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"content": "\u003cp>We’re looking ahead this week on The Do List to a few exhibitions we’re excited about in 2018, among them \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em>, opening in March at the Oakland Museum of California (OMCA). \u003cem>Respect\u003c/em> is part of a trend at the Oakland Museum and other institutions to take serious looks at pop culture. (OMCA presented a show about sneakers recently.)\u003c/p>\n\u003cp>“Hip-hop is misunderstood,” OMCA Senior Curator René de Guzman says, “that it’s all about gangsterism and misogyny. There are elements of that, just as there are negative elements in any cultural form or social group. The other misunderstanding is that hip-hop is simply a music genre, but it extends beyond that to include not only other art forms but principles, values and communities.”\u003c/p>\n\u003cfigure id=\"attachment_13817929\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13817929\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-800x692.jpg\" alt=\"Young Boys. 1981. East Flatbush an image from OMCA's upcoming show about hip hop\" width=\"800\" height=\"692\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-800x692.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-160x138.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-768x665.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1020x883.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1920x1661.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1180x1021.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-960x831.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-240x208.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-375x324.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-520x450.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Boys. 1981, East Flatbush. Image from OMCA’s upcoming show about hip-hop. \u003ccite>(Photo: Jamel Shabazz/OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So the exhibit, de Guzman says, will dig deep into hip-hop’s message of authenticity and political activism, with input from Bay Area icons like Oakland rapper and scholar Mystic and the Hip-Hop Chess Federation’s Adisa Banjoko.\u003c/p>\n\u003cp>My colleague Gabe Meline notes that the show promises to cover the music “beyond big business.” So he’s keen to see how the exhibition covers hustling pioneers like Heiroglyphics and Too Short, who sold tapes out of their trunks in Oakland to build their empires. \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CkrdiABTcaI\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Arts administrator and SF State Lecturer Tomás Riley returns as co-host on a show featuring fairy tale miracles, a bluegrass band, and the Mexican American Elvis doing a Christmas show. Miracles happen here. Click through the links below for details.\u003c/p>\n\u003cp>\u003cstrong>Dec 16-23 :\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/this-cinderella-misplaces-a-melody-not-a-glass-slipper/\" rel=\"noopener\" target=\"_blank\">The miracle of San Jose Opera’s new \u003cem>Cinderella\u003c/em>? The composer is just 12 years old\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 22-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/a-black-girl-positive-cinderella/\" rel=\"noopener\" target=\"_blank\">The African American Shakespeare Company puts on a black-girl-positive version of \u003cem>Cinderella\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec 28-31:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/aint-nothin-but-a-good-time/\" rel=\"noopener\" target=\"_blank\">The band the Brothers Comatose makes rowdy California bluegrass fun\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 16 and Jan. 20:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/an-american-procession-marching-toward-confrontation/\" rel=\"noopener\" target=\"_blank\">Artists Sandow Birk and Elyse Pignolet’s giant woodblock print is a procession of American heroes from the political right and left\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Dec 20 and 21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/feliz-navidad-from-the-mexican-elvis/\" rel=\"noopener\" target=\"_blank\">El Vez’s Elvis impersonation goes beyond camp to explore the Mexican-American roots of rock ‘n’ roll\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 20, 30 and Jan 10: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/14/san-francisco-punk-history-on-film/\" rel=\"noopener\" target=\"_blank\">Revisiting the early days of punk in films from the San Francisco Public Library\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 30:\u003c/strong> \u003ca href=\"http://www.teatrovision.org/departera\" target=\"_blank\" rel=\"noopener\">Teatro Visión stages a reading of a new play by poet and actor Evelina Fernández\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-17: \u003c/strong>\u003ca href=\"https://philharmonia.org/2017-2018-season/joseph-and-his-brethren/\" target=\"_blank\" rel=\"noopener\">The Philharmonia Baroque Orchestra presents an alternative to the \u003cem>Messiah\u003c/em> for the holidays: Handel’s \u003cem>Joseph and His Brethren\u003c/em>\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Arts administrator and SF State Lecturer Tomás Riley returns as co-host on a show featuring fairy tale miracles, a bluegrass band, and the Mexican American Elvis doing a Christmas show. Miracles happen here. Click through the links below for details.\u003c/p>\n\u003cp>\u003cstrong>Dec 16-23 :\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/this-cinderella-misplaces-a-melody-not-a-glass-slipper/\" rel=\"noopener\" target=\"_blank\">The miracle of San Jose Opera’s new \u003cem>Cinderella\u003c/em>? The composer is just 12 years old\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 22-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/a-black-girl-positive-cinderella/\" rel=\"noopener\" target=\"_blank\">The African American Shakespeare Company puts on a black-girl-positive version of \u003cem>Cinderella\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec 28-31:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/aint-nothin-but-a-good-time/\" rel=\"noopener\" target=\"_blank\">The band the Brothers Comatose makes rowdy California bluegrass fun\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 16 and Jan. 20:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/an-american-procession-marching-toward-confrontation/\" rel=\"noopener\" target=\"_blank\">Artists Sandow Birk and Elyse Pignolet’s giant woodblock print is a procession of American heroes from the political right and left\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec 20 and 21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/13/feliz-navidad-from-the-mexican-elvis/\" rel=\"noopener\" target=\"_blank\">El Vez’s Elvis impersonation goes beyond camp to explore the Mexican-American roots of rock ‘n’ roll\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 20, 30 and Jan 10: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/14/san-francisco-punk-history-on-film/\" rel=\"noopener\" target=\"_blank\">Revisiting the early days of punk in films from the San Francisco Public Library\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 30:\u003c/strong> \u003ca href=\"http://www.teatrovision.org/departera\" target=\"_blank\" rel=\"noopener\">Teatro Visión stages a reading of a new play by poet and actor Evelina Fernández\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-17: \u003c/strong>\u003ca href=\"https://philharmonia.org/2017-2018-season/joseph-and-his-brethren/\" target=\"_blank\" rel=\"noopener\">The Philharmonia Baroque Orchestra presents an alternative to the \u003cem>Messiah\u003c/em> for the holidays: Handel’s \u003cem>Joseph and His Brethren\u003c/em>\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The San Francisco-based organization that runs Burning Man \u003ca href=\"https://journal.burningman.org/2017/11/black-rock-city/leaving-no-trace/burning-man-and-blm-begin-10-year-environmental-impact-statement-public-meetings-start-in-december/\" target=\"_blank\" rel=\"noopener\">has asked Nevada officials\u003c/a> to let the annual arts festival grow to 100,000 people. That’s up from the more than 79,000 people at the event last year.\u003c/p>\n\u003cp>“The playa is our home, and we want to ensure our ability to continue gathering there together each year,” the company stated in a post on its website.\u003c/p>\n\u003cp>Among other things, Burning Man says it’s lobbying for a change in the way visitors are reported. “In the past, BLM and Burning Man have counted staff, volunteers, and public health and safety personnel separately from the rest of the population. For example, in 2017 our allowable cap for participants was 70,000. The actual peak was 69,493. But the total number of people on site including staff, volunteers and public health and safety personnel was 79,379. In future years, the population cap will combine everyone except government personnel and Black Rock City infrastructure providers (think Porta Potties and water trucks).”\u003c/p>\n\u003cp>Burning Man began in 1986 in the San Francisco Bay Area with a few dozen attendees, growing year over year before \u003ca href=\"https://burningman.org/timeline/#!/1990\" target=\"_blank\" rel=\"noopener\">moving to the Black Rock Desert\u003c/a> in 1990. The event has since grown exponentially as it became popular with coastal Californians, including celebrities from Silicon Valley and Hollywood.\u003c/p>\n\u003cp>Now Nevada Bureau of Land Management officials are drafting new permit conditions to govern the event for the next decade, starting in 2019. Details of the current proposal before BLM can be viewed \u003ca href=\"https://eplanning.blm.gov/epl-front-office/projects/nepa/93518/125234/152681/Proposed_Action_Executive_Summary.pdf\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The BLM expects to issue a rough draft of new conditions for Burning Man in December 2018, after which it will take public comment. The agency plans to consider a final draft in February 2019.