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"content": "\u003cp>For comedian and actor Jenny Slate, the path to finding her own voice went through crushing failure (professional) and heartbreak (divorce).\u003c/p>\n\u003cp>She began her career in stand-up, was drafted to \u003cem>Saturday Night Live\u003c/em>—and was fired. The path that followed was uncharted.\u003c/p>\n\u003cp>She starred in \u003ca href=\"https://www.npr.org/2014/06/08/319463693/obvious-child-tells-an-abortion-story-with-rom-com-heart\">an indie comedy about abortion\u003c/a> (\u003cem>Obvious Child\u003c/em>), voiced a viral stop-motion animated character who is a gender non-conforming sea artifact (\u003cem>Marcel the Shell with Shoes On\u003c/em>), and went onto a fair bit of voice acting (\u003cem>Zootopia\u003c/em>, \u003cem>The Secret Life of Pets\u003c/em>, \u003cem>Big Mouth\u003c/em>). And she wrote. This fall, Slate has released her first TV comedy special for Netflix (\u003cem>Stage Fright\u003c/em>) and a book of essays (\u003cem>Little Weirds\u003c/em>).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=p02P8HRtPFc\u003c/p>\n\u003cp>Jenny Slate grew up around books, studied literature at Columbia University and her father is a poet. (“I read a lot of books before I decided to write one,” she says.) \u003cem>Little Weirds \u003c/em>is not a memoir or biography, but more like a series of observational stories, essays, and ruminations on the struggles of adulthood. In one of them, she compares herself to a croissant.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I actually have always been an avid reader, but I guess I just felt like: Well, I’m an actress and I’m a comedian, so … I’m not a writer, or something,” Slate says. “I think I limited myself a bit.”\u003c/p>\n\u003cp>For \u003ca href=\"https://www.npr.org/series/753757133/shes-funny\">She’s Funny\u003c/a>, the \u003cem>All Things Considered\u003c/em> series on women who have broken the rules in comedy, Slate and I sat down together on stage at Lisner Auditorium in Washington D.C.\u003c/p>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On Gilda Radner, her first role model in comedy\u003c/strong>\u003c/p>\n\u003cp>[I] couldn’t pay attention in school. I think that I felt for a while like I wasn’t smart because I couldn’t listen traditionally and people were mad at me for it. And my dad brought in these tapes of \u003ca href=\"https://www.npr.org/2018/09/20/647886381/love-gilda-a-comedy-legend-in-her-own-words\">Gilda Radner\u003c/a>, and it was sort of like, “No no no, you’re just—you’re like this.” Which is, first of all, a great honor. … It was a huge honor, and then it was just like: How can I get there?” …\u003c/p>\n\u003cp>There’s a sketch that Gilda does where—I think it’s called “The Judy Miller Show”—she’s a little Girl Scout, she’s a Brownie, and she’s jumping up and down on her bed in her room, and just playing. She’s playing. That’s what this whole sketch is. And she freaks out—this woman, alone, they gave her the whole stage—she just freaks out for, like, seven minutes. And she’s exhausted, and she’s out of breath, and it’s like a silly, silly, sloppy ballet. And I remember seeing that thinking like, “Oh, I don’t want to be a ballerina. I want to be a funny thing like this.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ezWNh64s38o&feature=emb_logo\u003c/p>\n\u003cp>\u003cstrong>On the atmosphere at \u003c/strong>\u003cstrong>\u003cem>Saturday Night Live\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>I didn’t like that there was a culture of fear and intimidation. Whether or not you’re going to be directly sexist and give all the parts to the men or whatever, or whether there’s going to be what I actually think is a much more confusing culture of misogyny that encourages fear and shame. That’s what was going on there. That’s a culture that is encouraged by the people that run the show. … I think that feeling dressed-down, feeling shamed, feeling like you shouldn’t have tried: those are all pressures that are encouraged in a misogynist environment, where there’s not an openness, there’s not a sense that power can present in a way that represents plurality—that there are many, many different ways to access power, and different people can hold it.\u003c/p>\n\u003cp>\u003cstrong>On being fired from \u003c/strong>\u003cstrong>\u003cem>SNL\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>First, I just felt really, really embarrassed and terrible. … Hardly anyone gets kicked out of a cult, because I guess they want you to stay. Like, they’re never like, “You’re bad—leave.” They’re like, “You’re bad, get in the bad closet. You have to make the salad dressing for everybody for three weeks!” But suddenly I just couldn’t imagine anything worse than getting fired. And then I just thought: I have to keep going. And no one can ever take away the dream.\u003c/p>\n\u003cp>And nothing will ever dim the lights of that experience, which was like: getting the job, leaving 30 Rock, calling my parents and saying “I am going to be on \u003cem>Saturday Night Live\u003c/em>“? That is what it is. It’s such a beautiful achievement. And it’s real and I did it. But it’s also the same as thinking you really met your soulmate, and going on the fourth date, and being like, “Did they just say ‘\u003cem>li-bary\u003c/em>‘”? … Get over it, it’s not a match. …\u003c/p>\n\u003cp>But what had also happened at the time, and what always happens, is that: Until I eventually croak, I will not die. I truly will not lie down. And you can be kicked out of a place; I definitely believe that. But I also believe the opportunity to find self-love and creative fulfillment is not a hallway with one door guarded by a super-old man. Actually, it’s spherical, and you just have to hold it between your legs. Just look down, find your opportunity.\u003c/p>\n\u003cp>\u003cstrong>On “Marcel the Shell with Shoes On”\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VF9-sEbqDvU&feature=emb_logo\u003c/p>\n\u003cp>First of all, it allowed me to be sweet and melancholy at once—and to understand one of the things that is essential in my belief as a performer, which is that sorrow is not the same as pessimism, and that you can feel sadness and still be an optimist and not be worried that that’s being wrung out. … And also, doing Marcel, for me, was like, “No, I can still be really strong at comedy, but I don’t really want to compromise on sweetness.” Like, I just don’t think it’s for wimps. I actually think it’s for the strong.\u003c/p>\n\u003cp>\u003cstrong>On if she’s found her voice in comedy\u003c/strong>\u003c/p>\n\u003cp>Yes, I do feel like that. I do. … I really feel that something that started with “Marcel the Shell,” which was drawing close sweetness, and understanding that smallness doesn’t necessarily mean that you suffer from essential diminishment. Starting to gather things that can be held at once was really important. But then writing this book—first, I meant to write something else, and then I started to write things to soothe myself, and I started to like to read my reading to myself. And I just—you know, especially on the internet, there’s so much snark and posturing and posturing at joy and fabricated joy or people taking pictures of themselves in mid-laugh and stuff and really putting that there like, “I’m just happiness in action, there’s nothing else going on for me! I promise! No stress!” I was reacting to that a little bit, to just feeling like I want to tell the truth. And the truth about me is not that I’m really volatile and I’m unstable, but that I’m really vibrant, and the color of my sorrow is just as bright as the stripes of my delight.\u003c/p>\n\u003cfigure id=\"attachment_13870048\" class=\"wp-caption alignright\" style=\"max-width: 304px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13870048\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/9780316485340_custom-d039e96113c653d6ceb2d83f01308a54e75ad7e6-s500-c85.jpg\" alt=\"'Little Weirds' by Jenny Slate.\" width=\"304\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9780316485340_custom-d039e96113c653d6ceb2d83f01308a54e75ad7e6-s500-c85.jpg 304w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9780316485340_custom-d039e96113c653d6ceb2d83f01308a54e75ad7e6-s500-c85-160x237.jpg 160w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\">\u003cfigcaption class=\"wp-caption-text\">‘Little Weirds’ by Jenny Slate. \u003ccite>(Little, Brown and Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And I started to really find words that I loved, and now they won’t go away. And I also noticed that in writing, I really enjoyed the odd pairing that occurs when you are trying to employ alliteration. And that my writing—at least to me without being juvenile—had all the tricks of a limerick, without being, like, “stupid little so-and-so fell into a shoe” or whatever … I guess there is [poetry in my writing]. I didn’t do it on purpose, but I think there is.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Christina Cala, Bilal Qureshi, Joanna Pawlowska and Emily Kopp produced and edited this interview for broadcast. Patrick Jarenwattananon adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Sorrow+Is+Not+The+Same+As+Pessimism%27%3A+Comedian+Jenny+Slate&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For comedian and actor Jenny Slate, the path to finding her own voice went through crushing failure (professional) and heartbreak (divorce).\u003c/p>\n\u003cp>She began her career in stand-up, was drafted to \u003cem>Saturday Night Live\u003c/em>—and was fired. The path that followed was uncharted.\u003c/p>\n\u003cp>She starred in \u003ca href=\"https://www.npr.org/2014/06/08/319463693/obvious-child-tells-an-abortion-story-with-rom-com-heart\">an indie comedy about abortion\u003c/a> (\u003cem>Obvious Child\u003c/em>), voiced a viral stop-motion animated character who is a gender non-conforming sea artifact (\u003cem>Marcel the Shell with Shoes On\u003c/em>), and went onto a fair bit of voice acting (\u003cem>Zootopia\u003c/em>, \u003cem>The Secret Life of Pets\u003c/em>, \u003cem>Big Mouth\u003c/em>). And she wrote. This fall, Slate has released her first TV comedy special for Netflix (\u003cem>Stage Fright\u003c/em>) and a book of essays (\u003cem>Little Weirds\u003c/em>).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/p02P8HRtPFc'\n title='//www.youtube.com/embed/p02P8HRtPFc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jenny Slate grew up around books, studied literature at Columbia University and her father is a poet. (“I read a lot of books before I decided to write one,” she says.) \u003cem>Little Weirds \u003c/em>is not a memoir or biography, but more like a series of observational stories, essays, and ruminations on the struggles of adulthood. In one of them, she compares herself to a croissant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I actually have always been an avid reader, but I guess I just felt like: Well, I’m an actress and I’m a comedian, so … I’m not a writer, or something,” Slate says. “I think I limited myself a bit.”\u003c/p>\n\u003cp>For \u003ca href=\"https://www.npr.org/series/753757133/shes-funny\">She’s Funny\u003c/a>, the \u003cem>All Things Considered\u003c/em> series on women who have broken the rules in comedy, Slate and I sat down together on stage at Lisner Auditorium in Washington D.C.\u003c/p>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On Gilda Radner, her first role model in comedy\u003c/strong>\u003c/p>\n\u003cp>[I] couldn’t pay attention in school. I think that I felt for a while like I wasn’t smart because I couldn’t listen traditionally and people were mad at me for it. And my dad brought in these tapes of \u003ca href=\"https://www.npr.org/2018/09/20/647886381/love-gilda-a-comedy-legend-in-her-own-words\">Gilda Radner\u003c/a>, and it was sort of like, “No no no, you’re just—you’re like this.” Which is, first of all, a great honor. … It was a huge honor, and then it was just like: How can I get there?” …\u003c/p>\n\u003cp>There’s a sketch that Gilda does where—I think it’s called “The Judy Miller Show”—she’s a little Girl Scout, she’s a Brownie, and she’s jumping up and down on her bed in her room, and just playing. She’s playing. That’s what this whole sketch is. And she freaks out—this woman, alone, they gave her the whole stage—she just freaks out for, like, seven minutes. And she’s exhausted, and she’s out of breath, and it’s like a silly, silly, sloppy ballet. And I remember seeing that thinking like, “Oh, I don’t want to be a ballerina. I want to be a funny thing like this.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ezWNh64s38o'\n title='//www.youtube.com/embed/ezWNh64s38o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>On the atmosphere at \u003c/strong>\u003cstrong>\u003cem>Saturday Night Live\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>I didn’t like that there was a culture of fear and intimidation. Whether or not you’re going to be directly sexist and give all the parts to the men or whatever, or whether there’s going to be what I actually think is a much more confusing culture of misogyny that encourages fear and shame. That’s what was going on there. That’s a culture that is encouraged by the people that run the show. … I think that feeling dressed-down, feeling shamed, feeling like you shouldn’t have tried: those are all pressures that are encouraged in a misogynist environment, where there’s not an openness, there’s not a sense that power can present in a way that represents plurality—that there are many, many different ways to access power, and different people can hold it.\u003c/p>\n\u003cp>\u003cstrong>On being fired from \u003c/strong>\u003cstrong>\u003cem>SNL\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>First, I just felt really, really embarrassed and terrible. … Hardly anyone gets kicked out of a cult, because I guess they want you to stay. Like, they’re never like, “You’re bad—leave.” They’re like, “You’re bad, get in the bad closet. You have to make the salad dressing for everybody for three weeks!” But suddenly I just couldn’t imagine anything worse than getting fired. And then I just thought: I have to keep going. And no one can ever take away the dream.\u003c/p>\n\u003cp>And nothing will ever dim the lights of that experience, which was like: getting the job, leaving 30 Rock, calling my parents and saying “I am going to be on \u003cem>Saturday Night Live\u003c/em>“? That is what it is. It’s such a beautiful achievement. And it’s real and I did it. But it’s also the same as thinking you really met your soulmate, and going on the fourth date, and being like, “Did they just say ‘\u003cem>li-bary\u003c/em>‘”? … Get over it, it’s not a match. …\u003c/p>\n\u003cp>But what had also happened at the time, and what always happens, is that: Until I eventually croak, I will not die. I truly will not lie down. And you can be kicked out of a place; I definitely believe that. But I also believe the opportunity to find self-love and creative fulfillment is not a hallway with one door guarded by a super-old man. Actually, it’s spherical, and you just have to hold it between your legs. Just look down, find your opportunity.\u003c/p>\n\u003cp>\u003cstrong>On “Marcel the Shell with Shoes On”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VF9-sEbqDvU'\n title='//www.youtube.com/embed/VF9-sEbqDvU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>First of all, it allowed me to be sweet and melancholy at once—and to understand one of the things that is essential in my belief as a performer, which is that sorrow is not the same as pessimism, and that you can feel sadness and still be an optimist and not be worried that that’s being wrung out. … And also, doing Marcel, for me, was like, “No, I can still be really strong at comedy, but I don’t really want to compromise on sweetness.” Like, I just don’t think it’s for wimps. I actually think it’s for the strong.\u003c/p>\n\u003cp>\u003cstrong>On if she’s found her voice in comedy\u003c/strong>\u003c/p>\n\u003cp>Yes, I do feel like that. I do. … I really feel that something that started with “Marcel the Shell,” which was drawing close sweetness, and understanding that smallness doesn’t necessarily mean that you suffer from essential diminishment. Starting to gather things that can be held at once was really important. But then writing this book—first, I meant to write something else, and then I started to write things to soothe myself, and I started to like to read my reading to myself. And I just—you know, especially on the internet, there’s so much snark and posturing and posturing at joy and fabricated joy or people taking pictures of themselves in mid-laugh and stuff and really putting that there like, “I’m just happiness in action, there’s nothing else going on for me! I promise! No stress!” I was reacting to that a little bit, to just feeling like I want to tell the truth. And the truth about me is not that I’m really volatile and I’m unstable, but that I’m really vibrant, and the color of my sorrow is just as bright as the stripes of my delight.