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"disqusTitle": "Welcome to Nancy's Airport Cafe, Where Regulars Fly in for Pie",
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"content": "\u003cp>Between Sacramento and Redding, Highway 5 cuts through the middle of rice country. Right next to rice fields outside the town of Willows, there’s a restaurant popular with travelers, farmers, truckers.\u003c/p>\n\u003cp>And pilots.\u003c/p>\n\u003cp>Before I even step inside Nancy’s Airport Cafe, I see Marty Blaker walk out of the restaurant, through a small gate, and onto the tarmac of the Willows-Glenn County Airport, heading toward a 1965 Cherokee 180 airplane. He’s carrying a tell-tale to-go bag.\u003c/p>\n\u003cp>“Everybody takes pie,” Blaker says. Then, he reaches in the bag, opens a plastic foam container, and says, “Here’s the treasure. Today it’s a piece of cherry pie, and I will enjoy it later this afternoon.”\u003c/p>\n\u003cp>He flew in this morning from Rough and Ready, California, a little town outside of Grass Valley. He says places like Nancy’s are a kind of beacon for recreational pilots.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“There’s a thing called a $100 hamburger. What that means is you spend more money getting to the airport than you do on the hamburger itself. These days it costs more than $100,” Blaker says with a laugh.\u003c/p>\n\u003cfigure id=\"attachment_11526228\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526228\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysExterior-800x541.jpg\" alt=\"Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1020x690.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1180x798.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-240x162.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-520x352.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But it’s all part of having an adventure, he says, sometimes solo, “sometimes there may be a rendezvous of two, four, 18 planes that all coordinate and descend on an airport café, and Nancy’s is a very popular Northern California destination for just such things.”\u003c/p>\n\u003cp>Blaker says he’s been flying his whole adult life and bought this plane 15 years ago.\u003c/p>\n\u003cp>“It’s simple, and that’s why I love it,” he says. “It gets me around California. I don’t need fancy.”\u003c/p>\n\u003caside class=\"pullquote alignright\">'This place was packed all the time, 24-7. Everyone knew about Nancy's.'\u003ccite>Greg Michael,\u003cbr>Pilot and Nancy's customer\u003c/cite>\u003c/aside>\n\u003cp>Flying, he says, is personal.\u003c/p>\n\u003cp>“Flying gives a different perspective,\" Blaker says. \"You see the world in a pretty different way from 2,000 to 10,000 feet above.”\u003c/p>\n\u003cp>Today, he saw the northern Sacramento Valley totally flooded.\u003c/p>\n\u003cp>“It’s on purpose,\" he says. \"All the rice fields have been flooded. Getting here was like flying over a big lake today.”\u003c/p>\n\u003cp>The Willows-Glenn County Airport is hopping. The three agriculture aviation businesses here have a constant rotation of crop dusters flying in, loading up with soaked rice seed, and taking off to plant those flooded fields from the air.\u003c/p>\n\u003cfigure id=\"attachment_11526288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526288\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/CubSwag-800x561.jpg\" alt=\"Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub.\" width=\"800\" height=\"561\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1020x715.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1180x827.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-960x673.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-375x263.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-520x365.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub airplane. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the tarmac, I meet Willows resident Greg Michael, who just returned from a morning flight. He lets me into his hangar -- a sign outside says “Pilot Cave” -- which houses his 1946 J-3 Cub airplane. Inside, the walls are covered with flags, and photos of World War II airplanes, which makes sense given this airport’s history.\u003c/p>\n\u003cp>“It was pretty hush hush, but Jimmy Doolittle practiced his raids here” and at a couple other nearby airports, Michael says.\u003c/p>\n\u003cp>That’s World War II pilot Lt. Colonel Jimmy Doolittle, who led bombing raids on Tokyo soon after the attack on Pearl Harbor.\u003c/p>\n\u003cp>“These were big airports for heavy planes, built for military,” Michael says.\u003c/p>\n\u003cp>Another historic point? This is where aerial firefighting got its start in California.\u003c/p>\n\u003cp>Nancy’s Aiport Cafe has been a long presence in Michael’s life. He remembers when it was open 24 hours a day.\u003c/p>\n\u003cp>“I trucked for UPS, and you know where the good places to eat were,” he says. “This place was packed all the time 24-7. Everyone knew about Nancy’s.”\u003c/p>\n\u003cfigure id=\"attachment_11526290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526290\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysWall-800x629.jpg\" alt=\"'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson.\" width=\"800\" height=\"629\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-800x629.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-160x126.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1020x802.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1180x928.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-960x755.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-240x189.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-375x295.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-520x409.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finally, I get to see for myself. Inside Nancy’s, I meet waitress Tricia Lawson, who’s wearing the same name tag she put on 26 years ago when she first started working here. She points out the photos covering every inch of wall space in the restaurant.\u003c/p>\n\u003cp>“It’s just a thing here,\" she says. \"Some people hang hats on the wall. We hang people’s pictures with their airplanes on the wall.”\u003c/p>\n\u003cp>Pictures, and model planes.\u003c/p>\n\u003cp>[contextly_sidebar id=\"9U28lvATatrzxG4s4Kj3QMb0xVXBHBOQ\"]\u003c/p>\n\u003cp>“They actually donate them here, so we can have a piece of their history and a piece of our history,” says Lawson.\u003c/p>\n\u003cp>We stop by the cold box where Beverly Randolph raves about the cream pies on display.\u003c/p>\n\u003cp>“They’re delicious,\" she says. \"The lemon meringue is out of this world.”\u003c/p>\n\u003cp>She should know. She lives just down the road and Lawson tells me she eats here at least twice a week. I ask Randolph if she’s a pilot, too, and she laughs. “Not anymore. I used to be. I’m too old.” She tells me she’ll be 90 in a few days.\u003c/p>\n\u003cp>Lawson continues our tour, pointing to the tiny kitchen, where a lanky, laconic cook flies through orders.\u003c/p>\n\u003cp>“They say never trust a skinny cook, but that is such a lie! Michael is a robot.”\u003c/p>\n\u003cp>Then she leads me into the back kitchen.\u003c/p>\n\u003cp>“And this is ... Elizabeth!” she announces with a flourish.\u003c/p>\n\u003cfigure id=\"attachment_11524196\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524196 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Baker Elizabeth Martinez holds peach and apple pies. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Elizabeth Martinez is Nancy’s shy but prolific maker of fruit and cream pies. I ask her how it feels to know that people fly from all over California to eat what she bakes.\u003c/p>\n\u003cp>“Gratitude ... That’s the best pay they can give me.”\u003c/p>\n\u003cp>Back in the dining room, Tricia Lawson refers to every customer by name. She says “In the first three hours of my shift, I don’t even use a ticket book because I know what they want!\"\u003c/p>\n\u003cp>Lawson says a handful of rice farmers are often at the door before 5:00 a.m., waiting for her to open the door.\u003c/p>\n\u003cp>“And don’t forget the truck drivers,” she says, to whom Nancy’s offers free coffee. “Give a truck driver free coffee, and he’s good to go.”\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy's for 26 years. She still wears the name tag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though original owner Nancy Stokes sold the restaurant years ago, customer Colleen Brown says the place hasn’t changed. For 22 years, she and her husband always stopped in on drives between Lassen County and the East Bay.\u003c/p>\n\u003cp>“He passed away last year, and I’m still coming here,” Brown says.\u003c/p>\n\u003cp>She says even though they only came once or twice a year, “there were a couple waitresses who, when we walked in the door, they still remembered our names.”\u003c/p>\n\u003cp>As her husband’s health deteriorated, she started traveling alone.\u003c/p>\n\u003cp>“They’d always ask, ‘How’s he doing?’” she says. “It’s just like home. Nancy’s is a good spot.”\u003c/p>\n\u003cp>Brown advises, “Anybody traveling, stop and say, 'Hi.'”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>If you do, maybe take a cue from the regulars: get some pie to go. I took a whole lemon meringue home with me.\u003c/p>\n\n",
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"excerpt": "Steps from the tarmac outside the town of Willows, there’s a restaurant popular with travelers, farmers, truckers -- and pilots.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Between Sacramento and Redding, Highway 5 cuts through the middle of rice country. Right next to rice fields outside the town of Willows, there’s a restaurant popular with travelers, farmers, truckers.\u003c/p>\n\u003cp>And pilots.\u003c/p>\n\u003cp>Before I even step inside Nancy’s Airport Cafe, I see Marty Blaker walk out of the restaurant, through a small gate, and onto the tarmac of the Willows-Glenn County Airport, heading toward a 1965 Cherokee 180 airplane. He’s carrying a tell-tale to-go bag.\u003c/p>\n\u003cp>“Everybody takes pie,” Blaker says. Then, he reaches in the bag, opens a plastic foam container, and says, “Here’s the treasure. Today it’s a piece of cherry pie, and I will enjoy it later this afternoon.”\u003c/p>\n\u003cp>He flew in this morning from Rough and Ready, California, a little town outside of Grass Valley. He says places like Nancy’s are a kind of beacon for recreational pilots.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“There’s a thing called a $100 hamburger. What that means is you spend more money getting to the airport than you do on the hamburger itself. These days it costs more than $100,” Blaker says with a laugh.\u003c/p>\n\u003cfigure id=\"attachment_11526228\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526228\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysExterior-800x541.jpg\" alt=\"Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1020x690.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-1180x798.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-960x650.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-240x162.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-375x254.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysExterior-520x352.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nancy's Airport Cafe just outside of Willows is a favorite of recreational pilots. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But it’s all part of having an adventure, he says, sometimes solo, “sometimes there may be a rendezvous of two, four, 18 planes that all coordinate and descend on an airport café, and Nancy’s is a very popular Northern California destination for just such things.”\u003c/p>\n\u003cp>Blaker says he’s been flying his whole adult life and bought this plane 15 years ago.\u003c/p>\n\u003cp>“It’s simple, and that’s why I love it,” he says. “It gets me around California. I don’t need fancy.”\u003c/p>\n\u003caside class=\"pullquote alignright\">'This place was packed all the time, 24-7. Everyone knew about Nancy's.'\u003ccite>Greg Michael,\u003cbr>Pilot and Nancy's customer\u003c/cite>\u003c/aside>\n\u003cp>Flying, he says, is personal.\u003c/p>\n\u003cp>“Flying gives a different perspective,\" Blaker says. \"You see the world in a pretty different way from 2,000 to 10,000 feet above.”\u003c/p>\n\u003cp>Today, he saw the northern Sacramento Valley totally flooded.\u003c/p>\n\u003cp>“It’s on purpose,\" he says. \"All the rice fields have been flooded. Getting here was like flying over a big lake today.”\u003c/p>\n\u003cp>The Willows-Glenn County Airport is hopping. The three agriculture aviation businesses here have a constant rotation of crop dusters flying in, loading up with soaked rice seed, and taking off to plant those flooded fields from the air.\u003c/p>\n\u003cfigure id=\"attachment_11526288\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526288\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/CubSwag-800x561.jpg\" alt=\"Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub.\" width=\"800\" height=\"561\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1020x715.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-1180x827.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-960x673.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-375x263.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/CubSwag-520x365.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Willows resident Greg Michael at the hangar where he stores his 1946 J-3 Cub airplane. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the tarmac, I meet Willows resident Greg Michael, who just returned from a morning flight. He lets me into his hangar -- a sign outside says “Pilot Cave” -- which houses his 1946 J-3 Cub airplane. Inside, the walls are covered with flags, and photos of World War II airplanes, which makes sense given this airport’s history.\u003c/p>\n\u003cp>“It was pretty hush hush, but Jimmy Doolittle practiced his raids here” and at a couple other nearby airports, Michael says.\u003c/p>\n\u003cp>That’s World War II pilot Lt. Colonel Jimmy Doolittle, who led bombing raids on Tokyo soon after the attack on Pearl Harbor.\u003c/p>\n\u003cp>“These were big airports for heavy planes, built for military,” Michael says.\u003c/p>\n\u003cp>Another historic point? This is where aerial firefighting got its start in California.\u003c/p>\n\u003cp>Nancy’s Aiport Cafe has been a long presence in Michael’s life. He remembers when it was open 24 hours a day.\u003c/p>\n\u003cp>“I trucked for UPS, and you know where the good places to eat were,” he says. “This place was packed all the time 24-7. Everyone knew about Nancy’s.”\u003c/p>\n\u003cfigure id=\"attachment_11526290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11526290\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/NancysWall-800x629.jpg\" alt=\"'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson.\" width=\"800\" height=\"629\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-800x629.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-160x126.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1020x802.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-1180x928.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-960x755.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-240x189.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-375x295.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/NancysWall-520x409.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Some people hang hats on the wall, we hang people’s pictures with their airplanes on the wall,' says Nancy's waitress Tricia Lawson. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finally, I get to see for myself. Inside Nancy’s, I meet waitress Tricia Lawson, who’s wearing the same name tag she put on 26 years ago when she first started working here. She points out the photos covering every inch of wall space in the restaurant.\u003c/p>\n\u003cp>“It’s just a thing here,\" she says. \"Some people hang hats on the wall. We hang people’s pictures with their airplanes on the wall.”\u003c/p>\n\u003cp>Pictures, and model planes.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“They actually donate them here, so we can have a piece of their history and a piece of our history,” says Lawson.\u003c/p>\n\u003cp>We stop by the cold box where Beverly Randolph raves about the cream pies on display.\u003c/p>\n\u003cp>“They’re delicious,\" she says. \"The lemon meringue is out of this world.”\u003c/p>\n\u003cp>She should know. She lives just down the road and Lawson tells me she eats here at least twice a week. I ask Randolph if she’s a pilot, too, and she laughs. “Not anymore. I used to be. I’m too old.” She tells me she’ll be 90 in a few days.\u003c/p>\n\u003cp>Lawson continues our tour, pointing to the tiny kitchen, where a lanky, laconic cook flies through orders.\u003c/p>\n\u003cp>“They say never trust a skinny cook, but that is such a lie! Michael is a robot.”\u003c/p>\n\u003cp>Then she leads me into the back kitchen.\u003c/p>\n\u003cp>“And this is ... Elizabeth!” she announces with a flourish.\u003c/p>\n\u003cfigure id=\"attachment_11524196\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524196 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25544_IMG_6754-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Baker Elizabeth Martinez holds peach and apple pies. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Elizabeth Martinez is Nancy’s shy but prolific maker of fruit and cream pies. I ask her how it feels to know that people fly from all over California to eat what she bakes.\u003c/p>\n\u003cp>“Gratitude ... That’s the best pay they can give me.”\u003c/p>\n\u003cp>Back in the dining room, Tricia Lawson refers to every customer by name. She says “In the first three hours of my shift, I don’t even use a ticket book because I know what they want!\"\u003c/p>\n\u003cp>Lawson says a handful of rice farmers are often at the door before 5:00 a.m., waiting for her to open the door.\u003c/p>\n\u003cp>“And don’t forget the truck drivers,” she says, to whom Nancy’s offers free coffee. “Give a truck driver free coffee, and he’s good to go.”\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy's for 26 years. She still wears the name tag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though original owner Nancy Stokes sold the restaurant years ago, customer Colleen Brown says the place hasn’t changed. For 22 years, she and her husband always stopped in on drives between Lassen County and the East Bay.\u003c/p>\n\u003cp>“He passed away last year, and I’m still coming here,” Brown says.\u003c/p>\n\u003cp>She says even though they only came once or twice a year, “there were a couple waitresses who, when we walked in the door, they still remembered our names.”\u003c/p>\n\u003cp>As her husband’s health deteriorated, she started traveling alone.\u003c/p>\n\u003cp>“They’d always ask, ‘How’s he doing?’” she says. “It’s just like home. Nancy’s is a good spot.”\u003c/p>\n\u003cp>Brown advises, “Anybody traveling, stop and say, 'Hi.'”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you do, maybe take a cue from the regulars: get some pie to go. I took a whole lemon meringue home with me.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Bill Cosby will organize a series of town hall meetings to help educate young people about problems their misbehavior could create, a spokesman for Cosby said Thursday.\u003c/p>\n\u003cp>Cosby is eager to get back to work following a deadlocked jury and mistrial in his sexual assault trial, spokesman Andrew Wyatt told Birmingham, Alabama, TV station WBRC.\u003c/p>\n\u003cp>“We’ll talk to young people. Because this is bigger than Bill Cosby. You know, this, this issue can affect any young person, especially young athletes of today,” Wyatt said. “And they need to know what they’re facing when they’re hanging out and partying, when they’re doing certain things they shouldn’t be doing.\u003c/p>\n\u003cp>“And it also affects married men,” Wyatt said, without elaborating.\u003c/p>\n\u003cp>“Is it kind of a, ‘Do as I say, not as I do’ situation?” the newscaster asked, but it was unclear if Wyatt heard and responded to the question.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Wyatt didn’t immediately reply to an interview request Thursday from The Associated Press.\u003c/p>\n\u003cp>The Rape, Abuse & Incest National Network, an anti-sexual violence organization known as RAINN, responded to Cosby’s announced plans.\u003c/p>\n\u003cp>“It would be more useful if Mr. Cosby would spend time talking with people about how not to commit sexual assault in the first place,” RAINN spokeswoman Jodi Omear said in a statement.\u003c/p>\n\u003cp>Also taking part in the TV interview was Wyatt associate Ebonee Benson, who had read comments from Cosby’s wife, Camille, slamming prosecutors after the trial’s end last weekend in Norristown, Pennsylvania.\u003c/p>\n\u003cp>“Laws are changing,” Benson said on Thursday. “The statute of limitations for victims of sexual assault are being extended. So this is why people need to be educated on a brush against the shoulder, you know anything at this point can be considered sexual assault. And it’s … a good thing to be educated about the law.”\u003c/p>\n\u003cp>Lecturing isn’t new for Cosby. In recent years, the comedian and actor became known for scolding fellow African-Americans for poor grammar, sloppy dress and not valuing education, critiques that drew fire from some as elitist.\u003c/p>\n\u003cp>A town hall will be held in Birmingham in July, Wyatt said. He didn’t identify the date or location or any other cities that will be visited.\u003cbr>\nDuring the trial, Andrea Constand testified that Cosby drugged and molested her at his suburban Philadelphia home in 2004. Cosby said the encounter with the former director of women’s basketball operations at his alma mater, Temple University, was consensual.\u003c/p>\n\u003cp>A juror in Bill Cosby’s sexual assault trial said Thursday that some jurors were concerned that prosecutors waited 10 years to charge him, expressing suspicion that politics had played a role in the case.\u003c/p>\n\u003cp>The juror told The Associated Press that the panel was almost evenly split in its deliberations, with a similar number of jurors wanting to convict the 79-year-old entertainer as acquit him.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cosby, who faced three counts of aggravated indecent assault, will be retried, the prosecutor has said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bill Cosby will organize a series of town hall meetings to help educate young people about problems their misbehavior could create, a spokesman for Cosby said Thursday.\u003c/p>\n\u003cp>Cosby is eager to get back to work following a deadlocked jury and mistrial in his sexual assault trial, spokesman Andrew Wyatt told Birmingham, Alabama, TV station WBRC.\u003c/p>\n\u003cp>“We’ll talk to young people. Because this is bigger than Bill Cosby. You know, this, this issue can affect any young person, especially young athletes of today,” Wyatt said. “And they need to know what they’re facing when they’re hanging out and partying, when they’re doing certain things they shouldn’t be doing.