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/RDnews/2017/12/MyrowBurningMan.mp3\" Image=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/sunflowers1000-800x535.jpg\" Title=\"Burning Man Could Expand to 100,000\" program=\"KQED News\"]\u003c/p>\n\u003cp>\u003cstrong>Reactions to the proposal\u003c/strong>\u003c/p>\n\u003cp>According to the \u003ca href=\"http://www.rgj.com/story/life/arts/burning-man/2017/12/07/burning-man-wants-permission-grow-100-000-people-2019/929053001/\" target=\"_blank\" rel=\"noopener\">Reno Gazette Journal\u003c/a>, locals who testified at recent public comment meetings worried about even more traffic and trash, as well as the need to provide more law enforcement personnel.\u003c/p>\n\u003cp>As for the partygoers, many of whom come from California, reactions are mixed. On Facebook, where the\u003ca href=\"https://www.facebook.com/groups/burntheman/\" target=\"_blank\" rel=\"noopener\"> Burning Man\u003c/a> group has more than 93,000 members, some complain tickets are already too hard to get. Others say the more, the merrier.\u003c/p>\n\u003cp>\u003cb>\u003c/b>\u003cspan class=\"\">Annette Monteleone,\u003c/span> an interior designer from Southern California, commented, “\u003cspan class=\"UFICommentBody\">Porta Potties already outnumber art installations.\u003cspan class=\"_47e3 _5mfr\" title=\"frown emoticon\">\u003cspan class=\"_7oe\">“\u003c/span>\u003c/span>\u003c/span>\u003c/p>\n\u003cp>\u003cspan class=\"\">Victoria Rose Evanoff, a landscape designer in the East Bay, replied to that, “\u003c/span>\u003cspan class=\"UFICommentBody\">There is always more art than you can see in a week anyway.”\u003c/span>\u003c/p>\n\u003cp>Salman Hasan, an environmental specialist in London, commented, “If we can figure out traffic issues then sure, why not? Whether there are 50k, 70k or 100k people shouldn’t make a difference to each individual’s experience. You will still only meet a very small number of those people.”\u003c/p>\n\u003cp>That said, Hasan added, “At least half the extra tickets should be allocated through DGS though to ensure the contributor to tourist ratio doesn’t get more skewed.” DGS is short for “Directed Group Sale,” intended to help established collaborative groups like theme camps get access to tickets for their team members.\u003c/p>\n\u003cp>Tickets to Burning Man sell for up to $1,200 these days, and the event has sold out every year since 2011.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "With the possibility of 21,000 extra attendees on the playa, officials and neighbors weigh their options.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco-based organization that runs Burning Man \u003ca href=\"https://journal.burningman.org/2017/11/black-rock-city/leaving-no-trace/burning-man-and-blm-begin-10-year-environmental-impact-statement-public-meetings-start-in-december/\" target=\"_blank\" rel=\"noopener\">has asked Nevada officials\u003c/a> to let the annual arts festival grow to 100,000 people. That’s up from the more than 79,000 people at the event last year.\u003c/p>\n\u003cp>“The playa is our home, and we want to ensure our ability to continue gathering there together each year,” the company stated in a post on its website.\u003c/p>\n\u003cp>Among other things, Burning Man says it’s lobbying for a change in the way visitors are reported. “In the past, BLM and Burning Man have counted staff, volunteers, and public health and safety personnel separately from the rest of the population. For example, in 2017 our allowable cap for participants was 70,000. The actual peak was 69,493. But the total number of people on site including staff, volunteers and public health and safety personnel was 79,379. In future years, the population cap will combine everyone except government personnel and Black Rock City infrastructure providers (think Porta Potties and water trucks).”\u003c/p>\n\u003cp>Burning Man began in 1986 in the San Francisco Bay Area with a few dozen attendees, growing year over year before \u003ca href=\"https://burningman.org/timeline/#!/1990\" target=\"_blank\" rel=\"noopener\">moving to the Black Rock Desert\u003c/a> in 1990. The event has since grown exponentially as it became popular with coastal Californians, including celebrities from Silicon Valley and Hollywood.\u003c/p>\n\u003cp>Now Nevada Bureau of Land Management officials are drafting new permit conditions to govern the event for the next decade, starting in 2019. Details of the current proposal before BLM can be viewed \u003ca href=\"https://eplanning.blm.gov/epl-front-office/projects/nepa/93518/125234/152681/Proposed_Action_Executive_Summary.pdf\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The BLM expects to issue a rough draft of new conditions for Burning Man in December 2018, after which it will take public comment. The agency plans to consider a final draft in February 2019.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Reactions to the proposal\u003c/strong>\u003c/p>\n\u003cp>According to the \u003ca href=\"http://www.rgj.com/story/life/arts/burning-man/2017/12/07/burning-man-wants-permission-grow-100-000-people-2019/929053001/\" target=\"_blank\" rel=\"noopener\">Reno Gazette Journal\u003c/a>, locals who testified at recent public comment meetings worried about even more traffic and trash, as well as the need to provide more law enforcement personnel.\u003c/p>\n\u003cp>As for the partygoers, many of whom come from California, reactions are mixed. On Facebook, where the\u003ca href=\"https://www.facebook.com/groups/burntheman/\" target=\"_blank\" rel=\"noopener\"> Burning Man\u003c/a> group has more than 93,000 members, some complain tickets are already too hard to get. Others say the more, the merrier.\u003c/p>\n\u003cp>\u003cb>\u003c/b>\u003cspan class=\"\">Annette Monteleone,\u003c/span> an interior designer from Southern California, commented, “\u003cspan class=\"UFICommentBody\">Porta Potties already outnumber art installations.\u003cspan class=\"_47e3 _5mfr\" title=\"frown emoticon\">\u003cspan class=\"_7oe\">“\u003c/span>\u003c/span>\u003c/span>\u003c/p>\n\u003cp>\u003cspan class=\"\">Victoria Rose Evanoff, a landscape designer in the East Bay, replied to that, “\u003c/span>\u003cspan class=\"UFICommentBody\">There is always more art than you can see in a week anyway.”\u003c/span>\u003c/p>\n\u003cp>Salman Hasan, an environmental specialist in London, commented, “If we can figure out traffic issues then sure, why not? Whether there are 50k, 70k or 100k people shouldn’t make a difference to each individual’s experience. You will still only meet a very small number of those people.”\u003c/p>\n\u003cp>That said, Hasan added, “At least half the extra tickets should be allocated through DGS though to ensure the contributor to tourist ratio doesn’t get more skewed.” DGS is short for “Directed Group Sale,” intended to help established collaborative groups like theme camps get access to tickets for their team members.\u003c/p>\n\u003cp>Tickets to Burning Man sell for up to $1,200 these days, and the event has sold out every year since 2011.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>SF Weekly theater critic \u003ca href=\"https://ww2.kqed.org/arts/author/jedalatpour/\" target=\"_blank\" rel=\"noopener\">Jeffrey Edalatpour\u003c/a> is back on the show this week to talk about holiday and counter-holiday plays around the Bay Area. Plus three world premieres from the choreographers Garrett and Moulton, a fire fundraiser at the Schulz Museum, and great indie folk-rock from the Barr Brothers.\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/bright-star-is-a-holiday-play-full-of-bluegrass-cheer/\" target=\"_blank\" rel=\"noopener\">\u003cem>Bright Star\u003c/em> is a post-war fairy tale set in the South, with a lovely score and a breakout performance by Carmen Cusack\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/celebrating-female-joy-in-a-play-from-lauren-gunderson/\" target=\"_blank\" rel=\"noopener\">Playwright Lauren Gunderson spins a tale of romance for the brainy in \u003cem>Miss Bennett: Christmas at Pemberley.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan 14: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-deal-with-the-devil-in-black-rider-what-could-possibly-go-wrong/\" target=\"_blank\" rel=\"noopener\">Making a deal with the devil in \u003cem>The Black Rider\u003c/em>; what could possibly go wrong?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-timeless-watch-against-fascism/\" target=\"_blank\" rel=\"noopener\">\u003cem>Watch on the Rhine\u003c/em> is a timely play about the dangers of not intervening in the fight against fascism.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-16:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/clockwork-dances-revealing-our-human-flaws/\" target=\"_blank\" rel=\"noopener\">Garrett + Moulton make dances that are like Rubik’s Cubes, colorful movement puzzles that snap into perfection.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 8-10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-jazz-singer-for-all-times/\" target=\"_blank\" rel=\"noopener\">Gregory Porter may look goofy, but his singing is serious and sublime.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 9\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-fire-relief-fundraiser-in-comic-strips/\" target=\"_blank\" rel=\"noopener\">The Schulz Museum in Santa Rosa hosts a fundraiser for fire relief with some of the Bay Area’s top graphic artists.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/the-barr-brothers-are-the-pride-of-providence/\" target=\"_blank\" rel=\"noopener\">The Barr Brothers, the pride of Providence R.I, offer a fresh take on indie folk-rock\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13816822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816822\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg\" alt=\"KQED's Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017 \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>SF Weekly theater critic \u003ca href=\"https://ww2.kqed.org/arts/author/jedalatpour/\" target=\"_blank\" rel=\"noopener\">Jeffrey Edalatpour\u003c/a> is back on the show this week to talk about holiday and counter-holiday plays around the Bay Area. Plus three world premieres from the choreographers Garrett and Moulton, a fire fundraiser at the Schulz Museum, and great indie folk-rock from the Barr Brothers.