted and what they were scared of, not just with regard to their week in New York choosing a new wardrobe, but in their real lives back home. “How long have you had your hair like this?” might seem like it’s about, you know, \u003cem>how long have you had your hair like this?\u003c/em>, but with Ted kneeling down and looking just past the contributor’s shoulder, both of them talking into the mirror, it winds up being about the contributor’s life, her self-esteem, her sense of self worth.\u003c/p>\n\u003cp>\u003cem>What Not To Wear\u003c/em> did not live up to its title, which implies judgment and critique and correction. \u003cem>What Not To Wear\u003c/em> asked questions, listened, and searched for a contributor’s truth. Okay, that’s a little touchy-feely, but it still captures the overall feeling of \u003cem>WNTW.\u003c/em> Just the fact that participants on the show were called “contributors” is worth noting. They were there to \u003cem>add something\u003c/em> to the show.\u003c/p>\n\u003cp>Compare that point of view to \u003cem>Girlfriend Intervention’s\u003c/em> intro, which explains that, “Trapped inside of every white girl is a strong black woman waiting to bust out. Every week, we take a BW -- a basic woman -- and turn her from a red-hot mess into a bootylicious babe.”\u003c/p>\n\u003cp>http://youtu.be/nD0c2GQWBdY\u003c/p>\n\u003cp>In \u003cem>Girlfriend Intervention’s\u003c/em> fourth episode, beauty pro Tracy Balan stands in front of the mirror with participant Cortney. Tracy is kind; she’s stern, but caring. She asks Cortney questions to get to the heart of why Cortney feels the way she does. But then, Tracy says, “\u003cem>I’m\u003c/em> going to take over. Welcome to beauty bootcamp.” It’s about fitting Cortney into a mold, instead of teaching Cortney how to find her own beauty.\u003c/p>\n\u003cp>http://youtu.be/gULZZ4ZZ8a4\u003c/p>\n\u003cp>In another episode, the girlfriends tell Sam, a newlywed who loves fantasy role-playing, that they are “going to take you away from the dungeon and the dragons and stuff like that, and help you get comfortable, help you feel good in your own skin.”\u003c/p>\n\u003cp>Look, Stacy and Clinton would make jokes at their contributors’ expense. One of that show’s recurring bits involved literally throwing a contributor’s old wardrobe into a garbage can. But one of the show’s fashion rules was that, “You can show off your personality without looking crazy.” They would have tried to teach Sam that she could love what she loved \u003cem>without\u003c/em> dressing like a teenager.\u003c/p>\n\u003cp>\u003cem>Girlfriend Intervention’s\u003c/em> Tracy, Nikki, Tiffiny, and Tanisha offer a one-size-fits-all approach that is the equivalent of passing someone on the street and telling them to “smile more.” Stacy and Clinton might make fun of your mom jeans (okay, they will definitely make fun of your mom jeans), but then they’ll pour you a cocktail, take you out to dinner, and ask you about your childhood.\u003c/p>\n\u003cp>Stacy and Clinton (along with makeup artist Carmindy and angel-among-men Ted) guided the makeover process, but they didn’t control it. That was down to the contributor, and that’s why their where-are-they-now updates were full of hugs, tears, and continued style success stories. These are results I think we can all get behind.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13755\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/giphy.gif\" alt=\"giphy\" width=\"500\" height=\"296\">\u003c/p>\n\u003cp>Also? It’s the only makeover show that featured a \u003cem>Law & Order\u003c/em> parody.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://youtu.be/m3WfKSjnXQI\u003c/p>\n\n",
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"excerpt": "What Not To Wear might sound like a mean-spirited makeover show, but it was actually anything but. We unfortunately can't say the same for new makeover shows like Girlfriend Intervention.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Girlfriend Intervention\u003c/em> is a new makeover show airing on Lifetime, and it’s been the source of some controversy since it started airing this summer. \u003ca href=\"http://flavorwire.com/476271/lifetimes-girlfriend-intervention-is-a-racist-mess\">Flavorwire called \u003cem>Girlfriend Intervention\u003c/em>\u003c/a> “a racist mess” and “\u003ca href=\"http://en.wikipedia.org/wiki/Queer_Eye\">\u003cem>Queer Eye\u003c/em>\u003c/a> but with black women.\" The four hosts of \u003cem>Girlfriend\u003c/em> \u003cem>Intervention\u003c/em> are Tracy, Nikki, Tiffiny, and Tanisha, who specialize in beauty, home, style and fashion, and soul. They play up archetypal (bordering on stereotypical) versions of the “sassy black girlfriend” often seen in romantic comedies or television series that feature a white female lead.\u003c/p>\n\u003cp>The experts generalize along racial and cultural lines when they speak directly to the camera (“My white girlfriends, if they’re anything other than a size 2, they are nervous and scared… As a black woman, we definitely embrace our size for what it is”), but that was also true of \u003cem>Queer Eye\u003c/em>. On the one hand, it’s nice to see a show with a multitude of African-American women in lead roles. It happens on occasion (see: the excellent \u003ca href=\"http://en.wikipedia.org/wiki/Girlfriends\">\u003cem>Girlfriends\u003c/em>\u003c/a>\u003cem>; \u003c/em>the, err, very popular \u003ca href=\"http://www.bravotv.com/the-real-housewives-of-atlanta\">\u003cem>The Real Housewives of Atlanta\u003c/em>\u003c/a>), but not often enough.\u003c/p>\n\u003cp>Archetypes that border on stereotypes aren’t \u003cem>Girlfriend Intervention\u003c/em>’s biggest problem. It’s the fact that, as a makeover show, it’s pushing a brand instead of treating participants like individuals.\u003c/p>\n\u003cp>TLC’s \u003ca href=\"http://www.tlc.com/tv-shows/what-not-to-wear\">\u003cem>What Not To Wear\u003c/em>\u003c/a>\u003cem>, \u003c/em>hosted by \u003ca href=\"https://twitter.com/stacylondon\">Stacy London\u003c/a> and \u003ca href=\"https://twitter.com/clinton_kelly\">Clinton Kelly\u003c/a> presented \u003ca href=\"http://www.upi.com/Entertainment_News/TV/2013/09/02/What-Not-to-Wear-stars-list-10-rules-to-dress-by/UPI-79831378132106/\">very specific fashion rules\u003c/a>, and then applied them to individuals. \u003cem>Girlfriend Intervention\u003c/em> and \u003cem>Queer Eye\u003c/em> have a brand, look, and show philosophy, and they fit individuals into that branding. \u003cem>WNTW, \u003c/em>which aired from 2003-2013, has passed on to the great reality TV playground in the sky, but I still think about it all the time. And that’s mostly because of the great shift that took place when the show switched up its hairdressers in the seventh season. Originally, \u003cem>WNTW’s \u003c/em>hairdresser was \u003ca href=\"http://www.examiner.com/article/what-happened-to-nick-arrojo\">Nick Arrojo\u003c/a>, a kind of sarcastic, resting-\u003cem>meh\u003c/em>-face dude who gave the same, pixie/mom haircut to any and all of the show’s contributors that sat in his chair. And then came \u003ca href=\"https://twitter.com/tedgibson\">Ted Gibson\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/d-5-GU9aPm8'\n title='//www.youtube.com/embed/d-5-GU9aPm8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“How was your week?” Ted would so often begin. And then, in the face of frightened contributors who are way out of their comfort zone, “That’s a \u003cem>really\u003c/em> heavy sigh. What’s up with that?” Ted talked to them about what they wanted and what they were scared of, not just with regard to their week in New York choosing a new wardrobe, but in their real lives back home. “How long have you had your hair like this?” might seem like it’s about, you know, \u003cem>how long have you had your hair like this?\u003c/em>, but with Ted kneeling down and looking just past the contributor’s shoulder, both of them talking into the mirror, it winds up being about the contributor’s life, her self-esteem, her sense of self worth.\u003c/p>\n\u003cp>\u003cem>What Not To Wear\u003c/em> did not live up to its title, which implies judgment and critique and correction. \u003cem>What Not To Wear\u003c/em> asked questions, listened, and searched for a contributor’s truth. Okay, that’s a little touchy-feely, but it still captures the overall feeling of \u003cem>WNTW.\u003c/em> Just the fact that participants on the show were called “contributors” is worth noting. They were there to \u003cem>add something\u003c/em> to the show.\u003c/p>\n\u003cp>Compare that point of view to \u003cem>Girlfriend Intervention’s\u003c/em> intro, which explains that, “Trapped inside of every white girl is a strong black woman waiting to bust out. Every week, we take a BW -- a basic woman -- and turn her from a red-hot mess into a bootylicious babe.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nD0c2GQWBdY'\n title='//www.youtube.com/embed/nD0c2GQWBdY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In \u003cem>Girlfriend Intervention’s\u003c/em> fourth episode, beauty pro Tracy Balan stands in front of the mirror with participant Cortney. Tracy is kind; she’s stern, but caring. She asks Cortney questions to get to the heart of why Cortney feels the way she does. But then, Tracy says, “\u003cem>I’m\u003c/em> going to take over. Welcome to beauty bootcamp.” It’s about fitting Cortney into a mold, instead of teaching Cortney how to find her own beauty.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gULZZ4ZZ8a4'\n title='//www.youtube.com/embed/gULZZ4ZZ8a4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In another episode, the girlfriends tell Sam, a newlywed who loves fantasy role-playing, that they are “going to take you away from the dungeon and the dragons and stuff like that, and help you get comfortable, help you feel good in your own skin.”\u003c/p>\n\u003cp>Look, Stacy and Clinton would make jokes at their contributors’ expense. One of that show’s recurring bits involved literally throwing a contributor’s old wardrobe into a garbage can. But one of the show’s fashion rules was that, “You can show off your personality without looking crazy.” They would have tried to teach Sam that she could love what she loved \u003cem>without\u003c/em> dressing like a teenager.\u003c/p>\n\u003cp>\u003cem>Girlfriend Intervention’s\u003c/em> Tracy, Nikki, Tiffiny, and Tanisha offer a one-size-fits-all approach that is the equivalent of passing someone on the street and telling them to “smile more.” Stacy and Clinton might make fun of your mom jeans (okay, they will definitely make fun of your mom jeans), but then they’ll pour you a cocktail, take you out to dinner, and ask you about your childhood.\u003c/p>\n\u003cp>Stacy and Clinton (along with makeup artist Carmindy and angel-among-men Ted) guided the makeover process, but they didn’t control it. That was down to the contributor, and that’s why their where-are-they-now updates were full of hugs, tears, and continued style success stories. These are results I think we can all get behind.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13755\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/giphy.gif\" alt=\"giphy\" width=\"500\" height=\"296\">\u003c/p>\n\u003cp>Also? It’s the only makeover show that featured a \u003cem>Law & Order\u003c/em> parody.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m3WfKSjnXQI'\n title='//www.youtube.com/embed/m3WfKSjnXQI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Gilmore Girls On Netflix: 10 Best Episodes to Binge Watch",
"title": "Gilmore Girls On Netflix: 10 Best Episodes to Binge Watch",
