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"content": "\u003cp>So you’ve done the Sing-along “Messiah,” you’re not quite ready to go caroling in the streets, and you want a jolt of holiday spirit you can take your family (or a date) to that’s fun, classy AND inclusive? Then head on over to the beautiful Paramount Theater in Oakland for the most joyous, raise-the-roof celebration of all the winter holidays, the Oakland East Bay Symphony’s \u003cb>Let Us Break Bread Together\u003c/b> concert on Sunday, December 13.\u003c/p>\n\u003cp>When Michael Morgan took over the Oakland East Bay Symphony 20 years ago, it was his mission not only to revive a community treasure that had gone bankrupt, but to make sure it didn’t happen again by making the Paramount the place to be on concert nights for all of Oakland. This meant reaching out to members of the community who might never have been to a symphony concert before, or had never even thought about going, and then helping them feel welcome once they got there. This is something that Michael is very, very good at, and he’s proven it in the Symphony’s success over the last two decades.\u003c/p>\n\u003cp>This is the 18th year that Morgan and the Symphony have celebrated the holidays with their \u003cb>Let Us Break Bread Together\u003c/b> concert, and it’s one of the highlights of the holiday season in the East Bay. It’s a simple concept — embrace the whole community by adding African-American, Jewish and Eastern Orthodox music to the usual “classical” holiday fare, and then stepping back and letting the audience take over when they realize how much fun they’re having with the whole, eclectic mix. This year’s guests include the \u003ca href=\"http://www.oigc.org\">Oakland Interfaith Gospel Choir\u003c/a>, the awesome klezmer band \u003ca href=\"http://kugelplex.com/home.html\">Kugelplex\u003c/a>, women’s vocal ensemble \u003ca href=\"http://www.kitka.org>Kitka%E2%80%9D</a>,%20and%20the%20renowned%20<a%20href=\" http:>Mt. Eden High School Concert Choir\u003c/a>. Even Scrooge will be dancing in the aisles — and my family and I will be there with him! \u003cb>Let Us Break Bread Together\u003c/b> at 4pm, Sunday, December 13, 2009 at the Paramount Theater in Oakland. For \u003ca href=\"http://oebs.org/page/dec.htm\">tickets and information\u003c/a> visit oebs.org.\u003c/p>\n\u003cp>And if you want to keep that multi-culti-with-a-twist holiday feeling after the concert, check out some of my favorite non-traditional classical holiday CDs:\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/Mozart.jpg\" style=\"margin-bottom: 10px; float: left; margin-right: 10px;\">In 1986, when “classical crossover” was still a nebulous (and usually not-very-well-executed concept), record producer Warren Schatz put the Hampton String Quartet together with some tasty arrangements of holiday pop tunes, and created a best-seller, called \u003cb>What if Mozart Wrote “Have Yourself a Merry Little Christmas?”\u003c/b> What made the tunes work was that they weren’t just elevator-music covers of the songs, they were all actually arranged in the styles of composers like Mozart, Beethoven, Tchaikovsky and Grieg. This year, Schatz re-arranged the tunes for string orchestra, re-titling it \u003cb>What if Mozart Wrote “White Christmas?”\u003c/b> and added a couple of new tunes that weren’t on the first disc. Both albums are a blast — but why does Beethoven look so much like John Belushi?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/nutcracker.jpg\" style=\"margin-bottom: 10px; float: left; margin-right: 10px;\">Another brilliant concept: connect Tchaikovsky’s soulful and rocking ballet music with the soulful and rocking sounds of klezmer. And does it ever work! Shirim is a smokin’ klezmer band from Boston that has been giving concerts on December 25th for years, with the \u003cb>Klezmer Nutcracker\u003c/b> as a highlight. “The Dance of the Latkes Queens?” “Waltz of the Ruggelah?” “Kozatsky ’til You Dropsky?” You’ll laugh, you’ll cry, you’ll plotz. (And by the way, check out Kugelplex’s version of \u003ca href=\"http://www.youtube.com/watch?v=RWjcOxt9WyM&eurl=http://charminghostess.us/\">“Rudolph the Red-Nosed Reindeer.”\u003c/a>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/messiah.jpg\" style=\"margin-bottom: 10px; float: left; margin-right: 10px;\"> If there had been radios in 1741, Handels’ “Messiah” would have been on top of the charts. So it makes sense that \u003cb>Handel’s Messiah: A Soulful Celebration\u003c/b> would be conceived to fit right into the “Quiet Storm” format that was just becoming popular. With folks like Al Jarreau, Patti Austin and Stevie Wonder taking part, it settles right into a smooth jazz groove, retaining just enough Handel to make things interesting. Don’t miss the big smooth jazz/gospel jam on the “Hallelujah” chorus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/chungking.jpg\" style=\"margin-bottom: 10px; float: left; margin-right: 10px;\">\u003cb>A Chung King Christmas\u003c/b> is flat-out my favorite goofball Christmas album ever. It’s already a bizarre idea — popular Christmas songs played by a traditional Chinese band — and the arrangements range from the inspired to the apocalyptically cheesy (you haven’t truly lived until you’ve heard the er-hu-with-wedding-band version of “I Saw Mommy Kissing Santa Claus”), but it does prove that — one way or another — Christmas really does make the whole world go ’round.\u003c/p>\n\n",
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"content": "\u003cp>December is the slowest month of the year for shows, with clubs closing their doors for private events and holidays and many bands not looking to traverse the country in the winter. That said, there are still plenty of good shows, like the following:\u003c/p>\n\u003cp>I mentioned Oakland band \u003ca href=\"http://www.myspace.com/manmiracle\">Man/Miracle\u003c/a>‘s CD release party in passing last month, but didn’t give the guys the acknowledgment they deserve. The frenzied indie rock on \u003cb>The Shape of Things\u003c/b> — and singer Dylan Travis’s voice in particular — brings to mind Talking Heads in the album’s funkier songs, and Clap Your Hands Say Yeah in the darker and more experimental ones. Neither reference, however, overwhelms the music itself, which crackles with the energy of a young band already realizing its potential on its first full length. The band’s free show at Oakland’s \u003ca href=\"http://uptownnightclub.com/\">The Uptown\u003c/a> on Friday, December 18th also features fellow East Bayers \u003ca href=\"http://www.myspace.com/grandlakemusic\">Grand Lake\u003c/a> and \u003ca href=\"http://www.myspace.com/panchosan\">Pancho-san\u003c/a> (led by ex-Rogue Wave member Patrick Abernathy), along with SLO’s \u003ca href=\"http://www.myspace.com/sparrowsgate\">Sparrows Gate\u003c/a>.