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"content": "\u003cp>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/strong>\u003c/p>\n\u003cp>It’s a weekend for science and sorcery in San Jose. On the Do List this week, you’ll find details for the Steve Wozniak’s \u003ca href=\"http://svcomiccon.com/\" target=\"_blank\" rel=\"noopener\">Silicon Valley Comic Con\u003c/a>, with its weird mix of Trekkies and techies (maybe not so weird). Then a \u003ca href=\"https://www.facebook.com/events/1346516542073825/\" target=\"_blank\" rel=\"noopener\">contingent of scientists will march at 11am on Saturday at San Jose City Hall \u003c/a>as part of a national movement fighting the suppression of science data under President Trump. And just for fun, there’s the \u003ca href=\"https://www.facebook.com/sofastreetfair/\" target=\"_blank\" rel=\"noopener\">SOFA Street Fair\u003c/a>. Now here’s the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZMW28VttcXw\u003c/p>\n\u003cp>\u003cstrong>April 21-23\u003c/strong>: The so-talented \u003ca href=\"http://www.aoifeodonovan.com/shows\" target=\"_blank\" rel=\"noopener\">Aoife O’Donovan\u003c/a> (pronounced \u003cem>EE-fuh\u003c/em>) is often a guest on \u003ca href=\"https://www.prairiehome.org/\" target=\"_blank\" rel=\"noopener\">\u003cem>A Prairie Home Companion\u003c/em>\u003c/a>, so she’s familiar to NPR listeners. Her voice ranges from ethereal to earthy, with a big dose of Celtic folk tradition. She grew up in suburban Newton, Mass., but used to spend summers playing music in Ireland. No matter where in the Bay Area you live, you have a chance to see O’Donovan. She’s touring with — and opening for — the great guitarists \u003ca href=\"http://www.lageeldridge.com/\" target=\"_blank\" rel=\"noopener\">Julian Lage and Chris Eldridge\u003c/a>. They have two shows at Kuumbwa in Santa Cruz April 21 — \u003ca href=\"http://kuumbwajazz.ticketfly.com/\" target=\"_blank\" rel=\"noopener\">details here\u003c/a>. Then Lage, Eldridge and O’Donovan play a sold out show April 22 at Freight & Salvage in Berkeley — \u003ca href=\"http://www.freightandsalvage.org/release-the-hounds\" target=\"_blank\" rel=\"noopener\">details here\u003c/a>. And Sunday April 23 they’re at the Mondavi Center in Davis — \u003ca href=\"https://mondavi.ucdavis.edu/event/2016-17/release-the-hounds-lage-eldridge\" target=\"_blank\" rel=\"noopener\">details here\u003c/a>.\u003c/p>\n\u003cp>https://vimeo.com/208418262\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>April 21-30\u003c/strong>: We’ve talked about \u003ca href=\"http://bayareadance.org/kickoff/\" target=\"_blank\" rel=\"noopener\">Bay Dance Week\u003c/a> (really a 10-day event) before. But it’s such a cool festival, a celebration of not just all the amazing professional troupes based in the Bay Area, but also the many tap, ballet, modern, and ethnic dance academies we’re lucky to have. The festivities kick off at noon on Friday, April 21, at San Francisco City Hall, with a dance party and flashmob that anyone can join. (See the instructional video above featuring \u003ca href=\"https://www.rhythmandmotion.com/dudley-flores/\" target=\"_blank\" rel=\"noopener\">Rhythm and Motion’s Dudley Flores\u003c/a>), and check out the 100 or so free dance events — cheap thrill alert! — from San Jose (including the sjDANCEco Festival @ Santana Row) to San Rafael. \u003ca href=\"http://bayareadance.org/events/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://vimeo.com/154412337\u003c/p>\n\u003cp>\u003cstrong>April 21-22\u003c/strong>: The Colorado River is among the most scenic, the most loved and the most abused of American rivers, as it winds\u003ca href=\"https://www.coloradocollege.edu/other/stateoftherockies/expeditions/source-to-sea.html\" target=\"_blank\" rel=\"noopener\"> from the Wind River Range in Wyoming to where it runs dry from overuse as it approaches Mexico’s Sea of Cortez\u003c/a>. (The Colorado supplies 60 percent of the water used in Southern California, so as a state, we’re are part of the problem.) Now, the director Murat Eyuboglu and producer and composer Paola Prestini have collaborated on \u003ca href=\"http://visionintoart.com/projects/the-colorado/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Colorado\u003c/em>\u003c/a>, a documentary screened with live music. It’s what Prestini calls an eco-cantata, “a piece that is in this cantata form in that it has an overarching narrative,” Prestini told me on the phone, “but at the same time it’s equal parts a cautionary tale about the environment, and a profound musical experience that hopefully involves many different kinds of audiences.”\u003c/p>\n\u003cp>For a show at Stanford, \u003ca href=\"http://www.roomfulofteeth.org/\" target=\"_blank\" rel=\"noopener\">Roomful of Teeth\u003c/a>, cellist \u003ca href=\"http://jzcello.com/\" target=\"_blank\" rel=\"noopener\">Jeffrey Zeigler\u003c/a>, and percussionist \u003ca href=\"http://glennkotche.com/\" target=\"_blank\" rel=\"noopener\">Glenn Kotche\u003c/a> (Wilco) provide the live accompaniment, with gorgeous music composed by Prestini, John Luther Adams, William Brittelle, Glenn Kotche, and Shara Nova. Details for the performance April 21 and 22 at Stanford’s Bing Hall are \u003ca href=\"https://live.stanford.edu/calendar/april-2017/colorado\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. Roomful of Teeth is also doing a sold out show at the San Francisco Opera Lab April 23. If you’re lucky you might find a friend with an extra ticket to that show. \u003ca href=\"https://sfopera.com/sfoperalab/season-two/roomful-of-teeth/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OY-Yf3wjqRk\u003c/p>\n\u003cp>\u003cstrong>April 21-23\u003c/strong>: I was nerding out on Doctor Strange and Captain Marvel (and \u003ca href=\"http://www.thedrawingsofsteranko.com/aghp.html\" target=\"_blank\" rel=\"noopener\">Jim Steranko\u003c/a>) way before they were cool. So I’m happy to include Silicon Valley Comic Con on our list this week. David and I aren’t sure why actor John Cusack (\u003cem>Say Anything, High Fidelity\u003c/em>) is there, but you’ll find all the familiar comic con tropes: a costume contest, and appearances by Tom Felton (Draco Malfoy), Grant Gustin (The Flash), Billy Boyd (Pippin), and any number of Star Trek actors. But with Apple co-founder Steve Wozniak producing the show, you’ll also find scientists and engineers making presentations, including researchers from the \u003ca href=\"https://www.seti.org/\" target=\"_blank\" rel=\"noopener\">SETI Institute\u003c/a> (Search for Extraterrestrial Life), space scientists from NASA, and astronaut Buzz Aldrin, a real superhero. \u003ca href=\"http://svcomiccon.com/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=neJ0ngA-4Fk\u003c/p>\n\u003cp>\u003cstrong>April 27\u003c/strong>: \u003ca href=\"http://www.bigfreedia.com/\" target=\"_blank\" rel=\"noopener\">Big Freedia \u003c/a> is the Queen of Bounce, a style of hip-hop out of New Orleans. Her life has bounced high and low the past few years: She worked with Beyoncé on the “\u003ca href=\"https://www.youtube.com/watch?v=TYcAosqv23Y\" target=\"_blank\" rel=\"noopener\">Formation” video\u003c/a>, but then she nearly went to jail last year over charges she was illegally using federal housing funds. That hasn’t slowed down \u003ca href=\"http://www.fuse.tv/shows/big-freedia\" target=\"_blank\" rel=\"noopener\">her reality TV show\u003c/a> or her touring schedule. Expect a lot of twerking and a great deal of fun. As David said, we need that right now. \u003ca href=\"http://mezzaninesf.com/events/big-freedia-2/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 21-30\u003c/strong>: We’ve talked about \u003ca href=\"http://bayareadance.org/kickoff/\" target=\"_blank\" rel=\"noopener\">Bay Dance Week\u003c/a> (really a 10-day event) before. But it’s such a cool festival, a celebration of not just all the amazing professional troupes based in the Bay Area, but also the many tap, ballet, modern, and ethnic dance academies we’re lucky to have. The festivities kick off at noon on Friday, April 21, at San Francisco City Hall, with a dance party and flashmob that anyone can join. (See the instructional video above featuring \u003ca href=\"https://www.rhythmandmotion.com/dudley-flores/\" target=\"_blank\" rel=\"noopener\">Rhythm and Motion’s Dudley Flores\u003c/a>), and check out the 100 or so free dance events — cheap thrill alert! — from San Jose (including the sjDANCEco Festival @ Santana Row) to San Rafael. \u003ca href=\"http://bayareadance.org/events/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>April 21-22\u003c/strong>: The Colorado River is among the most scenic, the most loved and the most abused of American rivers, as it winds\u003ca href=\"https://www.coloradocollege.edu/other/stateoftherockies/expeditions/source-to-sea.html\" target=\"_blank\" rel=\"noopener\"> from the Wind River Range in Wyoming to where it runs dry from overuse as it approaches Mexico’s Sea of Cortez\u003c/a>. (The Colorado supplies 60 percent of the water used in Southern California, so as a state, we’re are part of the problem.) Now, the director Murat Eyuboglu and producer and composer Paola Prestini have collaborated on \u003ca href=\"http://visionintoart.com/projects/the-colorado/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Colorado\u003c/em>\u003c/a>, a documentary screened with live music. It’s what Prestini calls an eco-cantata, “a piece that is in this cantata form in that it has an overarching narrative,” Prestini told me on the phone, “but at the same time it’s equal parts a cautionary tale about the environment, and a profound musical experience that hopefully involves many different kinds of audiences.”