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"content": "\u003cfigure id=\"attachment_13671\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13671\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/gilmore-girls.jpg\" alt=\"Photo: The CW\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/gilmore-girls.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/gilmore-girls-360x202.jpg 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/gilmore-girls-300x168.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: The CW\u003c/figcaption>\u003c/figure>\n\u003cp>When news broke that all seven seasons of\u003cem> Gilmore Girls\u003c/em> were coming to Netflix, the internet freaked. The cult TV show, which was not sufficiently appreciated in its time (only one Emmy nomination...\u003ca href=\"https://www.nerdist.com/wp-content/uploads/2014/05/eye-roll-gif-1.gif\">for makeup\u003c/a>), started trending on social media, inspiring people to \u003ca href=\"http://www.buzzfeed.com/kristinharris/the-best-twitter-reactions-to-gilmore-girls-coming-to-netfli#2wu6ooz\">tweet warnings\u003c/a> that they were likely to drop out of college, break up with their boyfriends, or quit their jobs in order to relive all the autumn-tinted memories.\u003c/p>\n\u003cp>Sounds like hyperbole, but this withdrawal from society to live in fictional Stars Hollow is real. As the owner of all the DVDs, I can't count the number of times I have flaked on someone in order to stay indoors with Lorelai and Rory (not to mention the times I visited the set and made a shrinky dink of Lauren Graham's and Alexis Bledel's faces). Some might say it's just a show, but \u003ca href=\"https://38.media.tumblr.com/ab20719c2daa34941fe6e2e9064b67e3/tumblr_nbv4xmJaP41rbc9h1o1_500.gif\">it's a lifestyle\u003c/a>. And now this way of life is about to open up to those who missed it the first time around. Hi, newbies! I suggest starting at the beginning and blazing right through (yes, even through the last two seasons, even though they are terrible). As for all my Luke's Diner regulars, here are the episodes most worthy of an immediate rewatch!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>10. You Jump, I Jump, Jack (Season 5, Episode 7)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13724\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_mvt5w3Vcok1skqxv0o3_500.gif\" alt=\"rory gilmore jump\" width=\"500\" height=\"214\"> \u003c/p>\n\u003cp>This episode is so epic that even Logan can't ruin it. Rory gets the chance to follow in her idol Christiane Amanpour's footsteps and crack the story of Yale's secret society, The Life and Death Brigade (based on Yale's real-life society Skull and Bones, of which both George W. Bush and John Kerry were a part). A blindfolded journey to the woods leads to a lavish tent village where boys with trust funds speak a language without the letter e. Logan gives Rory pretty things and convinces her to jump from scaffolding in a gown while holding an umbrella and shouting In Omnia Paratus! (a Latin slogan meaning \"ready for anything\" that's gone on to inspire \u003ca href=\"http://media-cache-ak0.pinimg.com/236x/63/a4/e1/63a4e1bd92dc3e3ef5a7c2a019c98d0d.jpg\">\u003cem>Gilmore Girls\u003c/em>-themed tattoos\u003c/a>). This is one of the few times Logan does something good so it's worth celebrating. Meanwhile, back at home, Emily insists on hanging out with Luke so that she can passive aggressively tear him to shreds for being poor and liking beer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>9. Take the Deviled Eggs (Season 3, Episode 6)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13680\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/tumblr_n9tclvue771qarqnoo2_500.gif\" alt=\"tumblr_n9tclvue771qarqnoo2_500\" width=\"500\" height=\"286\"> \u003cimg class=\"aligncenter size-full wp-image-13681\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/tumblr_n9tclvue771qarqnoo1_500.gif\" alt=\"tumblr_n9tclvue771qarqnoo1_500\" width=\"500\" height=\"286\"> \u003cimg class=\"aligncenter size-full wp-image-13679\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/tumblr_n9tclvue771qarqnoo3_500.gif\" alt=\"tumblr_n9tclvue771qarqnoo3_500\" width=\"500\" height=\"286\"> \u003c/p>\n\u003cp>Baby showers are terrible. This is common wisdom. What's even more terrible is having to go to one in honor of your ex's girlfriend, whose pregnancy is the reason you can't be together. This, combined with party games that involve sniffing diapers, sends Lorelai over the edge and inspires her to trash the bathroom. So punk rock. Rory gets in on the troublemaking later when she throws deviled eggs at Jess' new car. No one temper tantrums like a Gilmore.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>8. A-Tisket, A-Tasket (Season 2, Episode 13)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13725\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n24r6tBFZY1rohg16o6_250.gif\" alt=\"tumblr_n24r6tBFZY1rohg16o6_250\" width=\"245\" height=\"165\"> \u003c/p>\n\u003cp>So much drama over picnic baskets! Stars Hollow holds a charity picnic basket lunch auction, in which women put together cute lunches for men. Obvious gender role issues aside, this episode is great television because all the relationships on the show are shaken up. Dean doesn't bring enough money (loser) for Rory's basket and is outbid by resident bad boy, Jess (teen-girls-bawling-at-Beatles-concert.gif). Town busybody Miss Patty tries to pimp out Lorelai or turn her into a polygamist by sending three different men to bid on her basket. And Jackson passive aggressively refuses to bid on Sookie's basket because she doesn't want to move in with him and later bullies her into accepting a marriage proposal. Consider this episode a lesson in why women shouldn't be auctioned off and how you shouldn't act in relationships (except for the Jess thing; always ditch your boyfriend to hang out with him).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>7. Like Mother, Like Daughter (Season 2, Episode 7)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13727\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m5rspuHazO1qbx5ago3_250.gif\" alt=\"tumblr_m5rspuHazO1qbx5ago3_250\" width=\"245\" height=\"200\">\u003c/p>\n\u003cp>Some people misunderstand reading a book at lunch as a cry for help. In this case, those people are the headmaster and guidance counselor at Chilton, Rory's prep school. They tell her she's a \"loner freak\" and force her to eat lunch with boring girls who talk about homecoming and are part of a secret club (lots of secret clubs on this show). Lorelai is also scolded for not participating enough at Chilton and is forced to join the booster club. Both of these experiments in becoming more extroverted end spectacularly: Rory ends up being kidnapped in dessert-covered PJs and yelling in the headmaster's face, while Lorelai ends up wearing matching outfits with her mother in a fashion show. \u003cem>You're in, you may leave the runway\u003c/em> (*Heidi Klum voice*).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>6. The Big One (Season 3, Episode 16)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13728\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m4fq8dw6OH1qcaz8oo1_500.gif\" alt=\"tumblr_m4fq8dw6OH1qcaz8oo1_500\" width=\"500\" height=\"252\">\u003c/p>\n\u003cp>So much of the first half of the series is about Rory's Ivy League ambitions. Lorelai makes a painful deal with her estranged parents to get Rory into a good school that will look good on her college applications, Rory builds a house with a bejeweled hammer to diversify her extracurriculars, they break into some random girl's dorm room, etc. Everything leads down the path to Harvard, and this is the episode where she finds out if she gets in or not! Antsy waiting by the mailbox eventually gives way to the real reason this episode is a classic: a televised meltdown, during which Paris Gellar tells everyone watching CSPAN (like 12 people) that she lost her virginity and explains how sex will ruin your entire life. Preach it, girl.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>5. The Festival of Living Art (Season 4, Episode 7)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13729\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m8nz08deoo1r1awdko3_r1_500.gif\" alt=\"tumblr_m8nz08deoo1r1awdko3_r1_500\" width=\"479\" height=\"361\">\u003c/p>\n\u003cp>Another quirky town event episode! This time, Stars Hollow gets together to pose as famous works of art. Lorelai wants to reclaim her role as Renoir girl in \"Dance at Bougival,\" but has still not been forgiven by the town for flinching the last time around. Meanwhile, Kirk, easily the strangest resident of the series, goes total Daniel-Day Lewis and stays in character as Jesus Christ the whole episode. Will Lorelai be able to resist the flinch, even when her Sookie-is-going-into-labor beeper goes off? Will Kirk stone the dude playing Judas to death?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>4. The Deer Hunters (Season 1, Episode 5)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13730\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m99wsqGXwe1reveudo2_500.gif\" alt=\"tumblr_m99wsqGXwe1reveudo2_500\" width=\"500\" height=\"300\"> \u003c/p>\n\u003cp>In public school, Rory was considered a genius, but when she gets to Chilton, all bets are off when she gets a D! (Et tu, Max Medina?!) The Gilmores proceed to panic and memorize the dates random Shakespeare plays were published, but all for nothing, as Rory oversleeps. On her mad dash to school, she gets hit by a deer. The episode could end right there, but goes on to feature Rory and Lorelai letting an assortment of stuck up white people have it!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>3. One's Got Class and the Other One Dyes (Season 3, Episode 4)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13726\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m8lqjn0nW61r9lwzvo1_400.gif\" alt=\"tumblr_m8lqjn0nW61r9lwzvo1_400\" width=\"400\" height=\"286\"> \u003c/p>\n\u003cp>Lane's strict mother doesn't let her date, listen to music that isn't about Jesus, apply to non-religious colleges, go to school dances or Bangles concerts. Finally, one day (this day!), Lane snaps and decides that she no longer has any you-know-whats to give and buys some purple hair dye. Take that, Mrs. Kim! This rebellion is short-lived because fear of immigrant parents runs deep, as does the pain that comes with bleaching dark hair (see: Lane's manic sprint through the town square with a burning scalp). Meanwhile, Lorelai is asked to give a speech about being a bad ass entrepreneur and is swiftly slut shamed by all the moms. Never a dull moment in Stars Hollow.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>2. A Deep-Fried Korean Thanksgiving (Season 3, Episode 9)\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/BO32H9o-DQ4 \u003c/p>\n\u003cp>Thanksgiving is easily everyone's second favorite holiday and, to honor that, this episode sees Lorelai and Rory attending four Thanksgiving dinners. The girls party with tofu-loving Korean Seventh Day Adventists, uptight WASPs, deep-fried rednecks, and a pair of cute boys. Every episode of the show seems like it takes place the week before or after Thanksgiving, with all its warm golden light, fallen leaves, and cozy sweaters, so it makes sense that they would know how to do it right. Also in this episode: Kirk is attacked by his cat, also named Kirk, while completely nude, Lane finally gets to first base, and \u003ca href=\"http://www.imdb.com/name/nm0030100/\">Jennifer Aniston's dad\u003c/a> shows up.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>1. They Shoot Gilmores, Don't They? (Season 3, Episode 7)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13733\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo1_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo1_250\" width=\"245\" height=\"135\"> \u003cimg class=\"aligncenter size-full wp-image-13734\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo3_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo3_250\" width=\"245\" height=\"135\">\u003cimg class=\"aligncenter size-full wp-image-13732\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo5_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo5_250\" width=\"245\" height=\"135\"> \u003cimg class=\"aligncenter size-full wp-image-13731\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo7_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo7_250\" width=\"245\" height=\"135\">\u003c/p>\n\u003cp>It doesn't get better than this. Inspired by Jane Fonda's \u003cem>They Shoot Horses, Don't They\u003c/em>, the town gets together for their annual 24-hour dance marathon. Lorelai wants to win really badly, but her partner flakes cause his wife is insecure, paving the way for Rory to step in (aww!). And the rest is classic Stars Hollow with a '40s twist. All the townsfolk are at their weirdest (i.e. best, except for Jackson who spends the majority of the episode pressuring Sookie to have more children than she wants) and Rory's love triangle finally reaches a head and ends in tears. If you only watch one \u003cem>Gilmore Girls\u003c/em> episode in your life, make it this one. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13735\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_mj5vciwgyZ1qfhvpzo1_250.gif\" alt=\"tumblr_mj5vciwgyZ1qfhvpzo1_250\" width=\"245\" height=\"200\"> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Make a case for any episodes not on the list in the comments!\u003c/p>\n\n",
