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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Labels. You’ve heard their names before — Barsuck, Matador, DFA — but do you actually know what they do? This week the Noise Pop Podcast is here to edify on exactly who these labels are and why they exist. They start from the indie beginnings and over the course of the episode walk through what these labels now mean to music. Helping them along the way are Sonya Kolowrat from Beggars, Mona Dehghan from Domino, Tyler Stover from Lefse, Paul Hanly of Frenchkiss and Jamie Farkas of Vice. They all offer insights and anecdotes on how their labels operate.\u003c/p>\n\u003cp>Sticking with the theme, the gang each picks their favorite labels for their \u003cb>Ear About Town\u003c/b> segment. On a sad note (depending on your feelings towards his smug voice), this is Jesse’s last episode as a weekly guest on the podcast, follow him on twitter @foxconsox. On a happier note, we have a new guest, Olivia LaRoche. You’ll like her, she is awesome! Leave your Ear About Town (a musical conversation piece) on our machine 585-4NOISE5 / (585) 466-4735\u003c/p>\n\u003cp>“Labels” — GZA, \u003cb>Liquid Swords\u003c/b>\u003c/p>\n\u003cp>“Major Label Debut (fast)” — Broken Social Scene, self-titled\u003c/p>\n\u003cp>“Will Do” — TV on The Radio, \u003cb>Nine Types of Light\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“New Direction” — Black Lips, \u003cb>Arabia Mountain\u003c/b>\u003c/p>\n\u003cp>“Washed Out” — Eyes Be Closed, \u003cb>Within and Without\u003c/b>\u003c/p>\n\u003cp>“Heyday Past Heyday Due” — Nodzzz, \u003cb>Innings\u003c/b>\u003c/p>\n\u003cp>“Croquet” — Mr. Dream, \u003cb>Trash Hit\u003c/b>\u003c/p>\n\u003cp>“You Should Do Better” — Cut Off Your Hands, \u003cb>Hollow\u003c/b>\u003c/p>\n\u003cp>“Bad Street” — Twin Sister, \u003cb>In Heaven\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline;\">\u003cstrong>Ear About Town\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>Jaime — Ghostly International Records\u003c/p>\n\u003cp>Jesse — Fat Possum Records\u003c/p>\n\u003cp>Olivia — Domino Records\u003c/p>\n\u003cp>Dawson — The Beggars Group\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Guest Caller, Jim — Polyvinyl Records\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The View from Bonnaroo 2011",
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"content": "\u003cp>Where is it possible to see country-music mainstay Loretta Lynn, lo-fi rockers The Black Keys, rock legend Neil Young, and rapper \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137132636\">Eminem\u003c/a> all in one evening? Then to continue that evening — morning at this point — with jam band The String Cheese Incident and the Santa Cruz electronic group STS9? And then to do it all over again the next three days?\u003c/p>\n\u003cp>Nowhere on planet earth, that’s for sure.\u003c/p>\n\u003cp>That is, unless you count the \u003ca href=\"http://www.bonnaroo.com/\"> Bonnaroo Music & Arts Festival\u003c/a> as rooted in terra firma — which, as anyone who has ever attended could tell you — it truly isn’t.\u003c/p>\n\u003cp>The festival just celebrated its tenth anniversary this past weekend, June 9-12, 2011 \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=Saturday&artist=Festival%20Atmosphere\">and it did so with a bang\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bonnaroo-fireworks.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Photo: C. Taylor Crothers. C. 2011, Bonnaroo Music & Arts Festival\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>For those unfamiliar, Bonnaroo is an annual, four-day long music and arts festival held every June on a \u003ca href=\"http://www.greatstagepark.com/\">700-acre site in Manchester, Tennessee\u003c/a>. There are five main performance venues, a slew of smaller stages, and countless local artists and vendors selling the most eclectic goods under the (\u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137056463\">absolutely unrelenting\u003c/a>) Tennessee sun. In a time when people say that all the big festivals are homogenizing their lineups, \u003ca href=\"http://www.bonnaroo.com/artists.aspx\">this year’s Bonnaroo lineup\u003c/a> was remarkably diverse, featuring big names from every genre. (Organizers created a \u003ca href=\"http://mindreader2011.bonnaroo.com/index.html\">“Bonnaroo Mindreader”\u003c/a> featuring sample tunes by most of the bands in the schedule. Check it out to get a feel for the variety of music on offer.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/robert-plant.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Robert Plant and the Band of Joy at Bonnaroo. Photo: Adam Susaneck\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This diversity of acts is one of the aspects of Bonnaroo that make it so unique compared with other similar music festivals (an \u003ca href=\"http://www.npr.org/blogs/therecord/2011/04/14/135396905/a-strategically-limited-statistical-analysis-of-2011s-summer-music-festivals\">April NPR Music post\u003c/a> noted that Bonnaroo is one of the most “inclusive” festivals). What truly separates Bonnaroo from the rest, however, is the bubble from reality that the festival engenders. Bonnaroo has its own culture, one where sleep and comfort and basic hygiene become secondary and everybody becomes cheerily extroverted due to the shared experience of being plastered with dirt, soaked with sweat, and inundated with sound (be it the sound of the eclectic collection of artists, the varied sounds of anguish and ecstasy emanating from the camp grounds, or the traditional Bonnaroo greeting and cheer: “Bonna-ROOOO!”).\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/iDWB6xQXEUY\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This culture is a function of both the length of the festival — the grounds opened on the night of Wednesday, the 8th, and the last people were leaving on the morning of Monday, the 13th — and that nearly all of Bonnaroo’s 80,000 patrons (and 5,000 staff members) either camp or RV. As well, despite the fact that the festival is geographically in the south, the sheer diversity of flags flying over people’s campsites — being used as landmarks for people to find their way back — can attest to the international audience the festival attracts. Near me: United Arab Emirates, Australia, and Norway. (I’m proud to say that my Californian flag attracted a healthy number of “Go Bears” and even prompted a conversation with a passerby over the merits of the hotlink vs. the traditional frankfurter at \u003ca href=\"http://www.topdoghotdogs.com/index.html\"> Top Dog \u003c/a>.) \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/qHSgepn9xyU\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/center>\n\u003cp>Musical highlights of the festival included Canadian indie-rockers \u003ca href=\"http://www.npr.org/artists/16334660/arcade-fire\">Arcade Fire\u003c/a>, playing a set well-balanced across all of their albums. The Kentucky group \u003ca href=\"http://www.npr.org/artists/15189632/my-morning-jacket\">My Morning Jacket\u003c/a> \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=friday&artist=My%20Morning%20Jacket\">played an epic set at dusk\u003c/a>, blasting their unique mixture of psychedelic rock and country music from Bonnaroo’s main stage, the “What Stage.” Also notable was singer \u003ca href=\"http://www.npr.org/artists/121555771/florence-and-the-machine\">Florence + the Machine’s\u003c/a> proud recognition as she removed her high heels that, “people always think from my voice that I’m six-feet tall; well, this is my real height!” Santa Cruz electronic group \u003ca href=\"http://sts9.com/\">STS9\u003c/a> also played an incredible set, starting at 2:30am, only to be cut short by the dawn. \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/ylX0zZUU-Cw\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>You can hear a sampling of Bonnaroo’s musical offerings with the \u003ca href=\"http://www.customchannels.net/streaming/bonnaroo/radio/\">live radio webstream\u003c/a> provided on the festival’s website. As well, be sure to keep an eye out for \u003ca href=\"http://youtu.be/fnXktom89cE\">Ben & Jerry’s new Bonnaroo themed ice cream\u003c/a> the next time you’re at the supermarket!