window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10029878": {
"type": "attachments",
"id": "arts_10029878",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029878",
"found": true
},
"parent": 29878,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/role-models-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/role-models-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/role-models-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/role-models-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/role-models-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/role-models-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1274994773,
"modified": 1274994773,
"caption": null,
"description": null,
"title": "Cult Leader-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029802": {
"type": "attachments",
"id": "arts_10029802",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029802",
"found": true
},
"parent": 29802,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/john-waters-248x1405.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/john-waters-248x1405-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1274727930,
"modified": 1274727930,
"caption": null,
"description": null,
"title": "Conversations with John Waters-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029604": {
"type": "attachments",
"id": "arts_10029604",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029604",
"found": true
},
"parent": 29604,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/boysngirls-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/boysngirls-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/boysngirls-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/boysngirls-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/boysngirls-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/boysngirls-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1273792653,
"modified": 1273792653,
"caption": null,
"description": null,
"title": "Boys and Girls Like You and Me-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029545": {
"type": "attachments",
"id": "arts_10029545",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029545",
"found": true
},
"parent": 29545,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/tenderloin-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/tenderloin-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/tenderloin-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/tenderloin-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/tenderloin-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/tenderloin-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1273613062,
"modified": 1273613062,
"caption": null,
"description": null,
"title": "Tenderloin-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029456": {
"type": "attachments",
"id": "arts_10029456",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029456",
"found": true
},
"parent": 29456,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/dead-end-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/dead-end-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/dead-end-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/dead-end-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/dead-end-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/dead-end-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1273197757,
"modified": 1273197757,
"caption": null,
"description": null,
"title": "Dead End Gene Pool-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029373": {
"type": "attachments",
"id": "arts_10029373",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029373",
"found": true
},
"parent": 29373,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/next-gf-248x1404.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/05/next-gf-248x1404-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1273005088,
"modified": 1273005088,
"caption": null,
"description": null,
"title": "Your Next Girlfriend-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10029242": {
"type": "attachments",
"id": "arts_10029242",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10029242",
"found": true
},
"parent": 29242,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/lost-books-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/lost-books-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/lost-books-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/lost-books-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/lost-books-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/lost-books-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1272407754,
"modified": 1272407754,
"caption": null,
"description": null,
"title": "The Lost Books of the Odyssey-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10028948": {
"type": "attachments",
"id": "arts_10028948",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10028948",
"found": true
},
"parent": 28948,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/the-ask-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/the-ask-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/the-ask-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/the-ask-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/the-ask-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/the-ask-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1271208995,
"modified": 1271208995,
"caption": null,
"description": null,
"title": "The Ask-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10028934": {
"type": "attachments",
"id": "arts_10028934",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10028934",
"found": true
},
"parent": 28934,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horns-248x1404.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horns-248x1404-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1271205096,
"modified": 1271205096,
"caption": null,
"description": null,
"title": "Horns-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10028929": {
"type": "attachments",
"id": "arts_10028929",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10028929",
"found": true
},
"parent": 28929,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horrible-person-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horrible-person-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horrible-person-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horrible-person-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horrible-person-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/04/horrible-person-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1271194848,
"modified": 1271194848,
"caption": null,
"description": null,
"title": "You're A Horrible Person, But I Like You...-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10028558": {
"type": "attachments",
"id": "arts_10028558",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10028558",
"found": true
},
"parent": 28558,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/chasing-dog-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/chasing-dog-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/chasing-dog-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/chasing-dog-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/chasing-dog-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/chasing-dog-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1269480725,
"modified": 1269480725,
"caption": null,
"description": null,
"title": "Chasing the White Dog-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10028548": {
"type": "attachments",
"id": "arts_10028548",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10028548",
"found": true
},
"parent": 28548,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/sky-everywhere-248x140.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/sky-everywhere-248x140-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/sky-everywhere-248x140-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/sky-everywhere-248x140-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/sky-everywhere-248x140-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2010/03/sky-everywhere-248x140-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1269477198,
"modified": 1269477198,
"caption": null,
"description": null,
"title": "The Sky Is Everywhere-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_29878": {
"type": "authors",
"id": "byline_arts_29878",
"meta": {
"override": true
},
"slug": "byline_arts_29878",
"name": "John Waters",
"isLoading": false
},
"byline_arts_29604": {
"type": "authors",
"id": "byline_arts_29604",
"meta": {
"override": true
},
"slug": "byline_arts_29604",
"name": "Aryn Kyle",
"isLoading": false
},
"byline_arts_29456": {
"type": "authors",
"id": "byline_arts_29456",