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"excerpt": "Cancel your plans cause you're watching a 10-episode Gilmore Girls marathon when you get home.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13671\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13671\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/gilmore-girls.jpg\" alt=\"Photo: The CW\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/gilmore-girls.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/gilmore-girls-360x202.jpg 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/gilmore-girls-300x168.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: The CW\u003c/figcaption>\u003c/figure>\n\u003cp>When news broke that all seven seasons of\u003cem> Gilmore Girls\u003c/em> were coming to Netflix, the internet freaked. The cult TV show, which was not sufficiently appreciated in its time (only one Emmy nomination...\u003ca href=\"https://www.nerdist.com/wp-content/uploads/2014/05/eye-roll-gif-1.gif\">for makeup\u003c/a>), started trending on social media, inspiring people to \u003ca href=\"http://www.buzzfeed.com/kristinharris/the-best-twitter-reactions-to-gilmore-girls-coming-to-netfli#2wu6ooz\">tweet warnings\u003c/a> that they were likely to drop out of college, break up with their boyfriends, or quit their jobs in order to relive all the autumn-tinted memories.\u003c/p>\n\u003cp>Sounds like hyperbole, but this withdrawal from society to live in fictional Stars Hollow is real. As the owner of all the DVDs, I can't count the number of times I have flaked on someone in order to stay indoors with Lorelai and Rory (not to mention the times I visited the set and made a shrinky dink of Lauren Graham's and Alexis Bledel's faces). Some might say it's just a show, but \u003ca href=\"https://38.media.tumblr.com/ab20719c2daa34941fe6e2e9064b67e3/tumblr_nbv4xmJaP41rbc9h1o1_500.gif\">it's a lifestyle\u003c/a>. And now this way of life is about to open up to those who missed it the first time around. Hi, newbies! I suggest starting at the beginning and blazing right through (yes, even through the last two seasons, even though they are terrible). As for all my Luke's Diner regulars, here are the episodes most worthy of an immediate rewatch!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>10. You Jump, I Jump, Jack (Season 5, Episode 7)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13724\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_mvt5w3Vcok1skqxv0o3_500.gif\" alt=\"rory gilmore jump\" width=\"500\" height=\"214\"> \u003c/p>\n\u003cp>This episode is so epic that even Logan can't ruin it. Rory gets the chance to follow in her idol Christiane Amanpour's footsteps and crack the story of Yale's secret society, The Life and Death Brigade (based on Yale's real-life society Skull and Bones, of which both George W. Bush and John Kerry were a part). A blindfolded journey to the woods leads to a lavish tent village where boys with trust funds speak a language without the letter e. Logan gives Rory pretty things and convinces her to jump from scaffolding in a gown while holding an umbrella and shouting In Omnia Paratus! (a Latin slogan meaning \"ready for anything\" that's gone on to inspire \u003ca href=\"http://media-cache-ak0.pinimg.com/236x/63/a4/e1/63a4e1bd92dc3e3ef5a7c2a019c98d0d.jpg\">\u003cem>Gilmore Girls\u003c/em>-themed tattoos\u003c/a>). This is one of the few times Logan does something good so it's worth celebrating. Meanwhile, back at home, Emily insists on hanging out with Luke so that she can passive aggressively tear him to shreds for being poor and liking beer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>9. Take the Deviled Eggs (Season 3, Episode 6)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13680\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/tumblr_n9tclvue771qarqnoo2_500.gif\" alt=\"tumblr_n9tclvue771qarqnoo2_500\" width=\"500\" height=\"286\"> \u003cimg class=\"aligncenter size-full wp-image-13681\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/tumblr_n9tclvue771qarqnoo1_500.gif\" alt=\"tumblr_n9tclvue771qarqnoo1_500\" width=\"500\" height=\"286\"> \u003cimg class=\"aligncenter size-full wp-image-13679\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/tumblr_n9tclvue771qarqnoo3_500.gif\" alt=\"tumblr_n9tclvue771qarqnoo3_500\" width=\"500\" height=\"286\"> \u003c/p>\n\u003cp>Baby showers are terrible. This is common wisdom. What's even more terrible is having to go to one in honor of your ex's girlfriend, whose pregnancy is the reason you can't be together. This, combined with party games that involve sniffing diapers, sends Lorelai over the edge and inspires her to trash the bathroom. So punk rock. Rory gets in on the troublemaking later when she throws deviled eggs at Jess' new car. No one temper tantrums like a Gilmore.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>8. A-Tisket, A-Tasket (Season 2, Episode 13)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13725\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n24r6tBFZY1rohg16o6_250.gif\" alt=\"tumblr_n24r6tBFZY1rohg16o6_250\" width=\"245\" height=\"165\"> \u003c/p>\n\u003cp>So much drama over picnic baskets! Stars Hollow holds a charity picnic basket lunch auction, in which women put together cute lunches for men. Obvious gender role issues aside, this episode is great television because all the relationships on the show are shaken up. Dean doesn't bring enough money (loser) for Rory's basket and is outbid by resident bad boy, Jess (teen-girls-bawling-at-Beatles-concert.gif). Town busybody Miss Patty tries to pimp out Lorelai or turn her into a polygamist by sending three different men to bid on her basket. And Jackson passive aggressively refuses to bid on Sookie's basket because she doesn't want to move in with him and later bullies her into accepting a marriage proposal. Consider this episode a lesson in why women shouldn't be auctioned off and how you shouldn't act in relationships (except for the Jess thing; always ditch your boyfriend to hang out with him).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>7. Like Mother, Like Daughter (Season 2, Episode 7)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13727\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m5rspuHazO1qbx5ago3_250.gif\" alt=\"tumblr_m5rspuHazO1qbx5ago3_250\" width=\"245\" height=\"200\">\u003c/p>\n\u003cp>Some people misunderstand reading a book at lunch as a cry for help. In this case, those people are the headmaster and guidance counselor at Chilton, Rory's prep school. They tell her she's a \"loner freak\" and force her to eat lunch with boring girls who talk about homecoming and are part of a secret club (lots of secret clubs on this show). Lorelai is also scolded for not participating enough at Chilton and is forced to join the booster club. Both of these experiments in becoming more extroverted end spectacularly: Rory ends up being kidnapped in dessert-covered PJs and yelling in the headmaster's face, while Lorelai ends up wearing matching outfits with her mother in a fashion show. \u003cem>You're in, you may leave the runway\u003c/em> (*Heidi Klum voice*).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>6. The Big One (Season 3, Episode 16)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13728\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m4fq8dw6OH1qcaz8oo1_500.gif\" alt=\"tumblr_m4fq8dw6OH1qcaz8oo1_500\" width=\"500\" height=\"252\">\u003c/p>\n\u003cp>So much of the first half of the series is about Rory's Ivy League ambitions. Lorelai makes a painful deal with her estranged parents to get Rory into a good school that will look good on her college applications, Rory builds a house with a bejeweled hammer to diversify her extracurriculars, they break into some random girl's dorm room, etc. Everything leads down the path to Harvard, and this is the episode where she finds out if she gets in or not! Antsy waiting by the mailbox eventually gives way to the real reason this episode is a classic: a televised meltdown, during which Paris Gellar tells everyone watching CSPAN (like 12 people) that she lost her virginity and explains how sex will ruin your entire life. Preach it, girl.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>5. The Festival of Living Art (Season 4, Episode 7)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13729\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m8nz08deoo1r1awdko3_r1_500.gif\" alt=\"tumblr_m8nz08deoo1r1awdko3_r1_500\" width=\"479\" height=\"361\">\u003c/p>\n\u003cp>Another quirky town event episode! This time, Stars Hollow gets together to pose as famous works of art. Lorelai wants to reclaim her role as Renoir girl in \"Dance at Bougival,\" but has still not been forgiven by the town for flinching the last time around. Meanwhile, Kirk, easily the strangest resident of the series, goes total Daniel-Day Lewis and stays in character as Jesus Christ the whole episode. Will Lorelai be able to resist the flinch, even when her Sookie-is-going-into-labor beeper goes off? Will Kirk stone the dude playing Judas to death?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>4. The Deer Hunters (Season 1, Episode 5)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13730\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m99wsqGXwe1reveudo2_500.gif\" alt=\"tumblr_m99wsqGXwe1reveudo2_500\" width=\"500\" height=\"300\"> \u003c/p>\n\u003cp>In public school, Rory was considered a genius, but when she gets to Chilton, all bets are off when she gets a D! (Et tu, Max Medina?!) The Gilmores proceed to panic and memorize the dates random Shakespeare plays were published, but all for nothing, as Rory oversleeps. On her mad dash to school, she gets hit by a deer. The episode could end right there, but goes on to feature Rory and Lorelai letting an assortment of stuck up white people have it!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>3. One's Got Class and the Other One Dyes (Season 3, Episode 4)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13726\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_m8lqjn0nW61r9lwzvo1_400.gif\" alt=\"tumblr_m8lqjn0nW61r9lwzvo1_400\" width=\"400\" height=\"286\"> \u003c/p>\n\u003cp>Lane's strict mother doesn't let her date, listen to music that isn't about Jesus, apply to non-religious colleges, go to school dances or Bangles concerts. Finally, one day (this day!), Lane snaps and decides that she no longer has any you-know-whats to give and buys some purple hair dye. Take that, Mrs. Kim! This rebellion is short-lived because fear of immigrant parents runs deep, as does the pain that comes with bleaching dark hair (see: Lane's manic sprint through the town square with a burning scalp). Meanwhile, Lorelai is asked to give a speech about being a bad ass entrepreneur and is swiftly slut shamed by all the moms. Never a dull moment in Stars Hollow.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>2. A Deep-Fried Korean Thanksgiving (Season 3, Episode 9)\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/BO32H9o-DQ4 \u003c/p>\n\u003cp>Thanksgiving is easily everyone's second favorite holiday and, to honor that, this episode sees Lorelai and Rory attending four Thanksgiving dinners. The girls party with tofu-loving Korean Seventh Day Adventists, uptight WASPs, deep-fried rednecks, and a pair of cute boys. Every episode of the show seems like it takes place the week before or after Thanksgiving, with all its warm golden light, fallen leaves, and cozy sweaters, so it makes sense that they would know how to do it right. Also in this episode: Kirk is attacked by his cat, also named Kirk, while completely nude, Lane finally gets to first base, and \u003ca href=\"http://www.imdb.com/name/nm0030100/\">Jennifer Aniston's dad\u003c/a> shows up.