window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13049685": {
"type": "attachments",
"id": "arts_13049685",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13049685",
"found": true
},
"parent": 13049682,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-960x539.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 539
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin.jpg",
"width": 2048,
"height": 1150
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-1180x662.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 662
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-800x449.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 449
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-1920x1078.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1078
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-1180x662.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 662
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-1920x1078.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1078
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-768x431.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 431
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Alec_Baldwin-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1492149462,
"modified": 1492149764,
"caption": "Alec Baldwin in conversation with Steven Winn at San Francisco's Nourse Theater on April 13, 2017.",
"description": null,
"title": "Alec_Baldwin",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"forum_2010101859503": {
"type": "attachments",
"id": "forum_2010101859503",
"meta": {
"index": "attachments_1716263798",
"site": "forum",
"id": "2010101859503",
"found": true
},
"parent": 2010101859502,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/43/2017/04/Adachi-EDITED-for-Forum-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1492122820,
"modified": 1550945230,
"caption": null,
"description": null,
"title": "Adachi-EDITED-for-Forum",
"credit": "Photo: Courtesy of The Office of Jeff Adachi",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13053333": {
"type": "attachments",
"id": "arts_13053333",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13053333",
"found": true
},
"parent": 13047109,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218.jpg",
"width": 2037,
"height": 1146
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Whitney-2-for-do-list-e1492209074218-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1492208923,
"modified": 1492209013,
"caption": "Whitney plays a Bay Area sandwich, with Sonoma's Gundlach Bundschu Winery April 14 and then The Independent April 17-19 with Coachella in between",
"description": "Whitney plays a Bay Area sandwich, with Sonoma's Gundlach Bundschu Winery April 14 and then The Independent April 17-19 with Coachella in between",
"title": "Whitney plays a Bay Area sandwich, with Sonoma's Gundlach Bundschu Winery April 14 and then The Independent April 17-19 with Coachella in between",
"credit": "Photo: Courtesy of Whitney",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13042977": {
"type": "attachments",
"id": "arts_13042977",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13042977",
"found": true
},
"parent": 13042536,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ARTS_RULAN_unwindNoBug-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1492035326,
"modified": 1492035326,
"caption": null,
"description": null,
"title": "ARTS_RULAN_unwindNoBug",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_11405206": {
"type": "attachments",
"id": "news_11405206",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "11405206",
"found": true
},
"parent": 11405121,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-520x278.png",
"width": 520,
"mimeType": "image/png",
"height": 278
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-160x86.png",
"width": 160,
"mimeType": "image/png",
"height": 86
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-960x514.png",
"width": 960,
"mimeType": "image/png",
"height": 514
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-375x201.png",
"width": 375,
"mimeType": "image/png",
"height": 201
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence.png",
"width": 3195,
"height": 1710
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-1020x546.png",
"width": 1020,
"mimeType": "image/png",
"height": 546
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-1180x632.png",
"width": 1180,
"mimeType": "image/png",
"height": 632
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-50x50.png",
"width": 50,
"mimeType": "image/png",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-800x428.png",
"width": 800,
"mimeType": "image/png",
"height": 428
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-1920x1028.png",
"width": 1920,
"mimeType": "image/png",
"height": 1028
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-1180x632.png",
"width": 1180,
"mimeType": "image/png",
"height": 632
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-1920x1028.png",
"width": 1920,
"mimeType": "image/png",
"height": 1028
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-150x150.png",
"width": 150,
"mimeType": "image/png",
"height": 150
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2017/04/silence-240x128.png",
"width": 240,
"mimeType": "image/png",
"height": 128
}
},
"publishDate": 1492025370,
"modified": 1492025413,
"caption": "When Matt Hay learned he would go deaf in his 20s, he memorized a soundtrack of his life to help capture the memories attached to those songs - like the first time he fell in love. And when doctors said a device could help him return to the world of sound, he used those same songs to help him, using the positive feelings that the music inspired to fire up his brain to hear.",
"description": null,
"title": "silence",
"credit": "Mark Fiore/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13038148": {
"type": "attachments",
"id": "arts_13038148",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13038148",
"found": true
},
"parent": 13037928,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Hasan-Minhaj1-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1491949650,
"modified": 1491949737,
"caption": "Hasan Minhaj attends The Night Of Too Many Start Live Telethon in 2015 in New York City. ",
"description": "Hasan Minhaj attends The Night Of Too Many Start Live Telethon in 2015 in New York City. ",
"title": "Night Of Too Many Stars Live Telethon 2015",
"credit": "Photo: Stephen Lovekin/Getty Images for Comedy Central",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13033554": {
"type": "attachments",
"id": "arts_13033554",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13033554",
"found": true
},
"parent": 13033553,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb.jpg",
"width": 2048,
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/gettyimages-627861200_wide-25e0e4111d418ddcf0e8afc4914989519cff83eb-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1491870936,
"modified": 1491870936,
"caption": null,
"description": "Firefighters and medics near the site of the Ghost Ship underground arts venue in Oakland, Ca., after a fire claimed the lives of at least thirty-six people. The \u003cem>East Bay Times\u003c/em> won a Pulitzer for its reporting around the tra",
"title": "Firefighters and medics near the site of the Ghost Ship underground arts venue in Oakland, Ca., after a fire claimed the lives of at least thirty-six people. The East Bay Times won a Pulitzer for its reporting around the tragedy.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13033340": {
"type": "attachments",
"id": "arts_13033340",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13033340",
"found": true
},
"parent": 13033338,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-520x280.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 280
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-1000x576.jpg",
"width": 1000,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-160x86.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 86
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-960x517.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 517
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-375x202.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 202
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477.jpg",
"width": 975,
"height": 525
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-800x431.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 431
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-768x414.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 414
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/Beatles-BBC-e1491869991477-240x129.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 129
}
},
"publishDate": 1491869858,
"modified": 1491869960,
"caption": "The Beatles in the BBC studios in June of 1967",
"description": "The Beatles in the BBC studios in June of 1967",
"title": "The Beatles in the BBC studios in June of 1967",
"credit": "Photo: Courtesy of The Beatles and the BBC",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_12010294": {
"type": "attachments",
"id": "arts_12010294",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "12010294",
"found": true
},
"parent": 12010094,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-400x267.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 267
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-960x640.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 640
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03.jpg",
"width": 1170,
"height": 780
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/09/Colson-Whitehead__03-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1472762946,
"modified": 1491864830,
"caption": "Colson Whitehead ",
"description": "Colson Whitehead ",
"title": "Colson-Whitehead__03",
"credit": "Photo: Knopf Doubleday/Erin Patrice O'Brien) ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13032911": {
"type": "attachments",
"id": "arts_13032911",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13032911",
"found": true
},
"parent": 13032910,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033.jpg",
"width": 2048,
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/ap_17100200028198_wide-c56f9b1edb34f7141961a1ebe9c216529c741033-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1491860771,
"modified": 1491860771,
"caption": null,
"description": "John Clarke, a comedian and political satirist beloved in Australia and New Zealand, has died at age 68. He's seen here in an undated photo provided by the Australian Broadcasting Corporation.",
"title": "John Clarke, a comedian and political satirist beloved in Australia and New Zealand, has died at age 68. He's seen here in an undated photo provided by the Australian Broadcasting Corporation.",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_12968807": {
"type": "attachments",
"id": "arts_12968807",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "12968807",
"found": true
},
"parent": 12964126,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-960x542.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 542
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-375x212.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 212
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737.jpg",
"width": 1996,
"height": 1126
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1020x575.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 575
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1180x666.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 666
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-800x451.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 451
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1920x1083.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1083
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1180x666.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 666
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1920x1083.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1083
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-768x433.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 433
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/03/lisa032915c-e1490740399737-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1490739919,
"modified": 1490740367,
"caption": "California-based artist Lisa Benson's editorial cartoons tout a Republican agenda in a predominantly Democratic state.",
"description": "California-based artist Lisa Benson's editorial cartoons tout a Republican agenda in a predominantly Democratic state.",
"title": "lisa032915c",
"credit": "Photo: Courtesy of Lisa Benson",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13018676": {
"type": "attachments",
"id": "arts_13018676",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13018676",
"found": true
},
"parent": 13018237,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER.jpg",
"width": 1152,
"height": 648
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/04/TREX_OCT_FLINT_2015-2356-e1491610068726_COVER-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1491610829,
"modified": 1491610969,
"caption": "Olympic Gold Medal Boxer Claressa \"T-Rex\" Shields, 20, at Gallo Boxing Gym in Lansing, Michigan; part of Zackary Canepari's 'Flint is a Place.'",
"description": "Olympic Gold Medal Boxer Claressa \"T-Rex\" Shields, 20, at Gallo Boxing Gym in Lansing, Michigan; part of Zackary Canepari's 'Flint is a Place.'",
"title": "TREX_OCT_FLINT_2015-2356-e1491610068726_COVER",
"credit": "Courtesy of Zackary Canepari",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"2010101854226": {
"type": "authors",
"id": "2010101854226",
"meta": {
"override": true
},
"slug": "2010101854226",
"name": "Scott Shafer",
"firstName": "Scott",
"lastName": "Shafer",
"bio": "",
"email": "",
"isLoading": false
},
"byline_arts_13033553": {
"type": "authors",
"id": "byline_arts_13033553",
"meta": {
"override": true
},
"slug": "byline_arts_13033553",
"name": "Andrew Flanagan",
"isLoading": false
},
"byline_arts_13032917": {
"type": "authors",
"id": "byline_arts_13032917",
"meta": {
"override": true
},
"slug": "byline_arts_13032917",
"name": "Hillel Italie, Associated Press",
"isLoading": false
},
"byline_arts_13032910": {
"type": "authors",
"id": "byline_arts_13032910",
"meta": {
"override": true
},
"slug": "byline_arts_13032910",
"name": "Bill Chappell",
"isLoading": false
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kjones": {
"type": "authors",
"id": "93",
"meta": {
"index": "authors_1716337520",
"id": "93",
"found": true
},
"name": "Kevin L. Jones",
"firstName": "Kevin",
"lastName": "Jones",
"slug": "kjones",
"email": "kjones@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "styleguide",
"roles": [
"contributor"
]
},
{
"site": "artschool",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Kevin L. Jones | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kjones"
},
"adembosky": {
"type": "authors",
"id": "3205",
"meta": {
"index": "authors_1716337520",
"id": "3205",
"found": true
},
"name": "April Dembosky",
"firstName": "April",
"lastName": "Dembosky",
"slug": "adembosky",
"email": "adembosky@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news",
"science"
],
"title": "KQED Health Correspondent",
"bio": "April Dembosky is the health correspondent for KQED News and a regular contributor to NPR. She specializes in covering altered states of mind, from postpartum depression to methamphetamine-induced psychosis to the insanity defense. Her investigative series on insurance companies sidestepping mental health laws won multiple awards, including first place in beat reporting from the national Association of Health Care Journalists. She is the recipient of numerous other prizes and fellowships, including a national Edward R. Murrow award for investigative reporting, a Society of Professional Journalists award for long-form storytelling, and a Carter Center Fellowship for Mental Health Journalism.\r\n\r\nDembosky reported and produced \u003cem>Soundtrack of Silence\u003c/em>, an audio documentary about music and memory that is currently being made into a feature film by Paramount Pictures.\r\n\r\nBefore joining KQED in 2013, Dembosky covered technology and Silicon Valley for \u003cem>The Financial Times of London,\u003c/em> and contributed business and arts stories to \u003cem>Marketplace \u003c/em>and \u003cem>The New York Times.\u003c/em> She got her undergraduate degree in philosophy from Smith College and her master's in journalism from the University of California, Berkeley. She is a classically trained violinist and proud alum of the first symphony orchestra at Burning Man.",
"avatar": "https://secure.gravatar.com/avatar/d6593cd737b732102fe0b6250b5351c2d3bc9b2987566514aa3c9a106494d684?s=600&d=blank&r=g",
"twitter": "adembosky",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"author"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
}
],
"headData": {
"title": "April Dembosky | KQED",
"description": "KQED Health Correspondent",
"ogImgSrc": "https://secure.gravatar.com/avatar/d6593cd737b732102fe0b6250b5351c2d3bc9b2987566514aa3c9a106494d684?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/d6593cd737b732102fe0b6250b5351c2d3bc9b2987566514aa3c9a106494d684?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/adembosky"
},
"lindseyhoshaw": {
"type": "authors",
"id": "5432",
"meta": {
"index": "authors_1716337520",
"id": "5432",
"found": true
},
"name": "Lindsey Hoshaw",
"firstName": "Lindsey",
"lastName": "Hoshaw",
"slug": "lindseyhoshaw",
"email": "lhoshaw@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Lindsey Hoshaw is a former interactive producer for KQED Science. Before joining KQED, Lindsey was a science correspondent for The New York Times, The Boston Globe, Forbes and Scientific American. On Twitter @lindseyhoshaw",
"avatar": "https://secure.gravatar.com/avatar/274b07694c998eaa8f26cfabaa941186?s=600&d=mm&r=g",
"twitter": "lindseyhoshaw",
"facebook": "lindsey.hoshaw.9",
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
},
{
"site": "stateofhealth",
"roles": [
"author"
]
},
{
"site": "science",
"roles": [
"edit_theme_options",
"subscriber"
]
},
{
"site": "quest",
"roles": [
"edit_post_subscriptions",
"edit_usergroups",
"unfiltered_html",
"unfiltered_upload",
"leadcoordinator",
"editor"
]
},
{
"site": "food",
"roles": []
}
],
"headData": {
"title": "Lindsey Hoshaw | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/274b07694c998eaa8f26cfabaa941186?s=600&d=mm&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/274b07694c998eaa8f26cfabaa941186?s=600&d=mm&r=g"
},
"isLoading": false,
"link": "/author/lindseyhoshaw"
},
"cveltman": {
"type": "authors",
"id": "8608",
"meta": {
"index": "authors_1716337520",
"id": "8608",
"found": true
},
"name": "Chloe Veltman",
"firstName": "Chloe",
"lastName": "Veltman",
"slug": "cveltman",
"email": "cveltman@kqed.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "Arts and Culture Reporter",
"bio": "Chloe Veltman is a former arts and culture reporter for KQED. Prior to joining the organization, she launched and led the arts bureau at Colorado Public Radio, served as the Bay Area's culture columnist for the New York Times, and was the founder, host and executive producer of VoiceBox, a national award-winning weekly podcast/radio show and live events series all about the human voice. Chloe is the recipient of numerous prizes, grants and fellowships including a Webby Award for her work on interactive storytelling, both the John S Knight Journalism Fellowship and Humanities Center Fellowship at Stanford University, the Sundance Arts Writing Fellowship and a Library of Congress Research Fellowship. She is the author of the book \"On Acting\" and has appeared as a guest lecturer at Yale University and the San Francisco Conservatory of Music among other institutions. She holds a BA in english literature from King's College, Cambridge, and a Masters in Dramaturgy from the Central School of Speech and Drama/Harvard Institute for Advanced Theater Training.\r\n\u003ca href=\"https://www.chloeveltman.com\">www.chloeveltman.com\u003c/a>",
