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"content": "\u003cp>In the 17 years since its release, \u003cem>\u003ca href=\"https://www.imdb.com/title/tt0368226/?ref_=fn_al_tt_2\" target=\"_blank\" rel=\"noopener noreferrer\">The Room\u003c/a>—\u003c/em>considered by fans to be the greatest bad movie ever made\u003cem>—\u003c/em>has found its own kind of strange success.\u003c/p>\n\u003cp>Over the years, it has slowly spawned a dedicated cult following, especially in San Francisco, where it was set. In 2018, after one of its stars (Greg Sestero, who played Mark) co-wrote \u003ca href=\"https://en.wikipedia.org/wiki/The_Disaster_Artist\" target=\"_blank\" rel=\"noopener noreferrer\">a book\u003c/a> about his excruciating experiences on-set, James Franco turned it into an \u003ca href=\"https://www.youtube.com/watch?v=cMKX2tE5Luk\" target=\"_blank\" rel=\"noopener noreferrer\">Oscar-nominated movie\u003c/a>, called \u003cem>The Disaster Artist\u003c/em>.\u003c/p>\n\u003cp>It was notable at the time that Tommy Wiseau, \u003cem>The Room\u003c/em>‘s eccentric writer, director and star, happily took part in promo for \u003cem>The Disaster Artist\u003c/em>, since 85% of the movie is based around pointing and laughing at his overly-confident ineptitude. On Sunday, Wiseau once again proved himself a thoroughly good sport when he posted this handy chart to Twitter:\u003c/p>\n\u003cp>https://twitter.com/TommyWiseau/status/1244330567555887105\u003c/p>\n\u003cp>The stages can be roughly characterized as:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>1 = The “\u003ca href=\"https://www.youtube.com/watch?v=fM7qNm_Mmrw\" target=\"_blank\" rel=\"noopener noreferrer\">You are tearing me apart!\u003c/a>” rage stage\u003cbr>\n2 = The \u003ca href=\"https://www.youtube.com/watch?v=A8KGT9mdN1Y\" target=\"_blank\" rel=\"noopener noreferrer\">There’s Not Even Enough Space To Play With This Football But I’m Gonna Use It Like A Comfort Blanket\u003c/a> stage\u003cbr>\n3 = The “\u003ca href=\"https://www.youtube.com/watch?v=hFLdFUBNjMs\" target=\"_blank\" rel=\"noopener noreferrer\">I’m tired, I’m wasted, I love you darling!\u003c/a>” stage\u003cbr>\n4 = The Laughing In The Face Of Tragedy (a.k.a. the “\u003ca href=\"https://www.youtube.com/watch?v=mIfWMb3riN0&t=28s\" target=\"_blank\" rel=\"noopener noreferrer\">Great Story, Mark\u003c/a>“) stage\u003cbr>\n5 = The \u003ca href=\"https://www.youtube.com/watch?v=4R821QqY8Fs\" target=\"_blank\" rel=\"noopener noreferrer\">Sheer Terror\u003c/a> stage\u003cbr>\n6 = The \u003ca href=\"https://www.youtube.com/watch?v=TeVIom4_Sis\" target=\"_blank\" rel=\"noopener noreferrer\">Getting It On\u003c/a> stage\u003cbr>\n7 = The \u003ca href=\"https://www.youtube.com/watch?v=Jv3MhjSmR3c\" target=\"_blank\" rel=\"noopener noreferrer\">Talking to Yourself\u003c/a> stage\u003cbr>\n8 = The Let’s Go Home, Oh Wait, We Already Are stage, and,\u003cbr>\n9 = The “\u003ca href=\"https://www.youtube.com/watch?v=KIkoXhgtI58\" target=\"_blank\" rel=\"noopener noreferrer\">Oh, Hi Doggie!\u003c/a>”\u003c/p>\n\u003cp>Fans responded \u003ca href=\"https://twitter.com/TommyWiseau/status/1244330567555887105\" target=\"_blank\" rel=\"noopener noreferrer\">in droves\u003c/a> to Wiseau’s query, appreciating the highly effective shorthand on offer, and occasionally coming up with their own.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877782 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.32.56-PM.png\" alt=\"\" width=\"658\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.32.56-PM.png 658w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.32.56-PM-160x134.png 160w\" sizes=\"(max-width: 658px) 100vw, 658px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877783 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.34.01-PM.png\" alt=\"\" width=\"657\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.34.01-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.34.01-PM-160x110.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877786 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.38.43-PM.png\" alt=\"\" width=\"656\" height=\"468\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.38.43-PM.png 656w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.38.43-PM-160x114.png 160w\" sizes=\"(max-width: 656px) 100vw, 656px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877788 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.41.42-PM.png\" alt=\"\" width=\"656\" height=\"401\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.41.42-PM.png 656w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.41.42-PM-160x98.png 160w\" sizes=\"(max-width: 656px) 100vw, 656px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877789 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.55.38-PM.png\" alt=\"\" width=\"657\" height=\"366\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.55.38-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.55.38-PM-160x89.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877787 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.39.38-PM.png\" alt=\"\" width=\"657\" height=\"446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.39.38-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.39.38-PM-160x109.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877784 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.36.02-PM.png\" alt=\"\" width=\"655\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.36.02-PM.png 655w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.36.02-PM-160x104.png 160w\" sizes=\"(max-width: 655px) 100vw, 655px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877790 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.02.24-PM.png\" alt=\"\" width=\"657\" height=\"446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.02.24-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.02.24-PM-160x109.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877785 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.37.19-PM.png\" alt=\"\" width=\"657\" height=\"449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.37.19-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.37.19-PM-160x109.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877792 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.06.11-PM.png\" alt=\"\" width=\"657\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.06.11-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.06.11-PM-160x108.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877811 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.33.14-PM.png\" alt=\"\" width=\"656\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.33.14-PM.png 656w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.33.14-PM-160x109.png 160w\" sizes=\"(max-width: 656px) 100vw, 656px\">\u003c/p>\n\u003cp>If anything can make our current reality seem less baffling, it’s the ever-confusing content of \u003cem>The Room.\u003c/em> If you recognize yourself in any of Wiseau’s quarantine stages, now might be an excellent time to re-watch it, then inevitably feel better about yourself.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KRAUPqK9Y7I\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the 17 years since its release, \u003cem>\u003ca href=\"https://www.imdb.com/title/tt0368226/?ref_=fn_al_tt_2\" target=\"_blank\" rel=\"noopener noreferrer\">The Room\u003c/a>—\u003c/em>considered by fans to be the greatest bad movie ever made\u003cem>—\u003c/em>has found its own kind of strange success.\u003c/p>\n\u003cp>Over the years, it has slowly spawned a dedicated cult following, especially in San Francisco, where it was set. In 2018, after one of its stars (Greg Sestero, who played Mark) co-wrote \u003ca href=\"https://en.wikipedia.org/wiki/The_Disaster_Artist\" target=\"_blank\" rel=\"noopener noreferrer\">a book\u003c/a> about his excruciating experiences on-set, James Franco turned it into an \u003ca href=\"https://www.youtube.com/watch?v=cMKX2tE5Luk\" target=\"_blank\" rel=\"noopener noreferrer\">Oscar-nominated movie\u003c/a>, called \u003cem>The Disaster Artist\u003c/em>.\u003c/p>\n\u003cp>It was notable at the time that Tommy Wiseau, \u003cem>The Room\u003c/em>‘s eccentric writer, director and star, happily took part in promo for \u003cem>The Disaster Artist\u003c/em>, since 85% of the movie is based around pointing and laughing at his overly-confident ineptitude. On Sunday, Wiseau once again proved himself a thoroughly good sport when he posted this handy chart to Twitter:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>1 = The “\u003ca href=\"https://www.youtube.com/watch?v=fM7qNm_Mmrw\" target=\"_blank\" rel=\"noopener noreferrer\">You are tearing me apart!\u003c/a>” rage stage\u003cbr>\n2 = The \u003ca href=\"https://www.youtube.com/watch?v=A8KGT9mdN1Y\" target=\"_blank\" rel=\"noopener noreferrer\">There’s Not Even Enough Space To Play With This Football But I’m Gonna Use It Like A Comfort Blanket\u003c/a> stage\u003cbr>\n3 = The “\u003ca href=\"https://www.youtube.com/watch?v=hFLdFUBNjMs\" target=\"_blank\" rel=\"noopener noreferrer\">I’m tired, I’m wasted, I love you darling!\u003c/a>” stage\u003cbr>\n4 = The Laughing In The Face Of Tragedy (a.k.a. the “\u003ca href=\"https://www.youtube.com/watch?v=mIfWMb3riN0&t=28s\" target=\"_blank\" rel=\"noopener noreferrer\">Great Story, Mark\u003c/a>“) stage\u003cbr>\n5 = The \u003ca href=\"https://www.youtube.com/watch?v=4R821QqY8Fs\" target=\"_blank\" rel=\"noopener noreferrer\">Sheer Terror\u003c/a> stage\u003cbr>\n6 = The \u003ca href=\"https://www.youtube.com/watch?v=TeVIom4_Sis\" target=\"_blank\" rel=\"noopener noreferrer\">Getting It On\u003c/a> stage\u003cbr>\n7 = The \u003ca href=\"https://www.youtube.com/watch?v=Jv3MhjSmR3c\" target=\"_blank\" rel=\"noopener noreferrer\">Talking to Yourself\u003c/a> stage\u003cbr>\n8 = The Let’s Go Home, Oh Wait, We Already Are stage, and,\u003cbr>\n9 = The “\u003ca href=\"https://www.youtube.com/watch?v=KIkoXhgtI58\" target=\"_blank\" rel=\"noopener noreferrer\">Oh, Hi Doggie!\u003c/a>”\u003c/p>\n\u003cp>Fans responded \u003ca href=\"https://twitter.com/TommyWiseau/status/1244330567555887105\" target=\"_blank\" rel=\"noopener noreferrer\">in droves\u003c/a> to Wiseau’s query, appreciating the highly effective shorthand on offer, and occasionally coming up with their own.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877782 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.32.56-PM.png\" alt=\"\" width=\"658\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.32.56-PM.png 658w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.32.56-PM-160x134.png 160w\" sizes=\"(max-width: 658px) 100vw, 658px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877783 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.34.01-PM.png\" alt=\"\" width=\"657\" height=\"453\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.34.01-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.34.01-PM-160x110.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877786 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.38.43-PM.png\" alt=\"\" width=\"656\" height=\"468\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.38.43-PM.png 656w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.38.43-PM-160x114.png 160w\" sizes=\"(max-width: 656px) 100vw, 656px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877788 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.41.42-PM.png\" alt=\"\" width=\"656\" height=\"401\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.41.42-PM.png 656w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.41.42-PM-160x98.png 160w\" sizes=\"(max-width: 656px) 100vw, 656px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877789 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.55.38-PM.png\" alt=\"\" width=\"657\" height=\"366\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.55.38-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.55.38-PM-160x89.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877787 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.39.38-PM.png\" alt=\"\" width=\"657\" height=\"446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.39.38-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.39.38-PM-160x109.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877784 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.36.02-PM.png\" alt=\"\" width=\"655\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.36.02-PM.png 655w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.36.02-PM-160x104.png 160w\" sizes=\"(max-width: 655px) 100vw, 655px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877790 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.02.24-PM.png\" alt=\"\" width=\"657\" height=\"446\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.02.24-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.02.24-PM-160x109.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877785 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.37.19-PM.png\" alt=\"\" width=\"657\" height=\"449\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.37.19-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-12.37.19-PM-160x109.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877792 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.06.11-PM.png\" alt=\"\" width=\"657\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.06.11-PM.png 657w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.06.11-PM-160x108.png 160w\" sizes=\"(max-width: 657px) 100vw, 657px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13877811 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.33.14-PM.png\" alt=\"\" width=\"656\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.33.14-PM.png 656w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-30-at-1.33.14-PM-160x109.png 160w\" sizes=\"(max-width: 656px) 100vw, 656px\">\u003c/p>\n\u003cp>If anything can make our current reality seem less baffling, it’s the ever-confusing content of \u003cem>The Room.\u003c/em> If you recognize yourself in any of Wiseau’s quarantine stages, now might be an excellent time to re-watch it, then inevitably feel better about yourself.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KRAUPqK9Y7I'\n title='//www.youtube.com/embed/KRAUPqK9Y7I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"title": "Now Playing! Bay Area Films Lift the Curtain on Artists’ Lives",
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"content": "\u003cp>The act of creation, from the book of Genesis to your three-year-old’s drawing, is a source of inspiration. Confined to our domiciles, our imaginations crave something with more gravitas than an eight-episode, European-set soap opera or murder mystery. Here are a batch of first-rate films about and by Bay Area artists that will take you out of your head and your house.\u003c/p>\n\u003cp>\u003cb>\u003cem>Adios Amor: The Search for Maria Moreno\u003c/em>, 2018\u003c/b>\u003cbr>\n\u003ca href=\"https://vimeo.com/199842038\" target=\"_blank\" rel=\"noopener noreferrer\">Vimeo\u003c/a>\u003cbr>\nLaurie Coyle’s unearthing of the life and activism of the (no longer) forgotten Latina farm worker Maria Moreno is a bravura political history, a mystery yarn, a family saga and an art film. Coyle’s discovery of a cache of remarkable photographs drives the narrative and infuses the one-hour film with an artist’s grace. Move fast: \u003cem>Adios Amor\u003c/em> streams for free through midnight Wednesday, April 1.\u003c/p>\n\u003cp>\u003cb>\u003cem>Our Time Machine\u003c/em>, 2019\u003c/b>\u003cbr>\n\u003ca href=\"https://reelabilities.org/newyork/film/our-time-machine/\" target=\"_blank\" rel=\"noopener noreferrer\">ReelAbilities Film Festival\u003c/a>\u003cbr>\nS. Leo Chiang’s latest work, co-directed with Yuan Sun, won the documentary competition at CAAMFest last spring among several prizes it’s garnered on its worldwide festival run. The film follows conceptual artist Maleonn as he mounts an ambitious stage production honoring his father, the former director of the Shanghai Chinese Opera Theatre, who has Alzheimer’s. ReelAbilities Film Festival New York (which moved its program online) streams \u003cem>Our Time Machine\u003c/em> this Saturday evening, April 4 at 5:15pm PDT followed by an interactive Q&A with Chiang, all for a mere $6.28.\u003c/p>\n\u003cp>\u003cb>\u003cem>It Came From Kuchar\u003c/em>, 2009\u003c/b>\u003cbr>\n\u003ca href=\"https://www.youtube.com/watch?v=WwZoUX3CxXE\" target=\"_blank\" rel=\"noopener noreferrer\">Truly CA\u003c/a>\u003cbr>\nNew Yorkers George and Mike Kuchar were no-budget pioneers of 8mm underground filmmaking in the ’60s before relocating to the Bay Area in the ’70s. Jennifer M. Kroot, who had been a student of George’s at the San Francisco Art Institute, crafted a wild, wooly and altogether wonderful portrait of the beloved brothers two years before George’s death.\u003c/p>\n\u003cp>\u003cb>\u003cem>The Last Black Man in San Francisco\u003c/em>, 2019\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Last-Black-Man-San-Francisco/dp/B07SD4378X\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nIf you missed Joe Talbot and Jimmie Falls’ richly resonant ode to San Francisco present and past last year, it takes on a whole other dimension in the present moment. Home (the movie’s main theme) is where \u003cem>everything\u003c/em> is, right now. At the same time, we can all use a cinematic tour of the city. \u003cem>The Last Black Man in San Francisco\u003c/em> makes this list because it centers art and performance, from street rappers to a climactic guerrilla theater piece.