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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/06/TDL20160603.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>June 4\u003c/strong>: Bay Area blues harp player Charlie Musselwhite headlines \u003ca href=\"http://www.jazzonthehill.org/\" target=\"_blank\" rel=\"noopener\">Jazz on the Hill\u003c/a>, the annual free music fest put on by our fellow public radio station (KCSM Jazz 91) at the \u003ca href=\"http://collegeofsanmateo.edu/\" target=\"_blank\" rel=\"noopener\">College of San Mateo\u003c/a>. Also appearing: Etienne Charles and his Creole Soul; the San Francisco Latin Jazz Youth Ensemble; and Lynne Arriale, Grace Kelly, and Charenee Wade doing songs by great women in jazz: Abbey Lincoln, Nina Simone, and Joni Mitchell. Cheap Thrill! Details \u003ca href=\"http://www.jazzonthehill.org/artists.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tenX8PiDo-s\u003c/p>\n\u003cp>\u003cstrong>June 3 & 5:\u003c/strong> The tireless Charlie Musselwhite also plays Friday night at Freight and Salvage in Berkeley: Details \u003ca href=\"http://thefreight.org/charlie-musselwhite\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And Sunday he plays Rancho Nicasio: Details\u003ca href=\"http://www.ranchonicasio.com/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fUZvItNwMAQ\u003c/p>\n\u003cp>\u003cstrong>June 3-12:\u003c/strong> It will be hot in wine country this coming week, so a dose of cool jazz and a good Sonoma rosé is in order. The Healdsburg Jazz Festival has become one of the best and most intimate in the Bay Area. There’s a \u003ca href=\"https://ww2.kqed.org/arts/2016/05/31/billy-hart-honored-in-heladsburg-picks-his-five-most-important-recordings/\" target=\"_blank\" rel=\"noopener\">tribute to drummer Billy Hart\u003c/a> (50 years of jazz) Berkeley born guitar wizard Charlie Hunter is there, and pianist Fred Hersch and clarinetist Anat Cohen, perform miracles as a duo. Tickets are selling fast. Details \u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_i3KUfVjAjE\u003c/p>\n\u003cp>\u003cstrong>June 3-19:\u003c/strong> It’s a festival-themed Do List this week. \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">The San Francisco Ethnic Dance Festival\u003c/a> is the first of two we’re highlighting. The festival celebrates the Bay Area’s enormous ethnic diversity and exceptional dancing from groups like Chinese Performing Arts of America (San Jose), the San Francisco Flamenco Dance Company, Kathak from San Franciscan Aliah Najmabadi, and many others over the next three weekends. It opens with a free performance at noon today by El Tunante (Peruvian dance) at San Francisco City Hall. Details \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://vimeo.com/127576119\u003c/p>\n\u003cp>\u003cstrong>June 3 & 4:\u003c/strong> That trove of dance creativity, ODC, opens its fifth \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">Walking Distance Dance Festival\u003c/a> tonight, with a focus on “Identity.” The festival showcases work by ODC/Dance, Kim Epifano’s Epiphany Productions, Dance Brigade, 13th Floor, David Herrera Performance Company, and Smith/Wymore Disappearing Acts all at locations in the Mission within walking distance of ODC’s home campus at 17th and Shotwell in San Francisco. Details \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=C7l-xs2GF-0\u003c/p>\n\u003cp>\u003cstrong>June 5:\u003c/strong> Cymande is back on the road. Last year, this British funk band put out its first studio album in forty years. But they haven’t lost their smooth and soulful touch. The band has mostly stuck together: Steve Scipio (Bass, vocals) Patrick Patterson (Guitar, vocals) Sam Kelly (Drums) Mike Rose (Sax, flute, percussion) Pablo Gonsales (Percussion, vocals) and Derek Gibbs (Sax), and they combine a little Calypso, a little reggae, a little Curtis Mayfield, and a bit of smooth jazz. Details for their show at the Regency Ballroom in San Francisco are \u003ca href=\"http://www.theregencyballroom.com/events/detail/308513\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=g7NIvS4IBdc\u003c/p>\n\u003cp>\u003cstrong>June 4 & 7\u003c/strong>: \u003ca href=\"http://www.natashaleggero.com/\" target=\"_blank\" rel=\"noopener\">Natasha Leggero\u003c/a> and the Bay Area’s own \u003ca href=\"http://moshekasher.com/\" target=\"_blank\" rel=\"noopener\">Moshe Kasher \u003c/a>are both alums of \u003cem>Chelsea Lately; t\u003c/em>hey’re also newly married and on their “Honeymoon tour.” Leggero has been talking (see the \u003cem>Conan\u003c/em> clip above) about converting to Judaism for the marriage, and pioneering new (and humorous) ways to offend Jews and Catholics alike. While on tour, Kasher claims they’re camping out some nights in a little camper trailer (\u003ca href=\"http://www.scamptrailers.com/\" target=\"_blank\" rel=\"noopener\">a Scamp\u003c/a>). This should be like \u003ca href=\"https://www.youtube.com/watch?v=yDCjhLOaNZI\" target=\"_blank\" rel=\"noopener\">Burns and Allen\u003c/a> with naughty words. Details for their sol- out New Parish show on Saturday are \u003ca href=\"http://thenewparish.com/event.cfm?id=232899&cart\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, and for their show at Matthews Hall in Santa Cruz \u003ca href=\"http://www.brownpapertickets.com/event/2512423\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3B4FSeeXUaE\u003c/p>\n\u003cp>\u003cstrong>June 3: \u003c/strong>Oakland blues man \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a> wants to give back. After winning NPR’s Tiny Desk Contest last year, he won praise for his work at SXSW, and then toured the US and Europe. Now he’s released a new album, \u003ca href=\"http://www.npr.org/2016/05/26/478235309/first-listen-fantastic-negrito-the-last-days-of-oakland\" target=\"_blank\" rel=\"noopener\">\u003cem>The Last Days of Oakland\u003c/em>\u003c/a>, about how gentrification is driving African Americans and artists like himself out of the city. “That era of the Bay Area in Oakland that I grew up with,” he told me, “That’s over. There’s something new now. And I look at it as an opportunity for us all to collectively get together and make some sense out of it. So when I say ‘the last days of Oakland,’ I mean it in a very hopeful way. I want to look at how we can make things happen. Not how we can’t.” He’ll kick off that conversation in a free concert at First Fridays Oakland. Details \u003ca href=\"http://oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11641752\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11641752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg\" alt=\"East Bay Open Studios 2016\" width=\"630\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-400x381.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-768x732.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604.jpg 781w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003cfigcaption class=\"wp-caption-text\">East Bay Open Studios 2016 \u003ccite>(Photo: Courtesy Pro-Arts Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 4-12:\u003c/strong> After you recover from First Friday, stay in the East Bay and hit some artist studios. \u003ca href=\"http://www.proartsgallery.org/\" target=\"_blank\" rel=\"noopener\">Pro-Arts \u003c/a>in Oakland sponsors this opportunity to visit and support your local artist over the next two weekends, and keep them from being priced out of the Bay Area. Details \u003ca href=\"http://www.proartsgallery.org/ebos/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>June 4\u003c/strong>: Bay Area blues harp player Charlie Musselwhite headlines \u003ca href=\"http://www.jazzonthehill.org/\" target=\"_blank\" rel=\"noopener\">Jazz on the Hill\u003c/a>, the annual free music fest put on by our fellow public radio station (KCSM Jazz 91) at the \u003ca href=\"http://collegeofsanmateo.edu/\" target=\"_blank\" rel=\"noopener\">College of San Mateo\u003c/a>. Also appearing: Etienne Charles and his Creole Soul; the San Francisco Latin Jazz Youth Ensemble; and Lynne Arriale, Grace Kelly, and Charenee Wade doing songs by great women in jazz: Abbey Lincoln, Nina Simone, and Joni Mitchell. Cheap Thrill! Details \u003ca href=\"http://www.jazzonthehill.org/artists.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tenX8PiDo-s'\n title='//www.youtube.com/embed/tenX8PiDo-s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3 & 5:\u003c/strong> The tireless Charlie Musselwhite also plays Friday night at Freight and Salvage in Berkeley: Details \u003ca href=\"http://thefreight.org/charlie-musselwhite\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And Sunday he plays Rancho Nicasio: Details\u003ca href=\"http://www.ranchonicasio.com/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fUZvItNwMAQ'\n title='//www.youtube.com/embed/fUZvItNwMAQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3-12:\u003c/strong> It will be hot in wine country this coming week, so a dose of cool jazz and a good Sonoma rosé is in order. The Healdsburg Jazz Festival has become one of the best and most intimate in the Bay Area. There’s a \u003ca href=\"https://ww2.kqed.org/arts/2016/05/31/billy-hart-honored-in-heladsburg-picks-his-five-most-important-recordings/\" target=\"_blank\" rel=\"noopener\">tribute to drummer Billy Hart\u003c/a> (50 years of jazz) Berkeley born guitar wizard Charlie Hunter is there, and pianist Fred Hersch and clarinetist Anat Cohen, perform miracles as a duo. Tickets are selling fast. Details \u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_i3KUfVjAjE'\n title='//www.youtube.com/embed/_i3KUfVjAjE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3-19:\u003c/strong> It’s a festival-themed Do List this week. \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">The San Francisco Ethnic Dance Festival\u003c/a> is the first of two we’re highlighting. The festival celebrates the Bay Area’s enormous ethnic diversity and exceptional dancing from groups like Chinese Performing Arts of America (San Jose), the San Francisco Flamenco Dance Company, Kathak from San Franciscan Aliah Najmabadi, and many others over the next three weekends. It opens with a free performance at noon today by El Tunante (Peruvian dance) at San Francisco City Hall. Details \u003ca href=\"http://worldartswest.org/main/edf_index.asp\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>June 3 & 4:\u003c/strong> That trove of dance creativity, ODC, opens its fifth \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">Walking Distance Dance Festival\u003c/a> tonight, with a focus on “Identity.” The festival showcases work by ODC/Dance, Kim Epifano’s Epiphany Productions, Dance Brigade, 13th Floor, David Herrera Performance Company, and Smith/Wymore Disappearing Acts all at locations in the Mission within walking distance of ODC’s home campus at 17th and Shotwell in San Francisco. Details \u003ca href=\"https://www.odcdance.org/performance.php?param=275\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C7l-xs2GF-0'\n title='//www.youtube.com/embed/C7l-xs2GF-0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 5:\u003c/strong> Cymande is back on the road. Last year, this British funk band put out its first studio album in forty years. But they haven’t lost their smooth and soulful touch. The band has mostly stuck together: Steve Scipio (Bass, vocals) Patrick Patterson (Guitar, vocals) Sam Kelly (Drums) Mike Rose (Sax, flute, percussion) Pablo Gonsales (Percussion, vocals) and Derek Gibbs (Sax), and they combine a little Calypso, a little reggae, a little Curtis Mayfield, and a bit of smooth jazz. Details for their show at the Regency Ballroom in San Francisco are \u003ca href=\"http://www.theregencyballroom.com/events/detail/308513\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/g7NIvS4IBdc'\n title='//www.youtube.com/embed/g7NIvS4IBdc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 4 & 7\u003c/strong>: \u003ca href=\"http://www.natashaleggero.com/\" target=\"_blank\" rel=\"noopener\">Natasha Leggero\u003c/a> and the Bay Area’s own \u003ca href=\"http://moshekasher.com/\" target=\"_blank\" rel=\"noopener\">Moshe Kasher \u003c/a>are both alums of \u003cem>Chelsea Lately; t\u003c/em>hey’re also newly married and on their “Honeymoon tour.” Leggero has been talking (see the \u003cem>Conan\u003c/em> clip above) about converting to Judaism for the marriage, and pioneering new (and humorous) ways to offend Jews and Catholics alike. While on tour, Kasher claims they’re camping out some nights in a little camper trailer (\u003ca href=\"http://www.scamptrailers.com/\" target=\"_blank\" rel=\"noopener\">a Scamp\u003c/a>). This should be like \u003ca href=\"https://www.youtube.com/watch?v=yDCjhLOaNZI\" target=\"_blank\" rel=\"noopener\">Burns and Allen\u003c/a> with naughty words. Details for their sol- out New Parish show on Saturday are \u003ca href=\"http://thenewparish.com/event.cfm?id=232899&cart\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, and for their show at Matthews Hall in Santa Cruz \u003ca href=\"http://www.brownpapertickets.com/event/2512423\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3B4FSeeXUaE'\n title='//www.youtube.com/embed/3B4FSeeXUaE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3: \u003c/strong>Oakland blues man \u003ca href=\"http://www.fantasticnegrito.com/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito\u003c/a> wants to give back. After winning NPR’s Tiny Desk Contest last year, he won praise for his work at SXSW, and then toured the US and Europe. Now he’s released a new album, \u003ca href=\"http://www.npr.org/2016/05/26/478235309/first-listen-fantastic-negrito-the-last-days-of-oakland\" target=\"_blank\" rel=\"noopener\">\u003cem>The Last Days of Oakland\u003c/em>\u003c/a>, about how gentrification is driving African Americans and artists like himself out of the city. “That era of the Bay Area in Oakland that I grew up with,” he told me, “That’s over. There’s something new now. And I look at it as an opportunity for us all to collectively get together and make some sense out of it. So when I say ‘the last days of Oakland,’ I mean it in a very hopeful way. I want to look at how we can make things happen. Not how we can’t.” He’ll kick off that conversation in a free concert at First Fridays Oakland. Details \u003ca href=\"http://oaklandfirstfridays.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11641752\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11641752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg\" alt=\"East Bay Open Studios 2016\" width=\"630\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-630x600.jpg 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-400x381.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604-768x732.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Open-Studios-2016-e1464906803604.jpg 781w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003cfigcaption class=\"wp-caption-text\">East Bay Open Studios 2016 \u003ccite>(Photo: Courtesy Pro-Arts Oakland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 4-12:\u003c/strong> After you recover from First Friday, stay in the East Bay and hit some artist studios. \u003ca href=\"http://www.proartsgallery.org/\" target=\"_blank\" rel=\"noopener\">Pro-Arts \u003c/a>in Oakland sponsors this opportunity to visit and support your local artist over the next two weekends, and keep them from being priced out of the Bay Area. Details \u003ca href=\"http://www.proartsgallery.org/ebos/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Winnie Cooper Explains How Math Helped Her Move Beyond Winnie Cooper",
