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"content": "\u003cp>The filmmakers behind a documentary on science fiction author Ursula K. Le Guin had plenty to celebrate Wednesday as \u003ca href=\"https://www.kickstarter.com/projects/arwencurry/worlds-of-ursula-k-le-guin\" target=\"_blank\" rel=\"noopener\">their Kickstarter campaign\u003c/a> surpassed $200,000.\u003c/p>\n\u003cp>With 50 hours left, the campaign reached its final goal — the remaining amount of the film’s $800,000 budget — and the filmmakers made this announcement on their Facebook page:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FWorldsofUKL%2Fposts%2F973049319414828&width=500\" width=\"500\" height=\"596\" style=\"border:none;overflow:hidden\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The film concentrates on the work of Berkeley native Le Guin, creator of the internationally-renowned \u003ci>Earthsea\u003c/i> fantasy series and a \u003ca href=\"https://en.wikipedia.org/wiki/Library_of_Congress_Living_Legend\" target=\"_blank\" rel=\"noopener\">Library of Congress Living Legend.\u003c/a> Director Arwen Curry left her job as a KQED Science producer to make the film about a writer whose presence in her life was so ubiquitous, she described Le Guin as like “being an auntie.”\u003c/p>\n\u003cp>“American fiction was not the same after her,” Curry says. “She opened doors between mainstream literature, and genres like science fiction and fantasy. Before those genres were not necessarily maligned but looked down upon as being immature. After Ursula Le Guin, it’s hard to say that those aren’t areas where important thinking is taking place.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After filming hours of interviews with Le Guin, Curry applied for a grant from the National Endowment of the Humanities and was awarded $600,000, the majority of film’s projected budget. But there was a catch: in order to receive the funds, Curry and her crew had to raise the remaining $200,000 on their own. \u003c/p>\n\u003cp>Thinking that they would have to apply for other grants, the crew initially set their Kickstarter goal at $80,000. They raised that amount in two days, so they pushed to raise the full $200,000, which they did with a little more than two days left in the campaign.\u003c/p>\n\u003cp>Curry said that the remaining funds will be used for finishing costs such as editing, licensing archival material, and bankrolling the film’s musical score.\u003c/p>\n\u003cp>The campaign has received funding and plugs from notable authors such as Cheryl Strayed, Michael Chabon and Neil Gaiman.\u003c/p>\n\u003cp>“Ursula Le Guin may be the last great SF and Fantasy writer of her generation who is still writing as well and as wisely as she did in the Sixties,” Gaiman wrote, adding that he had been supporting the film’s campaign from the beginning. \u003c/p>\n\u003cp>Curry says the outpouring of support for the film has been both overwhelming and encouraging for a project she envisioned more than seven years ago. It also made it known that fans of Le Guin are dedicated, and when asked why that is, Curry says that after hours of interviews with them, the answer is clear.\u003c/p>\n\u003cp>“She teaches us how to live well.” \u003c/p>\n\u003cp>\u003ci>To learn more about the documentary, watch the video below:\u003c/i> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=AqH3nqXqlgs\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After filming hours of interviews with Le Guin, Curry applied for a grant from the National Endowment of the Humanities and was awarded $600,000, the majority of film’s projected budget. But there was a catch: in order to receive the funds, Curry and her crew had to raise the remaining $200,000 on their own. \u003c/p>\n\u003cp>Thinking that they would have to apply for other grants, the crew initially set their Kickstarter goal at $80,000. They raised that amount in two days, so they pushed to raise the full $200,000, which they did with a little more than two days left in the campaign.\u003c/p>\n\u003cp>Curry said that the remaining funds will be used for finishing costs such as editing, licensing archival material, and bankrolling the film’s musical score.\u003c/p>\n\u003cp>The campaign has received funding and plugs from notable authors such as Cheryl Strayed, Michael Chabon and Neil Gaiman.\u003c/p>\n\u003cp>“Ursula Le Guin may be the last great SF and Fantasy writer of her generation who is still writing as well and as wisely as she did in the Sixties,” Gaiman wrote, adding that he had been supporting the film’s campaign from the beginning. \u003c/p>\n\u003cp>Curry says the outpouring of support for the film has been both overwhelming and encouraging for a project she envisioned more than seven years ago. It also made it known that fans of Le Guin are dedicated, and when asked why that is, Curry says that after hours of interviews with them, the answer is clear.\u003c/p>\n\u003cp>“She teaches us how to live well.” \u003c/p>\n\u003cp>\u003ci>To learn more about the documentary, watch the video below:\u003c/i> \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AqH3nqXqlgs'\n title='//www.youtube.com/embed/AqH3nqXqlgs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003ch3>Don’t forget to subscribe to our \u003ca target=\"_blank\" href=\"http://www.bit.ly/FSSYouTube\" rel=\"noopener\">YouTube channel\u003c/a>!\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>The Crossing\u003c/em>\u003c/strong> will screen as part of \u003ca target=\"_blank\" title=\"Cinequest\" href=\"http://www.cinequest.org/\" rel=\"noopener\">Cinequest’s\u003c/a> \u003cem>\u003ca target=\"_blank\" href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47836~1da7d7ec-d6dd-45c2-ba79-3b2f5e9471a6&epguid=b3aad4c9-f088-4801-bb58-186df5d296dc&#.Vs9SxvkrKUk\" rel=\"noopener\">Short Program 9B – College – American Voices.\u003c/a>\u003c/em>\u003c/p>\n\u003cdiv>\n\u003cp>Prentiss McKnight stands watch at night in \u003cem>The Crossing.\u003c/em>\u003c/p>\n\u003c/div>\n\u003cp>\u003cstrong>Tell us a bit about yourself. What got you into film?\u003c/strong>\u003c/p>\n\u003cblockquote>\n\u003cp>Growing up in Estonia, \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/03/02/the-crossing-interview-with-kadri-koop/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/03/02/the-crossing-interview-with-kadri-koop/\" target=\"_blank\" title=\"“The Crossing” | Interview with Kadri Koop, Stanford University\" rel=\"noopener\">Films School Shorts News\u003c/a>\u003c/p>\n\u003c/blockquote>\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Bill Cosby’s criminal sex-assault case was temporarily halted days before a key hearing while a Pennsylvania appeals court considers his effort to have the case thrown out before trial.\u003c/p>\n\u003cp>[contextly_sidebar id=”cx6xkDwsVMlWQRp7QgOpFDFFi1XoUWAJ”]\u003c/p>\n\u003cp>The Pennsylvania Superior Court granted Cosby a postponement Tuesday while the court decides whether to hear Cosby’s pretrial appeal. His preliminary hearing had been set for next week.\u003c/p>\n\u003cp>Cosby, 78, is accused of drugging and molesting a Temple University employee in his suburban Philadelphia home in 2004.\u003c/p>\n\u003cp>He said he had a promise from a former district attorney that he would never be charged over his encounter with Andrea Constand. However, a different district attorney reopened the case last year and filed charges in December, weeks before the statute of limitations expired.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The preliminary hearing to determine if probable cause exists to send the case to trial had been set for March 8. The hearing seemed likely to be postponed unless the Superior Court quickly decided to quash his appeal.\u003c/p>\n\u003cp>Prosecutors have argued that he does not have the right to a pretrial appeal and should instead file the usual post-trial appeal if he is convicted. A Montgomery County judge who heard two days of evidence on the issue agreed and refused to ask the appeals court to intervene. The judge, Common Pleas Judge Steven O’Neill, could end up with the case if it goes to trial.\u003c/p>\n\u003cp>O’Neill found no credible evidence of a binding agreement that Cosby would never be charged. The former district attorney, Bruce Castor, had testified for Cosby but acknowledged there was no written agreement forged.