\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/6fBu-4bFwgk\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>Bonnaroo is a pilgrimage of sorts, one which I whole-heartedly endorse. Bay Area residents would have felt right at home in Centeroo what with the stress on being \u003ca href=\"http://www.bonnaroo.com/festival/greening-activism.aspx\">environmentally friendly\u003c/a>, the \u003ca href=\"http://www.bonnaroo.com/activities/food-on-the-move.aspx\">incredible food\u003c/a> (organic, vegetarian, vegan, etc.) and drink (\u003ca href=\"http://www.bonnaroo.com/activities/brooers-festival.aspx\">microbrewed, of course\u003c/a>), and the unique melting pot of people, which closely mirrored what I’ve noticed at least in Berkeley (ie, you had your hippies hanging out listening to music with college jocks, your hipsters mingling in the crowd with the — decidedly older — Neil Young and Robert Plant fans.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Pre-sale tickets for Bonnaroo 2012 \u003ca href=\"http://www.bonnaroo.com/tickets/2012-ga-vip-pre-sale.aspx\">just went on sale\u003c/a> Friday, June 17.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Where is it possible to see country-music mainstay Loretta Lynn, lo-fi rockers The Black Keys, rock legend Neil Young, and rapper \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137132636\">Eminem\u003c/a> all in one evening? Then to continue that evening — morning at this point — with jam band The String Cheese Incident and the Santa Cruz electronic group STS9? And then to do it all over again the next three days?\u003c/p>\n\u003cp>Nowhere on planet earth, that’s for sure.\u003c/p>\n\u003cp>That is, unless you count the \u003ca href=\"http://www.bonnaroo.com/\"> Bonnaroo Music & Arts Festival\u003c/a> as rooted in terra firma — which, as anyone who has ever attended could tell you — it truly isn’t.\u003c/p>\n\u003cp>The festival just celebrated its tenth anniversary this past weekend, June 9-12, 2011 \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=Saturday&artist=Festival%20Atmosphere\">and it did so with a bang\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bonnaroo-fireworks.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Photo: C. Taylor Crothers. C. 2011, Bonnaroo Music & Arts Festival\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>For those unfamiliar, Bonnaroo is an annual, four-day long music and arts festival held every June on a \u003ca href=\"http://www.greatstagepark.com/\">700-acre site in Manchester, Tennessee\u003c/a>. There are five main performance venues, a slew of smaller stages, and countless local artists and vendors selling the most eclectic goods under the (\u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=137056463\">absolutely unrelenting\u003c/a>) Tennessee sun. In a time when people say that all the big festivals are homogenizing their lineups, \u003ca href=\"http://www.bonnaroo.com/artists.aspx\">this year’s Bonnaroo lineup\u003c/a> was remarkably diverse, featuring big names from every genre. (Organizers created a \u003ca href=\"http://mindreader2011.bonnaroo.com/index.html\">“Bonnaroo Mindreader”\u003c/a> featuring sample tunes by most of the bands in the schedule. Check it out to get a feel for the variety of music on offer.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/robert-plant.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Robert Plant and the Band of Joy at Bonnaroo. Photo: Adam Susaneck\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This diversity of acts is one of the aspects of Bonnaroo that make it so unique compared with other similar music festivals (an \u003ca href=\"http://www.npr.org/blogs/therecord/2011/04/14/135396905/a-strategically-limited-statistical-analysis-of-2011s-summer-music-festivals\">April NPR Music post\u003c/a> noted that Bonnaroo is one of the most “inclusive” festivals). What truly separates Bonnaroo from the rest, however, is the bubble from reality that the festival engenders. Bonnaroo has its own culture, one where sleep and comfort and basic hygiene become secondary and everybody becomes cheerily extroverted due to the shared experience of being plastered with dirt, soaked with sweat, and inundated with sound (be it the sound of the eclectic collection of artists, the varied sounds of anguish and ecstasy emanating from the camp grounds, or the traditional Bonnaroo greeting and cheer: “Bonna-ROOOO!”).\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/iDWB6xQXEUY\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>This culture is a function of both the length of the festival — the grounds opened on the night of Wednesday, the 8th, and the last people were leaving on the morning of Monday, the 13th — and that nearly all of Bonnaroo’s 80,000 patrons (and 5,000 staff members) either camp or RV. As well, despite the fact that the festival is geographically in the south, the sheer diversity of flags flying over people’s campsites — being used as landmarks for people to find their way back — can attest to the international audience the festival attracts. Near me: United Arab Emirates, Australia, and Norway. (I’m proud to say that my Californian flag attracted a healthy number of “Go Bears” and even prompted a conversation with a passerby over the merits of the hotlink vs. the traditional frankfurter at \u003ca href=\"http://www.topdoghotdogs.com/index.html\"> Top Dog \u003c/a>.) \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/qHSgepn9xyU\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\u003c/center>\n\u003cp>Musical highlights of the festival included Canadian indie-rockers \u003ca href=\"http://www.npr.org/artists/16334660/arcade-fire\">Arcade Fire\u003c/a>, playing a set well-balanced across all of their albums. The Kentucky group \u003ca href=\"http://www.npr.org/artists/15189632/my-morning-jacket\">My Morning Jacket\u003c/a> \u003ca href=\"http://bonnaroo.com/gallery/view.aspx?year=2011&day=friday&artist=My%20Morning%20Jacket\">played an epic set at dusk\u003c/a>, blasting their unique mixture of psychedelic rock and country music from Bonnaroo’s main stage, the “What Stage.” Also notable was singer \u003ca href=\"http://www.npr.org/artists/121555771/florence-and-the-machine\">Florence + the Machine’s\u003c/a> proud recognition as she removed her high heels that, “people always think from my voice that I’m six-feet tall; well, this is my real height!” Santa Cruz electronic group \u003ca href=\"http://sts9.com/\">STS9\u003c/a> also played an incredible set, starting at 2:30am, only to be cut short by the dawn. \u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/ylX0zZUU-Cw\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>You can hear a sampling of Bonnaroo’s musical offerings with the \u003ca href=\"http://www.customchannels.net/streaming/bonnaroo/radio/\">live radio webstream\u003c/a> provided on the festival’s website. As well, be sure to keep an eye out for \u003ca href=\"http://youtu.be/fnXktom89cE\">Ben & Jerry’s new Bonnaroo themed ice cream\u003c/a> the next time you’re at the supermarket!