window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10546273": {
"type": "attachments",
"id": "arts_10546273",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10546273",
"found": true
},
"parent": 10543761,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/obsessed-justified-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1428614500,
"modified": 1428614500,
"caption": null,
"description": null,
"title": "obsessed-justified",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10537581": {
"type": "attachments",
"id": "arts_10537581",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10537581",
"found": true
},
"parent": 10526492,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/OffermanMullally69800-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1428346429,
"modified": 1428346534,
"caption": "According to their tour description, Mullally and Offerman detail \"the salacious details of their fiery union for all the world to enjoy.\"",
"description": null,
"title": "OffermanMullally69800",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10524369": {
"type": "attachments",
"id": "arts_10524369",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10524369",
"found": true
},
"parent": 10524126,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/04/selena-obsessed-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1427937888,
"modified": 1427937888,
"caption": null,
"description": null,
"title": "selena-obsessed",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10521769": {
"type": "attachments",
"id": "arts_10521769",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10521769",
"found": true
},
"parent": 10520978,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/TheDemo-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1427861920,
"modified": 1427861986,
"caption": "Ben Neill (left) and Mikel Rouse (right) rehearse \u003cem>The Demo\u003c/em>. (Photo courtesy Stanford/Valerie Oliveiro)",
"description": null,
"title": "TheDemo",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10504018": {
"type": "attachments",
"id": "arts_10504018",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10504018",
"found": true
},
"parent": 10503786,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-8-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1427333355,
"modified": 1427333355,
"caption": null,
"description": null,
"title": "obsessed-8",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10483491": {
"type": "attachments",
"id": "arts_10483491",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10483491",
"found": true
},
"parent": 10483103,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-kimmy-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1426727956,
"modified": 1426727956,
"caption": null,
"description": null,
"title": "obsessed kimmy",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10462545": {
"type": "attachments",
"id": "arts_10462545",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10462545",
"found": true
},
"parent": 10462544,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-5-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1426118902,
"modified": 1426118902,
"caption": null,
"description": null,
"title": "obsessed 5",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10442767": {
"type": "attachments",
"id": "arts_10442767",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10442767",
"found": true
},
"parent": 10442277,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/03/obsessed-logo-cop2y-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1425522602,
"modified": 1425522602,
"caption": null,
"description": null,
"title": "obsessed logo cop2y",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10423257": {
"type": "attachments",
"id": "arts_10423257",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10423257",
"found": true
},
"parent": 10422907,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-320x180.jpg",
"width": 320,
"mimeType": "image/jpeg",
"height": 180
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4.jpg",
"width": 800,
"height": 450
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obsessed-4-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1424910855,
"modified": 1424910855,
"caption": null,
"description": null,
"title": "obsessed 4",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10408966": {
"type": "attachments",
"id": "arts_10408966",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10408966",
"found": true
},
"parent": 10408965,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955.jpg",
"width": 768,
"height": 432
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/wittels-76553da09b488d2129d097035adf5c755a893689-e1424473900955-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1424473822,
"modified": 1424473954,
"caption": "Along with Colton Dunn (L), Harris Wittels (R) played a bumbling member of the Pawnee animal control team on the show he co-executive-produced, \u003cem>Parks And Recreation\u003c/em>. (Photo: Ben Cohen/NBC)",
"description": "Along with Colton Dunn (L), Harris Wittels (R) played a bumbling member of the Pawnee animal control team on the show he co-executive-produced, \u003cem>Parks And Recreation\u003c/em>.",
"title": "Along with Colton Dunn (L), Harris Wittels (R) played a bumbling member of the Pawnee animal control team on the show he co-executive-produced, Parks And Recreation.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10406294": {
"type": "attachments",
"id": "arts_10406294",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10406294",
"found": true
},
"parent": 10403172,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/obs3-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1424397230,
"modified": 1424397230,
"caption": null,
"description": null,
"title": "obs3",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10385734": {
"type": "attachments",
"id": "arts_10385734",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10385734",
"found": true
},
"parent": 10385337,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/02/spice-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1423781478,
"modified": 1423781478,
"caption": null,
"description": null,
"title": "spice",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_10408965": {
"type": "authors",
"id": "byline_arts_10408965",
"meta": {
"override": true
},
"slug": "byline_arts_10408965",
"name": "Glen Weldon",
"isLoading": false
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
}
},
"pagesReducer": {
"arts_category_popculture": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"score": 14.408617
},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"title": "Pop Culture",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 229
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=popculture",
"seeMore": false,
"paginated": true,
"page": 229
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_10543761": {
"type": "posts",
"id": "arts_10543761",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10543761",
"score": null,
"sort": [
1428617773000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1428617773,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a fake soul band, a hummingbird, Timothy Olyphant, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Milky Edwards and the Chamberlings\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=LvXLuYXPL94\u003c/p>\n\u003cp class=\"p1\">I love David Bowie. Not only do I have a Ziggy Stardust tattoo, I’ve spent many hours pushing my vocal chords to the brink, trying to hit the high notes on “Life on Mars.” I also love ’60s soul music, which was the soundtrack to my wedding reception. So when someone posted the Milky Edwards version of “Moonage Daydream” on Facebook, it was like discovering manna from heaven.\u003c/p>\n\u003cp class=\"p1\">At the time, I was starving for music to be excited about, so imagine my disappointment when I discovered that there were only three songs posted on YouTube! As a matter of fact, there’s no proof of the band ever existing, and there are many reasons to believe \u003ca href=\"http://www.theguardian.com/music/musicblog/2013/sep/26/milky-edwards-chamberlings-ziggy-stardust-david-bowie-hoax\">it’s a hoax\u003c/a>. Still, it’s quite an elaborate hoax, and personally, I don’t care if the band never existed. I just want more soul bands doing Bowie covers — or at least for Milky Edwards to do a version of “Suffragette City.”\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Timothy Olyphant’s Nerdist episode\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10543879\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/Justified-2010-800x450.jpg\" alt=\"JUSTIFIED: Timothy Olyphant as Raylan Givens. CR: Frank Ockenfels III / FX\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-320x180.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">To anyone that’s known me for more than a minute (or just had the misfortune of engaging me on public transit), my longstanding crush on \u003ci>Justified \u003c/i>actor Timothy Olyphant is no secret. But even if you don’t share my “preoccupation,” this episode he recorded for the Nerdist podcast is still a total treat. The main attraction: so\u003ci> \u003c/i>many disarmingly frank (and unexpectedly wise) stories about the reality of being an actor in Hollywood. He talks about his need to make certified mind-rotter \u003ci>Hitman \u003c/i>to pay the bills after the sudden cancellation of HBO’s \u003ci>Deadwood\u003c/i>, which\u003ci> \u003c/i>coincided with his family’s purchase of a new house. Seriously, when was the last time you heard a movie star talking about mortgage anxiety?\u003c/p>\n\u003cp class=\"p1\">And if you’re \u003ci>also\u003c/i> obsessed with that much-missed TV masterpiece, the anecdotes from the \u003ci>Deadwood \u003c/i>set—including creator David Milch’s decision to kill off a child character because the young actor’s mother was being irritating—are just the best. If you’re not a little in love with Olyphant after listening to the hour and then some of this episode, I do \u003ci>not\u003c/i> want to hear about it.\u003ca href=\"https://nerdist.com/nerdist-podcast-timothy-olyphant/\"> Listen now!\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10546161\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10546161\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Lakshmi Eassey\u003c/i>\u003cbr> Intern Extraordinaire, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Yuna’s Frank Ocean Cover\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=nm5yyimKo4E\u003c/p>\n\u003cp class=\"p1\">I love Frank Ocean and I love Yuna, so it should come as no surprise that I can’t stop listening to Yuna’s cover of Frank Ocean’s “Thinkin Bout You.” It’s from 2012, but I stumbled upon it it while doing some research on Yuna for \u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">The Do List\u003c/a> (\u003ca href=\"http://www.yunamusic.com/tour/\">she’ll be in the Bay Area in May\u003c/a>). The video is recorded and shot at her home in L.A.; the song is from Frank Ocean’s debut solo album, \u003cem>Channel Orange\u003c/em>. The cover doesn’t speak to a lingering longing that reminds me of a special someone like the old school songs of K-Ci and JoJo, but with lyrics like “I don’t like you, I just thought you were cool enough to kick it” and Yuna’s sweet delivery and sweeter hair wrap, all I can think is \u003cem>damn, she’s cool enough to kick it\u003c/em>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">This Hummingbird\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10543884\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/Hummingbird-800x547.jpeg\" alt=\"Hummingbird\" width=\"800\" height=\"547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird-400x274.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird-768x525.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird-320x219.jpeg 320w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>It’s not every day one gets to hold a baby hummingbird, but after discovering this small, beautiful bird right in front of KQED, what other choice did we have? The poor creature lay there immobile, directly in the path of foot traffic, so my coworker Kevin Jones gently picked it up. It tried, and failed, to fly, while I looked up San Francisco Animal Care and Control. Turns out it was only three blocks away! Hence, the uncommon sight of two public media employees carrying a tiny colorful hummingbird down Bryant Street and over to “\u003ca href=\"http://en.wikipedia.org/wiki/Rescue_Row\" target=\"_blank\" rel=\"noopener\">Rescue Row\u003c/a>.”\u003c/p>\n\u003cp>Luckily, Animal Care and Control assured us that it could take the bird, and that it wasn’t injured — just young and inexperienced at flight. To celebrate, our little friend suddenly took to the air, flew around the lobby a little bit, hovered near the counter and even tried to stick its long, needlelike beak into a receptionist’s ear. Hooray! All will be well. Adieu, little buddy…and thanks, \u003ca href=\"//www.sfgov2.org/index.aspx?page=942%E2%80%9D\">San Francisco Animal Care and Control\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">“One Sweet Day”\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=UXxRyNvTPr8\u003c/p>\n\u003cp>Earlier this week, \u003cem>The Bold Italic\u003c/em> announced they were shutting down. I ended my\u003ca href=\"http://ww2.kqed.org/pop/2015/04/07/the-bold-italic-suddenly-calls-it-quits-bay-area-goes-huh/\"> KQED Pop post about the news\u003c/a> with this music video for Mariah Carey and Boyz II Men’s 1995 monster hit “One Sweet Day,” a song about the dearly departed. This has led me to listen to it at least 20 times over the past two days. Why, you ask? Because it captures the spirit of ’90s pop and R&B perfectly, plus the video features the braces of one of the Boyz II Men members and Mariah wearing Converse.\u003c/p>\n\u003cp>It’s not just me; history supports my obsession with this song. Did you know that it spent 16 weeks at the top of the charts and still holds the record for the longest running number one song in Billboard history? Mark Ronson & Bruno Mars’ “Uptown Funk” (ugh, make it stop!) just tied Mariah’s “We Belong Together” and Boyz II Men’s “I’ll Make Love To You” for second place with 14 weeks. I whitehousepetition.org you to stop listening to “Uptown Funk” immediately and start listening to “One Sweet Day” again. It’s the only way to keep things right in the world.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1107,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705047311,
"excerpt": "This week, the KQED Arts gang is freaking out over a fake soul band, a hummingbird, Timothy Olyphant, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over a fake soul band, a hummingbird, Timothy Olyphant, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-04-09T15:16:13-07:00",
"dateModified": "2024-01-12T00:15:11-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-10",
"status": "publish",
"sticky": false,
"path": "/arts/10543761/obsessed-everything-we-cant-stop-talking-about-this-week-10",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a fake soul band, a hummingbird, Timothy Olyphant, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Milky Edwards and the Chamberlings\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LvXLuYXPL94'\n title='//www.youtube.com/embed/LvXLuYXPL94'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">I love David Bowie. Not only do I have a Ziggy Stardust tattoo, I’ve spent many hours pushing my vocal chords to the brink, trying to hit the high notes on “Life on Mars.” I also love ’60s soul music, which was the soundtrack to my wedding reception. So when someone posted the Milky Edwards version of “Moonage Daydream” on Facebook, it was like discovering manna from heaven.\u003c/p>\n\u003cp class=\"p1\">At the time, I was starving for music to be excited about, so imagine my disappointment when I discovered that there were only three songs posted on YouTube! As a matter of fact, there’s no proof of the band ever existing, and there are many reasons to believe \u003ca href=\"http://www.theguardian.com/music/musicblog/2013/sep/26/milky-edwards-chamberlings-ziggy-stardust-david-bowie-hoax\">it’s a hoax\u003c/a>. Still, it’s quite an elaborate hoax, and personally, I don’t care if the band never existed. I just want more soul bands doing Bowie covers — or at least for Milky Edwards to do a version of “Suffragette City.”\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Timothy Olyphant’s Nerdist episode\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10543879\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/Justified-2010-800x450.jpg\" alt=\"JUSTIFIED: Timothy Olyphant as Raylan Givens. CR: Frank Ockenfels III / FX\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010-320x180.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Justified-2010.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">To anyone that’s known me for more than a minute (or just had the misfortune of engaging me on public transit), my longstanding crush on \u003ci>Justified \u003c/i>actor Timothy Olyphant is no secret. But even if you don’t share my “preoccupation,” this episode he recorded for the Nerdist podcast is still a total treat. The main attraction: so\u003ci> \u003c/i>many disarmingly frank (and unexpectedly wise) stories about the reality of being an actor in Hollywood. He talks about his need to make certified mind-rotter \u003ci>Hitman \u003c/i>to pay the bills after the sudden cancellation of HBO’s \u003ci>Deadwood\u003c/i>, which\u003ci> \u003c/i>coincided with his family’s purchase of a new house. Seriously, when was the last time you heard a movie star talking about mortgage anxiety?\u003c/p>\n\u003cp class=\"p1\">And if you’re \u003ci>also\u003c/i> obsessed with that much-missed TV masterpiece, the anecdotes from the \u003ci>Deadwood \u003c/i>set—including creator David Milch’s decision to kill off a child character because the young actor’s mother was being irritating—are just the best. If you’re not a little in love with Olyphant after listening to the hour and then some of this episode, I do \u003ci>not\u003c/i> want to hear about it.\u003ca href=\"https://nerdist.com/nerdist-podcast-timothy-olyphant/\"> Listen now!\u003c/a>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10546161\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10546161\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Lakshmi-Bio-Pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Lakshmi Eassey\u003c/i>\u003cbr> Intern Extraordinaire, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Yuna’s Frank Ocean Cover\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nm5yyimKo4E'\n title='//www.youtube.com/embed/nm5yyimKo4E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">I love Frank Ocean and I love Yuna, so it should come as no surprise that I can’t stop listening to Yuna’s cover of Frank Ocean’s “Thinkin Bout You.” It’s from 2012, but I stumbled upon it it while doing some research on Yuna for \u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">The Do List\u003c/a> (\u003ca href=\"http://www.yunamusic.com/tour/\">she’ll be in the Bay Area in May\u003c/a>). The video is recorded and shot at her home in L.A.; the song is from Frank Ocean’s debut solo album, \u003cem>Channel Orange\u003c/em>. The cover doesn’t speak to a lingering longing that reminds me of a special someone like the old school songs of K-Ci and JoJo, but with lyrics like “I don’t like you, I just thought you were cool enough to kick it” and Yuna’s sweet delivery and sweeter hair wrap, all I can think is \u003cem>damn, she’s cool enough to kick it\u003c/em>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">This Hummingbird\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10543884\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/Hummingbird-800x547.jpeg\" alt=\"Hummingbird\" width=\"800\" height=\"547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird-400x274.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird-768x525.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/Hummingbird-320x219.jpeg 320w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>It’s not every day one gets to hold a baby hummingbird, but after discovering this small, beautiful bird right in front of KQED, what other choice did we have? The poor creature lay there immobile, directly in the path of foot traffic, so my coworker Kevin Jones gently picked it up. It tried, and failed, to fly, while I looked up San Francisco Animal Care and Control. Turns out it was only three blocks away! Hence, the uncommon sight of two public media employees carrying a tiny colorful hummingbird down Bryant Street and over to “\u003ca href=\"http://en.wikipedia.org/wiki/Rescue_Row\" target=\"_blank\" rel=\"noopener\">Rescue Row\u003c/a>.”\u003c/p>\n\u003cp>Luckily, Animal Care and Control assured us that it could take the bird, and that it wasn’t injured — just young and inexperienced at flight. To celebrate, our little friend suddenly took to the air, flew around the lobby a little bit, hovered near the counter and even tried to stick its long, needlelike beak into a receptionist’s ear. Hooray! All will be well. Adieu, little buddy…and thanks, \u003ca href=\"//www.sfgov2.org/index.aspx?page=942%E2%80%9D\">San Francisco Animal Care and Control\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">“One Sweet Day”\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UXxRyNvTPr8'\n title='//www.youtube.com/embed/UXxRyNvTPr8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Earlier this week, \u003cem>The Bold Italic\u003c/em> announced they were shutting down. I ended my\u003ca href=\"http://ww2.kqed.org/pop/2015/04/07/the-bold-italic-suddenly-calls-it-quits-bay-area-goes-huh/\"> KQED Pop post about the news\u003c/a> with this music video for Mariah Carey and Boyz II Men’s 1995 monster hit “One Sweet Day,” a song about the dearly departed. This has led me to listen to it at least 20 times over the past two days. Why, you ask? Because it captures the spirit of ’90s pop and R&B perfectly, plus the video features the braces of one of the Boyz II Men members and Mariah wearing Converse.\u003c/p>\n\u003cp>It’s not just me; history supports my obsession with this song. Did you know that it spent 16 weeks at the top of the charts and still holds the record for the longest running number one song in Billboard history? Mark Ronson & Bruno Mars’ “Uptown Funk” (ugh, make it stop!) just tied Mariah’s “We Belong Together” and Boyz II Men’s “I’ll Make Love To You” for second place with 14 weeks. I whitehousepetition.org you to stop listening to “Uptown Funk” immediately and start listening to “One Sweet Day” again. It’s the only way to keep things right in the world.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10543761/obsessed-everything-we-cant-stop-talking-about-this-week-10",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10546273",
"label": "arts"
},
"arts_10526492": {
"type": "posts",
"id": "arts_10526492",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10526492",
"score": null,
"sort": [
1428346829000
]
},
"guestAuthors": [],
"slug": "the-dream-team-nick-offerman-and-megan-mullally-hit-the-stage-together",
"title": "The Dream Team: Nick Offerman and Megan Mullally Hit the Stage Together",
"publishDate": 1428346829,
"format": "standard",
"headTitle": "The Dream Team: Nick Offerman and Megan Mullally Hit the Stage Together | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/nick-offerman-megan-mullally/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Nick Offerman & Megan Mullally\u003c/h2>\n\u003cdiv class=\"event-desc\">Comedy’s sex-positive power couple.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Apr. 26, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The Masonic\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/nick-offerman-megan-mullally/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Nick Offerman is not one to mince words: the man enjoys sex with his wife.\u003c/p>\n\u003cp>The comedian, best-known to audiences as the professionally procrastinating man’s-man Ron Swanson on TV’s \u003cem>Parks & Recreation\u003c/em>, also feels free to pontificate at length about said sex with his wife in his public appearances. At a Bay Area show last year, he declared his “voracious sexual appetite” could only be sated by “taking what’s legally mine” in Mullally, whom he referred to as his “personal property.”\u003c/p>\n\u003cp>Now, in a tour together, Offerman and Mullally embark on what’s sure to be a coast-to-coast battle of the sexes. Mullally’s no withering flower herself, known for being strong and independent, and in the tour’s promotional photo she’s seen next to Offerman icily skewering a pair of wieners with a barbeque poker. It’s about as subtle as the title of the tour: \u003cem>Summer of 69: No Apostrophe\u003c/em>.\u003c/p>\n\u003cp>The reason Offerman’s solo routine works in nonoffensive fashion is the same reason Mullally’s character Karen Walker worked so well on the hit sitcom \u003cem>Will & Grace\u003c/em>: it’s completely over-the-top. Yes, Offerman in real life is a brawny guy who \u003ca href=\"http://offermanwoodshop.com/\" target=\"_blank\" rel=\"noopener\">likes his meat rare and owns a woodworking shop\u003c/a>, but he also knows that in Ron Swanson, he’d found a schtick that worked. In performance, he peppers his set with a constant high-pitched toddler’s giggle, letting the crowd know that he’s merely playing up that schtick to ridiculous extremes.\u003c/p>\n\u003cp>Ah, but remember the barbeque poker. Should Offerman pick up his guitar and sing his newly composed ode to vacation sex, “Beef on the Stone,” with verse after verse full of entendre and not-so-entendre about he and Mullally’s bedroom activities, expect it to make an arrival at the Masonic — upon Offerman’s backside, likely, and to uproarious laughter, surely. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "As Ron Swanson on \u003cem>Parks & Recreation\u003c/em>, Nick Offerman has always been a man's-man comedian; now, on a tour with his strong, independent wife Megan Mullally, onstage sparks are sure to fly.",