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>\u003cem>Big Joy: The Adventures of James Broughton\u003c/em>, 2013\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kqed.org/trulyca/1320/big-joy\" target=\"_blank\" rel=\"noopener noreferrer\">Truly CA\u003c/a>\u003cbr>\n“Follow your own weird.” That was the mantra of poet, filmmaker and sexual radical James Broughton, whose postwar endeavors had a lot to do with making San Francisco safe for Beats, hippies, queers, punks and artists of all persuasions. Eric Slade’s doc is deliriously heady and transporting.\u003c/p>\n\u003cp>\u003cb>\u003cem>Crumb\u003c/em>, 1995\u003c/b>\u003cbr>\n\u003ca href=\"https://www.criterionchannel.com/crumb\" target=\"_blank\" rel=\"noopener noreferrer\">Criterion Channel\u003c/a>\u003cbr>\nThe underground cartoonist Robert Crumb is a problematic figure, given his sexually avaricious drawings of women. But his transparent honesty and unabashed candor—due to his friendship with filmmaker Terry Zwigoff, his Cheap Suit Serenaders bandmate—as well as his obsessive commitment to his art, makes \u003cem>Crumb\u003c/em> rewarding and uncomfortable. Crumb’s agoraphobic brother Charles will break your heart.\u003c/p>\n\u003cp>\u003cb>\u003cem>Forever, Chinatown\u003c/em>, 2016\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/forever-chinatown\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nFrank Wong constructs exquisitely detailed miniatures of Chinatown rooms fixed in his memory. At 32 minutes, James Q. Chan’s gorgeously shot film is, itself, a small gem. \u003ci>Forever, Chinatown\u003c/i> is a salute to an artist that is itself a work of art.\u003c/p>\n\u003cp>\u003cb>\u003cem>Off the Charts: The Song-Poem Story\u003c/em>, 2003\u003c/b>\u003cbr>\n\u003ca href=\"https://vimeo.com/ondemand/36949\" target=\"_blank\" rel=\"noopener noreferrer\">Vimeo\u003c/a>\u003cbr>\nJamie Metzler’s quirky, funny and infinitely touching 2003 documentary about the amateur wordsmiths who fancied themselves songwriters (and sent their lyrics and checks to post office boxes advertised in the back of comic books and magazines) is one of my favorite films of all time. Out of print and once hard to find, it’s now available to rent for just $3.99 on Vimeo.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Ethnic Notions\u003c/em>, 1987\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/ethnic-notions-0\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nWay back when, the late, great Marlon Riggs made this revelatory compilation (barrage, is more like it) of mass media and pop culture stereotypes of African Americans from the 1920s to the ’60s. It’s still shocking—and relevant—over three decades later. Essential viewing, but not for the faint of heart.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The act of creation, from the book of Genesis to your three-year-old’s drawing, is a source of inspiration. Confined to our domiciles, our imaginations crave something with more gravitas than an eight-episode, European-set soap opera or murder mystery. Here are a batch of first-rate films about and by Bay Area artists that will take you out of your head and your house.\u003c/p>\n\u003cp>\u003cb>\u003cem>Adios Amor: The Search for Maria Moreno\u003c/em>, 2018\u003c/b>\u003cbr>\n\u003ca href=\"https://vimeo.com/199842038\" target=\"_blank\" rel=\"noopener noreferrer\">Vimeo\u003c/a>\u003cbr>\nLaurie Coyle’s unearthing of the life and activism of the (no longer) forgotten Latina farm worker Maria Moreno is a bravura political history, a mystery yarn, a family saga and an art film. Coyle’s discovery of a cache of remarkable photographs drives the narrative and infuses the one-hour film with an artist’s grace. Move fast: \u003cem>Adios Amor\u003c/em> streams for free through midnight Wednesday, April 1.\u003c/p>\n\u003cp>\u003cb>\u003cem>Our Time Machine\u003c/em>, 2019\u003c/b>\u003cbr>\n\u003ca href=\"https://reelabilities.org/newyork/film/our-time-machine/\" target=\"_blank\" rel=\"noopener noreferrer\">ReelAbilities Film Festival\u003c/a>\u003cbr>\nS. Leo Chiang’s latest work, co-directed with Yuan Sun, won the documentary competition at CAAMFest last spring among several prizes it’s garnered on its worldwide festival run. The film follows conceptual artist Maleonn as he mounts an ambitious stage production honoring his father, the former director of the Shanghai Chinese Opera Theatre, who has Alzheimer’s. ReelAbilities Film Festival New York (which moved its program online) streams \u003cem>Our Time Machine\u003c/em> this Saturday evening, April 4 at 5:15pm PDT followed by an interactive Q&A with Chiang, all for a mere $6.28.\u003c/p>\n\u003cp>\u003cb>\u003cem>It Came From Kuchar\u003c/em>, 2009\u003c/b>\u003cbr>\n\u003ca href=\"https://www.youtube.com/watch?v=WwZoUX3CxXE\" target=\"_blank\" rel=\"noopener noreferrer\">Truly CA\u003c/a>\u003cbr>\nNew Yorkers George and Mike Kuchar were no-budget pioneers of 8mm underground filmmaking in the ’60s before relocating to the Bay Area in the ’70s. Jennifer M. Kroot, who had been a student of George’s at the San Francisco Art Institute, crafted a wild, wooly and altogether wonderful portrait of the beloved brothers two years before George’s death.\u003c/p>\n\u003cp>\u003cb>\u003cem>The Last Black Man in San Francisco\u003c/em>, 2019\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Last-Black-Man-San-Francisco/dp/B07SD4378X\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nIf you missed Joe Talbot and Jimmie Falls’ richly resonant ode to San Francisco present and past last year, it takes on a whole other dimension in the present moment. Home (the movie’s main theme) is where \u003cem>everything\u003c/em> is, right now. At the same time, we can all use a cinematic tour of the city. \u003cem>The Last Black Man in San Francisco\u003c/em> makes this list because it centers art and performance, from street rappers to a climactic guerrilla theater piece.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Big Joy: The Adventures of James Broughton\u003c/em>, 2013\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kqed.org/trulyca/1320/big-joy\" target=\"_blank\" rel=\"noopener noreferrer\">Truly CA\u003c/a>\u003cbr>\n“Follow your own weird.” That was the mantra of poet, filmmaker and sexual radical James Broughton, whose postwar endeavors had a lot to do with making San Francisco safe for Beats, hippies, queers, punks and artists of all persuasions. Eric Slade’s doc is deliriously heady and transporting.\u003c/p>\n\u003cp>\u003cb>\u003cem>Crumb\u003c/em>, 1995\u003c/b>\u003cbr>\n\u003ca href=\"https://www.criterionchannel.com/crumb\" target=\"_blank\" rel=\"noopener noreferrer\">Criterion Channel\u003c/a>\u003cbr>\nThe underground cartoonist Robert Crumb is a problematic figure, given his sexually avaricious drawings of women. But his transparent honesty and unabashed candor—due to his friendship with filmmaker Terry Zwigoff, his Cheap Suit Serenaders bandmate—as well as his obsessive commitment to his art, makes \u003cem>Crumb\u003c/em> rewarding and uncomfortable. Crumb’s agoraphobic brother Charles will break your heart.\u003c/p>\n\u003cp>\u003cb>\u003cem>Forever, Chinatown\u003c/em>, 2016\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/forever-chinatown\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nFrank Wong constructs exquisitely detailed miniatures of Chinatown rooms fixed in his memory. At 32 minutes, James Q. Chan’s gorgeously shot film is, itself, a small gem. \u003ci>Forever, Chinatown\u003c/i> is a salute to an artist that is itself a work of art.\u003c/p>\n\u003cp>\u003cb>\u003cem>Off the Charts: The Song-Poem Story\u003c/em>, 2003\u003c/b>\u003cbr>\n\u003ca href=\"https://vimeo.com/ondemand/36949\" target=\"_blank\" rel=\"noopener noreferrer\">Vimeo\u003c/a>\u003cbr>\nJamie Metzler’s quirky, funny and infinitely touching 2003 documentary about the amateur wordsmiths who fancied themselves songwriters (and sent their lyrics and checks to post office boxes advertised in the back of comic books and magazines) is one of my favorite films of all time. Out of print and once hard to find, it’s now available to rent for just $3.99 on Vimeo.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Ethnic Notions\u003c/em>, 1987\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/ethnic-notions-0\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nWay back when, the late, great Marlon Riggs made this revelatory compilation (barrage, is more like it) of mass media and pop culture stereotypes of African Americans from the 1920s to the ’60s. It’s still shocking—and relevant—over three decades later. Essential viewing, but not for the faint of heart.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Lockdown Movie Musts: 1970s Roller Disco Movies (No, Really)",
"headTitle": "Lockdown Movie Musts: 1970s Roller Disco Movies (No, Really) | KQED",
"content": "\u003cp>Picture it: Patrick Swayze in bell bottoms and a leather vest (no shirt, naturally), waving his own belt around like a whip while doing a dance routine on roller skates. He spins on his knees \u003cem>and\u003c/em> butt! He kicks—front, back, side—because he’s a wild man! He even does something approaching jump rope! (You kind of have to see it to comprehend it.)\u003c/p>\n\u003cp>This is but one three-minute scene from 1979’s \u003ca href=\"https://www.imdb.com/title/tt0079912/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Skatetown USA\u003c/em>\u003c/a>—a gift of a movie that forces the viewer to ask “Was this \u003cem>ever\u003c/em> cool?” and “Really though?” repeatedly, throughout.\u003c/p>\n\u003cp>The movie’s pun-tastic trailer tantalizingly promises that it’s “The greatest story ever rolled.” While I can categorically confirm that this is an outright lie (and also that the film contains a shocking amount of female objectification), it\u003cem> is\u003c/em> almost impossible to have a bad time watching this damn thing.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=2oOWydfiy-I&list=PLgtTy63SfSacRP7okouXg_VEworQFKn2L\u003c/p>\n\u003cp>Allow me to backtrack for a moment. A month ago, if you plopped me down in front of a TV for a few hours, I would more than likely be watching true crime rehashings, documentaries about cults, and post-apocalyptic sci-fi doom in which my favorite characters could die at any moment.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But that was 2020 BC*. (*Before Coronavirus.)\u003c/p>\n\u003cp>Once lockdown kicked in, anxiety and insomnia quickly followed, and I was forced to seek out any and all media that would take my mind off the worldwide nightmare unfolding. (Previously, I would have simply turned to my old pal \u003ca href=\"https://www.youtube.com/watch?v=7rO7QMlCh6Q\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Friends\u003c/em>\u003c/a>, but Netflix took that away at the dawn of 2020—a harbinger of doom to start the year, now that I think about it.)\u003c/p>\n\u003cp>So now—I won’t bore you with the steps of exactly how I got here—I’m neck-deep in roller disco movies, and desperate to drag everyone else down into the sequined maelstrom with me. Partly because it’s less awkward than being in here alone, and partly because I genuinely think other people need to see this. (Not in a majestic \u003ca href=\"https://www.youtube.com/watch?v=tiVNk6_0GdY\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Planet Earth\u003c/em>\u003c/a> sort of way; more like a monkey smoking cigarettes in the 1930s kinda thing. You know this sort of thing happened, but you don’t truly believe it until you see it for yourself.)\u003c/p>\n\u003cp>Anyway! Here’s the plot of \u003cem>Skatetown USA\u003c/em>: People like to roller skate at a roller rink. Two male skaters—Ace, the first bad guy in history to wear a bedazzled pink crop top, and Stan, a good guy who dresses \u003cem>exactly\u003c/em> like Flash Gordon—both want to win a roller skating competition.\u003c/p>\n\u003cp>That’s it. That’s the whole plot.\u003c/p>\n\u003cp>Sure, there’s some judge blackmail, and some girls, and some Scott Baio business, but the edgiest this movie gets is when a guy dressed as Uncle Sam (stars and stripes, top hat and all) gets light shined in his eyes mid-roller skate routine and falls over. (There is also a game of chicken on motorized roller skates, but I won’t spoil that for you.)\u003c/p>\n\u003cp>\u003cem>Skatetown USA\u003c/em> is absolutely amazing viewing (\u003ca href=\"https://www.dictionary.com/browse/amazing?s=t\" target=\"_blank\" rel=\"noopener noreferrer\">amazing\u003c/a> in the literal sense of the word) in a time of global crisis. So naturally, after watching it, I immediately turned to its partner in 1979 cinematic crime, \u003ca href=\"https://www.imdb.com/title/tt0079822/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Roller Boogie\u003c/em>\u003c/a>. I initially (foolishly) presumed that it might have a little more substance. Especially since it stars everyone’s favorite \u003ca href=\"https://www.youtube.com/watch?v=sZazSFEHfg8\" target=\"_blank\" rel=\"noopener noreferrer\">demon-child, Linda Blair\u003c/a>, in the lead roll. (\u003cem>See what I did there?\u003c/em>)\u003c/p>\n\u003cp>However, much to my joy, \u003cem>Roller Boogie\u003c/em> is just as gloriously, mind-numbingly stupid as \u003cem>Skatetown USA\u003c/em>. Linda Blair—most famous for shouting “Your mother sucks c–ks in hell” at a priest—here wears special skates that look like they don’t have any laces, along with a series of rad leotards, one of which is white with tassels.\u003c/p>\n\u003cp>Every single thing that happens in this film is ridiculous. Just watch the opening sequence if you need evidence. (You’ll never look at Venice Beach or dumpster-based make-out sessions the same way again.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=b0cEF_p8KT8\u003c/p>\n\u003cp>(And yes, since you ask, that \u003cem>is\u003c/em> Cher singing. The song was called “Hell on Wheels” and it peaked at only number 59 on the Billboard charts, despite Cher doing some excellent \u003ca href=\"https://www.youtube.com/watch?v=rW_kIlaU41Y\" target=\"_blank\" rel=\"noopener noreferrer\">roller skating in some excellent cycling shorts\u003c/a> in the video. You’re welcome!)\u003c/p>\n\u003cp>One of the fun things about \u003cem>Roller Boogie\u003c/em> is that the stakes are even lower than they were in \u003cem>Skatetown USA\u003c/em>—and that’s quite a feat. The plot to \u003cem>Roller Boogie\u003c/em> goes like this: Terry (fancy girl) and Bobby (unfancy boy) want to win a roller skating contest. So they do.\u003c/p>\n\u003cp>That’s it. That’s the end.\u003c/p>\n\u003cp>The most tension I felt watching this thing was concern over whether or not Linda Blair could actually roller skate, since I’m fairly sure no one bothered to teach her. Mostly what happens when she’s wearing skates is that she’s either physically dragged along by someone else, or a body double skates from far away, or Bobby picks her up and she just planks all over him.\u003c/p>\n\u003cp>Please do not underestimate how mesmerizing it is to watch Bobby, the stunt double and Linda’s white tassels do all the hard work for Linda. Just look how much she is \u003cem>not\u003c/em> skating here:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SzN46y_kS_Y\u003c/p>\n\u003cp>It would be remiss, of course, for me to talk about roller skating movies of this period without bringing up the most famous of them all: \u003cem>Xanadu\u003c/em>. \u003cem>Xanadu\u003c/em> is my least favorite of the bunch (despite it featuring a pair of knee-high roller skates) specifically because it has something approaching a plot.\u003c/p>\n\u003cp>Sure, it’s a plot about an Olivia Newton-John-shaped painting coming to life, and an artist dude teaming up with Gene Kelly to open a club, but a plot it unmistakably is. (For some utterly baffling reason, this movie thinks that Club Owner is a nicer job than Artist.) To make matters worse, this movie is packed to the gills with song and dance numbers that make you feel like you ate shrooms. People living inside walls, arguing with God, turning into cartoons—it’s a total nightmare from start to finish.\u003c/p>\n\u003cp>Don’t get me started on how many of these dance numbers don’t even include roller skates. Just look at this mess:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jG-ElxxSU5E\u003c/p>\n\u003cp>In the end, it doesn’t matter if you love or hate any of these movies. (I definitely hated \u003cem>Xanadu\u003c/em>.) What matters is that all three have the miraculous ability to take you out of reality for a few hours. And, at this point, that’s even more magical than a shirtless Patrick Swayze at a roller rink.\u003c/p>\n\u003cp>Until next week, stay safe and keep sheltering.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>For other Lockdown Movie Musts, click \u003ca href=\"https://www.kqed.org/arts/tag/lockdown-movie-musts\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"excerpt": "Trying to turn your brain off in a life-threatening global crisis? 'Skatetown USA,' 'Roller Boogie' and 'Xanadu' are here to help!",