\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe loading=\"lazy\" width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/6fBu-4bFwgk\" frameborder=\"0\" allowfullscreen>\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>Bonnaroo is a pilgrimage of sorts, one which I whole-heartedly endorse. Bay Area residents would have felt right at home in Centeroo what with the stress on being \u003ca href=\"http://www.bonnaroo.com/festival/greening-activism.aspx\">environmentally friendly\u003c/a>, the \u003ca href=\"http://www.bonnaroo.com/activities/food-on-the-move.aspx\">incredible food\u003c/a> (organic, vegetarian, vegan, etc.) and drink (\u003ca href=\"http://www.bonnaroo.com/activities/brooers-festival.aspx\">microbrewed, of course\u003c/a>), and the unique melting pot of people, which closely mirrored what I’ve noticed at least in Berkeley (ie, you had your hippies hanging out listening to music with college jocks, your hipsters mingling in the crowd with the — decidedly older — Neil Young and Robert Plant fans.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Pre-sale tickets for Bonnaroo 2012 \u003ca href=\"http://www.bonnaroo.com/tickets/2012-ga-vip-pre-sale.aspx\">just went on sale\u003c/a> Friday, June 17.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Sometimes it’s just about the music. The Noise Pop Podcast team forgoes the blabbering this week and just jockeys discs. The episode finishes with the return of “Ear About Town” that really stretches the limits of the EAT segment.\u003c/p>\n\u003cp>Next week’s episode will be “Battle of the Indie Labels,” if you would like to tell us your favorite indie label call (585) 4NOISE5 and leave your “Ear About Town” reccomendation —- or leave a comment below. We will include it in next week’s podcast.\u003c/p>\n\u003cp>\u003cb>Track List:\u003c/b>\u003cbr>\n“The Everglade Leafhouse” —- Cordorui, single\u003cbr>\n“Edita V” — The Balkans, self-titled\u003cbr>\n“@f*ckwiseblood” — Wise Blood, \u003cb>These Wings\u003c/b> EP\u003cbr>\n“Lord Knows Best” — Dirty Beaches, \u003cb>Badlands\u003c/b>\u003cbr>\n“Calgary” — Bon Iver, \u003cb>Bon Iver, Bon Iver\u003c/b>\u003cbr>\n“Magic Fingers” — Hands, single\u003cbr>\n“Street Clothes” — Fool’s Gold, \u003cb>Leave No Trace\u003c/b>\u003cbr>\n“Blacks” — Dawn Gold and Rosy Cross, \u003cb>Blow\u003c/b> EP\u003cbr>\n“Queen of The Press Club” — Soft White Sixties, single\u003c/p>\n\u003cp>\u003cstrong>Ear About Town\u003c/strong>\u003c/p>\n\u003cp>Jesse: Keith Richard’s \u003cem>Life \u003c/em>(audiobook)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Jaime: The Rosebuds, band history. “Woods” — The Rosebuds, \u003cb>Loud Planes Fly Low\u003c/b>\u003c/p>\n\u003cp>Dawson: Darryl McDaniels (DMC of Run-DMC) story on the Moth Podcast\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Guest Caller, Gunther: “Just Jamm It” — Breakfast Mountain, \u003cb>Hoooded\u003c/b>\u003c/p>\n\n",
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"content": "\u003cp>June kicks off the summer touring season, which means a bunch of acts coming through SF and locals heading out on tour. Not coincidentally, a bunch of the bands included here have new records out this month, including My First Earthquake, Matt Bauer, The Wooden Birds, and Black Lips. Enjoy this mix and then go check out some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Local band \u003ca href=\"http://www.phantomkicksmusic.com/\">Phantom Kicks\u003c/a> (“Better Days Of”) released the \u003cb>Tectonics\u003c/b> EP for free download earlier this year. See them perform on June 18 at \u003ca href=\"http://www.elriosf.com/calendar/\">El Rio\u003c/a>, with Blackbird Blackbird, Old Arc, and Yalls.\u003c/p>\n\u003cp>\u003ca href=\"http://www.johnvanderslice.com/\">John Vanderslice\u003c/a> (“The Piano Lesson”) is reuniting with the Magik*Magik Orchestra for a one-time-only performance of \u003cb>White Wilderness\u003c/b> with a full orchestra and choir. \u003ca href=\"http://www.thebaybridged.com/2011/05/11/the-bay-bridged-presents-john-vanderslice-and-the-magikmagik-orchestra-perform-white-wilderness/\">Find out more\u003c/a> about this special show on June 17 at the Herbst Theatre.\u003c/p>\n\u003cp>Andrew Kenny (of American Analog Set) leads \u003ca href=\"http://www.facebook.com/thewoodenbirds?sk=wall\">The Wooden Birds\u003c/a> (“Two Matchsticks”), whose second album, \u003cb>Two Matchsticks\u003c/b>, comes out June 7. The band plays with The Definite Articles and White Cloud on June 25 at Bottom of the Hill.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This month, \u003ca href=\"http://crossbillrecords.com/shop/the-jessamine-county-book-of-the-living/\">Crossbill Records\u003c/a> will release \u003cb>The Jessamine County Book Of The Living\u003c/b>, the latest from former SFer \u003ca href=\"http://www.mattbauermusic.com/\">Matt Bauer\u003c/a> (“Blacklight Horses”). Bauer performs at \u003ca href=\"http://viracochasf.com\">Viracocha\u003c/a> on June 23, with Chloe Makes Music.\u003c/p>\n\u003cp>The US tour in support of \u003cb>Dancer Equired\u003c/b>, \u003ca href=\"http://timesnewviking.net/\">Times New Viking\u003c/a>‘s (“Ever Falling in Love”) first album on Merge Records, hits the \u003ca href=\"http://www.rickshawstop.com/event/37105/\">Rickshaw Stop\u003c/a> on June 14. King Tuff and Spencey Dude & The Doodles open the show.\u003c/p>\n\u003cp>Long-running New York garage rock band \u003ca href=\"http://www.fleshtones.org/\">The Fleshtones\u003c/a> (“Bite of My Soul”) released their latest album, \u003cb>Brooklyn Sound Solution\u003c/b>, on \u003ca href=\"http://www.yeproc.com/artist_info.php?artistId=232\">Yep Roc\u003c/a> earlier this year. East Bay Grease performs with the band at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 28.\u003c/p>\n\u003cp>\u003cspan id=\"more-36191\">\u003c/span>LA’s \u003ca href=\"http://www.jailweddings.net/\">Jail Weddings\u003c/a> (“I Thought You Were Someone I Knew”) head to San Francisco for two shows at the \u003ca href=\"http://www.hemlocktavern.com/prog_guide.php?adate_id=2011-06-25\">Hemlock Tavern\u003c/a> on June 25. Andre Williams will be headlining both shows.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Thao-Mirah/127029094040472\">Thao & Mirah\u003c/a> (“Little Cup”) conclude the duo’s national tour with a hometown show this month. They’ll be at the \u003ca href=\"http://www.gamh.com/artist_pages/thao_and_mirah_062311.htm\">Great American Music Hall\u003c/a> on June 23, with BOBBY and Led to Sea.\u003c/p>\n\u003cp>Berkeley band \u003ca href=\"http://www.wintersfallmusic.com/\">Winter’s Fall\u003c/a> (“In Your Head”) mixes Americana and indie rock on its latest album, \u003cb>At All Angles\u003c/b>. 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The band’s release show, with Le Vice and DJ set by Bortvan Ltd, is June 8 at \u003ca href=\"http://www.cafedunord.com/\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>Unfortunately, San Francisco’s \u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?sk=wall\">Part Time\u003c/a> (“Night Drive”) is no longer scheduled to be performing this month, but you should definitely check out this new wave-leaning band, which has a release forthcoming on \u003ca href=\"http://www.mexicansummer.com/home/\">Mexican Summer\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.black-lips.com/\">Black Lips\u003c/a>‘ (“Modern Art”) new album \u003cb>Arabia Mountain\u003c/b> comes out next week. The Atlanta garage rock band is touring the West Coast this month, playing at the \u003ca href=\"http://www.gamh.com/artist_pages/black_lips_061111.htm\">Great American Music Hall\u003c/a> on June 11 and 12.