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>1. They Shoot Gilmores, Don't They? (Season 3, Episode 7)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13733\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo1_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo1_250\" width=\"245\" height=\"135\"> \u003cimg class=\"aligncenter size-full wp-image-13734\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo3_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo3_250\" width=\"245\" height=\"135\">\u003cimg class=\"aligncenter size-full wp-image-13732\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo5_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo5_250\" width=\"245\" height=\"135\"> \u003cimg class=\"aligncenter size-full wp-image-13731\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_n3ijdgqukF1qboiilo7_250.gif\" alt=\"tumblr_n3ijdgqukF1qboiilo7_250\" width=\"245\" height=\"135\">\u003c/p>\n\u003cp>It doesn't get better than this. Inspired by Jane Fonda's \u003cem>They Shoot Horses, Don't They\u003c/em>, the town gets together for their annual 24-hour dance marathon. Lorelai wants to win really badly, but her partner flakes cause his wife is insecure, paving the way for Rory to step in (aww!). And the rest is classic Stars Hollow with a '40s twist. All the townsfolk are at their weirdest (i.e. best, except for Jackson who spends the majority of the episode pressuring Sookie to have more children than she wants) and Rory's love triangle finally reaches a head and ends in tears. If you only watch one \u003cem>Gilmore Girls\u003c/em> episode in your life, make it this one. \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13735\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/10/tumblr_mj5vciwgyZ1qfhvpzo1_250.gif\" alt=\"tumblr_mj5vciwgyZ1qfhvpzo1_250\" width=\"245\" height=\"200\"> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>As always, this year’s fall TV season offers a flurry of new shows, from the Batman origin story “Gotham” to the comedy “Black-ish,” about an African-American father trying to give his kids a better sense of their cultural identity. We talk about the season’s highlights and the rise of non-TV \u003ca href=\"http://www.kqed.org/epArchive/R201410011000?pid=RD19\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://www.kqed.org/epArchive/R201410011000?pid=RD19\" target=\"_self\" title=\"What TV to Watch This Fall\" rel=\"noopener\">Forum Arts\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "Body Language: What Tattoos Can Say About Us",
"title": "Body Language: What Tattoos Can Say About Us",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_13752\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13752\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"591\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png 1024w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-360x332.png 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-300x277.png 300w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF.png 1985w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Tattoo_(PSF).svg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You need only flip through a fashion magazine or greet your mustached techie-neighbor during Movember to be reminded that the body is a vehicle for art. Personal taste depending, the handlebar mustache or ruffled couture gown is either gorgeous or gauche. But both types of fashion are temporary. We can quickly change clothes, cut or grow out bad hair and say something different about ourselves. It’s a kind of body art and language that doesn’t stick.\u003c/p>\n\u003cp>Not so for tattoos. This is part of why we get them -- to say something enduring, to memorialize an event or laud a loved one, to affiliate with a group, to wax philosophical in a foreign language, to ensure the constant companionship of mermaids or pinups or spirit animals, or our musical or political idols, living or dead.\u003c/p>\n\u003cp>For many, the desire to be tattooed comes first. The image to be inked comes next. There might be some planning. After an hour or so in the tattoo chair, it’s a done deal.\u003c/p>\n\u003cfigure id=\"attachment_13704\" class=\"wp-caption alignright\" style=\"max-width: 215px\">\u003cimg class=\"wp-image-13704 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Jens-tatoo.jpeg\" alt=\"Jen's tatoo\" width=\"215\" height=\"320\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo.jpeg 215w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo-201x300.jpeg 201w\" sizes=\"(max-width: 215px) 100vw, 215px\">\u003cfigcaption class=\"wp-caption-text\">Jen's tattoo\u003c/figcaption>\u003c/figure>\n\u003cp>San Francisco resident Jen’s (a fictional name) recent inking experience was anything but in and out. Her first and only tattoo, a scapula-to-elbow white dogwood tree in seasonal shift was completed over the course of 18 months and took 40 hours in the chair. That’s an entire work week!\u003c/p>\n\u003cp>Oakland-based artist Marie Brennan of \u003ca href=\"http://www.divingswallow.com/\">Diving Swallow Tattoo\u003c/a> specializes in flora and fauna and designed and inked Jen’s tattoo, which represents Jen’s family roots in the Southeast and “the beautiful, absurd, and tragic cycle of life.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When I first met Jen a few years ago, she was shy; I couldn’t have pictured her with a 26-inch-long tattoo on her thin arm. Red roots extend down below the elbow. “Some people have asked if they’re supposed to be veins,” she said. “Imagine getting your insides tattooed on your outsides.” This didn’t appeal to either of us.\u003c/p>\n\u003cp>Having met Jen’s family, I had to ask her about their reaction. She said that when she told her mother the plan, her mother didn’t want anything to do with the tattoo, however meaningful the art was to Jen. This is evidence that we take other peoples’ tattoos personally and we shouldn’t.\u003c/p>\n\u003cp>Or let me just say that \u003cem>I\u003c/em> shouldn’t. Lately, I’ve been reading peoples’ tattoos and judging the person. “Would you date someone with a huge crow tattooed on their back? What about a winged bat on the bicep? That crown of thorns around the upper arm? That’s so ten years ago.”\u003c/p>\n\u003cp>While I love the way tattoos look on some people, with other tattoos, I ask myself if I could stand to look at it for the rest of my life. Usually, the answer is \u003cem>no\u003c/em> before I’ve even gotten to know the person, often just a passerby on the street who probably could care less what I think.\u003c/p>\n\u003cp>But I care. I care about that teen in juvenile hall whose gang-tattoo a potential employer -- and, well, everyone -- will judge. I care about that baggage clerk with a tattoo on the back of his shaved head. I even care about Jen’s boyfriend who doesn’t like tattoos in general. But he loves her, her individuality; they’ve been together for over ten solid years. In effect, when Jen said “I do” to the body art, so did her boyfriend.\u003c/p>\n\u003cp>I said “I do” to ink on my body ten years ago, and I find myself ambivalent about it. After passing up every sketch in the tattoo parlor’s notebook, I finally selected a fleur-de-lys design with Celtic knots. I’m of French and Irish descent -- and a native of New Orleans -- so this made sense.\u003c/p>\n\u003cp>It’s on my shoulder and, though it’s not that big, people comment on it all the time. They assume it’s the Boy Scouts emblem or a nod to the New Orleans Saints football team. And after Hurricane Katrina, the tattoo must have come off as part of a trend. I don’t enjoy these questions from people; I’d rather hear praise or nothing.\u003c/p>\n\u003cfigure id=\"attachment_13705\" class=\"wp-caption alignleft\" style=\"max-width: 320px\">\u003cimg class=\"wp-image-13705 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/my-Tattoo-after.jpeg\" alt=\"my Tattoo after\" width=\"320\" height=\"214\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after.jpeg 320w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after-300x200.jpeg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\">\u003cfigcaption class=\"wp-caption-text\">Fleur-de-lis 2.0\u003c/figcaption>\u003c/figure>\n\u003cp>Last summer, though, after years of thinking my tattoo looked like a mere stamp on my body, I had it filled in with different colors to make it look more like a flower. But I’m still not happy with it all the time. I finally realize why. I see my tattoo more as text and less as image. To be happy with it, I need to appreciate the shading of the petals, the tiny piston and stamen embellishment, the steadfastness of the color over the years.\u003c/p>\n\u003cp>As text, what my tattoo says to me is that I’m never happy with anything (being a writer, of course this is true). As image, my tattoo says to admire the flower on my own body. A flower that can be made bigger and better or even taken away, an image with an evolving narrative.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Most of us agree that any permanent fashion on the body should be meaningful. Some of us tweak the narrative as we go.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13752\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13752\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"591\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png 1024w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-360x332.png 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-300x277.png 300w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF.png 1985w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Tattoo_(PSF).svg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You need only flip through a fashion magazine or greet your mustached techie-neighbor during Movember to be reminded that the body is a vehicle for art. Personal taste depending, the handlebar mustache or ruffled couture gown is either gorgeous or gauche. But both types of fashion are temporary. We can quickly change clothes, cut or grow out bad hair and say something different about ourselves. It’s a kind of body art and language that doesn’t stick.\u003c/p>\n\u003cp>Not so for tattoos. This is part of why we get them -- to say something enduring, to memorialize an event or laud a loved one, to affiliate with a group, to wax philosophical in a foreign language, to ensure the constant companionship of mermaids or pinups or spirit animals, or our musical or political idols, living or dead.\u003c/p>\n\u003cp>For many, the desire to be tattooed comes first. The image to be inked comes next. There might be some planning. After an hour or so in the tattoo chair, it’s a done deal.\u003c/p>\n\u003cfigure id=\"attachment_13704\" class=\"wp-caption alignright\" style=\"max-width: 215px\">\u003cimg class=\"wp-image-13704 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Jens-tatoo.jpeg\" alt=\"Jen's tatoo\" width=\"215\" height=\"320\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo.jpeg 215w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo-201x300.jpeg 201w\" sizes=\"(max-width: 215px) 100vw, 215px\">\u003cfigcaption class=\"wp-caption-text\">Jen's tattoo\u003c/figcaption>\u003c/figure>\n\u003cp>San Francisco resident Jen’s (a fictional name) recent inking experience was anything but in and out. Her first and only tattoo, a scapula-to-elbow white dogwood tree in seasonal shift was completed over the course of 18 months and took 40 hours in the chair. That’s an entire work week!\u003c/p>\n\u003cp>Oakland-based artist Marie Brennan of \u003ca href=\"http://www.divingswallow.com/\">Diving Swallow Tattoo\u003c/a> specializes in flora and fauna and designed and inked Jen’s tattoo, which represents Jen’s family roots in the Southeast and “the beautiful, absurd, and tragic cycle of life.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When I first met Jen a few years ago, she was shy; I couldn’t have pictured her with a 26-inch-long tattoo on her thin arm. Red roots extend down below the elbow. “Some people have asked if they’re supposed to be veins,” she said. “Imagine getting your insides tattooed on your outsides.” This didn’t appeal to either of us.\u003c/p>\n\u003cp>Having met Jen’s family, I had to ask her about their reaction. She said that when she told her mother the plan, her mother didn’t want anything to do with the tattoo, however meaningful the art was to Jen. This is evidence that we take other peoples’ tattoos personally and we shouldn’t.\u003c/p>\n\u003cp>Or let me just say that \u003cem>I\u003c/em> shouldn’t. Lately, I’ve been reading peoples’ tattoos and judging the person. “Would you date someone with a huge crow tattooed on their back? What about a winged bat on the bicep? That crown of thorns around the upper arm? That’s so ten years ago.”