"meta": {
"override": true
},
"slug": "byline_arts_29456",
"name": "Wendy Burden",
"isLoading": false
},
"byline_arts_29373": {
"type": "authors",
"id": "byline_arts_29373",
"meta": {
"override": true
},
"slug": "byline_arts_29373",
"name": "Kate Simmons",
"isLoading": false
},
"byline_arts_29242": {
"type": "authors",
"id": "byline_arts_29242",
"meta": {
"override": true
},
"slug": "byline_arts_29242",
"name": "Zachary Mason",
"isLoading": false
},
"byline_arts_28948": {
"type": "authors",
"id": "byline_arts_28948",
"meta": {
"override": true
},
"slug": "byline_arts_28948",
"name": "Sam Lipsyte",
"isLoading": false
},
"byline_arts_28934": {
"type": "authors",
"id": "byline_arts_28934",
"meta": {
"override": true
},
"slug": "byline_arts_28934",
"name": "Joe Hill",
"isLoading": false
},
"byline_arts_28558": {
"type": "authors",
"id": "byline_arts_28558",
"meta": {
"override": true
},
"slug": "byline_arts_28558",
"name": "Max Watman",
"isLoading": false
},
"byline_arts_28548": {
"type": "authors",
"id": "byline_arts_28548",
"meta": {
"override": true
},
"slug": "byline_arts_28548",
"name": "Jandy Nelson",
"isLoading": false
},
"jkiefer": {
"type": "authors",
"id": "36",
"meta": {
"index": "authors_1716337520",
"id": "36",
"found": true
},
"name": "Jonathan Kiefer",
"firstName": "Jonathan",
"lastName": "Kiefer",
"slug": "jkiefer",
"email": "FAKE_jkiefer@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Look, Jonathan Kiefer doesn't like this any more than you do. But he'd read your little bio blurb if you asked him to, so just humor him, ok? Kiefer lives in San Francisco, but hasn't always. He has been a pop-culture columnist for \u003ci>San Francisco\u003c/i> magazine and an arts-and-culture editor for the \u003ci>Sacramento News & Review\u003c/i>. He still is a contributing editor at \u003ci>Maisonneuve\u003c/i> magazine and a movie critic for publications of various size, shape, disposition and value to humanity. These include, but hopefully are not limited to, \u003ci>SF Weekly\u003c/i>, the \u003ci>San Francisco Chronicle\u003c/i>, Salon, \u003ci>The New Republic\u003c/i>, \u003ci>Film Quarterly\u003c/i> and the \u003ci>New York Times Book Review\u003c/i>. Kiefer lucked into being a contributor to the 2007 Sierra Club Books anthology \u003cb>A Leaky Tent Is a Piece of Paradise: 20 Young Writers on Finding a Place in the Natural World\u003c/b>, and his book about the cinema of the San Francisco Bay Area is forthcoming (no, seriously) from City Lights Books.",
"avatar": "https://secure.gravatar.com/avatar/bef0468ea1d2f2aa212f89baa570e8e3?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
}
],
"headData": {
"title": "Jonathan Kiefer | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/bef0468ea1d2f2aa212f89baa570e8e3?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/bef0468ea1d2f2aa212f89baa570e8e3?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jkiefer"
}
},
"pagesReducer": {
"arts_category_literature": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"score": 12.793592
},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"title": "Books",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 131
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=literature",
"seeMore": false,
"paginated": true,
"page": 131
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_29878": {
"type": "posts",
"id": "arts_29878",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29878",
"score": null,
"sort": [
1274994773000
]
},
"guestAuthors": [],
"slug": "cult_leader",
"title": "Cult Leader",
"publishDate": 1274994773,
"format": "audio",
"headTitle": "Cult Leader | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich — and happily horrify readers everywhere.\u003c/p>\n\u003cp>\u003cb>Role Models\u003c/b> is, in fact, a self-portrait told through intimate profiles of favorite personalities — some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O’Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis — these are the extreme figures who helped the author form his own brand of neurotic happiness.\u003c/p>\n\u003cp>\u003cb>Role Models\u003c/b> is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "In the first episode of a two-part exclusive, John Waters reads a selection from \"Cult Leader,\" a chapter from \u003cb>Role Models\u003c/b> that describes what a John Waters-led cult might look like.",
"status": "publish",
"parent": 0,
"modified": 1726706243,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 138
},
"headData": {
"title": "Cult Leader | KQED",
"description": "In the first episode of a two-part exclusive, John Waters reads a selection from "Cult Leader," a chapter from Role Models that describes what a John Waters-led cult might look like.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Cult Leader",
"datePublished": "2010-05-27T14:12:53-07:00",
"dateModified": "2024-09-18T17:37:23-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/127551961/KQED_127551961.mp3",
"sticky": false,
"nprByline": "John Waters",
"path": "/arts/29878/cult_leader",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich — and happily horrify readers everywhere.\u003c/p>\n\u003cp>\u003cb>Role Models\u003c/b> is, in fact, a self-portrait told through intimate profiles of favorite personalities — some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O’Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis — these are the extreme figures who helped the author form his own brand of neurotic happiness.\u003c/p>\n\u003cp>\u003cb>Role Models\u003c/b> is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29878/cult_leader",
"authors": [
"byline_arts_29878"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10029878",
"label": "arts"
},
"arts_29802": {
"type": "posts",
"id": "arts_29802",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29802",
"score": null,
"sort": [
1274727930000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1274727930,
"format": "standard",
"title": "Conversations with John Waters",
"headTitle": "Conversations with John Waters | KQED",
"content": "\u003cp>John Waters is in town for a public conversation tomorrow night, presumably about his films and his new book, \u003cb>Role Models\u003c/b>.\u003c/p>\n\u003cp>Which means the topics of Waters’s conversation are likely to include, but not be limited to: wishing he were Johnny Mathis; having his life saved by Tennessee Williams; being really good friends with murderous brainwashed Manson girl Leslie Van Houten; wearing clothes by “genius fashion dictator” Rei Kawakubo with religious devotion; drinking with buddies in Baltimore dive bars; annotating his list of Five Books You Should Read to Live a Happy Life If Something Is Basically the Matter With You; having his grandmother frightened by Little Richard; getting to know rough-and-tumble homoerotic photographer and one-time Doggie Diner cruiser David Hurles; having his library defiled by weirdo assemblage artist Mike Kelley and fantasizing about being scribbled on by Cy Twombly; and wanting at last to accept his own responsibility as a cult leader. Should make for a pretty good evening, no?\u003c/p>\n\u003cp>Well, yes, unless you’re just hearing about this for the first time. Waters’s City Arts and Lectures event sold out last month. But his book will be in stores next month, and you can pre-order it now.\u003c/p>\n\u003cp>Waters’s ruminations on his own eclectic and variously subversive role models are particularly satisfying, not least because he’s such an eclectic and variously subversive role model himself. But the great charm of the book is its digressiveness. The Kawakubo piece, for instance, becomes a meandering tour of Waters’s fashion sense — from his appreciation of Baltimore thrift stores to the origin story of his iconic pencil moustache, “a ridiculous fashion joke that I still wear forty years later,” whose maintenance alone has yielded several funny stories. Similarly, when Waters’s deeply considered and perhaps surprisingly self-critical piece on Leslie Van Houten appeared in The Huffington Post last year, and one commenter asked, “What does the fact that the author’s girlfriend caught him in bed with a man have to do with anything?” it is safe to say the point was missed.\u003c/p>\n\u003cp>A receptive skeptic, who can somehow be bitchy and nonjudgemental at once, Waters proves an astute and highly entertaining surveyor of his and our culture. Maybe it’s because he’s just always out there, in more ways than one.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’m obsessed with taking public transportation in San Francisco so I can feel like a real local,” he writes. “When I get on a bus, people in the Bay Area start laughing. Not meanly….No, it’s just because they don’t expect to see me. ?What are you doing on a bus!?’ they ask, as if they expect me to have my own personal filthmobile and driver.”\u003c/p>\n\u003cp>So even if you didn’t score a ticket to his talk tonight, perhaps fate will bless you with a public Waters spotting after all. If not, don’t fret, but do follow his example. “What I like best,” Waters writes, “is staying home and reading.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>John Waters appears at City Arts and Lectures in conversation with Kevin Berger 8pm, Tuesday, May 25, 2010 at the Herbst Theatre in San Francisco. For \u003ca href=\"http://www.cityarts.net/n.waters.html\">tickets and information\u003c/a> visit cityarts.net. Waters appears at California Lectures in conversatin with Edward Ortiz 7:30pm, Wednesday, May 26, 2010 at the Crest Theatre in Sacramento. For \u003ca href=\"http://www.californialectures.com/waters.html\">tickets and information\u003c/a> visit californialectures.com.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 600,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705052120,
