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"content": "\u003cp>In honor of Black History Month, we’re taking you on an audio journey with the artists, activists, educators, culture-keepers and creatives who are making black history every day. You’ll find stories on the historic Black Power salute at the 1968 Olympics, a freshly painted Nipsey Hussle mural, a guide for living with joy and the origins of the word “hella.”\u003c/p>\n\u003cp>So grab your headphones, hit that subscribe button and dive into these stories from the Bay Area and beyond.\u003c/p>\n\u003cp>Have an episode you’d like to add? Let us know by tweeting us \u003ca href=\"http://www.twitter.com/kqedarts\" target=\"_blank\" rel=\"noopener noreferrer\">@KQEDArts\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13851525\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13851525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg\" alt=\"Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland.\" width=\"640\" height=\"428\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">Rightnowish\u003c/a>\u003c/h2>\n\u003cp>Every week, host Pendarvis Harshaw talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13851520/rightnowish-refa-one-spraypaint-in-hand-honors-west-oaklands-history\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Claiming Community Walls for the Black Panther Party\u003c/strong>\u003c/a>\u003cbr>\n“We are standing at ground zero, where the Black Panther Party started,” says Refa One, the artist behind the mural \u003cem>Serve The People\u003c/em> as well as the mural in memory of Oscar Grant at Fruitvale BART.\u003c/p>\n\u003cp>“There’s nothing more beautiful than black people loving each other. African people taking care of each other and expressing ourselves in our most creative ways.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\" target=\"_blank\" rel=\"noopener noreferrer\">From D-Boys to Dope Art\u003c/a>\u003cbr>\n\u003c/strong>Oakland-born Timothy B. has been putting paint where it ain’t for some time now—and the center of his work is family. B’s family talks about the changes in Oakland from the ’90s to now and how they made sure to keep family strong.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13865889/rightnowish-antique-naked-soul-offers-a-balm-for-the-anxieties-of-black-parenthood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Antique Naked Soul Turns Anxiety and Love Into Music\u003c/strong>\u003c/a>\u003cbr>\n“Give me an apocalypse / And I would dance / ’Cause I gave democracy its last chance.”\u003c/p>\n\u003cp>Candice Antique talks about black motherhood, as she thinks about what lies ahead in raising her son. The best way to deal with these anxieties, she says, is to first shower her child with love and make art to create change.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13871495/uplifting-culture-in-east-oaklands-brookfield-village\" target=\"_blank\" rel=\"noopener noreferrer\">Brookfield Duece, a Son of East Oakland\u003c/a>\u003c/strong>\u003cbr>\nBrookfield Village in deep East Oakland has been a cultural hub for the city’s black and brown communities. The neighborhood has raised artists like rapper Brookfield Duece and his cousin, star player Damian Lillard, who are using their platform to change the narrative of their neighborhood.\u003c/p>\n\u003cfigure id=\"attachment_13874657\" class=\"wp-caption aligncenter\" style=\"max-width: 799px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13874657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/tbt-full-image.jpg\" alt=\"Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\" width=\"799\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image-160x90.jpg 160w\" sizes=\"(max-width: 799px) 100vw, 799px\">\u003cfigcaption class=\"wp-caption-text\">Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/truthbetold\" target=\"_blank\" rel=\"noopener noreferrer\">Truth Be Told\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Truth Be Told\u003c/em> is the friend you call after a long day, to laugh, cry, bitch and moan. The one who gets it.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Joy\u003c/strong>\u003c/a>\u003cbr>\nHow can you feel joy when the world is burning? It feels like the end of days—and yet we still want to laugh, dance and love.\u003c/p>\n\u003cp>In this inaugural episode of \u003cem>Truth Be Told\u003c/em>, host Tonya Mosley travels to her hometown of Detroit to talk with her grandmother, Ernestine Mosley, and \u003cem>New York Times\u003c/em> best-selling author Adrienne Maree Brown. The three share captivating conversations and life lessons on how we all can and should cultivate joy.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/80/well-meaning-white-folks-episode-4-coming-june-6th\" target=\"_blank\" rel=\"noopener noreferrer\">Well-Meaning White Folks\u003c/a>\u003cbr>\n\u003c/strong>Allies are necessary to our collective pursuit of racial equity and antiracism, but sometimes talking across and through differences can be messy, hurtful and downright exhausting. As people of color, we have \u003ci>all\u003c/i> had our fair share of those “unintentionally” painful encounters.\u003c/p>\n\u003cp>Tonya Mosely and \u003cem>Code Switch\u003c/em> host Gene Demby tackle two questions from people struggling with how to deal with well-meaning white folks, at home and at work.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/85/family-ties-episode-6-coming-june-20th\" target=\"_blank\" rel=\"noopener noreferrer\">Family Ties\u003c/a>\u003cbr>\n\u003c/strong>We’ve all had that one big question in our lives that looms over us and keeps us up at night.\u003c/p>\n\u003cp>Maybe you are making a life-altering decision about a relationship; whether to get into one, get out of one or stay in one. Or maybe, like Tonya Mosley, you are trying to figure out if you should start a relationship with your estranged father’s family.\u003c/p>\n\u003cp>What should you do when faced with a big “what do I do” moment?\u003c/p>\n\u003cfigure id=\"attachment_13874658\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg\" alt=\"John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. (Courtesy of Josie Lepe/San Jose State University)\" width=\"800\" height=\"533\" class=\"size-full wp-image-13874658\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. \u003ccite>(Courtesy of Josie Lepe/San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thebay\" target=\"_blank\" rel=\"noopener noreferrer\">The Bay\u003c/a>\u003c/h2>\n\u003cp>There are a lot of ways to get the news. Ours is to tell you a story. And we believe every good story starts local.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/586725995/the-bay\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11784307/olympic-legends-for-black-power-salute-now-hall-of-famers\" target=\"_blank\" rel=\"noopener noreferrer\">Olympic Legends for Black Power Salute, Now Hall of Famers\u003c/a>\u003cbr>\n\u003c/strong>John Carlos and Tommie Smith were shunned after making the Black Power salute on the podium at the 1968 Mexico City Olympics. They were kicked out of the Olympics and lost their track and field careers. Fifty years later, they’ve been inducted into the U.S. Olympic and Paralympic Hall of Fame, where their athletic feats are being honored as much as their courage.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11775705/the-voice-behind-ive-got-five-on-it\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Voice Behind ‘I Got 5 On It’\u003c/strong>\u003c/a>\u003cbr>\nMike Marshall has a voice you’ve probably heard before. He was the vocal on the ’90s anthem “I Got Five On It.” More recently, Marshall covered “San Francisco (Be Sure to Wear Flowers in Your Hair)” in the movie \u003cem>The Last Black Man in San Francisco\u003c/em>.\u003c/p>\n\u003cp>Marshall waited for decades to feel recognized for his voice. And it took two movies set around the Bay Area to make that happen.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11793704/west-oakland-housing-human-right-moms4housing\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Moral Case Behind ‘Housing Is a Human Right’\u003c/strong>\u003c/a>\u003cbr>\nTwo black mothers who occupied a vacant West Oakland property had their day in court. Southern California-based Wedgewood Properties, which owns the home, argued this is a clear case of theft. But the moms are making another, more philosophical argument: that housing is a human right. But what does that mean, and will it help them stay in the house?\u003c/p>\n\u003cfigure id=\"attachment_13874659\" class=\"wp-caption aligncenter\" style=\"max-width: 1007px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/Chron-3.png\" alt=\"Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. (Courtesy of the San Francisco Chronicle)\" width=\"1007\" height=\"565\" class=\"size-full wp-image-13874659\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3.png 1007w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-768x431.png 768w\" sizes=\"(max-width: 1007px) 100vw, 1007px\">\u003cfigcaption class=\"wp-caption-text\">Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. \u003ccite>(Courtesy of the San Francisco Chronicle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious\u003c/a>\u003c/h2>\n\u003cp>Whether you lived here your whole life, or just arrived, \u003cem>Bay Curious\u003c/em> will deepen your understanding of this place you call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11700225/the-ghost-of-a-legend-how-a-san-francisco-civil-rights-icon-was-made-a-monster\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ghost of a Legend: How a San Francisco Civil Rights Icon Was Made a Monster\u003c/strong>\u003c/a>\u003cbr>\nWe talk about how one of the most haunted places in San Francisco leads us to the ghost of Mary Ellen Pleasant, a 19th-century entrepreneur who defied white society’s constraints to amass great wealth and advance the cause of civil rights in the city.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/10649552/the-origins-of-hella\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Origins of ‘Hella’\u003c/strong>\u003c/a>\u003cbr>\nHow has “hella” become synonymous to the Bay? Adizah Eghan gets down to exploring the root of “hella” and how slang spreads from black English into mainstream culture.\u003c/p>\n\u003cp>“Very rarely in the African-American or black community do we pick up other people’s language and use them,” says Oakland-based multimedia producer Sean Kennedy. “It’s usually the language we create and other people use them.”\u003c/p>\n\u003cfigure id=\"attachment_13874671\" class=\"wp-caption aligncenter\" style=\"max-width: 695px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/afrofuturism.jpg\" alt=\"The cover of Ytasha L. Womack's "Afrofuturism: The World of Black Sci-Fi and Fantasy Culture." (John Jennings)\" width=\"695\" height=\"391\" class=\"size-full wp-image-13874671\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism.jpg 695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism-160x90.jpg 160w\" sizes=\"(max-width: 695px) 100vw, 695px\">\u003cfigcaption class=\"wp-caption-text\">The cover of Ytasha L. Womack’s ‘Afrofuturism: The World of Black Sci-Fi and Fantasy Culture.’ \u003ccite>(John Jennings)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thecooler\" target=\"_blank\" rel=\"noopener noreferrer\">The Cooler\u003c/a>\u003c/h2>\n\u003cp>Join hosts Emmanuel, Jamedra and Carly as they find deeper meaning in what’s going on in the world, share quirky history your high school teacher never taught you and explore LGBTQ issues, race, feminism and social justice through a pop culture lens.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-cooler/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/448115865/the-cooler\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/112123/black-to-the-future\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Black to the Future\u003c/strong>\u003c/a>\u003cbr>\nCartoonist Tanna Tucker breaks down Afrofuturism, the power black artists and cultural workers have to dream and reclaim the future for themselves.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/105587/deray-mckesson-on-black-lives-matter-the-x-men-and-that-blue-vest\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>DeRay Mckesson on Black Lives Matter, the X-Men and That Blue Vest\u003c/strong>\u003c/a>\u003cbr>\nThis episode of the \u003cem>Cooler\u003c/em> features civil rights activist and \u003cem>Pod Save The People\u003c/em> host DeRay Mckesson talking about his commitment to black youth and the movement for black lives. What does it mean to live in one of the longest domestic racial justice protests in U.S. history?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/81194/jessamyn-stanley-on-why-yoga-isnt-all-peace-love-and-rainbows\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jessamyn Stanley on Why Yoga Isn’t All Peace, Love, and Rainbows\u003c/strong>\u003c/a>\u003cbr>\n\u003cem>The Cooler\u003c/em> is joined by Jessamyn Stanley, who became a yoga star by posting snapshots of her practice on Instagram. She recently released her first book, \u003cem>Every Body Yoga\u003c/em>, which melds lessons of how to better your life through yoga with personal essays about her journey to self-love and a bunch of other good stuff.\u003c/p>\n\u003cp>We talk about what she thinks the media has all wrong about modern yoga.\u003c/p>\n\u003chr>\n\u003cp>Listen to all the episodes on the playlist below.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/5prADKfeykA2k9ZRU69kgt\" width=\"800\" height=\"600\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"title": "A Podcast Playlist for Making Black History Every Day | KQED",
"description": "In honor of Black History Month, we’re taking you on an audio journey with the artists, activists, educators, culture-keepers and creatives who are making black history every day. You’ll find stories on the historic Black Power salute at the 1968 Olympics, a freshly painted Nipsey Hussle mural, a guide for living with joy and the origins of the word “hella.” So grab your headphones, hit that subscribe button and dive into these stories from the Bay Area and beyond. Have an episode you’d like to add? Let us know by tweeting us @KQEDArts. Rightnowish Every week, host Pendarvis Harshaw talks",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In honor of Black History Month, we’re taking you on an audio journey with the artists, activists, educators, culture-keepers and creatives who are making black history every day. You’ll find stories on the historic Black Power salute at the 1968 Olympics, a freshly painted Nipsey Hussle mural, a guide for living with joy and the origins of the word “hella.”\u003c/p>\n\u003cp>So grab your headphones, hit that subscribe button and dive into these stories from the Bay Area and beyond.\u003c/p>\n\u003cp>Have an episode you’d like to add? Let us know by tweeting us \u003ca href=\"http://www.twitter.com/kqedarts\" target=\"_blank\" rel=\"noopener noreferrer\">@KQEDArts\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13851525\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13851525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg\" alt=\"Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland.\" width=\"640\" height=\"428\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">Rightnowish\u003c/a>\u003c/h2>\n\u003cp>Every week, host Pendarvis Harshaw talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13851520/rightnowish-refa-one-spraypaint-in-hand-honors-west-oaklands-history\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Claiming Community Walls for the Black Panther Party\u003c/strong>\u003c/a>\u003cbr>\n“We are standing at ground zero, where the Black Panther Party started,” says Refa One, the artist behind the mural \u003cem>Serve The People\u003c/em> as well as the mural in memory of Oscar Grant at Fruitvale BART.\u003c/p>\n\u003cp>“There’s nothing more beautiful than black people loving each other. African people taking care of each other and expressing ourselves in our most creative ways.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\" target=\"_blank\" rel=\"noopener noreferrer\">From D-Boys to Dope Art\u003c/a>\u003cbr>\n\u003c/strong>Oakland-born Timothy B. has been putting paint where it ain’t for some time now—and the center of his work is family. B’s family talks about the changes in Oakland from the ’90s to now and how they made sure to keep family strong.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13865889/rightnowish-antique-naked-soul-offers-a-balm-for-the-anxieties-of-black-parenthood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Antique Naked Soul Turns Anxiety and Love Into Music\u003c/strong>\u003c/a>\u003cbr>\n“Give me an apocalypse / And I would dance / ’Cause I gave democracy its last chance.”\u003c/p>\n\u003cp>Candice Antique talks about black motherhood, as she thinks about what lies ahead in raising her son. The best way to deal with these anxieties, she says, is to first shower her child with love and make art to create change.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13871495/uplifting-culture-in-east-oaklands-brookfield-village\" target=\"_blank\" rel=\"noopener noreferrer\">Brookfield Duece, a Son of East Oakland\u003c/a>\u003c/strong>\u003cbr>\nBrookfield Village in deep East Oakland has been a cultural hub for the city’s black and brown communities. The neighborhood has raised artists like rapper Brookfield Duece and his cousin, star player Damian Lillard, who are using their platform to change the narrative of their neighborhood.\u003c/p>\n\u003cfigure id=\"attachment_13874657\" class=\"wp-caption aligncenter\" style=\"max-width: 799px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13874657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/tbt-full-image.jpg\" alt=\"Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\" width=\"799\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image-160x90.jpg 160w\" sizes=\"(max-width: 799px) 100vw, 799px\">\u003cfigcaption class=\"wp-caption-text\">Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/truthbetold\" target=\"_blank\" rel=\"noopener noreferrer\">Truth Be Told\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Truth Be Told\u003c/em> is the friend you call after a long day, to laugh, cry, bitch and moan. The one who gets it.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Joy\u003c/strong>\u003c/a>\u003cbr>\nHow can you feel joy when the world is burning? It feels like the end of days—and yet we still want to laugh, dance and love.\u003c/p>\n\u003cp>In this inaugural episode of \u003cem>Truth Be Told\u003c/em>, host Tonya Mosley travels to her hometown of Detroit to talk with her grandmother, Ernestine Mosley, and \u003cem>New York Times\u003c/em> best-selling author Adrienne Maree Brown. The three share captivating conversations and life lessons on how we all can and should cultivate joy.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/80/well-meaning-white-folks-episode-4-coming-june-6th\" target=\"_blank\" rel=\"noopener noreferrer\">Well-Meaning White Folks\u003c/a>\u003cbr>\n\u003c/strong>Allies are necessary to our collective pursuit of racial equity and antiracism, but sometimes talking across and through differences can be messy, hurtful and downright exhausting. As people of color, we have \u003ci>all\u003c/i> had our fair share of those “unintentionally” painful encounters.\u003c/p>\n\u003cp>Tonya Mosely and \u003cem>Code Switch\u003c/em> host Gene Demby tackle two questions from people struggling with how to deal with well-meaning white folks, at home and at work.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/85/family-ties-episode-6-coming-june-20th\" target=\"_blank\" rel=\"noopener noreferrer\">Family Ties\u003c/a>\u003cbr>\n\u003c/strong>We’ve all had that one big question in our lives that looms over us and keeps us up at night.\u003c/p>\n\u003cp>Maybe you are making a life-altering decision about a relationship; whether to get into one, get out of one or stay in one. Or maybe, like Tonya Mosley, you are trying to figure out if you should start a relationship with your estranged father’s family.\u003c/p>\n\u003cp>What should you do when faced with a big “what do I do” moment?\u003c/p>\n\u003cfigure id=\"attachment_13874658\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg\" alt=\"John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. (Courtesy of Josie Lepe/San Jose State University)\" width=\"800\" height=\"533\" class=\"size-full wp-image-13874658\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. \u003ccite>(Courtesy of Josie Lepe/San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thebay\" target=\"_blank\" rel=\"noopener noreferrer\">The Bay\u003c/a>\u003c/h2>\n\u003cp>There are a lot of ways to get the news. Ours is to tell you a story. And we believe every good story starts local.