\u003c/p>\n\u003cfigure id=\"attachment_13870048\" class=\"wp-caption alignright\" style=\"max-width: 304px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13870048\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/9780316485340_custom-d039e96113c653d6ceb2d83f01308a54e75ad7e6-s500-c85.jpg\" alt=\"'Little Weirds' by Jenny Slate.\" width=\"304\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9780316485340_custom-d039e96113c653d6ceb2d83f01308a54e75ad7e6-s500-c85.jpg 304w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/9780316485340_custom-d039e96113c653d6ceb2d83f01308a54e75ad7e6-s500-c85-160x237.jpg 160w\" sizes=\"auto, (max-width: 304px) 100vw, 304px\">\u003cfigcaption class=\"wp-caption-text\">‘Little Weirds’ by Jenny Slate. \u003ccite>(Little, Brown and Company)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And I started to really find words that I loved, and now they won’t go away. And I also noticed that in writing, I really enjoyed the odd pairing that occurs when you are trying to employ alliteration. And that my writing—at least to me without being juvenile—had all the tricks of a limerick, without being, like, “stupid little so-and-so fell into a shoe” or whatever … I guess there is [poetry in my writing]. I didn’t do it on purpose, but I think there is.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Christina Cala, Bilal Qureshi, Joanna Pawlowska and Emily Kopp produced and edited this interview for broadcast. Patrick Jarenwattananon adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Sorrow+Is+Not+The+Same+As+Pessimism%27%3A+Comedian+Jenny+Slate&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In a career—and personal life—loaded with enough drama to fuel an opera, \u003ca href=\"https://www.npr.org/artists/14889532/kanye-west\">Kanye West\u003c/a> is finally presenting one. Or at least that’s what he tweeted Sunday, announcing a performance of \u003cem>Nebuchadnezzar\u003c/em>, “A Kanye West Opera” at the Hollywood Bowl on Nov. 24.\u003c/p>\n\u003cp>Little is known about the opera’s content other than its title, referring to the real life Biblical character who ruled over the Babylonian empire from c. 605 BC – c. 562 BC. West’s tweet gave a few more clues. The invitation artwork, etched with a golden image of the Babylonian king, states: “Music with Sunday Service, Peter Collins & Infinities Song.” (For what it’s worth, the Hollywood Bowl confirmed the event to \u003cem>NPR\u003c/em>.)\u003c/p>\n\u003cp>https://twitter.com/kanyewest/status/1196204600090513408?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1196204600090513408&ref_url=https%3A%2F%2Fwww.npr.org%2Fsections%2Fdeceptivecadence%2F2019%2F11%2F18%2F780479625%2Fkanye-west-announces-an-opera-which-isnt-as-crazy-as-it-sounds\u003c/p>\n\u003cp>Classical music buffs will note that Nebuchadnezzar has received the operatic treatment before, most notably in \u003ca href=\"https://www.npr.org/programs/attheopera/archives/010324.ato.html\">\u003cem>Nabucco\u003c/em>\u003c/a> (an Italian version of the king’s name), an emotionally charged early work by \u003ca href=\"https://www.npr.org/artists/16927552/giuseppe-verdi\">Giuseppe Verdi\u003c/a> from 1841. In Verdi’s portrayal, Nabucco is a complex man whose exile of Jews from their homeland, combined with political foibles, triggers a complete nervous breakdown.\u003c/p>\n\u003cp>A flawed leader with visions of grandeur who becomes mentally unstable is a plot line that West \u003cem>might\u003c/em> relate to. Last year on \u003ca href=\"https://www.youtube.com/watch?v=kJUc7Rz7QiU\">\u003cem>Jimmy Kimmel Live\u003c/em>\u003c/a>, West spoke openly about being bi-polar saying, “I don’t know anyone, you know, that f–ked up as much as I have that’s still as successful.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Regardless of the content of \u003cem>Nebuchadnezzar\u003c/em>, and before opera purists start wringing their hands, West can call his creation an opera if he chooses. The 400-year-old art form has proven itself terrifically adaptable and resilient. From cast-of-hundreds standards like Verdi’s \u003ca href=\"https://www.npr.org/2011/06/03/136888669/love-triangles-and-pyramids-verdis-aida\">\u003cem>Aida\u003c/em>\u003c/a> (which in some productions has included elephants) to single character, avant-garde monodramas such as \u003ca href=\"https://www.npr.org/artists/90295693/morton-feldman\">Morton Feldman\u003c/a>‘s \u003ca href=\"https://www.youtube.com/watch?v=0exs9F-888s\">\u003cem>Neither\u003c/em>\u003c/a>, opera comes in all shapes and sizes. As it should.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Kanye+West+Announces+An+Opera+%28Which+Isn%27t+As+Crazy+As+It+Sounds%29&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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The idea was to create better parts for women—and to help female authors get their stories sold.\u003c/p>\n\u003cp>Witherspoon’s company spearheaded the adaptation of \u003ca href=\"https://www.npr.org/2014/09/30/352688538/gone-girl-a-missing-wife-and-a-cloud-of-suspicion\">\u003cem>Gone Girl\u003c/em>\u003c/a>\u003cem>, \u003c/em>\u003ca href=\"https://www.npr.org/2014/12/05/367996411/a-wild-trek-made-a-bit-too-neatly\">\u003cem>Wild \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2019/06/06/730275468/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy\">\u003cem>Big Little Lies\u003c/em>\u003c/a>\u003cem>, \u003c/em>among other titles. Looking back, Witherspoon describes her shift into producing as “betting on myself.”\u003c/p>\n\u003cp>“I know what to do,” she says. “I know every producer in Hollywood. I know how to get a movie from book to script to screen, and I know how to market it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now Witherspoon’s current company, Hello Sunshine, is bringing a new project to screen. She’s an executive producer and co-star of the Apple TV+ series, \u003ca href=\"https://www.npr.org/2019/10/31/774850935/tv-review-the-morning-show-from-apple-tv\">\u003cem>The Morning Show\u003c/em>\u003c/a>\u003cem>, \u003c/em>which centers on a morning news show that’s shaken up when its male anchor is fired after being accused of sexual misconduct.\u003c/p>\n\u003cp>Witherspoon acknowledges certain parallels between the misconduct portrayed in the series and the allegations against real-life TV hosts \u003ca href=\"https://www.npr.org/2019/10/09/768527936/matt-lauer-accused-of-rape-in-new-book-former-nbc-star-denies-false-stories\">Matt Lauer\u003c/a>, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/19/524736631/bill-oreilly-is-out-at-fox-news\">Bill O’Reilly\u003c/a> and \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\">Charlie Rose.\u003c/a>\u003c/p>\n\u003cp>“We thought it would have been remiss if we didn’t address [those issues] in our show,” she says. “Sometimes the world is so crazy, TV shows and movies are a great way to try and understand where we’re at.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eA7D4_qU9jo\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>Interview highlights \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On the \u003c/strong>\u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">\u003cstrong>#MeToo\u003c/strong>\u003c/a>\u003cstrong> movement, and being shocked to learn of the extent of sexual misconduct in Hollywood\u003c/strong>\u003c/p>\n\u003cp>I didn’t have any idea what other people’s experiences were. I’d only had my own experiences, and I definitely dealt with harassment. And I had dealt with that privately and in my own way with my family when I was young, when I was really young and starting in the business. I didn’t have any understanding of the widespread abuse that women were experiencing—and not just women, many, many people were experiencing.\u003c/p>\n\u003cp>It really took that moment in time for all of us to start talking. Because you have to remember, as an actress for hire, usually I was the only woman on a set for, I would say, the majority of my 30-year career. I’ve been the only woman in a cast or one of a handful of women in a crew or a cast. So when all of that started happening, women started to gather and really start talking to each other and sharing stories. And I have to say, I was blown away. I did not know the kind of experiences that people were having. And I was in shock. I think a lot of us were in shock. …\u003c/p>\n\u003cp>I’m enormously grateful to the women who spoke up about their experiences and really opened our hearts and our minds and our eyes to what was happening with such regularity, and the journalists who worked so hard to break these stories, despite whatever corporate interference they were having. I’m just enormously grateful to \u003ca href=\"https://www.npr.org/2019/10/15/770249717/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump\">Ronan \u003c/a>[Farrow] and \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">Jodi \u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">[Kantor]\u003c/a> \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">and Megan\u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\"> [Twohey]\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>On figuring out how and when she wants to share her own experiences with sexual harassment and assault\u003c/strong>\u003c/p>\n\u003cp>I haven’t ever really spoken about it. I’ve been asked about it a lot, which really brings up a lot of questions for me about how do you decide when you want to talk about it, how you want to talk about it? … This is just me, my personal experience. How can I use that not to garner sympathy but to actually promote change and highlight industry standards that are not good enough?\u003c/p>\n\u003cp>It was very powerful to me to share my story with a like-minded group of women with the Time’s Up movement. We talked about ways that we could really encourage change. How could we raise money for women in other industries so that they would have legal help?\u003c/p>\n\u003cp>I had specific experiences and I dealt with them with a therapist. It’s been ongoing, honestly. The whole thing brought up a lot of feelings for me, and it was a really emotional experience that I don’t feel resolved about, and I think I will probably talk about it, but right now I don’t have all the right words.\u003c/p>\n\u003cp>\u003cstrong>On why her mid-30s were a turning point in her career \u003c/strong>\u003c/p>\n\u003cp>People always say, “After you won the Oscar, did your whole career change?” There wasn’t suddenly this huge influx of scripts. … There’s not a secret safe they’re keeping the great scripts and they unlock you when you win awards! I was lucky to do a couple of great movies in my 30s, but not a lot. …\u003c/p>\n\u003cp>\u003cem>Wild \u003c/em>was a big deal for me, because first of all, I love \u003ca href=\"https://www.npr.org/2013/09/08/219754257/the-wild-story-of-cheryl-strayed-and-her-long-lost-half-sister\">Cheryl Strayed\u003c/a>‘s writing, her memoir’s beautiful, but it’s also woman vs. nature, which I had never really seen on film. And so many women are so deeply connected to nature, yet it’s not something we’ve explored. We’ve seen every iteration of a man vs. a bear, vs. the Wild West, on hiking adventures, but I haven’t seen a lot of a woman alone on film as well, and what is that singular journey for a woman to find herself alone in the wilderness?\u003c/p>\n\u003cp>\u003cstrong>On singing for her role as \u003c/strong>\u003ca href=\"https://freshairarchive.org/segments/jumping-through-ring-fire\">\u003cstrong>June Carter Cash\u003c/strong>\u003c/a>\u003cstrong> in \u003c/strong>\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=5015873\">\u003cstrong>\u003cem>Walk the Line \u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>When I was a little girl, I wanted to be a country music singer. So I trained for probably 5, 6 years with vocal coaches. I grew up in Nashville, Tenn., so I grew up with a lot of country music singers and their kids and was just immersed … I wanted to be just like \u003ca href=\"https://www.npr.org/2018/12/09/673738768/dream-it-on-through-dolly-parton-on-her-new-album-inspiring-young-people-and-mor\">Dolly Parton\u003c/a> when I was little. I wanted to write and I wanted to sing my own songs, and I took piano lessons and I took singing lessons.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cmpkP-P5sbM\u003c/p>\n\u003cp>When I was about 13, I went and I started studying Broadway at camps in upstate New York and they would have all these experts come in. … They had an acting expert, a dance expert and a singing expert, and the singing coach said, “You really should not put a lot of energy into your singing career.” So I got intimidated and they said, “But your acting is great and you should really pursue that.” So that’s when I kind of tacked left, when I was 13, and started working on acting and concentrating.\u003c/p>\n\u003cp>So when this opportunity came up to play June Carter, I was terrified and I’d been told I wasn’t any good. So I worked for five months with coach Roger Love and with the producer \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=122526723\">T-Bone Burnett\u003c/a> to cut the tracks before we ever walked on set. We recorded all the music so that we could blend live tracks and recorded tracks together. But then we had to actually go and shoot the movie and I had to sing in front of audiences of hundreds of people with \u003ca href=\"https://www.npr.org/2014/01/21/264524233/phoenix-to-self-why-am-i-talking-about-this-joaquin-shut-up\">Joaquin Phoenix \u003c/a>onstage with a band, and it was terrifying—terrifying, but thrilling.\u003c/p>\n\u003cp>\u003cstrong>On loving acting \u003c/strong>\u003c/p>\n\u003cp>It’s my number one passion. … I talk a lot about producing … but every day I’m on set feels like such an enormous privilege to be a storyteller in this world. And I started as a little girl, as a storyteller, and I will be a storyteller ’till the day I die. I just love it. It’s my favorite thing to do at dinner parties, too, so invite me over, Terry … I just love spinning a story. It’s really what I was born to do.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Ann Marie Baldonado and Seth Kelley produced and edited the audio of this interview. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27From+Book+To+Script+To+Screen%2C%27+Reese+Witherspoon+Is+Making+Roles+For+Women&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor Reese Witherspoon became famous in her 20s after starring in films like \u003cem>Election \u003c/em>and \u003cem>Legally Blonde\u003c/em>, but by the time she entered her 30s, the film landscape had shifted. DVD sales had shrunk and smaller, female-centered movies were in short supply. It was nearly impossible to find good leading roles for women.\u003c/p>\n\u003cp>Witherspoon began asking different movie studios what projects they were developing for women. “With the exclusion of one studio, everybody said ‘Nothing. Nothing with a female lead,’ ” she says.\u003c/p>\n\u003cp>So Witherspoon decided to start a production company and began adapting books with complex female characters into films and TV shows. The idea was to create better parts for women—and to help female authors get their stories sold.\u003c/p>\n\u003cp>Witherspoon’s company spearheaded the adaptation of \u003ca href=\"https://www.npr.org/2014/09/30/352688538/gone-girl-a-missing-wife-and-a-cloud-of-suspicion\">\u003cem>Gone Girl\u003c/em>\u003c/a>\u003cem>, \u003c/em>\u003ca href=\"https://www.npr.org/2014/12/05/367996411/a-wild-trek-made-a-bit-too-neatly\">\u003cem>Wild \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2019/06/06/730275468/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy\">\u003cem>Big Little Lies\u003c/em>\u003c/a>\u003cem>, \u003c/em>among other titles. Looking back, Witherspoon describes her shift into producing as “betting on myself.”\u003c/p>\n\u003cp>“I know what to do,” she says. “I know every producer in Hollywood. I know how to get a movie from book to script to screen, and I know how to market it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now Witherspoon’s current company, Hello Sunshine, is bringing a new project to screen. She’s an executive producer and co-star of the Apple TV+ series, \u003ca href=\"https://www.npr.org/2019/10/31/774850935/tv-review-the-morning-show-from-apple-tv\">\u003cem>The Morning Show\u003c/em>\u003c/a>\u003cem>, \u003c/em>which centers on a morning news show that’s shaken up when its male anchor is fired after being accused of sexual misconduct.