"excerpt": "Topics of Waters's conversation are likely to include, but not be limited to: wishing he were Johnny Mathis; having his life saved by Tennessee Williams; drinking with buddies in Baltimore dive bars; and wanting at last to accept his own responsibility as a cult leader.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Topics of Waters's conversation are likely to include, but not be limited to: wishing he were Johnny Mathis; having his life saved by Tennessee Williams; drinking with buddies in Baltimore dive bars; and wanting at last to accept his own responsibility as a cult leader.",
"title": "Conversations with John Waters | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Conversations with John Waters",
"datePublished": "2010-05-24T12:05:30-07:00",
"dateModified": "2024-01-12T01:35:20-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "conversations_with_john_waters",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/performance/performance-event/",
"sticky": false,
"path": "/arts/29802/conversations_with_john_waters",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>John Waters is in town for a public conversation tomorrow night, presumably about his films and his new book, \u003cb>Role Models\u003c/b>.\u003c/p>\n\u003cp>Which means the topics of Waters’s conversation are likely to include, but not be limited to: wishing he were Johnny Mathis; having his life saved by Tennessee Williams; being really good friends with murderous brainwashed Manson girl Leslie Van Houten; wearing clothes by “genius fashion dictator” Rei Kawakubo with religious devotion; drinking with buddies in Baltimore dive bars; annotating his list of Five Books You Should Read to Live a Happy Life If Something Is Basically the Matter With You; having his grandmother frightened by Little Richard; getting to know rough-and-tumble homoerotic photographer and one-time Doggie Diner cruiser David Hurles; having his library defiled by weirdo assemblage artist Mike Kelley and fantasizing about being scribbled on by Cy Twombly; and wanting at last to accept his own responsibility as a cult leader. Should make for a pretty good evening, no?\u003c/p>\n\u003cp>Well, yes, unless you’re just hearing about this for the first time. Waters’s City Arts and Lectures event sold out last month. But his book will be in stores next month, and you can pre-order it now.\u003c/p>\n\u003cp>Waters’s ruminations on his own eclectic and variously subversive role models are particularly satisfying, not least because he’s such an eclectic and variously subversive role model himself. But the great charm of the book is its digressiveness. The Kawakubo piece, for instance, becomes a meandering tour of Waters’s fashion sense — from his appreciation of Baltimore thrift stores to the origin story of his iconic pencil moustache, “a ridiculous fashion joke that I still wear forty years later,” whose maintenance alone has yielded several funny stories. Similarly, when Waters’s deeply considered and perhaps surprisingly self-critical piece on Leslie Van Houten appeared in The Huffington Post last year, and one commenter asked, “What does the fact that the author’s girlfriend caught him in bed with a man have to do with anything?” it is safe to say the point was missed.\u003c/p>\n\u003cp>A receptive skeptic, who can somehow be bitchy and nonjudgemental at once, Waters proves an astute and highly entertaining surveyor of his and our culture. Maybe it’s because he’s just always out there, in more ways than one.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m obsessed with taking public transportation in San Francisco so I can feel like a real local,” he writes. “When I get on a bus, people in the Bay Area start laughing. Not meanly….No, it’s just because they don’t expect to see me. ?What are you doing on a bus!?’ they ask, as if they expect me to have my own personal filthmobile and driver.”\u003c/p>\n\u003cp>So even if you didn’t score a ticket to his talk tonight, perhaps fate will bless you with a public Waters spotting after all. If not, don’t fret, but do follow his example. “What I like best,” Waters writes, “is staying home and reading.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>John Waters appears at City Arts and Lectures in conversation with Kevin Berger 8pm, Tuesday, May 25, 2010 at the Herbst Theatre in San Francisco. For \u003ca href=\"http://www.cityarts.net/n.waters.html\">tickets and information\u003c/a> visit cityarts.net. Waters appears at California Lectures in conversatin with Edward Ortiz 7:30pm, Wednesday, May 26, 2010 at the Crest Theatre in Sacramento. For \u003ca href=\"http://www.californialectures.com/waters.html\">tickets and information\u003c/a> visit californialectures.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29802/conversations_with_john_waters",
"authors": [
"36"
],
"categories": [
"arts_73",
"arts_74"
],
"featImg": "arts_10029802",
"label": "arts"
},
"arts_29604": {
"type": "posts",
"id": "arts_29604",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29604",
"score": null,
"sort": [
1273792653000
]
},
"guestAuthors": [],
"slug": "boys_and_girls_like_you_and_me",
"title": "Boys and Girls Like You and Me",
"publishDate": 1273792653,
"format": "audio",
"headTitle": "Boys and Girls Like You and Me | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Aryn Kyle was born in Peoria, Illinois, and grew up in Grand Junction, Colorado. Her debut novel, \u003cb>The God of Animals\u003c/b> was an international bestseller and the winner of an American Library Association’s Alex Award, a PNBA Award, an MPIBA Award, and others. \u003cb>The God of Animals\u003c/b> was chosen as a Book Sense Pick, a Barnes and Noble Discover Great New Writers title, and was named by Amazon as the Number One Fiction Debut of 2007. Aryn’s short fiction has appeared in \u003ci>The Atlantic Monthly\u003c/i>, \u003ci>Ploughshares\u003c/i>, \u003ci>Best American Short Stories 2007\u003c/i>, \u003ci>Best New American Voices 2005\u003c/i>, and elsewhere. Aryn is the recipient of a Rona Jaffe Award and a \u003ci>National Magazine\u003c/i> Award in fiction. She lives in New York City.\u003c/p>\n\u003cp>Aryn Kyle, whose first novel was hailed as “reason for readers to rejoice,” turns her gift for storytelling to the lives of girls and women in this spectacular collection.\u003c/p>\n\u003cp>In “Nine,” a young girl given to exaggeration escapes a humiliating ninth birthday celebration with the help of her father’s new girlfriend. The dubious benefits of sleeping with one’s boss are revealed when a bookstore manager defends an employee from an irate customer in the hilarious “Sex Scenes from a Chain Bookstore.” A raid on a neighbor’s meth lab strengthens the unlikely friendship between a solitary woman and the goth teenage girl who lives in the apartment below her in “Boys and Girls Like You and Me.” And in a notable exception to the rule, “Captain’s Club” features a boy whose devotion to a lonely woman transforms his cruise vacation.\u003c/p>\n\u003cp>In moments electric with sudden harmony or ruthless indifference, the girls and women in this collection provoke, beguile, entertain, and reveal a poignant and searingly accurate portrait of the female heart. With her keen eye for character, her humor, and her uncanny grasp of the loneliness, selfishness, and longing that permeate the female experience, Kyle has secured her reputation as a major young talent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Aryn Kyle reads \"Femme,\" a short story from her collection \u003cb>Boys and Girls Like You and Me\u003c/b> about the loneliness, selfishness, and longing that underlie female experience.",
"status": "publish",
"parent": 0,
"modified": 1726706247,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 6,
"wordCount": 347