\u003c/p>\n\u003cp>Cosby is embroiled in civil litigation in several states, but the Pennsylvania case is the only one to lead to criminal charges. He has teams of lawyers for the case itself, for appellate issues and for a countersuit he filed last month against accuser Andrea Constand. He also is embroiled in defamation lawsuits with some of the dozens of women around the country who accuse him of molesting them.\u003c/p>\n\u003cp>Cosby has posted $1 million bail in the Pennsylvania case. He faces five to 10 years in prison if convicted of felony indecent assault.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The preliminary hearing to determine if probable cause exists to send the case to trial had been set for March 8. The hearing seemed likely to be postponed unless the Superior Court quickly decided to quash his appeal.\u003c/p>\n\u003cp>Prosecutors have argued that he does not have the right to a pretrial appeal and should instead file the usual post-trial appeal if he is convicted. A Montgomery County judge who heard two days of evidence on the issue agreed and refused to ask the appeals court to intervene. The judge, Common Pleas Judge Steven O’Neill, could end up with the case if it goes to trial.\u003c/p>\n\u003cp>O’Neill found no credible evidence of a binding agreement that Cosby would never be charged. The former district attorney, Bruce Castor, had testified for Cosby but acknowledged there was no written agreement forged.\u003c/p>\n\u003cp>Cosby is embroiled in civil litigation in several states, but the Pennsylvania case is the only one to lead to criminal charges. He has teams of lawyers for the case itself, for appellate issues and for a countersuit he filed last month against accuser Andrea Constand. He also is embroiled in defamation lawsuits with some of the dozens of women around the country who accuse him of molesting them.\u003c/p>\n\u003cp>Cosby has posted $1 million bail in the Pennsylvania case. He faces five to 10 years in prison if convicted of felony indecent assault.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003ch3>Don’t forget to subscribe to our \u003ca target=\"_blank\" href=\"http://www.bit.ly/FSSYouTube\" rel=\"noopener\">\u003cem>YouTube channel\u003c/em>\u003c/a>\u003cem>!\u003c/em>\u003c/h3>\n\u003cp>A boy discovers a baby fox in the forest and must save it from two bullies who try to steal it away from its home. In this intricately designed stop-motion film, we watch a unique bond unfold between boy and fox. Director \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/03/01/cry-of-the-fox-interview-with-jason-ronzani-usc/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/03/01/cry-of-the-fox-interview-with-jason-ronzani-usc/\" target=\"_blank\" title=\"“Cry of the Fox” | Interview with Jason Ronzani, USC\" rel=\"noopener\">Films School Shorts News\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Five to Watch: Spring Training",
"headTitle": "Five to Watch: Spring Training | KQED",
"content": "\u003cp>Welcome to the old bait-and-switch, as there aren’t any movies about baseball on local screens this month. There might be a few that touch on practice, teamwork, new beginnings and the changing of the seasons, but you could say that about any month in the filmaholic Bay Area. You see, that’s the other lie in the title: Moviegoers hereabouts are always in midseason form, given the multitude of new, old, forgotten and rediscovered films to choose from. But if the words “spring training” awaken a latent spirit of rejuvenation in you, as they do in me, my transgression is forgiven. So let’s see what is, in fact, behind the curtain.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367853\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367853 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RememberMe400-400x192.jpg\" alt=\"Rita Moreno in 'Remember Me.'\" width=\"400\" height=\"192\">\u003cfigcaption class=\"wp-caption-text\">Rita Moreno in ‘Remember Me.’ \u003ccite>(Courtesy of Cinequest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>\u003ca href=\"http://www.cinequest.org\" target=\"_blank\" rel=\"noopener\">Cinequest\u003c/a>\u003c/h3>\n\u003ch5>Camera 12 Cinemas, Hammer Theatre Center and the California Theatre, San Jose\u003cbr>\nMarch 1 – 13\u003c/h5>\n\u003cp>The venerable South Bay film festival is an iconoclastic, hit-and-miss array of independent films from around the globe that (in many cases) will never be seen again in the Bay Area. There’s room in the wide-ranging program for everything from Penelope Cruz as a mother diagnosed with breast cancer in veteran Spanish director Julio Medem’s \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47877~78899376-35a9-4153-8303-e1557be2dc32&epguid=d52499c1-3164-429f-b057-384dd7ec4b23&\" target=\"_blank\" rel=\"noopener\">Ma Ma\u003c/a>\u003c/em> (March 6) to Eva Neymann’s Russian-language Sholem Aleichem adaptation \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47902~1da7d7ec-d6dd-45c2-ba79-3b2f5e9471a6&epguid=b3aad4c9-f088-4801-bb58-186df5d296dc&\" target=\"_blank\" rel=\"noopener\">Song of Songs\u003c/a>\u003c/em> (March 8, 9, 12). Rita Moreno plays a grandmother on the road to laughs and life lessons with two descendants in the world premiere of \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=48637~78899376-35a9-4153-8303-e1557be2dc32&epguid=d52499c1-3164-429f-b057-384dd7ec4b23&\" target=\"_blank\" rel=\"noopener\">Remember Me\u003c/a>\u003c/em> (March 5), and pockets the festival’s Maverick Award in the bargain. A tip of the hat to another maverick, Bob Hawk, whose work at the Film Arts Foundation in S.F. in the ’80s and ’90s led to a brilliant career as a New York-based consigliere to independent filmmakers. Hawk collects his statue at a screening of the documentary about life, \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47921~78899376-35a9-4153-8303-e1557be2dc32&epguid=d52499c1-3164-429f-b057-384dd7ec4b23&\" target=\"_blank\" rel=\"noopener\">Film Hawk\u003c/a>\u003c/em> (March 4).\u003c/p>\n\u003c/div>\n\u003cfigure id=\"attachment_11367852\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367852 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Explo400-400x267.jpg\" alt=\"A previous 'Extended Cinemas.'\" width=\"400\" height=\"267\">\u003cfigcaption class=\"wp-caption-text\">A previous ‘Extended Cinemas.’ \u003ccite>(Courtesy of Exploratorium)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>\u003ca href=\"http://www.exploratorium.edu/visit/calendar/after-dark-extended-cinemas-march-3-2016\" target=\"_blank\" rel=\"noopener\">Exploratorium After Dark: Extended Cinemas\u003c/a>\u003c/h3>\n\u003ch5>Exploratorium, San Francisco\u003cbr>\nMarch 4\u003c/h5>\n\u003cp>Interactivity. Second screen. Virtual reality. Somebody’s always touting a new buzzword or consumer electronic that’s more immersive, more intense, more impactful than the (supposedly) passive experience of watching a projected movie. I get it, but I much prefer the experiments of artists to inventors. The Exploratorium’s annual \u003ci>Extended Cinemas\u003c/i> program is a veritable smorgasbord of installations, dual-projector shows, shadow puppetry and workshops created by envelope-pushing filmmakers and image-and-light sculptors. Spring forward, indeed.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367854\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367854 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Blank400-400x265.jpg\" alt=\"Les Blank and Ricky Leacock\" width=\"400\" height=\"265\">\u003cfigcaption class=\"wp-caption-text\">Les Blank and Ricky Leacock \u003ccite>(Photo by Gina Leibrecht)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>How to Smell a Rose: A Visit With Ricky Leacock in Normandy\u003c/h3>\n\u003ch5>Various Bay Area theaters\u003cbr>\nBeginning March 8\u003c/h5>\n\u003cp>Les Blank, the laconic East Bay filmmaker who died in 2013, dropped in on fellow documentary icon Richard Leacock at his French country house many years ago and — being an obsessive imagemaker — wound up filming their casual chats about film, food and life. Blank’s filmmaking partner, Gina Leibrecht, interwove those conversations and clips of Leacock’s lovely films into a seductive portrait of creativity, beauty and friendship that premiered at the Telluride Film Festival in 2014 and opened in New York last August. It receives its Bay Area theatrical release March 8 at the \u003ca href=\"http://thenewparkway.com/?date=03/08/16\" target=\"_blank\" rel=\"noopener\">New Parkway\u003c/a> in Oakland, March 9 at the \u003ca href=\"http://www.roxie.com/ai1ec_event/how-to-smell-a-rose/?instance_id=11029\" target=\"_blank\" rel=\"noopener\">Roxie\u003c/a> and March 10 at the \u003ca href=\"http://rafaelfilm.cafilm.org/how-to-smell-a-rose/\" target=\"_blank\" rel=\"noopener\">Smith Rafael Film Center\u003c/a> in San Rafael.