\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/bright-star-is-a-holiday-play-full-of-bluegrass-cheer/\" target=\"_blank\" rel=\"noopener\">\u003cem>Bright Star\u003c/em> is a post-war fairy tale set in the South, with a lovely score and a breakout performance by Carmen Cusack\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Dec. 17\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/celebrating-female-joy-in-a-play-from-lauren-gunderson/\" target=\"_blank\" rel=\"noopener\">Playwright Lauren Gunderson spins a tale of romance for the brainy in \u003cem>Miss Bennett: Christmas at Pemberley.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan 14: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-deal-with-the-devil-in-black-rider-what-could-possibly-go-wrong/\" target=\"_blank\" rel=\"noopener\">Making a deal with the devil in \u003cem>The Black Rider\u003c/em>; what could possibly go wrong?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Cont. through Jan. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-timeless-watch-against-fascism/\" target=\"_blank\" rel=\"noopener\">\u003cem>Watch on the Rhine\u003c/em> is a timely play about the dangers of not intervening in the fight against fascism.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 14-16:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/clockwork-dances-revealing-our-human-flaws/\" target=\"_blank\" rel=\"noopener\">Garrett + Moulton make dances that are like Rubik’s Cubes, colorful movement puzzles that snap into perfection.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 8-10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-jazz-singer-for-all-times/\" target=\"_blank\" rel=\"noopener\">Gregory Porter may look goofy, but his singing is serious and sublime.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec. 9\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/a-fire-relief-fundraiser-in-comic-strips/\" target=\"_blank\" rel=\"noopener\">The Schulz Museum in Santa Rosa hosts a fundraiser for fire relief with some of the Bay Area’s top graphic artists.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Dec. 13:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/12/06/the-barr-brothers-are-the-pride-of-providence/\" target=\"_blank\" rel=\"noopener\">The Barr Brothers, the pride of Providence R.I, offer a fresh take on indie folk-rock\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13816822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816822\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg\" alt=\"KQED's Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1920x1082.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/KQEDs-Cy-Musiker-and-Jeffrey-Edalatpour-host-the-Do-List-for-Dec.-8-2017-e1512581953817-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">KQED’s Cy Musiker and Jeffrey Edalatpour host the Do List for Dec. 8, 2017 \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "What's $800 And Already Sold Out? This Lego Star Wars Ship",
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"content": "\u003cp>It made the \u003ca href=\"http://starwars.wikia.com/wiki/Kessel_Run/Legends\" target=\"_blank\" rel=\"noopener\">Kessel Run\u003c/a> in less than 12 parsecs. But a new buildable version of Han Solo’s famous Millennium Falcon is currently stalled.\u003c/p>\n\u003cp>Those hoping to snag one of Lego’s new \u003cem>Star Wars\u003c/em> sets for the 2017 holidays will likely be disappointed. It’s currently sold out online. After a September release only to its VIP list, the company promises it’s working as fast as it can to “make more sets available and keep our LEGO builders happy.” At a cool $799.99 and more than 7,500 pieces, it’s the expensive, easy-to-lose gift that keeps on giving.\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=1&v=hGoQ44SfV-c\u003c/p>\n\u003cp>The ship is big. Once constructed, it’s longer than the width of a grown man’s shoulders — at least the shoulders of Lego employee Hans, pictured in \u003ca href=\"https://www.youtube.com/watch?v=KHc5F9XiP1U\" target=\"_blank\" rel=\"noopener\">this video explanation\u003c/a>. Cashing in on the nostalgia surrounding not only the \u003cem>Star Wars\u003c/em> franchise, but also its own toy brand, this is the 10th anniversary edition of Lego’s first Falcon set, according to the video.\u003c/p>\n\u003cp>https://twitter.com/mrjalco/status/932608894563770369?ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fwww.npr.org%2Fsections%2Fthetwo-way%2F2017%2F11%2F24%2F566370961%2Fwhats-800-and-already-sold-out-this-lego-star-wars-ship\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lego Falcon owners have taken to fan blogs and Twitter to show off their constructions.\u003c/p>\n\u003cp>And, as is to be expected, the video offerings attached to #FalconBuild are numerous and sometimes painstaking productions. Options include multiple “un-boxing” ceremonies, a \u003ca href=\"https://www.youtube.com/watch?v=W4dZY3T8c2M&t=11s\" target=\"_blank\" rel=\"noopener\">seven-episode series\u003c/a> of real-time builds generally lasting about two hours, and high-quality time-lapse versions.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GeLbhxJxUHU\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The “lucky” ones who claimed one during the first sale leave this Two-Way blogger with one thought: You’re building that thing? \u003ca href=\"https://www.youtube.com/watch?v=lXrBZnOIw7Q\">You’re braver\u003c/a> than I thought. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What%27s+%24800+And+Already+Sold+Out%3F+This+Lego+Star+Wars+Ship&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It made the \u003ca href=\"http://starwars.wikia.com/wiki/Kessel_Run/Legends\" target=\"_blank\" rel=\"noopener\">Kessel Run\u003c/a> in less than 12 parsecs. But a new buildable version of Han Solo’s famous Millennium Falcon is currently stalled.\u003c/p>\n\u003cp>Those hoping to snag one of Lego’s new \u003cem>Star Wars\u003c/em> sets for the 2017 holidays will likely be disappointed. It’s currently sold out online. After a September release only to its VIP list, the company promises it’s working as fast as it can to “make more sets available and keep our LEGO builders happy.” At a cool $799.99 and more than 7,500 pieces, it’s the expensive, easy-to-lose gift that keeps on giving.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hGoQ44SfV-c'\n title='//www.youtube.com/embed/hGoQ44SfV-c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The ship is big. Once constructed, it’s longer than the width of a grown man’s shoulders — at least the shoulders of Lego employee Hans, pictured in \u003ca href=\"https://www.youtube.com/watch?v=KHc5F9XiP1U\" target=\"_blank\" rel=\"noopener\">this video explanation\u003c/a>. Cashing in on the nostalgia surrounding not only the \u003cem>Star Wars\u003c/em> franchise, but also its own toy brand, this is the 10th anniversary edition of Lego’s first Falcon set, according to the video.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lego Falcon owners have taken to fan blogs and Twitter to show off their constructions.\u003c/p>\n\u003cp>And, as is to be expected, the video offerings attached to #FalconBuild are numerous and sometimes painstaking productions. Options include multiple “un-boxing” ceremonies, a \u003ca href=\"https://www.youtube.com/watch?v=W4dZY3T8c2M&t=11s\" target=\"_blank\" rel=\"noopener\">seven-episode series\u003c/a> of real-time builds generally lasting about two hours, and high-quality time-lapse versions.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GeLbhxJxUHU'\n title='//www.youtube.com/embed/GeLbhxJxUHU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>The “lucky” ones who claimed one during the first sale leave this Two-Way blogger with one thought: You’re building that thing? \u003ca href=\"https://www.youtube.com/watch?v=lXrBZnOIw7Q\">You’re braver\u003c/a> than I thought. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What%27s+%24800+And+Already+Sold+Out%3F+This+Lego+Star+Wars+Ship&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Teens suffered the same traumas as their parents during the North Bay Fires. They too lost their homes, their possessions, the places they love the most, even if they hated life in a small town. Olivia O’Brien, the 17-year-old songstress, can relate. O’Brien lives in Los Angeles now, but she grew up in Napa, and she doesn’t have many fond memories of the city. She says she was bullied by other kids, but she was still heartbroken when she heard about the fire.\u003c/p>\n\u003cp>“The one thing I really loved was the scenery, the vineyards the hills,” she told me by phone after a recording session. “If I was feeling sad, I could just take a drive up into the hills, up on Partrick Road, and it would just always make me feel better. So when I heard about the fire, the most devastating thing for me was all that beautiful stuff had burned down.”\u003c/p>\n\u003cp>Gundlach Bundschu Winery President Jeff Bundschu has booked O’Brien for an all ages fire benefit concert at the winery’s Redwood Barn. The little 200-seat music hall should fill up fast.\u003ca href=\"http://www.gunbun.com/event/olivia-obrien-north-bay-fire-relief-benefit-concert/\" target=\"_blank\" rel=\"noopener\"> Details here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Th0btDcWHqQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Teens suffered the same traumas as their parents during the North Bay Fires. They too lost their homes, their possessions, the places they love the most, even if they hated life in a small town. Olivia O’Brien, the 17-year-old songstress, can relate. O’Brien lives in Los Angeles now, but she grew up in Napa, and she doesn’t have many fond memories of the city. She says she was bullied by other kids, but she was still heartbroken when she heard about the fire.\u003c/p>\n\u003cp>“The one thing I really loved was the scenery, the vineyards the hills,” she told me by phone after a recording session. “If I was feeling sad, I could just take a drive up into the hills, up on Partrick Road, and it would just always make me feel better. So when I heard about the fire, the most devastating thing for me was all that beautiful stuff had burned down.”\u003c/p>\n\u003cp>Gundlach Bundschu Winery President Jeff Bundschu has booked O’Brien for an all ages fire benefit concert at the winery’s Redwood Barn. The little 200-seat music hall should fill up fast.\u003ca href=\"http://www.gunbun.com/event/olivia-obrien-north-bay-fire-relief-benefit-concert/\" target=\"_blank\" rel=\"noopener\"> Details here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Th0btDcWHqQ'\n title='//www.youtube.com/embed/Th0btDcWHqQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"title": "David Cassidy, Singer and 1970s TV Heartthrob, Dies at 67",