},
"headData": {
"title": "Boys and Girls Like You and Me | KQED",
"description": "Aryn Kyle reads "Femme," a short story from her collection Boys and Girls Like You and Me about the loneliness, selfishness, and longing that underlie female experience.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Boys and Girls Like You and Me",
"datePublished": "2010-05-13T16:17:33-07:00",
"dateModified": "2024-09-18T17:37:27-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/127111885/KQED_127111885.mp3",
"sticky": false,
"nprByline": "Aryn Kyle",
"path": "/arts/29604/boys_and_girls_like_you_and_me",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Aryn Kyle was born in Peoria, Illinois, and grew up in Grand Junction, Colorado. Her debut novel, \u003cb>The God of Animals\u003c/b> was an international bestseller and the winner of an American Library Association’s Alex Award, a PNBA Award, an MPIBA Award, and others. \u003cb>The God of Animals\u003c/b> was chosen as a Book Sense Pick, a Barnes and Noble Discover Great New Writers title, and was named by Amazon as the Number One Fiction Debut of 2007. Aryn’s short fiction has appeared in \u003ci>The Atlantic Monthly\u003c/i>, \u003ci>Ploughshares\u003c/i>, \u003ci>Best American Short Stories 2007\u003c/i>, \u003ci>Best New American Voices 2005\u003c/i>, and elsewhere. Aryn is the recipient of a Rona Jaffe Award and a \u003ci>National Magazine\u003c/i> Award in fiction. She lives in New York City.\u003c/p>\n\u003cp>Aryn Kyle, whose first novel was hailed as “reason for readers to rejoice,” turns her gift for storytelling to the lives of girls and women in this spectacular collection.\u003c/p>\n\u003cp>In “Nine,” a young girl given to exaggeration escapes a humiliating ninth birthday celebration with the help of her father’s new girlfriend. The dubious benefits of sleeping with one’s boss are revealed when a bookstore manager defends an employee from an irate customer in the hilarious “Sex Scenes from a Chain Bookstore.” A raid on a neighbor’s meth lab strengthens the unlikely friendship between a solitary woman and the goth teenage girl who lives in the apartment below her in “Boys and Girls Like You and Me.” And in a notable exception to the rule, “Captain’s Club” features a boy whose devotion to a lonely woman transforms his cruise vacation.\u003c/p>\n\u003cp>In moments electric with sudden harmony or ruthless indifference, the girls and women in this collection provoke, beguile, entertain, and reveal a poignant and searingly accurate portrait of the female heart. With her keen eye for character, her humor, and her uncanny grasp of the loneliness, selfishness, and longing that permeate the female experience, Kyle has secured her reputation as a major young talent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29604/boys_and_girls_like_you_and_me",
"authors": [
"byline_arts_29604"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10029604",
"label": "arts"
},
"arts_29545": {
"type": "posts",
"id": "arts_29545",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29545",
"score": null,
"sort": [
1273609462000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1273609462,
"format": "standard",
"title": "Tenderloin",
"headTitle": "Tenderloin | KQED",
"content": "\u003cp>In making his movie \u003cb>Tenderloin\u003c/b>, Marin-based director Michael Anderson had a few disadvantages.\u003c/p>\n\u003cp>First, it would seem that he is not the other, more famous Michael Anderson — the Oscar-nominated British director of, among other things, \u003cb>The Dam Busters\u003c/b>, \u003cb>Around the World in Eighty Days\u003c/b> and \u003cb>Logan’s Run\u003c/b>.\u003c/p>\n\u003cp>Second, the provenance of our Anderson’s film, while self-evident to denizens of San Francisco, might strike more far-flung viewers as misleading. Alas, this is not a movie about a luxurious cut of beef. It is a movie about the city’s most famously downtrodden neighborhood.\u003c/p>\n\u003cp>It is also the setting of local filmmaker Rob Nilsson’s \u003cb>9 @ Night\u003c/b> cycle of interconnected, community-made feature films, which premiered here two years ago and remains in its way definitive, a tough act to follow. Which is not to say that there’s only one way (or nine ways) to make a movie about a place like this.\u003c/p>\n\u003cp>Downtrodden, yes. Famously? Was that the right word? Well, after that \u003ca href=\"http://www.nytimes.com/2010/04/12/us/12tenderloin.html?adxnnl=1&emc=eta1&adxnnlx=1273600869-pOA6OmLHzdKwAgocZGgVbQ\">article about Tenderloin tourism\u003c/a> in the \u003ci>New York Times\u003c/i> the other day, it might soon be. And perhaps this fact constitutes the thorniest of Anderson’s disadvantages: the potential for the romanticization of disadvantage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>To be sure, \u003cb>Tenderloin\u003c/b>, has an amateurish air, but that’s at least in part because it’s obviously a labor of love, self-evidently so affectionate toward the beleaguered neighborhood. We can tell right away this isn’t some slick glossing over by a Hollywood carpetbagger. Anderson doesn’t flinch from squalor. If anything, he almost revels in it.\u003c/p>\n\u003cp>Kurt Yaeger plays Ben, an Iraq war veteran whose tour of duty in Fallujah cost him a leg and whose subsequent anger mismanagement cost him a happily-ever-after life with his wife and young son. Now he’s found work as the manager of a local residential hotel, fixing skuzzy toilets, dodging all manner of neighborhood menace and trying to avoid handing out eviction notices on behalf his sleazebag boss.\u003c/p>\n\u003cp>Ned Miller’s script seems occasionally confused and often contrived, but it is not without a certain rangy, streety charm. Its central concern, expressed clearly enough, is the question of whether Ben will be stuck here, just one more permanent transient with nowhere left to go, or if the Tenderloin can offer him, at last, a community to which he belongs. His neighbors are a motley but affable bunch, many contending with vicious cycles of their own. As one new friend, a sweetly flirty tranny, puts it, “I hook because I need the junk; I need the junk because I hook.” Another, when told he needs to get a life, says, “They don’t make ’em in my size.”\u003c/p>\n\u003cp>Anderson also has helped his cause by stocking his cast with compellingly lived-in faces (some of them familiar to Bay Area theater and movie loyalists). Where the dramatics of \u003cb>Tenderloin\u003c/b> don’t always succeed, its portraiture of place seems impeccably genuine.\u003c/p>\n\u003cp>Which perhaps goes to show, as anyone who’s ever spent any time in the Tenderloin probably already knows, that being no stranger to disadvantage sometimes can become an advantage.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Tenderloin\u003c/b> plays Wednesday, May 12, 2010 at the Christopher B. Smith Rafael Film Center in San Rafael, with director Michael Anderson, screenwriter Ned Miller and star Kurt Yaeger in person. For \u003ca href=\"http://www.cafilm.org\">tickets and information\u003c/a>, visit cafilm.org.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 585,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705052148,
"excerpt": "In making his movie \u003cb>Tenderloin\u003c/b>, Marin-based director Michael Anderson had a few disadvantages.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In making his movie Tenderloin, Marin-based director Michael Anderson had a few disadvantages.",
"title": "Tenderloin | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Tenderloin",
"datePublished": "2010-05-11T13:24:22-07:00",
"dateModified": "2024-01-12T01:35:48-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "tenderloin",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-review/",
"sticky": false,