"avatar": "https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g",
"twitter": "chloeveltman",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": []
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": []
}
],
"headData": {
"title": "Chloe Veltman | KQED",
"description": "Arts and Culture Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cveltman"
},
"cescobar": {
"type": "authors",
"id": "11241",
"meta": {
"index": "authors_1716337520",
"id": "11241",
"found": true
},
"name": "Claudia Escobar",
"firstName": "Claudia",
"lastName": "Escobar",
"slug": "cescobar",
"email": "cescobar@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Tropical latin visual story teller extraordinaire! bread maker apprentice.",
"avatar": "https://secure.gravatar.com/avatar/39af590a0e19126bafbf121ec9d891a77a3d680061d7cc03d720efe706992707?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
}
],
"headData": {
"title": "Claudia Escobar | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/39af590a0e19126bafbf121ec9d891a77a3d680061d7cc03d720efe706992707?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/39af590a0e19126bafbf121ec9d891a77a3d680061d7cc03d720efe706992707?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cescobar"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.815882
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 198
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 198
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13049682": {
"type": "posts",
"id": "arts_13049682",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13049682",
"score": null,
"sort": [
1492197175000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1492197175,
"format": "image",
"title": "Alec Baldwin's Trump Impersonations Aren't the Most Important Thing",
"headTitle": "Alec Baldwin’s Trump Impersonations Aren’t the Most Important Thing | KQED",
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Every time Alec Baldwin raised an eyebrow and pursed his lips like a fish as he impersonated President Donald Trump, the audience applauded and howled with laughter.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The actor and comedian stopped by San Francisco’s Nourse Theater Thursday night for a sold out \u003ca href=\"http://www.cityarts.net/event/alec-baldwin-2/\" target=\"_blank\" rel=\"noopener\">City Arts & Lectures event\u003c/a> to promote his new memoir, \u003c/span>\u003ca href=\"https://www.harpercollins.com/9780062409706/nevertheless\" target=\"_blank\" rel=\"noopener\">\u003ci>\u003cspan style=\"font-weight: 400\">Nevertheless\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, which hit bookstands on Apr. 4.\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Baldwin talked about the book, life in New York and his work with \u003ca href=\"http://www.pfaw.org/about-us/\" target=\"_blank\" rel=\"noopener\">People for the American Way\u003c/a> to increase voter registration. But the audience was most hungry to hear about his \u003c/span>\u003ca href=\"http://www.nbc.com/saturday-night-live\" target=\"_blank\" rel=\"noopener\">\u003ci>\u003cspan style=\"font-weight: 400\">Saturday Night Live\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cem> (SNL)\u003c/em> appearances as Trump.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Leaning forward in his chair, Baldwin revealed his internal monologue about getting into character as Trump: “Try to stick your face out as much as you can like you’re going to chew the face off the person in front of you,” Baldwin said.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">30-Rock\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> star initially turned down the role when \u003cem>SNL \u003c/em>producer Lorne Michaels offered him the gig. Baldwin was scheduled to act in a small independent film last fall, but when the paycheck never materialized, he called Lorne back and said he was in.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His debut \u003cem>SNL\u003c/em> appearance as Trump came in Oct. 2016, as he parodied the first presidential debate opposite Hillary Clinton impersonator, Kate McKinnon.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-nQGBZQrtT0\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But his feelings about the role are mixed.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’m very 50/50 on the whole Trump [impersonation] thing,” Baldwin said. “Lorne is my dear friend, and he asked me to do this thing; I didn’t have any connection to Trump or any passion for doing that, I just pulled that out of my pocket the day we did it.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">New Yorkers are less ambivalent about the comedian’s impersonation. Baldwin said when people pass him on the street, they sometimes whisper, “thank you.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Trump himself has responded to Baldwin’s impersonation. After the first \u003cem>SNL\u003c/em> mock presidential debate, Trump tweeted: “The Baldwin impersonation just can’t get any worse. Sad.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Baldwin replied swiftly calling for Trump to release his tax returns: “…\u003ca href=\"https://twitter.com/realDonaldTrump?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" target=\"_blank\" rel=\"noopener\">@realDonaldTrump\u003c/a> Release your tax returns and I’ll stop. Ha.”\u003c/span>\u003c/p>\n\u003cp>https://twitter.com/ABFalecbaldwin/status/805284113741729792\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite openly mocking Trump, Baldwin said he doesn’t detest the president.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I think it’s important to understand, I don’t hate Trump,” Baldwin said. “I don’t look at him and spit on the ground, I’m more just depressed by the whole thing.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Baldwin said that the 2016 election galvanized Americans to act. \u003c/span>\u003cspan style=\"font-weight: 400\">“The one silver lining, and the one piece of good news from this is he has reinvigorated democracy,” Baldwin said. \u003c/span>\u003cspan style=\"font-weight: 400\">“What we’ve realized is, don’t be ashamed of your beliefs and your opinions. The other side isn’t; the other side is going to throttle you like it’s a rattan cane with their opinions. You have to get political.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Interviewer Steven Winn asked Baldwin whether he’d ever consider running for office, \u003ca href=\"http://www.huffingtonpost.com/2012/01/25/alec-baldwin-wants-to-run-for-office_n_1232251.html\" target=\"_blank\" rel=\"noopener\">an idea the performer “flirted with”\u003c/a> in 2012.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZO1nINyvDp8\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I would love to be the president of the United States. I think I’d be a great president. I think I’d be fantastic,” Baldwin said.\u003c/span>\u003c/p>\n\u003cp>There’s one caveat, though.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“My wife said she would divorce me if I ran for office,” Baldwin said.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With that, the audience laughed, the house lights came on, and Baldwin waited to answer questions.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 621,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1705030953,
"excerpt": "Even more impassioned than his viral Trump impression on 'Saturday Night Live' is the actor and comedian's plea for Americans to vote in 2020.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Even more impassioned than his viral Trump impression on 'Saturday Night Live' is the actor and comedian's plea for Americans to vote in 2020.",
"title": "Alec Baldwin's Trump Impersonations Aren't the Most Important Thing | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Alec Baldwin's Trump Impersonations Aren't the Most Important Thing",
"datePublished": "2017-04-14T12:12:55-07:00",
"dateModified": "2024-01-11T19:42:33-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "alec-baldwins-trump-impersonations-arent-the-most-important-thing",
"status": "publish",
"sticky": false,
"path": "/arts/13049682/alec-baldwins-trump-impersonations-arent-the-most-important-thing",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Every time Alec Baldwin raised an eyebrow and pursed his lips like a fish as he impersonated President Donald Trump, the audience applauded and howled with laughter.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The actor and comedian stopped by San Francisco’s Nourse Theater Thursday night for a sold out \u003ca href=\"http://www.cityarts.net/event/alec-baldwin-2/\" target=\"_blank\" rel=\"noopener\">City Arts & Lectures event\u003c/a> to promote his new memoir, \u003c/span>\u003ca href=\"https://www.harpercollins.com/9780062409706/nevertheless\" target=\"_blank\" rel=\"noopener\">\u003ci>\u003cspan style=\"font-weight: 400\">Nevertheless\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, which hit bookstands on Apr. 4.\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Baldwin talked about the book, life in New York and his work with \u003ca href=\"http://www.pfaw.org/about-us/\" target=\"_blank\" rel=\"noopener\">People for the American Way\u003c/a> to increase voter registration. But the audience was most hungry to hear about his \u003c/span>\u003ca href=\"http://www.nbc.com/saturday-night-live\" target=\"_blank\" rel=\"noopener\">\u003ci>\u003cspan style=\"font-weight: 400\">Saturday Night Live\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">\u003cem> (SNL)\u003c/em> appearances as Trump.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Leaning forward in his chair, Baldwin revealed his internal monologue about getting into character as Trump: “Try to stick your face out as much as you can like you’re going to chew the face off the person in front of you,” Baldwin said.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">30-Rock\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> star initially turned down the role when \u003cem>SNL \u003c/em>producer Lorne Michaels offered him the gig. Baldwin was scheduled to act in a small independent film last fall, but when the paycheck never materialized, he called Lorne back and said he was in.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His debut \u003cem>SNL\u003c/em> appearance as Trump came in Oct. 2016, as he parodied the first presidential debate opposite Hillary Clinton impersonator, Kate McKinnon.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-nQGBZQrtT0'\n title='//www.youtube.com/embed/-nQGBZQrtT0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">But his feelings about the role are mixed.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’m very 50/50 on the whole Trump [impersonation] thing,” Baldwin said. “Lorne is my dear friend, and he asked me to do this thing; I didn’t have any connection to Trump or any passion for doing that, I just pulled that out of my pocket the day we did it.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">New Yorkers are less ambivalent about the comedian’s impersonation. Baldwin said when people pass him on the street, they sometimes whisper, “thank you.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Trump himself has responded to Baldwin’s impersonation. After the first \u003cem>SNL\u003c/em> mock presidential debate, Trump tweeted: “The Baldwin impersonation just can’t get any worse. Sad.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Baldwin replied swiftly calling for Trump to release his tax returns: “…\u003ca href=\"https://twitter.com/realDonaldTrump?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" target=\"_blank\" rel=\"noopener\">@realDonaldTrump\u003c/a> Release your tax returns and I’ll stop. Ha.”\u003c/span>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "805284113741729792"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite openly mocking Trump, Baldwin said he doesn’t detest the president.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I think it’s important to understand, I don’t hate Trump,” Baldwin said. “I don’t look at him and spit on the ground, I’m more just depressed by the whole thing.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Baldwin said that the 2016 election galvanized Americans to act. \u003c/span>\u003cspan style=\"font-weight: 400\">“The one silver lining, and the one piece of good news from this is he has reinvigorated democracy,” Baldwin said. \u003c/span>\u003cspan style=\"font-weight: 400\">“What we’ve realized is, don’t be ashamed of your beliefs and your opinions. The other side isn’t; the other side is going to throttle you like it’s a rattan cane with their opinions. You have to get political.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Interviewer Steven Winn asked Baldwin whether he’d ever consider running for office, \u003ca href=\"http://www.huffingtonpost.com/2012/01/25/alec-baldwin-wants-to-run-for-office_n_1232251.html\" target=\"_blank\" rel=\"noopener\">an idea the performer “flirted with”\u003c/a> in 2012.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZO1nINyvDp8'\n title='//www.youtube.com/embed/ZO1nINyvDp8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">“I would love to be the president of the United States. I think I’d be a great president. I think I’d be fantastic,” Baldwin said.\u003c/span>\u003c/p>\n\u003cp>There’s one caveat, though.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“My wife said she would divorce me if I ran for office,” Baldwin said.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With that, the audience laughed, the house lights came on, and Baldwin waited to answer questions.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13049682/alec-baldwins-trump-impersonations-arent-the-most-important-thing",
"authors": [
"5432"
],
"categories": [
"arts_73",
"arts_968",
"arts_235"
],
"tags": [
"arts_1642",
"arts_1119",
"arts_596"
],
"featImg": "arts_13049685",
"label": "arts"
},
"forum_2010101859502": {
"type": "posts",
"id": "forum_2010101859502",
"meta": {
"index": "posts_1716263798",
"site": "forum",
"id": "2010101859502",
"score": null,
"sort": [
1492189200000
]
},
"parent": 0,
"labelTerm": {
"site": "forum",
"term": 3
},
"blocks": [],
"publishDate": 1492122844,
"format": "audio",
"title": "SF Public Defender Jeff Adachi Talks Immigration, Police Shootings and His New Documentary",
"headTitle": "SF Public Defender Jeff Adachi Talks Immigration, Police Shootings and His New Documentary | KQED",
"content": "\u003cp>San Francisco has drawn praise and criticism alike in vowing to stand by its pledge as a sanctuary city to protect undocumented immigrants. We talk with San Francisco’s public defender Jeff Adachi about his work with immigrants under threat of deportation. Adachi is also the co-director and subject of a new documentary titled “DEFENDER,” which focuses on his defense of a 22-year-old African-American man who pled not guilty in one of San Francisco’s first police body camera cases.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 90,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 3
},
"modified": 1704433646,
"excerpt": "San Francisco has drawn praise and criticism alike in vowing to stand by its pledge as a sanctuary city to protect undocumented immigrants. We talk with San Francisco's public defender Jeff Adachi about his work with immigrants under threat of deportation. Adachi is also the co-director and subject of a new documentary titled \"DEFENDER,\" which focuses on his defense of a 22-year-old African-American man who pled not guilty in one of San Francisco's first police body camera cases. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "San Francisco has drawn praise and criticism alike in vowing to stand by its pledge as a sanctuary city to protect undocumented immigrants. We talk with San Francisco's public defender Jeff Adachi about his work with immigrants under threat of deportation. Adachi is also the co-director and subject of a new documentary titled "DEFENDER," which focuses on his defense of a 22-year-old African-American man who pled not guilty in one of San Francisco's first police body camera cases. ",
"title": "SF Public Defender Jeff Adachi Talks Immigration, Police Shootings and His New Documentary | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "SF Public Defender Jeff Adachi Talks Immigration, Police Shootings and His New Documentary",
"datePublished": "2017-04-13T15:34:04-07:00",
"dateModified": "2024-01-04T21:47:26-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [
{
"userLogin": "scottshafer",
"firstName": "Scott",
"lastName": "Shafer",
"website": "",
"displayName": "Scott Shafer",
"linkedAccount": "",
"nickname": "",
"description": "",
"userEmail": "",
"ID": "2010101854226",
"type": "guest-author",
"userNicename": "scottshafer"
}
],
"slug": "sf-public-defender-jeff-adachi-talks-immigration-police-shootings-and-his-new-documentary",
"status": "publish",
"audioUrl": "https://www.kqed.org/.stream/mp3splice/radio//2017/04/Forum20170414b.mp3",
"forumGuests": [
{
"name": "Jeff Adachi",
"bio": "public defender, City and County of San Francisco; co-director and subject of \"DEFENDER\""
}
],
"airdate": 1492189200,
"sticky": false,
"path": "/forum/2010101859502/sf-public-defender-jeff-adachi-talks-immigration-police-shootings-and-his-new-documentary",
"audioDuration": 3089000,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco has drawn praise and criticism alike in vowing to stand by its pledge as a sanctuary city to protect undocumented immigrants. We talk with San Francisco’s public defender Jeff Adachi about his work with immigrants under threat of deportation. Adachi is also the co-director and subject of a new documentary titled “DEFENDER,” which focuses on his defense of a 22-year-old African-American man who pled not guilty in one of San Francisco’s first police body camera cases.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/forum/2010101859502/sf-public-defender-jeff-adachi-talks-immigration-police-shootings-and-his-new-documentary",
"authors": [
"2010101854226"
],
"programs": [
"forum_3"
],
"categories": [
"forum_1623"
],
"tags": [
"forum_16",
"forum_208",
"forum_31",
"forum_141"
],
"featImg": "forum_2010101859503",
"label": "forum_3"
},
"arts_13047109": {
"type": "posts",
"id": "arts_13047109",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13047109",
"score": null,
"sort": [
1492128619000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1492128619,
"format": "audio",
"title": "Cy and David's Picks: Tenting in London with Occupy, Prison Pen Pals, and Broken Hearts in Paris",
"headTitle": "Cy and David’s Picks: Tenting in London with Occupy, Prison Pen Pals, and Broken Hearts in Paris | KQED",