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367855\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367855 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/3688400-400x266.jpg\" alt=\"Still from '3688.'\" width=\"400\" height=\"266\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘3688.’ \u003ccite>(Courtesy of CAAMFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ca href=\"http://caamfest.com/2016/\" target=\"_blank\" rel=\"noopener\">CAAMFest\u003c/a>\u003c/h3>\n\u003ch5>Various Bay Area theaters\u003cbr>\nMarch 10 – 20\u003c/h5>\n\u003cp>The 34th annual survey of Asian and Asian-American cinema is rife with tasty morsels like the opening night Hawaiian feast, \u003cem>\u003ca href=\"http://caamfest.com/2016/films/family-ingredients/\" target=\"_blank\" rel=\"noopener\">Family Ingredients\u003c/a>\u003c/em> (March 10), and the thinking drinking person’s \u003cem>\u003ca href=\"http://caamfest.com/2016/films/kampai-for-the-love-of-sake/\" target=\"_blank\" rel=\"noopener\">Kampai: For the Love of Sake\u003c/a>\u003c/em> (March 11 and 19). Royston Tan’s musical drama \u003cem>\u003ca href=\"http://caamfest.com/2016/films/3688/\" target=\"_blank\" rel=\"noopener\">3688\u003c/a>\u003c/em> (March 13 and 19) transports us to Singapore while lifelong Cambodian chronicler Rithy Pan probes the past in \u003cem>\u003ca href=\"http://caamfest.com/2016/films/france-is-our-mother-country/\" target=\"_blank\" rel=\"noopener\">France Is Our Mother Country\u003c/a>\u003c/em> (March 17). An unanticipated layer of controversy now accompanies the Manny Pacquiao doc, \u003cem>\u003ca href=\"http://caamfest.com/2016/films/kid-kulafu/\" target=\"_blank\" rel=\"noopener\">Kid Kulafu\u003c/a>\u003c/em> (March 11), thanks to the former boxer and current Filipino Senate candidate’s recent homophobic comments.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367856\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367856 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Lady400-400x308.jpg\" alt=\"Still from 'The Lady Vanishes.'\" width=\"400\" height=\"308\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘The Lady Vanishes.’ \u003ccite>(Courtesy of Smith Rafael Film Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ca href=\"http://rafaelfilm.cafilm.org/trains-on-film/\" target=\"_blank\" rel=\"noopener\">Trains on Film: Screenings & Dialogues with Michael Ondaatje and David Thomson\u003c/a>\u003c/h3>\n\u003ch5>Smith Rafael Film Center, San Rafael\u003cbr>\nMarch 11 – 13\u003c/h5>\n\u003cp>What was Lou Gehrig’s nickname? (Answer at the end.) Few things are as much fun, honestly, as listening to erudite, articulate people talk about movies. The conversation glides from art to history to the peculiarities of human nature and the foibles of talented egomaniacs. Novelist and poet Ondaatje joins film critic and historian Thomson, a meeting of the minds playing out in six acts at the Smith Rafael Film Center. The series is set in motion by the great, gritty John Frankenheimer-Burt Lancaster-Paul Scofield wartime thriller \u003cem>The Train\u003c/em> (1965). The lineup spotlights von Sternberg and Dietrich’s \u003cem>Shanghai Express\u003c/em>, Hitchcock’s \u003cem>The Lady Vanishes\u003c/em>, Konchalovksy’s \u003cem>Runaway Train\u003c/em>, Lean’s \u003cem>Brief Encounter\u003c/em> and, improbably, Tony Scott’s 2010 swan song \u003cem>Unstoppable\u003c/em>. As for Big Lou, his moniker was the Iron Horse. Caught you looking, didn’t I?\u003c/p>\n\u003c/div>\n\u003c/div>\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to the old bait-and-switch, as there aren’t any movies about baseball on local screens this month. There might be a few that touch on practice, teamwork, new beginnings and the changing of the seasons, but you could say that about any month in the filmaholic Bay Area. You see, that’s the other lie in the title: Moviegoers hereabouts are always in midseason form, given the multitude of new, old, forgotten and rediscovered films to choose from. But if the words “spring training” awaken a latent spirit of rejuvenation in you, as they do in me, my transgression is forgiven. So let’s see what is, in fact, behind the curtain.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367853\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367853 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RememberMe400-400x192.jpg\" alt=\"Rita Moreno in 'Remember Me.'\" width=\"400\" height=\"192\">\u003cfigcaption class=\"wp-caption-text\">Rita Moreno in ‘Remember Me.’ \u003ccite>(Courtesy of Cinequest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>\u003ca href=\"http://www.cinequest.org\" target=\"_blank\" rel=\"noopener\">Cinequest\u003c/a>\u003c/h3>\n\u003ch5>Camera 12 Cinemas, Hammer Theatre Center and the California Theatre, San Jose\u003cbr>\nMarch 1 – 13\u003c/h5>\n\u003cp>The venerable South Bay film festival is an iconoclastic, hit-and-miss array of independent films from around the globe that (in many cases) will never be seen again in the Bay Area. There’s room in the wide-ranging program for everything from Penelope Cruz as a mother diagnosed with breast cancer in veteran Spanish director Julio Medem’s \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47877~78899376-35a9-4153-8303-e1557be2dc32&epguid=d52499c1-3164-429f-b057-384dd7ec4b23&\" target=\"_blank\" rel=\"noopener\">Ma Ma\u003c/a>\u003c/em> (March 6) to Eva Neymann’s Russian-language Sholem Aleichem adaptation \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47902~1da7d7ec-d6dd-45c2-ba79-3b2f5e9471a6&epguid=b3aad4c9-f088-4801-bb58-186df5d296dc&\" target=\"_blank\" rel=\"noopener\">Song of Songs\u003c/a>\u003c/em> (March 8, 9, 12). Rita Moreno plays a grandmother on the road to laughs and life lessons with two descendants in the world premiere of \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=48637~78899376-35a9-4153-8303-e1557be2dc32&epguid=d52499c1-3164-429f-b057-384dd7ec4b23&\" target=\"_blank\" rel=\"noopener\">Remember Me\u003c/a>\u003c/em> (March 5), and pockets the festival’s Maverick Award in the bargain. A tip of the hat to another maverick, Bob Hawk, whose work at the Film Arts Foundation in S.F. in the ’80s and ’90s led to a brilliant career as a New York-based consigliere to independent filmmakers. Hawk collects his statue at a screening of the documentary about life, \u003cem>\u003ca href=\"http://payments.cinequest.org/WebSales/pages/info.aspx?evtinfo=47921~78899376-35a9-4153-8303-e1557be2dc32&epguid=d52499c1-3164-429f-b057-384dd7ec4b23&\" target=\"_blank\" rel=\"noopener\">Film Hawk\u003c/a>\u003c/em> (March 4).\u003c/p>\n\u003c/div>\n\u003cfigure id=\"attachment_11367852\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367852 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Explo400-400x267.jpg\" alt=\"A previous 'Extended Cinemas.'\" width=\"400\" height=\"267\">\u003cfigcaption class=\"wp-caption-text\">A previous ‘Extended Cinemas.’ \u003ccite>(Courtesy of Exploratorium)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003ch3>\u003ca href=\"http://www.exploratorium.edu/visit/calendar/after-dark-extended-cinemas-march-3-2016\" target=\"_blank\" rel=\"noopener\">Exploratorium After Dark: Extended Cinemas\u003c/a>\u003c/h3>\n\u003ch5>Exploratorium, San Francisco\u003cbr>\nMarch 4\u003c/h5>\n\u003cp>Interactivity. Second screen. Virtual reality. Somebody’s always touting a new buzzword or consumer electronic that’s more immersive, more intense, more impactful than the (supposedly) passive experience of watching a projected movie. I get it, but I much prefer the experiments of artists to inventors. The Exploratorium’s annual \u003ci>Extended Cinemas\u003c/i> program is a veritable smorgasbord of installations, dual-projector shows, shadow puppetry and workshops created by envelope-pushing filmmakers and image-and-light sculptors. Spring forward, indeed.