"path": "/arts/29545/tenderloin",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In making his movie \u003cb>Tenderloin\u003c/b>, Marin-based director Michael Anderson had a few disadvantages.\u003c/p>\n\u003cp>First, it would seem that he is not the other, more famous Michael Anderson — the Oscar-nominated British director of, among other things, \u003cb>The Dam Busters\u003c/b>, \u003cb>Around the World in Eighty Days\u003c/b> and \u003cb>Logan’s Run\u003c/b>.\u003c/p>\n\u003cp>Second, the provenance of our Anderson’s film, while self-evident to denizens of San Francisco, might strike more far-flung viewers as misleading. Alas, this is not a movie about a luxurious cut of beef. It is a movie about the city’s most famously downtrodden neighborhood.\u003c/p>\n\u003cp>It is also the setting of local filmmaker Rob Nilsson’s \u003cb>9 @ Night\u003c/b> cycle of interconnected, community-made feature films, which premiered here two years ago and remains in its way definitive, a tough act to follow. Which is not to say that there’s only one way (or nine ways) to make a movie about a place like this.\u003c/p>\n\u003cp>Downtrodden, yes. Famously? Was that the right word? Well, after that \u003ca href=\"http://www.nytimes.com/2010/04/12/us/12tenderloin.html?adxnnl=1&emc=eta1&adxnnlx=1273600869-pOA6OmLHzdKwAgocZGgVbQ\">article about Tenderloin tourism\u003c/a> in the \u003ci>New York Times\u003c/i> the other day, it might soon be. And perhaps this fact constitutes the thorniest of Anderson’s disadvantages: the potential for the romanticization of disadvantage.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To be sure, \u003cb>Tenderloin\u003c/b>, has an amateurish air, but that’s at least in part because it’s obviously a labor of love, self-evidently so affectionate toward the beleaguered neighborhood. We can tell right away this isn’t some slick glossing over by a Hollywood carpetbagger. Anderson doesn’t flinch from squalor. If anything, he almost revels in it.\u003c/p>\n\u003cp>Kurt Yaeger plays Ben, an Iraq war veteran whose tour of duty in Fallujah cost him a leg and whose subsequent anger mismanagement cost him a happily-ever-after life with his wife and young son. Now he’s found work as the manager of a local residential hotel, fixing skuzzy toilets, dodging all manner of neighborhood menace and trying to avoid handing out eviction notices on behalf his sleazebag boss.\u003c/p>\n\u003cp>Ned Miller’s script seems occasionally confused and often contrived, but it is not without a certain rangy, streety charm. Its central concern, expressed clearly enough, is the question of whether Ben will be stuck here, just one more permanent transient with nowhere left to go, or if the Tenderloin can offer him, at last, a community to which he belongs. His neighbors are a motley but affable bunch, many contending with vicious cycles of their own. As one new friend, a sweetly flirty tranny, puts it, “I hook because I need the junk; I need the junk because I hook.” Another, when told he needs to get a life, says, “They don’t make ’em in my size.”\u003c/p>\n\u003cp>Anderson also has helped his cause by stocking his cast with compellingly lived-in faces (some of them familiar to Bay Area theater and movie loyalists). Where the dramatics of \u003cb>Tenderloin\u003c/b> don’t always succeed, its portraiture of place seems impeccably genuine.\u003c/p>\n\u003cp>Which perhaps goes to show, as anyone who’s ever spent any time in the Tenderloin probably already knows, that being no stranger to disadvantage sometimes can become an advantage.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Tenderloin\u003c/b> plays Wednesday, May 12, 2010 at the Christopher B. Smith Rafael Film Center in San Rafael, with director Michael Anderson, screenwriter Ned Miller and star Kurt Yaeger in person. For \u003ca href=\"http://www.cafilm.org\">tickets and information\u003c/a>, visit cafilm.org.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29545/tenderloin",
"authors": [
"128"
],
"categories": [
"arts_73"
],
"tags": [
"arts_596",
"arts_769"
],
"featImg": "arts_10029545",
"label": "arts"
},
"arts_29456": {
"type": "posts",
"id": "arts_29456",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29456",
"score": null,
"sort": [
1273197757000
]
},
"guestAuthors": [],
"slug": "dead_end_gene_pool",
"title": "Dead End Gene Pool",
"publishDate": 1273197757,
"format": "audio",
"headTitle": "Dead End Gene Pool | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In the tradition of Sean Wilsey’s \u003cb>Oh The Glory of It All\u003c/b> and Augusten Burrough’s \u003cb>Running With Scissors\u003c/b>, the great-great-great granddaughter of Cornelius Vanderbilt gives readers a grand tour of the world of wealth and WASPish peculiarity, in her irreverent and darkly humorous memoir.\u003c/p>\n\u003cp>For generations, the Burdens were one of the wealthiest families in New York, thanks to the inherited fortune of Cornelius “The Commodore” Vanderbilt. By 1955, the year of Wendy’s birth, the Burden’s had become a clan of over-funded, quirky and brainy, steadfastly chauvinistic, and ultimately doomed blue bloods on the verge of financial and moral decline — and were rarely seen not holding a drink. In \u003cb>Dead End Gene Pool\u003c/b>, Wendy invites readers to meet her tragically flawed family, including an uncle with a fondness for Hitler, a grandfather who believes you can never have enough household staff, and a remarkably flatulent grandmother.\u003c/p>\n\u003cp>At the heart of the story is Wendy’s glamorous and aloof mother who, after her husband’s suicide, travels the world in search of the perfect sea and ski tan, leaving her three children in the care of a chain-smoking Scottish nanny, Fifth Avenue grandparents, and an assorted cast of long-suffering household servants (who Wendy and her brothers love to terrorize). Rife with humor, heartbreak, family intrigue, and booze, \u003cb>Dead End Gene Pool\u003c/b> offers a glimpse into the fascinating world of old money and gives truth to an old maxim: The rich are different.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Wendy Burden reads a passage from \u003cb>Dead End Gene Pool\u003c/b>, her wickedly funny memoir about growing up in an over-funded family of blue bloods on the verge of financial and moral decline.",
"status": "publish",
"parent": 0,
"modified": 1726706251,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 261
},
"headData": {
"title": "Dead End Gene Pool | KQED",
"description": "Wendy Burden reads a passage from Dead End Gene Pool, her wickedly funny memoir about growing up in an over-funded family of blue bloods on the verge of financial and moral decline.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Dead End Gene Pool",
"datePublished": "2010-05-06T19:02:37-07:00",
"dateModified": "2024-09-18T17:37:31-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/126720470/KQED_126720470.mp3",
"sticky": false,
"nprByline": "Wendy Burden",
"path": "/arts/29456/dead_end_gene_pool",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the tradition of Sean Wilsey’s \u003cb>Oh The Glory of It All\u003c/b> and Augusten Burrough’s \u003cb>Running With Scissors\u003c/b>, the great-great-great granddaughter of Cornelius Vanderbilt gives readers a grand tour of the world of wealth and WASPish peculiarity, in her irreverent and darkly humorous memoir.\u003c/p>\n\u003cp>For generations, the Burdens were one of the wealthiest families in New York, thanks to the inherited fortune of Cornelius “The Commodore” Vanderbilt. By 1955, the year of Wendy’s birth, the Burden’s had become a clan of over-funded, quirky and brainy, steadfastly chauvinistic, and ultimately doomed blue bloods on the verge of financial and moral decline — and were rarely seen not holding a drink. In \u003cb>Dead End Gene Pool\u003c/b>, Wendy invites readers to meet her tragically flawed family, including an uncle with a fondness for Hitler, a grandfather who believes you can never have enough household staff, and a remarkably flatulent grandmother.\u003c/p>\n\u003cp>At the heart of the story is Wendy’s glamorous and aloof mother who, after her husband’s suicide, travels the world in search of the perfect sea and ski tan, leaving her three children in the care of a chain-smoking Scottish nanny, Fifth Avenue grandparents, and an assorted cast of long-suffering household servants (who Wendy and her brothers love to terrorize). Rife with humor, heartbreak, family intrigue, and booze, \u003cb>Dead End Gene Pool\u003c/b> offers a glimpse into the fascinating world of old money and gives truth to an old maxim: The rich are different.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29456/dead_end_gene_pool",
"authors": [
"byline_arts_29456"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10029456",
"label": "arts"
},
"arts_29373": {
"type": "posts",
"id": "arts_29373",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29373",
"score": null,
"sort": [
1273005088000
]
},
"guestAuthors": [],
"slug": "your_next_girlfriend",
"title": "Your Next Girlfriend",
"publishDate": 1273005088,
"format": "audio",
"headTitle": "Your Next Girlfriend | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>“Your Next Girlfriend” is an unapologetically lusty comedy, which manages to find humor in the modern relationship without being self-consciously serious.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Kate Simmons reads \"Your Next Girlfriend,\" her short story that chronicles the ups and downs of a modern relationship. \u003cb>Please Note:\u003c/b> This episode contains adult language and situations.",
"status": "publish",
"parent": 0,
"modified": 1726706255,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 26
},
"headData": {
"title": "Your Next Girlfriend | KQED",