\u003c/p>\n\u003cp>For a show at Stanford, \u003ca href=\"http://www.roomfulofteeth.org/\" target=\"_blank\" rel=\"noopener\">Roomful of Teeth\u003c/a>, cellist \u003ca href=\"http://jzcello.com/\" target=\"_blank\" rel=\"noopener\">Jeffrey Zeigler\u003c/a>, and percussionist \u003ca href=\"http://glennkotche.com/\" target=\"_blank\" rel=\"noopener\">Glenn Kotche\u003c/a> (Wilco) provide the live accompaniment, with gorgeous music composed by Prestini, John Luther Adams, William Brittelle, Glenn Kotche, and Shara Nova. Details for the performance April 21 and 22 at Stanford’s Bing Hall are \u003ca href=\"https://live.stanford.edu/calendar/april-2017/colorado\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. Roomful of Teeth is also doing a sold out show at the San Francisco Opera Lab April 23. If you’re lucky you might find a friend with an extra ticket to that show. \u003ca href=\"https://sfopera.com/sfoperalab/season-two/roomful-of-teeth/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OY-Yf3wjqRk'\n title='//www.youtube.com/embed/OY-Yf3wjqRk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 21-23\u003c/strong>: I was nerding out on Doctor Strange and Captain Marvel (and \u003ca href=\"http://www.thedrawingsofsteranko.com/aghp.html\" target=\"_blank\" rel=\"noopener\">Jim Steranko\u003c/a>) way before they were cool. So I’m happy to include Silicon Valley Comic Con on our list this week. David and I aren’t sure why actor John Cusack (\u003cem>Say Anything, High Fidelity\u003c/em>) is there, but you’ll find all the familiar comic con tropes: a costume contest, and appearances by Tom Felton (Draco Malfoy), Grant Gustin (The Flash), Billy Boyd (Pippin), and any number of Star Trek actors. But with Apple co-founder Steve Wozniak producing the show, you’ll also find scientists and engineers making presentations, including researchers from the \u003ca href=\"https://www.seti.org/\" target=\"_blank\" rel=\"noopener\">SETI Institute\u003c/a> (Search for Extraterrestrial Life), space scientists from NASA, and astronaut Buzz Aldrin, a real superhero. \u003ca href=\"http://svcomiccon.com/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/neJ0ngA-4Fk'\n title='//www.youtube.com/embed/neJ0ngA-4Fk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 27\u003c/strong>: \u003ca href=\"http://www.bigfreedia.com/\" target=\"_blank\" rel=\"noopener\">Big Freedia \u003c/a> is the Queen of Bounce, a style of hip-hop out of New Orleans. Her life has bounced high and low the past few years: She worked with Beyoncé on the “\u003ca href=\"https://www.youtube.com/watch?v=TYcAosqv23Y\" target=\"_blank\" rel=\"noopener\">Formation” video\u003c/a>, but then she nearly went to jail last year over charges she was illegally using federal housing funds. That hasn’t slowed down \u003ca href=\"http://www.fuse.tv/shows/big-freedia\" target=\"_blank\" rel=\"noopener\">her reality TV show\u003c/a> or her touring schedule. Expect a lot of twerking and a great deal of fun. As David said, we need that right now. \u003ca href=\"http://mezzaninesf.com/events/big-freedia-2/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Creative works by and about musicians turned out to be big winners among this year’s Peabody Awards. Among this year’s honorees are \u003ca href=\"http://www.npr.org/artists/19230778/beyonce\" target=\"_blank\" rel=\"noopener\">Beyoncé\u003c/a> and Donald Glover, whose prizes were \u003ca href=\"http://www.peabodyawards.com/stories/story/entertainment-winners-named-for-peabody-30\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> today, and two documentaries announced earlier this week: the films \u003cem>Hip-Hop Evolution\u003c/em> and \u003cem>MAVIS!\u003c/em>\u003c/p>\n\u003cp>Beyoncé’s “visual album” \u003cem>Lemonade\u003c/em>, released by HBO Entertainment in association with Parkwood Entertainment, was cited for “the audacity of its reach and fierceness of its vision challenges our cultural imagination, while crafting a stunning and sublime masterpiece about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture.”\u003c/p>\n\u003cp>Actor and director Donald Glover, whose hip-hop persona is \u003ca href=\"http://www.npr.org/search/index.php?searchinput=childish+gambino\" target=\"_blank\" rel=\"noopener\">Childish Gambino\u003c/a>, won for his television show \u003cem>\u003ca href=\"http://www.npr.org/2016/09/17/494390868/donald-glover-explores-a-surreal-feel-in-atlanta\" target=\"_blank\" rel=\"noopener\">Atlanta\u003c/a>\u003c/em> on the FX network. The judges called it an “enchanting series on the struggles of two young black men trying to make it in Atlanta’s rap scene blends vibrant character study and rich socio-political commentary in delivering a detailed and textured exploration of a Southern city.”\u003c/p>\n\u003cp> Two music documentaries were announced as Peabody winners on \u003ca href=\"http://www.peabodyawards.com/stories/story/twelve-documentaries-win-2016-peabody-awards\">Tuesday\u003c/a>. One was \u003cem>Hip-Hop Evolution\u003c/em> (Banger Films, distributed by Netflix and HBO Canada), which was described by the panel as “an entertaining, consummate history of hip-hop music told in a series of interviews with influential MCs, DJs, and moguls who were there at the beginning of the genre’s birth and through its dynamic evolution.”\u003c/p>\n\u003cp>The other was \u003cem>MAVIS!\u003c/em> (Film First and HBO Documentary Films): “More than just a biopic,” the judges wrote, “this story celebrates the deep influence of Mavis Staples and the Staple Singers across music genres — from gospel to soul and rock-and-roll. \u003cem>MAVIS!\u003c/em> illustrates the history of social movements in America and is a powerful reminder of one woman’s impact on popular culture.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Peabody Awards are given yearly by the University of Georgia’s Grady College of Journalism and Mass Communication. The ceremony will be held May 20 in New York City at Cipriani Wall Street. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9%2C+Donald+Glover+Among+This+Year%27s+Peabody+Award+Winners&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Creative works by and about musicians turned out to be big winners among this year’s Peabody Awards. Among this year’s honorees are \u003ca href=\"http://www.npr.org/artists/19230778/beyonce\" target=\"_blank\" rel=\"noopener\">Beyoncé\u003c/a> and Donald Glover, whose prizes were \u003ca href=\"http://www.peabodyawards.com/stories/story/entertainment-winners-named-for-peabody-30\" target=\"_blank\" rel=\"noopener\">announced\u003c/a> today, and two documentaries announced earlier this week: the films \u003cem>Hip-Hop Evolution\u003c/em> and \u003cem>MAVIS!\u003c/em>\u003c/p>\n\u003cp>Beyoncé’s “visual album” \u003cem>Lemonade\u003c/em>, released by HBO Entertainment in association with Parkwood Entertainment, was cited for “the audacity of its reach and fierceness of its vision challenges our cultural imagination, while crafting a stunning and sublime masterpiece about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture.”\u003c/p>\n\u003cp>Actor and director Donald Glover, whose hip-hop persona is \u003ca href=\"http://www.npr.org/search/index.php?searchinput=childish+gambino\" target=\"_blank\" rel=\"noopener\">Childish Gambino\u003c/a>, won for his television show \u003cem>\u003ca href=\"http://www.npr.org/2016/09/17/494390868/donald-glover-explores-a-surreal-feel-in-atlanta\" target=\"_blank\" rel=\"noopener\">Atlanta\u003c/a>\u003c/em> on the FX network. The judges called it an “enchanting series on the struggles of two young black men trying to make it in Atlanta’s rap scene blends vibrant character study and rich socio-political commentary in delivering a detailed and textured exploration of a Southern city.”\u003c/p>\n\u003cp> Two music documentaries were announced as Peabody winners on \u003ca href=\"http://www.peabodyawards.com/stories/story/twelve-documentaries-win-2016-peabody-awards\">Tuesday\u003c/a>. One was \u003cem>Hip-Hop Evolution\u003c/em> (Banger Films, distributed by Netflix and HBO Canada), which was described by the panel as “an entertaining, consummate history of hip-hop music told in a series of interviews with influential MCs, DJs, and moguls who were there at the beginning of the genre’s birth and through its dynamic evolution.”\u003c/p>\n\u003cp>The other was \u003cem>MAVIS!\u003c/em> (Film First and HBO Documentary Films): “More than just a biopic,” the judges wrote, “this story celebrates the deep influence of Mavis Staples and the Staple Singers across music genres — from gospel to soul and rock-and-roll. \u003cem>MAVIS!\u003c/em> illustrates the history of social movements in America and is a powerful reminder of one woman’s impact on popular culture.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Dope Era, the North Oakland clothing store owned by rapper Mistah F.A.B., was damaged in a fire in the early morning hours of Thursday, April 20. According to a release, both the hip-hop artist and neighbors who live in the building are alleging arson.\u003c/p>\n\u003cp>The building at 4506 Market Street includes apartment units above the store. According to the release, residents of those units report that “someone threw what appeared to be a gas canister in order to start the fire” this morning around 2am. Neighbors say families, including at least 11 children, live in these apartments. No injuries were reported.\u003c/p>\n\u003cp>Mistah F.A.B., whose real name is Stanley Cox, shared videos and images on his Instagram account this morning displaying the damage and addressing his fans.\u003c/p>\n\u003cp>https://www.instagram.com/p/BTHPVLfAlzQ/\u003c/p>\n\u003cp>https://www.instagram.com/p/BTHWSYhAFfW/?taken-by=fabbydavisjr1\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to his music career, Mistah F.A.B. has become known for his philanthropy and community outreach, particularly in Oakland. In 2014, his contributions to the Oakland community earned him an \u003ca href=\"http://allhiphop.com/2014/02/12/oakland-mayor-dedicates-day-to-mistah-f-a-b/\" target=\"_blank\" rel=\"noopener\">honorary distinction\u003c/a> from then-Mayor Jean Quan.\u003c/p>\n\u003cp>“My store and my clothing line represent Oakland,” said the rapper in the release. “I started this business because I’m dedicated to this city and this is my neighborhood. I wanted us to have a piece of the pie at a time when so many of us are being pushed out. I just don’t understand why someone would do this but I’m committed to rebuilding and continuing to serve my community.”\u003c/p>\n\u003cp>KQED Arts recently covered Mistah F.A.B. and his store in light of the \u003ca href=\"https://ww2.kqed.org/arts/2017/04/03/public-safety-or-racial-profiling-mistah-f-a-b-alleges-harassment-by-the-opd/\" target=\"_blank\" rel=\"noopener\">rapper’s allegations that some members of the Oakland Police Department have been unfairly targeting his store and customers for questioning\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The cause of the fire has not been officially determined; this story will be updated as it develops.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to his music career, Mistah F.A.B. has become known for his philanthropy and community outreach, particularly in Oakland. In 2014, his contributions to the Oakland community earned him an \u003ca href=\"http://allhiphop.com/2014/02/12/oakland-mayor-dedicates-day-to-mistah-f-a-b/\" target=\"_blank\" rel=\"noopener\">honorary distinction\u003c/a> from then-Mayor Jean Quan.\u003c/p>\n\u003cp>“My store and my clothing line represent Oakland,” said the rapper in the release. “I started this business because I’m dedicated to this city and this is my neighborhood. I wanted us to have a piece of the pie at a time when so many of us are being pushed out. I just don’t understand why someone would do this but I’m committed to rebuilding and continuing to serve my community.”\u003c/p>\n\u003cp>KQED Arts recently covered Mistah F.A.B. and his store in light of the \u003ca href=\"https://ww2.kqed.org/arts/2017/04/03/public-safety-or-racial-profiling-mistah-f-a-b-alleges-harassment-by-the-opd/\" target=\"_blank\" rel=\"noopener\">rapper’s allegations that some members of the Oakland Police Department have been unfairly targeting his store and customers for questioning\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The cause of the fire has not been officially determined; this story will be updated as it develops.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>United States District Judge Wilhelmina M. Wright has blocked, for now, the release of a Prince EP originally scheduled to drop tomorrow, April 21, on the first anniversary of the singer’s death. Wright yesterday granted Paisley Park Enterprises a temporary restraining order against George Ian Boxill, a recording engineer who worked with Prince around 2006, and who had planned to release the EP from their sessions.