"status": "publish",
"parent": 0,
"modified": 1726781921,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 369
},
"headData": {
"title": "The Dream Team: Nick Offerman and Megan Mullally Hit the Stage Together | KQED",
"description": "As Ron Swanson on Parks & Recreation, Nick Offerman has always been a man's-man comedian; now, on a tour with his strong, independent wife Megan Mullally, onstage sparks are sure to fly.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Dream Team: Nick Offerman and Megan Mullally Hit the Stage Together",
"datePublished": "2015-04-06T12:00:29-07:00",
"dateModified": "2024-09-19T14:38:41-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/10526492/the-dream-team-nick-offerman-and-megan-mullally-hit-the-stage-together",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/nick-offerman-megan-mullally/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>Nick Offerman & Megan Mullally\u003c/h2>\n\u003cdiv class=\"event-desc\">Comedy’s sex-positive power couple.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Apr. 26, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The Masonic\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/nick-offerman-megan-mullally/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Nick Offerman is not one to mince words: the man enjoys sex with his wife.\u003c/p>\n\u003cp>The comedian, best-known to audiences as the professionally procrastinating man’s-man Ron Swanson on TV’s \u003cem>Parks & Recreation\u003c/em>, also feels free to pontificate at length about said sex with his wife in his public appearances. At a Bay Area show last year, he declared his “voracious sexual appetite” could only be sated by “taking what’s legally mine” in Mullally, whom he referred to as his “personal property.”\u003c/p>\n\u003cp>Now, in a tour together, Offerman and Mullally embark on what’s sure to be a coast-to-coast battle of the sexes. Mullally’s no withering flower herself, known for being strong and independent, and in the tour’s promotional photo she’s seen next to Offerman icily skewering a pair of wieners with a barbeque poker. It’s about as subtle as the title of the tour: \u003cem>Summer of 69: No Apostrophe\u003c/em>.\u003c/p>\n\u003cp>The reason Offerman’s solo routine works in nonoffensive fashion is the same reason Mullally’s character Karen Walker worked so well on the hit sitcom \u003cem>Will & Grace\u003c/em>: it’s completely over-the-top. Yes, Offerman in real life is a brawny guy who \u003ca href=\"http://offermanwoodshop.com/\" target=\"_blank\" rel=\"noopener\">likes his meat rare and owns a woodworking shop\u003c/a>, but he also knows that in Ron Swanson, he’d found a schtick that worked. In performance, he peppers his set with a constant high-pitched toddler’s giggle, letting the crowd know that he’s merely playing up that schtick to ridiculous extremes.\u003c/p>\n\u003cp>Ah, but remember the barbeque poker. Should Offerman pick up his guitar and sing his newly composed ode to vacation sex, “Beef on the Stone,” with verse after verse full of entendre and not-so-entendre about he and Mullally’s bedroom activities, expect it to make an arrival at the Masonic — upon Offerman’s backside, likely, and to uproarious laughter, surely. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10526492/the-dream-team-nick-offerman-and-megan-mullally-hit-the-stage-together",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_626"
],
"featImg": "arts_10537581",
"label": "arts_140"
},
"arts_10524126": {
"type": "posts",
"id": "arts_10524126",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10524126",
"score": null,
"sort": [
1428026436000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1428026436,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over Ghostface Killah’s favorite jazz musicians, the music videos of Hiro Murai, Selena, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Every Frame a Painting\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=I8lQKLjmoWI\u003c/p>\n\u003cp>It’s notoriously difficult to talk about movies in any depth—beyond “It’s in black and white!”—without sounding like a tedious poser. That’s why I love \u003ca href=\"https://www.youtube.com/channel/UCjFqcJQXGZ6T6sxyFB-5i6A\">\u003cspan class=\"s1\">these zippy video essays\u003c/span>\u003c/a> on how and why films \u003ci>work\u003c/i>,\u003ci> \u003c/i>by San Francisco-based buff \u003ca href=\"https://twitter.com/tonyszhou\">\u003cspan class=\"s1\">Tony Zhou\u003c/span>\u003c/a>. Delving into the nitty-gritty of technique and style without ever being pretentious, they reveal all the stuff you never notice, drawing from a huge range of movies you’ll actually, you know, \u003ci>recognize\u003c/i> (no film school preciousness here). My favorites so far? His take on \u003ca href=\"https://www.youtube.com/watch?v=uFfq2zblGXw\">\u003cspan class=\"s1\">text messages on-screen\u003c/span>\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=8q4X2vDRfRk\">\u003cspan class=\"s1\">the ferry scene in \u003c/span>\u003cspan class=\"s2\">\u003ci>Jaws\u003c/i>\u003c/span>\u003c/a> and why \u003ca href=\"https://www.youtube.com/watch?v=Z1PCtIaM_GQ\">\u003cspan class=\"s1\">Jackie Chan’s fights\u003c/span>\u003c/a> are so fun to watch. Like the best explainers, these fascinating videos underestimate your knowledge, not your intelligence. (P.S. I only just learned that \u003ca href=\"http://www.reddit.com/r/TrueFilm/comments/2rg8jt/i_am_tony_zhou_creator_of_the_every_frame_a/\">\u003cspan class=\"s1\">Tony\u003c/span>\u003c/a> is based in San Francisco while writing this! Which means… he could be in \u003ci>my\u003c/i> Starbucks right now, snipping bits out of \u003ci>Goodfellas\u003c/i>!)\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">BadBadNotGood\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=JUlPrRHfWAI\u003c/p>\n\u003cp>The year was 2003, and jazz was yet again declared to be dead; yet out of the abyss came \u003cem>These are the Vistas\u003c/em>, the major-label debut of iconoclastic trio the Bad Plus. They \u003ca href=\"https://www.youtube.com/watch?v=RZ6Xo1mYSJg\" target=\"_blank\" rel=\"noopener\">covered Nirvana\u003c/a> and Blondie. They played jazz like lion tamers. They got a 7.0 from Pitchfork. And just like that, thousands of indie-rock fans started listening to jazz. Twelve years later, the Toronto trio BadBadNotGood is doing the same thing for hip-hop fans—playing jazz with a boom-bap backbeat and collaborating with Tyler, the Creator, Frank Ocean, and Ghostface Killah. In fact, BadBadNotGood provides the instrumental backing for Ghostface’s new album, \u003ca href=\"https://www.youtube.com/watch?v=jI5rbMDrL3I\" target=\"_blank\" rel=\"noopener\">\u003cem>Sour Soul\u003c/em>\u003c/a>, but I’m currently obsessed with the group’s latest release as a trio, the more traditionally jazzy \u003cem>III\u003c/em>. Of course, someone’s uploaded the entire album to YouTube — hear it above.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Also Shot On iPhone 6\u003c/h2>\n\u003cfigure id=\"attachment_10524252\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10524252\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-800x573.png\" alt=\"Photo: Also Shot on iPhone 6 / Tumblr\" width=\"800\" height=\"573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-800x573.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-400x286.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-1180x844.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-768x550.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-320x229.png 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Also Shot on iPhone 6 / \u003ca href=\"http://alsoshotoniphone6.tumblr.com/\">Tumblr\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>When I first saw Apple’s ‘Shot on iPhone 6’ campaign, it brought to mind creepy marketers combing through thousands of people’s photo albums to find images that would create the photo journal of the Perfect Person’s life. Many of the images they selected for the campaign depict moments of said Perfect Person in serene beauty: standing on top of a mountain, walking in woods blanketed with snow, sitting at the beach looking at the sunset, walking through sunflower fields.\u003c/p>\n\u003cp>After seeing these billboards plastered all over SF, I found them tiresome….UNTIL I came across \u003ca href=\"http://alsoshotoniphone6.tumblr.com/\">Also Shot On iPhone 6\u003c/a>. The folks behind the Also Shot On campaign says their prank was created “to shed light on the fact that most photos taken with the device are a little less than perfect, and simply possessing an iPhone 6 probably isn’t going to change that for the typical consumer.” I love the snarky, DIY attitude of this advertising hack.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Hiro Murai’s Music Videos\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=2lXD0vv-ds8\u003c/p>\n\u003cp>\u003ca href=\"http://hiromurai.com\">Hiro Murai\u003c/a> makes music videos that swiftly transport you to another world, taking you to intense, riveting places in just a few minutes. His fascination with the mystery of dream states and uncanny vibes is strongly reflected in his work. Kendrick Lamar and Flying Lotus weren’t the focus of Murai’s video for their “Never Catch Me” collab, but the narrative was powerful and abstractly illustrative of the musicians’ intentions. Another favorite is \u003ca href=\"https://www.youtube.com/watch?v=ahpSKdLfB40\" target=\"_blank\" rel=\"noopener\">St. Vincent’s “Cheerleader”\u003c/a>; Murai was inspired by hyper-real sculptor Ron Mueck for the larger-than-life video. And those two are just scratching the surface of all the rad music videos he’s made. Head over to \u003ca href=\"http://hiromurai.com\">his official site\u003c/a> and sink into short films set to music by Childish Gambino, the Shins, Sia, Earl Sweatshirt, Cults, Shabazz Palaces and more!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Selena\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=P_317nB39bc\u003c/p>\n\u003cp>This week marked the 20th anniversary of Selena’s death, so her music has been pumping through my headphones nonstop. \u003ca href=\"http://ww2.kqed.org/pop/2015/03/31/remembering-selena-20-years-after-her-death/\">I wrote a piece for KQED Pop \u003c/a>about why Selena was so important. Yes, she had an amazing voice and so much charisma, but beyond her music and personality, the reason she is still remembered is that she made people who weren’t used to being represented feel seen, and made this first-generation kid stop apologizing for his difference and revel in it instead. For that, I will always love her. The disco medley above is from her last concert. It captures everything Selena did best.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 909,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705047351,
"excerpt": "This week, the KQED Arts gang is freaking out over Ghostface Killah's favorite jazz musicians, the music videos of Hiro Murai, Selena, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over Ghostface Killah's favorite jazz musicians, the music videos of Hiro Murai, Selena, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-04-02T19:00:36-07:00",
"dateModified": "2024-01-12T00:15:51-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-9",
"status": "publish",
"sticky": false,
"path": "/arts/10524126/obsessed-everything-we-cant-stop-talking-about-this-week-9",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over Ghostface Killah’s favorite jazz musicians, the music videos of Hiro Murai, Selena, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Every Frame a Painting\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/I8lQKLjmoWI'\n title='//www.youtube.com/embed/I8lQKLjmoWI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s notoriously difficult to talk about movies in any depth—beyond “It’s in black and white!”—without sounding like a tedious poser. That’s why I love \u003ca href=\"https://www.youtube.com/channel/UCjFqcJQXGZ6T6sxyFB-5i6A\">\u003cspan class=\"s1\">these zippy video essays\u003c/span>\u003c/a> on how and why films \u003ci>work\u003c/i>,\u003ci> \u003c/i>by San Francisco-based buff \u003ca href=\"https://twitter.com/tonyszhou\">\u003cspan class=\"s1\">Tony Zhou\u003c/span>\u003c/a>. Delving into the nitty-gritty of technique and style without ever being pretentious, they reveal all the stuff you never notice, drawing from a huge range of movies you’ll actually, you know, \u003ci>recognize\u003c/i> (no film school preciousness here). My favorites so far? His take on \u003ca href=\"https://www.youtube.com/watch?v=uFfq2zblGXw\">\u003cspan class=\"s1\">text messages on-screen\u003c/span>\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=8q4X2vDRfRk\">\u003cspan class=\"s1\">the ferry scene in \u003c/span>\u003cspan class=\"s2\">\u003ci>Jaws\u003c/i>\u003c/span>\u003c/a> and why \u003ca href=\"https://www.youtube.com/watch?v=Z1PCtIaM_GQ\">\u003cspan class=\"s1\">Jackie Chan’s fights\u003c/span>\u003c/a> are so fun to watch. Like the best explainers, these fascinating videos underestimate your knowledge, not your intelligence. (P.S. I only just learned that \u003ca href=\"http://www.reddit.com/r/TrueFilm/comments/2rg8jt/i_am_tony_zhou_creator_of_the_every_frame_a/\">\u003cspan class=\"s1\">Tony\u003c/span>\u003c/a> is based in San Francisco while writing this! Which means… he could be in \u003ci>my\u003c/i> Starbucks right now, snipping bits out of \u003ci>Goodfellas\u003c/i>!)\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">BadBadNotGood\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JUlPrRHfWAI'\n title='//www.youtube.com/embed/JUlPrRHfWAI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The year was 2003, and jazz was yet again declared to be dead; yet out of the abyss came \u003cem>These are the Vistas\u003c/em>, the major-label debut of iconoclastic trio the Bad Plus. They \u003ca href=\"https://www.youtube.com/watch?v=RZ6Xo1mYSJg\" target=\"_blank\" rel=\"noopener\">covered Nirvana\u003c/a> and Blondie. They played jazz like lion tamers. They got a 7.0 from Pitchfork. And just like that, thousands of indie-rock fans started listening to jazz. Twelve years later, the Toronto trio BadBadNotGood is doing the same thing for hip-hop fans—playing jazz with a boom-bap backbeat and collaborating with Tyler, the Creator, Frank Ocean, and Ghostface Killah. In fact, BadBadNotGood provides the instrumental backing for Ghostface’s new album, \u003ca href=\"https://www.youtube.com/watch?v=jI5rbMDrL3I\" target=\"_blank\" rel=\"noopener\">\u003cem>Sour Soul\u003c/em>\u003c/a>, but I’m currently obsessed with the group’s latest release as a trio, the more traditionally jazzy \u003cem>III\u003c/em>. Of course, someone’s uploaded the entire album to YouTube — hear it above.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Also Shot On iPhone 6\u003c/h2>\n\u003cfigure id=\"attachment_10524252\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10524252\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-800x573.png\" alt=\"Photo: Also Shot on iPhone 6 / Tumblr\" width=\"800\" height=\"573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-800x573.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-400x286.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-1180x844.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-768x550.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280-320x229.png 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/04/tumblr_nlr4tt9ANb1ur8txgo1_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Also Shot on iPhone 6 / \u003ca href=\"http://alsoshotoniphone6.tumblr.com/\">Tumblr\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>When I first saw Apple’s ‘Shot on iPhone 6’ campaign, it brought to mind creepy marketers combing through thousands of people’s photo albums to find images that would create the photo journal of the Perfect Person’s life. Many of the images they selected for the campaign depict moments of said Perfect Person in serene beauty: standing on top of a mountain, walking in woods blanketed with snow, sitting at the beach looking at the sunset, walking through sunflower fields.\u003c/p>\n\u003cp>After seeing these billboards plastered all over SF, I found them tiresome….UNTIL I came across \u003ca href=\"http://alsoshotoniphone6.tumblr.com/\">Also Shot On iPhone 6\u003c/a>. The folks behind the Also Shot On campaign says their prank was created “to shed light on the fact that most photos taken with the device are a little less than perfect, and simply possessing an iPhone 6 probably isn’t going to change that for the typical consumer.” I love the snarky, DIY attitude of this advertising hack.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Hiro Murai’s Music Videos\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2lXD0vv-ds8'\n title='//www.youtube.com/embed/2lXD0vv-ds8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"http://hiromurai.com\">Hiro Murai\u003c/a> makes music videos that swiftly transport you to another world, taking you to intense, riveting places in just a few minutes. His fascination with the mystery of dream states and uncanny vibes is strongly reflected in his work. Kendrick Lamar and Flying Lotus weren’t the focus of Murai’s video for their “Never Catch Me” collab, but the narrative was powerful and abstractly illustrative of the musicians’ intentions. Another favorite is \u003ca href=\"https://www.youtube.com/watch?v=ahpSKdLfB40\" target=\"_blank\" rel=\"noopener\">St. Vincent’s “Cheerleader”\u003c/a>; Murai was inspired by hyper-real sculptor Ron Mueck for the larger-than-life video. And those two are just scratching the surface of all the rad music videos he’s made. Head over to \u003ca href=\"http://hiromurai.com\">his official site\u003c/a> and sink into short films set to music by Childish Gambino, the Shins, Sia, Earl Sweatshirt, Cults, Shabazz Palaces and more!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Selena\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/P_317nB39bc'\n title='//www.youtube.com/embed/P_317nB39bc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This week marked the 20th anniversary of Selena’s death, so her music has been pumping through my headphones nonstop. \u003ca href=\"http://ww2.kqed.org/pop/2015/03/31/remembering-selena-20-years-after-her-death/\">I wrote a piece for KQED Pop \u003c/a>about why Selena was so important. Yes, she had an amazing voice and so much charisma, but beyond her music and personality, the reason she is still remembered is that she made people who weren’t used to being represented feel seen, and made this first-generation kid stop apologizing for his difference and revel in it instead. For that, I will always love her. The disco medley above is from her last concert. It captures everything Selena did best.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10524126/obsessed-everything-we-cant-stop-talking-about-this-week-9",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10524369",
"label": "arts"
},
"arts_10520978": {
"type": "posts",
"id": "arts_10520978",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10520978",
"score": null,
"sort": [
1427862614000
]
},
"guestAuthors": [],
"slug": "1968-presentation-introducing-personal-computing-inspires-new-musical",
"title": "1968 Presentation Introducing Personal Computing Inspires New Musical",
"publishDate": 1427862614,
"format": "standard",
"headTitle": "1968 Presentation Introducing Personal Computing Inspires New Musical | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-demo/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>‘The Demo’\u003c/h2>\n\u003cdiv class=\"event-desc\">Re-imagining of prescient internet lecture.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Apr. 1–2, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Bing Concert Hall\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-demo/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>It’s been called the “\u003ca href=\"http://www.dougengelbart.org/firsts/dougs-1968-demo.html\" target=\"_blank\" rel=\"noopener\">mother of all demos\u003c/a>.”\u003c/p>\n\u003cp>In the fall of 1968, computer scientist\u003ca href=\"http://en.wikipedia.org/wiki/Douglas_Engelbart\" target=\"_blank\" rel=\"noopener\"> Douglas Englebart\u003c/a> demonstrated the first \u003ca href=\"http://www.computerhistory.org/revolution/input-output/14/350\" target=\"_blank\" rel=\"noopener\">computer mouse\u003c/a>, the first video conferencing, the first use of \u003ca href=\"http://www.computerhistory.org/revolution/the-web/20/373\" target=\"_blank\" rel=\"noopener\">hypertext\u003c/a> and other advanced features before a conference of computer scientists gathered in San Francisco.\u003c/p>\n\u003cp>Now Englebart’s way-before-Powerpoint-presentation is the subject of a multimedia musical, \u003cem>The Demo\u003c/em>, getting a world premiere at \u003ca href=\"https://live.stanford.edu/calendar/april-2015/demo\" target=\"_blank\" rel=\"noopener\">Stanford’s Bing Concert Hall\u003c/a> Wednesday and Thursday.\u003c/p>\n\u003cp>Composers \u003ca href=\"http://mikelrouse.com/new/\" target=\"_blank\" rel=\"noopener\">Mikel Rouse\u003c/a> and \u003ca href=\"http://www.benneill.com/\" target=\"_blank\" rel=\"noopener\">Ben Neill\u003c/a> built their piece around video samples from \u003ca href=\"http://www.dougengelbart.org/firsts/dougs-1968-demo.html\" target=\"_blank\" rel=\"noopener\">Englebart’s original presentation\u003c/a>, scoring Englebart’s words for keyboards, electronic samples, a special trumpet, chorus and video screen.\u003c/p>\n\u003cp>The chorus (made up of local singers) comes in to echo Englebart’s own voice as he shows, via video of the 1968 presentation, an early form of word processing.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘It changed the world in the way computers were used,’\u003ccite>Bill English,\u003cbr>\nDouglas Englebart’s Chief Engineer\u003c/cite>\u003c/aside>\n\u003cp>“And so he just starts typing the word ‘word,’” Rouse said. “‘Word, word, word, word, word.’ So that the singers, as they come in, sing ‘Word, word, word, word.’”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In his description, Rouse’s voice goes up the scale to give a sense of how musical the word “word” can be.\u003c/p>\n\u003cp>That’s right, a song about the invention of word processing.\u003c/p>\n\u003cp>The subject isn’t much of a stretch for Rouse and Neill, who’ve known each other for 25 years. Both do avant-garde music and performance pieces, sometimes associated with the Downtown scene in New York City.\u003c/p>\n\u003cp>Rouse plays Englebart in the show, as well as keyboards and computer samples. Neill plays his “mutantrumpet,” a device of his own invention with two bells and a trumpet slide.\u003c/p>\n\u003cfigure id=\"attachment_10521398\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/WilliamEnglish.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10521398\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/WilliamEnglish-400x314.jpg\" alt=\"Bill English, Engelbart's lead engineer, testing the first mouse.\" width=\"400\" height=\"314\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-400x314.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-764x600.jpg 764w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-768x603.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-320x251.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bill English, Engelbart’s lead engineer, testing the first mouse. \u003ccite>(Courtesy of Stanford/SRI International)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But to understand why \u003cem>The Demo\u003c/em> matters, it helps to know more about Englebart’s work. The computer science pioneer died in 2013.\u003c/p>\n\u003cp>\u003ca href=\"http://en.wikipedia.org/wiki/Bill_English_%28computer_engineer%29\" target=\"_blank\" rel=\"noopener\">Bill English\u003c/a> worked as Englebart’s chief engineer.\u003c/p>\n\u003cp>“It changed the world in the way computers were used,” English said recently, sitting with his wife Roberta, Englebart’s former secretary, at the Sausalito Yacht Club.\u003c/p>\n\u003cp>“He was thinking of how computers really might — on a more intimate scale — support people in what they wanted to do,” English said.\u003c/p>\n\u003cp>They all worked at SRI, the Stanford Research Institute in Menlo Park, as part of a group Englebart founded called the Augmentation Research Center. Its goal: developing ways to help people collaborate via computer, so as to raise human intelligence.