"description": "Kate Simmons reads "Your Next Girlfriend," her short story that chronicles the ups and downs of a modern relationship. Please Note: This episode contains adult language and situations.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Your Next Girlfriend",
"datePublished": "2010-05-04T13:31:28-07:00",
"dateModified": "2024-09-18T17:37:35-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/126522645/KQED_126522645.mp3",
"sticky": false,
"nprByline": "Kate Simmons",
"path": "/arts/29373/your_next_girlfriend",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Your Next Girlfriend” is an unapologetically lusty comedy, which manages to find humor in the modern relationship without being self-consciously serious.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29373/your_next_girlfriend",
"authors": [
"byline_arts_29373"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10029373",
"label": "arts"
},
"arts_29242": {
"type": "posts",
"id": "arts_29242",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "29242",
"score": null,
"sort": [
1272407754000
]
},
"guestAuthors": [],
"slug": "the_lost_books_of_the_odyssey",
"title": "The Lost Books of the Odyssey",
"publishDate": 1272407754,
"format": "audio",
"headTitle": "The Lost Books of the Odyssey | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Zachary Mason’s brilliant and beguiling debut novel, \u003cb>The Lost Books of the Odyssey\u003c/b>, reimagines Homer’s classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer’s original that, taken together, open up this classic Greek myth to endless reverberating interpretations. \u003cb>The Lost Books of the Odyssey\u003c/b> is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Zachary Mason reads a passage from \u003cb>The Lost Books of the Odyssey\u003c/b>, his debut novel that reimagines Homer's epic.",
"status": "publish",
"parent": 0,
"modified": 1726706258,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 101
},
"headData": {
"title": "The Lost Books of the Odyssey | KQED",
"description": "Zachary Mason reads a passage from The Lost Books of the Odyssey, his debut novel that reimagines Homer's epic.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Lost Books of the Odyssey",
"datePublished": "2010-04-27T15:35:54-07:00",
"dateModified": "2024-09-18T17:37:38-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/126321426/KQED_126321426.mp3",
"sticky": false,
"nprByline": "Zachary Mason",
"path": "/arts/29242/the_lost_books_of_the_odyssey",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Zachary Mason’s brilliant and beguiling debut novel, \u003cb>The Lost Books of the Odyssey\u003c/b>, reimagines Homer’s classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer’s original that, taken together, open up this classic Greek myth to endless reverberating interpretations. \u003cb>The Lost Books of the Odyssey\u003c/b> is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/29242/the_lost_books_of_the_odyssey",
"authors": [
"byline_arts_29242"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10029242",
"label": "arts"
},
"arts_28948": {
"type": "posts",
"id": "arts_28948",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "28948",
"score": null,
"sort": [
1271208995000
]
},
"guestAuthors": [],
"slug": "the_ask",
"title": "The Ask",
"publishDate": 1271208995,
"format": "audio",
"headTitle": "The Ask | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Milo Burke, a development officer at a third-tier university, has “not been developing.” After a run-in with a well-connected undergrad, he finds himself among the burgeoning class of the newly unemployed. Grasping after odd jobs to support his wife and child, Milo is offered one last chance by his former employer: he must reel in a potential donor — a major “ask” — who, mysteriously, has requested Milo’s involvement. But it turns out that the ask is Milo’s sinister college classmate Purdy Stuart. And the “give” won’t come cheap. Probing many themes — or, perhaps, anxieties — including work, war, sex, class, child rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, and the eroticization of chicken wire, \u003cb>The Ask\u003c/b> is a burst of genius by a young American master who has already demonstrated that the truly provocative and important fictions are often the funniest ones.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Sam Lipsyte reads two hilarious passages from \u003cb>The Ask\u003c/b> about recently unemployed, middle-aged Milo Burke and all of his anxieties. \u003cb>Please Note:\u003c/b> This episode contains adult language and situations.",
"status": "publish",
"parent": 0,
"modified": 1726706262,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 164
},
"headData": {
"title": "The Ask | KQED",
"description": "Sam Lipsyte reads two hilarious passages from The Ask about recently unemployed, middle-aged Milo Burke and all of his anxieties. Please Note: This episode contains adult language and situations.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Ask",
"datePublished": "2010-04-13T18:36:35-07:00",
"dateModified": "2024-09-18T17:37:42-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/126132221/KQED_126132221.mp3",
"sticky": false,
"nprByline": "Sam Lipsyte",
"path": "/arts/28948/the_ask",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Milo Burke, a development officer at a third-tier university, has “not been developing.” After a run-in with a well-connected undergrad, he finds himself among the burgeoning class of the newly unemployed. Grasping after odd jobs to support his wife and child, Milo is offered one last chance by his former employer: he must reel in a potential donor — a major “ask” — who, mysteriously, has requested Milo’s involvement. But it turns out that the ask is Milo’s sinister college classmate Purdy Stuart. And the “give” won’t come cheap. Probing many themes — or, perhaps, anxieties — including work, war, sex, class, child rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, and the eroticization of chicken wire, \u003cb>The Ask\u003c/b> is a burst of genius by a young American master who has already demonstrated that the truly provocative and important fictions are often the funniest ones.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/28948/the_ask",
"authors": [
"byline_arts_28948"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10028948",
"label": "arts"
},
"arts_28934": {
"type": "posts",
"id": "arts_28934",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "28934",
"score": null,
"sort": [
1271205096000
]
},
"guestAuthors": [],
"slug": "horns",
"title": "Horns",
"publishDate": 1271205096,
"format": "audio",
"headTitle": "Horns | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The second son of a renowned musician and doting mother, and the younger brother of a late-night TV star, Ig Perrish had a privileged life and expectations of a bright future with his childhood sweetheart, Merrin Williams. But his seemingly perfect life takes an unexpected and horribly dark turn when Merrin is brutally murdered and suspicion falls hard on Ig.\u003c/p>\n\u003cp>A year passes, but Ig is nowhere near over his grief or his rage — feelings that come to a head in a lost evening of drinking and hate. When he awakes the next morning he discovers that he has undergone a surreal transformation, and is in possession of an incredible power. Everyone he encounters has the uncontrollable urge to tell him things about their innermost desires and intentions, and whenever Ig touches someone, he instantly knows their darkest secrets. It isn’t long before he turns his terrible new abilities towards vengeance. Unfortunately, Ig is about to learn that when it comes to revenge, the devil is in the details…\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Joe Hill reads a passage from \u003cb>Horns\u003c/b>, the story of a man who wakes up to find he has sprouted horns. \u003cb>Please Note:\u003c/b> This episode contains adult language and situations.",
"status": "publish",
"parent": 0,
"modified": 1726706266,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 4,
"wordCount": 176
},
"headData": {
"title": "Horns | KQED",
"description": "Joe Hill reads a passage from Horns, the story of a man who wakes up to find he has sprouted horns. Please Note: This episode contains adult language and situations.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Horns",
"datePublished": "2010-04-13T17:31:36-07:00",
"dateModified": "2024-09-18T17:37:46-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/126004306/KQED_126004306.mp3",
"sticky": false,
"nprByline": "Joe Hill",