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"content": "\u003cp>Escaping child stardom with your sanity, self-worth and sense of reality intact is -- as Britney Spears, Lindsay Lohan, and \u003ca href=\"http://www.broadwayworld.com/bwwtv/article/ActorMusician-Corey-Feldman-Releases-Highly-Anticipated-Double-Album-Angelic-2-The-Core-20160602\" target=\"_blank\">Corey Feldman\u003c/a> could tell you -- nothing short of a triumph. It's probably not a coincidence that the former child actors who seem the most well-adjusted in adulthood are just that: \u003cem>former\u003c/em> actors.\u003c/p>\n\u003cp>Case in point? Danica McKellar, the ultimate girl next door, who stole America's tender, pubescent hearts as Winnie Cooper in \u003cem>The Wonder Years\u003c/em> from 1988 to 1993. McKellar, now 41, has authored four books for kids and teens about math -- with a special focus on convincing young women, who are still sorely underrepresented in math- and science-related careers, that math is cool.\u003c/p>\n\u003cp>In the video below, the latest in NOVA's \"Secret Lives of Scientists\" series, McKellar explains how being good at math helped the former child star reinvent herself once she got to college, and in so doing provided an invaluable source of self-esteem.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9KLMhhqCsbU\u003c/p>\n\u003cp>To most, of course, she will always continue to be Winnie Cooper. As a certified\u003cem> Wonder Years\u003c/em> expert myself, I can tell you that this is partly because the role of Winnie Cooper was really quite well-drawn for a teenage love interest; both the writing and McKellar's performance hold up nicely more than 20 years after the show went off the air. (The whole series is on Netflix; the first four seasons are goddamn perfect; go watch \"The Accident,\" season 4 episode 20, then come back and tell me if it doesn't make you cry\u003cem> I dare you.)\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But hey: self-esteem based on advanced calculus skills is pretty cool too. Maybe women really can have it all.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>Fascinating sayings from around the world, things Hamilton taught us, and why Solange's Snapchat is better than an art museum.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/06/Idioms.mp3\" title=\"The Most Delightfully Unusual Idioms from Around the World\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, inspired by \u003ca href=\"https://twitter.com/AliAnzalone/status/730626509359054848\">a bit of fanmail\u003c/a> which referenced a past episode's usage of \"frog in a sock,\" I was inspired to investigate other fascinating idioms from around the world. Test your knowledge of foreign phrases like “The hen sees the snake’s feet and the snake sees the hen’s boobs\":\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/06/02/quiz-how-well-do-you-know-foreign-idioms/\u003c/p>\n\u003cp>Carly issues a retraction and apologizes for hating on phones so hard a few weeks back:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/5f4a.gif\">\u003cimg class=\"aligncenter size-full wp-image-25616\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/5f4a.gif\" alt=\"taylor swift blank space gif phone\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>Jamedra also has a retraction to make that involves Hamilton:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/7zmgg.gif\">\u003cimg class=\"aligncenter size-full wp-image-25618\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/7zmgg.gif\" alt=\"alexander hamilton deal with it gif\" width=\"607\" height=\"720\">\u003c/a>\u003c/p>\n\u003cp>And I don't have a retraction because I regret nothing:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tumblr_n9ntrfjzmL1rt7s2lo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-25619\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tumblr_n9ntrfjzmL1rt7s2lo1_500.gif\" alt=\"nene i said what i said gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>Something else I refuse to retract: my undying love and devotion for Solange's Snapchat:\u003c/p>\n\u003cp>https://ww2.kqed.org/pop/2016/08/17/solanges-snapchat-is-modern-art-belongs-in-a-museum/\u003c/p>\n\u003cp>In honor of her transforming social media into modern art, we cruise out on the glory that is her 2012 single \"Losing You\":\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Hy9W_mrY_Vk\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In honor of her transforming social media into modern art, we cruise out on the glory that is her 2012 single \"Losing You\":\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Hy9W_mrY_Vk'\n title='//www.youtube.com/embed/Hy9W_mrY_Vk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Play With Your Food: Ferris Plock Makes Art Out of Dinner in 'Food Faces'",
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"content": "\u003cp>San Francisco artist \u003ca href=\"http://www.ferrisplock.com/\">Ferris Plock\u003c/a> is that amorphous age between grown-up kid and adolescent adult. The longtime staple of the Bay Area’s skate art scene paints and illustrates tableaux that are both goofy and incredibly detailed, often involving intricate patterns, gold or silver leafing, and bright pops of color. A conglomeration of pop culture references inhabit his worlds -- from skateboarding to drive-in snack bar promos and Japanese Ukiyo-e woodblocks -- but as far as themes go, food is a biggie.\u003c/p>\n\u003cp>In his anthropomorphic fantasies come to life, ice cream cones and pretzels pose as skater dudes, while pizza and tacos grow amphibian extremities. The guy who turned his former ‘hood, the Western Addition, into the “Spaghetti Western Addition” for an illustrated series of meatball-and-cowboy shootouts often populates his alternate realities with cheap eats.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25594\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB.jpg\" alt=\"Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB\" width=\"640\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>So it makes perfect sense that he’d one day stumble into a lowbrow version of food styling — shaping bits of breakfast, lunch, and dinner into funny monster faces that his two sons, Brixton (6), and Angus (3), would eat, and that his wife, the equally talented artist \u003ca href=\"http://www.kellytunstall.com/\">Kelly Tunstall\u003c/a>, would embrace as well. After four years of placing sushi, cheese puffs, sausages, strips of chicken, apple slices, Japanese rice crackers, and pretzel buns just so on his family’s plates, and then feeding images of these tasty visages to his 15,000 followers on Instagram with the #foodfaces hashtag, Plock and Tunstall are releasing an unconventionally awesome art book and kid’s cookbook combo called \u003cem>Food Faces.\u003c/em>\u003c/p>\n\u003cp>Plock and Tunstall have long been collaborators, and both are set to be artists-in-residence at the de Young next year. Tunstall’s starry-eyed mermaids and stylish creature charmers exist in her paintings and 3-D printed sculptures, her murals for restaurants A16 (where Plock designed the pizza boxes) and Bar Crudo, and in pieces the couple creates together as \u003ca href=\"http://kefeinc.com/\">KeFe, Inc.\u003c/a> But this book brings in a third party, photographer Howard Cao of \u003ca href=\"http://form-fiction.com/\">Form & Fiction\u003c/a>, under their larger Day Dreamers Limited umbrella. And as a trio, they’ve elevated Plock’s inspiring 30-minute parenting hacks to get his kids to finish meals into expressive beasts with names as colorful as the plating.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Food Faces\u003c/em>’ “Bwana Bananatoof,” for example, is a triple-eyed guy baring banana teeth and blood orange ears against a yellow plate. “Kelly Kiwicheeks” sorta matches Tunstall’s red hair tone with carrot sticks on a checkered dish, while “Francis Noodlebeard”’s buck-toothed smile of red and white carrots pops against a bed of beet fettuccine “beard” noodles. The book is broken up into breakfast, lunch, dinner, and snacks, with “recipes” for the ingredients that went into each Ralphy Ravioli and Ned Nori.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-25595\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-800x800.jpg\" alt=\"Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-1920x1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-1180x1180.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>But the couple says\u003cem> Food Face\u003c/em> isn’t about perfectly recreating these wild things in your own home, or suggesting some impossible parenting ideal that involves, as Tunstall puts it, some “fake healthy food thing.” It’s about approaching eating with the small ones with a little creativity and getting crafty to help your kids eat.\u003c/p>\n\u003cp>“We generally eat pretty healthy but we have snack food in here,” she says, flipping through a copy of \u003cem>Food Faces\u003c/em> in their toy-lined Outer Richmond apartment. “And then there’s the reality of, hey, we get Chinese takeout” — which makes its way into Leftover Larry’s face — \"and that’s okay. This isn’t some parent shaming thing.” She says Food Faces are sometimes their solution when they don’t have time to cook but “it’s going to look awesome when you eat it.”\u003c/p>\n\u003cp>“It’s a way to personalize stuff instead of it coming through the door and then you dump it on a plate,” she adds.\u003c/p>\n\u003cfigure id=\"attachment_25597\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg class=\"wp-image-25597 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB.jpg\" alt=\"Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB\" width=\"720\" height=\"720\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB.jpg 720w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Walter Watermouth\u003c/figcaption>\u003c/figure>\n\u003cp>Plock, who grew up with a mom who made Mickey Mouse pancakes with blueberry eyes, says Food Faces get his sons interested art as well as dinner. “It’s another fun thing to do together,” he says of picking out eyeballs, noses, and earlobes together. Inspired by Plock, Brixton’s preschool is now carving out time for the kids to make Food Faces in the classroom as well.\u003c/p>\n\u003cp>The flair for keeping art cheeky and fun is central to the scene that Tunstall and Plock emerged from — a tightly knit crew of playful and prestigious artists that includes Jeremy Fish, Jay Howell, Travis Millard, John Dwyer, and Porous Walker, among others. That scene centered around \u003cem>Juxtapoz \u003c/em>magazine, the beloved blog and gallery \u003ca href=\"http://www.fecalface.com/SF/\" target=\"_blank\">Fecal Face\u003c/a> (RIP), and as well as Upper Playground, 111 Minna Gallery, and Park Life. Tunstall and Plock are holdouts of the silly San Francisco artist streak that merges the skateboarding community with gallery life. It's an inviting side of the city’s creative scene that seduced me here back in the ‘90s and remains here, despite many of our greats — like Howell and Dwyer — decamping for Los Angeles.\u003c/p>\n\u003cp>Of the enduring strength of San Francisco’s spirited skate art community, Plock says just consider its longtime hub. “Fecal Face was a tongue-in-cheek turn on ‘shitface’ and being at art openings [where] you’re just there to get a little wine,” he says. “You’re not taking any of this ‘art stuff’ too seriously and that was a common theme of a lot of the Fecal Face artists — trying to have fun, making people smile and laugh but also making them think.”\u003c/p>\n\u003cp>He jokes that Food Faces are the new street art — which, he says, makes Tunstall his spotter. He adds that there’s a feverish component to his work too, because the kids are letting him know every ten seconds that they’re hungry.\u003c/p>\n\u003cp>“Food Faces are a temporary thing, and there’s this component of it that street art used to be to me,” he says, “that you’re building something and you know it’s going to be gone in seconds. You enjoy doing it in the moment and you’re lucky if you get a picture of it.” He thinks about it more and adds half-jokingly, “Food art is more street than street art now.”\u003c/p>\n\u003cp>They may not last through dinner, but with \u003cem>Food Faces\u003c/em>, Plock’s blueberry spider-eyed monsters will at least make it through Brixton’s and Angus’ childhood. Not to mention that this book is perfect for a city where we won’t stop playing with our food — or our snack art — well into adulthood.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The book release party for \u003c/em>Food Faces\u003cem> is Fri., June 3, at \u003c/em>\u003ca href=\"http://raredevice.net/\">\u003cem>Rare Device\u003c/em>\u003c/a>\u003cem> (600 Divisadero St. in the Spaghetti Western Addition), 6-9 p.m. There will be limited edition prints from the book for sale, along with Food Faces placemats and coloring books; the book is also for sale at \u003ca href=\"https://www.daydreamerslimited.com/\" target=\"_blank\">Day Dreamers Limited's website\u003c/a>. Plock will be selling artwork at Rare Device’s booth at \u003c/em>\u003ca href=\"http://westcoastcraft.com/\">\u003cem>West Coast Craft \u003c/em>\u003c/a>\u003cem>on Sat. & Sun. June 11-12 at Fort Mason. \u003c/em>\u003c/p>\n\n",
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"excerpt": "What began as a parenting hack -- how do you get the kids to finish their dinner? -- has blossomed into a delightfully strange series, collected in a new book. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco artist \u003ca href=\"http://www.ferrisplock.com/\">Ferris Plock\u003c/a> is that amorphous age between grown-up kid and adolescent adult. The longtime staple of the Bay Area’s skate art scene paints and illustrates tableaux that are both goofy and incredibly detailed, often involving intricate patterns, gold or silver leafing, and bright pops of color. A conglomeration of pop culture references inhabit his worlds -- from skateboarding to drive-in snack bar promos and Japanese Ukiyo-e woodblocks -- but as far as themes go, food is a biggie.\u003c/p>\n\u003cp>In his anthropomorphic fantasies come to life, ice cream cones and pretzels pose as skater dudes, while pizza and tacos grow amphibian extremities. The guy who turned his former ‘hood, the Western Addition, into the “Spaghetti Western Addition” for an illustrated series of meatball-and-cowboy shootouts often populates his alternate realities with cheap eats.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25594\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB.jpg\" alt=\"Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB\" width=\"640\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Toby-Peagobby_DayDreamersLimited_WEB-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>So it makes perfect sense that he’d one day stumble into a lowbrow version of food styling — shaping bits of breakfast, lunch, and dinner into funny monster faces that his two sons, Brixton (6), and Angus (3), would eat, and that his wife, the equally talented artist \u003ca href=\"http://www.kellytunstall.com/\">Kelly Tunstall\u003c/a>, would embrace as well. After four years of placing sushi, cheese puffs, sausages, strips of chicken, apple slices, Japanese rice crackers, and pretzel buns just so on his family’s plates, and then feeding images of these tasty visages to his 15,000 followers on Instagram with the #foodfaces hashtag, Plock and Tunstall are releasing an unconventionally awesome art book and kid’s cookbook combo called \u003cem>Food Faces.\u003c/em>\u003c/p>\n\u003cp>Plock and Tunstall have long been collaborators, and both are set to be artists-in-residence at the de Young next year. Tunstall’s starry-eyed mermaids and stylish creature charmers exist in her paintings and 3-D printed sculptures, her murals for restaurants A16 (where Plock designed the pizza boxes) and Bar Crudo, and in pieces the couple creates together as \u003ca href=\"http://kefeinc.com/\">KeFe, Inc.\u003c/a> But this book brings in a third party, photographer Howard Cao of \u003ca href=\"http://form-fiction.com/\">Form & Fiction\u003c/a>, under their larger Day Dreamers Limited umbrella. And as a trio, they’ve elevated Plock’s inspiring 30-minute parenting hacks to get his kids to finish meals into expressive beasts with names as colorful as the plating.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Food Faces\u003c/em>’ “Bwana Bananatoof,” for example, is a triple-eyed guy baring banana teeth and blood orange ears against a yellow plate. “Kelly Kiwicheeks” sorta matches Tunstall’s red hair tone with carrot sticks on a checkered dish, while “Francis Noodlebeard”’s buck-toothed smile of red and white carrots pops against a bed of beet fettuccine “beard” noodles. The book is broken up into breakfast, lunch, dinner, and snacks, with “recipes” for the ingredients that went into each Ralphy Ravioli and Ned Nori.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-25595\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-800x800.jpg\" alt=\"Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-1920x1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-1180x1180.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Coloring_Book_Ferris_Plock_Day_Dreamers_Limited-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>But the couple says\u003cem> Food Face\u003c/em> isn’t about perfectly recreating these wild things in your own home, or suggesting some impossible parenting ideal that involves, as Tunstall puts it, some “fake healthy food thing.” It’s about approaching eating with the small ones with a little creativity and getting crafty to help your kids eat.