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=osqVavRf89k&hl=en_US&fs=1&rel=0]\u003c/p>\n\u003cp>With Two Gallants on hiatus, Adam Stephens and Tyson Vogel have been exploring individual projects, with \u003ca href=\"http://www.myspace.com/adamstephensmusic\">Adam Stephens and the Finite Plain\u003c/a> and \u003ca href=\"http://www.myspace.com/buildingsofheart\">Devotionals\u003c/a> respectively. Stephens and his band have been playing around for a little while now, and finally headed down to Los Angeles in September to record an album with producer Joe Chiccarelli (The Shins, The White Stripes). Stephens is an expert at heartfelt melodic songwriting; the songs take on an even greater emotional gravity with Jen Grady’s swooning cello. Catch the band on Wednesday, December 16th at the \u003ca href=\"http://rickshawstop.com/\">Rickshaw Stop\u003c/a> with the equally terrific SF/Sacramento band \u003ca href=\"http://myspace.com/twosheds\">Two Sheds\u003c/a> and \u003ca href=\"http://www.myspace.com/honeysanfrancisco\">Honey\u003c/a>, a local psych-influenced folk-rock band whose MySpace songs suggest it’d be well worth a timely arrival.\u003c/p>\n\u003cp>In October, Chicago band \u003ca href=\"http://califonemusic.com/\">Califone\u003c/a> released \u003cb>All My Friends Are Funeral Singers\u003c/b> to the same strong critical reaction that has accompanied each of their last several releases. The band is supporting the album with an ambitious West Coast tour with two performances at each show. At the \u003ca href=\"http://www.musichallsf.com/\">Great American Music Hall\u003c/a> on December 7th, they’ll play a live accompaniment to All My Friends Are Funeral Singers the \u003ci>movie\u003c/i> — written and directed by frontman Tim Rutili — followed by a traditional live performance. Well, traditional for Califone — the group uses ambient textures and experimental touches to make very forward-thinking folk-rock.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to these three shows, there are plenty of great holiday-themed local events coming up. Of particular note: \u003ca href=\"http://sonicliving.com/rumble25\">The Rumble\u003c/a>‘s free Holiday Electro Dance Party at \u003ca href=\"http://www.harlotsf.com\">Harlot\u003c/a> on December 9th (with a bevy of local DJs); \u003ca href=\"http://seaweedsway.blogspot.com/\">The Seaweed Sway\u003c/a>‘s holiday show at the \u003ca href=\"http://www.makeoutroom.com\">Make-Out Room\u003c/a> on December 20th (featuring \u003ca href=\"http://myspace.com/kaceyjohansing\">Kacey Johansing\u003c/a> and \u003ca href=\"http://myspace.com/garrettpierce\">Garrett Pierce\u003c/a>); and the SMiLE! Christmas Extravaganza at \u003ca href=\"http://theknockoutsf.com/\">The Knockout\u003c/a> on December 21st (with \u003ca href=\"http://www.myspace.com/bartdavenport\">Bart Davenport\u003c/a> and Persephone’s Bees). \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director at \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"excerpt": "With Oakland's Man/Miracle playing a free show at Oakland's The Uptown, Two Gallant's Adam Stephens and the Finite Plain at the Rickshaw Stop in SF, and Califone at the Great American Music Hall, you wouldn't know that December is the slowest month for live music.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>December is the slowest month of the year for shows, with clubs closing their doors for private events and holidays and many bands not looking to traverse the country in the winter. That said, there are still plenty of good shows, like the following:\u003c/p>\n\u003cp>I mentioned Oakland band \u003ca href=\"http://www.myspace.com/manmiracle\">Man/Miracle\u003c/a>‘s CD release party in passing last month, but didn’t give the guys the acknowledgment they deserve. The frenzied indie rock on \u003cb>The Shape of Things\u003c/b> — and singer Dylan Travis’s voice in particular — brings to mind Talking Heads in the album’s funkier songs, and Clap Your Hands Say Yeah in the darker and more experimental ones. Neither reference, however, overwhelms the music itself, which crackles with the energy of a young band already realizing its potential on its first full length. The band’s free show at Oakland’s \u003ca href=\"http://uptownnightclub.com/\">The Uptown\u003c/a> on Friday, December 18th also features fellow East Bayers \u003ca href=\"http://www.myspace.com/grandlakemusic\">Grand Lake\u003c/a> and \u003ca href=\"http://www.myspace.com/panchosan\">Pancho-san\u003c/a> (led by ex-Rogue Wave member Patrick Abernathy), along with SLO’s \u003ca href=\"http://www.myspace.com/sparrowsgate\">Sparrows Gate\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/osqVavRf89k'\n title='//www.youtube.com/embed/osqVavRf89k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>With Two Gallants on hiatus, Adam Stephens and Tyson Vogel have been exploring individual projects, with \u003ca href=\"http://www.myspace.com/adamstephensmusic\">Adam Stephens and the Finite Plain\u003c/a> and \u003ca href=\"http://www.myspace.com/buildingsofheart\">Devotionals\u003c/a> respectively. Stephens and his band have been playing around for a little while now, and finally headed down to Los Angeles in September to record an album with producer Joe Chiccarelli (The Shins, The White Stripes). Stephens is an expert at heartfelt melodic songwriting; the songs take on an even greater emotional gravity with Jen Grady’s swooning cello. Catch the band on Wednesday, December 16th at the \u003ca href=\"http://rickshawstop.com/\">Rickshaw Stop\u003c/a> with the equally terrific SF/Sacramento band \u003ca href=\"http://myspace.com/twosheds\">Two Sheds\u003c/a> and \u003ca href=\"http://www.myspace.com/honeysanfrancisco\">Honey\u003c/a>, a local psych-influenced folk-rock band whose MySpace songs suggest it’d be well worth a timely arrival.\u003c/p>\n\u003cp>In October, Chicago band \u003ca href=\"http://califonemusic.com/\">Califone\u003c/a> released \u003cb>All My Friends Are Funeral Singers\u003c/b> to the same strong critical reaction that has accompanied each of their last several releases. The band is supporting the album with an ambitious West Coast tour with two performances at each show. At the \u003ca href=\"http://www.musichallsf.com/\">Great American Music Hall\u003c/a> on December 7th, they’ll play a live accompaniment to All My Friends Are Funeral Singers the \u003ci>movie\u003c/i> — written and directed by frontman Tim Rutili — followed by a traditional live performance. Well, traditional for Califone — the group uses ambient textures and experimental touches to make very forward-thinking folk-rock.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to these three shows, there are plenty of great holiday-themed local events coming up. Of particular note: \u003ca href=\"http://sonicliving.com/rumble25\">The Rumble\u003c/a>‘s free Holiday Electro Dance Party at \u003ca href=\"http://www.harlotsf.com\">Harlot\u003c/a> on December 9th (with a bevy of local DJs); \u003ca href=\"http://seaweedsway.blogspot.com/\">The Seaweed Sway\u003c/a>‘s holiday show at the \u003ca href=\"http://www.makeoutroom.com\">Make-Out Room\u003c/a> on December 20th (featuring \u003ca href=\"http://myspace.com/kaceyjohansing\">Kacey Johansing\u003c/a> and \u003ca href=\"http://myspace.com/garrettpierce\">Garrett Pierce\u003c/a>); and the SMiLE! Christmas Extravaganza at \u003ca href=\"http://theknockoutsf.com/\">The Knockout\u003c/a> on December 21st (with \u003ca href=\"http://www.myspace.com/bartdavenport\">Bart Davenport\u003c/a> and Persephone’s Bees). \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director at \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Ellen Fullman's Long String Instrument",