"path": "/arts/28934/horns",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The second son of a renowned musician and doting mother, and the younger brother of a late-night TV star, Ig Perrish had a privileged life and expectations of a bright future with his childhood sweetheart, Merrin Williams. But his seemingly perfect life takes an unexpected and horribly dark turn when Merrin is brutally murdered and suspicion falls hard on Ig.\u003c/p>\n\u003cp>A year passes, but Ig is nowhere near over his grief or his rage — feelings that come to a head in a lost evening of drinking and hate. When he awakes the next morning he discovers that he has undergone a surreal transformation, and is in possession of an incredible power. Everyone he encounters has the uncontrollable urge to tell him things about their innermost desires and intentions, and whenever Ig touches someone, he instantly knows their darkest secrets. It isn’t long before he turns his terrible new abilities towards vengeance. Unfortunately, Ig is about to learn that when it comes to revenge, the devil is in the details…\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/28934/horns",
"authors": [
"byline_arts_28934"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10028934",
"label": "arts"
},
"arts_28929": {
"type": "posts",
"id": "arts_28929",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "28929",
"score": null,
"sort": [
1271191248000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1271191248,
"format": "standard",
"title": "You're A Horrible Person, But I Like You...",
"headTitle": "You’re A Horrible Person, But I Like You… | KQED",
"content": "\u003cp>The title of the Believer’s latest humor anthology, \u003cb>You’re a Horrible Person, But I Like You: The Believer Book of Advice\u003c/b>, makes it pretty obvious that the recommendations contained within are not meant to be practically relevant. Of course, if any of them feel relevant, then so be it. Who am I to discourage you from taking John Oliver’s advice on how to break up with your mom (the answer involves capitalism and the ubiquitous “performance review”)?\u003c/p>\n\u003cp>If the title doesn’t make things clear enough, the roster of contributors on the cover — Sarah Silverman, Zach Galifianakis, Fred Armisen, Judd Apatow, & many more — should do the rest: the book is stuffed full of witty responses to witty questions written by the witty folks at \u003ci>The Believer\u003c/i>. Which section you think is wittiest depends on your sense of humor, of course. I skipped Patton Oswalt, for instance, and went straight for Janeane Garofalo. Martha Plimpton and Michael Cera’s sections were also surprise revelations. I would quote from Michael Cera, but it wouldn’t do him justice; I’ll just say that the payoff is bigger because he takes the time to weave his responses together.\u003c/p>\n\u003cp>So what kind of advice does \u003cb>You’re A Horrible Person\u003c/b> provide? There is no subject left untouched. Need to know whether you can substitute baking soda for baking powder? Michael Ian Black answers, “This sounds like the kind of question a terrorist would ask.” And when Cheri Colvin (of Rochester, NY) expresses her fear regarding mole-removal (she thinks her melanoma-prone mole is the most interesting thing about her face), Larry Doyle replies, “You may want to consider how interesting your face will look with a big hole in it.”\u003c/p>\n\u003cp>I am not a collector of advice books or humor anthologies and to be honest, after spending a few days with the book, I wasn’t thinking of it as a “need-to-have.” This morning, however, I discovered a reason to have the book-in-shelf: on a long-distance phone call with a friend I rarely see, I found myself reaching for it in order to read a section out loud. Not to impart any particular piece of wisdom; just to share a laugh.\u003c/p>\n\u003cp>You don’t have to buy You’re A Horrible Person to share its jokes: on April 15, 2010, \u003ci>The Believer\u003c/i> hosts a book launch party slash Litquake benefit at the Jewish Community Center in San Francisco, with appearances by Larry Doyle, Daniel Handler, Marc Maron, and Eugene Mirman. For \u003ca href=\"http://www.litquake.org/youre-a-horrible-person-but-i-like-you-the-believer-book-of-advice/\">tickets and information\u003c/a> visit litquake.org.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 456,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705052206,
"excerpt": "Need to know whether you can substitute baking soda for baking powder? Michael Ian Black answers, \"This sounds like the kind of question a terrorist would ask.\" ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Need to know whether you can substitute baking soda for baking powder? Michael Ian Black answers, "This sounds like the kind of question a terrorist would ask." ",
"title": "You're A Horrible Person, But I Like You... | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "You're A Horrible Person, But I Like You...",
"datePublished": "2010-04-13T13:40:48-07:00",
"dateModified": "2024-01-12T01:36:46-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "youre_a_horrible_person_but_i_like_you",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/literature/literature-event/",
"sticky": false,
"path": "/arts/28929/youre_a_horrible_person_but_i_like_you",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The title of the Believer’s latest humor anthology, \u003cb>You’re a Horrible Person, But I Like You: The Believer Book of Advice\u003c/b>, makes it pretty obvious that the recommendations contained within are not meant to be practically relevant. Of course, if any of them feel relevant, then so be it. Who am I to discourage you from taking John Oliver’s advice on how to break up with your mom (the answer involves capitalism and the ubiquitous “performance review”)?\u003c/p>\n\u003cp>If the title doesn’t make things clear enough, the roster of contributors on the cover — Sarah Silverman, Zach Galifianakis, Fred Armisen, Judd Apatow, & many more — should do the rest: the book is stuffed full of witty responses to witty questions written by the witty folks at \u003ci>The Believer\u003c/i>. Which section you think is wittiest depends on your sense of humor, of course. I skipped Patton Oswalt, for instance, and went straight for Janeane Garofalo. Martha Plimpton and Michael Cera’s sections were also surprise revelations. I would quote from Michael Cera, but it wouldn’t do him justice; I’ll just say that the payoff is bigger because he takes the time to weave his responses together.\u003c/p>\n\u003cp>So what kind of advice does \u003cb>You’re A Horrible Person\u003c/b> provide? There is no subject left untouched. Need to know whether you can substitute baking soda for baking powder? Michael Ian Black answers, “This sounds like the kind of question a terrorist would ask.” And when Cheri Colvin (of Rochester, NY) expresses her fear regarding mole-removal (she thinks her melanoma-prone mole is the most interesting thing about her face), Larry Doyle replies, “You may want to consider how interesting your face will look with a big hole in it.”\u003c/p>\n\u003cp>I am not a collector of advice books or humor anthologies and to be honest, after spending a few days with the book, I wasn’t thinking of it as a “need-to-have.” This morning, however, I discovered a reason to have the book-in-shelf: on a long-distance phone call with a friend I rarely see, I found myself reaching for it in order to read a section out loud. Not to impart any particular piece of wisdom; just to share a laugh.\u003c/p>\n\u003cp>You don’t have to buy You’re A Horrible Person to share its jokes: on April 15, 2010, \u003ci>The Believer\u003c/i> hosts a book launch party slash Litquake benefit at the Jewish Community Center in San Francisco, with appearances by Larry Doyle, Daniel Handler, Marc Maron, and Eugene Mirman. For \u003ca href=\"http://www.litquake.org/youre-a-horrible-person-but-i-like-you-the-believer-book-of-advice/\">tickets and information\u003c/a> visit litquake.org.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/28929/youre_a_horrible_person_but_i_like_you",
"authors": [
"108"
],
"categories": [
"arts_73"
],
"featImg": "arts_10028929",
"label": "arts"
},
"arts_28558": {
"type": "posts",
"id": "arts_28558",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "28558",
"score": null,
"sort": [
1269480725000
]
},
"guestAuthors": [],
"slug": "chasing_the_white_dog",
"title": "Chasing the White Dog",
"publishDate": 1269480725,
"format": "audio",