\u003c/p>\n\u003cp>Out of nowhere this past Tuesday evening \u003ca href=\"http://www.npr.org/sections/therecord/2017/04/19/524682589/new-music-from-prince-set-for-release-friday-the-subject-of-a-suit-from-his-esta\" target=\"_blank\" rel=\"noopener\">a press release was issued\u003c/a> announcing the \u003cem>Deliverance\u003c/em> EP, saying it would be released by an unknown label called the Rebel Music Alliance. The promotional campaign included a website in support of it (princerogersnelson.com), which has since been taken down. The record’s title track was serviced to radio on Wednesday evening, but has since been removed from iTunes.\u003c/p>\n\u003cp>All of this was in the face of a lawsuit brought last Friday in Minnesota by Paisley Park Enterprises against Boxill. Because Boxill is a California resident the case was transferred to federal court this week.\u003c/p>\n\u003cp>Judge Wright’s decision is wholly in favor of Paisley Park, ordering Boxill to return all Prince recordings back to the estate and to stop disseminating them. The restraining order lifts on May 3. Paisley Park has until April 25 to file its injunction against Boxill, who will then have three days to respond. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Deliverance%27+Denied%3A+Release+Of+Posthumous+Prince+Record+Stopped+By+Judge&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>United States District Judge Wilhelmina M. Wright has blocked, for now, the release of a Prince EP originally scheduled to drop tomorrow, April 21, on the first anniversary of the singer’s death. Wright yesterday granted Paisley Park Enterprises a temporary restraining order against George Ian Boxill, a recording engineer who worked with Prince around 2006, and who had planned to release the EP from their sessions.\u003c/p>\n\u003cp>Out of nowhere this past Tuesday evening \u003ca href=\"http://www.npr.org/sections/therecord/2017/04/19/524682589/new-music-from-prince-set-for-release-friday-the-subject-of-a-suit-from-his-esta\" target=\"_blank\" rel=\"noopener\">a press release was issued\u003c/a> announcing the \u003cem>Deliverance\u003c/em> EP, saying it would be released by an unknown label called the Rebel Music Alliance. The promotional campaign included a website in support of it (princerogersnelson.com), which has since been taken down. The record’s title track was serviced to radio on Wednesday evening, but has since been removed from iTunes.\u003c/p>\n\u003cp>All of this was in the face of a lawsuit brought last Friday in Minnesota by Paisley Park Enterprises against Boxill. Because Boxill is a California resident the case was transferred to federal court this week.\u003c/p>\n\u003cp>Judge Wright’s decision is wholly in favor of Paisley Park, ordering Boxill to return all Prince recordings back to the estate and to stop disseminating them. The restraining order lifts on May 3. Paisley Park has until April 25 to file its injunction against Boxill, who will then have three days to respond. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Deliverance%27+Denied%3A+Release+Of+Posthumous+Prince+Record+Stopped+By+Judge&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After an absence from the spotlight, Richard Simmons is speaking out directly to his fans, saying, “Hope to see you again soon!”\u003c/p>\n\u003cp>Simmons posted a statement on his Facebook page Wednesday, and his spokesman, Tom Estey, confirmed its authenticity.\u003c/p>\n\u003cp>The statement marks Simmons’ first public comments since calling into TV’s “Entertainment Tonight” last year. The 68-year-old fitness guru has been out of the public eye since 2014, an absence that inspired the popular podcast “Missing Richard Simmons” earlier this year.\u003c/p>\n\u003cp>After reportedly being hospitalized Monday for severe indigestion, Simmons sent greetings Wednesday to “everyone who has shown concern for me and sent their good wishes.”\u003c/p>\n\u003cp>He also says that “by now you know that I’m not ‘missing,’ just a little under the weather. I’m sure I will be feeling good and back home in a couple of days.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>Read Simmons’ Facebook post below\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.facebook.com/TheWeightSaint/photos/a.10150431630035227.630937.139080040226/10158820384830227/\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After an absence from the spotlight, Richard Simmons is speaking out directly to his fans, saying, “Hope to see you again soon!”\u003c/p>\n\u003cp>Simmons posted a statement on his Facebook page Wednesday, and his spokesman, Tom Estey, confirmed its authenticity.\u003c/p>\n\u003cp>The statement marks Simmons’ first public comments since calling into TV’s “Entertainment Tonight” last year. The 68-year-old fitness guru has been out of the public eye since 2014, an absence that inspired the popular podcast “Missing Richard Simmons” earlier this year.\u003c/p>\n\u003cp>After reportedly being hospitalized Monday for severe indigestion, Simmons sent greetings Wednesday to “everyone who has shown concern for me and sent their good wishes.”\u003c/p>\n\u003cp>He also says that “by now you know that I’m not ‘missing,’ just a little under the weather. I’m sure I will be feeling good and back home in a couple of days.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>If every mushroom cloud has a silver lining, it’s that filmmakers flirt with disaster for our edification and enlightenment. Following their lead, the seventh \u003ca href=\"http://www.greenfilmfest.org/festival\" target=\"_blank\" rel=\"noopener\">San Francisco Green Film Festival\u003c/a>, running April 20 through 26, “embraces” the nuclear age with a revival of local doc makers Judy Irving, Christopher Beaver and Ruth Landy’s 1982 Emmy Award-winning nuclear-weapons exposé \u003ci>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272169~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Dark Circle\u003c/a>\u003c/i>, as well as the San Francisco premiere of U.K. visionary Mark Cousins’ found-footage excavation \u003ci>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272165~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Atomic: Living in Dread and Promise\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>The festival takes on a slew of other environmental issues, to be sure, but we’re talking about apocalypse \u003cem>now\u003c/em>, not tomorrow. So the programmers had the brainstorm of lightening up the lineup with the brilliant absurdity of Kubrick’s \u003ci>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272172~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb\u003c/a>\u003c/i>. Alas, who could have imagined that a new president would threaten North Korea in his first 100 days? (Unrelated question: What happens after reality mocks satire?)\u003c/p>\n\u003cp>Now you understand why Green Film Festival founder and chief executive Rachel Caplan frequently breaks into laughter in the course of an interview. A sense of humor is essential to staying sane in the face of fresh catastrophe. That, and movies that prescribe solutions rather than merely expose problems.\u003c/p>\n\u003cp>https://youtu.be/BMnVTXqX9Gk\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272179~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">A Plastic Ocean\u003c/a>\u003c/em> (sea pollution), \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272176~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Last of the Longnecks\u003c/a>\u003c/em> (giraffes and conservation) and \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272182~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">RiverBlue\u003c/a>\u003c/em> (about a Southeast Asian river so polluted by tanneries and dyeing houses that its color reveals what shade is in fashion that season) are among the stronger advocacy films in this year’s festival. Caplan and the screening committee prefer works like these that inspire audiences with steps they can make rather than depicting doom and gloom.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I think audiences are very quick to catch on to ideas in the films,” Caplan says. “There’s only so much within a film that you can do to make people feel disheartened, and then you have to offer them solutions. A lot of people who come to the festival know we’re in serious trouble, and of course you want to bring them the latest updates from the front lines, but you want to tell them about great work and how we can all make a difference. I think those films resonate with audiences.”\u003c/p>\n\u003cp>https://youtu.be/74XKZDdaj-w\u003c/p>\n\u003cp>A decade on from Al Gore’s breakthrough PowerPoint lecture, \u003ci>An Inconvenient Truth\u003c/i>, and with the sequel coming out this summer, it’s worth pondering how environmental docs — as well as audiences — have evolved. Caplan, however, focuses on what always has and always will work.\u003c/p>\n\u003cp>“We see trends in any kind of films, but it comes down to storytelling at the end of the day,” she asserts. “And characters. People connect with other people. Spending an hour or two hours with someone on the other side of the planet, you can follow the challenges they or their community are faced with. Particularly those David and Goliath stories we see a lot in the environmental realm. We can share in their victory, or their heartbreak or loss.”\u003c/p>\n\u003cp>While moviegoers may connect with a particular issue, or place, the S.F. Green Film Festival encompasses a wide range of issues. Aligning with a variety of social-change nonprofits over the years is consistent with Caplan’s broader vision for the festival.\u003c/p>\n\u003cfigure id=\"attachment_13077989\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2.jpg\" alt=\"Still from Dean Mermell's 'Twelve Pianos,' 2017.\" width=\"960\" height=\"540\" class=\"size-full wp-image-13077989\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-520x293.jpg 520w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Still from Dean Mermell’s ‘Twelve Pianos,’ 2017. \u003ccite>(Courtesy of SF Green Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The environment, and environmental causes, and the environmental movement is completely intertwined with other social movements, whether it’s gender equality or Black Lives Matter,” she says. “Very often the environmental movement is presented as about carbon particles in the atmosphere and graphs and charts, but it’s about people. So I think all these social issues are connected, and gender is a large part of it.”\u003c/p>\n\u003cp>You may recall there isn’t a single woman in the War Room in \u003ci>Dr. Strangelove\u003c/i>. Coincidence, or commentary on the ability of men in power to create problems without bringing the same single-minded obsession to solving them?\u003c/p>\n\u003cp>“You can’t talk about environmental justice without talking about women’s equality,” Caplan says. “There are direct examples when we educate women and girls and they have opportunities. First of all, the birthrate goes down, and we clearly have an overpopulation crisis. Also, women have more opportunity to be involved in their community, to form community groups, to be leaders, to make a difference.”