\u003c/p>\n\u003cp>“And it also affects married men,” Wyatt said, without elaborating.\u003c/p>\n\u003cp>“Is it kind of a, ‘Do as I say, not as I do’ situation?” the newscaster asked, but it was unclear if Wyatt heard and responded to the question.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wyatt didn’t immediately reply to an interview request Thursday from The Associated Press.\u003c/p>\n\u003cp>The Rape, Abuse & Incest National Network, an anti-sexual violence organization known as RAINN, responded to Cosby’s announced plans.\u003c/p>\n\u003cp>“It would be more useful if Mr. Cosby would spend time talking with people about how not to commit sexual assault in the first place,” RAINN spokeswoman Jodi Omear said in a statement.\u003c/p>\n\u003cp>Also taking part in the TV interview was Wyatt associate Ebonee Benson, who had read comments from Cosby’s wife, Camille, slamming prosecutors after the trial’s end last weekend in Norristown, Pennsylvania.\u003c/p>\n\u003cp>“Laws are changing,” Benson said on Thursday. “The statute of limitations for victims of sexual assault are being extended. So this is why people need to be educated on a brush against the shoulder, you know anything at this point can be considered sexual assault. And it’s … a good thing to be educated about the law.”\u003c/p>\n\u003cp>Lecturing isn’t new for Cosby. In recent years, the comedian and actor became known for scolding fellow African-Americans for poor grammar, sloppy dress and not valuing education, critiques that drew fire from some as elitist.\u003c/p>\n\u003cp>A town hall will be held in Birmingham in July, Wyatt said. He didn’t identify the date or location or any other cities that will be visited.\u003cbr>\nDuring the trial, Andrea Constand testified that Cosby drugged and molested her at his suburban Philadelphia home in 2004. Cosby said the encounter with the former director of women’s basketball operations at his alma mater, Temple University, was consensual.\u003c/p>\n\u003cp>A juror in Bill Cosby’s sexual assault trial said Thursday that some jurors were concerned that prosecutors waited 10 years to charge him, expressing suspicion that politics had played a role in the case.\u003c/p>\n\u003cp>The juror told The Associated Press that the panel was almost evenly split in its deliberations, with a similar number of jurors wanting to convict the 79-year-old entertainer as acquit him.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cosby, who faced three counts of aggravated indecent assault, will be retried, the prosecutor has said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>My co-host this week is comedian \u003ca href=\"http://www.zahracomedy.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Zahra Noorbaksh,\u003c/a> co-host of the podcast \u003ca href=\"http://www.goodmuslimbadmuslim.com/\" target=\"_blank\" rel=\"noopener noreferrer\">#\u003cem>GoodMuslimBadMuslim\u003c/em>\u003c/a>, and \u003ca href=\"https://www.ybca.org/ybca-100\" target=\"_blank\" rel=\"noopener noreferrer\">recently named\u003c/a> one of 100 people shaping the future of culture. We barely had time to cover all the shows that mattered to us this week. Left out was the \u003ca href=\"https://stanfordjazz.org/stanford-jazz-festival-2017/\" target=\"_blank\" rel=\"noopener noreferrer\">Stanford Jazz Festival \u003c/a>opening this week, including singer Tiffany Austin, clarinetist Anat Cohen, Natalie and daughter Sandy Cressman and Ravi Coltrane.\u003c/p>\n\u003cp>We also couldn’t fit in the opening of the play \u003ca href=\"https://www.berkeleyrep.org/season/1617/10668.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>An Octoroon\u003c/em> at Berkeley Rep\u003c/a> on Friday, an adaptation and critique of a 19th century play about race. Director Eric Ting is terrific at deconstructing plays like this, and challenging the audience. And don’t forget: with Pride celebrations, public transit is your friend if you’re coming into San Francisco this weekend. Now here’s the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9bbVGNY40N8\u003c/p>\n\u003cp>\u003cstrong>June 23–25\u003c/strong>: With its many stages, after-parties and the big parade, \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Pride\u003c/a> is simply too big to sum up in a couple of performers, events and shows, but we’ve tried. \u003ca href=\"http://www.thedykemarch.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The Dyke March\u003c/a> is worth catching as it celebrates its 25th anniversary. And we’re both fans of \u003ca href=\"http://www.madamegandhi.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Madame Gandhi\u003c/a> (video above), appearing on the main stage on Sunday, June 25, for her feminist, period-positive message and great dance beats.\u003c/p>\n\u003cp>\u003ca href=\"http://www.margagomez.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Marga Gomez\u003c/a>, the heart of Bay Area Comedy, is one of the emcees on the main stage, and we’re hoping for good things from \u003ca href=\"https://www.facebook.com/HellaGayComedyShow/\" target=\"_blank\" rel=\"noopener noreferrer\">#HellaGayComedy\u003c/a> on Friday, June 23, at Club OMG in San Francisco, with Omar Qureshi, Jesus U.Bettawork, Cassandra Gorgeous, and others. And don’t be surprised if you see people in top hats and claw-like hands at Pride in honor of the Australian horror-flick character \u003ca href=\"http://www.newyorker.com/culture/rabbit-holes/the-babadook-is-a-frightening-fabulous-new-gay-icon\" target=\"_blank\" rel=\"noopener noreferrer\">The Babadook\u003c/a>, a creature who is feared, but also somehow a part of the family. In a recent twist, he’s \u003ca href=\"http://www.newyorker.com/culture/rabbit-holes/the-babadook-is-a-frightening-fabulous-new-gay-icon\" target=\"_blank\" rel=\"noopener noreferrer\">become a gay icon\u003c/a> of sorts. Details for San Francisco Pride \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=91HRfJwOuWo&t=449s\u003c/p>\n\u003cp>\u003cstrong>July 9\u003c/strong>: Zahra looked ahead on her calendar to find this second-Sunday-of-the-month lesbian, trans, women comedy show at the Ivy Room in Albany. Ash Fisher and Irene Tu of Man Haters headline \u003cem>No Man’s Land\u003c/em> — Tu was one of \u003ca href=\"http://ww2.kqed.org/arts/2016/07/11/women-to-watch-irene-tu/\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s Women to Watch\u003c/a> last year. Men, like me, are welcome, but as Zahra said, we may be the butt of a lot of jokes (or completely ignored). And it’s a bargain. With women making about 77 cents on the dollar to men, tickets are just $7.70 in advance, $10 at the door.\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://vimeo.com/215884295\u003cbr>\n\u003c/aside>\n\u003cp>\u003cstrong>June 24\u003c/strong>: \u003cem>Notes Against the Ban\u003c/em> is a protest of the Trump Administration’s proposed travel ban, in the form of music from the seven Muslim-majority countries on the list: Iraq, Libya, Somalia, Sudan, Syria, Yemen and Iran. The \u003ca href=\"https://ww2.kqed.org/arts/2017/03/13/music-from-seven-muslim-majority-countries-in-notes-against-the-ban/\" target=\"_blank\" rel=\"noopener noreferrer\">Aswat Ensemble \u003c/a>has \u003ca href=\"https://ww2.kqed.org/arts/2017/03/13/music-from-seven-muslim-majority-countries-in-notes-against-the-ban/\" target=\"_blank\" rel=\"noopener noreferrer\">staged this concert as a way to bridge cultural suspicions through music\u003c/a>. Aswat founder Nabila Mango said she wants to “celebrate the beauty of ‘the others.’” Among other highlights, look for Sudanese vocalist Salma Al Assal, profiled in a KQED video (posted above). And for non-Arab & non-Farsi speakers like me, translations of each song will be projected on a screen for the audience. \u003ca href=\"http://www.brownpapertickets.com/event/2933963\" target=\"_blank\" rel=\"noopener noreferrer\">Details for the show at St. Cyprian’s in San Francisco are here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gbAJp1YarfU\u003c/p>\n\u003cp>\u003cstrong>June 24 & 25\u003c/strong>: Ubernerd \u003ca href=\"http://nerdist.com/tag/chris-hardwick/\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Hardwick\u003c/a> of Comedy Central and the Nerdist is curating a show, and calling it the\u003cem> ID10T Festival\u003c/em>. On some level, it appears as if Hardwick just said to himself, “What do millennials like? Let’s mash together music, gaming, tech, comic books and comedy.” Not a bad idea, when you’re featuring Demetri Martin, Michael Che, Nikki Glaser, Garfunkel & Oates (the musical-comedy duo comprised of Riki Lindhome and Kate Micucci, two of Zahra’s favorites), Michael Ian Black, plus Sacramento native Brian Posehn. The main stage features music from rather nerdy bands including Weezer and OK Go, and includes Tank and the Bangas out of New Orleans, who won the NPR \u003ca href=\"http://www.npr.org/event/music/519418207/tank-and-the-bangas-tiny-desk-concert\" target=\"_blank\" rel=\"noopener noreferrer\">Tiny Desk Contest \u003c/a>this year. By the way, the title of the show, ID10T, is itself a nerd’s inside joke — it’s a made-up code for user error. In other words, the bug in the program is the person at the keyboard. That must be me. \u003ca href=\"http://id10tfest.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_hIl1eYiVc8\u003c/p>\n\u003cp>\u003cstrong>July 23–25\u003c/strong>: American symphony orchestras rarely program a whole evening of modern American music. But this weekend the San Francisco Symphony finishes its season with the sort of American Mavericks concert that Michael Tilson Thomas has made his specialty — the program includes Charles Ives, George Antheil (“A Jazz Symphony”), Lou Harrison, and a West Coast premiere from Michael Tilson Thomas himself, plus videos and dance. These multimedia shows can be a real treat.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thanks to Zahra Noorbaksh for being our co-host this week!\u003c/p>\n\u003cfigure id=\"attachment_12295296\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12295296\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg\" alt=\"Comedian Zahra Noorbaksh host the podcast #GoodMuslim,BadMuslim’\" width=\"800\" height=\"434\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-768x416.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1020x553.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1920x1041.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1180x640.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-960x520.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-240x130.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-375x203.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-520x282.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Zahra Noorbaksh, co-host of the podcast #GoodMuslim,BadMuslim \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>My co-host this week is comedian \u003ca href=\"http://www.zahracomedy.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Zahra Noorbaksh,\u003c/a> co-host of the podcast \u003ca href=\"http://www.goodmuslimbadmuslim.com/\" target=\"_blank\" rel=\"noopener noreferrer\">#\u003cem>GoodMuslimBadMuslim\u003c/em>\u003c/a>, and \u003ca href=\"https://www.ybca.org/ybca-100\" target=\"_blank\" rel=\"noopener noreferrer\">recently named\u003c/a> one of 100 people shaping the future of culture. We barely had time to cover all the shows that mattered to us this week. Left out was the \u003ca href=\"https://stanfordjazz.org/stanford-jazz-festival-2017/\" target=\"_blank\" rel=\"noopener noreferrer\">Stanford Jazz Festival \u003c/a>opening this week, including singer Tiffany Austin, clarinetist Anat Cohen, Natalie and daughter Sandy Cressman and Ravi Coltrane.