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"content": "\u003cp>One of the biggest music and television stars of the 1970s has died: David Cassidy, who played the adolescent, aspiring musician on the TV show “The Patridge Family” and who became a teen-dream pop idol in his own right, was 67 years old.\u003c/p>\n\u003cp>Cassidy revealed to \u003ca href=\"http://people.com/celebrity/david-cassidy-dementia\" target=\"_blank\" rel=\"noopener\">\u003cem>People\u003c/em> Magazine\u003c/a> in February 2017 that he had been diagnosed with dementia and would stop performing. He also shared that both his grandfather and mother had suffered from dementia before him.\u003c/p>\n\u003cp>Cassidy was \u003ca href=\"http://www.cnn.com/2017/02/21/health/david-cassidy-dementia/index.html\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> to be in critical condition on Nov. 19 with organ failure, and was hospitalized in the Fort Lauderdale, Fla. area. He died Tuesday night of liver failure.\u003c/p>\n\u003cp>David Cassidy was born in 1950 in New York City to two performers, singer and actor Jack Cassidy and actress Evelyn Ward; his parents later divorced, and in 1956 his father wed another actress, Shirley Jones. Cassidy spent a large chunk of his childhood in suburban West Orange, N.J., being raised by his maternal grandparents, but eventually decided to follow in his parents’ professional footsteps.\u003c/p>\n\u003cp>Still a teenager, he ping-ponged between Los Angeles and New York before signing a contract with his father and Jones’ manager. He went to California for a screen test in 1969; the camera loved Cassidy’s glowing, preternaturally boyish good looks, and in short order he had booked episodes of several high-profile TV series, including \u003cem>Bonanza \u003c/em>and \u003cem>Marcus Welby, M.D.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Within a year of his screen test, he had been signed to his life-changing role as the oldest child in a family of five aspiring pop singers and their musically gifted mother — played by Shirley Jones, Cassidy’s real-life stepmother. By the time he was 20, Cassidy was one of the world’s most recognizable television and music stars, even though he had never sung publicly until he became Keith Partridge.\u003c/p>\n\u003cp>(The original idea was that all of the child actors would lip-sync the Partridge Family’s musical numbers; shortly after the show went into production, the dusky-voiced Cassidy convinced the show’s producers that he could hold his own vocally alongside Jones, who had already starred in film versions of musicals, including \u003cem>Oklahoma\u003c/em>, \u003cem>Carousel \u003c/em>and \u003cem>The Music Man\u003c/em>.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wJYSu2OVCGM\u003c/p>\n\u003cp>Within two months of the debut of \u003cem>The Partridge Family\u003c/em> on ABC in September 1970, Cassidy had a \u003ca href=\"http://www.billboard.com/music/the-partridge-family\" target=\"_blank\" rel=\"noopener\">No. 1\u003c/a> hit on the Billboard Hot 100 chart — “I Think I Love You” — billed as “The Partridge Family Starring Shirley Jones Featuring David Cassidy.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NvgzNEPhYQA\u003c/p>\n\u003cp>During an era when the Big Three broadcast networks still had a monolithic hold on pop culture, Cassidy’s picture was suddenly everywhere — not just on the fronts of magazines and record albums, but on lunch boxes, posters, cereal boxes and toys. He sold out concert venues across the globe, from New York’s Madison Square Garden to stadiums in London and Melbourne.\u003c/p>\n\u003cp>By 1972, Cassidy already was aching to shed his bubble-gum persona. Like legions of teenage stars before and after him, he played up his sex appeal to underscore his adulthood; in a \u003ca href=\"http://www.rollingstone.com/music/features/naked-lunch-box-19720511\" target=\"_blank\" rel=\"noopener\">cover story\u003c/a> for \u003cem>Rolling Stone — \u003c/em>with a portrait shot by Annie Leibowitz cropped \u003ca href=\"http://sunsetgun.tumblr.com/post/91670184665/david-cassidy-by-annie-leibovitz-i-think-this-is\" target=\"_blank\" rel=\"noopener\">just below\u003c/a> the top of his pubic hair — he talked about his drug use: “Not smack,” he explained, “but grass and speed and psychedelics.”\u003c/p>\n\u003cp>\u003cem>The Partridge Family\u003c/em> was cancelled in 1974; Cassidy had some success as a solo musical act after that, but he felt as if he couldn’t escape being Keith Partridge.\u003c/p>\n\u003cp>“They’re merchandising your name and your face and your likeness,” he told NPR in 1981. “And I felt kind of robbed of my identity.”\u003c/p>\n\u003cp>Cassidy left acting for about three years while he tried to figure out what to do next. By the 1980s, he had started to appear in musical theater, both on Broadway and in London’s West End.\u003c/p>\n\u003cp>But in his personal life, he eventually seemed to spin out entirely. In the 2010s, he had a string of arrests on drunk-driving charges in \u003ca href=\"https://www.cbsnews.com/news/david-cassidy-arrested-partridge-family-star-accused-of-drunk-driving-in-fla/\" target=\"_blank\" rel=\"noopener\">Florida\u003c/a>, \u003ca href=\"http://www.syracuse.com/entertainment/index.ssf/2015/05/david_cassidy_sentenced_upstate_new_york_dwi_case.html\" target=\"_blank\" rel=\"noopener\">New York\u003c/a> and \u003ca href=\"http://losangeles.cbslocal.com/2014/01/11/chp-david-cassidy-arrested-for-drunk-driving-near-lax/\" target=\"_blank\" rel=\"noopener\">California\u003c/a>. In 2014 he told CNN, “I am \u003ca href=\"http://www.cnn.com/2014/03/26/showbiz/celebrity-news-gossip/david-cassidy-piers-morgan-interview/index.html\" target=\"_blank\" rel=\"noopener\">most definitely\u003c/a> an alcoholic.” The following year, he declared bankruptcy and was charged with a \u003ca href=\"http://www.latimes.com/entertainment/gossip/la-et-mg-david-cassidy-charged-hit-and-run-foreclosure-auction-20151002-story.html\" target=\"_blank\" rel=\"noopener\">hit-and-run\u003c/a> in Fort Lauderdale.\u003c/p>\n\u003cp>David Cassidy is survived by two children, Beau and Katie Cassidy; his ex-wife, Sue Shifrin-Cassidy; his half-brothers Shaun, Patrick and Ryan Cassidy; his stepmother, Shirley Jones; and several nieces and nephews. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zIy1rOb8EYU\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=David+Cassidy%2C+Singer+And+1970s+TV+Heartthrob%2C+Dies+At+67&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the biggest music and television stars of the 1970s has died: David Cassidy, who played the adolescent, aspiring musician on the TV show “The Patridge Family” and who became a teen-dream pop idol in his own right, was 67 years old.\u003c/p>\n\u003cp>Cassidy revealed to \u003ca href=\"http://people.com/celebrity/david-cassidy-dementia\" target=\"_blank\" rel=\"noopener\">\u003cem>People\u003c/em> Magazine\u003c/a> in February 2017 that he had been diagnosed with dementia and would stop performing. He also shared that both his grandfather and mother had suffered from dementia before him.\u003c/p>\n\u003cp>Cassidy was \u003ca href=\"http://www.cnn.com/2017/02/21/health/david-cassidy-dementia/index.html\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> to be in critical condition on Nov. 19 with organ failure, and was hospitalized in the Fort Lauderdale, Fla. area. He died Tuesday night of liver failure.\u003c/p>\n\u003cp>David Cassidy was born in 1950 in New York City to two performers, singer and actor Jack Cassidy and actress Evelyn Ward; his parents later divorced, and in 1956 his father wed another actress, Shirley Jones. Cassidy spent a large chunk of his childhood in suburban West Orange, N.J., being raised by his maternal grandparents, but eventually decided to follow in his parents’ professional footsteps.\u003c/p>\n\u003cp>Still a teenager, he ping-ponged between Los Angeles and New York before signing a contract with his father and Jones’ manager. He went to California for a screen test in 1969; the camera loved Cassidy’s glowing, preternaturally boyish good looks, and in short order he had booked episodes of several high-profile TV series, including \u003cem>Bonanza \u003c/em>and \u003cem>Marcus Welby, M.D.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Within a year of his screen test, he had been signed to his life-changing role as the oldest child in a family of five aspiring pop singers and their musically gifted mother — played by Shirley Jones, Cassidy’s real-life stepmother. By the time he was 20, Cassidy was one of the world’s most recognizable television and music stars, even though he had never sung publicly until he became Keith Partridge.