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"content": "\u003cp>I see a lot of galleys, but that doesn’t mean I know a lot of books. Galleys are expensive to produce and expensive to mail so only a small percentage of new books have galleys made. Their unfinished quality is why my wife hates reading galleys. She’s too good an editor to enjoy reading things that need corrections; it feels like work. Galleys come at me from a lot of places. Some are sent bulk, and come in the BookSense monthly white box, or in a publisher mailing. Some are sent specifically to me by someone at a publisher who knows what I read, or by some computer that has me on a list because of what I’ve read in the past. Some, the best, are handed me by a local publishers’ rep, people I see regularly, and talk to about books. Of course, even then I may not pay attention.\u003c/p>\n\u003cp>More than one book has had to cross my desk twice before I’ve paid attention to it; one in particular comes to mind: \u003cb>Mr. Timothy\u003c/b> by Louis Bayard. Three people sent or gave me the galley before I cracked it open; it was only a phrase in a marketing note, “grimly exquisite”, that caught my eye. I loved it, and I loved the author. I sat and watched him read at a sparsely attended event in Berkeley and thought, “Every author I know should be watching this reading.” The next time a book by Bayard crossed my desk, I noticed.\u003c/p>\n\u003cp>\u003cb>The Pale Blue Eye\u003c/b> is a mystery. A retired New York cop, wife dead and daughter gone, lives in the country. He’s asked out of retirement, invited to a struggling academy to investigate a horrible murder; the school needs to keep the investigation quiet or risk closure. An aid from the student body is selected to help, to be an inside ear. Plots are discovered, secrets revealed and confidences betrayed. Sounds like standard stuff until the details are filled in; the school is West Point, the year is in the 1830’s, and the student is a young cadet named Edgar Allen Poe.\u003c/p>\n\u003cp>I see few more risky things than using a historical person as a major character in a novel. We have already formed opinions, pictures and voices in our heads. One of the reasons I like Bayard is that he gives such a real, possible voice to the characters he writes, a voice that in this case speaks poetry. Long conversations, quiet in night rooms, give Poe a chance to speak volumes, all quite authentic to how I’d imagine hearing him speak. He’s a good, believable character, one that I can reconcile with the writer I’ve read. Poe stays the cadet, never overwhelming the gravitas of the retired cop, but is compelling in his intensity and interest. I could see a case like this creating the writer of the books I’ve read since I started reading. We only know Poe from the works he left, but those works have shaped our collective culture. \u003cb>The Pale Blue Eye\u003c/b> fits, makes sense, and keeps us reading.\u003c/p>\n\u003cp>\u003cb>The Pale Blue Eye\u003c/b> is not all voice, and the voice it has is not all Poe. Our detective is more than he seems, and the tightly crafted plot had me surprised to the end, and satisfied. I’ll be enjoying the echoes of this one for a while, and will be looking at the piles carefully for whatever Bayard does next.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Galley Slave Galley Watch:\u003c/b>\u003cbr>\u003cb>Truck: A Love Story by Michael Perry\u003c/b>\u003cbr>Probably my favorite memoirist, Perry recounts the simultaneous resurrection of his beat up old pickup and semi-beat up self. The same great narrative voice of his earlier Population 485 returns, and I can’t wait to sell it. Due this month from William Morrow.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I see a lot of galleys, but that doesn’t mean I know a lot of books. Galleys are expensive to produce and expensive to mail so only a small percentage of new books have galleys made. Their unfinished quality is why my wife hates reading galleys. She’s too good an editor to enjoy reading things that need corrections; it feels like work. Galleys come at me from a lot of places. Some are sent bulk, and come in the BookSense monthly white box, or in a publisher mailing. Some are sent specifically to me by someone at a publisher who knows what I read, or by some computer that has me on a list because of what I’ve read in the past. Some, the best, are handed me by a local publishers’ rep, people I see regularly, and talk to about books. Of course, even then I may not pay attention.\u003c/p>\n\u003cp>More than one book has had to cross my desk twice before I’ve paid attention to it; one in particular comes to mind: \u003cb>Mr. Timothy\u003c/b> by Louis Bayard. Three people sent or gave me the galley before I cracked it open; it was only a phrase in a marketing note, “grimly exquisite”, that caught my eye. I loved it, and I loved the author. I sat and watched him read at a sparsely attended event in Berkeley and thought, “Every author I know should be watching this reading.” The next time a book by Bayard crossed my desk, I noticed.