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"description": "Trying to turn your brain off in a life-threatening global crisis? 'Skatetown USA,' 'Roller Boogie' and 'Xanadu' are here to help!",
"title": "Lockdown Movie Musts: 1970s Roller Disco Movies (No, Really) | KQED",
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"headline": "Lockdown Movie Musts: 1970s Roller Disco Movies (No, Really)",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Picture it: Patrick Swayze in bell bottoms and a leather vest (no shirt, naturally), waving his own belt around like a whip while doing a dance routine on roller skates. He spins on his knees \u003cem>and\u003c/em> butt! He kicks—front, back, side—because he’s a wild man! He even does something approaching jump rope! (You kind of have to see it to comprehend it.)\u003c/p>\n\u003cp>This is but one three-minute scene from 1979’s \u003ca href=\"https://www.imdb.com/title/tt0079912/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Skatetown USA\u003c/em>\u003c/a>—a gift of a movie that forces the viewer to ask “Was this \u003cem>ever\u003c/em> cool?” and “Really though?” repeatedly, throughout.\u003c/p>\n\u003cp>The movie’s pun-tastic trailer tantalizingly promises that it’s “The greatest story ever rolled.” While I can categorically confirm that this is an outright lie (and also that the film contains a shocking amount of female objectification), it\u003cem> is\u003c/em> almost impossible to have a bad time watching this damn thing.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2oOWydfiy-I'\n title='//www.youtube.com/embed/2oOWydfiy-I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Allow me to backtrack for a moment. A month ago, if you plopped me down in front of a TV for a few hours, I would more than likely be watching true crime rehashings, documentaries about cults, and post-apocalyptic sci-fi doom in which my favorite characters could die at any moment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But that was 2020 BC*. (*Before Coronavirus.)\u003c/p>\n\u003cp>Once lockdown kicked in, anxiety and insomnia quickly followed, and I was forced to seek out any and all media that would take my mind off the worldwide nightmare unfolding. (Previously, I would have simply turned to my old pal \u003ca href=\"https://www.youtube.com/watch?v=7rO7QMlCh6Q\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Friends\u003c/em>\u003c/a>, but Netflix took that away at the dawn of 2020—a harbinger of doom to start the year, now that I think about it.)\u003c/p>\n\u003cp>So now—I won’t bore you with the steps of exactly how I got here—I’m neck-deep in roller disco movies, and desperate to drag everyone else down into the sequined maelstrom with me. Partly because it’s less awkward than being in here alone, and partly because I genuinely think other people need to see this. (Not in a majestic \u003ca href=\"https://www.youtube.com/watch?v=tiVNk6_0GdY\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Planet Earth\u003c/em>\u003c/a> sort of way; more like a monkey smoking cigarettes in the 1930s kinda thing. You know this sort of thing happened, but you don’t truly believe it until you see it for yourself.)\u003c/p>\n\u003cp>Anyway! Here’s the plot of \u003cem>Skatetown USA\u003c/em>: People like to roller skate at a roller rink. Two male skaters—Ace, the first bad guy in history to wear a bedazzled pink crop top, and Stan, a good guy who dresses \u003cem>exactly\u003c/em> like Flash Gordon—both want to win a roller skating competition.\u003c/p>\n\u003cp>That’s it. That’s the whole plot.\u003c/p>\n\u003cp>Sure, there’s some judge blackmail, and some girls, and some Scott Baio business, but the edgiest this movie gets is when a guy dressed as Uncle Sam (stars and stripes, top hat and all) gets light shined in his eyes mid-roller skate routine and falls over. (There is also a game of chicken on motorized roller skates, but I won’t spoil that for you.)\u003c/p>\n\u003cp>\u003cem>Skatetown USA\u003c/em> is absolutely amazing viewing (\u003ca href=\"https://www.dictionary.com/browse/amazing?s=t\" target=\"_blank\" rel=\"noopener noreferrer\">amazing\u003c/a> in the literal sense of the word) in a time of global crisis. So naturally, after watching it, I immediately turned to its partner in 1979 cinematic crime, \u003ca href=\"https://www.imdb.com/title/tt0079822/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Roller Boogie\u003c/em>\u003c/a>. I initially (foolishly) presumed that it might have a little more substance. Especially since it stars everyone’s favorite \u003ca href=\"https://www.youtube.com/watch?v=sZazSFEHfg8\" target=\"_blank\" rel=\"noopener noreferrer\">demon-child, Linda Blair\u003c/a>, in the lead roll. (\u003cem>See what I did there?\u003c/em>)\u003c/p>\n\u003cp>However, much to my joy, \u003cem>Roller Boogie\u003c/em> is just as gloriously, mind-numbingly stupid as \u003cem>Skatetown USA\u003c/em>. Linda Blair—most famous for shouting “Your mother sucks c–ks in hell” at a priest—here wears special skates that look like they don’t have any laces, along with a series of rad leotards, one of which is white with tassels.\u003c/p>\n\u003cp>Every single thing that happens in this film is ridiculous. Just watch the opening sequence if you need evidence. (You’ll never look at Venice Beach or dumpster-based make-out sessions the same way again.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/b0cEF_p8KT8'\n title='//www.youtube.com/embed/b0cEF_p8KT8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>(And yes, since you ask, that \u003cem>is\u003c/em> Cher singing. The song was called “Hell on Wheels” and it peaked at only number 59 on the Billboard charts, despite Cher doing some excellent \u003ca href=\"https://www.youtube.com/watch?v=rW_kIlaU41Y\" target=\"_blank\" rel=\"noopener noreferrer\">roller skating in some excellent cycling shorts\u003c/a> in the video. You’re welcome!)\u003c/p>\n\u003cp>One of the fun things about \u003cem>Roller Boogie\u003c/em> is that the stakes are even lower than they were in \u003cem>Skatetown USA\u003c/em>—and that’s quite a feat. The plot to \u003cem>Roller Boogie\u003c/em> goes like this: Terry (fancy girl) and Bobby (unfancy boy) want to win a roller skating contest. So they do.\u003c/p>\n\u003cp>That’s it. That’s the end.\u003c/p>\n\u003cp>The most tension I felt watching this thing was concern over whether or not Linda Blair could actually roller skate, since I’m fairly sure no one bothered to teach her. Mostly what happens when she’s wearing skates is that she’s either physically dragged along by someone else, or a body double skates from far away, or Bobby picks her up and she just planks all over him.\u003c/p>\n\u003cp>Please do not underestimate how mesmerizing it is to watch Bobby, the stunt double and Linda’s white tassels do all the hard work for Linda. Just look how much she is \u003cem>not\u003c/em> skating here:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SzN46y_kS_Y'\n title='//www.youtube.com/embed/SzN46y_kS_Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It would be remiss, of course, for me to talk about roller skating movies of this period without bringing up the most famous of them all: \u003cem>Xanadu\u003c/em>. \u003cem>Xanadu\u003c/em> is my least favorite of the bunch (despite it featuring a pair of knee-high roller skates) specifically because it has something approaching a plot.\u003c/p>\n\u003cp>Sure, it’s a plot about an Olivia Newton-John-shaped painting coming to life, and an artist dude teaming up with Gene Kelly to open a club, but a plot it unmistakably is. (For some utterly baffling reason, this movie thinks that Club Owner is a nicer job than Artist.) To make matters worse, this movie is packed to the gills with song and dance numbers that make you feel like you ate shrooms. People living inside walls, arguing with God, turning into cartoons—it’s a total nightmare from start to finish.\u003c/p>\n\u003cp>Don’t get me started on how many of these dance numbers don’t even include roller skates. Just look at this mess:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jG-ElxxSU5E'\n title='//www.youtube.com/embed/jG-ElxxSU5E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the end, it doesn’t matter if you love or hate any of these movies. (I definitely hated \u003cem>Xanadu\u003c/em>.) What matters is that all three have the miraculous ability to take you out of reality for a few hours. And, at this point, that’s even more magical than a shirtless Patrick Swayze at a roller rink.\u003c/p>\n\u003cp>Until next week, stay safe and keep sheltering.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>For other Lockdown Movie Musts, click \u003ca href=\"https://www.kqed.org/arts/tag/lockdown-movie-musts\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "‘Crip Camp’ Recalls Coming of Age Through Activism",
"headTitle": "‘Crip Camp’ Recalls Coming of Age Through Activism | KQED",
"content": "\u003cp>Jim LeBrecht was a life-of-the-party 15-year-old with spina bifida when he got off the bus at Camp Jened. The three-hour ride from his New York City home to the Catskills camp, then in its 20th year of catering specifically to children with disabilities, was fun and strange and, in ways he couldn’t imagine, the first step on a journey that coincided with a societal transformation.\u003c/p>\n\u003cp>LeBrecht’s winning personality and self-aware perspective enroll us immediately in \u003cem>Crip Camp\u003c/em>, the disarming, infuriating and essential documentary co-directed by the longtime East Bay sound designer and local ace Nicole Newnham (\u003cem>The Rape of Europa\u003c/em>). It’s the film we didn’t know we needed, filling a great gap in the history of the civil rights movement that I, at least, didn’t realize existed.\u003c/p>\n\u003cfigure id=\"attachment_13877412\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13877412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Directors Nicole Newnham and Jim LeBrecht. \u003ccite>(Sacha Maric)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Crip Camp\u003c/em> opened the Sundance Film Festival in January, reconnecting the festival with its politically conscious roots, and premieres Wednesday, March 25 on Netflix. A celebratory community screening was planned for SFFILM in April, until the coronavirus forced the festival’s cancellation. You can still cheer and yell at the screen, albeit from the “comfort” of your own home. (You can also yell at the federal government, though you may want to open your window à la a certain \u003ca href=\"https://youtu.be/AS4aiA17YsM\" rel=\"noopener noreferrer\" target=\"_blank\">Howard Beale\u003c/a>.)\u003c/p>\n\u003cp>LeBrecht’s recounting of his various awakenings at hippie-happy Camp Jened in the summer of ’71—romantic and sexual, included—establishes \u003cem>Crip Camp\u003c/em> at the outset as a coming-of-age story, with all the joy, awkwardness, gratifying nostalgia and life lessons one anticipates. It’s a smart strategy in a couple of ways: Through one man’s eyes, we view that period and, more importantly, what it was like to live and to be perceived as “disabled.” We’re in the room, not peering through a window, with people who are alive and irreverent and sensitive and horny and, well, people. \u003c/p>\n\u003cp>Another benefit of this approach is it allows \u003cem>Crip Camp\u003c/em> to avoid earnestness, and the deadly air of a “message film.” Serious subjects are discussed—dependence and independence, the lack of privacy—but they are framed as personal issues, even if every camper deals with them on a daily basis back home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> works wonderfully as a consciousness-raising saga for the first 20 minutes or so, but summer camp (like all good things) has to end. Jimmy LeBrecht returns to high school, goes to the Left Coast (well, San Diego) for college, discovers the Bay Area’s weirdness—a Camp Jened alumnus performs on the Mabuhay Gardens stage in an arresting piece of archival footage—and innovation (Berkeley’s Center for Independent Living gets a shout-out and more), and takes a job after graduation as Berkeley Rep’s resident sound designer.\u003c/p>\n\u003cfigure id=\"attachment_13877414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13877414\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann at a rally. \u003ccite>(HolLynn D'Lil)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>LeBrecht joined Disability in Action in the early ’70s and became an outspoken activist in college. But he humbly and wisely relinquishes the \u003cem>Crip Camp\u003c/em> spotlight to disability advocates like Judy Heumann, a Camp Jened alum who spearheaded the occupation of HEW’s San Francisco office in 1977. Originally a simple protest aimed at pressuring newly appointed and exasperatingly lackadaisical Health, Education and Welfare Secretary Joseph Califano to sign regulations expanding the rights of people with disabilities, it evolved into a major action that lasted more than three weeks. \u003c/p>\n\u003cp>The prime purpose of documentaries, for most people, is education. By that measure, \u003cem>Crip Camp\u003c/em> scores early and often. How had I never heard of the HEW demonstration? Is there a plaque commemorating this milestone in Bay Area activism, or any other acknowledgement?\u003c/p>\n\u003cp>I was baffled by my ignorance of this event, and outraged at the indifference of federal officials to peaceful, reasonable demands. It’s possible that my fury was exacerbated by the current administration’s stonewalling on the coronavirus crisis, which is to say that a good historical documentary is never (just) about the past.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> starts out as a summer frolic with an edge, but it expands into something far, far greater. It’s a major work that continues the long tradition of timeless Bay Area social-issue documentaries, and deserves a place on the shelf alongside, to cite just a few, \u003cem>The Times of Harvey Milk\u003c/em>, \u003cem>Freedom on My Mind\u003c/em>, \u003cem>The Weather Underground\u003c/em> and \u003cem>Brother Outsider: The Life of Bayard Rustin\u003c/em>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jim LeBrecht was a life-of-the-party 15-year-old with spina bifida when he got off the bus at Camp Jened. The three-hour ride from his New York City home to the Catskills camp, then in its 20th year of catering specifically to children with disabilities, was fun and strange and, in ways he couldn’t imagine, the first step on a journey that coincided with a societal transformation.\u003c/p>\n\u003cp>LeBrecht’s winning personality and self-aware perspective enroll us immediately in \u003cem>Crip Camp\u003c/em>, the disarming, infuriating and essential documentary co-directed by the longtime East Bay sound designer and local ace Nicole Newnham (\u003cem>The Rape of Europa\u003c/em>). It’s the film we didn’t know we needed, filling a great gap in the history of the civil rights movement that I, at least, didn’t realize existed.\u003c/p>\n\u003cfigure id=\"attachment_13877412\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13877412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Directors Nicole Newnham and Jim LeBrecht. \u003ccite>(Sacha Maric)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Crip Camp\u003c/em> opened the Sundance Film Festival in January, reconnecting the festival with its politically conscious roots, and premieres Wednesday, March 25 on Netflix. A celebratory community screening was planned for SFFILM in April, until the coronavirus forced the festival’s cancellation. You can still cheer and yell at the screen, albeit from the “comfort” of your own home. (You can also yell at the federal government, though you may want to open your window à la a certain \u003ca href=\"https://youtu.be/AS4aiA17YsM\" rel=\"noopener noreferrer\" target=\"_blank\">Howard Beale\u003c/a>.)\u003c/p>\n\u003cp>LeBrecht’s recounting of his various awakenings at hippie-happy Camp Jened in the summer of ’71—romantic and sexual, included—establishes \u003cem>Crip Camp\u003c/em> at the outset as a coming-of-age story, with all the joy, awkwardness, gratifying nostalgia and life lessons one anticipates. It’s a smart strategy in a couple of ways: Through one man’s eyes, we view that period and, more importantly, what it was like to live and to be perceived as “disabled.” We’re in the room, not peering through a window, with people who are alive and irreverent and sensitive and horny and, well, people. \u003c/p>\n\u003cp>Another benefit of this approach is it allows \u003cem>Crip Camp\u003c/em> to avoid earnestness, and the deadly air of a “message film.” Serious subjects are discussed—dependence and independence, the lack of privacy—but they are framed as personal issues, even if every camper deals with them on a daily basis back home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> works wonderfully as a consciousness-raising saga for the first 20 minutes or so, but summer camp (like all good things) has to end. Jimmy LeBrecht returns to high school, goes to the Left Coast (well, San Diego) for college, discovers the Bay Area’s weirdness—a Camp Jened alumnus performs on the Mabuhay Gardens stage in an arresting piece of archival footage—and innovation (Berkeley’s Center for Independent Living gets a shout-out and more), and takes a job after graduation as Berkeley Rep’s resident sound designer.