\u003c/p>\n\u003cfigure id=\"attachment_13077987\" class=\"wp-caption aligncenter\" style=\"max-width: 1234px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13077987\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Womens-March-1.jpg\" alt=\"Still from Mischa Hedges' 'Women's March,' 2017.\" width=\"1234\" height=\"694\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1.jpg 1234w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-520x292.jpg 520w\" sizes=\"(max-width: 1234px) 100vw, 1234px\">\u003cfigcaption class=\"wp-caption-text\">Still from Mischa Hedges’ ‘Women’s March,’ 2017. \u003ccite>(Courtesy of SF Green Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival’s contribution includes an ongoing commitment to increase the visibility of women onscreen and behind the camera. Since its inception, championing female directors has been a central objective.\u003c/p>\n\u003cp>“I think in film, as in all arts, inclusion brings the richest stories to the forefront,” Caplan says. “In an industry where the number of female filmmakers is minuscule, it’s vital that we as a film festival support their work.”\u003c/p>\n\u003cp>Especially if we are to have any chance of fending off the apocalypse, in the short or the long term.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The seventh San Francisco Green Film Festival runs April 20-26, 2017 at the Castro and Roxie Theaters and other venues throughout the city. For tickets and more information, \u003ca href=\"http://www.greenfilmfest.org/\" target=\"_blank\" rel=\"noopener\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"excerpt": "Now in its seventh year, the local film festival continues to expand the conversation about environmentalism with a focus on character-driven storytelling.",
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"title": "There’s Still Hope for Planet Earth at the SF Green Film Festival | KQED",
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"headline": "There’s Still Hope for Planet Earth at the SF Green Film Festival",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If every mushroom cloud has a silver lining, it’s that filmmakers flirt with disaster for our edification and enlightenment. Following their lead, the seventh \u003ca href=\"http://www.greenfilmfest.org/festival\" target=\"_blank\" rel=\"noopener\">San Francisco Green Film Festival\u003c/a>, running April 20 through 26, “embraces” the nuclear age with a revival of local doc makers Judy Irving, Christopher Beaver and Ruth Landy’s 1982 Emmy Award-winning nuclear-weapons exposé \u003ci>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272169~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Dark Circle\u003c/a>\u003c/i>, as well as the San Francisco premiere of U.K. visionary Mark Cousins’ found-footage excavation \u003ci>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272165~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Atomic: Living in Dread and Promise\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>The festival takes on a slew of other environmental issues, to be sure, but we’re talking about apocalypse \u003cem>now\u003c/em>, not tomorrow. So the programmers had the brainstorm of lightening up the lineup with the brilliant absurdity of Kubrick’s \u003ci>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272172~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb\u003c/a>\u003c/i>. Alas, who could have imagined that a new president would threaten North Korea in his first 100 days? (Unrelated question: What happens after reality mocks satire?)\u003c/p>\n\u003cp>Now you understand why Green Film Festival founder and chief executive Rachel Caplan frequently breaks into laughter in the course of an interview. A sense of humor is essential to staying sane in the face of fresh catastrophe. That, and movies that prescribe solutions rather than merely expose problems.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BMnVTXqX9Gk'\n title='//www.youtube.com/embed/BMnVTXqX9Gk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272179~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">A Plastic Ocean\u003c/a>\u003c/em> (sea pollution), \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272176~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">Last of the Longnecks\u003c/a>\u003c/em> (giraffes and conservation) and \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=272182~da07699a-65fc-4b98-b5f5-7cf9edf67f14&epguid=5dbb5744-249c-4f0b-b20b-7d3e07d24618&\" target=\"_blank\" rel=\"noopener\">RiverBlue\u003c/a>\u003c/em> (about a Southeast Asian river so polluted by tanneries and dyeing houses that its color reveals what shade is in fashion that season) are among the stronger advocacy films in this year’s festival. Caplan and the screening committee prefer works like these that inspire audiences with steps they can make rather than depicting doom and gloom.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think audiences are very quick to catch on to ideas in the films,” Caplan says. “There’s only so much within a film that you can do to make people feel disheartened, and then you have to offer them solutions. A lot of people who come to the festival know we’re in serious trouble, and of course you want to bring them the latest updates from the front lines, but you want to tell them about great work and how we can all make a difference. I think those films resonate with audiences.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/74XKZDdaj-w'\n title='//www.youtube.com/embed/74XKZDdaj-w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A decade on from Al Gore’s breakthrough PowerPoint lecture, \u003ci>An Inconvenient Truth\u003c/i>, and with the sequel coming out this summer, it’s worth pondering how environmental docs — as well as audiences — have evolved. Caplan, however, focuses on what always has and always will work.\u003c/p>\n\u003cp>“We see trends in any kind of films, but it comes down to storytelling at the end of the day,” she asserts. “And characters. People connect with other people. Spending an hour or two hours with someone on the other side of the planet, you can follow the challenges they or their community are faced with. Particularly those David and Goliath stories we see a lot in the environmental realm. We can share in their victory, or their heartbreak or loss.”\u003c/p>\n\u003cp>While moviegoers may connect with a particular issue, or place, the S.F. Green Film Festival encompasses a wide range of issues. Aligning with a variety of social-change nonprofits over the years is consistent with Caplan’s broader vision for the festival.\u003c/p>\n\u003cfigure id=\"attachment_13077989\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2.jpg\" alt=\"Still from Dean Mermell's 'Twelve Pianos,' 2017.\" width=\"960\" height=\"540\" class=\"size-full wp-image-13077989\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Twelve-Pianos-2-520x293.jpg 520w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Still from Dean Mermell’s ‘Twelve Pianos,’ 2017. \u003ccite>(Courtesy of SF Green Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The environment, and environmental causes, and the environmental movement is completely intertwined with other social movements, whether it’s gender equality or Black Lives Matter,” she says. “Very often the environmental movement is presented as about carbon particles in the atmosphere and graphs and charts, but it’s about people. So I think all these social issues are connected, and gender is a large part of it.”\u003c/p>\n\u003cp>You may recall there isn’t a single woman in the War Room in \u003ci>Dr. Strangelove\u003c/i>. Coincidence, or commentary on the ability of men in power to create problems without bringing the same single-minded obsession to solving them?\u003c/p>\n\u003cp>“You can’t talk about environmental justice without talking about women’s equality,” Caplan says. “There are direct examples when we educate women and girls and they have opportunities. First of all, the birthrate goes down, and we clearly have an overpopulation crisis. Also, women have more opportunity to be involved in their community, to form community groups, to be leaders, to make a difference.”\u003c/p>\n\u003cfigure id=\"attachment_13077987\" class=\"wp-caption aligncenter\" style=\"max-width: 1234px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13077987\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Womens-March-1.jpg\" alt=\"Still from Mischa Hedges' 'Women's March,' 2017.\" width=\"1234\" height=\"694\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1.jpg 1234w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Womens-March-1-520x292.jpg 520w\" sizes=\"(max-width: 1234px) 100vw, 1234px\">\u003cfigcaption class=\"wp-caption-text\">Still from Mischa Hedges’ ‘Women’s March,’ 2017. \u003ccite>(Courtesy of SF Green Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The festival’s contribution includes an ongoing commitment to increase the visibility of women onscreen and behind the camera. Since its inception, championing female directors has been a central objective.\u003c/p>\n\u003cp>“I think in film, as in all arts, inclusion brings the richest stories to the forefront,” Caplan says. “In an industry where the number of female filmmakers is minuscule, it’s vital that we as a film festival support their work.”\u003c/p>\n\u003cp>Especially if we are to have any chance of fending off the apocalypse, in the short or the long term.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The seventh San Francisco Green Film Festival runs April 20-26, 2017 at the Castro and Roxie Theaters and other venues throughout the city. For tickets and more information, \u003ca href=\"http://www.greenfilmfest.org/\" target=\"_blank\" rel=\"noopener\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Gray Area Foundation for the Arts is distributing the last of the donations it raised in the wake of the deadly Ghost Ship warehouse fire in Oakland, \u003ca href=\"http://grayarea.org/press/gray-area-foundation-arts-oakland-fire-fund-final-distribution-relief-recovery-allocations/\" target=\"_blank\" rel=\"noopener\">organizers have announced\u003c/a>.\u003c/p>\n\u003cp>The foundation raised approximately $1.3 million from over 12,000 donors for those affected by the blaze that \u003ca href=\"https://ww2.kqed.org/arts/tag/ghost-ship/\" target=\"_blank\" rel=\"noopener\">killed 36 people in December\u003c/a>. Through direct donations and a widely promoted campaign \u003ca href=\"https://www.youcaring.com/firevictimsofoaklandfiredec232016-706684\" target=\"_blank\" rel=\"noopener\">on YouCaring.com\u003c/a>, the foundation raised more than any charitable group in the Bay Area.\u003c/p>\n\u003cp>The group will provide funds to a total of 390 applicants, which range from deceased victims’ next of kin, displaced residents, those injured in the fire, plus “hundreds who would not be acknowledged by traditional disaster relief organizations,” including “chosen family within marginalized communities.” Gray Area said it had already distributed over $1 million since January, and would disperse the remaining $200,000 in funds on a weekly basis. \u003c/p>\n\u003cp>The foundation had faced criticism for taking too long to distribute the money it raised, and for requiring documentation for the expenditures.