\u003c/p>\n\u003cp>\u003cb>The Pale Blue Eye\u003c/b> is a mystery. A retired New York cop, wife dead and daughter gone, lives in the country. He’s asked out of retirement, invited to a struggling academy to investigate a horrible murder; the school needs to keep the investigation quiet or risk closure. An aid from the student body is selected to help, to be an inside ear. Plots are discovered, secrets revealed and confidences betrayed. Sounds like standard stuff until the details are filled in; the school is West Point, the year is in the 1830’s, and the student is a young cadet named Edgar Allen Poe.\u003c/p>\n\u003cp>I see few more risky things than using a historical person as a major character in a novel. We have already formed opinions, pictures and voices in our heads. One of the reasons I like Bayard is that he gives such a real, possible voice to the characters he writes, a voice that in this case speaks poetry. Long conversations, quiet in night rooms, give Poe a chance to speak volumes, all quite authentic to how I’d imagine hearing him speak. He’s a good, believable character, one that I can reconcile with the writer I’ve read. Poe stays the cadet, never overwhelming the gravitas of the retired cop, but is compelling in his intensity and interest. I could see a case like this creating the writer of the books I’ve read since I started reading. We only know Poe from the works he left, but those works have shaped our collective culture. \u003cb>The Pale Blue Eye\u003c/b> fits, makes sense, and keeps us reading.\u003c/p>\n\u003cp>\u003cb>The Pale Blue Eye\u003c/b> is not all voice, and the voice it has is not all Poe. Our detective is more than he seems, and the tightly crafted plot had me surprised to the end, and satisfied. I’ll be enjoying the echoes of this one for a while, and will be looking at the piles carefully for whatever Bayard does next.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yet, the feminist punch of this “discerning” women’s interest paper was largely tame and dubious — one reason being that the word “feminist” itself never quite made it onto the page. In the Arts and Entertainment review of the \u003cb>Donny and Marie Show\u003c/b> DVD, passing reference is made to the duo’s wholesomeness being a welcome change from today’s sexually saturated entertainment, but the premise never goes deeper to address the obviously gendered roles of Donny as the tough rock ‘n’ roller, and Marie the domestic country sweetie pie. A lost opportunity, to be sure, but I nearly lost my temper over an ad placed in the paper by It’s a Grind Coffee House. The spot announces they are hiring with this condescending incentive: “Because your boyfriend will eventually ask you for gas money.” I expect such a line emblazoned on Abercrombie’s latest T-shirt, but for a feminist paper to allow an ad to paint women as pampered leeches earning an income to repay their male supporters? Girls, you don’t even have to take the gloves off to rip through that one. I’d also advise a paper aiming to reverse the trend of patronizing to women not to characterize its audience as “San Francisco’s primary shoppers.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Shortcomings of conviction, and a few of copy editing, aside, \u003cb>The City Edition\u003c/b> has tapped into a compelling notion — a women’s publication driven by thoughtful inquiry, local news, and the chance to tilt the cultural canon in favor of underrepresented women writers. Sure, \u003ca href=\"http://www.salon.com/mwt/broadsheet/\" target=\"offsite\" rel=\"noopener\">Salon’s Broadsheet\u003c/a> already offers consistently exceptional commentary on this beat, but there’s always room for more voices, and it’d be nice to have a form to take with me on the MUNI or pick up at a coffee shop (though preferably not at It’s a Grind). Maybe, and very hopefully, this little paper with the big heart will embrace its potential and grow into its shoes to trail blaze a path for savvy feminist reporting in the city. I’d love to see all the great ideas that such a project would surely inspire.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>People who love Shakespeare tend to do so passionately. Ron Rosenbaum loves Shakespeare, and has brought his passion and that of many others to us in \u003cb>\u003cb>The Shakespeare Wars\u003c/b>: Clashing Scholars, Public Fiascos, Palace Coups\u003c/b>. \u003cb>The Shakespeare Wars\u003c/b> reviews the issues, personalities and conflicts in Shakespeare studies today, excluding the authorship question, a can of worms that doesn’t enter into what’s actually in the plays. Rosenbaum instead tries to understand and explain not the author of the plays, but what makes those plays Shakespearian, and why they bring us such joy.