\u003c/p>\n\u003cp>(The original idea was that all of the child actors would lip-sync the Partridge Family’s musical numbers; shortly after the show went into production, the dusky-voiced Cassidy convinced the show’s producers that he could hold his own vocally alongside Jones, who had already starred in film versions of musicals, including \u003cem>Oklahoma\u003c/em>, \u003cem>Carousel \u003c/em>and \u003cem>The Music Man\u003c/em>.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wJYSu2OVCGM'\n title='//www.youtube.com/embed/wJYSu2OVCGM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Within two months of the debut of \u003cem>The Partridge Family\u003c/em> on ABC in September 1970, Cassidy had a \u003ca href=\"http://www.billboard.com/music/the-partridge-family\" target=\"_blank\" rel=\"noopener\">No. 1\u003c/a> hit on the Billboard Hot 100 chart — “I Think I Love You” — billed as “The Partridge Family Starring Shirley Jones Featuring David Cassidy.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NvgzNEPhYQA'\n title='//www.youtube.com/embed/NvgzNEPhYQA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>During an era when the Big Three broadcast networks still had a monolithic hold on pop culture, Cassidy’s picture was suddenly everywhere — not just on the fronts of magazines and record albums, but on lunch boxes, posters, cereal boxes and toys. He sold out concert venues across the globe, from New York’s Madison Square Garden to stadiums in London and Melbourne.\u003c/p>\n\u003cp>By 1972, Cassidy already was aching to shed his bubble-gum persona. Like legions of teenage stars before and after him, he played up his sex appeal to underscore his adulthood; in a \u003ca href=\"http://www.rollingstone.com/music/features/naked-lunch-box-19720511\" target=\"_blank\" rel=\"noopener\">cover story\u003c/a> for \u003cem>Rolling Stone — \u003c/em>with a portrait shot by Annie Leibowitz cropped \u003ca href=\"http://sunsetgun.tumblr.com/post/91670184665/david-cassidy-by-annie-leibovitz-i-think-this-is\" target=\"_blank\" rel=\"noopener\">just below\u003c/a> the top of his pubic hair — he talked about his drug use: “Not smack,” he explained, “but grass and speed and psychedelics.”\u003c/p>\n\u003cp>\u003cem>The Partridge Family\u003c/em> was cancelled in 1974; Cassidy had some success as a solo musical act after that, but he felt as if he couldn’t escape being Keith Partridge.\u003c/p>\n\u003cp>“They’re merchandising your name and your face and your likeness,” he told NPR in 1981. “And I felt kind of robbed of my identity.”\u003c/p>\n\u003cp>Cassidy left acting for about three years while he tried to figure out what to do next. By the 1980s, he had started to appear in musical theater, both on Broadway and in London’s West End.\u003c/p>\n\u003cp>But in his personal life, he eventually seemed to spin out entirely. In the 2010s, he had a string of arrests on drunk-driving charges in \u003ca href=\"https://www.cbsnews.com/news/david-cassidy-arrested-partridge-family-star-accused-of-drunk-driving-in-fla/\" target=\"_blank\" rel=\"noopener\">Florida\u003c/a>, \u003ca href=\"http://www.syracuse.com/entertainment/index.ssf/2015/05/david_cassidy_sentenced_upstate_new_york_dwi_case.html\" target=\"_blank\" rel=\"noopener\">New York\u003c/a> and \u003ca href=\"http://losangeles.cbslocal.com/2014/01/11/chp-david-cassidy-arrested-for-drunk-driving-near-lax/\" target=\"_blank\" rel=\"noopener\">California\u003c/a>. In 2014 he told CNN, “I am \u003ca href=\"http://www.cnn.com/2014/03/26/showbiz/celebrity-news-gossip/david-cassidy-piers-morgan-interview/index.html\" target=\"_blank\" rel=\"noopener\">most definitely\u003c/a> an alcoholic.” The following year, he declared bankruptcy and was charged with a \u003ca href=\"http://www.latimes.com/entertainment/gossip/la-et-mg-david-cassidy-charged-hit-and-run-foreclosure-auction-20151002-story.html\" target=\"_blank\" rel=\"noopener\">hit-and-run\u003c/a> in Fort Lauderdale.\u003c/p>\n\u003cp>David Cassidy is survived by two children, Beau and Katie Cassidy; his ex-wife, Sue Shifrin-Cassidy; his half-brothers Shaun, Patrick and Ryan Cassidy; his stepmother, Shirley Jones; and several nieces and nephews. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zIy1rOb8EYU'\n title='//www.youtube.com/embed/zIy1rOb8EYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=David+Cassidy%2C+Singer+And+1970s+TV+Heartthrob%2C+Dies+At+67&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Kinetic Arts is mounting its third holiday circus show. It’s a bit smaller and less ambitious than in years past, but just as thrilling and heartwarming. Artistic Director Jaron Hollander’s show this year is called \u003cem>Circus Veritas\u003c/em> (or circus of truth) and it’s a kind of a comment on current politics.\u003c/p>\n\u003cp>“The world is trying to convince you of truth that their version is correct,” Hollander told me one morning during rehearsals, “that that is fake, this is real. We’re just going to lie from moment one.”\u003c/p>\n\u003cp>Among the performers is Kinetic Arts regular Ellie Rossi, who is just 15 years old and is already a top rope artist in international competitions. \u003c/p>\n\u003cp>“I’ve always loved to climb on everything,” Rossisaid during the break. “But a lot of it is getting to express emotion and feeling through things other than your words, and through movement. And telling a story, and giving people an escape that’s just fun.”\u003c/p>\n\u003cp>One of the best routines is a knife throwing act with an audience member as blindfolded participant, where the lies are part of the fun for the rest of the audience. Of course, circus acts often defy what we assume to be the truth about gravity and the limits of human strength and agility. By the way, Jamedra’s kids — 4-year-old twins and a 6-year-old son — had a great time, so this is terrific family entertainment. It runs through Dec. 17 at Kinetic Arts; \u003ca href=\"http://www.kineticartsproductions.com/\" target=\"_blank\" rel=\"noopener\">details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13813899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813899\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg\" alt=\"Eka.Boo.Button performs a very long handstand in 'Circus Veritas' by Kinetic Arts production.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680.jpg 1631w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eka.Boo.Button performs a very long handstand in ‘Circus Veritas’ by Kinetic Arts production. \u003ccite>(Photo: Eric Gillet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Kinetic Arts is mounting its third holiday circus show. It’s a bit smaller and less ambitious than in years past, but just as thrilling and heartwarming. Artistic Director Jaron Hollander’s show this year is called \u003cem>Circus Veritas\u003c/em> (or circus of truth) and it’s a kind of a comment on current politics.\u003c/p>\n\u003cp>“The world is trying to convince you of truth that their version is correct,” Hollander told me one morning during rehearsals, “that that is fake, this is real. We’re just going to lie from moment one.”\u003c/p>\n\u003cp>Among the performers is Kinetic Arts regular Ellie Rossi, who is just 15 years old and is already a top rope artist in international competitions. \u003c/p>\n\u003cp>“I’ve always loved to climb on everything,” Rossisaid during the break. “But a lot of it is getting to express emotion and feeling through things other than your words, and through movement. And telling a story, and giving people an escape that’s just fun.”\u003c/p>\n\u003cp>One of the best routines is a knife throwing act with an audience member as blindfolded participant, where the lies are part of the fun for the rest of the audience. Of course, circus acts often defy what we assume to be the truth about gravity and the limits of human strength and agility. By the way, Jamedra’s kids — 4-year-old twins and a 6-year-old son — had a great time, so this is terrific family entertainment. It runs through Dec. 17 at Kinetic Arts; \u003ca href=\"http://www.kineticartsproductions.com/\" target=\"_blank\" rel=\"noopener\">details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13813899\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813899\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg\" alt=\"Eka.Boo.Button performs a very long handstand in 'Circus Veritas' by Kinetic Arts production.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/CV-handstand-e1510013954680.jpg 1631w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eka.Boo.Button performs a very long handstand in ‘Circus Veritas’ by Kinetic Arts production. \u003ccite>(Photo: Eric Gillet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Mattel unveiled its first hijab-wearing Barbie doll on Monday, modeled after fencer Ibtihaj Muhammad, who has broken ground herself as the first U.S. Olympic athlete to compete in the head scarf.\u003c/p>\n\u003cp>“Perfect hijab moment right here, this is amazing,” Muhammad said as she beheld the doll for the first time at the Glamour Women of the Year Summit, her likeness clad in a white fencing uniform and clutching a sword and helmet.\u003c/p>\n\u003cp>Muhammad said she played with Barbies until she was a teenager, but none of the dolls looked like her, so she resorted to sewing mini hijabs onto them. Now she is hoping the new doll inspires other girls “to embrace what makes them unique.”\u003c/p>\n\u003cp>In an interview with \u003ca href=\"http://www.espn.com/espnw/culture/article/21405704/ibtihaj-muhammad-getting-own-barbie-doll-power-inclusion\" target=\"_blank\" rel=\"noopener\">ESPNW\u003c/a>, Muhammad, 31, said, “I feel like I’ve always embraced being ‘different’ in respect to breaking boundaries, being an African-American Muslim woman in the sport of fencing.”\u003c/p>\n\u003cp>It was more than figurine’s hijab that mattered to Muhammad. “Growing up I was always told that my legs were big,” the New Jersey native told ESPN. “(I)t was important to me that my doll has an athletic build and toned legs, which I have. Those legs helped me win my medal at the Olympic Games.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Muhammad won bronze at the 2016 Games in Rio de Janeiro, which also gave her the distinction of becoming the first Muslim American woman to take home an Olympic title.