\u003c/p>\n\u003cp>Witherspoon acknowledges certain parallels between the misconduct portrayed in the series and the allegations against real-life TV hosts \u003ca href=\"https://www.npr.org/2019/10/09/768527936/matt-lauer-accused-of-rape-in-new-book-former-nbc-star-denies-false-stories\">Matt Lauer\u003c/a>, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/19/524736631/bill-oreilly-is-out-at-fox-news\">Bill O’Reilly\u003c/a> and \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\">Charlie Rose.\u003c/a>\u003c/p>\n\u003cp>“We thought it would have been remiss if we didn’t address [those issues] in our show,” she says. “Sometimes the world is so crazy, TV shows and movies are a great way to try and understand where we’re at.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eA7D4_qU9jo'\n title='//www.youtube.com/embed/eA7D4_qU9jo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003chr>\n\u003ch3>\u003cstrong>Interview highlights \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On the \u003c/strong>\u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">\u003cstrong>#MeToo\u003c/strong>\u003c/a>\u003cstrong> movement, and being shocked to learn of the extent of sexual misconduct in Hollywood\u003c/strong>\u003c/p>\n\u003cp>I didn’t have any idea what other people’s experiences were. I’d only had my own experiences, and I definitely dealt with harassment. And I had dealt with that privately and in my own way with my family when I was young, when I was really young and starting in the business. I didn’t have any understanding of the widespread abuse that women were experiencing—and not just women, many, many people were experiencing.\u003c/p>\n\u003cp>It really took that moment in time for all of us to start talking. Because you have to remember, as an actress for hire, usually I was the only woman on a set for, I would say, the majority of my 30-year career. I’ve been the only woman in a cast or one of a handful of women in a crew or a cast. So when all of that started happening, women started to gather and really start talking to each other and sharing stories. And I have to say, I was blown away. I did not know the kind of experiences that people were having. And I was in shock. I think a lot of us were in shock. …\u003c/p>\n\u003cp>I’m enormously grateful to the women who spoke up about their experiences and really opened our hearts and our minds and our eyes to what was happening with such regularity, and the journalists who worked so hard to break these stories, despite whatever corporate interference they were having. I’m just enormously grateful to \u003ca href=\"https://www.npr.org/2019/10/15/770249717/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump\">Ronan \u003c/a>[Farrow] and \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">Jodi \u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">[Kantor]\u003c/a> \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">and Megan\u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\"> [Twohey]\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>On figuring out how and when she wants to share her own experiences with sexual harassment and assault\u003c/strong>\u003c/p>\n\u003cp>I haven’t ever really spoken about it. I’ve been asked about it a lot, which really brings up a lot of questions for me about how do you decide when you want to talk about it, how you want to talk about it? … This is just me, my personal experience. How can I use that not to garner sympathy but to actually promote change and highlight industry standards that are not good enough?\u003c/p>\n\u003cp>It was very powerful to me to share my story with a like-minded group of women with the Time’s Up movement. We talked about ways that we could really encourage change. How could we raise money for women in other industries so that they would have legal help?\u003c/p>\n\u003cp>I had specific experiences and I dealt with them with a therapist. It’s been ongoing, honestly. The whole thing brought up a lot of feelings for me, and it was a really emotional experience that I don’t feel resolved about, and I think I will probably talk about it, but right now I don’t have all the right words.\u003c/p>\n\u003cp>\u003cstrong>On why her mid-30s were a turning point in her career \u003c/strong>\u003c/p>\n\u003cp>People always say, “After you won the Oscar, did your whole career change?” There wasn’t suddenly this huge influx of scripts. … There’s not a secret safe they’re keeping the great scripts and they unlock you when you win awards! I was lucky to do a couple of great movies in my 30s, but not a lot. …\u003c/p>\n\u003cp>\u003cem>Wild \u003c/em>was a big deal for me, because first of all, I love \u003ca href=\"https://www.npr.org/2013/09/08/219754257/the-wild-story-of-cheryl-strayed-and-her-long-lost-half-sister\">Cheryl Strayed\u003c/a>‘s writing, her memoir’s beautiful, but it’s also woman vs. nature, which I had never really seen on film. And so many women are so deeply connected to nature, yet it’s not something we’ve explored. We’ve seen every iteration of a man vs. a bear, vs. the Wild West, on hiking adventures, but I haven’t seen a lot of a woman alone on film as well, and what is that singular journey for a woman to find herself alone in the wilderness?\u003c/p>\n\u003cp>\u003cstrong>On singing for her role as \u003c/strong>\u003ca href=\"https://freshairarchive.org/segments/jumping-through-ring-fire\">\u003cstrong>June Carter Cash\u003c/strong>\u003c/a>\u003cstrong> in \u003c/strong>\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=5015873\">\u003cstrong>\u003cem>Walk the Line \u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>When I was a little girl, I wanted to be a country music singer. So I trained for probably 5, 6 years with vocal coaches. I grew up in Nashville, Tenn., so I grew up with a lot of country music singers and their kids and was just immersed … I wanted to be just like \u003ca href=\"https://www.npr.org/2018/12/09/673738768/dream-it-on-through-dolly-parton-on-her-new-album-inspiring-young-people-and-mor\">Dolly Parton\u003c/a> when I was little. I wanted to write and I wanted to sing my own songs, and I took piano lessons and I took singing lessons.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cmpkP-P5sbM'\n title='//www.youtube.com/embed/cmpkP-P5sbM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When I was about 13, I went and I started studying Broadway at camps in upstate New York and they would have all these experts come in. … They had an acting expert, a dance expert and a singing expert, and the singing coach said, “You really should not put a lot of energy into your singing career.” So I got intimidated and they said, “But your acting is great and you should really pursue that.” So that’s when I kind of tacked left, when I was 13, and started working on acting and concentrating.\u003c/p>\n\u003cp>So when this opportunity came up to play June Carter, I was terrified and I’d been told I wasn’t any good. So I worked for five months with coach Roger Love and with the producer \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=122526723\">T-Bone Burnett\u003c/a> to cut the tracks before we ever walked on set. We recorded all the music so that we could blend live tracks and recorded tracks together. But then we had to actually go and shoot the movie and I had to sing in front of audiences of hundreds of people with \u003ca href=\"https://www.npr.org/2014/01/21/264524233/phoenix-to-self-why-am-i-talking-about-this-joaquin-shut-up\">Joaquin Phoenix \u003c/a>onstage with a band, and it was terrifying—terrifying, but thrilling.\u003c/p>\n\u003cp>\u003cstrong>On loving acting \u003c/strong>\u003c/p>\n\u003cp>It’s my number one passion. … I talk a lot about producing … but every day I’m on set feels like such an enormous privilege to be a storyteller in this world. And I started as a little girl, as a storyteller, and I will be a storyteller ’till the day I die. I just love it. It’s my favorite thing to do at dinner parties, too, so invite me over, Terry … I just love spinning a story. It’s really what I was born to do.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Ann Marie Baldonado and Seth Kelley produced and edited the audio of this interview. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27From+Book+To+Script+To+Screen%2C%27+Reese+Witherspoon+Is+Making+Roles+For+Women&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "The Cozy Snowbound Sweater-Wearing Guide to 2019 Holiday Movies",
"headTitle": "The Cozy Snowbound Sweater-Wearing Guide to 2019 Holiday Movies | KQED",
"content": "\u003cp>[\u003cstrong>UPDATE:\u003c/strong> As of Monday 11/11, we have added three films from OWN and two from Freeform.]\u003c/p>\n\u003cp>It’s holiday TV movie season, and it’s not just a Hallmark party. There’s also Lifetime, UPTV, and—increasingly—Netflix, as well as OWN and Freeform.\u003c/p>\n\u003cp>We know that for devotees of this genre, it can be hard to keep up. Therefore, we have prepared a helpful guide to all the new movies we’re aware of that are on tap for the season, complete with notations for which tropes they offer. Everything in bold is what I would consider an element of holiday programming; that should help you find what you need. Are you a person who likes to see a “suit man” learn the new meaning of Christmas? We can help! Do you prefer to see someone save her hometown? You’ll find just the right movie for you, right here. And remember: These are just the \u003cem>new \u003c/em>ones. There are so many!\u003c/p>\n\u003cp>I’ve also noted where beloved celebrities and nostalgic figures are present—I admit this is a blurry line between these categories, but it’s meant to be “famous for [specific character/project]” versus “famous generally.”\u003c/p>\n\u003cp>Note that these are based on what the networks and services have revealed thus far. Some of these might have hidden elves or moppets or musical numbers that just haven’t revealed themselves yet. You have to keep \u003cem>some \u003c/em>surprises for Santa, right?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ho-ho-ho.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Picture a Perfect Christmas \u003c/strong>\u003c/em>(Hallmark, 11/9, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=HrNPPe7hkas\u003c/p>\n\u003cp>She’s an “extreme sports photographer” who goes to her own little town to take care of Grandma and meets a neighbor whose nephew is visiting him. She learns that \u003cstrong>this little town is OK\u003c/strong>. Also \u003cstrong>Moppet\u003c/strong>!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Radio Christmas\u003c/strong>\u003c/em> (Lifetime, 11/9, 8 pmET)\u003c/p>\n\u003cp>Keshia Knight Pulliam plays a DJ who is forced to relocate from her Philadelphia broadcasting digs to the small town of—you guessed it—Bethlehem, and it turns out \u003cstrong>this little town is OK\u003c/strong>. Also, \u003cstrong>everybody cares too much about Christmas\u003c/strong>, in that there is apparently a “year-round Christmas station.” (You can kind of forgive them because it’s Bethlehem, I suppose.)\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Rock N’ Roll Christmas \u003c/strong>\u003c/em>(UPTV, 11/10, 7pmET)\u003c/p>\n\u003cp>Estranged mother and daughter singers \u003cstrong>rush to get ready\u003c/strong> in time to write a Christmas single together. Will they succeed? I would say it’s fa-la-la-la-likely. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Mistletoe Secret \u003c/strong>\u003c/em>(Hallmark, 11/10, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N8oliBufPuY\u003c/p>\n\u003cp>Remember Kellie Pickler from \u003cem>American Idol\u003c/em>? This is what she does now! She plays a woman whose hometown is losing tourists until a \u003cstrong>grumpy journalist\u003c/strong> agrees to write an article about it, and she has the chance to \u003cstrong>help her hometown\u003c/strong>! Nostalgic figure \u003cstrong>Patrick Duffy\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Sweet Christmas Romance \u003c/strong>\u003c/em>(Lifetime, 11/10, 8 pmET)\u003c/p>\n\u003cp>A food stylist returns to her hometown, where she has the opportunity to participate in a baking contest to win ownership of an \u003cstrong>adorable small business\u003c/strong>, her favorite bakery. Of course, there’s a guy who will be her \u003cstrong>professional competitor\u003c/strong>. Will they fall in love? MIGHT THEY?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Miracle \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/14, 9 pmET)\u003c/p>\n\u003cp>A journalist tries to create a Christmas miracle. \u003cstrong>Moppet!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas a La Mode\u003c/strong>\u003c/em> (Lifetime, 11/15, 8 pmET)\u003c/p>\n\u003cp>How to save the \u003cstrong>adorable small business\u003c/strong>, a family dairy farm? With a \u003cstrong>high-stakes competition\u003c/strong> involving ice cream.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>One Fine Christmas \u003c/strong>\u003c/em>(OWN, 11/15 9 pmET)\u003c/p>\n\u003cp>An impressive ensemble cast including Rick Fox and his daughter Sasha, Vanessa Williams (the \u003cem>Melrose Place \u003c/em>one, not the “Save The Best For Last”/\u003cem>Ugly Betty\u003c/em> one) and Marla Gibbs shows up for this multi-thread story about people living on Christmas Street (where probably \u003cstrong>everybody cares too much about Christmas\u003c/strong>) who have to navigate various hurdles to create \u003cstrong>a perfect Christmas\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Under the Stars\u003c/strong>\u003c/em> (Hallmark 11/16, 9 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=knF-OXlZHVc\u003c/p>\n\u003cp>He’s a \u003cstrong>suit man\u003c/strong> who loses his job and goes to work on a Christmas tree lot despite his \u003cstrong>missing Christmas spirit\u003c/strong>. You get no points for figuring out what happens when he meets Julie, “an astronomy teacher who’s always looked to the stars for hope.” \u003cstrong>Beloved celebrity\u003c/strong> Clarke Peters!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Louisiana\u003c/strong>\u003c/em> (Lifetime, 11/16, 8 pmET)\u003c/p>\n\u003cp>Well she’s a former Miss Christmas in her town, a title that exists because \u003cstrong>everybody cares too much about Christmas\u003c/strong>, and she goes back home and runs into the former Mister Christmas, and they might perhaps fall in love and presumably wear matching wreath crowns. \u003cstrong>Beloved celebrities \u003c/strong>Barry Bostwick, Moira Kelly and Dee Wallace.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Cupcakes \u003c/strong>\u003c/em>(UPTV, 11/17, 7 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cKtKoj-6Uao\u003c/p>\n\u003cp>How to save the family bakery, a truly \u003cstrong>adorable small business\u003c/strong>? Win a \u003cstrong>high-stakes competition\u003c/strong> on television!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Write Before Christmas \u003c/strong>\u003c/em>(Hallmark, 11/17, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UfNtogYfUmA\u003c/p>\n\u003cp>A woman sends thank-you notes at Christmas. The most important thing to know about this one is that \u003cstrong>nostalgic figure \u003c/strong>Grant Show, former \u003cem>Melrose Place \u003c/em>hottie, is now playing Hot Gray Hair types, and it’s possible that he looks better than ever. Here, most of his scenes seem to be with a cute dog. Also \u003cstrong>beloved celebrity \u003c/strong>Lolita Davidovich. \u003cstrong>Horrible pun title.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Random Acts of Christmas \u003c/strong>\u003c/em>(Lifetime, 11/17, 8 pmET)\u003c/p>\n\u003cp>An investigative journalist (not sure if she’s \u003cstrong>grumpy\u003c/strong>) tries to figure out why there are “random acts of Christmas” taking place. A man “ignites her Christmas spirit.” But he “may not be the man he claims to be.” So he could be a bank robber or an elf; we just don’t know. \u003cstrong>Nostalgic figures\u003c/strong> Patrick Duffy and Jaclyn Smith (Duffy’s pulling a twofer!).\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Godwink Christmas: Meant For Love \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/17, 9 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=evL3bYs1xFg\u003c/p>\n\u003cp>About a couple brought together by the \u003cstrong>actual supernatural force\u003c/strong> that is “Godwinks,” which are literally winks from God in the theology of the books that inspired this movie as well as a previous one just called \u003cem>A Godwink Christmas\u003c/em>. \u003cstrong>Beloved celebrity \u003c/strong>Kathie Lee Gifford.