"content": "\u003ch4>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/strong>\u003c/h4>\n\u003cp>The arts seem \u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">more socially conscious and relevant than ever\u003c/a> under President Donald Trump. This week we feature a play about Occupy protests in London, as well as an art show about the prison-industrial complex. For a shout-out, we’ve added Rupa and the April Fishes doing a fundraiser for Indian tribes working to restore threatened salmon runs in California — a timely issue as the President works to \u003ca href=\"https://www.nytimes.com/2017/04/10/climate/trump-epa-budget-cuts.html?rref=collection%2Ftimestopic%2FEnvironmental%20Protection%20Agency&action=click&contentCollection=timestopics®ion=stream&module=stream_unit&version=latest&contentPlacement=4&pgtype=collection\" target=\"_blank\" rel=\"noopener\">cripple the Environmental Protection Agency\u003c/a>. Details for \u003ca href=\"https://lapena.org/event/2nd-annual-run-4-salmon-panel-benefit-show/\" target=\"_blank\" rel=\"noopener\">Rupa’s show at La Peña in Berkeley on April 14 are here\u003c/a>. Now on with rest of the show.\u003c/p>\n\u003cfigure id=\"attachment_13047327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13047327\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-800x892.jpg\" alt=\"Mario Ayala‘s painting "Bitch, I'm a Dog" is in his show Pen Pal at Ever Gold at the Minnesota Street Galleries\" width=\"800\" height=\"892\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-800x892.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-160x178.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-768x857.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-1020x1138.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-1180x1316.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-960x1071.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-240x268.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-375x418.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-520x580.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729.jpg 1638w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mario Ayala’s painting ‘Bitch, I’m a Dog’ is in his show ‘Pen Pal,’ at Ever Gold at the Minnesota Street Galleries. \u003ccite>(Photo: Courtesy of Mario Ayala)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 13–May 13\u003c/strong>: Mario Ayala is a young painter from Los Angeles with a small but very worthy exhibit called \u003cem>Pen Pal\u003c/em>, about the American penal system. It features three paintings and stationery designed by Ayala, so that gallery goers can become pen pals with prisoners at San Quentin. Ayala was a student at the pricey San Francisco Art Institute, and he told me about how he and his dog were homeless part of the time he was studying art. “It was tough,” he told me by phone from Los Angeles. “I was always working when I was there. But I think it was great, I had a lot of support from friends and the school as well to continue my education and to finish and get a degree. And friends that fed me and housed me when they could.” Details \u003ca href=\"http://minnesotastreetproject.com/exhibitions/1275-minnesota-st/mario-ayala-pen-pal\" target=\"_blank\" rel=\"noopener\">are here\u003c/a> for Mario Ayala’s show \u003cem>Pen Pal \u003c/em>at Ever Gold at the Minnesota Street Galleries in San Francisco’s Dogpatch through May 13.\u003c/p>\n\u003cfigure id=\"attachment_13047320\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13047320\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-800x492.jpg\" alt=\"Kirk Dougherty (Rodolfo) and Sylvia Lee (Mimi) star in San Jose Operas new production of La bohème\" width=\"800\" height=\"492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-800x492.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-768x472.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-1020x627.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-1920x1180.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-1180x725.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-960x590.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-375x231.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-520x320.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kirk Dougherty (Rodolfo) and Sylvia Lee (Mimi) star in San Jose Operas new production of ‘La Bohème.’ \u003ccite>(Photo: )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 15–30\u003c/strong>: Mimi and Rodolfo first met on stage 121 years ago, at the premiere of \u003ca href=\"https://en.wikipedia.org/wiki/La_boh%C3%A8me\" target=\"_blank\" rel=\"noopener\">Puccini’s \u003cem>La Bohème\u003c/em>\u003c/a>. The story of a penniless but beautiful seamstress who meets an equally penniless but handsome poet seems very contemporary, considering how many in the Bay Area are trying to survive in the gig economy. \u003ca href=\"https://www.operasj.org/\" target=\"_blank\" rel=\"noopener\">Opera San Jose\u003c/a>’s Sylvie Lee and Julie Adams alternate as Mimi, and Kirk Dougherty plays Rodolfo, in this new version set just after World War I in a Paris that is also home to Nijinsky, Igor Stravinsky, Pablo Picasso and Coco Chanel. This is a perfect opera for first-timers and buffs alike, because the songs are dazzling, and the story will make you laugh — and then break your heart. Details for \u003ca href=\"https://www.operasj.org/production/la-boheme/\" target=\"_blank\" rel=\"noopener\">San Jose Opera’s La Bohème are here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LSnL5g4LSSc\u003c/p>\n\u003cp>\u003cstrong>April 20–23\u003c/strong>: Joe Henderson was born 80 years ago, so SFJAZZ has a terrific reason to offer a series of shows honoring Henderson — who died in San Francisco in 2001 — by recreating four of his classic albums. All the better that four of the Bay Area’s best saxophonists are doing these fresh takes. Dayna Stephens opens the fest with a recreation of Henderson’s \u003cem>Power to the People \u003c/em>\u003ca href=\"https://sfjazz.org/events/2016-17/0420/hotplate\" target=\"_blank\" rel=\"noopener\">on Thursday, April 20\u003c/a>, then Patrick Wolff does \u003cem>Our Thing\u003c/em> on Friday, \u003ca href=\"https://sfjazz.org/events/2016-17/0421/hotplate\" target=\"_blank\" rel=\"noopener\">April 21\u003c/a>. The great Howard Wiley recreates \u003cem>Lush Life\u003c/em> on Saturday, \u003ca href=\"https://sfjazz.org/events/2016-17/0422/hotplate\" target=\"_blank\" rel=\"noopener\">April 22\u003c/a>, and then Mad Duran performs tunes from Henderson’s 1966 Blue Note session \u003cem>Inner Urge on Sunday, \u003c/em>on \u003ca href=\"https://sfjazz.org/events/2016-17/0423/hotplate\" target=\"_blank\" rel=\"noopener\">April 23\u003c/a>. You can’t go wrong no matter what night you go. More details \u003ca href=\"https://sfjazz.org/events/2016-17/0420/hotplate\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PoE86LE8NUo\u003c/p>\n\u003cp>\u003cstrong>April 14–May 14\u003c/strong>: The ideals of the \u003ca href=\"http://www.occupy.com/\" target=\"_blank\" rel=\"noopener\">Occupy movement\u003c/a>, with its central thesis of standing up for the 99 percent, are alive and well in today’s anti-President Trump resistance. So this seems a good time for the play \u003cem>Temple\u003c/em> by Steve Waters, which examines the legal and ethical issues Occupy raised for city and religious leaders when protesters camped out in front of the beloved St. Paul’s Cathedral in London. \u003cem>Temple\u003c/em>, a recent hit at \u003ca href=\"https://www.theguardian.com/stage/2015/may/28/the-temple-review-simon-russell-beale-donmar-warehouse-st-pauls\" target=\"_blank\" rel=\"noopener\">London’s Donmar Warehouse\u003c/a>, features a terrific cast with Paul Whitworth, a longtime leader at Shakespeare Santa Cruz; the promethean Sharon Lockwood; and Lontyne Mbele-Mbong, who was excellent last year at the Aurora in \u003cem>Breakfast with Mugabe\u003c/em>. Details for the show at Berkeley’s Aurora Theatre are \u003ca href=\"https://www.auroratheatre.org/index.php?option=com_theatre&view=show&id=133\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CGKN6qiDqnk\u003c/p>\n\u003cp>\u003cstrong>April 14 & 17–19\u003c/strong>: \u003ca href=\"http://www.whitneytheband.com/\" target=\"_blank\" rel=\"noopener\">Whitney\u003c/a> is a band from Chicago, but their laid-back, country-soul sound (credit partly due to drummer Julien Erlich’s falsetto) sounds entirely Californian. Band leaders Max Kakacek (Smith Westerns) and Erlich (Unknown Mortal Orchestra) formed the band when they found they could write beautiful music together. They’re so hot that they’re playing Coachella, but they’re stopping first at Gundlach-Bundschu Winery on Friday, April 14, in Sonoma (a great, intimate venue), and they’re back in the Bay Area at the Independent in San Francisco for three nights, April 17–19. Details for the Gundlach-Bundschu show are\u003ca href=\"http://here\" target=\"_blank\" rel=\"noopener\"> here\u003c/a>. And you’ll find details for the Independent show\u003ca href=\"http://www.theindependentsf.com/event/1415791-whitney-san-francisco/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=X4Q7d0CtYyk\u003c/p>\n\u003cp>\u003cstrong>April 14\u003c/strong>: One more shoutout from David. He’s intrigued by the music of electronic music artist Victor Fenton, also known as \u003ca href=\"https://www.facebook.com/frenchkiwijuice/\" target=\"_blank\" rel=\"noopener\">FKJ\u003c/a>. The acronym means French Kiwi Juice (of course), a reference to Fenton’s French and New Zealand heritage. The music is just as eclectic. Details for FKJ’s show at the Warfield on Friday are \u003ca href=\"http://www.axs.com/events/331665/fkj-tickets?skin=warfield&src=AEGLIVE_WWRFLSFO022715VEN001\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"Q.Logo_.Break_-400x39\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1000,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705030961,
"excerpt": "The Do List's picks this week include a play about Occupy in London, paintings to inspire prison pen pals, and seeing Whitney without flying to Coachella.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Do List's picks this week include a play about Occupy in London, paintings to inspire prison pen pals, and seeing Whitney without flying to Coachella.",
"title": "Cy and David's Picks: Tenting in London with Occupy, Prison Pen Pals, and Broken Hearts in Paris | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Cy and David's Picks: Tenting in London with Occupy, Prison Pen Pals, and Broken Hearts in Paris",
"datePublished": "2017-04-13T17:10:19-07:00",
"dateModified": "2024-01-11T19:42:41-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "cy-and-davids-picks-tenting-in-london-with-occupy-prison-pen-pals-and-broken-hearts-in-paris",
"status": "publish",
"audioUrl": "https://www.kqed.org/.stream/anon/radio//2017/04/TheDoListforApril14thPrisonPenPalstentingwithOccupyWhitneywithoutCoachella.mp3",
"sticky": false,
"guestFields": "0",
"path": "/arts/13047109/cy-and-davids-picks-tenting-in-london-with-occupy-prison-pen-pals-and-broken-hearts-in-paris",
"audioDuration": 429000,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch4>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/strong>\u003c/h4>\n\u003cp>The arts seem \u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">more socially conscious and relevant than ever\u003c/a> under President Donald Trump. This week we feature a play about Occupy protests in London, as well as an art show about the prison-industrial complex. For a shout-out, we’ve added Rupa and the April Fishes doing a fundraiser for Indian tribes working to restore threatened salmon runs in California — a timely issue as the President works to \u003ca href=\"https://www.nytimes.com/2017/04/10/climate/trump-epa-budget-cuts.html?rref=collection%2Ftimestopic%2FEnvironmental%20Protection%20Agency&action=click&contentCollection=timestopics®ion=stream&module=stream_unit&version=latest&contentPlacement=4&pgtype=collection\" target=\"_blank\" rel=\"noopener\">cripple the Environmental Protection Agency\u003c/a>. Details for \u003ca href=\"https://lapena.org/event/2nd-annual-run-4-salmon-panel-benefit-show/\" target=\"_blank\" rel=\"noopener\">Rupa’s show at La Peña in Berkeley on April 14 are here\u003c/a>. Now on with rest of the show.\u003c/p>\n\u003cfigure id=\"attachment_13047327\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13047327\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-800x892.jpg\" alt=\"Mario Ayala‘s painting "Bitch, I'm a Dog" is in his show Pen Pal at Ever Gold at the Minnesota Street Galleries\" width=\"800\" height=\"892\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-800x892.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-160x178.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-768x857.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-1020x1138.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-1180x1316.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-960x1071.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-240x268.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-375x418.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729-520x580.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Mario-Ayala-Bitch-Im-a-Dog-e1492109751729.jpg 1638w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mario Ayala’s painting ‘Bitch, I’m a Dog’ is in his show ‘Pen Pal,’ at Ever Gold at the Minnesota Street Galleries. \u003ccite>(Photo: Courtesy of Mario Ayala)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 13–May 13\u003c/strong>: Mario Ayala is a young painter from Los Angeles with a small but very worthy exhibit called \u003cem>Pen Pal\u003c/em>, about the American penal system. It features three paintings and stationery designed by Ayala, so that gallery goers can become pen pals with prisoners at San Quentin. Ayala was a student at the pricey San Francisco Art Institute, and he told me about how he and his dog were homeless part of the time he was studying art. “It was tough,” he told me by phone from Los Angeles. “I was always working when I was there. But I think it was great, I had a lot of support from friends and the school as well to continue my education and to finish and get a degree. And friends that fed me and housed me when they could.” Details \u003ca href=\"http://minnesotastreetproject.com/exhibitions/1275-minnesota-st/mario-ayala-pen-pal\" target=\"_blank\" rel=\"noopener\">are here\u003c/a> for Mario Ayala’s show \u003cem>Pen Pal \u003c/em>at Ever Gold at the Minnesota Street Galleries in San Francisco’s Dogpatch through May 13.\u003c/p>\n\u003cfigure id=\"attachment_13047320\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13047320\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-800x492.jpg\" alt=\"Kirk Dougherty (Rodolfo) and Sylvia Lee (Mimi) star in San Jose Operas new production of La bohème\" width=\"800\" height=\"492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-800x492.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-768x472.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-1020x627.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-1920x1180.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-1180x725.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-960x590.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-375x231.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734-520x320.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/San-Joses-La-Boheme-04-2017-e1492108528734.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kirk Dougherty (Rodolfo) and Sylvia Lee (Mimi) star in San Jose Operas new production of ‘La Bohème.’ \u003ccite>(Photo: )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 15–30\u003c/strong>: Mimi and Rodolfo first met on stage 121 years ago, at the premiere of \u003ca href=\"https://en.wikipedia.org/wiki/La_boh%C3%A8me\" target=\"_blank\" rel=\"noopener\">Puccini’s \u003cem>La Bohème\u003c/em>\u003c/a>. The story of a penniless but beautiful seamstress who meets an equally penniless but handsome poet seems very contemporary, considering how many in the Bay Area are trying to survive in the gig economy. \u003ca href=\"https://www.operasj.org/\" target=\"_blank\" rel=\"noopener\">Opera San Jose\u003c/a>’s Sylvie Lee and Julie Adams alternate as Mimi, and Kirk Dougherty plays Rodolfo, in this new version set just after World War I in a Paris that is also home to Nijinsky, Igor Stravinsky, Pablo Picasso and Coco Chanel. This is a perfect opera for first-timers and buffs alike, because the songs are dazzling, and the story will make you laugh — and then break your heart. Details for \u003ca href=\"https://www.operasj.org/production/la-boheme/\" target=\"_blank\" rel=\"noopener\">San Jose Opera’s La Bohème are here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LSnL5g4LSSc'\n title='//www.youtube.com/embed/LSnL5g4LSSc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 20–23\u003c/strong>: Joe Henderson was born 80 years ago, so SFJAZZ has a terrific reason to offer a series of shows honoring Henderson — who died in San Francisco in 2001 — by recreating four of his classic albums. All the better that four of the Bay Area’s best saxophonists are doing these fresh takes. Dayna Stephens opens the fest with a recreation of Henderson’s \u003cem>Power to the People \u003c/em>\u003ca href=\"https://sfjazz.org/events/2016-17/0420/hotplate\" target=\"_blank\" rel=\"noopener\">on Thursday, April 20\u003c/a>, then Patrick Wolff does \u003cem>Our Thing\u003c/em> on Friday, \u003ca href=\"https://sfjazz.org/events/2016-17/0421/hotplate\" target=\"_blank\" rel=\"noopener\">April 21\u003c/a>. The great Howard Wiley recreates \u003cem>Lush Life\u003c/em> on Saturday, \u003ca href=\"https://sfjazz.org/events/2016-17/0422/hotplate\" target=\"_blank\" rel=\"noopener\">April 22\u003c/a>, and then Mad Duran performs tunes from Henderson’s 1966 Blue Note session \u003cem>Inner Urge on Sunday, \u003c/em>on \u003ca href=\"https://sfjazz.org/events/2016-17/0423/hotplate\" target=\"_blank\" rel=\"noopener\">April 23\u003c/a>. You can’t go wrong no matter what night you go. More details \u003ca href=\"https://sfjazz.org/events/2016-17/0420/hotplate\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PoE86LE8NUo'\n title='//www.youtube.com/embed/PoE86LE8NUo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 14–May 14\u003c/strong>: The ideals of the \u003ca href=\"http://www.occupy.com/\" target=\"_blank\" rel=\"noopener\">Occupy movement\u003c/a>, with its central thesis of standing up for the 99 percent, are alive and well in today’s anti-President Trump resistance. So this seems a good time for the play \u003cem>Temple\u003c/em> by Steve Waters, which examines the legal and ethical issues Occupy raised for city and religious leaders when protesters camped out in front of the beloved St. Paul’s Cathedral in London. \u003cem>Temple\u003c/em>, a recent hit at \u003ca href=\"https://www.theguardian.com/stage/2015/may/28/the-temple-review-simon-russell-beale-donmar-warehouse-st-pauls\" target=\"_blank\" rel=\"noopener\">London’s Donmar Warehouse\u003c/a>, features a terrific cast with Paul Whitworth, a longtime leader at Shakespeare Santa Cruz; the promethean Sharon Lockwood; and Lontyne Mbele-Mbong, who was excellent last year at the Aurora in \u003cem>Breakfast with Mugabe\u003c/em>. Details for the show at Berkeley’s Aurora Theatre are \u003ca href=\"https://www.auroratheatre.org/index.php?option=com_theatre&view=show&id=133\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CGKN6qiDqnk'\n title='//www.youtube.com/embed/CGKN6qiDqnk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 14 & 17–19\u003c/strong>: \u003ca href=\"http://www.whitneytheband.com/\" target=\"_blank\" rel=\"noopener\">Whitney\u003c/a> is a band from Chicago, but their laid-back, country-soul sound (credit partly due to drummer Julien Erlich’s falsetto) sounds entirely Californian. Band leaders Max Kakacek (Smith Westerns) and Erlich (Unknown Mortal Orchestra) formed the band when they found they could write beautiful music together. They’re so hot that they’re playing Coachella, but they’re stopping first at Gundlach-Bundschu Winery on Friday, April 14, in Sonoma (a great, intimate venue), and they’re back in the Bay Area at the Independent in San Francisco for three nights, April 17–19. Details for the Gundlach-Bundschu show are\u003ca href=\"http://here\" target=\"_blank\" rel=\"noopener\"> here\u003c/a>. And you’ll find details for the Independent show\u003ca href=\"http://www.theindependentsf.com/event/1415791-whitney-san-francisco/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/X4Q7d0CtYyk'\n title='//www.youtube.com/embed/X4Q7d0CtYyk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 14\u003c/strong>: One more shoutout from David. He’s intrigued by the music of electronic music artist Victor Fenton, also known as \u003ca href=\"https://www.facebook.com/frenchkiwijuice/\" target=\"_blank\" rel=\"noopener\">FKJ\u003c/a>. The acronym means French Kiwi Juice (of course), a reference to Fenton’s French and New Zealand heritage. The music is just as eclectic. Details for FKJ’s show at the Warfield on Friday are \u003ca href=\"http://www.axs.com/events/331665/fkj-tickets?skin=warfield&src=AEGLIVE_WWRFLSFO022715VEN001\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"Q.Logo_.Break_-400x39\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13047109/cy-and-davids-picks-tenting-in-london-with-occupy-prison-pen-pals-and-broken-hearts-in-paris",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69",