\u003c/p>\n\u003cp>We also couldn’t fit in the opening of the play \u003ca href=\"https://www.berkeleyrep.org/season/1617/10668.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>An Octoroon\u003c/em> at Berkeley Rep\u003c/a> on Friday, an adaptation and critique of a 19th century play about race. Director Eric Ting is terrific at deconstructing plays like this, and challenging the audience. And don’t forget: with Pride celebrations, public transit is your friend if you’re coming into San Francisco this weekend. Now here’s the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9bbVGNY40N8'\n title='//www.youtube.com/embed/9bbVGNY40N8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 23–25\u003c/strong>: With its many stages, after-parties and the big parade, \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Pride\u003c/a> is simply too big to sum up in a couple of performers, events and shows, but we’ve tried. \u003ca href=\"http://www.thedykemarch.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The Dyke March\u003c/a> is worth catching as it celebrates its 25th anniversary. And we’re both fans of \u003ca href=\"http://www.madamegandhi.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Madame Gandhi\u003c/a> (video above), appearing on the main stage on Sunday, June 25, for her feminist, period-positive message and great dance beats.\u003c/p>\n\u003cp>\u003ca href=\"http://www.margagomez.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Marga Gomez\u003c/a>, the heart of Bay Area Comedy, is one of the emcees on the main stage, and we’re hoping for good things from \u003ca href=\"https://www.facebook.com/HellaGayComedyShow/\" target=\"_blank\" rel=\"noopener noreferrer\">#HellaGayComedy\u003c/a> on Friday, June 23, at Club OMG in San Francisco, with Omar Qureshi, Jesus U.Bettawork, Cassandra Gorgeous, and others. And don’t be surprised if you see people in top hats and claw-like hands at Pride in honor of the Australian horror-flick character \u003ca href=\"http://www.newyorker.com/culture/rabbit-holes/the-babadook-is-a-frightening-fabulous-new-gay-icon\" target=\"_blank\" rel=\"noopener noreferrer\">The Babadook\u003c/a>, a creature who is feared, but also somehow a part of the family. In a recent twist, he’s \u003ca href=\"http://www.newyorker.com/culture/rabbit-holes/the-babadook-is-a-frightening-fabulous-new-gay-icon\" target=\"_blank\" rel=\"noopener noreferrer\">become a gay icon\u003c/a> of sorts. Details for San Francisco Pride \u003ca href=\"http://www.sfpride.org/\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/91HRfJwOuWo'\n title='//www.youtube.com/embed/91HRfJwOuWo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 9\u003c/strong>: Zahra looked ahead on her calendar to find this second-Sunday-of-the-month lesbian, trans, women comedy show at the Ivy Room in Albany. Ash Fisher and Irene Tu of Man Haters headline \u003cem>No Man’s Land\u003c/em> — Tu was one of \u003ca href=\"http://ww2.kqed.org/arts/2016/07/11/women-to-watch-irene-tu/\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s Women to Watch\u003c/a> last year. Men, like me, are welcome, but as Zahra said, we may be the butt of a lot of jokes (or completely ignored). And it’s a bargain. With women making about 77 cents on the dollar to men, tickets are just $7.70 in advance, $10 at the door.\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://vimeo.com/215884295\u003cbr>\n\u003c/aside>\n\u003cp>\u003cstrong>June 24\u003c/strong>: \u003cem>Notes Against the Ban\u003c/em> is a protest of the Trump Administration’s proposed travel ban, in the form of music from the seven Muslim-majority countries on the list: Iraq, Libya, Somalia, Sudan, Syria, Yemen and Iran. The \u003ca href=\"https://ww2.kqed.org/arts/2017/03/13/music-from-seven-muslim-majority-countries-in-notes-against-the-ban/\" target=\"_blank\" rel=\"noopener noreferrer\">Aswat Ensemble \u003c/a>has \u003ca href=\"https://ww2.kqed.org/arts/2017/03/13/music-from-seven-muslim-majority-countries-in-notes-against-the-ban/\" target=\"_blank\" rel=\"noopener noreferrer\">staged this concert as a way to bridge cultural suspicions through music\u003c/a>. Aswat founder Nabila Mango said she wants to “celebrate the beauty of ‘the others.’” Among other highlights, look for Sudanese vocalist Salma Al Assal, profiled in a KQED video (posted above). And for non-Arab & non-Farsi speakers like me, translations of each song will be projected on a screen for the audience. \u003ca href=\"http://www.brownpapertickets.com/event/2933963\" target=\"_blank\" rel=\"noopener noreferrer\">Details for the show at St. Cyprian’s in San Francisco are here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gbAJp1YarfU'\n title='//www.youtube.com/embed/gbAJp1YarfU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 24 & 25\u003c/strong>: Ubernerd \u003ca href=\"http://nerdist.com/tag/chris-hardwick/\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Hardwick\u003c/a> of Comedy Central and the Nerdist is curating a show, and calling it the\u003cem> ID10T Festival\u003c/em>. On some level, it appears as if Hardwick just said to himself, “What do millennials like? Let’s mash together music, gaming, tech, comic books and comedy.” Not a bad idea, when you’re featuring Demetri Martin, Michael Che, Nikki Glaser, Garfunkel & Oates (the musical-comedy duo comprised of Riki Lindhome and Kate Micucci, two of Zahra’s favorites), Michael Ian Black, plus Sacramento native Brian Posehn. The main stage features music from rather nerdy bands including Weezer and OK Go, and includes Tank and the Bangas out of New Orleans, who won the NPR \u003ca href=\"http://www.npr.org/event/music/519418207/tank-and-the-bangas-tiny-desk-concert\" target=\"_blank\" rel=\"noopener noreferrer\">Tiny Desk Contest \u003c/a>this year. By the way, the title of the show, ID10T, is itself a nerd’s inside joke — it’s a made-up code for user error. In other words, the bug in the program is the person at the keyboard. That must be me. \u003ca href=\"http://id10tfest.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_hIl1eYiVc8'\n title='//www.youtube.com/embed/_hIl1eYiVc8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 23–25\u003c/strong>: American symphony orchestras rarely program a whole evening of modern American music. But this weekend the San Francisco Symphony finishes its season with the sort of American Mavericks concert that Michael Tilson Thomas has made his specialty — the program includes Charles Ives, George Antheil (“A Jazz Symphony”), Lou Harrison, and a West Coast premiere from Michael Tilson Thomas himself, plus videos and dance. These multimedia shows can be a real treat.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thanks to Zahra Noorbaksh for being our co-host this week!\u003c/p>\n\u003cfigure id=\"attachment_12295296\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12295296\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg\" alt=\"Comedian Zahra Noorbaksh host the podcast #GoodMuslim,BadMuslim’\" width=\"800\" height=\"434\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-768x416.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1020x553.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1920x1041.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1180x640.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-960x520.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-240x130.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-375x203.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-520x282.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Zahra Noorbaksh, co-host of the podcast #GoodMuslim,BadMuslim \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The judge who presided over Bill Cosby’s sexual assault trial on Wednesday ordered the public release of the identities of the jurors who deadlocked in the case, but warned them not to divulge what other jurors said during deliberations.\u003c/p>\n\u003cp>Judge Steven O’Neill granted a request by a dozen media organizations, including The Associated Press and the major TV networks, to release the names. He said the jurors would first be contacted and given instructions on what they can and cannot say if they talk to reporters.\u003c/p>\n\u003cp>The judge declared a mistrial Saturday after the jury deliberated for 52 hours without a verdict. Prosecutors plan to retry the 79-year-old entertainer on charges he drugged and molested a woman at his suburban Philadelphia home in 2004. Cosby said the encounter with Andrea Constand was consensual.\u003c/p>\n\u003cp>Lawyers for news outlets had argued that jurors’ names should be public to ensure transparency in the judicial process. Prosecutors and defense lawyers had argued they should remain secret, saying releasing them would make it more difficult to select a jury in Cosby’s second trial.\u003c/p>\n\u003cp>O’Neill cited the media’s First Amendment rights and Supreme Court precedent in ordering the release of the names. But he forbade jurors from talking about what other members of the jury said in the deliberating room or from revealing any votes cast in the case.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Any disclosure of what was said and done during deliberations in this case would give a chilling effect upon the future jurors in this case and their ability to deliberate freely,” he wrote. “Further, future jurors will be reluctant to speak up or to say what they think when deliberating if they fear that what they say during deliberations will not be kept secret.”\u003c/p>\n\u003cp>The judge plans to hold Cosby’s second trial in the next four months.\u003c/p>\n\u003cp>He ruled one day after a hearing at which the media outlets argued that jurors should be free to discuss their backgrounds, the sequestration process and their individual views, even if they do not disclose the jury split or other jurors’ comments.\u003c/p>\n\u003cp>“This is a critical part of the justice system,” lawyer Eli Segal argued. “We are entitled to them.”\u003c/p>\n\u003cp>The jury was selected from the Pittsburgh area and spent two weeks sequestered 300 miles from home.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The AP does not typically identify people who say they are victims of sexual assault unless they grant permission, which Constand has done.\u003cbr>\n___\u003cbr>\nFor more on Cosby, including stories about the trial, historical photos, videos and an audio series exploring the case, visit http://www.apnews.com/tag/CosbyonTrial.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The judge who presided over Bill Cosby’s sexual assault trial on Wednesday ordered the public release of the identities of the jurors who deadlocked in the case, but warned them not to divulge what other jurors said during deliberations.\u003c/p>\n\u003cp>Judge Steven O’Neill granted a request by a dozen media organizations, including The Associated Press and the major TV networks, to release the names. He said the jurors would first be contacted and given instructions on what they can and cannot say if they talk to reporters.\u003c/p>\n\u003cp>The judge declared a mistrial Saturday after the jury deliberated for 52 hours without a verdict. Prosecutors plan to retry the 79-year-old entertainer on charges he drugged and molested a woman at his suburban Philadelphia home in 2004. Cosby said the encounter with Andrea Constand was consensual.