\u003c/p>\n\u003cfigure id=\"attachment_13877414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13877414\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann at a rally. \u003ccite>(HolLynn D'Lil)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>LeBrecht joined Disability in Action in the early ’70s and became an outspoken activist in college. But he humbly and wisely relinquishes the \u003cem>Crip Camp\u003c/em> spotlight to disability advocates like Judy Heumann, a Camp Jened alum who spearheaded the occupation of HEW’s San Francisco office in 1977. Originally a simple protest aimed at pressuring newly appointed and exasperatingly lackadaisical Health, Education and Welfare Secretary Joseph Califano to sign regulations expanding the rights of people with disabilities, it evolved into a major action that lasted more than three weeks. \u003c/p>\n\u003cp>The prime purpose of documentaries, for most people, is education. By that measure, \u003cem>Crip Camp\u003c/em> scores early and often. How had I never heard of the HEW demonstration? Is there a plaque commemorating this milestone in Bay Area activism, or any other acknowledgement?\u003c/p>\n\u003cp>I was baffled by my ignorance of this event, and outraged at the indifference of federal officials to peaceful, reasonable demands. It’s possible that my fury was exacerbated by the current administration’s stonewalling on the coronavirus crisis, which is to say that a good historical documentary is never (just) about the past.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> starts out as a summer frolic with an edge, but it expands into something far, far greater. It’s a major work that continues the long tradition of timeless Bay Area social-issue documentaries, and deserves a place on the shelf alongside, to cite just a few, \u003cem>The Times of Harvey Milk\u003c/em>, \u003cem>Freedom on My Mind\u003c/em>, \u003cem>The Weather Underground\u003c/em> and \u003cem>Brother Outsider: The Life of Bayard Rustin\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>When national treasure Tom Hanks and his wonderful wife Rita Wilson tested positive for the coronavirus, it felt symbolic. Not just of the indiscriminate nature of the illness, but also the gravity of what America is facing. “It doesn’t matter how rich or successful or beloved you are,” the event told us, “coronavirus is coming for you.”\u003c/p>\n\u003cp>It’s been less than two weeks since the couple was admitted to Gold Coast University Hospital in Australia but they have emerged from quarantine with positive news.\u003c/p>\n\u003cp>https://twitter.com/tomhanks/status/1241919151829954566\u003c/p>\n\u003cp>Tom Hanks telling us all to stay indoors right when we’re starting to get antsy is like your dad casually reminding you of all the punishments that’ll come your way if you break curfew: it’s just not worth it, so don’t be a jackass. (A message that, while fairly obvious, is being roundly ignored by far \u003ca href=\"https://www.cnn.com/2020/03/23/us/california-stay-at-home-beach-goers/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">too many idiots\u003c/a>.)\u003c/p>\n\u003cp>The real hope though, came via Rita Wilson’s Instagram. The actress posted a clip of herself rapping along to Naughty By Nature’s “Hip Hop Hooray” without missing a beat. Proof that she’s definitely gotten her breath back after battling coronavirus, and a much-needed break in all this month’s bad news.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Take it away, Rita!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.instagram.com/p/B-BqChYnY6F/\u003c/p>\n\n",
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"content": "\u003cp>There’s some hopeful news for the film industry coming from China.\u003c/p>\n\u003cp>As the number of new cases of the coronavirus declines in China, the Chinese government is allowing a few movie theaters to reopen for the first time since the country’s theaters were shuttered by decree in January.\u003c/p>\n\u003cp>According to the entertainment news website Deadline, about 500 have reopened (less than 5% of Chinese exhibitors), mostly in Xinjiang and in far-flung provinces across the country.\u003c/p>\n\u003cp>They’re showing older Chinese titles at present—last year’s sci-fi blockbuster \u003cem>The Wandering Earth\u003c/em>, for instance. And Hollywood studios have been approached about sending such time-tested hits as the first \u003cem>Harry Potter\u003c/em> film in coming weeks as the industry ramps up. This will allow theaters to limit attendance and allow social distancing in auditoriums.\u003c/p>\n\u003cp>Social distancing was easy this past weekend, as many theaters had just one or two patrons. But this first wave of openings is mostly to test the water with audiences. The hope is that as Chinese patrons become more comfortable with going out, more theaters can open in April.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baby steps, but it qualifies as a bright spot at a time when nearly all the rest of the world’s cinemas are dark.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=China+Reopens+Movie+Theaters+For+1st+Time+Since+January&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s some hopeful news for the film industry coming from China.\u003c/p>\n\u003cp>As the number of new cases of the coronavirus declines in China, the Chinese government is allowing a few movie theaters to reopen for the first time since the country’s theaters were shuttered by decree in January.\u003c/p>\n\u003cp>According to the entertainment news website Deadline, about 500 have reopened (less than 5% of Chinese exhibitors), mostly in Xinjiang and in far-flung provinces across the country.\u003c/p>\n\u003cp>They’re showing older Chinese titles at present—last year’s sci-fi blockbuster \u003cem>The Wandering Earth\u003c/em>, for instance. And Hollywood studios have been approached about sending such time-tested hits as the first \u003cem>Harry Potter\u003c/em> film in coming weeks as the industry ramps up. This will allow theaters to limit attendance and allow social distancing in auditoriums.\u003c/p>\n\u003cp>Social distancing was easy this past weekend, as many theaters had just one or two patrons. But this first wave of openings is mostly to test the water with audiences. The hope is that as Chinese patrons become more comfortable with going out, more theaters can open in April.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>With the coronavirus pandemic continuing to affect nearly every facet of life, including some governors moving to temporarily shutter movie theaters, Comcast NBCUniversal announced a potentially industry-altering change: It will allow customers to view new films at home through video on demand the same day as their theatrical release.\u003c/p>\n\u003cp>\u003cem>Trolls World Tour, \u003c/em>slated to open in the U.S. on April 10, will be the first to kick off the new initiative.\u003c/p>\n\u003cp>The company also announced that some movies currently in theaters will be available to be streamed at home beginning Friday. \u003cem>The Invisible Man\u003c/em> and \u003cem>Emma—\u003c/em>along with \u003cem>The Hunt, \u003c/em>which debuted last week\u003cem>—\u003c/em>will be available for a two-day digital rental for $19.99 in the U.S. and the equivalent price in overseas markets.\u003c/p>\n\u003cp>“Rather than delaying these films or releasing them into a challenged distribution landscape, we wanted to provide an option for people to view these titles in the home that is both accessible and affordable,” Jeff Shell, the CEO of \u003ca href=\"https://corporate.comcast.com/press/releases/comcast-nbcuniversal-moves-to-make-current-movies-available-in-the-home\" target=\"_blank\" rel=\"noopener noreferrer\">NBCUniversal, said in a statement.\u003c/a>\u003c/p>\n\u003cp>The move by Comcast NBCUniversal will likely be viewed as a major setback for multiplexes, which have long relied on studios’ months-long waiting periods after a theatrical release to make films available on at-home streaming.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The coronavirus is forcing widespread changes across the entertainment industry as many \u003ca href=\"https://www.npr.org/2020/03/12/815200313/what-governors-are-doing-to-tackle-spreading-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">governors across the country\u003c/a> move to close theaters to curb the spread of the disease.\u003c/p>\n\u003cp>The nation’s largest theater chains also announced closures.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">Regal Cinemas\u003c/a> said “as a precaution amid the current circumstances” all of its theaters will remain closed until further notice, beginning Tuesday. AMC Theatres \u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">said Tuesday\u003c/a> that its cinemas will be closed “for at least 6-12 weeks.”\u003c/p>\n\u003cp>The decision by Comcast Universal follows \u003ca href=\"https://thewaltdisneycompany.com/the-walt-disney-company-will-make-frozen-2-available-on-disney-three-months-early-beginning-sunday-march-15/\" target=\"_blank\" rel=\"noopener noreferrer\">a similar decision by Disney\u003c/a>, which pushed its blockbuster film \u003cem>Frozen II\u003c/em> to its Disney+ streaming platform on Sunday, three months ahead of schedule. Disney said it was “surprising families with some fun and joy during this challenging period.”\u003c/p>\n\u003cp>As people around the world are encouraged to stay home, other types of performances are also happening remotely. Music stars are also moving to provide fans with at-home viewing options.\u003c/p>\n\u003cp>R&B crooner John Legend, who is one of the celebrity coaches on NBC’s singing competition \u003cem>The Voice, \u003c/em>\u003ca href=\"https://twitter.com/johnlegend/status/1239666268627546112\" target=\"_blank\" rel=\"noopener noreferrer\">announced he is performing\u003c/a> a concert at home on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This follows a similar \u003ca href=\"https://www.instagram.com/p/B90Ft_knpuT/\" target=\"_blank\" rel=\"noopener noreferrer\">at-home “mini” concert streamed\u003c/a> by Chris Martin, frontman of the British rock band Coldplay on Monday.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=As+Coronavirus+Shuts+Down+Theaters%2C+Universal+Shifts+Some+Films+To+On-Demand&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the coronavirus pandemic continuing to affect nearly every facet of life, including some governors moving to temporarily shutter movie theaters, Comcast NBCUniversal announced a potentially industry-altering change: It will allow customers to view new films at home through video on demand the same day as their theatrical release.\u003c/p>\n\u003cp>\u003cem>Trolls World Tour, \u003c/em>slated to open in the U.S. on April 10, will be the first to kick off the new initiative.\u003c/p>\n\u003cp>The company also announced that some movies currently in theaters will be available to be streamed at home beginning Friday. \u003cem>The Invisible Man\u003c/em> and \u003cem>Emma—\u003c/em>along with \u003cem>The Hunt, \u003c/em>which debuted last week\u003cem>—\u003c/em>will be available for a two-day digital rental for $19.99 in the U.S. and the equivalent price in overseas markets.\u003c/p>\n\u003cp>“Rather than delaying these films or releasing them into a challenged distribution landscape, we wanted to provide an option for people to view these titles in the home that is both accessible and affordable,” Jeff Shell, the CEO of \u003ca href=\"https://corporate.comcast.com/press/releases/comcast-nbcuniversal-moves-to-make-current-movies-available-in-the-home\" target=\"_blank\" rel=\"noopener noreferrer\">NBCUniversal, said in a statement.\u003c/a>\u003c/p>\n\u003cp>The move by Comcast NBCUniversal will likely be viewed as a major setback for multiplexes, which have long relied on studios’ months-long waiting periods after a theatrical release to make films available on at-home streaming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The coronavirus is forcing widespread changes across the entertainment industry as many \u003ca href=\"https://www.npr.org/2020/03/12/815200313/what-governors-are-doing-to-tackle-spreading-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">governors across the country\u003c/a> move to close theaters to curb the spread of the disease.\u003c/p>\n\u003cp>The nation’s largest theater chains also announced closures.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">Regal Cinemas\u003c/a> said “as a precaution amid the current circumstances” all of its theaters will remain closed until further notice, beginning Tuesday. AMC Theatres \u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">said Tuesday\u003c/a> that its cinemas will be closed “for at least 6-12 weeks.”\u003c/p>\n\u003cp>The decision by Comcast Universal follows \u003ca href=\"https://thewaltdisneycompany.com/the-walt-disney-company-will-make-frozen-2-available-on-disney-three-months-early-beginning-sunday-march-15/\" target=\"_blank\" rel=\"noopener noreferrer\">a similar decision by Disney\u003c/a>, which pushed its blockbuster film \u003cem>Frozen II\u003c/em> to its Disney+ streaming platform on Sunday, three months ahead of schedule. Disney said it was “surprising families with some fun and joy during this challenging period.”\u003c/p>\n\u003cp>As people around the world are encouraged to stay home, other types of performances are also happening remotely. Music stars are also moving to provide fans with at-home viewing options.\u003c/p>\n\u003cp>R&B crooner John Legend, who is one of the celebrity coaches on NBC’s singing competition \u003cem>The Voice, \u003c/em>\u003ca href=\"https://twitter.com/johnlegend/status/1239666268627546112\" target=\"_blank\" rel=\"noopener noreferrer\">announced he is performing\u003c/a> a concert at home on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This follows a similar \u003ca href=\"https://www.instagram.com/p/B90Ft_knpuT/\" target=\"_blank\" rel=\"noopener noreferrer\">at-home “mini” concert streamed\u003c/a> by Chris Martin, frontman of the British rock band Coldplay on Monday.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=As+Coronavirus+Shuts+Down+Theaters%2C+Universal+Shifts+Some+Films+To+On-Demand&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Now Playing! Tour San Francisco on Your Home Screen",
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"content": "\u003cp>Our favorite movie theaters are closed, necessarily but depressingly, though the month will come when they reopen. (And the concession stands will sell out of popcorn and Junior Mints within hours, I predict.) Until that glorious day, we’re reliant on home entertainment—chess and Monopoly are OK if you wash your hands regularly, but no Twister, please!—which for most people, my little joke notwithstanding, means watching images on a screen. And that means streaming.\u003c/p>\n\u003cp>[aside postID='arts_13874442' hero='https://ww2.kqed.org/app/uploads/sites/2/2020/02/Happy-1020x651.jpg']\u003c/p>\n\u003cp>With our favorite haunts largely off-limits, I dove into the platforms in search of San Francisco-set films that would (virtually) put us back on the streets. Perhaps it’s not surprising that I was mostly drawn to paranoid thrillers which are scarily relevant right now and may be too horrifying to “enjoy” in the not-too-distant future. If you don’t find fear cathartic, well, I promise to amass a list of comedies for the next installment.\u003c/p>\n\u003cp>\u003cb>\u003cem>D.O.A.\u003c/em>, 1949\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/D-Edmond-OBrien/dp/B07CJTSNY5/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPoisoned in a San Francisco bar while on holiday, doomed small-town accountant Edmond O’Brien races to discover the hand behind his fate in this pitiless noir.\u003c/p>\n\u003cp>\u003cb>\u003cem>Zodiac\u003c/em>, 2007\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/gp/video/detail/B07D6Z4Z43/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nDeath is delivered by another phantom in David Fincher’s moody, manipulative movie about the hunt for the killer who spread terror once upon a time in Northern California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>\u003cem>Dirty Harry\u003c/em>, 1971\u003c/b>\u003cbr>\n\u003ca href=\"https://www.netflix.com/title/445522\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a>\u003cbr>\nIf you’re in need of a happy ending, where “justice” prevails, revel in Clint Eastwood’s reactionary, renegade S.F. cop with a gift for catchphrases. Don Siegel’s exploitative film tapped into the law-and-order zeitgeist in 1971 and spawned four sequels, but it’s not a very good movie.\u003c/p>\n\u003cp>\u003cb>\u003cem>The Birds\u003c/em>, 1963\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Birds-Tippi-Hedren/dp/B000I8H7RI/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon\u003c/a>\u003cbr>\nNature comes a-knock-knock-knocking on Bodega Bay doors in Alfred Hitchcock’s perfect, and perfectly brilliant, classic.\u003c/p>\n\u003cp>\u003cb>\u003cem>We Were Here: The AIDS Years in San Francisco\u003c/em>, 2011\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/we-were-here-history-aids-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nDavid Weissman’s powerhouse documentary finds inspiration in the gutsy response of ordinary San Franciscans to the devastatingly lethal virus.\u003c/p>\n\u003cp>\u003cb>\u003cem>Invasion of the Body Snatchers\u003c/em>, 1978\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Invasion-Body-Snatchers-Donald-Sutherland/dp/B079FVP9X6/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPhilip Kaufman reimagined Don Siegel’s McCarthy-era indictment of groupthink as a New Age bad trip in (where else?) post-hippie San Francisco. Imagine seeing it in a S.F. theater when it opened, a month after Jonestown.\u003c/p>\n\u003cp>OK, that’s enough dark fare (for now). Let Robin Williams, and the sunshine, in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Mrs. Doubtfire\u003c/em>, 1993\u003c/b>\u003cbr>\n\u003ca href=\"https://www.hbo.com/movies/mrs-doubtfire\" target=\"_blank\" rel=\"noopener noreferrer\">HBO\u003c/a>\u003cbr>\nWilliams’ stardom gave him leverage, which he used to prod studios into shooting his movies in San Francisco. (It gave local folks lots of work, in addition to reducing the star’s commute to the set.) This flick is still paying dividends, attracting visitors from all over to the city and the house where it was shot. Well, it did. And it will again.\u003c/p>\n\n",
