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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>England, 1923. A gentleman critic named Leslie Shepherd tells the macabre story of a gifted young composer, Charles Jessold. On the eve of his revolutionary new opera’s premiere, Jessold murders his wife and her lover, and then commits suicide in a scenario that strangely echoes the plot of his opera — which Shepherd has helped to write. The opera will never be performed.\u003c/p>\n\u003cp>Shepherd first shares his police testimony, then recalls his relationship with Jessold in his role as critic, biographer and friend. And with each retelling of the story, significant new details cast light on the identity of the real victim in Jessold’s tragedy.\u003c/p>\n\u003cp>This ambitiously intricate novel is set against a turbulent moment in music history, when atonal sounds first reverberated through the concert halls of Europe, just as the continent readied itself for war. What if Jessold’s opera was a betrayal not only of Shepherd but of England as well?\u003c/p>\n\u003cp>Wesley Stace has crafted a dazzling story of counter-melodies and counter-narratives that will keep you guessing to the end.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Wesley Stace, the author behind \u003cb>Charles Jessold, Considered as a Murderer\u003c/b>, recently visited the KQED studios to record an episode of \u003cb>The Writers’ Block\u003c/b>, which will be released next week (\u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=46953\">listen to Wesley’s reading\u003c/a> and \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=20227\"> his episode from 2007\u003c/a>). Until then, get to know him a little better with this Q+A, in which he talks about the most ridiculous thing that’s happened to him on stage, and what a religion founded by him might look like.\u003c/p>\n\u003cp>\u003cb>For your first foray into writing, you impressively turned a 5 minute pop song into a 500 hundred page novel. Is there a recent pop song that you wouldn’t mind fleshing out?\u003c/b>\u003c/p>\n\u003cp>\u003cb>Wesley Stace:\u003c/b> Not really and I earnestly hope never to do it again. I think it was a somewhat unique situation. However, I think there are many Decemberists and Long Winters songs that could easily be expanded to mammoth length. (I’m not saying that would be a good thing!)\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=IgMkHaQuT0k&fs=1&showinfo=0&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>Your given name comes from John Wesley, the founder of Methodism. What might a religion founded by you look like?\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Quakerism is the nearest I can possibly imagine, and, despite its grooviness, you’re still expected to believe in God. I very much enjoy going to Quaker meetings. Also, there would be lots of music (and there’s none at Quaker meeting.) So: Quakerism plus joyful music, but without God.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://sleevage.com/wp-content/uploads/2007/08/johnwesleyharding.jpg\">\u003c/p>\n\u003cp>\u003cb>In addition to being a novelist, you also make music under the moniker John Wesley Harding, which was taken from the Bob Dylan’s 1967 album. Why did you decide to use an alias for your musical endeavors and what went into choosing that specific one?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> The similarity to my own name was the key. I’d had my eye on that album ever since I was a small child and had no idea who Bob Dylan was. I took the name because I wanted to disguise myself, assuming my music career would go south very quickly.\u003c/p>\n\u003cp>\u003cb>What’s the most ridiculous thing that’s happened to you on stage or on the road?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Wow. A double bass fell over onstage and cracked in two. We could only watch in horror. That was nasty, but not ridiculous. Ridiculous? Perhaps when we turned up in Salt Lake City and played at The Zephyr, lying on our backs on the stage. We bought the sparse audience drinks and they bought us drinks and it was a very nice night. Music was played. Actually, I don’t think I’ve ever had a Salt Lake City gig that wasn’t ridiculous. At another I had to sign a waiver saying I wouldn’t insult the Mormon religion. My religion, incidentally, would be nothing like Mormonism, or at least, wouldn’t include censorship.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://blogs.catster.com/the-cats-meow-a-cat-and-kitten-blog/files/2009/10/caroleLombard.jpg\">\u003c/p>\n\u003cp>\u003cb>If your life was adapted to film, who would play you?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Carole Lombard.\u003c/p>\n\u003cp>\u003cb>What’s one book everyone should be required to read and why?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> \u003ca href=\"http://www.amazon.com/Life-Opinions-Tristram-Shandy-Gentleman/dp/1169349056/ref=ntt_at_ep_dpi_1\">\u003cb>Tristram Shandy\u003c/b> by Laurence Sterne\u003c/a> — because you will learn a lot about life, and time, and love, and death. And it will frustrate you and thrill you. And no other novel you read after that will ever do that again for you in the same way.\u003c/p>\n\u003cp>\u003cb>What song always makes it on your mix tapes and why?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> \u003ca href=\"http://www.youtube.com/watch?v=4ThlPDeSfQM\">“I Don’t Believe in Miracles” by Colin Blunstone\u003c/a>, because it is perfect.\u003c/p>\n\u003cp>\u003cb>What was your first concert?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Peter Frightens The Postman — I’ve looked them up online and they don’t actually seem to have ever existed. They were massively pre-internet of course. Next to my father’s house (in Bradfield, Berkshire, England) was a fake Greek Amphitheatre, and a band was playing down there for the schoolkids on a Saturday afternoon, so I went to see. The volume and the jumping around — it all made quite an impression on me. I’ve no idea what they were like, but in my mind they were somewhat like Curved Air, though this may only be because my stepbrother was playing a live Curved Air at the time, and I probably thought that’s what all music sounded like.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://womenlovebeer2.com/wp-content/uploads/2010/12/david-bowie.jpg\">\u003c/p>\n\u003cp>\u003cb>You’re on stage at a karaoke bar. What are you singing?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Well, in Japan on the last tour, I mainly went for Bowie. The first time I ever did karaoke, in San Francisco, I did Subterranean Homesick Blues. I have to admit to not really being into karaoke. But I’m not a spoilsport.