\u003c/p>\n\u003cp>“Most of the affected ppl I know were too wracked with grief and despair to start immediately worrying about receipts, and most are too poor to even think about going to therapy,” Scout Wolfcave wrote on Facebook. (Wolfcave is the executive director of the \u003ca href=\"https://www.facebook.com/transassistanceproject/\" target=\"_blank\" rel=\"noopener\">Trans Assistance Project\u003c/a>, which raised funds for the families of the trans women who died in the fire.) \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.facebook.com/GrayArea/posts/10154958704980219\" target=\"_blank\" rel=\"noopener\">statement posted\u003c/a> on its \u003ca href=\"https://www.facebook.com/GrayArea/\" target=\"_blank\" rel=\"noopener\">Facebook page\u003c/a> Monday, the foundation defended its slow, methodical process of vetting applicants in need of funds “to help prevent the fraud that has plagued other organizations and is sadly typical in the wake of such disasters.” \u003c/p>\n\u003cp>“We care intensely about getting these funds to the affected communities,” the statement said. “Our protocol, timelines and forms are in line with that of teams in similar situations, such as the One Orlando Fund. Meeting IRS guidelines is not optional for a non-profit organization such as Gray Area.”\u003c/p>\n\u003cp>Gray Area also announced that it has started \u003ca href=\"https://www.youcaring.com/resiliencyprojectoaklandfirefund-801424\" target=\"_blank\" rel=\"noopener\">another online fundraising campaign\u003c/a> to provide ongoing support and resiliency to those affected by the fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Below is a breakdown of the payouts from the Gray Area Foundation.\u003c/i> \u003c/p>\n\u003cdiv style=\"padding: 8px 0;font-family: Arial!important;font-size: 13px!important;line-height: 15px!important;text-align: center;border-top: 1px solid #dadada;margin: 0 30px\">\u003ca style=\"color: #989898!important;text-decoration: none!important\" href=\"https://infogr.am/gray_area_oakland_fire_fund_relief_and_recovery_allocations\" target=\"_blank\" rel=\"nofollow noopener\">Gray Area Oakland Fire Fund Relief & Recovery Allocations\u003c/a>\n\u003cp>\u003cb>CORRECTION:\u003c/b> An earlier version of this story said that the Gray Area Foundation had been accused of taking five months to distribute donations. The foundation began distributing funds back in January. \u003c/p>\n\u003c/div>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Gray Area Foundation for the Arts is distributing the last of the donations it raised in the wake of the deadly Ghost Ship warehouse fire in Oakland, \u003ca href=\"http://grayarea.org/press/gray-area-foundation-arts-oakland-fire-fund-final-distribution-relief-recovery-allocations/\" target=\"_blank\" rel=\"noopener\">organizers have announced\u003c/a>.\u003c/p>\n\u003cp>The foundation raised approximately $1.3 million from over 12,000 donors for those affected by the blaze that \u003ca href=\"https://ww2.kqed.org/arts/tag/ghost-ship/\" target=\"_blank\" rel=\"noopener\">killed 36 people in December\u003c/a>. Through direct donations and a widely promoted campaign \u003ca href=\"https://www.youcaring.com/firevictimsofoaklandfiredec232016-706684\" target=\"_blank\" rel=\"noopener\">on YouCaring.com\u003c/a>, the foundation raised more than any charitable group in the Bay Area.\u003c/p>\n\u003cp>The group will provide funds to a total of 390 applicants, which range from deceased victims’ next of kin, displaced residents, those injured in the fire, plus “hundreds who would not be acknowledged by traditional disaster relief organizations,” including “chosen family within marginalized communities.” Gray Area said it had already distributed over $1 million since January, and would disperse the remaining $200,000 in funds on a weekly basis. \u003c/p>\n\u003cp>The foundation had faced criticism for taking too long to distribute the money it raised, and for requiring documentation for the expenditures.\u003c/p>\n\u003cp>“Most of the affected ppl I know were too wracked with grief and despair to start immediately worrying about receipts, and most are too poor to even think about going to therapy,” Scout Wolfcave wrote on Facebook. (Wolfcave is the executive director of the \u003ca href=\"https://www.facebook.com/transassistanceproject/\" target=\"_blank\" rel=\"noopener\">Trans Assistance Project\u003c/a>, which raised funds for the families of the trans women who died in the fire.) \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.facebook.com/GrayArea/posts/10154958704980219\" target=\"_blank\" rel=\"noopener\">statement posted\u003c/a> on its \u003ca href=\"https://www.facebook.com/GrayArea/\" target=\"_blank\" rel=\"noopener\">Facebook page\u003c/a> Monday, the foundation defended its slow, methodical process of vetting applicants in need of funds “to help prevent the fraud that has plagued other organizations and is sadly typical in the wake of such disasters.” \u003c/p>\n\u003cp>“We care intensely about getting these funds to the affected communities,” the statement said. “Our protocol, timelines and forms are in line with that of teams in similar situations, such as the One Orlando Fund. Meeting IRS guidelines is not optional for a non-profit organization such as Gray Area.”\u003c/p>\n\u003cp>Gray Area also announced that it has started \u003ca href=\"https://www.youcaring.com/resiliencyprojectoaklandfirefund-801424\" target=\"_blank\" rel=\"noopener\">another online fundraising campaign\u003c/a> to provide ongoing support and resiliency to those affected by the fire.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Below is a breakdown of the payouts from the Gray Area Foundation.\u003c/i> \u003c/p>\n\u003cdiv style=\"padding: 8px 0;font-family: Arial!important;font-size: 13px!important;line-height: 15px!important;text-align: center;border-top: 1px solid #dadada;margin: 0 30px\">\u003ca style=\"color: #989898!important;text-decoration: none!important\" href=\"https://infogr.am/gray_area_oakland_fire_fund_relief_and_recovery_allocations\" target=\"_blank\" rel=\"nofollow noopener\">Gray Area Oakland Fire Fund Relief & Recovery Allocations\u003c/a>\n\u003cp>\u003cb>CORRECTION:\u003c/b> An earlier version of this story said that the Gray Area Foundation had been accused of taking five months to distribute donations. The foundation began distributing funds back in January. \u003c/p>\n\u003c/div>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Give Oakland Mayor Libby Schaaf points for planning ahead: the mayoral election is nearly 19 months away, \u003ca href=\"https://libbyformayor.wordpress.com/\" target=\"_blank\" rel=\"noopener\">but she announced Monday plans to seek a second term in 2018\u003c/a>.\u003c/p>\n\u003cp>That’s prompting a mixed assessment from arts activists, who’ve been following Schaaf’s administration since the Ghost Ship fire — when 36 people died at a dance party in an Oakland warehouse that was home to many artists, but which had never been fully inspected by fire officials.\u003c/p>\n\u003cp>Since the tragedy, Schaaf has tried to walk a fine line between tougher safety enforcement and protecting artists from eviction. In announcing her plans for reelection, Schaaf wrote, “I will also fight to protect our small Oakland-grown businesses, artists and non-profit organizations from displacement.”\u003c/p>\n\u003cp>“Libby has really stepped out on a limb for us,” says \u003ca href=\"http://formandreform.com/\" target=\"_blank\" rel=\"noopener\">Jon Sarriugarte\u003c/a>, a commercial artist in West Oakland active in the group \u003ca href=\"http://artistsofthebay.org/\" target=\"_blank\" rel=\"noopener\">We the Artists of the Bay Area\u003c/a>. He also serves on a pair of mayoral committees including one on housing retention. “All of us have been grateful, and for her statement in support of balancing art and safety.”\u003c/p>\n\u003cfigure id=\"attachment_12632118\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12632118 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg\" alt=\"We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at a recent event\" width=\"800\" height=\"511\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1020x652.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1920x1226.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1180x754.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-960x613.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-240x153.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-375x240.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-520x332.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jon Sarriugarte and others with We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at an event in January of this year. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In January, Schaaf issued an executive order aimed at improving safety at unpermitted warehouses, but also offering residents protections, such as requiring a five-day warning to tenants before any inspectors enter the property.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I would say she’s definitely trying,” says David Keenan, a member of the Omni Commons, a DIY collective in North Oakland. “But she’s also facing substantial blocks from city agencies which move very slowly.”\u003c/p>\n\u003cp>After clearing an exhaustive planning review, Keenan’s own group briefly faced eviction when Oakland’s chief building official misread a zoning map.\u003c/p>\n\u003cp>Keenan said that despite Schaaf’s good intentions, landlords are still evicting artists even without pressure from city inspectors. “Basically two weeks doesn’t go by,” he says, “without my hearing about someone being given a 1-3 month notice to get out.”\u003c/p>\n\u003cfigure id=\"attachment_12631920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12631920\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg\" alt=\"David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1920x1271.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1180x781.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-520x344.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Schaaf is recruiting a new fire chief, and Keenan says he’ll be watching to see if the Mayor finds someone who Keenan says “follows a philosophy of compassionate compliance, where officials balance concerns about whether the sprinklers are up to code with making sure the tenant has a roof over their head.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Give Oakland Mayor Libby Schaaf points for planning ahead: the mayoral election is nearly 19 months away, \u003ca href=\"https://libbyformayor.wordpress.com/\" target=\"_blank\" rel=\"noopener\">but she announced Monday plans to seek a second term in 2018\u003c/a>.\u003c/p>\n\u003cp>That’s prompting a mixed assessment from arts activists, who’ve been following Schaaf’s administration since the Ghost Ship fire — when 36 people died at a dance party in an Oakland warehouse that was home to many artists, but which had never been fully inspected by fire officials.\u003c/p>\n\u003cp>Since the tragedy, Schaaf has tried to walk a fine line between tougher safety enforcement and protecting artists from eviction. In announcing her plans for reelection, Schaaf wrote, “I will also fight to protect our small Oakland-grown businesses, artists and non-profit organizations from displacement.”