"arts_235",
"arts_967",
"arts_70"
],
"tags": [
"arts_1118",
"arts_596",
"arts_626"
],
"featImg": "arts_13053333",
"label": "arts_140"
},
"arts_13042536": {
"type": "posts",
"id": "arts_13042536",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13042536",
"score": null,
"sort": [
1492036625000
]
},
"guestAuthors": [],
"slug": "for-rulan-tangen-to-dance-is-to-live-to-live-is-to-dance",
"title": "For Rulan Tangen, To Dance Is To Live, To Live Is To Dance",
"publishDate": 1492036625,
"format": "video",
"headTitle": "For Rulan Tangen, To Dance Is To Live, To Live Is To Dance | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In 2004, after surviving a battle with cancer, dancer and choreographer Rulan Tangen started \u003ca href=\"http://www.dancingearth.org\" target=\"_blank\" rel=\"noopener\">Dancing Earth Creations\u003c/a>, a dance company committed to exploring indigenous rituals and movements that reflect contemporary native people.\u003c/p>\n\u003cp>“I wanted to create dances that would serve as this purposeful ritual for life itself,” says Tangen, who began specializing in ballet, modern dance, and powwow at an early age.\u003c/p>\n\u003cp>Within a couple years, Tangen and her choreography were recognized by \u003cem>Dance Magazine\u003c/em> as “25 to Watch.”\u003c/p>\n\u003cp>Watch Tangen and a company of Bay Area dancers perform her piece “Treaty Making: We Stand Together” against the backdrop of Mission district streets and San Francisco’s scenic Crissy Field. The piece was commissioned and originally staged for the Dance Mission Theater’s \u003ca href=\"http://www.dancemission.com/programs/down_and_dirty.html\" target=\"_blank\" rel=\"noopener\">D.I.R.T. Festival\u003c/a> earlier this month.\u003c/p>\n\u003cp>\u003cstrong>Watch more from the Unwind Video Collection\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/unwind-2?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n",
"blocks": [],
"excerpt": "Dancer and choreographer Rulan Tangen creates movements and rituals that reflect contemporary native people -- against the backdrop of San Francisco scenery.",
"status": "publish",
"parent": 0,
"modified": 1726701311,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": true,
"iframeSrcs": [
"https://huzzaz.com/proembed/unwind-2"
],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 151
},
"headData": {
"title": "For Rulan Tangen, To Dance Is To Live, To Live Is To Dance | KQED",
"description": "Dancer and choreographer Rulan Tangen creates movements and rituals that reflect contemporary native people -- against the backdrop of San Francisco scenery.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "For Rulan Tangen, To Dance Is To Live, To Live Is To Dance",
"datePublished": "2017-04-12T15:37:05-07:00",
"dateModified": "2024-09-18T16:15:11-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"videoEmbed": "https://vimeo.com/212972753",
"sticky": false,
"path": "/arts/13042536/for-rulan-tangen-to-dance-is-to-live-to-live-is-to-dance",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2004, after surviving a battle with cancer, dancer and choreographer Rulan Tangen started \u003ca href=\"http://www.dancingearth.org\" target=\"_blank\" rel=\"noopener\">Dancing Earth Creations\u003c/a>, a dance company committed to exploring indigenous rituals and movements that reflect contemporary native people.\u003c/p>\n\u003cp>“I wanted to create dances that would serve as this purposeful ritual for life itself,” says Tangen, who began specializing in ballet, modern dance, and powwow at an early age.\u003c/p>\n\u003cp>Within a couple years, Tangen and her choreography were recognized by \u003cem>Dance Magazine\u003c/em> as “25 to Watch.”\u003c/p>\n\u003cp>Watch Tangen and a company of Bay Area dancers perform her piece “Treaty Making: We Stand Together” against the backdrop of Mission district streets and San Francisco’s scenic Crissy Field. The piece was commissioned and originally staged for the Dance Mission Theater’s \u003ca href=\"http://www.dancemission.com/programs/down_and_dirty.html\" target=\"_blank\" rel=\"noopener\">D.I.R.T. Festival\u003c/a> earlier this month.\u003c/p>\n\u003cp>\u003cstrong>Watch more from the Unwind Video Collection\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" class=\"hzframe\" src=\"https://huzzaz.com/proembed/unwind-2?layout=grid&vpp=12&search=1&titleoverlay=1\" height=\"0\" width=\"100%\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\">\u003c/iframe>\u003cbr>\n[huzzaz_js]\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13042536/for-rulan-tangen-to-dance-is-to-live-to-live-is-to-dance",
"authors": [
"11241"
],
"categories": [
"arts_966",
"arts_235"
],
"tags": [
"arts_879",
"arts_1118",
"arts_3178",
"arts_596",
"arts_3130",
"arts_1007"
],
"featImg": "arts_13042977",
"label": "arts"
},
"news_11383461": {
"type": "posts",
"id": "news_11383461",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "11383461",
"score": null,
"sort": [
1491955250000
]
},
"parent": 0,
"labelTerm": {
"site": "news"
},
"blocks": [],
"publishDate": 1491955250,
"format": "audio",
"disqusTitle": "Soundtrack of Silence",
"title": "Soundtrack of Silence",
"headTitle": "KQED News",
"content": "\u003cp>Matt Hay is a sophomore in college when he finds out he is going to lose his hearing. He coasts through the early years of his diagnosis in denial, but as his hearing aids get bigger and bigger, Matt realizes he wants to capture the sounds that are slipping away: his girlfriend's voice, the click of her heels; and especially, the songs of their invincible youth.\u003c/p>\n\u003cp>Matt starts listening to music with a new appreciation — truly studying it, as he curates the soundtrack for the rest of his life. Behind each song, there is a coming-of-age story about freedom, tragedy, and falling in love. When Matt’s hearing eventually fades to nothing, the silent soundtrack in his head takes on a role he never imagines.\u003c/p>\n\u003cp>Hear KQED's entire Soundtrack of Silence episode now by clicking the play button above. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"disqusIdentifier": "11383461 https://ww2.kqed.org/news/?p=11383461",
"disqusUrl": "https://ww2.kqed.org/news/2017/04/11/soundtrack-of-silence/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 147,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1572917910,
"excerpt": "A young man finds out he’s going to lose his hearing. So, he starts memorizing songs that will become the soundtrack for the rest of his life. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A young man finds out he’s going to lose his hearing. So, he starts memorizing songs that will become the soundtrack for the rest of his life. ",
"title": "Soundtrack of Silence | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "Soundtrack of Silence",
"datePublished": "2017-04-11T17:00:50-07:00",
"dateModified": "2019-11-04T17:38:30-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"guestAuthors": [],
"slug": "soundtrack-of-silence",
"status": "publish",
"audioUrl": "https://www.kqed.org/.stream/mp3splice/radio/qed-up/2017/04/SoundtrackofSilencefinalmaster.mp3",
"audioTrackLength": 2882,
"path": "/news/11383461/soundtrack-of-silence",
"audioDuration": 2897000,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Matt Hay is a sophomore in college when he finds out he is going to lose his hearing. He coasts through the early years of his diagnosis in denial, but as his hearing aids get bigger and bigger, Matt realizes he wants to capture the sounds that are slipping away: his girlfriend's voice, the click of her heels; and especially, the songs of their invincible youth.\u003c/p>\n\u003cp>Matt starts listening to music with a new appreciation — truly studying it, as he curates the soundtrack for the rest of his life. Behind each song, there is a coming-of-age story about freedom, tragedy, and falling in love. When Matt’s hearing eventually fades to nothing, the silent soundtrack in his head takes on a role he never imagines.\u003c/p>\n\u003cp>Hear KQED's entire Soundtrack of Silence episode now by clicking the play button above. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/11383461/soundtrack-of-silence",
"authors": [
"3205"
],
"categories": [
"news_223",
"news_8",
"news_356"
],
"featImg": "news_11405206",
"label": "news"
},
"arts_13037928": {
"type": "posts",
"id": "arts_13037928",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13037928",
"score": null,
"sort": [
1491954962000
]
},
"guestAuthors": [],
"slug": "hasan-minhaj-to-host-2017-white-house-correspondents-dinner",
"title": "Hasan Minhaj to Host 2017 White House Correspondents' Dinner",
"publishDate": 1491954962,
"format": "standard",
"headTitle": "Hasan Minhaj to Host 2017 White House Correspondents’ Dinner | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Hasan Minhaj, a senior correspondent at \u003cem>The Daily Show\u003c/em> who started his comedy career in the Bay Area, will host this year’s White House Correspondents’ Dinner.\u003c/p>\n\u003cp>\u003ca href=\"http://www.whca.net/news.htm\" target=\"_blank\" rel=\"noopener\">In an announcement\u003c/a> from the White House Correspondents Association (WHCA) Tuesday, Minhaj said he was honored to speak at the event on Saturday, Apr. 29, despite President Donald Trump’s \u003ca href=\"http://www.npr.org/2017/02/25/517257273/trump-will-be-first-president-in-36-years-to-skip-white-house-correspondents-din\" target=\"_blank\" rel=\"noopener\">decision not to attend\u003c/a>.\u003c/p>\n\u003cp>“It is a tremendous honor to be a part of such a historic event even though the president has chosen not to attend this year,” Minhaj said. “Now more than ever, it is vital that we honor the First Amendment and the freedom of the press.”\u003c/p>\n\u003cp>The last time a sitting president skipped the dinner was 36 years ago, when Ronald Reagan couldn’t attend after being shot during an assassination attempt. Instead, he called into the event from Camp David and joked about the shooting, saying, “If I could give you just one little bit of advice: when somebody tells you to get in a car quick, do it.”\u003c/p>\n\u003cfigure id=\"attachment_13038147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13038147\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg\" alt=\"Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \u003ccite>(Photo: Brad Barket/Getty Images for Comedy Central)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s dinner has struggled to find a host. The host is traditionally announced months before the event, and \u003ca href=\"http://www.hollywoodreporter.com/news/trump-press-wars-effect-white-house-correspondents-dinner-attendance-973097\" target=\"_blank\" rel=\"noopener\">The Hollywood Reporter (THR)\u003c/a> reported back in February that a few candidates including the \u003cem>Late Late Show\u003c/em>‘s James Corden had turned down the job. In the same piece, THR also found that many celebrities and publications who have attended in recent years would be passing this time around, and that former \u003ci>Daily Show\u003c/i> correspondent Samantha Bee would be hosting an event called “\u003ca href=\"http://www.hollywoodreporter.com/news/samantha-bee-roast-trump-at-not-white-house-correspondents-dinner-970088\" target=\"_blank\" rel=\"noopener\">Not the White House Correspondents’ Dinner\u003c/a>” on the same night.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Trump’s staffers have also announced that they would be skipping the event “\u003ca href=\"http://www.hollywoodreporter.com/news/white-house-correspondents-dinner-white-house-staff-not-attending-show-solidarity-trump-989602\" target=\"_blank\" rel=\"noopener\">in solidarity\u003c/a>” with the president.\u003c/p>\n\u003cp>Minhaj, 31, was born and raised in \u003ca href=\"http://www.sacbee.com/entertainment/tv/article28715740.html\" target=\"_blank\" rel=\"noopener\">Davis, California\u003c/a>, and began performing stand-up comedy in Sacramento and later San Francisco. He started making a name for himself alongside other notable Bay Area comics such as \u003ca href=\"https://ww2.kqed.org/pop/tag/w-kamau-bell/\" target=\"_blank\" rel=\"noopener\">W. Kamau Bell\u003c/a> and \u003ca href=\"https://ww2.kqed.org/arts/2015/12/16/nato-green-on-his-san-francisco-childhood-and-life-as-a-comic/\" target=\"_blank\" rel=\"noopener\">Nato Green\u003c/a>.\u003c/p>\n\u003cp>Former \u003ci>Daily Show\u003c/i> host \u003ca href=\"http://www.npr.org/sections/codeswitch/2015/10/14/448572486/daily-shows-hasan-minhaj-on-proms-immigrants-and-white-folks-at-desi-weddings\" target=\"_blank\" rel=\"noopener\">Jon Stewart hired Minhaj\u003c/a> as a correspondent before he left in 2014. Since then, Minhaj has made headlines for his work both on the show and off it, including his calling out of congress over its inability to pass gun control legislation at the \u003ca href=\"https://www.youtube.com/watch?v=NUymQKZqP6w\" target=\"_blank\" rel=\"noopener\">2016 Radio and Television Correspondents’ Dinner\u003c/a>.\u003c/p>\n\u003cp>\u003ci>Watch Minhaj’s report on the “Muslim Makeover” for the Daily Show in 2014:\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hSTywVwZCjw\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Davis-born comedian will be hosting the first correspondents' dinner under Trump, who is skipping the event, the first sitting president to do so in 36 years.",
"status": "publish",
"parent": 0,
"modified": 1726707596,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 447
},
"headData": {
"title": "Hasan Minhaj to Host 2017 White House Correspondents' Dinner | KQED",
"description": "The Davis-born comedian will be hosting the first correspondents' dinner under Trump, who is skipping the event, the first sitting president to do so in 36 years.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Hasan Minhaj to Host 2017 White House Correspondents' Dinner",
"datePublished": "2017-04-11T16:56:02-07:00",
"dateModified": "2024-09-18T17:59:56-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13037928/hasan-minhaj-to-host-2017-white-house-correspondents-dinner",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hasan Minhaj, a senior correspondent at \u003cem>The Daily Show\u003c/em> who started his comedy career in the Bay Area, will host this year’s White House Correspondents’ Dinner.\u003c/p>\n\u003cp>\u003ca href=\"http://www.whca.net/news.htm\" target=\"_blank\" rel=\"noopener\">In an announcement\u003c/a> from the White House Correspondents Association (WHCA) Tuesday, Minhaj said he was honored to speak at the event on Saturday, Apr. 29, despite President Donald Trump’s \u003ca href=\"http://www.npr.org/2017/02/25/517257273/trump-will-be-first-president-in-36-years-to-skip-white-house-correspondents-din\" target=\"_blank\" rel=\"noopener\">decision not to attend\u003c/a>.\u003c/p>\n\u003cp>“It is a tremendous honor to be a part of such a historic event even though the president has chosen not to attend this year,” Minhaj said. “Now more than ever, it is vital that we honor the First Amendment and the freedom of the press.”\u003c/p>\n\u003cp>The last time a sitting president skipped the dinner was 36 years ago, when Ronald Reagan couldn’t attend after being shot during an assassination attempt. Instead, he called into the event from Camp David and joked about the shooting, saying, “If I could give you just one little bit of advice: when somebody tells you to get in a car quick, do it.”\u003c/p>\n\u003cfigure id=\"attachment_13038147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13038147\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg\" alt=\"Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Hasan-Minhaj-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hasan Minhaj attends The Daily Show with Trevor Noah Stand-Up in the Park in 2016. \u003ccite>(Photo: Brad Barket/Getty Images for Comedy Central)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s dinner has struggled to find a host. The host is traditionally announced months before the event, and \u003ca href=\"http://www.hollywoodreporter.com/news/trump-press-wars-effect-white-house-correspondents-dinner-attendance-973097\" target=\"_blank\" rel=\"noopener\">The Hollywood Reporter (THR)\u003c/a> reported back in February that a few candidates including the \u003cem>Late Late Show\u003c/em>‘s James Corden had turned down the job. In the same piece, THR also found that many celebrities and publications who have attended in recent years would be passing this time around, and that former \u003ci>Daily Show\u003c/i> correspondent Samantha Bee would be hosting an event called “\u003ca href=\"http://www.hollywoodreporter.com/news/samantha-bee-roast-trump-at-not-white-house-correspondents-dinner-970088\" target=\"_blank\" rel=\"noopener\">Not the White House Correspondents’ Dinner\u003c/a>” on the same night.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Trump’s staffers have also announced that they would be skipping the event “\u003ca href=\"http://www.hollywoodreporter.com/news/white-house-correspondents-dinner-white-house-staff-not-attending-show-solidarity-trump-989602\" target=\"_blank\" rel=\"noopener\">in solidarity\u003c/a>” with the president.\u003c/p>\n\u003cp>Minhaj, 31, was born and raised in \u003ca href=\"http://www.sacbee.com/entertainment/tv/article28715740.html\" target=\"_blank\" rel=\"noopener\">Davis, California\u003c/a>, and began performing stand-up comedy in Sacramento and later San Francisco. He started making a name for himself alongside other notable Bay Area comics such as \u003ca href=\"https://ww2.kqed.org/pop/tag/w-kamau-bell/\" target=\"_blank\" rel=\"noopener\">W. Kamau Bell\u003c/a> and \u003ca href=\"https://ww2.kqed.org/arts/2015/12/16/nato-green-on-his-san-francisco-childhood-and-life-as-a-comic/\" target=\"_blank\" rel=\"noopener\">Nato Green\u003c/a>.\u003c/p>\n\u003cp>Former \u003ci>Daily Show\u003c/i> host \u003ca href=\"http://www.npr.org/sections/codeswitch/2015/10/14/448572486/daily-shows-hasan-minhaj-on-proms-immigrants-and-white-folks-at-desi-weddings\" target=\"_blank\" rel=\"noopener\">Jon Stewart hired Minhaj\u003c/a> as a correspondent before he left in 2014. Since then, Minhaj has made headlines for his work both on the show and off it, including his calling out of congress over its inability to pass gun control legislation at the \u003ca href=\"https://www.youtube.com/watch?v=NUymQKZqP6w\" target=\"_blank\" rel=\"noopener\">2016 Radio and Television Correspondents’ Dinner\u003c/a>.\u003c/p>\n\u003cp>\u003ci>Watch Minhaj’s report on the “Muslim Makeover” for the Daily Show in 2014:\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hSTywVwZCjw'\n title='//www.youtube.com/embed/hSTywVwZCjw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13037928/hasan-minhaj-to-host-2017-white-house-correspondents-dinner",
"authors": [
"93"
],
"categories": [
