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"content": "\u003cp>Over 100 comedians discuss the mechanics of an old burlesque routine called “The Aristocrats,” the crudest in-joke ever told. Something of a legend among comedians, the joke’s open structure allows each to riff on a number of taboo subjects. The bit has become a competition for comics, each attempting to stretch the length between the set up and punch line and adding his or her own special spin to the freeform center section. Described in the film as “the Tourette’s Syndrome joke” or, more hilariously, as “Giddy, Shit-Covered Incest and Other Poems by Maya Angelou,” the joke is something of a Rorschach test, revealing each comedian’s darkest, most inappropriate thoughts.\u003c/p>\n\u003cp>The funny thing about “The Aristocrats” (the joke, not the film) is, in most cases, it’s not funny. Only a few of the comedians actually get a laugh. Some create a beautiful reversal in the punch line, others launch into routines that can only be described as performance art and a few just get downright surreal. Old-timer Larry Storch scores big with a very proper, almost “traditional” delivery that really captures the joke’s Vaudevillian essence.\u003c/p>\n\u003cp>Reminiscent of a middle school lunch table packed with 12-year-old boys, \u003cb>The Artistocrats\u003c/b> (the film AND the joke) is a gross-out contest filled with inappropriate sex, fecal matter and other body fluids. What’s most surprising is that, in the face of unlimited possibility, the comedians choose a fairly uniform set of taboo activities to populate the joke. Their descriptions conform to one another so well that they can be rapidly inter-cut without disruption. This repetition made me wonder if there really were only a few forbidden subjects left in our society. A point illustrated by The Onion’s editorial staff, which struggles, in snippets scattered throughout the film, to break down American taboos, creating a white-board schematic for their version of the joke.\u003c/p>\n\u003cp>Nevertheless, there is something about this joke that cracks up both the teller and his fellow comedians. The telling is cathartic. Ultimately this film flips a middle finger at the FCC’s increased fines for “indecency,” the “wardrobe malfunction” and to those members of society who would appoint themselves morality police for us all. The joke itself is liberating for the comic telling it. This film is a release for the makers, exposing a show-biz legend so crude and dirty, which can only be told with the foulest language, that it cannot be mistaken for or disguised as anything but a celebration of free speech.\u003c/p>\n\u003cp>\u003cb>The Aristocrats\u003c/b> by Paul Provenza and Penn Jillette opens August 12.\u003cbr>\u003ca href=\"http://www.sfgate.com/eguide/movies/playing/\">Get theaters and show times\u003c/a> (at sfgate.com).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cb>November\u003c/b> begins with a nervous twitch — even the titles are fidgety, flickering like fluorescent light bulbs on the fritz. Photographer Sophie (Courteney Cox) and her lawyer boyfriend Hugh (James LeGros) pull up outside a convenience store and become involved in an armed robbery. The violence is sudden, the color is lurid and saturated, tinted the sickly green of a grimy late-night corner store.\u003c/p>\n\u003cp>Weeks later, in a world of muted, soft-focus grays and browns, Sophie visits her therapist (Nora Dunn), complaining of headaches and recurring nightmares. She is also feeling guilty about a recent affair with a colleague at the art school where she teaches photography. During one of her lectures, Sophie discovers a mysterious extra slide in her carousel projector. It is a photograph of the convenience store taken the night of the robbery.\u003c/p>\n\u003cp>The slide inspires an obsessive scrutiny reminiscent of Antonioni’s \u003cb>Blow Up\u003c/b>, a darkroom littered with fuzzy enlargements and the frustrating exploration of film grain. Through excellent camera, editing and sound work, the film builds to an eerie, horror movie frenzy, blood staining its surfaces. Then it flips back on itself with a second version of events and a third, each a little brighter than the last, with a clearer focus, a cleaner view, reflecting the advice Sophie gives to her students to “assert by excluding” things from the frame.\u003c/p>\n\u003cp>The photographic “evidence” in \u003cb>November\u003c/b> keeps shifting, perspectives tilt and fall apart, crucial pieces dissolve or go missing. Even surveillance tapes fall victim to their own fuzzy electric quality, oblique camera angles miss important action, tape noise blurs out crucial information. The “proof” is suspect, subtly reflecting how modern (mostly American) society has become skeptical of the empirical. The thing observed has become tainted by the limitations of the observer.\u003c/p>\n\u003cp>In one sequence a detective views photographs of the crime scene, the perpetrator lurking as a blurred, unidentifiable presence in each frame, and deems them, “too arty for their own good.” The photographs capture pieces of a murky reality, but fail to help illuminate the bigger picture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>November\u003c/b> is the kind of film that forces you to stay till the end to find out what happens, even though the ultimate outcome can be seen from space. It’s stylish, but thin and a little familiar. The film’s gritty, dream-like world doesn’t look as compelling once everything comes into sharp focus, or it looks less important than it seemed when the view was slightly askew.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>November\u003c/b> by Greg Harrison opens July 29. Starring: Courteney Cox, James LeGros.\u003cbr>\u003ca href=\"http://www.sfgate.com/eguide/movies/playing/\">Get theaters and show times\u003c/a> (at sfgate.com)\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"perspectives": {
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"link": "/radio/program/reveal",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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