\u003c/p>\n\u003cp>Lawyers for news outlets had argued that jurors’ names should be public to ensure transparency in the judicial process. Prosecutors and defense lawyers had argued they should remain secret, saying releasing them would make it more difficult to select a jury in Cosby’s second trial.\u003c/p>\n\u003cp>O’Neill cited the media’s First Amendment rights and Supreme Court precedent in ordering the release of the names. But he forbade jurors from talking about what other members of the jury said in the deliberating room or from revealing any votes cast in the case.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He has stepped away from film before. In the late 1990s, he famously apprenticed as a shoemaker in Florence, Italy — a period he called “semi-retirement.” \u003cem>Phantom Thread\u003c/em>, which Focus Features will release Dec. 25, is his first film in five years, following \u003cem>Lincoln\u003c/em>.\u003c/p>\n\u003cp>A five-time Academy Award nominee, Day-Lewis is the only one to ever win best actor three times. He earned Oscars for \u003cem>My Left Foot\u003c/em>, \u003cem>Lincoln\u003c/em> and \u003cem>There Will Be Blood\u003c/em>.\u003c/p>\n\u003cp>Day-Lewis, who is married to writer-director Rebecca Miller with three children, broke through with 1985’s \u003cem>My Beautiful Laundrette\u003c/em>, by Stephen Frears. His films since then have included \u003cem>The Last of the Mohicans\u003c/em>, \u003cem>The Age of Innocence\u003c/em>, \u003cem>In the Name of the Father\u003c/em> and \u003cem>Gangs of New York.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>His last play was in 1989, a National Theatre production of \u003cem>Hamlet\u003c/em>, in London. Day-Lewis infamously walked out in the middle of a performance, and never returned to the stage again.\u003cbr>\n___\u003cbr>\nFollow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Prodigy, one-half of iconic New York rap duo Mobb Deep, has died, according to a statement provided to NPR by a publicist for the group. The statement goes on to say that the rapper, born Albert Johnson, was hospitalized “a few days ago in Vegas after a Mobb Deep performance for complications caused by sickle cell anemia crisis.” Johnson battled the disease throughout his lifetime. He was 42 years old. No cause of death is known at this time.\u003c/p>\n\u003cp>The emcee was best known for crafting narratives of struggle and survival, depicting New York in the depths of the crack era, but he had music flowing through his veins from the beginning.\u003c/p>\n\u003cp>Prodigy’s mother, Fatima Johnson, was a member of the ’60s R&B group The Crystals, and also served as Mobb Deep’s first manager. When she passed, on Christmas Eve, 2016, Prodigy \u003ca href=\"http://theboombox.com/prodigys-mother-fatima-johnson-has-died-photo/\">publicly eulogized\u003c/a> her on Instagram: “I want to take a moment and salute this beautiful soul. Fatima Johnson, may u Rest In Peace,” he wrote. “There wouldn’t be a Mobb Deep without you literally!! Our first manager, our first support team and believed in us when no one else did! You’ll always always be remembered.”\u003c/p>\n\u003cp>Prodigy co-founded the Queens-based Mobb Deep in the early ’90s, alongside partner Havoc (Kejuan Muchita). The two became synonymous with a brand of East Coast gangsta rap that represented the ill street blues, grit and grime of pre-gentrified New York City, debuting with \u003cem>Juvenile Hell\u003c/em> in 1993. But it was their 1995 follow-up, \u003cem>The Infamous\u003c/em>, that cemented their image and legacy. The music was dark, with eerie undertones that reflected the environmental hazards \u003cstrong>and criminal exploits \u003c/strong>of day-to-day living in the hood.\u003c/p>\n\u003cp>“New York got a n**** depressed / so I wear a slug-proof underneath my Guess,” Prodigy rapped on 1995’s “Survival of the Fittest.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Queensbridge Houses from which they hailed and represented on record are the same, storied projects that nurtured hip-hop legends Marley Marl, MC Shan, Roxanne Shante, and Mobb Deep contemporaries Nas, Cormega, Nature, Tragedy Khadafi, and more. Like the projects, Mobb Deep’s discography stands as a testament to the socioeconomic conditions into which they were born and bred.\u003c/p>\n\u003cp>“I got you stuck off the realness / we be the infamous / you heard of us / official Queensbridge murderers,” Prodigy raps in their most memorable song, “Shook Ones Pt. II.” Other classics among Mobb Deep’s eight-album discography include \u003cem>Quiet Storm\u003c/em>, the duo’s 1999 collaboration with Lil’ Kim.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PosV5zVNWlc\u003c/p>\n\u003cp>In recent years, Prodigy had parlayed a prison sentence into a solo career, an autobiography (\u003cem>My Infamous Life\u003c/em>) — even a cookbook. Released in 2016, \u003cem>Commissary Kitchen: My Infamous Prison Cookbook\u003c/em> highlighted the ingenuity he exercised to eat healthy while serving a three-and-a-half year sentence for gun possession.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Prodigy had been in Las Vegas, where Mobb Deep performed over the weekend as part of \u003ca href=\"http://theartofrap.net/\">the Art of Rap tour\u003c/a>, featuring other legendary acts Onyx, Ghostface Killah, KRS-One, and Ice-T. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Mobb+Deep%27s+Prodigy+Dies+At+42&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Prodigy, one-half of iconic New York rap duo Mobb Deep, has died, according to a statement provided to NPR by a publicist for the group. The statement goes on to say that the rapper, born Albert Johnson, was hospitalized “a few days ago in Vegas after a Mobb Deep performance for complications caused by sickle cell anemia crisis.” Johnson battled the disease throughout his lifetime. He was 42 years old. No cause of death is known at this time.\u003c/p>\n\u003cp>The emcee was best known for crafting narratives of struggle and survival, depicting New York in the depths of the crack era, but he had music flowing through his veins from the beginning.\u003c/p>\n\u003cp>Prodigy’s mother, Fatima Johnson, was a member of the ’60s R&B group The Crystals, and also served as Mobb Deep’s first manager. When she passed, on Christmas Eve, 2016, Prodigy \u003ca href=\"http://theboombox.com/prodigys-mother-fatima-johnson-has-died-photo/\">publicly eulogized\u003c/a> her on Instagram: “I want to take a moment and salute this beautiful soul. Fatima Johnson, may u Rest In Peace,” he wrote. “There wouldn’t be a Mobb Deep without you literally!! Our first manager, our first support team and believed in us when no one else did! You’ll always always be remembered.”\u003c/p>\n\u003cp>Prodigy co-founded the Queens-based Mobb Deep in the early ’90s, alongside partner Havoc (Kejuan Muchita). The two became synonymous with a brand of East Coast gangsta rap that represented the ill street blues, grit and grime of pre-gentrified New York City, debuting with \u003cem>Juvenile Hell\u003c/em> in 1993. But it was their 1995 follow-up, \u003cem>The Infamous\u003c/em>, that cemented their image and legacy. The music was dark, with eerie undertones that reflected the environmental hazards \u003cstrong>and criminal exploits \u003c/strong>of day-to-day living in the hood.\u003c/p>\n\u003cp>“New York got a n**** depressed / so I wear a slug-proof underneath my Guess,” Prodigy rapped on 1995’s “Survival of the Fittest.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Queensbridge Houses from which they hailed and represented on record are the same, storied projects that nurtured hip-hop legends Marley Marl, MC Shan, Roxanne Shante, and Mobb Deep contemporaries Nas, Cormega, Nature, Tragedy Khadafi, and more. Like the projects, Mobb Deep’s discography stands as a testament to the socioeconomic conditions into which they were born and bred.\u003c/p>\n\u003cp>“I got you stuck off the realness / we be the infamous / you heard of us / official Queensbridge murderers,” Prodigy raps in their most memorable song, “Shook Ones Pt. II.” Other classics among Mobb Deep’s eight-album discography include \u003cem>Quiet Storm\u003c/em>, the duo’s 1999 collaboration with Lil’ Kim.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PosV5zVNWlc'\n title='//www.youtube.com/embed/PosV5zVNWlc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In recent years, Prodigy had parlayed a prison sentence into a solo career, an autobiography (\u003cem>My Infamous Life\u003c/em>) — even a cookbook. Released in 2016, \u003cem>Commissary Kitchen: My Infamous Prison Cookbook\u003c/em> highlighted the ingenuity he exercised to eat healthy while serving a three-and-a-half year sentence for gun possession.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Prodigy had been in Las Vegas, where Mobb Deep performed over the weekend as part of \u003ca href=\"http://theartofrap.net/\">the Art of Rap tour\u003c/a>, featuring other legendary acts Onyx, Ghostface Killah, KRS-One, and Ice-T. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Mobb+Deep%27s+Prodigy+Dies+At+42&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Anita Pallenberg Was No Simple Muse",
"headTitle": "Anita Pallenberg Was No Simple Muse | KQED",
"content": "\u003cp>Arguably, no single rock musician has had a greater ripple effect on both men’s and women’s fashion than Keith Richards. Things that shouldn’t have made sense — from Nudie suits and scarves as belts, to cheetah-prints and graphic striped trousers mixed with polka dots — always looked effortless on him. Unbeknownst to many at the time, it was Anita Pallenberg’s closet from which Richard was pulling.\u003c/p>\n\u003cp>“As a kid I wanted to dress like Keith Richards, I wasn’t at all interested in women’s fashion, it was guys in bands I wanted to emulate,” British designer Pamela Hogg tells NPR Music. “But it was a long time before I realized Anita was behind all these great looks, they couldn’t help but be influenced by her amazing sense of style, it was contagious.” She and Pallenberg would eventually connect in a coffee shop in Paris in the 1980’s, and their friendship would result in Pallenberg walking Hogg’s runway during London Fashion Week in 2016.\u003c/p>\n\u003cp>When Pallenberg, a German-Italian actress and model, died last week at 73 she was remembered foremost, if headlines are any guide, as The Rolling Stones’ “muse and rock-star girlfriend of Keith Richards. She was, clearly, much more than that — an icon and creator in her own right, the baddest of the bad girls, an incendiary force who helped the Stones \u003cem>become \u003c/em>the Stones. Pallenberg was the one who shook the shy, awkward schoolboys out of the band’s system and helped extricate their inner outlaws. The truth is, it’s hard to imagine what the Rolling Stones would have would have looked like had Pallenberg never made her way backstage at a show in 1965.\u003c/p>\n\u003cfigure id=\"attachment_13478982\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-800x1066.jpg\" alt=\"Keith Richards with Anita Pallenberg in 1970.\" width=\"800\" height=\"1066\" class=\"size-medium wp-image-13478982\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-800x1066.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-1920x2560.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-520x693.