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"content": "\u003cp>Ellen Fullman is not just a composer. She’s also a performer, installation artist, choreographer, instrument-maker, and music theorist. Lest that list sound too academic, let me add that the compositions she writes for the instrument she invented, the \u003ca href=\"http://www.ellenfullman.com/\">Long String Instrument\u003c/a>, are eerily lovely and airily enveloping, like a blanket made of stars.\u003c/p>\n\u003cp>Fullman has been developing ways to play and ways to tweak her Long String Instrument since 1981. It’s stage-sized, a collection of finely-tuned bronze strings stretched across a room at waist-height. Fullman and other musicians walk alongside the strings, running their hands down them to create chords and rich overtones that dissolve into each other as the musicians move through the instrument. The result is a choreographed performance of slow, textured songs that reverberate through the room.\u003c/p>\n\u003cp>Trained in North Indian singing, Fullman draws warm, droning tones out of the strings. She also cites her childhood in Memphis, listening to the Delta blues, as an influence, and you can hear it in the simple melodies that peek out through the overtones. Her compositions are full of slow changes and weaving chords, low rumbles and light hums. The overall effect feels bigger than the room. Fullman has said she wants her music to be “as elemental as the weather.”\u003c/p>\n\u003cp>Ellen Fullman wraps up a month-long residency at the Berkeley Art Museum with a performance Friday, December 4, 2009. She’ll be playing previously recorded pieces, including a solo with video projections, so the audience can see up-close what she’s doing while she plays. The concert is part of the Berkeley Art Museum’s Friday night \u003ca href=\"http://www.bampfa.berkeley.edu/events/general/late\">L@TE\u003c/a> series; the galleries are open late and the museum brings in DJs, a bar, and hosts various performances and events.\u003c/p>\n\u003cp>Ellen Fullman performs on December 4, 2009 at the Berkeley Art Museum. For \u003ca href=\"http://www.bampfa.berkeley.edu/events/general/late/ellen_fullman\">tickets and information\u003c/a> visit bampfa.berkeley.edu.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ellen Fullman is not just a composer. She’s also a performer, installation artist, choreographer, instrument-maker, and music theorist. Lest that list sound too academic, let me add that the compositions she writes for the instrument she invented, the \u003ca href=\"http://www.ellenfullman.com/\">Long String Instrument\u003c/a>, are eerily lovely and airily enveloping, like a blanket made of stars.\u003c/p>\n\u003cp>Fullman has been developing ways to play and ways to tweak her Long String Instrument since 1981. It’s stage-sized, a collection of finely-tuned bronze strings stretched across a room at waist-height. Fullman and other musicians walk alongside the strings, running their hands down them to create chords and rich overtones that dissolve into each other as the musicians move through the instrument. The result is a choreographed performance of slow, textured songs that reverberate through the room.\u003c/p>\n\u003cp>Trained in North Indian singing, Fullman draws warm, droning tones out of the strings. She also cites her childhood in Memphis, listening to the Delta blues, as an influence, and you can hear it in the simple melodies that peek out through the overtones. Her compositions are full of slow changes and weaving chords, low rumbles and light hums. The overall effect feels bigger than the room. Fullman has said she wants her music to be “as elemental as the weather.”\u003c/p>\n\u003cp>Ellen Fullman wraps up a month-long residency at the Berkeley Art Museum with a performance Friday, December 4, 2009. She’ll be playing previously recorded pieces, including a solo with video projections, so the audience can see up-close what she’s doing while she plays. The concert is part of the Berkeley Art Museum’s Friday night \u003ca href=\"http://www.bampfa.berkeley.edu/events/general/late\">L@TE\u003c/a> series; the galleries are open late and the museum brings in DJs, a bar, and hosts various performances and events.\u003c/p>\n\u003cp>Ellen Fullman performs on December 4, 2009 at the Berkeley Art Museum. For \u003ca href=\"http://www.bampfa.berkeley.edu/events/general/late/ellen_fullman\">tickets and information\u003c/a> visit bampfa.berkeley.edu.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Post-Thanksgiving Shows",
"headTitle": "Post-Thanksgiving Shows | KQED",
"content": "\u003cp>Whether one is looking for an opportunity to dance off a holiday dinner, or just an excuse to leave an awkward family gathering, there are a surprisingly large number of good concerts in SF over the Thanksgiving weekend. Here are just a few of the weekend’s offerings:\u003c/p>\n\u003cp>Over at Cafe Du Nord on Friday, November 27, you can catch \u003ca href=\"http://shelbyashpresents.net/turkeyTrot/turkeyTrot.html\">Turkey Trot 2009\u003c/a>, the tenth installment of this annual Americana showcase. It’s a purely local affair, featuring the bluegrass-inflected sounds of \u003ca href=\"http://www.pineboxboys.com/\">The Pine Box Boys\u003c/a>, \u003ca href=\"http://www.earlbrothers.com/\">The Earl Brothers\u003c/a>, and \u003ca href=\"http://www.mightycrows.com/\">The Mighty Crows\u003c/a> alongside the country-rock of \u003ca href=\"http://www.myspace.com/thetrainwreckriders\">Trainwreck Riders\u003c/a>. The Riders grew up in the city, their early performances at house parties and BART stations. That DIY sensibility carries over into their music, which often bubbles with the enthusiasm of punk. Still, the group’s got plenty of melodic twang, as evidenced on their 2009 album \u003cb>The Perch\u003c/b>, and standout track \u003ca href=\"http://www.alive-totalenergy.com/x/mp3/chug.php\">“Chug Along”\u003c/a>.