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Knight Before Christmas\u003c/strong>\u003c/em> (Netflix, 11/21)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-JtwROpSVWc\u003c/p>\n\u003cp>If you were a medieval knight and you were magically transported to Christmas in contemporary Ohio, wouldn’t \u003cem>you \u003c/em>hope to run into Vanessa Hudgens? Sure you would. So would this guy, and it happens to him thanks to the \u003cstrong>actual supernatural force \u003c/strong>of time travel. \u003cstrong>Horrible pun title.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Magical Christmas Shoes \u003c/strong>\u003c/em>(Lifetime, 11/22, 8 pmET)\u003c/p>\n\u003cp>This is not the same movie as \u003cem>The Christmas Shoes\u003c/em>, based on the book \u003cem>The Christmas Shoes \u003c/em>which was based on the song “The Christmas Shoes.” No, this is \u003cem>The Magical Christmas Shoes\u003c/em>, and it’s something else entirely, but it appears to involve \u003cstrong>actual supernatural forces\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Carole’s Christmas\u003c/strong>\u003c/em> (OWN, 11/22 9pm ET)\u003c/p>\n\u003cp>The great and good Jackée Harry stars opposite Kimberly Elise in this story about a woman played by Elise who encounters \u003cstrong>actual supernatural forces\u003c/strong> that allow her to rediscover the true spirit of Christmas after she wishes to explore a different life. Harry appears to be her spiritual advisor in some manner, which makes Carole very lucky indeed.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Twinkle All the Way \u003c/strong>\u003c/em>(Lifetime, 11/23, 8 pmET)\u003c/p>\n\u003cp>So there’s a woman in \u003cstrong>event planning\u003c/strong> who has to plan a Christmas wedding, which is pretty hard. But fortunately for her, she meets a guy who runs a [checks notes] “Christmas decoration and house-lighting company,” where \u003cstrong>everybody cares too much about Christmas.\u003c/strong> They undoubtedly have to \u003cstrong>rush to get ready \u003c/strong>for her wedding and also do the work for his client, who is played by \u003cstrong>beloved celebrity \u003c/strong>Lesley Ann Warren.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Holiday Hearts \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/23, 9 pmET)\u003c/p>\n\u003cp>Two people have to care for a friend’s daughter at the same time she has to do holiday \u003cstrong>event planning\u003c/strong> for a Christmas party, which seems like a lot of pressure.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas at Graceland: Home For the Holidays \u003c/strong>\u003c/em>(Hallmark, 11/23, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7zdV4Wucn6s\u003c/p>\n\u003cp>Remember Adrian Grenier from \u003cem>Entourage\u003c/em>? This is what he does now! He plays a \u003cstrong>suit man\u003c/strong> who prioritizes his job until the nanny he hired, who’s home in Memphis for the holidays, convinces him to stop and smell the peanut butter and bacon sandwiches at the famous \u003cstrong>location, location, location\u003c/strong>. \u003cstrong>Nostalgic figure \u003c/strong>Priscilla Presley!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Turkey Drop \u003c/strong>\u003c/em>(Freeform, 11/23, 9 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7O2vvd9Ze1s\u003c/p>\n\u003cp>I had never heard the phrase “turkey dropped”—meaning “broken up with over the holidays, especially Thanksgiving”—and it seems truly terrible. But here we are, following a woman who fears that she’s about to be dumped thusly and starts trying to avoid it. (There aren’t many \u003cstrong>Thanksgiving \u003c/strong>movies, but here is one for you fans of feasting.)\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Recipe For Romance \u003c/strong>\u003c/em>(UPTV, 11/24, 7 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NZeHPPJmiIo\u003c/p>\n\u003cp>How to save the \u003cstrong>adorable small business \u003c/strong>that is your family-run inn? Win a \u003cstrong>high-stakes competition \u003c/strong>for which you’ll have to \u003cstrong>rush to get ready\u003c/strong>!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Cherished Memories: A Gift to Remember 2 \u003c/strong>\u003c/em>(Hallmark, 11/24, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cf1X4-GFBZE\u003c/p>\n\u003cp>Look, I could explain this movie to you, or I could tell you that the first sentence of the description is “A year after Darcy ran over Aiden, his amnesia is gone but not their love.” (Darcy is also trying to save the rec center, meaning this is also an example of \u003cstrong>saving her hometown\u003c/strong>).\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas 9 to 5 \u003c/strong>\u003c/em>(Lifetime, 11/24, 8 pmET)\u003c/p>\n\u003cp>Tiya Sircar (who plays Vicky/”Real Eleanor” on \u003cem>The Good Place\u003c/em>) plays a \u003cstrong>grump journalist\u003c/strong> (she might be more of a hopeful journalist, but it’s not clear) who’s assigned to find the \u003cstrong>true meaning of Christmas\u003c/strong>, so she becomes a sales clerk.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Duet\u003c/strong>\u003c/em> (Hallmark, 11/25, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LbwrJ8puiRI\u003c/p>\n\u003cp>Averie and Jesse used to be a singing duo until they broke up, but now he, her \u003cstrong>old flame\u003c/strong>, comes to her lodge (a/k/a her \u003cstrong>adorable small business\u003c/strong>) over the holidays, and naturally they may just figure out how to get back together. They are played, we should note, by Chaley Rose and Rome Flynn, black leading actors on a channel that basically never used to have black leading actors but has some this year; Lifetime has significantly more and has for quite a while. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Check Inn to Christmas\u003c/strong>\u003c/em> (Hallmark, 11/26, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U52nc97kGnc\u003c/p>\n\u003cp>Her family and his family own rival cozy inns (what could be a more \u003cstrong>adorable small business\u003c/strong>?) and might just fall in love even though they are \u003cstrong>professional competitors\u003c/strong>. \u003cstrong>Nostalgic figure \u003c/strong>Richard Karn! \u003cstrong>Horrible pun title\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Very Vintage Christmas\u003c/strong>\u003c/em> (Lifetime, 11/27, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=M5iCkgzggbw\u003c/p>\n\u003cp>Tia Mowry-Hardrict is in this one about a woman who owns the ultimate \u003cstrong>adorable small business\u003c/strong>: an antique shop. She comes into possession of a box of someone’s old stuff (which cannot really be that uncommon, given that it’s an antique shop) and decides to return it. A man helps her, obviously.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Christmas Club \u003c/strong>\u003c/em>(Hallmark, 11/27, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Rya4jG0vDUg\u003c/p>\n\u003cp>A man and a woman meet when they “help an elderly woman find her lost Christmas savings.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Holiday Rush \u003c/strong>\u003c/em>(Netflix, 11/28)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=c2U6diYTnxA\u003c/p>\n\u003cp>Romany Malco plays a dad who loses his job and has to struggle to make \u003cstrong>the perfect Christmas\u003c/strong> for his kids. \u003cstrong>Beloved celebrity\u003c/strong> Darlene Love is in it—will she sing “Christmas (Baby Please Come Home)”?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Wish \u003c/strong>\u003c/em>(Lifetime, 11/28, 8 pmET)\u003c/p>\n\u003cp>It’s not clear whether this movie about a woman who makes a wish for love really gets the wish via \u003cstrong>actual supernatural forces \u003c/strong>or whether she only \u003cem>thinks \u003c/em>she’s getting the wish when actually she’s not getting the wish but just falling in love the regular way, but I’m throwing it in here anyway.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas at the Plaza \u003c/strong>\u003c/em>(Hallmark, 11/28, 8 pmET)\u003c/p>\n\u003cp>Jessica and Nick, who are perhaps named after countless characters from other TV romantic movies, are assigned to collaborate on a project at the Plaza Hotel, a very classy \u003cstrong>location, location, location\u003c/strong>. Features two \u003cstrong>beloved celebrities\u003c/strong>: Julia Duffy and Bruce Davison!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Staging Christmas \u003c/strong>\u003c/em>(Lifetime, 11/29, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=2Ar9rTDB9LQ\u003c/p>\n\u003cp>Soleil Moon Frye, known to children of the ’80s as Punky Brewster, is in this one as a woman who stages houses that people are selling. She gets a special assignment from a guy who doesn’t feel prepared to decorate his own house for Christmas but thinks his daughter would enjoy it. And then she teaches everybody the\u003cstrong> true meaning of Christmas\u003c/strong>, probably. (He is not a suit man; he is a sweater man, which is a very different man.)\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Evergreen: Tidings of Joy \u003c/strong>\u003c/em>(Hallmark, 11/29, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7YYVC_QkZ28&list=PLOeOtEopjKLoHBhE7KDG0gYQafVeRXqlr\u003c/p>\n\u003cp>The third film in a Hallmark franchise of sorts, this one is about Evergreen’s search for a time capsule and the \u003cstrong>grump journalist\u003c/strong> who comes to town and meets a woman just in time to be charmed by it all and \u003cstrong>help her hometown\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Baking Christmas \u003c/strong>\u003c/em>(OWN, 11/29, 9 pmET)\u003c/p>\n\u003cp>The matriarch of a town bakery (the ultimate \u003cstrong>adorable small business\u003c/strong>) decides to retire, leaving her kids to participate in a \u003cstrong>high-stakes competition \u003c/strong>to determine who will take over.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Merry Liddle Christmas \u003c/strong>\u003c/em>(Lifetime, 11/30, 8 pmET)\u003c/p>\n\u003cp>Kelly Rowland stars as a woman who’s obsessed with\u003cstrong> the perfect Christmas\u003c/strong>, only to find that her family is all over the place and driving her crazy. Will she learn that the \u003cstrong>true meaning of Christmas\u003c/strong> is not about Instagram? I bet she will.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Rome \u003c/strong>\u003c/em>(Hallmark, 11/30, 8 pmET)\u003c/p>\n\u003cp>Lacey Chabert, one of our Christmas Movie Queens, plays a woman who shows around an American \u003cstrong>suit man\u003c/strong> who wants to buy a company in Rome, but suffers from \u003cstrong>missing Christmas spirit\u003c/strong> even in this tremendous \u003cstrong>location, location, location\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Sense, Sensibility & Snowmen \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/30, 9 pmET)\u003c/p>\n\u003cp>“Christmas enthusiast” \u003cstrong>event planners \u003c/strong>get a client who’s a \u003cstrong>suit man \u003c/strong>and a “not-so-jolly toy company CEO.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Chalet \u003c/strong>\u003c/em>(UPTV, 12/1, 7 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JAdNMdwF_CU\u003c/p>\n\u003cp>The Christmas chalet is double-booked (almost like being \u003cstrong>snowed in\u003c/strong>!), and the other person staying with a divorced mom and her daughter is a “\u003cstrong>grumpy writer\u003c/strong> who hates Christmas.” (Writer, journalist, you know.) Well, I bet he doesn’t hate Christmas for long. \u003cstrong>Moppet!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>You Light Up My Christmas\u003c/strong>\u003c/em> (Lifetime, 12/1, 8 pmET)\u003c/p>\n\u003cp>Kim Fields plays a woman whose hometown was “built around her family’s pioneer Christmas Light Factory.” (Perhaps \u003cstrong>everybody cares too much about Christmas\u003c/strong>?) She needs to \u003cstrong>help her hometown \u003c/strong>and her \u003cstrong>adorable small business\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Town\u003c/strong>\u003c/em> (Hallmark, 12/1, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RBhwO2Yt8xI\u003c/p>\n\u003cp>A career woman discovers that \u003cstrong>this little town is OK\u003c/strong> when she winds up in said little town, where there is Some Dude. Stars Candance Cameron Bure, billed as “Christmas favorite Candace Cameron Bure.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Ghosting: The Spirit of Christmas\u003c/strong>\u003c/em> (Freeform, 12/7 9 pmET)\u003c/p>\n\u003cp>It was probably inevitable that people would begin experimenting with what it would be like if “ghosting” happened because you were actually dead. That’s the premise of this Freeform movie about \u003cstrong>actual supernatural forces\u003c/strong>, in which a woman goes on a great date and then dies, making it difficult for her to return texts and so forth.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Prince: The Royal Baby \u003c/strong>\u003c/em>(Netflix, 12/5)\u003c/p>\n\u003cp>The \u003cstrong>royal family\u003c/strong> franchise that is following the literal “first comes love, then comes marriage, then comes Tiny in the baby carriage” rhyme reaches its third chapter. Is there anything left after this? The Royal Home Equity Loan?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Storybook Christmas\u003c/strong>\u003c/em> (Lifetime, 12/6, 8 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rdl4eyqlaOk\u003c/p>\n\u003cp>An \u003cstrong>event planner\u003c/strong> hires a nanny for her niece at Christmas and THE NANNY IS A MAN. We are through the looking glass of traditional gender roles.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Mistletoe and Menorahs\u003c/strong>\u003c/em> (Lifetime, 12/7, 6 pmET)\u003c/p>\n\u003cp>She has to learn about \u003cstrong>Hanukkah\u003c/strong>! He has to learn about Christmas! They’d better get busy!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Unleashed\u003c/strong>\u003c/em> (Lifetime, 12/7, 8 pmET)\u003c/p>\n\u003cp>An \u003cstrong>old flame\u003c/strong> has to help find Vanessa Lachey’s dog. Well, not Vanessa Lachey. A woman played by Vanessa Lachey. You know what I’m saying.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Love Story \u003c/strong>\u003c/em>(Hallmark [Hall Of Fame], 12/7, 8 pmET)\u003c/p>\n\u003cp>Kristin Chenoweth plays a youth choir director who meets the widowed father (Scott Wolf) of just the beautiful \u003cstrong>moppet \u003c/strong>singer she’s been looking for. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Homecoming For the Holidays \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 12/7, 9 pmET)\u003c/p>\n\u003cp>Actual Broadway performer (and winner of the reality show \u003cem>Grease: You’re The One That I Want!\u003c/em>) Laura Osnes stars as a country singer who helps a guy build a house for a friend. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Paris\u003c/strong>\u003c/em> (UPTV, 12/8, 7 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GSlXzW-sXFs\u003c/p>\n\u003cp>A rich French guy comes to Montana, whisks a local woman off to Paris for Christmas, and has a secret. \u003cstrong>Location, location, location!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas at Dollywood \u003c/strong>\u003c/em>(Hallmark, 12/8, 8 pmET)\u003c/p>\n\u003cp>Two people fall in love while\u003cstrong> event planning\u003c/strong>, specifically for the Christmas show at Dollywood. \u003cstrong>There’s probably music \u003c/strong>at this particular \u003cstrong>location, location, location\u003c/strong>. Features \u003cstrong>beloved celebrity \u003c/strong>Dolly Parton!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Grounded For Christmas\u003c/strong>\u003c/em> (Lifetime, 12/8, 8 pmET)\u003c/p>\n\u003cp>Two pilots who don’t get along find their flight \u003cstrong>snowed in \u003c/strong>so they’re stuck in Cleveland. They wind up at her parents’ house, but because her ex is around, he agrees to a scheme where her family can \u003cstrong>meet her fake boyfriend\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Stars \u003c/strong>\u003c/em>(Lifetime, 12/13, 8 pmET)\u003c/p>\n\u003cp>J.T. Hodges and Erica Durance star as aspiring singers working together and maybe falling in love and there’s a \u003cstrong>high-stakes competition \u003c/strong>and \u003cstrong>there’s probably music \u003c/strong>and is this \u003cem>A Star Is Born: Christmas Edition\u003c/em> or what?