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/586725995/the-bay\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11784307/olympic-legends-for-black-power-salute-now-hall-of-famers\" target=\"_blank\" rel=\"noopener noreferrer\">Olympic Legends for Black Power Salute, Now Hall of Famers\u003c/a>\u003cbr>\n\u003c/strong>John Carlos and Tommie Smith were shunned after making the Black Power salute on the podium at the 1968 Mexico City Olympics. They were kicked out of the Olympics and lost their track and field careers. Fifty years later, they’ve been inducted into the U.S. Olympic and Paralympic Hall of Fame, where their athletic feats are being honored as much as their courage.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11775705/the-voice-behind-ive-got-five-on-it\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Voice Behind ‘I Got 5 On It’\u003c/strong>\u003c/a>\u003cbr>\nMike Marshall has a voice you’ve probably heard before. He was the vocal on the ’90s anthem “I Got Five On It.” More recently, Marshall covered “San Francisco (Be Sure to Wear Flowers in Your Hair)” in the movie \u003cem>The Last Black Man in San Francisco\u003c/em>.\u003c/p>\n\u003cp>Marshall waited for decades to feel recognized for his voice. And it took two movies set around the Bay Area to make that happen.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11793704/west-oakland-housing-human-right-moms4housing\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Moral Case Behind ‘Housing Is a Human Right’\u003c/strong>\u003c/a>\u003cbr>\nTwo black mothers who occupied a vacant West Oakland property had their day in court. Southern California-based Wedgewood Properties, which owns the home, argued this is a clear case of theft. But the moms are making another, more philosophical argument: that housing is a human right. But what does that mean, and will it help them stay in the house?\u003c/p>\n\u003cfigure id=\"attachment_13874659\" class=\"wp-caption aligncenter\" style=\"max-width: 1007px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/Chron-3.png\" alt=\"Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. (Courtesy of the San Francisco Chronicle)\" width=\"1007\" height=\"565\" class=\"size-full wp-image-13874659\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3.png 1007w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-768x431.png 768w\" sizes=\"(max-width: 1007px) 100vw, 1007px\">\u003cfigcaption class=\"wp-caption-text\">Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. \u003ccite>(Courtesy of the San Francisco Chronicle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious\u003c/a>\u003c/h2>\n\u003cp>Whether you lived here your whole life, or just arrived, \u003cem>Bay Curious\u003c/em> will deepen your understanding of this place you call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11700225/the-ghost-of-a-legend-how-a-san-francisco-civil-rights-icon-was-made-a-monster\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ghost of a Legend: How a San Francisco Civil Rights Icon Was Made a Monster\u003c/strong>\u003c/a>\u003cbr>\nWe talk about how one of the most haunted places in San Francisco leads us to the ghost of Mary Ellen Pleasant, a 19th-century entrepreneur who defied white society’s constraints to amass great wealth and advance the cause of civil rights in the city.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/10649552/the-origins-of-hella\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Origins of ‘Hella’\u003c/strong>\u003c/a>\u003cbr>\nHow has “hella” become synonymous to the Bay? Adizah Eghan gets down to exploring the root of “hella” and how slang spreads from black English into mainstream culture.\u003c/p>\n\u003cp>“Very rarely in the African-American or black community do we pick up other people’s language and use them,” says Oakland-based multimedia producer Sean Kennedy. “It’s usually the language we create and other people use them.”\u003c/p>\n\u003cfigure id=\"attachment_13874671\" class=\"wp-caption aligncenter\" style=\"max-width: 695px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/afrofuturism.jpg\" alt=\"The cover of Ytasha L. Womack's "Afrofuturism: The World of Black Sci-Fi and Fantasy Culture." (John Jennings)\" width=\"695\" height=\"391\" class=\"size-full wp-image-13874671\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism.jpg 695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism-160x90.jpg 160w\" sizes=\"(max-width: 695px) 100vw, 695px\">\u003cfigcaption class=\"wp-caption-text\">The cover of Ytasha L. Womack’s ‘Afrofuturism: The World of Black Sci-Fi and Fantasy Culture.’ \u003ccite>(John Jennings)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thecooler\" target=\"_blank\" rel=\"noopener noreferrer\">The Cooler\u003c/a>\u003c/h2>\n\u003cp>Join hosts Emmanuel, Jamedra and Carly as they find deeper meaning in what’s going on in the world, share quirky history your high school teacher never taught you and explore LGBTQ issues, race, feminism and social justice through a pop culture lens.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-cooler/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/448115865/the-cooler\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/112123/black-to-the-future\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Black to the Future\u003c/strong>\u003c/a>\u003cbr>\nCartoonist Tanna Tucker breaks down Afrofuturism, the power black artists and cultural workers have to dream and reclaim the future for themselves.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/105587/deray-mckesson-on-black-lives-matter-the-x-men-and-that-blue-vest\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>DeRay Mckesson on Black Lives Matter, the X-Men and That Blue Vest\u003c/strong>\u003c/a>\u003cbr>\nThis episode of the \u003cem>Cooler\u003c/em> features civil rights activist and \u003cem>Pod Save The People\u003c/em> host DeRay Mckesson talking about his commitment to black youth and the movement for black lives. What does it mean to live in one of the longest domestic racial justice protests in U.S. history?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/81194/jessamyn-stanley-on-why-yoga-isnt-all-peace-love-and-rainbows\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jessamyn Stanley on Why Yoga Isn’t All Peace, Love, and Rainbows\u003c/strong>\u003c/a>\u003cbr>\n\u003cem>The Cooler\u003c/em> is joined by Jessamyn Stanley, who became a yoga star by posting snapshots of her practice on Instagram. She recently released her first book, \u003cem>Every Body Yoga\u003c/em>, which melds lessons of how to better your life through yoga with personal essays about her journey to self-love and a bunch of other good stuff.\u003c/p>\n\u003cp>We talk about what she thinks the media has all wrong about modern yoga.\u003c/p>\n\u003chr>\n\u003cp>Listen to all the episodes on the playlist below.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Creativity and Innovation of Mountain Biking on View in Santa Cruz",
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"content": "\u003cp>Mountain bikes in a museum? Yes, and not just in Fairfax, home of the \u003ca href=\"https://mmbhof.org\" target=\"_blank\" rel=\"noopener noreferrer\">Marin Museum of Bicycling\u003c/a>. The \u003ca href=\"https://santacruzmah.org\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Cruz Museum of Art and History (MAH)\u003c/a> has collaborated with its neighbor to the north to recount the history and burnish the legend.\u003c/p>\n\u003cp>\"Any bike can be a mountain bike if you ride it in the mountains,\" said Whitney Ford-Terry, the exhibition's catalyst for \"\u003ca href=\"https://santacruzmah.org/exhibitions/trailblazers\" target=\"_blank\" rel=\"noopener noreferrer\">Trailblazers: The Creative Story Behind Mountain Biking in Santa Cruz\u003c/a>.\" The exhibit explores how Santa Cruz became a major mountain biking destination and home to several big biking brands.\u003c/p>\n\u003cp>\"People kind of cross-pollinated ideas, and a lot of folks from Santa Cruz learned from people who had picked up things there or who had come down to Santa Cruz to really test out what they were making on the very unique trail system we have here,\" Ford-Terry said.\u003c/p>\n\u003cp>Off-road riding has been with us as long as bicycles have, but in the late 1960s, a clutch of guys in Marin County modified old Schwinn bicycles they called “clunkers” to race down \u003ca href=\"https://www.parks.ca.gov/?page_id=471\" target=\"_blank\" rel=\"noopener noreferrer\">Mount Tamalpais\u003c/a>. It didn’t take long before they started modifying the bikes with stiffer frames, wider tires, multiple gears and so on.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=8CWMCNzmKNM]In \u003ca href=\"https://www.kqed.org/arts/13810966/former-foster-youth-change-narrative\" target=\"_blank\" rel=\"noopener noreferrer\">classic MAH fashion\u003c/a>, the exhibition is not so much a collection of historical objects as it is a collaboration with a host of local people and groups like \u003ca href=\"http://mbosc.org\" target=\"_blank\" rel=\"noopener noreferrer\">Mountain Bikers of Santa Cruz\u003c/a>. So, for example, \"Trailblazers\" encourages visitors to think about getting involved in the community, in this case, by focusing on the importance of trail stewardship.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The exhibition also encourages visitors to think in a hands-on fashion about what makes for a good mountain bike. It's a sport, after all, born of tinkering to maximize delight traveling through the great California outdoors. \u003c/p>\n\u003cp>\"What really makes this community special is our trails: how we use them, how we take care of them, how we built them,\" Ford-Terry said.\u003c/p>\n\u003cp>From the Flow Trail in Soquel Demonstration State Forest to the coastline of Wilder Ranch State Park to the campus byways of UC Santa Cruz, \"It is a wildly popular sport in our county and community,\" Ford-Terry said. \"So we looked to the experts to help us get a better idea of what should be in the show, but also, how to contextualize this history.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On a sunny day, it's hard to imagine why you wouldn't be out on one of those trails, but at some point, you're going to be downtown for an ice cream or a sandwich, and that's when this gallery at MAH beckons you inside to reflect and appreciate the \"trailblazers\" who came before you.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mountain bikes in a museum? Yes, and not just in Fairfax, home of the \u003ca href=\"https://mmbhof.org\" target=\"_blank\" rel=\"noopener noreferrer\">Marin Museum of Bicycling\u003c/a>. The \u003ca href=\"https://santacruzmah.org\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Cruz Museum of Art and History (MAH)\u003c/a> has collaborated with its neighbor to the north to recount the history and burnish the legend.\u003c/p>\n\u003cp>\"Any bike can be a mountain bike if you ride it in the mountains,\" said Whitney Ford-Terry, the exhibition's catalyst for \"\u003ca href=\"https://santacruzmah.org/exhibitions/trailblazers\" target=\"_blank\" rel=\"noopener noreferrer\">Trailblazers: The Creative Story Behind Mountain Biking in Santa Cruz\u003c/a>.\" The exhibit explores how Santa Cruz became a major mountain biking destination and home to several big biking brands.\u003c/p>\n\u003cp>\"People kind of cross-pollinated ideas, and a lot of folks from Santa Cruz learned from people who had picked up things there or who had come down to Santa Cruz to really test out what they were making on the very unique trail system we have here,\" Ford-Terry said.\u003c/p>\n\u003cp>Off-road riding has been with us as long as bicycles have, but in the late 1960s, a clutch of guys in Marin County modified old Schwinn bicycles they called “clunkers” to race down \u003ca href=\"https://www.parks.ca.gov/?page_id=471\" target=\"_blank\" rel=\"noopener noreferrer\">Mount Tamalpais\u003c/a>. It didn’t take long before they started modifying the bikes with stiffer frames, wider tires, multiple gears and so on.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8CWMCNzmKNM'\n title='//www.youtube.com/embed/8CWMCNzmKNM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>In \u003ca href=\"https://www.kqed.org/arts/13810966/former-foster-youth-change-narrative\" target=\"_blank\" rel=\"noopener noreferrer\">classic MAH fashion\u003c/a>, the exhibition is not so much a collection of historical objects as it is a collaboration with a host of local people and groups like \u003ca href=\"http://mbosc.org\" target=\"_blank\" rel=\"noopener noreferrer\">Mountain Bikers of Santa Cruz\u003c/a>. So, for example, \"Trailblazers\" encourages visitors to think about getting involved in the community, in this case, by focusing on the importance of trail stewardship.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The exhibition also encourages visitors to think in a hands-on fashion about what makes for a good mountain bike. It's a sport, after all, born of tinkering to maximize delight traveling through the great California outdoors. \u003c/p>\n\u003cp>\"What really makes this community special is our trails: how we use them, how we take care of them, how we built them,\" Ford-Terry said.\u003c/p>\n\u003cp>From the Flow Trail in Soquel Demonstration State Forest to the coastline of Wilder Ranch State Park to the campus byways of UC Santa Cruz, \"It is a wildly popular sport in our county and community,\" Ford-Terry said. \"So we looked to the experts to help us get a better idea of what should be in the show, but also, how to contextualize this history.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On a sunny day, it's hard to imagine why you wouldn't be out on one of those trails, but at some point, you're going to be downtown for an ice cream or a sandwich, and that's when this gallery at MAH beckons you inside to reflect and appreciate the \"trailblazers\" who came before you.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Democratic Presidential Race \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">This week, Vermont Sen. Bernie Sanders was declared the winner in the New Hampshire primary, narrowly edging out former South Bend Mayor Pete Buttigieg. Sen. Amy Klobuchar of Minnesota finished third, riding a resurgent wave of support after a strong debate performance in New Hampshire last week. Former Vice President Joe Biden’s support has slipped and progressive Massachusetts Sen. Elizabeth Warren’s campaign is also in trouble after a poor showing in New Hampshire and Iowa. Candidates are now turning their attention to South Carolina and Nevada, states with large numbers of black and Latino voters, unlike Iowa and New Hampshire. Meanwhile, billionaire and former New York Mayor Michael Bloomberg decided to skip the early nominating states and instead pour hundreds of millions of dollars on ad buys in California and other states that are key to winning the nomination. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Paul Mitchell, vice-president, Political Data, Inc.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Megan Messerly, lead 2020 election reporter, The Nevada Independent\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>‘Uncanny Valley’ \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">In recent years, tech giants like Facebook and Google have reckoned with massive data breaches and anger over misinformation and disturbing content on their sites. On top of that, there’s the culture of Silicon Valley, a male-dominated, largely white workplace that often prizes the pursuit of profits over principles of equity and diversity. Now, a new book offers an insider’s account of life at a startup and the seductive promises of this “uncanny valley.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Anna Wiener, author, “Uncanny Valley,” and The New Yorker contributing writer\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>alt-Valentine’s Day \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Glasses glistening with airy bubbles of champagne. Decadent desserts decked in chocolate. \u003c/span>\u003cspan style=\"font-weight: 400\">Restaurant reservations booked weeks in advance. This Valentine’s Day, why not spice things up with a departure from tradition, like making savory dumplings with fillings that appeal to the pickiest of palates? Or making pasta with your Valentine from scratch with just flour, water and a dash of culinary adventure? We hear from our guests about alternative ways to celebrate the special day and also personal stories that reveal the single ingredient you need: quality time with that special someone. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Ellen Fort, food editor, Sunset Magazine\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\">Alan Montecillo, editor, KQED’s The Bay\u003c/span>\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Democratic Presidential Race \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">This week, Vermont Sen. Bernie Sanders was declared the winner in the New Hampshire primary, narrowly edging out former South Bend Mayor Pete Buttigieg. Sen. Amy Klobuchar of Minnesota finished third, riding a resurgent wave of support after a strong debate performance in New Hampshire last week. Former Vice President Joe Biden’s support has slipped and progressive Massachusetts Sen. Elizabeth Warren’s campaign is also in trouble after a poor showing in New Hampshire and Iowa. Candidates are now turning their attention to South Carolina and Nevada, states with large numbers of black and Latino voters, unlike Iowa and New Hampshire. Meanwhile, billionaire and former New York Mayor Michael Bloomberg decided to skip the early nominating states and instead pour hundreds of millions of dollars on ad buys in California and other states that are key to winning the nomination. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Guests:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Paul Mitchell, vice-president, Political Data, Inc.\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Megan Messerly, lead 2020 election reporter, The Nevada Independent\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>‘Uncanny Valley’ \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">In recent years, tech giants like Facebook and Google have reckoned with massive data breaches and anger over misinformation and disturbing content on their sites. On top of that, there’s the culture of Silicon Valley, a male-dominated, largely white workplace that often prizes the pursuit of profits over principles of equity and diversity. Now, a new book offers an insider’s account of life at a startup and the seductive promises of this “uncanny valley.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cb>Guest:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">\u003cspan style=\"font-weight: 400\"> Anna Wiener, author, “Uncanny Valley,” and The New Yorker contributing writer\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>alt-Valentine’s Day \u003c/b>\u003cbr>\n\u003cspan style=\"font-weight: 400\">Glasses glistening with airy bubbles of champagne. Decadent desserts decked in chocolate. \u003c/span>\u003cspan style=\"font-weight: 400\">Restaurant reservations booked weeks in advance. This Valentine’s Day, why not spice things up with a departure from tradition, like making savory dumplings with fillings that appeal to the pickiest of palates? Or making pasta with your Valentine from scratch with just flour, water and a dash of culinary adventure? We hear from our guests about alternative ways to celebrate the special day and also personal stories that reveal the single ingredient you need: quality time with that special someone. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Federal Equal Rights Amendment Moves Step Closer to Passage After House Vote",