\u003c/p>\n\u003cp>That didn’t work out as well as Englebart hoped. But at SRI, Englebart invented and patented the first computer mouse, and English built it.\u003c/p>\n\u003cp>“The first one was a box,” English said, “with a wire that comes out the back, and we said ‘It looks like a mouse. Look, it’s got a tail.’ And that was it.”\u003c/p>\n\u003cp>It’s hard to remember now how radical Englebart’s ideas were at the time. It wasn’t until 1984, 16 years later, that Apple’s first Macintosh tapped the mouse for widespread use.\u003c/p>\n\u003cp>But in 1968, Englebart got the chance to demonstrate his ideas to a wider audience when he was asked to present a paper on his work at the Fall Joint Computer Conference held in Brooks Hall in San Francisco.\u003c/p>\n\u003cp>“And I remember talking with Doug about this,” English recalled. “I said, ‘We ought to show it.’”\u003c/p>\n\u003cp>Exactly how to do that was the question, when Englebart had to be at one of the custom-built workstations in Menlo Park hooked up to one the team’s huge Control Data Corporation mainframes.\u003c/p>\n\u003cfigure id=\"attachment_10521399\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10521399\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-400x599.jpg\" alt=\"Mikel Rouse as Douglas Engelbart in 'The Demo.'\" width=\"400\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-400x599.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-401x600.jpg 401w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-788x1180.jpg 788w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-1180x1767.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-768x1150.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-320x479.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro.jpg 1402w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mikel Rouse as Douglas Engelbart in ‘The Demo.’ \u003ccite>(Courtesy of Stanford/Valerie Oliveiro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And so English, working with Pacific Bell, figured out how to beam live video coverage of the demo to the conference via microwave trucks parked up on Skyline Boulevard, on the Peninsula.\u003c/p>\n\u003cp>“There was clearly no rehearsal,” English said. “We just did it.”\u003c/p>\n\u003cp>During the 90-minute demonstration, Englebart essentially modeled the way we use computers today. He showed how, with the right interface, a computer could be a personal tool for creating something as mundane as a shopping list, linked to a map. That was a revolution of user friendliness at the time. It’s that human touch that Mikel Rouse and Ben Neill are hoping to honor.\u003c/p>\n\u003cp>“So many things could go wrong with the video or whatever,” Rouse said of the 1968 presentation, “and even when little things do go wrong, he is completely nonplussed. He’s like a Buddha up there.”\u003c/p>\n\u003cp>Englebart had also hoped that the techniques he pioneered for computer collaboration would help end war and disease. That hasn’t happened — not yet, at least — but with \u003cem>The Demo\u003c/em>, Rouse wants the audience to think about the unexpected consequences of Englebart’s work.\u003c/p>\n\u003cp>“How do you feel about the NSA spying on you?” Rouse said. “How do you feel about Facebook? How do you feel about Englebart’s idea that we bring more people together, [while] in fact, for a lot of people this technology has left them even lonelier?”\u003c/p>\n\u003cp>When Englebart did his demo, he was “dealing lightning with both hands,” according to one young computer designer in the crowd. He did it with a keypad in one hand, a mouse in the other.\u003c/p>\n\u003cp>Mikel Rouse and Ben Neill can only hope their musical’s premiere is as well-received as Englebart’s original.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“They were very quiet, of course, during it,” English said, running the video mixer for the 1968 demo. “When he had finished and thanked them and shut down the screen, we were astounded. Everyone in the audience stood up and applauded. That was just amazing to all of us. And we figured, we really did something, didn’t we?”\u003c/p>\n\n",
"blocks": [],
"excerpt": "In the 1968 \"mother of all demos\" in San Francisco, computer features like hypertext, on-screen collaboration and the mouse were unveiled for the first time; and now, a duo reimagines the prescient lecture in this unique show.",
"status": "publish",
"parent": 0,
"modified": 1726771436,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 32,
"wordCount": 1083
},
"headData": {
"title": "1968 Presentation Introducing Personal Computing Inspires New Musical | KQED",
"description": "In the 1968 "mother of all demos" in San Francisco, computer features like hypertext, on-screen collaboration and the mouse were unveiled for the first time; and now, a duo reimagines the prescient lecture in this unique show.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "1968 Presentation Introducing Personal Computing Inspires New Musical",
"datePublished": "2015-03-31T21:30:14-07:00",
"dateModified": "2024-09-19T11:43:56-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/10520978/1968-presentation-introducing-personal-computing-inspires-new-musical",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/wp-content/themes/KQED-unified/img/thedolist_icon.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-demo/\" target=\"_blank\" rel=\"noopener\">Event Information\u003c/a>\u003c/h3>\n\u003ch2>‘The Demo’\u003c/h2>\n\u003cdiv class=\"event-desc\">Re-imagining of prescient internet lecture.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Apr. 1–2, 2015\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Bing Concert Hall\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-demo/\" target=\"_blank\" rel=\"noopener\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>It’s been called the “\u003ca href=\"http://www.dougengelbart.org/firsts/dougs-1968-demo.html\" target=\"_blank\" rel=\"noopener\">mother of all demos\u003c/a>.”\u003c/p>\n\u003cp>In the fall of 1968, computer scientist\u003ca href=\"http://en.wikipedia.org/wiki/Douglas_Engelbart\" target=\"_blank\" rel=\"noopener\"> Douglas Englebart\u003c/a> demonstrated the first \u003ca href=\"http://www.computerhistory.org/revolution/input-output/14/350\" target=\"_blank\" rel=\"noopener\">computer mouse\u003c/a>, the first video conferencing, the first use of \u003ca href=\"http://www.computerhistory.org/revolution/the-web/20/373\" target=\"_blank\" rel=\"noopener\">hypertext\u003c/a> and other advanced features before a conference of computer scientists gathered in San Francisco.\u003c/p>\n\u003cp>Now Englebart’s way-before-Powerpoint-presentation is the subject of a multimedia musical, \u003cem>The Demo\u003c/em>, getting a world premiere at \u003ca href=\"https://live.stanford.edu/calendar/april-2015/demo\" target=\"_blank\" rel=\"noopener\">Stanford’s Bing Concert Hall\u003c/a> Wednesday and Thursday.\u003c/p>\n\u003cp>Composers \u003ca href=\"http://mikelrouse.com/new/\" target=\"_blank\" rel=\"noopener\">Mikel Rouse\u003c/a> and \u003ca href=\"http://www.benneill.com/\" target=\"_blank\" rel=\"noopener\">Ben Neill\u003c/a> built their piece around video samples from \u003ca href=\"http://www.dougengelbart.org/firsts/dougs-1968-demo.html\" target=\"_blank\" rel=\"noopener\">Englebart’s original presentation\u003c/a>, scoring Englebart’s words for keyboards, electronic samples, a special trumpet, chorus and video screen.\u003c/p>\n\u003cp>The chorus (made up of local singers) comes in to echo Englebart’s own voice as he shows, via video of the 1968 presentation, an early form of word processing.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘It changed the world in the way computers were used,’\u003ccite>Bill English,\u003cbr>\nDouglas Englebart’s Chief Engineer\u003c/cite>\u003c/aside>\n\u003cp>“And so he just starts typing the word ‘word,’” Rouse said. “‘Word, word, word, word, word.’ So that the singers, as they come in, sing ‘Word, word, word, word.’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In his description, Rouse’s voice goes up the scale to give a sense of how musical the word “word” can be.\u003c/p>\n\u003cp>That’s right, a song about the invention of word processing.\u003c/p>\n\u003cp>The subject isn’t much of a stretch for Rouse and Neill, who’ve known each other for 25 years. Both do avant-garde music and performance pieces, sometimes associated with the Downtown scene in New York City.\u003c/p>\n\u003cp>Rouse plays Englebart in the show, as well as keyboards and computer samples. Neill plays his “mutantrumpet,” a device of his own invention with two bells and a trumpet slide.\u003c/p>\n\u003cfigure id=\"attachment_10521398\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/WilliamEnglish.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10521398\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/WilliamEnglish-400x314.jpg\" alt=\"Bill English, Engelbart's lead engineer, testing the first mouse.\" width=\"400\" height=\"314\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-400x314.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-764x600.jpg 764w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-768x603.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish-320x251.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/WilliamEnglish.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bill English, Engelbart’s lead engineer, testing the first mouse. \u003ccite>(Courtesy of Stanford/SRI International)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But to understand why \u003cem>The Demo\u003c/em> matters, it helps to know more about Englebart’s work. The computer science pioneer died in 2013.\u003c/p>\n\u003cp>\u003ca href=\"http://en.wikipedia.org/wiki/Bill_English_%28computer_engineer%29\" target=\"_blank\" rel=\"noopener\">Bill English\u003c/a> worked as Englebart’s chief engineer.\u003c/p>\n\u003cp>“It changed the world in the way computers were used,” English said recently, sitting with his wife Roberta, Englebart’s former secretary, at the Sausalito Yacht Club.\u003c/p>\n\u003cp>“He was thinking of how computers really might — on a more intimate scale — support people in what they wanted to do,” English said.\u003c/p>\n\u003cp>They all worked at SRI, the Stanford Research Institute in Menlo Park, as part of a group Englebart founded called the Augmentation Research Center. Its goal: developing ways to help people collaborate via computer, so as to raise human intelligence.\u003c/p>\n\u003cp>That didn’t work out as well as Englebart hoped. But at SRI, Englebart invented and patented the first computer mouse, and English built it.\u003c/p>\n\u003cp>“The first one was a box,” English said, “with a wire that comes out the back, and we said ‘It looks like a mouse. Look, it’s got a tail.’ And that was it.”\u003c/p>\n\u003cp>It’s hard to remember now how radical Englebart’s ideas were at the time. It wasn’t until 1984, 16 years later, that Apple’s first Macintosh tapped the mouse for widespread use.\u003c/p>\n\u003cp>But in 1968, Englebart got the chance to demonstrate his ideas to a wider audience when he was asked to present a paper on his work at the Fall Joint Computer Conference held in Brooks Hall in San Francisco.\u003c/p>\n\u003cp>“And I remember talking with Doug about this,” English recalled. “I said, ‘We ought to show it.’”\u003c/p>\n\u003cp>Exactly how to do that was the question, when Englebart had to be at one of the custom-built workstations in Menlo Park hooked up to one the team’s huge Control Data Corporation mainframes.\u003c/p>\n\u003cfigure id=\"attachment_10521399\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10521399\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-400x599.jpg\" alt=\"Mikel Rouse as Douglas Engelbart in 'The Demo.'\" width=\"400\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-400x599.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-401x600.jpg 401w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-788x1180.jpg 788w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-1180x1767.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-768x1150.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro-320x479.jpg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/DEMO_4115byValerieOliveiro.jpg 1402w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mikel Rouse as Douglas Engelbart in ‘The Demo.’ \u003ccite>(Courtesy of Stanford/Valerie Oliveiro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And so English, working with Pacific Bell, figured out how to beam live video coverage of the demo to the conference via microwave trucks parked up on Skyline Boulevard, on the Peninsula.\u003c/p>\n\u003cp>“There was clearly no rehearsal,” English said. “We just did it.”\u003c/p>\n\u003cp>During the 90-minute demonstration, Englebart essentially modeled the way we use computers today. He showed how, with the right interface, a computer could be a personal tool for creating something as mundane as a shopping list, linked to a map. That was a revolution of user friendliness at the time. It’s that human touch that Mikel Rouse and Ben Neill are hoping to honor.\u003c/p>\n\u003cp>“So many things could go wrong with the video or whatever,” Rouse said of the 1968 presentation, “and even when little things do go wrong, he is completely nonplussed. He’s like a Buddha up there.”\u003c/p>\n\u003cp>Englebart had also hoped that the techniques he pioneered for computer collaboration would help end war and disease. That hasn’t happened — not yet, at least — but with \u003cem>The Demo\u003c/em>, Rouse wants the audience to think about the unexpected consequences of Englebart’s work.\u003c/p>\n\u003cp>“How do you feel about the NSA spying on you?” Rouse said. “How do you feel about Facebook? How do you feel about Englebart’s idea that we bring more people together, [while] in fact, for a lot of people this technology has left them even lonelier?”\u003c/p>\n\u003cp>When Englebart did his demo, he was “dealing lightning with both hands,” according to one young computer designer in the crowd. He did it with a keypad in one hand, a mouse in the other.\u003c/p>\n\u003cp>Mikel Rouse and Ben Neill can only hope their musical’s premiere is as well-received as Englebart’s original.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“They were very quiet, of course, during it,” English said, running the video mixer for the 1968 demo. “When he had finished and thanked them and shut down the screen, we were astounded. Everyone in the audience stood up and applauded. That was just amazing to all of us. And we figured, we really did something, didn’t we?”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10520978/1968-presentation-introducing-personal-computing-inspires-new-musical",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69",
"arts_235",
"arts_75"
],
"tags": [
"arts_596"
],
"featImg": "arts_10521769",
"label": "arts_140"
},
"arts_10503786": {
"type": "posts",
"id": "arts_10503786",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10503786",
"score": null,
"sort": [
1427407246000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1427407246,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over Serena Williams’ Beyoncé tribute, a famous carpet, a sexually transmitted curse, and more!\u003c/p>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Serena Williams Does Her Best Beyoncé Impression\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=H7AF5294ED4\u003c/p>\n\u003cp>There are few things I love more than celebrities geeking out over other celebrities, like \u003ca href=\"https://www.youtube.com/watch?v=5TL7ksX_iSM\">when Eden Sher lost her mind\u003c/a> upon meeting Taylor Swift. While not as hilarious as that (although what is, really?), Serena Williams’ recreation of \u003ca href=\"https://www.youtube.com/watch?v=k4YRWT_Aldo\">Beyoncé’s “7/11” music video\u003c/a> is supremely entertaining, in a \u003ca href=\"http://media.dcentertainment.com/sites/default/files/MAD-Stars-Just-Like-Us.jpg\">\u003cem>Stars—They’re Just Like Us!\u003c/em>\u003c/a> kind of way. Haven’t we all recorded ourselves lipsyncing to a song by our favorite singer or band? Haven’t we all pulled our backs out while recreating Robyn’s dance routine from “Call Your Girlfriend”? Oh, that’s just me.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">PDX’s Carpet Named Grand Marshal\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=OT8jIe5NuDc\u003c/p>\n\u003cp class=\"p1\">Did you know the Portland Airport’s carpet is famous? In the tradition of keeping it weird, Portland rolled up a piece of their airport carpet last week and \u003ca href=\"http://www.kgw.com/story/news/2015/03/20/pdx-carpet-grand-marshal-starlight-parade/25091495/\">named it the Grand Marshal\u003c/a> of the Starlight Parade for the Portland Rose Festival. Known as Pedey (or PD or Petey), the carpet was quickly anthropomorphized with a hat, a belt, and two large googly eyes. People are so fond of the carpet’s retro design that you can get \u003ca href=\"http://pdxcarpet.com/\">\u003cspan class=\"s1\">socks, T-shirts and more\u003c/span>\u003c/a> printed with the beloved ’80s pattern. The carpet covers 13 acres of the airport and is currently being replaced, hence the nostalgia. Long live Petey! I wonder if someone is going to sell pieces of him like they do with the \u003ca href=\"http://www.ebay.com/bhp/berlin-wall\">\u003cspan class=\"s1\">Berlin wall\u003c/span>\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘Liar’s Club’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=KctTnPrWS1A\u003c/p>\n\u003cp class=\"p1\">The bonus to coming across ‘What is This Thing Called?’—my addiction from \u003ca href=\"http://ww2.kqed.org/arts/2015/03/19/obsessed-everything-we-cant-stop-talking-about-this-week-7/\">last week’s Obsessed column\u003c/a>—is that I remembered a game show that my dad told me about long ago. He, as a construction worker, and I, as a kid helping out on job sites, would discover unusual objects and commence playing “Liar’s Club,” where we gave outlandish descriptions of the object’s purpose to each other until we a) settled on the one that made the most sense or b) bowled over laughing, and then got back to nailing baseboard. Our little game was based on the 1970s game show \u003cem>Liar’s Club.\u003c/em> I hadn’t thought to look up the show on YouTube until this week, and man, I’m hooked. Celebrity guests pass around a weird object, tell bizarre stories about what it’s for, and contestants have to guess which one’s actually telling the truth. Catch an episode with Betty White, Peter Marshall, Larry Hovis and Pat McCormick above!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘It Follows’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=HkZYbOH0ujw\u003c/p>\n\u003cp class=\"p1\">A sexually transmitted curse, which manifests as a slowly advancing figure and mangles you to death when it catches you? A pseudo-’80s suburban setting? “Never go anywhere with only one exit”?! Come on, the trailer alone for this movie made me want to see it so badly that I was basically trying to feed my admission fee into my laptop’s CD slot. \u003ci>It Follows\u003c/i> is definitely more haunting than terrifying, so don’t fall for the “scariest horror of the last ten years” hype, but it’s got an awesome atmosphere of dread (adults can’t help you, kids!), shockingly gorgeous cinematography that makes everything look like \u003ca href=\"http://www.aperture.org/crewdson/\">\u003cspan class=\"s1\">a Gregory Crewdson photo\u003c/span>\u003c/a> and, above all, \u003ca href=\"https://www.youtube.com/watch?v=XxfQEZXRPNQ\">\u003cspan class=\"s1\">an insanely good John Carpenter-esque soundtrack by Disasterpeace\u003c/span>\u003c/a>. It’s most obviously indebted to \u003ci>Halloween\u003c/i>, but with its social smarts, relentless supernatural pursuer and general mood of despair, \u003cem>It Follows\u003c/em> reminds me most of a suburban teen \u003ci>Candyman\u003c/i>. Which is — duh — the best thing possible.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 744,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705047386,
"excerpt": "This week, the KQED Arts gang is freaking out over Serena Williams' Beyoncé tribute, a famous carpet, a sexually transmitted curse and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over Serena Williams' Beyoncé tribute, a famous carpet, a sexually transmitted curse and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-03-26T15:00:46-07:00",
"dateModified": "2024-01-12T00:16:26-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-8",
"status": "publish",
"sticky": false,
"path": "/arts/10503786/obsessed-everything-we-cant-stop-talking-about-this-week-8",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over Serena Williams’ Beyoncé tribute, a famous carpet, a sexually transmitted curse, and more!\u003c/p>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Serena Williams Does Her Best Beyoncé Impression\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/H7AF5294ED4'\n title='//www.youtube.com/embed/H7AF5294ED4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There are few things I love more than celebrities geeking out over other celebrities, like \u003ca href=\"https://www.youtube.com/watch?v=5TL7ksX_iSM\">when Eden Sher lost her mind\u003c/a> upon meeting Taylor Swift. While not as hilarious as that (although what is, really?), Serena Williams’ recreation of \u003ca href=\"https://www.youtube.com/watch?v=k4YRWT_Aldo\">Beyoncé’s “7/11” music video\u003c/a> is supremely entertaining, in a \u003ca href=\"http://media.dcentertainment.com/sites/default/files/MAD-Stars-Just-Like-Us.jpg\">\u003cem>Stars—They’re Just Like Us!\u003c/em>\u003c/a> kind of way. Haven’t we all recorded ourselves lipsyncing to a song by our favorite singer or band? Haven’t we all pulled our backs out while recreating Robyn’s dance routine from “Call Your Girlfriend”? Oh, that’s just me.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">PDX’s Carpet Named Grand Marshal\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OT8jIe5NuDc'\n title='//www.youtube.com/embed/OT8jIe5NuDc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">Did you know the Portland Airport’s carpet is famous? In the tradition of keeping it weird, Portland rolled up a piece of their airport carpet last week and \u003ca href=\"http://www.kgw.com/story/news/2015/03/20/pdx-carpet-grand-marshal-starlight-parade/25091495/\">named it the Grand Marshal\u003c/a> of the Starlight Parade for the Portland Rose Festival. Known as Pedey (or PD or Petey), the carpet was quickly anthropomorphized with a hat, a belt, and two large googly eyes. People are so fond of the carpet’s retro design that you can get \u003ca href=\"http://pdxcarpet.com/\">\u003cspan class=\"s1\">socks, T-shirts and more\u003c/span>\u003c/a> printed with the beloved ’80s pattern. The carpet covers 13 acres of the airport and is currently being replaced, hence the nostalgia. Long live Petey! I wonder if someone is going to sell pieces of him like they do with the \u003ca href=\"http://www.ebay.com/bhp/berlin-wall\">\u003cspan class=\"s1\">Berlin wall\u003c/span>\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘Liar’s Club’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KctTnPrWS1A'\n title='//www.youtube.com/embed/KctTnPrWS1A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">The bonus to coming across ‘What is This Thing Called?’—my addiction from \u003ca href=\"http://ww2.kqed.org/arts/2015/03/19/obsessed-everything-we-cant-stop-talking-about-this-week-7/\">last week’s Obsessed column\u003c/a>—is that I remembered a game show that my dad told me about long ago. He, as a construction worker, and I, as a kid helping out on job sites, would discover unusual objects and commence playing “Liar’s Club,” where we gave outlandish descriptions of the object’s purpose to each other until we a) settled on the one that made the most sense or b) bowled over laughing, and then got back to nailing baseboard. Our little game was based on the 1970s game show \u003cem>Liar’s Club.\u003c/em> I hadn’t thought to look up the show on YouTube until this week, and man, I’m hooked. Celebrity guests pass around a weird object, tell bizarre stories about what it’s for, and contestants have to guess which one’s actually telling the truth. Catch an episode with Betty White, Peter Marshall, Larry Hovis and Pat McCormick above!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘It Follows’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HkZYbOH0ujw'\n title='//www.youtube.com/embed/HkZYbOH0ujw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">A sexually transmitted curse, which manifests as a slowly advancing figure and mangles you to death when it catches you? A pseudo-’80s suburban setting? “Never go anywhere with only one exit”?! Come on, the trailer alone for this movie made me want to see it so badly that I was basically trying to feed my admission fee into my laptop’s CD slot. \u003ci>It Follows\u003c/i> is definitely more haunting than terrifying, so don’t fall for the “scariest horror of the last ten years” hype, but it’s got an awesome atmosphere of dread (adults can’t help you, kids!), shockingly gorgeous cinematography that makes everything look like \u003ca href=\"http://www.aperture.org/crewdson/\">\u003cspan class=\"s1\">a Gregory Crewdson photo\u003c/span>\u003c/a> and, above all, \u003ca href=\"https://www.youtube.com/watch?v=XxfQEZXRPNQ\">\u003cspan class=\"s1\">an insanely good John Carpenter-esque soundtrack by Disasterpeace\u003c/span>\u003c/a>. It’s most obviously indebted to \u003ci>Halloween\u003c/i>, but with its social smarts, relentless supernatural pursuer and general mood of despair, \u003cem>It Follows\u003c/em> reminds me most of a suburban teen \u003ci>Candyman\u003c/i>. Which is — duh — the best thing possible.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10503786/obsessed-everything-we-cant-stop-talking-about-this-week-8",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10504018",