\u003c/p>\n\u003cp>Shakespeare is my flourless chocolate cake. I can’t eat it all the time; it’s just too rich. There are those occasions, though, where nothing else will do; where I just have to dive in and indulge myself. It’s not like the old days, when I ate more dense cake and went to Ashland every summer. I’m a little more paced with the special treats these days. Just as not everyone likes a bitter, dense cake the first time they bite in, not everyone “gets” Shakespeare at first. Making sense of Shakespeare for me took an epiphany, a moment where I could just surrender myself to the language, letting it flow over me without working too hard to understand it. Understanding would come. My personal Shakespeare epiphany came during my college days, when a son-of-an-English-teacher roommate and I watched all of the BBC Shakespeare productions thanks to our local public television station. By the time Olivier’s \u003cb>King Lear\u003c/b> rolled around I was hooked. Ron Rosenbaum had such a personal moment in Peter Brooks’ production of\u003cb> A Midsummer Night’s Dream\u003c/b>; this moment changed his life and led directly to \u003cb>The Shakespeare Wars\u003c/b>.\u003c/p>\n\u003cp>The book was daunting when I first picked it up; I was unsure how much of it I would actually read. As it is, I read every word, carrying it back and forth to work for weeks and trashing my galley in the process. Galleys are cheap advance print runs and are not designed to be used and abused this way. This is a rare case where I’m actually going to have to buy a finished copy of a book I read in galley form. What was it about the book that held my interest for so long? I was afraid that everything would be too arcane and academic to be fun. But Rosenbaum personalizes the material; visiting experts anywhere he can, from donut shop to Bermuda conference, giving people that chance to speak and respond, to let their enthusiasm show. Rosenbaum doesn’t stay neutral; he is a scholar, has opinions and is not afraid to disagree.\u003c/p>\n\u003cp>Some of the things Rosenbaum brings to the book have actually changed the way I read and appreciate Shakespeare, in particular the reading of the lines in the plays. I am, in a sense, a child of method acting. From the first time I read one of the plays I was told to more or less ignore the lines and concentrate on making the sentences read naturally. The lines aren’t written as natural speech, though, they’re written in iambic pentameter; and end-of-line pause creates a different effect on the meaning, as does adding a heartbeat rhythm (lub-DUB) accenting every other word. I applied this to all the passages quoted in the book and was amazed at how the already slippery meanings changed.\u003c/p>\n\u003cp>The fact that Shakespeare has many meanings is central to Rosenbaum’s book. He asserts that Shakespeare’s works can bear whatever level of reading one cares to apply, as they are virtually, as he calls it, bottomless. Rosenbaum’s choice of that specific word is one of the wonderful and recurring themes in \u003cb>The Shakespeare Wars\u003c/b>. Look and see. Look again, and see more. I believe that this is why 400 years later people still care; any interested person in any time or place can find meaning in the plays and poems we call Shakespeare’s, and find it again and again.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Galley Slave Galley Watch\u003c/b>:\u003cbr>\u003cb>Blue Arabesque\u003c/b> by Patricia Hampl\u003cbr>It only took a glance. Patricia Hampl was late for a lunch date at the Art Institute of Chicago when she saw the Matisse; she was stunned, arrested by the face gazing from the canvas. This visual epiphany led Hampl on a personal journey, one tracing the step of many artists in many fields, all heading toward the light. Not just any light, but the bright light of the Mediterranean, of the Cote d’Azure and North Africa, places that have drawn people looking to capture inspiration for centuries. The revelations in this slender volume are as dazzling as the light Hampl seeks to explain, and understand. Due in November, from Harcourt.\u003c/p>\n\n",
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"content": "\u003cp>Much ink has been spilled on the subject of writing. People like to moan about and dramatize their attempts at getting something down on paper, making it seem more like they are divining alchemical secrets than crafting what is essentially a form of entertainment. Stop scowling, there’s nothing wrong with entertainment — anyone who’s ever seen \u003cb>The Daily Show\u003c/b> knows that art can amuse and enlighten, and that the best usually does both. That is why, at its heart, good writing means telling a good story. And that is why this week’s team up of \u003cb>Litquake\u003c/b> and \u003cb>Porchlight\u003c/b> was such a satisfying and natural fit.\u003c/p>\n\u003cp>One unique aspect to the \u003cb>Porchlight\u003c/b> literary experience is that there’s nothing to take away beyond the memory. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Much ink has been spilled on the subject of writing. People like to moan about and dramatize their attempts at getting something down on paper, making it seem more like they are divining alchemical secrets than crafting what is essentially a form of entertainment. Stop scowling, there’s nothing wrong with entertainment — anyone who’s ever seen \u003cb>The Daily Show\u003c/b> knows that art can amuse and enlighten, and that the best usually does both. That is why, at its heart, good writing means telling a good story. And that is why this week’s team up of \u003cb>Litquake\u003c/b> and \u003cb>Porchlight\u003c/b> was such a satisfying and natural fit.\u003c/p>\n\u003cp>One unique aspect to the \u003cb>Porchlight\u003c/b> literary experience is that there’s nothing to take away beyond the memory. Sure, you can go pick up the books of the authors who participated, but spontaneous stories and intimate settings have that inimitable glow of the moment that makes them so special. Organized by Arline Klatt and Beth Lisick, \u003cb>Porchlight\u003c/b> is a monthly event where authors come not to read from their work, but tell unscripted and unrehearsed stories on a given theme — much like attending some mythical cocktail party where everyone has sparkling wit and perfect timing. \u003cb>Litquake\u003c/b>, the annual San Francisco literary festival, joined in the event this month, bringing star authors like Joyce Maynard, Sean Wilsey, and his mother and writer in her own right Pat Montandon to the mic.\u003c/p>\n\u003cp>The night’s theme was \u003cb>Writers, Muses, Flacks, and Escorts\u003c/b>, a series of tales from inside the publishing industry. Some speakers were more true to this topic than others, and the stories were definitely not designed to give any tips on how to break into the biz or land your novel with the right editor. And what a relief that was. All nine speakers deftly avoided the ego trap and shared at least a few moments of embarrassment and misunderstandings, along with some unglamorous quirks of the industry. Though all the authors were eloquent and animated, and with the vocabularies to boost me through my next game of Scrabble, the night was a kind of equalizing experience, calling attention to those weird and beautiful moments that make it interesting to be on the planet, no matter who you are. After all, often all it takes to experience a poignant moment is the ability to breathe and blink.\u003c/p>\n\u003cp>Favorites of the evening included Joyce Maynard’s intimate tale of unexpectedly fulfilling her mother’s dreams through the success of \u003cb>To Die For\u003c/b>. Kathi Kamen Goldmark told of her encounter with the one-man debauchery machine and apparent publicity genius that was Hunter S. Thompson. Literary agent and author Arielle Eckstut shared her experience on the one book tour that renewed her faith in publishing. In an evening full of big names dropping even bigger names, Eckstut’s reminder of the cultural virtues in small town America was a moving break from expectation. Though personally, my English degree and I would have been content to hear her read from her collection of bookish slash fiction, \u003cb>Pride & Promiscuity: The Lost Sex Scenes of Jane Austen\u003c/b>. But that’s between me and Mr. Darcy. Sigh!\u003c/p>\n\u003cp>Along similar lines of literary libido, Marcus Ewert told a sinfully juicy tale of his sexual exploits with Allen Ginsburg and William S. Burroughs, complete with sensory details, from his upcoming book \u003cb>Beatboy\u003c/b>. The connection between his story and publishing was Ewert’s idea as a teenager that the best way to gain access to his heroes was through their appetite for young boys. To be perfectly honest, I did find myself holding my breath in the moment for details about the tryst, though I have to doubt that the same story of sleeping your way through your literary idols would seem just as cool and casual coming from a woman. While it is interesting to me that sexual favors can line the paths in the publishing world as much as the casting couch, apparently, I couldn’t help but squirm over what was essentially a bit from a literary \u003ci>US Weekly\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> On the whole inspiring and funny, the team up between \u003cb>Porchlight\u003c/b> and \u003cb>Litquake\u003c/b> reinforced the importance of having storytellers in the world, even from those not making a living within publishing. The best part about hearing talented writers tell the stories that actually happened to them, not jewels culled from their imaginations and MFAs, is the sense of giddiness in the telling. They can hardly believe these things happened either, and there is a joy apparent in their not having to worry about tone or character or word choice or anything more than just repeating what they were lucky enough to experience. As for next year, I’m already looking forward to being one of the lucky ones in the audience.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Litquake\u003c/b> runs October 6-14 at various San Francisco locations. \u003ca href=\"http://www.litquake.org/the-festival/\">Visit their web site\u003c/a> for more information. \u003cb>Porchlight\u003c/b> is a monthly reading series. \u003ca href=\"http://www.porchlightsf.com/\">Visit their web site\u003c/a> for a schedule of upcoming events.