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"content": "\u003cp>\u003cem>Updated 1 p.m. Thursday\u003c/em>\u003c/p>\n\u003cp>The U.S. House of Representatives voted on Thursday to approve a resolution paving the way for Congress to take up the Equal Rights Amendment, a constitutional amendment proposed nearly a century ago that would prohibit discrimination on the basis of one's sex.\u003c/p>\n\u003cp>Known as the ERA, the amendment was first proposed in 1923 by suffragist \u003ca href=\"https://www.equalrightsamendment.org/history\" target=\"_blank\" rel=\"noopener noreferrer\">Alice Paul\u003c/a>, and every session of Congress thereafter until it was approved by the House of Representatives in 1971 and the Senate the following year. The ERA needed three-quarters of state legislatures, or 38 states, to back it. But by the 1982 deadline, only 35 had. That changed in recent years, with state lawmakers in Nevada and Illinois approving the ERA; and \u003ca href=\"https://www.npr.org/2020/01/15/796754345/virginia-ratifies-the-equal-rights-amendment-decades-after-deadline\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia\u003c/a>, the 38th state, following suit in January.\u003c/p>\n\u003cp>The only thing standing in the way of the amendment, lawmakers said, was that 1982 deadline. That's where the resolution — \u003ca href=\"https://www.congress.gov/bill/116th-congress/house-joint-resolution/79\" target=\"_blank\" rel=\"noopener noreferrer\">H.J.Res.79\u003c/a>, sponsored by Democratic Bay Area Congresswoman Jackie Speier — came in to remove it. Democrats and Republicans have introduced a companion \u003ca href=\"https://www.congress.gov/bill/116th-congress/senate-joint-resolution/6\" rel=\"noopener noreferrer\" target=\"_blank\">joint resolution\u003c/a> in the U.S. Senate that lifts the deadline, too.\u003c/p>\n\u003cp>\"Our message here today is quite simple: We want in. We want in the (U.S.) Constitution,\" Speier said Wednesday at a press conference ahead of the vote. \"... Because women are not recognized in our founding document, the Constitution, as fully equal to men under the law. We are not equal.\"\u003c/p>\n\u003cp>\"It is a vote for America that we have fought so hard to become,\" she added. \"Our vote is also a strong message that women in America are done. We are done being harassed, assaulted and violated with impunity. We are done being paid less for the same work. We are done being discriminated against for our pregnancies.\"\u003c/p>\n\u003cfigure id=\"attachment_11744027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11744027\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-800x646.jpg\" alt=\"A group of suffragettes in June 1920. Alice Paul, who first called for the constitutional amendment in 1923, is third from left on the bottom row.\" width=\"800\" height=\"646\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-800x646.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-160x129.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-1020x824.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A group of suffragists in June 1920. Alice Paul, who first called for the constitutional amendment in 1923, is third from left on the bottom row. \u003ccite>(National Photo Company Collection/Library of Congress)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other lawmakers, including House Speaker Nancy Pelosi of San Francisco, spoke out in support of the resolution. Without the ERA being enshrined in the Constitution, women still face inequality under the law from the wage gap, pregnancy discrimination and sexual harassment, she said, resulting in them \"being underrepresented at the table.\"\u003c/p>\n\u003cp>\"This year that marks the centennial of women having the right to vote, it is a shameful reality that the Equal Rights Amendment still has not been enshrined in the Constitution,\" she said Thursday, referring to the \u003ca href=\"https://constitutioncenter.org/interactive-constitution/amendment/amendment-xix\" rel=\"noopener noreferrer\" target=\"_blank\">19th Amendment of 1920\u003c/a>. \"As a result, millions of American women still face inequality under the law and injustice in their careers and lives.\"\u003c/p>\n\u003cp>[pullquote size='medium' align='right' citation='U.S. Rep. Jackie Speier']'It is a vote for America that we have fought so hard to become.'[/pullquote]Supporters say the Constitution doesn't provide protections against sex discrimination and that's why the ERA is needed. Opponents argue the amendment is a false pretext for abortion and that women are already protected against sex discrimination by other laws and the 14th Amendment. They point to gains made by women, such as being able to serve in the military and in combat, and say the need for such an amendment today is moot.\u003c/p>\n\u003cp>Concern about women’s rights since the election of President Trump and the rise of the #MeToo movement has re-energized efforts to ratify the amendment, which stalled when conservative women — led by Phyllis Schlafly, who began a group called Stop ERA — began to organize against it.\u003c/p>\n\u003cp>House Majority Leader Steny Hoyer, a Democrat from Maryland, said he recalled when his state ratified the ERA — in 1972.\u003c/p>\n\u003cp>[aside postID='news_11743996' label='The Equal Rights Amendment']\"I could not understand why women were not equal under our Constitution,\" he said Wednesday, asking why the nation's founders \"didn't say we hold these truths to be self-evident, that all humankind are created equal.\"\u003c/p>\n\u003cp>\"It's never too late to do the right thing,\" he said, noting, \"It is far past time to act.\"\u003c/p>\n\u003cp>One other potential hiccup for the ERA: Five states that approved it later rescinded their OK, and opponents and supporters disagree on whether that is legal.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated 1 p.m. Thursday\u003c/em>\u003c/p>\n\u003cp>The U.S. House of Representatives voted on Thursday to approve a resolution paving the way for Congress to take up the Equal Rights Amendment, a constitutional amendment proposed nearly a century ago that would prohibit discrimination on the basis of one's sex.\u003c/p>\n\u003cp>Known as the ERA, the amendment was first proposed in 1923 by suffragist \u003ca href=\"https://www.equalrightsamendment.org/history\" target=\"_blank\" rel=\"noopener noreferrer\">Alice Paul\u003c/a>, and every session of Congress thereafter until it was approved by the House of Representatives in 1971 and the Senate the following year. The ERA needed three-quarters of state legislatures, or 38 states, to back it. But by the 1982 deadline, only 35 had. That changed in recent years, with state lawmakers in Nevada and Illinois approving the ERA; and \u003ca href=\"https://www.npr.org/2020/01/15/796754345/virginia-ratifies-the-equal-rights-amendment-decades-after-deadline\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia\u003c/a>, the 38th state, following suit in January.\u003c/p>\n\u003cp>The only thing standing in the way of the amendment, lawmakers said, was that 1982 deadline. That's where the resolution — \u003ca href=\"https://www.congress.gov/bill/116th-congress/house-joint-resolution/79\" target=\"_blank\" rel=\"noopener noreferrer\">H.J.Res.79\u003c/a>, sponsored by Democratic Bay Area Congresswoman Jackie Speier — came in to remove it. Democrats and Republicans have introduced a companion \u003ca href=\"https://www.congress.gov/bill/116th-congress/senate-joint-resolution/6\" rel=\"noopener noreferrer\" target=\"_blank\">joint resolution\u003c/a> in the U.S. Senate that lifts the deadline, too.\u003c/p>\n\u003cp>\"Our message here today is quite simple: We want in. We want in the (U.S.) Constitution,\" Speier said Wednesday at a press conference ahead of the vote. \"... Because women are not recognized in our founding document, the Constitution, as fully equal to men under the law. We are not equal.\"\u003c/p>\n\u003cp>\"It is a vote for America that we have fought so hard to become,\" she added. \"Our vote is also a strong message that women in America are done. We are done being harassed, assaulted and violated with impunity. We are done being paid less for the same work. We are done being discriminated against for our pregnancies.\"\u003c/p>\n\u003cfigure id=\"attachment_11744027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11744027\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-800x646.jpg\" alt=\"A group of suffragettes in June 1920. Alice Paul, who first called for the constitutional amendment in 1923, is third from left on the bottom row.\" width=\"800\" height=\"646\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-800x646.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-160x129.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette-1020x824.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/04/04302019_suffragette.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A group of suffragists in June 1920. Alice Paul, who first called for the constitutional amendment in 1923, is third from left on the bottom row. \u003ccite>(National Photo Company Collection/Library of Congress)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other lawmakers, including House Speaker Nancy Pelosi of San Francisco, spoke out in support of the resolution. Without the ERA being enshrined in the Constitution, women still face inequality under the law from the wage gap, pregnancy discrimination and sexual harassment, she said, resulting in them \"being underrepresented at the table.\"\u003c/p>\n\u003cp>\"This year that marks the centennial of women having the right to vote, it is a shameful reality that the Equal Rights Amendment still has not been enshrined in the Constitution,\" she said Thursday, referring to the \u003ca href=\"https://constitutioncenter.org/interactive-constitution/amendment/amendment-xix\" rel=\"noopener noreferrer\" target=\"_blank\">19th Amendment of 1920\u003c/a>. \"As a result, millions of American women still face inequality under the law and injustice in their careers and lives.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Supporters say the Constitution doesn't provide protections against sex discrimination and that's why the ERA is needed. Opponents argue the amendment is a false pretext for abortion and that women are already protected against sex discrimination by other laws and the 14th Amendment. They point to gains made by women, such as being able to serve in the military and in combat, and say the need for such an amendment today is moot.\u003c/p>\n\u003cp>Concern about women’s rights since the election of President Trump and the rise of the #MeToo movement has re-energized efforts to ratify the amendment, which stalled when conservative women — led by Phyllis Schlafly, who began a group called Stop ERA — began to organize against it.\u003c/p>\n\u003cp>House Majority Leader Steny Hoyer, a Democrat from Maryland, said he recalled when his state ratified the ERA — in 1972.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\"I could not understand why women were not equal under our Constitution,\" he said Wednesday, asking why the nation's founders \"didn't say we hold these truths to be self-evident, that all humankind are created equal.\"\u003c/p>\n\u003cp>\"It's never too late to do the right thing,\" he said, noting, \"It is far past time to act.\"\u003c/p>\n\u003cp>One other potential hiccup for the ERA: Five states that approved it later rescinded their OK, and opponents and supporters disagree on whether that is legal.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>This report contains a correction.\u003c/em>\u003c/p>\n\u003cp>Controversial Bay Area nightlife figure Jason Perkins no longer co-owns the Brick & Mortar Music Hall, and the independent music venue has secured a ten-year lease extension on its 250-capacity Mission District location, according to the new partnership group at the helm. [aside postID=arts_13853477,arts_10973414,arts_13873227]\u003c/p>\n\u003cp>Michael Rosen in January notified the San Francisco Entertainment Commission of the change in ownership, as required by the venue’s entertainment permit, saying the Brick & Mortar is now run by Michael O’Connor, Barry Smyth of the Crafty Fox Ale House and himself.\u003c/p>\n\u003cp>“We’re looking to get a new sense of goodwill in the community,” Rosen said, without mentioning Perkins. Rosen described “initiatives that can communicate a different approach to running the business than in the past,” including flyering for an informational community event.\u003c/p>\n\u003cp>O’Connor, previously Perkins’ partner in several businesses under the now-defunct Parish Entertainment Group, said the venue renewed its lease for ten years in December and declined to comment further. The extension runs against a trend of small- to mid-sized independent venues \u003ca href=\"https://www.kqed.org/arts/13873227/amnesia-is-the-latest-san-francisco-music-venue-to-close\">closing\u003c/a> or \u003ca href=\"https://www.kqed.org/arts/13850185/slims-great-american-music-hall-workers-axed-as-goldenvoice-expands\">ceding booking\u003c/a> to the corporate promoters Live Nation and Goldenvoice.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Brick & Mortar Music Hall’s \u003ca href=\"https://www.brickandmortarmusic.com/\">calendar\u003c/a> currently lists near-daily indie rock, hip-hop and soul events presented by promoters such as Noise Pop and Sean Healy.\u003c/p>\n\u003cp>Perkins was once the co-owner of several venues, bars and restaurants in the Bay Area and Northern California, and \u003ca href=\"https://www.kqed.org/arts/10973414/entertainment-commission-nightlife-heroes-or-instrument-of-destruction\">styled himself as a crusader\u003c/a> against public corruption while also appearing to use his short-lived music magazine to impugn local artists in unsigned editorials.\u003c/p>\n\u003cp>In recent years, however, Perkins faced costly breach-of-contract litigation as well as accusations, including from a former employee who leaked video evidence, that he harassed and accosted homeless people in the Mission District. Perkins, who didn’t respond to a request for comment, has declared in court filings that he now lives with his family in Israel.\u003c/p>\n\u003cp>The security footage showed a 2018 altercation between Perkins and a homeless man that, according to the former employee, followed Perkins leaving threatening notes on tents. (Perkins has denied leaving the notes, and said the video showed self-defense.) After the outcry, news outlets reported that Allen Scott, an executive at Another Planet Entertainment, had earlier bought Perkins’ stake in the New Parish in Oakland.\u003c/p>\n\u003cp>In the background, \u003ca href=\"https://www.kqed.org/arts/13853477/how-a-club-owner-raised-ticket-fees-pocketed-bonuses-and-lost-big-in-court\">as KQED previously reported\u003c/a>, Perkins faced lawsuits from ticketing service providers Ticketfly and Crowdtorch alleging he sought and received hundreds of thousands of dollars in signing bonuses for Brick & Mortar before deliberately reneging on the contracts.\u003c/p>\n\u003cp>Crowdtorch won judgment against Perkins and O’Connor in 2017 for $323,000. Last year a judge dismissed the defendants’ appeal of a ruling favoring Ticketfly, which is now owned by Eventbrite. Ticketfly’s attorney recently filed a request for default judgment totaling $824,824.\u003c/p>\n\u003cp>Perkins’ businesses Place Pigalle in San Francisco, Leo’s Music Club in Oakland and Sierra Valley Lodge in Calpine all closed following his conflicts with city officials and property owners.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Feb. 11: The original version of this story contained an inaccurate timeline of Perkins’ divestment from the New Parish. Perkins sold his stake in the Oakland club before, not after, public outcry over his altercation with a homeless man. The story has been edited to correct the inaccuracy. An original headline also alluded to Perkins being removed from the ownership of Brick & Mortar Music Hall by his partners in the venture; one of the club’s current owners has since stated this is not the case. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Michael Rosen in January notified the San Francisco Entertainment Commission of the change in ownership, as required by the venue’s entertainment permit, saying the Brick & Mortar is now run by Michael O’Connor, Barry Smyth of the Crafty Fox Ale House and himself.\u003c/p>\n\u003cp>“We’re looking to get a new sense of goodwill in the community,” Rosen said, without mentioning Perkins. Rosen described “initiatives that can communicate a different approach to running the business than in the past,” including flyering for an informational community event.\u003c/p>\n\u003cp>O’Connor, previously Perkins’ partner in several businesses under the now-defunct Parish Entertainment Group, said the venue renewed its lease for ten years in December and declined to comment further. The extension runs against a trend of small- to mid-sized independent venues \u003ca href=\"https://www.kqed.org/arts/13873227/amnesia-is-the-latest-san-francisco-music-venue-to-close\">closing\u003c/a> or \u003ca href=\"https://www.kqed.org/arts/13850185/slims-great-american-music-hall-workers-axed-as-goldenvoice-expands\">ceding booking\u003c/a> to the corporate promoters Live Nation and Goldenvoice.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Brick & Mortar Music Hall’s \u003ca href=\"https://www.brickandmortarmusic.com/\">calendar\u003c/a> currently lists near-daily indie rock, hip-hop and soul events presented by promoters such as Noise Pop and Sean Healy.\u003c/p>\n\u003cp>Perkins was once the co-owner of several venues, bars and restaurants in the Bay Area and Northern California, and \u003ca href=\"https://www.kqed.org/arts/10973414/entertainment-commission-nightlife-heroes-or-instrument-of-destruction\">styled himself as a crusader\u003c/a> against public corruption while also appearing to use his short-lived music magazine to impugn local artists in unsigned editorials.\u003c/p>\n\u003cp>In recent years, however, Perkins faced costly breach-of-contract litigation as well as accusations, including from a former employee who leaked video evidence, that he harassed and accosted homeless people in the Mission District. Perkins, who didn’t respond to a request for comment, has declared in court filings that he now lives with his family in Israel.\u003c/p>\n\u003cp>The security footage showed a 2018 altercation between Perkins and a homeless man that, according to the former employee, followed Perkins leaving threatening notes on tents. (Perkins has denied leaving the notes, and said the video showed self-defense.) After the outcry, news outlets reported that Allen Scott, an executive at Another Planet Entertainment, had earlier bought Perkins’ stake in the New Parish in Oakland.\u003c/p>\n\u003cp>In the background, \u003ca href=\"https://www.kqed.org/arts/13853477/how-a-club-owner-raised-ticket-fees-pocketed-bonuses-and-lost-big-in-court\">as KQED previously reported\u003c/a>, Perkins faced lawsuits from ticketing service providers Ticketfly and Crowdtorch alleging he sought and received hundreds of thousands of dollars in signing bonuses for Brick & Mortar before deliberately reneging on the contracts.\u003c/p>\n\u003cp>Crowdtorch won judgment against Perkins and O’Connor in 2017 for $323,000. Last year a judge dismissed the defendants’ appeal of a ruling favoring Ticketfly, which is now owned by Eventbrite. Ticketfly’s attorney recently filed a request for default judgment totaling $824,824.\u003c/p>\n\u003cp>Perkins’ businesses Place Pigalle in San Francisco, Leo’s Music Club in Oakland and Sierra Valley Lodge in Calpine all closed following his conflicts with city officials and property owners.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Feb. 11: The original version of this story contained an inaccurate timeline of Perkins’ divestment from the New Parish. Perkins sold his stake in the Oakland club before, not after, public outcry over his altercation with a homeless man. The story has been edited to correct the inaccuracy. An original headline also alluded to Perkins being removed from the ownership of Brick & Mortar Music Hall by his partners in the venture; one of the club’s current owners has since stated this is not the case. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>At Sunday’s Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.\u003c/p>\n\u003cp>For the first time ever, a film in a foreign language won best picture when Bong Joon-ho’s \u003ca href=\"https://www.npr.org/2019/10/10/768638368/parasite-hooks-you-with-its-emotional-power-and-extraordinary-cunning\">\u003cem>Parasite\u003c/em>,\u003c/a> a comedy-drama-thriller about class and secrets, took the big prize. \u003ca href=\"https://www.npr.org/2019/12/10/785090210/parasite-director-bong-joon-ho-wanted-to-reflect-the-truth-of-current-times\">Bong\u003c/a> also won the awards for best director and best original screenplay. He delivered three warm and generous speeches, including one when he won for his directing and thanked fellow nominees Martin Scorsese and Quentin Tarantino for inspiring him and boosting his career, respectively. (He acknowledged Sam Mendes and Todd Phillips, too.)