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"excerpt": "Thrillers, documentaries and the always wonderful 'Mrs. Doubtfire' transport you around the Bay Area while you're stuck indoors.",
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"headline": "Now Playing! Tour San Francisco on Your Home Screen",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Our favorite movie theaters are closed, necessarily but depressingly, though the month will come when they reopen. (And the concession stands will sell out of popcorn and Junior Mints within hours, I predict.) Until that glorious day, we’re reliant on home entertainment—chess and Monopoly are OK if you wash your hands regularly, but no Twister, please!—which for most people, my little joke notwithstanding, means watching images on a screen. And that means streaming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With our favorite haunts largely off-limits, I dove into the platforms in search of San Francisco-set films that would (virtually) put us back on the streets. Perhaps it’s not surprising that I was mostly drawn to paranoid thrillers which are scarily relevant right now and may be too horrifying to “enjoy” in the not-too-distant future. If you don’t find fear cathartic, well, I promise to amass a list of comedies for the next installment.\u003c/p>\n\u003cp>\u003cb>\u003cem>D.O.A.\u003c/em>, 1949\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/D-Edmond-OBrien/dp/B07CJTSNY5/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPoisoned in a San Francisco bar while on holiday, doomed small-town accountant Edmond O’Brien races to discover the hand behind his fate in this pitiless noir.\u003c/p>\n\u003cp>\u003cb>\u003cem>Zodiac\u003c/em>, 2007\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/gp/video/detail/B07D6Z4Z43/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nDeath is delivered by another phantom in David Fincher’s moody, manipulative movie about the hunt for the killer who spread terror once upon a time in Northern California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Dirty Harry\u003c/em>, 1971\u003c/b>\u003cbr>\n\u003ca href=\"https://www.netflix.com/title/445522\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a>\u003cbr>\nIf you’re in need of a happy ending, where “justice” prevails, revel in Clint Eastwood’s reactionary, renegade S.F. cop with a gift for catchphrases. Don Siegel’s exploitative film tapped into the law-and-order zeitgeist in 1971 and spawned four sequels, but it’s not a very good movie.\u003c/p>\n\u003cp>\u003cb>\u003cem>The Birds\u003c/em>, 1963\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Birds-Tippi-Hedren/dp/B000I8H7RI/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon\u003c/a>\u003cbr>\nNature comes a-knock-knock-knocking on Bodega Bay doors in Alfred Hitchcock’s perfect, and perfectly brilliant, classic.\u003c/p>\n\u003cp>\u003cb>\u003cem>We Were Here: The AIDS Years in San Francisco\u003c/em>, 2011\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/we-were-here-history-aids-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nDavid Weissman’s powerhouse documentary finds inspiration in the gutsy response of ordinary San Franciscans to the devastatingly lethal virus.\u003c/p>\n\u003cp>\u003cb>\u003cem>Invasion of the Body Snatchers\u003c/em>, 1978\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Invasion-Body-Snatchers-Donald-Sutherland/dp/B079FVP9X6/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPhilip Kaufman reimagined Don Siegel’s McCarthy-era indictment of groupthink as a New Age bad trip in (where else?) post-hippie San Francisco. Imagine seeing it in a S.F. theater when it opened, a month after Jonestown.\u003c/p>\n\u003cp>OK, that’s enough dark fare (for now). Let Robin Williams, and the sunshine, in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Mrs. Doubtfire\u003c/em>, 1993\u003c/b>\u003cbr>\n\u003ca href=\"https://www.hbo.com/movies/mrs-doubtfire\" target=\"_blank\" rel=\"noopener noreferrer\">HBO\u003c/a>\u003cbr>\nWilliams’ stardom gave him leverage, which he used to prod studios into shooting his movies in San Francisco. (It gave local folks lots of work, in addition to reducing the star’s commute to the set.) This flick is still paying dividends, attracting visitors from all over to the city and the house where it was shot. Well, it did. And it will again.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Here's How We Cope When We're Stressed: Ideas From NPR's Arts Desk",
"headTitle": "Here’s How We Cope When We’re Stressed: Ideas From NPR’s Arts Desk | KQED",
"content": "\u003cp>What helps you feel better when life is stressful and scary?\u003c/p>\n\u003cp>We asked members of the NPR Arts Desk, and their answers include a Norwegian knitting marathon,\u003cem> America’s Next Top Model, \u003c/em>British crime dramas and peanut soup.\u003c/p>\n\u003cp>Find 17 tried-and-true ideas below and stay tuned to the \u003ca href=\"https://www.npr.org/podcasts/510282/pop-culture-happy-hour\" target=\"_blank\" rel=\"noopener noreferrer\">Pop Culture Happy Hour podcast\u003c/a> for an episode about this very topic.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>America’s Next Top Model\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>I hesitate to truly recommend\u003cem> America’s Next Top Model\u003c/em>, because it is not good. But what I can promise is very low stakes. Rarely has the show resulted in a major career for anyone, so win or lose, mostly they’re there to participate in the show itself. And while I might not be able to relate to living on a desert island, I can relate to not liking a picture of yourself or being in distress over a terrible haircut. I cannot tell a lie: It’s one of my go-to comfort watches. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B018YLD706/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/302c282e-7c22-4a22-a97e-8c05f1958e86\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/finale-pt-2-americas-next-top-model-is/id1020461813?i=1064864722\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/playlist?list=ELesSZKEooraraxtcwMwIBCQ\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Linda Holmes, host, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Room With A View\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Helena Bonham Carter’s impressive hair extensions lead an all-star British cast that includes Dame Maggie Smith, Dame Judi Dench and—this movie is so old—Daniel Day-Lewis as an awkward third-tier love interest. This 1985 adaptation of E.M. Forster’s \u003ca href=\"https://www.npr.org/books/titles/815975027/room-with-a-view\" target=\"_blank\" rel=\"noopener noreferrer\">fabulous Edwardian novel\u003c/a> maintains its author’s decorous sensuality, particularly in a great all-male nude bathing scene that manages to be both riotously family friendly and also slyly cognizant of the author’s (repressed) queerness. “This is not what we were led to expect!” Truer words were never spoken. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B015IVLL7Q/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/movies/details?id=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">GooglePlay,\u003c/a> \u003ca href=\"https://www.hulu.com/movie/a-room-with-a-view-1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943?entity_id=1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/movie/a-room-with-a-view/id1036043140\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Neda Ulaby, reporter\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JFIPjRFuaHA&has_verified=1\u003c/p>\n\u003cp>\u003cem>\u003cstrong>What’s Wrong With Secretary Kim?\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>In times like these, I like to soothe myself with a soapy binge-watch. My aunts have included K-dramas in their self-care routines for years, so I recently decided to take the plunge. Now I can’t stop watching \u003cem>What’s Wrong With Secretary Kim?\u003c/em>, a South Korean series that has a calming mix of humor, romance and addictive soap opera melodrama. Loyal secretary Kim Mi-so tells her narcissistic boss Lee Young-joon that she’s quitting, which sets off a series of events that—of course—cause our leads to fall in love. Park Min-young and Park Seo-joon have electric chemistry, and what’s better than watching two unbelievably beautiful people navigate ridiculous obstacles to eventually fall in love? (Available on \u003ca href=\"https://www.hulu.com/series/62cf6cb0-3485-46ad-a0b6-75e542937f70\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu\u003c/a>)\u003cbr>\n\u003cem>— Jessica Reedy, producer, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Route One” by Sigur Rós\u003cbr>\n\u003c/strong>You can turn to YouTube to watch people skateboard off rooftops, or you can turn to YouTube to travel 1,332 km around Iceland’s Ring Road while Sigur Rós music plays—it’s your choice, really. The latter will take you a mere 24 hours, a feat the band (with the help of the Icelandic National Broadcasting Service) accomplished through the use of generative music software; basically, they fed stems of Sigur Rós songs to the software to generate an ever-changing new composition. Titled \u003cem>Route One\u003c/em>, it’s truly hypnotic; the visuals are gorgeous and it’s easy to drop in and out while always hearing something new. Here are parts \u003ca href=\"https://www.youtube.com/watch?v=G54tllj-SKI\" target=\"_blank\" rel=\"noopener noreferrer\">1,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=szbGc7ymFhQ\" target=\"_blank\" rel=\"noopener noreferrer\">2\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=aV7YutDr5Nw\" target=\"_blank\" rel=\"noopener noreferrer\">3\u003c/a>.\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=G54tllj-SKI\u003c/p>\n\u003cp>\u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>“National Knitting Night”\u003c/strong>\u003c/a>\u003cstrong>\u003cbr>\n\u003c/strong>If 24 hours with Sigur Rós (see above) seems a tad … long (you know, whatever), you can also spend a fraction of those 24 hours watching a bunch of good-natured Norwegians try to produce a sweater—”from sheep’s back to human’s back”—in something short of the world-record time. (That’d be 4 hours, 51 minutes and 14 seconds, \u003cem>obviously\u003c/em>.) It’s called \u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">“National Knitting Night,”\u003c/a> available through NRK TV, and it’s extraordinarily soothing company. And, when you think about it, kind of like sports!\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Get A Life, Chloe Brown\u003c/em>\u003c/strong>\u003cstrong> by Talia Hibbert\u003cbr>\n\u003c/strong>Romance is possibly the most supremely comforting genre of them all—it is a rock-ribbed rule that a romance must have a Happy Ever After, so no matter which way the roller coaster twists you, you know you’ll come safely to a halt in the end. And \u003ca href=\"https://www.npr.org/books/titles/775206804/get-a-life-chloe-brown\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Get a Life\u003c/em>, \u003cem>Chloe Brown\u003c/em>\u003c/a> has plenty of twists and turns on the way to that happy ending. Chloe herself isn’t the type of heroine you often see in romance novels—she’s plus-size and dealing with serious chronic illness that Hibbert depicts with compassion and bone-aching realism. Chloe is also a computer nerd who loves to make lists, and after a near-miss car accident, she makes herself a “Get a Life” list. Will getting a life somehow involve her smokin’ hot apartment superintendent “Red” Morgan, who has long red hair, a motorcycle, and is secretly a talented painter? YOU BET. Chloe and Red have chemistry that practically burns up the page, the supporting cast (including Chloe’s sequel-bait sisters) are funny and well-rounded, and the conflicts and obstacles feel organic. This is one for the re-read pile.\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Parks and Recreation\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Lately, I’ve been thinking a lot about \u003cem>Parks and Recreation \u003c/em>and Amy Poehler’s character, the indefatigable Leslie Knope. Knope is a well-meaning bureaucrat, though not always the brightest bulb—who fervently believes that the government of her small Indiana town could make things better for everybody. Unfortunately, she is surrounded by a hapless crew of oddballs who keep making that task tougher and tougher. Bingeing old \u003cem>Parks and Rec\u003c/em> episodes not only gives you a look at ace performers like Chris Pratt, Nick Offerman, Aziz Ansari, Aubrey Plaza and Retta before they became superstars, it’s also a wonderful comedy centered on a super dysfunctional work family trying to make government a little better. And who doesn’t need a message like that today? (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B01A3QX7X2/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/93dc18da-96d9-4841-b125-40f901f7e7eb\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70143842?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/parks-and-recreation-UCaUnHzySKszH_UxJEfWEn0Q?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Eric Deggans, TV critic\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ActknnwERUs\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Talking Heads\u003c/strong>\u003c/em>\u003cstrong> by Alan Bennett\u003cbr>\n\u003c/strong>Not the band (though their \u003ca href=\"https://www.youtube.com/watch?v=HldHtBxNK6k\" target=\"_blank\" rel=\"noopener noreferrer\">“Naïve Melody (This Must Be The Place)”\u003c/a> is a great song to listen to when you want to relax). No, these are a series of extended monologues by the British writer Alan Bennett, assayed by the likes of Maggie Smith, Julie Walters, Patricia Routledge, Eileen Atkins and Bennett himself. You can find them \u003ca href=\"https://www.youtube.com/playlist?list=PLxmwGyQNoPEKJ7gfk4QRMlZY0hQy4wbn5\" target=\"_blank\" rel=\"noopener noreferrer\">on YouTube\u003c/a>. Bennett is basically a worn, warm cardigan in human form, and his monologues feature unreliable narrators talking themselves into tiny epiphanies in their front rooms. They’re small and circumscribed but brilliantly specific and, often, bittersweet.\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Rhapsody in Blue” by George Gershwin\u003cbr>\n\u003c/strong>In trying times, I always listen to George Gershwin’s “Rhapsody in Blue.” Its jolly rhythms and busy, beautiful variations on themes lift my spirits, absorb me out of present problems (as all great art is able to do), and take me back to my 8-year-old days in my parents’ apartment on 103rd Street and Broadway in Manhattan: I would stand on a hassock, pencil in hand, and conduct our 78 rpm recording of Paul Whiteman And His Orchestra with Gershwin as piano soloist, performing the “\u003ca href=\"https://www.youtube.com/watch?v=Cq3J6fCUfto\" target=\"_blank\" rel=\"noopener noreferrer\">Rhapsody.\u003c/a>” The feelings of power and pleasure in those moments come right back to me when I hear it in troubled times.\u003cbr>\n—\u003cem> Susan Stamberg, special correspondent\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Brave Faces Everyone” by\u003c/strong> \u003cstrong>Spanish Love Songs\u003cbr>\n\u003c/strong>You know \u003ca href=\"http://klipd.com/watch/burn-after-reading/brad-pitt-treadmill-scene\" target=\"_blank\" rel=\"noopener noreferrer\">that scene\u003c/a> in \u003cem>Burn After Reading\u003c/em> where Brad Pitt is running on the treadmill with his headphones on and he’s pumping his fists and you’re supposed to think he’s a jackass? Well, joke’s on you; doing that actually rules and feels great—especially if you’re listening to the latest Spanish Love Songs record \u003ca href=\"https://open.spotify.com/album/7GP702lI6EeRJnruJPoznv\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Brave Faces Everyone\u003c/em>.\u003c/a> It’s an absolutely thrilling album about facing imminent doom (the second best chorus goes: “Don’t you know you were born to die poor, man”), the kind of doom that you can’t quite run away from because it’s everywhere, so you might as well pump your fists in the sky because it feels great—who cares if you look dumb.