"label": "arts"
},
"arts_10483103": {
"type": "posts",
"id": "arts_10483103",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10483103",
"score": null,
"sort": [
1426791658000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1426791658,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over a mole woman, a drug dealer, a child star turned artist, and more!\u003c/p>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘Unbreakable Kimmy Schmidt’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=mNKEKlXY3Z4\u003c/p>\n\u003cp>For the past few months, I’ve been marathoning \u003cem>Friends\u003c/em> from the beginning. It was fun in a time capsule-y way at first, but all the homophobic jokes got to be too much. Just when I needed saving from the 10-season abyss of outdated social attitudes, in swooped \u003cem>Unbreakable Kimmy Schmidt\u003c/em> to the rescue! The show, created by the perfect Tina Fey, is Netflix’s latest foray into television and follows a cult member who’s been underground for the past 15 years as she moves to New York and tries to be normal. The jokes write themselves. So far (I’m only on episode 3), \u003cem>Unbreakable\u003c/em> is like a cartoon puppy, more twee than Zooey Deschannel eating a cupcake, but something about it (maybe the \u003ca href=\"http://en.wikipedia.org/wiki/Amelia_Bedelia\">Amelia Bedelia\u003c/a> reference) has me excited to see more.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Alia Shawkat’s Art\u003c/h2>\n\u003cdiv>\n\u003cfigure id=\"attachment_10483359\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10483359\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/MG_3238.jpg\" alt=\"Photo: Alia Shawkat\" width=\"500\" height=\"384\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/MG_3238.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/MG_3238-400x307.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/MG_3238-320x246.jpg 320w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://mutantalia.com/\">Alia Shawkat\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003cp class=\"p1\">You may know Alia Shawkat as Maeby Fünke from \u003cem>Arrested Development\u003c/em> or her recent steamy cameo on \u003ca href=\"http://ww2.kqed.org/pop/2015/03/16/broad-city-keyboard-just-made-your-texts-way-more-exciting/\">\u003cem>Broad City\u003c/em>\u003c/a>, but did you know she’s also an artist? It’s true, and her work seems more genuine and is less conceptual than art by other actors who have dipped into the gallery game (ahem, James Franco and Shia LaBeouf). Shawkat has shown her work internationally and, though it’s possible her acting gigs are infringing on her studio time since she doesn’t list any recent shows on \u003ca href=\"mutantalia.com\" target=\"_blank\" rel=\"noopener\">her website\u003c/a>, she does have some funny drawings for sale. Maybe you should invest in a Maeby original at \u003ca href=\"mutantalia.com\" target=\"_blank\" rel=\"noopener\">mutantalia.com\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘Happy Valley’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=G_YjBW5YWvI\u003c/p>\n\u003cp class=\"p1\">After months of having this UK crime drama relentlessly “suggested” to me by Netflix, I finally cracked. What initially seems like a rural caper about a harebrained criminal scheme going awry gets horribly dark and nasty with terrifying speed (full disclosure: I binge-watched all six episodes in one night). It’s got an incredibly good, vanity-free lead performance from \u003ca href=\"http://en.wikipedia.org/wiki/Sarah_Lancashire\">\u003cspan class=\"s1\">Sarah Lancashire\u003c/span>\u003c/a> (never write off former soap stars!), superbly drawn female characters by the bucketload, and \u003ca href=\"http://www.bbc.co.uk/programmes/articles/2FypLJlVY9cmSVXGkPwG6lr/tommys-just-as-real-as-every-other-character\">\u003cspan class=\"s1\">one of the most \u003c/span>\u003cspan class=\"s2\">\u003ci>truly\u003c/i>\u003c/span>\u003cspan class=\"s1\"> hateful villains\u003c/span>\u003c/a> ever — kind of remarkable in a TV landscape saturated with increasingly outlandish mass murderers. Violence is used so sparingly that when it appears, it’s genuinely shocking, with one pivotal scene that’s the scariest thing I’ve seen onscreen in a long time. So many UK crime dramas strain to look and sound “American” (looking at you, \u003ca href=\"http://variety.com/2014/tv/news/luther-idris-elba-bbc-america-new-miniseries-1201360461/\">\u003cspan class=\"s1\">\u003ci>Luther\u003c/i>\u003c/span>\u003c/a>), and I’m so glad this one doesn’t. It’s miles better than \u003ci>Broadchurch\u003c/i>, and it might just (whisper it) be as good as \u003ci>The Fall\u003c/i>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">\u003cem>High Maintenance\u003c/em>\u003c/h2>\n\u003cp>https://vimeo.com/53044580\u003c/p>\n\u003cp class=\"p1\">Vimeo’s foray into the world of original programming brings us the fabulous escapades of a nameless weed delivery man who encounters neurotic, awkward and hilariously real clients throughout Brooklyn. It isn’t a classic stoner comedy — rather, it’s a parody on the life of city dwellers, and a quick look into people’s motivations, habits and homes. Husband-and-wife team Katja Blichfeld and Ben Sinclair have skillfully repurposed their casting, acting and directing expertise from big shows like \u003cem>30 Rock\u003c/em> into an internet darling with cameos from folks like \u003ca href=\"https://vimeo.com/channels/highmaintenance/90011431\">\u003cspan class=\"s1\">Dan Stevens\u003c/span>\u003c/a> (Matthew Crawley from \u003cem>Downton Abbey\u003c/em>) and \u003ca href=\"https://vimeo.com/64447340\">\u003cspan class=\"s1\">Hannibal Buress\u003c/span>\u003c/a>. Before Vimeo came on the scene, the first episodes (still free online) were totally DIY — self-funded, and filmed in Blichfeld and Sinclair’s apartment with friends. Check out the episode above, which follows what happens when two Fleet Foxes-listening, Kombucha-drinking hippies find a mouse in a glue trap.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">What is This Thing Called?\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10483363\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM.png\" alt=\"Screen shot 2015-03-18 at 6.04.21 PM\" width=\"509\" height=\"409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM.png 509w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM-400x321.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM-320x257.png 320w\" sizes=\"(max-width: 509px) 100vw, 509px\">\u003c/p>\n\u003cp class=\"p1\">I can’t tell you how many times in my life I’ve seen a stray metal object on the ground, clearly having once served a purpose now unidentifiable out of context, and thought to myself, “What is that thing called?” So it’s a very oddly satisfying experience looking at pictures of such objects, over and over, captioned by the same question. The Tumblr ‘\u003ca href=\"http://whatisthisthingcalled.com/\">What is This Thing Called?\u003c/a>’ doesn’t serve to provide any answers, which seems antithetical to the entire idea of the internet. What it \u003cem>does\u003c/em> provide is a reassurance that curiosity is fine on its own, and need not be consummated with knowledge. I like that idea.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 861,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705047416,
"excerpt": "This week, the KQED Arts gang is freaking out over a mole woman, a drug dealer, a child star-turned-artist, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over a mole woman, a drug dealer, a child star-turned-artist, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-03-19T12:00:58-07:00",
"dateModified": "2024-01-12T00:16:56-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-7",
"status": "publish",
"sticky": false,
"path": "/arts/10483103/obsessed-everything-we-cant-stop-talking-about-this-week-7",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over a mole woman, a drug dealer, a child star turned artist, and more!\u003c/p>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘Unbreakable Kimmy Schmidt’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mNKEKlXY3Z4'\n title='//www.youtube.com/embed/mNKEKlXY3Z4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For the past few months, I’ve been marathoning \u003cem>Friends\u003c/em> from the beginning. It was fun in a time capsule-y way at first, but all the homophobic jokes got to be too much. Just when I needed saving from the 10-season abyss of outdated social attitudes, in swooped \u003cem>Unbreakable Kimmy Schmidt\u003c/em> to the rescue! The show, created by the perfect Tina Fey, is Netflix’s latest foray into television and follows a cult member who’s been underground for the past 15 years as she moves to New York and tries to be normal. The jokes write themselves. So far (I’m only on episode 3), \u003cem>Unbreakable\u003c/em> is like a cartoon puppy, more twee than Zooey Deschannel eating a cupcake, but something about it (maybe the \u003ca href=\"http://en.wikipedia.org/wiki/Amelia_Bedelia\">Amelia Bedelia\u003c/a> reference) has me excited to see more.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Alia Shawkat’s Art\u003c/h2>\n\u003cdiv>\n\u003cfigure id=\"attachment_10483359\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10483359\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/MG_3238.jpg\" alt=\"Photo: Alia Shawkat\" width=\"500\" height=\"384\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/MG_3238.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/MG_3238-400x307.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/MG_3238-320x246.jpg 320w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://mutantalia.com/\">Alia Shawkat\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003cp class=\"p1\">You may know Alia Shawkat as Maeby Fünke from \u003cem>Arrested Development\u003c/em> or her recent steamy cameo on \u003ca href=\"http://ww2.kqed.org/pop/2015/03/16/broad-city-keyboard-just-made-your-texts-way-more-exciting/\">\u003cem>Broad City\u003c/em>\u003c/a>, but did you know she’s also an artist? It’s true, and her work seems more genuine and is less conceptual than art by other actors who have dipped into the gallery game (ahem, James Franco and Shia LaBeouf). Shawkat has shown her work internationally and, though it’s possible her acting gigs are infringing on her studio time since she doesn’t list any recent shows on \u003ca href=\"mutantalia.com\" target=\"_blank\" rel=\"noopener\">her website\u003c/a>, she does have some funny drawings for sale. Maybe you should invest in a Maeby original at \u003ca href=\"mutantalia.com\" target=\"_blank\" rel=\"noopener\">mutantalia.com\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">‘Happy Valley’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G_YjBW5YWvI'\n title='//www.youtube.com/embed/G_YjBW5YWvI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">After months of having this UK crime drama relentlessly “suggested” to me by Netflix, I finally cracked. What initially seems like a rural caper about a harebrained criminal scheme going awry gets horribly dark and nasty with terrifying speed (full disclosure: I binge-watched all six episodes in one night). It’s got an incredibly good, vanity-free lead performance from \u003ca href=\"http://en.wikipedia.org/wiki/Sarah_Lancashire\">\u003cspan class=\"s1\">Sarah Lancashire\u003c/span>\u003c/a> (never write off former soap stars!), superbly drawn female characters by the bucketload, and \u003ca href=\"http://www.bbc.co.uk/programmes/articles/2FypLJlVY9cmSVXGkPwG6lr/tommys-just-as-real-as-every-other-character\">\u003cspan class=\"s1\">one of the most \u003c/span>\u003cspan class=\"s2\">\u003ci>truly\u003c/i>\u003c/span>\u003cspan class=\"s1\"> hateful villains\u003c/span>\u003c/a> ever — kind of remarkable in a TV landscape saturated with increasingly outlandish mass murderers. Violence is used so sparingly that when it appears, it’s genuinely shocking, with one pivotal scene that’s the scariest thing I’ve seen onscreen in a long time. So many UK crime dramas strain to look and sound “American” (looking at you, \u003ca href=\"http://variety.com/2014/tv/news/luther-idris-elba-bbc-america-new-miniseries-1201360461/\">\u003cspan class=\"s1\">\u003ci>Luther\u003c/i>\u003c/span>\u003c/a>), and I’m so glad this one doesn’t. It’s miles better than \u003ci>Broadchurch\u003c/i>, and it might just (whisper it) be as good as \u003ci>The Fall\u003c/i>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">\u003cem>High Maintenance\u003c/em>\u003c/h2>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "vimeoLink",
"attributes": {
"named": {
"vimeoId": "53044580"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"p1\">Vimeo’s foray into the world of original programming brings us the fabulous escapades of a nameless weed delivery man who encounters neurotic, awkward and hilariously real clients throughout Brooklyn. It isn’t a classic stoner comedy — rather, it’s a parody on the life of city dwellers, and a quick look into people’s motivations, habits and homes. Husband-and-wife team Katja Blichfeld and Ben Sinclair have skillfully repurposed their casting, acting and directing expertise from big shows like \u003cem>30 Rock\u003c/em> into an internet darling with cameos from folks like \u003ca href=\"https://vimeo.com/channels/highmaintenance/90011431\">\u003cspan class=\"s1\">Dan Stevens\u003c/span>\u003c/a> (Matthew Crawley from \u003cem>Downton Abbey\u003c/em>) and \u003ca href=\"https://vimeo.com/64447340\">\u003cspan class=\"s1\">Hannibal Buress\u003c/span>\u003c/a>. Before Vimeo came on the scene, the first episodes (still free online) were totally DIY — self-funded, and filmed in Blichfeld and Sinclair’s apartment with friends. Check out the episode above, which follows what happens when two Fleet Foxes-listening, Kombucha-drinking hippies find a mouse in a glue trap.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">What is This Thing Called?\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10483363\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM.png\" alt=\"Screen shot 2015-03-18 at 6.04.21 PM\" width=\"509\" height=\"409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM.png 509w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM-400x321.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Screen-shot-2015-03-18-at-6.04.21-PM-320x257.png 320w\" sizes=\"(max-width: 509px) 100vw, 509px\">\u003c/p>\n\u003cp class=\"p1\">I can’t tell you how many times in my life I’ve seen a stray metal object on the ground, clearly having once served a purpose now unidentifiable out of context, and thought to myself, “What is that thing called?” So it’s a very oddly satisfying experience looking at pictures of such objects, over and over, captioned by the same question. The Tumblr ‘\u003ca href=\"http://whatisthisthingcalled.com/\">What is This Thing Called?\u003c/a>’ doesn’t serve to provide any answers, which seems antithetical to the entire idea of the internet. What it \u003cem>does\u003c/em> provide is a reassurance that curiosity is fine on its own, and need not be consummated with knowledge. I like that idea.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10483103/obsessed-everything-we-cant-stop-talking-about-this-week-7",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10483491",
"label": "arts"
},
"arts_10462544": {
"type": "posts",
"id": "arts_10462544",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10462544",
"score": null,
"sort": [
1426186834000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1426186834,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over former celebrity couples, wizards turned feminists, computer games of yore, and more!\u003c/p>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Who Runs The World? Emma Watson!\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=tWejyY4CPn4\u003c/p>\n\u003cp>Emma Watson grew up playing Hermione Granger in the \u003cem>Harry Potter\u003c/em> films, but instead of going down the dark path trampled by most child stars, she went on to study at Brown and Oxford, continue acting in pretty good movies, and become the \u003ca href=\"http://www.unwomen.org/en/partnerships/goodwill-ambassadors/emma-watson\" target=\"_blank\" rel=\"noopener\">UN Women Goodwill Ambassador\u003c/a> (nbd!). In her role at the UN, she’s been making waves with her speeches about the need for gender equality. I watched her hour-long Q&A on the topic at the beginning of the week and can’t stop thinking about how simply and eloquently she captured the spirit of feminism.\u003c/p>\n\u003cp>Harry Potter fans fell in love with the character of Hermione because she wouldn’t settle for anything less than her full potential; because she never let being “muggle-born” or a girl in a boy’s world hold her back from being a boss; and because she wasn’t afraid of \u003ca href=\"https://www.youtube.com/watch?v=-17GLD1KxkE\">punching the most sinister boy in school right in the face\u003c/a>. These days, Emma Watson doesn’t need to fight sexist jerks with her fists; she’s knocking out inequality with reason, intelligence, and grace. Somewhere out there, Hermione is \u003ca href=\"http://hellogiggles.hellogiggles.netdna-cdn.com/wp-content/uploads/2014/05/15/Its-Leviosa-not-leviosar-Hermione-Granger-GIF.gif\">perfectly pronouncing\u003c/a> “You go, girl!” For the most inspiring quotes from the Q&A and to watch the whole video, \u003ca href=\"http://ww2.kqed.org/pop/emma-watson-most-inspiring-quotes-international-womens-day-facebook-feminism-speech\">head over to KQED Pop\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Old Loves\u003c/h2>\n\u003cfigure id=\"attachment_10462664\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10462664\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500.png\" alt=\"Liam Neeson & Helen Mirren were a thing?!\" width=\"500\" height=\"383\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500.png 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500-400x306.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500-320x245.png 320w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">Liam Neeson & Helen Mirren were a thing?!\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">Pictures of famous people who used to be together but aren’t any more: that’s literally all there is to \u003ca href=\"http://oldloves.tumblr.com/\">\u003cspan class=\"s1\">Old Loves\u003c/span>\u003c/a>, and yet scrolling through this seemingly-endless Tumblr represents the closest I’ve come to a serious addiction. Vintage fashions, visible\u003ca href=\"http://oldloves.tumblr.com/post/84265742343/robert-downey-jr-sarah-jessica-parker-1983\">\u003cspan class=\"s1\"> substance abuse issues\u003c/span>\u003c/a>, Liv Tyler’s \u003ca href=\"http://oldloves.tumblr.com/post/86165441218\">\u003cspan class=\"s1\">awkward youth\u003c/span>\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/post/88632818092/the2000sblog-britney-spears-and-justin\">\u003cspan class=\"s1\">Britney and J.T\u003c/span>\u003c/a>., Heidi Klum and Seal’s\u003ca href=\"http://oldloves.tumblr.com/post/101099273174/heidi-klum-seal-halloween-2006\">\u003cspan class=\"s1\"> infamous Halloween costumes\u003c/span>\u003c/a>, Kirsten Dunst and Jake Gyllenhaal’s\u003ca href=\"http://oldloves.tumblr.com/post/94112873948/gentle-twig-amycakesdankydank-same-this-is\">\u003cspan class=\"s1\"> miserable lunch\u003c/span>\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/post/110998873798/vanityfair-bill-murray-and-gilda-radner-dancing\">\u003cspan class=\"s1\">Bill Murray and Gilda Radner \u003c/span>\u003c/a>at Studio 54, Cher and Greg Allman’s \u003cspan class=\"s1\">\u003ca href=\"http://oldloves.tumblr.com/post/96668377135/cher-gregg-allman\">hair-union\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/tagged/johnny+depp\">\u003cspan class=\"s1\">Johnny Depp\u003c/span>\u003c/a> and \u003cspan class=\"s1\">\u003ca href=\"http://oldloves.tumblr.com/tagged/winona-ryder\">Winona Ryder \u003c/a>(\u003c/span>whether \u003ca href=\"http://oldloves.tumblr.com/post/12636310072/ilanaglazer-nickdrake-johnny-depp-winona\">\u003cspan class=\"s1\">with each other\u003c/span>\u003c/a> or \u003ca href=\"http://oldloves.tumblr.com/post/82164327257/winona-ryder-matt-damon-at-the-golden-globe\">\u003cspan class=\"s1\">literally\u003c/span>\u003c/a> \u003ca href=\"http://oldloves.tumblr.com/post/96292117060/kate-moss-johnny-depp\">\u003cspan class=\"s1\">everyone\u003c/span>\u003c/a> \u003ca href=\"http://oldloves.tumblr.com/post/13053712334\">\u003cspan class=\"s1\">else\u003c/span>\u003c/a> \u003cspan class=\"s1\">\u003ca href=\"http://oldloves.tumblr.com/post/27826888485/johnny-depp-sherilyn-fenn\">in Hollywood\u003c/a>)\u003c/span>\u003c/span> — it’s all here, along with the pleasures of discovering historic couplings you had no idea existed (\u003ca href=\"http://oldloves.tumblr.com/post/98905664253/oldloves-liam-neeson-helen-mirren\">\u003cspan class=\"s1\">Liam Neeson and Helen Mirren\u003c/span>\u003c/a>, seriously?).\u003c/p>\n\u003cp class=\"p1\">It’s not just a reminder that famous people \u003ci>really\u003c/i> like to keep the gene pool shallow, but also a glimpse into a different era of celebrity, where actors looked \u003ca href=\"http://oldloves.tumblr.com/post/81529123712/gwyneth-paltrow-ben-affleck\">\u003cspan class=\"s1\">way less groomed\u003c/span>\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/post/107234953373/susan-sarandon-tim-robbins-circa-1989\">\u003cspan class=\"s1\">paparazzi shots\u003c/span>\u003c/a> were unguarded and \u003ca href=\"http://oldloves.tumblr.com/post/94994030522/gary-oldman-isabella-rossellini\">\u003cspan class=\"s1\">Gary Oldman and Isabella Rossellini shared daschunds\u003c/span>\u003c/a>. So if, like me, you’re the kind of person who loves buying disconcertingly-stiff back issues of \u003ci>Us Weekly\u003c/i> from garage sales that have clearly spent the last decade in someone’s bathroom, call in sick tomorrow and give this Tumblr the time it deserves.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Barry McGee’s Needlepoint Carrot\u003c/h2>\n\u003cdiv> \u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10464720\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-800x534.jpeg\" alt=\"kfarrtwistcarrot-1\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-800x534.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-400x267.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-768x513.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-320x214.jpeg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1.jpeg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>Barry McGee is a Bay Area luminary, renowned for his graffiti-rooted, eye-popping artwork, and it’s no secret that he’s \u003cspan class=\"s1\">\u003ca href=\"http://ww2.kqed.org/arts/2012/08/27/barry_mcgee_at_bampfa/\">one of my favorites\u003c/a>\u003c/span>. One of his clustered installations is currently on view as part of the Oakland Museum’s \u003ca href=\"http://www.museumca.org/exhibit/fertile-ground-art-and-community-ca%20lifornia\">\u003ci>Fertile Ground\u003c/i>\u003c/a> exhibition. It bulges out of the wall like a “pimple,” as the artist has described, and is made up of countless framed paintings, photographs, or found objects.\u003c/p>\n\u003cp>The arrangement is different every time it’s exhibited, and this time I noticed an unexpected needlepoint carrot in the mix. This little stitched snack left me curious. Where did he find that carrot? Who made it? Is it a carrot or a yam? On a recent museum visit for a KQED video shoot, I geekily pointed it out to museum staff and anyone else who would listen. \u003cem>Fertile Ground\u003c/em> is open for another month, plenty of time for you to go find it!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/avatar-pic-e1426011256947.jpg\" alt=\"harold check\" width=\"116\" height=\"116\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/hcheck/\">\u003ci>Harold Check\u003c/i>\u003c/a>\u003cbr>Freelancer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Internet Archive’s MS-DOS Games Collection\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=x1bcza1uAYs\u003c/p>\n\u003cp>There’s a specific kind of nostalgia (the Germans probably have a word for it) that combines wistful affection with a head-smacking epiphany of long-forgotten excess. Boy howdy, did I have that feeling when I came across the \u003ca href=\"https://archive.org/details/softwarelibrary_msdos_games\">Internet Archive’s MS-DOS Games collection\u003c/a>.\u003c/p>\n\u003cp>Sure, the titles and launch-screen images would have been plenty to keep me endlessly scrolling through the 2,600+ games, mostly from the ’80s and ’90s. I could have spent hours chuckling over the days and weeks I “wasted” trying to master the timing of \u003cem>\u003ca href=\"https://archive.org/details/msdos_Prince_of_Persia_1990\">Prince of Persia\u003c/a>\u003c/em> (those skidding stops!), or telling myself I’d just design one more level of \u003cem>\u003ca href=\"https://archive.org/details/msdos_Lode_Runner_1983_1983\">Lode Runner\u003c/a>\u003c/em>. But, no, the geniuses behind the Internet Archive, completists that they are, have much more in store.\u003c/p>\n\u003cp>All of these games are \u003cem>playable\u003c/em>. In your browser. Yes, some are hamstrung by antiquated control schemes, and others are just shareware samples, not full games, but I would suggest that the point isn’t to relive the full experience of beating \u003cem>\u003ca href=\"https://archive.org/details/msdos_Castle_Wolfenstein_1984\">Castle Wolfenstein\u003c/a>\u003c/em>, but just to get the overpowering taste back in your mouth.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 992,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705047437,