\u003c/p>\n\u003cp>And, while he gave most of his speeches in Korean with interpreter Sharon Choi, when he won the first one, he stopped and noted in English: “This is very first Oscar to South Korea.” The affection in the room for the film was evident every time it was mentioned, as well as in its strong haul of awards (though it absurdly landed not a single nomination for its uniformly excellent cast).\u003c/p>\n\u003cp>The evening began three and a half hours earlier with a combination of the old and the new: the kind of themed singing-dancing number that used to be the typical Oscars opening, but in the absence of a traditional host, it was performed by the thoroughly modern Janelle Monáe. A version of her own song “Come Alive” was accompanied by dancers dressed in costumes saluting not just nominated films like \u003ca href=\"https://www.npr.org/2019/10/03/765082771/joker-is-wild-ly-dull\">\u003cem>Joker\u003c/em>,\u003c/a> but also conspicuously snubbed ones — several of them, but not all, from black filmmakers — including \u003ca href=\"https://www.npr.org/2019/03/21/705470655/when-you-meet-the-enemy-and-it-is-us\">\u003cem>Us\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/11/27/782574993/a-first-date-turns-into-a-stylish-nightmare-in-queen-slim\">\u003cem>Queen and Slim\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/10/06/765150318/a-breezy-look-at-the-making-of-a-blaxploitation-classic-dolemite-is-my-name\">\u003cem>Dolemite Is My Name\u003c/em>\u003c/a> and \u003ca href=\"https://www.npr.org/2019/07/03/738422258/midsommar-shines-a-solstice-nightmare-unfolds-in-broad-daylight\">\u003cem>Midsommar\u003c/em>.\u003c/a> The monologue that followed, however, was much more creaky and awkward, despite the best efforts of Chris Rock and Steve Martin (the latter of whom regrettably blew the name of best actress nominee Cynthia Erivo).\u003c/p>\n\u003cp>The awards in general, and the ones this season in general, have been heavily criticized for how white the nominees are, the failure to nominate any women directors in a year when several made highly regarded films, and plenty of other shortfalls in inclusivity. The Academy’s discomfort with that criticism seemed evident: There may not have been a lot of performers of color among the nominees, but there were a lot among the presenters and speakers and performers. Several presenters — as well as Monáe in her opening number — made mention of the limitations at issue, which is the kind of thing that happens when people are placed in a situation they don’t want to ignore but also aren’t there to challenge \u003cem>too\u003c/em> much.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One new inclusion was a land acknowledgment — a custom that’s commonly observed in other places, including Canada, at cultural events (I’ve personally seen them at the Toronto International Film Festival). In this case, it was writer-director \u003ca href=\"https://www.npr.org/2019/10/18/771219868/director-taika-waititi-on-jojo-rabbit\">Taika Waititi,\u003c/a> nominated for\u003ca href=\"https://www.npr.org/2019/10/17/770262214/jojo-rabbit-your-reich-is-calling\"> \u003cem>Jojo Rabbit\u003c/em>,\u003c/a> who read an acknowledgment of the indigenous people who have lived on the land where the event — in this case, the Academy Awards — takes place. Whether this gesture will be followed up by any action as to the broadening of the Academy’s taste remains, of course, to be seen.\u003c/p>\n\u003cp>\u003cem>Parasite\u003c/em>‘s win for best picture stood out particularly because almost all of the other awards that had seemed likely to go a particular way did: Legendary cinematographer \u003ca href=\"https://www.wbur.org/hereandnow/2019/12/26/1917-world-war-i-cinematography\">Roger Deakins\u003c/a> won for his work on \u003ca href=\"https://www.npr.org/2019/12/24/790207374/1917-is-gripping-visceral-and-strangely-beautiful\">\u003cem>1917\u003c/em>,\u003c/a> the WWI film engineered to look like a \u003ca href=\"https://www.npr.org/2020/02/09/802248145/who-needs-high-tech-film-editing-when-theres-the-thrill-of-the-single-shot\">continuous shot. \u003c/a>Film editing is often a precursor to other big awards, and this year the winners were the editors of racing drama \u003ca href=\"https://www.npr.org/2019/11/14/777254954/ford-v-ferrari-will-get-your-heart-racing\">\u003cem>Ford v. Ferrari\u003c/em>.\u003c/a> \u003cem>Parasite \u003c/em>had been expected to win (or at least to contend strongly) in the categories of best international feature film and for Bong Joon-ho’s original screenplay. Waititi was a favorite for best adapted screenplay, which he won.\u003c/p>\n\u003cp>The acting awards this year had heavy favorites going into the ceremony: Joaquin Phoenix as best actor in \u003ca href=\"https://www.npr.org/2019/10/02/766529122/in-joker-joaquin-phoenix-gives-a-big-performance-in-a-flat-film\">\u003cem>Joker\u003c/em>, \u003c/a>Renée Zellweger as best actress in \u003ca href=\"https://www.npr.org/2019/09/26/764642573/ren-e-zellweger-dazzles-in-a-go-for-broke-portrayal-of-judy-garland\">\u003cem>Judy\u003c/em>,\u003c/a> Brad Pitt as best supporting actor in \u003ca href=\"https://www.npr.org/2019/07/25/744189964/tarantinos-turned-on-tuned-in-tinseltown-once-upon-a-time-in-hollywood\">\u003cem>Once Upon a Time in Hollywood\u003c/em> \u003c/a>and Laura Dern as best supporting actress in \u003ca href=\"https://www.npr.org/2019/11/14/775397877/a-couple-faces-the-painful-end-of-the-line-in-marriage-story\">\u003cem>Marriage Story.\u003c/em>\u003c/a> They all won. Most of them said about what you might expect (although Phoenix surprised many of us by adding to his speech about fighting injustice a mention of the cruelty of artificially inseminating cows and then stealing their offspring, while Zellweger listed many of her heroes in a speech that matched his, meander for meander).\u003c/p>\n\u003cp>The lower-profile (but critical) behind-the-scenes awards were spread across a bunch of films. Best production design went to Quentin Tarantino’s \u003cem>Once Upon a Time in Hollywood\u003c/em>, which re-created the late-’70s L.A. landscape and aesthetic with a lot of loving attention. \u003ca href=\"https://www.npr.org/2019/12/20/789740628/little-women-again-greta-gerwig-s-adaptation-is-both-faithful-and-radical\">\u003cem>Little Women\u003c/em>\u003c/a>\u003cem> \u003c/em>won its only award of the night for Jacqueline Durran’s costume design, full of beautiful dresses both fancy and not. The transformation of actors into familiar faces from the news won an award for the hair and makeup team from \u003ca href=\"https://www.npr.org/2019/12/12/787112042/bombshell-imitates-but-fails-to-enlighten\">\u003cem>Bombshell\u003c/em>.\u003c/a> The sound editing award went to \u003cem>Ford v. Ferrari\u003c/em> and both sound mixing and visual effects went to \u003cem>1917\u003c/em>.\u003c/p>\n\u003cp>The non-surprises kept coming: \u003ca href=\"https://www.npr.org/2019/06/19/733908788/to-infinity-and-be-done-after-4-films-have-we-finally-outgrown-toy-story\">\u003cem>Toy Story 4\u003c/em>\u003c/a>\u003cem> \u003c/em>won best animated feature. Best documentary feature was awarded to \u003ca href=\"https://www.npr.org/2019/08/23/753109643/work-cultures-clash-when-a-chinese-company-reopens-an-american-factory\">\u003cem>American Factory\u003c/em>,\u003c/a> which boasts Barack and Michelle Obama as producers and which comes from Netflix. \u003ca href=\"https://www.npr.org/local/309/2020/02/06/802739449/animated-short-hair-love-brings-diverse-storytelling-to-the-oscars\">\u003cem>Hair Love\u003c/em>,\u003c/a> a lovely film about a father learning to do his daughter’s hair for the first time, written and directed by Matthew A. Cherry, won best animated short, and Cherry dedicated the award to Kobe Bryant: “May we all have a second act as great as his was.” Best live action short film went to \u003cem>The Neighbor’s Window\u003c/em>, and best documentary short subject went to \u003cem>Learning to Skateboard in a Warzone (If You’re a Girl)\u003c/em>.\u003c/p>\n\u003cp>The nominated \u003ca href=\"https://www.npr.org/2020/02/07/803636380/the-2020-oscars-best-original-song-nominees-cruelly-ranked\">best original songs\u003c/a> were performed on stage as usual. Introducer Josh Gad had some fun pointing out that Idina Menzel’s name is “pronounced exactly as it’s spelled” (take that, John Travolta) before she performed “Into the Unknown” from\u003ca href=\"https://www.npr.org/2019/11/20/779284364/frozen-ii-lets-it-go-darker\"> \u003cem>Frozen 2\u003c/em>\u003c/a>. Menzel was joined by some of the singers who have performed the song in other languages in one of the evening’s better innovations. Chrissy Metz performed “I’m Standing With You” from \u003cem>Breakthrough\u003c/em>, accompanied by the choir that’s nearly obligatory. Randy Newman performed “I Can’t Let You Throw Yourself Away” from \u003cem>Toy Story 4\u003c/em>, and Cynthia Erivo (also nominated for best actress) performed the song “Stand Up (From \u003cem>Harriet\u003c/em>),” which, as its title suggests, is from \u003cem>Harriet\u003c/em>. Elton John performed “(I’m Gonna) Love Me Again” from\u003ca href=\"https://www.npr.org/2019/05/31/728226594/elton-john-biopic-rocketman-is-a-surprising-song-and-dance-spectacular\"> \u003cem>Rocketman\u003c/em>,\u003c/a> seemingly hamstrung by a bad sound mix.\u003c/p>\n\u003cp>When they’d all been heard, “I’m Gonna Love Me Again” was victorious. Hildur Guðnadóttir won best original score for her work on \u003cem>Joker\u003c/em>.\u003c/p>\n\u003cp>The musical moment you probably would not have expected — because, really, who could? — was that actor Anthony Ramos introduced Lin-Manuel Miranda; Lin-Manuel Miranda introduced a montage saluting the music used in movies over many decades; and that montage led to Eminem performing the Oscar-winning “Lose Yourself” from \u003cem>8 Mile\u003c/em>, to which the audience responded rapturously. It wasn’t an obvious move to throw in that performance, given that it’s not celebrating any kind of round-numbered anniversary; it won at the 2003 ceremony, though Eminem didn’t perform it then. But it made people happy and got the crowd going like nothing else did all evening except \u003cem>Parasite \u003c/em>winning awards, and there’s something to be said for that. Not long after, there was a recap rap from Utkarsh Ambudkar, an actor who appeared this year in \u003ca href=\"https://www.npr.org/2019/08/22/752755460/a-fun-but-familiar-story-of-making-yourself-over-in-brittany-runs-a-marathon\">\u003cem>Brittany Runs a Marathon\u003c/em>,\u003c/a> reminding everyone what had happened so far. That’s a lot of rap for an Oscars ceremony.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Last year’s ceremony also went without a host, and it wound up being dominated by the actual wins and losses. That made big nights for \u003ca href=\"https://www.npr.org/2018/11/21/669234619/green-book-offers-by-the-book-uplift\">\u003cem>Green Book \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2018/11/01/660969118/no-bed-of-roses-no-pleasure-cruise-bohemian-rhapsody\">\u003cem>Bohemian Rhapsody\u003c/em>, \u003c/a>neither of which seemed to excite the crowd, very disappointing. But this year, the fact that there’s good feeling around so many different films — and enormous respect and love for both \u003cem>Parasite \u003c/em>and Bong Joon-ho — means that this ceremony fared much better. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+The+Oscars%2C+%27Parasite%27+Makes+Best+Picture+History&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At Sunday’s Oscars, on a night when almost everything went as planned and as usual, the one true surprise came in the biggest moment of all.\u003c/p>\n\u003cp>For the first time ever, a film in a foreign language won best picture when Bong Joon-ho’s \u003ca href=\"https://www.npr.org/2019/10/10/768638368/parasite-hooks-you-with-its-emotional-power-and-extraordinary-cunning\">\u003cem>Parasite\u003c/em>,\u003c/a> a comedy-drama-thriller about class and secrets, took the big prize. \u003ca href=\"https://www.npr.org/2019/12/10/785090210/parasite-director-bong-joon-ho-wanted-to-reflect-the-truth-of-current-times\">Bong\u003c/a> also won the awards for best director and best original screenplay. He delivered three warm and generous speeches, including one when he won for his directing and thanked fellow nominees Martin Scorsese and Quentin Tarantino for inspiring him and boosting his career, respectively. (He acknowledged Sam Mendes and Todd Phillips, too.)\u003c/p>\n\u003cp>And, while he gave most of his speeches in Korean with interpreter Sharon Choi, when he won the first one, he stopped and noted in English: “This is very first Oscar to South Korea.” The affection in the room for the film was evident every time it was mentioned, as well as in its strong haul of awards (though it absurdly landed not a single nomination for its uniformly excellent cast).\u003c/p>\n\u003cp>The evening began three and a half hours earlier with a combination of the old and the new: the kind of themed singing-dancing number that used to be the typical Oscars opening, but in the absence of a traditional host, it was performed by the thoroughly modern Janelle Monáe. A version of her own song “Come Alive” was accompanied by dancers dressed in costumes saluting not just nominated films like \u003ca href=\"https://www.npr.org/2019/10/03/765082771/joker-is-wild-ly-dull\">\u003cem>Joker\u003c/em>,\u003c/a> but also conspicuously snubbed ones — several of them, but not all, from black filmmakers — including \u003ca href=\"https://www.npr.org/2019/03/21/705470655/when-you-meet-the-enemy-and-it-is-us\">\u003cem>Us\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/11/27/782574993/a-first-date-turns-into-a-stylish-nightmare-in-queen-slim\">\u003cem>Queen and Slim\u003c/em>,\u003c/a> \u003ca href=\"https://www.npr.org/2019/10/06/765150318/a-breezy-look-at-the-making-of-a-blaxploitation-classic-dolemite-is-my-name\">\u003cem>Dolemite Is My Name\u003c/em>\u003c/a> and \u003ca href=\"https://www.npr.org/2019/07/03/738422258/midsommar-shines-a-solstice-nightmare-unfolds-in-broad-daylight\">\u003cem>Midsommar\u003c/em>.\u003c/a> The monologue that followed, however, was much more creaky and awkward, despite the best efforts of Chris Rock and Steve Martin (the latter of whom regrettably blew the name of best actress nominee Cynthia Erivo).\u003c/p>\n\u003cp>The awards in general, and the ones this season in general, have been heavily criticized for how white the nominees are, the failure to nominate any women directors in a year when several made highly regarded films, and plenty of other shortfalls in inclusivity. The Academy’s discomfort with that criticism seemed evident: There may not have been a lot of performers of color among the nominees, but there were a lot among the presenters and speakers and performers. Several presenters — as well as Monáe in her opening number — made mention of the limitations at issue, which is the kind of thing that happens when people are placed in a situation they don’t want to ignore but also aren’t there to challenge \u003cem>too\u003c/em> much.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One new inclusion was a land acknowledgment — a custom that’s commonly observed in other places, including Canada, at cultural events (I’ve personally seen them at the Toronto International Film Festival). In this case, it was writer-director \u003ca href=\"https://www.npr.org/2019/10/18/771219868/director-taika-waititi-on-jojo-rabbit\">Taika Waititi,\u003c/a> nominated for\u003ca href=\"https://www.npr.org/2019/10/17/770262214/jojo-rabbit-your-reich-is-calling\"> \u003cem>Jojo Rabbit\u003c/em>,\u003c/a> who read an acknowledgment of the indigenous people who have lived on the land where the event — in this case, the Academy Awards — takes place. Whether this gesture will be followed up by any action as to the broadening of the Academy’s taste remains, of course, to be seen.\u003c/p>\n\u003cp>\u003cem>Parasite\u003c/em>‘s win for best picture stood out particularly because almost all of the other awards that had seemed likely to go a particular way did: Legendary cinematographer \u003ca href=\"https://www.wbur.org/hereandnow/2019/12/26/1917-world-war-i-cinematography\">Roger Deakins\u003c/a> won for his work on \u003ca href=\"https://www.npr.org/2019/12/24/790207374/1917-is-gripping-visceral-and-strangely-beautiful\">\u003cem>1917\u003c/em>,\u003c/a> the WWI film engineered to look like a \u003ca href=\"https://www.npr.org/2020/02/09/802248145/who-needs-high-tech-film-editing-when-theres-the-thrill-of-the-single-shot\">continuous shot. \u003c/a>Film editing is often a precursor to other big awards, and this year the winners were the editors of racing drama \u003ca href=\"https://www.npr.org/2019/11/14/777254954/ford-v-ferrari-will-get-your-heart-racing\">\u003cem>Ford v. Ferrari\u003c/em>.\u003c/a> \u003cem>Parasite \u003c/em>had been expected to win (or at least to contend strongly) in the categories of best international feature film and for Bong Joon-ho’s original screenplay. Waititi was a favorite for best adapted screenplay, which he won.\u003c/p>\n\u003cp>The acting awards this year had heavy favorites going into the ceremony: Joaquin Phoenix as best actor in \u003ca href=\"https://www.npr.org/2019/10/02/766529122/in-joker-joaquin-phoenix-gives-a-big-performance-in-a-flat-film\">\u003cem>Joker\u003c/em>, \u003c/a>Renée Zellweger as best actress in \u003ca href=\"https://www.npr.org/2019/09/26/764642573/ren-e-zellweger-dazzles-in-a-go-for-broke-portrayal-of-judy-garland\">\u003cem>Judy\u003c/em>,\u003c/a> Brad Pitt as best supporting actor in \u003ca href=\"https://www.npr.org/2019/07/25/744189964/tarantinos-turned-on-tuned-in-tinseltown-once-upon-a-time-in-hollywood\">\u003cem>Once Upon a Time in Hollywood\u003c/em> \u003c/a>and Laura Dern as best supporting actress in \u003ca href=\"https://www.npr.org/2019/11/14/775397877/a-couple-faces-the-painful-end-of-the-line-in-marriage-story\">\u003cem>Marriage Story.\u003c/em>\u003c/a> They all won. Most of them said about what you might expect (although Phoenix surprised many of us by adding to his speech about fighting injustice a mention of the cruelty of artificially inseminating cows and then stealing their offspring, while Zellweger listed many of her heroes in a speech that matched his, meander for meander).\u003c/p>\n\u003cp>The lower-profile (but critical) behind-the-scenes awards were spread across a bunch of films. Best production design went to Quentin Tarantino’s \u003cem>Once Upon a Time in Hollywood\u003c/em>, which re-created the late-’70s L.A. landscape and aesthetic with a lot of loving attention. \u003ca href=\"https://www.npr.org/2019/12/20/789740628/little-women-again-greta-gerwig-s-adaptation-is-both-faithful-and-radical\">\u003cem>Little Women\u003c/em>\u003c/a>\u003cem> \u003c/em>won its only award of the night for Jacqueline Durran’s costume design, full of beautiful dresses both fancy and not. The transformation of actors into familiar faces from the news won an award for the hair and makeup team from \u003ca href=\"https://www.npr.org/2019/12/12/787112042/bombshell-imitates-but-fails-to-enlighten\">\u003cem>Bombshell\u003c/em>.\u003c/a> The sound editing award went to \u003cem>Ford v. Ferrari\u003c/em> and both sound mixing and visual effects went to \u003cem>1917\u003c/em>.\u003c/p>\n\u003cp>The non-surprises kept coming: \u003ca href=\"https://www.npr.org/2019/06/19/733908788/to-infinity-and-be-done-after-4-films-have-we-finally-outgrown-toy-story\">\u003cem>Toy Story 4\u003c/em>\u003c/a>\u003cem> \u003c/em>won best animated feature. Best documentary feature was awarded to \u003ca href=\"https://www.npr.org/2019/08/23/753109643/work-cultures-clash-when-a-chinese-company-reopens-an-american-factory\">\u003cem>American Factory\u003c/em>,\u003c/a> which boasts Barack and Michelle Obama as producers and which comes from Netflix. \u003ca href=\"https://www.npr.org/local/309/2020/02/06/802739449/animated-short-hair-love-brings-diverse-storytelling-to-the-oscars\">\u003cem>Hair Love\u003c/em>,\u003c/a> a lovely film about a father learning to do his daughter’s hair for the first time, written and directed by Matthew A. Cherry, won best animated short, and Cherry dedicated the award to Kobe Bryant: “May we all have a second act as great as his was.” Best live action short film went to \u003cem>The Neighbor’s Window\u003c/em>, and best documentary short subject went to \u003cem>Learning to Skateboard in a Warzone (If You’re a Girl)\u003c/em>.