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Matchmaker Christmas\u003c/strong>\u003c/em> (Lifetime, 12/14, 6 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dnvrP1_9zak\u003c/p>\n\u003cp>The \u003cstrong>old flame\u003c/strong> who shows up around Christmas in this one is named Jaxson. Yyyyikes. I say don’t do it, girl.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Winter Song \u003c/strong>\u003c/em>(Lifetime, 12/14, 8 pmET)\u003c/p>\n\u003cp>Ashanti is in this one, as a woman who meets a former jazz singer named Fred, played by Stan Shaw, who’s now homeless. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Holiday Date\u003c/strong>\u003c/em> (Hallmark, 12/14, 8 pmET)\u003c/p>\n\u003cp>Brooke brings an actor home to have her family \u003cstrong>meet her fake boyfriend\u003c/strong> over the holidays, something many many romcom characters have tried. And then she learns he’s Jewish and celebrates \u003cstrong>Hanukkah\u003c/strong>. \u003cstrong>Beloved celebrity \u003c/strong>Bruce Boxleitner!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Snowbound for Christmas \u003c/strong>\u003c/em>(UPTV, 12/15, 7 pmET)\u003c/p>\n\u003cp>This is actually based on a novella that I have read, by the terrific romance writer Shannon Stacey! (It was called \u003cem>Snowbound with the CEO.\u003c/em>) A boss brings his marketing executive to a pitch that will take place at a resort, and they are \u003cstrong>snowed in\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Rediscovering Christmas \u003c/strong>\u003c/em>(Lifetime, 12/15, 8 pmET)\u003c/p>\n\u003cp>Mia the big-city window dresser has to come back to \u003cstrong>help her hometown\u003c/strong> to help with the annual Snowflake festival!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Cheerful Christmas\u003c/strong>\u003c/em> (Hallmark, 12/15, 8 pmET)\u003c/p>\n\u003cp>A woman is hired as the “Christmas coach” to restore the \u003cstrong>missing Christmas spirit \u003c/strong>of someone who is somehow both a member of a \u003cstrong>royal family\u003c/strong> and a \u003cstrong>suit man\u003c/strong> at a company.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Christmas Temp \u003c/strong>\u003c/em>(Lifetime, 12/20, 8 pmET)\u003c/p>\n\u003cp>There is a “Christmas temp agency” in this movie because \u003cstrong>everybody cares too much about Christmas\u003c/strong>, and it has an HR manager for whom the titular Christmas Temp has “feelings.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Love Letter \u003c/strong>\u003c/em>(Lifetime, 12/21, 6 pmET)\u003c/p>\n\u003cp>A relationship advice columnist goes back home to figure out who wrote her an anonymous love letter. Information is limited, but based on the promotional photo, I can add \u003cstrong>Moppet\u003c/strong>!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Hotel \u003c/strong>\u003c/em>(Lifetime, 12/21, 8 pmET)\u003c/p>\n\u003cp>Garland Grove (where this takes place) is all about Christmas 12 months a year, making it the ultimate \u003cstrong>everybody cares too much about Christmas \u003c/strong>situation. Erin (Tatyana Ali) is in charge of developing a new hotel and \u003cstrong>help her hometown\u003c/strong>, so she makes it a Christmas Hotel to please the locals. Her \u003cstrong>old flame \u003c/strong>helps her find her \u003cstrong>missing Christmas spirit\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>It’s Beginning to Look a Lot Like Christmas\u003c/strong>\u003c/em> (Hallmark, 12/21, 8 pmET)\u003c/p>\n\u003cp>No description except a photo of a man in a sweater looking hopefully upward.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Wedding Runaway\u003c/strong>\u003c/em> (UPTV, 12/22, 7 pmET)\u003c/p>\n\u003cp>A soon-to-be bride is \u003cstrong>snowed in\u003c/strong> with her Grandma and an \u003cstrong>old flame\u003c/strong>. In the promotional photo, one guy is wearing glasses and a suit and the other guy is scruffy with a flannel shirt, so I’m pretty sure the flannel shirt guy will win, even on UPTV.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Double Holiday\u003c/strong>\u003c/em> (Hallmark, 12/22, 8 pmET)\u003c/p>\n\u003cp>Rebecca, who celebrates \u003cstrong>Hanukkah\u003c/strong>, is thrown together with Chris, who celebrates Christmas, to carry out some \u003cstrong>event planning\u003c/strong> around the office holiday party. Naturally they fall in love, even though they’re \u003cstrong>professional competitors\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Date By Christmas Eve \u003c/strong>\u003c/em>(Lifetime, 12/22, 8 pmET)\u003c/p>\n\u003cp>A woman gets magical powers from the \u003cstrong>actual supernatural forces \u003c/strong>within a dating app and accidentally adds her kindly neighbor to the naughty list, and do not get me started.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Baby in a Manger \u003c/strong>\u003c/em>(UPTV, 12/24, 7 pmET)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UqM_QMFOHkg\u003c/p>\n\u003cp>Someone has abandoned a baby in a nativity scene (a little on the nose), so a social worker and a police officer work to find the baby’s mother. I can’t even figure out what they want you to root for!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>New Year, New Me \u003c/strong>\u003c/em>(Hallmark, 12/28, 8 pmET)\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>No description except a photo of part of a tree.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Cozy+Snowbound+Sweater-Wearing+Guide+To+2019+Holiday+Movies&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "Yes, it's here again: the season when cable and streaming networks offer a deluge of holiday stories—61 in all!—full of happy couples, moppets and people learning the true meaning of Christmas.",
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"description": "Yes, it's here again: the season when cable and streaming networks offer a deluge of holiday stories—61 in all!—full of happy couples, moppets and people learning the true meaning of Christmas.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>[\u003cstrong>UPDATE:\u003c/strong> As of Monday 11/11, we have added three films from OWN and two from Freeform.]\u003c/p>\n\u003cp>It’s holiday TV movie season, and it’s not just a Hallmark party. There’s also Lifetime, UPTV, and—increasingly—Netflix, as well as OWN and Freeform.\u003c/p>\n\u003cp>We know that for devotees of this genre, it can be hard to keep up. Therefore, we have prepared a helpful guide to all the new movies we’re aware of that are on tap for the season, complete with notations for which tropes they offer. Everything in bold is what I would consider an element of holiday programming; that should help you find what you need. Are you a person who likes to see a “suit man” learn the new meaning of Christmas? We can help! Do you prefer to see someone save her hometown? You’ll find just the right movie for you, right here. And remember: These are just the \u003cem>new \u003c/em>ones. There are so many!\u003c/p>\n\u003cp>I’ve also noted where beloved celebrities and nostalgic figures are present—I admit this is a blurry line between these categories, but it’s meant to be “famous for [specific character/project]” versus “famous generally.”\u003c/p>\n\u003cp>Note that these are based on what the networks and services have revealed thus far. Some of these might have hidden elves or moppets or musical numbers that just haven’t revealed themselves yet. You have to keep \u003cem>some \u003c/em>surprises for Santa, right?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ho-ho-ho.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Picture a Perfect Christmas \u003c/strong>\u003c/em>(Hallmark, 11/9, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HrNPPe7hkas'\n title='//www.youtube.com/embed/HrNPPe7hkas'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>She’s an “extreme sports photographer” who goes to her own little town to take care of Grandma and meets a neighbor whose nephew is visiting him. She learns that \u003cstrong>this little town is OK\u003c/strong>. Also \u003cstrong>Moppet\u003c/strong>!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Radio Christmas\u003c/strong>\u003c/em> (Lifetime, 11/9, 8 pmET)\u003c/p>\n\u003cp>Keshia Knight Pulliam plays a DJ who is forced to relocate from her Philadelphia broadcasting digs to the small town of—you guessed it—Bethlehem, and it turns out \u003cstrong>this little town is OK\u003c/strong>. Also, \u003cstrong>everybody cares too much about Christmas\u003c/strong>, in that there is apparently a “year-round Christmas station.” (You can kind of forgive them because it’s Bethlehem, I suppose.)\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Rock N’ Roll Christmas \u003c/strong>\u003c/em>(UPTV, 11/10, 7pmET)\u003c/p>\n\u003cp>Estranged mother and daughter singers \u003cstrong>rush to get ready\u003c/strong> in time to write a Christmas single together. Will they succeed? I would say it’s fa-la-la-la-likely. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Mistletoe Secret \u003c/strong>\u003c/em>(Hallmark, 11/10, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N8oliBufPuY'\n title='//www.youtube.com/embed/N8oliBufPuY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Remember Kellie Pickler from \u003cem>American Idol\u003c/em>? This is what she does now! She plays a woman whose hometown is losing tourists until a \u003cstrong>grumpy journalist\u003c/strong> agrees to write an article about it, and she has the chance to \u003cstrong>help her hometown\u003c/strong>! Nostalgic figure \u003cstrong>Patrick Duffy\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Sweet Christmas Romance \u003c/strong>\u003c/em>(Lifetime, 11/10, 8 pmET)\u003c/p>\n\u003cp>A food stylist returns to her hometown, where she has the opportunity to participate in a baking contest to win ownership of an \u003cstrong>adorable small business\u003c/strong>, her favorite bakery. Of course, there’s a guy who will be her \u003cstrong>professional competitor\u003c/strong>. Will they fall in love? MIGHT THEY?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Miracle \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/14, 9 pmET)\u003c/p>\n\u003cp>A journalist tries to create a Christmas miracle. \u003cstrong>Moppet!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas a La Mode\u003c/strong>\u003c/em> (Lifetime, 11/15, 8 pmET)\u003c/p>\n\u003cp>How to save the \u003cstrong>adorable small business\u003c/strong>, a family dairy farm? With a \u003cstrong>high-stakes competition\u003c/strong> involving ice cream.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>One Fine Christmas \u003c/strong>\u003c/em>(OWN, 11/15 9 pmET)\u003c/p>\n\u003cp>An impressive ensemble cast including Rick Fox and his daughter Sasha, Vanessa Williams (the \u003cem>Melrose Place \u003c/em>one, not the “Save The Best For Last”/\u003cem>Ugly Betty\u003c/em> one) and Marla Gibbs shows up for this multi-thread story about people living on Christmas Street (where probably \u003cstrong>everybody cares too much about Christmas\u003c/strong>) who have to navigate various hurdles to create \u003cstrong>a perfect Christmas\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Under the Stars\u003c/strong>\u003c/em> (Hallmark 11/16, 9 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/knF-OXlZHVc'\n title='//www.youtube.com/embed/knF-OXlZHVc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>He’s a \u003cstrong>suit man\u003c/strong> who loses his job and goes to work on a Christmas tree lot despite his \u003cstrong>missing Christmas spirit\u003c/strong>. You get no points for figuring out what happens when he meets Julie, “an astronomy teacher who’s always looked to the stars for hope.” \u003cstrong>Beloved celebrity\u003c/strong> Clarke Peters!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Louisiana\u003c/strong>\u003c/em> (Lifetime, 11/16, 8 pmET)\u003c/p>\n\u003cp>Well she’s a former Miss Christmas in her town, a title that exists because \u003cstrong>everybody cares too much about Christmas\u003c/strong>, and she goes back home and runs into the former Mister Christmas, and they might perhaps fall in love and presumably wear matching wreath crowns. \u003cstrong>Beloved celebrities \u003c/strong>Barry Bostwick, Moira Kelly and Dee Wallace.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Cupcakes \u003c/strong>\u003c/em>(UPTV, 11/17, 7 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cKtKoj-6Uao'\n title='//www.youtube.com/embed/cKtKoj-6Uao'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>How to save the family bakery, a truly \u003cstrong>adorable small business\u003c/strong>? Win a \u003cstrong>high-stakes competition\u003c/strong> on television!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Write Before Christmas \u003c/strong>\u003c/em>(Hallmark, 11/17, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UfNtogYfUmA'\n title='//www.youtube.com/embed/UfNtogYfUmA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A woman sends thank-you notes at Christmas. The most important thing to know about this one is that \u003cstrong>nostalgic figure \u003c/strong>Grant Show, former \u003cem>Melrose Place \u003c/em>hottie, is now playing Hot Gray Hair types, and it’s possible that he looks better than ever. Here, most of his scenes seem to be with a cute dog. Also \u003cstrong>beloved celebrity \u003c/strong>Lolita Davidovich. \u003cstrong>Horrible pun title.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Random Acts of Christmas \u003c/strong>\u003c/em>(Lifetime, 11/17, 8 pmET)\u003c/p>\n\u003cp>An investigative journalist (not sure if she’s \u003cstrong>grumpy\u003c/strong>) tries to figure out why there are “random acts of Christmas” taking place. A man “ignites her Christmas spirit.” But he “may not be the man he claims to be.” So he could be a bank robber or an elf; we just don’t know. \u003cstrong>Nostalgic figures\u003c/strong> Patrick Duffy and Jaclyn Smith (Duffy’s pulling a twofer!).\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Godwink Christmas: Meant For Love \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/17, 9 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/evL3bYs1xFg'\n title='//www.youtube.com/embed/evL3bYs1xFg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>About a couple brought together by the \u003cstrong>actual supernatural force\u003c/strong> that is “Godwinks,” which are literally winks from God in the theology of the books that inspired this movie as well as a previous one just called \u003cem>A Godwink Christmas\u003c/em>. \u003cstrong>Beloved celebrity \u003c/strong>Kathie Lee Gifford.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Knight Before Christmas\u003c/strong>\u003c/em> (Netflix, 11/21)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-JtwROpSVWc'\n title='//www.youtube.com/embed/-JtwROpSVWc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you were a medieval knight and you were magically transported to Christmas in contemporary Ohio, wouldn’t \u003cem>you \u003c/em>hope to run into Vanessa Hudgens? Sure you would. So would this guy, and it happens to him thanks to the \u003cstrong>actual supernatural force \u003c/strong>of time travel. \u003cstrong>Horrible pun title.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Magical Christmas Shoes \u003c/strong>\u003c/em>(Lifetime, 11/22, 8 pmET)\u003c/p>\n\u003cp>This is not the same movie as \u003cem>The Christmas Shoes\u003c/em>, based on the book \u003cem>The Christmas Shoes \u003c/em>which was based on the song “The Christmas Shoes.” No, this is \u003cem>The Magical Christmas Shoes\u003c/em>, and it’s something else entirely, but it appears to involve \u003cstrong>actual supernatural forces\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Carole’s Christmas\u003c/strong>\u003c/em> (OWN, 11/22 9pm ET)\u003c/p>\n\u003cp>The great and good Jackée Harry stars opposite Kimberly Elise in this story about a woman played by Elise who encounters \u003cstrong>actual supernatural forces\u003c/strong> that allow her to rediscover the true spirit of Christmas after she wishes to explore a different life. Harry appears to be her spiritual advisor in some manner, which makes Carole very lucky indeed.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Twinkle All the Way \u003c/strong>\u003c/em>(Lifetime, 11/23, 8 pmET)\u003c/p>\n\u003cp>So there’s a woman in \u003cstrong>event planning\u003c/strong> who has to plan a Christmas wedding, which is pretty hard. But fortunately for her, she meets a guy who runs a [checks notes] “Christmas decoration and house-lighting company,” where \u003cstrong>everybody cares too much about Christmas.