\u003c/p>\n\u003cp>“We generally eat pretty healthy but we have snack food in here,” she says, flipping through a copy of \u003cem>Food Faces\u003c/em> in their toy-lined Outer Richmond apartment. “And then there’s the reality of, hey, we get Chinese takeout” — which makes its way into Leftover Larry’s face — \"and that’s okay. This isn’t some parent shaming thing.” She says Food Faces are sometimes their solution when they don’t have time to cook but “it’s going to look awesome when you eat it.”\u003c/p>\n\u003cp>“It’s a way to personalize stuff instead of it coming through the door and then you dump it on a plate,” she adds.\u003c/p>\n\u003cfigure id=\"attachment_25597\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg class=\"wp-image-25597 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB.jpg\" alt=\"Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB\" width=\"720\" height=\"720\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB.jpg 720w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/Food_Faces_Walter-Watemouth_DayDreamersLimited_WEB-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Walter Watermouth\u003c/figcaption>\u003c/figure>\n\u003cp>Plock, who grew up with a mom who made Mickey Mouse pancakes with blueberry eyes, says Food Faces get his sons interested art as well as dinner. “It’s another fun thing to do together,” he says of picking out eyeballs, noses, and earlobes together. Inspired by Plock, Brixton’s preschool is now carving out time for the kids to make Food Faces in the classroom as well.\u003c/p>\n\u003cp>The flair for keeping art cheeky and fun is central to the scene that Tunstall and Plock emerged from — a tightly knit crew of playful and prestigious artists that includes Jeremy Fish, Jay Howell, Travis Millard, John Dwyer, and Porous Walker, among others. That scene centered around \u003cem>Juxtapoz \u003c/em>magazine, the beloved blog and gallery \u003ca href=\"http://www.fecalface.com/SF/\" target=\"_blank\">Fecal Face\u003c/a> (RIP), and as well as Upper Playground, 111 Minna Gallery, and Park Life. Tunstall and Plock are holdouts of the silly San Francisco artist streak that merges the skateboarding community with gallery life. It's an inviting side of the city’s creative scene that seduced me here back in the ‘90s and remains here, despite many of our greats — like Howell and Dwyer — decamping for Los Angeles.\u003c/p>\n\u003cp>Of the enduring strength of San Francisco’s spirited skate art community, Plock says just consider its longtime hub. “Fecal Face was a tongue-in-cheek turn on ‘shitface’ and being at art openings [where] you’re just there to get a little wine,” he says. “You’re not taking any of this ‘art stuff’ too seriously and that was a common theme of a lot of the Fecal Face artists — trying to have fun, making people smile and laugh but also making them think.”\u003c/p>\n\u003cp>He jokes that Food Faces are the new street art — which, he says, makes Tunstall his spotter. He adds that there’s a feverish component to his work too, because the kids are letting him know every ten seconds that they’re hungry.\u003c/p>\n\u003cp>“Food Faces are a temporary thing, and there’s this component of it that street art used to be to me,” he says, “that you’re building something and you know it’s going to be gone in seconds. You enjoy doing it in the moment and you’re lucky if you get a picture of it.” He thinks about it more and adds half-jokingly, “Food art is more street than street art now.”\u003c/p>\n\u003cp>They may not last through dinner, but with \u003cem>Food Faces\u003c/em>, Plock’s blueberry spider-eyed monsters will at least make it through Brixton’s and Angus’ childhood. Not to mention that this book is perfect for a city where we won’t stop playing with our food — or our snack art — well into adulthood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The book release party for \u003c/em>Food Faces\u003cem> is Fri., June 3, at \u003c/em>\u003ca href=\"http://raredevice.net/\">\u003cem>Rare Device\u003c/em>\u003c/a>\u003cem> (600 Divisadero St. in the Spaghetti Western Addition), 6-9 p.m. There will be limited edition prints from the book for sale, along with Food Faces placemats and coloring books; the book is also for sale at \u003ca href=\"https://www.daydreamerslimited.com/\" target=\"_blank\">Day Dreamers Limited's website\u003c/a>. Plock will be selling artwork at Rare Device’s booth at \u003c/em>\u003ca href=\"http://westcoastcraft.com/\">\u003cem>West Coast Craft \u003c/em>\u003c/a>\u003cem>on Sat. & Sun. June 11-12 at Fort Mason. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Do you ever find yourself alone on a Saturday night, watching Netflix and scarfing down a bunch of snacks, while compulsively checking your phone, desperate for a text from some cutie you’ve been pining away for? Do you wish you had a boyfriend or girlfriend who’d text you consistently and ask about your day? Well, there’s an app for that, and I don’t mean Tinder.\u003c/p>\n\u003cp>\u003ca href=\"https://invisibleboyfriend.com/\">Invisible Boyfriend\u003c/a>/\u003ca href=\"https://invisiblegirlfriend.com/\">Girlfriend\u003c/a> offers users the opportunity to choose a name and “selfie” for a fake significant other—the pictures are of real human beings—then select a personality for their imaginary love, such as “sweet and shy” or “saucy and sarcastic.” The minimum rate is $14.99 to exchange 100 texts, or you can pay $24.99 for 200 messages and one “note.” \u003ca href=\"http://www.techtimes.com/articles/27915/20150121/meet-invisible-boyfriend-a-k-a-the-worlds-saddest-dating-app.htm\">\u003cem>Techtimes\u003c/em>\u003c/a> has called Invisible Boyfriend “the saddest dating app.\" But CEO and co-founder Kyle Tabor claims, “Our users are simply looking for someone to talk to… Our users just want an empathetic ear to listen to them about the mundane parts of their day. They want to be able to let their guard down and be themselves without fear of judgment.”\u003c/p>\n\u003cp>The concept of paying for intimacy is nothing new. The difference is the involvement of more advanced technology and the absence of sexual fulfillment. (Sexting your invisible boyfriend or girlfriend is a no-no).\u003c/p>\n\u003cp>Fans of the futuristic-dystopian Netflix series \u003ca href=\"https://www.netflix.com/title/70264888\">\u003cem>Black Mirror\u003c/em>\u003c/a> might remember the episode in which a grief stricken widow signs up for an AI service that offers texts and phone calls from an electronic amalgamation of her dead husband. The virtual husband is eventually upgraded to a fully-formed bot made in the deceased’s likeness. The romance, however, reaches an inevitable point of decline because the artificial husband lacks the one true element that would make him believably human: free will.\u003c/p>\n\u003cp>In the case of Invisible Boyfriend/Girlfriend, falling in love with one’s pseudo beau also proves problematic. The company doesn’t recommend developing feelings for your custom-designed partner, who is powered by a team of writers. Tabor comments, “A few [users] have asked if they could meet their partner in real life. Unfortunately that isn’t really possible because we use different writers so we can provide a seamless service around the clock.” Clients who seek to contact the writer behind the texts may either not realize more than one person is acting as their significant other, or perhaps are having trouble distinguishing between the illusion of connection and the reality of a paid service. Either way, they are destined for disappointment of \u003ca href=\"http://www.herthemovie.com/#/home\">\u003cem>Her\u003c/em>\u003c/a>-like proportions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So far, 200,000 significant others have been generated since the app’s inception. It’s possible that some users are looking to fake a relationship for reasons outside of companionship, such as warding off prying, match-making aunties at a family wedding, but the app markets itself as a means of exploring “a relationship with a girlfriend or boyfriend but without all the baggage that comes with dating.” In this way, you avoid the pitfalls of popular dating apps.\u003c/p>\n\u003cp>“With Tinder,” Tabor says, “people are typically looking to hook up. Our users are tired of the dating game, and are sick of always trying to impress someone else. We are the opposite of Tinder or other dating apps. You can have a human connection, but without the baggage that comes with dating. Several users have joined online dating services because our service has taught them what a healthy relationship can be like.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The word “baggage” comes up repeatedly in Invisible Boyfriend/Girlfriend’s selling points, as if the lack of luggage is what makes an imaginary human a viable replacement for a real one. Nevertheless, it’s possible Invisible Boyfriend/Girlfriend’s users end up going back to dating sites, not because the app has taught them how to manage a good relationship or how to handle conflict and set boundaries, but because there is something deeply unsatisfying about paying people to text you, even if those texts still give you the same dopamine rush as the ones you get for free. Minus the dick pics, of course.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Do you ever find yourself alone on a Saturday night, watching Netflix and scarfing down a bunch of snacks, while compulsively checking your phone, desperate for a text from some cutie you’ve been pining away for? Do you wish you had a boyfriend or girlfriend who’d text you consistently and ask about your day? Well, there’s an app for that, and I don’t mean Tinder.\u003c/p>\n\u003cp>\u003ca href=\"https://invisibleboyfriend.com/\">Invisible Boyfriend\u003c/a>/\u003ca href=\"https://invisiblegirlfriend.com/\">Girlfriend\u003c/a> offers users the opportunity to choose a name and “selfie” for a fake significant other—the pictures are of real human beings—then select a personality for their imaginary love, such as “sweet and shy” or “saucy and sarcastic.” The minimum rate is $14.99 to exchange 100 texts, or you can pay $24.99 for 200 messages and one “note.” \u003ca href=\"http://www.techtimes.com/articles/27915/20150121/meet-invisible-boyfriend-a-k-a-the-worlds-saddest-dating-app.htm\">\u003cem>Techtimes\u003c/em>\u003c/a> has called Invisible Boyfriend “the saddest dating app.\" But CEO and co-founder Kyle Tabor claims, “Our users are simply looking for someone to talk to… Our users just want an empathetic ear to listen to them about the mundane parts of their day. They want to be able to let their guard down and be themselves without fear of judgment.”\u003c/p>\n\u003cp>The concept of paying for intimacy is nothing new. The difference is the involvement of more advanced technology and the absence of sexual fulfillment. (Sexting your invisible boyfriend or girlfriend is a no-no).\u003c/p>\n\u003cp>Fans of the futuristic-dystopian Netflix series \u003ca href=\"https://www.netflix.com/title/70264888\">\u003cem>Black Mirror\u003c/em>\u003c/a> might remember the episode in which a grief stricken widow signs up for an AI service that offers texts and phone calls from an electronic amalgamation of her dead husband. The virtual husband is eventually upgraded to a fully-formed bot made in the deceased’s likeness. The romance, however, reaches an inevitable point of decline because the artificial husband lacks the one true element that would make him believably human: free will.\u003c/p>\n\u003cp>In the case of Invisible Boyfriend/Girlfriend, falling in love with one’s pseudo beau also proves problematic. The company doesn’t recommend developing feelings for your custom-designed partner, who is powered by a team of writers. Tabor comments, “A few [users] have asked if they could meet their partner in real life. Unfortunately that isn’t really possible because we use different writers so we can provide a seamless service around the clock.” Clients who seek to contact the writer behind the texts may either not realize more than one person is acting as their significant other, or perhaps are having trouble distinguishing between the illusion of connection and the reality of a paid service. Either way, they are destined for disappointment of \u003ca href=\"http://www.herthemovie.com/#/home\">\u003cem>Her\u003c/em>\u003c/a>-like proportions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So far, 200,000 significant others have been generated since the app’s inception. It’s possible that some users are looking to fake a relationship for reasons outside of companionship, such as warding off prying, match-making aunties at a family wedding, but the app markets itself as a means of exploring “a relationship with a girlfriend or boyfriend but without all the baggage that comes with dating.” In this way, you avoid the pitfalls of popular dating apps.\u003c/p>\n\u003cp>“With Tinder,” Tabor says, “people are typically looking to hook up. Our users are tired of the dating game, and are sick of always trying to impress someone else. We are the opposite of Tinder or other dating apps. You can have a human connection, but without the baggage that comes with dating. Several users have joined online dating services because our service has taught them what a healthy relationship can be like.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The word “baggage” comes up repeatedly in Invisible Boyfriend/Girlfriend’s selling points, as if the lack of luggage is what makes an imaginary human a viable replacement for a real one. Nevertheless, it’s possible Invisible Boyfriend/Girlfriend’s users end up going back to dating sites, not because the app has taught them how to manage a good relationship or how to handle conflict and set boundaries, but because there is something deeply unsatisfying about paying people to text you, even if those texts still give you the same dopamine rush as the ones you get for free. Minus the dick pics, of course.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Real 'Full House' Home Is Up For Sale! Take a Look Inside",
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"content": "\u003cp>[contextly_sidebar id=\"iBaXq5UiPBm83yfAgvj2qTDMheFHRKtt\"]Hey, can I borrow $4.15 million? I left my trust fund in a past lifetime. You see, I need the cash because \u003ca href=\"http://vanguardproperties.com/RESI-446051.php\">the 1883 Victorian \u003c/a>that served as the exterior for the \u003cem>Full House \u003c/em>home is up for sale. It's a piece of television history (and my childhood) and I kind of need to live in it.\u003c/p>\n\u003cp style=\"text-align: center\">...\u003c/p>\n\u003cp>I'm going to take your silence as a hard pass on lending me millions so I'll settle for taking a photo tour:\u003c/p>\n\u003cfigure id=\"attachment_25375\" class=\"wp-caption aligncenter\" style=\"max-width: 362px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\">\u003cimg class=\"size-full wp-image-25375\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\" alt=\"Photo: Vanguard Properties\" width=\"362\" height=\"500\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>There she is! A fresh new coat of paint and a tree that's really grown since the first season of \u003cem>Full House\u003c/em>. Way to reach for the stars, tree!\u003c/p>\n\u003cfigure id=\"attachment_25374\" class=\"wp-caption aligncenter\" style=\"max-width: 397px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\">\u003cimg class=\"size-full wp-image-25374\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\" alt=\"Photo: Vanguard Properties\" width=\"397\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>SFGate \u003ca href=\"http://www.sfgate.com/realestate/article/Famous-Full-House-home-hits-the-market-for-7947743.php\">says\u003c/a>, \"The home's off-white exterior that appeared in 'Full House' has been painted a dark purple and the famous red door is gone, but anyone would probably agree the richer paint color looks far more elegant.\" Nope. Anyone would probably \u003cem>not\u003c/em> agree. #JusticefortheRedDoor!\u003c/p>\n\u003cfigure id=\"attachment_25373\" class=\"wp-caption aligncenter\" style=\"max-width: 372px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\">\u003cimg class=\"size-full wp-image-25373\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\" alt=\"Photo: Vanguard Properties\" width=\"372\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Okay, fine, the doors are \"elegant.\" Nostalgia has a tendency to get me riled up.\u003c/p>\n\u003cfigure id=\"attachment_25372\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\">\u003cimg class=\"size-full wp-image-25372\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Wow. This is definitely...a look. Potato sack chic.\u003c/p>\n\u003cfigure id=\"attachment_25370\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\">\u003cimg class=\"size-full wp-image-25370\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A little stuffy for Netflix and Chill, but it'll do.