"arts_968",
"arts_235",
"arts_990"
],
"tags": [
"arts_1448",
"arts_596"
],
"featImg": "arts_13038148",
"label": "arts"
},
"arts_13033553": {
"type": "posts",
"id": "arts_13033553",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13033553",
"score": null,
"sort": [
1491871857000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1491871857,
"format": "standard",
"title": "East Bay Times Wins Pulitzer for Reporting on Ghost Ship Fire",
"headTitle": "East Bay Times Wins Pulitzer for Reporting on Ghost Ship Fire | KQED",
"content": "\u003cblockquote>\n\u003cp>\u003cem>A massive fire at a Fruitvale district live work space has reportedly left an unconfirmed number of people dead died at an East Oakland work space, authorities said.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The fire apparently broke out about 11:30 p.m. in the 1300 block of 31st Avenue.\u003c/em>\u003c/p>\n\u003cp>\u003cem>No other information was immediately available.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Check back for updates.\u003c/em>\u003c/p>\n\u003c/blockquote>\n\u003cp>So began the\u003cem> \u003c/em>\u003ca href=\"http://extras.mercurynews.com/ghostship/dayone/#Fifth\" target=\"_blank\" rel=\"noopener\">\u003cem>East Bay Times\u003c/em>‘ coverage\u003c/a>, at 4:13 on the morning of Dec. 3, 2016 of a fire in Oakland. We would later learn the fire, which took place at a dense underground art space called “Ghost Ship,” had taken 36 lives. Today, the paper’s coverage of the disaster \u003ca href=\"http://www.pulitzer.org/winners/staff-27\" target=\"_blank\" rel=\"noopener\">won a Pulitzer Prize for Breaking News Reporting\u003c/a>.\u003c/p>\n\u003cp>For 19 hours and 27 minutes following that initial publication — at 53 words, including typos — the\u003cem> East Bay Times\u003c/em> expanded its story before ending the day with 1,388 hard-reported words. The first paragraph of the final version of the story reads:\u003c/p>\n\u003cblockquote>\n\u003cp>\u003cem>Doomed partygoers trapped on the second floor of a crudely converted warehouse screamed, “Help us! Help us!” as one of the deadliest structure fires in Oakland’s history ripped through a tinderbox of makeshift living spaces and a labyrinth cluttered with art late Friday night, killing at least nine people and possibly dozens more.\u003c/em>\u003c/p>\n\u003c/blockquote>\n\u003cp>Its coverage that day and in those that followed, including first-person accounts of the fire and a memorial to the victims, helped generate conversations worldwide both about local officials’ culpability in Ghost Ship’s lack of safety precautions to the wider responsibility of do-it-yourself and underground art spaces to monitor themselves.\u003c/p>\n\u003cp>As the Pulitzer committee explained, \u003cem>The East Bay Times \u003c/em>won for its “relentless coverage of the ‘Ghost Ship’ fire, which killed 36 people at a warehouse party, and for reporting after the tragedy that exposed the city’s failure to take actions that might have prevented it.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=East+Bay+Times+Wins+Pulitzer+For+Reporting+On+Ghost+Ship+Fire&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 342,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705030994,
"excerpt": "Coverage of the December fire that killed 36 people in an Oakland, Calif. warehouse and DIY venue during a dance party won the Pulitzer for Breaking News Reporting.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Coverage of the December fire that killed 36 people in an Oakland, Calif. warehouse and DIY venue during a dance party won the Pulitzer for Breaking News Reporting.",
"title": "East Bay Times Wins Pulitzer for Reporting on Ghost Ship Fire | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "East Bay Times Wins Pulitzer for Reporting on Ghost Ship Fire",
"datePublished": "2017-04-10T17:50:57-07:00",
"dateModified": "2024-01-11T19:43:14-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "east-bay-times-wins-pulitzer-for-reporting-on-ghost-ship-fire",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=523324382&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Andrew Flanagan",
"nprStoryDate": "Mon, 10 Apr 2017 18:30:48 -0400",
"nprLastModifiedDate": "Mon, 10 Apr 2017 18:30:48 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/therecord/2017/04/10/523324382/east-bay-times-wins-pulitzer-for-reporting-on-ghost-ship-fire?ft=nprml&f=523324382",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Anadolu Agency",
"nprStoryId": "523324382",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 10 Apr 2017 18:30:00 -0400",
"path": "/arts/13033553/east-bay-times-wins-pulitzer-for-reporting-on-ghost-ship-fire",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cblockquote>\n\u003cp>\u003cem>A massive fire at a Fruitvale district live work space has reportedly left an unconfirmed number of people dead died at an East Oakland work space, authorities said.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The fire apparently broke out about 11:30 p.m. in the 1300 block of 31st Avenue.\u003c/em>\u003c/p>\n\u003cp>\u003cem>No other information was immediately available.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Check back for updates.\u003c/em>\u003c/p>\n\u003c/blockquote>\n\u003cp>So began the\u003cem> \u003c/em>\u003ca href=\"http://extras.mercurynews.com/ghostship/dayone/#Fifth\" target=\"_blank\" rel=\"noopener\">\u003cem>East Bay Times\u003c/em>‘ coverage\u003c/a>, at 4:13 on the morning of Dec. 3, 2016 of a fire in Oakland. We would later learn the fire, which took place at a dense underground art space called “Ghost Ship,” had taken 36 lives. Today, the paper’s coverage of the disaster \u003ca href=\"http://www.pulitzer.org/winners/staff-27\" target=\"_blank\" rel=\"noopener\">won a Pulitzer Prize for Breaking News Reporting\u003c/a>.\u003c/p>\n\u003cp>For 19 hours and 27 minutes following that initial publication — at 53 words, including typos — the\u003cem> East Bay Times\u003c/em> expanded its story before ending the day with 1,388 hard-reported words. The first paragraph of the final version of the story reads:\u003c/p>\n\u003cblockquote>\n\u003cp>\u003cem>Doomed partygoers trapped on the second floor of a crudely converted warehouse screamed, “Help us! Help us!” as one of the deadliest structure fires in Oakland’s history ripped through a tinderbox of makeshift living spaces and a labyrinth cluttered with art late Friday night, killing at least nine people and possibly dozens more.\u003c/em>\u003c/p>\n\u003c/blockquote>\n\u003cp>Its coverage that day and in those that followed, including first-person accounts of the fire and a memorial to the victims, helped generate conversations worldwide both about local officials’ culpability in Ghost Ship’s lack of safety precautions to the wider responsibility of do-it-yourself and underground art spaces to monitor themselves.\u003c/p>\n\u003cp>As the Pulitzer committee explained, \u003cem>The East Bay Times \u003c/em>won for its “relentless coverage of the ‘Ghost Ship’ fire, which killed 36 people at a warehouse party, and for reporting after the tragedy that exposed the city’s failure to take actions that might have prevented it.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=East+Bay+Times+Wins+Pulitzer+For+Reporting+On+Ghost+Ship+Fire&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13033553/east-bay-times-wins-pulitzer-for-reporting-on-ghost-ship-fire",
"authors": [
"byline_arts_13033553"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1627",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13033554",
"label": "arts_137"
},
"arts_13033338": {
"type": "posts",
"id": "arts_13033338",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13033338",
"score": null,
"sort": [
1491871798000
]
},
"guestAuthors": [],
"slug": "bbc-kills-50th-anniversary-celebration-of-beatles-love-simulcast",
"title": "BBC Kills 50th Anniversary Celebration of Beatles \"Love\" Simulcast",
"publishDate": 1491871798,
"format": "standard",
"headTitle": "BBC Kills 50th Anniversary Celebration of Beatles “Love” Simulcast | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003ca href=\"http://www.bbc.com/\" target=\"_blank\" rel=\"noopener\">The BBC \u003c/a>has pulled the plug on a TV special celebrating the 50th Anniversary of the first worldwide simulcast, during which the \u003ca href=\"http://www.thebeatles.com/feature/our-world-global-satellite-broadcast\" target=\"_blank\" rel=\"noopener\">Beatles premiered the song “All You Need Is Love.\u003c/a>” And the cancellation threatens a San Francisco component of the project, produced by the \u003ca href=\"https://www.thehipestore.com/\" target=\"_blank\" rel=\"noopener\">Antenna Theater\u003c/a>.\u003c/p>\n\u003cp>On June 25, the BBC was planning to air several three-minute segments from dozens of cities around the world, including London, Venice, Italy, and San Francisco. For the videos, local arts producers would create visual spectacles on the theme of love.\u003c/p>\n\u003cp>Chris Hardman, founder and artistic director of San Francisco’s Antenna Theater, was planning San Francisco’s contribution: a live video stream in which two planes would sky-write a heart over the Golden Gate Bridge while local choruses sang the iconic Beatles’ song from a fleet of boats on the San Francisco Bay. \u003c/p>\n\u003cp>“The timing,” Hardman said Monday, “was perfect, with the anniversary of the Summer of Love.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=t5ze_e4R9QY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The last time I talked to them, the word was full steam ahead, green light,” Hardman said. “And then three days ago we got an email from the BBC saying, ‘We’re just not going to do it.’”\u003c/p>\n\u003cp>In the email, Guy Freeman, BBC’s Editor of Special Events and Formats, wrote that many of the collaborating producers were optimistic about the project but were having trouble “securing funding.” With the deadline for the show nine weeks away, the BBC had to face the “harsh reality of needing to be able to guarantee world-class content suitable for live, prime time broadcasting. And so with a heavy heart we feel that we have no choice but to put this project on hold now.”\u003c/p>\n\u003cp>Hardman said he was almost done producing a Kickstarter video to raise the needed funds for the extravaganza, with a budget he estimated at somewhere between $10,000 and $50,000. Hardman said he’s already raised $5,000, enough for one skywriter.\u003c/p>\n\u003cp>“I’ll have to push the video off,” Hardman said, “but we just don’t want to close this down. I believe there’s just a lot of people who would say, ‘please can I sing “All You Need is Love,” so the world can hear my voice instead of this screaming war noise that our government is producing every minute of the day.’”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>KQED was briefly in negotiation to play some part in the San Francisco production, before dropping out over concerns about cost and logistics.\u003c/p>\n\n",
"blocks": [],
"excerpt": "The BBC is killing plans for a worldwide broadcast, including a San Francisco component, celebrating the Beatles song \"All You Need is Love,\"",
"status": "publish",
"parent": 0,
"modified": 1726707603,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 454
},
"headData": {
"title": "BBC Kills 50th Anniversary Celebration of Beatles \"Love\" Simulcast | KQED",
"description": "The BBC is killing plans for a worldwide broadcast, including a San Francisco component, celebrating the Beatles song "All You Need is Love,"",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "BBC Kills 50th Anniversary Celebration of Beatles \"Love\" Simulcast",
"datePublished": "2017-04-10T17:49:58-07:00",
"dateModified": "2024-09-18T18:00:03-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13033338/bbc-kills-50th-anniversary-celebration-of-beatles-love-simulcast",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.bbc.com/\" target=\"_blank\" rel=\"noopener\">The BBC \u003c/a>has pulled the plug on a TV special celebrating the 50th Anniversary of the first worldwide simulcast, during which the \u003ca href=\"http://www.thebeatles.com/feature/our-world-global-satellite-broadcast\" target=\"_blank\" rel=\"noopener\">Beatles premiered the song “All You Need Is Love.\u003c/a>” And the cancellation threatens a San Francisco component of the project, produced by the \u003ca href=\"https://www.thehipestore.com/\" target=\"_blank\" rel=\"noopener\">Antenna Theater\u003c/a>.\u003c/p>\n\u003cp>On June 25, the BBC was planning to air several three-minute segments from dozens of cities around the world, including London, Venice, Italy, and San Francisco. For the videos, local arts producers would create visual spectacles on the theme of love.\u003c/p>\n\u003cp>Chris Hardman, founder and artistic director of San Francisco’s Antenna Theater, was planning San Francisco’s contribution: a live video stream in which two planes would sky-write a heart over the Golden Gate Bridge while local choruses sang the iconic Beatles’ song from a fleet of boats on the San Francisco Bay. \u003c/p>\n\u003cp>“The timing,” Hardman said Monday, “was perfect, with the anniversary of the Summer of Love.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t5ze_e4R9QY'\n title='//www.youtube.com/embed/t5ze_e4R9QY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The last time I talked to them, the word was full steam ahead, green light,” Hardman said. “And then three days ago we got an email from the BBC saying, ‘We’re just not going to do it.’”\u003c/p>\n\u003cp>In the email, Guy Freeman, BBC’s Editor of Special Events and Formats, wrote that many of the collaborating producers were optimistic about the project but were having trouble “securing funding.” With the deadline for the show nine weeks away, the BBC had to face the “harsh reality of needing to be able to guarantee world-class content suitable for live, prime time broadcasting. And so with a heavy heart we feel that we have no choice but to put this project on hold now.”\u003c/p>\n\u003cp>Hardman said he was almost done producing a Kickstarter video to raise the needed funds for the extravaganza, with a budget he estimated at somewhere between $10,000 and $50,000. Hardman said he’s already raised $5,000, enough for one skywriter.\u003c/p>\n\u003cp>“I’ll have to push the video off,” Hardman said, “but we just don’t want to close this down. I believe there’s just a lot of people who would say, ‘please can I sing “All You Need is Love,” so the world can hear my voice instead of this screaming war noise that our government is producing every minute of the day.’”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>KQED was briefly in negotiation to play some part in the San Francisco production, before dropping out over concerns about cost and logistics.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13033338/bbc-kills-50th-anniversary-celebration-of-beatles-love-simulcast",
"authors": [
"32"
],
"categories": [
"arts_69",
"arts_235",
"arts_990"
],
"tags": [
"arts_1448",
"arts_746",
"arts_596"
],
"featImg": "arts_13033340",
"label": "arts"
},
"arts_13032917": {
"type": "posts",
"id": "arts_13032917",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13032917",
"score": null,
"sort": [
1491867392000
]
},
"guestAuthors": [],
"slug": "whiteheads-underground-railroad-wins-fiction-pulitzer",
"title": "Whitehead's 'Underground Railroad' Wins Fiction Pulitzer",
"publishDate": 1491867392,
"format": "standard",
"headTitle": "Whitehead’s ‘Underground Railroad’ Wins Fiction Pulitzer | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Colson Whitehead’s \u003cem>The Underground Railroad\u003c/em>, his celebrated novel about an escaped slave that combined liberating imagination and brutal reality, has won the Pulitzer Prize for fiction.\u003c/p>\n\u003cp>Monday’s announcement confirmed the book as the literary event of 2016, an Oprah Winfrey book club pick and critical favorite which last fall received the National Book Award, the first time in more than 20 years that the same work won the Pulitzer and National Book Award for fiction. Whitehead, known for such explorations of American myth and history as \u003cem>John Henry Days\u003c/em>, conceived his novel with what he calls a “goofy idea:” Take the so-called Underground Railroad of history, the network of escape routes to freedom, and make it an actual train. He wove his fantasy together with a too-believable story of a young girl’s flight from a plantation.\u003c/p>\n\u003cp>Whitehead finished \u003cem>The Underground Railroad\u003c/em> well before Donald Trump’s election but now finds parallels with the present.\u003c/p>\n\u003cp>“I think the book deals with white supremacy as a foundational error in the country’s history and that foundational error is being played out now in the White House,” he told The Associated Press on Monday. “When I was writing the book I wasn’t thinking about current events, but I think you have to look at it differently now.”\u003c/p>\n\u003cp>Other winners announced Monday also touched upon race and class, in the present and in the past.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lynn Nottage’s \u003cem>Sweat\u003c/em>, which won for drama, explores how the shutdown of a Pennsylvania factory leads to the breakdown of friendship and family, and a devastating cycle of violence, prejudice, poverty and drugs. The play marks Nottage’s Broadway debut and her second Pulitzer Prize. She is the writer of \u003cem>Intimate Apparel\u003c/em>, \u003cem>By The Way, Meet Vera Stark\u003c/em> and \u003cem>Ruined\u003c/em>, which also won the Pulitzer.\u003c/p>\n\u003cp>“I was looking at how poverty and economic stagnation was beginning to shift our American narrative and how a culture was crying out,” Nottage told the AP after her win Monday. “I’m very honored. I’m in a bit of a daze.”\u003c/p>\n\u003cp>The history winner, Heather Ann Thompson’s \u003cem>Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy\u003c/em>, examines the events that unfolded starting Sept. 9, 1971, when nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. The work reveals the crimes committed during the uprising and its aftermath, who committed them, and how they were covered up.\u003c/p>\n\u003cp>The general nonfiction winner was Matthew Desmond’s \u003ci>Evicted: Poverty and Profit in the American City,\u003c/i> set in Milwaukee and praised by the Pulitzer board as “a deeply researched expose that showed how mass evictions after the 2008 economic crash were less a consequence than a cause of poverty.” Desmond, who last month won a National Book Critics Circle award, said Monday that he hoped his book would illuminate both the severity of the crisis and the role of government.\u003c/p>\n\u003cp>“You look at a public housing tower and a mortgaged suburban home,” he told the AP. “Both are government subsidized, but they don’t look anything alike. We seem a lot more willing to spend money on tax write-offs than on direct assistance.”\u003c/p>\n\u003cp>Hisham Matar’s \u003ci>The Return: Fathers, Sons and the Land in Between\u003c/i> won for biography/autobiography; the Pulitzer board said Monday that Matar’s memoir about his native Libya “examines with controlled emotion the past and present of an embattled region.” Tyehimba Jess’ “Olio” was the poetry winner, cited for melding performance art with poetry “to explore collective memory and challenge contemporary notions of race and identity.”\u003c/p>\n\u003cp>The Pulitzer board gave the music award to Du Yun’s \u003cem>Angel’s Bone\u003c/em> and called it a “bold” work which “integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world.”\u003c/p>\n\u003cp>Yun had just returned from a day of panels at The Culture Summit in Abu Dhabi, and her librettist Royce Vavrek texted her the good news, which arrived close to midnight for Yun. She said that it was great to hear after a day of learning “how to use art and make art … to advance cultural change” at The Culture Summit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I met a lot of people who work intensively with refugees and human trafficking, which was the top of my work,” Yun said. “We just had this intense conversation about how to really use art to affect policies.”\u003cbr>\n___\u003cbr>\nAssociated Press writers Lynn Elber in Los Angeles and Mark Kennedy and Mesfin Fekadu in New York contributed to this story.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Also, Lynn Nottage won drama, Heather Ann Thompson won for History and Matthew Desmond won for fiction.",