\u003c/strong> They undoubtedly have to \u003cstrong>rush to get ready \u003c/strong>for her wedding and also do the work for his client, who is played by \u003cstrong>beloved celebrity \u003c/strong>Lesley Ann Warren.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Holiday Hearts \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/23, 9 pmET)\u003c/p>\n\u003cp>Two people have to care for a friend’s daughter at the same time she has to do holiday \u003cstrong>event planning\u003c/strong> for a Christmas party, which seems like a lot of pressure.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas at Graceland: Home For the Holidays \u003c/strong>\u003c/em>(Hallmark, 11/23, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7zdV4Wucn6s'\n title='//www.youtube.com/embed/7zdV4Wucn6s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Remember Adrian Grenier from \u003cem>Entourage\u003c/em>? This is what he does now! He plays a \u003cstrong>suit man\u003c/strong> who prioritizes his job until the nanny he hired, who’s home in Memphis for the holidays, convinces him to stop and smell the peanut butter and bacon sandwiches at the famous \u003cstrong>location, location, location\u003c/strong>. \u003cstrong>Nostalgic figure \u003c/strong>Priscilla Presley!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Turkey Drop \u003c/strong>\u003c/em>(Freeform, 11/23, 9 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7O2vvd9Ze1s'\n title='//www.youtube.com/embed/7O2vvd9Ze1s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I had never heard the phrase “turkey dropped”—meaning “broken up with over the holidays, especially Thanksgiving”—and it seems truly terrible. But here we are, following a woman who fears that she’s about to be dumped thusly and starts trying to avoid it. (There aren’t many \u003cstrong>Thanksgiving \u003c/strong>movies, but here is one for you fans of feasting.)\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Recipe For Romance \u003c/strong>\u003c/em>(UPTV, 11/24, 7 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NZeHPPJmiIo'\n title='//www.youtube.com/embed/NZeHPPJmiIo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>How to save the \u003cstrong>adorable small business \u003c/strong>that is your family-run inn? Win a \u003cstrong>high-stakes competition \u003c/strong>for which you’ll have to \u003cstrong>rush to get ready\u003c/strong>!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Cherished Memories: A Gift to Remember 2 \u003c/strong>\u003c/em>(Hallmark, 11/24, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cf1X4-GFBZE'\n title='//www.youtube.com/embed/cf1X4-GFBZE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Look, I could explain this movie to you, or I could tell you that the first sentence of the description is “A year after Darcy ran over Aiden, his amnesia is gone but not their love.” (Darcy is also trying to save the rec center, meaning this is also an example of \u003cstrong>saving her hometown\u003c/strong>).\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas 9 to 5 \u003c/strong>\u003c/em>(Lifetime, 11/24, 8 pmET)\u003c/p>\n\u003cp>Tiya Sircar (who plays Vicky/”Real Eleanor” on \u003cem>The Good Place\u003c/em>) plays a \u003cstrong>grump journalist\u003c/strong> (she might be more of a hopeful journalist, but it’s not clear) who’s assigned to find the \u003cstrong>true meaning of Christmas\u003c/strong>, so she becomes a sales clerk.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Duet\u003c/strong>\u003c/em> (Hallmark, 11/25, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LbwrJ8puiRI'\n title='//www.youtube.com/embed/LbwrJ8puiRI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Averie and Jesse used to be a singing duo until they broke up, but now he, her \u003cstrong>old flame\u003c/strong>, comes to her lodge (a/k/a her \u003cstrong>adorable small business\u003c/strong>) over the holidays, and naturally they may just figure out how to get back together. They are played, we should note, by Chaley Rose and Rome Flynn, black leading actors on a channel that basically never used to have black leading actors but has some this year; Lifetime has significantly more and has for quite a while. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Check Inn to Christmas\u003c/strong>\u003c/em> (Hallmark, 11/26, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U52nc97kGnc'\n title='//www.youtube.com/embed/U52nc97kGnc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Her family and his family own rival cozy inns (what could be a more \u003cstrong>adorable small business\u003c/strong>?) and might just fall in love even though they are \u003cstrong>professional competitors\u003c/strong>. \u003cstrong>Nostalgic figure \u003c/strong>Richard Karn! \u003cstrong>Horrible pun title\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Very Vintage Christmas\u003c/strong>\u003c/em> (Lifetime, 11/27, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/M5iCkgzggbw'\n title='//www.youtube.com/embed/M5iCkgzggbw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Tia Mowry-Hardrict is in this one about a woman who owns the ultimate \u003cstrong>adorable small business\u003c/strong>: an antique shop. She comes into possession of a box of someone’s old stuff (which cannot really be that uncommon, given that it’s an antique shop) and decides to return it. A man helps her, obviously.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Christmas Club \u003c/strong>\u003c/em>(Hallmark, 11/27, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Rya4jG0vDUg'\n title='//www.youtube.com/embed/Rya4jG0vDUg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A man and a woman meet when they “help an elderly woman find her lost Christmas savings.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Holiday Rush \u003c/strong>\u003c/em>(Netflix, 11/28)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/c2U6diYTnxA'\n title='//www.youtube.com/embed/c2U6diYTnxA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Romany Malco plays a dad who loses his job and has to struggle to make \u003cstrong>the perfect Christmas\u003c/strong> for his kids. \u003cstrong>Beloved celebrity\u003c/strong> Darlene Love is in it—will she sing “Christmas (Baby Please Come Home)”?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Wish \u003c/strong>\u003c/em>(Lifetime, 11/28, 8 pmET)\u003c/p>\n\u003cp>It’s not clear whether this movie about a woman who makes a wish for love really gets the wish via \u003cstrong>actual supernatural forces \u003c/strong>or whether she only \u003cem>thinks \u003c/em>she’s getting the wish when actually she’s not getting the wish but just falling in love the regular way, but I’m throwing it in here anyway.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas at the Plaza \u003c/strong>\u003c/em>(Hallmark, 11/28, 8 pmET)\u003c/p>\n\u003cp>Jessica and Nick, who are perhaps named after countless characters from other TV romantic movies, are assigned to collaborate on a project at the Plaza Hotel, a very classy \u003cstrong>location, location, location\u003c/strong>. Features two \u003cstrong>beloved celebrities\u003c/strong>: Julia Duffy and Bruce Davison!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Staging Christmas \u003c/strong>\u003c/em>(Lifetime, 11/29, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2Ar9rTDB9LQ'\n title='//www.youtube.com/embed/2Ar9rTDB9LQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Soleil Moon Frye, known to children of the ’80s as Punky Brewster, is in this one as a woman who stages houses that people are selling. She gets a special assignment from a guy who doesn’t feel prepared to decorate his own house for Christmas but thinks his daughter would enjoy it. And then she teaches everybody the\u003cstrong> true meaning of Christmas\u003c/strong>, probably. (He is not a suit man; he is a sweater man, which is a very different man.)\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Evergreen: Tidings of Joy \u003c/strong>\u003c/em>(Hallmark, 11/29, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7YYVC_QkZ28'\n title='//www.youtube.com/embed/7YYVC_QkZ28'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The third film in a Hallmark franchise of sorts, this one is about Evergreen’s search for a time capsule and the \u003cstrong>grump journalist\u003c/strong> who comes to town and meets a woman just in time to be charmed by it all and \u003cstrong>help her hometown\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Baking Christmas \u003c/strong>\u003c/em>(OWN, 11/29, 9 pmET)\u003c/p>\n\u003cp>The matriarch of a town bakery (the ultimate \u003cstrong>adorable small business\u003c/strong>) decides to retire, leaving her kids to participate in a \u003cstrong>high-stakes competition \u003c/strong>to determine who will take over.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Merry Liddle Christmas \u003c/strong>\u003c/em>(Lifetime, 11/30, 8 pmET)\u003c/p>\n\u003cp>Kelly Rowland stars as a woman who’s obsessed with\u003cstrong> the perfect Christmas\u003c/strong>, only to find that her family is all over the place and driving her crazy. Will she learn that the \u003cstrong>true meaning of Christmas\u003c/strong> is not about Instagram? I bet she will.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Rome \u003c/strong>\u003c/em>(Hallmark, 11/30, 8 pmET)\u003c/p>\n\u003cp>Lacey Chabert, one of our Christmas Movie Queens, plays a woman who shows around an American \u003cstrong>suit man\u003c/strong> who wants to buy a company in Rome, but suffers from \u003cstrong>missing Christmas spirit\u003c/strong> even in this tremendous \u003cstrong>location, location, location\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Sense, Sensibility & Snowmen \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 11/30, 9 pmET)\u003c/p>\n\u003cp>“Christmas enthusiast” \u003cstrong>event planners \u003c/strong>get a client who’s a \u003cstrong>suit man \u003c/strong>and a “not-so-jolly toy company CEO.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Chalet \u003c/strong>\u003c/em>(UPTV, 12/1, 7 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JAdNMdwF_CU'\n title='//www.youtube.com/embed/JAdNMdwF_CU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The Christmas chalet is double-booked (almost like being \u003cstrong>snowed in\u003c/strong>!), and the other person staying with a divorced mom and her daughter is a “\u003cstrong>grumpy writer\u003c/strong> who hates Christmas.” (Writer, journalist, you know.) Well, I bet he doesn’t hate Christmas for long. \u003cstrong>Moppet!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>You Light Up My Christmas\u003c/strong>\u003c/em> (Lifetime, 12/1, 8 pmET)\u003c/p>\n\u003cp>Kim Fields plays a woman whose hometown was “built around her family’s pioneer Christmas Light Factory.” (Perhaps \u003cstrong>everybody cares too much about Christmas\u003c/strong>?) She needs to \u003cstrong>help her hometown \u003c/strong>and her \u003cstrong>adorable small business\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Town\u003c/strong>\u003c/em> (Hallmark, 12/1, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RBhwO2Yt8xI'\n title='//www.youtube.com/embed/RBhwO2Yt8xI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A career woman discovers that \u003cstrong>this little town is OK\u003c/strong> when she winds up in said little town, where there is Some Dude. Stars Candance Cameron Bure, billed as “Christmas favorite Candace Cameron Bure.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Ghosting: The Spirit of Christmas\u003c/strong>\u003c/em> (Freeform, 12/7 9 pmET)\u003c/p>\n\u003cp>It was probably inevitable that people would begin experimenting with what it would be like if “ghosting” happened because you were actually dead. That’s the premise of this Freeform movie about \u003cstrong>actual supernatural forces\u003c/strong>, in which a woman goes on a great date and then dies, making it difficult for her to return texts and so forth.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Prince: The Royal Baby \u003c/strong>\u003c/em>(Netflix, 12/5)\u003c/p>\n\u003cp>The \u003cstrong>royal family\u003c/strong> franchise that is following the literal “first comes love, then comes marriage, then comes Tiny in the baby carriage” rhyme reaches its third chapter. Is there anything left after this? The Royal Home Equity Loan?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Storybook Christmas\u003c/strong>\u003c/em> (Lifetime, 12/6, 8 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rdl4eyqlaOk'\n title='//www.youtube.com/embed/rdl4eyqlaOk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>An \u003cstrong>event planner\u003c/strong> hires a nanny for her niece at Christmas and THE NANNY IS A MAN. We are through the looking glass of traditional gender roles.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Mistletoe and Menorahs\u003c/strong>\u003c/em> (Lifetime, 12/7, 6 pmET)\u003c/p>\n\u003cp>She has to learn about \u003cstrong>Hanukkah\u003c/strong>! He has to learn about Christmas! They’d better get busy!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Unleashed\u003c/strong>\u003c/em> (Lifetime, 12/7, 8 pmET)\u003c/p>\n\u003cp>An \u003cstrong>old flame\u003c/strong> has to help find Vanessa Lachey’s dog. Well, not Vanessa Lachey. A woman played by Vanessa Lachey. You know what I’m saying.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Love Story \u003c/strong>\u003c/em>(Hallmark [Hall Of Fame], 12/7, 8 pmET)\u003c/p>\n\u003cp>Kristin Chenoweth plays a youth choir director who meets the widowed father (Scott Wolf) of just the beautiful \u003cstrong>moppet \u003c/strong>singer she’s been looking for. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Homecoming For the Holidays \u003c/strong>\u003c/em>(Hallmark Movies & Mysteries, 12/7, 9 pmET)\u003c/p>\n\u003cp>Actual Broadway performer (and winner of the reality show \u003cem>Grease: You’re The One That I Want!\u003c/em>) Laura Osnes stars as a country singer who helps a guy build a house for a friend. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas in Paris\u003c/strong>\u003c/em> (UPTV, 12/8, 7 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GSlXzW-sXFs'\n title='//www.youtube.com/embed/GSlXzW-sXFs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A rich French guy comes to Montana, whisks a local woman off to Paris for Christmas, and has a secret. \u003cstrong>Location, location, location!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas at Dollywood \u003c/strong>\u003c/em>(Hallmark, 12/8, 8 pmET)\u003c/p>\n\u003cp>Two people fall in love while\u003cstrong> event planning\u003c/strong>, specifically for the Christmas show at Dollywood. \u003cstrong>There’s probably music \u003c/strong>at this particular \u003cstrong>location, location, location\u003c/strong>. Features \u003cstrong>beloved celebrity \u003c/strong>Dolly Parton!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Grounded For Christmas\u003c/strong>\u003c/em> (Lifetime, 12/8, 8 pmET)\u003c/p>\n\u003cp>Two pilots who don’t get along find their flight \u003cstrong>snowed in \u003c/strong>so they’re stuck in Cleveland. They wind up at her parents’ house, but because her ex is around, he agrees to a scheme where her family can \u003cstrong>meet her fake boyfriend\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Stars \u003c/strong>\u003c/em>(Lifetime, 12/13, 8 pmET)\u003c/p>\n\u003cp>J.T. Hodges and Erica Durance star as aspiring singers working together and maybe falling in love and there’s a \u003cstrong>high-stakes competition \u003c/strong>and \u003cstrong>there’s probably music \u003c/strong>and is this \u003cem>A Star Is Born: Christmas Edition\u003c/em> or what?\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Matchmaker Christmas\u003c/strong>\u003c/em> (Lifetime, 12/14, 6 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dnvrP1_9zak'\n title='//www.youtube.com/embed/dnvrP1_9zak'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The \u003cstrong>old flame\u003c/strong> who shows up around Christmas in this one is named Jaxson. Yyyyikes. I say don’t do it, girl.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Christmas Winter Song \u003c/strong>\u003c/em>(Lifetime, 12/14, 8 pmET)\u003c/p>\n\u003cp>Ashanti is in this one, as a woman who meets a former jazz singer named Fred, played by Stan Shaw, who’s now homeless. \u003cstrong>There’s probably music!\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Holiday Date\u003c/strong>\u003c/em> (Hallmark, 12/14, 8 pmET)\u003c/p>\n\u003cp>Brooke brings an actor home to have her family \u003cstrong>meet her fake boyfriend\u003c/strong> over the holidays, something many many romcom characters have tried. And then she learns he’s Jewish and celebrates \u003cstrong>Hanukkah\u003c/strong>. \u003cstrong>Beloved celebrity \u003c/strong>Bruce Boxleitner!