\u003c/p>\n\u003cfigure id=\"attachment_25368\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\">\u003cimg class=\"size-full wp-image-25368\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>No butt shall be left chairless! Also, what exactly is going on in that painting? Umbilical cord drama?\u003c/p>\n\u003cfigure id=\"attachment_25366\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\">\u003cimg class=\"size-full wp-image-25366\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ohhh, okay, \u003cem>this\u003c/em> is where the Netflix and Chill goes down. Got it.\u003c/p>\n\u003cfigure id=\"attachment_25364\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\">\u003cimg class=\"size-full wp-image-25364\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Hanging framed paintings in front of books is an interesting choice.\u003c/p>\n\u003cfigure id=\"attachment_25361\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\">\u003cimg class=\"size-full wp-image-25361\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Huge sink means you can wait even longer to wash your dishes. Oh, who am I kidding, that's what the dishwasher or maid is for. And I spy with my little eye a fully-stocked wine cellar. Let the generous pours wash over us all!\u003c/p>\n\u003cfigure id=\"attachment_25360\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\">\u003cimg class=\"size-full wp-image-25360\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Put your shoes on while sitting on this love seat at the foot of the bed...\u003c/p>\n\u003cfigure id=\"attachment_25359\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\">\u003cimg class=\"size-full wp-image-25359\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>...or put your shoes on while sitting in front of the bedroom fireplace. Up to you. Being filthy rich is all about meaningless, endless options.\u003c/p>\n\u003cfigure id=\"attachment_25356\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\">\u003cimg class=\"size-full wp-image-25356\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Woah! Mallard-obsessed Bunny from \u003cem>Sex and the City\u003c/em> strikes again!\u003c/p>\n\u003cfigure id=\"attachment_25353\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\">\u003cimg class=\"size-full wp-image-25353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>If I'm handing over $4.15 million, the least the former owner could do is leave the tension rod behind for my dirty shower curtain. Geez.\u003c/p>\n\u003cfigure id=\"attachment_25351\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\">\u003cimg class=\"size-full wp-image-25351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Every mansion needs a useless room no one wants to hang out in.\u003c/p>\n\u003cfigure id=\"attachment_25349\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\">\u003cimg class=\"size-full wp-image-25349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ahh, a little slice of Versailles, minus all the riff raff.\u003c/p>\n\u003cfigure id=\"attachment_25348\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\">\u003cimg class=\"size-full wp-image-25348\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A perfect place to erect a statue of yourself or your accountant.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And this ends our journey through this pop culture landmark. Again, lend me some money or buy this pad yourself and let me be your Kato Kaelin. Either way.\u003c/p>\n\n",
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"excerpt": "Want to own a piece of television history? That'll be $4.15 million.",
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"title": "The Real 'Full House' Home Is Up For Sale! Take a Look Inside | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Hey, can I borrow $4.15 million? I left my trust fund in a past lifetime. You see, I need the cash because \u003ca href=\"http://vanguardproperties.com/RESI-446051.php\">the 1883 Victorian \u003c/a>that served as the exterior for the \u003cem>Full House \u003c/em>home is up for sale. It's a piece of television history (and my childhood) and I kind of need to live in it.\u003c/p>\n\u003cp style=\"text-align: center\">...\u003c/p>\n\u003cp>I'm going to take your silence as a hard pass on lending me millions so I'll settle for taking a photo tour:\u003c/p>\n\u003cfigure id=\"attachment_25375\" class=\"wp-caption aligncenter\" style=\"max-width: 362px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\">\u003cimg class=\"size-full wp-image-25375\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\" alt=\"Photo: Vanguard Properties\" width=\"362\" height=\"500\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>There she is! A fresh new coat of paint and a tree that's really grown since the first season of \u003cem>Full House\u003c/em>. Way to reach for the stars, tree!\u003c/p>\n\u003cfigure id=\"attachment_25374\" class=\"wp-caption aligncenter\" style=\"max-width: 397px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\">\u003cimg class=\"size-full wp-image-25374\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\" alt=\"Photo: Vanguard Properties\" width=\"397\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>SFGate \u003ca href=\"http://www.sfgate.com/realestate/article/Famous-Full-House-home-hits-the-market-for-7947743.php\">says\u003c/a>, \"The home's off-white exterior that appeared in 'Full House' has been painted a dark purple and the famous red door is gone, but anyone would probably agree the richer paint color looks far more elegant.\" Nope. Anyone would probably \u003cem>not\u003c/em> agree. #JusticefortheRedDoor!\u003c/p>\n\u003cfigure id=\"attachment_25373\" class=\"wp-caption aligncenter\" style=\"max-width: 372px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\">\u003cimg class=\"size-full wp-image-25373\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\" alt=\"Photo: Vanguard Properties\" width=\"372\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Okay, fine, the doors are \"elegant.\" Nostalgia has a tendency to get me riled up.\u003c/p>\n\u003cfigure id=\"attachment_25372\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\">\u003cimg class=\"size-full wp-image-25372\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Wow. This is definitely...a look. Potato sack chic.\u003c/p>\n\u003cfigure id=\"attachment_25370\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\">\u003cimg class=\"size-full wp-image-25370\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A little stuffy for Netflix and Chill, but it'll do.\u003c/p>\n\u003cfigure id=\"attachment_25368\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\">\u003cimg class=\"size-full wp-image-25368\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>No butt shall be left chairless! Also, what exactly is going on in that painting? Umbilical cord drama?\u003c/p>\n\u003cfigure id=\"attachment_25366\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\">\u003cimg class=\"size-full wp-image-25366\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ohhh, okay, \u003cem>this\u003c/em> is where the Netflix and Chill goes down. Got it.\u003c/p>\n\u003cfigure id=\"attachment_25364\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\">\u003cimg class=\"size-full wp-image-25364\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Hanging framed paintings in front of books is an interesting choice.\u003c/p>\n\u003cfigure id=\"attachment_25361\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\">\u003cimg class=\"size-full wp-image-25361\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Huge sink means you can wait even longer to wash your dishes. Oh, who am I kidding, that's what the dishwasher or maid is for. And I spy with my little eye a fully-stocked wine cellar. Let the generous pours wash over us all!\u003c/p>\n\u003cfigure id=\"attachment_25360\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\">\u003cimg class=\"size-full wp-image-25360\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Put your shoes on while sitting on this love seat at the foot of the bed...\u003c/p>\n\u003cfigure id=\"attachment_25359\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\">\u003cimg class=\"size-full wp-image-25359\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>...or put your shoes on while sitting in front of the bedroom fireplace. Up to you. Being filthy rich is all about meaningless, endless options.\u003c/p>\n\u003cfigure id=\"attachment_25356\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\">\u003cimg class=\"size-full wp-image-25356\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Woah! Mallard-obsessed Bunny from \u003cem>Sex and the City\u003c/em> strikes again!\u003c/p>\n\u003cfigure id=\"attachment_25353\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\">\u003cimg class=\"size-full wp-image-25353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>If I'm handing over $4.15 million, the least the former owner could do is leave the tension rod behind for my dirty shower curtain. Geez.\u003c/p>\n\u003cfigure id=\"attachment_25351\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\">\u003cimg class=\"size-full wp-image-25351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Every mansion needs a useless room no one wants to hang out in.\u003c/p>\n\u003cfigure id=\"attachment_25349\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\">\u003cimg class=\"size-full wp-image-25349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ahh, a little slice of Versailles, minus all the riff raff.\u003c/p>\n\u003cfigure id=\"attachment_25348\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\">\u003cimg class=\"size-full wp-image-25348\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A perfect place to erect a statue of yourself or your accountant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And this ends our journey through this pop culture landmark. Again, lend me some money or buy this pad yourself and let me be your Kato Kaelin. Either way.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Millennials Monthly: Basement-Dwelling Snake People Who Can't Find Stamps",
"title": "Millennials Monthly: Basement-Dwelling Snake People Who Can't Find Stamps",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Hello, my Millennial brothers and sisters! How's your spring been thus far? How many weddings are on your plate for the next three months? Did you do your part to represent our generation during the annual \u003ca href=\"http://sfist.com/2016/05/16/sweaty_costumes_and_solo_cups_scene.php#photo-1\" target=\"_blank\">Running of the Drunks\u003c/a>?\u003c/p>\n\u003cp>Both these traditions are, of course, great chances to watch members of our generation at ease, gathering in large groups, enjoying their natural habitat. I'm a particularly big fan of field study work that involves viewing the reactions of 20- and 30-somethings when they're asked to dance en masse to the Isley Brothers' \"Shout\" in a public place, half of them in terribly uncomfortable shoes, after one to three glasses of champagne.\u003c/p>\n\u003cp>If you're going to undertake such intense anthropological coursework, however, any scientist will tell you that having some background knowledge of your subjects -- their likes, dislikes, habits and vocabulary -- is a bare minimum. Thus, without further ado, I hereby present to you the most important facts about Millennials that the news media presented us with in the month of May. As always, I'd love to hear how they guide you in your own research.\u003c/p>\n\u003cp>\u003cstrong>In May 2016, we learned that Millennials are...\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Still, overwhelmingly, \u003ca href=\"https://www.washingtonpost.com/news/the-fix/wp/2016/05/25/why-millennials-are-more-likely-to-live-with-their-parents-than-any-generation-since-world-war-ii/\" target=\"_blank\">living in our parents' basements\u003c/a>. \u003c/strong>Especially men. Why? Well, for one, people are getting married later in life. And then there's this illuminating tidbit: \"The overall employment rate -- the share of people with jobs -- has fallen and, again, that's particularly true of young men. And this explains why living at home is even more common among young men who are unemployed.\" Shocking.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25303\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/stepbrothers.jpg\" alt=\"stepbrothers\" width=\"650\" height=\"390\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/stepbrothers.jpg 650w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/stepbrothers-400x240.jpg 400w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003c/p>\n\u003cp>\u003cstrong>But also, on our way to \u003ca href=\"http://www.wsj.com/articles/the-new-oil-traders-moms-and-millennials-1464277188\" target=\"_blank\">becoming oil tycoons\u003c/a>. \u003c/strong>Alongside our moms, which makes sense since we live with them. Here's the best excerpt from this story: \"Mr. Bailey also visits online chatter sites talking about oil, such as StockTwits, \u003ca class=\"icon none\" href=\"http://stocktwits.com/TheDooDah/message/55532402\" target=\"_blank\">where one poster this week\u003c/a> wrote: “...once again the crude been rude to this dude.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.npr.org/2016/05/16/478237882/millennials-now-rival-boomers-as-a-political-force-but-will-they-actually-vote\" target=\"_blank\">Flaky about voting\u003c/a>. \u003c/strong>Sadly, we continue to have the lowest voter turnout of any group. One author of this Pew Research Center study offered this: \"...the fact that young people move around frequently can be a 'huge barrier' to voting. Plus, she points out that campaign outreach often overlooks young voters.\" (Except for when that campaign\u003ca href=\"http://ww2.kqed.org/pop/2016/02/23/only-wanna-date-bernie-sanders-supporters-theres-a-site-for-that/\" target=\"_blank\"> involves dank memes\u003c/a>, amirite bro??)\u003c/p>\n\u003cp>\u003cstrong>Interested in voting by mail, but \u003ca href=\"http://www.kcra.com/news/expert-millennials-cant-find-stamps-dont-mail-in-ballots/39728604\" target=\"_blank\">we can't find stamps\u003c/a>!\u003c/strong> I ... I don't know. Just read this one.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/absenteeballot2.jpg\" alt=\"absenteeballot2\" width=\"605\" height=\"328\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/absenteeballot2.jpg 605w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/absenteeballot2-400x217.jpg 400w\" sizes=\"(max-width: 605px) 100vw, 605px\">\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.nytimes.com/2016/05/01/opinion/sunday/stop-saying-i-feel-like.html?_r=4\" target=\"_blank\">Full of feelings\u003c/a>, which are bad. \u003c/strong>This piece pushes for us to stop starting sentences with the phrase\u003cem> I feel like. \u003c/em> \"'This is speculative, but ‘I feel like’ fits with this general relativism run rampant,' Sally McConnell-Ginet, a linguist at Cornell, suggested. 'There are different perspectives, but that doesn’t mean there are not some facts on the ground and things anchoring us.'\"\u003c/p>\n\u003cp>...do I have to be the one who points out that \"This is speculative\" serves exactly the same purpose as \"I feel like\"? I feel like that should be obvious.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.cnbc.com/2016/05/25/millennials-step-up-plans-to-buy-cars-report.html\" target=\"_blank\">Planning to buy cars\u003c/a>. \u003c/strong>The take-away here seems to be that when people do not make very much money, they do not buy cars, but when they start to make a little more money, they start to think about buying them.\u003c/p>\n\u003cfigure id=\"attachment_25305\" class=\"wp-caption aligncenter\" style=\"max-width: 550px\">\u003cimg class=\"size-full wp-image-25305\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/hipster-lyft-millennials-550x412.jpg\" alt=\"These hip Lyft-affiliated Millennials know what's up!\" width=\"550\" height=\"412\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/hipster-lyft-millennials-550x412.jpg 550w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/hipster-lyft-millennials-550x412-400x300.jpg 400w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003cfigcaption class=\"wp-caption-text\">These hip Lyft-affiliated Millennials know what's up!\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.forbes.com/sites/nealegodfrey/2016/05/22/will-millennials-just-uber-their-life/#166193e2637d\" target=\"_blank\">...except that we're not.