\u003c/p>\n\u003cp>While I love the way tattoos look on some people, with other tattoos, I ask myself if I could stand to look at it for the rest of my life. Usually, the answer is \u003cem>no\u003c/em> before I’ve even gotten to know the person, often just a passerby on the street who probably could care less what I think.\u003c/p>\n\u003cp>But I care. I care about that teen in juvenile hall whose gang-tattoo a potential employer -- and, well, everyone -- will judge. I care about that baggage clerk with a tattoo on the back of his shaved head. I even care about Jen’s boyfriend who doesn’t like tattoos in general. But he loves her, her individuality; they’ve been together for over ten solid years. In effect, when Jen said “I do” to the body art, so did her boyfriend.\u003c/p>\n\u003cp>I said “I do” to ink on my body ten years ago, and I find myself ambivalent about it. After passing up every sketch in the tattoo parlor’s notebook, I finally selected a fleur-de-lys design with Celtic knots. I’m of French and Irish descent -- and a native of New Orleans -- so this made sense.\u003c/p>\n\u003cp>It’s on my shoulder and, though it’s not that big, people comment on it all the time. They assume it’s the Boy Scouts emblem or a nod to the New Orleans Saints football team. And after Hurricane Katrina, the tattoo must have come off as part of a trend. I don’t enjoy these questions from people; I’d rather hear praise or nothing.\u003c/p>\n\u003cfigure id=\"attachment_13705\" class=\"wp-caption alignleft\" style=\"max-width: 320px\">\u003cimg class=\"wp-image-13705 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/my-Tattoo-after.jpeg\" alt=\"my Tattoo after\" width=\"320\" height=\"214\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after.jpeg 320w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after-300x200.jpeg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\">\u003cfigcaption class=\"wp-caption-text\">Fleur-de-lis 2.0\u003c/figcaption>\u003c/figure>\n\u003cp>Last summer, though, after years of thinking my tattoo looked like a mere stamp on my body, I had it filled in with different colors to make it look more like a flower. But I’m still not happy with it all the time. I finally realize why. I see my tattoo more as text and less as image. To be happy with it, I need to appreciate the shading of the petals, the tiny piston and stamen embellishment, the steadfastness of the color over the years.\u003c/p>\n\u003cp>As text, what my tattoo says to me is that I’m never happy with anything (being a writer, of course this is true). As image, my tattoo says to admire the flower on my own body. A flower that can be made bigger and better or even taken away, an image with an evolving narrative.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Most of us agree that any permanent fashion on the body should be meaningful. Some of us tweak the narrative as we go.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>So, last night my Facebook feed became crowded with notices from my “friends” that they were all moving to Ello. In actuality, I probably don’t have that many real-world friends, but I suppose I have a decent number of virtual ones — at least according to my Facebook profile. The ones that are migrating offered to invite me to the currently invite-only site, so I figured “what the hey, why not?” And I went ahead and joined the crowd barreling off the FB cliff. \u003c/p>\n\u003cp>According to its own “WTF” page, \u003ca href=\"https://ello.co/beta-public-profiles\" target=\"_blank\" rel=\"noopener\">Ello\u003c/a> is a “simple, beautiful, and ad-free social network created by a small group of artists and designers.” Originally developed as a private space, Ello apparently got so many requests to join that its creators decided to take the network public. The main hook is that Ello promises to be ad-free and not to mine personal data for profit. They hope to make money by creating a great space with cool features that people enjoy using so much they will donate money to support the effort. Sound familiar? Didn’t our last radio pledge drive end just a couple weeks ago? KQED provides a service that people like so much, they just GIVE us money so that we will keep doing it! Imagine…\u003c/p>\n\u003cp>So, I followed my impulse to join partially because I liked the language, knowing full well the Trojan Horse nature of the rhetoric surrounding most social media. The “sharing” economy is a really nice phrase, for example. And “social network” sounded really positive until David Fincher used it as the title for his \u003ca href=\"http://www.thesocialnetwork-movie.com/\" target=\"_blank\" rel=\"noopener\">creepy portrait\u003c/a> of a twee young megalomaniacal zillionaire. \u003c/p>\n\u003cp>And also, frankly, Facebook has begun to piss me off. First, I spend the little extra time I have checking up on what people are doing and — though I never tire of seeing cats do crazy things (really, who does?) — I have gotten kinda sick of seeing other people’s dinner while eating my bowl of white rice with cold broccoli, listening to humble brags and basically comparing my sorry life to the apparently fab ones others are living.\u003c/p>\n\u003cp>Second, my feed is getting clogged with ads for things I would never even think of liking — a sign that the algorithm doesn’t work so well for cranky contrarians like yours truly. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Third, I have always hated the “like” button. It’s just plain bad taste when someone announces on Facebook that something horrible happened in his or her life and ends up with a whole mess of likes in response. I mean, come on, as a member of Gen X, I have always sneered at popularity contests. Now getting “liked” is in my job description. Where’s the damn dis-like button already? Now, that’s a tool I can use!\u003c/p>\n\u003cp>Fourth, what’s with the sort mechanism that keeps switching my feed from “most recent” to “top stories”? When I choose a setting, leave it alone! (I know, I have some serious first-world problems.)\u003c/p>\n\u003cp>Finally, the whole thing about \u003ca href=\"http://www.salon.com/2014/09/24/let_me_be_lil_miss_hot_mess_facebook_took_away_my_stage_name/\" target=\"_blank\" rel=\"noopener\">Facebook deciding to remove drag queen profiles\u003c/a> because their idea of identity doesn’t conform to Facebook’s definition (outlined in the terms of service) strikes me as overly limiting and not a little authoritarian. I mean, are we really going to let a website, no matter how popular, narrowly define what “identity” means for the rest of us? I know. I know. Facebook is a BUSINESS based on delivering eyeballs to hungry marketers in search of easier access to our wallets — oh, and it’s also an open forum for free expression. (And Facebook should be smart enough to know that you \u003ca href=\"http://www.sfweekly.com/thesnitch/2014/09/19/facebook-will-delete-all-drag-queen-profiles-in-2-weeks\" target=\"_blank\" rel=\"noopener\">NEVER mess with drag queens\u003c/a> unless you want to get seriously f-ed up! I mean, sheesh!)\u003c/p>\n\u003cp>Some of my FB pals pointed out that we’ve been down this road before. Ello needs to gain a critical mass of the same eyeballs before they create a similar business model and make some quick cash. This is late capitalism after all and our time spent looking is worth something. Those with the biggest servers who can convince large numbers of us regular folks to devote our labor to filling up seemingly endless digital space with our images, thoughts and creativity stand to profit most. \u003c/p>\n\u003cp>Those same virtual friends warning others about the migration away from Facebook are right. But ultimately, I thought, “big whoop” there are no stakes here (and no steaks either). It’s just social media. It’s not about addressing child poverty, human trafficking or even global warming. What would really happen if Facebook went the way of Friendster? A few Internet billionaires would have a little less cash, but they would take that cash and invest it in Ello and make even more millions. “Them that’s got shall get. Them that don’t shall lose. So the Bible says…”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I will probably share this article on Facebook…\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>So, last night my Facebook feed became crowded with notices from my “friends” that they were all moving to Ello. In actuality, I probably don’t have that many real-world friends, but I suppose I have a decent number of virtual ones — at least according to my Facebook profile. The ones that are migrating offered to invite me to the currently invite-only site, so I figured “what the hey, why not?” And I went ahead and joined the crowd barreling off the FB cliff. \u003c/p>\n\u003cp>According to its own “WTF” page, \u003ca href=\"https://ello.co/beta-public-profiles\" target=\"_blank\" rel=\"noopener\">Ello\u003c/a> is a “simple, beautiful, and ad-free social network created by a small group of artists and designers.” Originally developed as a private space, Ello apparently got so many requests to join that its creators decided to take the network public. The main hook is that Ello promises to be ad-free and not to mine personal data for profit. They hope to make money by creating a great space with cool features that people enjoy using so much they will donate money to support the effort. Sound familiar? Didn’t our last radio pledge drive end just a couple weeks ago? KQED provides a service that people like so much, they just GIVE us money so that we will keep doing it! Imagine…\u003c/p>\n\u003cp>So, I followed my impulse to join partially because I liked the language, knowing full well the Trojan Horse nature of the rhetoric surrounding most social media. The “sharing” economy is a really nice phrase, for example. And “social network” sounded really positive until David Fincher used it as the title for his \u003ca href=\"http://www.thesocialnetwork-movie.com/\" target=\"_blank\" rel=\"noopener\">creepy portrait\u003c/a> of a twee young megalomaniacal zillionaire. \u003c/p>\n\u003cp>And also, frankly, Facebook has begun to piss me off. First, I spend the little extra time I have checking up on what people are doing and — though I never tire of seeing cats do crazy things (really, who does?) — I have gotten kinda sick of seeing other people’s dinner while eating my bowl of white rice with cold broccoli, listening to humble brags and basically comparing my sorry life to the apparently fab ones others are living.\u003c/p>\n\u003cp>Second, my feed is getting clogged with ads for things I would never even think of liking — a sign that the algorithm doesn’t work so well for cranky contrarians like yours truly. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Third, I have always hated the “like” button. It’s just plain bad taste when someone announces on Facebook that something horrible happened in his or her life and ends up with a whole mess of likes in response. I mean, come on, as a member of Gen X, I have always sneered at popularity contests. Now getting “liked” is in my job description. Where’s the damn dis-like button already? Now, that’s a tool I can use!\u003c/p>\n\u003cp>Fourth, what’s with the sort mechanism that keeps switching my feed from “most recent” to “top stories”? When I choose a setting, leave it alone! (I know, I have some serious first-world problems.)\u003c/p>\n\u003cp>Finally, the whole thing about \u003ca href=\"http://www.salon.com/2014/09/24/let_me_be_lil_miss_hot_mess_facebook_took_away_my_stage_name/\" target=\"_blank\" rel=\"noopener\">Facebook deciding to remove drag queen profiles\u003c/a> because their idea of identity doesn’t conform to Facebook’s definition (outlined in the terms of service) strikes me as overly limiting and not a little authoritarian. I mean, are we really going to let a website, no matter how popular, narrowly define what “identity” means for the rest of us? I know. I know. Facebook is a BUSINESS based on delivering eyeballs to hungry marketers in search of easier access to our wallets — oh, and it’s also an open forum for free expression. (And Facebook should be smart enough to know that you \u003ca href=\"http://www.sfweekly.com/thesnitch/2014/09/19/facebook-will-delete-all-drag-queen-profiles-in-2-weeks\" target=\"_blank\" rel=\"noopener\">NEVER mess with drag queens\u003c/a> unless you want to get seriously f-ed up! I mean, sheesh!)\u003c/p>\n\u003cp>Some of my FB pals pointed out that we’ve been down this road before. Ello needs to gain a critical mass of the same eyeballs before they create a similar business model and make some quick cash. This is late capitalism after all and our time spent looking is worth something. Those with the biggest servers who can convince large numbers of us regular folks to devote our labor to filling up seemingly endless digital space with our images, thoughts and creativity stand to profit most. \u003c/p>\n\u003cp>Those same virtual friends warning others about the migration away from Facebook are right. But ultimately, I thought, “big whoop” there are no stakes here (and no steaks either). It’s just social media. It’s not about addressing child poverty, human trafficking or even global warming. What would really happen if Facebook went the way of Friendster? A few Internet billionaires would have a little less cash, but they would take that cash and invest it in Ello and make even more millions. “Them that’s got shall get. Them that don’t shall lose. So the Bible says…”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I will probably share this article on Facebook…\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Survivor: 14 Years of Problematic Depictions of Women",