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keith Richards with Anita Pallenberg in 1970. \u003ccite>(Mark and Colleen Hayward/Redferns)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By the time she moved into an apartment with then-guitarist Brian Jones in 1966, The Rolling Stones had ditched its matching houndstooth coats for a mix of tailored blazers, skinny ties, slacks and polo shirts, in an attempt to out-fab the Fab Four. “The Beatles are all over the place, like a bag of f****** fleas, right? And you’ve got another good band. The thing is not to try and regurgitate the Beatles. So we’re going to have to be the anti-Beatles,” Richards wrote in his 2010 memoir, \u003cem>Life\u003c/em>.\u003c/p>\n\u003cp>From feathered boas, furs, satins and velvets, Pallenberg’s extravagant and imaginative style quickly became the band’s own. “[Anita and Brian] were both dauntless shoppers and excessively vain. Hours and hours were spent putting on clothes and taking them off again. Heaps of scarves, hats, shirts and boots flew out of drawers and trunks. Unending trying on of outfits, primping and sashaying,” Marianne Faithfull, a close friend of Pallenberg’s, wrote in her 2010 autobiography, \u003cem>Faithfull\u003c/em>. “I would sit mesmerized for hours, watching them preening in the mirror, trying on each other’s clothes. All roles and gender would evaporate in these narcissistic performances where Anita would turn Brian into the Sun King, Francoise Hardy or the mirror image of herself.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The contrast of the Stones’ raw, blues-inflected sound with the decadence of their appearance would transform the band into cultural icons, not just pop stars. And unlike artists who come up with new looks for different album cycles, once the Stones began following Pallenberg’s lead, they continued cultivating that singular look for the decades to come. Within the band’s style entity, individual members had nuances — shimmying Mick Jagger, for example, was the more flamboyant of the bunch, while Charlie Watts opted for a more tailored look.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Like Faithfull, who wrote that Pallenberg was “dazzling, beautiful, hypnotic and unsettling” and that “other women evaporated next to her,” Hogg concedes that, more than the clothes themselves, it was Pallenberg’s spirit that made her such a phenomenon. “Her personality made her style work, she was a free spirit with only her rules to follow or break. She had natural style, you can’t buy that. You instantly knew you were in the company of a caliber woman.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Anita+Pallenberg+Was+No+Simple+Muse&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Arguably, no single rock musician has had a greater ripple effect on both men’s and women’s fashion than Keith Richards. Things that shouldn’t have made sense — from Nudie suits and scarves as belts, to cheetah-prints and graphic striped trousers mixed with polka dots — always looked effortless on him. Unbeknownst to many at the time, it was Anita Pallenberg’s closet from which Richard was pulling.\u003c/p>\n\u003cp>“As a kid I wanted to dress like Keith Richards, I wasn’t at all interested in women’s fashion, it was guys in bands I wanted to emulate,” British designer Pamela Hogg tells NPR Music. “But it was a long time before I realized Anita was behind all these great looks, they couldn’t help but be influenced by her amazing sense of style, it was contagious.” She and Pallenberg would eventually connect in a coffee shop in Paris in the 1980’s, and their friendship would result in Pallenberg walking Hogg’s runway during London Fashion Week in 2016.\u003c/p>\n\u003cp>When Pallenberg, a German-Italian actress and model, died last week at 73 she was remembered foremost, if headlines are any guide, as The Rolling Stones’ “muse and rock-star girlfriend of Keith Richards. She was, clearly, much more than that — an icon and creator in her own right, the baddest of the bad girls, an incendiary force who helped the Stones \u003cem>become \u003c/em>the Stones. Pallenberg was the one who shook the shy, awkward schoolboys out of the band’s system and helped extricate their inner outlaws. The truth is, it’s hard to imagine what the Rolling Stones would have would have looked like had Pallenberg never made her way backstage at a show in 1965.\u003c/p>\n\u003cfigure id=\"attachment_13478982\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-800x1066.jpg\" alt=\"Keith Richards with Anita Pallenberg in 1970.\" width=\"800\" height=\"1066\" class=\"size-medium wp-image-13478982\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-800x1066.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-1920x2560.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/gettyimages-187170584_vert-2bd40e2e2879e6b440b982b91d29ea649e1a9608-520x693.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keith Richards with Anita Pallenberg in 1970. \u003ccite>(Mark and Colleen Hayward/Redferns)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By the time she moved into an apartment with then-guitarist Brian Jones in 1966, The Rolling Stones had ditched its matching houndstooth coats for a mix of tailored blazers, skinny ties, slacks and polo shirts, in an attempt to out-fab the Fab Four. “The Beatles are all over the place, like a bag of f****** fleas, right? And you’ve got another good band. The thing is not to try and regurgitate the Beatles. So we’re going to have to be the anti-Beatles,” Richards wrote in his 2010 memoir, \u003cem>Life\u003c/em>.\u003c/p>\n\u003cp>From feathered boas, furs, satins and velvets, Pallenberg’s extravagant and imaginative style quickly became the band’s own. “[Anita and Brian] were both dauntless shoppers and excessively vain. Hours and hours were spent putting on clothes and taking them off again. Heaps of scarves, hats, shirts and boots flew out of drawers and trunks. Unending trying on of outfits, primping and sashaying,” Marianne Faithfull, a close friend of Pallenberg’s, wrote in her 2010 autobiography, \u003cem>Faithfull\u003c/em>. “I would sit mesmerized for hours, watching them preening in the mirror, trying on each other’s clothes. All roles and gender would evaporate in these narcissistic performances where Anita would turn Brian into the Sun King, Francoise Hardy or the mirror image of herself.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The contrast of the Stones’ raw, blues-inflected sound with the decadence of their appearance would transform the band into cultural icons, not just pop stars. And unlike artists who come up with new looks for different album cycles, once the Stones began following Pallenberg’s lead, they continued cultivating that singular look for the decades to come. Within the band’s style entity, individual members had nuances — shimmying Mick Jagger, for example, was the more flamboyant of the bunch, while Charlie Watts opted for a more tailored look.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Like Faithfull, who wrote that Pallenberg was “dazzling, beautiful, hypnotic and unsettling” and that “other women evaporated next to her,” Hogg concedes that, more than the clothes themselves, it was Pallenberg’s spirit that made her such a phenomenon. “Her personality made her style work, she was a free spirit with only her rules to follow or break. She had natural style, you can’t buy that. You instantly knew you were in the company of a caliber woman.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Anita+Pallenberg+Was+No+Simple+Muse&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Carrie Fisher’s autopsy report shows the actress had cocaine in her system when she fell ill on a plane last year, but investigators could not determine what impact the cocaine and other drugs found in her system had on her death.\u003c/p>\n\u003cp>The report released Monday states Fisher may have taken cocaine three days before the Dec. 23 flight on which she became ill. She died four days later.\u003c/p>\n\u003cp>It also found traces of heroin, other opiates and MDMA, which is also known as ecstasy, but that they could not determine when Fisher had taken those drugs. The findings were based on toxicology screenings done on samples taken when the “Star Wars” actress arrived at a Los Angeles hospital.\u003c/p>\n\u003cp>Coroner’s officials ruled Fisher died from sleep apnea and a combination of other factors. A news release issued Friday mentioned drugs were found in Fisher’s system, but it did not provide details.\u003c/p>\n\u003cp>Monday’s full report contains a detailed explanation of the results, such as why investigators believe Fisher took cocaine at least three days before her flight.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“At this time the significance of cocaine cannot be established in this case,” the report states.\u003c/p>\n\u003cp>It also states that while heroin is detectable in the system for a briefer period of time, investigators could not determine when Fisher, 60, took it or the ecstasy. Toxicology tests also found other opiates in Fisher’s system, including morphine, although the report states the morphine could have been a byproduct of heroin.\u003c/p>\n\u003cp>“Ms. Fisher suffered what appeared to be a cardiac arrest on the airplane accompanied by vomiting and with a history of sleep apnea. Based on the available toxicological information, we cannot establish the significance of the multiple substances that were detected in Ms. Fisher’s blood and tissue, with regard to the cause of death,” the report states.\u003c/p>\n\u003cp>Among the factors that contributed to Fisher’s death was buildup of fatty tissue in the walls of her arteries, the coroner’s office said last week.\u003c/p>\n\u003cp>A phone message left for Fisher’s brother, Todd, was not immediately returned.\u003c/p>\n\u003cp>Todd Fisher said Friday he was not surprised that drugs may have contributed to his sister’s death.\u003c/p>\n\u003cp>“I would tell you, from my perspective that there’s certainly no news that Carrie did drugs,” Todd Fisher said. He noted that his sister wrote extensively about her drug use, and that many of the drugs she took were prescribed by doctors to try to treat her mental health conditions.\u003c/p>\n\u003cp>Fisher long battled drug addiction and mental illness. She said she smoked pot at 13, used LSD by 21 and was diagnosed with bipolar disorder at 24. She was treated with electroshock therapy and medication.\u003c/p>\n\u003cp>“I am not shocked that part of her health was affected by drugs,” Todd Fisher said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He said his sister’s heart condition was probably worsened by her smoking habit, as well as the medications she took. “If you want to know what killed her, it’s all of it,” he said.\u003cbr>\n___\u003cbr>\nAnthony McCartney can be reached at http://twitter.com/mccartneyAP\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Carrie Fisher’s autopsy report shows the actress had cocaine in her system when she fell ill on a plane last year, but investigators could not determine what impact the cocaine and other drugs found in her system had on her death.\u003c/p>\n\u003cp>The report released Monday states Fisher may have taken cocaine three days before the Dec. 23 flight on which she became ill. She died four days later.\u003c/p>\n\u003cp>It also found traces of heroin, other opiates and MDMA, which is also known as ecstasy, but that they could not determine when Fisher had taken those drugs. The findings were based on toxicology screenings done on samples taken when the “Star Wars” actress arrived at a Los Angeles hospital.\u003c/p>\n\u003cp>Coroner’s officials ruled Fisher died from sleep apnea and a combination of other factors. A news release issued Friday mentioned drugs were found in Fisher’s system, but it did not provide details.