"headTitle": "Chasing the White Dog | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The rich and colorful history of illicit booze in America spans some two hundred-odd years. From the Whiskey Rebellion onward, distilling was split — the legal distilling industry on the one side, black marketeering on the other. “Outlaw” liquor has played a surprisingly large role in American history. Hooch touched the election of Thomas Jefferson, the invention of the IRS, and the birth of NASCAR. It is the story of Tommy Guns, hot rods, nip joints, and the Chestnut Blight — and its story is far from over.\u003c/p>\n\u003cp>Raised in the sticks of Virginia and devoted to his southern heritage, Watman grew up nipping on Moonshine and now distills his own spirits. He gives us an inside look at how distilling is done — the ingredients, the essential tools, and the many ways it can all go wrong — and treats us to his own hilarious first attempts to distill moonshine.\u003c/p>\n\u003cp>Like the microbrewery craze, the microdistillery movement has started gaining national traction over the last few years, as our current cultural obsession with authenticity and craft has crested. In addition to the major industry players, there are over a hundred microdistilleries thriving across the country. And many hobby-distilleries are lobbying to legalize their pastime. Moonshine is a booming industry, worth millions of dollars annually. Each year, hundreds of thousands of gallons of illegal whiskey are shipped from places like Franklin County, VA, to Washington, DC, Philadelphia, and other major cities where it is sold for a dollar a shot in “nip joints” to inner-city drinkers. Part cultural history, part foodie taste-making, and part how-to, \u003cb>Chasing the White Dog\u003c/b> combines the historical and the contemporary, the outlaw and the scofflaw. Who makes it? Who drinks it? What it meant to America?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Max Watman reads a passage from \u003cb>Chasing the White Dog\u003c/b> and takes us inside the rich and colorful history of illicit booze in America.",
"status": "publish",
"parent": 0,
"modified": 1726706270,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 302
},
"headData": {
"title": "Chasing the White Dog | KQED",
"description": "Max Watman reads a passage from Chasing the White Dog and takes us inside the rich and colorful history of illicit booze in America.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Chasing the White Dog",
"datePublished": "2010-03-24T18:32:05-07:00",
"dateModified": "2024-09-18T17:37:50-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/125612884/KQED_125612884.mp3",
"sticky": false,
"nprByline": "Max Watman",
"path": "/arts/28558/chasing_the_white_dog",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The rich and colorful history of illicit booze in America spans some two hundred-odd years. From the Whiskey Rebellion onward, distilling was split — the legal distilling industry on the one side, black marketeering on the other. “Outlaw” liquor has played a surprisingly large role in American history. Hooch touched the election of Thomas Jefferson, the invention of the IRS, and the birth of NASCAR. It is the story of Tommy Guns, hot rods, nip joints, and the Chestnut Blight — and its story is far from over.\u003c/p>\n\u003cp>Raised in the sticks of Virginia and devoted to his southern heritage, Watman grew up nipping on Moonshine and now distills his own spirits. He gives us an inside look at how distilling is done — the ingredients, the essential tools, and the many ways it can all go wrong — and treats us to his own hilarious first attempts to distill moonshine.\u003c/p>\n\u003cp>Like the microbrewery craze, the microdistillery movement has started gaining national traction over the last few years, as our current cultural obsession with authenticity and craft has crested. In addition to the major industry players, there are over a hundred microdistilleries thriving across the country. And many hobby-distilleries are lobbying to legalize their pastime. Moonshine is a booming industry, worth millions of dollars annually. Each year, hundreds of thousands of gallons of illegal whiskey are shipped from places like Franklin County, VA, to Washington, DC, Philadelphia, and other major cities where it is sold for a dollar a shot in “nip joints” to inner-city drinkers. Part cultural history, part foodie taste-making, and part how-to, \u003cb>Chasing the White Dog\u003c/b> combines the historical and the contemporary, the outlaw and the scofflaw. Who makes it? Who drinks it? What it meant to America?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/28558/chasing_the_white_dog",
"authors": [
"byline_arts_28558"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10028558",
"label": "arts"
},
"arts_28548": {
"type": "posts",
"id": "arts_28548",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "28548",
"score": null,
"sort": [
1269477198000
]
},
"guestAuthors": [],
"slug": "the_sky_is_everywhere",
"title": "The Sky Is Everywhere",
"publishDate": 1269477198,
"format": "audio",
"headTitle": "The Sky Is Everywhere | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Seventeen-year-old Lennie Walker, bookworm and band geek, spends most ofher time tucked safely and happily in the shadow of her outgoing andenigmatic older sister, Bailey. But when Bailey dies suddenly, Lennie iscatapulted to center stage of her own life — and, despite her non-existenthistory with boys, suddenly finds herself struggling to balance two. Atfirst, it seems the only person who truly understands the depth of herloss is Bailey’s boyfriend Toby. Their mutual bereavement turns intosomething that seems confusingly like romance. Then there’s the nearlymagical allure of Joe Fontaine, the new boy in town, and thrillinglytalented musician, who is falling for Lennie as fast as she’s fallingfor him. For Lennie, they’re the sun and the moon; one boy takes her outof her sorrow, the other comforts her in it. But just like theircelestial counterparts, they can’t collide without the whole wide worldexploding.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Jandy Nelson reads a passage from \u003cb>The Sky Is Everywhere\u003c/b>, the story of a bookworm and band geek who must deal with the loss of her sister along with the advent of two romances. ",
"status": "publish",
"parent": 0,
"modified": 1726706275,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 156
},
"headData": {
"title": "The Sky Is Everywhere | KQED",
"description": "Jandy Nelson reads a passage from The Sky Is Everywhere, the story of a bookworm and band geek who must deal with the loss of her sister along with the advent of two romances. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Sky Is Everywhere",
"datePublished": "2010-03-24T17:33:18-07:00",
"dateModified": "2024-09-18T17:37:55-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sourceUrl": "http://www.kqed.org/arts/programs/writersblock/",
"audioUrl": "http://podcastdownload.npr.org/anon.npr-podcasts/podcast/151/510076/125350463/KQED_125350463.mp3",
"sticky": false,
"nprByline": "Jandy Nelson",
"path": "/arts/28548/the_sky_is_everywhere",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Seventeen-year-old Lennie Walker, bookworm and band geek, spends most ofher time tucked safely and happily in the shadow of her outgoing andenigmatic older sister, Bailey. But when Bailey dies suddenly, Lennie iscatapulted to center stage of her own life — and, despite her non-existenthistory with boys, suddenly finds herself struggling to balance two. Atfirst, it seems the only person who truly understands the depth of herloss is Bailey’s boyfriend Toby. Their mutual bereavement turns intosomething that seems confusingly like romance. Then there’s the nearlymagical allure of Joe Fontaine, the new boy in town, and thrillinglytalented musician, who is falling for Lennie as fast as she’s fallingfor him. For Lennie, they’re the sun and the moon; one boy takes her outof her sorrow, the other comforts her in it. But just like theircelestial counterparts, they can’t collide without the whole wide worldexploding.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/28548/the_sky_is_everywhere",
"authors": [
"byline_arts_28548"
],
"categories": [
"arts_73"
],
"tags": [
"arts_330"
],
"featImg": "arts_10028548",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=literature": {
"isFetching": false,
"latestQuery": {
"from": 1560,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 1917,
"relation": "eq"
},
"items": [
"arts_29878",
"arts_29802",
"arts_29604",
"arts_29545",
"arts_29456",
"arts_29373",
"arts_29242",
"arts_28948",
"arts_28934",
"arts_28929",
"arts_28558",
"arts_28548"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_literature": {
"isLoading": true
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_330": {
"type": "terms",
"id": "arts_330",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "330",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Writers' Block",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Writers' Block Archives | KQED Arts",
"ogDescription": null
},
"ttid": 331,
"slug": "writersblock",
"isLoading": false,
"link": "/arts/tag/writersblock"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}