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367854\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367854 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Blank400-400x265.jpg\" alt=\"Les Blank and Ricky Leacock\" width=\"400\" height=\"265\">\u003cfigcaption class=\"wp-caption-text\">Les Blank and Ricky Leacock \u003ccite>(Photo by Gina Leibrecht)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>How to Smell a Rose: A Visit With Ricky Leacock in Normandy\u003c/h3>\n\u003ch5>Various Bay Area theaters\u003cbr>\nBeginning March 8\u003c/h5>\n\u003cp>Les Blank, the laconic East Bay filmmaker who died in 2013, dropped in on fellow documentary icon Richard Leacock at his French country house many years ago and — being an obsessive imagemaker — wound up filming their casual chats about film, food and life. Blank’s filmmaking partner, Gina Leibrecht, interwove those conversations and clips of Leacock’s lovely films into a seductive portrait of creativity, beauty and friendship that premiered at the Telluride Film Festival in 2014 and opened in New York last August. It receives its Bay Area theatrical release March 8 at the \u003ca href=\"http://thenewparkway.com/?date=03/08/16\" target=\"_blank\" rel=\"noopener\">New Parkway\u003c/a> in Oakland, March 9 at the \u003ca href=\"http://www.roxie.com/ai1ec_event/how-to-smell-a-rose/?instance_id=11029\" target=\"_blank\" rel=\"noopener\">Roxie\u003c/a> and March 10 at the \u003ca href=\"http://rafaelfilm.cafilm.org/how-to-smell-a-rose/\" target=\"_blank\" rel=\"noopener\">Smith Rafael Film Center\u003c/a> in San Rafael.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367855\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367855 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/3688400-400x266.jpg\" alt=\"Still from '3688.'\" width=\"400\" height=\"266\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘3688.’ \u003ccite>(Courtesy of CAAMFest)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ca href=\"http://caamfest.com/2016/\" target=\"_blank\" rel=\"noopener\">CAAMFest\u003c/a>\u003c/h3>\n\u003ch5>Various Bay Area theaters\u003cbr>\nMarch 10 – 20\u003c/h5>\n\u003cp>The 34th annual survey of Asian and Asian-American cinema is rife with tasty morsels like the opening night Hawaiian feast, \u003cem>\u003ca href=\"http://caamfest.com/2016/films/family-ingredients/\" target=\"_blank\" rel=\"noopener\">Family Ingredients\u003c/a>\u003c/em> (March 10), and the thinking drinking person’s \u003cem>\u003ca href=\"http://caamfest.com/2016/films/kampai-for-the-love-of-sake/\" target=\"_blank\" rel=\"noopener\">Kampai: For the Love of Sake\u003c/a>\u003c/em> (March 11 and 19). Royston Tan’s musical drama \u003cem>\u003ca href=\"http://caamfest.com/2016/films/3688/\" target=\"_blank\" rel=\"noopener\">3688\u003c/a>\u003c/em> (March 13 and 19) transports us to Singapore while lifelong Cambodian chronicler Rithy Pan probes the past in \u003cem>\u003ca href=\"http://caamfest.com/2016/films/france-is-our-mother-country/\" target=\"_blank\" rel=\"noopener\">France Is Our Mother Country\u003c/a>\u003c/em> (March 17). An unanticipated layer of controversy now accompanies the Manny Pacquiao doc, \u003cem>\u003ca href=\"http://caamfest.com/2016/films/kid-kulafu/\" target=\"_blank\" rel=\"noopener\">Kid Kulafu\u003c/a>\u003c/em> (March 11), thanks to the former boxer and current Filipino Senate candidate’s recent homophobic comments.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11367856\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11367856 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Lady400-400x308.jpg\" alt=\"Still from 'The Lady Vanishes.'\" width=\"400\" height=\"308\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘The Lady Vanishes.’ \u003ccite>(Courtesy of Smith Rafael Film Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ca href=\"http://rafaelfilm.cafilm.org/trains-on-film/\" target=\"_blank\" rel=\"noopener\">Trains on Film: Screenings & Dialogues with Michael Ondaatje and David Thomson\u003c/a>\u003c/h3>\n\u003ch5>Smith Rafael Film Center, San Rafael\u003cbr>\nMarch 11 – 13\u003c/h5>\n\u003cp>What was Lou Gehrig’s nickname? (Answer at the end.) Few things are as much fun, honestly, as listening to erudite, articulate people talk about movies. The conversation glides from art to history to the peculiarities of human nature and the foibles of talented egomaniacs. Novelist and poet Ondaatje joins film critic and historian Thomson, a meeting of the minds playing out in six acts at the Smith Rafael Film Center. The series is set in motion by the great, gritty John Frankenheimer-Burt Lancaster-Paul Scofield wartime thriller \u003cem>The Train\u003c/em> (1965). The lineup spotlights von Sternberg and Dietrich’s \u003cem>Shanghai Express\u003c/em>, Hitchcock’s \u003cem>The Lady Vanishes\u003c/em>, Konchalovksy’s \u003cem>Runaway Train\u003c/em>, Lean’s \u003cem>Brief Encounter\u003c/em> and, improbably, Tony Scott’s 2010 swan song \u003cem>Unstoppable\u003c/em>. As for Big Lou, his moniker was the Iron Horse. Caught you looking, didn’t I?\u003c/p>\n\u003c/div>\n\u003c/div>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Hollywood’s diversity crisis has loomed large over awards season and the big question going into the 88th annual Academy Awards was whether it would dominate the ceremony, too. It did, of course, but it wasn’t alone.\u003c/p>\n\u003cp>The evening turned out to be a platform not just for racial representation in the movies, led by host Chris Rock’s incisive insight and parody, but a wide array of causes, from global warming and bank reform to sexual abuse in church and on campus. It was a subtle plea from the film community that the movies and artists honored at Sunday night’s ceremony did have purpose and meaning — even in this second year of #OscarsSoWhite.\u003c/p>\n\u003cp>The \u003cem>Spotlight\u003c/em> team, which won the first and last prize of the night — best original screenplay and best picture — and nothing else, celebrated the Pulitzer Prize-winning work of The Boston Globe journalists who exposed sex abuses in the Roman Catholic Church and the conversation the film has renewed around the world.\u003c/p>\n\u003cp>Leonardo DiCaprio, the forgone best-actor winner for \u003cem>The Revenant\u003c/em>, used the platform to talk about his life’s passion outside of acting — climate change, which got a “thank you” from the official White House Instagram account.\u003c/p>\n\u003cp>Adam McKay and Charles Randolph, who won for best adapted screenplay for \u003cem>The Big Short\u003c/em>, spoke about the need for finance reform.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And Pakistani director Sharmeen Obaid-Chinoy, whose \u003cem>A Girl in the River: The Price of Forgiveness\u003c/em> spoke to the impact of her film.\u003c/p>\n\u003cp>“This week, the Pakistani prime minister said he would change the law on honor killing of women,” said Obaid-Chinoy, who was also the only female director to win an award at Sunday’s ceremony. “That is the power of film.”\u003c/p>\n\u003cp>In some ways, the Oscars have always been a place where winners use the podium and their 45 seconds to opine on causes directly or indirectly related to the movies, from Sacheen Littlefeather’s speech about Native American rights 43 years ago to Patricia Arquette’s call last year for pay equality for women.\u003c/p>\n\u003cp>But perhaps no ceremony has had such a pointed target, and nothing this year could eclipse #OscarsSoWhite, which was woven into the fabric of the show, thanks to Rock. He launched immediately into the uproar over the lack of diversity in this year’s nominees, and didn’t let up, dubbing the show “The White People’s Choice Awards” at the start.\u003c/p>\n\u003cp>Rock ensured that the topic remained at the forefront throughout the proceedings, usually finding hearty laughs in the process.\u003c/p>\n\u003cp>In an award show traditionally known for song-and-dance routines and high doses of glamour, Rock gave the 88th Academy Awards a charged atmosphere, keeping with the outcry that followed a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>Streaks, broken and extended, dominated much of the evening, with an expected best actress win to Brie Larson for her breakout performance in the mother-son captive drama \u003cem>Room\u003c/em> and a best supporting actress win for Swedish actress Alicia Vikander for the transgender pioneer tale \u003cem>The Danish Girl\u003c/em>.\u003c/p>\n\u003cp>Gasps went around the Dolby when Mark Rylance won best supporting actor for Steven Spielberg’s “Bridge of Spies” over Sylvester Stallone. Nominated a second time for the role of Rocky Balboa 39 years later, Stallone had been expected to win his first acting Oscar for the “Rocky” sequel “Creed.”\u003c/p>\n\u003cp>The night’s most-awarded film, however, went to neither “Spotlight” nor “The Revenant.” George Miller’s post-apocalyptic chase film, “Mad Max: Fury Road,” sped away with six awards in technical categories for editing, makeup, production design, sound editing, sound mixing and costume design.