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>When I think of San Diego I picture it as I saw it when visiting while young: bright sun, tall palms and the bright ocean rolling implacably off to the west. I never saw it as a navy town, despite the obvious presence of all those big ships and guys in white uniforms. I was too busy using it as a border town, a crossing point to Mexico and Baja and the cheap booze and seafood and fireworks and beaches that were my real goal. It never occurred to me that a navy town and a border town could be a corrupt town. As I said, I was young.\u003c/p>\n\u003cp>It’s hard to ignore the corruption of California’s southernmost county now, all you have to do is turn on the news. Congressmen resign in disgrace, and industrialists and financiers tremble as webs of kickbacks and schemes become public. It could be DC if it weren’t for the weather. I didn’t get my knowledge of the crooked south from the news though; I got it from a couple of really good Southern California writers, T. Jefferson Parker and Don Winslow. Winslow has a new book on the shelves, \u003cb>The Winter of Frankie Machine\u003c/b>, with a couple of my favorite literary themes — the beach and hit men. It’s a combination I don’t see often enough, although I have high hopes for the latest Anthony Bourdain, who, like me, thinks about killers in flip flops.\u003c/p>\n\u003cp>Frankie Machianno has a good life. He has a girlfriend he loves, an ex-wife that doesn’t drive him too crazy, and a daughter bound for medical school. He’s a well-liked guy on the pier, dispensing bait and good advice from his shop. He’s busy, with a real estate side business and season tickets to the opera and an ex who likes to put the wrong things down the garbage disposal. Frankie makes time to surf though, grabbing his board for Gentlemen’s Hour, or the Geezer Hour depending on what side of the invisible age line you stand — or surf — on. It’s hard being Frankie, but good, too.\u003c/p>\n\u003cp>What Frankie doesn’t advertise is his past, because Frankie Machianno used to be known as Frankie Machine, an unstoppable hit man for the local mob. All this was behind him; he’d quit that life years ago. He wasn’t happy when his past returned to ask him for a favor, a little babysitting job, but he did it. Family ties like that are hard to break. What did surprise him is that it was a setup. The body count rises quickly as Frankie tries to settle his problem without alerting authorities that would have liked him to stay retired. Bodies attract authorities, though, and soon enough Frankie is running from everyone.\u003c/p>\n\u003cp>Winslow writes a tight, exciting novel, with twists and turns wrapped up in a mantel of reality that comes from his knowledge of local history and his own career as an investigator. He’s good at lifting up rocks and telling the stories of what crawls out. He doesn’t telegraph the ending and his surprises aren’t forced. His characters are not caricatures, but are sympathetic and human and flawed and most of all believable. I never thought the mafia might be in San Diego, but then I’ve been accused of being naive before. I buy the marketing, Winslow doesn’t. The San Diego Chamber of Commerce and Don Winslow both have stories to tell. I’m guessing \u003cb>The Winter of Frankie Machine\u003c/b> is a more accurate picture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Galley Slave Galley Watch:\u003c/b>\u003cbr>\u003cb>The Weight of Numbers\u003c/b> by Simon Ings\u003cbr>Threads of coincidence and history weave all over the world, connecting African revolutions, London philosophical societies, and the glittery-fake world of celebrity and art. Choice and belief are far more slippery concepts than we think, and random and inevitable two sides of a coin in this smart and compelling novel. Due in January from Grove Atlantic.\u003c/p>\n\n",
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"content": "\u003cp>When I was 19, I thought I would move to San Francisco, go to open mike poetry readings and see Lawrence Ferlinghetti and Allen Ginsberg on the sign up sheet. I figured I’d read at the same readings where they read, they’d notice me, and that’s how I’d become a famous poet. But it didn’t quite work that way. Most of the people on the open mikes were wingnuts with a pen, some paper, and a lot of free time. Aside from Jack Micheline, Julia Vinograd, and Jack Hirschman, there were few well-published writers that read at the open mikes. Writers that I associated with San Francisco, such as many of the Beat writers, lived in other cities by the time I got here. The writers who did live here didn’t seem to get out much. The events at \u003cb>Litquake\u003c/b> are much the way my 19-year-old self imagined San Francisco writing events would be.