\u003c/a> \u003c/strong>This other study is wringing its hands over the possibility that we're all just going to take Uber and Lyft our whole lives, because most of us still actually have no money. Bonus Millennial Fact: Last week I had a Lyft driver who spent the whole ride telling me about how awesome the Lyft offices are. Apparently they have a \"jam room\" with electric guitars in it. Because nothing says rock 'n' roll like shredding some sweet riffs on your lunch break at Lyft corporate headquarters.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.nytimes.com/2016/05/16/business/media/trying-to-pin-down-the-mosaic-of-millennial-tastes.html\" target=\"_blank\">Driving TV networks crazy\u003c/a> as they try to figure out how best to appeal to us.\u003c/strong> Here is the best part of this (actually somewhat self-aware) NYT story:\u003c/p>\n\u003cblockquote>\n\u003cp class=\"story-body-text story-content\">Mr. Pogensky, who identified himself as an editor at a “millennial media company,” was dismissive of TV programs attempting to portray his generation. (“Girls,” for instance.) “They try far too hard — that notion of the over-millenniated hipster,” he said. “They use, like, slang that no one uses, that your dad would use,” he said.\u003c/p>\n\u003cp class=\"story-body-text story-content\">“LOL,” Ms. McAllister said.\u003c/p>\n\u003cp class=\"story-body-text story-content\">“She’s using that sarcastically, rather than in reality,” Mr. Pogensky said.\u003c/p>\n\u003c/blockquote>\n\u003cp class=\"story-body-text story-content\">Explaining sarcasm: \u003cem>hella\u003c/em> Millennial.\u003c/p>\n\u003cp>\u003cstrong>Always\u003ca href=\"http://fortune.com/2016/05/20/millennials-workplace/\" target=\"_blank\"> ripe for mockery\u003c/a>.\u003c/strong> This satire piece in \u003cem>Fortune\u003c/em>, which is basically a mashup of regurgitated cliches about how young people behave in an office environment, is so obnoxious that I actually said \"UGH\" out loud at my desk. None of my coworkers seemed to mind, though, because I am a Millennial and they know that's just how I talk. Anyway, \u003ca href=\"https://twitter.com/thebingblog\" target=\"_blank\">Stanley Bing\u003c/a> seems cool.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25306\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/1122011.jpg\" alt=\"1122011\" width=\"786\" height=\"599\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/1122011.jpg 786w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/1122011-400x305.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/1122011-768x585.jpg 768w\" sizes=\"(max-width: 786px) 100vw, 786px\">\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://chrome.google.com/webstore/detail/millennials-to-snake-peop/jhkibealmjkbkafogihpeidfcgnigmlf?hl=en-US\" target=\"_blank\">Hilarious, creative individuals\u003c/a>. \u003c/strong>Okay, this one isn't a study, and to be fair I'm actually a few months behind -- but this Chrome extension that converts the word \"Millennials\" to \"snake people\" as you cruise around the web is too good not to mention. The extension's coder, \u003ca href=\"http://www.wsj.com/articles/snake-people-invade-the-internet-1439575068\" target=\"_blank\">Eric Bailey\u003c/a>, is clearly a Millennial, and I feel like he probably has a pretty good sense of humor about it too. No word on whether or not he knows how to find stamps.\u003c/p>\n\u003cp>\u003cem>What'd I miss? Email me: \u003ca href=\"mailto:esilvers@kqed.org\">esilvers@kqed.org\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "In this month's roundup, we learn the ins and outs of living with our parents while becoming oil tycoons -- ones who still can't drive or mail things. ",
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"description": "In this month's roundup, we learn the ins and outs of living with our parents while becoming oil tycoons -- ones who still can't drive or mail things. ",
"title": "Millennials Monthly: Basement-Dwelling Snake People Who Can't Find Stamps | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hello, my Millennial brothers and sisters! How's your spring been thus far? How many weddings are on your plate for the next three months? Did you do your part to represent our generation during the annual \u003ca href=\"http://sfist.com/2016/05/16/sweaty_costumes_and_solo_cups_scene.php#photo-1\" target=\"_blank\">Running of the Drunks\u003c/a>?\u003c/p>\n\u003cp>Both these traditions are, of course, great chances to watch members of our generation at ease, gathering in large groups, enjoying their natural habitat. I'm a particularly big fan of field study work that involves viewing the reactions of 20- and 30-somethings when they're asked to dance en masse to the Isley Brothers' \"Shout\" in a public place, half of them in terribly uncomfortable shoes, after one to three glasses of champagne.\u003c/p>\n\u003cp>If you're going to undertake such intense anthropological coursework, however, any scientist will tell you that having some background knowledge of your subjects -- their likes, dislikes, habits and vocabulary -- is a bare minimum. Thus, without further ado, I hereby present to you the most important facts about Millennials that the news media presented us with in the month of May. As always, I'd love to hear how they guide you in your own research.\u003c/p>\n\u003cp>\u003cstrong>In May 2016, we learned that Millennials are...\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Still, overwhelmingly, \u003ca href=\"https://www.washingtonpost.com/news/the-fix/wp/2016/05/25/why-millennials-are-more-likely-to-live-with-their-parents-than-any-generation-since-world-war-ii/\" target=\"_blank\">living in our parents' basements\u003c/a>. \u003c/strong>Especially men. Why? Well, for one, people are getting married later in life. And then there's this illuminating tidbit: \"The overall employment rate -- the share of people with jobs -- has fallen and, again, that's particularly true of young men. And this explains why living at home is even more common among young men who are unemployed.\" Shocking.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25303\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/stepbrothers.jpg\" alt=\"stepbrothers\" width=\"650\" height=\"390\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/stepbrothers.jpg 650w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/stepbrothers-400x240.jpg 400w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003c/p>\n\u003cp>\u003cstrong>But also, on our way to \u003ca href=\"http://www.wsj.com/articles/the-new-oil-traders-moms-and-millennials-1464277188\" target=\"_blank\">becoming oil tycoons\u003c/a>. \u003c/strong>Alongside our moms, which makes sense since we live with them. Here's the best excerpt from this story: \"Mr. Bailey also visits online chatter sites talking about oil, such as StockTwits, \u003ca class=\"icon none\" href=\"http://stocktwits.com/TheDooDah/message/55532402\" target=\"_blank\">where one poster this week\u003c/a> wrote: “...once again the crude been rude to this dude.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.npr.org/2016/05/16/478237882/millennials-now-rival-boomers-as-a-political-force-but-will-they-actually-vote\" target=\"_blank\">Flaky about voting\u003c/a>. \u003c/strong>Sadly, we continue to have the lowest voter turnout of any group. One author of this Pew Research Center study offered this: \"...the fact that young people move around frequently can be a 'huge barrier' to voting. Plus, she points out that campaign outreach often overlooks young voters.\" (Except for when that campaign\u003ca href=\"http://ww2.kqed.org/pop/2016/02/23/only-wanna-date-bernie-sanders-supporters-theres-a-site-for-that/\" target=\"_blank\"> involves dank memes\u003c/a>, amirite bro??)\u003c/p>\n\u003cp>\u003cstrong>Interested in voting by mail, but \u003ca href=\"http://www.kcra.com/news/expert-millennials-cant-find-stamps-dont-mail-in-ballots/39728604\" target=\"_blank\">we can't find stamps\u003c/a>!\u003c/strong> I ... I don't know. Just read this one.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/absenteeballot2.jpg\" alt=\"absenteeballot2\" width=\"605\" height=\"328\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/absenteeballot2.jpg 605w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/absenteeballot2-400x217.jpg 400w\" sizes=\"(max-width: 605px) 100vw, 605px\">\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.nytimes.com/2016/05/01/opinion/sunday/stop-saying-i-feel-like.html?_r=4\" target=\"_blank\">Full of feelings\u003c/a>, which are bad. \u003c/strong>This piece pushes for us to stop starting sentences with the phrase\u003cem> I feel like. \u003c/em> \"'This is speculative, but ‘I feel like’ fits with this general relativism run rampant,' Sally McConnell-Ginet, a linguist at Cornell, suggested. 'There are different perspectives, but that doesn’t mean there are not some facts on the ground and things anchoring us.'\"\u003c/p>\n\u003cp>...do I have to be the one who points out that \"This is speculative\" serves exactly the same purpose as \"I feel like\"? I feel like that should be obvious.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.cnbc.com/2016/05/25/millennials-step-up-plans-to-buy-cars-report.html\" target=\"_blank\">Planning to buy cars\u003c/a>. \u003c/strong>The take-away here seems to be that when people do not make very much money, they do not buy cars, but when they start to make a little more money, they start to think about buying them.\u003c/p>\n\u003cfigure id=\"attachment_25305\" class=\"wp-caption aligncenter\" style=\"max-width: 550px\">\u003cimg class=\"size-full wp-image-25305\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/hipster-lyft-millennials-550x412.jpg\" alt=\"These hip Lyft-affiliated Millennials know what's up!\" width=\"550\" height=\"412\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/hipster-lyft-millennials-550x412.jpg 550w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/hipster-lyft-millennials-550x412-400x300.jpg 400w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003cfigcaption class=\"wp-caption-text\">These hip Lyft-affiliated Millennials know what's up!\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.forbes.com/sites/nealegodfrey/2016/05/22/will-millennials-just-uber-their-life/#166193e2637d\" target=\"_blank\">...except that we're not.\u003c/a> \u003c/strong>This other study is wringing its hands over the possibility that we're all just going to take Uber and Lyft our whole lives, because most of us still actually have no money. Bonus Millennial Fact: Last week I had a Lyft driver who spent the whole ride telling me about how awesome the Lyft offices are. Apparently they have a \"jam room\" with electric guitars in it. Because nothing says rock 'n' roll like shredding some sweet riffs on your lunch break at Lyft corporate headquarters.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.nytimes.com/2016/05/16/business/media/trying-to-pin-down-the-mosaic-of-millennial-tastes.html\" target=\"_blank\">Driving TV networks crazy\u003c/a> as they try to figure out how best to appeal to us.\u003c/strong> Here is the best part of this (actually somewhat self-aware) NYT story:\u003c/p>\n\u003cblockquote>\n\u003cp class=\"story-body-text story-content\">Mr. Pogensky, who identified himself as an editor at a “millennial media company,” was dismissive of TV programs attempting to portray his generation. (“Girls,” for instance.) “They try far too hard — that notion of the over-millenniated hipster,” he said. “They use, like, slang that no one uses, that your dad would use,” he said.\u003c/p>\n\u003cp class=\"story-body-text story-content\">“LOL,” Ms. McAllister said.\u003c/p>\n\u003cp class=\"story-body-text story-content\">“She’s using that sarcastically, rather than in reality,” Mr. Pogensky said.\u003c/p>\n\u003c/blockquote>\n\u003cp class=\"story-body-text story-content\">Explaining sarcasm: \u003cem>hella\u003c/em> Millennial.\u003c/p>\n\u003cp>\u003cstrong>Always\u003ca href=\"http://fortune.com/2016/05/20/millennials-workplace/\" target=\"_blank\"> ripe for mockery\u003c/a>.\u003c/strong> This satire piece in \u003cem>Fortune\u003c/em>, which is basically a mashup of regurgitated cliches about how young people behave in an office environment, is so obnoxious that I actually said \"UGH\" out loud at my desk. None of my coworkers seemed to mind, though, because I am a Millennial and they know that's just how I talk. Anyway, \u003ca href=\"https://twitter.com/thebingblog\" target=\"_blank\">Stanley Bing\u003c/a> seems cool.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-25306\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/1122011.jpg\" alt=\"1122011\" width=\"786\" height=\"599\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/1122011.jpg 786w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/1122011-400x305.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/1122011-768x585.jpg 768w\" sizes=\"(max-width: 786px) 100vw, 786px\">\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://chrome.google.com/webstore/detail/millennials-to-snake-peop/jhkibealmjkbkafogihpeidfcgnigmlf?hl=en-US\" target=\"_blank\">Hilarious, creative individuals\u003c/a>. \u003c/strong>Okay, this one isn't a study, and to be fair I'm actually a few months behind -- but this Chrome extension that converts the word \"Millennials\" to \"snake people\" as you cruise around the web is too good not to mention. The extension's coder, \u003ca href=\"http://www.wsj.com/articles/snake-people-invade-the-internet-1439575068\" target=\"_blank\">Eric Bailey\u003c/a>, is clearly a Millennial, and I feel like he probably has a pretty good sense of humor about it too. No word on whether or not he knows how to find stamps.\u003c/p>\n\u003cp>\u003cem>What'd I miss? Email me: \u003ca href=\"mailto:esilvers@kqed.org\">esilvers@kqed.org\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "A Jane Austen Expert on 'Love and Friendship' and How You Can Party Like It's 1799 in the Bay Area",
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"content": "\u003cp>[contextly_sidebar id=\"O3E9gNtNXhMiBS54fqa2feXPywzaY0X6\"]The comediennes of the modern era certainly have a lot to thank Jane Austen for. While her humor is much milder than the Schumers and Dunhams of this modern era, Austen was witty before women showing off their funny bone was socially acceptable. Her undeniable mark on popular culture has inspired a slew of adaptations, from everyone’s favorite '90s teen flick, \u003cem>Clueless, \u003c/em>to the deplorably tasteless \u003cem>Pride and Prejudice and Zombies\u003c/em>. With the offensiveness of the latter still lingering on our palettes, the latest Austen film adaptation, \u003cem>Love and Friendship\u003c/em>, could not have arrived at a better time.\u003c/p>\n\u003cp>Based on one of Austen’s lesser-known works, the early epistolary novella, \u003cem>Lady Susan,\u003c/em> tells the tale of an unscrupulous, newly widowed woman and her quest to marry off her lackluster daughter to a wealthy man and to bag an even richer husband for herself. Written as a series of letters, some have argued that this is perhaps Austen’s wittiest work, which would explain why audiences and critics have been so pleased with the film adaptation.\u003c/p>\n\u003cp>Directed by Whit Stillman, \u003cem>Love and Friendship\u003c/em> finds Kate Beckinsale portraying the beguiling Lady Susan Vernon with her confidante, Alicia Johnson, played by Chloë Sevigny (for those who may have forgotten, Chloë and Kate were also paired up in Stillman’s 1998 cult classic \u003cem>The Last Days of Disco\u003c/em>). Without delving too much into the plot, Beckinsale delivers an exquisite performance that captures the charmingly appalling nature of Lady Susan, serving up memorable line after memorable line – my personal favorite being Susan’s description of Alicia’s husband as “too old to be governed and too young to die.” It is this wit that takes center stage in the film and will leave theater-goers with an appreciation of the subtlety of Austen’s humor that is rarely found in modern times.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8MaSK3POHI0\u003c/p>\n\u003cp>For Austen aficionados, the film is obviously a must see and will probably spit them out of the theater wishing they could find the essence of Austen in the real world. To figure out how to do that best, we caught up with the Coordinator of the Jane Austen Society of North America’s Northern California Region, Danine Cozzens, for her insights into the latest film and beyond.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: \u003cem>What characteristics of Jane Austen's writing do you think give it such timeless appeal for the young and old alike? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Danine Cozzens:\u003c/strong> Jane Austen saw into the truth of the human heart. What truly drives character, and causes us to make decisions that may not have the best outcome? You can read the novels over and over and see this happen anew each time. The characters, their motivations, all the fine points the narrator's voice was telling you point blank were there all along, even while you were captivated by the unfolding plot line.\u003cstrong>\u003cem> \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>As the English countryside and its estates are several thousand miles in distance from our beloved Bay Area, which locales and establishments would you recommend for an Austen-inspired sojourn? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>We are fortunate to have some grand estates in the Bay Area that are open to the public, with the scale and elegance of a Georgian manor house. You can't stay there, but do take a day trip to \u003ca href=\"http://www.filoli.org/\">Filoli \u003c/a>(near Woodside). Although built in 1915, it was modeled on a Georgian estate in Ireland, and has the grand expanse of gardens and woodlands of an English estate. If you can get into \u003ca href=\"http://carolands.org/\">Carolands\u003c/a>, which has very limited hours, it is more French but Mr. Darcy would have felt quite at home there.\u003c/p>\n\u003cp>\u003ca href=\"http://montalvoarts.org/\">Villa Montalvo\u003c/a> (near Saratoga) is Mediterranean in style, but has an excellent Regency-style \"folly\" -- a charming wedding cake of a pavilion -- at the bottom of the great lawn. \u003ca href=\"http://www.pelicaninn.com/\">The Pelican Inn\u003c/a> in Muir Beach replicates an English coaching inn. \u003ca href=\"http://berkeleycityclub.com/\">The Berkeley City Club\u003c/a> provided a gracious site for an afternoon ball. All worth a visit.\u003c/p>\n\u003cp>Each fall, our friends in Oregon take over the \u003ca href=\"http://www.oregoncaveschateau.com/\">Oregon Caves Chateau\u003c/a>, a small rustic lodge from the 1930s, for a \"great house\" weekend. We dress in Regency era attire and enjoy various period activities. Another memorable experience has been sailing on the tall ships (Lady Washington and Hawaiian Chieftain) on their semi-annual tour, with everyone -- passengers and crew -- in costume. And of course teas, balls, and picnics are held in many places. \u003ca href=\"http://janeaustenevening.org/\">The Los Angeles Jane Austen Evening\u003c/a> sells out every year.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Though a fantastic piece of literature, \u003c/em>Lady Susan\u003cem> is one of Jane's lesser-known works. Out of her novels that haven't received a worthy film adaptation, which would you be most excited to see produced (or reproduced) and why? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>Personally, I'd vote for \u003cem>Mansfield\u003c/em> \u003cem>Park\u003c/em>, because the anachronisms and plot alterations set my teeth on edge. I'm fine with adaptations like \u003cem>Clueless\u003c/em> or \u003cem>Bride and Prejudice\u003c/em>, but when you are playing it straight, please do not introduce nonsensical plot changes and impossible things which make no sense, like tiered wedding cakes in a world where baking powder had not yet been invented. Don't turn Fanny's ball into a picnic.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>What scene in \u003c/em>Love and Friendship\u003cem> are you most excited for viewers to watch brought to the screen? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>This may sound odd, but what blew me away was the attention to detail in all the costumes. No skimping on horses and carriages, either. The costumes on the servants -- the starched caps and fichus on the maids, the livery and wigs on the footmen -- just as much care was taken with them as with the principal actors. And the working people underfoot, laying paving stones in their filthy smocks -- it was transporting to see the entire screen come alive.\u003c/p>\n\u003cp>I loved the scene in which Sir Reginald De Courcy is reading a letter aloud to Lady De Courcy. Letter writing was such a key part of life for the leisured class; it was the social media of the day. I thought that scene, with the handwriting projected over the screen, conveyed how intense letters were at the time. Quite fitting, since Lady Susan was constructed as a series of letters.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Love and Friendship\u003cem> is out now in select theaters. If you would like more information on the Jane Austen Society of North America’s Northern California Region, please visit \u003ca href=\"http://www.jasnanorcal.org/\">jasnanorcal.org\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>The comediennes of the modern era certainly have a lot to thank Jane Austen for. While her humor is much milder than the Schumers and Dunhams of this modern era, Austen was witty before women showing off their funny bone was socially acceptable. Her undeniable mark on popular culture has inspired a slew of adaptations, from everyone’s favorite '90s teen flick, \u003cem>Clueless, \u003c/em>to the deplorably tasteless \u003cem>Pride and Prejudice and Zombies\u003c/em>. With the offensiveness of the latter still lingering on our palettes, the latest Austen film adaptation, \u003cem>Love and Friendship\u003c/em>, could not have arrived at a better time.\u003c/p>\n\u003cp>Based on one of Austen’s lesser-known works, the early epistolary novella, \u003cem>Lady Susan,\u003c/em> tells the tale of an unscrupulous, newly widowed woman and her quest to marry off her lackluster daughter to a wealthy man and to bag an even richer husband for herself. Written as a series of letters, some have argued that this is perhaps Austen’s wittiest work, which would explain why audiences and critics have been so pleased with the film adaptation.\u003c/p>\n\u003cp>Directed by Whit Stillman, \u003cem>Love and Friendship\u003c/em> finds Kate Beckinsale portraying the beguiling Lady Susan Vernon with her confidante, Alicia Johnson, played by Chloë Sevigny (for those who may have forgotten, Chloë and Kate were also paired up in Stillman’s 1998 cult classic \u003cem>The Last Days of Disco\u003c/em>). Without delving too much into the plot, Beckinsale delivers an exquisite performance that captures the charmingly appalling nature of Lady Susan, serving up memorable line after memorable line – my personal favorite being Susan’s description of Alicia’s husband as “too old to be governed and too young to die.” It is this wit that takes center stage in the film and will leave theater-goers with an appreciation of the subtlety of Austen’s humor that is rarely found in modern times.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8MaSK3POHI0'\n title='//www.youtube.com/embed/8MaSK3POHI0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For Austen aficionados, the film is obviously a must see and will probably spit them out of the theater wishing they could find the essence of Austen in the real world. To figure out how to do that best, we caught up with the Coordinator of the Jane Austen Society of North America’s Northern California Region, Danine Cozzens, for her insights into the latest film and beyond.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: \u003cem>What characteristics of Jane Austen's writing do you think give it such timeless appeal for the young and old alike? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Danine Cozzens:\u003c/strong> Jane Austen saw into the truth of the human heart. What truly drives character, and causes us to make decisions that may not have the best outcome? You can read the novels over and over and see this happen anew each time. The characters, their motivations, all the fine points the narrator's voice was telling you point blank were there all along, even while you were captivated by the unfolding plot line.\u003cstrong>\u003cem> \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>As the English countryside and its estates are several thousand miles in distance from our beloved Bay Area, which locales and establishments would you recommend for an Austen-inspired sojourn? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>We are fortunate to have some grand estates in the Bay Area that are open to the public, with the scale and elegance of a Georgian manor house. You can't stay there, but do take a day trip to \u003ca href=\"http://www.filoli.org/\">Filoli \u003c/a>(near Woodside). Although built in 1915, it was modeled on a Georgian estate in Ireland, and has the grand expanse of gardens and woodlands of an English estate. If you can get into \u003ca href=\"http://carolands.org/\">Carolands\u003c/a>, which has very limited hours, it is more French but Mr. Darcy would have felt quite at home there.\u003c/p>\n\u003cp>\u003ca href=\"http://montalvoarts.org/\">Villa Montalvo\u003c/a> (near Saratoga) is Mediterranean in style, but has an excellent Regency-style \"folly\" -- a charming wedding cake of a pavilion -- at the bottom of the great lawn. \u003ca href=\"http://www.pelicaninn.com/\">The Pelican Inn\u003c/a> in Muir Beach replicates an English coaching inn. \u003ca href=\"http://berkeleycityclub.com/\">The Berkeley City Club\u003c/a> provided a gracious site for an afternoon ball. All worth a visit.\u003c/p>\n\u003cp>Each fall, our friends in Oregon take over the \u003ca href=\"http://www.oregoncaveschateau.com/\">Oregon Caves Chateau\u003c/a>, a small rustic lodge from the 1930s, for a \"great house\" weekend. We dress in Regency era attire and enjoy various period activities. Another memorable experience has been sailing on the tall ships (Lady Washington and Hawaiian Chieftain) on their semi-annual tour, with everyone -- passengers and crew -- in costume. And of course teas, balls, and picnics are held in many places. \u003ca href=\"http://janeaustenevening.org/\">The Los Angeles Jane Austen Evening\u003c/a> sells out every year.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Though a fantastic piece of literature, \u003c/em>Lady Susan\u003cem> is one of Jane's lesser-known works. Out of her novels that haven't received a worthy film adaptation, which would you be most excited to see produced (or reproduced) and why? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>Personally, I'd vote for \u003cem>Mansfield\u003c/em> \u003cem>Park\u003c/em>, because the anachronisms and plot alterations set my teeth on edge. I'm fine with adaptations like \u003cem>Clueless\u003c/em> or \u003cem>Bride and Prejudice\u003c/em>, but when you are playing it straight, please do not introduce nonsensical plot changes and impossible things which make no sense, like tiered wedding cakes in a world where baking powder had not yet been invented. Don't turn Fanny's ball into a picnic.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>What scene in \u003c/em>Love and Friendship\u003cem> are you most excited for viewers to watch brought to the screen? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>This may sound odd, but what blew me away was the attention to detail in all the costumes. No skimping on horses and carriages, either. The costumes on the servants -- the starched caps and fichus on the maids, the livery and wigs on the footmen -- just as much care was taken with them as with the principal actors. And the working people underfoot, laying paving stones in their filthy smocks -- it was transporting to see the entire screen come alive.\u003c/p>\n\u003cp>I loved the scene in which Sir Reginald De Courcy is reading a letter aloud to Lady De Courcy. Letter writing was such a key part of life for the leisured class; it was the social media of the day. I thought that scene, with the handwriting projected over the screen, conveyed how intense letters were at the time. Quite fitting, since Lady Susan was constructed as a series of letters.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Love and Friendship\u003cem> is out now in select theaters. If you would like more information on the Jane Austen Society of North America’s Northern California Region, please visit \u003ca href=\"http://www.jasnanorcal.org/\">jasnanorcal.org\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Victoria Beckham's Scrapped Hip-Hop Album Leaks as Karma for Dissing the Spice Girls",
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"content": "\u003cp>Now that Victoria Beckham is a fashion powerhouse, she wishes you would forget that she was ever known for anything else. Every so often, she refuses to do a reunion tour (but \u003ca href=\"https://en.wikipedia.org/wiki/The_Return_of_the_Spice_Girls\">ends up doing it\u003c/a>), refuses to perform at the London Olympics closing ceremony (but \u003ca href=\"https://www.youtube.com/watch?v=PArTdhNda7k\">ends up doing it\u003c/a>), or refuses to appear on the red carpet next to the other Spice Girls at the opening of their own musical (she \u003ca href=\"http://www.usmagazine.com/celebrity-news/news/spice-girls-were-disappointed-victoria-beckham-didnt-join-them-at-viva-forever-premiere-says-melanie-chisholm-2013164\">\u003cstrong>did not\u003c/strong> end up doing it\u003c/a>).\u003c/p>\n\u003cp>As recently as earlier this month, she \u003ca href=\"http://www.mirror.co.uk/3am/celebrity-news/victoria-beckham-admits-mic-turned-7908127\">bitterly reminisced\u003c/a> about her time in the biggest girl group in all of herstory:\u003c/p>\n\u003cblockquote>\u003cp>“They used to turn [my mic] off and just let the others sing. I got the last laugh - and now my mic is well and truly on, finally.”\u003c/p>\u003c/blockquote>\n\u003cp>Um, Vic, this isn't an exclusive. We all knew your mic was not on and were ok with that. Having Geri's turned on was bad enough. Also, maybe be thankful they cut you a check, despite your lack of contribution?\u003c/p>\n\u003cp>Anyway, that's not all Beckham had to share:\u003c/p>\n\u003cblockquote>\u003cp>\"I was always the one that loved fashion and it was quite a result for me because the girls always used to get their clothes for free because they were crap and so there was a lot of budget for me to have my little Gucci dress.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-14.gif\">\u003cimg class=\"aligncenter size-full wp-image-25267\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-14.gif\" alt=\"shade of it all latrice gif\" width=\"400\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Emma's baby doll dresses and platforms, Melanie B's cheetah print numbers, Melanie C's full-body Adidas looks, and Geri's Union Jack dress are iconic. How dare you?\u003c/p>\n\u003cp>VB, you finished with sh*tting all over my childhood? No? Oh, okay:\u003c/p>\n\u003cblockquote>\u003cp>“When all the other girls were being fun and spontaneous and jumping on tables, I was always the one checking the table wasn’t going to collapse. I was always the sensible one.\"\u003c/p>\u003c/blockquote>\n\u003cp>Ok, we get it! You're so above the band that made you famous, the band without which you would have never met your footballer husband, the band without which...well, everything else about your current privileged life. But I digress.\u003c/p>\n\u003cp>Point is: Victoria hates that she tried to convince us she was an acceptable-enough singer for so many years, so she's probably pretty pissed that \u003ci>Come Together, \u003c/i>a scrapped hip-hop album she worked on with Damon Dash way back in the early aughts, is coming to light and making waves on the internet today. Let's consider this karmic retribution for biting the hand that has fed for the past two decades:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FzST0neMmqQ\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=A40j6uKPYjc\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gthZVyQuHtg\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vzv6jTZrk8o\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hs-cJ-vve8A\u003c/p>\n\u003cp>Dear other bloggers covering this, \"Let Your Head Go\" is not new.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=p4XYmF4oy3U\u003c/p>\n\u003cp>How could you forget the music video, which channels \u003ca href=\"http://ww2.kqed.org/pop/2016/05/19/bette-davis-vs-joan-crawford-the-shadiest-hollywood-feud-of-all-time/\">Joan Crawford\u003c/a>'s iconic wire hanger meltdown? Research, people!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EZQlBg_4T-k\u003c/p>\n\u003cp>And before any fellow Spice Girls fans call me a traitor, know that I love the group more than almost all of my cousins, aunts and uncles. We're hardest on the ones we love most.