\u003c/p>\n\u003cp>Alejando Inarritu, whose win for “The Revenant” meant three straight years of Mexican filmmakers winning best director and his second consecutive win, was one of the few recipients to remark passionately on diversity in his acceptance speech.\u003c/p>\n\u003cp>Mexican cinematographer Emmanuel Lubezki (“The Revenant”) also became the first cinematographer to win three times in a row.\u003c/p>\n\u003cp>Talk of election was largely absent from the ceremony, though Vice President Joe Biden was met by a standing ovation before talking about sexual assault on college campuses in an introduction to best-song nominee Lady Gaga.\u003c/p>\n\u003cp>Best animated feature film went to “Inside Out,” Pixar’s eighth win in the category. Asif Kapadia’s Amy Winehouse portrait, “Amy,” took best documentary. Hungary’s concentration camp drama “Son of Saul” won best foreign language film.\u003c/p>\n\u003cp>Composer Ennio Morricone, at 87, landed his first competitive Oscar for “The Hateful Eight.”\u003c/p>\n\u003cp>But the wins at times felt secondary to the unflinching host. Rock said he deliberated over joining the Oscars boycott and bowing out as host, but concluded: “The last thing I need is to lose another job to Kevin Hart.”\u003c/p>\n\u003cp>Down the street from the Dolby Theatre, Rev. Al Sharpton led several dozen demonstrators in protest against a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>The acting nominees restored “OscarsSoWhite” to prominence and led Spike Lee (an honorary Oscar winner this year) and Jada Pinkett Smith to announce that they wouldn’t attend the show. Several top African American filmmakers, Ryan Coogler (“Creed”) and Ava DuVernay (“Selma”) spent the evening not at the Oscars but in Flint, Michigan, raising money for the water-contaminated city.\u003c/p>\n\u003cp>Rock also sought to add perspective to the turmoil. Rock said this year didn’t differ much from Oscar history, but that black people earlier were “too busy being raped and lynched to worry about who won best cinematographer.”\u003c/p>\n\u003cp>In a quick response to the growing crisis, Cheryl Boone Isaacs, president of the Academy of Motion Picture Arts and Sciences, led reforms to diversify the academy’s overwhelming white and male membership.\u003c/p>\n\u003cp>In her remarks during the show, Boone Isaacs strongly defended the changes, quoting Martin Luther King Jr. and urging each Oscar attendee to bring greater opportunity to the industry.\u003c/p>\n\u003cp>Last year’s telecast, hosted by Neil Patrick Harris, slid 16 percent to 36.6 million viewers, a six-year low. How the controversy, and Rock’s head-on approach, will affect ratings for the ABC show is the new big question, not to mention how well the causes of the movies and their artists will live in the conversation beyond Sunday’s show.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"description": "Hollywood's diversity crisis has loomed large over awards season and the big question going into the 88th annual Academy Awards was whether it would dominate the ceremony, too. It did, of course, but it wasn't alone. The evening turned out to be a platform not just for racial representation in the movies, led by host Chris Rock's incisive insight and parody, but a wide array of causes, from global warming and bank reform to sexual abuse in church and on campus. It was a subtle plea from the film community that the movies and artists honored at Sunday night's ceremony",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hollywood’s diversity crisis has loomed large over awards season and the big question going into the 88th annual Academy Awards was whether it would dominate the ceremony, too. It did, of course, but it wasn’t alone.\u003c/p>\n\u003cp>The evening turned out to be a platform not just for racial representation in the movies, led by host Chris Rock’s incisive insight and parody, but a wide array of causes, from global warming and bank reform to sexual abuse in church and on campus. It was a subtle plea from the film community that the movies and artists honored at Sunday night’s ceremony did have purpose and meaning — even in this second year of #OscarsSoWhite.\u003c/p>\n\u003cp>The \u003cem>Spotlight\u003c/em> team, which won the first and last prize of the night — best original screenplay and best picture — and nothing else, celebrated the Pulitzer Prize-winning work of The Boston Globe journalists who exposed sex abuses in the Roman Catholic Church and the conversation the film has renewed around the world.\u003c/p>\n\u003cp>Leonardo DiCaprio, the forgone best-actor winner for \u003cem>The Revenant\u003c/em>, used the platform to talk about his life’s passion outside of acting — climate change, which got a “thank you” from the official White House Instagram account.\u003c/p>\n\u003cp>Adam McKay and Charles Randolph, who won for best adapted screenplay for \u003cem>The Big Short\u003c/em>, spoke about the need for finance reform.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And Pakistani director Sharmeen Obaid-Chinoy, whose \u003cem>A Girl in the River: The Price of Forgiveness\u003c/em> spoke to the impact of her film.\u003c/p>\n\u003cp>“This week, the Pakistani prime minister said he would change the law on honor killing of women,” said Obaid-Chinoy, who was also the only female director to win an award at Sunday’s ceremony. “That is the power of film.”\u003c/p>\n\u003cp>In some ways, the Oscars have always been a place where winners use the podium and their 45 seconds to opine on causes directly or indirectly related to the movies, from Sacheen Littlefeather’s speech about Native American rights 43 years ago to Patricia Arquette’s call last year for pay equality for women.\u003c/p>\n\u003cp>But perhaps no ceremony has had such a pointed target, and nothing this year could eclipse #OscarsSoWhite, which was woven into the fabric of the show, thanks to Rock. He launched immediately into the uproar over the lack of diversity in this year’s nominees, and didn’t let up, dubbing the show “The White People’s Choice Awards” at the start.\u003c/p>\n\u003cp>Rock ensured that the topic remained at the forefront throughout the proceedings, usually finding hearty laughs in the process.\u003c/p>\n\u003cp>In an award show traditionally known for song-and-dance routines and high doses of glamour, Rock gave the 88th Academy Awards a charged atmosphere, keeping with the outcry that followed a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>Streaks, broken and extended, dominated much of the evening, with an expected best actress win to Brie Larson for her breakout performance in the mother-son captive drama \u003cem>Room\u003c/em> and a best supporting actress win for Swedish actress Alicia Vikander for the transgender pioneer tale \u003cem>The Danish Girl\u003c/em>.\u003c/p>\n\u003cp>Gasps went around the Dolby when Mark Rylance won best supporting actor for Steven Spielberg’s “Bridge of Spies” over Sylvester Stallone. Nominated a second time for the role of Rocky Balboa 39 years later, Stallone had been expected to win his first acting Oscar for the “Rocky” sequel “Creed.”\u003c/p>\n\u003cp>The night’s most-awarded film, however, went to neither “Spotlight” nor “The Revenant.” George Miller’s post-apocalyptic chase film, “Mad Max: Fury Road,” sped away with six awards in technical categories for editing, makeup, production design, sound editing, sound mixing and costume design.\u003c/p>\n\u003cp>Alejando Inarritu, whose win for “The Revenant” meant three straight years of Mexican filmmakers winning best director and his second consecutive win, was one of the few recipients to remark passionately on diversity in his acceptance speech.\u003c/p>\n\u003cp>Mexican cinematographer Emmanuel Lubezki (“The Revenant”) also became the first cinematographer to win three times in a row.\u003c/p>\n\u003cp>Talk of election was largely absent from the ceremony, though Vice President Joe Biden was met by a standing ovation before talking about sexual assault on college campuses in an introduction to best-song nominee Lady Gaga.\u003c/p>\n\u003cp>Best animated feature film went to “Inside Out,” Pixar’s eighth win in the category. Asif Kapadia’s Amy Winehouse portrait, “Amy,” took best documentary. Hungary’s concentration camp drama “Son of Saul” won best foreign language film.\u003c/p>\n\u003cp>Composer Ennio Morricone, at 87, landed his first competitive Oscar for “The Hateful Eight.”