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Snowbound for Christmas \u003c/strong>\u003c/em>(UPTV, 12/15, 7 pmET)\u003c/p>\n\u003cp>This is actually based on a novella that I have read, by the terrific romance writer Shannon Stacey! (It was called \u003cem>Snowbound with the CEO.\u003c/em>) A boss brings his marketing executive to a pitch that will take place at a resort, and they are \u003cstrong>snowed in\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Rediscovering Christmas \u003c/strong>\u003c/em>(Lifetime, 12/15, 8 pmET)\u003c/p>\n\u003cp>Mia the big-city window dresser has to come back to \u003cstrong>help her hometown\u003c/strong> to help with the annual Snowflake festival!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Cheerful Christmas\u003c/strong>\u003c/em> (Hallmark, 12/15, 8 pmET)\u003c/p>\n\u003cp>A woman is hired as the “Christmas coach” to restore the \u003cstrong>missing Christmas spirit \u003c/strong>of someone who is somehow both a member of a \u003cstrong>royal family\u003c/strong> and a \u003cstrong>suit man\u003c/strong> at a company.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Christmas Temp \u003c/strong>\u003c/em>(Lifetime, 12/20, 8 pmET)\u003c/p>\n\u003cp>There is a “Christmas temp agency” in this movie because \u003cstrong>everybody cares too much about Christmas\u003c/strong>, and it has an HR manager for whom the titular Christmas Temp has “feelings.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Love Letter \u003c/strong>\u003c/em>(Lifetime, 12/21, 6 pmET)\u003c/p>\n\u003cp>A relationship advice columnist goes back home to figure out who wrote her an anonymous love letter. Information is limited, but based on the promotional photo, I can add \u003cstrong>Moppet\u003c/strong>!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Hotel \u003c/strong>\u003c/em>(Lifetime, 12/21, 8 pmET)\u003c/p>\n\u003cp>Garland Grove (where this takes place) is all about Christmas 12 months a year, making it the ultimate \u003cstrong>everybody cares too much about Christmas \u003c/strong>situation. Erin (Tatyana Ali) is in charge of developing a new hotel and \u003cstrong>help her hometown\u003c/strong>, so she makes it a Christmas Hotel to please the locals. Her \u003cstrong>old flame \u003c/strong>helps her find her \u003cstrong>missing Christmas spirit\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>It’s Beginning to Look a Lot Like Christmas\u003c/strong>\u003c/em> (Hallmark, 12/21, 8 pmET)\u003c/p>\n\u003cp>No description except a photo of a man in a sweater looking hopefully upward.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Christmas Wedding Runaway\u003c/strong>\u003c/em> (UPTV, 12/22, 7 pmET)\u003c/p>\n\u003cp>A soon-to-be bride is \u003cstrong>snowed in\u003c/strong> with her Grandma and an \u003cstrong>old flame\u003c/strong>. In the promotional photo, one guy is wearing glasses and a suit and the other guy is scruffy with a flannel shirt, so I’m pretty sure the flannel shirt guy will win, even on UPTV.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Double Holiday\u003c/strong>\u003c/em> (Hallmark, 12/22, 8 pmET)\u003c/p>\n\u003cp>Rebecca, who celebrates \u003cstrong>Hanukkah\u003c/strong>, is thrown together with Chris, who celebrates Christmas, to carry out some \u003cstrong>event planning\u003c/strong> around the office holiday party. Naturally they fall in love, even though they’re \u003cstrong>professional competitors\u003c/strong>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Date By Christmas Eve \u003c/strong>\u003c/em>(Lifetime, 12/22, 8 pmET)\u003c/p>\n\u003cp>A woman gets magical powers from the \u003cstrong>actual supernatural forces \u003c/strong>within a dating app and accidentally adds her kindly neighbor to the naughty list, and do not get me started.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Baby in a Manger \u003c/strong>\u003c/em>(UPTV, 12/24, 7 pmET)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UqM_QMFOHkg'\n title='//www.youtube.com/embed/UqM_QMFOHkg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Someone has abandoned a baby in a nativity scene (a little on the nose), so a social worker and a police officer work to find the baby’s mother. I can’t even figure out what they want you to root for!\u003c/p>\n\u003cp>\u003cem>\u003cstrong>New Year, New Me \u003c/strong>\u003c/em>(Hallmark, 12/28, 8 pmET)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "After Comic Garry Shandling's Death, Judd Apatow Found Zen in His Diaries",
"headTitle": "After Comic Garry Shandling’s Death, Judd Apatow Found Zen in His Diaries | KQED",
"content": "\u003cp>\u003ca href=\"https://www.npr.org/books/authors/137955750/judd-apatow\">Judd Apatow\u003c/a> was a teenager when he first “met” comic \u003ca href=\"https://www.npr.org/tags/471775543/garry-shandling\">Garry Shandling\u003c/a> in a phone interview for his high school radio show. Years later, their paths intersected again when Shandling, who was hosting the Grammy Awards, hired Apatow to write jokes for him.\u003c/p>\n\u003cfigure id=\"attachment_13869732\" class=\"wp-caption alignright\" style=\"max-width: 176px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13869732\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/91WTugLawxL._AC_UY218_ML3_.jpg\" alt=\"'It's Garry Shandling's Book' is edited by Judd Apatow.\" width=\"176\" height=\"218\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/91WTugLawxL._AC_UY218_ML3_.jpg 176w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/91WTugLawxL._AC_UY218_ML3_-160x198.jpg 160w\" sizes=\"(max-width: 176px) 100vw, 176px\">\u003cfigcaption class=\"wp-caption-text\">‘It’s Garry Shandling’s Book’ is edited by Judd Apatow. \u003ccite>(Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Shandling had been Johnny Carson’s guest host on \u003cem>The Tonight Show \u003c/em>before creating and starring in the groundbreaking comedy series\u003cem> It’s Garry Shandling’s Show\u003c/em> and \u003cem>The Larry Sanders Show. \u003c/em>He became Apatow’s mentor and close friend.\u003c/p>\n\u003cp>“He completely changed my life,” Apatow says of Shandling. “He hired me to write for his show. He did a cameo on the pilot of \u003cem>The Ben Stiller Show\u003c/em>, which I thought was part of why we got picked up. He asked me to direct. … It was always mysterious to me why he was so kind to me.”\u003c/p>\n\u003cp>Apatow went on to produce \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=12879331\">\u003cem>Superbad \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2012/04/08/150189071/lena-dunhams-girls-still-sex-still-the-city-different-show\">\u003cem>Girls\u003c/em>\u003c/a>, and to direct \u003cem>The 40-Year-Old Virgin\u003c/em> and \u003ca href=\"#v\">\u003cem>Trainwreck\u003c/em>\u003c/a>\u003cem>, \u003c/em>but he always stayed in touch with his mentor. After Shandling’s \u003ca href=\"https://www.npr.org/sections/thetwo-way/2016/03/24/471773637/actor-and-comedian-garry-shandling-dies-at-66\">sudden death\u003c/a> in 2016, Apatow helped sort through his belongings—including boxes of diaries dating back to 1978.\u003c/p>\n\u003cp>Shandling practiced Zen meditation for decades, and many pages of his journals are reminders to himself to stay calm, remain unattached to worldly things and let go of his ego.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I felt like there was so much wisdom in examining Garry’s life,” Apatow says. “Garry was a wounded person. He was a neurotic man. He was a guy constantly attempting to evolve and heal. I felt like there’s so many lessons that people can get from learning about how he lived his life.”\u003c/p>\n\u003cp>Shandling is the subject of Apatow’s new book, \u003cem>It’s Garry Shandling’s Book,\u003c/em> which is a companion to the HBO documentary Apatow made last year, \u003cem>The Zen Diaries of Garry Shandling.\u003c/em>\u003c/p>\n\u003cp>“I saw in the journals that he wrote, ‘Learn to grow old gracefully. Learn to become a mentor gracefully,'” Apatow says. “Now I’m more tuned into the responsibility of doing that. I’m lucky enough to be in a place where I can help people who deserve to be heard from or who deserve breaks. … I definitely try to keep that Garry tradition alive.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=paerP97n4aA\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On Shandling’s place in comedy\u003c/strong>\u003c/p>\n\u003cp>Garry always cut his own path. It always felt like Garry was outside of the system in some way. So when he did \u003cem>It’s Garry Shandling’s Show\u003c/em>, there really hadn’t been a show like that, that was so experimental and weird and which made fun of the whole concept of sitcoms. \u003cem>…\u003c/em>\u003c/p>\n\u003cp>And then he did \u003cem>The Larry Sanders Show,\u003c/em> which was a satire of talk shows. It was a behind-the-scenes look at an anxious, neurotic talk-show host, somewhat like Garry. And in it, he tried to explore the way show business and ego prevents people from connecting and loving each other. That was his premise. And in a way, he was trying to use the show to explore his own psyche. And I always thought he was mocking the part of himself that he didn’t like, mocking the person that wanted to be rich and famous and someone who could hold this high position for a long time.\u003c/p>\n\u003cp>He was a unique, original thinker, and in a way, he was almost like an alternative rock band. And he did all this when TV didn’t have much of this. There’s a lot of television like that these days, but back in the ’80s and early ’90s, there wasn’t programming like this.\u003c/p>\n\u003cp>\u003cstrong>On how Shandling’s journals changed his understanding of Shandling \u003c/strong>\u003c/p>\n\u003cp>I was surprised that 30 years of journals mainly contained Garry trying to talk to his positive voice. So they weren’t journals from the point of view of someone who was just trying to spew all their toxic stuff. A lot of us write in journals like that. We just want to get the bad voice out of our head, and that’s not what Garry’s journals were like. They were a voice talking to the panicked, anxious voice. So most of the journals were reminders to try to get out of ego, to try to be more kind and loving, to let go. It’s 30 years of reminders about the type of person that he wants to be. There were some pages where he was complaining about something, but very few, considering that he did it for 30 years.\u003c/p>\n\u003cp>\u003cstrong>On how Shandling’s 13-year-old brother died when Shandling was 10, and his parents didn’t talk to him about the death or let him go to the funeral \u003c/strong>\u003c/p>\n\u003cp>It’s hard to know for sure, but it certainly scarred him in a way that affected him throughout his life. I felt that his search for presence was based on the fact that at a moment in his life when he needed to be told the truth, he wasn’t told the truth. It’s hard to know how accurate all the details are, but what it sounds like was that he was sent away when his brother died, and he was sent to his grandparents, and that they didn’t tell him for a little while, but he basically understood what was happening.\u003c/p>\n\u003cp>And then after his brother died, the family dealt with it by not talking about it, which, I think, for that time period—this is 1960—is something a lot of people did in post-World War II America. They said, “Alright, we’re going to move forward, and how we survive this is: We are going to stuff it down deep and not talk about it.” And so throughout Garry’s life, he was all for being honest and open and vulnerable and present and real—and I think that’s because at the key moment of his childhood, people were not real with him.\u003c/p>\n\u003cp>\u003cstrong>On how Apatow almost turned down a job as a showrunner for \u003c/strong>\u003cem>\u003cstrong>The Larry Sanders Show \u003c/strong>\u003c/em>\u003cstrong>because he didn’t want to ruin his relationship with Shandling \u003c/strong>\u003c/p>\n\u003cp>I always liken it to trying to paint with Picasso—that if you are painting a painting with him, he probably at some point would turn to you and go, “You’re doing it all wrong! What’s with the red?” You would always disappoint him, because the show is so in his mind and it’s so based on his feelings and experience that when you work on something so personal, how could you ever know what he would do, what’s in his heart, how he would behave? …\u003c/p>\n\u003cp>It was painful at times. If you pitched Garry a joke and he hated it, you would feel it. It would hurt you, the whole look of disappointment in Garry’s eyes. … There were very few people that Garry felt like could write the show. So when he said, “Hey, can you do me a favor and co-showrun this last season?” I was terrified, because I loved my relationship with Garry and I didn’t want something to go terribly wrong with it. I said to him, “Garry, I’ll do it. You have to know how hard this is.” I was just honest with him in a way that probably no one ever had been. And I was honest about why he was difficult to work with.\u003c/p>\n\u003cp>\u003cstrong>On Shandling’s perfectionism and growing interest in Zen Buddhism \u003c/strong>\u003c/p>\n\u003cp>He just could not just be chill and make it easy on himself. He wanted everything to be amazing. And in his head, the stakes were incredibly high and that is pure ego, and that’s why he was always trying to remind himself not to have a big ego. It was a battle that continued, and then at some point near the end of his life, he really did let go and spent a lot more time mentoring people. He basically was satisfied with his work, and people would say, “When’s your next show?” And he would say, “Weren’t these two enough?” And he did let go.\u003c/p>\n\u003cp>\u003cstrong>On how professional success didn’t make Shandling happy \u003c/strong>\u003c/p>\n\u003cp>He wrote a lot for \u003cem>The Larry Sanders Show\u003c/em> about how success doesn’t make you happy, and I think for most people that reached certain heights of success or whose dreams come true, they really learn something that a lot of people don’t learn: [which] is that most of what happens when you get to that place is you realize that it doesn’t work, and in some ways, it’s very depressing. …\u003c/p>\n\u003cp>I’ve looked at myself and all of my friends and we’ve all been in on a very long journey in our attempts to be creative, in our attempts to be successful and to get heard and make things. I’ve seen all the different ways that people have handled the ups and downs of their careers, and it is a struggle, because you put so much of your self-esteem in having people like you because you’re doing a good job.\u003c/p>\n\u003cp>I think that Garry felt a lot happier in some moments after he stopped trying to do the work. He was very loving and giving, and if you wrote a script or had a cut of a movie, he was always there, 100 percent of the time, to come and give you notes and be so helpful. And I think that was a happier part of show business for him than being up at midnight rewriting a script for his show.\u003c/p>\n\u003cp>\u003cstrong>On how Shandling wrote about death in his diaries \u003c/strong>\u003c/p>\n\u003cp>He was about to have the surgery that he knew was potentially life-threatening, and in the journals he would say things like, “Death is not a change. Embrace death. It is freedom. Be open, be ready, be joyful to die.” That’s what it said on all the different pages. It was him trying, in a very Buddhist way, to be comfortable during his exit and to not fight it and to not resist and not see it as something different.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Lauren Krenzel and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and\u003c/em> \u003cem>Patrick Jarenwattananon\u003c/em> \u003cem>adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+Comic+Garry+Shandling%27s+Death%2C+Judd+Apatow+Found+Zen+In+His+Diaries+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "\"He completely changed my life,\" Apatow says of his mentor. 'It's Garry Shandling's Book,' which Apatow edited, explores the insecurities and personal trauma that Shandling turned into comedy. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.npr.org/books/authors/137955750/judd-apatow\">Judd Apatow\u003c/a> was a teenager when he first “met” comic \u003ca href=\"https://www.npr.org/tags/471775543/garry-shandling\">Garry Shandling\u003c/a> in a phone interview for his high school radio show. Years later, their paths intersected again when Shandling, who was hosting the Grammy Awards, hired Apatow to write jokes for him.