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Look for Wesley Stace’s episode of \u003cb>The Writers’ Block\u003c/b> next Wednesday, March 23, 2011 at kqed.org/writersblock. And be sure not to miss each episode as it becomes available by \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=82023860\">subscribing to The Writers’ Block podcast\u003c/a>!\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Quakerism is the nearest I can possibly imagine, and, despite its grooviness, you’re still expected to believe in God. I very much enjoy going to Quaker meetings. Also, there would be lots of music (and there’s none at Quaker meeting.) So: Quakerism plus joyful music, but without God.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://sleevage.com/wp-content/uploads/2007/08/johnwesleyharding.jpg\">\u003c/p>\n\u003cp>\u003cb>In addition to being a novelist, you also make music under the moniker John Wesley Harding, which was taken from the Bob Dylan’s 1967 album. Why did you decide to use an alias for your musical endeavors and what went into choosing that specific one?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> The similarity to my own name was the key. I’d had my eye on that album ever since I was a small child and had no idea who Bob Dylan was. I took the name because I wanted to disguise myself, assuming my music career would go south very quickly.\u003c/p>\n\u003cp>\u003cb>What’s the most ridiculous thing that’s happened to you on stage or on the road?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Wow. A double bass fell over onstage and cracked in two. We could only watch in horror. That was nasty, but not ridiculous. Ridiculous? Perhaps when we turned up in Salt Lake City and played at The Zephyr, lying on our backs on the stage. We bought the sparse audience drinks and they bought us drinks and it was a very nice night. Music was played. Actually, I don’t think I’ve ever had a Salt Lake City gig that wasn’t ridiculous. At another I had to sign a waiver saying I wouldn’t insult the Mormon religion. My religion, incidentally, would be nothing like Mormonism, or at least, wouldn’t include censorship.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://blogs.catster.com/the-cats-meow-a-cat-and-kitten-blog/files/2009/10/caroleLombard.jpg\">\u003c/p>\n\u003cp>\u003cb>If your life was adapted to film, who would play you?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Carole Lombard.\u003c/p>\n\u003cp>\u003cb>What’s one book everyone should be required to read and why?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> \u003ca href=\"http://www.amazon.com/Life-Opinions-Tristram-Shandy-Gentleman/dp/1169349056/ref=ntt_at_ep_dpi_1\">\u003cb>Tristram Shandy\u003c/b> by Laurence Sterne\u003c/a> — because you will learn a lot about life, and time, and love, and death. And it will frustrate you and thrill you. And no other novel you read after that will ever do that again for you in the same way.\u003c/p>\n\u003cp>\u003cb>What song always makes it on your mix tapes and why?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> \u003ca href=\"http://www.youtube.com/watch?v=4ThlPDeSfQM\">“I Don’t Believe in Miracles” by Colin Blunstone\u003c/a>, because it is perfect.\u003c/p>\n\u003cp>\u003cb>What was your first concert?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Peter Frightens The Postman — I’ve looked them up online and they don’t actually seem to have ever existed. They were massively pre-internet of course. Next to my father’s house (in Bradfield, Berkshire, England) was a fake Greek Amphitheatre, and a band was playing down there for the schoolkids on a Saturday afternoon, so I went to see. The volume and the jumping around — it all made quite an impression on me. I’ve no idea what they were like, but in my mind they were somewhat like Curved Air, though this may only be because my stepbrother was playing a live Curved Air at the time, and I probably thought that’s what all music sounded like.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://womenlovebeer2.com/wp-content/uploads/2010/12/david-bowie.jpg\">\u003c/p>\n\u003cp>\u003cb>You’re on stage at a karaoke bar. What are you singing?\u003c/b>\u003c/p>\n\u003cp>\u003cb>WS:\u003c/b> Well, in Japan on the last tour, I mainly went for Bowie. The first time I ever did karaoke, in San Francisco, I did Subterranean Homesick Blues. I have to admit to not really being into karaoke. But I’m not a spoilsport.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Look for Wesley Stace’s episode of \u003cb>The Writers’ Block\u003c/b> next Wednesday, March 23, 2011 at kqed.org/writersblock. And be sure not to miss each episode as it becomes available by \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=82023860\">subscribing to The Writers’ Block podcast\u003c/a>!\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>I approached KoKo Cocktails, a small bar on the edge of the Tenderloin, to attend an event I had only found out about earlier that day on Facebook. Stephen Elliott and Tony DuShane were going to be reading in the TL? For free? It was a Saturday night in December of 2009 and I had only been living in the city for six months, but I had already become something of a junkie for attending and filming readings and this seemed like a pretty good ticket. It was \u003ca href=\"http://www.examiner.com/literary-culture-in-san-francisco/literature-the-tenderloin\">the third installation\u003c/a> of the Tenderloin Reading Series , founded and organized by one Jonathan I. Hirsch.\u003c/p>\n\u003cp>As I opened the door to the bar, a dapper man about my age with close-cut blonde hair, glasses, and a sharp vest-tie combo was stepping outside. Our eyes caught at the same moment and we both paused. Hm, I wear a sharp vest-tie combo, too. And in the Tenderloin! What kind of reading series is this, I wondered. I introduced myself and spoke with Jonathan long enough to realize he was not only passionate about what he was doing, but serious enough to get it done. I made a note to remember this man and took a seat at the bar.\u003c/p>\n\u003cp>The readings were excellent, intimate in the darklit but somehow swanky confines of KoKo’s. Quarterly, the TLRS features fiction, poetry, and creative non-fiction on or about the gritty Tenderloin district, which has long been home to the homeless, the poor and broken, desperate and resigned denizens of our city. But the Tenderloin is also one of the fastest changing demographics in the city, and home to many dreams still vibrant; artists live there cheaply, and those down on their luck move in, refusing to give up on their love for San Francisco. The Tenderloin is thus a vortex of energy, and the Tenderloin Reading Series represents the wide range of experiences to be had there.