\u003c/p>\n\u003cp>The doll, which won’t be available for purchase until 2018, is part of Mattel’s “\u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/sheroes\">Sheroes\u003c/a>” line, modeled after real-life women who are “breaking boundaries.” In May, Olympic gold medal-winning gymnast \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/buzz/gabby-douglas-barbie-doll-barbie-shero\" target=\"_blank\" rel=\"noopener\">Gabby Douglas was recognized\u003c/a> with her own “Shero” doll.\u003c/p>\n\u003cp>Mattel has been working to move Barbie’s image away from the blonde-haired, blue-eyed and \u003ca href=\"https://www.huffingtonpost.com/galia-slayen/the-scary-reality-of-a-re_b_845239.html\" target=\"_blank\" rel=\"noopener\">unattainably proportioned \u003c/a>clone. In 2016, it rolled out its \u003ca href=\"http://www.barbie.com/en-gb/promo/barbie-fashionistas\" target=\"_blank\" rel=\"noopener\">Barbie Fashionista’s line\u003c/a>, with dolls of four body types, seven skin tones and 24 hairstyles. The new dolls \u003ca href=\"https://news.mattel.com/news/mattel-reports-second-quarter-2017-financial-results\" target=\"_blank\" rel=\"noopener\">have been credited\u003c/a> with helping revive sales.\u003c/p>\n\u003cp>Even Barbie’s \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/ken-fashionistas#facet:&productBeginIndex:0&orderBy:&pageView:grid&minPrice:&maxPrice:&pageSize:&contentPageSize:&\">boyfriend Ken\u003c/a> got a makeover earlier this year, with more than a dozen new dolls of varying shapes, shades and hairdos — man-bun included.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than just toys, Muhammad tells ESPN the dolls can be tools to “show children how to embrace what makes them different and to remind them that they’re beautiful and they can be whatever they want. We can help push that narrative through role play, through dolls and through using your imagination.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Barbie+Heads+Into+New+Ground+With+Hijab-Sporting+Doll&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The doll is modeled after fencer Ibtihaj Muhammad, the first U.S. Olympic athlete to compete in a hijab, who said she would sew head scarves onto her Barbies as a child.",
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"description": "The doll is modeled after fencer Ibtihaj Muhammad, the first U.S. Olympic athlete to compete in a hijab, who said she would sew head scarves onto her Barbies as a child.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mattel unveiled its first hijab-wearing Barbie doll on Monday, modeled after fencer Ibtihaj Muhammad, who has broken ground herself as the first U.S. Olympic athlete to compete in the head scarf.\u003c/p>\n\u003cp>“Perfect hijab moment right here, this is amazing,” Muhammad said as she beheld the doll for the first time at the Glamour Women of the Year Summit, her likeness clad in a white fencing uniform and clutching a sword and helmet.\u003c/p>\n\u003cp>Muhammad said she played with Barbies until she was a teenager, but none of the dolls looked like her, so she resorted to sewing mini hijabs onto them. Now she is hoping the new doll inspires other girls “to embrace what makes them unique.”\u003c/p>\n\u003cp>In an interview with \u003ca href=\"http://www.espn.com/espnw/culture/article/21405704/ibtihaj-muhammad-getting-own-barbie-doll-power-inclusion\" target=\"_blank\" rel=\"noopener\">ESPNW\u003c/a>, Muhammad, 31, said, “I feel like I’ve always embraced being ‘different’ in respect to breaking boundaries, being an African-American Muslim woman in the sport of fencing.”\u003c/p>\n\u003cp>It was more than figurine’s hijab that mattered to Muhammad. “Growing up I was always told that my legs were big,” the New Jersey native told ESPN. “(I)t was important to me that my doll has an athletic build and toned legs, which I have. Those legs helped me win my medal at the Olympic Games.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Muhammad won bronze at the 2016 Games in Rio de Janeiro, which also gave her the distinction of becoming the first Muslim American woman to take home an Olympic title.\u003c/p>\n\u003cp>The doll, which won’t be available for purchase until 2018, is part of Mattel’s “\u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/sheroes\">Sheroes\u003c/a>” line, modeled after real-life women who are “breaking boundaries.” In May, Olympic gold medal-winning gymnast \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/buzz/gabby-douglas-barbie-doll-barbie-shero\" target=\"_blank\" rel=\"noopener\">Gabby Douglas was recognized\u003c/a> with her own “Shero” doll.\u003c/p>\n\u003cp>Mattel has been working to move Barbie’s image away from the blonde-haired, blue-eyed and \u003ca href=\"https://www.huffingtonpost.com/galia-slayen/the-scary-reality-of-a-re_b_845239.html\" target=\"_blank\" rel=\"noopener\">unattainably proportioned \u003c/a>clone. In 2016, it rolled out its \u003ca href=\"http://www.barbie.com/en-gb/promo/barbie-fashionistas\" target=\"_blank\" rel=\"noopener\">Barbie Fashionista’s line\u003c/a>, with dolls of four body types, seven skin tones and 24 hairstyles. The new dolls \u003ca href=\"https://news.mattel.com/news/mattel-reports-second-quarter-2017-financial-results\" target=\"_blank\" rel=\"noopener\">have been credited\u003c/a> with helping revive sales.\u003c/p>\n\u003cp>Even Barbie’s \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/ken-fashionistas#facet:&productBeginIndex:0&orderBy:&pageView:grid&minPrice:&maxPrice:&pageSize:&contentPageSize:&\">boyfriend Ken\u003c/a> got a makeover earlier this year, with more than a dozen new dolls of varying shapes, shades and hairdos — man-bun included.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than just toys, Muhammad tells ESPN the dolls can be tools to “show children how to embrace what makes them different and to remind them that they’re beautiful and they can be whatever they want. We can help push that narrative through role play, through dolls and through using your imagination.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Barbie+Heads+Into+New+Ground+With+Hijab-Sporting+Doll&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "NorCal Blogger Tussles With Taylor Swift Over First Amendment",
"headTitle": "NorCal Blogger Tussles With Taylor Swift Over First Amendment | KQED",
"content": "\u003cp>In a post titled “\u003ca href=\"http://popfront.us/2017/09/swiftly-to-the-alt-right-taylor-subtly-get-the-lower-case-kkk-in-formation/\">Swiftly to the alt-right: Taylor subtly gets the lower case kkk in formation\u003c/a>” on her blog \u003ca href=\"http://popfront.us/2017/09/swiftly-to-the-alt-right-taylor-subtly-get-the-lower-case-kkk-in-formation/\">Po\u003cem>pFront\u003c/em>\u003c/a>, San Jose native Meghan Herning theorized to her 200-ish subscribers about parallels she saw between the \u003ca href=\"https://store.taylorswift.com/\">Taylor Swift\u003c/a> song “Look WhatYou Made Me Do” and a documentary she watched featuring Neo-Nazis marching through Charlottesville.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Taylor Swift - Look What You Made Me Do\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/3tmd-ClpJxA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>“I\u003cspan style=\"font-weight: 400\">n my personal opinion, I thought the tone of lyrics in Swift’s song, like, ‘I don’t like your kingdom keys / They once belonged to me’ were similar to you chants of ‘You will not replace us’ in Charlottesville,” Herning says. \u003c/span>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Charlottesville: Race and Terror – VICE News Tonight on HBO\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/RIrcB1sAN8I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>More prominent media outlets like \u003ca href=\"https://broadly.vice.com/en_us/article/ae5x8a/cant-shake-it-off-how-taylor-swift-became-a-nazi-idol\">\u003cem>Vice\u003c/em>\u003c/a> and \u003ca href=\"https://www.huffingtonpost.com/entry/alt-right-website-really-wants-you-to-believe-taylor-swift-voted-for-donald-trump_us_582dc80ce4b058ce7aa96a73\">\u003cem>The Huffington Post\u003c/em>\u003c/a> have speculated about the connection between the pop star and far right politics.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So when Herning received a letter via email a couple of weeks ago from Swift’s Los Angeles-based lawyer, William J. Briggs II, demanding that she take down her blog post or face legal action for defamation, the 30-year-old Sacramento resident was shocked.\u003c/p>\n\u003cfigure id=\"attachment_13814231\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814231\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-800x1031.png\" alt=\"Letter blogger Meghan Herning received from Taylor Swift's lawyer demanding that she take down her blog post or face charges. \" width=\"800\" height=\"1031\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-800x1031.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-160x206.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-768x990.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-240x309.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-375x483.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-520x670.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51.png 908w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Letter blogger Meghan Herning received from Taylor Swift’s lawyer demanding that she take down her blog post or face charges. \u003ccite>(Photo: Courtesy of ACLU)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“\u003cspan style=\"font-weight: 400\">I’m like, how on earth could she have found this?” Herning says. “I don’t think enough people even read it for a Google alert to be triggered.” \u003c/span>\u003c/p>\n\u003cp>Herning graduated from law school, though she works in the solar power industry these days. So after doing some research to authenticate the letter, she decided to contact the \u003ca href=\"https://www.aclunc.org/news/taylor-swift-attempts-silence-critic-aclu-fires-back\">American Civil Liberties Union\u003c/a> (ACLU) for help.