\u003c/p>\n\u003cp>“Libby has really stepped out on a limb for us,” says \u003ca href=\"http://formandreform.com/\" target=\"_blank\" rel=\"noopener\">Jon Sarriugarte\u003c/a>, a commercial artist in West Oakland active in the group \u003ca href=\"http://artistsofthebay.org/\" target=\"_blank\" rel=\"noopener\">We the Artists of the Bay Area\u003c/a>. He also serves on a pair of mayoral committees including one on housing retention. “All of us have been grateful, and for her statement in support of balancing art and safety.”\u003c/p>\n\u003cfigure id=\"attachment_12632118\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12632118 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg\" alt=\"We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at a recent event\" width=\"800\" height=\"511\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1020x652.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1920x1226.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1180x754.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-960x613.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-240x153.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-375x240.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-520x332.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jon Sarriugarte and others with We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at an event in January of this year. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In January, Schaaf issued an executive order aimed at improving safety at unpermitted warehouses, but also offering residents protections, such as requiring a five-day warning to tenants before any inspectors enter the property.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I would say she’s definitely trying,” says David Keenan, a member of the Omni Commons, a DIY collective in North Oakland. “But she’s also facing substantial blocks from city agencies which move very slowly.”\u003c/p>\n\u003cp>After clearing an exhaustive planning review, Keenan’s own group briefly faced eviction when Oakland’s chief building official misread a zoning map.\u003c/p>\n\u003cp>Keenan said that despite Schaaf’s good intentions, landlords are still evicting artists even without pressure from city inspectors. “Basically two weeks doesn’t go by,” he says, “without my hearing about someone being given a 1-3 month notice to get out.”\u003c/p>\n\u003cfigure id=\"attachment_12631920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12631920\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg\" alt=\"David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1920x1271.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1180x781.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-520x344.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Schaaf is recruiting a new fire chief, and Keenan says he’ll be watching to see if the Mayor finds someone who Keenan says “follows a philosophy of compassionate compliance, where officials balance concerns about whether the sprinklers are up to code with making sure the tenant has a roof over their head.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A doctor who saw Prince in the days before he died had prescribed the opioid painkiller oxycodone under the name of Prince’s friend to protect the musician’s privacy, according to court documents unsealed Monday that revealed nothing about how the pop superstar got the fentanyl that actually killed him.\u003c/p>\n\u003cp>The affidavits and search warrants were unsealed in Carver County District Court as the yearlong investigation into Prince’s death continues. The documents show authorities searched Paisley Park, cellphone records of Prince’s associates, and Prince’s email accounts to try to determine how he got the fentanyl, a synthetic opioid drug 50 times more powerful than heroin.\u003c/p>\n\u003cp>They don’t reveal answers, but do shed light on Prince’s struggle with addiction to prescription opioids in the days before he died. Oxycodone, the generic name for the active ingredient in OxyContin, was not listed as a cause of Prince’s death. But it is part of a family of painkillers driving the nation’s overdose and addiction epidemic, according to the U.S. Centers for Disease Control and Prevention. Nearly 2 million Americans abused or were addicted to prescription opioids, including oxycodone, in 2014.\u003c/p>\n\u003cp>Patients who take prescription opioids eventually build up a tolerance and need to take stronger doses to get the same effect. In some patients, the cycle leads to dependence and addiction.\u003cbr>\nPrince was 57 when he was found alone and unresponsive in an elevator at his Paisley Park home on April 21.\u003c/p>\n\u003cp>Just six days earlier, Prince fell ill on a plane and made an emergency stop in Illinois as he was returning home from a concert in Atlanta. First responders revived him with two doses of a drug that reverses the effects of an opioid overdose.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A search of Prince’s home yielded numerous pills in various containers. Some were in prescription bottles for Kirk Johnson, Prince’s longtime friend and associate. Some pills in other bottles were marked “Watson 853,” a label used for a drug that is a mix of acetaminophen and hydrocodone, another opioid painkiller. Last August, an official with knowledge of the investigation told the Associated Press that at least one of those pills tested positive for fentanyl, meaning the pill was counterfeit and obtained illegally. The official spoke on condition of anonymity because of the ongoing investigation.\u003c/p>\n\u003cp>In addition to the dozens of pills recovered, authorities also found a pamphlet for an addiction recovery center in California, the documents unsealed Monday show. The day before Prince died, Paisley Park staffers contacted the California addiction specialist as they were trying to get Prince help.\u003c/p>\n\u003cp>One affidavit says Dr. Michael Todd Schulenberg, a family doctor who saw Prince April 7, 2016, and again on April 20, acknowledged to authorities that he prescribed oxycodone for Prince the same day as the emergency plane landing “but put the prescription in Kirk Johnson’s name for Prince’s privacy.”\u003c/p>\n\u003cp>Authorities also searched Johnson’s cellphone records, to see who he was communicating with in the month before Prince died.\u003c/p>\n\u003cp>Messages left with attorneys for Schulenberg and Johnson weren’t immediately returned Monday. Schulenberg has an active medical license and is currently practicing family medicine in Minnesota. His attorney, Amy Conners, told the AP last week that there are no restrictions on his license.\u003c/p>\n\u003cp>Investigators haven’t interviewed either Johnson or Schulenberg since the hours after Prince died, an official with knowledge of the investigation told The Associated Press on condition of anonymity because the investigation is ongoing.\u003c/p>\n\u003cp>While authorities have the power to ask a grand jury to investigate and issue subpoenas for testimony, that step hasn’t been taken, the official said.\u003c/p>\n\u003cp>Prince did not have a cellphone, and authorities searched multiple email accounts that belonged to him, as they tried to determine who he was communicating with and where he got the drugs that killed him, according to the search warrants. The search warrants don’t reveal the outcome of the email searches.\u003c/p>\n\u003cp>The documents say some of the drugs in Prince’s bedroom were in a suitcase with the name “Peter Bravestrong” on it. Police believe Bravestrong was an alias that Prince used when he traveled. \u003c/p>\n\u003cp>The suitcase also contained lyrics for the song “U Got the Look” that appeared to be in Prince’s handwriting.\u003c/p>\n\u003cp>The day before Prince died, Paisley Park staffers contacted California addiction specialist Dr. Howard Kornfeld for help. Kornfeld sent his son, Andrew, to Minnesota that night, and the younger Kornfeld was among those who found Prince’s body.\u003c/p>\n\u003cp>Andrew Kornfeld was carrying buprenorphine, a medication that can be used to help treat opioid addiction. The Kornfelds’ attorney, William Mauzy, has said Andrew had intended to give the medication to a doctor who planned to see Prince on April 21.\u003c/p>\n\u003cp>Investigators have said little about the case over the last year, other than it is active. The official who spoke to the AP said the case has taken investigators to Illinois and California, as authorities have interviewed friends, family and any potential witnesses, including the flight crew and hospital staff that were present when Prince overdosed on the plane.\u003cbr>\n___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>AP Medical Writer Carla K. Johnson contributed to this story from Chicago.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A doctor who saw Prince in the days before he died had prescribed the opioid painkiller oxycodone under the name of Prince’s friend to protect the musician’s privacy, according to court documents unsealed Monday that revealed nothing about how the pop superstar got the fentanyl that actually killed him.\u003c/p>\n\u003cp>The affidavits and search warrants were unsealed in Carver County District Court as the yearlong investigation into Prince’s death continues. The documents show authorities searched Paisley Park, cellphone records of Prince’s associates, and Prince’s email accounts to try to determine how he got the fentanyl, a synthetic opioid drug 50 times more powerful than heroin.\u003c/p>\n\u003cp>They don’t reveal answers, but do shed light on Prince’s struggle with addiction to prescription opioids in the days before he died. Oxycodone, the generic name for the active ingredient in OxyContin, was not listed as a cause of Prince’s death. But it is part of a family of painkillers driving the nation’s overdose and addiction epidemic, according to the U.S. Centers for Disease Control and Prevention. Nearly 2 million Americans abused or were addicted to prescription opioids, including oxycodone, in 2014.\u003c/p>\n\u003cp>Patients who take prescription opioids eventually build up a tolerance and need to take stronger doses to get the same effect. In some patients, the cycle leads to dependence and addiction.\u003cbr>\nPrince was 57 when he was found alone and unresponsive in an elevator at his Paisley Park home on April 21.\u003c/p>\n\u003cp>Just six days earlier, Prince fell ill on a plane and made an emergency stop in Illinois as he was returning home from a concert in Atlanta. First responders revived him with two doses of a drug that reverses the effects of an opioid overdose.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A search of Prince’s home yielded numerous pills in various containers. Some were in prescription bottles for Kirk Johnson, Prince’s longtime friend and associate. Some pills in other bottles were marked “Watson 853,” a label used for a drug that is a mix of acetaminophen and hydrocodone, another opioid painkiller. Last August, an official with knowledge of the investigation told the Associated Press that at least one of those pills tested positive for fentanyl, meaning the pill was counterfeit and obtained illegally. The official spoke on condition of anonymity because of the ongoing investigation.