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>June kicks off the summer touring season, which means a bunch of acts coming through SF and locals heading out on tour. Not coincidentally, a bunch of the bands included here have new records out this month, including My First Earthquake, Matt Bauer, The Wooden Birds, and Black Lips. Enjoy this mix and then go check out some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Local band \u003ca href=\"http://www.phantomkicksmusic.com/\">Phantom Kicks\u003c/a> (“Better Days Of”) released the \u003cb>Tectonics\u003c/b> EP for free download earlier this year. See them perform on June 18 at \u003ca href=\"http://www.elriosf.com/calendar/\">El Rio\u003c/a>, with Blackbird Blackbird, Old Arc, and Yalls.\u003c/p>\n\u003cp>\u003ca href=\"http://www.johnvanderslice.com/\">John Vanderslice\u003c/a> (“The Piano Lesson”) is reuniting with the Magik*Magik Orchestra for a one-time-only performance of \u003cb>White Wilderness\u003c/b> with a full orchestra and choir. \u003ca href=\"http://www.thebaybridged.com/2011/05/11/the-bay-bridged-presents-john-vanderslice-and-the-magikmagik-orchestra-perform-white-wilderness/\">Find out more\u003c/a> about this special show on June 17 at the Herbst Theatre.\u003c/p>\n\u003cp>Andrew Kenny (of American Analog Set) leads \u003ca href=\"http://www.facebook.com/thewoodenbirds?sk=wall\">The Wooden Birds\u003c/a> (“Two Matchsticks”), whose second album, \u003cb>Two Matchsticks\u003c/b>, comes out June 7. The band plays with The Definite Articles and White Cloud on June 25 at Bottom of the Hill.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This month, \u003ca href=\"http://crossbillrecords.com/shop/the-jessamine-county-book-of-the-living/\">Crossbill Records\u003c/a> will release \u003cb>The Jessamine County Book Of The Living\u003c/b>, the latest from former SFer \u003ca href=\"http://www.mattbauermusic.com/\">Matt Bauer\u003c/a> (“Blacklight Horses”). Bauer performs at \u003ca href=\"http://viracochasf.com\">Viracocha\u003c/a> on June 23, with Chloe Makes Music.\u003c/p>\n\u003cp>The US tour in support of \u003cb>Dancer Equired\u003c/b>, \u003ca href=\"http://timesnewviking.net/\">Times New Viking\u003c/a>‘s (“Ever Falling in Love”) first album on Merge Records, hits the \u003ca href=\"http://www.rickshawstop.com/event/37105/\">Rickshaw Stop\u003c/a> on June 14. King Tuff and Spencey Dude & The Doodles open the show.\u003c/p>\n\u003cp>Long-running New York garage rock band \u003ca href=\"http://www.fleshtones.org/\">The Fleshtones\u003c/a> (“Bite of My Soul”) released their latest album, \u003cb>Brooklyn Sound Solution\u003c/b>, on \u003ca href=\"http://www.yeproc.com/artist_info.php?artistId=232\">Yep Roc\u003c/a> earlier this year. East Bay Grease performs with the band at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 28.\u003c/p>\n\u003cp>\u003cspan id=\"more-36191\">\u003c/span>LA’s \u003ca href=\"http://www.jailweddings.net/\">Jail Weddings\u003c/a> (“I Thought You Were Someone I Knew”) head to San Francisco for two shows at the \u003ca href=\"http://www.hemlocktavern.com/prog_guide.php?adate_id=2011-06-25\">Hemlock Tavern\u003c/a> on June 25. Andre Williams will be headlining both shows.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Thao-Mirah/127029094040472\">Thao & Mirah\u003c/a> (“Little Cup”) conclude the duo’s national tour with a hometown show this month. They’ll be at the \u003ca href=\"http://www.gamh.com/artist_pages/thao_and_mirah_062311.htm\">Great American Music Hall\u003c/a> on June 23, with BOBBY and Led to Sea.\u003c/p>\n\u003cp>Berkeley band \u003ca href=\"http://www.wintersfallmusic.com/\">Winter’s Fall\u003c/a> (“In Your Head”) mixes Americana and indie rock on its latest album, \u003cb>At All Angles\u003c/b>. The band joins Velvet Blue Music labelmates Mike Sempert (of Birds & Batteries) and Kissing Cousins, as well as Mist Giant, at the \u003ca href=\"http://www.rickshawstop.com/event/38877/\">Rickshaw Stop\u003c/a> on June 5.\u003c/p>\n\u003cp>\u003cb>Friction\u003c/b> is the new album from SF’s \u003ca href=\"http://www.myfirstearthquake.com/\">My First Earthquake\u003c/a> (“Nice to See You”), out June 7. The band’s release show, with Le Vice and DJ set by Bortvan Ltd, is June 8 at \u003ca href=\"http://www.cafedunord.com/\">Cafe Du Nord\u003c/a>.\u003c/p>\n\u003cp>Unfortunately, San Francisco’s \u003ca href=\"http://www.facebook.com/pages/PART-TIME/105366072835033?sk=wall\">Part Time\u003c/a> (“Night Drive”) is no longer scheduled to be performing this month, but you should definitely check out this new wave-leaning band, which has a release forthcoming on \u003ca href=\"http://www.mexicansummer.com/home/\">Mexican Summer\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.black-lips.com/\">Black Lips\u003c/a>‘ (“Modern Art”) new album \u003cb>Arabia Mountain\u003c/b> comes out next week. The Atlanta garage rock band is touring the West Coast this month, playing at the \u003ca href=\"http://www.gamh.com/artist_pages/black_lips_061111.htm\">Great American Music Hall\u003c/a> on June 11 and 12.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week’s entry was inspired by a covers-infused dinner Noise Pop put on with local SF supper club \u003ca href=\"http://www.graffeats.com/\">graffEats\u003c/a> on May 25, 2011. The chef prepared dishes that were covers of famous chefs’ dishes, with which Noise Pop paired cover songs. So every song in this episode is a cover. Taking it a step further Dawson and the team explore the different ways a cover can be done. To gain some insight Jesse and Dawson speak with Josh Modell, \u003ca href=\"http://www.avclub.com/\">A.V. Club\u003c/a>‘s Editor-in-Chief, about his fantastic \u003ca href=\"http://www.avclub.com/articles/the-walkmen-cover-rem,38887/\">\u003cb>Undercover\u003c/b>\u003c/a> series. With some help from Josh, the gang focuses on the recent past and finds covers of artists all over the spectrum from Joanna Newsom to Kermit the Frog. NOTE: There is no \u003cb>Ear About Town\u003c/b> this episode, however it will return next time.\u003c/p>\n\u003cp>\u003cstrong>Track list:\u003c/strong>\u003c/p>\n\u003cp>\u003cu>Serious\u003c/u>\u003c/p>\n\u003cp>“Such Great Heights” (The Postal Service) — Iron & Wine, \u003cb>Garden State Soundtrack\u003c/b>\u003cbr>“Bridges and Balloons” (Joanna Newsom) — The Decemberists, Live\u003cbr>“He Hit Me” (The Crystals) — Grizzly Bear, \u003cb>Friend\u003c/b>\u003c/p>\n\u003cp>\u003cu>Ironic\u003c/u>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We Built This City” (Starship) — Cursive, \u003cb>A.V. Undercover\u003c/b>\u003cbr>“It’s not Easy Bein’ Green” (Kermit the Frog) — Andrew Bird, Live\u003cbr>“Relief” (R. Kelly), — Sam Amidon, \u003cb>I See the Sign\u003c/b>\u003c/p>\n\u003cp>\u003cu>Post-Ironic\u003c/u>\u003c/p>\n\u003cp>“One More Try” (George Michael) — Iron & Wine, \u003cb>A.V. Undercover\u003c/b>\u003cbr>“Since U Been Gone/Maps” (Kelly Clarkson, Yeah Yeah Yeahs) — Ted Leo, Live\u003cbr>“Take On Me” (A-ha) — AC Newman, Starbuck’s \u003cb>Sweetheart\u003c/b> Compilation\u003cbr>“Jolene” (Dolly Parton) — The White Stripes, single\u003c/p>\n\u003cp>\u003cu>Songs That Sound Nothing Like the Original\u003c/u>\u003c/p>\n\u003cp>“Love is a Battlefield” (Pat Benatar) — Thao and Mirah,\u003cb>New, Improved, Live\u003c/b> session\u003cbr>“I