\u003c/p>\n\u003cp>Recently, Hirsch has created a corollary series called \u003ca href=\"http://tenderloinreadingseries.com/category/tenderlogues/\">\u003ci>Tenderlogues\u003c/i>\u003c/a>, which aims to collect narratives from TL inhabitants that express unforgettable and often life-changing moments they’ve experienced in the neighborhood. Said Hirsch, “The Tenderlogue concept arose out of many discussions and considerations I’ve had about how to expand TLRS in a manner that was fitting to its original purpose: to get people talking, thinking, and sharing stories about the neighborhood. Over the past two years it occurred to me numerous times just how remarkable and unique this neighborhood is, and how those who have had the occasion to experience it (for better or worse) kept these stories with them for the rest of their lives. By compiling many of these narratives, the Tenderlogue project could help to define the neighborhood and the experience of being here, not just for its residents, but also for future times.”\u003c/p>\n\u003cp>In addition to the narratives, each Tenderlogue will feature author photos by Julie Michelle, whose project \u003ca href=\"http:iliveheresf.com\">I Live Here:SF\u003c/a> (featured in SOMArts this past November) is a natural fit for collaboration. Since March of 2009, Michelle has invited anyone who lives in the city to share his or her story and neighborhood with her; she does a photo shoot and appends image to narrative, creating not only a context for each subject but also a time capsule of the city’s neighborhoods. All together, I Live Here:SF is a dynamic portrait of the people who live here and the many reasons why it means so much to them.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The city is a completely live animal to me, a kaleidoscope of faces and stories,” Michelle says. “I love how people take pride in where they live and want to share their knowledge and their daily life with others.”\u003c/p>\n\u003cp>As I Live Here:SF has demonstrated, what sometimes brings people together is a love of place. Those who live in the Tenderloin have a somewhat unorthodox passion for San Francisco that merits closer attention, for to live in the very bowels of the city and sustain enthusiasm requires a breed of love that comes from a necessarily deeper place than that found in the dreamy notions that accompany the city by the bay; there’s no bay in the Tenderloin.\u003c/p>\n\u003cp>How did the two meet? Jonathan told Julie \u003ca href=\"http://iliveheresf.com/?p=1508\">his incredible story for I Live Here:SF\u003c/a>. Now they work together to share the Tenderloin’s stories.\u003c/p>\n\u003cp>The Tenderlogue project has the potential to be a benchmark for both Jonathan and Julie, as Jonathan hopes to include “a larger percentage of people from outside the literary community,” and Julie will compile perhaps her most extensive profile of any neighborhood to date.\u003c/p>\n\u003cp>The first Tenderlogue was contributed by Tony DuShane, who will be one of the featured readers at the two-year anniversary of the Tenderloin Reading Series this Saturday night. The celebration promises to be stellar, with performance poets Charlie Getter and Meg Day on the same ticket as memoirist Alan Kaufman and resident Tenderloin poet laureates Ed Bowers and Joel Landfield joining DuShane, a novelist.\u003c/p>\n\u003cp>Also, if you’re in the Excelsior, Michelle has just installed an exhibit of portraits from I Live Here:SF at Mama Art Cafe (4754 Mission St). The reception is March 31 from 7-10pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The next edition of the Tenderloin Reading Series is Saturday, March 19, 2011, 7:30pm at KoKo’s Cocktails, 1060 Geary Street in San Francisco. For \u003ca href=\"http://tenderloinreadingseries.com/2011/02/23/two-years-of-the-tenderloin-reading-series/\">more information\u003c/a> visit tenderloinreadingseries.com. The event is FREE!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I approached KoKo Cocktails, a small bar on the edge of the Tenderloin, to attend an event I had only found out about earlier that day on Facebook. Stephen Elliott and Tony DuShane were going to be reading in the TL? For free? It was a Saturday night in December of 2009 and I had only been living in the city for six months, but I had already become something of a junkie for attending and filming readings and this seemed like a pretty good ticket. It was \u003ca href=\"http://www.examiner.com/literary-culture-in-san-francisco/literature-the-tenderloin\">the third installation\u003c/a> of the Tenderloin Reading Series , founded and organized by one Jonathan I. Hirsch.\u003c/p>\n\u003cp>As I opened the door to the bar, a dapper man about my age with close-cut blonde hair, glasses, and a sharp vest-tie combo was stepping outside. Our eyes caught at the same moment and we both paused. Hm, I wear a sharp vest-tie combo, too. And in the Tenderloin! What kind of reading series is this, I wondered. I introduced myself and spoke with Jonathan long enough to realize he was not only passionate about what he was doing, but serious enough to get it done. I made a note to remember this man and took a seat at the bar.\u003c/p>\n\u003cp>The readings were excellent, intimate in the darklit but somehow swanky confines of KoKo’s. Quarterly, the TLRS features fiction, poetry, and creative non-fiction on or about the gritty Tenderloin district, which has long been home to the homeless, the poor and broken, desperate and resigned denizens of our city. But the Tenderloin is also one of the fastest changing demographics in the city, and home to many dreams still vibrant; artists live there cheaply, and those down on their luck move in, refusing to give up on their love for San Francisco. The Tenderloin is thus a vortex of energy, and the Tenderloin Reading Series represents the wide range of experiences to be had there.\u003c/p>\n\u003cp>Recently, Hirsch has created a corollary series called \u003ca href=\"http://tenderloinreadingseries.com/category/tenderlogues/\">\u003ci>Tenderlogues\u003c/i>\u003c/a>, which aims to collect narratives from TL inhabitants that express unforgettable and often life-changing moments they’ve experienced in the neighborhood. Said Hirsch, “The Tenderlogue concept arose out of many discussions and considerations I’ve had about how to expand TLRS in a manner that was fitting to its original purpose: to get people talking, thinking, and sharing stories about the neighborhood. Over the past two years it occurred to me numerous times just how remarkable and unique this neighborhood is, and how those who have had the occasion to experience it (for better or worse) kept these stories with them for the rest of their lives. By compiling many of these narratives, the Tenderlogue project could help to define the neighborhood and the experience of being here, not just for its residents, but also for future times.”