\u003c/p>\n\u003cp>But the wins at times felt secondary to the unflinching host. Rock said he deliberated over joining the Oscars boycott and bowing out as host, but concluded: “The last thing I need is to lose another job to Kevin Hart.”\u003c/p>\n\u003cp>Down the street from the Dolby Theatre, Rev. Al Sharpton led several dozen demonstrators in protest against a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>The acting nominees restored “OscarsSoWhite” to prominence and led Spike Lee (an honorary Oscar winner this year) and Jada Pinkett Smith to announce that they wouldn’t attend the show. Several top African American filmmakers, Ryan Coogler (“Creed”) and Ava DuVernay (“Selma”) spent the evening not at the Oscars but in Flint, Michigan, raising money for the water-contaminated city.\u003c/p>\n\u003cp>Rock also sought to add perspective to the turmoil. Rock said this year didn’t differ much from Oscar history, but that black people earlier were “too busy being raped and lynched to worry about who won best cinematographer.”\u003c/p>\n\u003cp>In a quick response to the growing crisis, Cheryl Boone Isaacs, president of the Academy of Motion Picture Arts and Sciences, led reforms to diversify the academy’s overwhelming white and male membership.\u003c/p>\n\u003cp>In her remarks during the show, Boone Isaacs strongly defended the changes, quoting Martin Luther King Jr. and urging each Oscar attendee to bring greater opportunity to the industry.\u003c/p>\n\u003cp>Last year’s telecast, hosted by Neil Patrick Harris, slid 16 percent to 36.6 million viewers, a six-year low. How the controversy, and Rock’s head-on approach, will affect ratings for the ABC show is the new big question, not to mention how well the causes of the movies and their artists will live in the conversation beyond Sunday’s show.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "The Very Best Gifs from the 2016 Oscars",
"title": "The Very Best Gifs from the 2016 Oscars",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>If a picture is worth a thousand words, then a gif must be worth at least a million (math!). With the advent of this bite-sized animated wonder, award shows have become less about who won what and more about who made what face. Here are the gifs from last night’s Oscar Awards that will be finding their way into your texts and gchats soon.\u003c/p>\n\u003cp>\u003ca href=\"http://www.vulture.com/2016/02/chris-rock-oscars-opening-monologue.html\" target=\"_blank\">Chris Rock's monologue\u003c/a> quickly addressed #OscarsSoWhite, but he ramped things up a notch too far by introducing FOX News contributor / Miss Let's-Abolish-the-BET-Awards Stacey Dash:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-19.gif\" rel=\"attachment wp-att-20843\">\u003cimg class=\"aligncenter size-full wp-image-20843\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-19.gif\" alt=\"giphy (19)\" width=\"480\" height=\"268\">\u003c/a>\u003c/p>\n\u003cp>Chrissy Teigan (behind Saoirse Ronan) won the Oscar for Most Appropriate Facial Reaction to Stacey Dash's Existence:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/chrissy-teigen-face-zoom-d6bedc80-4746-44c0-9e5e-809bc828f81c.gif\" rel=\"attachment wp-att-20868\">\u003cimg class=\"aligncenter size-full wp-image-20868\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/chrissy-teigen-face-zoom-d6bedc80-4746-44c0-9e5e-809bc828f81c.gif\" alt=\"chrissy-teigen-face-zoom-d6bedc80-4746-44c0-9e5e-809bc828f81c\" width=\"620\" height=\"349\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In a series of bits that integrated black actors into this year's nominated films, Tracy Morgan put his own spin on \u003cem>The Danish Girl\u003c/em>:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/gif3.gif\" rel=\"attachment wp-att-20838\">\u003cbr>\n\u003cimg class=\"aligncenter size-full wp-image-20838\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/gif3.gif\" alt=\"gif3\" width=\"470\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp>Meanwhile, with a single wink, Mark Ruffalo put his own spin on making me wish I had a uterus so I could have his baby:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-24.gif\" rel=\"attachment wp-att-20839\">\u003cimg class=\"aligncenter size-full wp-image-20839\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-24.gif\" alt=\"giphy (24)\" width=\"542\" height=\"297\">\u003c/a>\u003c/p>\n\u003cp>The award for Cutest Duo Starring in a Selfie went to Brie Larson and 9-year-old Jacob Tremblay:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-23.gif\" rel=\"attachment wp-att-20840\">\u003cimg class=\"aligncenter size-full wp-image-20840\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-23.gif\" alt=\"giphy (23)\" width=\"542\" height=\"303\">\u003c/a>\u003c/p>\n\u003cp>Speaking of cute-as-a-button Jacob, he was pretty jazzed about C3PO, R2D2 and BB8 crashing the party:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/160228_tremblay.gif.CROP_.original-original.gif\" rel=\"attachment wp-att-20860\">\u003cimg class=\"aligncenter size-full wp-image-20860\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/160228_tremblay.gif.CROP_.original-original.gif\" alt=\"160228_tremblay.gif.CROP.original-original\" width=\"480\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>And still on the subject of adorable kids, a group of Girl Scouts sold Samoas, Thin Mints and the less tasty cookie varieties, proving that:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>Celebrities Are Just Like Us!:\u003c/strong> They also can't get enough of Girl Scout cookies:\u003c/li>\n\u003c/ol>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-20855\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/anigif_enhanced-20472-1456721505-2.gif\" alt=\"anigif_enhanced-20472-1456721505-2\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>2.\u003cstrong> Celebrities Are \u003cem>Not\u003c/em> Just Like Us!:\u003c/strong> They share them:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-25.gif\" rel=\"attachment wp-att-20861\">\u003cimg class=\"aligncenter size-full wp-image-20861\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-25.gif\" alt=\"giphy (25)\" width=\"564\" height=\"332\">\u003c/a>\u003c/p>\n\u003cp>Jennifer Garner let us know she's doing just fine post-Affleck-divorce by taking a selfie with Common:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228192254-The_Oscars-Jennifer_Garner_-2016-2-28.gif\" rel=\"attachment wp-att-20866\">\u003cimg class=\"aligncenter size-full wp-image-20866\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228192254-The_Oscars-Jennifer_Garner_-2016-2-28.gif\" alt=\"rs_480x270-160228192254-The_Oscars-Jennifer_Garner_-2016-2-28\" width=\"480\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>Proving that racism isn't the only problem plaguing Hollywood's elite, an entire line of men refused to clap for bad ass costume designer Jenny Beavan as she walked to accept her award:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/shade-oscars.gif\" rel=\"attachment wp-att-20867\">\u003cimg class=\"aligncenter size-full wp-image-20867\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/shade-oscars.gif\" alt=\"shade-oscars\" width=\"618\" height=\"353\">\u003c/a>\u003c/p>\n\u003cp>Lady Gaga made everyone blubber with a moving performance featuring survivors of rape and sexual violence:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-20.gif\" rel=\"attachment wp-att-20842\">\u003cimg class=\"aligncenter size-full wp-image-20842\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-20.gif\" alt=\"giphy (20)\" width=\"480\" height=\"268\">\u003c/a>\u003c/p>\n\u003cp>Brie Larson seemed like a nice person, when accepting her Best Actress trophy:\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-27.gif\" rel=\"attachment wp-att-20856\">\u003cimg class=\"aligncenter size-full wp-image-20856\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-27.gif\" alt=\"giphy (27)\" width=\"480\" height=\"266\">\u003c/a>\u003c/p>\n\u003cp>Her niceness was later confirmed without a doubt when she embraced every single rape survivor from Lady Gaga's performance:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/b3ba7dec3444456dc42edd4d2105a0ff5adb3ba7.gif\" rel=\"attachment wp-att-20851\">\u003cimg class=\"aligncenter size-full wp-image-20851\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/b3ba7dec3444456dc42edd4d2105a0ff5adb3ba7.gif\" alt=\"b3ba7dec3444456dc42edd4d2105a0ff5adb3ba7\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>This