Found a Reason” (Velvet Underground) — Cat Power, The Covers Record\u003c/p>\n\u003cp>\u003cu>Songs Better Than the Original\u003c/u>\u003c/p>\n\u003cp>“Limit to your Love” (Feist) James Blake, self-titled\u003c/p>\n\u003cp>\u003cu>Songs Not as Good as the Original\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I Wish I Was in New Orleans” (Tom Waits) — Scarlett Johansson, \u003cb>Anywhere I Lay My Head\u003c/b>\u003cbr>“All My Friends” (LCD Soundsystem) — Franz Ferdinand, single\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s entry was inspired by a covers-infused dinner Noise Pop put on with local SF supper club \u003ca href=\"http://www.graffeats.com/\">graffEats\u003c/a> on May 25, 2011. The chef prepared dishes that were covers of famous chefs’ dishes, with which Noise Pop paired cover songs. So every song in this episode is a cover. Taking it a step further Dawson and the team explore the different ways a cover can be done. To gain some insight Jesse and Dawson speak with Josh Modell, \u003ca href=\"http://www.avclub.com/\">A.V. Club\u003c/a>‘s Editor-in-Chief, about his fantastic \u003ca href=\"http://www.avclub.com/articles/the-walkmen-cover-rem,38887/\">\u003cb>Undercover\u003c/b>\u003c/a> series. With some help from Josh, the gang focuses on the recent past and finds covers of artists all over the spectrum from Joanna Newsom to Kermit the Frog. NOTE: There is no \u003cb>Ear About Town\u003c/b> this episode, however it will return next time.\u003c/p>\n\u003cp>\u003cstrong>Track list:\u003c/strong>\u003c/p>\n\u003cp>\u003cu>Serious\u003c/u>\u003c/p>\n\u003cp>“Such Great Heights” (The Postal Service) — Iron & Wine, \u003cb>Garden State Soundtrack\u003c/b>\u003cbr>“Bridges and Balloons” (Joanna Newsom) — The Decemberists, Live\u003cbr>“He Hit Me” (The Crystals) — Grizzly Bear, \u003cb>Friend\u003c/b>\u003c/p>\n\u003cp>\u003cu>Ironic\u003c/u>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Omar Sosa’s concerts frequently spawn a kind of jazz calisthenics, with Sosa dancing around his piano, shifting in his seat as he attacks the keys, and waving his arms as he gets into the songs’ freneticism. This high-flying Sosa is nowhere to be found on his latest album, \u003cb>Calma\u003c/b>, whose musical spareness begs the question: What caused Sosa to change direction?\u003c/p>\n\u003cp>Call it a mid-career reassessment, or call it the way Sosa calls it: He’s simply in the mood for more reflective music. It’s not to the exclusion of his up-tempo style. Both dimensions will be evident when Sosa performs with his quintet next Monday, May 16, at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, at Yoshi’s in San Francisco.\u003c/p>\n\u003cp>“I did the record to heal myself. I travel all over the world, and it’s hard when I see how crazy the world is — how we’re treating each other,” Sosa says. “I feel people need peace and calm.”\u003c/p>\n\u003cp>Sosa has done what jazz musicians have always done: interpret their times for a bigger audience and for their own well-being. John Coltrane did this in 1963 when he recorded the song “Alabama,” in response to a racist church bombing that killed four African-American girls. Sosa, who’s been nominated for five Grammys, is now 46 and the father of two young children. One of the most prolific Cuban artists in jazz, Sosa is always juggling new projects and new concert dates — a pace that heightens his awareness of how hectic and discombobulated the world can be.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s Bay Area performances are a homecoming for him — he lived here in the 1990s, his record label, Ota, is based in Oakland, and it’s here that he established himself as a jazz innovator. In Sosa’s songs, you hear a melding of all the music that inspires him: Cuban, classical (including Satie and Debussy), African, Indian, and the jazz of Coltrane, Thelonious Monk and other American stalwarts. Since Sosa is so comfortable in different traditions, the element of surprise is always there with him; even within the same song (as on “L3zero,” from his 2004 album \u003cb>Mulatos\u003c/b>), a sequence may feature a sample of a DJ scratch, a Cuban rumba, a fantastical vibraphone, and a Benny Goodman-like clarinet solo — all anchored by piano-playing that glides and cavorts from here to there. Composer John Adams used the Latin phrase for “genius” to describe what Sosa does, saying a few years ago that “Sosa is a deeply creative musician with an extraordinary harmonic sense. His piano playing is \u003ci>sui generis\u003c/i>: It has obvious roots in Cuban music, but he’s taken his approach to the keyboard into completely new regions.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Which brings us back to \u003cb>Calma\u003c/b>. Sosa’s new region is internal. It’s that space where music turns you inward, toward contemplation and even rejuvenation. There’s a complete cycle to \u003cb>Calma\u003c/b> — the album starts with the minimalist song “Sunrise,” segues into more enlivened work (highlighted by “Aguas,” which incorporates the recorded sounds of African Pygmy people), then ends with “Sunset,” which ends on an emphatic series of notes. Recording \u003cb>Calma\u003c/b> in a New York studio, Sosa needed only an hour to complete the 13 songs, improvising the whole time. The album is just Sosa and his piano, accompanied by a few recorded elements.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s career has taken him from his native Cuba to many countries in Africa and the Americas, and now Spain, where he divides his time between Barcelona and the island of Menorca. Sosa’s musicianship and collaborations with international artists may remind some people of Randy Weston, the celebrated New York jazz pianist who also has a background in classical music, was also influenced by Monk, and has also spent significant time living abroad and recording with artists outside of jazz. Sosa, though, distinguishes himself by emphasizing the Cuban roots of his music. And Sosa was originally schooled as a percussionist, not a keyboardist. Maintaining a heavy beat is in his musical DNA, but he has learned in middle age to rein in his impulses, even if he’s as outwardly frenzied as he’s always been.\u003c/p>\n\u003cp>“Your music can be crazy but you can also be peaceful,” says Sosa. “I’m happy with \u003cb>Calma\u003c/b>. I’m not used to listening to my music when it’s finished. You work ahead. But with \u003cb>Calma\u003c/b>, it’s completely different. I feel like it’s another person playing.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Omar Sosa performs Monday, May 16, 2011 at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, 2011 at Yoshi’s in San Francisco. For tickets and information, visit \u003ca href=\"http://kuumbwajazz.org/index.php\">kuumbwajazz.org\u003c/a>\u003ca>\u003c/a> and \u003ca href=\"http://www.yoshis.com/\">yoshis.com\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Omar Sosa’s concerts frequently spawn a kind of jazz calisthenics, with Sosa dancing around his piano, shifting in his seat as he attacks the keys, and waving his arms as he gets into the songs’ freneticism. This high-flying Sosa is nowhere to be found on his latest album, \u003cb>Calma\u003c/b>, whose musical spareness begs the question: What caused Sosa to change direction?\u003c/p>\n\u003cp>Call it a mid-career reassessment, or call it the way Sosa calls it: He’s simply in the mood for more reflective music. It’s not to the exclusion of his up-tempo style. Both dimensions will be evident when Sosa performs with his quintet next Monday, May 16, at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, at Yoshi’s in San Francisco.