\u003c/p>\n\u003cp>P.S. Weak voice be damned, this will forever be a bop:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qf87MJcWZQI\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Now that Victoria Beckham is a fashion powerhouse, she wishes you would forget that she was ever known for anything else. Every so often, she refuses to do a reunion tour (but \u003ca href=\"https://en.wikipedia.org/wiki/The_Return_of_the_Spice_Girls\">ends up doing it\u003c/a>), refuses to perform at the London Olympics closing ceremony (but \u003ca href=\"https://www.youtube.com/watch?v=PArTdhNda7k\">ends up doing it\u003c/a>), or refuses to appear on the red carpet next to the other Spice Girls at the opening of their own musical (she \u003ca href=\"http://www.usmagazine.com/celebrity-news/news/spice-girls-were-disappointed-victoria-beckham-didnt-join-them-at-viva-forever-premiere-says-melanie-chisholm-2013164\">\u003cstrong>did not\u003c/strong> end up doing it\u003c/a>).\u003c/p>\n\u003cp>As recently as earlier this month, she \u003ca href=\"http://www.mirror.co.uk/3am/celebrity-news/victoria-beckham-admits-mic-turned-7908127\">bitterly reminisced\u003c/a> about her time in the biggest girl group in all of herstory:\u003c/p>\n\u003cblockquote>\u003cp>“They used to turn [my mic] off and just let the others sing. I got the last laugh - and now my mic is well and truly on, finally.”\u003c/p>\u003c/blockquote>\n\u003cp>Um, Vic, this isn't an exclusive. We all knew your mic was not on and were ok with that. Having Geri's turned on was bad enough. Also, maybe be thankful they cut you a check, despite your lack of contribution?\u003c/p>\n\u003cp>Anyway, that's not all Beckham had to share:\u003c/p>\n\u003cblockquote>\u003cp>\"I was always the one that loved fashion and it was quite a result for me because the girls always used to get their clothes for free because they were crap and so there was a lot of budget for me to have my little Gucci dress.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-14.gif\">\u003cimg class=\"aligncenter size-full wp-image-25267\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-14.gif\" alt=\"shade of it all latrice gif\" width=\"400\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Emma's baby doll dresses and platforms, Melanie B's cheetah print numbers, Melanie C's full-body Adidas looks, and Geri's Union Jack dress are iconic. How dare you?\u003c/p>\n\u003cp>VB, you finished with sh*tting all over my childhood? No? Oh, okay:\u003c/p>\n\u003cblockquote>\u003cp>“When all the other girls were being fun and spontaneous and jumping on tables, I was always the one checking the table wasn’t going to collapse. I was always the sensible one.\"\u003c/p>\u003c/blockquote>\n\u003cp>Ok, we get it! You're so above the band that made you famous, the band without which you would have never met your footballer husband, the band without which...well, everything else about your current privileged life. But I digress.\u003c/p>\n\u003cp>Point is: Victoria hates that she tried to convince us she was an acceptable-enough singer for so many years, so she's probably pretty pissed that \u003ci>Come Together, \u003c/i>a scrapped hip-hop album she worked on with Damon Dash way back in the early aughts, is coming to light and making waves on the internet today. Let's consider this karmic retribution for biting the hand that has fed for the past two decades:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FzST0neMmqQ'\n title='//www.youtube.com/embed/FzST0neMmqQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://www.youtube.com/watch?v=A40j6uKPYjc\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gthZVyQuHtg'\n title='//www.youtube.com/embed/gthZVyQuHtg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://www.youtube.com/watch?v=vzv6jTZrk8o\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hs-cJ-vve8A'\n title='//www.youtube.com/embed/hs-cJ-vve8A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Dear other bloggers covering this, \"Let Your Head Go\" is not new.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/p4XYmF4oy3U'\n title='//www.youtube.com/embed/p4XYmF4oy3U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>How could you forget the music video, which channels \u003ca href=\"http://ww2.kqed.org/pop/2016/05/19/bette-davis-vs-joan-crawford-the-shadiest-hollywood-feud-of-all-time/\">Joan Crawford\u003c/a>'s iconic wire hanger meltdown? Research, people!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EZQlBg_4T-k'\n title='//www.youtube.com/embed/EZQlBg_4T-k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And before any fellow Spice Girls fans call me a traitor, know that I love the group more than almost all of my cousins, aunts and uncles. We're hardest on the ones we love most.\u003c/p>\n\u003cp>P.S. Weak voice be damned, this will forever be a bop:\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qf87MJcWZQI'\n title='//www.youtube.com/embed/Qf87MJcWZQI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"disqusTitle": "This Ride Is Out of Order: Why Disneyland's Pirates of the Caribbean Needs Fixing",
"title": "This Ride Is Out of Order: Why Disneyland's Pirates of the Caribbean Needs Fixing",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Let’s get one thing straight from the get-go -- Pirates of the Caribbean at Disneyland is a fantastic amusement park ride. After schlepping around Disneyland with the sun beating down on you, feet blistered and sore, senses dulled from the saccharine sweetness of Disney magic, there’s nothing like a 15-minute sit in a bobbing boat, surrounded by cool air and scenes of pirate-y mischief. Fires burn, good men are tortured, and drunkards nap with adorable piggies. Hey, they’re pirates and no one is asking them to be saints. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pirates gonna pirate.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> But part of this ride is out-of-order: the bride-selling scenes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first features a line of captive women -- some elderly, some buck-toothed, most clad in white, all weeping -- tied together at the waist with a thick rope in a sad line. A banner above them proclaims “AUCTION - Take a Wench for a Bride.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The weeping women are background decoration, while the true focus of the scene lands on two other women -- first a lady in red who stands proudly at the head of the roped line some distance away from her unhappy peers. She’s heavily made up and her pert bosom threatens to spill out of her top. She lifts her skirts with one hand to show off her legs, her other hand tangled in her lovely auburn locks. Her face is peaceful, even serene. Of course, she’s not the one for sale at the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The woman on the auction block is dressed modestly and holds herself high with a sweet smile on her face. She’s also unapologetically fat -- well proportioned and lovely, but fat. She looks relaxed and proud, even as the auctioneer asks, \"What be I offered for this winsome wench? Stout hearted and corn-fed she be.\" A drunken pirate cries, \"Are ya selling her by the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">pound\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">?\" He’s ignored while the auctioneer instructs her, \"Shift yer cargo, dearie, show 'em your larboard side.\" She complies and turns with the same docile smile.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">(Fun fact: This “wench” has a name -- \u003c/span>\u003ca href=\"http://pirates.wikia.com/wiki/Pirates_of_the_Caribbean_(Board_game)\">\u003cspan style=\"font-weight: 400\">Tiny\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.)\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the next scene, the results of the auction are clear. Pirates race after their “brides,” looks of terror forever on the faces of the women. Near the end of the scene, riders see Tiny again as the ultimate punchline -- \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">she’s\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the one in hot pursuit of a pirate. As the boat passes by, riders can hear her giggling.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Though she is pretty, clean and pleasant (the very essence of \u003c/span>\u003ca href=\"http://everydayfeminism.com/2015/03/12-good-fatty-archetypes/\">\u003cspan style=\"font-weight: 400\">the “good fatty” trope\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">), it’s clear to everyone involved in this narrative that Tiny is unlovable and unwantable, even by a marauding crowd of drunken rapists. Once she’s purchased, she’s is still unwanted, yet she is so desperate for physical contact, she pursues a man who other “worthy” women run from screaming.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At least, this was the version riders encountered until 1997, when there was a major renovation and someone thought the scene would be better if the women were holding food and racing around forever. Post renovation, Tiny chased after a pirate holding a loaf of bread and a sad-looking turkey leg. The line of thinking must have been, “She’s hungry for sex \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">and \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">food! There, isn’t that better?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They also removed a part of the scene that featured a woman hiding in a barrel. Her would-be rapist asked riders if they’ve seen a “bewitched maiden in your travels? Oh, she be a lively lassie she were. Oh, I tell you true. It's alright to hoist me colours on the likes of that shy little wench!” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Throughout his speech, he clutched her stolen undergarments. “Favor, keep a weather eye open, mateys. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I be willing to share I be!\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\" In 1997, the woman was removed and the pirate’s focus turned to another feast of plastic food. In 2006, the barrel reopened but was filled with a greasy-looking Johnny Depp. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the Johnny Depp update, Disney makes another attempt to modify this chasing scene by putting jewels into the hands of the women. Now Tiny chases a pirate who clutches a cheap-looking red-velvet jewelry box with a few strands of pearls pouring out. She still giggles as she runs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There are Disney fans who bristle at the mere idea of changing a classic ride. “The fat bride is canon!” or “This is just another example of PC culture run amok!” But the ride \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">has \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">changed dramatically with the decades. Johnny Depp leering from a barrel is not canon. A musty-smelling fog screen plastered with Bill Nighy’s octopus face is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">not canon\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And Disney knows these scenes with the brides are troubling. Why else would they continue to tweak them?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Luckily, there’s a solution to this mess. It’s elegant, it’s witty and it doesn’t make the ride into \u003c/span>\u003ca href=\"http://www.disneyfanatic.com/8-facts-pirates-caribbean-ride-thatll-saying-yo-go/\">\u003cspan style=\"font-weight: 400\">Boy Scouts of the Caribbean\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. It won’t require the ride to shut down for months or weeks or even a day. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Instead of pretending those pirates are after plastic pies or dull pearls, instead of continuing this narrative that a fat woman is so unlovable that she should welcome being sold into sex-slavery, let’s turn the narrative around completely. Disney ought to \u003ca href=\"https://en.wikipedia.org/wiki/Walt_Disney_Imagineering\">Imagineer\u003c/a> up the biggest, fiercest close-range weapon and place it lovingly into Tiny’s waiting hands. Might I suggest a \u003c/span>\u003ca href=\"http://www.angelfire.com/az3/borthag/FinalSite/armsandarmor.htm\">\u003cspan style=\"font-weight: 400\">swinging flail full of morning stars\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">? Or an elegant scimitar?\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Her face will no longer be the face of one so desperate to be touched that she will take it mixed through with violence. Her face will be the face of a woman who knows her worth, delights in her strength and has a plan.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Let’s get one thing straight from the get-go -- Pirates of the Caribbean at Disneyland is a fantastic amusement park ride. After schlepping around Disneyland with the sun beating down on you, feet blistered and sore, senses dulled from the saccharine sweetness of Disney magic, there’s nothing like a 15-minute sit in a bobbing boat, surrounded by cool air and scenes of pirate-y mischief. Fires burn, good men are tortured, and drunkards nap with adorable piggies. Hey, they’re pirates and no one is asking them to be saints. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pirates gonna pirate.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> But part of this ride is out-of-order: the bride-selling scenes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first features a line of captive women -- some elderly, some buck-toothed, most clad in white, all weeping -- tied together at the waist with a thick rope in a sad line. A banner above them proclaims “AUCTION - Take a Wench for a Bride.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The weeping women are background decoration, while the true focus of the scene lands on two other women -- first a lady in red who stands proudly at the head of the roped line some distance away from her unhappy peers. She’s heavily made up and her pert bosom threatens to spill out of her top. She lifts her skirts with one hand to show off her legs, her other hand tangled in her lovely auburn locks. Her face is peaceful, even serene. Of course, she’s not the one for sale at the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The woman on the auction block is dressed modestly and holds herself high with a sweet smile on her face. She’s also unapologetically fat -- well proportioned and lovely, but fat. She looks relaxed and proud, even as the auctioneer asks, \"What be I offered for this winsome wench? Stout hearted and corn-fed she be.\" A drunken pirate cries, \"Are ya selling her by the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">pound\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">?\" He’s ignored while the auctioneer instructs her, \"Shift yer cargo, dearie, show 'em your larboard side.\" She complies and turns with the same docile smile.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">(Fun fact: This “wench” has a name -- \u003c/span>\u003ca href=\"http://pirates.wikia.com/wiki/Pirates_of_the_Caribbean_(Board_game)\">\u003cspan style=\"font-weight: 400\">Tiny\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.)\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the next scene, the results of the auction are clear. Pirates race after their “brides,” looks of terror forever on the faces of the women. Near the end of the scene, riders see Tiny again as the ultimate punchline -- \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">she’s\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the one in hot pursuit of a pirate. As the boat passes by, riders can hear her giggling.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Though she is pretty, clean and pleasant (the very essence of \u003c/span>\u003ca href=\"http://everydayfeminism.com/2015/03/12-good-fatty-archetypes/\">\u003cspan style=\"font-weight: 400\">the “good fatty” trope\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">), it’s clear to everyone involved in this narrative that Tiny is unlovable and unwantable, even by a marauding crowd of drunken rapists. Once she’s purchased, she’s is still unwanted, yet she is so desperate for physical contact, she pursues a man who other “worthy” women run from screaming.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At least, this was the version riders encountered until 1997, when there was a major renovation and someone thought the scene would be better if the women were holding food and racing around forever. Post renovation, Tiny chased after a pirate holding a loaf of bread and a sad-looking turkey leg. The line of thinking must have been, “She’s hungry for sex \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">and \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">food! There, isn’t that better?