\u003c/p>\n\u003cp>In addition to the narratives, each Tenderlogue will feature author photos by Julie Michelle, whose project \u003ca href=\"http:iliveheresf.com\">I Live Here:SF\u003c/a> (featured in SOMArts this past November) is a natural fit for collaboration. Since March of 2009, Michelle has invited anyone who lives in the city to share his or her story and neighborhood with her; she does a photo shoot and appends image to narrative, creating not only a context for each subject but also a time capsule of the city’s neighborhoods. All together, I Live Here:SF is a dynamic portrait of the people who live here and the many reasons why it means so much to them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The city is a completely live animal to me, a kaleidoscope of faces and stories,” Michelle says. “I love how people take pride in where they live and want to share their knowledge and their daily life with others.”\u003c/p>\n\u003cp>As I Live Here:SF has demonstrated, what sometimes brings people together is a love of place. Those who live in the Tenderloin have a somewhat unorthodox passion for San Francisco that merits closer attention, for to live in the very bowels of the city and sustain enthusiasm requires a breed of love that comes from a necessarily deeper place than that found in the dreamy notions that accompany the city by the bay; there’s no bay in the Tenderloin.\u003c/p>\n\u003cp>How did the two meet? Jonathan told Julie \u003ca href=\"http://iliveheresf.com/?p=1508\">his incredible story for I Live Here:SF\u003c/a>. Now they work together to share the Tenderloin’s stories.\u003c/p>\n\u003cp>The Tenderlogue project has the potential to be a benchmark for both Jonathan and Julie, as Jonathan hopes to include “a larger percentage of people from outside the literary community,” and Julie will compile perhaps her most extensive profile of any neighborhood to date.\u003c/p>\n\u003cp>The first Tenderlogue was contributed by Tony DuShane, who will be one of the featured readers at the two-year anniversary of the Tenderloin Reading Series this Saturday night. The celebration promises to be stellar, with performance poets Charlie Getter and Meg Day on the same ticket as memoirist Alan Kaufman and resident Tenderloin poet laureates Ed Bowers and Joel Landfield joining DuShane, a novelist.\u003c/p>\n\u003cp>Also, if you’re in the Excelsior, Michelle has just installed an exhibit of portraits from I Live Here:SF at Mama Art Cafe (4754 Mission St). The reception is March 31 from 7-10pm.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The next edition of the Tenderloin Reading Series is Saturday, March 19, 2011, 7:30pm at KoKo’s Cocktails, 1060 Geary Street in San Francisco. For \u003ca href=\"http://tenderloinreadingseries.com/2011/02/23/two-years-of-the-tenderloin-reading-series/\">more information\u003c/a> visit tenderloinreadingseries.com. The event is FREE!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A few years ago, I visited Steven Weinberg’s studio in the Mission where he told me about a book he was illustrating. Written by his girlfriend, Casey Scieszka, it would include their true stories about teaching English abroad after college, traveling the world, eating noodles, and being in love. The nearly 500-page saga, \u003cb>To Timbuktu\u003c/b>, has finally hit the shelves. It’s fun to read and conveniently doubles as an approachable book for young people considering their own international adventures.\u003c/p>\n\u003cp>While very thick, the book is a light read and light to carry around. It made the last couple weeks of my commute very enjoyable. I found myself looking forward to diving back into Casey and Steven’s stories, though it felt a bit voyeuristic to be reading so many personal details about a couple I’d only met once or twice. Now I know all of their beeswax and I feel like we’re best friends.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/timbuktu.jpg\" style=\"margin-bottom: 10px;\">\u003c/center>\n\u003cp>Some of the best parts of the book are about their teaching victories. Suspicious that his students were afraid of his big nose, Steven took Casey’s advice and knelt down to the kids’ level (a golden rule for communicating with children). He let the students touch his nose to diffuse their fear, which might sound silly, but is written about so endearingly. Another sweet story happens when a student insists on making her parents wait until Casey is finished cleaning up after class so they can ride the elevator together and hold hands.\u003c/p>\n\u003cp>Also affective in the book are Casey’s descriptions of eating their way across China, which made me have to order noodles more than once while making my way through that chapter. The couple’s relationship is prominent, as they were a fairly new item when they set out on their two-year voyage. After China they visit or live in many other places, including Thailand, Mali, and yes, even Timbuktu.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe src=\"http://media.barnesandnoble.com/linking/index.jsp?skin=oneclip&ehv=http://media.barnesandnoble.com&fr_story=c7fdb89def99286dc5489e0c3d896a2f713c22e1&rf=ev&hl=true\" width=\"413\" height=\"355\" scrolling=\"no\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\">\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>While the book is written from Casey’s first person perspective, Steven’s drawings communicate his own perception of the situations. Sometimes his accounts are just like his partner’s, and sometimes they are vaguely different. Drawings accompany the text on every page, and you could understand many of the stories’ nuances through the black-and-white sketches alone. In fact, Steven’s drawings were one of his main teaching tools. Though Casey identifies more as a writer, and Steven as an artist, they both seem like qualified creators and storytellers. I’d like to see them switch roles for their next published travel diary, which I would gladly read.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Unfortunately for San Francisco, they’ve now settled in Brooklyn, but \u003ca href=\"http://telephoneandsoup.com/blog\">keep an eye on their blog\u003c/a> because they’ve been known to host drawing sessions at Shotwell’s Bar when they’re in town for a visit. In the meantime, get all up in their business by picking up a copy of \u003cb>To Timbuktu\u003c/b> online or at local bookshops including \u003ca href=\"http://www.missioncomicsandart.com/\">Mission: Comics and Art\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A few years ago, I visited Steven Weinberg’s studio in the Mission where he told me about a book he was illustrating. Written by his girlfriend, Casey Scieszka, it would include their true stories about teaching English abroad after college, traveling the world, eating noodles, and being in love. The nearly 500-page saga, \u003cb>To Timbuktu\u003c/b>, has finally hit the shelves. It’s fun to read and conveniently doubles as an approachable book for young people considering their own international adventures.