\u003c/p>\n\u003cp>The nominated \u003ca href=\"https://www.npr.org/2020/02/07/803636380/the-2020-oscars-best-original-song-nominees-cruelly-ranked\">best original songs\u003c/a> were performed on stage as usual. Introducer Josh Gad had some fun pointing out that Idina Menzel’s name is “pronounced exactly as it’s spelled” (take that, John Travolta) before she performed “Into the Unknown” from\u003ca href=\"https://www.npr.org/2019/11/20/779284364/frozen-ii-lets-it-go-darker\"> \u003cem>Frozen 2\u003c/em>\u003c/a>. Menzel was joined by some of the singers who have performed the song in other languages in one of the evening’s better innovations. Chrissy Metz performed “I’m Standing With You” from \u003cem>Breakthrough\u003c/em>, accompanied by the choir that’s nearly obligatory. Randy Newman performed “I Can’t Let You Throw Yourself Away” from \u003cem>Toy Story 4\u003c/em>, and Cynthia Erivo (also nominated for best actress) performed the song “Stand Up (From \u003cem>Harriet\u003c/em>),” which, as its title suggests, is from \u003cem>Harriet\u003c/em>. Elton John performed “(I’m Gonna) Love Me Again” from\u003ca href=\"https://www.npr.org/2019/05/31/728226594/elton-john-biopic-rocketman-is-a-surprising-song-and-dance-spectacular\"> \u003cem>Rocketman\u003c/em>,\u003c/a> seemingly hamstrung by a bad sound mix.\u003c/p>\n\u003cp>When they’d all been heard, “I’m Gonna Love Me Again” was victorious. Hildur Guðnadóttir won best original score for her work on \u003cem>Joker\u003c/em>.\u003c/p>\n\u003cp>The musical moment you probably would not have expected — because, really, who could? — was that actor Anthony Ramos introduced Lin-Manuel Miranda; Lin-Manuel Miranda introduced a montage saluting the music used in movies over many decades; and that montage led to Eminem performing the Oscar-winning “Lose Yourself” from \u003cem>8 Mile\u003c/em>, to which the audience responded rapturously. It wasn’t an obvious move to throw in that performance, given that it’s not celebrating any kind of round-numbered anniversary; it won at the 2003 ceremony, though Eminem didn’t perform it then. But it made people happy and got the crowd going like nothing else did all evening except \u003cem>Parasite \u003c/em>winning awards, and there’s something to be said for that. Not long after, there was a recap rap from Utkarsh Ambudkar, an actor who appeared this year in \u003ca href=\"https://www.npr.org/2019/08/22/752755460/a-fun-but-familiar-story-of-making-yourself-over-in-brittany-runs-a-marathon\">\u003cem>Brittany Runs a Marathon\u003c/em>,\u003c/a> reminding everyone what had happened so far. That’s a lot of rap for an Oscars ceremony.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last year’s ceremony also went without a host, and it wound up being dominated by the actual wins and losses. That made big nights for \u003ca href=\"https://www.npr.org/2018/11/21/669234619/green-book-offers-by-the-book-uplift\">\u003cem>Green Book \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2018/11/01/660969118/no-bed-of-roses-no-pleasure-cruise-bohemian-rhapsody\">\u003cem>Bohemian Rhapsody\u003c/em>, \u003c/a>neither of which seemed to excite the crowd, very disappointing. But this year, the fact that there’s good feeling around so many different films — and enormous respect and love for both \u003cem>Parasite \u003c/em>and Bong Joon-ho — means that this ceremony fared much better. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=At+The+Oscars%2C+%27Parasite%27+Makes+Best+Picture+History&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Iranian-Canadian artist \u003ca href=\"https://shirinfahimi.com/work\" rel=\"noopener noreferrer\" target=\"_blank\">Shirin Fahimi\u003c/a>, scheduled to perform on Friday at San Francisco’s CounterPulse, was denied entry to the United States on Tuesday. Her two-person performance with \u003ca href=\"http://www.morehshin.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Morehshin Allahyari\u003c/a> will continue, says co-presenting arts nonprofit Southern Exposure, as “a resilient, unbending adaptation of the original piece.”\u003c/p>\n\u003cp>Fahimi was scheduled to take a direct flight from Toronto to San Francisco when she was stopped by Toronto-based U.S. border officials, questioned and not allowed to board her flight. Fahimi, who was born in Iran, is a Canadian citizen and carries a Canadian passport. Canadian citizens do not require visas to visit the U.S. and Fahimi has traveled here many times since 2018 without issue, a \u003ca href=\"https://soex.org/news/2020/02/06/important-update-breaching-towards-other-futures\" rel=\"noopener noreferrer\" target=\"_blank\">joint announcement\u003c/a> from Counterpulse and Southern Exposure explained. \u003c/p>\n\u003cp>Her performance with New York-based Allahyari, titled \u003ci>\u003ca href=\"https://counterpulse.org/event/breaching-towards-futures/\" rel=\"noopener noreferrer\" target=\"_blank\">Breaching Towards Other Futures\u003c/a>\u003c/i>, sources material from Middle Eastern mythology and is staged in conjunction with Southern Exposure’s ongoing exhibition \u003ci>\u003ca href=\"https://soex.org/projects-exhibitions/where-do-you-want-ghosts-reside\" rel=\"noopener noreferrer\" target=\"_blank\">Where do you want ghosts to reside?\u003c/a>\u003c/i> \u003c/p>\n\u003cp>Fahimi posted about the events on social media, writing, “Sharing this experience in case someone else has a similar situation.” She detailed the process of going through passport check and getting called into a security room filled with monitors showing her own image. During questioning by a U.S. official, Fahimi says she was asked if she is Muslim, why she immigrated to Canada, if she was happy with the Iranian government and why her husband’s family name is so long. \u003c/p>\n\u003cp>“Have you ever been asked what is your religion when crossing the border?” she wrote on Instagram. “Have you ever needed to explain your spiritual existence for your trip to the U.S.?”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Local arts organizations have noted a rise in both the \u003ca href=\"https://www.kqed.org/arts/13859794/trumps-extreme-vetting-hurts-the-arts-discourages-cultural-exchange-experts-say\" rel=\"noopener noreferrer\" target=\"_blank\">delay and denial of artist visas\u003c/a> in recent years, coinciding with President Trump’s policy of “extreme vetting,” but Fahimi’s situation is different—no paperwork is necessary for Canadian citizens to travel to the United States. Yet, \u003ca href=\"https://www.cnn.com/2020/01/30/politics/memo-border-officers-iran-soleimani/index.html\" rel=\"noopener noreferrer\" target=\"_blank\">an internal memo\u003c/a> recently obtained by CNN suggests that Customs and Border Protection (CBP) officers working in Canadian ports of entry were directed to detain and question travelers of Iranian descent in early January, following the death of Iranian Maj. Gen. Qassem Soleimani.[aside postID='arts_13874154,arts_13873186,arts_13859794' label='Related Coverage']\u003c/p>\n\u003cp>Brittney Rezaei, an immigrants’ rights attorney for the \u003ca href=\"https://www.cair.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Council on American-Islamic Relations\u003c/a>, explains there is an exemption in President Trump’s travel ban that applies to dual citizens like Fahimi, but that CBP has a lot of discretion and authority to decide if a person can enter the country. “The policies of CBP and ICE are effecting more and more people,” she says, including students and artists.\u003c/p>\n\u003cp>“Once denied, it is generally harder for a person to come into the U.S. the next time,” Rezaei says. Experiences like Fahimi’s make people afraid to travel, she notes. “It makes them feel like there’s something wrong with who they are. It silences the sharing of information, especially the exchange of art and culture.” \u003c/p>\n\u003cp>“Part of what’s so hard is that we don’t know what happened,” says Margaret McCarthy, Southern Exposure’s executive director and co-director. “We don’t know what to do differently next time. We’re certainly not interested in becoming more conservative or timid in the artists we work with or that the curatorial council invites to participate.” \u003ci>Where do you want ghosts to reside?\u003c/i> and \u003ci>Breaching Towards Other Futures\u003c/i> were curated by artists Azin Seraj and Zulfikar Ali Bhutto.\u003c/p>\n\u003cp>In the announcement, Southern Exposure and CounterPulse took a firm stance on the U.S. government’s policies regarding Iran and its citizens. “What we do know is that the work that the current White House administration is doing to disrupt lives and dismantle communities is fundamentally unjust and borne of generations of structural bias and hatred,” the statement reads.\u003c/p>\n\u003cp>“This is a traumatic experience, I think, for Shirin to go through this kind of questioning and for both artists to face this kind of obstacle in creating their work,” says Valerie Imus, Southern Exposure’s artistic director and co-director. “But they’re both incredibly strong and thoughtful people and have forged ahead and have created a brand new variation on this piece that responds to this moment.”\u003c/p>\n\u003cp>Fahimi and Allahyari are working to create a new version of their performance, which will take place tonight at CounterPulse, as scheduled. Fahimi will Skype in live to participate. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As Imus says, “They are doing the simple and radical act of continuing to make art at this moment.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Iranian-Canadian artist \u003ca href=\"https://shirinfahimi.com/work\" rel=\"noopener noreferrer\" target=\"_blank\">Shirin Fahimi\u003c/a>, scheduled to perform on Friday at San Francisco’s CounterPulse, was denied entry to the United States on Tuesday. Her two-person performance with \u003ca href=\"http://www.morehshin.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Morehshin Allahyari\u003c/a> will continue, says co-presenting arts nonprofit Southern Exposure, as “a resilient, unbending adaptation of the original piece.”\u003c/p>\n\u003cp>Fahimi was scheduled to take a direct flight from Toronto to San Francisco when she was stopped by Toronto-based U.S. border officials, questioned and not allowed to board her flight. Fahimi, who was born in Iran, is a Canadian citizen and carries a Canadian passport. Canadian citizens do not require visas to visit the U.S. and Fahimi has traveled here many times since 2018 without issue, a \u003ca href=\"https://soex.org/news/2020/02/06/important-update-breaching-towards-other-futures\" rel=\"noopener noreferrer\" target=\"_blank\">joint announcement\u003c/a> from Counterpulse and Southern Exposure explained. \u003c/p>\n\u003cp>Her performance with New York-based Allahyari, titled \u003ci>\u003ca href=\"https://counterpulse.org/event/breaching-towards-futures/\" rel=\"noopener noreferrer\" target=\"_blank\">Breaching Towards Other Futures\u003c/a>\u003c/i>, sources material from Middle Eastern mythology and is staged in conjunction with Southern Exposure’s ongoing exhibition \u003ci>\u003ca href=\"https://soex.org/projects-exhibitions/where-do-you-want-ghosts-reside\" rel=\"noopener noreferrer\" target=\"_blank\">Where do you want ghosts to reside?\u003c/a>\u003c/i> \u003c/p>\n\u003cp>Fahimi posted about the events on social media, writing, “Sharing this experience in case someone else has a similar situation.” She detailed the process of going through passport check and getting called into a security room filled with monitors showing her own image. During questioning by a U.S. official, Fahimi says she was asked if she is Muslim, why she immigrated to Canada, if she was happy with the Iranian government and why her husband’s family name is so long. \u003c/p>\n\u003cp>“Have you ever been asked what is your religion when crossing the border?” she wrote on Instagram. “Have you ever needed to explain your spiritual existence for your trip to the U.S.?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Local arts organizations have noted a rise in both the \u003ca href=\"https://www.kqed.org/arts/13859794/trumps-extreme-vetting-hurts-the-arts-discourages-cultural-exchange-experts-say\" rel=\"noopener noreferrer\" target=\"_blank\">delay and denial of artist visas\u003c/a> in recent years, coinciding with President Trump’s policy of “extreme vetting,” but Fahimi’s situation is different—no paperwork is necessary for Canadian citizens to travel to the United States. Yet, \u003ca href=\"https://www.cnn.com/2020/01/30/politics/memo-border-officers-iran-soleimani/index.html\" rel=\"noopener noreferrer\" target=\"_blank\">an internal memo\u003c/a> recently obtained by CNN suggests that Customs and Border Protection (CBP) officers working in Canadian ports of entry were directed to detain and question travelers of Iranian descent in early January, following the death of Iranian Maj. Gen. Qassem Soleimani.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Brittney Rezaei, an immigrants’ rights attorney for the \u003ca href=\"https://www.cair.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Council on American-Islamic Relations\u003c/a>, explains there is an exemption in President Trump’s travel ban that applies to dual citizens like Fahimi, but that CBP has a lot of discretion and authority to decide if a person can enter the country. “The policies of CBP and ICE are effecting more and more people,” she says, including students and artists.\u003c/p>\n\u003cp>“Once denied, it is generally harder for a person to come into the U.S. the next time,” Rezaei says. Experiences like Fahimi’s make people afraid to travel, she notes. “It makes them feel like there’s something wrong with who they are. It silences the sharing of information, especially the exchange of art and culture.” \u003c/p>\n\u003cp>“Part of what’s so hard is that we don’t know what happened,” says Margaret McCarthy, Southern Exposure’s executive director and co-director. “We don’t know what to do differently next time. We’re certainly not interested in becoming more conservative or timid in the artists we work with or that the curatorial council invites to participate.” \u003ci>Where do you want ghosts to reside?\u003c/i> and \u003ci>Breaching Towards Other Futures\u003c/i> were curated by artists Azin Seraj and Zulfikar Ali Bhutto.\u003c/p>\n\u003cp>In the announcement, Southern Exposure and CounterPulse took a firm stance on the U.S. government’s policies regarding Iran and its citizens. “What we do know is that the work that the current White House administration is doing to disrupt lives and dismantle communities is fundamentally unjust and borne of generations of structural bias and hatred,” the statement reads.\u003c/p>\n\u003cp>“This is a traumatic experience, I think, for Shirin to go through this kind of questioning and for both artists to face this kind of obstacle in creating their work,” says Valerie Imus, Southern Exposure’s artistic director and co-director. “But they’re both incredibly strong and thoughtful people and have forged ahead and have created a brand new variation on this piece that responds to this moment.”\u003c/p>\n\u003cp>Fahimi and Allahyari are working to create a new version of their performance, which will take place tonight at CounterPulse, as scheduled. Fahimi will Skype in live to participate. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As Imus says, “They are doing the simple and radical act of continuing to make art at this moment.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Long Before Politics at the Oscars Was a Thing, There Was Sacheen Littlefeather",
"title": "Long Before Politics at the Oscars Was a Thing, There Was Sacheen Littlefeather",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”\u003c/p>\n\u003cp>Instead, they got Sacheen Littlefeather.\u003c/p>\n\u003cp>From John Legend's stand against incarceration to Patricia Arquette's call for equal pay for women — political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all.\u003c/p>\n\u003cp>\u003ciframe title=\"9 Times the Oscars Got Political\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/OrK3jr0lewA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But Littlefeather's actions as the first indigenous person to use the Oscars as a platform to protest the mistreatment of her people in 1973 continue to stand out to this day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Hello, my name is Sacheen Littlefeather,\" said the 20-something California actress and activist as she stood under the lights. She was dressed in tribal dress and waving several pages of paper covered with typed text Brando had given her to read out that evening. \"He has asked me to tell you in a very long speech, which I cannot share with you presently because of time, but I will be glad to share with the press afterwards, that he very regretfully cannot accept this very generous award.\"\u003c/p>\n\u003cp>Littlefeather’s face lit up TV sets in more than \u003ca href=\"https://tvbythenumbers.zap2it.com/reference/academy-awards-show-ratings/\" target=\"_blank\" rel=\"noopener noreferrer\">24 million homes\u003c/a>, as she explained Brando’s decision to boycott the high-profile event and send her in his place.\u003c/p>\n\u003cp>\"And the reasons for this being the treatment of American Indians today by the film industry,\" she went on against a chorus of boos and cheers. \"And on television, in movie reruns and also with recent happenings at Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Marlon Brando's Oscar® win for "The Godfather"\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/2QUacU0I4yU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Littlefeather, who's half Apache and half white, is now in her seventies. She lives in Novato, a town about an hour north of San Francisco. Her speech about the representation of indigenous people on screen — and the U.S. government's recent suppression of Native American protesters at Wounded Knee on the Pine Ridge Reservation in South Dakota — may have been short, but she said it caused an immediate uproar.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sacheen Littlefeather\"]'A lot of people were making money off of that racism of the Hollywood Indian. Of course, they’re going to boo. They don't want their evening interrupted.'[/pullquote]\u003c/p>\n\u003cp>\"All hell broke loose,\" she said, recalling the memory of being escorted off stage by a team of security guards when her 60 seconds were up.\u003c/p>\n\u003cp>Littlefeather said she narrowly avoided getting into a scrap with John Wayne in the wings. He was the biggest name in old-school westerns, which were riddled with negative stereotypes of Native Americans.\u003c/p>\n\u003cp>\"A lot of people were making money off of that racism of the Hollywood Indian,\" Littlefeather said. \"Of course, they’re going to boo. They don't want their evening interrupted.\"\u003c/p>\n\u003cp>\u003ciframe title=\"The Searchers (1956) - Cowboys vs. Indians Scene (4/10) | Movieclips\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/dc8glsGbIus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\"People were furious at Marlon Brando, that he had blindsided and ambushed them,\" said Bay Area-based film critic Michael Fox, who remembers watching the 1973 Oscars as a teenager and seeing the incident recaptured in the papers the next day. \"I'm sure the industry took it as a betrayal.\"\u003c/p>\n\u003cp>Littlefeather was living in San Francisco as a radio personality and Native American rights activist — she'd participated in the Native occupation of Alcatraz in the late 1960s — when Brando started speaking publicly about his support of Native Americans.\u003c/p>\n\u003cp>She said she was skeptical at first. So she got her neighbor, director Francis Ford Coppola, to deliver the movie star a letter she wrote that quizzed him about his intentions.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Sacheen Littlefeather\"]'I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role, but a role being anything on the screen that you want to be.'[/pullquote]\u003c/p>\n\u003cp>\"It took him a year to get back to me,\" she said. \"But eventually he did.\"\u003c/p>\n\u003cp>Littlefeather said she could see Brando was sincere from his response. They began a friendship, which led to his request for her to stand in for him at the Oscars.\u003c/p>\n\u003cp>She said her stand at the 1973 Oscars wasn’t in vain.