"status": "publish",
"parent": 0,
"modified": 1726707608,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 16,
"wordCount": 824
},
"headData": {
"title": "Whitehead's 'Underground Railroad' Wins Fiction Pulitzer | KQED",
"description": "Also, Lynn Nottage won drama, Heather Ann Thompson won for History and Matthew Desmond won for fiction.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Whitehead's 'Underground Railroad' Wins Fiction Pulitzer",
"datePublished": "2017-04-10T16:36:32-07:00",
"dateModified": "2024-09-18T18:00:08-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Hillel Italie, Associated Press",
"path": "/arts/13032917/whiteheads-underground-railroad-wins-fiction-pulitzer",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Colson Whitehead’s \u003cem>The Underground Railroad\u003c/em>, his celebrated novel about an escaped slave that combined liberating imagination and brutal reality, has won the Pulitzer Prize for fiction.\u003c/p>\n\u003cp>Monday’s announcement confirmed the book as the literary event of 2016, an Oprah Winfrey book club pick and critical favorite which last fall received the National Book Award, the first time in more than 20 years that the same work won the Pulitzer and National Book Award for fiction. Whitehead, known for such explorations of American myth and history as \u003cem>John Henry Days\u003c/em>, conceived his novel with what he calls a “goofy idea:” Take the so-called Underground Railroad of history, the network of escape routes to freedom, and make it an actual train. He wove his fantasy together with a too-believable story of a young girl’s flight from a plantation.\u003c/p>\n\u003cp>Whitehead finished \u003cem>The Underground Railroad\u003c/em> well before Donald Trump’s election but now finds parallels with the present.\u003c/p>\n\u003cp>“I think the book deals with white supremacy as a foundational error in the country’s history and that foundational error is being played out now in the White House,” he told The Associated Press on Monday. “When I was writing the book I wasn’t thinking about current events, but I think you have to look at it differently now.”\u003c/p>\n\u003cp>Other winners announced Monday also touched upon race and class, in the present and in the past.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lynn Nottage’s \u003cem>Sweat\u003c/em>, which won for drama, explores how the shutdown of a Pennsylvania factory leads to the breakdown of friendship and family, and a devastating cycle of violence, prejudice, poverty and drugs. The play marks Nottage’s Broadway debut and her second Pulitzer Prize. She is the writer of \u003cem>Intimate Apparel\u003c/em>, \u003cem>By The Way, Meet Vera Stark\u003c/em> and \u003cem>Ruined\u003c/em>, which also won the Pulitzer.\u003c/p>\n\u003cp>“I was looking at how poverty and economic stagnation was beginning to shift our American narrative and how a culture was crying out,” Nottage told the AP after her win Monday. “I’m very honored. I’m in a bit of a daze.”\u003c/p>\n\u003cp>The history winner, Heather Ann Thompson’s \u003cem>Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy\u003c/em>, examines the events that unfolded starting Sept. 9, 1971, when nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. The work reveals the crimes committed during the uprising and its aftermath, who committed them, and how they were covered up.\u003c/p>\n\u003cp>The general nonfiction winner was Matthew Desmond’s \u003ci>Evicted: Poverty and Profit in the American City,\u003c/i> set in Milwaukee and praised by the Pulitzer board as “a deeply researched expose that showed how mass evictions after the 2008 economic crash were less a consequence than a cause of poverty.” Desmond, who last month won a National Book Critics Circle award, said Monday that he hoped his book would illuminate both the severity of the crisis and the role of government.\u003c/p>\n\u003cp>“You look at a public housing tower and a mortgaged suburban home,” he told the AP. “Both are government subsidized, but they don’t look anything alike. We seem a lot more willing to spend money on tax write-offs than on direct assistance.”\u003c/p>\n\u003cp>Hisham Matar’s \u003ci>The Return: Fathers, Sons and the Land in Between\u003c/i> won for biography/autobiography; the Pulitzer board said Monday that Matar’s memoir about his native Libya “examines with controlled emotion the past and present of an embattled region.” Tyehimba Jess’ “Olio” was the poetry winner, cited for melding performance art with poetry “to explore collective memory and challenge contemporary notions of race and identity.”\u003c/p>\n\u003cp>The Pulitzer board gave the music award to Du Yun’s \u003cem>Angel’s Bone\u003c/em> and called it a “bold” work which “integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world.”\u003c/p>\n\u003cp>Yun had just returned from a day of panels at The Culture Summit in Abu Dhabi, and her librettist Royce Vavrek texted her the good news, which arrived close to midnight for Yun. She said that it was great to hear after a day of learning “how to use art and make art … to advance cultural change” at The Culture Summit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I met a lot of people who work intensively with refugees and human trafficking, which was the top of my work,” Yun said. “We just had this intense conversation about how to really use art to affect policies.”\u003cbr>\n___\u003cbr>\nAssociated Press writers Lynn Elber in Los Angeles and Mark Kennedy and Mesfin Fekadu in New York contributed to this story.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13032917/whiteheads-underground-railroad-wins-fiction-pulitzer",
"authors": [
"byline_arts_13032917"
],
"categories": [
"arts_73",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_4358"
],
"featImg": "arts_12010294",
"label": "arts"
},
"arts_13032910": {
"type": "posts",
"id": "arts_13032910",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13032910",
"score": null,
"sort": [
1491861204000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1491861204,
"format": "video",
"title": "John Clarke, Who Made Fake News Hilarious, is Mourned in Australia and New Zealand",
"headTitle": "John Clarke, Who Made Fake News Hilarious, is Mourned in Australia and New Zealand | KQED",
"content": "\u003cp>His pitch-perfect parody of an Australian senator denying the impact of an oil spill once prompted a \u003ca href=\"http://www.snopes.com/photos/politics/frontfell.asp\">Snopes fact-check report\u003c/a>.\u003c/p>\n\u003cp>Satirist John Clarke, whose career spanned from 1970s sketch comedy to bitingly dry political humor, has died, leaving legions of fans in mourning. He was 68.\u003c/p>\n\u003cp>Clarke died from natural causes during a walk in the Victoria bushlands over the weekend, reports the \u003ca href=\"http://www.abc.net.au/news/2017-04-10/john-clarke-dies-aged-68/8430174\">Australian Broadcasting Corporation\u003c/a>, citing a statement from his family. Since then, tributes have poured in from around Australia and Clarke’s native New Zealand.\u003c/p>\n\u003cp>“We’ll wait a long time to find another John Clarke. In fact, we never will,” Australian Prime Minister Malcolm Turnbull \u003ca href=\"https://twitter.com/TurnbullMalcolm/status/851271204979621889\">said via Twitter\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/TurnbullMalcolm/status/851271204979621889\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Clarke and his partner, Bryan Dawe, made up the \u003ca href=\"http://www.abc.net.au/news/2017-04-10/john-clarke-dies-aged-68/8430174\" target=\"_self\" rel=\"noopener\">Clarke and Dawe\u003c/a> spoof-interview team, which had a long run on the ABC. They performed their “The Front Fell Off” oil spill sketch back in 1991. When a video of it was circulated online more than 15 years later, the sketch perplexed and amused millions of people, prompting Snopes to clarify that the pair were parodying reaction to an actual oil spill by a Greek tanker — which had indeed \u003ca href=\"https://www.amsa.gov.au/environment/protecting-our-environment/major-historical-incidents/Kirki/index.asp\" target=\"_blank\" rel=\"noopener\">“lost its bow off the coast of Western Australia\u003c/a>,” as a government site notes.\u003c/p>\n\u003cp>In 2010, the pair took on BP’s U.S. oil spill \u003ca href=\"https://www.youtube.com/watch?v=ClvLp4vXJ5I\">for another sketch\u003c/a> in which Clarke’s character noted, “The first thing to do in an event like that is to underestimate the problem.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ClvLp4vXJ5I\u003c/p>\n\u003cp>Long before his turn as an Internet star, Clarke was a star in the comedy scenes in Australia and New Zealand. He wrote books and scripts; he recorded songs; he conjured up the sport of \u003ca href=\"http://mrjohnclarke.com/projects/farnarkeling\" target=\"_blank\" rel=\"noopener\">“farnarkeling”\u003c/a> and covered it doggedly.\u003c/p>\n\u003cp>From the ABC:\u003c/p>\n\u003cblockquote>\n\u003cp>“He came to attention in his native New Zealand in the 1970s when he created the iconic character, Fred Dagg, a country bloke dressed in a black singlet, shorts and gumboots.\u003c/p>\n\u003cp>“He co-wrote the multi-award winning mockumentary \u003ca href=\"https://www.youtube.com/watch?v=17NKos-7GCo\" target=\"_blank\" rel=\"noopener\">The Games\u003c/a>, about the Sydney Organizing Committee for the Olympic Games, which aired in 1999 and 2000.”\u003c/p>\n\u003c/blockquote>\n\u003cp>The character of Fred Dagg remains beloved and admired. Upon learning of Clarke’s death, Jemaine Clement of the comedy duo The Conchords \u003ca href=\"https://twitter.com/AJemaineClement/status/851259029951205376\" target=\"_blank\" rel=\"noopener\">shared an early mockumentary segment\u003c/a> featuring Dagg and his “approximately half a dozen” sons — all of whom were named Trevor.\u003c/p>\n\u003cp>“So subtle and hilarious,” Clement wrote.\u003c/p>\n\u003cp>https://twitter.com/AJemaineClement/status/851259029951205376\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Actor and director Taika Waititi \u003ca href=\"https://twitter.com/TaikaWaititi/status/851244586596835328\" target=\"_blank\" rel=\"noopener\">tweeted\u003c/a>, “RIP John Clarke. Hugely influential to me and my mates, he was one of the fathers of NZ’s style of comedy. We all copied him at some point.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=John+Clarke%2C+Who+Made+Fake+News+Hilarious%2C+Is+Mourned+In+Australia+And+New+Zealand&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 484,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 15
},
"modified": 1705031000,
"excerpt": "Satirist John Clarke's pitch-perfect portrayal of an Australian senator denying the impact of an oil spill once prompted a Snopes fact-check report.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Satirist John Clarke's pitch-perfect portrayal of an Australian senator denying the impact of an oil spill once prompted a Snopes fact-check report.",
"title": "John Clarke, Who Made Fake News Hilarious, is Mourned in Australia and New Zealand | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "John Clarke, Who Made Fake News Hilarious, is Mourned in Australia and New Zealand",
"datePublished": "2017-04-10T14:53:24-07:00",
"dateModified": "2024-01-11T19:43:20-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "john-clarke-who-made-fake-news-hilarious-is-mourned-in-australia-and-new-zealand",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=523281277&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"videoEmbed": "https://www.youtube.com/watch?v=3m5qxZm_JqM",
"nprByline": "Bill Chappell",
"nprStoryDate": "Mon, 10 Apr 2017 13:27:00 -0400",
"nprLastModifiedDate": "Mon, 10 Apr 2017 14:00:02 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/04/10/523281277/john-clarke-who-made-fake-news-hilarious-is-mourned-in-australia-and-new-zealand?ft=nprml&f=523281277",
"nprImageAgency": "AP",
"nprStoryId": "523281277",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 10 Apr 2017 14:00:00 -0400",
"path": "/arts/13032910/john-clarke-who-made-fake-news-hilarious-is-mourned-in-australia-and-new-zealand",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>His pitch-perfect parody of an Australian senator denying the impact of an oil spill once prompted a \u003ca href=\"http://www.snopes.com/photos/politics/frontfell.asp\">Snopes fact-check report\u003c/a>.\u003c/p>\n\u003cp>Satirist John Clarke, whose career spanned from 1970s sketch comedy to bitingly dry political humor, has died, leaving legions of fans in mourning. He was 68.\u003c/p>\n\u003cp>Clarke died from natural causes during a walk in the Victoria bushlands over the weekend, reports the \u003ca href=\"http://www.abc.net.au/news/2017-04-10/john-clarke-dies-aged-68/8430174\">Australian Broadcasting Corporation\u003c/a>, citing a statement from his family. Since then, tributes have poured in from around Australia and Clarke’s native New Zealand.\u003c/p>\n\u003cp>“We’ll wait a long time to find another John Clarke. In fact, we never will,” Australian Prime Minister Malcolm Turnbull \u003ca href=\"https://twitter.com/TurnbullMalcolm/status/851271204979621889\">said via Twitter\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "851271204979621889"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Clarke and his partner, Bryan Dawe, made up the \u003ca href=\"http://www.abc.net.au/news/2017-04-10/john-clarke-dies-aged-68/8430174\" target=\"_self\" rel=\"noopener\">Clarke and Dawe\u003c/a> spoof-interview team, which had a long run on the ABC. They performed their “The Front Fell Off” oil spill sketch back in 1991. When a video of it was circulated online more than 15 years later, the sketch perplexed and amused millions of people, prompting Snopes to clarify that the pair were parodying reaction to an actual oil spill by a Greek tanker — which had indeed \u003ca href=\"https://www.amsa.gov.au/environment/protecting-our-environment/major-historical-incidents/Kirki/index.asp\" target=\"_blank\" rel=\"noopener\">“lost its bow off the coast of Western Australia\u003c/a>,” as a government site notes.\u003c/p>\n\u003cp>In 2010, the pair took on BP’s U.S. oil spill \u003ca href=\"https://www.youtube.com/watch?v=ClvLp4vXJ5I\">for another sketch\u003c/a> in which Clarke’s character noted, “The first thing to do in an event like that is to underestimate the problem.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ClvLp4vXJ5I'\n title='//www.youtube.com/embed/ClvLp4vXJ5I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Long before his turn as an Internet star, Clarke was a star in the comedy scenes in Australia and New Zealand. He wrote books and scripts; he recorded songs; he conjured up the sport of \u003ca href=\"http://mrjohnclarke.com/projects/farnarkeling\" target=\"_blank\" rel=\"noopener\">“farnarkeling”\u003c/a> and covered it doggedly.\u003c/p>\n\u003cp>From the ABC:\u003c/p>\n\u003cblockquote>\n\u003cp>“He came to attention in his native New Zealand in the 1970s when he created the iconic character, Fred Dagg, a country bloke dressed in a black singlet, shorts and gumboots.\u003c/p>\n\u003cp>“He co-wrote the multi-award winning mockumentary \u003ca href=\"https://www.youtube.com/watch?v=17NKos-7GCo\" target=\"_blank\" rel=\"noopener\">The Games\u003c/a>, about the Sydney Organizing Committee for the Olympic Games, which aired in 1999 and 2000.”\u003c/p>\n\u003c/blockquote>\n\u003cp>The character of Fred Dagg remains beloved and admired. Upon learning of Clarke’s death, Jemaine Clement of the comedy duo The Conchords \u003ca href=\"https://twitter.com/AJemaineClement/status/851259029951205376\" target=\"_blank\" rel=\"noopener\">shared an early mockumentary segment\u003c/a> featuring Dagg and his “approximately half a dozen” sons — all of whom were named Trevor.\u003c/p>\n\u003cp>“So subtle and hilarious,” Clement wrote.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "851259029951205376"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>Actor and director Taika Waititi \u003ca href=\"https://twitter.com/TaikaWaititi/status/851244586596835328\" target=\"_blank\" rel=\"noopener\">tweeted\u003c/a>, “RIP John Clarke. Hugely influential to me and my mates, he was one of the fathers of NZ’s style of comedy. We all copied him at some point.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=John+Clarke%2C+Who+Made+Fake+News+Hilarious%2C+Is+Mourned+In+Australia+And+New+Zealand&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13032910/john-clarke-who-made-fake-news-hilarious-is-mourned-in-australia-and-new-zealand",
"authors": [
"byline_arts_13032910"
],
"categories": [
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_1091"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13032911",
"label": "arts_137"
},
"arts_12964126": {
"type": "posts",
"id": "arts_12964126",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "12964126",
"score": null,
"sort": [
1491850852000
]
},
"guestAuthors": [],
"slug": "republican-cartoonist-lisa-benson-thrives-in-left-leaning-california",
"title": "Republican Cartoonist Lisa Benson Thrives in Left-Leaning California",
"publishDate": 1491850852,
"format": "image",