\u003cbr>\n\u003cem>— Andrew Limbong, reporter\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=HYbAW0JlwdQ\u003c/p>\n\u003cp>\u003cstrong>British TV crime dramas\u003cbr>\n\u003c/strong>Not exactly calming, but great escapism. \u003cem>Happy Valley, Bodyguard, Broadchurch,\u003c/em> \u003cem>Grantchester, Line of Duty\u003c/em>. Gritty realism might be a stretch, but the sharp writing, flawed-but-endearing characters, plots, cheeky humor and all-around suspenseful atmosphere of these shows make it easy to slip into their worlds and stay there for hours—or at least until their final seasons. Always start at the beginning. (\u003cem>Happy Valley\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B072LGV8ZV/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=A7XQbRQ3mqM&cdid=tvseason-Gct2SdUGeF9fAI8Aug271A&gdid=tvepisode-fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1227764545?i=1229965074\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/80007225?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a>\u003cem> Bodyguard\u003c/em> available on \u003ca href=\"https://www.netflix.com/title/80235864?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix;\u003c/a> \u003cem>Broadchurch\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B074T38KHJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=hjoALWXeBsM&cdid=tvseason-rs2aF4n1qrJeHBcpa4HIqw&gdid=tvepisode-GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-8/id1209491967?i=1209497002\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes, \u003c/a>\u003ca href=\"https://www.netflix.com/title/70302484?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Grantchester\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07V96HMZG/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=bUMWuin_wjo&cdid=tvseason-Ri3diUPY8F-x6w0Gt4sX7w&gdid=tvepisode-ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-7/id1232011864?i=1248009358\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.pbs.org/wgbh/masterpiece/episodes/grantchester-s1-e1/\" target=\"_blank\" rel=\"noopener noreferrer\">PBS, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Line of Duty\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07RRGPTVJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=367W_LaDsj4&cdid=tvseason-WPoANXuJ_XVTCvLhvkKu7Q&gdid=tvepisode-t4VB8Mmt8ls\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://www.hulu.com/series/0efc0f95-c575-46da-b28f-a30a13d86b37\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1239948393?i=1240562203\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/line-of-duty-UCaAelRWU4cE05Hojwt6pOiQ?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>.)\u003cbr>\n—\u003cem> Elizabeth Blair, reporter\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Old school real-time strategy games\u003cbr>\n\u003c/strong>You start with a town center and a villager or two. You send them off to build, or chop down trees, or farm, or mine ore, and gradually (the \u003cem>gradually\u003c/em> is what makes it relaxing!) you can start building armies and navies and upgrading your town. You watch it all happen from above, and there’s something incredibly peaceful about pulling back and seeing so many industrious little workers toiling away happily. (If you’ve spent any time in management, I don’t need to tell you how joyous the sight of people \u003cem>just doing the damn jobs you told them to do \u003c/em>can be.) Inevitably, because even pixelated humans are human, war comes—enemy troops descend on you, or you descend on your enemies. Some delight in this later stage of the game, as they relish the strategy and tactics of combat—but me, I’m happiest when a new game begins, and a tiny little dude with a tiny little wheelbarrow looks up at me expectantly, just wanting to be \u003cem>of use\u003c/em>. (You can find games like Age of the Empires, Battle for Middle Earth and Starcraft on \u003ca href=\"https://store.steampowered.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>.)\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>The music from \u003c/strong>\u003cem>\u003cstrong>City of Angels, Golden Boy\u003c/strong>\u003c/em>\u003cstrong> and\u003c/strong>\u003cem>\u003cstrong> Raisin\u003cbr>\n\u003c/strong>\u003c/em>Broadway musicals nurtured me in my youth. Though I’m now an unrepentant Sondheimite, I fondly remember the scores of other composers and lyricists that kept me going between his shows—especially the jazzily obscure musicals that never seem to get revived these days. The glory of the Web is that they’re all at your fingertips. Say, Cy (\u003cem>Sweet Charity\u003c/em>) Coleman’s swinging detective musical-noir in \u003ca href=\"https://www.youtube.com/watch?v=M5QhFKE2GO8&list=PL445ADD730F46C816\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>City of Angels\u003c/em>,\u003c/a> or the sultry stylings that the creators of \u003cem>Bye Bye Birdie\u003c/em> fashioned for Sammy Davis Jr. in their boxing-ring musical \u003ca href=\"https://www.youtube.com/watch?v=OGqr3M-fajI&list=PLq01lsXqwzONpf-GYKwsgQrIqkwymyRGk\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Golden Boy\u003c/em>.\u003c/a> And I’ve a special sweet spot in my heart for the musical \u003ca href=\"https://www.youtube.com/watch?v=6TPt4NzZreg&list=OLAK5uy_njf_RNyAufq1YFmp4K6qHhK3LjAGgZb0w\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Raisin\u003c/em>,\u003c/a> based on Lorraine Hansberry’s \u003cem>A Raisin in the Sun\u003c/em>, that premiered at Washington’s Arena Stage and featured one of the the most delectable jazz scores I’ve ever heard.\u003cbr>\n\u003cem>— Bob Mondello, film critic\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Cheers\u003cbr>\n\u003c/strong>\u003c/em>Sure, we all know \u003cem>Cheers\u003c/em>, but that’s its appeal—sometimes you want to go \u003ca href=\"https://www.youtube.com/watch?v=h-mi0r0LpXo\" target=\"_blank\" rel=\"noopener noreferrer\">“Where everybody knows your name…”\u003c/a> I return to it time and again for its recognizable sitcom tropes and familiar comedic rhythms—you’d be hard-pressed to find a show as packed with still-hilarious set-pieces and pingponging patter. Whether you tuned in each week from 1982 to 1993, or during reruns, or, now in a many-seasons-long binge, you’ll come to care deeply about these Boston bar knuckleheads as your own surrogate family and friends. I can’t think of anything more comforting than that. (Plus, once you hit the end of its 11 seasons, just keep going—with another 11 seasons of its spinoff, \u003ca href=\"https://www.imdb.com/title/tt0106004/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Frasier\u003c/em>\u003c/a>!) (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B00CV36NKU/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.cbs.com/shows/cheers/video/DXMbCNIG050KaYm2Tl82QQAyP6WO8E65/cheers-one-for-the-road-part-3/?searchReferral=google\" target=\"_blank\" rel=\"noopener noreferrer\">CBS,\u003c/a> \u003ca href=\"https://www.hulu.com/series/6db3756a-27a8-4c55-a285-c695e28fd977\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/one-for-the-road-pt-3/id476989385?i=477043997\" target=\"_blank\" rel=\"noopener noreferrer\"> iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70152640?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a> and\u003ca href=\"https://www.youtube.com/watch?v=x8H4Xkb9qhU\" target=\"_blank\" rel=\"noopener noreferrer\"> YouTube\u003c/a>)\u003cbr>\n—\u003cem> Mike Katzif, producer, \u003c/em>Pop Culture Happy Hour\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ncc77oxnx5A\u003c/p>\n\u003cp>\u003cstrong>West African Peanut Soup\u003cbr>\n\u003c/strong>I was in college when Mark Bittman posted \u003ca href=\"https://cooking.nytimes.com/recipes/1012581-west-african-peanut-soup-with-chicken\" target=\"_blank\" rel=\"noopener noreferrer\">this recipe\u003c/a> for West African chicken stew. I cooked pretty much everything he wrote back then, and while most recipes have faded in my memory this one stuck because it is\u003cem> magic.\u003c/em> I cannot explain why this combination of things you likely already have in your kitchen (peanut butter, garlic, a can of tomatoes, a chicken thigh in the back of your freezer, maybe?) and a few fresh veggies (kale, sweet potatoes) has become one of my all time favorite comfort meals, but it has. I make this soup when people are sick, or are having babies. I make it when the news is scary. I make it when the kale looks nice at the farmer’s market. I make it when I just have nothing else to do. It’s gluten- and dairy-free, so it works for a variety of diets and restrictions. (I’m sure you could make it vegetarian—just leave out the chicken. Maybe add some chickpeas.) It feels healthy and it comes together fast. When I made it yesterday, I didn’t have peanuts, and I used Japanese white sweet potatoes and added fish sauce. Go crazy!\u003cbr>\n—\u003cem> Rose Friedman, editor\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Graveyard Keeper\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Really, any farming-type simulator game will do here—\u003cem>Stardew Valley, \u003c/em>granddaddy of them all \u003cem>Harvest Moon,\u003c/em> even \u003cem>Minecraft,\u003c/em> if the occasional zombie or spider doesn’t stress you out too much, and you like mining as much as farming—as long as it’s got soothingly repetitive action and lulling music. Plant endless crops? Yes! Dig lots of holes? Yes! Befriend local villagers? A thousand times yes! But what if you want that sweet, sweet farming sim action, and the times are just too grim to truly enjoy bringing endless sacks of flour to the Harvest Sprites? My friends, you need \u003cem>Graveyard Keeper.\u003c/em> You play as the maintenance man for a Medievalish graveyard, clearing stumps and weeds, improving your land, prettifying the graves, building relationships with the locals—all the activities common to farming sims. But also, you might be turning the regularly delivered bodies into mystery meat to sell at the tavern, and staging witch-burnings to get in good with the local inquisitor (while making a profit off mystery meat burgers you sell to the crowds). Fair warning—there are long periods in \u003cem>Graveyard Keeper\u003c/em> where you’re just grinding to get to the next level. But sometimes, that’s what you need to make the real world go away. And the music is \u003cem>really\u003c/em> soothing. (Available on \u003ca href=\"https://store.steampowered.com/app/599140/Graveyard_Keeper/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>, \u003ca href=\"https://www.microsoft.com/en-us/p/graveyard-keeper/c11gzgmkrtcv?activetab=pivot:overviewtab\" target=\"_blank\" rel=\"noopener noreferrer\">Xbox\u003c/a> and \u003ca href=\"https://www.nintendo.com/games/detail/graveyard-keeper-switch/\" target=\"_blank\" rel=\"noopener noreferrer\">Switch\u003c/a>)\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Art of Solitude \u003c/strong>\u003c/em>\u003cstrong>by Stephen Batchelor\u003cbr>\n\u003c/strong>I can’t think of a better time to read about how artists and writers have approached the idea of solitude—a concept that can range from loneliness to ecstasy. In \u003ca href=\"https://www.npr.org/books/titles/816253306/the-art-of-solitude-a-meditation-on-being-alone-with-others-in-this-world\" target=\"_blank\" rel=\"noopener noreferrer\">this short book (or audiobook),\u003c/a> Batchelor, a longtime Buddhist teacher, mixes in his own stories of being alone and at ease.\u003cbr>\n—\u003cem> Ted Robbins, editor\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Here%27s+How+We+Cope+When+We%27re+Stressed%3A+Ideas+From+NPR%27s+Arts+Desk&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What helps you feel better when life is stressful and scary?\u003c/p>\n\u003cp>We asked members of the NPR Arts Desk, and their answers include a Norwegian knitting marathon,\u003cem> America’s Next Top Model, \u003c/em>British crime dramas and peanut soup.\u003c/p>\n\u003cp>Find 17 tried-and-true ideas below and stay tuned to the \u003ca href=\"https://www.npr.org/podcasts/510282/pop-culture-happy-hour\" target=\"_blank\" rel=\"noopener noreferrer\">Pop Culture Happy Hour podcast\u003c/a> for an episode about this very topic.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>America’s Next Top Model\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>I hesitate to truly recommend\u003cem> America’s Next Top Model\u003c/em>, because it is not good. But what I can promise is very low stakes. Rarely has the show resulted in a major career for anyone, so win or lose, mostly they’re there to participate in the show itself. And while I might not be able to relate to living on a desert island, I can relate to not liking a picture of yourself or being in distress over a terrible haircut. I cannot tell a lie: It’s one of my go-to comfort watches. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B018YLD706/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/302c282e-7c22-4a22-a97e-8c05f1958e86\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/finale-pt-2-americas-next-top-model-is/id1020461813?i=1064864722\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/playlist?list=ELesSZKEooraraxtcwMwIBCQ\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Linda Holmes, host, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Room With A View\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Helena Bonham Carter’s impressive hair extensions lead an all-star British cast that includes Dame Maggie Smith, Dame Judi Dench and—this movie is so old—Daniel Day-Lewis as an awkward third-tier love interest. This 1985 adaptation of E.M. Forster’s \u003ca href=\"https://www.npr.org/books/titles/815975027/room-with-a-view\" target=\"_blank\" rel=\"noopener noreferrer\">fabulous Edwardian novel\u003c/a> maintains its author’s decorous sensuality, particularly in a great all-male nude bathing scene that manages to be both riotously family friendly and also slyly cognizant of the author’s (repressed) queerness. “This is not what we were led to expect!” Truer words were never spoken. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B015IVLL7Q/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/movies/details?id=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">GooglePlay,\u003c/a> \u003ca href=\"https://www.hulu.com/movie/a-room-with-a-view-1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943?entity_id=1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/movie/a-room-with-a-view/id1036043140\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Neda Ulaby, reporter\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JFIPjRFuaHA'\n title='//www.youtube.com/embed/JFIPjRFuaHA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>\u003cstrong>What’s Wrong With Secretary Kim?\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>In times like these, I like to soothe myself with a soapy binge-watch. My aunts have included K-dramas in their self-care routines for years, so I recently decided to take the plunge. Now I can’t stop watching \u003cem>What’s Wrong With Secretary Kim?\u003c/em>, a South Korean series that has a calming mix of humor, romance and addictive soap opera melodrama. Loyal secretary Kim Mi-so tells her narcissistic boss Lee Young-joon that she’s quitting, which sets off a series of events that—of course—cause our leads to fall in love. Park Min-young and Park Seo-joon have electric chemistry, and what’s better than watching two unbelievably beautiful people navigate ridiculous obstacles to eventually fall in love? (Available on \u003ca href=\"https://www.hulu.com/series/62cf6cb0-3485-46ad-a0b6-75e542937f70\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu\u003c/a>)\u003cbr>\n\u003cem>— Jessica Reedy, producer, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Route One” by Sigur Rós\u003cbr>\n\u003c/strong>You can turn to YouTube to watch people skateboard off rooftops, or you can turn to YouTube to travel 1,332 km around Iceland’s Ring Road while Sigur Rós music plays—it’s your choice, really. The latter will take you a mere 24 hours, a feat the band (with the help of the Icelandic National Broadcasting Service) accomplished through the use of generative music software; basically, they fed stems of Sigur Rós songs to the software to generate an ever-changing new composition. Titled \u003cem>Route One\u003c/em>, it’s truly hypnotic; the visuals are gorgeous and it’s easy to drop in and out while always hearing something new. Here are parts \u003ca href=\"https://www.youtube.com/watch?v=G54tllj-SKI\" target=\"_blank\" rel=\"noopener noreferrer\">1,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=szbGc7ymFhQ\" target=\"_blank\" rel=\"noopener noreferrer\">2\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=aV7YutDr5Nw\" target=\"_blank\" rel=\"noopener noreferrer\">3\u003c/a>.\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G54tllj-SKI'\n title='//www.youtube.com/embed/G54tllj-SKI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>“National Knitting Night”\u003c/strong>\u003c/a>\u003cstrong>\u003cbr>\n\u003c/strong>If 24 hours with Sigur Rós (see above) seems a tad … long (you know, whatever), you can also spend a fraction of those 24 hours watching a bunch of good-natured Norwegians try to produce a sweater—”from sheep’s back to human’s back”—in something short of the world-record time. (That’d be 4 hours, 51 minutes and 14 seconds, \u003cem>obviously\u003c/em>.) It’s called \u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">“National Knitting Night,”\u003c/a> available through NRK TV, and it’s extraordinarily soothing company. And, when you think about it, kind of like sports!