"title": "Survivor: 14 Years of Problematic Depictions of Women",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13635\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/survivor-women1.jpg\" alt=\"survivor-women\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/survivor-women1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/survivor-women1-360x202.jpg 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/survivor-women1-300x168.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Venerable reality series \u003cem>\u003ca href=\"http://www.cbs.com/shows/survivor/\">Survivor\u003c/a> \u003c/em>returns this week for a 14th year and a 29th (!!!) season. Despite its longevity as top-rated show in a long-dominating genre, when I talk about my love of \u003cem>Survivor\u003c/em> and \u003ca href=\"http://media1.s-nbcnews.com/j/streams/2013/November/131112/2D9670167-104040-d0525b.blocks_desktop_medium.jpg\">Jeff Probst\u003c/a>, the response I hear most often is, “Oh, is that show still on?”\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg src=\"http://3.bp.blogspot.com/-O4waun0Hqgg/TqjxNxjvEtI/AAAAAAAAA1Q/anja-pBN3GQ/s1600/eyeroll.gif\" alt=\"\" width=\"768\" height=\"424\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://realitydraft.blogspot.com/2011/10/top-5-gifs-of-staceys-redemption-island.html\">Reality Rivals\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Yes, \u003cem>Survivor\u003c/em> is still on. And \u003cem>Survivor \u003c/em>is still great.\u003c/p>\n\u003cp>The social game is fascinating, the challenges are fun, everyone is good looking, and Jeff Probst is one of the best counselors and hosts on reality TV. Seriously, \u003ca href=\"http://youtu.be/kkDEUx4WNOY\">when he talked down Brandon Hantz after a rice-pouring meltdown\u003c/a> back in Caramoan, he diffused a tense situation that could have gotten yelly and violent.\u003c/p>\n\u003cp>But \u003cem>Survivor \u003c/em>is not a perfect show. Probst connects well with men (and bros), but he doesn’t do as well talking to, or understanding, women. \u003cem>Survivor\u003c/em> casts and edits women with strict and often unrealistic roles in mind.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://insidetv.ew.com/2012/09/13/survivor-philippines-jeff-probst-women/\">In a 2012 interview with \u003cem>Entertainment Weekly\u003c/em>\u003c/a>\u003cem>, \u003c/em>Jeff Probst said, “There just aren’t as many colorful women characters in \u003cem>Survivor\u003c/em> history. For whatever reason, we’re loaded with interesting guys. Maybe that says something about our casting process, or maybe it says something about how men and women behave differently in conflict.”\u003c/p>\n\u003cp>Watching any season of \u003cem>Survivor\u003c/em> will reveal Probst man-crushing on \u003ca href=\"https://twitter.com/BostonRob\">Rob Mariano\u003c/a>, \u003ca href=\"https://twitter.com/Colby_Donaldson\">Colby Donaldson\u003c/a>, \u003ca href=\"http://survivor.wikia.com/wiki/Brad_Culpepper\">Brad Culpepper\u003c/a>, and other buff dudes. Probst’s (and the show’s) treatment of female contestants, on the other hand, is consistently condescending, when it’s not outright sexist. So to paraphrase Jeff Probst: “For whatever reason,” here are the female archetypes of \u003cem>Survivors \u003c/em>past.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Black Widow\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13625\" class=\"wp-caption aligncenter\" style=\"max-width: 435px\">\u003cimg class=\"size-full wp-image-13625\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/surv-parv-cry.jpg\" alt=\"Photo: CBS\" width=\"435\" height=\"265\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/surv-parv-cry.jpg 435w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/surv-parv-cry-360x219.jpg 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/surv-parv-cry-300x182.jpg 300w\" sizes=\"(max-width: 435px) 100vw, 435px\">\u003cfigcaption class=\"wp-caption-text\">Parvati Shallow. Photo: CBS\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Examples: \u003c/em>Jerri Manthey (Australian Outback, All-Stars, Heroes vs. Villains), Parvati Shallow (Cook Islands, Micronesia, Heroes vs. Villains)\u003c/p>\n\u003cp>In the run-up to \u003cem>Survivor’s\u003c/em> second season, \u003ca href=\"https://twitter.com/jerrimanthey\">Jerri Manthey\u003c/a> was teased as the villain, a female manipulator on par with an evil \u003ca href=\"http://en.wikipedia.org/wiki/Bond_girl\">Bond girl\u003c/a>. Jerri had a kind-of-flirtation with \u003ca href=\"http://youtu.be/nxBkwIl_jOg\">Colby Donaldson, who is the natural-born son of Matthew McConaughey and Captain America\u003c/a>, until they came down on opposing sides of the social game. Colby became the golden boy and Jerri became the evil schemer, plotting to (gasp!) manipulate her fellow contestants and win the game.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/parvatishallow\">Parvati Shallow\u003c/a> played her first season as a self-described flirt, but when she came back for a “Fans vs. Favorites” season in Micronesia, her strategy was to make friendships and alliances, exploit them, \u003ca href=\"http://youtu.be/NOwRtkMjznk?t=10s\">and play smart with people she could trust\u003c/a>. But she also came up with the name “\u003ca href=\"http://survivor.wikia.com/wiki/Black_Widow_Brigade\">Black Widow Brigade\u003c/a>” in Micronesia, for an all-female alliance that sent home a bunch of the boys and \u003ca href=\"https://www.youtube.com/watch?v=OMmEdEMbXL8\">even convinced one of them to give his immunity to them\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Crazy One\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/ir4SUxQpJuA\u003cbr>\n\u003cem>Examples: \u003c/em>Sue Hawk (Borneo, All-Stars), Abi-Maria Gomes (Philippines).\u003c/p>\n\u003cp>Sue Hawk delivered one of the most iconic \u003cem>Survivor\u003c/em> moments in season one, with a symbol-heavy, grammatically horrifying, speech about \u003ca href=\"http://youtu.be/ir4SUxQpJuA\">rats, snakes, and denying a dying woman a drink of water\u003c/a>.\u003c/p>\n\u003cp>Sue came back for All-Stars, but she quit following an incident when Rich, her ally in season one, pressed his naked body up against hers during a challenge. Rich was voted out in the same episode for unrelated reasons. At the next challenge, Jeff Probst bought up the incident by saying, “Richard Hatch, sorta being inappropriate. Anybody have any comments?”\u003c/p>\n\u003cp>Sue’s fellow contestants stared at the ground, saying nothing. Sue made it clear that it wasn’t “sorta inappropriate,” it was harassment, even if Richard Hatch thought it was funny. “I was violated, humiliated, de-humanized and totally spent, Jeff. It wasn’t sorta, Jeff… There’s no way I can continue with my emotions pushed into the ground that much.”\u003c/p>\n\u003cp>http://youtu.be/NAJvetEuoKM\u003c/p>\n\u003cp>Probst, clearly caught off guard, fumbled with how to respond. “So, okay,” he said. “So, when you say you’re done with the game -- as in, you’re out of the game?”\u003c/p>\n\u003cp>“My mind left this game 24 hours ago,” Sue said.\u003c/p>\n\u003cp>One of Sue’s fellow contestants -- Shii Ann Huang, who is on the opposite tribe -- at least recognizes that the incident took place, saying, “I’m so sorry, Sue. I didn’t see -- I’m so sorry.”\u003c/p>\n\u003cp>Maybe \u003cem>Survivor\u003c/em> treated this incident as best they could. Richard was already gone, and a boat was called in to allow Sue to leave the game. But the silence with which Sue’s statement was met is indicative of the response many women get when they report sexual harassment: silence and ostracism of the victim. To the show’s credit, they didn’t just edit this uncomfortable sequence out of existence. But overall, Sue’s depiction is that of a hotheaded Midwestern hick.\u003c/p>\n\u003cp>More often, the Crazy One is simply shown to be foolish. In the Philippines, \u003ca href=\"https://twitter.com/theabimaria\">Abi-Maria\u003c/a> is manipulated into turning against her ally \u003ca href=\"https://twitter.com/RC_Survivor\">RC\u003c/a> by \u003ca href=\"https://twitter.com/PeteYurkowski\">Pete\u003c/a>, the kind of dude who compares himself positively to \u003cem>Fight Club\u003c/em>'s Tyler Durden. The viewers are in on the joke the whole time -- Abi-Maria is getting fooled! -- whether we want to be or not.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Ice Queen\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13629\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/yuPLIa.gif\" alt=\"yuPLIa\" width=\"432\" height=\"242\">\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Candice Cody (Cook Islands, Heroes vs. Villains, Blood vs. Water), Kim Spradlin (One World)\u003c/p>\n\u003cp>\u003ca href=\"http://survivor.wikia.com/wiki/Candice_Cody\">Candice\u003c/a> made good moves, but came across quiet onscreen. Until she returned in Blood vs. Water, that is, when she was edited as being a bossy ballbreaker, telling her husband what to do.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/SpradlinKim\">Kim\u003c/a> played a winner’s game in One World from the start, the kind that took Boston Rob four seasons to learn how to play. But she did so humbly, quietly, and intently. She won handily, and we’ll probably never see her on that island again.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Lazy One (a.k.a. the Beach Beauty)\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Sarah Jones (Marquesas), Morgan McLeod (Cagayan)\u003c/p>\n\u003cp>The Lazy Ones are almost always young, cute, and skinny. It doesn’t help their energy levels when they’ve been living on tiny cups of rice for several weeks, but when Maraamu tribe arrived on their beach, \u003ca href=\"http://survivor.wikia.com/wiki/Sarah_Jones\">Sarah Jones\u003c/a> opted to be carried in on the raft that her tribe mates were paddling. Every season reaches a point where the conversation turns to who “contributes” to the tribe and who sleeps the day away, followed by a cutaway shot to girls in bikinis lounging on a bed of bamboo. Unless the camp is near a lagoon, in which case there is\u003ca href=\"http://youtu.be/sEyiGHTsCaw?t=43s\"> a cutaway sequence to the women washing each other’s hair\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Adorable Tomboy\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13630\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Le4ba.gif\" alt=\"Le4ba\" width=\"259\" height=\"252\">\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Colleen Haskell (Borneo), Kat Edorsson (One World, Blood vs. Water)\u003c/p>\n\u003cp>Awkward. Funny. Strange. \u003ca href=\"http://survivor.wikia.com/wiki/Colleen_Haskell\">Colleen\u003c/a> played the game in season one and never returned, saying no when asked to play \u003cem>Survivor \u003c/em>again, \u003ca href=\"http://youtu.be/WHAkz1wBiUU?t=10s\">but saying yes when asked to star in a Rob Schneider movie\u003c/a>. Hey, the heart wants what it wants, right? Meanwhile, Kat crawled around on all fours when her cousin came to visit as part of the One World “loved ones visit,” which was … um … better seen than described. This is the one archetype I can get behind. More \u003cem>Survivor\u003c/em> weirdos, please.