"excerpt": "This week, the KQED Arts gang is freaking out over former celebrity couples, wizards turned feminists, computer games of yore, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over former celebrity couples, wizards turned feminists, computer games of yore, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-03-12T12:00:34-07:00",
"dateModified": "2024-01-12T00:17:17-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-6",
"status": "publish",
"sticky": false,
"path": "/arts/10462544/obsessed-everything-we-cant-stop-talking-about-this-week-6",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over former celebrity couples, wizards turned feminists, computer games of yore, and more!\u003c/p>\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Who Runs The World? Emma Watson!\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tWejyY4CPn4'\n title='//www.youtube.com/embed/tWejyY4CPn4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Emma Watson grew up playing Hermione Granger in the \u003cem>Harry Potter\u003c/em> films, but instead of going down the dark path trampled by most child stars, she went on to study at Brown and Oxford, continue acting in pretty good movies, and become the \u003ca href=\"http://www.unwomen.org/en/partnerships/goodwill-ambassadors/emma-watson\" target=\"_blank\" rel=\"noopener\">UN Women Goodwill Ambassador\u003c/a> (nbd!). In her role at the UN, she’s been making waves with her speeches about the need for gender equality. I watched her hour-long Q&A on the topic at the beginning of the week and can’t stop thinking about how simply and eloquently she captured the spirit of feminism.\u003c/p>\n\u003cp>Harry Potter fans fell in love with the character of Hermione because she wouldn’t settle for anything less than her full potential; because she never let being “muggle-born” or a girl in a boy’s world hold her back from being a boss; and because she wasn’t afraid of \u003ca href=\"https://www.youtube.com/watch?v=-17GLD1KxkE\">punching the most sinister boy in school right in the face\u003c/a>. These days, Emma Watson doesn’t need to fight sexist jerks with her fists; she’s knocking out inequality with reason, intelligence, and grace. Somewhere out there, Hermione is \u003ca href=\"http://hellogiggles.hellogiggles.netdna-cdn.com/wp-content/uploads/2014/05/15/Its-Leviosa-not-leviosar-Hermione-Granger-GIF.gif\">perfectly pronouncing\u003c/a> “You go, girl!” For the most inspiring quotes from the Q&A and to watch the whole video, \u003ca href=\"http://ww2.kqed.org/pop/emma-watson-most-inspiring-quotes-international-womens-day-facebook-feminism-speech\">head over to KQED Pop\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Old Loves\u003c/h2>\n\u003cfigure id=\"attachment_10462664\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10462664\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500.png\" alt=\"Liam Neeson & Helen Mirren were a thing?!\" width=\"500\" height=\"383\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500.png 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500-400x306.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/tumblr_llz4rdWvh41qdlpxso1_500-320x245.png 320w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">Liam Neeson & Helen Mirren were a thing?!\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">Pictures of famous people who used to be together but aren’t any more: that’s literally all there is to \u003ca href=\"http://oldloves.tumblr.com/\">\u003cspan class=\"s1\">Old Loves\u003c/span>\u003c/a>, and yet scrolling through this seemingly-endless Tumblr represents the closest I’ve come to a serious addiction. Vintage fashions, visible\u003ca href=\"http://oldloves.tumblr.com/post/84265742343/robert-downey-jr-sarah-jessica-parker-1983\">\u003cspan class=\"s1\"> substance abuse issues\u003c/span>\u003c/a>, Liv Tyler’s \u003ca href=\"http://oldloves.tumblr.com/post/86165441218\">\u003cspan class=\"s1\">awkward youth\u003c/span>\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/post/88632818092/the2000sblog-britney-spears-and-justin\">\u003cspan class=\"s1\">Britney and J.T\u003c/span>\u003c/a>., Heidi Klum and Seal’s\u003ca href=\"http://oldloves.tumblr.com/post/101099273174/heidi-klum-seal-halloween-2006\">\u003cspan class=\"s1\"> infamous Halloween costumes\u003c/span>\u003c/a>, Kirsten Dunst and Jake Gyllenhaal’s\u003ca href=\"http://oldloves.tumblr.com/post/94112873948/gentle-twig-amycakesdankydank-same-this-is\">\u003cspan class=\"s1\"> miserable lunch\u003c/span>\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/post/110998873798/vanityfair-bill-murray-and-gilda-radner-dancing\">\u003cspan class=\"s1\">Bill Murray and Gilda Radner \u003c/span>\u003c/a>at Studio 54, Cher and Greg Allman’s \u003cspan class=\"s1\">\u003ca href=\"http://oldloves.tumblr.com/post/96668377135/cher-gregg-allman\">hair-union\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/tagged/johnny+depp\">\u003cspan class=\"s1\">Johnny Depp\u003c/span>\u003c/a> and \u003cspan class=\"s1\">\u003ca href=\"http://oldloves.tumblr.com/tagged/winona-ryder\">Winona Ryder \u003c/a>(\u003c/span>whether \u003ca href=\"http://oldloves.tumblr.com/post/12636310072/ilanaglazer-nickdrake-johnny-depp-winona\">\u003cspan class=\"s1\">with each other\u003c/span>\u003c/a> or \u003ca href=\"http://oldloves.tumblr.com/post/82164327257/winona-ryder-matt-damon-at-the-golden-globe\">\u003cspan class=\"s1\">literally\u003c/span>\u003c/a> \u003ca href=\"http://oldloves.tumblr.com/post/96292117060/kate-moss-johnny-depp\">\u003cspan class=\"s1\">everyone\u003c/span>\u003c/a> \u003ca href=\"http://oldloves.tumblr.com/post/13053712334\">\u003cspan class=\"s1\">else\u003c/span>\u003c/a> \u003cspan class=\"s1\">\u003ca href=\"http://oldloves.tumblr.com/post/27826888485/johnny-depp-sherilyn-fenn\">in Hollywood\u003c/a>)\u003c/span>\u003c/span> — it’s all here, along with the pleasures of discovering historic couplings you had no idea existed (\u003ca href=\"http://oldloves.tumblr.com/post/98905664253/oldloves-liam-neeson-helen-mirren\">\u003cspan class=\"s1\">Liam Neeson and Helen Mirren\u003c/span>\u003c/a>, seriously?).\u003c/p>\n\u003cp class=\"p1\">It’s not just a reminder that famous people \u003ci>really\u003c/i> like to keep the gene pool shallow, but also a glimpse into a different era of celebrity, where actors looked \u003ca href=\"http://oldloves.tumblr.com/post/81529123712/gwyneth-paltrow-ben-affleck\">\u003cspan class=\"s1\">way less groomed\u003c/span>\u003c/a>, \u003ca href=\"http://oldloves.tumblr.com/post/107234953373/susan-sarandon-tim-robbins-circa-1989\">\u003cspan class=\"s1\">paparazzi shots\u003c/span>\u003c/a> were unguarded and \u003ca href=\"http://oldloves.tumblr.com/post/94994030522/gary-oldman-isabella-rossellini\">\u003cspan class=\"s1\">Gary Oldman and Isabella Rossellini shared daschunds\u003c/span>\u003c/a>. So if, like me, you’re the kind of person who loves buying disconcertingly-stiff back issues of \u003ci>Us Weekly\u003c/i> from garage sales that have clearly spent the last decade in someone’s bathroom, call in sick tomorrow and give this Tumblr the time it deserves.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Barry McGee’s Needlepoint Carrot\u003c/h2>\n\u003cdiv> \u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10464720\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-800x534.jpeg\" alt=\"kfarrtwistcarrot-1\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-800x534.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-400x267.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-768x513.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1-320x214.jpeg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/kfarrtwistcarrot-1.jpeg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>Barry McGee is a Bay Area luminary, renowned for his graffiti-rooted, eye-popping artwork, and it’s no secret that he’s \u003cspan class=\"s1\">\u003ca href=\"http://ww2.kqed.org/arts/2012/08/27/barry_mcgee_at_bampfa/\">one of my favorites\u003c/a>\u003c/span>. One of his clustered installations is currently on view as part of the Oakland Museum’s \u003ca href=\"http://www.museumca.org/exhibit/fertile-ground-art-and-community-ca%20lifornia\">\u003ci>Fertile Ground\u003c/i>\u003c/a> exhibition. It bulges out of the wall like a “pimple,” as the artist has described, and is made up of countless framed paintings, photographs, or found objects.\u003c/p>\n\u003cp>The arrangement is different every time it’s exhibited, and this time I noticed an unexpected needlepoint carrot in the mix. This little stitched snack left me curious. Where did he find that carrot? Who made it? Is it a carrot or a yam? On a recent museum visit for a KQED video shoot, I geekily pointed it out to museum staff and anyone else who would listen. \u003cem>Fertile Ground\u003c/em> is open for another month, plenty of time for you to go find it!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/avatar-pic-e1426011256947.jpg\" alt=\"harold check\" width=\"116\" height=\"116\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/hcheck/\">\u003ci>Harold Check\u003c/i>\u003c/a>\u003cbr>Freelancer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Internet Archive’s MS-DOS Games Collection\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/x1bcza1uAYs'\n title='//www.youtube.com/embed/x1bcza1uAYs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s a specific kind of nostalgia (the Germans probably have a word for it) that combines wistful affection with a head-smacking epiphany of long-forgotten excess. Boy howdy, did I have that feeling when I came across the \u003ca href=\"https://archive.org/details/softwarelibrary_msdos_games\">Internet Archive’s MS-DOS Games collection\u003c/a>.\u003c/p>\n\u003cp>Sure, the titles and launch-screen images would have been plenty to keep me endlessly scrolling through the 2,600+ games, mostly from the ’80s and ’90s. I could have spent hours chuckling over the days and weeks I “wasted” trying to master the timing of \u003cem>\u003ca href=\"https://archive.org/details/msdos_Prince_of_Persia_1990\">Prince of Persia\u003c/a>\u003c/em> (those skidding stops!), or telling myself I’d just design one more level of \u003cem>\u003ca href=\"https://archive.org/details/msdos_Lode_Runner_1983_1983\">Lode Runner\u003c/a>\u003c/em>. But, no, the geniuses behind the Internet Archive, completists that they are, have much more in store.\u003c/p>\n\u003cp>All of these games are \u003cem>playable\u003c/em>. In your browser. Yes, some are hamstrung by antiquated control schemes, and others are just shareware samples, not full games, but I would suggest that the point isn’t to relive the full experience of beating \u003cem>\u003ca href=\"https://archive.org/details/msdos_Castle_Wolfenstein_1984\">Castle Wolfenstein\u003c/a>\u003c/em>, but just to get the overpowering taste back in your mouth.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10462544/obsessed-everything-we-cant-stop-talking-about-this-week-6",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10462545",
"label": "arts"
},
"arts_10442277": {
"type": "posts",
"id": "arts_10442277",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10442277",
"score": null,
"sort": [
1425585605000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1425585605,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over the world’s worst Kickstarter campaigns, drag queens, a nasty little short story, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Kickended\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-10442525 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/Photodazzle-800x409.jpeg\" alt=\"Photodazzle\" width=\"800\" height=\"409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-800x409.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-400x204.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-768x393.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-320x164.jpeg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle.jpeg 1084w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>If you’re like me, you couldn’t stop grousing when Kickstarter became a thing and your friends started begging for money on the internet so their band could go on tour. Or so they could start a kombucha company. Or so they could write a book, design clothes, develop an app, or adopt baby goats or whatever. Somehow, this unmitigated gall clogging everyone’s Facebook feed managed to be accepted as “innovative disruption,” a “way to connect with fans,” or “a new platform for creativity.” I still call it déclassé, which is why the site \u003ca href=\"http://kickended.com/archive\" target=\"_blank\" rel=\"noopener\">Kickended\u003c/a> provides me no end of catharsis. A hilarious collection of failed Kickstarter campaigns that ended without receiving any funding at all — like, not even one dime — \u003ca href=\"http://kickended.com/archive\" target=\"_blank\" rel=\"noopener\">Kickended\u003c/a> is a window into the truly terrible ideas conceived in the world and the audacity of those who post them to Kickstarter.\u003c/p>\n\u003cp>Pictured above is a campaign asking for $10,000 to \u003ca href=\"http://kickended.com/projects/1306378479/\" target=\"_blank\" rel=\"noopener\">glue rhinestones on existing photos\u003c/a>. Another campaign wants $10,000 to \u003ca href=\"http://kickended.com/projects/744123164/\" target=\"_blank\" rel=\"noopener\">put jewelry inside of candles\u003c/a>. Another campaign declares that $15,000 is needed to carry out God’s musical will (“God blessed me with a gift for music… \u003ca href=\"http://kickended.com/projects/1449094302/\" target=\"_blank\" rel=\"noopener\">but unfortunately it takes money\u003c/a>”). There are campaigns for “\u003ca href=\"http://kickended.com/projects/1490938965/\" target=\"_blank\" rel=\"noopener\">the safest baby diapur out there\u003c/a>,” “\u003ca href=\"http://kickended.com/projects/370368235/\" target=\"_blank\" rel=\"noopener\">Leif Garrett – The Musical\u003c/a>,” “\u003ca href=\"http://kickended.com/projects/1544769179/\" target=\"_blank\" rel=\"noopener\">Were gonna rap with 2 Chainz\u003c/a>,” “\u003ca href=\"http://kickended.com/projects/crickitrene/\" target=\"_blank\" rel=\"noopener\">‘Born to Tears’ a book of life changing poetry\u003c/a>,” and oh, so much more, all very misguided and all 100% unfunded.\u003c/p>\n\u003cp>Go to \u003ca href=\"http://kickended.com/projects/530164292/\" target=\"_blank\" rel=\"noopener\">Kickended\u003c/a>, repeatedly click “\u003ca href=\"http://kickended.com/projects/530164292/\" target=\"_blank\" rel=\"noopener\">Random Campaign\u003c/a>” up top, and lose hours of your life to internet schadenfreude.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Kyle Abraham\u003c/h2>\n\u003cp>https://vimeo.com/55470300\u003c/p>\n\u003cp class=\"p1\">This week, I’m obsessed with dancer, choreographer and MacArthur Fellow \u003ca href=\"http://abrahaminmotion.org/\">\u003cspan class=\"s1\">Kyle Abraham\u003c/span>\u003c/a>. I will preface this with the fact that I am not usually a “dance person,” but after seeing \u003cem>\u003ca href=\"http://www.ybca.org/kyle-abraham-pavement\">Pavement\u003c/a>,\u003c/em> Abraham’s show at YBCA, I was super inspired by his \u003cspan class=\"s2\">politically minded, genre-bending \u003c/span>style of dance theater that consistently looks at the state of Black America, civil rights and freedom. His choreography and sound-scaping are mesmerizing and immersive, feeling more like a play than a dance performance, blending hip-hop sensibilities and modern dance to a soundtrack of opera, blues, electronica and even N.W.A. The \u003cem>Pavement\u003c/em> tour has left town, but you can still get hooked on Abraham’s work by watching the clip above!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Nasty Little Short Story From Hilary Mantel\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10442284\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-800x600.jpeg\" alt=\"assassination-thatcher\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-400x300.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-1180x885.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-320x240.jpeg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea.jpeg 1875w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">My history nerd heart is most excited for \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/programs/wolf-hall/\">the BBC adaptation\u003c/a> of Hilary Mantel’s Tudor intrigue-a-thon \u003cem>\u003ca href=\"http://en.wikipedia.org/wiki/Wolf_Hall\">Wolf Hall\u003c/a>\u003c/em>. To sate myself until its premiere on U.S. TV next month, I just re-read Mantel’s strangest, most compelling short story from her \u003cem>Assassination of Margaret Thatcher\u003c/em> collection: “\u003ca href=\"http://www.theguardian.com/books/2010/dec/04/winter-break-hilary-mantel-shortstory\">Winter Break\u003c/a>.” Barely skirting 2,000 words, this nasty little shocker about a vacationing couple in their airport cab is what the phrase “\u003ca href=\"http://idioms.thefreedictionary.com/a+sting+in+the+tail\">sting in the tail\u003c/a>” was invented for. \u003c/p>\n\u003cp>Her writing is typically flawless, but something’s up: its revisiting of the frequent Mantel theme of childlessness is so on-the-nose, the inevitable “gotcha” so blatant that I suspect (to borrow a line from \u003ca href=\"https://www.youtube.com/watch?v=QU0SEeQJy0c\">one of my favorite guilty pleasures\u003c/a>) it’s all “so overt it’s covert.” Even on second reading, I can’t quite work out exactly what Mantel is up to here, and I look forward to cracking it one day. \u003ca href=\"http://www.theguardian.com/books/2010/dec/04/winter-break-hilary-mantel-shortstory\">Read “Winter Break” online\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Return of \u003cem>RuPaul’s Drag Race\u003c/em>\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=IZtIXDy1kz4\u003c/p>\n\u003cp>It’s been nine whole months since a new \u003cem>Drag Race\u003c/em> episode has aired, and this week saw the birth of 14 new drag queens! If you’ve never seen an episode of this show (best described as a cross between \u003cem>America’s Next Top Model,\u003c/em> \u003cem>Project Runway\u003c/em> and \u003cem>Pink Flamingos\u003c/em>), I feel sorry for you and want to help you see the light! The show in a nutshell: drag queens participate in ridiculous challenges (turning \u003ca href=\"http://www.therealstevegray.com/wp-content/uploads/rupauls-drag-race-season6-ep10-joslyn-bride-gremlin.jpg\">straight dudes into brides\u003c/a>, for example), while \u003ca href=\"http://24.media.tumblr.com/9cbbe83bc258709b6a982637a13e8e7d/tumblr_n3olfsfHlC1qlvwnco1_500.gif\">verbally\u003c/a> \u003ca href=\"http://i.imgur.com/PFnJggb.gif\">sparring\u003c/a> with one another. Each week, the bottom two girls are forced to lip-synch to the death.\u003c/p>\n\u003cp>If you don’t think drag is an art form, you’ll change your mind after watching how these men paint their faces and use costume and body illusions to become Amazonian queens. Oh, and did I mention it’s \u003ca href=\"https://www.youtube.com/watch?v=KBqrBnvnlLU\">f-ing hilarious\u003c/a>? I don’t watch other reality shows because this is all of them combined (think of all the space you’ll have on your DVR!). So here’s your mission, should you choose to accept it: marathon all previous six seasons and we’ll meet back here to discuss, okay? Okay.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 935,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705047471,
"excerpt": "This week, the KQED Arts gang is freaking out over the world's worst Kickstarter campaigns, drag queens, a nasty little short story, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over the world's worst Kickstarter campaigns, drag queens, a nasty little short story, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-03-05T12:00:05-08:00",
"dateModified": "2024-01-12T00:17:51-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-5",
"status": "publish",
"sticky": false,
"path": "/arts/10442277/obsessed-everything-we-cant-stop-talking-about-this-week-5",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the water cooler to cyberspace! This week, we’re freaking out over the world’s worst Kickstarter campaigns, drag queens, a nasty little short story, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Kickended\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-10442525 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/Photodazzle-800x409.jpeg\" alt=\"Photodazzle\" width=\"800\" height=\"409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-800x409.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-400x204.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-768x393.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle-320x164.jpeg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/Photodazzle.jpeg 1084w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>If you’re like me, you couldn’t stop grousing when Kickstarter became a thing and your friends started begging for money on the internet so their band could go on tour. Or so they could start a kombucha company. Or so they could write a book, design clothes, develop an app, or adopt baby goats or whatever. Somehow, this unmitigated gall clogging everyone’s Facebook feed managed to be accepted as “innovative disruption,” a “way to connect with fans,” or “a new platform for creativity.” I still call it déclassé, which is why the site \u003ca href=\"http://kickended.com/archive\" target=\"_blank\" rel=\"noopener\">Kickended\u003c/a> provides me no end of catharsis. A hilarious collection of failed Kickstarter campaigns that ended without receiving any funding at all — like, not even one dime — \u003ca href=\"http://kickended.com/archive\" target=\"_blank\" rel=\"noopener\">Kickended\u003c/a> is a window into the truly terrible ideas conceived in the world and the audacity of those who post them to Kickstarter.\u003c/p>\n\u003cp>Pictured above is a campaign asking for $10,000 to \u003ca href=\"http://kickended.com/projects/1306378479/\" target=\"_blank\" rel=\"noopener\">glue rhinestones on existing photos\u003c/a>. Another campaign wants $10,000 to \u003ca href=\"http://kickended.com/projects/744123164/\" target=\"_blank\" rel=\"noopener\">put jewelry inside of candles\u003c/a>. Another campaign declares that $15,000 is needed to carry out God’s musical will (“God blessed me with a gift for music… \u003ca href=\"http://kickended.com/projects/1449094302/\" target=\"_blank\" rel=\"noopener\">but unfortunately it takes money\u003c/a>”). There are campaigns for “\u003ca href=\"http://kickended.com/projects/1490938965/\" target=\"_blank\" rel=\"noopener\">the safest baby diapur out there\u003c/a>,” “\u003ca href=\"http://kickended.com/projects/370368235/\" target=\"_blank\" rel=\"noopener\">Leif Garrett – The Musical\u003c/a>,” “\u003ca href=\"http://kickended.com/projects/1544769179/\" target=\"_blank\" rel=\"noopener\">Were gonna rap with 2 Chainz\u003c/a>,” “\u003ca href=\"http://kickended.com/projects/crickitrene/\" target=\"_blank\" rel=\"noopener\">‘Born to Tears’ a book of life changing poetry\u003c/a>,” and oh, so much more, all very misguided and all 100% unfunded.\u003c/p>\n\u003cp>Go to \u003ca href=\"http://kickended.com/projects/530164292/\" target=\"_blank\" rel=\"noopener\">Kickended\u003c/a>, repeatedly click “\u003ca href=\"http://kickended.com/projects/530164292/\" target=\"_blank\" rel=\"noopener\">Random Campaign\u003c/a>” up top, and lose hours of your life to internet schadenfreude.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Kyle Abraham\u003c/h2>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "vimeoLink",
"attributes": {
"named": {