\u003c/p>\n\u003cp>\u003cobject width=\"425\" height=\"344\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/aa7FyA2nI9U&hl=en_US&fs=1&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/aa7FyA2nI9U&hl=en_US&fs=1&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>San Francisco’s \u003ca href=\"http://www.myspace.com/davesmallen\">Dave Smallen\u003c/a> celebrates the release of \u003cb>Everything Changes & Nothing Changes\u003c/b> on Friday, November 27 at Bottom of the Hill. Smallen’s what you would call a survivor of the major label system; his band Street to Nowhere released an album on Capitol Records before disbanding. Now he’s recording under his own name and adopting a novel release strategy. This year, the singer-songwriter \u003ca href=\"http://davesmallen.bandcamp.com/\">released a new song\u003c/a> on the first of every month; it’s those songs that now see release in album form. Fellow locals \u003ca href=\"http://www.myspace.com/thesoftwhitesixties\">The Soft White Sixties\u003c/a> and \u003ca href=\"http://www.myspace.com/litebriteband\">Lite Brite\u003c/a> join Smallen at Friday’s show.\u003c/p>\n\u003cp>\u003cobject width=\"400\" height=\"225\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=6537742&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1\">\u003cembed src=\"http://vimeo.com/moogaloop.swf?clip_id=6537742&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"400\" height=\"225\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There are plenty of great local artists performing, to be sure, but the holiday weekend also features two rare SF performances by experimental electronic duo \u003ca href=\"http://www.myspace.com/thebooksmusicpage\">The Books\u003c/a> at the Noe Valley Ministry on Friday and Saturday, November 27-28. After releasing several critically-acclaimed albums of textured compositions created from acoustic instruments, voices and chopped-up found samples, the group took a lengthy hiatus. Now, they’re touring again, with the expectation of a new album in 2010 — the first since 2005’s \u003cb>Lost and Safe\u003c/b>. If their cover of Nick Drake’s “Cello Song” on the \u003cb>Dark Was The Night\u003c/b> compilation is any indication, there’s a lot to be excited about from the group’s forthcoming work.\u003c/p>\n\u003cp>\u003cobject height=\"225px\" width=\"400px\" type=\"application/x-shockwave-flash\" data=\"http://virb.com/external/video/27422/V0NwpaF2OMhfd9fjlimS33h1QYy68C5T\">\u003cparam name=\"movie\" value=\"http://virb.com/external/video/27422/V0NwpaF2OMhfd9fjlimS33h1QYy68C5T\">\u003cparam name=\"quality\" value=\"best\">\u003cparam name=\"wmode\" value=\"transparent\">\u003cparam name=\"salign\" value=\"tl\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003c/object>\u003c/p>\n\u003cp>Also Thanksgiving weekend:\u003c/p>\n\u003cp>Local rock-pop band \u003ca href=\"http://myspace.com/dizzyballoon\">Dizzy Balloon\u003c/a> hold their second annual “Thanksgiving Extravaganza” at the Rickshaw Stop on Saturday, November 28. The show doubles as a release party for the new album from \u003ca href=\"http://www.myspace.com/thefederalists\">Luke Franks Or The Federalists\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/theferociousfew\">The Ferocious Few\u003c/a> are one of the most exciting live bands performing in the Bay Area, and the duo have been known to set up shop on street corners around the city. This weekend, the band’s taking its hooky garage rock into a couple of venues, with shows at the \u003ca href=\"http://www.hemlocktavern.com\">Hemlock Tavern\u003c/a> on Friday, November 27 and \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord\u003c/a> on Sunday, November 29.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director for \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Whether one is looking for an opportunity to dance off a holiday dinner, or just an excuse to leave an awkward family gathering, there are a surprisingly large number of good concerts in SF over the Thanksgiving weekend. Here are just a few of the weekend’s offerings:\u003c/p>\n\u003cp>Over at Cafe Du Nord on Friday, November 27, you can catch \u003ca href=\"http://shelbyashpresents.net/turkeyTrot/turkeyTrot.html\">Turkey Trot 2009\u003c/a>, the tenth installment of this annual Americana showcase. It’s a purely local affair, featuring the bluegrass-inflected sounds of \u003ca href=\"http://www.pineboxboys.com/\">The Pine Box Boys\u003c/a>, \u003ca href=\"http://www.earlbrothers.com/\">The Earl Brothers\u003c/a>, and \u003ca href=\"http://www.mightycrows.com/\">The Mighty Crows\u003c/a> alongside the country-rock of \u003ca href=\"http://www.myspace.com/thetrainwreckriders\">Trainwreck Riders\u003c/a>. The Riders grew up in the city, their early performances at house parties and BART stations. That DIY sensibility carries over into their music, which often bubbles with the enthusiasm of punk. Still, the group’s got plenty of melodic twang, as evidenced on their 2009 album \u003cb>The Perch\u003c/b>, and standout track \u003ca href=\"http://www.alive-totalenergy.com/x/mp3/chug.php\">“Chug Along”\u003c/a>.\u003c/p>\n\u003cp>\u003cobject width=\"425\" height=\"344\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/aa7FyA2nI9U&hl=en_US&fs=1&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/aa7FyA2nI9U&hl=en_US&fs=1&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>San Francisco’s \u003ca href=\"http://www.myspace.com/davesmallen\">Dave Smallen\u003c/a> celebrates the release of \u003cb>Everything Changes & Nothing Changes\u003c/b> on Friday, November 27 at Bottom of the Hill. Smallen’s what you would call a survivor of the major label system; his band Street to Nowhere released an album on Capitol Records before disbanding. Now he’s recording under his own name and adopting a novel release strategy. This year, the singer-songwriter \u003ca href=\"http://davesmallen.bandcamp.com/\">released a new song\u003c/a> on the first of every month; it’s those songs that now see release in album form. Fellow locals \u003ca href=\"http://www.myspace.com/thesoftwhitesixties\">The Soft White Sixties\u003c/a> and \u003ca href=\"http://www.myspace.com/litebriteband\">Lite Brite\u003c/a> join Smallen at Friday’s show.\u003c/p>\n\u003cp>\u003cobject width=\"400\" height=\"225\">\u003cparam name=\"allowfullscreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cparam name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=6537742&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1\">\u003cembed src=\"http://vimeo.com/moogaloop.swf?clip_id=6537742&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=ffffff&fullscreen=1\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"400\" height=\"225\">\u003c/embed>\u003c/object>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There are plenty of great local artists performing, to be sure, but the holiday weekend also features two rare SF performances by experimental electronic duo \u003ca href=\"http://www.myspace.com/thebooksmusicpage\">The Books\u003c/a> at the Noe Valley Ministry on Friday and Saturday, November 27-28. After releasing several critically-acclaimed albums of textured compositions created from acoustic instruments, voices and chopped-up found samples, the group took a lengthy hiatus. Now, they’re touring again, with the expectation of a new album in 2010 — the first since 2005’s \u003cb>Lost and Safe\u003c/b>. If their cover of Nick Drake’s “Cello Song” on the \u003cb>Dark Was The Night\u003c/b> compilation is any indication, there’s a lot to be excited about from the group’s forthcoming work.