\u003c/p>\n\u003cp>While very thick, the book is a light read and light to carry around. It made the last couple weeks of my commute very enjoyable. I found myself looking forward to diving back into Casey and Steven’s stories, though it felt a bit voyeuristic to be reading so many personal details about a couple I’d only met once or twice. Now I know all of their beeswax and I feel like we’re best friends.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/timbuktu.jpg\" style=\"margin-bottom: 10px;\">\u003c/center>\n\u003cp>Some of the best parts of the book are about their teaching victories. Suspicious that his students were afraid of his big nose, Steven took Casey’s advice and knelt down to the kids’ level (a golden rule for communicating with children). He let the students touch his nose to diffuse their fear, which might sound silly, but is written about so endearingly. Another sweet story happens when a student insists on making her parents wait until Casey is finished cleaning up after class so they can ride the elevator together and hold hands.\u003c/p>\n\u003cp>Also affective in the book are Casey’s descriptions of eating their way across China, which made me have to order noodles more than once while making my way through that chapter. The couple’s relationship is prominent, as they were a fairly new item when they set out on their two-year voyage. After China they visit or live in many other places, including Thailand, Mali, and yes, even Timbuktu.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003ciframe src=\"http://media.barnesandnoble.com/linking/index.jsp?skin=oneclip&ehv=http://media.barnesandnoble.com&fr_story=c7fdb89def99286dc5489e0c3d896a2f713c22e1&rf=ev&hl=true\" width=\"413\" height=\"355\" scrolling=\"no\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\">\u003c/iframe>\n\u003cp>\u003c/p>\u003c/center>\n\u003cp>While the book is written from Casey’s first person perspective, Steven’s drawings communicate his own perception of the situations. Sometimes his accounts are just like his partner’s, and sometimes they are vaguely different. Drawings accompany the text on every page, and you could understand many of the stories’ nuances through the black-and-white sketches alone. In fact, Steven’s drawings were one of his main teaching tools. Though Casey identifies more as a writer, and Steven as an artist, they both seem like qualified creators and storytellers. I’d like to see them switch roles for their next published travel diary, which I would gladly read.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Unfortunately for San Francisco, they’ve now settled in Brooklyn, but \u003ca href=\"http://telephoneandsoup.com/blog\">keep an eye on their blog\u003c/a> because they’ve been known to host drawing sessions at Shotwell’s Bar when they’re in town for a visit. In the meantime, get all up in their business by picking up a copy of \u003cb>To Timbuktu\u003c/b> online or at local bookshops including \u003ca href=\"http://www.missioncomicsandart.com/\">Mission: Comics and Art\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Q+A with Mira Bartók",
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"content": "\u003cp>Mira Bartók, the author behind \u003cb>The Memory Palace\u003c/b>, recently visited the KQED studios to record an episode of \u003cb>\u003ca href=\"http://www.kqed.org/writersblock\" target=\"offsite\" rel=\"noopener\">The Writers’ Block\u003c/a>\u003c/b>, which will be released next week (\u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=45083\">listen to Mira’s reading here\u003c/a>). Until then, get to know her a little better with this Q+A, in which she talks about memory recall, Hello Kitty, and what her past incarnation would have been.\u003c/p>\n\u003cp>\u003cb>Talk a little about the Renaissance system of memory recall and how it inspired the way you went about writing your memoir, \u003ci>The Memory Palace\u003c/i>.\u003c/b>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Mira Bartók:\u003c/b> This system really goes back to the ancient Greeks, but, in 1596, a Jesuit priest named Matteo Ricci popularized it. He had extraordinary mnemonic powers and, while he was a missionary in China, he taught Chinese scholars how to build an imaginary palace in their minds in order to contain their memories. For everything they wanted to recall, he told them to affix an image and to every image, a position inside a room in their mind. I thought it was a beautiful image/structure to create for the architecture for my book. And rather than create a palace in my mind, I created \u003ca href=\"/assets/img/arts/blog/mira-1.jpg\">a huge one on my studio wall\u003c/a>. Images from that palace appear at the beginning of each chapter as memory prompts and lead the narrator (and reader) back through time to an event.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"311\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/mE5j8NIrXRg?fs=1&hl=en_US&showinfo=0&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/mE5j8NIrXRg?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"500\" height=\"311\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>\u003cb>You’ve mentioned your mother’s storage unit as a “cabinet of curiosities.” What were some of the most interesting things you found there? Did you learn more about your mother by going through her belongings? Do you collect anything yourself?\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> Aside from seventeen years of amazing diaries, sketchbooks and what she called her ‘scribing’ books that contained all these subjects she studied with savant-like fervor (physics, biology, fairy tales, neuroscience, ancient geology, alien abductions, foreign languages, etc.), the weirdest things were the 1950s geiger counters to measure radiation and these huge bizarre posters she made that she called her “posters of intent.” Apparently, she placed them over windows to block out poisonous gas and radiation. There were also an exceptionally large number of scissors and tuna fish cans.\u003c/p>\n\u003cp>As for me, I don’t collect the same thing over and over again. I have a friend who unfortunately thinks I collect Hello Kitty items because he is a compulsive collector of everything. He once he saw I had a Hello Kitty change purse someone gave me and just assumed I needed more H.K. items. So now, every time he sees something Hello Kittyish, he gives it to me. I don’t have the heart to tell him to stop. It makes him so happy.