"vimeoId": "55470300"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"p1\">This week, I’m obsessed with dancer, choreographer and MacArthur Fellow \u003ca href=\"http://abrahaminmotion.org/\">\u003cspan class=\"s1\">Kyle Abraham\u003c/span>\u003c/a>. I will preface this with the fact that I am not usually a “dance person,” but after seeing \u003cem>\u003ca href=\"http://www.ybca.org/kyle-abraham-pavement\">Pavement\u003c/a>,\u003c/em> Abraham’s show at YBCA, I was super inspired by his \u003cspan class=\"s2\">politically minded, genre-bending \u003c/span>style of dance theater that consistently looks at the state of Black America, civil rights and freedom. His choreography and sound-scaping are mesmerizing and immersive, feeling more like a play than a dance performance, blending hip-hop sensibilities and modern dance to a soundtrack of opera, blues, electronica and even N.W.A. The \u003cem>Pavement\u003c/em> tour has left town, but you can still get hooked on Abraham’s work by watching the clip above!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Nasty Little Short Story From Hilary Mantel\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-10442284\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-800x600.jpeg\" alt=\"assassination-thatcher\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-400x300.jpeg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-1180x885.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea-320x240.jpeg 320w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/03/assassination-thatcher-4a7fcbd8c880069fbe7805394f536599be9d32ea.jpeg 1875w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp class=\"p1\">My history nerd heart is most excited for \u003ca href=\"http://www.pbs.org/wgbh/masterpiece/programs/wolf-hall/\">the BBC adaptation\u003c/a> of Hilary Mantel’s Tudor intrigue-a-thon \u003cem>\u003ca href=\"http://en.wikipedia.org/wiki/Wolf_Hall\">Wolf Hall\u003c/a>\u003c/em>. To sate myself until its premiere on U.S. TV next month, I just re-read Mantel’s strangest, most compelling short story from her \u003cem>Assassination of Margaret Thatcher\u003c/em> collection: “\u003ca href=\"http://www.theguardian.com/books/2010/dec/04/winter-break-hilary-mantel-shortstory\">Winter Break\u003c/a>.” Barely skirting 2,000 words, this nasty little shocker about a vacationing couple in their airport cab is what the phrase “\u003ca href=\"http://idioms.thefreedictionary.com/a+sting+in+the+tail\">sting in the tail\u003c/a>” was invented for. \u003c/p>\n\u003cp>Her writing is typically flawless, but something’s up: its revisiting of the frequent Mantel theme of childlessness is so on-the-nose, the inevitable “gotcha” so blatant that I suspect (to borrow a line from \u003ca href=\"https://www.youtube.com/watch?v=QU0SEeQJy0c\">one of my favorite guilty pleasures\u003c/a>) it’s all “so overt it’s covert.” Even on second reading, I can’t quite work out exactly what Mantel is up to here, and I look forward to cracking it one day. \u003ca href=\"http://www.theguardian.com/books/2010/dec/04/winter-break-hilary-mantel-shortstory\">Read “Winter Break” online\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Return of \u003cem>RuPaul’s Drag Race\u003c/em>\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IZtIXDy1kz4'\n title='//www.youtube.com/embed/IZtIXDy1kz4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s been nine whole months since a new \u003cem>Drag Race\u003c/em> episode has aired, and this week saw the birth of 14 new drag queens! If you’ve never seen an episode of this show (best described as a cross between \u003cem>America’s Next Top Model,\u003c/em> \u003cem>Project Runway\u003c/em> and \u003cem>Pink Flamingos\u003c/em>), I feel sorry for you and want to help you see the light! The show in a nutshell: drag queens participate in ridiculous challenges (turning \u003ca href=\"http://www.therealstevegray.com/wp-content/uploads/rupauls-drag-race-season6-ep10-joslyn-bride-gremlin.jpg\">straight dudes into brides\u003c/a>, for example), while \u003ca href=\"http://24.media.tumblr.com/9cbbe83bc258709b6a982637a13e8e7d/tumblr_n3olfsfHlC1qlvwnco1_500.gif\">verbally\u003c/a> \u003ca href=\"http://i.imgur.com/PFnJggb.gif\">sparring\u003c/a> with one another. Each week, the bottom two girls are forced to lip-synch to the death.\u003c/p>\n\u003cp>If you don’t think drag is an art form, you’ll change your mind after watching how these men paint their faces and use costume and body illusions to become Amazonian queens. Oh, and did I mention it’s \u003ca href=\"https://www.youtube.com/watch?v=KBqrBnvnlLU\">f-ing hilarious\u003c/a>? I don’t watch other reality shows because this is all of them combined (think of all the space you’ll have on your DVR!). So here’s your mission, should you choose to accept it: marathon all previous six seasons and we’ll meet back here to discuss, okay? Okay.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10442277/obsessed-everything-we-cant-stop-talking-about-this-week-5",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10442767",
"label": "arts"
},
"arts_10422907": {
"type": "posts",
"id": "arts_10422907",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10422907",
"score": null,
"sort": [
1424984430000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1424984430,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over the genesis of \u003cem>Wayne’s World\u003c/em>, Madonna’s fall at the Brits, a new cartoon that’s not just for kids, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Birth of Wayne Campbell\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=ydJH5WOnL6o\u003c/p>\n\u003cp class=\"p1\">It may be a depressing indictment of \u003cem>Saturday Night Live\u003c/em> ’s current form, but I loved that the only truly funny part of the show’s 40th Anniversary last week came courtesy of \u003ca href=\"https://www.youtube.com/watch?v=BustEdWyqzk\">Mike Myers and Dana Carvey resurrecting Wayne’s World\u003c/a>. As a sincere, longtime fan who knows both spin-off movies by heart (my all-time happiest childhood memory, no joke, is when my parents pretended we were going out grocery shopping but took me to the movie theater to watch \u003cem>Wayne’s World\u003c/em> instead), discovering Mike Myers’ first outings in character as Wayne has brought me so much joy.\u003c/p>\n\u003cp class=\"p1\">A year before \u003cem>SNL\u003c/em>, Wayne made his debut in 1987 on Canadian TV variety show \u003ca href=\"http://en.wikipedia.org/wiki/It%27s_Only_Rock_%26_Roll_%28TV_series%29\">\u003cem>It’s Only Rock & Roll\u003c/em>\u003c/a> (as a ‘contest winner,’ no less) in his own recurring segment called Wayne’s Power Minute. From \u003ca href=\"https://www.youtube.com/watch?v=VqyPqmy4IAE\">the very first one\u003c/a>, he’s still basically the same loveably enthusiastic, incongruously florid Wayne, just with a strong Canadian accent and a slightly worse wig. All his \u003cem>It’s Only Rock & Roll\u003c/em> appearances make me laugh like a drain, but my favorite has to be ‘\u003ca href=\"https://www.youtube.com/watch?v=ydJH5WOnL6o\">Wayne’s Encyclopedia\u003c/a>,’ in which Wayne discusses his self-penned Encyclopedia Metallica, complete with ‘History of Metal’ biology flowcharts (“Amoeba → Protozoa → Zep”) and tips for living the metal life: “A Volvo is bogus.” With the self-indulgent horrors of the later \u003cem>Austin Powers\u003c/em> movies and \u003cem>The Love Guru\u003c/em>, it’s easy to forget Mike Myers used to be really funny.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Harris Wittels\u003c/h2>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"http://www.funnyordie.com/embed/b10ee0bc16\" width=\"640\" height=\"400\" frameborder=\"0\" style=\"text-align:left;font-size:x-small;margin-top:0;width:640px;\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">Last week, the podcasting world felt the equivalent of a bombing when it lost one of its rising comic stars. Harris Wittels, who died last Thursday of a suspected overdose at the age of 30, was not just a writer on some of television’s funniest shows (\u003cem>Parks and Recreation\u003c/em>, \u003cem>Eastbound and Down\u003c/em>, \u003cem>The Sarah Silverman Program\u003c/em>), he was like a ringer for podcasts. He was one of those names that made me want to check out new shows on iTunes I had never heard of. And as for his own podcast, \u003ca href=\"http://www.earwolf.com/show/analyze-phish/\">Analyze Phish\u003c/a>, in which he tried to convince friends to like the band Phish, well, those 10 episodes will be some of the first entries into the Podcast Hall of Fame.\u003c/p>\n\u003cp class=\"p1\">Wittels was so witty he coined a term, “\u003ca href=\"https://twitter.com/humblebrag\">Humblebrag\u003c/a>,” for when one tries to be self-deprecating while bragging in order to keep appearing modest. Take that in for a second: he was 30 and he had already invented a word.\u003c/p>\n\u003cp>Googling Harris Wittels can lead into an Internet k-hole, but I highly suggest honoring his memory by reading \u003ca href=\"http://grantland.com/contributors/harris-wittels/\">his columns on Grantland\u003c/a> and \u003ca href=\"http://www.earwolf.com/person/harris-wittels/\">listening to his podcasts on Earwolf\u003c/a>, especially \u003ca href=\"http://www.earwolf.com/episode/farts-and-procreation/\">the first “Farts and Procreation” episode\u003c/a> of Comedy Bang Bang. And if that’s not enough to convince you to check out his stuff, just know that the Westboro Baptist Church \u003ca href=\"http://www.hollywoodreporter.com/news/comics-protest-westboro-baptist-church-777188\">made light of his death\u003c/a>. Don’t let them win!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Stone Quackers\u003c/h2>\n\u003cdiv>\u003c/div>\n\u003cp>https://www.youtube.com/watch?v=d4JRgBd4RWo&feature=youtu.be\u003c/p>\n\u003cp class=\"p1\">\u003cem>Stone Quackers\u003c/em> is a cartoon buddy comedy created by Ben Jones, a multi-faceted artist and key member of the influential art collective Paper Rad. Jones now works for Fox creating subversive cartoons, and his magnum opus is now featured on FXX (and available on Hulu!). \u003cem>Stone Quackers\u003c/em> follows pals Clay, Whit and Barf through trying times and epic goofs. It takes dramatic turns from sweet stories into dark, twisted humor, and you can tell the creators love what they’re making. They reference beloved ’80s TV production styles, and \u003ca href=\"https://www.youtube.com/watch?v=lwQ-G53mSfU&feature=youtu.be\">my favorite clip\u003c/a> shows Barf and Whit dancing to a Michael McDonald song to help Clay get over an ex-girlfriend. To call \u003cem>Stone Quackers\u003c/em> a stoner comedy wouldn’t do it justice. It’s really an art cartoon. \u003cstrong>Bonus:\u003c/strong> John C. Reilly voices a lovable supporting character, Officer Barry.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Madonna Has Fallen and She \u003cem>Can\u003c/em> Get Up\u003c/h2>\n\u003cp>https://twitter.com/mkdlisted/status/570709041699102721\u003c/p>\n\u003cp>Did you watch the Brit Awards yesterday? Yeah, I didn’t think so. \u003ca href=\"http://ww2.kqed.org/pop/tag/taylor-swift/\">Taylor Swift\u003c/a> \u003ca href=\"https://vine.co/v/O2mpO2BaOWd\">worked\u003c/a> \u003ca href=\"https://vine.co/v/O2mXL69YeIY\">it\u003c/a> to Kanye’s performance and \u003ca href=\"http://ww2.kqed.org/pop/2015/02/24/christina-aguilera-imitates-britney-spears-ed-sheeran-covers-dirrty/\">Ed Sheeran\u003c/a> won an award, but the real news of the night was what happened when Madonna took the stage in her adopted homeland to perform new single “Living for Love.” All was going swimmingly…until a dancer tugged on her cape, causing her to fall down a small flight of steps and land hard, dropping her mic. Madonna resisted immediately firing the person responsible, \u003ca href=\"https://www.youtube.com/watch?v=4uZz3mplca4\">unlike Beyoncé that one time\u003c/a>. Instead, she got up and kept singing live!\u003c/p>\n\u003cp>I’m not obsessed with this moment because she fell. My interest comes from the fact that she wasn’t lip-synching (even though most do these days) and that she kept going and that she probably doesn’t care what everyone will think about this or anything she does from here on. In this week’s \u003cem>Rolling Stone\u003c/em>, she opened up about ageism (which rears its ugly head in just about any article or conversation about her these days):\u003c/p>\n\u003cp>“It’s still the one area where you can totally discriminate against somebody….Only females, though…Women, generally, when they reach a certain age, have accepted that they’re not allowed to behave a certain way. But I don’t follow the rules. I never did, and I’m not going to start.”\u003c/p>\n\u003cp>I haven’t loved a Madonna album since 1998’s \u003cem>Ray of Light\u003c/em>. But I’m glad she’s still at it, unapologetic as ever, paving the way for women to do whatever they want, to fall and get back up again.\u003c/p>\n\u003cp>\u003cstrong>Shout out to my honorable-mention obsession:\u003c/strong> \u003ca href=\"https://www.youtube.com/watch?v=1EXKmlLVdv0\">Christina Aguilera singing like Britney Spears and Ed Sheeran singing like Christina Aguilera\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1136,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"http://www.funnyordie.com/embed/b10ee0bc16"
],
"paragraphCount": 11
},
"modified": 1705047511,
"excerpt": "This week, the KQED Arts gang is freaking out over the genesis of Wayne's World, Madonna's fall at the Brits, a new cartoon that's not just for kids, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over the genesis of Wayne's World, Madonna's fall at the Brits, a new cartoon that's not just for kids, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-02-26T13:00:30-08:00",
"dateModified": "2024-01-12T00:18:31-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-4",
"status": "publish",
"sticky": false,
"path": "/arts/10422907/obsessed-everything-we-cant-stop-talking-about-this-week-4",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over the genesis of \u003cem>Wayne’s World\u003c/em>, Madonna’s fall at the Brits, a new cartoon that’s not just for kids, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Birth of Wayne Campbell\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ydJH5WOnL6o'\n title='//www.youtube.com/embed/ydJH5WOnL6o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">It may be a depressing indictment of \u003cem>Saturday Night Live\u003c/em> ’s current form, but I loved that the only truly funny part of the show’s 40th Anniversary last week came courtesy of \u003ca href=\"https://www.youtube.com/watch?v=BustEdWyqzk\">Mike Myers and Dana Carvey resurrecting Wayne’s World\u003c/a>. As a sincere, longtime fan who knows both spin-off movies by heart (my all-time happiest childhood memory, no joke, is when my parents pretended we were going out grocery shopping but took me to the movie theater to watch \u003cem>Wayne’s World\u003c/em> instead), discovering Mike Myers’ first outings in character as Wayne has brought me so much joy.\u003c/p>\n\u003cp class=\"p1\">A year before \u003cem>SNL\u003c/em>, Wayne made his debut in 1987 on Canadian TV variety show \u003ca href=\"http://en.wikipedia.org/wiki/It%27s_Only_Rock_%26_Roll_%28TV_series%29\">\u003cem>It’s Only Rock & Roll\u003c/em>\u003c/a> (as a ‘contest winner,’ no less) in his own recurring segment called Wayne’s Power Minute. From \u003ca href=\"https://www.youtube.com/watch?v=VqyPqmy4IAE\">the very first one\u003c/a>, he’s still basically the same loveably enthusiastic, incongruously florid Wayne, just with a strong Canadian accent and a slightly worse wig. All his \u003cem>It’s Only Rock & Roll\u003c/em> appearances make me laugh like a drain, but my favorite has to be ‘\u003ca href=\"https://www.youtube.com/watch?v=ydJH5WOnL6o\">Wayne’s Encyclopedia\u003c/a>,’ in which Wayne discusses his self-penned Encyclopedia Metallica, complete with ‘History of Metal’ biology flowcharts (“Amoeba → Protozoa → Zep”) and tips for living the metal life: “A Volvo is bogus.” With the self-indulgent horrors of the later \u003cem>Austin Powers\u003c/em> movies and \u003cem>The Love Guru\u003c/em>, it’s easy to forget Mike Myers used to be really funny.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Harris Wittels\u003c/h2>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"http://www.funnyordie.com/embed/b10ee0bc16\" width=\"640\" height=\"400\" frameborder=\"0\" style=\"text-align:left;font-size:x-small;margin-top:0;width:640px;\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">Last week, the podcasting world felt the equivalent of a bombing when it lost one of its rising comic stars. Harris Wittels, who died last Thursday of a suspected overdose at the age of 30, was not just a writer on some of television’s funniest shows (\u003cem>Parks and Recreation\u003c/em>, \u003cem>Eastbound and Down\u003c/em>, \u003cem>The Sarah Silverman Program\u003c/em>), he was like a ringer for podcasts. He was one of those names that made me want to check out new shows on iTunes I had never heard of. And as for his own podcast, \u003ca href=\"http://www.earwolf.com/show/analyze-phish/\">Analyze Phish\u003c/a>, in which he tried to convince friends to like the band Phish, well, those 10 episodes will be some of the first entries into the Podcast Hall of Fame.\u003c/p>\n\u003cp class=\"p1\">Wittels was so witty he coined a term, “\u003ca href=\"https://twitter.com/humblebrag\">Humblebrag\u003c/a>,” for when one tries to be self-deprecating while bragging in order to keep appearing modest. Take that in for a second: he was 30 and he had already invented a word.\u003c/p>\n\u003cp>Googling Harris Wittels can lead into an Internet k-hole, but I highly suggest honoring his memory by reading \u003ca href=\"http://grantland.com/contributors/harris-wittels/\">his columns on Grantland\u003c/a> and \u003ca href=\"http://www.earwolf.com/person/harris-wittels/\">listening to his podcasts on Earwolf\u003c/a>, especially \u003ca href=\"http://www.earwolf.com/episode/farts-and-procreation/\">the first “Farts and Procreation” episode\u003c/a> of Comedy Bang Bang. And if that’s not enough to convince you to check out his stuff, just know that the Westboro Baptist Church \u003ca href=\"http://www.hollywoodreporter.com/news/comics-protest-westboro-baptist-church-777188\">made light of his death\u003c/a>. Don’t let them win!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Stone Quackers\u003c/h2>\n\u003cdiv>\u003c/div>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/d4JRgBd4RWo'\n title='//www.youtube.com/embed/d4JRgBd4RWo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">\u003cem>Stone Quackers\u003c/em> is a cartoon buddy comedy created by Ben Jones, a multi-faceted artist and key member of the influential art collective Paper Rad. Jones now works for Fox creating subversive cartoons, and his magnum opus is now featured on FXX (and available on Hulu!). \u003cem>Stone Quackers\u003c/em> follows pals Clay, Whit and Barf through trying times and epic goofs. It takes dramatic turns from sweet stories into dark, twisted humor, and you can tell the creators love what they’re making. They reference beloved ’80s TV production styles, and \u003ca href=\"https://www.youtube.com/watch?v=lwQ-G53mSfU&feature=youtu.be\">my favorite clip\u003c/a> shows Barf and Whit dancing to a Michael McDonald song to help Clay get over an ex-girlfriend. To call \u003cem>Stone Quackers\u003c/em> a stoner comedy wouldn’t do it justice. It’s really an art cartoon. \u003cstrong>Bonus:\u003c/strong> John C. Reilly voices a lovable supporting character, Officer Barry.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Madonna Has Fallen and She \u003cem>Can\u003c/em> Get Up\u003c/h2>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "570709041699102721"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Did you watch the Brit Awards yesterday? Yeah, I didn’t think so. \u003ca href=\"http://ww2.kqed.org/pop/tag/taylor-swift/\">Taylor Swift\u003c/a> \u003ca href=\"https://vine.co/v/O2mpO2BaOWd\">worked\u003c/a> \u003ca href=\"https://vine.co/v/O2mXL69YeIY\">it\u003c/a> to Kanye’s performance and \u003ca href=\"http://ww2.kqed.org/pop/2015/02/24/christina-aguilera-imitates-britney-spears-ed-sheeran-covers-dirrty/\">Ed Sheeran\u003c/a> won an award, but the real news of the night was what happened when Madonna took the stage in her adopted homeland to perform new single “Living for Love.” All was going swimmingly…until a dancer tugged on her cape, causing her to fall down a small flight of steps and land hard, dropping her mic. Madonna resisted immediately firing the person responsible, \u003ca href=\"https://www.youtube.com/watch?v=4uZz3mplca4\">unlike Beyoncé that one time\u003c/a>. Instead, she got up and kept singing live!\u003c/p>\n\u003cp>I’m not obsessed with this moment because she fell. My interest comes from the fact that she wasn’t lip-synching (even though most do these days) and that she kept going and that she probably doesn’t care what everyone will think about this or anything she does from here on. In this week’s \u003cem>Rolling Stone\u003c/em>, she opened up about ageism (which rears its ugly head in just about any article or conversation about her these days):\u003c/p>\n\u003cp>“It’s still the one area where you can totally discriminate against somebody….Only females, though…Women, generally, when they reach a certain age, have accepted that they’re not allowed to behave a certain way. But I don’t follow the rules. I never did, and I’m not going to start.”\u003c/p>\n\u003cp>I haven’t loved a Madonna album since 1998’s \u003cem>Ray of Light\u003c/em>. But I’m glad she’s still at it, unapologetic as ever, paving the way for women to do whatever they want, to fall and get back up again.\u003c/p>\n\u003cp>\u003cstrong>Shout out to my honorable-mention obsession:\u003c/strong> \u003ca href=\"https://www.youtube.com/watch?v=1EXKmlLVdv0\">Christina Aguilera singing like Britney Spears and Ed Sheeran singing like Christina Aguilera\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10422907/obsessed-everything-we-cant-stop-talking-about-this-week-4",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10423257",
"label": "arts"
},
"arts_10408965": {
"type": "posts",
"id": "arts_10408965",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10408965",
"score": null,
"sort": [
1424473990000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1424473990,
"format": "standard",
"title": "The Comedy and Good Conversation of Harris Wittels",
"headTitle": "The Comedy and Good Conversation of Harris Wittels | KQED",
"content": "\u003cp>Harris Wittels died Thursday. He was a stand-up comic, a television writer/producer, a musician, a frequent and dependably hilarious guest on comedy podcasts, and an author who unleashed the concept of the #humblebrag upon the cultural landscape.\u003c/p>\n\u003cp>He was 30 years old.\u003c/p>\n\u003cp>When anyone dies, our sadness is tinged with something darker and more selfish; we resent the time we’ll never get to spend with that person, the days and months and years that will pile up without their presence.\u003c/p>\n\u003cp>When a comedian dies, particularly one so young, we feel that resentment more keenly, because laughter is a limited resource – one of a very few things with the power to make those days and months and years pass more easily.\u003c/p>\n\u003cp>You’ll see some writing today about Wittels’ coinage of the term \u003cem>humblebrag\u003c/em> – the tendency for people, celebrities especially, to express a distinctly performative brand of faux-humility on social media. It became a whole thing, the #humblebrag hashtag, one Wittels frequently expressed some misgivings about.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On Twitter, you can read some of his fellow comics weighing in on his stand-up and his music (with the band Don’t Stop or We’ll Die, formed with Paul Rust and Michael Cassady) while his fellow \u003cem>Parks and Recreation\u003c/em> writers laud his singular contributions to that show. (By the way: You know Harris, Pawnee’s Animal Control guy? That was him.)\u003c/p>\n\u003cp>But you and me, let’s talk podcasts.\u003c/p>\n\u003cp>Wittels may not have been a household name – in your household, anyway. In my household, and in the households of the nation’s comedy nerds, his name meant something. When you saw it listed as a guest on a given comedy podcast, as he was frequently on Scott Aukerman’s \u003cem>Comedy Bang Bang\u003c/em> (nee \u003cem>Comedy Death Ray\u003c/em>), you dropped everything and started listening while the file was still downloading.\u003c/p>\n\u003cp>On \u003cem>Comedy Bang Bang\u003c/em>, Wittels was quick, self-deprecating, and hugely funny: he’d try out jokes he’d earlier typed into his phone in an impromptu segment called “Harris’ Phone Corner” (which almost immediately became “Harris’ Foam Corner” – never mind, long story) and revel in the affectionate mockery they’d inevitably receive from Aukerman and guests.\u003c/p>\n\u003cp>With Aukerman, he co-hosted the podcast \u003cem>Analyze Phish\u003c/em>, a show whose premise (Wittels a Phish super-fan, Aukerman a bemused Phish-skeptic; they talk) does little to hint at its dogged, exultant silliness, or the exasperated affection the two men share.\u003c/p>\n\u003cp>I’ve used the word “affection” twice in the last two paragraphs, because that’s the word that came through most clearly in every Wittels appearance: the guy was loved. You can \u003cem>hear\u003c/em> it.\u003c/p>\n\u003cp>Here’s a thing about podcasts – their loose, rangy, long-form format breeds a distinctive strain of intimacy. You’re listening to a conversation between two or more people, with all the digressions and hoary jokes their shared history engenders, and it feels familiar, comfortable, warm.\u003c/p>\n\u003cp>Last November, Wittels made a \u003ca href=\"http://www.nerdist.com/pepisode/you-made-it-weird-236-harris-wittels-returns/\" target=\"_blank\" rel=\"noopener\">second appearance\u003c/a> on \u003cem>You Made It Weird\u003c/em>, a podcast whose host, Pete Holmes, greets guests with a weaponized form of gregariousness that, if unchecked, can dominate conversations.\u003c/p>\n\u003cp>Listen to Wittels’ appearance. You get past the ghoulishness of it quickly: yes, Wittels talks at length about cycling through addiction and recovery, and tells some harrowingly funny and off-handedly profane stories about his first, fumbling encounters with heroin. But listen to how Wittels tells them – how clear-eyed, unsentimental, brutally honest, and hilarious he is.\u003c/p>\n\u003cp>He’s all of those things at once, each one bound up inextricably with the other. Listen to how Holmes – even Holmes! – gets quieter and quieter as Wittels talks.\u003c/p>\n\u003cp>It’s a conversation that clocks in at an hour and forty minutes. It would never fit into the programmatic confines of radio or television; it flows, it doubles back, it halts, it lurches forward. It’s a weird gift, is what it is.\u003c/p>\n\u003cp>Wittels is gone, and that’s sad. Infuriatingly so. There’s that familiar resentment – he was only 30 years old, which means we won’t get decades and decades of his comedy.\u003c/p>\n\u003cp>But he was improbably and gratifyingly prolific. His Twitter feed (\u003ca href=\"http://www.twitter.com/twittels\" target=\"_blank\" rel=\"noopener\">@twittels\u003c/a>) is still there, still hilarious, still so recognizably \u003cem>him\u003c/em>.\u003c/p>\n\u003cp>There’s the \u003cem>Comedy Bang Bang\u003c/em> and \u003cem>Analyze Phish\u003c/em> archives, filled with Wittels’ voice and humor and jokes so determinedly bad they shade into performance art.\u003c/p>\n\u003cp>So while mourning his absence, maybe spend some time today, and in the days and months and years to come, enjoying his digital presence.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Do a search. Listen. Laugh. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Comedy+And+Good+Conversation+Of+Harris+Wittels&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 813,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1705047547,