\u003c/p>\n\u003cp>http://youtu.be/LRNPpy5FuQw\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Ostracized African-American\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Examples:\u003c/em> Francesca Hogi (Redemption Island, Caramoan), Candace Smith (Tocantins)\u003c/p>\n\u003cp>Okay, this is the most depressing one. Again, it’s practically a \u003cem>Survivor\u003c/em> perennial. Aside from \u003ca href=\"http://survivor.wikia.com/wiki/Survivor:_Cook_Islands\">Cook Islands\u003c/a>, the (unfairly maligned, in my opinion) season where the tribes were divided by ethnicity, it’s very rare to see more than one African-American woman in a single season of \u003cem>Survivor\u003c/em>. \u003ca href=\"https://twitter.com/DearFranny\">Francesca\u003c/a> has the … honor? of being the only contestant to be voted out \u003cem>first\u003c/em>, twice.\u003c/p>\n\u003cp>In Tocantins, \u003ca href=\"http://survivor.wikia.com/wiki/Candace_Smith\">Candace\u003c/a> proved herself athletically, but clashed with tribe leader \u003ca href=\"https://twitter.com/the_real_coach\">Coach\u003c/a> over how to cook the rice and beans. Time and again, there’s “just something about” the African-American women of \u003cem>Survivor\u003c/em> that makes them an early target for being voted out.\u003c/p>\n\u003cp>Now, this isn’t true across the board. \u003ca href=\"http://survivor.wikia.com/wiki/Vecepia_Towery\">Vecepia Towery-Robison\u003c/a> won her season, and \u003ca href=\"http://survivor.wikia.com/wiki/Cirie_Fields\">Cirie Fields\u003c/a> is a three-time player generally regarded as both strategic \u003cem>and \u003c/em>very likeable. But, come on, \u003cem>Survivor\u003c/em> contestants. Maybe stop voting African-American women out at the first opportunity?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Mom\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Tina Wesson (Australian Outback, All-Stars, Blood vs. Water), Dawn Meehan (South Pacific, Caramoan)\u003c/p>\n\u003cp>Mom-figures on \u003cem>Survivor\u003c/em> have a pretty predictable arc. Either they go in the first few votes, usually due to “keeping the tribe strong,” or they make it deep in the game. Both \u003ca href=\"http://survivor.wikia.com/wiki/Tina_Wesson\">Tina\u003c/a> in the Australian Outback, and \u003ca href=\"https://twitter.com/meehand\">Dawn\u003c/a> in Caramoan, made it deep because they were able to dodge early expulsion, then made strong strategic alliances. Tina won her first season while Dawn lost to her ally Cochran, but both received similar criticisms: that they were carried to the end and made no moves of their own. It’s an inherently sexist criticism, almost always leveled against women or minorities who are sitting next to white men, who are deemed to have been “stronger players.”\u003c/p>\n\u003cp>Which leads us to…\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Sidekick/The Goat\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/LhMIG7wOe_E\u003cbr>\n\u003cem>Examples: \u003c/em>Amber Brkich (Australian Outback, All-Stars), Natalie White (Somoa)\u003c/p>\n\u003cp>Only “The Goat” if they don’t become Sole Survivor, it’s become common for an opposite-sex pair to go to the end with the man presenting himself as the athlete/schemer/leader, and the woman made out to be -- either by her partner or by that season’s jury -- an unworthy coattails rider. That’s rarely the real story, since getting to the end in any configuration is a result of skill, luck, and good gameplay.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>...and Sandra.\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/LNFFU9SWDM4\u003cbr>\n\u003cem>Examples: \u003c/em>Sandra Diaz-Twine (Pearl Islands, Heroes vs. Villains)\u003c/p>\n\u003cp>\u003ca href=\"http://survivor.wikia.com/wiki/Sandra_Diaz-Twine\">Sandra\u003c/a> has done what no other contestant on \u003cem>Survivor \u003c/em>has done: She’s played twice, and won both times. She played the game that was best \u003cem>for her\u003c/em>, going with the flow when she needed to, starting fights when she needed to, and letting others crash and burn when they just couldn’t help it. Sandra stands on her own because her gameplay, her edit, and everything about her is uniquely \u003cem>Sandra\u003c/em>.\u003c/p>\n\u003cp>But the thing is, she’s not the only fully-formed woman to ever play \u003cem>Survivor\u003c/em>. It just means that, to again paraphrase Jeff Probst, “for whatever reason,” Sandra played a game that defied the easy edit.\u003c/p>\n\u003cp>I love \u003cem>Survivor\u003c/em>. It’s a rewarding and fun watch, even when the winner steamrolls their way to the end. This list is certainly not meant to represent the totality of every woman who has appeared on \u003cem>Survivor\u003c/em>, but rather out how the producers and editors of the show frame the way those women are represented.\u003c/p>\n\u003cp>It’s worth pointing out that my favorite reviewers and critics who write about \u003cem>Survivor\u003c/em> are both women. \u003ca href=\"https://twitter.com/ChannonSarah\">Sarah Freeman\u003c/a> is part of a team that covers the show for \u003ca href=\"http://robhasawebsite.com/category/survivor/\">RobHasAWebsite\u003c/a>, run by two-time contestant Rob Cesternino, and she looks at the strategy behind each player, as revealed by their on-air edits and deleted scenes. \u003ca href=\"http://www.npr.org/blogs/monkeysee/\">Linda Holmes\u003c/a> occasionally covers \u003cem>Survivor\u003c/em> for the NPR pop culture blog MonkeySee, \u003ca href=\"http://www.npr.org/blogs/monkeysee/2013/10/10/231398615/the-tribe-has-broken-how-sexism-is-silently-killing-survivor\">including a post that specifically tackled the sexism inherent in \u003cem>Survivor’s \u003c/em>first Blood vs. Water season\u003c/a>.\u003c/p>\n\u003cp>“I like \u003cem>Survivor\u003c/em>,” she wrote in 2013, “but I cannot deny that having to sit through all this preening by bullies is beginning take a toll on my enjoyment, especially when I feel like the show and the host are on their side.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Survivor\u003c/em> has had a lot of imitators over the past 14 years, but very few are still standing today. \u003cem>Survivor\u003c/em> is a great game show, an interesting social experiment, and a living legend of reality television. Now all it has to do is live up to its own promise.\u003c/p>\n\n",
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"excerpt": "Tonight marks the premiere of the 29th season of Survivor. Will this be the year they do right by women?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13635\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/survivor-women1.jpg\" alt=\"survivor-women\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/survivor-women1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/survivor-women1-360x202.jpg 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/survivor-women1-300x168.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>Venerable reality series \u003cem>\u003ca href=\"http://www.cbs.com/shows/survivor/\">Survivor\u003c/a> \u003c/em>returns this week for a 14th year and a 29th (!!!) season. Despite its longevity as top-rated show in a long-dominating genre, when I talk about my love of \u003cem>Survivor\u003c/em> and \u003ca href=\"http://media1.s-nbcnews.com/j/streams/2013/November/131112/2D9670167-104040-d0525b.blocks_desktop_medium.jpg\">Jeff Probst\u003c/a>, the response I hear most often is, “Oh, is that show still on?”\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003cimg src=\"http://3.bp.blogspot.com/-O4waun0Hqgg/TqjxNxjvEtI/AAAAAAAAA1Q/anja-pBN3GQ/s1600/eyeroll.gif\" alt=\"\" width=\"768\" height=\"424\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://realitydraft.blogspot.com/2011/10/top-5-gifs-of-staceys-redemption-island.html\">Reality Rivals\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Yes, \u003cem>Survivor\u003c/em> is still on. And \u003cem>Survivor \u003c/em>is still great.\u003c/p>\n\u003cp>The social game is fascinating, the challenges are fun, everyone is good looking, and Jeff Probst is one of the best counselors and hosts on reality TV. Seriously, \u003ca href=\"http://youtu.be/kkDEUx4WNOY\">when he talked down Brandon Hantz after a rice-pouring meltdown\u003c/a> back in Caramoan, he diffused a tense situation that could have gotten yelly and violent.\u003c/p>\n\u003cp>But \u003cem>Survivor \u003c/em>is not a perfect show. Probst connects well with men (and bros), but he doesn’t do as well talking to, or understanding, women. \u003cem>Survivor\u003c/em> casts and edits women with strict and often unrealistic roles in mind.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://insidetv.ew.com/2012/09/13/survivor-philippines-jeff-probst-women/\">In a 2012 interview with \u003cem>Entertainment Weekly\u003c/em>\u003c/a>\u003cem>, \u003c/em>Jeff Probst said, “There just aren’t as many colorful women characters in \u003cem>Survivor\u003c/em> history. For whatever reason, we’re loaded with interesting guys. Maybe that says something about our casting process, or maybe it says something about how men and women behave differently in conflict.”\u003c/p>\n\u003cp>Watching any season of \u003cem>Survivor\u003c/em> will reveal Probst man-crushing on \u003ca href=\"https://twitter.com/BostonRob\">Rob Mariano\u003c/a>, \u003ca href=\"https://twitter.com/Colby_Donaldson\">Colby Donaldson\u003c/a>, \u003ca href=\"http://survivor.wikia.com/wiki/Brad_Culpepper\">Brad Culpepper\u003c/a>, and other buff dudes. Probst’s (and the show’s) treatment of female contestants, on the other hand, is consistently condescending, when it’s not outright sexist. So to paraphrase Jeff Probst: “For whatever reason,” here are the female archetypes of \u003cem>Survivors \u003c/em>past.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Black Widow\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_13625\" class=\"wp-caption aligncenter\" style=\"max-width: 435px\">\u003cimg class=\"size-full wp-image-13625\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/surv-parv-cry.jpg\" alt=\"Photo: CBS\" width=\"435\" height=\"265\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/surv-parv-cry.jpg 435w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/surv-parv-cry-360x219.jpg 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/surv-parv-cry-300x182.jpg 300w\" sizes=\"(max-width: 435px) 100vw, 435px\">\u003cfigcaption class=\"wp-caption-text\">Parvati Shallow. Photo: CBS\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Examples: \u003c/em>Jerri Manthey (Australian Outback, All-Stars, Heroes vs. Villains), Parvati Shallow (Cook Islands, Micronesia, Heroes vs. Villains)\u003c/p>\n\u003cp>In the run-up to \u003cem>Survivor’s\u003c/em> second season, \u003ca href=\"https://twitter.com/jerrimanthey\">Jerri Manthey\u003c/a> was teased as the villain, a female manipulator on par with an evil \u003ca href=\"http://en.wikipedia.org/wiki/Bond_girl\">Bond girl\u003c/a>. Jerri had a kind-of-flirtation with \u003ca href=\"http://youtu.be/nxBkwIl_jOg\">Colby Donaldson, who is the natural-born son of Matthew McConaughey and Captain America\u003c/a>, until they came down on opposing sides of the social game. Colby became the golden boy and Jerri became the evil schemer, plotting to (gasp!) manipulate her fellow contestants and win the game.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/parvatishallow\">Parvati Shallow\u003c/a> played her first season as a self-described flirt, but when she came back for a “Fans vs. Favorites” season in Micronesia, her strategy was to make friendships and alliances, exploit them, \u003ca href=\"http://youtu.be/NOwRtkMjznk?t=10s\">and play smart with people she could trust\u003c/a>. But she also came up with the name “\u003ca href=\"http://survivor.wikia.com/wiki/Black_Widow_Brigade\">Black Widow Brigade\u003c/a>” in Micronesia, for an all-female alliance that sent home a bunch of the boys and \u003ca href=\"https://www.youtube.com/watch?v=OMmEdEMbXL8\">even convinced one of them to give his immunity to them\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Crazy One\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/ir4SUxQpJuA\u003cbr>\n\u003cem>Examples: \u003c/em>Sue Hawk (Borneo, All-Stars), Abi-Maria Gomes (Philippines).