was Leo's night, but the bear from \u003cem>The Revenant\u003c/em> kept him on his toes:\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/leo_oscars_oso.gif\" rel=\"attachment wp-att-20852\">\u003cimg class=\"aligncenter size-full wp-image-20852\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/leo_oscars_oso.gif\" alt=\"leo_oscars_oso\" width=\"460\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp>Alicia Vikander won Best Supporting Actress. She also won Most Envied Woman in the Land when she confirmed her relationship with Michael Fassbender with a kiss:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_inline_o3asrt57PY1simekw_500.gif\" rel=\"attachment wp-att-20853\">\u003cimg class=\"aligncenter size-full wp-image-20853\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_inline_o3asrt57PY1simekw_500.gif\" alt=\"tumblr_inline_o3asrt57PY1simekw_500\" width=\"268\" height=\"205\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>Spotlight\u003c/em>, a.k.a. that movie about journalism you didn't see, won the top prize. Michael Keaton couldn't contain his excitement...or the F word:\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228215429-michaelkeaton7.gif\" rel=\"attachment wp-att-20863\">\u003cimg class=\"aligncenter size-full wp-image-20863\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228215429-michaelkeaton7.gif\" alt=\"rs_480x270-160228215429-michaelkeaton7\" width=\"480\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>And Leo won his long-sought-after Oscar so we can all finally stop feeling sorry for a super rich and privileged white dude not getting his due. Yay!:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-22.gif\" rel=\"attachment wp-att-20844\">\u003cimg class=\"aligncenter size-full wp-image-20844\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-22.gif\" alt=\"giphy (22)\" width=\"768\" height=\"422\">\u003c/a>\u003c/p>\n\u003cp>Any joy I might feel about Leo's win is eclipsed by the immense sadness over all the brilliant Leo-will-never-get-an-Oscar-despite-it-being-the-only-thing-he-truly-wants-in-this-world gifs becoming obsolete:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-20854\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o3anaiz1eD1ukldkho1_400.gif\" alt=\"tumblr_o3anaiz1eD1ukldkho1_400\" width=\"360\" height=\"252\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/6568822_orig.gif\" rel=\"attachment wp-att-20873\">\u003cimg class=\"aligncenter size-full wp-image-20873\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/6568822_orig.gif\" alt=\"6568822_orig\" width=\"400\" height=\"301\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/sadleo5.gif\" rel=\"attachment wp-att-20874\">\u003cimg class=\"aligncenter size-full wp-image-20874\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/sadleo5.gif\" alt=\"sadleo5\" width=\"516\" height=\"572\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/58bb9c10-9ad1-0133-f20b-0e8e20b91aa1.gif\" rel=\"attachment wp-att-20875\">\u003cimg class=\"aligncenter size-full wp-image-20875\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/58bb9c10-9ad1-0133-f20b-0e8e20b91aa1.gif\" alt=\"58bb9c10-9ad1-0133-f20b-0e8e20b91aa1\" width=\"500\" height=\"219\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o11clgdyew1u3eoyoo1_500.gif\" rel=\"attachment wp-att-20876\">\u003cimg class=\"aligncenter size-full wp-image-20876\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o11clgdyew1u3eoyoo1_500.gif\" alt=\"tumblr_o11clgdyew1u3eoyoo1_500\" width=\"500\" height=\"226\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o2yxv7dkyc1qjj2qyo1_500.gif\" rel=\"attachment wp-att-20877\">\u003cimg class=\"aligncenter size-full wp-image-20877\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o2yxv7dkyc1qjj2qyo1_500.gif\" alt=\"tumblr_o2yxv7dkyc1qjj2qyo1_500\" width=\"500\" height=\"284\">\u003c/a>\u003c/p>\n\u003cp>But, as the circle of life would have it, they had to die to make room for the next era of Leo memes:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/btK2W0k.gif\" rel=\"attachment wp-att-20862\">\u003cimg class=\"aligncenter size-full wp-image-20862\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/btK2W0k.gif\" alt=\"btK2W0k\" width=\"500\" height=\"500\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And that's all he wrote. See y'all next year!\u003c/p>\n\n",
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"excerpt": "From Chrissy Teigan's hilarious reaction to Stacey Dash to Mark Ruffalo's seductive wink, it's all here!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If a picture is worth a thousand words, then a gif must be worth at least a million (math!). With the advent of this bite-sized animated wonder, award shows have become less about who won what and more about who made what face. Here are the gifs from last night’s Oscar Awards that will be finding their way into your texts and gchats soon.\u003c/p>\n\u003cp>\u003ca href=\"http://www.vulture.com/2016/02/chris-rock-oscars-opening-monologue.html\" target=\"_blank\">Chris Rock's monologue\u003c/a> quickly addressed #OscarsSoWhite, but he ramped things up a notch too far by introducing FOX News contributor / Miss Let's-Abolish-the-BET-Awards Stacey Dash:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-19.gif\" rel=\"attachment wp-att-20843\">\u003cimg class=\"aligncenter size-full wp-image-20843\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-19.gif\" alt=\"giphy (19)\" width=\"480\" height=\"268\">\u003c/a>\u003c/p>\n\u003cp>Chrissy Teigan (behind Saoirse Ronan) won the Oscar for Most Appropriate Facial Reaction to Stacey Dash's Existence:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/chrissy-teigen-face-zoom-d6bedc80-4746-44c0-9e5e-809bc828f81c.gif\" rel=\"attachment wp-att-20868\">\u003cimg class=\"aligncenter size-full wp-image-20868\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/chrissy-teigen-face-zoom-d6bedc80-4746-44c0-9e5e-809bc828f81c.gif\" alt=\"chrissy-teigen-face-zoom-d6bedc80-4746-44c0-9e5e-809bc828f81c\" width=\"620\" height=\"349\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In a series of bits that integrated black actors into this year's nominated films, Tracy Morgan put his own spin on \u003cem>The Danish Girl\u003c/em>:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/gif3.gif\" rel=\"attachment wp-att-20838\">\u003cbr>\n\u003cimg class=\"aligncenter size-full wp-image-20838\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/gif3.gif\" alt=\"gif3\" width=\"470\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp>Meanwhile, with a single wink, Mark Ruffalo put his own spin on making me wish I had a uterus so I could have his baby:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-24.gif\" rel=\"attachment wp-att-20839\">\u003cimg class=\"aligncenter size-full wp-image-20839\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-24.gif\" alt=\"giphy (24)\" width=\"542\" height=\"297\">\u003c/a>\u003c/p>\n\u003cp>The award for Cutest Duo Starring in a Selfie went to Brie Larson and 9-year-old Jacob Tremblay:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-23.gif\" rel=\"attachment wp-att-20840\">\u003cimg class=\"aligncenter size-full wp-image-20840\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-23.gif\" alt=\"giphy (23)\" width=\"542\" height=\"303\">\u003c/a>\u003c/p>\n\u003cp>Speaking of cute-as-a-button Jacob, he was pretty jazzed about C3PO, R2D2 and BB8 crashing the party:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/160228_tremblay.gif.CROP_.original-original.gif\" rel=\"attachment wp-att-20860\">\u003cimg class=\"aligncenter size-full wp-image-20860\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/160228_tremblay.gif.CROP_.original-original.gif\" alt=\"160228_tremblay.gif.CROP.original-original\" width=\"480\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>And still on the subject of adorable kids, a group of Girl Scouts sold Samoas, Thin Mints and the less tasty cookie varieties, proving that:\u003c/p>\n\u003col>\n\u003cli>\u003cstrong>Celebrities Are Just Like Us!:\u003c/strong> They also can't get enough of Girl Scout cookies:\u003c/li>\n\u003c/ol>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-20855\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/anigif_enhanced-20472-1456721505-2.gif\" alt=\"anigif_enhanced-20472-1456721505-2\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>2.