\u003c/p>\n\u003cp>\u003cb>Litquake\u003c/b> events are just that: EVENTS. They’re more than readings or signings, they often have the feel of something bigger. Even if it’s at a venue such as \u003ca href=\"http://www.kqed.org/arts/places/spark/profile.jsp?id=4779\">Porch Light\u003c/a>, the crowds will be more populous than normal. Litquake’s \u003cb>Pub Crawl\u003c/b> turns tiny bar readings in the Mission district into a crowded walkaround neighborhood of poets and readings.\u003c/p>\n\u003cp>I went to \u003cb>Between the Bridges\u003c/b> last Friday, this year’s festival kickoff event at the Regency Ballroom. It was a night spotlighting musicians inspired by literature. What better theme for a literary festival than “irony?” That’s what I could figure, as they chose to open a literary festival not with writers, but with musicians. I enjoyed much of the music from Penelope Huston, Jill Tracy, and Dan Hicks, who performed songs inspired by specific pieces of writing. But in a festival already cramped for space, the coordinators chose to devote their prime hours to musicians who don’t really need more promotion, like Lars Ulrich, co-founder of Metallica, a band that has sold 90 million albums at last count.\u003c/p>\n\u003cp>Why include a hippie blowhard like The Doors’ Ray Manzerek? Does he have anything to do with literature? He babbled on in a “Reverend Lovejoy” type voice inspiring the well-dressed woman sitting next to me to exclaim that she wanted to beat him with her shoe, and then do something to him I can’t print here, but if you know what a “Cleveland Steamer” is — that’s close. Naming his band after an Alduous Huxley reference (almost 40 years ago), doesn’t make him literary.\u003c/p>\n\u003cp>Session musician and former Green on Red band member Chuck Prophet ridiculed literature altogether. He said that he had started some books before, but never finished one. Great, Chuck, thanks, this is an event ABOUT books, now get off the stage. I would’ve been more excited staring at a metronome. Mark Eitzel, who stated plainly that his music had nothing to do with books, at least admitted to having read a few.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Frank Portman, an actual author, closed the show with a bang. Frank’s new novel, \u003cb>King Dork\u003c/b>, is now out in hardback. He read a hilarious exchange between two high schoolers who are forced to talk to each other using only the few French words they know. Then he closed by playing a song that one of the characters plays in the book. So it actually tied in to the evening’s theme AND he slaughtered the crowd.\u003c/p>\n\u003cp>I have to mention the pulled pork sandwiches at the afterparty, and direct you to \u003ca href=\"http://jalapeno.typepad.com/\" target=\"offsite\" rel=\"noopener\">the caterer’s blog.\u003c/a>\u003c/p>\n\u003cp>Saturday I was off to the Koret Auditorium to check out \u003cb>Visual Language: Authors in Words and Images\u003c/b>, which I thought was a graphic novel group, scheduled before my own reading there. I enjoyed Lev’s short cartoons, which were very stylistic, funny anecdotes from his own life. Then photographer Erick Davis discussed his photobook, \u003cb>The Visionary State: A Journey Through California’s Spiritual Landscape\u003c/b>. The problem is Davis thinks in pictures, has devoted his life to the pursuit of the image, and had no ability to speak out loud whatsoever. He “walked” me. As a man who has sat through tortuous poetry many times, to walk me you have to be more than boring.\u003c/p>\n\u003cp>In what may have been the best \u003cb>Litquake\u003c/b> gig I’ve gotten since the festival’s inception, I was grouped in a program called \u003cb>Noisy Lit: Writers Who Have Been There and Back\u003c/b> with Bay Area performance artist Josh Kornbluth, which thrilled me until I found out he wasn’t going to be there, and not only that, I was looking at the audience when they made the announcement, and saw the looks on the faces of people as they realized The Guy They Came to See wasn’t going to be there. Following this disappointing news was…me. Thanks for the set up. Geez. But I’m glad I didn’t have to follow the others. Kate Braverman, Daphne Gottleib, and Kirk Read were all on top of their game that night and tore up the audience. Michael Tolkin, most notably the author of \u003cb>The Player\u003c/b>, was a bit mis-grouped, but as he is one of my favorite screenwriters I was honored to be on the same bill. Ben Fong Torres, the long-time editor of \u003ci>Rolling Stone\u003c/i>, filled in for Kornbluth.\u003c/p>\n\u003cp>There are plenty more good readings to come: Thursday, October 12 at the Edinburgh Castle join Alan Black and others in the \u003cb>Sports and Circuses: The nasty, brutish, and shorts of it\u003c/b> program and Saturday, October 14, the infamous \u003cb>Lit Crawl\u003c/b> runs 6-9:30pm through various Mission district dives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Litquake\u003c/b> runs October 6-14, 2006 at various San Francisco locations. \u003ca href=\"http://www.litquake.org/\" target=\"offsite\" rel=\"noopener\">Visit Litquake dot org\u003c/a> for more information.\u003c/p>\n\n",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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