\u003c/p>\n\u003cp>\u003cobject height=\"225px\" width=\"400px\" type=\"application/x-shockwave-flash\" data=\"http://virb.com/external/video/27422/V0NwpaF2OMhfd9fjlimS33h1QYy68C5T\">\u003cparam name=\"movie\" value=\"http://virb.com/external/video/27422/V0NwpaF2OMhfd9fjlimS33h1QYy68C5T\">\u003cparam name=\"quality\" value=\"best\">\u003cparam name=\"wmode\" value=\"transparent\">\u003cparam name=\"salign\" value=\"tl\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003c/object>\u003c/p>\n\u003cp>Also Thanksgiving weekend:\u003c/p>\n\u003cp>Local rock-pop band \u003ca href=\"http://myspace.com/dizzyballoon\">Dizzy Balloon\u003c/a> hold their second annual “Thanksgiving Extravaganza” at the Rickshaw Stop on Saturday, November 28. The show doubles as a release party for the new album from \u003ca href=\"http://www.myspace.com/thefederalists\">Luke Franks Or The Federalists\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.myspace.com/theferociousfew\">The Ferocious Few\u003c/a> are one of the most exciting live bands performing in the Bay Area, and the duo have been known to set up shop on street corners around the city. This weekend, the band’s taking its hooky garage rock into a couple of venues, with shows at the \u003ca href=\"http://www.hemlocktavern.com\">Hemlock Tavern\u003c/a> on Friday, November 27 and \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord\u003c/a> on Sunday, November 29.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director for \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>There are plenty of great shows in the Bay Area in November, including some welcome returns by touring bands. Here are a few picks for great shows in the coming month:\u003c/p>\n\u003cp>Despite all of the success that Canadian indie bands have had over the past decade (alphabetically, that list goes from Arcade Fire through Wolf Parade), I’m baffled that \u003ca href=\"http://www.thehiddencameras.com/\">The Hidden Cameras\u003c/a> remain so under-the-radar. Leader Joel Gibb and his rotating cast of contributors are known for bright, baroque instrumentation, but have dialed down those sounds on the recently released \u003cstrong>Origin:Orphan\u003c/strong>, which trades more strongly in electronic sounds and heavier tones. Gibb has always weaved more serious lyrical themes into his songs, but this is maybe the first time that the music’s caught up, and it’s a welcome new chapter for this extremely talented group. The Hidden Cameras have been known for some theatrical live shows, so it’ll be interesting to see how the new material is conveyed when the band performs at \u003ca href=\"http://www.bottomofthehill.com\">Bottom of the Hill\u003c/a> on Thursday, November 19th. They’ll be joined by singer-songwriter (and sometimes Hidden Camera) \u003ca href=\"http://www.myspace.com/gentlemanreg\">Gentleman Reg\u003c/a> and local electro-country-rock band \u003ca href=\"http://www.myspace.com/wintersfallmusic\">Winter’s Fall\u003c/a>.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=wk4NR7oVNLw&color1=0xb1b1b1&color2=0xcfcfcf&hl=en&feature=player_embedded&fs=1]\u003c/p>\n\u003cp>Other shows of note:\u003c/p>\n\u003cp>– Several local bands celebrate CD releases this month: \u003ca href=\"http://www.myspace.com/temponotempo\">Tempo No Tempo\u003c/a> on November 4th at the \u003ca href=\"http://www.rickshawstop.com\">Rickshaw Stop\u003c/a>, \u003ca href=\"http://www.myspace.com/manmiracle\">Man/Miracle\u003c/a> on November 14th at the \u003ca href=\"http://www.lobotgallery.com\">LoBot Gallery\u003c/a>, \u003ca href=\"http://www.myspace.com/birdsbatteries\">Birds and Batteries\u003c/a> on November 8th at \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord\u003c/a> (in a show presented by The Bay Bridged), and \u003ca href=\"http://www.myspace.com/orthewhale\">Or, the Whale\u003c/a>, on November 14th and also at \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>– Local indie rock-pop band \u003ca href=\"http://www.myspace.com/actionslacks\">Actionslacks\u003c/a> play their only 2009 show at \u003ca href=\"http://www.bottomofthehill.com/\">Bottom of the Hill\u003c/a> on November 18th to celebrate their fifteenth anniversary as a band. The band is taking requests from their back catalog for the show, and are currently plotting a new EP for 2010.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director of \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There are plenty of great shows in the Bay Area in November, including some welcome returns by touring bands. Here are a few picks for great shows in the coming month:\u003c/p>\n\u003cp>Despite all of the success that Canadian indie bands have had over the past decade (alphabetically, that list goes from Arcade Fire through Wolf Parade), I’m baffled that \u003ca href=\"http://www.thehiddencameras.com/\">The Hidden Cameras\u003c/a> remain so under-the-radar. Leader Joel Gibb and his rotating cast of contributors are known for bright, baroque instrumentation, but have dialed down those sounds on the recently released \u003cstrong>Origin:Orphan\u003c/strong>, which trades more strongly in electronic sounds and heavier tones. Gibb has always weaved more serious lyrical themes into his songs, but this is maybe the first time that the music’s caught up, and it’s a welcome new chapter for this extremely talented group. The Hidden Cameras have been known for some theatrical live shows, so it’ll be interesting to see how the new material is conveyed when the band performs at \u003ca href=\"http://www.bottomofthehill.com\">Bottom of the Hill\u003c/a> on Thursday, November 19th. They’ll be joined by singer-songwriter (and sometimes Hidden Camera) \u003ca href=\"http://www.myspace.com/gentlemanreg\">Gentleman Reg\u003c/a> and local electro-country-rock band \u003ca href=\"http://www.myspace.com/wintersfallmusic\">Winter’s Fall\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wk4NR7oVNLw'\n title='//www.youtube.com/embed/wk4NR7oVNLw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Other shows of note:\u003c/p>\n\u003cp>– Several local bands celebrate CD releases this month: \u003ca href=\"http://www.myspace.com/temponotempo\">Tempo No Tempo\u003c/a> on November 4th at the \u003ca href=\"http://www.rickshawstop.com\">Rickshaw Stop\u003c/a>, \u003ca href=\"http://www.myspace.com/manmiracle\">Man/Miracle\u003c/a> on November 14th at the \u003ca href=\"http://www.lobotgallery.com\">LoBot Gallery\u003c/a>, \u003ca href=\"http://www.myspace.com/birdsbatteries\">Birds and Batteries\u003c/a> on November 8th at \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord\u003c/a> (in a show presented by The Bay Bridged), and \u003ca href=\"http://www.myspace.com/orthewhale\">Or, the Whale\u003c/a>, on November 14th and also at \u003ca href=\"http://www.cafedunord.com\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>– Local indie rock-pop band \u003ca href=\"http://www.myspace.com/actionslacks\">Actionslacks\u003c/a> play their only 2009 show at \u003ca href=\"http://www.bottomofthehill.com/\">Bottom of the Hill\u003c/a> on November 18th to celebrate their fifteenth anniversary as a band. The band is taking requests from their back catalog for the show, and are currently plotting a new EP for 2010.