\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Get A Life, Chloe Brown\u003c/em>\u003c/strong>\u003cstrong> by Talia Hibbert\u003cbr>\n\u003c/strong>Romance is possibly the most supremely comforting genre of them all—it is a rock-ribbed rule that a romance must have a Happy Ever After, so no matter which way the roller coaster twists you, you know you’ll come safely to a halt in the end. And \u003ca href=\"https://www.npr.org/books/titles/775206804/get-a-life-chloe-brown\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Get a Life\u003c/em>, \u003cem>Chloe Brown\u003c/em>\u003c/a> has plenty of twists and turns on the way to that happy ending. Chloe herself isn’t the type of heroine you often see in romance novels—she’s plus-size and dealing with serious chronic illness that Hibbert depicts with compassion and bone-aching realism. Chloe is also a computer nerd who loves to make lists, and after a near-miss car accident, she makes herself a “Get a Life” list. Will getting a life somehow involve her smokin’ hot apartment superintendent “Red” Morgan, who has long red hair, a motorcycle, and is secretly a talented painter? YOU BET. Chloe and Red have chemistry that practically burns up the page, the supporting cast (including Chloe’s sequel-bait sisters) are funny and well-rounded, and the conflicts and obstacles feel organic. This is one for the re-read pile.\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Parks and Recreation\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Lately, I’ve been thinking a lot about \u003cem>Parks and Recreation \u003c/em>and Amy Poehler’s character, the indefatigable Leslie Knope. Knope is a well-meaning bureaucrat, though not always the brightest bulb—who fervently believes that the government of her small Indiana town could make things better for everybody. Unfortunately, she is surrounded by a hapless crew of oddballs who keep making that task tougher and tougher. Bingeing old \u003cem>Parks and Rec\u003c/em> episodes not only gives you a look at ace performers like Chris Pratt, Nick Offerman, Aziz Ansari, Aubrey Plaza and Retta before they became superstars, it’s also a wonderful comedy centered on a super dysfunctional work family trying to make government a little better. And who doesn’t need a message like that today? (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B01A3QX7X2/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/93dc18da-96d9-4841-b125-40f901f7e7eb\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70143842?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/parks-and-recreation-UCaUnHzySKszH_UxJEfWEn0Q?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Eric Deggans, TV critic\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ActknnwERUs'\n title='//www.youtube.com/embed/ActknnwERUs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>\u003cstrong>Talking Heads\u003c/strong>\u003c/em>\u003cstrong> by Alan Bennett\u003cbr>\n\u003c/strong>Not the band (though their \u003ca href=\"https://www.youtube.com/watch?v=HldHtBxNK6k\" target=\"_blank\" rel=\"noopener noreferrer\">“Naïve Melody (This Must Be The Place)”\u003c/a> is a great song to listen to when you want to relax). No, these are a series of extended monologues by the British writer Alan Bennett, assayed by the likes of Maggie Smith, Julie Walters, Patricia Routledge, Eileen Atkins and Bennett himself. You can find them \u003ca href=\"https://www.youtube.com/playlist?list=PLxmwGyQNoPEKJ7gfk4QRMlZY0hQy4wbn5\" target=\"_blank\" rel=\"noopener noreferrer\">on YouTube\u003c/a>. Bennett is basically a worn, warm cardigan in human form, and his monologues feature unreliable narrators talking themselves into tiny epiphanies in their front rooms. They’re small and circumscribed but brilliantly specific and, often, bittersweet.\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Rhapsody in Blue” by George Gershwin\u003cbr>\n\u003c/strong>In trying times, I always listen to George Gershwin’s “Rhapsody in Blue.” Its jolly rhythms and busy, beautiful variations on themes lift my spirits, absorb me out of present problems (as all great art is able to do), and take me back to my 8-year-old days in my parents’ apartment on 103rd Street and Broadway in Manhattan: I would stand on a hassock, pencil in hand, and conduct our 78 rpm recording of Paul Whiteman And His Orchestra with Gershwin as piano soloist, performing the “\u003ca href=\"https://www.youtube.com/watch?v=Cq3J6fCUfto\" target=\"_blank\" rel=\"noopener noreferrer\">Rhapsody.\u003c/a>” The feelings of power and pleasure in those moments come right back to me when I hear it in troubled times.\u003cbr>\n—\u003cem> Susan Stamberg, special correspondent\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Brave Faces Everyone” by\u003c/strong> \u003cstrong>Spanish Love Songs\u003cbr>\n\u003c/strong>You know \u003ca href=\"http://klipd.com/watch/burn-after-reading/brad-pitt-treadmill-scene\" target=\"_blank\" rel=\"noopener noreferrer\">that scene\u003c/a> in \u003cem>Burn After Reading\u003c/em> where Brad Pitt is running on the treadmill with his headphones on and he’s pumping his fists and you’re supposed to think he’s a jackass? Well, joke’s on you; doing that actually rules and feels great—especially if you’re listening to the latest Spanish Love Songs record \u003ca href=\"https://open.spotify.com/album/7GP702lI6EeRJnruJPoznv\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Brave Faces Everyone\u003c/em>.\u003c/a> It’s an absolutely thrilling album about facing imminent doom (the second best chorus goes: “Don’t you know you were born to die poor, man”), the kind of doom that you can’t quite run away from because it’s everywhere, so you might as well pump your fists in the sky because it feels great—who cares if you look dumb.\u003cbr>\n\u003cem>— Andrew Limbong, reporter\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HYbAW0JlwdQ'\n title='//www.youtube.com/embed/HYbAW0JlwdQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>British TV crime dramas\u003cbr>\n\u003c/strong>Not exactly calming, but great escapism. \u003cem>Happy Valley, Bodyguard, Broadchurch,\u003c/em> \u003cem>Grantchester, Line of Duty\u003c/em>. Gritty realism might be a stretch, but the sharp writing, flawed-but-endearing characters, plots, cheeky humor and all-around suspenseful atmosphere of these shows make it easy to slip into their worlds and stay there for hours—or at least until their final seasons. Always start at the beginning. (\u003cem>Happy Valley\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B072LGV8ZV/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=A7XQbRQ3mqM&cdid=tvseason-Gct2SdUGeF9fAI8Aug271A&gdid=tvepisode-fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1227764545?i=1229965074\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/80007225?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a>\u003cem> Bodyguard\u003c/em> available on \u003ca href=\"https://www.netflix.com/title/80235864?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix;\u003c/a> \u003cem>Broadchurch\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B074T38KHJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=hjoALWXeBsM&cdid=tvseason-rs2aF4n1qrJeHBcpa4HIqw&gdid=tvepisode-GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-8/id1209491967?i=1209497002\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes, \u003c/a>\u003ca href=\"https://www.netflix.com/title/70302484?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Grantchester\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07V96HMZG/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=bUMWuin_wjo&cdid=tvseason-Ri3diUPY8F-x6w0Gt4sX7w&gdid=tvepisode-ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-7/id1232011864?i=1248009358\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.pbs.org/wgbh/masterpiece/episodes/grantchester-s1-e1/\" target=\"_blank\" rel=\"noopener noreferrer\">PBS, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Line of Duty\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07RRGPTVJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=367W_LaDsj4&cdid=tvseason-WPoANXuJ_XVTCvLhvkKu7Q&gdid=tvepisode-t4VB8Mmt8ls\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://www.hulu.com/series/0efc0f95-c575-46da-b28f-a30a13d86b37\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1239948393?i=1240562203\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/line-of-duty-UCaAelRWU4cE05Hojwt6pOiQ?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>.)\u003cbr>\n—\u003cem> Elizabeth Blair, reporter\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Old school real-time strategy games\u003cbr>\n\u003c/strong>You start with a town center and a villager or two. You send them off to build, or chop down trees, or farm, or mine ore, and gradually (the \u003cem>gradually\u003c/em> is what makes it relaxing!) you can start building armies and navies and upgrading your town. You watch it all happen from above, and there’s something incredibly peaceful about pulling back and seeing so many industrious little workers toiling away happily. (If you’ve spent any time in management, I don’t need to tell you how joyous the sight of people \u003cem>just doing the damn jobs you told them to do \u003c/em>can be.) Inevitably, because even pixelated humans are human, war comes—enemy troops descend on you, or you descend on your enemies. Some delight in this later stage of the game, as they relish the strategy and tactics of combat—but me, I’m happiest when a new game begins, and a tiny little dude with a tiny little wheelbarrow looks up at me expectantly, just wanting to be \u003cem>of use\u003c/em>. (You can find games like Age of the Empires, Battle for Middle Earth and Starcraft on \u003ca href=\"https://store.steampowered.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>.)\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>The music from \u003c/strong>\u003cem>\u003cstrong>City of Angels, Golden Boy\u003c/strong>\u003c/em>\u003cstrong> and\u003c/strong>\u003cem>\u003cstrong> Raisin\u003cbr>\n\u003c/strong>\u003c/em>Broadway musicals nurtured me in my youth. Though I’m now an unrepentant Sondheimite, I fondly remember the scores of other composers and lyricists that kept me going between his shows—especially the jazzily obscure musicals that never seem to get revived these days. The glory of the Web is that they’re all at your fingertips. Say, Cy (\u003cem>Sweet Charity\u003c/em>) Coleman’s swinging detective musical-noir in \u003ca href=\"https://www.youtube.com/watch?v=M5QhFKE2GO8&list=PL445ADD730F46C816\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>City of Angels\u003c/em>,\u003c/a> or the sultry stylings that the creators of \u003cem>Bye Bye Birdie\u003c/em> fashioned for Sammy Davis Jr. in their boxing-ring musical \u003ca href=\"https://www.youtube.com/watch?v=OGqr3M-fajI&list=PLq01lsXqwzONpf-GYKwsgQrIqkwymyRGk\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Golden Boy\u003c/em>.\u003c/a> And I’ve a special sweet spot in my heart for the musical \u003ca href=\"https://www.youtube.com/watch?v=6TPt4NzZreg&list=OLAK5uy_njf_RNyAufq1YFmp4K6qHhK3LjAGgZb0w\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Raisin\u003c/em>,\u003c/a> based on Lorraine Hansberry’s \u003cem>A Raisin in the Sun\u003c/em>, that premiered at Washington’s Arena Stage and featured one of the the most delectable jazz scores I’ve ever heard.\u003cbr>\n\u003cem>— Bob Mondello, film critic\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Cheers\u003cbr>\n\u003c/strong>\u003c/em>Sure, we all know \u003cem>Cheers\u003c/em>, but that’s its appeal—sometimes you want to go \u003ca href=\"https://www.youtube.com/watch?v=h-mi0r0LpXo\" target=\"_blank\" rel=\"noopener noreferrer\">“Where everybody knows your name…”\u003c/a> I return to it time and again for its recognizable sitcom tropes and familiar comedic rhythms—you’d be hard-pressed to find a show as packed with still-hilarious set-pieces and pingponging patter. Whether you tuned in each week from 1982 to 1993, or during reruns, or, now in a many-seasons-long binge, you’ll come to care deeply about these Boston bar knuckleheads as your own surrogate family and friends. I can’t think of anything more comforting than that. (Plus, once you hit the end of its 11 seasons, just keep going—with another 11 seasons of its spinoff, \u003ca href=\"https://www.imdb.com/title/tt0106004/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Frasier\u003c/em>\u003c/a>!) (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B00CV36NKU/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.cbs.com/shows/cheers/video/DXMbCNIG050KaYm2Tl82QQAyP6WO8E65/cheers-one-for-the-road-part-3/?searchReferral=google\" target=\"_blank\" rel=\"noopener noreferrer\">CBS,\u003c/a> \u003ca href=\"https://www.hulu.com/series/6db3756a-27a8-4c55-a285-c695e28fd977\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/one-for-the-road-pt-3/id476989385?i=477043997\" target=\"_blank\" rel=\"noopener noreferrer\"> iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70152640?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a> and\u003ca href=\"https://www.youtube.com/watch?v=x8H4Xkb9qhU\" target=\"_blank\" rel=\"noopener noreferrer\"> YouTube\u003c/a>)\u003cbr>\n—\u003cem> Mike Katzif, producer, \u003c/em>Pop Culture Happy Hour\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ncc77oxnx5A'\n title='//www.youtube.com/embed/ncc77oxnx5A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>West African Peanut Soup\u003cbr>\n\u003c/strong>I was in college when Mark Bittman posted \u003ca href=\"https://cooking.nytimes.com/recipes/1012581-west-african-peanut-soup-with-chicken\" target=\"_blank\" rel=\"noopener noreferrer\">this recipe\u003c/a> for West African chicken stew. I cooked pretty much everything he wrote back then, and while most recipes have faded in my memory this one stuck because it is\u003cem> magic.\u003c/em> I cannot explain why this combination of things you likely already have in your kitchen (peanut butter, garlic, a can of tomatoes, a chicken thigh in the back of your freezer, maybe?) and a few fresh veggies (kale, sweet potatoes) has become one of my all time favorite comfort meals, but it has. I make this soup when people are sick, or are having babies. I make it when the news is scary. I make it when the kale looks nice at the farmer’s market. I make it when I just have nothing else to do. It’s gluten- and dairy-free, so it works for a variety of diets and restrictions. (I’m sure you could make it vegetarian—just leave out the chicken. Maybe add some chickpeas.) It feels healthy and it comes together fast. When I made it yesterday, I didn’t have peanuts, and I used Japanese white sweet potatoes and added fish sauce. Go crazy!\u003cbr>\n—\u003cem> Rose Friedman, editor\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Graveyard Keeper\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Really, any farming-type simulator game will do here—\u003cem>Stardew Valley, \u003c/em>granddaddy of them all \u003cem>Harvest Moon,\u003c/em> even \u003cem>Minecraft,\u003c/em> if the occasional zombie or spider doesn’t stress you out too much, and you like mining as much as farming—as long as it’s got soothingly repetitive action and lulling music. Plant endless crops? Yes! Dig lots of holes? Yes! Befriend local villagers? A thousand times yes! But what if you want that sweet, sweet farming sim action, and the times are just too grim to truly enjoy bringing endless sacks of flour to the Harvest Sprites? My friends, you need \u003cem>Graveyard Keeper.\u003c/em> You play as the maintenance man for a Medievalish graveyard, clearing stumps and weeds, improving your land, prettifying the graves, building relationships with the locals—all the activities common to farming sims. But also, you might be turning the regularly delivered bodies into mystery meat to sell at the tavern, and staging witch-burnings to get in good with the local inquisitor (while making a profit off mystery meat burgers you sell to the crowds). Fair warning—there are long periods in \u003cem>Graveyard Keeper\u003c/em> where you’re just grinding to get to the next level. But sometimes, that’s what you need to make the real world go away. And the music is \u003cem>really\u003c/em> soothing. (Available on \u003ca href=\"https://store.steampowered.com/app/599140/Graveyard_Keeper/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>, \u003ca href=\"https://www.microsoft.com/en-us/p/graveyard-keeper/c11gzgmkrtcv?activetab=pivot:overviewtab\" target=\"_blank\" rel=\"noopener noreferrer\">Xbox\u003c/a> and \u003ca href=\"https://www.nintendo.com/games/detail/graveyard-keeper-switch/\" target=\"_blank\" rel=\"noopener noreferrer\">Switch\u003c/a>)\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Art of Solitude \u003c/strong>\u003c/em>\u003cstrong>by Stephen Batchelor\u003cbr>\n\u003c/strong>I can’t think of a better time to read about how artists and writers have approached the idea of solitude—a concept that can range from loneliness to ecstasy. In \u003ca href=\"https://www.npr.org/books/titles/816253306/the-art-of-solitude-a-meditation-on-being-alone-with-others-in-this-world\" target=\"_blank\" rel=\"noopener noreferrer\">this short book (or audiobook),\u003c/a> Batchelor, a longtime Buddhist teacher, mixes in his own stories of being alone and at ease.