\u003c/p>\n\u003cp>\"The press showed up in South Dakota,\" she said. \"And they blasted open the story of Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Feb 28, 1973 Surveying Damage at Wounded Knee Video ABC News\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Y1l1ACpRYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But it ruined her career in the entertainment industry.\u003c/p>\n\u003cp>\"I was boycotted from that time forward,\" said the actress, who appeared in a few films — like the 1973 release \"Counselor at Crime\" — before the work dried up. \"I was never allowed on any of the major television shows, major productions of films.\"\u003c/p>\n\u003cp>\u003ciframe title='Sexy Sacheen Littlefeather on \"Counselor at Crime\" (Il Consigliori, 1973)' width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/8Kv1oc7IxY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>There still aren’t many lead roles for Native Americans today. But things are slowly changing.\u003c/p>\n\u003cp>Apache actress Sivan Alyra Rose recently became the first indigenous North American to star in a Netflix series,\"\u003ca href=\"https://www.netflix.com/title/80210361\" target=\"_blank\" rel=\"noopener noreferrer\">Chambers,\u003c/a>\" last year. Also in 2019, Cherokee actor \u003ca href=\"https://www.wbur.org/hereandnow/2019/07/02/wes-studi-oscar-native-american\" target=\"_blank\" rel=\"noopener noreferrer\">Wes Studi won an honorary Academy Award\u003c/a>, becoming the first Native American to win an Oscar since songwriter Buffy Sainte-Marie received a nod for her theme song \"Up Where We Belong\" from the movie \"An Officer and a Gentleman\" in 1983.\u003c/p>\n\u003cp>\u003ciframe title='\"Up Where We Belong\" Wins Original Song: 1983 Oscars' width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/YMRP0HVD63g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.commonwealthclub.org/events/archive/podcast/sacheen-littlefeather-and-sivan-alyra-rose-native-americans-film-and-media\" target=\"_blank\" rel=\"noopener noreferrer\">recent Commonwealth Club talk\u003c/a> in San Francisco, Oglala Lakota film producer Sarah Eagle Heart credited Littlefeather with paving the way for people like her.\u003c/p>\n\u003cp>\"Those of us that had to come afterwards in the industry, I know are grateful for you standing up and fighting for us to have a voice and for our issues to be heard as well,\" Eagle Heart said.\u003c/p>\n\u003cp>Littlefeather was a special guest at that event.\u003c/p>\n\u003cp>\"This is one of the reasons why I refused that Academy Award,\" Littlefeather responded. \"I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role but a role being anything on the screen that you want to be.\"\u003c/p>\n\u003cp>\u003ciframe title=\"SACHEEN, Breaking the silence OFFICIAL TRAILER\" src=\"https://player.vimeo.com/video/316908967?dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Littlefeather shares information about her life, activism and pioneering stand at the 45th Academy Awards in the recently released documentary, \"Sacheen, Breaking the Silence.\"\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The night of the 45th Academy Awards, the tuxedo’d and tiara’d denizens of Hollywood expected Marlon Brando to show up on stage and accept his best actor accolade for “The Godfather.”\u003c/p>\n\u003cp>Instead, they got Sacheen Littlefeather.\u003c/p>\n\u003cp>From John Legend's stand against incarceration to Patricia Arquette's call for equal pay for women — political statements at the Oscars have become so commonplace in recent times, it’s hard to keep track of them all.\u003c/p>\n\u003cp>\u003ciframe title=\"9 Times the Oscars Got Political\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/OrK3jr0lewA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But Littlefeather's actions as the first indigenous person to use the Oscars as a platform to protest the mistreatment of her people in 1973 continue to stand out to this day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Hello, my name is Sacheen Littlefeather,\" said the 20-something California actress and activist as she stood under the lights. She was dressed in tribal dress and waving several pages of paper covered with typed text Brando had given her to read out that evening. \"He has asked me to tell you in a very long speech, which I cannot share with you presently because of time, but I will be glad to share with the press afterwards, that he very regretfully cannot accept this very generous award.\"\u003c/p>\n\u003cp>Littlefeather’s face lit up TV sets in more than \u003ca href=\"https://tvbythenumbers.zap2it.com/reference/academy-awards-show-ratings/\" target=\"_blank\" rel=\"noopener noreferrer\">24 million homes\u003c/a>, as she explained Brando’s decision to boycott the high-profile event and send her in his place.\u003c/p>\n\u003cp>\"And the reasons for this being the treatment of American Indians today by the film industry,\" she went on against a chorus of boos and cheers. \"And on television, in movie reruns and also with recent happenings at Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Marlon Brando's Oscar® win for "The Godfather"\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/2QUacU0I4yU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Littlefeather, who's half Apache and half white, is now in her seventies. She lives in Novato, a town about an hour north of San Francisco. Her speech about the representation of indigenous people on screen — and the U.S. government's recent suppression of Native American protesters at Wounded Knee on the Pine Ridge Reservation in South Dakota — may have been short, but she said it caused an immediate uproar.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"All hell broke loose,\" she said, recalling the memory of being escorted off stage by a team of security guards when her 60 seconds were up.\u003c/p>\n\u003cp>Littlefeather said she narrowly avoided getting into a scrap with John Wayne in the wings. He was the biggest name in old-school westerns, which were riddled with negative stereotypes of Native Americans.\u003c/p>\n\u003cp>\"A lot of people were making money off of that racism of the Hollywood Indian,\" Littlefeather said. \"Of course, they’re going to boo. They don't want their evening interrupted.\"\u003c/p>\n\u003cp>\u003ciframe title=\"The Searchers (1956) - Cowboys vs. Indians Scene (4/10) | Movieclips\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/dc8glsGbIus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\"People were furious at Marlon Brando, that he had blindsided and ambushed them,\" said Bay Area-based film critic Michael Fox, who remembers watching the 1973 Oscars as a teenager and seeing the incident recaptured in the papers the next day. \"I'm sure the industry took it as a betrayal.\"\u003c/p>\n\u003cp>Littlefeather was living in San Francisco as a radio personality and Native American rights activist — she'd participated in the Native occupation of Alcatraz in the late 1960s — when Brando started speaking publicly about his support of Native Americans.\u003c/p>\n\u003cp>She said she was skeptical at first. So she got her neighbor, director Francis Ford Coppola, to deliver the movie star a letter she wrote that quizzed him about his intentions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It took him a year to get back to me,\" she said. \"But eventually he did.\"\u003c/p>\n\u003cp>Littlefeather said she could see Brando was sincere from his response. They began a friendship, which led to his request for her to stand in for him at the Oscars.\u003c/p>\n\u003cp>She said her stand at the 1973 Oscars wasn’t in vain.\u003c/p>\n\u003cp>\"The press showed up in South Dakota,\" she said. \"And they blasted open the story of Wounded Knee.\"\u003c/p>\n\u003cp>\u003ciframe title=\"Feb 28, 1973 Surveying Damage at Wounded Knee Video ABC News\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Y1l1ACpRYrg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>But it ruined her career in the entertainment industry.\u003c/p>\n\u003cp>\"I was boycotted from that time forward,\" said the actress, who appeared in a few films — like the 1973 release \"Counselor at Crime\" — before the work dried up. \"I was never allowed on any of the major television shows, major productions of films.\"\u003c/p>\n\u003cp>\u003ciframe title='Sexy Sacheen Littlefeather on \"Counselor at Crime\" (Il Consigliori, 1973)' width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/8Kv1oc7IxY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>There still aren’t many lead roles for Native Americans today. But things are slowly changing.\u003c/p>\n\u003cp>Apache actress Sivan Alyra Rose recently became the first indigenous North American to star in a Netflix series,\"\u003ca href=\"https://www.netflix.com/title/80210361\" target=\"_blank\" rel=\"noopener noreferrer\">Chambers,\u003c/a>\" last year. Also in 2019, Cherokee actor \u003ca href=\"https://www.wbur.org/hereandnow/2019/07/02/wes-studi-oscar-native-american\" target=\"_blank\" rel=\"noopener noreferrer\">Wes Studi won an honorary Academy Award\u003c/a>, becoming the first Native American to win an Oscar since songwriter Buffy Sainte-Marie received a nod for her theme song \"Up Where We Belong\" from the movie \"An Officer and a Gentleman\" in 1983.\u003c/p>\n\u003cp>\u003ciframe title='\"Up Where We Belong\" Wins Original Song: 1983 Oscars' width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/YMRP0HVD63g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At a \u003ca href=\"https://www.commonwealthclub.org/events/archive/podcast/sacheen-littlefeather-and-sivan-alyra-rose-native-americans-film-and-media\" target=\"_blank\" rel=\"noopener noreferrer\">recent Commonwealth Club talk\u003c/a> in San Francisco, Oglala Lakota film producer Sarah Eagle Heart credited Littlefeather with paving the way for people like her.\u003c/p>\n\u003cp>\"Those of us that had to come afterwards in the industry, I know are grateful for you standing up and fighting for us to have a voice and for our issues to be heard as well,\" Eagle Heart said.\u003c/p>\n\u003cp>Littlefeather was a special guest at that event.\u003c/p>\n\u003cp>\"This is one of the reasons why I refused that Academy Award,\" Littlefeather responded. \"I wanted to break barriers. I wanted to see young actresses acting not specifically a cowboy and Indian role but a role being anything on the screen that you want to be.\"\u003c/p>\n\u003cp>\u003ciframe title=\"SACHEEN, Breaking the silence OFFICIAL TRAILER\" src=\"https://player.vimeo.com/video/316908967?dnt=1&app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Littlefeather shares information about her life, activism and pioneering stand at the 45th Academy Awards in the recently released documentary, \"Sacheen, Breaking the Silence.\"\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sf-pride-board-rejects-motion-to-ban-alameda-county-sheriff-google-from-celebration",
"title": "SF Pride Board Rejects Motion to Ban Alameda County Sheriff, Google from Celebration",
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"headTitle": "SF Pride Board Rejects Motion to Ban Alameda County Sheriff, Google from Celebration | KQED",
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"content": "\u003cp>Fred Lopez, executive director of San Francisco Pride, announced Wednesday that the organization would reject an \u003ca href=\"https://www.sfgate.com/file/563/5/5635-Statement%20on%20amendments%20passed%20at%20SF%20Pride%20member%20meeting%2C%20Wednesday%2C%20January%2015th%2C%202020%20%281%29.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">amendment\u003c/a> proposed by its members to ban the Alameda County Sheriff’s Office, Google and YouTube from participating in the 2020 Pride Parade.\u003c/p>\n\u003cp>“We have decided as a board there will not be a ban against Google nor the Alameda County Sheriff’s Office at this year’s Pride celebration,” Lopez said in a statement. “Instead, we are saying yes to inclusivity.”\u003c/p>\n\u003cp>SF Pride members voted in January to ban the Alameda County Sheriff’s Office from marching in uniform. The move followed the agency’s eviction enforcement action against \u003ca href=\"https://www.kqed.org/news/11795944/moms-4-housing-members-evicted-from-oakland-home-4-arrested\" target=\"_blank\" rel=\"noopener noreferrer\">Moms 4 Housing\u003c/a>, a coalition of activists and homeless mothers. The mothers and their children were occupying a previously vacant, investor-owned property in Oakland. After a judge upheld their eviction, the county sheriff’s early-morning ouster of the families—which included arrests, officers in riot gear and a bullet-resistant vehicle that resembled a military tank—drew national headlines and outcry from the public. [aside postid='arts_13857994']\u003c/p>\n\u003cp>SF Pride members also voted to ban YouTube and its parent company, Google, because of YouTube’s reluctance to censor hate speech. YouTube \u003ca href=\"https://www.vox.com/identities/2019/6/5/18653900/youtube-lgbtq-hate-speech-policy-carlos-maza-steven-crowder\" target=\"_blank\" rel=\"noopener noreferrer\">drew criticism\u003c/a> from the LGBTQ+ community and its allies in June, 2019 when Vox journalist Carlos Maza complained to the company about conservative YouTube celebrity Steven Crowder’s targeted harassment campaign against him, in which Crowder mocked the writer for his gay, Latinx identity in numerous videos. YouTube responded in a series of tweets from its official account, stating that it wouldn’t take down the videos.\u003c/p>\n\u003cp>“Opinions can be deeply offensive, but if they don’t violate our policies, they’ll remain on our site,” one of the \u003ca href=\"https://twitter.com/TeamYouTube/status/1136055805545857024\" target=\"_blank\" rel=\"noopener noreferrer\">tweets\u003c/a> read. (YouTube later \u003ca href=\"https://youtube.googleblog.com/2019/06/taking-harder-look-at-harassment.html\" target=\"_blank\" rel=\"noopener noreferrer\">demonetized\u003c/a> Crowder’s channel.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although the SF Pride members voted to ban Google and the Alameda County Sheriff’s Office, the resolution required approval from the organization’s board to go into effect—which it did not get.\u003c/p>\n\u003cp>In his statement, SF Pride’s Lopez appealed to unity. “The Alameda County Sheriff’s Department has not had its own contingent in the parade in years past, and Google has been a responsive corporate sponsor for more than a decade,” he said. “We are in agreement that banning those groups is not in the best interest of Pride and its members, who look forward to an inclusive event each year that reflects the diversity of our wonderful community.”\u003c/p>\n\u003cp>Laurence Berland, a former Google employee and one of the SF Pride members driving the effort to push Google and the sheriff’s office out of the parade, said he’s disappointed in the board’s decision. “In keeping Google in the parade, SF Pride spoke of the value of inclusivity. I guess that’s all about inclusivity of billion dollar corporations, not inclusivity of the LGBTQ+ community, whom YouTube continues to be exclusionary of and hostile toward,” he said to KQED in a text message. “Steven Crowder still gets to spread his message of hate, harassment and bigotry to four million followers. Is that what SF Pride wants to include?”\u003c/p>\n\u003cp>Spokespeople from Google and the Alameda County Sheriff’s Office told KQED that the organizations are pleased to continue participating in SF Pride. Ray Kelly, a sheriff’s spokesperson, said the department welcomes a dialogue to build more trust with the LGBTQ+ community. Indeed, tensions between LGBTQ+ people and law enforcement have persisted for decades: Pride originated with the Compton’s Cafeteria riot in San Francisco and Stonewall riots against police brutality in New York, which took place in the 1960s as a response to systemic police harassment and arrests of gay and transgender people. Today, while relations have somewhat cooled, activists point out that police play an active role in criminalizing homeless people and sex workers, populations that are disproportionately LGBTQ+.\u003c/p>\n\u003cp>Police marching in Pride celebrations has been a \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" target=\"_blank\" rel=\"noopener noreferrer\">hot-button issue\u003c/a> within the LGBTQ+ community for years. Sacramento Pride banned uniformed officers from marching in the 2019 celebration, but \u003ca href=\"https://www.sacbee.com/news/local/article231181973.html\" target=\"_blank\" rel=\"noopener noreferrer\">reversed its decision\u003c/a> at the last minute after the department agreed to create an LGBTQ liaison within its outreach unit and implement other queer- and trans-friendly measures. Uniformed police are banned from Pride parades in Toronto, Minneapolis and Vancouver, and at 2019’s San Francisco Pride, activists \u003ca href=\"https://www.kqed.org/news/11758329/sf-pride-parade-briefly-halted-by-anti-police-anti-corporate-protest\" target=\"_blank\" rel=\"noopener noreferrer\">briefly halted the celebration\u003c/a> to protest the San Francisco Police Department’s inclusion as exhibitors.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“What we learned from some of our communication back and forth with Pride was that there’s there’s a portion of the LGBTQ+ community that is distrustful of law enforcement and that goes back many years,” Kelly said. “So one of the things that we spoke with them about was, how can we build trust where it’s broken in portions of that community?”\u003c/p>\n\u003cp>Kelly also said county sheriff’s deputies didn’t want to evict Moms 4 Housing, but that “\u003cb>\u003c/b>we have to do what we’re lawfully obliged to do under our oath to make sure that we enforce the law.” He called the eviction a success in the sense that no one was injured.\u003c/p>\n\u003cp>A Google spokesperson told KQED, “Google has been a proud participant in San Francisco Pride for more than a decade and we will continue to support this important community organization and others like it here in San Francisco.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Sara Hossaini contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fred Lopez, executive director of San Francisco Pride, announced Wednesday that the organization would reject an \u003ca href=\"https://www.sfgate.com/file/563/5/5635-Statement%20on%20amendments%20passed%20at%20SF%20Pride%20member%20meeting%2C%20Wednesday%2C%20January%2015th%2C%202020%20%281%29.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">amendment\u003c/a> proposed by its members to ban the Alameda County Sheriff’s Office, Google and YouTube from participating in the 2020 Pride Parade.\u003c/p>\n\u003cp>“We have decided as a board there will not be a ban against Google nor the Alameda County Sheriff’s Office at this year’s Pride celebration,” Lopez said in a statement. “Instead, we are saying yes to inclusivity.”\u003c/p>\n\u003cp>SF Pride members voted in January to ban the Alameda County Sheriff’s Office from marching in uniform. The move followed the agency’s eviction enforcement action against \u003ca href=\"https://www.kqed.org/news/11795944/moms-4-housing-members-evicted-from-oakland-home-4-arrested\" target=\"_blank\" rel=\"noopener noreferrer\">Moms 4 Housing\u003c/a>, a coalition of activists and homeless mothers. The mothers and their children were occupying a previously vacant, investor-owned property in Oakland. After a judge upheld their eviction, the county sheriff’s early-morning ouster of the families—which included arrests, officers in riot gear and a bullet-resistant vehicle that resembled a military tank—drew national headlines and outcry from the public. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>SF Pride members also voted to ban YouTube and its parent company, Google, because of YouTube’s reluctance to censor hate speech. YouTube \u003ca href=\"https://www.vox.com/identities/2019/6/5/18653900/youtube-lgbtq-hate-speech-policy-carlos-maza-steven-crowder\" target=\"_blank\" rel=\"noopener noreferrer\">drew criticism\u003c/a> from the LGBTQ+ community and its allies in June, 2019 when Vox journalist Carlos Maza complained to the company about conservative YouTube celebrity Steven Crowder’s targeted harassment campaign against him, in which Crowder mocked the writer for his gay, Latinx identity in numerous videos. YouTube responded in a series of tweets from its official account, stating that it wouldn’t take down the videos.\u003c/p>\n\u003cp>“Opinions can be deeply offensive, but if they don’t violate our policies, they’ll remain on our site,” one of the \u003ca href=\"https://twitter.com/TeamYouTube/status/1136055805545857024\" target=\"_blank\" rel=\"noopener noreferrer\">tweets\u003c/a> read. (YouTube later \u003ca href=\"https://youtube.googleblog.com/2019/06/taking-harder-look-at-harassment.html\" target=\"_blank\" rel=\"noopener noreferrer\">demonetized\u003c/a> Crowder’s channel.