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director of \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>Why Leonard Bernstein Still Matters. A lot.\u003c/b>\u003c/p>\n\u003cp>If you grew up in the ’60s or ’70s and loved music, you couldn’t get away from Leonard Bernstein. And who would want to? America’s greatest musical ambassador, and possibly greatest musician, was also a great entertainer. Between his outsized personality and his jet-set lifestyle, he was a living rebuke to the stuffy, self-important image classical music had gained. And his regular TV appearances and concerts helped keep it all interesting, relevant and fun, at a time when hardly anyone else in the field seemed to care. Now, his daughter Jamie has teamed up with one of his proteges, Michael Barrett, and some top-notch singers to remind us all just how much Lenny meant to music in this country, in an evening called simply \u003cb>A Tribute to Leonard Bernstein\u003c/b>.\u003c/p>\n\u003cp>No-one ever disputed Bernstein’s musicianship, but the fact that he had success on Broadway and in the jazz and rock worlds (he was one of the first “serious musicians” to take the Beatles seriously), only served as proof to his critics that he was “wasting his talents.” To anyone who got it, though, who really cared about the future of classical music and wanted to learn, he was more than just a breath of fresh air. It was a time when music education was starting to disappear from the country’s public schools, classical music was retreating into an ivory tower, and rock and soul were taking over the airwaves and the public consciousness. Bernstein was not only prescient enough to recognize the value of popular culture but savvy enough to use its tools for the benefit of the so-called “higher arts.” He understood the connections between musical genres in the way that no one else at the time seemed to, and he understood the power of television in helping us all to get it, too. Others have filled that role since he died (like our own Michael Tilson Thomas), but Lenny was the pioneer, and his Young People’s Concerts and Omnibus programs from the ’60s are still wonderful and fascinating today.\u003c/p>\n\u003cp>It may be hard for a lot of people who weren’t around in Bernstein’s heyday to understand just how important his legacy is, but his eldest daughter Jamie has helped pick up the baton with these musical celebrations. She was there for the good times and the challenges (like her father’s difficult divorce and coming-out), and she’s able to fill in the public record with family stories, behind-the-scenes glimpses of the creation of \u003cb>West Side Story\u003c/b>, \u003cb>Candide\u003c/b>, \u003cb>On the Town\u003c/b> and more, with musical numbers featuring performers from the New York Festival of Song. It’s a rare chance to get a personal look at a very public personality from one of the people who knew him best, and who understands just how he “helped keep the world safe for classical music.”\u003c/p>\n\u003cp>You can see and hear Jamie Bernstein’s \u003cb>A Portrait of Leonard Bernstein\u003c/b> at 8pm on Saturday, November 7, 2009 at Dinkelspiel Auditorium on the Stanford campus in Palo Alto. For \u003ca href=\"http://livelyarts.stanford.edu/event.php?code=BERN\">tickets and information\u003c/a>, visit livelyarts.stanford.edu.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Twin sister act Tegan and Sara are back with their sixth studio album, \u003cb>Sainthood\u003c/b>. But don’t be fooled by the album title; you won’t find any songs about the good Lord here. Instead, Tegan and Sara are working with a secular interpretation of sainthood — a lover practicing being a saint (i.e. being faithful, honest, and devoted) only to become a martyr to yet another failed romance. Got that? Sure, their theme is a bit heavy-handed, but it’s good to see the band moving into more intellectual territory.\u003c/p>\n\u003cp>Signed to Vapor Records back in 2000 by none other than Neil Young, T&S have been making their specific brand of thorny love-pop for almost a decade. But, with \u003cb>Sainthood\u003c/b>, the siblings have strayed from the formula of their past records a bit and tried something new: writing songs together. You would think that, after sharing a womb, DNA, and facial features, sharing a creative space wouldn’t be an issue. Think again. The duo have openly admitted to having a contentious relationship and live in separate cities (Tegan in Vancouver and Sara in Montreal). Nevertheless, in November 2008, they spent some time in New Orleans exploring whether they could find a way to work together, which resulted in a handful of songs, only one of which made the album (“Paperback Heart”). But it wasn’t a complete wash: in conjunction with \u003cb>Sainthood\u003c/b>, T&S are self-publishing \u003ca href=\"http://teganandsara.com/splash/images/book_detail.jpg\">three supplemental photobooks titled \u003ci>ON\u003c/i> / \u003ci>IN\u003c/i> / \u003ci>AT\u003c/i>\u003c/a>. Seems like a bit of sibling bickering does wonders for productivity.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=FxdK0sR6Vhg&hl=en&fs=1&color1=0x2b405b&color2=0x6b8ab6]\u003c/p>\n\u003cp>Another new approach Tegan and Sara have undertaken with this album is recording in the studio with a full band, which makes for a fuller, more rock-oriented sound on tracks like “On Directing,” “The Ocean,” and “Alligator.” And, with help from producer Chris Walla of Death Cab for Cutie, they’ve also started toying around with synths, the best results appearing on “Red Belt” and album opener “Arrow.”