\u003c/p>\n\u003cp>The ACLU took on her case. Earlier this week, the organization hit back with a \u003ca href=\"http://www.aclunc.org/docs/Swift_letter_final.pdf\">letter\u003c/a> to Briggs refuting Swift’s charges on freedom of speech grounds.\u003c/p>\n\u003cfigure id=\"attachment_13814225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814225\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-800x1027.png\" alt=\"The letter sent by the ACLU legal team representing Meghan Herning to Taylor Swift's lawyer, William J Briggs II.\" width=\"800\" height=\"1027\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-800x1027.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-160x205.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-768x986.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-240x308.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-375x481.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-520x667.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04.png 910w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The letter sent by the ACLU legal team representing Meghan Herning to Taylor Swift’s lawyer, William J Briggs II. \u003ccite>(Photo: Courtesy of ACLU)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The powerful shouldn’t be able to deploy these types of legal threats to silence opinions and press they don’t like,” says Christine Sun, one of three ACLU attorneys representing Herning.\u003c/p>\n\u003cp>The spat has since caused \u003ca href=\"http://perezhilton.com/2017-11-06-taylor-swift-kill-stories-journalism-bloggers-writers/?from=post\">dozens of other commentators\u003c/a> to share similar experiences with Swift on Twitter.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13814228\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-800x289.png\" alt=\"\" width=\"800\" height=\"289\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-800x289.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-160x58.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-768x278.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-960x347.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-240x87.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-375x136.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-520x188.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15.png 996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13814230\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-800x322.png\" alt=\"\" width=\"800\" height=\"322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-800x322.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-160x64.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-768x309.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-960x387.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-240x97.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-375x151.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-520x209.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54.png 998w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>But the pop star, whose estimated net worth stands at $280 million, is by no means the only powerful celebrity to sic their lawyers on writers. Just this week, \u003ca href=\"http://trackrecord.net/jay-z-reportedly-threatened-a-music-site-over-an-articl-1820215682\">the rapper Jay Z’s attorney attacked a \u003cem>Digital Music News\u003c/em> reporter\u003c/a> over an article the attorney considered “false.”\u003c/p>\n\u003cp>University of Southern California journalism professor \u003ca href=\"http://annenberg.usc.edu/faculty/journalism/joe-saltzman\">Joe Saltzman\u003c/a>, who specializes in perceptions of journalists in pop culture, says this type of threat happens all too frequently.\u003c/p>\n\u003cp>“They want to set an example,” Saltzman says. “They want to say, ‘Look, we don’t care if you have 200 subscribers or two million. You write something bad about my client, we’re going after you.'”\u003c/p>\n\u003cp>Saltzman says writers are fairly powerless to do anything about this. Indeed, many of those who shared their own stories of being threatened by Swift’s lawyers over the past couple of days admitted to buckling under the intimidation tactics.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13814229\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-800x324.png\" alt=\"\" width=\"800\" height=\"324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-800x324.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-160x65.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-768x312.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-960x389.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-240x97.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-375x152.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-520x211.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34.png 996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>KQED reached out to several of these commentators. The only one who responded said he couldn’t share any information about the cease and desist order for legal reasons and asked not to be identified.\u003c/p>\n\u003cp>But Herning thinks writers should learn to defend themselves.\u003cbr>\n“I hope that other journalists who have been threatened legally educate themselves on their legal rights,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13814238\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814238\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-800x635.jpg\" alt=\"ACLU attorney Christine Sun.\" width=\"800\" height=\"635\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-800x635.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-768x610.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-1020x810.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-1920x1524.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-1180x937.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-960x762.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-240x191.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-375x298.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-520x413.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ACLU attorney Christine Sun. \u003ccite>(Photo: Courtesy of ACLU)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sun says Swift’s attorney, who couldn’t be reached for comment, has until Monday, Nov. 13 to drop the charges against Herning. If that doesn’t happen, the ACLU might file a federal lawsuit, Sun says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, Swift’s new album, \u003ca href=\"https://store.taylorswift.com/reputation.html\">\u003cem>Reputation\u003c/em>\u003c/a>, comes out Friday. And so far, there’s been no comment from the pop star herself on the issues raised by Herning’s case.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a post titled “\u003ca href=\"http://popfront.us/2017/09/swiftly-to-the-alt-right-taylor-subtly-get-the-lower-case-kkk-in-formation/\">Swiftly to the alt-right: Taylor subtly gets the lower case kkk in formation\u003c/a>” on her blog \u003ca href=\"http://popfront.us/2017/09/swiftly-to-the-alt-right-taylor-subtly-get-the-lower-case-kkk-in-formation/\">Po\u003cem>pFront\u003c/em>\u003c/a>, San Jose native Meghan Herning theorized to her 200-ish subscribers about parallels she saw between the \u003ca href=\"https://store.taylorswift.com/\">Taylor Swift\u003c/a> song “Look WhatYou Made Me Do” and a documentary she watched featuring Neo-Nazis marching through Charlottesville.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Taylor Swift - Look What You Made Me Do\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/3tmd-ClpJxA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>“I\u003cspan style=\"font-weight: 400\">n my personal opinion, I thought the tone of lyrics in Swift’s song, like, ‘I don’t like your kingdom keys / They once belonged to me’ were similar to you chants of ‘You will not replace us’ in Charlottesville,” Herning says. \u003c/span>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Charlottesville: Race and Terror – VICE News Tonight on HBO\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/RIrcB1sAN8I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>More prominent media outlets like \u003ca href=\"https://broadly.vice.com/en_us/article/ae5x8a/cant-shake-it-off-how-taylor-swift-became-a-nazi-idol\">\u003cem>Vice\u003c/em>\u003c/a> and \u003ca href=\"https://www.huffingtonpost.com/entry/alt-right-website-really-wants-you-to-believe-taylor-swift-voted-for-donald-trump_us_582dc80ce4b058ce7aa96a73\">\u003cem>The Huffington Post\u003c/em>\u003c/a> have speculated about the connection between the pop star and far right politics.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So when Herning received a letter via email a couple of weeks ago from Swift’s Los Angeles-based lawyer, William J. Briggs II, demanding that she take down her blog post or face legal action for defamation, the 30-year-old Sacramento resident was shocked.\u003c/p>\n\u003cfigure id=\"attachment_13814231\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814231\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-800x1031.png\" alt=\"Letter blogger Meghan Herning received from Taylor Swift's lawyer demanding that she take down her blog post or face charges. \" width=\"800\" height=\"1031\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-800x1031.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-160x206.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-768x990.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-240x309.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-375x483.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51-520x670.