"excerpt": "NPR contributor Glen Weldon remembers writer, actor, producer, musician, and comedy podcast mainstay Harris Wittels, who died Thursday, just 30 years old.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "NPR contributor Glen Weldon remembers writer, actor, producer, musician, and comedy podcast mainstay Harris Wittels, who died Thursday, just 30 years old.",
"title": "The Comedy and Good Conversation of Harris Wittels | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Comedy and Good Conversation of Harris Wittels",
"datePublished": "2015-02-20T15:13:10-08:00",
"dateModified": "2024-01-12T00:19:07-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-comedy-and-good-conversation-of-harris-wittels",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=387773881&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Glen Weldon",
"nprStoryDate": "Fri, 20 Feb 2015 13:06:00 -0500",
"nprLastModifiedDate": "Fri, 20 Feb 2015 14:24:58 -0500",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/blogs/monkeysee/2015/02/20/387773881/the-comedy-and-good-conversation-of-harris-wittels?ft=nprml&f=387773881",
"nprStoryId": "387773881",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 20 Feb 2015 14:24:00 -0500",
"path": "/arts/10408965/the-comedy-and-good-conversation-of-harris-wittels",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Harris Wittels died Thursday. He was a stand-up comic, a television writer/producer, a musician, a frequent and dependably hilarious guest on comedy podcasts, and an author who unleashed the concept of the #humblebrag upon the cultural landscape.\u003c/p>\n\u003cp>He was 30 years old.\u003c/p>\n\u003cp>When anyone dies, our sadness is tinged with something darker and more selfish; we resent the time we’ll never get to spend with that person, the days and months and years that will pile up without their presence.\u003c/p>\n\u003cp>When a comedian dies, particularly one so young, we feel that resentment more keenly, because laughter is a limited resource – one of a very few things with the power to make those days and months and years pass more easily.\u003c/p>\n\u003cp>You’ll see some writing today about Wittels’ coinage of the term \u003cem>humblebrag\u003c/em> – the tendency for people, celebrities especially, to express a distinctly performative brand of faux-humility on social media. It became a whole thing, the #humblebrag hashtag, one Wittels frequently expressed some misgivings about.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On Twitter, you can read some of his fellow comics weighing in on his stand-up and his music (with the band Don’t Stop or We’ll Die, formed with Paul Rust and Michael Cassady) while his fellow \u003cem>Parks and Recreation\u003c/em> writers laud his singular contributions to that show. (By the way: You know Harris, Pawnee’s Animal Control guy? That was him.)\u003c/p>\n\u003cp>But you and me, let’s talk podcasts.\u003c/p>\n\u003cp>Wittels may not have been a household name – in your household, anyway. In my household, and in the households of the nation’s comedy nerds, his name meant something. When you saw it listed as a guest on a given comedy podcast, as he was frequently on Scott Aukerman’s \u003cem>Comedy Bang Bang\u003c/em> (nee \u003cem>Comedy Death Ray\u003c/em>), you dropped everything and started listening while the file was still downloading.\u003c/p>\n\u003cp>On \u003cem>Comedy Bang Bang\u003c/em>, Wittels was quick, self-deprecating, and hugely funny: he’d try out jokes he’d earlier typed into his phone in an impromptu segment called “Harris’ Phone Corner” (which almost immediately became “Harris’ Foam Corner” – never mind, long story) and revel in the affectionate mockery they’d inevitably receive from Aukerman and guests.\u003c/p>\n\u003cp>With Aukerman, he co-hosted the podcast \u003cem>Analyze Phish\u003c/em>, a show whose premise (Wittels a Phish super-fan, Aukerman a bemused Phish-skeptic; they talk) does little to hint at its dogged, exultant silliness, or the exasperated affection the two men share.\u003c/p>\n\u003cp>I’ve used the word “affection” twice in the last two paragraphs, because that’s the word that came through most clearly in every Wittels appearance: the guy was loved. You can \u003cem>hear\u003c/em> it.\u003c/p>\n\u003cp>Here’s a thing about podcasts – their loose, rangy, long-form format breeds a distinctive strain of intimacy. You’re listening to a conversation between two or more people, with all the digressions and hoary jokes their shared history engenders, and it feels familiar, comfortable, warm.\u003c/p>\n\u003cp>Last November, Wittels made a \u003ca href=\"http://www.nerdist.com/pepisode/you-made-it-weird-236-harris-wittels-returns/\" target=\"_blank\" rel=\"noopener\">second appearance\u003c/a> on \u003cem>You Made It Weird\u003c/em>, a podcast whose host, Pete Holmes, greets guests with a weaponized form of gregariousness that, if unchecked, can dominate conversations.\u003c/p>\n\u003cp>Listen to Wittels’ appearance. You get past the ghoulishness of it quickly: yes, Wittels talks at length about cycling through addiction and recovery, and tells some harrowingly funny and off-handedly profane stories about his first, fumbling encounters with heroin. But listen to how Wittels tells them – how clear-eyed, unsentimental, brutally honest, and hilarious he is.\u003c/p>\n\u003cp>He’s all of those things at once, each one bound up inextricably with the other. Listen to how Holmes – even Holmes! – gets quieter and quieter as Wittels talks.\u003c/p>\n\u003cp>It’s a conversation that clocks in at an hour and forty minutes. It would never fit into the programmatic confines of radio or television; it flows, it doubles back, it halts, it lurches forward. It’s a weird gift, is what it is.\u003c/p>\n\u003cp>Wittels is gone, and that’s sad. Infuriatingly so. There’s that familiar resentment – he was only 30 years old, which means we won’t get decades and decades of his comedy.\u003c/p>\n\u003cp>But he was improbably and gratifyingly prolific. His Twitter feed (\u003ca href=\"http://www.twitter.com/twittels\" target=\"_blank\" rel=\"noopener\">@twittels\u003c/a>) is still there, still hilarious, still so recognizably \u003cem>him\u003c/em>.\u003c/p>\n\u003cp>There’s the \u003cem>Comedy Bang Bang\u003c/em> and \u003cem>Analyze Phish\u003c/em> archives, filled with Wittels’ voice and humor and jokes so determinedly bad they shade into performance art.\u003c/p>\n\u003cp>So while mourning his absence, maybe spend some time today, and in the days and months and years to come, enjoying his digital presence.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Do a search. Listen. Laugh. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Comedy+And+Good+Conversation+Of+Harris+Wittels&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10408965/the-comedy-and-good-conversation-of-harris-wittels",
"authors": [
"byline_arts_10408965"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_10408966",
"label": "arts_137"
},
"arts_10403172": {
"type": "posts",
"id": "arts_10403172",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10403172",
"score": null,
"sort": [
1424462444000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1424462444,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over 2 Chainz shopping sprees, nihilist sandwiches, a 450-year-old choral work and more!\u003c/p>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">GQ’s Most Expensivest S***\u003c/h2>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"560\" height=\"390\" src=\"http://player.cnevids.com/embed/54204ffa69702d61b5010000/51097beb8ef9aff9f5000006\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Live like the 1% with 2 Chainz! This video series is oddly addictive. Maybe it is my morbid fascination with super expensive stuff (a $295 hamburger and a $2 million car, anyone?) that I will never be able to afford or the absurdity of the price tag or 2 Chainz’s expression as he gets the hard sell. I realize this is just another form of promotion and advertising, but I can’t stop watching!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Thomas Tallis, Spem in alium\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=iT-ZAAi4UQQ\u003c/p>\n\u003cp class=\"p1\">Strictly speaking, I’ve been ‘obsessed’ with this gorgeous 450-year-old choral work for years. Thanks to an adolescent combination of insomnia and a precious tape-radio that received a particularly strong signal from the local classical station, early modern choral music (Tallis, Allegri, Byrd) is my lifelong jam, and I still remember hearing \u003ci>Spem in Alium\u003c/i> for this first time like you’d remember falling out of a tree.\u003c/p>\n\u003cp class=\"p1\">Written around 1570 for an unbelievable 40 voices, which overlap, build and soar for ten overwhelming minutes, \u003ci>Spem in Alium\u003c/i> is almost unhumanly beautiful. (There are umpteen renditions out there, by the way, and \u003ca href=\"https://www.youtube.com/watch?v=iT-ZAAi4UQQ\">\u003cspan class=\"s1\">this one\u003c/span>\u003c/a> by the Tallis Scholars is my favorite for its pacing.) It’s a rare month that goes by without me listening to this on full blast at least once, but I’ll be honest: with the inescapable release of \u003ca href=\"http://www.npr.org/2015/02/12/385726801/fifty-shades-director-explores-passion-performance-and-control\">\u003cspan class=\"s1\">a \u003c/span>\u003cspan class=\"s2\">\u003ci>certain\u003c/i>\u003c/span>\u003cspan class=\"s1\"> movie\u003c/span>\u003c/a> on Valentine’s Day, what reminded me to turn it up this week was remembering the horror of seeing \u003ci>my \u003c/i>beloved \u003ci>Spem \u003c/i>slapped with an “As featured in \u003ci>Fifty Shades of Grey\u003c/i>!” banner on Spotify last year. Yes, apparently a Renaissance masterpiece makes \u003ca href=\"http://www.npr.org/blogs/deceptivecadence/2012/07/11/156604704/how-is-fifty-shades-of-grey-selling-classical-music\">\u003cspan class=\"s1\">a ‘special appearance’ in the book\u003c/span>\u003c/a> (although not the movie?) and I dread to think how, but you know what: I’ve gotten over it. Frankly, we can all use a reminder not to be a tedious snob about how and where people discover the good stuff.\u003c/p>\n\u003cp class=\"p2\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Nihilist Arby’s\u003c/h2>\n\u003cp>https://twitter.com/nihilist_arbys/status/563495213440569344\u003c/p>\n\u003cp class=\"p1\">Oh yeah, that’s the stuff — the kind of content that makes you glad the Internet exists. When I look back, I don’t think I learned what nihilism was in school; I remember first hearing the term in \u003ca href=\"https://www.youtube.com/watch?v=2WOx4U3sCuQ\">a Rancid song\u003c/a>. But you don’t need to know what the doctrine of a 1900s revolutionary party in Russia is about to see the humor in this Twitter feed. It’s just lousy with dark humor, built on a simple formula: Arby’s references and declarations that life is meaningless.\u003c/p>\n\u003cp class=\"p1\">For example:\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>Drain the blood, cure and slice the flesh, season and fry the potatoes, feed them the sugar water. Be born. Toil. Die. Arby’s. We sell food.\u003c/p>\n\u003cp>— Nihilist Arby’s (@nihilist_arbys) \u003ca href=\"https://twitter.com/nihilist_arbys/status/560578124745027584\">January 28, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>Roses will die. Violets will too. May as well try Arby’s cordon bleu.\u003c/p>\n\u003cp>— Nihilist Arby’s (@nihilist_arbys) \u003ca href=\"https://twitter.com/nihilist_arbys/status/560077217141911554\">January 27, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>The birth of your child, your first snowfall, a shooting star: All meaningless in the face of the void. Arby’s: may as well order the large.\u003c/p>\n\u003cp>— Nihilist Arby’s (@nihilist_arbys) \u003ca href=\"https://twitter.com/nihilist_arbys/status/565642097794232320\">February 11, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp class=\"p1\">And for the tweets you don’t find funny, imagine the words coming from a gigantic Arby’s sandwich, its bun full of graying roast beef, and thick globs of cheddar cheese dripping and falling from the sammie’s flapping maw. It adds a second level of enjoyment to tweets like “I’m thinkin life is meaningless. I’m thinkin the universe is a giant random accident. I’m thinkin f**k everything. I’m thinkin Arby’s.” Follow \u003ca href=\"https://twitter.com/nihilist_arbys\">this beautiful feed\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Pop Stars’ Avant-Garde Accessories\u003c/h2>\n\u003cdiv>\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"//player.theplatform.com/p/NnzsPC/widget/select/media/T_nW_Z0f87Xx?carouselID=148621\" width=\"601\" height=\"338\" frameborder=\"0\" seamless=\"seamless\" allowfullscreen=\"allowfullscreen\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\n\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp class=\"p1\">SNL isn’t usually mentioned in the same sentence as avant-garde, but the variety show’s 40th Anniversary bash went there. Kanye West opened his medley by lying on the floor and singing into the camera, while wearing piercing blue contact lenses. Mrs. Kanye West \u003ca href=\"https://instagram.com/p/zJjai1OS0U/?modal=true&utm_source=partner&utm_medium=embed&utm_campaign=photo\">also sported some blue contacts\u003c/a> on social media in solidarity (or socio-political commentary?).\u003c/p>\n\u003cp class=\"p1\">Not to be outdone, Sia wore a poofy blond mop. She notoriously eschews the spotlight and has found many creative ways to avoid it (stand-ins and black-light paint, to name a few), but she seems to have hit her stride with the wig that looks like a souped-up Andy Warhol caricature, or just an exaggerated version of herself. While many entertainers are known for quirky costumes and showy props, something about these disguises feels more artistic than the average pop-music spectacle. Or maybe I’m just hoping.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Everything about Ruth Bader Ginsburg\u003c/h2>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"600\" height=\"426\" src=\"http://video.pbs.org/viralplayer/2365419697\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>There’s nothing not to like about Ruth Bader Ginsburg. She’s an unapologetic feminist in the midst of colleagues who are…not feminists. She wears cute gloves and jabots. She simply \u003ca href=\"http://www1.pictures.zimbio.com/gi/Ruth+Bader+Ginsburg+President+Obama+Delivers+xeNNK5rd9CFl.jpg\">cannot hide\u003c/a> her undying love for Obama. She is 81 and can do 20 push ups. Her dissents are so bold they should come with an “Oh, Snap!” disclaimer. And on and on.\u003c/p>\n\u003cp>My obsession with RBG is always somewhere right beneath the surface, but became particularly present this week, as she’s been on a media and speaking tour. When talking to students at Georgetown University, she mentioned the FAQ of when there will be “enough” women on the Supreme Court and shared her answer: 9 out of 9. Take that, patriarchy! She also shared this bit of trivia: “If I could have any talent in the world, I would be a great diva.” You thought that was a genius quote? Just you wait. When asked about her nap during the State of the Union, she confessed: “I was not 100% sober.” Stop it, Ruth, you’re killing us!\u003c/p>\n\u003cp>But, like Miley, she can’t/won’t stop; Ginsburg appeared on MSNBC for \u003ca href=\"http://www.msnbc.com/msnbc/watch/meet-justice-ruth-bader-ginsburg-400410691740\">a 30 minute interview\u003c/a> about everything from her opinions on people who get her face tattooed on their bodies (she’s more into piercings) to her opinions on more serious topics like Citizens United and Hobby Lobby (“Wrong” and “Wrong again”). I could spend hours listening to her talk (and I have, thanks to YouTube). Before you get lost in a click hole of RBG videos, \u003ca href=\"http://ww2.kqed.org/pop/2013/06/20/little-known-facts-about-supreme-court-justices-prop8-doma-scalia-ginsburg/\">check out these little known facts about her and the other Supreme Court Justices\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1215,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"http://player.cnevids.com/embed/54204ffa69702d61b5010000/51097beb8ef9aff9f5000006",
"//player.theplatform.com/p/NnzsPC/widget/select/media/T_nW_Z0f87Xx"
],
"paragraphCount": 16
},
"modified": 1705047551,
"excerpt": "This week, the KQED Arts gang is freaking out over 2 Chainz shopping sprees, nihilist sandwiches, a 450-year-old choral work, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over 2 Chainz shopping sprees, nihilist sandwiches, a 450-year-old choral work, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-02-20T12:00:44-08:00",
"dateModified": "2024-01-12T00:19:11-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-3",
"status": "publish",
"sticky": false,
"path": "/arts/10403172/obsessed-everything-we-cant-stop-talking-about-this-week-3",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over 2 Chainz shopping sprees, nihilist sandwiches, a 450-year-old choral work and more!\u003c/p>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">GQ’s Most Expensivest S***\u003c/h2>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"560\" height=\"390\" src=\"http://player.cnevids.com/embed/54204ffa69702d61b5010000/51097beb8ef9aff9f5000006\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Live like the 1% with 2 Chainz! This video series is oddly addictive. Maybe it is my morbid fascination with super expensive stuff (a $295 hamburger and a $2 million car, anyone?) that I will never be able to afford or the absurdity of the price tag or 2 Chainz’s expression as he gets the hard sell. I realize this is just another form of promotion and advertising, but I can’t stop watching!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Thomas Tallis, Spem in alium\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iT-ZAAi4UQQ'\n title='//www.youtube.com/embed/iT-ZAAi4UQQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">Strictly speaking, I’ve been ‘obsessed’ with this gorgeous 450-year-old choral work for years. Thanks to an adolescent combination of insomnia and a precious tape-radio that received a particularly strong signal from the local classical station, early modern choral music (Tallis, Allegri, Byrd) is my lifelong jam, and I still remember hearing \u003ci>Spem in Alium\u003c/i> for this first time like you’d remember falling out of a tree.\u003c/p>\n\u003cp class=\"p1\">Written around 1570 for an unbelievable 40 voices, which overlap, build and soar for ten overwhelming minutes, \u003ci>Spem in Alium\u003c/i> is almost unhumanly beautiful. (There are umpteen renditions out there, by the way, and \u003ca href=\"https://www.youtube.com/watch?v=iT-ZAAi4UQQ\">\u003cspan class=\"s1\">this one\u003c/span>\u003c/a> by the Tallis Scholars is my favorite for its pacing.) It’s a rare month that goes by without me listening to this on full blast at least once, but I’ll be honest: with the inescapable release of \u003ca href=\"http://www.npr.org/2015/02/12/385726801/fifty-shades-director-explores-passion-performance-and-control\">\u003cspan class=\"s1\">a \u003c/span>\u003cspan class=\"s2\">\u003ci>certain\u003c/i>\u003c/span>\u003cspan class=\"s1\"> movie\u003c/span>\u003c/a> on Valentine’s Day, what reminded me to turn it up this week was remembering the horror of seeing \u003ci>my \u003c/i>beloved \u003ci>Spem \u003c/i>slapped with an “As featured in \u003ci>Fifty Shades of Grey\u003c/i>!” banner on Spotify last year. Yes, apparently a Renaissance masterpiece makes \u003ca href=\"http://www.npr.org/blogs/deceptivecadence/2012/07/11/156604704/how-is-fifty-shades-of-grey-selling-classical-music\">\u003cspan class=\"s1\">a ‘special appearance’ in the book\u003c/span>\u003c/a> (although not the movie?) and I dread to think how, but you know what: I’ve gotten over it. Frankly, we can all use a reminder not to be a tedious snob about how and where people discover the good stuff.\u003c/p>\n\u003cp class=\"p2\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Nihilist Arby’s\u003c/h2>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "563495213440569344"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp class=\"p1\">Oh yeah, that’s the stuff — the kind of content that makes you glad the Internet exists. When I look back, I don’t think I learned what nihilism was in school; I remember first hearing the term in \u003ca href=\"https://www.youtube.com/watch?v=2WOx4U3sCuQ\">a Rancid song\u003c/a>. But you don’t need to know what the doctrine of a 1900s revolutionary party in Russia is about to see the humor in this Twitter feed. It’s just lousy with dark humor, built on a simple formula: Arby’s references and declarations that life is meaningless.\u003c/p>\n\u003cp class=\"p1\">For example:\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>Drain the blood, cure and slice the flesh, season and fry the potatoes, feed them the sugar water. Be born. Toil. Die. Arby’s. We sell food.\u003c/p>\n\u003cp>— Nihilist Arby’s (@nihilist_arbys) \u003ca href=\"https://twitter.com/nihilist_arbys/status/560578124745027584\">January 28, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>Roses will die. Violets will too. May as well try Arby’s cordon bleu.\u003c/p>\n\u003cp>— Nihilist Arby’s (@nihilist_arbys) \u003ca href=\"https://twitter.com/nihilist_arbys/status/560077217141911554\">January 27, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>The birth of your child, your first snowfall, a shooting star: All meaningless in the face of the void. Arby’s: may as well order the large.\u003c/p>\n\u003cp>— Nihilist Arby’s (@nihilist_arbys) \u003ca href=\"https://twitter.com/nihilist_arbys/status/565642097794232320\">February 11, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp class=\"p1\">And for the tweets you don’t find funny, imagine the words coming from a gigantic Arby’s sandwich, its bun full of graying roast beef, and thick globs of cheddar cheese dripping and falling from the sammie’s flapping maw. It adds a second level of enjoyment to tweets like “I’m thinkin life is meaningless. I’m thinkin the universe is a giant random accident. I’m thinkin f**k everything. I’m thinkin Arby’s.” Follow \u003ca href=\"https://twitter.com/nihilist_arbys\">this beautiful feed\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Pop Stars’ Avant-Garde Accessories\u003c/h2>\n\u003cdiv>\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"//player.theplatform.com/p/NnzsPC/widget/select/media/T_nW_Z0f87Xx?carouselID=148621\" width=\"601\" height=\"338\" frameborder=\"0\" seamless=\"seamless\" allowfullscreen=\"allowfullscreen\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\n\u003c/div>\n\u003cdiv>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp class=\"p1\">SNL isn’t usually mentioned in the same sentence as avant-garde, but the variety show’s 40th Anniversary bash went there. Kanye West opened his medley by lying on the floor and singing into the camera, while wearing piercing blue contact lenses. Mrs. Kanye West \u003ca href=\"https://instagram.com/p/zJjai1OS0U/?modal=true&utm_source=partner&utm_medium=embed&utm_campaign=photo\">also sported some blue contacts\u003c/a> on social media in solidarity (or socio-political commentary?).\u003c/p>\n\u003cp class=\"p1\">Not to be outdone, Sia wore a poofy blond mop. She notoriously eschews the spotlight and has found many creative ways to avoid it (stand-ins and black-light paint, to name a few), but she seems to have hit her stride with the wig that looks like a souped-up Andy Warhol caricature, or just an exaggerated version of herself. While many entertainers are known for quirky costumes and showy props, something about these disguises feels more artistic than the average pop-music spectacle. Or maybe I’m just hoping.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Everything about Ruth Bader Ginsburg\u003c/h2>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"600\" height=\"426\" src=\"http://video.pbs.org/viralplayer/2365419697\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>There’s nothing not to like about Ruth Bader Ginsburg. She’s an unapologetic feminist in the midst of colleagues who are…not feminists. She wears cute gloves and jabots. She simply \u003ca href=\"http://www1.pictures.zimbio.com/gi/Ruth+Bader+Ginsburg+President+Obama+Delivers+xeNNK5rd9CFl.jpg\">cannot hide\u003c/a> her undying love for Obama. She is 81 and can do 20 push ups. Her dissents are so bold they should come with an “Oh, Snap!” disclaimer. And on and on.\u003c/p>\n\u003cp>My obsession with RBG is always somewhere right beneath the surface, but became particularly present this week, as she’s been on a media and speaking tour. When talking to students at Georgetown University, she mentioned the FAQ of when there will be “enough” women on the Supreme Court and shared her answer: 9 out of 9. Take that, patriarchy! She also shared this bit of trivia: “If I could have any talent in the world, I would be a great diva.” You thought that was a genius quote? Just you wait. When asked about her nap during the State of the Union, she confessed: “I was not 100% sober.” Stop it, Ruth, you’re killing us!\u003c/p>\n\u003cp>But, like Miley, she can’t/won’t stop; Ginsburg appeared on MSNBC for \u003ca href=\"http://www.msnbc.com/msnbc/watch/meet-justice-ruth-bader-ginsburg-400410691740\">a 30 minute interview\u003c/a> about everything from her opinions on people who get her face tattooed on their bodies (she’s more into piercings) to her opinions on more serious topics like Citizens United and Hobby Lobby (“Wrong” and “Wrong again”). I could spend hours listening to her talk (and I have, thanks to YouTube). Before you get lost in a click hole of RBG videos, \u003ca href=\"http://ww2.kqed.org/pop/2013/06/20/little-known-facts-about-supreme-court-justices-prop8-doma-scalia-ginsburg/\">check out these little known facts about her and the other Supreme Court Justices\u003c/a>!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10403172/obsessed-everything-we-cant-stop-talking-about-this-week-3",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10406294",