\u003c/p>\n\u003cp>Tegan and Sara’s confessional and hyper-analytic lyrics ruminate on obsessive romantic behavior and their songs often sound like a teenager’s angsty diary entries as a result. But, on certain songs, this seems intentional, as if the sisters are making a statement about how love makes a foolish teen out of all of us. “Go steady with me/ I know it turns you off when I get talking like a teen,” Sara admits on “On Directing.” And on the propulsive first single “Hell,” Tegan sings, “These words get overused,” as if conceding that treating every heartbreak like it’s the first is inappropriately maudlin for someone verging on their thirtieth birthday (the Quin twins are 29).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Self-aware moments like these suggest that T&S see through the idealized brand of romance we treasure as lovelorn adolescents. Unfortunately, they are few and far between. Weepy teen anthems like “The Cure,” “Sentimental Tune,” and “Someday” make it seem as though the sisters can’t move beyond their addiction to naive lovesickness. If only they could muster up the strength to step out of the jilted victim’s shoes and into the steel-toed boots of the heartbreaker. Now that would be interesting.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Twin sister act Tegan and Sara are back with their sixth studio album, \u003cb>Sainthood\u003c/b>. But don’t be fooled by the album title; you won’t find any songs about the good Lord here. Instead, Tegan and Sara are working with a secular interpretation of sainthood — a lover practicing being a saint (i.e. being faithful, honest, and devoted) only to become a martyr to yet another failed romance. Got that? Sure, their theme is a bit heavy-handed, but it’s good to see the band moving into more intellectual territory.\u003c/p>\n\u003cp>Signed to Vapor Records back in 2000 by none other than Neil Young, T&S have been making their specific brand of thorny love-pop for almost a decade. But, with \u003cb>Sainthood\u003c/b>, the siblings have strayed from the formula of their past records a bit and tried something new: writing songs together. You would think that, after sharing a womb, DNA, and facial features, sharing a creative space wouldn’t be an issue. Think again. The duo have openly admitted to having a contentious relationship and live in separate cities (Tegan in Vancouver and Sara in Montreal). Nevertheless, in November 2008, they spent some time in New Orleans exploring whether they could find a way to work together, which resulted in a handful of songs, only one of which made the album (“Paperback Heart”). But it wasn’t a complete wash: in conjunction with \u003cb>Sainthood\u003c/b>, T&S are self-publishing \u003ca href=\"http://teganandsara.com/splash/images/book_detail.jpg\">three supplemental photobooks titled \u003ci>ON\u003c/i> / \u003ci>IN\u003c/i> / \u003ci>AT\u003c/i>\u003c/a>. Seems like a bit of sibling bickering does wonders for productivity.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FxdK0sR6Vhg'\n title='//www.youtube.com/embed/FxdK0sR6Vhg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Another new approach Tegan and Sara have undertaken with this album is recording in the studio with a full band, which makes for a fuller, more rock-oriented sound on tracks like “On Directing,” “The Ocean,” and “Alligator.” And, with help from producer Chris Walla of Death Cab for Cutie, they’ve also started toying around with synths, the best results appearing on “Red Belt” and album opener “Arrow.”\u003c/p>\n\u003cp>Tegan and Sara’s confessional and hyper-analytic lyrics ruminate on obsessive romantic behavior and their songs often sound like a teenager’s angsty diary entries as a result. But, on certain songs, this seems intentional, as if the sisters are making a statement about how love makes a foolish teen out of all of us. “Go steady with me/ I know it turns you off when I get talking like a teen,” Sara admits on “On Directing.” And on the propulsive first single “Hell,” Tegan sings, “These words get overused,” as if conceding that treating every heartbreak like it’s the first is inappropriately maudlin for someone verging on their thirtieth birthday (the Quin twins are 29).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Lo-fi rock-and-roll may be something of a flavor du jour in indie rock right now, but the Bay Area’s been creating great garage-influenced bands for years. Garage rock groups past and present converge at Thee Parkside, Bottom of the Hill and The Eagle this weekend for the eighth installment of the \u003ca href=\"http://www.myspace.com/budgetrock\">Budget Rock Festival\u003c/a>. This year’s festival features the latest reunion performances from the “Kings of Budget Rock,” SF garage punk pioneers \u003ca href=\"http://www.myspace.com/themummies\">The Mummies\u003c/a>. The band, whose members perform in full mummy wrappings, released a number of ultra-low-fidelity recordings in the early ’90s, and their enduring influence on lo-fi is perceptible today.\u003c/p>\n\u003cp>Brothers Clayton and Jeremiah McIntyre and drummer-keyboardist Danny Goldberg form \u003ca href=\"http://www.myspace.com/boxelders\">The Box Elders\u003c/a>, an Omaha trio whose debut 7″ \u003ca href=\"http://www.youtube.com/watch?v=aV3rnaD9wns\">\u003cstrong>Hole in My Head\u003c/strong>\u003c/a> was a shambling, ultra-catchy piece of “cave pop.” That song’s also a highlight on their debut full length, \u003cstrong>Alice and Friends\u003c/strong>. The album, released in August on Goner Records, is a collection of poppy lo-fi rock recorded by the band on an 8-track in their basement. They’ll be joined at Thee Parkside by \u003ca href=\"http://www.myspace.com/impedimentsbayarea\">Impediments\u003c/a>, a Bay Area band comprised principally of 18-year-olds, although you wouldn’t know it from their ’70s-inspired swaggering rock/punk. The band’s debut just came out on \u003ca href=\"http://www.happypartsrecordings.com/\">Happy Parts Recordings\u003c/a>.\u003c/p>\n\u003cp>There’s something of a pizza renaissance going on in rock-and-roll right now, and Budget Rock is uniting \u003ca href=\"http://www.myspace.com/personalandthepizzas\">Personal & the Pizzas\u003c/a>, \u003ca href=\"http://www.myspace.com/johnnythelimelites\">Johnny and the Limelites\u003c/a> (who released a with a \u003cstrong>Pizza Party\u003c/strong> 7″ and hail from “Deep Dish, Illinois”), and Sacramento’s \u003ca href=\"http://www.myspace.com/lovethepizzas\">The Pizzas\u003c/a> for an afternoon show at Thee Parkside. After the bands whet the audience’s appetite for pies, there will be a pizza eating contest, courtesy of Escape from New York Pizza. I firmly believe that SF pizza holds its own compared to the New York slice, and the Bay Area’s Personal & the Pizzas are worthy heirs to The Ramones’ dumb-but-charming garage pop. The band claims to be from Hoboken, but that’s as bogus as their feigned stupidity. Still, the latter does make for \u003ca href=\"http://wfmu.org/playlists/shows/32349\">some great interviews\u003c/a> and definitely adds to the fun.