\u003cbr>\n—\u003cem> Ted Robbins, editor\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Here%27s+How+We+Cope+When+We%27re+Stressed%3A+Ideas+From+NPR%27s+Arts+Desk&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On Monday, the actor Idris Elba shared on Twitter that he has tested positive for COVID-19.\u003c/p>\n\u003cp>“This morning I tested positive for Covid 19,” the actor wrote. “I feel ok, I have no symptoms so far but have been isolated since I found out about my possible exposure to the virus. Stay home people and be pragmatic. I will keep you updated on how I’m doing 👊🏾👊🏾 No panic.”\u003c/p>\n\u003cp>https://twitter.com/idriselba/status/1239617034901524481\u003c/p>\n\u003cp>In an accompanying video, Elba added that he got tested “because I realized I was exposed to someone who also tested positive.” He also encouraged others feeling any symptoms to get tested, and offered a broad view of the pandemic in general.\u003c/p>\n\u003cp>“Look, we live in a divided world tight now, we can all feel it. It’s been bullshit,” the actor said. “But now’s the time for solidarity, now’s the time for thinking about each other. There are so many people whose lives who have affected, from those who have lost people that they love, to people who don’t even have it who’ve lost livelihoods.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last week, fellow Hollywood actor Tom Hanks \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">announced\u003c/a> that he and his wife Rita Wilson also tested positive for the coronavirus. \u003c/p>\n\u003cp>Hanks’ son released a statement that Hanks and Wilson were feeling positive. Elba echoed the sentiment.\u003c/p>\n\u003cp>“I will keep you updated as to how I’m doing, but so far we’re feeling OK,” Elba said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Stay positive and don’t freak out.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Monday, the actor Idris Elba shared on Twitter that he has tested positive for COVID-19.\u003c/p>\n\u003cp>“This morning I tested positive for Covid 19,” the actor wrote. “I feel ok, I have no symptoms so far but have been isolated since I found out about my possible exposure to the virus. Stay home people and be pragmatic. I will keep you updated on how I’m doing 👊🏾👊🏾 No panic.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In an accompanying video, Elba added that he got tested “because I realized I was exposed to someone who also tested positive.” He also encouraged others feeling any symptoms to get tested, and offered a broad view of the pandemic in general.\u003c/p>\n\u003cp>“Look, we live in a divided world tight now, we can all feel it. It’s been bullshit,” the actor said. “But now’s the time for solidarity, now’s the time for thinking about each other. There are so many people whose lives who have affected, from those who have lost people that they love, to people who don’t even have it who’ve lost livelihoods.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last week, fellow Hollywood actor Tom Hanks \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">announced\u003c/a> that he and his wife Rita Wilson also tested positive for the coronavirus. \u003c/p>\n\u003cp>Hanks’ son released a statement that Hanks and Wilson were feeling positive. Elba echoed the sentiment.\u003c/p>\n\u003cp>“I will keep you updated as to how I’m doing, but so far we’re feeling OK,” Elba said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Stay positive and don’t freak out.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Updated at 1:55 a.m. ET Monday\u003c/strong>\u003c/p>\n\u003cp>In an effort to slow the spread of the coronavirus pandemic, the Centers for Disease Control and Prevention is now advising against gatherings of 50 people or more for the next eight weeks.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\">a guidance announcement\u003c/a> issued on Sunday, the agency said it was warning against large events and mass gatherings that include “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.”\u003c/p>\n\u003cp>The agency called on organizers, whether they are individuals or organizations, to cancel or postpone such events. However, it said the guidance did not apply to the daily operations of organizations like schools, institutes of higher learning or businesses.[aside postid='arts_13876160']\u003c/p>\n\u003cp>“This recommendation is made in an attempt to reduce introduction of the virus into new communities and to slow the spread of infection in communities already affected by the virus,” according to the guidance announcement. “This recommendation is not intended to supersede the advice of local public health officials.”\u003c/p>\n\u003cp>\u003cstrong>California orders seniors to stay home and bars to close\u003c/strong>\u003c/p>\n\u003cp>California Gov. Gavin Newsom on Sunday requested that all senior citizens and those with chronic conditions isolate themselves at home. Additionally, he called for the closure of all bars, wineries, nightclubs and breweries, as the country’s most populous state recorded \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/Immunization/nCoV2019.aspx\">335 confirmed cases\u003c/a> of the coronavirus and six deaths.\u003c/p>\n\u003cp>Restaurants are being asked to cut their occupancy in half in order to promote “social distancing,” Newsom said. The governor is also asking restaurants to prioritize takeout options for individuals who are isolating themselves.\u003c/p>\n\u003cp>“The most important thing is to focus on the vulnerable and prioritize their safety,” Newsom said. “We are guided by science, not the framework of hysteria.”\u003c/p>\n\u003cp>Los Angeles Mayor Gil Garcetti Sunday night ordered the city’s restaurants, bars, gyms and entertainment venues closed at midnight local time at least through March. The emergency decree exempted take-out and delivery.[aside postid='science_1957877']\u003c/p>\n\u003cp>\u003cstrong>New York City shuts schools, bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>Starting Monday, the country’s largest public school system will shut its doors to more than 1.1 million students, New York City Mayor Bill de Blasio announced\u003ca href=\"https://twitter.com/NYCMayor/status/1239303034674352129?s=20\"> at a news conference\u003c/a> on Sunday evening.\u003c/p>\n\u003cp>The city-wide closure will be in place until at least Monday, April 20.\u003c/p>\n\u003cp>On Twitter, a somber de Blasio expressed concern for students and families who would be affected by the change, and addressed the steps he was taking to mitigate any challenges that arise.\u003c/p>\n\u003cp>“We know hundreds of thousands of kids depend on our schools for their meals,” he said. “We’ll have grab and go breakfast and lunch available at all school buildings starting tomorrow.”\u003c/p>\n\u003cp>The mayor also announced that he would be asking all bars and restaurants in the city to close starting at 9 a.m. on Tuesday, and instead limit their business to take-out and delivery.\u003c/p>\n\u003cp>“Tomorrow, I will sign an Executive Order limiting restaurants, bars and cafes to food take-out and delivery. Nightclubs, movie theaters, small theater houses and concert venues must all close,” de Blasio said in a statement.\u003c/p>\n\u003cp>As of Sunday, the \u003ca href=\"https://www.health.ny.gov/diseases/communicable/coronavirus/\">state had 729 cases\u003c/a> of the virus, according to the New York Department of Health.\u003c/p>\n\u003cp>\u003cstrong>Washington state doubles down on CDC guidance\u003c/strong>\u003c/p>\n\u003cp>Washington state, a coronavirus hotspot which saw the country’s first death, took its most drastic steps yet to limit the spread of the virus in public spaces.\u003c/p>\n\u003cp>Gov. Jay Inslee said on Sunday night that he would order the temporary closure of restaurants, bars, entertainment and recreation venues. Delivery and take-out will not be shut down, he said.\u003c/p>\n\u003cp>“These are very difficult decisions, but hours count here and very strong measures are necessary to slow the spread of the disease. I know there will be significant economic impacts to all our communities and we are looking at steps to help address those challenges,” Inslee said.\u003c/p>\n\u003cp>The governor is also banning gatherings of at least 50, in a mandate of CDC’s new guidance.\u003c/p>\n\u003cp>There are at least 42 deaths statewide, with 769 positive cases confirmed. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Illinois to shut down bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>The CDC guidance came as states and cities across the country moved on Sunday to limit large gatherings in order to help halt the spread of an outbreak that has infected at least 3,499 people in the U.S. and resulted in 63 deaths, according to \u003ca href=\"https://coronavirus.jhu.edu/map.html\">tracking by Johns Hopkins University\u003c/a>.\u003c/p>\n\u003cp>Illinois Gov. J.B. Pritzker ordered all bars and restaurants to close through March 30 beginning on Monday.\u003c/p>\n\u003cp>“The time for persuasion and public appeals is over,” Pritzker said at a press conference on Sunday as St. Patrick’s Day revelers in Chicago were already hitting bars in large groups. “This is not a joke. No one is immune to this.”\u003c/p>\n\u003cp>There are \u003ca href=\"http://dph.illinois.gov/topics-services/diseases-and-conditions/diseases-a-z-list/coronavirus\">93 confirmed coronavirus cases\u003c/a> in the state, according to the Illinois Department of Public Health.\u003c/p>\n\u003cp>Pritzker said drive-throughs will be allowed to stay open and added that he’s working with establishments to keep kitchens open so that food can still be delivered to homes.\u003c/p>\n\u003cp>The order affects roughly 25,000 businesses across the state, sending home hundreds of thousands of workers, the local \u003ca href=\"https://chicago.cbslocal.com/2020/03/15/gov-pritzker-announces-closure-of-all-illinois-bars-and-restaurants-effective-monday-due-to-coronavirus-crisis/\">CBS Chicago reports\u003c/a>.\u003c/p>\n\u003cp>The Illinois Restaurant Association backed the governor’s decision, declaring safety its priority.\u003c/p>\n\u003cp>“We are currently working with other stakeholders to explore all possible avenues of economic and regulatory relief for our industry in the days and weeks ahead,” the group \u003ca href=\"https://www.illinoisrestaurants.org/news/491097/Updated-315-Coronavirus-Resources-State-Orders-Closing-of-In-Person-Dining-at-Restaurants.htm\">said in a statement\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 1:55 a.m. ET Monday\u003c/strong>\u003c/p>\n\u003cp>In an effort to slow the spread of the coronavirus pandemic, the Centers for Disease Control and Prevention is now advising against gatherings of 50 people or more for the next eight weeks.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\">a guidance announcement\u003c/a> issued on Sunday, the agency said it was warning against large events and mass gatherings that include “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.”\u003c/p>\n\u003cp>The agency called on organizers, whether they are individuals or organizations, to cancel or postpone such events. However, it said the guidance did not apply to the daily operations of organizations like schools, institutes of higher learning or businesses.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>New York City shuts schools, bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>Starting Monday, the country’s largest public school system will shut its doors to more than 1.1 million students, New York City Mayor Bill de Blasio announced\u003ca href=\"https://twitter.com/NYCMayor/status/1239303034674352129?s=20\"> at a news conference\u003c/a> on Sunday evening.\u003c/p>\n\u003cp>The city-wide closure will be in place until at least Monday, April 20.\u003c/p>\n\u003cp>On Twitter, a somber de Blasio expressed concern for students and families who would be affected by the change, and addressed the steps he was taking to mitigate any challenges that arise.\u003c/p>\n\u003cp>“We know hundreds of thousands of kids depend on our schools for their meals,” he said. “We’ll have grab and go breakfast and lunch available at all school buildings starting tomorrow.”\u003c/p>\n\u003cp>The mayor also announced that he would be asking all bars and restaurants in the city to close starting at 9 a.m. on Tuesday, and instead limit their business to take-out and delivery.\u003c/p>\n\u003cp>“Tomorrow, I will sign an Executive Order limiting restaurants, bars and cafes to food take-out and delivery. Nightclubs, movie theaters, small theater houses and concert venues must all close,” de Blasio said in a statement.\u003c/p>\n\u003cp>As of Sunday, the \u003ca href=\"https://www.health.ny.gov/diseases/communicable/coronavirus/\">state had 729 cases\u003c/a> of the virus, according to the New York Department of Health.\u003c/p>\n\u003cp>\u003cstrong>Washington state doubles down on CDC guidance\u003c/strong>\u003c/p>\n\u003cp>Washington state, a coronavirus hotspot which saw the country’s first death, took its most drastic steps yet to limit the spread of the virus in public spaces.\u003c/p>\n\u003cp>Gov. Jay Inslee said on Sunday night that he would order the temporary closure of restaurants, bars, entertainment and recreation venues. Delivery and take-out will not be shut down, he said.\u003c/p>\n\u003cp>“These are very difficult decisions, but hours count here and very strong measures are necessary to slow the spread of the disease. I know there will be significant economic impacts to all our communities and we are looking at steps to help address those challenges,” Inslee said.\u003c/p>\n\u003cp>The governor is also banning gatherings of at least 50, in a mandate of CDC’s new guidance.\u003c/p>\n\u003cp>There are at least 42 deaths statewide, with 769 positive cases confirmed. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Illinois to shut down bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>The CDC guidance came as states and cities across the country moved on Sunday to limit large gatherings in order to help halt the spread of an outbreak that has infected at least 3,499 people in the U.S. and resulted in 63 deaths, according to \u003ca href=\"https://coronavirus.jhu.edu/map.html\">tracking by Johns Hopkins University\u003c/a>.\u003c/p>\n\u003cp>Illinois Gov. J.B. Pritzker ordered all bars and restaurants to close through March 30 beginning on Monday.\u003c/p>\n\u003cp>“The time for persuasion and public appeals is over,” Pritzker said at a press conference on Sunday as St. Patrick’s Day revelers in Chicago were already hitting bars in large groups. “This is not a joke. No one is immune to this.”\u003c/p>\n\u003cp>There are \u003ca href=\"http://dph.illinois.gov/topics-services/diseases-and-conditions/diseases-a-z-list/coronavirus\">93 confirmed coronavirus cases\u003c/a> in the state, according to the Illinois Department of Public Health.\u003c/p>\n\u003cp>Pritzker said drive-throughs will be allowed to stay open and added that he’s working with establishments to keep kitchens open so that food can still be delivered to homes.\u003c/p>\n\u003cp>The order affects roughly 25,000 businesses across the state, sending home hundreds of thousands of workers, the local \u003ca href=\"https://chicago.cbslocal.com/2020/03/15/gov-pritzker-announces-closure-of-all-illinois-bars-and-restaurants-effective-monday-due-to-coronavirus-crisis/\">CBS Chicago reports\u003c/a>.\u003c/p>\n\u003cp>The Illinois Restaurant Association backed the governor’s decision, declaring safety its priority.\u003c/p>\n\u003cp>“We are currently working with other stakeholders to explore all possible avenues of economic and regulatory relief for our industry in the days and weeks ahead,” the group \u003ca href=\"https://www.illinoisrestaurants.org/news/491097/Updated-315-Coronavirus-Resources-State-Orders-Closing-of-In-Person-Dining-at-Restaurants.htm\">said in a statement\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=CDC+Recommends+Against+Gatherings+Of+50+Or+More%2C+As+States+Close+Bars+And+Restaurants&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more",
"title": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More",
"publishDate": 1584140436,
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"headTitle": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED",
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"content": "\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.[aside postid=\"science_1957877\"]\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.",
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"title": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED",
"description": "See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.",
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"headline": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More",
"datePublished": "2020-03-13T16:00:36-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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},
"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
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