\u003c/p>\n\u003cp>In addition to the dozens of pills recovered, authorities also found a pamphlet for an addiction recovery center in California, the documents unsealed Monday show. The day before Prince died, Paisley Park staffers contacted the California addiction specialist as they were trying to get Prince help.\u003c/p>\n\u003cp>One affidavit says Dr. Michael Todd Schulenberg, a family doctor who saw Prince April 7, 2016, and again on April 20, acknowledged to authorities that he prescribed oxycodone for Prince the same day as the emergency plane landing “but put the prescription in Kirk Johnson’s name for Prince’s privacy.”\u003c/p>\n\u003cp>Authorities also searched Johnson’s cellphone records, to see who he was communicating with in the month before Prince died.\u003c/p>\n\u003cp>Messages left with attorneys for Schulenberg and Johnson weren’t immediately returned Monday. Schulenberg has an active medical license and is currently practicing family medicine in Minnesota. His attorney, Amy Conners, told the AP last week that there are no restrictions on his license.\u003c/p>\n\u003cp>Investigators haven’t interviewed either Johnson or Schulenberg since the hours after Prince died, an official with knowledge of the investigation told The Associated Press on condition of anonymity because the investigation is ongoing.\u003c/p>\n\u003cp>While authorities have the power to ask a grand jury to investigate and issue subpoenas for testimony, that step hasn’t been taken, the official said.\u003c/p>\n\u003cp>Prince did not have a cellphone, and authorities searched multiple email accounts that belonged to him, as they tried to determine who he was communicating with and where he got the drugs that killed him, according to the search warrants. The search warrants don’t reveal the outcome of the email searches.\u003c/p>\n\u003cp>The documents say some of the drugs in Prince’s bedroom were in a suitcase with the name “Peter Bravestrong” on it. Police believe Bravestrong was an alias that Prince used when he traveled. \u003c/p>\n\u003cp>The suitcase also contained lyrics for the song “U Got the Look” that appeared to be in Prince’s handwriting.\u003c/p>\n\u003cp>The day before Prince died, Paisley Park staffers contacted California addiction specialist Dr. Howard Kornfeld for help. Kornfeld sent his son, Andrew, to Minnesota that night, and the younger Kornfeld was among those who found Prince’s body.\u003c/p>\n\u003cp>Andrew Kornfeld was carrying buprenorphine, a medication that can be used to help treat opioid addiction. The Kornfelds’ attorney, William Mauzy, has said Andrew had intended to give the medication to a doctor who planned to see Prince on April 21.\u003c/p>\n\u003cp>Investigators have said little about the case over the last year, other than it is active. The official who spoke to the AP said the case has taken investigators to Illinois and California, as authorities have interviewed friends, family and any potential witnesses, including the flight crew and hospital staff that were present when Prince overdosed on the plane.\u003cbr>\n___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>AP Medical Writer Carla K. Johnson contributed to this story from Chicago.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A 23-year-old, Russian-born violinist named Artem Kolesov is capturing international attention after posting a YouTube video in which he comes out as gay.\u003c/p>\n\u003cp>The son of two Pentecostal pastors in a small town an hour away from Moscow, Kolesov says that he has struggled for most of his life to reconcile his sexual orientation with his Christian beliefs and his family’s views. “In my family,” Kolesov says in his video, “I often heard that all gays should be destroyed, that they should be bombed, and that if anyone in our family turns out to be gay, my family should kill them with their bare hands.”\u003c/p>\n\u003cp>In the video, Kolesov also recounts wrenching episodes from throughout his life. At age seven, he prayed that he would die before his mother found out that he liked boys. He also endured physical and sexual abuse from one of his brothers, who threatened to out him to his parents if Kolesov told anyone about the abuse, and later attempted suicide several times.\u003c/p>\n\u003cp>Growing up, he says, “I never heard anything good about gay people. All I knew was that gays are the people who everyone should hate. I was scared because I knew that I was gay. I didn’t know anyone who I could talk to about it. It seemed that I was the only gay person in Russia.”\u003c/p>\n\u003cp>The violinist made his video as part of the Russian \u003ca href=\"https://www.facebook.com/children.404\" target=\"_blank\" rel=\"noopener\">“Children-404”\u003c/a> project, which invites teenagers to share their stories and discuss LGBT issues in Russia. In most of their photos and videos, participants shield their identities by holding up a “Children-404” sign in front of their faces.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Instead of creating an anonymous contribution, Kolesov chose to share his name and face, to let fellow LGBT youth in Russia feel less isolated. He recorded the video in Russian, but also provided English subtitles. “We don’t come out for heterosexual people to know,” he says in his video, which he published on March 29. “We don’t come out for the ones who hate us to know. We shout and make as much noise as possible just so other people like us who are scared and can’t be themselves would know that they are not a mistake and they are not alone.”\u003c/p>\n\u003cp>Formerly based in Canada, Kolesov now lives in Chicago, where he is first violinist in the \u003ca href=\"https://www.facebook.com/yasquartet/\" target=\"_blank\" rel=\"noopener\">Yas Quartet\u003c/a>, which is in residence at Roosevelt University’s Chicago College of Performing Arts. Last summer, his ensemble took third prize in the Chamber Division at the Schoenfeld International String Competition which was held in Harbin, China.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EOiKvuXQsSg\u003c/p>\n\u003cp>In his video, Kolesov contrasts his family’s pleasure in his musical accomplishments with their reaction to his coming out. “They are ashamed to have a gay son and brother,” he says. “They wish that this part of my identity didn’t exist. Interesting that my family is proud of me for being a violinist, and is so ashamed of me for being gay, though both of these are parts of my identity.”\u003c/p>\n\u003cp>In the aftermath of releasing his video, Kolesov told \u003cem>\u003ca href=\"https://www.buzzfeed.com/patrickstrudwick/this-is-what-happened-when-a-young-russian-came-out-as-gay\" target=\"_blank\" rel=\"noopener\">BuzzFeed\u003c/a> \u003c/em>that he’s already begun to experience the impact of his decision to come out so publicly. He has received many positive messages from friends and strangers alike, but he said that he is afraid of being arrested if he returns to Russia, under enforcement of a vaguely worded but broad \u003ca href=\"http://www.npr.org/2014/02/08/273768829/when-it-comes-to-human-rights-is-russia-moving-backward\" target=\"_blank\" rel=\"noopener\">“anti-gay propaganda”\u003c/a> law. Earlier this month, there were \u003ca href=\"http://kosu.org/post/gay-men-chechnya-rounded-tortured-and-killed-report\" target=\"_blank\" rel=\"noopener\">reports\u003c/a> that more than 100 gay men in Chechnya were arrested and tortured, with some of them reportedly killed by police. (Authorities have denied both the arrests and the deaths.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kolesov is also not currently on speaking terms with his relatives, and told \u003cem>BuzzFeed\u003c/em>, “Even if I go back to Russia, I’m not sure I would be feeling completely safe with my own family.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+Coming+Out+As+Gay%2C+A+Russian+Violinist%27s+New+Reality&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A 23-year-old, Russian-born violinist named Artem Kolesov is capturing international attention after posting a YouTube video in which he comes out as gay.\u003c/p>\n\u003cp>The son of two Pentecostal pastors in a small town an hour away from Moscow, Kolesov says that he has struggled for most of his life to reconcile his sexual orientation with his Christian beliefs and his family’s views. “In my family,” Kolesov says in his video, “I often heard that all gays should be destroyed, that they should be bombed, and that if anyone in our family turns out to be gay, my family should kill them with their bare hands.”\u003c/p>\n\u003cp>In the video, Kolesov also recounts wrenching episodes from throughout his life. At age seven, he prayed that he would die before his mother found out that he liked boys. He also endured physical and sexual abuse from one of his brothers, who threatened to out him to his parents if Kolesov told anyone about the abuse, and later attempted suicide several times.\u003c/p>\n\u003cp>Growing up, he says, “I never heard anything good about gay people. All I knew was that gays are the people who everyone should hate. I was scared because I knew that I was gay. I didn’t know anyone who I could talk to about it. It seemed that I was the only gay person in Russia.”\u003c/p>\n\u003cp>The violinist made his video as part of the Russian \u003ca href=\"https://www.facebook.com/children.404\" target=\"_blank\" rel=\"noopener\">“Children-404”\u003c/a> project, which invites teenagers to share their stories and discuss LGBT issues in Russia. In most of their photos and videos, participants shield their identities by holding up a “Children-404” sign in front of their faces.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Instead of creating an anonymous contribution, Kolesov chose to share his name and face, to let fellow LGBT youth in Russia feel less isolated. He recorded the video in Russian, but also provided English subtitles. “We don’t come out for heterosexual people to know,” he says in his video, which he published on March 29. “We don’t come out for the ones who hate us to know. We shout and make as much noise as possible just so other people like us who are scared and can’t be themselves would know that they are not a mistake and they are not alone.”\u003c/p>\n\u003cp>Formerly based in Canada, Kolesov now lives in Chicago, where he is first violinist in the \u003ca href=\"https://www.facebook.com/yasquartet/\" target=\"_blank\" rel=\"noopener\">Yas Quartet\u003c/a>, which is in residence at Roosevelt University’s Chicago College of Performing Arts. Last summer, his ensemble took third prize in the Chamber Division at the Schoenfeld International String Competition which was held in Harbin, China.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EOiKvuXQsSg'\n title='//www.youtube.com/embed/EOiKvuXQsSg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In his video, Kolesov contrasts his family’s pleasure in his musical accomplishments with their reaction to his coming out. “They are ashamed to have a gay son and brother,” he says. “They wish that this part of my identity didn’t exist. Interesting that my family is proud of me for being a violinist, and is so ashamed of me for being gay, though both of these are parts of my identity.”\u003c/p>\n\u003cp>In the aftermath of releasing his video, Kolesov told \u003cem>\u003ca href=\"https://www.buzzfeed.com/patrickstrudwick/this-is-what-happened-when-a-young-russian-came-out-as-gay\" target=\"_blank\" rel=\"noopener\">BuzzFeed\u003c/a> \u003c/em>that he’s already begun to experience the impact of his decision to come out so publicly. He has received many positive messages from friends and strangers alike, but he said that he is afraid of being arrested if he returns to Russia, under enforcement of a vaguely worded but broad \u003ca href=\"http://www.npr.org/2014/02/08/273768829/when-it-comes-to-human-rights-is-russia-moving-backward\" target=\"_blank\" rel=\"noopener\">“anti-gay propaganda”\u003c/a> law. Earlier this month, there were \u003ca href=\"http://kosu.org/post/gay-men-chechnya-rounded-tortured-and-killed-report\" target=\"_blank\" rel=\"noopener\">reports\u003c/a> that more than 100 gay men in Chechnya were arrested and tortured, with some of them reportedly killed by police. (Authorities have denied both the arrests and the deaths.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kolesov is also not currently on speaking terms with his relatives, and told \u003cem>BuzzFeed\u003c/em>, “Even if I go back to Russia, I’m not sure I would be feeling completely safe with my own family.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+Coming+Out+As+Gay%2C+A+Russian+Violinist%27s+New+Reality&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Monterey Pop At 50: Norah Jones, Phil Lesh, Jack Johnson, Father John Misty Top Anniversary Show Lineup",