\u003c/p>\n\u003cp>“I did the record to heal myself. I travel all over the world, and it’s hard when I see how crazy the world is — how we’re treating each other,” Sosa says. “I feel people need peace and calm.”\u003c/p>\n\u003cp>Sosa has done what jazz musicians have always done: interpret their times for a bigger audience and for their own well-being. John Coltrane did this in 1963 when he recorded the song “Alabama,” in response to a racist church bombing that killed four African-American girls. Sosa, who’s been nominated for five Grammys, is now 46 and the father of two young children. One of the most prolific Cuban artists in jazz, Sosa is always juggling new projects and new concert dates — a pace that heightens his awareness of how hectic and discombobulated the world can be.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/XHIE4RUs3rw?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s Bay Area performances are a homecoming for him — he lived here in the 1990s, his record label, Ota, is based in Oakland, and it’s here that he established himself as a jazz innovator. In Sosa’s songs, you hear a melding of all the music that inspires him: Cuban, classical (including Satie and Debussy), African, Indian, and the jazz of Coltrane, Thelonious Monk and other American stalwarts. Since Sosa is so comfortable in different traditions, the element of surprise is always there with him; even within the same song (as on “L3zero,” from his 2004 album \u003cb>Mulatos\u003c/b>), a sequence may feature a sample of a DJ scratch, a Cuban rumba, a fantastical vibraphone, and a Benny Goodman-like clarinet solo — all anchored by piano-playing that glides and cavorts from here to there. Composer John Adams used the Latin phrase for “genius” to describe what Sosa does, saying a few years ago that “Sosa is a deeply creative musician with an extraordinary harmonic sense. His piano playing is \u003ci>sui generis\u003c/i>: It has obvious roots in Cuban music, but he’s taken his approach to the keyboard into completely new regions.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Which brings us back to \u003cb>Calma\u003c/b>. Sosa’s new region is internal. It’s that space where music turns you inward, toward contemplation and even rejuvenation. There’s a complete cycle to \u003cb>Calma\u003c/b> — the album starts with the minimalist song “Sunrise,” segues into more enlivened work (highlighted by “Aguas,” which incorporates the recorded sounds of African Pygmy people), then ends with “Sunset,” which ends on an emphatic series of notes. Recording \u003cb>Calma\u003c/b> in a New York studio, Sosa needed only an hour to complete the 13 songs, improvising the whole time. The album is just Sosa and his piano, accompanied by a few recorded elements.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"405\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/ZJsu3pCVkVc?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>Sosa’s career has taken him from his native Cuba to many countries in Africa and the Americas, and now Spain, where he divides his time between Barcelona and the island of Menorca. Sosa’s musicianship and collaborations with international artists may remind some people of Randy Weston, the celebrated New York jazz pianist who also has a background in classical music, was also influenced by Monk, and has also spent significant time living abroad and recording with artists outside of jazz. Sosa, though, distinguishes himself by emphasizing the Cuban roots of his music. And Sosa was originally schooled as a percussionist, not a keyboardist. Maintaining a heavy beat is in his musical DNA, but he has learned in middle age to rein in his impulses, even if he’s as outwardly frenzied as he’s always been.\u003c/p>\n\u003cp>“Your music can be crazy but you can also be peaceful,” says Sosa. “I’m happy with \u003cb>Calma\u003c/b>. I’m not used to listening to my music when it’s finished. You work ahead. But with \u003cb>Calma\u003c/b>, it’s completely different. I feel like it’s another person playing.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Omar Sosa performs Monday, May 16, 2011 at Kuumbwa Jazz Center in Santa Cruz, and Wednesday, May 18, 2011 at Yoshi’s in San Francisco. For tickets and information, visit \u003ca href=\"http://kuumbwajazz.org/index.php\">kuumbwajazz.org\u003c/a>\u003ca>\u003c/a> and \u003ca href=\"http://www.yoshis.com/\">yoshis.com\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week’s episode is as varied as it gets — running the gamut from the propulsive Superhumanoid to the understated, solemn David Bazan to the boozy rollick of Man Man and ending with the glitchy freak-out that is Nasty Nasty. As well, Jesse, in conjunction with \u003ca href=\"http://Jewcy.com/\">Jewcy.com\u003c/a>, has a conversation with The Antlers’ Peter Silberman about his band’s new album, Burst Apart. The interview begins at 24:18 and you can read the interview \u003ca href=\"http://www.jewcy.com/arts-and-culture/music/jewcy-interviews-the-antlers\">here\u003c/a>.\u003c/p>\n\u003cp>Lastly, the team picks their \u003cb>Ear About Town\u003c/b> recommendations, and we debut our fan chosen recommendation. If you’d like to call in and leave your Ear About Town recommendation, please call 585-4NOISE5.\u003c/p>\n\u003cp>1. “Palm Springs” — Superhumanoids, \u003cb>Parasite Paradise\u003c/b>\u003cbr>2. “Life Fantastic” — Man Man, \u003cb>Life Fantastic\u003c/b>\u003cbr>3. “Dinner” — Blood Orange, \u003cb>Number Six\u003c/b>\u003cbr>4. “Wake and be Fine” — Okkervil River, \u003cb>I Am Very Far\u003c/b>\u003cbr>5. “Ever Falling in Love” — Times New Viking, \u003cb>Dancer Equired\u003c/b>\u003cbr>6. “Babies” — Radiation City, \u003cb>The Hands That Take You\u003c/b>\u003c/p>\n\u003cp>\u003cb>Antlers Interview\u003c/b>\u003c/p>\n\u003cp>“Every Night My Teeth Are Falling Out” (clip) — The Antlers, \u003cb>Burst Apart\u003c/b>\u003cbr>“Two” (clip) — The Antlers, \u003cb>Hospice\u003c/b>\u003cbr>“Putting The Dog to Sleep” (clip) — The Antlers, \u003cb>Burst Apart\u003c/b>\u003cbr>“Parenthesis” (clip) — The Antlers, \u003cb>Burst Apart\u003c/b>\u003cbr>7. “Wolves at The Door” — David Bazan, \u003cb>Strange Negotiations\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Ear About Town\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Dawson: “Do Right Woman, Do Right Man” (clip) — Aretha Franklin, \u003cb>I Never Loved a Man the Way I Love You\u003c/b>\u003cbr>Jesse: “November 30th, 2006” (clip) — Paleo, Daytrotter Session 2/12/2007\u003cbr>Jaime: “Oh Industry” (clip) — Bette Midler, \u003cb>Beach Original Soundtrack\u003c/b>\u003cbr>Guest caller, Damian Lopez: “Bejan” (clip) — Tanlines, \u003cb>Volume On\u003c/b>\u003cbr>8. “No Names” — Nasty Nasty, Single\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week’s episode is as varied as it gets — running the gamut from the propulsive Superhumanoid to the understated, solemn David Bazan to the boozy rollick of Man Man and ending with the glitchy freak-out that is Nasty Nasty. As well, Jesse, in conjunction with \u003ca href=\"http://Jewcy.com/\">Jewcy.com\u003c/a>, has a conversation with The Antlers’ Peter Silberman about his band’s new album, Burst Apart. The interview begins at 24:18 and you can read the interview \u003ca href=\"http://www.jewcy.com/arts-and-culture/music/jewcy-interviews-the-antlers\">here\u003c/a>.\u003c/p>\n\u003cp>Lastly, the team picks their \u003cb>Ear About Town\u003c/b> recommendations, and we debut our fan chosen recommendation. If you’d like to call in and leave your Ear About Town recommendation, please call 585-4NOISE5.