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mira-2.jpg\">\u003c/center>\n\u003cp>\u003cb>There’s definitely a bit of dark humor going on in your book, specifically in your mother’s letters. What is the funniest memory about your mom?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> The time she asked me if a decayed hot dog she found on the floor was a penis from an alien that had been placed there to transmit messages to her. I repeated back to her what she had just said and then asked her if she really believed that. She laughed and had one of her more lucid moments where she realized she had just imagined something unreal. It was pretty funny at the time for both of us, thankfully.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"311\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/EraHiteiCII?fs=1&hl=en_US&showinfo=0&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/EraHiteiCII?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"500\" height=\"311\">\u003c/embed>\u003c/object>\u003c/center>\u003cbr> \n\u003cp>\u003cb>If your life was adapted to film, who would play you?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> I’ve been trying to figure that out. My dream would be Isabella Rossalini when she was younger.\u003c/p>\n\u003cp>\u003cb>Having called places like Israel, Italy, and even the Arctic home, it seems as though you’ve lived many different lives. If you had to imagine your past incarnation, where would you have been and what would you have been doing?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> I definitely would have been either one of two things: an illuminator/scribe in an Italian Medieval monastery (as long as there were great dinner parties, I could have sex, and I wasn’t expected to perform any self-flagellation or anything too extreme). Or I would have been Darwin’s assistant on the Voyage of the Beagle. He couldn’t really draw specimens well, so I could have helped out a lot in that department. Especially with all those finches and marine iguanas.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"311\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/cSVbwwsLPqw?fs=1&hl=en_US&showinfo=0&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/cSVbwwsLPqw?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"500\" height=\"311\">\u003c/embed>\u003c/object>\u003c/center>\u003cbr> \n\u003cp>\u003cb>You’re on stage at a karaoke bar. What are you singing?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> I’ve only been to a karaoke bar once and it was a Korean one. So I can only imagine myself doing what I did that night: singing “Like a Prayer” by Madonna in a weirdly translated form.\u003c/p>\n\u003cp>\u003cb>If you had a spirit animal, what would it be?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> That’s easy. A penguin. The kind we used to call fairy penguins but now they call them “little penguins.”\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mira-3.jpg\">\u003c/center>\n\u003cp>\u003cb>What’s something about you that might surprise people?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> Three things: 1. I absolutely love Dolly Parton (her bluegrass/traditional stuff). 2. I carry a pair of hockey skates in the back of my car, just in case I see a pond somewhere on the road or a rink. I’m a wicked skater. And 3. I’m a potty mouth. I try not to be but, well, there you go. Sometimes it’s hard to control what comes out.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Look for Mira Bartók’s episode of \u003cb>The Writers’ Block\u003c/b> next Wednesday, March 16, 2011 at kqed.org/writersblock. And be sure not to miss each episode as it becomes available by \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=82023860\" target=\"offsite\" rel=\"noopener\">subscribing to The Writers’ Block podcast\u003c/a>!\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mira Bartók, the author behind \u003cb>The Memory Palace\u003c/b>, recently visited the KQED studios to record an episode of \u003cb>\u003ca href=\"http://www.kqed.org/writersblock\" target=\"offsite\" rel=\"noopener\">The Writers’ Block\u003c/a>\u003c/b>, which will be released next week (\u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=45083\">listen to Mira’s reading here\u003c/a>). Until then, get to know her a little better with this Q+A, in which she talks about memory recall, Hello Kitty, and what her past incarnation would have been.\u003c/p>\n\u003cp>\u003cb>Talk a little about the Renaissance system of memory recall and how it inspired the way you went about writing your memoir, \u003ci>The Memory Palace\u003c/i>.\u003c/b>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Mira Bartók:\u003c/b> This system really goes back to the ancient Greeks, but, in 1596, a Jesuit priest named Matteo Ricci popularized it. He had extraordinary mnemonic powers and, while he was a missionary in China, he taught Chinese scholars how to build an imaginary palace in their minds in order to contain their memories. For everything they wanted to recall, he told them to affix an image and to every image, a position inside a room in their mind. I thought it was a beautiful image/structure to create for the architecture for my book. And rather than create a palace in my mind, I created \u003ca href=\"/assets/img/arts/blog/mira-1.jpg\">a huge one on my studio wall\u003c/a>. Images from that palace appear at the beginning of each chapter as memory prompts and lead the narrator (and reader) back through time to an event.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"311\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/mE5j8NIrXRg?fs=1&hl=en_US&showinfo=0&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/mE5j8NIrXRg?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"500\" height=\"311\">\u003c/embed>\u003c/object>\u003c/center>\n\u003cp>\u003cb>You’ve mentioned your mother’s storage unit as a “cabinet of curiosities.” What were some of the most interesting things you found there? Did you learn more about your mother by going through her belongings? Do you collect anything yourself?\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> Aside from seventeen years of amazing diaries, sketchbooks and what she called her ‘scribing’ books that contained all these subjects she studied with savant-like fervor (physics, biology, fairy tales, neuroscience, ancient geology, alien abductions, foreign languages, etc.), the weirdest things were the 1950s geiger counters to measure radiation and these huge bizarre posters she made that she called her “posters of intent.” Apparently, she placed them over windows to block out poisonous gas and radiation. There were also an exceptionally large number of scissors and tuna fish cans.