\u003cstrong> Celebrities Are \u003cem>Not\u003c/em> Just Like Us!:\u003c/strong> They share them:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-25.gif\" rel=\"attachment wp-att-20861\">\u003cimg class=\"aligncenter size-full wp-image-20861\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-25.gif\" alt=\"giphy (25)\" width=\"564\" height=\"332\">\u003c/a>\u003c/p>\n\u003cp>Jennifer Garner let us know she's doing just fine post-Affleck-divorce by taking a selfie with Common:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228192254-The_Oscars-Jennifer_Garner_-2016-2-28.gif\" rel=\"attachment wp-att-20866\">\u003cimg class=\"aligncenter size-full wp-image-20866\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228192254-The_Oscars-Jennifer_Garner_-2016-2-28.gif\" alt=\"rs_480x270-160228192254-The_Oscars-Jennifer_Garner_-2016-2-28\" width=\"480\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>Proving that racism isn't the only problem plaguing Hollywood's elite, an entire line of men refused to clap for bad ass costume designer Jenny Beavan as she walked to accept her award:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/shade-oscars.gif\" rel=\"attachment wp-att-20867\">\u003cimg class=\"aligncenter size-full wp-image-20867\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/shade-oscars.gif\" alt=\"shade-oscars\" width=\"618\" height=\"353\">\u003c/a>\u003c/p>\n\u003cp>Lady Gaga made everyone blubber with a moving performance featuring survivors of rape and sexual violence:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-20.gif\" rel=\"attachment wp-att-20842\">\u003cimg class=\"aligncenter size-full wp-image-20842\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-20.gif\" alt=\"giphy (20)\" width=\"480\" height=\"268\">\u003c/a>\u003c/p>\n\u003cp>Brie Larson seemed like a nice person, when accepting her Best Actress trophy:\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-27.gif\" rel=\"attachment wp-att-20856\">\u003cimg class=\"aligncenter size-full wp-image-20856\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-27.gif\" alt=\"giphy (27)\" width=\"480\" height=\"266\">\u003c/a>\u003c/p>\n\u003cp>Her niceness was later confirmed without a doubt when she embraced every single rape survivor from Lady Gaga's performance:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/b3ba7dec3444456dc42edd4d2105a0ff5adb3ba7.gif\" rel=\"attachment wp-att-20851\">\u003cimg class=\"aligncenter size-full wp-image-20851\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/b3ba7dec3444456dc42edd4d2105a0ff5adb3ba7.gif\" alt=\"b3ba7dec3444456dc42edd4d2105a0ff5adb3ba7\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>This was Leo's night, but the bear from \u003cem>The Revenant\u003c/em> kept him on his toes:\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/leo_oscars_oso.gif\" rel=\"attachment wp-att-20852\">\u003cimg class=\"aligncenter size-full wp-image-20852\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/leo_oscars_oso.gif\" alt=\"leo_oscars_oso\" width=\"460\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp>Alicia Vikander won Best Supporting Actress. She also won Most Envied Woman in the Land when she confirmed her relationship with Michael Fassbender with a kiss:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_inline_o3asrt57PY1simekw_500.gif\" rel=\"attachment wp-att-20853\">\u003cimg class=\"aligncenter size-full wp-image-20853\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_inline_o3asrt57PY1simekw_500.gif\" alt=\"tumblr_inline_o3asrt57PY1simekw_500\" width=\"268\" height=\"205\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>Spotlight\u003c/em>, a.k.a. that movie about journalism you didn't see, won the top prize. Michael Keaton couldn't contain his excitement...or the F word:\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228215429-michaelkeaton7.gif\" rel=\"attachment wp-att-20863\">\u003cimg class=\"aligncenter size-full wp-image-20863\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/rs_480x270-160228215429-michaelkeaton7.gif\" alt=\"rs_480x270-160228215429-michaelkeaton7\" width=\"480\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>And Leo won his long-sought-after Oscar so we can all finally stop feeling sorry for a super rich and privileged white dude not getting his due. Yay!:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-22.gif\" rel=\"attachment wp-att-20844\">\u003cimg class=\"aligncenter size-full wp-image-20844\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/giphy-22.gif\" alt=\"giphy (22)\" width=\"768\" height=\"422\">\u003c/a>\u003c/p>\n\u003cp>Any joy I might feel about Leo's win is eclipsed by the immense sadness over all the brilliant Leo-will-never-get-an-Oscar-despite-it-being-the-only-thing-he-truly-wants-in-this-world gifs becoming obsolete:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-20854\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o3anaiz1eD1ukldkho1_400.gif\" alt=\"tumblr_o3anaiz1eD1ukldkho1_400\" width=\"360\" height=\"252\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/6568822_orig.gif\" rel=\"attachment wp-att-20873\">\u003cimg class=\"aligncenter size-full wp-image-20873\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/6568822_orig.gif\" alt=\"6568822_orig\" width=\"400\" height=\"301\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/sadleo5.gif\" rel=\"attachment wp-att-20874\">\u003cimg class=\"aligncenter size-full wp-image-20874\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/sadleo5.gif\" alt=\"sadleo5\" width=\"516\" height=\"572\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/58bb9c10-9ad1-0133-f20b-0e8e20b91aa1.gif\" rel=\"attachment wp-att-20875\">\u003cimg class=\"aligncenter size-full wp-image-20875\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/58bb9c10-9ad1-0133-f20b-0e8e20b91aa1.gif\" alt=\"58bb9c10-9ad1-0133-f20b-0e8e20b91aa1\" width=\"500\" height=\"219\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o11clgdyew1u3eoyoo1_500.gif\" rel=\"attachment wp-att-20876\">\u003cimg class=\"aligncenter size-full wp-image-20876\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o11clgdyew1u3eoyoo1_500.gif\" alt=\"tumblr_o11clgdyew1u3eoyoo1_500\" width=\"500\" height=\"226\">\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o2yxv7dkyc1qjj2qyo1_500.gif\" rel=\"attachment wp-att-20877\">\u003cimg class=\"aligncenter size-full wp-image-20877\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/tumblr_o2yxv7dkyc1qjj2qyo1_500.gif\" alt=\"tumblr_o2yxv7dkyc1qjj2qyo1_500\" width=\"500\" height=\"284\">\u003c/a>\u003c/p>\n\u003cp>But, as the circle of life would have it, they had to die to make room for the next era of Leo memes:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/btK2W0k.gif\" rel=\"attachment wp-att-20862\">\u003cimg class=\"aligncenter size-full wp-image-20862\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/btK2W0k.gif\" alt=\"btK2W0k\" width=\"500\" height=\"500\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And that's all he wrote. See y'all next year!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>We took a field trip to Pixar HQ to chat with Sanjay Patel and Nicole Grindle about their Oscar-nominated short, as well as Aziz Ansari's 'Master of None' and the Bhagavad Gita.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/02/Sanjay.mp3\" title=\"Sanjay Patel on 'Sanjay's Super Team' and the Struggle of Being Culturally-Hyphenated\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>We took a field trip to Disney Pixar headquarters to chat with Sanjay Patel and Nicole Grindle about their Oscar-nominated short, \u003cem>Sanjay's Super Team\u003c/em>:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=222ztGhX4SE\u003c/p>\n\u003cp>We talked about everything from how Patel reconciled his American upbringing with the world of his immigrant father to Aziz Ansari's \u003cem>Master of None \u003c/em>to the lessons of the Bhagavad Gita.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you're craving more Oscars coverage, revisit some of the best and worst acceptance speeches from award shows past:\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/02/26/acceptance-speeches-101-how-winners-could-make-the-oscars-way-less-boring/\u003c/p>\n\u003cp>And in case you missed this week's other episode, find out why we think Kanye could be the second coming of a certain eccentric Roman emperor:\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/02/26/is-kanye-west-the-reincarnation-of-caligula/\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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