\u003c/p>\n\u003cp>1. “Palm Springs” — Superhumanoids, \u003cb>Parasite Paradise\u003c/b>\u003cbr>2. “Life Fantastic” — Man Man, \u003cb>Life Fantastic\u003c/b>\u003cbr>3. “Dinner” — Blood Orange, \u003cb>Number Six\u003c/b>\u003cbr>4. “Wake and be Fine” — Okkervil River, \u003cb>I Am Very Far\u003c/b>\u003cbr>5. “Ever Falling in Love” — Times New Viking, \u003cb>Dancer Equired\u003c/b>\u003cbr>6. “Babies” — Radiation City, \u003cb>The Hands That Take You\u003c/b>\u003c/p>\n\u003cp>\u003cb>Antlers Interview\u003c/b>\u003c/p>\n\u003cp>“Every Night My Teeth Are Falling Out” (clip) — The Antlers, \u003cb>Burst Apart\u003c/b>\u003cbr>“Two” (clip) — The Antlers, \u003cb>Hospice\u003c/b>\u003cbr>“Putting The Dog to Sleep” (clip) — The Antlers, \u003cb>Burst Apart\u003c/b>\u003cbr>“Parenthesis” (clip) — The Antlers, \u003cb>Burst Apart\u003c/b>\u003cbr>7. “Wolves at The Door” — David Bazan, \u003cb>Strange Negotiations\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>May 2011 features a couple of local festivals — S.S. Records’ \u003ca href=\"http://www.ssten.com\">ten-year anniversary celebration\u003c/a> and \u003ca href=\"http://www.sfpopfest.com/\">SF Popfest\u003c/a> (which we’ll be discussing later this month in a separate mixtape) — as well as the usual slate of touring bands coming through town. Veterans like Cass McCombs and The Raveonettes both recently put out what might be the best albums of lengthy careers; others, including Craft Spells and No Joy, are enjoying strong reviews for their recent debuts. Enjoy this mix and then go check out some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Nashville duo \u003ca href=\"http://www.facebook.com/JEFFtheBrotherhood\">JEFF The Brotherhood\u003c/a> (“Diamond Way”) gained a reputation as a great live band by playing over 230 shows in 2010. The band’s new album, \u003cem>We Are The Champions\u003c/em>, comes out in June. They will be at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on May 14 with The Greenhornes and Midnight Snaxxx.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/King-Lollipop/160470364000161?sk=wall\">King Lollipop\u003c/a> (“Cheeseburger and Fries (demo)”) is a new project from Cody of Shannon and the Clams, whose debut album is called \u003cem>Woodland Whoopee Songs of Ol, Callowhee!\u003c/em> On May 18, King Lollipop performs at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-05-18\">Hemlock Tavern\u003c/a> with X-Ray Eyeballs and Burnt Ones.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/The-Mantles/147297444375?sk=wall&filter=2\">The Mantles\u003c/a> (“Raspberry Thighs”) are one of our favorite SF bands right now, and you have no excuse not to see them in one of three (!) local shows this month. See them at the Rickshaw Stop on \u003ca href=\"http://www.rickshawstop.com/event/34675/\">May 7\u003c/a> and \u003ca href=\"http://www.rickshawstop.com/event/33657/\">May 27\u003c/a>, and at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-05-22\">Hemlock Tavern\u003c/a> on May 22.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Danish duo \u003ca href=\"http://www.theraveonettes.com/\">The Raveonettes\u003c/a>‘ (“Forget That You’re Young”) new album \u003cem>Raven in the Grave\u003c/em> finds the band exploring dynamic dark pop. The band’s US tour with Tamaryn comes to \u003ca href=\"http://www.bimbos365club.com/event/30309/\">Bimbo’s\u003c/a> on May 10.\u003c/p>\n\u003cp>\u003cem>Redeemer\u003c/em> is the new album from Fred Thomas’s \u003ca href=\"http://citycenternyc.blogspot.com\">City Center\u003c/a> (“Cookies”), out May 10 on \u003ca href=\"http://krecs.com/\">K Records\u003c/a>. The Saturday Looks Good to Me leader will be at \u003ca href=\"http://milksf.com/shows/city-center-swimsuit-secret-twins-allright\">Milk Bar\u003c/a> on May 19, alongside Thomas’s other band Swimsuit, as well as Secret Twins and Alright.\u003c/p>\n\u003cp>After getting laid off, Chicago’s \u003ca href=\"http://www.facebook.com/sunhaus?sk=info\">Houses\u003c/a> (“Soak It Up”) headed to Hawaii, where the duo recorded what would become the album \u003cem>All Night\u003c/em>. Houses headlines at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on May 18. The One AM Radio and Jhameel open the show.\u003c/p>\n\u003cp>SF’s \u003ca href=\"http://www.facebook.com/MeltedToysSF\">Melted Toys\u003c/a> (“Come On”) recently released the \u003cem>Washed & Dried\u003c/em> EP on \u003ca href=\"http://www.underwaterpeoples.com/\">Underwater Peoples\u003c/a>. You can see them at \u003ca href=\"http://slims-sf.com/\">Slim’s\u003c/a> on May 5 and at \u003ca href=\"http://www.facebook.com/event.php?eid=218791114803917\">The Depot at SFSU\u003c/a> on May 11.\u003c/p>\n\u003cp>On \u003cem>Ghost Blonde\u003c/em>, their debut album, \u003ca href=\"http://www.facebook.com/nojoymusic\">No Joy\u003c/a> (“Heedless”) blend shoegaze and rock and roll. Vivian Girls and Lilac perform with them on May 4 at the \u003ca href=\"http://www.rickshawstop.com/event/34009/\">RIckshaw Stop\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://http//www.s-srecords.com/\">S.S. Records\u003c/a>‘ first release was from Seattle’s \u003ca href=\"http://en.wikipedia.org/wiki/A_Frames_%28band%29\">A Frames\u003c/a> (“Galena”), and now the band’s final show is part of the label’s \u003ca href=\"http://www.ssten.com/\">ten-year anniversary celebration\u003c/a>. Friday, May 20, the band headlines at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>, with Liquorball, Hank IV, Charles Albright, and DJ Mitch Cardwell.\u003c/p>\n\u003cp>While Oakland experimental electronic rock group \u003ca href=\"http://www.facebook.com/pages/Clipd-Beaks/49270968289?sk=wall\">Clipd Beaks\u003c/a> (“Hard Daze”) works on new recordings, they’ve been posting a bunch of great rare stuff on \u003ca href=\"http://soundcloud.com/clipd-beaks\">their Soundcloud page\u003c/a>. See Clipd Beaks, Weekend, and Jealousy at \u003ca href=\"http://www.theindependentsf.com/event/31379/\">The Independent\u003c/a> on May 19.\u003c/p>\n\u003cp>Seattle-via-Stockton band \u003ca href=\"http://www.facebook.com/CraftSpells?sk=wall\">Craft Spells\u003c/a> (“You Should Close the Door”) concludes a US tour at \u003ca href=\"http://slims-sf.com/slims-bin/showcal?date=2011-05-05\">Slim’s\u003c/a> on May 5, with Beach Fossils and Melted Toys. \u003cem>Idle Labor\u003c/em> is the band’s excellent debut record, out now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Wit’s End\u003c/em> is \u003ca href=\"http://www.cassmccombs.com\">Cass McCombs\u003c/a>‘ (“The Lonely Doll”) fifth full length record, and it’s really a beautiful album. McCombs and Frank Fairfield perform at the \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Swedish American Hall\u003c/a> on May 5.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>May 2011 features a couple of local festivals — S.S. Records’ \u003ca href=\"http://www.ssten.com\">ten-year anniversary celebration\u003c/a> and \u003ca href=\"http://www.sfpopfest.com/\">SF Popfest\u003c/a> (which we’ll be discussing later this month in a separate mixtape) — as well as the usual slate of touring bands coming through town. Veterans like Cass McCombs and The Raveonettes both recently put out what might be the best albums of lengthy careers; others, including Craft Spells and No Joy, are enjoying strong reviews for their recent debuts. Enjoy this mix and then go check out some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>Nashville duo \u003ca href=\"http://www.facebook.com/JEFFtheBrotherhood\">JEFF The Brotherhood\u003c/a> (“Diamond Way”) gained a reputation as a great live band by playing over 230 shows in 2010. The band’s new album, \u003cem>We Are The Champions\u003c/em>, comes out in June. They will be at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on May 14 with The Greenhornes and Midnight Snaxxx.