"headTitle": "Republican Cartoonist Lisa Benson Thrives in Left-Leaning California | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In a world dominated by male, left-leaning editorial cartoonists, Lisa Benson is something of a rarity: the Apple Valley, CA-based political comics artist is a woman, and a Republican to boot. Ann Telnaes, president of the \u003ca href=\"http://editorialcartoonists.com/\" target=\"_blank\" rel=\"noopener\">Association of American Editorial Cartoonists\u003c/a>, says of her organization’s 231-strong membership, only 10 are women, and only one of them, as far as she knows, leans towards the right.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Benson has been at her craft since 1992. Her work, syndicated by the Washington Post Writers Group, appears in more than 100 newspapers in the United States and Canada.\u003c/p>\n\u003cp>“Lisa Benson is a rare talent who can illustrate a major news story in a single drawing and convey her ideas to readers in very few words,” says Alan Shearer, Washington Post Writers Group editorial director and general manager. “Conservative describes her politically. Brilliant describes her artistically. A combination of artistic talent, moral indignation and strong point of view mesh somehow to produce some of the finest work I have ever seen from a local cartoonist.”\u003c/p>\n\u003cp>KQED spoke with Benson about what it’s like to create news-driven art in the Trump era, especially in a state that mostly voted for the opposition.\u003c/p>\n\u003cfigure id=\"attachment_12968591\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968591\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-800x899.jpg\" alt=\"Editorial cartoonist Lisa Benson's self-portrait.\" width=\"800\" height=\"899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-800x899.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-768x863.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-1020x1146.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-1180x1326.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-960x1079.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-240x270.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-375x421.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-520x584.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color.jpg 1482w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Editorial cartoonist Lisa Benson’s self-portrait. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Great editorial cartoonists have a knack for seizing upon a very complicated issue and drawing it into a bold metaphor which they then present in a definitive way. How do you go about finding a simple way to illustrate a complicated issue?\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s tough to boil down the thought process because there’s no scientific formula for getting from point A to point B. Basically, it’s just a matter of scribbling notes, keywords and phrases and trying to match them with a strong, recognizable visual. This stage of the process can last for hours.\u003c/p>\n\u003cp>The challenging part for cartoonists is taking an old, tired metaphor and presenting it in a fresh, new way. When John Kerry was negotiating the Iran Nuclear Deal, many experts feared that it would create an arms race in the Middle East and that some of those weapons could end up in the wrong hands. I chose to draw my cartoon in a cafe setting showing Iran ordering from the nuclear menu with Saudi Arabia and a evil-looking character telling the waiter, John Kerry, “I’ll have what he’s having.”\u003c/p>\n\u003cp>Another example is Jerry Brown’s struggle to rein in Democrats’ spending in California. When someone mentions runaway spending, you almost immediately visualize the kid in the candy store. Only this time, the candy store is stocked with rice and beans.\u003c/p>\n\u003cfigure id=\"attachment_12968601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968601\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa011616c-800x522.jpg\" alt=\"Lisa Benson comments on runaway spending.\" width=\"800\" height=\"522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-768x501.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-1020x665.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-1920x1253.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-1180x770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-960x626.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-240x157.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-520x339.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Benson shares her feelings about Democrats’ “runaway spending” in California in cartoon form. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Have there been any issues of such complexity or nuance over the course of your career that you felt you couldn’t fit into a single-frame cartoon? And if so, how did you go about solving that problem?\u003c/strong>\u003c/p>\n\u003cp>I try to avoid multi-panel cartoons, mostly because I’m too lazy to draw all those squares. In my mind, it’s not so much the complexity of the issue, but more about how you want to get the message across. When NASA’s funding was cut, I chose to draw three panels showing our space program fading away into space. The cartoon tells a sad story that would have been more difficult to illustrate in one panel.\u003c/p>\n\u003cfigure id=\"attachment_12968594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa020210c-800x523.jpg\" alt=\"Lisa Benson's take on cuts to the NASA program.\" width=\"800\" height=\"523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-768x502.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-1020x667.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-1920x1255.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-1180x771.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-960x628.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-240x157.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-520x340.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Benson’s take on cuts to the NASA program. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You live in a state where Democrats win a lot of elections. To what extent have you had to deal with enraged feedback? Have you ever felt persecuted?\u003c/strong>\u003c/p>\n\u003cp>I think I felt persecuted once… for about five minutes. I try to ignore hateful comments because it’s mostly irrational ramblings from hot-headed readers. There’s no way to respond to that. All editorial cartoonists experience enraged feedback, especially these days when every little thing can tick off the masses. On the flip side, we also receive many compliments and words of encouragement from readers which makes it all worthwhile.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.gocomics.com/lisabenson/2016/11/09\" target=\"_blank\" rel=\"noopener\">This interesting cartoon\u003c/a> from Nov. 9 seems to depict Uncle Sam as having to move to Canada. Did you draw it the day before, under the assumption Trump would win? How do you feel about that cartoon today?\u003c/strong>\u003c/p>\n\u003cp>Like many voters, I wasn’t excited about either of the candidates and fully expected Hillary to walk away with the win. I did this cartoon on election day figuring, no matter who won the election, there’d be people threatening to leave the country. Predicting the future has never been one of my talents.\u003c/p>\n\u003cfigure id=\"attachment_12968803\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968803\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa110916c-800x522.jpg\" alt=\"Lisa Benson created this cartoon for Nov. 9, 2016. \" width=\"800\" height=\"522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-768x501.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-1020x665.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-1920x1252.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-1180x769.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-960x626.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-240x156.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-520x339.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Benson created this cartoon for Nov. 9, 2016. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Does it feel immediately different drawing cartoons that are in support of the ruling/winning party, after eight years of having a clear-cut target in the Obama Administration?\u003c/strong>\u003c/p>\n\u003cp>I wish Donald Trump and the Republican Congress well and look forward to a conservative agenda. But I suspect that they will be dishing up just as much cartoon material as we saw during the Obama years. If there’s one thing I’ve learned, it’s that politicians make promises that are nearly impossible to keep. It’s disappointing that with each new administration, we’re still trying to solve the same old problems: national debt, affordable health care, tax reform, border security, entitlements, terrorism, etc.\u003c/p>\n\u003cp>\u003cstrong>Who are the editorial cartoonists you most admire and why?\u003c/strong>\u003c/p>\n\u003cp>When I discovered editorial cartoons in my teens, I enjoyed following Paul Conrad and Pat Oliphant. I had always admired the artists on the comics page, but editorial cartoons opened up a whole new world for me. Early on, Jeff MacNelly’s drawing style and sense of humor made a huge impression on me. I also enjoy Michael Ramirez’s work. He always seems to get the right balance of art, message and humor.\u003c/p>\n\u003cp>\u003cstrong>Why aren’t there more conservative female political cartoonists?\u003c/strong>\u003c/p>\n\u003cp>You could probably count on one hand the number of female political cartoonists, both liberal and conservative. I’m guessing the talented female cartoonists choose to work for Disney rather than face an uncertain future in newspapers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Find out more about Lisa Benson and her work \u003ca href=\"http://editorialcartoonists.com/cartoonist/profile.cfm/BensoL\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The nationally-syndicated, Apple Valley, CA-based political cartoon artist is a rarity: she's not only a woman in a male-dominated industry, but a Republican to boot. ",
"status": "publish",
"parent": 0,
"modified": 1726770910,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 25,
"wordCount": 1105
},
"headData": {
"title": "Republican Cartoonist Lisa Benson Thrives in Left-Leaning California | KQED",
"description": "The nationally-syndicated, Apple Valley, CA-based political cartoon artist is a rarity: she's not only a woman in a male-dominated industry, but a Republican to boot. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Republican Cartoonist Lisa Benson Thrives in Left-Leaning California",
"datePublished": "2017-04-10T12:00:52-07:00",
"dateModified": "2024-09-19T11:35:10-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/12964126/republican-cartoonist-lisa-benson-thrives-in-left-leaning-california",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a world dominated by male, left-leaning editorial cartoonists, Lisa Benson is something of a rarity: the Apple Valley, CA-based political comics artist is a woman, and a Republican to boot. Ann Telnaes, president of the \u003ca href=\"http://editorialcartoonists.com/\" target=\"_blank\" rel=\"noopener\">Association of American Editorial Cartoonists\u003c/a>, says of her organization’s 231-strong membership, only 10 are women, and only one of them, as far as she knows, leans towards the right.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Benson has been at her craft since 1992. Her work, syndicated by the Washington Post Writers Group, appears in more than 100 newspapers in the United States and Canada.\u003c/p>\n\u003cp>“Lisa Benson is a rare talent who can illustrate a major news story in a single drawing and convey her ideas to readers in very few words,” says Alan Shearer, Washington Post Writers Group editorial director and general manager. “Conservative describes her politically. Brilliant describes her artistically. A combination of artistic talent, moral indignation and strong point of view mesh somehow to produce some of the finest work I have ever seen from a local cartoonist.”\u003c/p>\n\u003cp>KQED spoke with Benson about what it’s like to create news-driven art in the Trump era, especially in a state that mostly voted for the opposition.\u003c/p>\n\u003cfigure id=\"attachment_12968591\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968591\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-800x899.jpg\" alt=\"Editorial cartoonist Lisa Benson's self-portrait.\" width=\"800\" height=\"899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-800x899.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-768x863.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-1020x1146.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-1180x1326.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-960x1079.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-240x270.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-375x421.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color-520x584.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Lisa_AV_color.jpg 1482w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Editorial cartoonist Lisa Benson’s self-portrait. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Great editorial cartoonists have a knack for seizing upon a very complicated issue and drawing it into a bold metaphor which they then present in a definitive way. How do you go about finding a simple way to illustrate a complicated issue?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s tough to boil down the thought process because there’s no scientific formula for getting from point A to point B. Basically, it’s just a matter of scribbling notes, keywords and phrases and trying to match them with a strong, recognizable visual. This stage of the process can last for hours.\u003c/p>\n\u003cp>The challenging part for cartoonists is taking an old, tired metaphor and presenting it in a fresh, new way. When John Kerry was negotiating the Iran Nuclear Deal, many experts feared that it would create an arms race in the Middle East and that some of those weapons could end up in the wrong hands. I chose to draw my cartoon in a cafe setting showing Iran ordering from the nuclear menu with Saudi Arabia and a evil-looking character telling the waiter, John Kerry, “I’ll have what he’s having.”\u003c/p>\n\u003cp>Another example is Jerry Brown’s struggle to rein in Democrats’ spending in California. When someone mentions runaway spending, you almost immediately visualize the kid in the candy store. Only this time, the candy store is stocked with rice and beans.\u003c/p>\n\u003cfigure id=\"attachment_12968601\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968601\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa011616c-800x522.jpg\" alt=\"Lisa Benson comments on runaway spending.\" width=\"800\" height=\"522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-768x501.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-1020x665.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-1920x1253.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-1180x770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-960x626.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-240x157.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c-520x339.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa011616c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Benson shares her feelings about Democrats’ “runaway spending” in California in cartoon form. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Have there been any issues of such complexity or nuance over the course of your career that you felt you couldn’t fit into a single-frame cartoon? And if so, how did you go about solving that problem?\u003c/strong>\u003c/p>\n\u003cp>I try to avoid multi-panel cartoons, mostly because I’m too lazy to draw all those squares. In my mind, it’s not so much the complexity of the issue, but more about how you want to get the message across. When NASA’s funding was cut, I chose to draw three panels showing our space program fading away into space. The cartoon tells a sad story that would have been more difficult to illustrate in one panel.\u003c/p>\n\u003cfigure id=\"attachment_12968594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa020210c-800x523.jpg\" alt=\"Lisa Benson's take on cuts to the NASA program.\" width=\"800\" height=\"523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-768x502.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-1020x667.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-1920x1255.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-1180x771.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-960x628.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-240x157.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c-520x340.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa020210c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Benson’s take on cuts to the NASA program. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You live in a state where Democrats win a lot of elections. To what extent have you had to deal with enraged feedback? Have you ever felt persecuted?\u003c/strong>\u003c/p>\n\u003cp>I think I felt persecuted once… for about five minutes. I try to ignore hateful comments because it’s mostly irrational ramblings from hot-headed readers. There’s no way to respond to that. All editorial cartoonists experience enraged feedback, especially these days when every little thing can tick off the masses. On the flip side, we also receive many compliments and words of encouragement from readers which makes it all worthwhile.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.gocomics.com/lisabenson/2016/11/09\" target=\"_blank\" rel=\"noopener\">This interesting cartoon\u003c/a> from Nov. 9 seems to depict Uncle Sam as having to move to Canada. Did you draw it the day before, under the assumption Trump would win? How do you feel about that cartoon today?\u003c/strong>\u003c/p>\n\u003cp>Like many voters, I wasn’t excited about either of the candidates and fully expected Hillary to walk away with the win. I did this cartoon on election day figuring, no matter who won the election, there’d be people threatening to leave the country. Predicting the future has never been one of my talents.\u003c/p>\n\u003cfigure id=\"attachment_12968803\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12968803\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa110916c-800x522.jpg\" alt=\"Lisa Benson created this cartoon for Nov. 9, 2016. \" width=\"800\" height=\"522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-768x501.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-1020x665.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-1920x1252.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-1180x769.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-960x626.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-240x156.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-375x245.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c-520x339.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/lisa110916c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lisa Benson created this cartoon for Nov. 9, 2016. \u003ccite>(Photo: Courtesy of Lisa Benson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Does it feel immediately different drawing cartoons that are in support of the ruling/winning party, after eight years of having a clear-cut target in the Obama Administration?\u003c/strong>\u003c/p>\n\u003cp>I wish Donald Trump and the Republican Congress well and look forward to a conservative agenda. But I suspect that they will be dishing up just as much cartoon material as we saw during the Obama years. If there’s one thing I’ve learned, it’s that politicians make promises that are nearly impossible to keep. It’s disappointing that with each new administration, we’re still trying to solve the same old problems: national debt, affordable health care, tax reform, border security, entitlements, terrorism, etc.\u003c/p>\n\u003cp>\u003cstrong>Who are the editorial cartoonists you most admire and why?\u003c/strong>\u003c/p>\n\u003cp>When I discovered editorial cartoons in my teens, I enjoyed following Paul Conrad and Pat Oliphant. I had always admired the artists on the comics page, but editorial cartoons opened up a whole new world for me. Early on, Jeff MacNelly’s drawing style and sense of humor made a huge impression on me. I also enjoy Michael Ramirez’s work. He always seems to get the right balance of art, message and humor.\u003c/p>\n\u003cp>\u003cstrong>Why aren’t there more conservative female political cartoonists?\u003c/strong>\u003c/p>\n\u003cp>You could probably count on one hand the number of female political cartoonists, both liberal and conservative. I’m guessing the talented female cartoonists choose to work for Disney rather than face an uncertain future in newspapers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Find out more about Lisa Benson and her work \u003ca href=\"http://editorialcartoonists.com/cartoonist/profile.cfm/BensoL\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/12964126/republican-cartoonist-lisa-benson-thrives-in-left-leaning-california",
"authors": [
"8608"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1642",
"arts_1118",
"arts_596",
"arts_989"
],
"featImg": "arts_12968807",
"label": "arts"
},
"arts_13018237": {
"type": "posts",
"id": "arts_13018237",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13018237",
"score": null,
"sort": [
1491610985000
]
},
"guestAuthors": [],