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although the SF Pride members voted to ban Google and the Alameda County Sheriff’s Office, the resolution required approval from the organization’s board to go into effect—which it did not get.\u003c/p>\n\u003cp>In his statement, SF Pride’s Lopez appealed to unity. “The Alameda County Sheriff’s Department has not had its own contingent in the parade in years past, and Google has been a responsive corporate sponsor for more than a decade,” he said. “We are in agreement that banning those groups is not in the best interest of Pride and its members, who look forward to an inclusive event each year that reflects the diversity of our wonderful community.”\u003c/p>\n\u003cp>Laurence Berland, a former Google employee and one of the SF Pride members driving the effort to push Google and the sheriff’s office out of the parade, said he’s disappointed in the board’s decision. “In keeping Google in the parade, SF Pride spoke of the value of inclusivity. I guess that’s all about inclusivity of billion dollar corporations, not inclusivity of the LGBTQ+ community, whom YouTube continues to be exclusionary of and hostile toward,” he said to KQED in a text message. “Steven Crowder still gets to spread his message of hate, harassment and bigotry to four million followers. Is that what SF Pride wants to include?”\u003c/p>\n\u003cp>Spokespeople from Google and the Alameda County Sheriff’s Office told KQED that the organizations are pleased to continue participating in SF Pride. Ray Kelly, a sheriff’s spokesperson, said the department welcomes a dialogue to build more trust with the LGBTQ+ community. Indeed, tensions between LGBTQ+ people and law enforcement have persisted for decades: Pride originated with the Compton’s Cafeteria riot in San Francisco and Stonewall riots against police brutality in New York, which took place in the 1960s as a response to systemic police harassment and arrests of gay and transgender people. Today, while relations have somewhat cooled, activists point out that police play an active role in criminalizing homeless people and sex workers, populations that are disproportionately LGBTQ+.\u003c/p>\n\u003cp>Police marching in Pride celebrations has been a \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" target=\"_blank\" rel=\"noopener noreferrer\">hot-button issue\u003c/a> within the LGBTQ+ community for years. Sacramento Pride banned uniformed officers from marching in the 2019 celebration, but \u003ca href=\"https://www.sacbee.com/news/local/article231181973.html\" target=\"_blank\" rel=\"noopener noreferrer\">reversed its decision\u003c/a> at the last minute after the department agreed to create an LGBTQ liaison within its outreach unit and implement other queer- and trans-friendly measures. Uniformed police are banned from Pride parades in Toronto, Minneapolis and Vancouver, and at 2019’s San Francisco Pride, activists \u003ca href=\"https://www.kqed.org/news/11758329/sf-pride-parade-briefly-halted-by-anti-police-anti-corporate-protest\" target=\"_blank\" rel=\"noopener noreferrer\">briefly halted the celebration\u003c/a> to protest the San Francisco Police Department’s inclusion as exhibitors.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“What we learned from some of our communication back and forth with Pride was that there’s there’s a portion of the LGBTQ+ community that is distrustful of law enforcement and that goes back many years,” Kelly said. “So one of the things that we spoke with them about was, how can we build trust where it’s broken in portions of that community?”\u003c/p>\n\u003cp>Kelly also said county sheriff’s deputies didn’t want to evict Moms 4 Housing, but that “\u003cb>\u003c/b>we have to do what we’re lawfully obliged to do under our oath to make sure that we enforce the law.” He called the eviction a success in the sense that no one was injured.\u003c/p>\n\u003cp>A Google spokesperson told KQED, “Google has been a proud participant in San Francisco Pride for more than a decade and we will continue to support this important community organization and others like it here in San Francisco.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Sara Hossaini contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In a cavernous warehouse on San Francisco’s waterfront, Stephanie Mufson and her small team of builders and decorators are putting the final touches on an array of spectacularly gaudy floats. They’re for the city’s Chinese New Year Parade this weekend — 2020 is the Year of the Rat.\u003c/p>\n\u003cp>“We have rats everywhere!” Mufson said, pointing out a pair of massive gold rats looking very pleased with themselves as they teeter on a pile of gleaming treasure.\u003c/p>\n\u003cfigure id=\"attachment_11800366\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800366\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/02/RS41153_gold-rats-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gold rats await the Chinese New Year Parade at Pier 54. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The cavernous space is a psychedelic jumble of outsize critters. Gold ones … red and white glittery ones … and cute little gray ones holding watering cans.\u003c/p>\n\u003cp>“So, yeah,” Mufson said. “A lot of different ways of interpreting the rat.”\u003c/p>\n\u003cp>Some U.S. cities have canceled their Chinese New Year celebrations this year, owing to safety concerns with the spread of the new coronavirus beyond China. But in San Francisco, host to one of the oldest and largest Lunar New Year festivals and parades in the country, things are going ahead as planned.\u003c/p>\n\u003cp>Donna Ng has been attending the event for more than 30 years. She said she’s not about to stay home because of the coronavirus.\u003c/p>\n\u003cp>“I don’t think it’s going to affect the parade,” Ng said. “We’re talking thousands and thousands and thousands of people and only a handful are sick.”\u003c/p>\n\u003cfigure id=\"attachment_11800364\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800364\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Longtime parade attendee Donna Ng hopes people won’t stay home from the celebrations out of fear of getting sick. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fears about the spread of the coronavirus have caused the cancellation of celebrations this year in cities of all sizes, like New York, Denver and Elk Grove near Sacramento.\u003c/p>\n\u003cp>“I know there’s a lot of concern right now,” said San Francisco event organizer William Gee. “And I think there’s a lot of confusion, maybe even some misinformation, depending on where you get it from.”\u003c/p>\n\u003cp>San Francisco officials are trying to allay concerns about the spread of the virus ahead of the weekend’s festivities. Norman Yee, president of the city’s Board of Supervisors, fears the virus is an opportunity for some people to justify racist attitudes against the Chinese-American community.\u003c/p>\n\u003cp>“I urge all people that come year after year to continue to come to this parade on Saturday and have the fun that they always have, and that we continue supporting our community at large but in particular our API and Chinese American businesses,” Yee said.\u003c/p>\n\u003cp>Gee said his team has been working through community concerns s, while at the same time maintaining a sense of perspective.\u003c/p>\n\u003cp>“Health officials still consider the San Francisco Bay Area to be at very, very low risk,” Gee said. “There are some health officials that actually say there’s a higher risk of contracting the flu rather than the coronavirus.”\u003c/p>\n\u003cp>Gee said organizers aren’t taking any special precautions for the event this weekend.\u003c/p>\n\u003cp>[aside postID=news_11798751 label='What You Need to Know' hero=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/01/RS40986_iStock-1170728885-qut-1020x680.jpg\"]\u003c/p>\n\u003cp>“We’ll have wash bins where people can wash their hands,” he said. “There may be some antibacterial or disinfectant soap as well that people can use. But this is kind of standard fare that we’ve been offering year after year.”\u003c/p>\n\u003cp>The city’s Department of Public Health is currently not recommending the cancellation of public events and is advising attendees to take the usual wintertime precautions: Wash hands, get a flu shot and cover coughs and sneezes.\u003c/p>\n\u003cp>“If people want to come out for the parade, they should feel free to do so,” said Susan Philip, director of the disease prevention and control branch at San Francisco Department of Public Health.\u003c/p>\n\u003cp>Longtime parade attendee Ng said she hopes people won’t stay away from this weekend’s festivities because they’re scared of getting sick, and suggests wearing a mask if that makes you feel more comfortable.\u003c/p>\n\u003cp>“If people want to wear masks, that’s up to them,” Ng said. “But I’m not planning on it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>KQED’s Marco Siler-Gonzales contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a cavernous warehouse on San Francisco’s waterfront, Stephanie Mufson and her small team of builders and decorators are putting the final touches on an array of spectacularly gaudy floats. They’re for the city’s Chinese New Year Parade this weekend — 2020 is the Year of the Rat.\u003c/p>\n\u003cp>“We have rats everywhere!” Mufson said, pointing out a pair of massive gold rats looking very pleased with themselves as they teeter on a pile of gleaming treasure.\u003c/p>\n\u003cfigure id=\"attachment_11800366\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800366\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/02/RS41153_gold-rats-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41153_gold-rats-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gold rats await the Chinese New Year Parade at Pier 54. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The cavernous space is a psychedelic jumble of outsize critters. Gold ones … red and white glittery ones … and cute little gray ones holding watering cans.\u003c/p>\n\u003cp>“So, yeah,” Mufson said. “A lot of different ways of interpreting the rat.”\u003c/p>\n\u003cp>Some U.S. cities have canceled their Chinese New Year celebrations this year, owing to safety concerns with the spread of the new coronavirus beyond China. But in San Francisco, host to one of the oldest and largest Lunar New Year festivals and parades in the country, things are going ahead as planned.\u003c/p>\n\u003cp>Donna Ng has been attending the event for more than 30 years. She said she’s not about to stay home because of the coronavirus.\u003c/p>\n\u003cp>“I don’t think it’s going to affect the parade,” Ng said. “We’re talking thousands and thousands and thousands of people and only a handful are sick.”\u003c/p>\n\u003cfigure id=\"attachment_11800364\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11800364\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/RS41150_Donna-Ng-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Longtime parade attendee Donna Ng hopes people won’t stay home from the celebrations out of fear of getting sick. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fears about the spread of the coronavirus have caused the cancellation of celebrations this year in cities of all sizes, like New York, Denver and Elk Grove near Sacramento.\u003c/p>\n\u003cp>“I know there’s a lot of concern right now,” said San Francisco event organizer William Gee. “And I think there’s a lot of confusion, maybe even some misinformation, depending on where you get it from.”\u003c/p>\n\u003cp>San Francisco officials are trying to allay concerns about the spread of the virus ahead of the weekend’s festivities. Norman Yee, president of the city’s Board of Supervisors, fears the virus is an opportunity for some people to justify racist attitudes against the Chinese-American community.\u003c/p>\n\u003cp>“I urge all people that come year after year to continue to come to this parade on Saturday and have the fun that they always have, and that we continue supporting our community at large but in particular our API and Chinese American businesses,” Yee said.\u003c/p>\n\u003cp>Gee said his team has been working through community concerns s, while at the same time maintaining a sense of perspective.\u003c/p>\n\u003cp>“Health officials still consider the San Francisco Bay Area to be at very, very low risk,” Gee said. “There are some health officials that actually say there’s a higher risk of contracting the flu rather than the coronavirus.”\u003c/p>\n\u003cp>Gee said organizers aren’t taking any special precautions for the event this weekend.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We’ll have wash bins where people can wash their hands,” he said. “There may be some antibacterial or disinfectant soap as well that people can use. But this is kind of standard fare that we’ve been offering year after year.”\u003c/p>\n\u003cp>The city’s Department of Public Health is currently not recommending the cancellation of public events and is advising attendees to take the usual wintertime precautions: Wash hands, get a flu shot and cover coughs and sneezes.\u003c/p>\n\u003cp>“If people want to come out for the parade, they should feel free to do so,” said Susan Philip, director of the disease prevention and control branch at San Francisco Department of Public Health.\u003c/p>\n\u003cp>Longtime parade attendee Ng said she hopes people won’t stay away from this weekend’s festivities because they’re scared of getting sick, and suggests wearing a mask if that makes you feel more comfortable.\u003c/p>\n\u003cp>“If people want to wear masks, that’s up to them,” Ng said. “But I’m not planning on it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Marco Siler-Gonzales contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "State Senator Introduces Legislation to Protect Live-Work and Warehouse Residences",
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"content": "\u003cp>State Sen. Nancy Skinner on Monday introduced legislation designed to promote safety in California live-work and warehouse residences while protecting tenants from displacement. [aside postID=news_11764921]\u003c/p>\n\u003cp>\u003ca href=\"https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=201920200SB906\" target=\"_blank\" rel=\"noopener noreferrer\">Senate Bill 906\u003c/a>, co-sponsored by the City of Oakland, would give property owners more time to correct non-life-threatening violations that could otherwise motivate them to evict tenants, and also update state live-work code that effectively outlaws many communal residences.\u003c/p>\n\u003cp>The legislation aims to support live-work and warehouse residences popular among artists and musicians. The Dec. 2016 Ghost Ship fire that killed 36 at an unpermitted warehouse venue and residence in East Oakland brought intense scrutiny to such alternative cohousing spaces, prompting many property owners to displace tenants instead of addressing substandard conditions.\u003c/p>\n\u003cp>Skinner, who represents the 9th Senate District in the East Bay, said in a statement that current law gives California cities little flexibility to work with property owners and tenants in such situations. Officials often have a difficult choice between red-tagging buildings, forcing eviction; mandating upgrades that render the housing unaffordable for current tenants; or ignoring potentially hazardous conditions. \u003c/p>\n\u003cp>“California’s housing crisis demands that we give cities the tools they need to protect existing housing while making it safer, especially live-work and warehouse spaces,” Skinner said. “SB 906 is a necessary tool to protect and retain live-work and warehouse residences.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf and Oakland City Council President Rebecca Kaplan also offered statements supporting the legislation for fostering collaboration between city officials and property owners. This legislation, if passed, could help continue Oakland’s legacy of communal artist housing and workspace. \u003c/p>\n\u003cp>The proposed bill amends one section of California’s health and safety code and adds another. \u003c/p>\n\u003cp>The amendment removes what Skinner and live-work advocates call a woefully outdated restriction on the number of residents allowed to share “joint living and working quarters” (currently, four unrelated persons). The addition allows owners of buildings deemed code-deficient to request an enforcement delay of as many as seven years if the violations don’t threaten building occupants’ health and safety.\u003c/p>\n\u003cp>Oakland live-work architect Thomas Dolan, who co-founded the advocacy group \u003ca href=\"https://saferdiyspaces.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Safer DIY Spaces\u003c/a> after the Ghost Ship fire, said in an interview that removing the state limit on live-work residents would help clear a path to legalization for many spaces he’s visited as a consultant. \u003c/p>\n\u003cp>However, Dolan also urged Oakland city officials to reinstate a more comprehensive municipal live-work code they removed after the Ghost Ship fire; Dolan helped author the code. “That’s putting a dead stop on DIY’s ability to do its job,” he said of its removal. \u003c/p>\n\u003cp>[aside link1='https://www.kqed.org/ourturbulentdecade/2016-evictions-and-the-ghost-ship-fire-pushed-oakland-artists-into-the-margins,Evictions, Ghost Ship Fire Pushed Oakland Artists to Margins']\u003c/p>\n\u003cp>Currently any live-work space with more than four residents must pursue a conditional-use permit to exceed the state limit, an expensive and costly process with no guarantee of success. Safer DIY Spaces director David Keenan said such a permit should be unnecessary: “It should be by-right, if we believe housing is a human right.” \u003c/p>\n\u003cp>Dolan also supports SB 906’s efforts to ease the way for property owners to correct non-life-threatening building violations for the sake of retaining affordable housing for current tenants. Oakland already has a similarly aimed “compliance plan” program, he pointed out, that would be strengthened in tenants’ favor by increasing the amount of time property owners have to address violations.\u003c/p>\n\u003cp>Dolan points out that the legislation doesn’t draw a clear distinction between habitability issues, for example, a window slightly narrower than modern building standards require, and immediate life-safety risks. “Life safety no one should compromise on—that needs immediate addressing,” Dolan said. “But the nuance between that and a habitability shortcoming is being overlooked here.”\u003c/p>\n\u003cp>Oakland is recognized as a hub of commercial and warehouse property adapted by artists for residential, performance and fabrication purposes. But climbing rent and competition for commercial space have in recent years threatened the often unspoken agreements between landlords and residential tenants of buildings not technically approved or suitable for residential habitation. \u003c/p>\n\u003cp>The Dec. 2016 Ghost Ship warehouse fire, which broke out during an electronic music event, intensified pressure on unpermitted live-work and warehouse residences. Oakland officials identified unpermitted residences and instructed many owners to “discontinue residential use,” even in the absence of life-threatening conditions. Other property owners moved to evict warehouse tenants proactively amid the possibility of civil liability for Ghost Ship’s landlord, Chor Ng.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Oakland has a long and proud history of fostering affordable joint living and work spaces, especially for our vibrant arts and maker communities,” Schaaf, the mayor of Oakland, said in a statement. “But as a city, we must also ensure that people have safe, affordable housing, and are not forced onto the streets and into homelessness.” \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=201920200SB906\" target=\"_blank\" rel=\"noopener noreferrer\">Senate Bill 906\u003c/a>, co-sponsored by the City of Oakland, would give property owners more time to correct non-life-threatening violations that could otherwise motivate them to evict tenants, and also update state live-work code that effectively outlaws many communal residences.