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"content": "\u003cp>In June of 1967, a music festival was held at the Monterey County Fairgrounds that would later come to be seen as a pivotal moment in rock ‘n’ roll. Everyone was there: Jimi Hendrix, Janis Joplin, The Who, The Grateful Dead, Otis Redding. Drawing attendees from all over the country, the Monterey International Pop Festival was emblematic of the Summer of Love, and its influence was lasting — music historians would later describe the impact it had not only on the festivals that followed, namely Woodstock two summers later, but on the music business at large.\u003c/p>\n\u003cp>Fifty years later, the Bay Area is gearing up to fete that fateful summer in ways large and small. (\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">Read our review of the de Young’s offering\u003c/a>\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">, which mostly brought up new questions for us, here.\u003c/a>) But as \u003ca href=\"https://ww2.kqed.org/arts/2017/02/17/san-franciscos-summer-of-love-concert-hits-major-hurdle/\" target=\"_blank\" rel=\"noopener\">plans to hold a free concert in Golden Gate Park have hit administrative hurdles,\u003c/a> a new musical centerpiece for the summer of 2017 may have emerged: \u003ca href=\"https://montereypopfestival50.com/\" target=\"_blank\" rel=\"noopener\">Monterey Pop 50\u003c/a>. Check out the full lineup below.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13067490\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\" alt=\"unnamed-1\" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-520x693.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>The festival, organized by Another Planet Entertainment and Goldenvoice, will take place from June 16 through 18 at the Monterey County Fairgrounds. The lineup includes both veterans (like your cool uncle who runs a music venue up in Marin, Phil Lesh) and younger performers (like Nicki Bluhm, a musical descendant of all things Joni and Janis) who have “taken inspiration from talent and performances from the original version in 1967,” according to a press release. “Some performers will pay homage to those who came before them with a set of their own songs, as well as a nod to the artists from the original lineup.” The inclusion of Norah Jones, whose dad Ravi Shankar performed at the original, is a nice touch indeed.\u003c/p>\n\u003cp>Lou Adler, one of the organizers of the 1967 festival, had this to say: “The Monterey International Pop Festival cannot be duplicated but can be celebrated and will be, by the performers and the attendees at the 50th Anniversary festival.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You heard the man: Never duplicated, often celebrated. \u003ca href=\"https://montereypopfestival50.com/tickets/\" target=\"_blank\" rel=\"noopener\">Tickets, price TBA, go on sale Friday, April 21 right here\u003c/a>.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>Monterey Pop Festival 50\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Booker T. Stax Revue\u003cbr>\nCharles Bradley & His Extraordinaires\u003cbr>\nDr. Dog\u003cbr>\nEric Burdon & The Animals\u003cbr>\nFather John Misty\u003cbr>\nGary Clark Jr.\u003cbr>\nHiss Golden Messenger\u003cbr>\nJack Johnson\u003cbr>\nJackie Greene\u003cbr>\nJacob Banks\u003cbr>\nJamtown feat. Cisco Adler\u003cbr>\nDonavon Frankenreiter and G. Love\u003cbr>\nJim James\u003cbr>\nKurt Vile & The Violators\u003cbr>\nLanghorne Slim & The Law\u003cbr>\nLeon Bridges\u003cbr>\nNicki Bluhm & Dirty Dozen Brass Band\u003cbr>\nNorah Jones\u003cbr>\nNorth Mississippi Allstars\u003cbr>\nPhil Lesh & The Terrapin Family Band\u003cbr>\nRegina Spektor\u003cbr>\nSara Watkins\u003cbr>\nThe Head and the Heart\u003c/b>\u003c/p>\n\n",
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"excerpt": "It's been 50 years since Jimi Hendrix lit his guitar on fire in Monterey . Maybe Father John Misty will figure out a way to do it ironically?!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In June of 1967, a music festival was held at the Monterey County Fairgrounds that would later come to be seen as a pivotal moment in rock ‘n’ roll. Everyone was there: Jimi Hendrix, Janis Joplin, The Who, The Grateful Dead, Otis Redding. Drawing attendees from all over the country, the Monterey International Pop Festival was emblematic of the Summer of Love, and its influence was lasting — music historians would later describe the impact it had not only on the festivals that followed, namely Woodstock two summers later, but on the music business at large.\u003c/p>\n\u003cp>Fifty years later, the Bay Area is gearing up to fete that fateful summer in ways large and small. (\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">Read our review of the de Young’s offering\u003c/a>\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">, which mostly brought up new questions for us, here.\u003c/a>) But as \u003ca href=\"https://ww2.kqed.org/arts/2017/02/17/san-franciscos-summer-of-love-concert-hits-major-hurdle/\" target=\"_blank\" rel=\"noopener\">plans to hold a free concert in Golden Gate Park have hit administrative hurdles,\u003c/a> a new musical centerpiece for the summer of 2017 may have emerged: \u003ca href=\"https://montereypopfestival50.com/\" target=\"_blank\" rel=\"noopener\">Monterey Pop 50\u003c/a>. Check out the full lineup below.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13067490\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\" alt=\"unnamed-1\" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-520x693.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>The festival, organized by Another Planet Entertainment and Goldenvoice, will take place from June 16 through 18 at the Monterey County Fairgrounds. The lineup includes both veterans (like your cool uncle who runs a music venue up in Marin, Phil Lesh) and younger performers (like Nicki Bluhm, a musical descendant of all things Joni and Janis) who have “taken inspiration from talent and performances from the original version in 1967,” according to a press release. “Some performers will pay homage to those who came before them with a set of their own songs, as well as a nod to the artists from the original lineup.” The inclusion of Norah Jones, whose dad Ravi Shankar performed at the original, is a nice touch indeed.\u003c/p>\n\u003cp>Lou Adler, one of the organizers of the 1967 festival, had this to say: “The Monterey International Pop Festival cannot be duplicated but can be celebrated and will be, by the performers and the attendees at the 50th Anniversary festival.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You heard the man: Never duplicated, often celebrated. \u003ca href=\"https://montereypopfestival50.com/tickets/\" target=\"_blank\" rel=\"noopener\">Tickets, price TBA, go on sale Friday, April 21 right here\u003c/a>.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>Monterey Pop Festival 50\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Booker T. Stax Revue\u003cbr>\nCharles Bradley & His Extraordinaires\u003cbr>\nDr. Dog\u003cbr>\nEric Burdon & The Animals\u003cbr>\nFather John Misty\u003cbr>\nGary Clark Jr.\u003cbr>\nHiss Golden Messenger\u003cbr>\nJack Johnson\u003cbr>\nJackie Greene\u003cbr>\nJacob Banks\u003cbr>\nJamtown feat. Cisco Adler\u003cbr>\nDonavon Frankenreiter and G. Love\u003cbr>\nJim James\u003cbr>\nKurt Vile & The Violators\u003cbr>\nLanghorne Slim & The Law\u003cbr>\nLeon Bridges\u003cbr>\nNicki Bluhm & Dirty Dozen Brass Band\u003cbr>\nNorah Jones\u003cbr>\nNorth Mississippi Allstars\u003cbr>\nPhil Lesh & The Terrapin Family Band\u003cbr>\nRegina Spektor\u003cbr>\nSara Watkins\u003cbr>\nThe Head and the Heart\u003c/b>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Just a week before its scheduled Tribeca Film Festival premiere, producers of Alex Gibney’s \u003cem>No Stone Unturned\u003c/em> pulled the documentary about the 1994 murder of six men in Northern Ireland from the festival over legal issues.\u003c/p>\n\u003cp>The film was to premiere April 23 at the festival, where \u003cem>No Stone Unturned\u003c/em> would have been one of the more high-profile documentaries debuting. Producer Trevor Birney said in a statement he was “bitterly disappointed” to withdraw the film because of “ongoing legal issues relating to the subject matter of the film.”\u003c/p>\n\u003cp>“No one will feel this disappointment more than the families at the center of the film, whose quest for justice has been both inspiring and unstinting these last 23 years,” said Birney. “It is our deepest hope that these sensitive issues can be resolved as soon as possible so that we can share this important film with the world.”\u003c/p>\n\u003cp>The New York festival said it was notified Friday and that it shared in the disappointment of the film’s producers and Gibney. Gibney won an Academy Award for his 2007 documentary \u003cem>Taxi to the Dark Side\u003c/em>.\u003c/p>\n\u003cp>\u003cem>No Stone Unturned\u003c/em> investigates the 1994 case in which six were killed and five wounded while watching a World Cup soccer match in a Loughinisland, Northern Island, pub. The police investigation, the film’s description states, “was perfunctory at best” and the case remained unsolved.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“\u003cem>No Stone Unturned\u003c/em> is a powerful story and so is the attempt to silence it,” Gibney wrote on Twitter. “The truth will be told.”\u003c/p>\n\n",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
"link": "/podcasts/closealltabs",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
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