"slug": "sixteen-northern-california-scholars-and-artists-win-guggenheim-fellowships",
"title": "Sixteen Northern California Scholars and Artists Win Guggenheim Fellowships",
"publishDate": 1491610985,
"format": "standard",
"headTitle": "Sixteen Northern California Scholars and Artists Win Guggenheim Fellowships | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003ca href=\"http://www.gf.org/news/foundation-news/fellowship-awards-in-the-united-states-and-canada-2017/\" target=\"_blank\" rel=\"noopener\">The Guggenheim Foundation\u003c/a> today named its 2017 fellows, and 16 are from Northern California, including \u003ca href=\"http://circozero.org/about/\" target=\"_blank\" rel=\"noopener\">Keith Hennessy\u003c/a>, a San Francisco choreographer.\u003c/p>\n\u003cp>“It’s pretty dramatic. It’s pretty exciting. We did apply for it, so we knew it was possible,” he says.\u003c/p>\n\u003cp>Hennessy and the other fellows, all what the Guggenheim Foundation calls “advanced professionals,” will get about $50,000 in an unrestricted grant.\u003c/p>\n\u003cfigure id=\"attachment_13018670\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13018670\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-800x530.jpg\" alt=\"Dancer and choreographer Keith Hennessy\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-768x508.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-520x344.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancer and choreographer Keith Hennessy \u003ccite>(Photo: Courtesy of Keith Hennessy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other Bay Area recipients include scholars in the fields of computer science and psychology, and \u003ca href=\"http://music.berkeley.edu/people/cindy-cox/\" target=\"_blank\" rel=\"noopener\">U.C. Berkeley Professor and composer Cindy Cox\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://music.stanford.edu/people/jesse-rodin\" target=\"_blank\" rel=\"noopener\">Jesse Rodin\u003c/a>, an associate professor at Stanford, also won a Guggenheim. He’s a specialist in late medieval and renaissance music, and leads a vocal ensemble that recently released a recording of music by Guillaume Du Fay. Rodin was amazed to discover that his grandfather won a Guggenheim in 1929.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Practically speaking,” Rodin says, “the fellowship means more time to work on my scholarship, and it brings visibility to the music I’m studying.”\u003c/p>\n\u003cp>Berkeley filmmaker \u003ca href=\"http://www.canepariphoto.com/\" target=\"_blank\" rel=\"noopener\">Zackary Canepari\u003c/a> says the money is critical to support his project \u003ca href=\"https://www.facebook.com/flintisaplace/\" target=\"_blank\" rel=\"noopener\">\u003cem>Flint is a Place\u003c/em>\u003c/a>, a web series he started five years ago about Flint, Michigan, mixing film, photography, poetry, found objects, and news stories.\u003c/p>\n\u003cp>“It’s an incredible honor,” Canepari said by phone from Flint. “This is an experimental documentary project, and being independent, finding funding is always the name of the game. So being awarded a Guggenheim Fellowship just provides so many opportunities to maintain the creative focus of the project, and be able to find an audience for it.”\u003c/p>\n\u003cfigure id=\"attachment_13018667\" class=\"wp-caption aligncenter\" style=\"max-width: 1380px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13018667\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208.jpg\" alt=\"Police in Flint Michigan, part of Guggenheim Fellowship winner Zackary Canepari's project 'Flint is a Place.'\" width=\"1380\" height=\"393\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208.jpg 1380w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-160x46.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-800x228.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-768x219.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-1020x290.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-1180x336.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-960x273.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-240x68.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-375x107.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-520x148.jpg 520w\" sizes=\"(max-width: 1380px) 100vw, 1380px\">\u003cfigcaption class=\"wp-caption-text\">Police in Flint Michigan, part of Guggenheim Fellowship winner Zackary Canepari’s project ‘Flint is a Place.’ \u003ccite>(Courtesy of Zackary Canepari)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hennessy, on the other hand, says he’s not going to spend the money on his work. “This money just goes into my rainy day try-not-to-have-a-disaster-when-I’m-an-old-person fund,” says Hennessy, who is 58.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The real value of the Guggenheim is the brand,” Hennessy adds. “The word Guggenheim means ruling class power. So when you get that brand attached to you, a whole bunch of people think you’ve arrived or that you’re important. And that’s what I would hope would help me in future projects.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Guggenheim Foundation honors 16 Northern California scholars and artists, including choreographer Keith Hennessy.",
"status": "publish",
"parent": 0,
"modified": 1726785682,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 419
},
"headData": {
"title": "Sixteen Northern California Scholars and Artists Win Guggenheim Fellowships | KQED",
"description": "The Guggenheim Foundation honors 16 Northern California scholars and artists, including choreographer Keith Hennessy.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Sixteen Northern California Scholars and Artists Win Guggenheim Fellowships",
"datePublished": "2017-04-07T17:23:05-07:00",
"dateModified": "2024-09-19T15:41:22-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13018237/sixteen-northern-california-scholars-and-artists-win-guggenheim-fellowships",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.gf.org/news/foundation-news/fellowship-awards-in-the-united-states-and-canada-2017/\" target=\"_blank\" rel=\"noopener\">The Guggenheim Foundation\u003c/a> today named its 2017 fellows, and 16 are from Northern California, including \u003ca href=\"http://circozero.org/about/\" target=\"_blank\" rel=\"noopener\">Keith Hennessy\u003c/a>, a San Francisco choreographer.\u003c/p>\n\u003cp>“It’s pretty dramatic. It’s pretty exciting. We did apply for it, so we knew it was possible,” he says.\u003c/p>\n\u003cp>Hennessy and the other fellows, all what the Guggenheim Foundation calls “advanced professionals,” will get about $50,000 in an unrestricted grant.\u003c/p>\n\u003cfigure id=\"attachment_13018670\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13018670\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-800x530.jpg\" alt=\"Dancer and choreographer Keith Hennessy\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-768x508.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot-520x344.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Keith-Hennessy-Head-Shot.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancer and choreographer Keith Hennessy \u003ccite>(Photo: Courtesy of Keith Hennessy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other Bay Area recipients include scholars in the fields of computer science and psychology, and \u003ca href=\"http://music.berkeley.edu/people/cindy-cox/\" target=\"_blank\" rel=\"noopener\">U.C. Berkeley Professor and composer Cindy Cox\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://music.stanford.edu/people/jesse-rodin\" target=\"_blank\" rel=\"noopener\">Jesse Rodin\u003c/a>, an associate professor at Stanford, also won a Guggenheim. He’s a specialist in late medieval and renaissance music, and leads a vocal ensemble that recently released a recording of music by Guillaume Du Fay. Rodin was amazed to discover that his grandfather won a Guggenheim in 1929.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Practically speaking,” Rodin says, “the fellowship means more time to work on my scholarship, and it brings visibility to the music I’m studying.”\u003c/p>\n\u003cp>Berkeley filmmaker \u003ca href=\"http://www.canepariphoto.com/\" target=\"_blank\" rel=\"noopener\">Zackary Canepari\u003c/a> says the money is critical to support his project \u003ca href=\"https://www.facebook.com/flintisaplace/\" target=\"_blank\" rel=\"noopener\">\u003cem>Flint is a Place\u003c/em>\u003c/a>, a web series he started five years ago about Flint, Michigan, mixing film, photography, poetry, found objects, and news stories.\u003c/p>\n\u003cp>“It’s an incredible honor,” Canepari said by phone from Flint. “This is an experimental documentary project, and being independent, finding funding is always the name of the game. So being awarded a Guggenheim Fellowship just provides so many opportunities to maintain the creative focus of the project, and be able to find an audience for it.”\u003c/p>\n\u003cfigure id=\"attachment_13018667\" class=\"wp-caption aligncenter\" style=\"max-width: 1380px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13018667\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208.jpg\" alt=\"Police in Flint Michigan, part of Guggenheim Fellowship winner Zackary Canepari's project 'Flint is a Place.'\" width=\"1380\" height=\"393\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208.jpg 1380w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-160x46.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-800x228.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-768x219.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-1020x290.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-1180x336.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-960x273.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-240x68.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-375x107.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/police_trip-e1491609553208-520x148.jpg 520w\" sizes=\"(max-width: 1380px) 100vw, 1380px\">\u003cfigcaption class=\"wp-caption-text\">Police in Flint Michigan, part of Guggenheim Fellowship winner Zackary Canepari’s project ‘Flint is a Place.’ \u003ccite>(Courtesy of Zackary Canepari)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hennessy, on the other hand, says he’s not going to spend the money on his work. “This money just goes into my rainy day try-not-to-have-a-disaster-when-I’m-an-old-person fund,” says Hennessy, who is 58.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The real value of the Guggenheim is the brand,” Hennessy adds. “The word Guggenheim means ruling class power. So when you get that brand attached to you, a whole bunch of people think you’ve arrived or that you’re important. And that’s what I would hope would help me in future projects.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13018237/sixteen-northern-california-scholars-and-artists-win-guggenheim-fellowships",
"authors": [
"32"
],
"categories": [
"arts_1",
"arts_966",
"arts_69",
"arts_235",
"arts_70"
],
"tags": [
"arts_1448",
"arts_596"
],
"featImg": "arts_13018676",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 2364,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3759,
"relation": "eq"
},
"items": [
"arts_13049682",
"forum_2010101859502",
"arts_13047109",
"arts_13042536",
"news_11383461",
"arts_13037928",
"arts_13033553",
"arts_13033338",
"arts_13032917",
"arts_13032910",
"arts_12964126",
"arts_13018237"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_1642": {
"type": "terms",
"id": "arts_1642",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1642",
"found": true
},
"relationships": {},
"featImg": null,
"name": "#100daysart",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "#100daysart Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1654,
"slug": "100daysart",
"isLoading": false,
"link": "/arts/tag/100daysart"
},
"arts_1119": {
"type": "terms",
"id": "arts_1119",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1119",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1136,
"slug": "feature",
"isLoading": false,
"link": "/arts/tag/feature"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"forum_3": {
"type": "terms",
"id": "forum_3",
"meta": {
"index": "terms_1716263798",
"site": "forum",
"id": "3",
"found": true
},
"relationships": {},
"name": "Forum",
"slug": "forum",
"taxonomy": "program",
"description": "\u003cem>Forum\u003c/em> finds the most interesting stories about where we live and who we are, and charts where our region and world are headed. Hosts Mina Kim and Alexis Madrigal invite communities in the Bay Area and California to engage in meaningful conversation in a two-hour live show that informs and challenges listeners with big ideas and different viewpoints.\r\n\r\nAt 9 a.m., Alexis gives the mic to the Bay Area, from San Rafael to San Jose, and at 10 a.m. with Mina, the perspective widens to all of California.Want to call/submit your comments during our live \u003cem>Forum\u003c/em> program Mon-Fri, 9am-11am? We'd love to hear from you! Please dial 866.SF.FORUM or \u003cstrong>(866) 733-6786\u003c/strong>, email \u003ca href=\"mailto:forum@kqed.org\" target=\"_blank\" rel=\"noreferrer noopener\">forum@kqed.org\u003c/a>, \u003ca href=\"https://twitter.com/search?q=%40kqedforum\" target=\"_blank\" rel=\"noreferrer noopener\">tweet\u003c/a>, or post on \u003ca href=\"https://www.facebook.com/KQEDForum/\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook\u003c/a>.",
"featImg": null,
"headData": {
"title": "Forum - Forum",
"description": "Forum finds the most interesting stories about where we live and who we are, and charts where our region and world are headed. Hosts Mina Kim and Alexis Madrigal invite communities in the Bay Area and California to engage in meaningful conversation in a two-hour live show that informs and challenges listeners with big ideas and different viewpoints. At 9 a.m., Alexis gives the mic to the Bay Area, from San Rafael to San Jose, and at 10 a.m. with Mina, the perspective widens to all of California.Want to call/submit your comments during our live Forum program Mon-Fri, 9am-11am? We'd love to hear from you! Please dial 866.SF.FORUM or (866) 733-6786, email forum@kqed.org, tweet, or post on Facebook.",
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 3,
"isLoading": false,
"link": "/forum/program/forum"
},
"forum_1623": {
"type": "terms",
"id": "forum_1623",
"meta": {
"index": "terms_1716263798",
"site": "forum",
"id": "1623",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives - KQED Forum",
"ogDescription": null
},
"ttid": 1623,
"slug": "podcast",
"isLoading": false,
"link": "/forum/category/podcast"
},
"forum_16": {
"type": "terms",
"id": "forum_16",
"meta": {
"index": "terms_1716263798",
"site": "forum",
"id": "16",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts: Film",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts: Film Archives | KQED Forum",
"ogDescription": null
},
"ttid": 16,
"slug": "arts-film",
"isLoading": false,
"link": "/forum/tag/arts-film"
},
"forum_208": {
"type": "terms",
"id": "forum_208",
"meta": {
"index": "terms_1716263798",
"site": "forum",
"id": "208",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Bay Area",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Bay Area Archives | KQED Forum",
"ogDescription": null
},
"ttid": 208,
"slug": "bay-area",
"isLoading": false,
"link": "/forum/tag/bay-area"
},
"forum_31": {
"type": "terms",
"id": "forum_31",
"meta": {
"index": "terms_1716263798",
"site": "forum",
"id": "31",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Law & Justice",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Law & Justice Archives | KQED Forum",
"ogDescription": null
},
"ttid": 31,
"slug": "law-justice",
"isLoading": false,
"link": "/forum/tag/law-justice"
},
"forum_141": {
"type": "terms",
"id": "forum_141",
"meta": {
"index": "terms_1716263798",
"site": "forum",
"id": "141",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Forum",
"ogDescription": null
},
"ttid": 141,
"slug": "san-francisco",
"isLoading": false,
"link": "/forum/tag/san-francisco"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_879": {
"type": "terms",
"id": "arts_879",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dance",
"description": "Covering dance events in the Bay Area and more.",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Covering dance events in the Bay Area and more.",
"title": "dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 897,
"slug": "dance",
"isLoading": false,
"link": "/arts/tag/dance"
},
"arts_3178": {
"type": "terms",
"id": "arts_3178",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3178",
"found": true
},
"relationships": {},
"featImg": null,
"name": "native american",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "native american Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3190,
"slug": "native-american",
"isLoading": false,
"link": "/arts/tag/native-american"
},
"arts_3130": {
"type": "terms",
"id": "arts_3130",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3130",
"found": true
},
"relationships": {},
"featImg": null,
"name": "unwind",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "unwind Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3142,
"slug": "unwind",
"isLoading": false,
"link": "/arts/tag/unwind"
},
"arts_1007": {
"type": "terms",
"id": "arts_1007",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1007",
"found": true
},
"relationships": {},
"featImg": null,
"name": "video",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "video Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1024,
"slug": "video",
"isLoading": false,
"link": "/arts/tag/video"
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"news_8": {
"type": "terms",
"id": "news_8",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "8",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 8,
"slug": "news",
"isLoading": false,
"link": "/news/category/news"
},
"news_356": {
"type": "terms",
"id": "news_356",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "356",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Science",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Science Archives | KQED News",
"ogDescription": null
},
"ttid": 364,
"slug": "science",
"isLoading": false,
"link": "/news/category/science"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_1448": {
"type": "terms",
"id": "arts_1448",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1448",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1460,
"slug": "art-wire",
"isLoading": false,
"link": "/arts/tag/art-wire"
},
"arts_1627": {
"type": "terms",
"id": "arts_1627",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1627",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Ghost Ship fire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Ghost Ship fire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1639,
"slug": "ghost-ship-fire",
"isLoading": false,
"link": "/arts/tag/ghost-ship-fire"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_4358": {
"type": "terms",
"id": "arts_4358",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4358",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TGAR news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TGAR news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4370,
"slug": "tgar-news",
"isLoading": false,
"link": "/arts/tag/tgar-news"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"arts_989": {
"type": "terms",
"id": "arts_989",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "989",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Q&A",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Q&A Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1007,
"slug": "qa",
"isLoading": false,
"link": "/arts/tag/qa"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}