\u003c/p>\n\u003cp>Other highlights, and there look to be many, include the latest reunion performance by Oakland psych masters \u003ca href=\"http://www.myspace.com/thegrisgris\">The Gris Gris\u003c/a>, playing alongside \u003ca href=\"http://www.myspace.com/thefreshonlys\">The Fresh & Onlys\u003c/a>, whose \u003cstrong>Grey-Eyed Girls\u003c/strong> is one of my favorite 2009 releases, and \u003ca href=\"http://www.myspace.com/dasmenace\">Dan Melchior\u003c/a>. Melchior began in London, and collaborated with Billy Childish and Holly Golightly before moving to the US, where his interests have expanded into more freewheeling, experimental terrain. Top that show off with \u003ca href=\"http://www.myspace.com/ohsees\">Thee Oh Sees\u003c/a>, and you’ve got one hell of a bill.\u003c/p>\n\u003cp>\u003ci>Ben Van Houten is the Programming Director for \u003ca href=\"http://www.thebaybridged.com\">The Bay Bridged\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>To look at him, you might think Alfred Brendel was the very picture of the Serious Classical Musician. And, to a certain extent, you would be right. After all, you don’t sell millions of recordings and concert tickets over 60 years by taking your art lightly. But then you notice the twinkle in his eye, which means that he’s just about to say something straight out of a Monty Python routine. Alfred Brendel may be a truly great pianist, but he is also a collector of classic kitsch and a published writer of absurdist comic poetry, which means that his upcoming lecture/recital in Berkeley on “character” in Beethoven’s music will reveal some of what makes him a “character” as well.\u003c/p>\n\u003cp>Brendel certainly knows Beethoven; he has recorded all 32 of Beethoven’s Piano Sonatas three times, and the five Piano Concertos twice. He is recognized as one of the world’s great experts on Beethoven, but what makes what he has to say so interesting is that he didn’t get to this point in the music world by the usual path. He came from a completely unmusical family, and was mostly self-taught as a pianist. He had a few years of lessons as a boy and later took some master classes, but he got the bulk of his musical education on his own: working his way through each piece by recording himself and then listening to the playback and gauging his own reaction. He had no mentor who passed down the wisdom of generations on The Right Way to Play Beethoven — he found the right way himself in the notes.\u003c/p>\n\u003cp>And that’s what he means by “character” in music: like an actor who finds the character in the words and subtext, a musician finds the character of a piece in the notes, and the character and atmosphere are just as important as the form and structure. Beethoven himself was a character: a man-about-town with a dry sense of humor in his youth, he became a grump and a slob after losing his hearing, but he somehow kept his sense of humor in his music, using the contrasts of humor, pain and tenderness to help break down the barriers of form and structure. This is where Brendel excels in his playing: getting to the essence of a piece emotionally and intellectually, without letting either one take over. It’s a rare gift, and that’s why hearing what he has to say about what he plays is such a treat. He might even read some of his poetry.\u003c/p>\n\u003cp>Alfred Brendel speaks \u003cb>On Character In Music\u003c/b> Friday, October 30, 2009 at 8pm, Wheeler Auditorium, U.C. Berkeley. For \u003ca href=\"http://www.calperfs.berkeley.edu/presents/season/2009/speaking/ab.php\">tickets and information\u003c/a>, visit calperfs.berkeley.edu.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>To look at him, you might think Alfred Brendel was the very picture of the Serious Classical Musician. And, to a certain extent, you would be right. After all, you don’t sell millions of recordings and concert tickets over 60 years by taking your art lightly. But then you notice the twinkle in his eye, which means that he’s just about to say something straight out of a Monty Python routine. Alfred Brendel may be a truly great pianist, but he is also a collector of classic kitsch and a published writer of absurdist comic poetry, which means that his upcoming lecture/recital in Berkeley on “character” in Beethoven’s music will reveal some of what makes him a “character” as well.\u003c/p>\n\u003cp>Brendel certainly knows Beethoven; he has recorded all 32 of Beethoven’s Piano Sonatas three times, and the five Piano Concertos twice. He is recognized as one of the world’s great experts on Beethoven, but what makes what he has to say so interesting is that he didn’t get to this point in the music world by the usual path. He came from a completely unmusical family, and was mostly self-taught as a pianist. He had a few years of lessons as a boy and later took some master classes, but he got the bulk of his musical education on his own: working his way through each piece by recording himself and then listening to the playback and gauging his own reaction. He had no mentor who passed down the wisdom of generations on The Right Way to Play Beethoven — he found the right way himself in the notes.\u003c/p>\n\u003cp>And that’s what he means by “character” in music: like an actor who finds the character in the words and subtext, a musician finds the character of a piece in the notes, and the character and atmosphere are just as important as the form and structure. Beethoven himself was a character: a man-about-town with a dry sense of humor in his youth, he became a grump and a slob after losing his hearing, but he somehow kept his sense of humor in his music, using the contrasts of humor, pain and tenderness to help break down the barriers of form and structure. This is where Brendel excels in his playing: getting to the essence of a piece emotionally and intellectually, without letting either one take over. It’s a rare gift, and that’s why hearing what he has to say about what he plays is such a treat. He might even read some of his poetry.\u003c/p>\n\u003cp>Alfred Brendel speaks \u003cb>On Character In Music\u003c/b> Friday, October 30, 2009 at 8pm, Wheeler Auditorium, U.C. Berkeley. For \u003ca href=\"http://www.calperfs.berkeley.edu/presents/season/2009/speaking/ab.php\">tickets and information\u003c/a>, visit calperfs.berkeley.edu.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
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"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
"meta": {
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
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"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "npr"
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
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"here-and-now": {
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"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
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