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They also removed a part of the scene that featured a woman hiding in a barrel. Her would-be rapist asked riders if they’ve seen a “bewitched maiden in your travels? Oh, she be a lively lassie she were. Oh, I tell you true. It's alright to hoist me colours on the likes of that shy little wench!” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Throughout his speech, he clutched her stolen undergarments. “Favor, keep a weather eye open, mateys. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I be willing to share I be!\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\" In 1997, the woman was removed and the pirate’s focus turned to another feast of plastic food. In 2006, the barrel reopened but was filled with a greasy-looking Johnny Depp. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the Johnny Depp update, Disney makes another attempt to modify this chasing scene by putting jewels into the hands of the women. Now Tiny chases a pirate who clutches a cheap-looking red-velvet jewelry box with a few strands of pearls pouring out. She still giggles as she runs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There are Disney fans who bristle at the mere idea of changing a classic ride. “The fat bride is canon!” or “This is just another example of PC culture run amok!” But the ride \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">has \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">changed dramatically with the decades. Johnny Depp leering from a barrel is not canon. A musty-smelling fog screen plastered with Bill Nighy’s octopus face is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">not canon\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And Disney knows these scenes with the brides are troubling. Why else would they continue to tweak them?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Luckily, there’s a solution to this mess. It’s elegant, it’s witty and it doesn’t make the ride into \u003c/span>\u003ca href=\"http://www.disneyfanatic.com/8-facts-pirates-caribbean-ride-thatll-saying-yo-go/\">\u003cspan style=\"font-weight: 400\">Boy Scouts of the Caribbean\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. It won’t require the ride to shut down for months or weeks or even a day. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Instead of pretending those pirates are after plastic pies or dull pearls, instead of continuing this narrative that a fat woman is so unlovable that she should welcome being sold into sex-slavery, let’s turn the narrative around completely. Disney ought to \u003ca href=\"https://en.wikipedia.org/wiki/Walt_Disney_Imagineering\">Imagineer\u003c/a> up the biggest, fiercest close-range weapon and place it lovingly into Tiny’s waiting hands. Might I suggest a \u003c/span>\u003ca href=\"http://www.angelfire.com/az3/borthag/FinalSite/armsandarmor.htm\">\u003cspan style=\"font-weight: 400\">swinging flail full of morning stars\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">? Or an elegant scimitar?\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Her face will no longer be the face of one so desperate to be touched that she will take it mixed through with violence. Her face will be the face of a woman who knows her worth, delights in her strength and has a plan.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "A Cynical Look at Eminem's Big, Broken Brick Sale",
"title": "A Cynical Look at Eminem's Big, Broken Brick Sale",
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"content": "\u003cp>Sometimes, when an artist is past the best work of their career, an air of financial desperation can start wafting from their general direction. If they’re smart and hanging onto sufficient star power, they can just move to Vegas for a residency and keep the cash rolling in. (Well done, Britney!) If they were ever part of a well-respected band, they can get back together for a reunion tour and the world will applaud them for it. (Thank you, Danzig, for the upcoming Misfits reunion you are bestowing on us!) But for those artists in the middle who never quit, never came from a group and were never family-friendly enough to sell out to a casino, thinking about the future can be an awkward predicament.\u003c/p>\n\u003cp>Sometimes, panic just sets in one day - even in the midst of a still-solid career - and what follows is the kind of desperate cashing in that Eminem indulged in this week.\u003c/p>\n\u003cp>That's right! On Monday, Slim Shady (he’s the real Shady, all you other Slim Shadies are just imitating) put 700 bricks in his \u003ca href=\"http://shop.eminem.com/products/authentic-brick-x-mmlp-cassette\">web store\u003c/a>, for $313 a piece. The bricks are purportedly from the rapper’s now-demolished childhood home, as featured on the cover of 2000’s \u003cem>The Marshall Mathers LP\u003c/em>. Each individual piece of ridiculous rubble comes with its own \u003cdel>cheap\u003c/del> plexiglass case (“Customers will assemble the bricks into the plexiglass display case upon arrival”), along with a \u003cdel>piece of paper\u003c/del> Certificate of Authenticity, and a cassette copy of \u003cem>The Marshall Mathers LP\u003c/em>. (Side note: Cassettes are only cool right now because everyone’s forgotten how quickly they get worn out and how long it takes to wind one back into place using only a pencil and sheer power of will.) Oh, and if throwing $313 at discarded pieces of clay “in varying conditions” isn’t quite enough, you can also throw an extra $37 into the pot and get a T-shirt too!\u003c/p>\n\u003cp>Or, at least, you could. All 700 bricks have now sold out.\u003c/p>\n\u003cp>We’ll repeat that: Eminem just sold individual bricks for a grand total of $219,100. Which is considerably more than the intact home on Dresden Street was worth before it burned down three years ago. \u003ca href=\"http://www.trulia.com/homes/Michigan/Detroit/sold/162440-19946-Dresden-St-Detroit-MI-48205\">Zillow reports\u003c/a> that similar homes in the area sell for between $30,000 and $40,000. What’s more, \u003ca href=\"http://www.mlive.com/entertainment/detroit/index.ssf/2013/11/eminems_childhood_home_in_detr.html\">reports suggest\u003c/a> that state officials attempted to contact Eminem to sell him the property before it was demolished, but received no response from the rapper. (Which also makes me wonder how he got his hands on what was left of the property in the first place.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At this juncture, I'm sure that some fervent Marshall Mathers enthusiasts are getting mad that this article hasn’t yet mentioned the one element of the brick sale that makes it look slightly less like an insane rip-off. So, okay, here it comes. According to Eminem’s website: \"In our continued mission to rebuild the city of Detroit, a portion of proceeds from this sale will be donated to The Marshall Mathers Foundation.” The key word in this sentence that you’re supposed to pay attention to is \"donated,\" but arguably, the most important one is “portion.”\u003c/p>\n\u003cp>When it comes to vague terms that can be applied to monetary funds, “portion” is about as opaque as it gets. And when it’s applied to a charitable donation, it usually means the portion in question is miniscule. When stars are raising considerable amounts of cash for charity, they (or at least their publicists) usually want us to know the depths of their generosity. If the revealed amount is merely the word \"portion,\" you can almost guarantee it ain't going to be much.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7QNT01AadYg\u003c/p>\n\u003cp>Now if ALL of the proceeds from the brick sale went to The Marshall Mathers Foundation – which apparently “\u003ca href=\"https://www.looktothestars.org/charity/marshall-mathers-foundation\">helps disadvantaged youth\u003c/a> in...Michigan” by making “donations to food banks and youth groups and participat[ing] in fundraisers” – I’d symbolically pat Mr. Mathers on the back for giving so much to the community he has so consistently aligned himself with throughout his career. Hell, I’d still cheer him on if it was a 25% donation. Maybe even a 15% donation. Under the circumstances though, it's difficult to see this as anything other than a means to make a crass moneymaking scheme into something that looks vaguely well-meaning.\u003c/p>\n\u003cp>It certainly doesn't help matters that this undisclosed amount is going straight to Eminem’s own charity, rather than directly to an outside one. It’s difficult not to be at least a little cynical about musicians' charitable organizations after watching the \u003ca href=\"http://www.nytimes.com/2011/04/20/business/20charity.html?_r=1\">Kanye West Foundation mysteriously close\u003c/a>, amidst a plethora of questions about how $570,000 was spent on “\u003ca href=\"http://www.foxnews.com/entertainment/2012/06/12/which-celebrity-charities-can-trust-with-your-donations.html\">administrative fees\u003c/a>” in 2010. Just last month, a \u003ca href=\"http://www.bloomberg.com/news/articles/2016-04-29/aid-group-backed-by-bill-gates-and-bono-draws-senate-scrutiny\">Senate panel formed\u003c/a> to investigate allegations of corruption at Bono’s \u003ca href=\"http://www.theglobalfund.org/en/\">Global Fund to Fight AIDS, Tuberculosis and Malaria\u003c/a> - and it's by no means the first time that Bono's charitable work has come under scrutiny.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It's true that music memorabilia is a booming industry. And it's possible that the people who just purchased these bricks might make some money on them some day. Maybe Eminem's charitable portion might not end up being as tiny as I suspect. But, for now, let's see this for what it probably is: the attempt by a star at the back end of his career to cash in on something he had no interest in keeping in the first place. Dressing up the purchase of half-destroyed bricks as if it's a fantastic opportunity has more than a whiff of The Emperor's New Clothes about it. Calling it charity just adds insult to injury.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sometimes, when an artist is past the best work of their career, an air of financial desperation can start wafting from their general direction. If they’re smart and hanging onto sufficient star power, they can just move to Vegas for a residency and keep the cash rolling in. (Well done, Britney!) If they were ever part of a well-respected band, they can get back together for a reunion tour and the world will applaud them for it. (Thank you, Danzig, for the upcoming Misfits reunion you are bestowing on us!) But for those artists in the middle who never quit, never came from a group and were never family-friendly enough to sell out to a casino, thinking about the future can be an awkward predicament.\u003c/p>\n\u003cp>Sometimes, panic just sets in one day - even in the midst of a still-solid career - and what follows is the kind of desperate cashing in that Eminem indulged in this week.\u003c/p>\n\u003cp>That's right! On Monday, Slim Shady (he’s the real Shady, all you other Slim Shadies are just imitating) put 700 bricks in his \u003ca href=\"http://shop.eminem.com/products/authentic-brick-x-mmlp-cassette\">web store\u003c/a>, for $313 a piece. The bricks are purportedly from the rapper’s now-demolished childhood home, as featured on the cover of 2000’s \u003cem>The Marshall Mathers LP\u003c/em>. Each individual piece of ridiculous rubble comes with its own \u003cdel>cheap\u003c/del> plexiglass case (“Customers will assemble the bricks into the plexiglass display case upon arrival”), along with a \u003cdel>piece of paper\u003c/del> Certificate of Authenticity, and a cassette copy of \u003cem>The Marshall Mathers LP\u003c/em>. (Side note: Cassettes are only cool right now because everyone’s forgotten how quickly they get worn out and how long it takes to wind one back into place using only a pencil and sheer power of will.) Oh, and if throwing $313 at discarded pieces of clay “in varying conditions” isn’t quite enough, you can also throw an extra $37 into the pot and get a T-shirt too!\u003c/p>\n\u003cp>Or, at least, you could. All 700 bricks have now sold out.\u003c/p>\n\u003cp>We’ll repeat that: Eminem just sold individual bricks for a grand total of $219,100. Which is considerably more than the intact home on Dresden Street was worth before it burned down three years ago. \u003ca href=\"http://www.trulia.com/homes/Michigan/Detroit/sold/162440-19946-Dresden-St-Detroit-MI-48205\">Zillow reports\u003c/a> that similar homes in the area sell for between $30,000 and $40,000. What’s more, \u003ca href=\"http://www.mlive.com/entertainment/detroit/index.ssf/2013/11/eminems_childhood_home_in_detr.html\">reports suggest\u003c/a> that state officials attempted to contact Eminem to sell him the property before it was demolished, but received no response from the rapper. (Which also makes me wonder how he got his hands on what was left of the property in the first place.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At this juncture, I'm sure that some fervent Marshall Mathers enthusiasts are getting mad that this article hasn’t yet mentioned the one element of the brick sale that makes it look slightly less like an insane rip-off. So, okay, here it comes. According to Eminem’s website: \"In our continued mission to rebuild the city of Detroit, a portion of proceeds from this sale will be donated to The Marshall Mathers Foundation.” The key word in this sentence that you’re supposed to pay attention to is \"donated,\" but arguably, the most important one is “portion.”\u003c/p>\n\u003cp>When it comes to vague terms that can be applied to monetary funds, “portion” is about as opaque as it gets. And when it’s applied to a charitable donation, it usually means the portion in question is miniscule. When stars are raising considerable amounts of cash for charity, they (or at least their publicists) usually want us to know the depths of their generosity. If the revealed amount is merely the word \"portion,\" you can almost guarantee it ain't going to be much.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7QNT01AadYg'\n title='//www.youtube.com/embed/7QNT01AadYg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Now if ALL of the proceeds from the brick sale went to The Marshall Mathers Foundation – which apparently “\u003ca href=\"https://www.looktothestars.org/charity/marshall-mathers-foundation\">helps disadvantaged youth\u003c/a> in...Michigan” by making “donations to food banks and youth groups and participat[ing] in fundraisers” – I’d symbolically pat Mr. Mathers on the back for giving so much to the community he has so consistently aligned himself with throughout his career. Hell, I’d still cheer him on if it was a 25% donation. Maybe even a 15% donation. Under the circumstances though, it's difficult to see this as anything other than a means to make a crass moneymaking scheme into something that looks vaguely well-meaning.\u003c/p>\n\u003cp>It certainly doesn't help matters that this undisclosed amount is going straight to Eminem’s own charity, rather than directly to an outside one. It’s difficult not to be at least a little cynical about musicians' charitable organizations after watching the \u003ca href=\"http://www.nytimes.com/2011/04/20/business/20charity.html?_r=1\">Kanye West Foundation mysteriously close\u003c/a>, amidst a plethora of questions about how $570,000 was spent on “\u003ca href=\"http://www.foxnews.com/entertainment/2012/06/12/which-celebrity-charities-can-trust-with-your-donations.html\">administrative fees\u003c/a>” in 2010. Just last month, a \u003ca href=\"http://www.bloomberg.com/news/articles/2016-04-29/aid-group-backed-by-bill-gates-and-bono-draws-senate-scrutiny\">Senate panel formed\u003c/a> to investigate allegations of corruption at Bono’s \u003ca href=\"http://www.theglobalfund.org/en/\">Global Fund to Fight AIDS, Tuberculosis and Malaria\u003c/a> - and it's by no means the first time that Bono's charitable work has come under scrutiny.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It's true that music memorabilia is a booming industry. And it's possible that the people who just purchased these bricks might make some money on them some day. Maybe Eminem's charitable portion might not end up being as tiny as I suspect. But, for now, let's see this for what it probably is: the attempt by a star at the back end of his career to cash in on something he had no interest in keeping in the first place. Dressing up the purchase of half-destroyed bricks as if it's a fantastic opportunity has more than a whiff of The Emperor's New Clothes about it. Calling it charity just adds insult to injury.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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