"label": "arts"
},
"arts_10385337": {
"type": "posts",
"id": "arts_10385337",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "10385337",
"score": null,
"sort": [
1423857616000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1423857616,
"format": "standard",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over Richard Simmons’ Facebook page, Play-Doh dresses, the Spice Girls leak, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Hannibal Buress\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=zXvJqiyiMqQ\u003c/p>\n\u003cp>I can barely squeak out the words to explain how excited I am to see comedian \u003ca href=\"http://www.cityboxoffice.com/eventperformances.asp?evt=2009\">Hannibal Buress at the Nourse Theater\u003c/a> on Feb. 26. You may recognize him as Lincoln from everyone’s new favorite female-driven comedy series, \u003cem>Broad City\u003c/em>, or from the recent headlines about Bill Cosby (his material about the rape allegations was a catalyst for the recent media frenzy). I have never laughed so hard as I did when I listened to Buress’s comedy albums, \u003cem>My Name is Hannibal\u003c/em> and \u003cem>Animal Furnace\u003c/em>. So do yourself a favor and check out his performance on \u003cem>The Tonight Show\u003c/em> from last year that focuses on his trip to New Orleans, or just lose yourself in the video section on his website. Most importantly, get his albums or \u003ca href=\"http://www.cityboxoffice.com/eventperformances.asp?evt=2009\" target=\"_blank\" rel=\"noopener\">tickets to his show\u003c/a> (a second one was added due to demand)! If laughter is the best medicine, Hannibal Buress should be paid a doctor’s salary.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Richard Simmons’ Facebook page\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=vhZ2fYQj6IM\u003c/p>\n\u003cp class=\"p1\">When I was in high school, there was a moment when my P.E. teacher was in flux and so we had a substitute that, honest-to-God, would use up her class time by putting on tapes of \u003cem>Sweatin’ to the Oldies\u003c/em>. At the time I had a metabolism that was equal to hosting a tapeworm so I didn’t need the workout, but I could see the appeal of the long-running series. When watching the scrawny, unabashedly goofy Simmons, clad in sequined tank tops and jogging shorts (emphasis on \u003cem>short\u003c/em>), dancing around with a group of people that would never even be considered for an aerobic exercise show today, it was easy to forget the “work” part of “workout” and find that an hour-long class would be over in a flash.\u003c/p>\n\u003cp class=\"p1\">Fast-forward to now, when every trip to a restaurant ends in a shame spiral (yet I still eat out all the time), and responsibilities have sucked away any and all “me-time.” The most consistent interactions with a gym I get nowadays are the photos from Simmons’ Facebook feed, which never fail to exercise my smile muscles, but they also do the favor of reminding me that I should care about myself. So yes, good job, Richard, all of \u003ca href=\"https://www.facebook.com/TheWeightSaint/photos/a.10150431630035227.630937.139080040226/10155284741500227/?type=1\" target=\"_blank\" rel=\"noopener\">the super weird pics of you wearing outlandish headgear\u003c/a> while making funny faces are doing their job and making me want to squeeze in a workout. Thank you for that. Crave a good sweat over at \u003ca href=\"https://www.facebook.com/TheWeightSaint\" target=\"_blank\" rel=\"noopener\">Richard Simmons’ Facebook\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">New Spice Girls Songs Leak, 15 Years Later\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=ZlueLcSAgoo\u003c/p>\n\u003cp>They say you never really get over your first loves. For you it might have been your hot next door neighbor, but for me it was the Spice Girls. The first time I saw their \u003ca href=\"http://ww2.kqed.org/pop/2014/07/08/wannabe-turns-18-today-and-youve-never-been-older/\" target=\"_blank\" rel=\"noopener\">debut music video for “Wannabe”\u003c/a>, I was floored by how colorful and joyous their empowerment was. It was candy-coated feminism and I was on a sugar high from it for the next three years. My middle-school classmates voted me “Most Likely to Be a Spice Girl” to make fun of me for being gay, but I took it as a compliment. The Spice Girls served as an escape from homophobic jerks and represented an aspiration: that I could someday be as bold as them.\u003c/p>\n\u003cp>So you can imagine my excitement when four unreleased Spice Girls songs from the ’90s leaked yesterday. Are they any good? Does it matter? What’s important is that the Spice Girls bring us back to a simpler time, one of girl power and positivity and being whomever you want to be. Twenty years after they first hit the scene, we could still use all of that. \u003ca href=\"http://ww2.kqed.org/pop/spice-girls-songs-leak-spice-up-your-life-with-these-4-unreleased-demos-girl-power-anthems-listen\" target=\"_blank\" rel=\"noopener\">Listen to all four songs\u003c/a> and rekindle that old Spice Girls flame.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The How Did This Get Made? Podcast\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=zXzL224UKBc\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/84354829″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp class=\"p1\">Experience has taught me that comedy podcasts are the best way to make long, tedious car journeys seem shorter, and binge-consuming several episodes of this very funny discussion series about very bad movies made a recent slog down Hwy 1 in one-foot visibility virtually \u003ci>fly \u003c/i>by. In each episode, comics Paul Scheer, June Diane Raphael and Jason Mantzoukas (plus special guests) watch a gloriously dreadful movie like \u003ci>The Devil’s Advocate\u003c/i>, \u003ci>Anaconda \u003c/i>or Neil LaBute’s remake of \u003ci>The Wicker Man\u003c/i>, then get together to discuss the burning question of the title: how did something so nonsensical, badly acted or tasteless like this ever get off the ground, let alone onto your screen?\u003c/p>\n\u003cp class=\"p1\">Alongside the incredulous scene-by-scene commentary, there’s some genuinely fascinating “inside baseball” nuggets for movie dweebs like me about the missteps that lead to these cinematic catastrophes. (My favorites so far: Jackie Chan was going to play the Wesley Snipes character in \u003ci>Demolition Man\u003c/i>, and there was an apparently quite good Michael Crichton source novel for 1995’s \u003ci>Congo\u003c/i>, but nobody involved in the movie bothered to read it.) As a sincere appreciator of this stuff, I cannot wait for my next episode: Nic Cage’s 2011 horror (in all senses) \u003ci>Season of the Witch\u003c/i>. \u003ca href=\"http://www.earwolf.com/show/how-did-this-get-made/\" target=\"_blank\" rel=\"noopener\">Listen up over at Earwolf\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">This Wacky Lady Who Makes Play-Doh Dresses for Princess Dolls\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=DmGZslmlLRQ\u003c/p>\n\u003cp>Instructional YouTube videos have saved my adult life many a time, be they for replacing an iPhone screen or bleeding a master cylinder, but YouTube user DC Toys Collector caters to a different demographic—specifically, toddlers. \u003cem>7 Disney Princess MagiClip Collection Tiana Rapunzel Cinderella Magic-Clip Play-Doh-Plus Sparkle\u003c/em> is a video that’s been viewed nearly 20 million times, which is impossible to believe until you actually watch the thing. Basically, the host plays with Disney princess dolls and makes dresses for them out of Play-Doh. No big deal, right? Except that this stuff is toddler gold, and she’s got a soothing, congenial delivery to her voice that’s utterly hypnotic for adults as well. Skip to 5:26, listen to her say, “Woooowww, this dress came out really pretty” and tell me you don’t want to hear her read every audiobook in the world. The phrase “Woooowww, this ________ came out really pretty” has entered into my everyday lexicon, so if you hear me say it in casual conversation, well…now you know where it came from.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Gary Kamiya’s Cool Gray City of Love\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10385723\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/coolcitycrop.jpg\" alt=\"coolcitycrop\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/coolcitycrop.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/coolcitycrop-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp class=\"p1\">If you aren’t already enamored with our fair city, this book will make you fall in love with San Francisco in no time. Author Gary Kamiya takes you on a sight-seeing escapade bringing history, local lore, natural science, politics and street level conversation to life. You will never look at our neighborhoods, parks, and waterfronts in the same way. I’ve been forcing myself to read only a few chapters a night so I don’t devour it in one sitting. When was the last time that you explored a new part of San Francisco? This book is the perfect jolt for the jaded local who calls this city home.\u003c/p>\n\u003cp class=\"p1\">Also, Gary Kamiya is working with \u003ca href=\"https://www.detour.com/\">\u003cspan class=\"s1\">Detour\u003c/span>\u003c/a>, an app that offers audio walks in San Francisco that reveal hidden stories, people and places. \u003ca href=\"https://www.detour.com/detours/cool-gray-city\">\u003cspan class=\"s1\">Cool Gray City launched on Detour\u003c/span>\u003c/a> a few weeks back. Can’t wait to take his tour! \u003ca href=\"http://audio.californiareport.org/archive/R201308021630/d\" target=\"_blank\" rel=\"noopener\">Check out a review\u003c/a> of Kamiya’s book from \u003cem>The California Report.\u003c/em>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1451,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705047594,
"excerpt": "This week, the KQED Arts gang is freaking out over Richard Simmons' Facebook page, Play-Doh dresses, the Spice Girls leak, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "This week, the KQED Arts gang is freaking out over Richard Simmons' Facebook page, Play-Doh dresses, the Spice Girls leak, and more!",
"title": "OBSESSED: Everything We Can't Stop Talking About This Week | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "OBSESSED: Everything We Can't Stop Talking About This Week",
"datePublished": "2015-02-13T12:00:16-08:00",
"dateModified": "2024-01-12T00:19:54-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "obsessed-everything-we-cant-stop-talking-about-this-week-2",
"status": "publish",
"sticky": false,
"path": "/arts/10385337/obsessed-everything-we-cant-stop-talking-about-this-week-2",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over Richard Simmons’ Facebook page, Play-Doh dresses, the Spice Girls leak, and more!\u003c/p>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kfarr/\">Kristin Farr\u003c/a>\u003c/i> \u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Hannibal Buress\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zXvJqiyiMqQ'\n title='//www.youtube.com/embed/zXvJqiyiMqQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I can barely squeak out the words to explain how excited I am to see comedian \u003ca href=\"http://www.cityboxoffice.com/eventperformances.asp?evt=2009\">Hannibal Buress at the Nourse Theater\u003c/a> on Feb. 26. You may recognize him as Lincoln from everyone’s new favorite female-driven comedy series, \u003cem>Broad City\u003c/em>, or from the recent headlines about Bill Cosby (his material about the rape allegations was a catalyst for the recent media frenzy). I have never laughed so hard as I did when I listened to Buress’s comedy albums, \u003cem>My Name is Hannibal\u003c/em> and \u003cem>Animal Furnace\u003c/em>. So do yourself a favor and check out his performance on \u003cem>The Tonight Show\u003c/em> from last year that focuses on his trip to New Orleans, or just lose yourself in the video section on his website. Most importantly, get his albums or \u003ca href=\"http://www.cityboxoffice.com/eventperformances.asp?evt=2009\" target=\"_blank\" rel=\"noopener\">tickets to his show\u003c/a> (a second one was added due to demand)! If laughter is the best medicine, Hannibal Buress should be paid a doctor’s salary.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/arts/author/kjones/\">Kevin Jones\u003c/a>\u003c/i>\u003cbr> Producer, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Richard Simmons’ Facebook page\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vhZ2fYQj6IM'\n title='//www.youtube.com/embed/vhZ2fYQj6IM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">When I was in high school, there was a moment when my P.E. teacher was in flux and so we had a substitute that, honest-to-God, would use up her class time by putting on tapes of \u003cem>Sweatin’ to the Oldies\u003c/em>. At the time I had a metabolism that was equal to hosting a tapeworm so I didn’t need the workout, but I could see the appeal of the long-running series. When watching the scrawny, unabashedly goofy Simmons, clad in sequined tank tops and jogging shorts (emphasis on \u003cem>short\u003c/em>), dancing around with a group of people that would never even be considered for an aerobic exercise show today, it was easy to forget the “work” part of “workout” and find that an hour-long class would be over in a flash.\u003c/p>\n\u003cp class=\"p1\">Fast-forward to now, when every trip to a restaurant ends in a shame spiral (yet I still eat out all the time), and responsibilities have sucked away any and all “me-time.” The most consistent interactions with a gym I get nowadays are the photos from Simmons’ Facebook feed, which never fail to exercise my smile muscles, but they also do the favor of reminding me that I should care about myself. So yes, good job, Richard, all of \u003ca href=\"https://www.facebook.com/TheWeightSaint/photos/a.10150431630035227.630937.139080040226/10155284741500227/?type=1\" target=\"_blank\" rel=\"noopener\">the super weird pics of you wearing outlandish headgear\u003c/a> while making funny faces are doing their job and making me want to squeeze in a workout. Thank you for that. Crave a good sweat over at \u003ca href=\"https://www.facebook.com/TheWeightSaint\" target=\"_blank\" rel=\"noopener\">Richard Simmons’ Facebook\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>\u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\">Emmanuel Hapsis\u003c/a>\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">New Spice Girls Songs Leak, 15 Years Later\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZlueLcSAgoo'\n title='//www.youtube.com/embed/ZlueLcSAgoo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>They say you never really get over your first loves. For you it might have been your hot next door neighbor, but for me it was the Spice Girls. The first time I saw their \u003ca href=\"http://ww2.kqed.org/pop/2014/07/08/wannabe-turns-18-today-and-youve-never-been-older/\" target=\"_blank\" rel=\"noopener\">debut music video for “Wannabe”\u003c/a>, I was floored by how colorful and joyous their empowerment was. It was candy-coated feminism and I was on a sugar high from it for the next three years. My middle-school classmates voted me “Most Likely to Be a Spice Girl” to make fun of me for being gay, but I took it as a compliment. The Spice Girls served as an escape from homophobic jerks and represented an aspiration: that I could someday be as bold as them.\u003c/p>\n\u003cp>So you can imagine my excitement when four unreleased Spice Girls songs from the ’90s leaked yesterday. Are they any good? Does it matter? What’s important is that the Spice Girls bring us back to a simpler time, one of girl power and positivity and being whomever you want to be. Twenty years after they first hit the scene, we could still use all of that. \u003ca href=\"http://ww2.kqed.org/pop/spice-girls-songs-leak-spice-up-your-life-with-these-4-unreleased-demos-girl-power-anthems-listen\" target=\"_blank\" rel=\"noopener\">Listen to all four songs\u003c/a> and rekindle that old Spice Girls flame.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The How Did This Get Made? Podcast\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zXzL224UKBc'\n title='//www.youtube.com/embed/zXzL224UKBc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/84354829″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/84354829″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp class=\"p1\">Experience has taught me that comedy podcasts are the best way to make long, tedious car journeys seem shorter, and binge-consuming several episodes of this very funny discussion series about very bad movies made a recent slog down Hwy 1 in one-foot visibility virtually \u003ci>fly \u003c/i>by. In each episode, comics Paul Scheer, June Diane Raphael and Jason Mantzoukas (plus special guests) watch a gloriously dreadful movie like \u003ci>The Devil’s Advocate\u003c/i>, \u003ci>Anaconda \u003c/i>or Neil LaBute’s remake of \u003ci>The Wicker Man\u003c/i>, then get together to discuss the burning question of the title: how did something so nonsensical, badly acted or tasteless like this ever get off the ground, let alone onto your screen?\u003c/p>\n\u003cp class=\"p1\">Alongside the incredulous scene-by-scene commentary, there’s some genuinely fascinating “inside baseball” nuggets for movie dweebs like me about the missteps that lead to these cinematic catastrophes. (My favorites so far: Jackie Chan was going to play the Wesley Snipes character in \u003ci>Demolition Man\u003c/i>, and there was an apparently quite good Michael Crichton source novel for 1995’s \u003ci>Congo\u003c/i>, but nobody involved in the movie bothered to read it.) As a sincere appreciator of this stuff, I cannot wait for my next episode: Nic Cage’s 2011 horror (in all senses) \u003ci>Season of the Witch\u003c/i>. \u003ca href=\"http://www.earwolf.com/show/how-did-this-get-made/\" target=\"_blank\" rel=\"noopener\">Listen up over at Earwolf\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://ww2.kqed.org/arts/author/gmeline/\">\u003ci>Gabe Meline\u003c/i>\u003c/a>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">This Wacky Lady Who Makes Play-Doh Dresses for Princess Dolls\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DmGZslmlLRQ'\n title='//www.youtube.com/embed/DmGZslmlLRQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Instructional YouTube videos have saved my adult life many a time, be they for replacing an iPhone screen or bleeding a master cylinder, but YouTube user DC Toys Collector caters to a different demographic—specifically, toddlers. \u003cem>7 Disney Princess MagiClip Collection Tiana Rapunzel Cinderella Magic-Clip Play-Doh-Plus Sparkle\u003c/em> is a video that’s been viewed nearly 20 million times, which is impossible to believe until you actually watch the thing. Basically, the host plays with Disney princess dolls and makes dresses for them out of Play-Doh. No big deal, right? Except that this stuff is toddler gold, and she’s got a soothing, congenial delivery to her voice that’s utterly hypnotic for adults as well. Skip to 5:26, listen to her say, “Woooowww, this dress came out really pretty” and tell me you don’t want to hear her read every audiobook in the world. The phrase “Woooowww, this ________ came out really pretty” has entered into my everyday lexicon, so if you hear me say it in casual conversation, well…now you know where it came from.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Gary Kamiya’s Cool Gray City of Love\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10385723\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/coolcitycrop.jpg\" alt=\"coolcitycrop\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/coolcitycrop.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/coolcitycrop-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp class=\"p1\">If you aren’t already enamored with our fair city, this book will make you fall in love with San Francisco in no time. Author Gary Kamiya takes you on a sight-seeing escapade bringing history, local lore, natural science, politics and street level conversation to life. You will never look at our neighborhoods, parks, and waterfronts in the same way. I’ve been forcing myself to read only a few chapters a night so I don’t devour it in one sitting. When was the last time that you explored a new part of San Francisco? This book is the perfect jolt for the jaded local who calls this city home.\u003c/p>\n\u003cp class=\"p1\">Also, Gary Kamiya is working with \u003ca href=\"https://www.detour.com/\">\u003cspan class=\"s1\">Detour\u003c/span>\u003c/a>, an app that offers audio walks in San Francisco that reveal hidden stories, people and places. \u003ca href=\"https://www.detour.com/detours/cool-gray-city\">\u003cspan class=\"s1\">Cool Gray City launched on Detour\u003c/span>\u003c/a> a few weeks back. Can’t wait to take his tour! \u003ca href=\"http://audio.californiareport.org/archive/R201308021630/d\" target=\"_blank\" rel=\"noopener\">Check out a review\u003c/a> of Kamiya’s book from \u003cem>The California Report.\u003c/em>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>Want more? \u003ca href=\"http://ww2.kqed.org/arts/tag/obsessed/\" target=\"_blank\" rel=\"noopener\">Check out our past obsessions\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/10385337/obsessed-everything-we-cant-stop-talking-about-this-week-2",
"authors": [
"92"
],
"categories": [
"arts_75"
],
"tags": [
"arts_596",
"arts_832"
],
"featImg": "arts_10385734",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=popculture": {
"isFetching": false,
"latestQuery": {
"from": 2736,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2996,
"relation": "eq"
},
"items": [
"arts_10543761",
"arts_10526492",
"arts_10524126",
"arts_10520978",
"arts_10503786",
"arts_10483103",
"arts_10462544",
"arts_10442277",
"arts_10422907",
"arts_10408965",
"arts_10403172",
"arts_10385337"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_popculture": {
"isLoading": true
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_832": {
"type": "terms",
"id": "arts_832",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "832",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Obsessed",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Obsessed Archives | KQED Arts",
"ogDescription": null
},
"ttid": 850,
"slug": "obsessed",
"isLoading": false,
"link": "/arts/tag/obsessed"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}