\u003c/p>\n\u003cp>As for me, I don’t collect the same thing over and over again. I have a friend who unfortunately thinks I collect Hello Kitty items because he is a compulsive collector of everything. He once he saw I had a Hello Kitty change purse someone gave me and just assumed I needed more H.K. items. So now, every time he sees something Hello Kittyish, he gives it to me. I don’t have the heart to tell him to stop. It makes him so happy.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mira-2.jpg\">\u003c/center>\n\u003cp>\u003cb>There’s definitely a bit of dark humor going on in your book, specifically in your mother’s letters. What is the funniest memory about your mom?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> The time she asked me if a decayed hot dog she found on the floor was a penis from an alien that had been placed there to transmit messages to her. I repeated back to her what she had just said and then asked her if she really believed that. She laughed and had one of her more lucid moments where she realized she had just imagined something unreal. It was pretty funny at the time for both of us, thankfully.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"311\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/EraHiteiCII?fs=1&hl=en_US&showinfo=0&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/EraHiteiCII?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"500\" height=\"311\">\u003c/embed>\u003c/object>\u003c/center>\u003cbr> \n\u003cp>\u003cb>If your life was adapted to film, who would play you?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> I’ve been trying to figure that out. My dream would be Isabella Rossalini when she was younger.\u003c/p>\n\u003cp>\u003cb>Having called places like Israel, Italy, and even the Arctic home, it seems as though you’ve lived many different lives. If you had to imagine your past incarnation, where would you have been and what would you have been doing?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> I definitely would have been either one of two things: an illuminator/scribe in an Italian Medieval monastery (as long as there were great dinner parties, I could have sex, and I wasn’t expected to perform any self-flagellation or anything too extreme). Or I would have been Darwin’s assistant on the Voyage of the Beagle. He couldn’t really draw specimens well, so I could have helped out a lot in that department. Especially with all those finches and marine iguanas.\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cobject width=\"500\" height=\"311\">\u003cparam name=\"movie\" value=\"http://www.youtube.com/v/cSVbwwsLPqw?fs=1&hl=en_US&showinfo=0&rel=0\">\u003cparam name=\"allowFullScreen\" value=\"true\">\u003cparam name=\"allowscriptaccess\" value=\"always\">\u003cembed src=\"http://www.youtube.com/v/cSVbwwsLPqw?fs=1&showinfo=0&hl=en_US&rel=0\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"500\" height=\"311\">\u003c/embed>\u003c/object>\u003c/center>\u003cbr> \n\u003cp>\u003cb>You’re on stage at a karaoke bar. What are you singing?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> I’ve only been to a karaoke bar once and it was a Korean one. So I can only imagine myself doing what I did that night: singing “Like a Prayer” by Madonna in a weirdly translated form.\u003c/p>\n\u003cp>\u003cb>If you had a spirit animal, what would it be?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> That’s easy. A penguin. The kind we used to call fairy penguins but now they call them “little penguins.”\u003c/p>\n\u003cp> \u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/mira-3.jpg\">\u003c/center>\n\u003cp>\u003cb>What’s something about you that might surprise people?\u003c/b>\u003c/p>\n\u003cp>\u003cb>MB:\u003c/b> Three things: 1. I absolutely love Dolly Parton (her bluegrass/traditional stuff). 2. I carry a pair of hockey skates in the back of my car, just in case I see a pond somewhere on the road or a rink. I’m a wicked skater. And 3. I’m a potty mouth. I try not to be but, well, there you go. Sometimes it’s hard to control what comes out.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Look for Mira Bartók’s episode of \u003cb>The Writers’ Block\u003c/b> next Wednesday, March 16, 2011 at kqed.org/writersblock. And be sure not to miss each episode as it becomes available by \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=82023860\" target=\"offsite\" rel=\"noopener\">subscribing to The Writers’ Block podcast\u003c/a>!\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Karen Russell, the author behind \u003cb>Swamplandia!\u003c/b>, recently visited the KQED studios to record an episode of \u003cb>\u003ca href=\"http://www.kqed.org/writersblock\" target=\"offsite\" rel=\"noopener\">The Writers’ Block\u003c/a>\u003c/b>, which will be released next week (\u003ca href=\"http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=44721\">listen to Karen’s reading here\u003c/a>). Until then, get to know her a little better with this Q+A, in which she talks about crossing the river Styx, Lil Jon, and why the socially anxious would thrive in the time of the dinosaurs.\u003c/p>\n\u003cp>\u003cb>In your interview with \u003ca href=\"http://www.theparisreview.org/blog/2011/02/03/karen-russell-on-%E2%80%98swamplandia%E2%80%99/\" target=\"offsite\" rel=\"noopener\">\u003ci>The Paris Review\u003c/i>\u003c/a>, you mentioned that \u003ci>Swamplandia!\u003c/i> grew out of a sense that you had arrived a few generations too late, missing the time when “the skies in Florida were dark with birds, and the Everglades was a wonderland.” If you could visit any other time period and place in history, which would it be and why?\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cb>Karen Russell:\u003c/b> I think it would be the time of the dinosaurs. I would have loved to (safely) see the world of the dinosaurs; and because they are dinosaurs, this would get me off the hook of making awkward “Hello, I come from the future!” conversation. Cool ferns, a stegosaurus, and an added bonus for the socially anxious.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://3.bp.blogspot.com/_7PbZq3w6-6A/TPe70ptUuBI/AAAAAAAADMk/CKejJuptox8/s1600/Land-Before-Time-2_web.jpg\" width=\"500\" height=\"334\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Growing up, you had a thing for YA novels about kids surviving by their own wits. What drew you to that type of narrative and which novel in that category made the biggest impression on you?