\u003c/p>\n\u003cp>Monday’s full report contains a detailed explanation of the results, such as why investigators believe Fisher took cocaine at least three days before her flight.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“At this time the significance of cocaine cannot be established in this case,” the report states.\u003c/p>\n\u003cp>It also states that while heroin is detectable in the system for a briefer period of time, investigators could not determine when Fisher, 60, took it or the ecstasy. Toxicology tests also found other opiates in Fisher’s system, including morphine, although the report states the morphine could have been a byproduct of heroin.\u003c/p>\n\u003cp>“Ms. Fisher suffered what appeared to be a cardiac arrest on the airplane accompanied by vomiting and with a history of sleep apnea. Based on the available toxicological information, we cannot establish the significance of the multiple substances that were detected in Ms. Fisher’s blood and tissue, with regard to the cause of death,” the report states.\u003c/p>\n\u003cp>Among the factors that contributed to Fisher’s death was buildup of fatty tissue in the walls of her arteries, the coroner’s office said last week.\u003c/p>\n\u003cp>A phone message left for Fisher’s brother, Todd, was not immediately returned.\u003c/p>\n\u003cp>Todd Fisher said Friday he was not surprised that drugs may have contributed to his sister’s death.\u003c/p>\n\u003cp>“I would tell you, from my perspective that there’s certainly no news that Carrie did drugs,” Todd Fisher said. He noted that his sister wrote extensively about her drug use, and that many of the drugs she took were prescribed by doctors to try to treat her mental health conditions.\u003c/p>\n\u003cp>Fisher long battled drug addiction and mental illness. She said she smoked pot at 13, used LSD by 21 and was diagnosed with bipolar disorder at 24. She was treated with electroshock therapy and medication.\u003c/p>\n\u003cp>“I am not shocked that part of her health was affected by drugs,” Todd Fisher said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He said his sister’s heart condition was probably worsened by her smoking habit, as well as the medications she took. “If you want to know what killed her, it’s all of it,” he said.\u003cbr>\n___\u003cbr>\nAnthony McCartney can be reached at http://twitter.com/mccartneyAP\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The Slants Win Supreme Court Battle Over Band's Name in Trademark Dispute",
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"content": "\u003cp>Members of the Asian-American rock band The Slants have the right to call themselves by a disparaging name, the Supreme Court says, in a ruling that could have broad impact on how the First Amendment is applied in other trademark cases.\u003c/p>\n\u003cp>The Slants’ frontman, Simon Tam, filed a lawsuit after the U.S. Patent and Trademark Office kept the band from registering its name and rejected its appeal, citing the Lanham Act, which prohibits any trademark that could “disparage … or bring … into contemp[t] or disrepute” any “persons, living or dead,” as the court states.\u003c/p>\n\u003cp>After a federal court agreed with Tam and his band, the Patent and Trademark Office sued to avoid being compelled to register its name as a trademark. On Monday, the Supreme Court sided with The Slants.\u003c/p>\n\u003cp>“The disparagement clause violates the First Amendment’s Free Speech Clause,” Justice Samuel Alito wrote in his opinion for the court. Contrary to the Government’s contention, trademarks are private, not government speech.”\u003c/p>\n\u003cp>The band has said it wanted to reclaim what is often seen as a slur.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We grew up and the notion of having slanted eyes was always considered a negative thing,” \u003ca href=\"http://www.npr.org/sections/codeswitch/2017/01/19/510467679/the-slants-fighting-for-the-right-to-rock-a-racial-slur\">Tam said in January\u003c/a>. “Kids would pull their eyes back in a slant-eyed gesture to make fun of us. … I wanted to change it to something that was powerful, something that was considered beautiful or a point of pride instead.”\u003c/p>\n\u003cp>Attorney Lee Rowland of the American Civil Liberties Union welcomed the Supreme Court’s decision:\u003c/p>\n\u003cblockquote>\n\u003cp>“The government’s misguided effort to protect minorities from disparagement instead hurt members of that very community by hindering their right to compete in the marketplace of ideas. Fortunately, today’s opinion prevents the kind of absurd outcome that results when the government plays speech police.”\u003c/p>\n\u003c/blockquote>\n\u003cp>The case could inform arguments over other, much larger entities than The Slants.\u003c/p>\n\u003cp>As \u003ca href=\"http://www.npr.org/2017/01/18/510310945/in-battle-over-band-name-supreme-court-considers-free-speech-and-trademarks\">NPR’s Nina Totenberg has reported\u003c/a>, “the trademark office has denied registration to a group calling itself “Abort the Republicans,” and another called “Democrats Shouldn’t Breed.” It \u003ca href=\"http://www.npr.org/sections/thetwo-way/2014/06/18/323205099/u-s-patent-office-cancels-washington-redskins-trademark-registration\">canceled the registration\u003c/a> for the Washington Redskins in 2014 at the behest of some Native Americans who considered the name offensive.”\u003c/p>\n\u003cp>In his opinion about another facet of the case, Alito wrote:\u003c/p>\n\u003cblockquote>\n\u003cp>“There is also a deeper problem with the argument that commercial speech may be cleansed of any expression likely to cause offense. The commercial market is well stocked with merchandise that disparages prominent figures and groups, and the line between commercial and non-commercial speech is not always clear, as this case illustrates. If affixing the commercial label permits the suppression of any speech that may lead to political or social ‘volatility,’ free speech would be endangered.”\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>The judgment was unanimous — with two asterisks: Justice Neil Gorsuch, who wasn’t yet on the court when the case was argued in January, did not take part. And with different parts of the case drawing differing legal explanations, four opinions were written. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Slants+Win+Supreme+Court+Battle+Over+Band%27s+Name+In+Trademark+Dispute&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Members of the Asian-American rock band The Slants have the right to call themselves by a disparaging name, the Supreme Court says, in a ruling that could have broad impact on how the First Amendment is applied in other trademark cases.\u003c/p>\n\u003cp>The Slants’ frontman, Simon Tam, filed a lawsuit after the U.S. Patent and Trademark Office kept the band from registering its name and rejected its appeal, citing the Lanham Act, which prohibits any trademark that could “disparage … or bring … into contemp[t] or disrepute” any “persons, living or dead,” as the court states.\u003c/p>\n\u003cp>After a federal court agreed with Tam and his band, the Patent and Trademark Office sued to avoid being compelled to register its name as a trademark. On Monday, the Supreme Court sided with The Slants.\u003c/p>\n\u003cp>“The disparagement clause violates the First Amendment’s Free Speech Clause,” Justice Samuel Alito wrote in his opinion for the court. Contrary to the Government’s contention, trademarks are private, not government speech.”\u003c/p>\n\u003cp>The band has said it wanted to reclaim what is often seen as a slur.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We grew up and the notion of having slanted eyes was always considered a negative thing,” \u003ca href=\"http://www.npr.org/sections/codeswitch/2017/01/19/510467679/the-slants-fighting-for-the-right-to-rock-a-racial-slur\">Tam said in January\u003c/a>. “Kids would pull their eyes back in a slant-eyed gesture to make fun of us. … I wanted to change it to something that was powerful, something that was considered beautiful or a point of pride instead.”\u003c/p>\n\u003cp>Attorney Lee Rowland of the American Civil Liberties Union welcomed the Supreme Court’s decision:\u003c/p>\n\u003cblockquote>\n\u003cp>“The government’s misguided effort to protect minorities from disparagement instead hurt members of that very community by hindering their right to compete in the marketplace of ideas. Fortunately, today’s opinion prevents the kind of absurd outcome that results when the government plays speech police.”\u003c/p>\n\u003c/blockquote>\n\u003cp>The case could inform arguments over other, much larger entities than The Slants.\u003c/p>\n\u003cp>As \u003ca href=\"http://www.npr.org/2017/01/18/510310945/in-battle-over-band-name-supreme-court-considers-free-speech-and-trademarks\">NPR’s Nina Totenberg has reported\u003c/a>, “the trademark office has denied registration to a group calling itself “Abort the Republicans,” and another called “Democrats Shouldn’t Breed.” It \u003ca href=\"http://www.npr.org/sections/thetwo-way/2014/06/18/323205099/u-s-patent-office-cancels-washington-redskins-trademark-registration\">canceled the registration\u003c/a> for the Washington Redskins in 2014 at the behest of some Native Americans who considered the name offensive.”\u003c/p>\n\u003cp>In his opinion about another facet of the case, Alito wrote:\u003c/p>\n\u003cblockquote>\n\u003cp>“There is also a deeper problem with the argument that commercial speech may be cleansed of any expression likely to cause offense. The commercial market is well stocked with merchandise that disparages prominent figures and groups, and the line between commercial and non-commercial speech is not always clear, as this case illustrates. If affixing the commercial label permits the suppression of any speech that may lead to political or social ‘volatility,’ free speech would be endangered.”\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>The judgment was unanimous — with two asterisks: Justice Neil Gorsuch, who wasn’t yet on the court when the case was argued in January, did not take part. And with different parts of the case drawing differing legal explanations, four opinions were written. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Slants+Win+Supreme+Court+Battle+Over+Band%27s+Name+In+Trademark+Dispute&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "When Your Father Figure Leaves You Half an Iconic L.A. Carousel",