\u003c/p>\n\u003cp>The legislation aims to support live-work and warehouse residences popular among artists and musicians. The Dec. 2016 Ghost Ship fire that killed 36 at an unpermitted warehouse venue and residence in East Oakland brought intense scrutiny to such alternative cohousing spaces, prompting many property owners to displace tenants instead of addressing substandard conditions.\u003c/p>\n\u003cp>Skinner, who represents the 9th Senate District in the East Bay, said in a statement that current law gives California cities little flexibility to work with property owners and tenants in such situations. Officials often have a difficult choice between red-tagging buildings, forcing eviction; mandating upgrades that render the housing unaffordable for current tenants; or ignoring potentially hazardous conditions. \u003c/p>\n\u003cp>“California’s housing crisis demands that we give cities the tools they need to protect existing housing while making it safer, especially live-work and warehouse spaces,” Skinner said. “SB 906 is a necessary tool to protect and retain live-work and warehouse residences.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf and Oakland City Council President Rebecca Kaplan also offered statements supporting the legislation for fostering collaboration between city officials and property owners. This legislation, if passed, could help continue Oakland’s legacy of communal artist housing and workspace. \u003c/p>\n\u003cp>The proposed bill amends one section of California’s health and safety code and adds another. \u003c/p>\n\u003cp>The amendment removes what Skinner and live-work advocates call a woefully outdated restriction on the number of residents allowed to share “joint living and working quarters” (currently, four unrelated persons). The addition allows owners of buildings deemed code-deficient to request an enforcement delay of as many as seven years if the violations don’t threaten building occupants’ health and safety.\u003c/p>\n\u003cp>Oakland live-work architect Thomas Dolan, who co-founded the advocacy group \u003ca href=\"https://saferdiyspaces.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Safer DIY Spaces\u003c/a> after the Ghost Ship fire, said in an interview that removing the state limit on live-work residents would help clear a path to legalization for many spaces he’s visited as a consultant. \u003c/p>\n\u003cp>However, Dolan also urged Oakland city officials to reinstate a more comprehensive municipal live-work code they removed after the Ghost Ship fire; Dolan helped author the code. “That’s putting a dead stop on DIY’s ability to do its job,” he said of its removal. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Currently any live-work space with more than four residents must pursue a conditional-use permit to exceed the state limit, an expensive and costly process with no guarantee of success. Safer DIY Spaces director David Keenan said such a permit should be unnecessary: “It should be by-right, if we believe housing is a human right.” \u003c/p>\n\u003cp>Dolan also supports SB 906’s efforts to ease the way for property owners to correct non-life-threatening building violations for the sake of retaining affordable housing for current tenants. Oakland already has a similarly aimed “compliance plan” program, he pointed out, that would be strengthened in tenants’ favor by increasing the amount of time property owners have to address violations.\u003c/p>\n\u003cp>Dolan points out that the legislation doesn’t draw a clear distinction between habitability issues, for example, a window slightly narrower than modern building standards require, and immediate life-safety risks. “Life safety no one should compromise on—that needs immediate addressing,” Dolan said. “But the nuance between that and a habitability shortcoming is being overlooked here.”\u003c/p>\n\u003cp>Oakland is recognized as a hub of commercial and warehouse property adapted by artists for residential, performance and fabrication purposes. But climbing rent and competition for commercial space have in recent years threatened the often unspoken agreements between landlords and residential tenants of buildings not technically approved or suitable for residential habitation. \u003c/p>\n\u003cp>The Dec. 2016 Ghost Ship warehouse fire, which broke out during an electronic music event, intensified pressure on unpermitted live-work and warehouse residences. Oakland officials identified unpermitted residences and instructed many owners to “discontinue residential use,” even in the absence of life-threatening conditions. Other property owners moved to evict warehouse tenants proactively amid the possibility of civil liability for Ghost Ship’s landlord, Chor Ng.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Oakland has a long and proud history of fostering affordable joint living and work spaces, especially for our vibrant arts and maker communities,” Schaaf, the mayor of Oakland, said in a statement. “But as a city, we must also ensure that people have safe, affordable housing, and are not forced onto the streets and into homelessness.” \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In the Bay Area, alternative exhibition spaces for experimental film and video have long provided artists of the moving image a sense of community and interdisciplinary collaboration. In the early 1960s, filmmaker Bruce Baillie established Canyon Cinema as a screening series in the wooded East Bay hamlet of Canyon for avant-garde and family fare alike. Canyon filmmakers made inroads with composers at the San Francisco Tape Music Center, and published freewheeling newsletters that evinced a natural rapport with painters and poets. Instead of an indie studio system, Canyon inspired or anticipated other local artist-run organizations central to local developments in abstract, personal, vernacular and queer cinema. \u003c/p>\n\u003cp>Canyon endures as a distributor of 16mm avant-garde film prints, and its programming spinoff, San Francisco Cinematheque, curates the CROSSROADS film festival—this year at the San Francisco Museum of Modern Art. Artists Television Access on Valencia Street is another visible example of its legacy. Like other noncommercial art forms, however, rising cost of living seriously threatens the scene: Eviction last year \u003ca href=\"https://www.kqed.org/ourturbulentdecade/2016-evictions-and-the-ghost-ship-fire-pushed-oakland-artists-into-the-margins\">ended Black Hole\u003c/a>, an Oakland screening series that carried forward Canyon’s anti-institutional origins, but not before spawning the Light Field film festival. Challenges aside, the Bay Area remains a destination for filmmakers “ill at ease with cinema as entertainment but rather fondly fixated on the apparatus, the alchemy of light,” as curator Steve Seid described local postwar celluloid artists in the 2010 book \u003cem>Radical Light\u003c/em>. \u003c/p>\n\u003cp>Now, a renovated Victorian below Interstate 880 near Oakland’s Jack London District promises a sustainable, brick-and-mortar refuge for a community rooted in homespun exhibitions and collaborative intimacy. Gilbert Guerrero and Kathleen Quillian, founders of the \u003ca href=\"http://shapeshifterscinema.com/\">Shapeshifters\u003c/a> series at Temescal Arts Center (TAC), quietly opened the 1,200-square-foot space at 567 5th Street last year as a 40-seat microcinema, and they’re building an on-site nanobrewery with plans for a small taproom to subsidize film programming. Guerrero, an award-winning homebrewer, described the model as a response to diminishing grants funding for small arts organizations. “Shapeshifters has been a series,” he said. “We want this to be an institution.”\u003c/p>\n\u003cfigure id=\"attachment_13874351\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/2.jpg\" alt=\"The 40-seat microcinema will accommodate various projector configurations for experimental film screenings. \" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13874351\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The 40-seat microcinema will accommodate various projector configurations for experimental film screenings. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Founded in 2012 as a free monthly event, Shapeshifters showcases “expanded cinema,” film generally involving live performance, for instance multi-projector work or sound-image collaboration. “It was at capacity almost immediately,” said TAC director and curator Leyya Tawil. Steve Polta, filmmaker and director of the \u003ca href=\"http://www.sfcinematheque.org/\">San Francisco Cinematheque\u003c/a>, called Shapeshifters a “space to workshop and experiment,” noting the evolution in programming fixtures such as Kit Young and Lori Varga. Other artists who’ve been featured in the series include Other Cinema founder Craig Baldwin, Sofía Córdova with Las Sucias, Greg Pope with Voicehandler, Kerry Laitala, Oracle Plus, Tommy Becker, Suki O’Kane and the late Paul Clipson. \u003c/p>\n\u003cp>Shapeshifters Cinema and Brewery will house Shapeshifters programming and events brought by other curators, filling a deep need for film exhibition space in Oakland. According to Polta, half of San Francisco Cinematheque attendees live in the East Bay. “So there’s a filmmaker community and also an audience community,” he said. And the microcinema is small and nimble enough for esoteric or technically-challenging work. For example, Polta hopes to bring Bruce Elder. The Canadian filmmaker’s shorter pieces run upwards of three hours, making them cost-prohibitive to show at many rental venues. As the head of a nonprofit, Polta also said he understands Shapeshifters’ transition to earned income: “Less grants and more competition.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Guerrero and Quillian met some 20 years ago as volunteers at Artists Television Access, where Guerrero is now on the board of directors, and founded Shapeshifters at first at the now-defunct Arbor cafe as a hub for the experimental film community closer to their home in Oakland. “One day I brought a chest of Tecate and thought, ‘I have way better beer at home,’” Guerrero said. He started Temescal Homebrewing in 2013, and in 2018 won first prize in the World Cup of Beer competition for his Synesthesia Pale Ale. A few years ago he took a small business course while considering launching a brewery, and then thought to combine the enterprise with Shapeshifters. Guerrero and Quillian signed a five-year lease on 567 5th St. in late 2018.\u003c/p>\n\u003cfigure id=\"attachment_13874353\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/use-4.jpg\" alt=\"Kathleen Quillian (L) and Gilbert Guerrero (R) are fundraising to complete construction on Shapeshifters Cinema and Brewery.\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13874353\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kathleen Quillian (L) and Gilbert Guerrero (R) are fundraising to complete construction on Shapeshifters Cinema and Brewery. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Visitors enter the space, which looks residential from the street, through what Guerrero and Quillian envision as a small taproom with regular evening hours, and then proceed to a venue already outfitted with a large screen and dozens of salvaged church chairs. The seats are on rearrangeable wooden bases, and an additional screen is planned to accommodate various projector configurations. Guerrero, a homebrewing workshop leader in addition to his day job in user-experience design, plans to create the 3.5 barrel “nanobrewery” in the back room, with a fermenter built into a large outdoor deck. Guerrero and Quillian have spent more than $100,000 on permitting and other pre-construction costs, and are currently \u003ca href=\"https://www.indiegogo.com/projects/shapeshifters-cinema-and-brewery#/\">raising\u003c/a> $30,000 on Indiegogo. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, Shapeshifters programming in the space is ongoing: A party and screening in association with Canyon Cinema for Shapeshifters “members,” a new category of ongoing financial supporters of the project, takes place on Saturday, Feb. 15, followed by a free presentation of Tommy Becker’s visual concept album \u003cem>Emotions in Metal\u003c/em> on Saturday, Mar. 14. Black Hole founder Tooth, who presented drawings and his film \u003cem>Broken Symmetry\u003c/em> at the space last year, and who now lives in New York, described Shapeshifters as a “luminous bright spot on the continuum of community-based, noncommercial artistic traditions.” He continued, “[It’s] one of the things that gives me hope that the Bay Area will weather the storm it finds itself in.” \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the Bay Area, alternative exhibition spaces for experimental film and video have long provided artists of the moving image a sense of community and interdisciplinary collaboration. In the early 1960s, filmmaker Bruce Baillie established Canyon Cinema as a screening series in the wooded East Bay hamlet of Canyon for avant-garde and family fare alike. Canyon filmmakers made inroads with composers at the San Francisco Tape Music Center, and published freewheeling newsletters that evinced a natural rapport with painters and poets. Instead of an indie studio system, Canyon inspired or anticipated other local artist-run organizations central to local developments in abstract, personal, vernacular and queer cinema. \u003c/p>\n\u003cp>Canyon endures as a distributor of 16mm avant-garde film prints, and its programming spinoff, San Francisco Cinematheque, curates the CROSSROADS film festival—this year at the San Francisco Museum of Modern Art. Artists Television Access on Valencia Street is another visible example of its legacy. Like other noncommercial art forms, however, rising cost of living seriously threatens the scene: Eviction last year \u003ca href=\"https://www.kqed.org/ourturbulentdecade/2016-evictions-and-the-ghost-ship-fire-pushed-oakland-artists-into-the-margins\">ended Black Hole\u003c/a>, an Oakland screening series that carried forward Canyon’s anti-institutional origins, but not before spawning the Light Field film festival. Challenges aside, the Bay Area remains a destination for filmmakers “ill at ease with cinema as entertainment but rather fondly fixated on the apparatus, the alchemy of light,” as curator Steve Seid described local postwar celluloid artists in the 2010 book \u003cem>Radical Light\u003c/em>. \u003c/p>\n\u003cp>Now, a renovated Victorian below Interstate 880 near Oakland’s Jack London District promises a sustainable, brick-and-mortar refuge for a community rooted in homespun exhibitions and collaborative intimacy. Gilbert Guerrero and Kathleen Quillian, founders of the \u003ca href=\"http://shapeshifterscinema.com/\">Shapeshifters\u003c/a> series at Temescal Arts Center (TAC), quietly opened the 1,200-square-foot space at 567 5th Street last year as a 40-seat microcinema, and they’re building an on-site nanobrewery with plans for a small taproom to subsidize film programming. Guerrero, an award-winning homebrewer, described the model as a response to diminishing grants funding for small arts organizations. “Shapeshifters has been a series,” he said. “We want this to be an institution.”\u003c/p>\n\u003cfigure id=\"attachment_13874351\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/2.jpg\" alt=\"The 40-seat microcinema will accommodate various projector configurations for experimental film screenings. \" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13874351\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/2-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The 40-seat microcinema will accommodate various projector configurations for experimental film screenings. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Founded in 2012 as a free monthly event, Shapeshifters showcases “expanded cinema,” film generally involving live performance, for instance multi-projector work or sound-image collaboration. “It was at capacity almost immediately,” said TAC director and curator Leyya Tawil. Steve Polta, filmmaker and director of the \u003ca href=\"http://www.sfcinematheque.org/\">San Francisco Cinematheque\u003c/a>, called Shapeshifters a “space to workshop and experiment,” noting the evolution in programming fixtures such as Kit Young and Lori Varga. Other artists who’ve been featured in the series include Other Cinema founder Craig Baldwin, Sofía Córdova with Las Sucias, Greg Pope with Voicehandler, Kerry Laitala, Oracle Plus, Tommy Becker, Suki O’Kane and the late Paul Clipson. \u003c/p>\n\u003cp>Shapeshifters Cinema and Brewery will house Shapeshifters programming and events brought by other curators, filling a deep need for film exhibition space in Oakland. According to Polta, half of San Francisco Cinematheque attendees live in the East Bay. “So there’s a filmmaker community and also an audience community,” he said. And the microcinema is small and nimble enough for esoteric or technically-challenging work. For example, Polta hopes to bring Bruce Elder. The Canadian filmmaker’s shorter pieces run upwards of three hours, making them cost-prohibitive to show at many rental venues. As the head of a nonprofit, Polta also said he understands Shapeshifters’ transition to earned income: “Less grants and more competition.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Guerrero and Quillian met some 20 years ago as volunteers at Artists Television Access, where Guerrero is now on the board of directors, and founded Shapeshifters at first at the now-defunct Arbor cafe as a hub for the experimental film community closer to their home in Oakland. “One day I brought a chest of Tecate and thought, ‘I have way better beer at home,’” Guerrero said. He started Temescal Homebrewing in 2013, and in 2018 won first prize in the World Cup of Beer competition for his Synesthesia Pale Ale. A few years ago he took a small business course while considering launching a brewery, and then thought to combine the enterprise with Shapeshifters. Guerrero and Quillian signed a five-year lease on 567 5th St. in late 2018.\u003c/p>\n\u003cfigure id=\"attachment_13874353\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/use-4.jpg\" alt=\"Kathleen Quillian (L) and Gilbert Guerrero (R) are fundraising to complete construction on Shapeshifters Cinema and Brewery.\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13874353\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/use-4-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kathleen Quillian (L) and Gilbert Guerrero (R) are fundraising to complete construction on Shapeshifters Cinema and Brewery. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Visitors enter the space, which looks residential from the street, through what Guerrero and Quillian envision as a small taproom with regular evening hours, and then proceed to a venue already outfitted with a large screen and dozens of salvaged church chairs. The seats are on rearrangeable wooden bases, and an additional screen is planned to accommodate various projector configurations. Guerrero, a homebrewing workshop leader in addition to his day job in user-experience design, plans to create the 3.5 barrel “nanobrewery” in the back room, with a fermenter built into a large outdoor deck. Guerrero and Quillian have spent more than $100,000 on permitting and other pre-construction costs, and are currently \u003ca href=\"https://www.indiegogo.com/projects/shapeshifters-cinema-and-brewery#/\">raising\u003c/a> $30,000 on Indiegogo. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meanwhile, Shapeshifters programming in the space is ongoing: A party and screening in association with Canyon Cinema for Shapeshifters “members,” a new category of ongoing financial supporters of the project, takes place on Saturday, Feb. 15, followed by a free presentation of Tommy Becker’s visual concept album \u003cem>Emotions in Metal\u003c/em> on Saturday, Mar. 14. Black Hole founder Tooth, who presented drawings and his film \u003cem>Broken Symmetry\u003c/em> at the space last year, and who now lives in New York, described Shapeshifters as a “luminous bright spot on the continuum of community-based, noncommercial artistic traditions.” He continued, “[It’s] one of the things that gives me hope that the Bay Area will weather the storm it finds itself in.” \u003c/p>\n\n\u003c/div>\u003c/p>",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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},
"closealltabs": {
"id": "closealltabs",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
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"meta": {
"site": "radio",
"source": "WNYC"
},
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"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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