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> I think younger readers love these books for the same reasons that adults love a book like “Into Thin Air” — survival tales give us case studies of how humans look in stripped-down circumstances. These books offer a documentation of our bared, truest natures. I also loved, as a kid, given that we were all under the thumb of adult power, any tale of kid autonomy. I loved stories where child protagonists were called upon (and given the opportunity) to be their bravest selves. Where they had agency, a challenge. And there are so many great YA books in this genre! I loved \u003cb>A Wrinkle in Time\u003c/b>, \u003cb>The Hobbit\u003c/b>, the C.S. Lewis Narnia stories, \u003cb>Alice in Wonderland\u003c/b>, \u003cb>A Red Fern Grows Through It\u003c/b>, \u003cb>Hatchett\u003c/b>, \u003cb>Julie of the Wolves\u003c/b>, \u003cb>Island of the Blue Dolphins\u003c/b>. It’s a wonderful thing to have those earliest and most vivid reading experiences in common with someone.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=UhsCCQrCNAs&fs=1&hl=en_US&rel=0]\u003c/p>\n\u003cp>\u003cb>What music would best represent your writing style?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> This is a great question; I honestly am not sure. I wonder what readers would say. While I was writing the stories in the \u003cb>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/0307263983/kqedorg-20\" target=\"offsite\" rel=\"noopener\">St Lucy’s Home for Girls Raised by Wolves\u003c/a>\u003c/b> collection, I did spend a lot of time listening to the Donnie Darko soundtrack for some reason. The score is dreamy and dark and funny, too — it has some sort of sci-fi “Midsummer Night’s Eve” feel to me. In \u003cb>Swamplandia!\u003c/b>, I listened to \u003ca href=\"http://www.youtube.com/watch?v=Evuh_h1vg1w\" target=\"offsite\" rel=\"noopener\">Cat Power’s “Haiku Ten”\u003c/a> on repeat, something about that one seemed synced to Ava’s character for me, but I couldn’t say why. Juana Molina’s waterfalling “Son” has a wonderful lost-in-the-swamp quality, too.\u003c/p>\n\u003cp>\u003cb>What’s something about you that might surprise people?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> I wish I had a big revelation for you. That I was a former broomball star, or that I killed a bear in self-defense. My surprises are lame. I own a Toyota Avalon. Nobody ever believes that I can speak Spanish, I guess that’s one. For years, I worked as a veterinary receptionist.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://wae.blogs.starnewsonline.com/files/2011/02/groundhogday2.jpg\">\u003c/p>\n\u003cp>\u003cb>If you had a spirit animal, which would it be?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> Well, for promotional reasons I should probably say, “an alligator.” Or maybe an alligator-wolf. But sadly, I bet it would be a creature like the groundhog: it’s a homebody, and it’s always glimpsing its shadow and freaking itself out.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Look for Karen Russell’s episode of \u003cb>The Writers’ Block\u003c/b> next Wednesday, March 9, 2011 at kqed.org/writersblock. And be sure not to miss each episode as it becomes available by \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=82023860\" target=\"offsite\" rel=\"noopener\">subscribing to The Writers’ Block podcast\u003c/a>!\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Growing up, you had a thing for YA novels about kids surviving by their own wits. What drew you to that type of narrative and which novel in that category made the biggest impression on you?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> I think younger readers love these books for the same reasons that adults love a book like “Into Thin Air” — survival tales give us case studies of how humans look in stripped-down circumstances. These books offer a documentation of our bared, truest natures. I also loved, as a kid, given that we were all under the thumb of adult power, any tale of kid autonomy. I loved stories where child protagonists were called upon (and given the opportunity) to be their bravest selves. Where they had agency, a challenge. And there are so many great YA books in this genre! I loved \u003cb>A Wrinkle in Time\u003c/b>, \u003cb>The Hobbit\u003c/b>, the C.S. Lewis Narnia stories, \u003cb>Alice in Wonderland\u003c/b>, \u003cb>A Red Fern Grows Through It\u003c/b>, \u003cb>Hatchett\u003c/b>, \u003cb>Julie of the Wolves\u003c/b>, \u003cb>Island of the Blue Dolphins\u003c/b>. It’s a wonderful thing to have those earliest and most vivid reading experiences in common with someone.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UhsCCQrCNAs'\n title='//www.youtube.com/embed/UhsCCQrCNAs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>What music would best represent your writing style?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> This is a great question; I honestly am not sure. I wonder what readers would say. While I was writing the stories in the \u003cb>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/0307263983/kqedorg-20\" target=\"offsite\" rel=\"noopener\">St Lucy’s Home for Girls Raised by Wolves\u003c/a>\u003c/b> collection, I did spend a lot of time listening to the Donnie Darko soundtrack for some reason. The score is dreamy and dark and funny, too — it has some sort of sci-fi “Midsummer Night’s Eve” feel to me. In \u003cb>Swamplandia!\u003c/b>, I listened to \u003ca href=\"http://www.youtube.com/watch?v=Evuh_h1vg1w\" target=\"offsite\" rel=\"noopener\">Cat Power’s “Haiku Ten”\u003c/a> on repeat, something about that one seemed synced to Ava’s character for me, but I couldn’t say why. Juana Molina’s waterfalling “Son” has a wonderful lost-in-the-swamp quality, too.\u003c/p>\n\u003cp>\u003cb>What’s something about you that might surprise people?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> I wish I had a big revelation for you. That I was a former broomball star, or that I killed a bear in self-defense. My surprises are lame. I own a Toyota Avalon. Nobody ever believes that I can speak Spanish, I guess that’s one. For years, I worked as a veterinary receptionist.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://wae.blogs.starnewsonline.com/files/2011/02/groundhogday2.jpg\">\u003c/p>\n\u003cp>\u003cb>If you had a spirit animal, which would it be?\u003c/b>\u003c/p>\n\u003cp>\u003cb>KR:\u003c/b> Well, for promotional reasons I should probably say, “an alligator.” Or maybe an alligator-wolf. But sadly, I bet it would be a creature like the groundhog: it’s a homebody, and it’s always glimpsing its shadow and freaking itself out.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Look for Karen Russell’s episode of \u003cb>The Writers’ Block\u003c/b> next Wednesday, March 9, 2011 at kqed.org/writersblock. And be sure not to miss each episode as it becomes available by \u003ca href=\"http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=82023860\" target=\"offsite\" rel=\"noopener\">subscribing to The Writers’ Block podcast\u003c/a>!\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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