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.55.51.png 908w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Letter blogger Meghan Herning received from Taylor Swift’s lawyer demanding that she take down her blog post or face charges. \u003ccite>(Photo: Courtesy of ACLU)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“\u003cspan style=\"font-weight: 400\">I’m like, how on earth could she have found this?” Herning says. “I don’t think enough people even read it for a Google alert to be triggered.” \u003c/span>\u003c/p>\n\u003cp>Herning graduated from law school, though she works in the solar power industry these days. So after doing some research to authenticate the letter, she decided to contact the \u003ca href=\"https://www.aclunc.org/news/taylor-swift-attempts-silence-critic-aclu-fires-back\">American Civil Liberties Union\u003c/a> (ACLU) for help.\u003c/p>\n\u003cp>The ACLU took on her case. Earlier this week, the organization hit back with a \u003ca href=\"http://www.aclunc.org/docs/Swift_letter_final.pdf\">letter\u003c/a> to Briggs refuting Swift’s charges on freedom of speech grounds.\u003c/p>\n\u003cfigure id=\"attachment_13814225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814225\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-800x1027.png\" alt=\"The letter sent by the ACLU legal team representing Meghan Herning to Taylor Swift's lawyer, William J Briggs II.\" width=\"800\" height=\"1027\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-800x1027.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-160x205.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-768x986.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-240x308.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-375x481.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04-520x667.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.35.04.png 910w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The letter sent by the ACLU legal team representing Meghan Herning to Taylor Swift’s lawyer, William J Briggs II. \u003ccite>(Photo: Courtesy of ACLU)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The powerful shouldn’t be able to deploy these types of legal threats to silence opinions and press they don’t like,” says Christine Sun, one of three ACLU attorneys representing Herning.\u003c/p>\n\u003cp>The spat has since caused \u003ca href=\"http://perezhilton.com/2017-11-06-taylor-swift-kill-stories-journalism-bloggers-writers/?from=post\">dozens of other commentators\u003c/a> to share similar experiences with Swift on Twitter.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13814228\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-800x289.png\" alt=\"\" width=\"800\" height=\"289\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-800x289.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-160x58.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-768x278.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-960x347.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-240x87.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-375x136.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15-520x188.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.44.15.png 996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13814230\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-800x322.png\" alt=\"\" width=\"800\" height=\"322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-800x322.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-160x64.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-768x309.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-960x387.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-240x97.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-375x151.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54-520x209.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.54.png 998w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>But the pop star, whose estimated net worth stands at $280 million, is by no means the only powerful celebrity to sic their lawyers on writers. Just this week, \u003ca href=\"http://trackrecord.net/jay-z-reportedly-threatened-a-music-site-over-an-articl-1820215682\">the rapper Jay Z’s attorney attacked a \u003cem>Digital Music News\u003c/em> reporter\u003c/a> over an article the attorney considered “false.”\u003c/p>\n\u003cp>University of Southern California journalism professor \u003ca href=\"http://annenberg.usc.edu/faculty/journalism/joe-saltzman\">Joe Saltzman\u003c/a>, who specializes in perceptions of journalists in pop culture, says this type of threat happens all too frequently.\u003c/p>\n\u003cp>“They want to set an example,” Saltzman says. “They want to say, ‘Look, we don’t care if you have 200 subscribers or two million. You write something bad about my client, we’re going after you.'”\u003c/p>\n\u003cp>Saltzman says writers are fairly powerless to do anything about this. Indeed, many of those who shared their own stories of being threatened by Swift’s lawyers over the past couple of days admitted to buckling under the intimidation tactics.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13814229\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-800x324.png\" alt=\"\" width=\"800\" height=\"324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-800x324.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-160x65.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-768x312.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-960x389.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-240x97.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-375x152.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34-520x211.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Screen-Shot-2017-11-08-at-20.43.34.png 996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>KQED reached out to several of these commentators. The only one who responded said he couldn’t share any information about the cease and desist order for legal reasons and asked not to be identified.\u003c/p>\n\u003cp>But Herning thinks writers should learn to defend themselves.\u003cbr>\n“I hope that other journalists who have been threatened legally educate themselves on their legal rights,” she says.\u003c/p>\n\u003cfigure id=\"attachment_13814238\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814238\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-800x635.jpg\" alt=\"ACLU attorney Christine Sun.\" width=\"800\" height=\"635\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-800x635.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-768x610.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-1020x810.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-1920x1524.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-1180x937.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-960x762.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-240x191.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-375x298.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Christine-Sun-ACLU-of-Northern-California-e1510204857262-520x413.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">ACLU attorney Christine Sun. \u003ccite>(Photo: Courtesy of ACLU)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sun says Swift’s attorney, who couldn’t be reached for comment, has until Monday, Nov. 13 to drop the charges against Herning. If that doesn’t happen, the ACLU might file a federal lawsuit, Sun says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, Swift’s new album, \u003ca href=\"https://store.taylorswift.com/reputation.html\">\u003cem>Reputation\u003c/em>\u003c/a>, comes out Friday. And so far, there’s been no comment from the pop star herself on the issues raised by Herning’s case.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week we’re featuring a number of museum and gallery shows worth taking in now or during the holidays, when we all have a bit more time to get out and possibly need to escape our families. My co-host KQED Arts Editor Sarah Hotchkiss is the perfect guide for this endeavor, as she frequently escapes to local art exhibits.\u003c/p>\n\u003cp>Plus we talk about a country music ballet, an anniversary music festival and North Bay fire benefits.\u003c/p>\n\u003cp>\u003cstrong>Ongoing:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXGh\" target=\"_blank\" rel=\"noopener\"> Our favorite museum shows for the holidays\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 16-18:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXGb\" target=\"_blank\" rel=\"noopener\">The Del Sol Quartet celebrates 25 years with world premieres and an audience ukulele choir\u003c/a>\u003c/p>\n\u003cp>Nov. 17-18: \u003ca href=\"https://wp.me/p4oi3Y-VXGW\" target=\"_blank\" rel=\"noopener\">Post:Ballet sets a dance to music by America’s first gay country band, Lavender Country\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nov. 12: \u003ca href=\"https://wp.me/p4oi3Y-VXGA\" target=\"_blank\" rel=\"noopener\">Signs of normalcy at Sonoma’s Gundlach Bundschu, a winery touched by the North Bay Fires\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 19:\u003c/strong> \u003ca href=\"http://www.slimspresents.com/event/fire-relief-benefit-show-featuring-rupa-and-the-april-fishes-slims-w-the-sam-chase-down-dirty-shake-presented-by-seaweed-sway-friends/\" target=\"_blank\" rel=\"noopener\">Rupa and the April Fishes andThe Sam Chase in a benefit for North Bay Fire relief\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 19:\u003c/strong> \u003ca href=\"https://www.youtube.com/watch?time_continue=2&v=R4zu3TegSFI\" target=\"_blank\" rel=\"noopener\">The San Francisco Symphony schedules a special benefit concert for North Bay Fire Relief\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=2&v=R4zu3TegSFI\u003c/p>\n\n",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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"info": "",
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"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
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"ted-radio-hour": {
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"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
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