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/King-Lollipop/160470364000161?sk=wall\">King Lollipop\u003c/a> (“Cheeseburger and Fries (demo)”) is a new project from Cody of Shannon and the Clams, whose debut album is called \u003cem>Woodland Whoopee Songs of Ol, Callowhee!\u003c/em> On May 18, King Lollipop performs at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-05-18\">Hemlock Tavern\u003c/a> with X-Ray Eyeballs and Burnt Ones.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/The-Mantles/147297444375?sk=wall&filter=2\">The Mantles\u003c/a> (“Raspberry Thighs”) are one of our favorite SF bands right now, and you have no excuse not to see them in one of three (!) local shows this month. See them at the Rickshaw Stop on \u003ca href=\"http://www.rickshawstop.com/event/34675/\">May 7\u003c/a> and \u003ca href=\"http://www.rickshawstop.com/event/33657/\">May 27\u003c/a>, and at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2011-05-22\">Hemlock Tavern\u003c/a> on May 22.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Danish duo \u003ca href=\"http://www.theraveonettes.com/\">The Raveonettes\u003c/a>‘ (“Forget That You’re Young”) new album \u003cem>Raven in the Grave\u003c/em> finds the band exploring dynamic dark pop. The band’s US tour with Tamaryn comes to \u003ca href=\"http://www.bimbos365club.com/event/30309/\">Bimbo’s\u003c/a> on May 10.\u003c/p>\n\u003cp>\u003cem>Redeemer\u003c/em> is the new album from Fred Thomas’s \u003ca href=\"http://citycenternyc.blogspot.com\">City Center\u003c/a> (“Cookies”), out May 10 on \u003ca href=\"http://krecs.com/\">K Records\u003c/a>. The Saturday Looks Good to Me leader will be at \u003ca href=\"http://milksf.com/shows/city-center-swimsuit-secret-twins-allright\">Milk Bar\u003c/a> on May 19, alongside Thomas’s other band Swimsuit, as well as Secret Twins and Alright.\u003c/p>\n\u003cp>After getting laid off, Chicago’s \u003ca href=\"http://www.facebook.com/sunhaus?sk=info\">Houses\u003c/a> (“Soak It Up”) headed to Hawaii, where the duo recorded what would become the album \u003cem>All Night\u003c/em>. Houses headlines at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on May 18. The One AM Radio and Jhameel open the show.\u003c/p>\n\u003cp>SF’s \u003ca href=\"http://www.facebook.com/MeltedToysSF\">Melted Toys\u003c/a> (“Come On”) recently released the \u003cem>Washed & Dried\u003c/em> EP on \u003ca href=\"http://www.underwaterpeoples.com/\">Underwater Peoples\u003c/a>. You can see them at \u003ca href=\"http://slims-sf.com/\">Slim’s\u003c/a> on May 5 and at \u003ca href=\"http://www.facebook.com/event.php?eid=218791114803917\">The Depot at SFSU\u003c/a> on May 11.\u003c/p>\n\u003cp>On \u003cem>Ghost Blonde\u003c/em>, their debut album, \u003ca href=\"http://www.facebook.com/nojoymusic\">No Joy\u003c/a> (“Heedless”) blend shoegaze and rock and roll. Vivian Girls and Lilac perform with them on May 4 at the \u003ca href=\"http://www.rickshawstop.com/event/34009/\">RIckshaw Stop\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://http//www.s-srecords.com/\">S.S. Records\u003c/a>‘ first release was from Seattle’s \u003ca href=\"http://en.wikipedia.org/wiki/A_Frames_%28band%29\">A Frames\u003c/a> (“Galena”), and now the band’s final show is part of the label’s \u003ca href=\"http://www.ssten.com/\">ten-year anniversary celebration\u003c/a>. Friday, May 20, the band headlines at \u003ca href=\"http://bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a>, with Liquorball, Hank IV, Charles Albright, and DJ Mitch Cardwell.\u003c/p>\n\u003cp>While Oakland experimental electronic rock group \u003ca href=\"http://www.facebook.com/pages/Clipd-Beaks/49270968289?sk=wall\">Clipd Beaks\u003c/a> (“Hard Daze”) works on new recordings, they’ve been posting a bunch of great rare stuff on \u003ca href=\"http://soundcloud.com/clipd-beaks\">their Soundcloud page\u003c/a>. See Clipd Beaks, Weekend, and Jealousy at \u003ca href=\"http://www.theindependentsf.com/event/31379/\">The Independent\u003c/a> on May 19.\u003c/p>\n\u003cp>Seattle-via-Stockton band \u003ca href=\"http://www.facebook.com/CraftSpells?sk=wall\">Craft Spells\u003c/a> (“You Should Close the Door”) concludes a US tour at \u003ca href=\"http://slims-sf.com/slims-bin/showcal?date=2011-05-05\">Slim’s\u003c/a> on May 5, with Beach Fossils and Melted Toys. \u003cem>Idle Labor\u003c/em> is the band’s excellent debut record, out now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Wit’s End\u003c/em> is \u003ca href=\"http://www.cassmccombs.com\">Cass McCombs\u003c/a>‘ (“The Lonely Doll”) fifth full length record, and it’s really a beautiful album. McCombs and Frank Fairfield perform at the \u003ca href=\"http://www.cafedunord.com/?temp=calendar\">Swedish American Hall\u003c/a> on May 5.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This week the NPP team tackles the new trend of popular R&B taking root in indie music. With new artists like The Weeknd, Frank Ocean, and How To Dress Well, it’s clear that 90’s R&B is making a comeback. This episode explores how it got to this point.The first clue started a few years ago when contemporary bands began covering R&B hits from the 90’s — in 2009 The xx covered Aaliyah’s “Hot Like Fire.” Shortly after, the influence of this sound grew apparent in new indie bands like Gayngs and James Blake. Dirty Projector’s smash “Stillness in the Move” was a watershed moment, in which a pure R&B vocal was paired with the band’s traditionally challenging sound. Now the stage is set for not just artists dabbling in an R&B sound but actual pure R&B artist to be embraced by the independent community, a fascinating and rewarding new trend in music.\u003c/p>\n\u003cp>The group also announce the winning name of their recommendation segment, \u003cb>Ear About Town\u003c/b>. This episode’s segment Jesse, Jaime and Dawson stay with the theme and share their respective favorite R&B song from the 1990’s.\u003c/p>\n\u003cp>1. “House of Balloons/Glass Table Girls” — The Weeknd, \u003cb>House of Balloons\u003c/b>\u003cbr>2. “Transparency” — d’Eon, \u003cb>Darkbloom\u003c/b>\u003cbr>3. “Are You That Somebody?” (clip) — Aaliyah, \u003cb>Dr. Doolittle Soundtrack\u003c/b>\u003cbr>4. “Hot Like Fire” Aaliyah Cover (clip) — The xx, \u003cb>B-Side to “Crystalized” single\u003c/b>\u003cbr>5. “Don’t Take it Personal” Monica Cover — White Hinterland, single\u003cbr>6. “Gaudy Side of Town” — Gayngs, \u003cb>Relayted\u003c/b>\u003cbr>7. “Stillness is the Move” (clip) — Dirty Projectors, \u003cb>Bitte Orca\u003c/b>\u003cbr>8. “Stillness is the Move” (clip) — Solange, single\u003cbr>9. “Songs for Women” — Frank Ocean, \u003cb>Nostalgia/Ultra\u003c/b>\u003cbr>10. “Wicked Games” — The Weeknd, \u003cb>House of Balloons\u003c/b>\u003cbr>11. “Ready for the World” — How to Dress Well,\u003cb> Love Remains\u003c/b>\u003c/p>\n\u003cp>\u003cb>Ear About Town\u003c/b>\u003c/p>\n\u003cp>Jesse: “Cupid” (clip) — 112, \u003cb>112\u003c/b>\u003cbr>Jaime: “All My Life” (clip) — K-Ci and JoJo, \u003cb>Love Always\u003c/b>\u003cbr>Dawson: “Pony” (clip) — Ginuwine, \u003cb>Ginuwine the Bachelor\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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},
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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