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"content": "\u003cp>In the heart of Griffith Park in Los Angeles, nestled in a carpet of green grass at the bottom of a slope, sits “a beautiful jewel.” At least, that’s how co-owner Julio Gosdinski thinks of it.\u003c/p>\n\u003cp>Gosdinski has worked at the \u003ca href=\"http://www.laparks.org/griffithpark/griffith-park-merry-go-round\" target=\"_blank\" rel=\"noopener noreferrer\">Griffith Park Carousel\u003c/a> since he was in high school. But he never dreamed he’d eventually become one of its owners.\u003c/p>\n\u003cp>“We're one of the fastest merry-go-rounds,” he tells me proudly. “We go 14 miles an hour.”\u003c/p>\n\u003cp>Most carousels rotate at less than half that speed.\u003c/p>\n\u003cp>“It’s more of a thrill ride than anything,” he adds. Gosdinski is 45, but with his tiny frame, thick dark hair and luminous blue eyes, he doesn’t look much older than most of his customers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The carousel was built by the Spillman Engineering Company, of North Tonawanda, New York, in 1926. It was brought to San Diego for the 1936 World’s Fair and from there to its permanent home in Griffith Park. Everything on it is authentic, from the belts and gears that drive it to the hand-painted panels that circle its crown -- lush images of tigers, elk, swans, mountains, lakes and other scenery.\u003c/p>\n\u003cfigure id=\"attachment_11514950\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514950\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s mirrored, jeweled and hand-painted crown \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And of course, there are the horses.\u003c/p>\n\u003cp>“We have 66 horses, all jumpers,” Gosdinski says, meaning no stationary horses. “We have a few horses that were carved back in 1895, so they’re actually older than the merry-go-round. Those are the jewels of the carousel.”\u003c/p>\n\u003cp>All the horses have real horse tails and real horse shoes, with lifelike expressions -- some spirited, some docile and friendly. All of them seem to be saying, “Pick me!” And they each have their own personality, as Gosdinski will attest.\u003c/p>\n\u003cp>“My favorite horse, we call him Diablo,” he laughs. “Cause he can kick you when you're not paying attention!”\u003c/p>\n\u003cp>He goes on to explain: “Most of the horses have their hind legs tucked in. His has one leg sticking out, and if you don't pay attention, he kind of kicks you, right? Well last year, he took a chunk of my skin off and I was bleeding. I'm like, 'damn you, Diablo!'”\u003c/p>\n\u003cfigure id=\"attachment_11514955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514955\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s original ticket booth \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski moved to Los Angeles from Peru when he was 12 years old. A few years later, he found his first job helping out at the carousel on weekends. And he found something else he’d been looking for in its owner, Warren Deasy.\u003c/p>\n\u003cp>“I grew up without my dad,” Gosdinski tells me as we sit on a bench near the carousel. “My mom was my dad and mom. I mean, my mom did such a great job. But you still need that father, that relationship. And I think I developed that with him.”\u003c/p>\n\u003cp>Over the years, Deasy and his partner, Rosemary West, became the young man’s second family.\u003c/p>\n\u003cp>“Warren was such a caring person,” he remembers. “I mean, there's no words that can describe how much he meant to a lot of us. He walked one of the girls down the aisle when she got married. Every Father's Day I would give him a card. I looked up to him, you know?”\u003c/p>\n\u003cp>When Deasy passed away in 2011, he left his employee an incredible gift: half of the carousel. To say Gosdinski was surprised is an understatement.\u003c/p>\n\u003cp>“He had mentioned it before, but I was young, and like 'oh, you're gonna live forever,' you know? But when it happened I was like, wow, really! Wow!\"\u003c/p>\n\u003cp>Now, Gosdinski and West are partners. She takes care of maintaining the horses and carousel and has beautifully restored the hand-painted scenes. Gosdinski handles the day-to-day tasks: selling tickets, operating the machinery and greeting the hundreds of children who visit each day. Many of them are regulars who have been coming back for years and return to ride even as adults. Gosdinski knows many of his customers by name, and they greet him like an old friend.\u003c/p>\n\u003cp>Each morning, before he opens up for the day, Gosdinski loads the paper rolls that play the music pumped out by the carousel’s Stinson 165 Military Band Organ. There are hundreds of rolls to choose from in boxes stacked on shelves from floor to ceiling.\u003c/p>\n\u003cfigure id=\"attachment_11514952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514952\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paper rolls play music on the carousel’s vintage organ. Gosdinski picsks from the dozens of options. \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11514951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514951\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The vintage Stinson 165 Military Band organ. The figures move in time to the music.\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski loads two paper rolls into either side of the organ in the back and switches it on. The jets start to whir, the rolls turn and the air is filled with the grand sound of the \u003ca href=\"https://www.youtube.com/watch?v=zyDKwIhdvYg\" target=\"_blank\" rel=\"noopener noreferrer\">\"Morning, Noon and Night in Vienna Overture.\"\u003c/a>\u003c/p>\n\u003cp>But it’s not all work and no play. After all, what’s the point of owning a carousel if you don’t ride it yourself once in a while?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Anything that happens out there in the real world, you come to the park, you open up the merry-go-round, eleven o’clock you turn on the organ — it just changes your attitude completely,” Gosdinski smiles. “It's like you're in a different world.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the heart of Griffith Park in Los Angeles, nestled in a carpet of green grass at the bottom of a slope, sits “a beautiful jewel.” At least, that’s how co-owner Julio Gosdinski thinks of it.\u003c/p>\n\u003cp>Gosdinski has worked at the \u003ca href=\"http://www.laparks.org/griffithpark/griffith-park-merry-go-round\" target=\"_blank\" rel=\"noopener noreferrer\">Griffith Park Carousel\u003c/a> since he was in high school. But he never dreamed he’d eventually become one of its owners.\u003c/p>\n\u003cp>“We're one of the fastest merry-go-rounds,” he tells me proudly. “We go 14 miles an hour.”\u003c/p>\n\u003cp>Most carousels rotate at less than half that speed.\u003c/p>\n\u003cp>“It’s more of a thrill ride than anything,” he adds. Gosdinski is 45, but with his tiny frame, thick dark hair and luminous blue eyes, he doesn’t look much older than most of his customers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The carousel was built by the Spillman Engineering Company, of North Tonawanda, New York, in 1926. It was brought to San Diego for the 1936 World’s Fair and from there to its permanent home in Griffith Park. Everything on it is authentic, from the belts and gears that drive it to the hand-painted panels that circle its crown -- lush images of tigers, elk, swans, mountains, lakes and other scenery.\u003c/p>\n\u003cfigure id=\"attachment_11514950\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514950\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25718_Carousel_05_Crown_2-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s mirrored, jeweled and hand-painted crown \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And of course, there are the horses.\u003c/p>\n\u003cp>“We have 66 horses, all jumpers,” Gosdinski says, meaning no stationary horses. “We have a few horses that were carved back in 1895, so they’re actually older than the merry-go-round. Those are the jewels of the carousel.”\u003c/p>\n\u003cp>All the horses have real horse tails and real horse shoes, with lifelike expressions -- some spirited, some docile and friendly. All of them seem to be saying, “Pick me!” And they each have their own personality, as Gosdinski will attest.\u003c/p>\n\u003cp>“My favorite horse, we call him Diablo,” he laughs. “Cause he can kick you when you're not paying attention!”\u003c/p>\n\u003cp>He goes on to explain: “Most of the horses have their hind legs tucked in. His has one leg sticking out, and if you don't pay attention, he kind of kicks you, right? Well last year, he took a chunk of my skin off and I was bleeding. I'm like, 'damn you, Diablo!'”\u003c/p>\n\u003cfigure id=\"attachment_11514955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11514955\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25713_Carousel_10_Tickets-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The carousel’s original ticket booth \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski moved to Los Angeles from Peru when he was 12 years old. A few years later, he found his first job helping out at the carousel on weekends. And he found something else he’d been looking for in its owner, Warren Deasy.\u003c/p>\n\u003cp>“I grew up without my dad,” Gosdinski tells me as we sit on a bench near the carousel. “My mom was my dad and mom. I mean, my mom did such a great job. But you still need that father, that relationship. And I think I developed that with him.”\u003c/p>\n\u003cp>Over the years, Deasy and his partner, Rosemary West, became the young man’s second family.\u003c/p>\n\u003cp>“Warren was such a caring person,” he remembers. “I mean, there's no words that can describe how much he meant to a lot of us. He walked one of the girls down the aisle when she got married. Every Father's Day I would give him a card. I looked up to him, you know?”\u003c/p>\n\u003cp>When Deasy passed away in 2011, he left his employee an incredible gift: half of the carousel. To say Gosdinski was surprised is an understatement.\u003c/p>\n\u003cp>“He had mentioned it before, but I was young, and like 'oh, you're gonna live forever,' you know? But when it happened I was like, wow, really! Wow!\"\u003c/p>\n\u003cp>Now, Gosdinski and West are partners. She takes care of maintaining the horses and carousel and has beautifully restored the hand-painted scenes. Gosdinski handles the day-to-day tasks: selling tickets, operating the machinery and greeting the hundreds of children who visit each day. Many of them are regulars who have been coming back for years and return to ride even as adults. Gosdinski knows many of his customers by name, and they greet him like an old friend.\u003c/p>\n\u003cp>Each morning, before he opens up for the day, Gosdinski loads the paper rolls that play the music pumped out by the carousel’s Stinson 165 Military Band Organ. There are hundreds of rolls to choose from in boxes stacked on shelves from floor to ceiling.\u003c/p>\n\u003cfigure id=\"attachment_11514952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514952\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25716_Carousel_07_Music_Rolls-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paper rolls play music on the carousel’s vintage organ. Gosdinski picsks from the dozens of options. \u003ccite>(Photo by Anny Celsi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11514951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-11514951\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/RS25717_Carousel_06_Organ-qut-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The vintage Stinson 165 Military Band organ. The figures move in time to the music.\u003c/figcaption>\u003c/figure>\n\u003cp>Gosdinski loads two paper rolls into either side of the organ in the back and switches it on. The jets start to whir, the rolls turn and the air is filled with the grand sound of the \u003ca href=\"https://www.youtube.com/watch?v=zyDKwIhdvYg\" target=\"_blank\" rel=\"noopener noreferrer\">\"Morning, Noon and Night in Vienna Overture.\"\u003c/a>\u003c/p>\n\u003cp>But it’s not all work and no play. After all, what’s the point of owning a carousel if you don’t ride it yourself once in a while?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Anything that happens out there in the real world, you come to the park, you open up the merry-go-round, eleven o’clock you turn on the organ — it just changes your attitude completely,” Gosdinski smiles. “It's like you're in a different world.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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