\u003c/p>\n\u003cp>Sue Hawk delivered one of the most iconic \u003cem>Survivor\u003c/em> moments in season one, with a symbol-heavy, grammatically horrifying, speech about \u003ca href=\"http://youtu.be/ir4SUxQpJuA\">rats, snakes, and denying a dying woman a drink of water\u003c/a>.\u003c/p>\n\u003cp>Sue came back for All-Stars, but she quit following an incident when Rich, her ally in season one, pressed his naked body up against hers during a challenge. Rich was voted out in the same episode for unrelated reasons. At the next challenge, Jeff Probst bought up the incident by saying, “Richard Hatch, sorta being inappropriate. Anybody have any comments?”\u003c/p>\n\u003cp>Sue’s fellow contestants stared at the ground, saying nothing. Sue made it clear that it wasn’t “sorta inappropriate,” it was harassment, even if Richard Hatch thought it was funny. “I was violated, humiliated, de-humanized and totally spent, Jeff. It wasn’t sorta, Jeff… There’s no way I can continue with my emotions pushed into the ground that much.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NAJvetEuoKM'\n title='//www.youtube.com/embed/NAJvetEuoKM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Probst, clearly caught off guard, fumbled with how to respond. “So, okay,” he said. “So, when you say you’re done with the game -- as in, you’re out of the game?”\u003c/p>\n\u003cp>“My mind left this game 24 hours ago,” Sue said.\u003c/p>\n\u003cp>One of Sue’s fellow contestants -- Shii Ann Huang, who is on the opposite tribe -- at least recognizes that the incident took place, saying, “I’m so sorry, Sue. I didn’t see -- I’m so sorry.”\u003c/p>\n\u003cp>Maybe \u003cem>Survivor\u003c/em> treated this incident as best they could. Richard was already gone, and a boat was called in to allow Sue to leave the game. But the silence with which Sue’s statement was met is indicative of the response many women get when they report sexual harassment: silence and ostracism of the victim. To the show’s credit, they didn’t just edit this uncomfortable sequence out of existence. But overall, Sue’s depiction is that of a hotheaded Midwestern hick.\u003c/p>\n\u003cp>More often, the Crazy One is simply shown to be foolish. In the Philippines, \u003ca href=\"https://twitter.com/theabimaria\">Abi-Maria\u003c/a> is manipulated into turning against her ally \u003ca href=\"https://twitter.com/RC_Survivor\">RC\u003c/a> by \u003ca href=\"https://twitter.com/PeteYurkowski\">Pete\u003c/a>, the kind of dude who compares himself positively to \u003cem>Fight Club\u003c/em>'s Tyler Durden. The viewers are in on the joke the whole time -- Abi-Maria is getting fooled! -- whether we want to be or not.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Ice Queen\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13629\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/yuPLIa.gif\" alt=\"yuPLIa\" width=\"432\" height=\"242\">\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Candice Cody (Cook Islands, Heroes vs. Villains, Blood vs. Water), Kim Spradlin (One World)\u003c/p>\n\u003cp>\u003ca href=\"http://survivor.wikia.com/wiki/Candice_Cody\">Candice\u003c/a> made good moves, but came across quiet onscreen. Until she returned in Blood vs. Water, that is, when she was edited as being a bossy ballbreaker, telling her husband what to do.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/SpradlinKim\">Kim\u003c/a> played a winner’s game in One World from the start, the kind that took Boston Rob four seasons to learn how to play. But she did so humbly, quietly, and intently. She won handily, and we’ll probably never see her on that island again.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Lazy One (a.k.a. the Beach Beauty)\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Sarah Jones (Marquesas), Morgan McLeod (Cagayan)\u003c/p>\n\u003cp>The Lazy Ones are almost always young, cute, and skinny. It doesn’t help their energy levels when they’ve been living on tiny cups of rice for several weeks, but when Maraamu tribe arrived on their beach, \u003ca href=\"http://survivor.wikia.com/wiki/Sarah_Jones\">Sarah Jones\u003c/a> opted to be carried in on the raft that her tribe mates were paddling. Every season reaches a point where the conversation turns to who “contributes” to the tribe and who sleeps the day away, followed by a cutaway shot to girls in bikinis lounging on a bed of bamboo. Unless the camp is near a lagoon, in which case there is\u003ca href=\"http://youtu.be/sEyiGHTsCaw?t=43s\"> a cutaway sequence to the women washing each other’s hair\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Adorable Tomboy\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cimg class=\"aligncenter size-full wp-image-13630\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Le4ba.gif\" alt=\"Le4ba\" width=\"259\" height=\"252\">\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Colleen Haskell (Borneo), Kat Edorsson (One World, Blood vs. Water)\u003c/p>\n\u003cp>Awkward. Funny. Strange. \u003ca href=\"http://survivor.wikia.com/wiki/Colleen_Haskell\">Colleen\u003c/a> played the game in season one and never returned, saying no when asked to play \u003cem>Survivor \u003c/em>again, \u003ca href=\"http://youtu.be/WHAkz1wBiUU?t=10s\">but saying yes when asked to star in a Rob Schneider movie\u003c/a>. Hey, the heart wants what it wants, right? Meanwhile, Kat crawled around on all fours when her cousin came to visit as part of the One World “loved ones visit,” which was … um … better seen than described. This is the one archetype I can get behind. More \u003cem>Survivor\u003c/em> weirdos, please.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LRNPpy5FuQw'\n title='//www.youtube.com/embed/LRNPpy5FuQw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">\u003cstrong>The Ostracized African-American\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Examples:\u003c/em> Francesca Hogi (Redemption Island, Caramoan), Candace Smith (Tocantins)\u003c/p>\n\u003cp>Okay, this is the most depressing one. Again, it’s practically a \u003cem>Survivor\u003c/em> perennial. Aside from \u003ca href=\"http://survivor.wikia.com/wiki/Survivor:_Cook_Islands\">Cook Islands\u003c/a>, the (unfairly maligned, in my opinion) season where the tribes were divided by ethnicity, it’s very rare to see more than one African-American woman in a single season of \u003cem>Survivor\u003c/em>. \u003ca href=\"https://twitter.com/DearFranny\">Francesca\u003c/a> has the … honor? of being the only contestant to be voted out \u003cem>first\u003c/em>, twice.\u003c/p>\n\u003cp>In Tocantins, \u003ca href=\"http://survivor.wikia.com/wiki/Candace_Smith\">Candace\u003c/a> proved herself athletically, but clashed with tribe leader \u003ca href=\"https://twitter.com/the_real_coach\">Coach\u003c/a> over how to cook the rice and beans. Time and again, there’s “just something about” the African-American women of \u003cem>Survivor\u003c/em> that makes them an early target for being voted out.\u003c/p>\n\u003cp>Now, this isn’t true across the board. \u003ca href=\"http://survivor.wikia.com/wiki/Vecepia_Towery\">Vecepia Towery-Robison\u003c/a> won her season, and \u003ca href=\"http://survivor.wikia.com/wiki/Cirie_Fields\">Cirie Fields\u003c/a> is a three-time player generally regarded as both strategic \u003cem>and \u003c/em>very likeable. But, come on, \u003cem>Survivor\u003c/em> contestants. Maybe stop voting African-American women out at the first opportunity?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Mom\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Examples: \u003c/em>Tina Wesson (Australian Outback, All-Stars, Blood vs. Water), Dawn Meehan (South Pacific, Caramoan)\u003c/p>\n\u003cp>Mom-figures on \u003cem>Survivor\u003c/em> have a pretty predictable arc. Either they go in the first few votes, usually due to “keeping the tribe strong,” or they make it deep in the game. Both \u003ca href=\"http://survivor.wikia.com/wiki/Tina_Wesson\">Tina\u003c/a> in the Australian Outback, and \u003ca href=\"https://twitter.com/meehand\">Dawn\u003c/a> in Caramoan, made it deep because they were able to dodge early expulsion, then made strong strategic alliances. Tina won her first season while Dawn lost to her ally Cochran, but both received similar criticisms: that they were carried to the end and made no moves of their own. It’s an inherently sexist criticism, almost always leveled against women or minorities who are sitting next to white men, who are deemed to have been “stronger players.”\u003c/p>\n\u003cp>Which leads us to…\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Sidekick/The Goat\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/LhMIG7wOe_E\u003cbr>\n\u003cem>Examples: \u003c/em>Amber Brkich (Australian Outback, All-Stars), Natalie White (Somoa)\u003c/p>\n\u003cp>Only “The Goat” if they don’t become Sole Survivor, it’s become common for an opposite-sex pair to go to the end with the man presenting himself as the athlete/schemer/leader, and the woman made out to be -- either by her partner or by that season’s jury -- an unworthy coattails rider. That’s rarely the real story, since getting to the end in any configuration is a result of skill, luck, and good gameplay.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>...and Sandra.\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/LNFFU9SWDM4\u003cbr>\n\u003cem>Examples: \u003c/em>Sandra Diaz-Twine (Pearl Islands, Heroes vs. Villains)\u003c/p>\n\u003cp>\u003ca href=\"http://survivor.wikia.com/wiki/Sandra_Diaz-Twine\">Sandra\u003c/a> has done what no other contestant on \u003cem>Survivor \u003c/em>has done: She’s played twice, and won both times. She played the game that was best \u003cem>for her\u003c/em>, going with the flow when she needed to, starting fights when she needed to, and letting others crash and burn when they just couldn’t help it. Sandra stands on her own because her gameplay, her edit, and everything about her is uniquely \u003cem>Sandra\u003c/em>.\u003c/p>\n\u003cp>But the thing is, she’s not the only fully-formed woman to ever play \u003cem>Survivor\u003c/em>. It just means that, to again paraphrase Jeff Probst, “for whatever reason,” Sandra played a game that defied the easy edit.\u003c/p>\n\u003cp>I love \u003cem>Survivor\u003c/em>. It’s a rewarding and fun watch, even when the winner steamrolls their way to the end. This list is certainly not meant to represent the totality of every woman who has appeared on \u003cem>Survivor\u003c/em>, but rather out how the producers and editors of the show frame the way those women are represented.\u003c/p>\n\u003cp>It’s worth pointing out that my favorite reviewers and critics who write about \u003cem>Survivor\u003c/em> are both women. \u003ca href=\"https://twitter.com/ChannonSarah\">Sarah Freeman\u003c/a> is part of a team that covers the show for \u003ca href=\"http://robhasawebsite.com/category/survivor/\">RobHasAWebsite\u003c/a>, run by two-time contestant Rob Cesternino, and she looks at the strategy behind each player, as revealed by their on-air edits and deleted scenes. \u003ca href=\"http://www.npr.org/blogs/monkeysee/\">Linda Holmes\u003c/a> occasionally covers \u003cem>Survivor\u003c/em> for the NPR pop culture blog MonkeySee, \u003ca href=\"http://www.npr.org/blogs/monkeysee/2013/10/10/231398615/the-tribe-has-broken-how-sexism-is-silently-killing-survivor\">including a post that specifically tackled the sexism inherent in \u003cem>Survivor’s \u003c/em>first Blood vs. Water season\u003c/a>.\u003c/p>\n\u003cp>“I like \u003cem>Survivor\u003c/em>,” she wrote in 2013, “but I cannot deny that having to sit through all this preening by bullies is beginning take a toll on my enjoyment, especially when I feel like the show and the host are on their side.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Survivor\u003c/em> has had a lot of imitators over the past 14 years, but very few are still standing today. \u003cem>Survivor\u003c/em> is a great game show, an interesting social experiment, and a living legend of reality television. Now all it has to do is live up to its own promise.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"order": 1
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
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