\u003c/p>\n\u003cfigure id=\"attachment_13869732\" class=\"wp-caption alignright\" style=\"max-width: 176px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13869732\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/91WTugLawxL._AC_UY218_ML3_.jpg\" alt=\"'It's Garry Shandling's Book' is edited by Judd Apatow.\" width=\"176\" height=\"218\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/91WTugLawxL._AC_UY218_ML3_.jpg 176w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/91WTugLawxL._AC_UY218_ML3_-160x198.jpg 160w\" sizes=\"(max-width: 176px) 100vw, 176px\">\u003cfigcaption class=\"wp-caption-text\">‘It’s Garry Shandling’s Book’ is edited by Judd Apatow. \u003ccite>(Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Shandling had been Johnny Carson’s guest host on \u003cem>The Tonight Show \u003c/em>before creating and starring in the groundbreaking comedy series\u003cem> It’s Garry Shandling’s Show\u003c/em> and \u003cem>The Larry Sanders Show. \u003c/em>He became Apatow’s mentor and close friend.\u003c/p>\n\u003cp>“He completely changed my life,” Apatow says of Shandling. “He hired me to write for his show. He did a cameo on the pilot of \u003cem>The Ben Stiller Show\u003c/em>, which I thought was part of why we got picked up. He asked me to direct. … It was always mysterious to me why he was so kind to me.”\u003c/p>\n\u003cp>Apatow went on to produce \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=12879331\">\u003cem>Superbad \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2012/04/08/150189071/lena-dunhams-girls-still-sex-still-the-city-different-show\">\u003cem>Girls\u003c/em>\u003c/a>, and to direct \u003cem>The 40-Year-Old Virgin\u003c/em> and \u003ca href=\"#v\">\u003cem>Trainwreck\u003c/em>\u003c/a>\u003cem>, \u003c/em>but he always stayed in touch with his mentor. After Shandling’s \u003ca href=\"https://www.npr.org/sections/thetwo-way/2016/03/24/471773637/actor-and-comedian-garry-shandling-dies-at-66\">sudden death\u003c/a> in 2016, Apatow helped sort through his belongings—including boxes of diaries dating back to 1978.\u003c/p>\n\u003cp>Shandling practiced Zen meditation for decades, and many pages of his journals are reminders to himself to stay calm, remain unattached to worldly things and let go of his ego.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I felt like there was so much wisdom in examining Garry’s life,” Apatow says. “Garry was a wounded person. He was a neurotic man. He was a guy constantly attempting to evolve and heal. I felt like there’s so many lessons that people can get from learning about how he lived his life.”\u003c/p>\n\u003cp>Shandling is the subject of Apatow’s new book, \u003cem>It’s Garry Shandling’s Book,\u003c/em> which is a companion to the HBO documentary Apatow made last year, \u003cem>The Zen Diaries of Garry Shandling.\u003c/em>\u003c/p>\n\u003cp>“I saw in the journals that he wrote, ‘Learn to grow old gracefully. Learn to become a mentor gracefully,'” Apatow says. “Now I’m more tuned into the responsibility of doing that. I’m lucky enough to be in a place where I can help people who deserve to be heard from or who deserve breaks. … I definitely try to keep that Garry tradition alive.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/paerP97n4aA'\n title='//www.youtube.com/embed/paerP97n4aA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On Shandling’s place in comedy\u003c/strong>\u003c/p>\n\u003cp>Garry always cut his own path. It always felt like Garry was outside of the system in some way. So when he did \u003cem>It’s Garry Shandling’s Show\u003c/em>, there really hadn’t been a show like that, that was so experimental and weird and which made fun of the whole concept of sitcoms. \u003cem>…\u003c/em>\u003c/p>\n\u003cp>And then he did \u003cem>The Larry Sanders Show,\u003c/em> which was a satire of talk shows. It was a behind-the-scenes look at an anxious, neurotic talk-show host, somewhat like Garry. And in it, he tried to explore the way show business and ego prevents people from connecting and loving each other. That was his premise. And in a way, he was trying to use the show to explore his own psyche. And I always thought he was mocking the part of himself that he didn’t like, mocking the person that wanted to be rich and famous and someone who could hold this high position for a long time.\u003c/p>\n\u003cp>He was a unique, original thinker, and in a way, he was almost like an alternative rock band. And he did all this when TV didn’t have much of this. There’s a lot of television like that these days, but back in the ’80s and early ’90s, there wasn’t programming like this.\u003c/p>\n\u003cp>\u003cstrong>On how Shandling’s journals changed his understanding of Shandling \u003c/strong>\u003c/p>\n\u003cp>I was surprised that 30 years of journals mainly contained Garry trying to talk to his positive voice. So they weren’t journals from the point of view of someone who was just trying to spew all their toxic stuff. A lot of us write in journals like that. We just want to get the bad voice out of our head, and that’s not what Garry’s journals were like. They were a voice talking to the panicked, anxious voice. So most of the journals were reminders to try to get out of ego, to try to be more kind and loving, to let go. It’s 30 years of reminders about the type of person that he wants to be. There were some pages where he was complaining about something, but very few, considering that he did it for 30 years.\u003c/p>\n\u003cp>\u003cstrong>On how Shandling’s 13-year-old brother died when Shandling was 10, and his parents didn’t talk to him about the death or let him go to the funeral \u003c/strong>\u003c/p>\n\u003cp>It’s hard to know for sure, but it certainly scarred him in a way that affected him throughout his life. I felt that his search for presence was based on the fact that at a moment in his life when he needed to be told the truth, he wasn’t told the truth. It’s hard to know how accurate all the details are, but what it sounds like was that he was sent away when his brother died, and he was sent to his grandparents, and that they didn’t tell him for a little while, but he basically understood what was happening.\u003c/p>\n\u003cp>And then after his brother died, the family dealt with it by not talking about it, which, I think, for that time period—this is 1960—is something a lot of people did in post-World War II America. They said, “Alright, we’re going to move forward, and how we survive this is: We are going to stuff it down deep and not talk about it.” And so throughout Garry’s life, he was all for being honest and open and vulnerable and present and real—and I think that’s because at the key moment of his childhood, people were not real with him.\u003c/p>\n\u003cp>\u003cstrong>On how Apatow almost turned down a job as a showrunner for \u003c/strong>\u003cem>\u003cstrong>The Larry Sanders Show \u003c/strong>\u003c/em>\u003cstrong>because he didn’t want to ruin his relationship with Shandling \u003c/strong>\u003c/p>\n\u003cp>I always liken it to trying to paint with Picasso—that if you are painting a painting with him, he probably at some point would turn to you and go, “You’re doing it all wrong! What’s with the red?” You would always disappoint him, because the show is so in his mind and it’s so based on his feelings and experience that when you work on something so personal, how could you ever know what he would do, what’s in his heart, how he would behave? …\u003c/p>\n\u003cp>It was painful at times. If you pitched Garry a joke and he hated it, you would feel it. It would hurt you, the whole look of disappointment in Garry’s eyes. … There were very few people that Garry felt like could write the show. So when he said, “Hey, can you do me a favor and co-showrun this last season?” I was terrified, because I loved my relationship with Garry and I didn’t want something to go terribly wrong with it. I said to him, “Garry, I’ll do it. You have to know how hard this is.” I was just honest with him in a way that probably no one ever had been. And I was honest about why he was difficult to work with.\u003c/p>\n\u003cp>\u003cstrong>On Shandling’s perfectionism and growing interest in Zen Buddhism \u003c/strong>\u003c/p>\n\u003cp>He just could not just be chill and make it easy on himself. He wanted everything to be amazing. And in his head, the stakes were incredibly high and that is pure ego, and that’s why he was always trying to remind himself not to have a big ego. It was a battle that continued, and then at some point near the end of his life, he really did let go and spent a lot more time mentoring people. He basically was satisfied with his work, and people would say, “When’s your next show?” And he would say, “Weren’t these two enough?” And he did let go.\u003c/p>\n\u003cp>\u003cstrong>On how professional success didn’t make Shandling happy \u003c/strong>\u003c/p>\n\u003cp>He wrote a lot for \u003cem>The Larry Sanders Show\u003c/em> about how success doesn’t make you happy, and I think for most people that reached certain heights of success or whose dreams come true, they really learn something that a lot of people don’t learn: [which] is that most of what happens when you get to that place is you realize that it doesn’t work, and in some ways, it’s very depressing. …\u003c/p>\n\u003cp>I’ve looked at myself and all of my friends and we’ve all been in on a very long journey in our attempts to be creative, in our attempts to be successful and to get heard and make things. I’ve seen all the different ways that people have handled the ups and downs of their careers, and it is a struggle, because you put so much of your self-esteem in having people like you because you’re doing a good job.\u003c/p>\n\u003cp>I think that Garry felt a lot happier in some moments after he stopped trying to do the work. He was very loving and giving, and if you wrote a script or had a cut of a movie, he was always there, 100 percent of the time, to come and give you notes and be so helpful. And I think that was a happier part of show business for him than being up at midnight rewriting a script for his show.\u003c/p>\n\u003cp>\u003cstrong>On how Shandling wrote about death in his diaries \u003c/strong>\u003c/p>\n\u003cp>He was about to have the surgery that he knew was potentially life-threatening, and in the journals he would say things like, “Death is not a change. Embrace death. It is freedom. Be open, be ready, be joyful to die.” That’s what it said on all the different pages. It was him trying, in a very Buddhist way, to be comfortable during his exit and to not fight it and to not resist and not see it as something different.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Lauren Krenzel and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and\u003c/em> \u003cem>Patrick Jarenwattananon\u003c/em> \u003cem>adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=After+Comic+Garry+Shandling%27s+Death%2C+Judd+Apatow+Found+Zen+In+His+Diaries+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>When the genre-defying British artist FKA twigs was 26, she came out with her debut album. Originally a dancer, twigs paired her experimental, highly-produced sound with artistic choreography and sweeping visuals. At 31, she’s back with her follow-up, \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>Twigs started working on the album about four years ago, and she brought all that accumulated experience to the table. From the good — starting a \u003ca href=\"https://wwd.com/eye/lifestyle/fka-twigs-pajama-sets-mysticism-11057655/\">clothing line\u003c/a> and starring in an \u003ca href=\"https://www.adweek.com/brand-marketing/spike-jonze-and-fka-twigs-made-a-jaw-dropping-short-film-for-apples-homepod/\">Apple commercial\u003c/a> — to the not so good — a health scare and a high profile relationship that ended in a breakup.\u003c/p>\n\u003cp>“The truth is I’m so grateful to have gone through such intense pain and confusion, emotionally and physically. It’s been beautiful,” she says. “During that time, I’ve really deciphered who I am and what I want.”\u003c/p>\n\u003cp>FKA twigs spoke with NPR’s Audie Cornish about producing her new album, \u003cem>Magdalene\u003c/em>, the influence of her classical training and the embracing double-standards that people set for women. Listen to the story in the audio player above, and read on for a transcript of their conversation.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Audie Cornish: Do you mind me asking about your process?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>FKA twigs:\u003c/strong> I always feel sort of strange talking about my process, because truly each time is completely different. [For “Cellophane”] I went on the mic and pretty much sang the whole thing in one take, and the vocal that’s there is the vocal I did in that hour. It wasn’t altered or anything, that’s just how it was.\u003c/p>\n\u003cp>I think on this album, although it’s taken a long time, I’d say nothing really felt unpleasurably labored to me, even if there were a lot of intricate details that I had to go back to — to refine and perfect. As maybe some songwriters and producers would agree, [sometimes] you’re just trying to so hard that you’re fixing it and breaking it, and fixing it and breaking it until you’re not sure where you are with the music. But luckily on this album, that didn’t really happen.\u003c/p>\n\u003cp>\u003cstrong>Your visual style has always been very dramatic. You’ve always had an incredible sense of style that’s reflective of punk and other influences. I was reading that, growing up, you were obsessed with ballet and operas.\u003c/strong>\u003c/p>\n\u003cp>I started studying classical ballet when I was 7 or 8-years-old, and I think that really turned me on to classical music. Then when I was about 11 or 12, I met a wonderful singing teacher called Dorothy. I would sing in Latin with her. I studied with her until I was 14 or 15.\u003c/p>\n\u003cp>\u003cstrong>I wondered how it informed your songwriting, because your songs, especially on this album, are very vulnerable. I could easily feel the influence of someone who has listened to a lot of fallen heroines; Opera made sense when I heard it. \u003c/strong>\u003c/p>\n\u003cp>It’s interesting that you say fallen heroines, because for me it’s the strongest I’ve ever sounded.\u003c/p>\n\u003cp>\u003cstrong>Really?\u003c/strong>\u003c/p>\n\u003cp>To me, when I listen to the record I really feel it all sort of came together and like “It’s going to be okay.” But that’s the interesting thing about music; I guess it’s not mine anymore. That’s the beautiful thing, it just depends what place the listener is in and what they want to take.\u003c/p>\n\u003cp>\u003cstrong>I think I also want to focus more specifically on physical pain, because you are a dancer and have been a dancer. Your performance and visuals are very physical. I know that when I went through a physical ailment, it really made me reckon with myself and my body. Given that this record is called \u003c/strong>\u003cem>\u003cstrong>Magdalene\u003c/strong>\u003c/em>\u003cstrong>, I guess I wanted to explore \u003c/strong>\u003cem>\u003cstrong>that\u003c/strong>\u003c/em>\u003cstrong> even more than the heartbreak side. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>So the opening of the title song is the idea: “A woman’s prerogative / A woman’s time to embrace / She must put herself first.” I feel like that’s a lesson you learn when you go through something physical in particular. \u003c/strong>\u003c/p>\n\u003cp>I think, for me, it relates to the unpaid and unacknowledged emotional labor that women put into the world on a daily basis. Certainly ever since I was young, I was taught to nurture, and taught to be aware of myself socially, and aware of my emotions and [to] mother.\u003c/p>\n\u003cp>Connecting with Mary Magdalene over the past couple of years, spiritually, I started to explore the concept of the virgin-whore, which is the idea that, as a woman, you can be pure, and you can be innocent, and you can be like a fresh flower — but at the same time, you can be dangerous, and seductive, and all-knowing and healing. It’s been incredibly exciting for me to know that that’s okay and it exists and I am as much sacred as I am sensual.\u003c/p>\n\u003cp>\u003cstrong>And that there’s nothing wrong with either.\u003c/strong>\u003c/p>\n\u003cp>Yeah, that’s the whole point: You don’t have to choose. But I am both, and that is stunning.\u003c/p>\n\u003cp>\u003cstrong>I was reading in a statement that you said “Throughout my life I’ve practiced my way to being the best I could be. It didn’t work this time. I had to tear down every process I’d ever relied on. Go deeper. Rebuild. Start again.” Where are you now, in that process?\u003c/strong>\u003c/p>\n\u003cp>Right now, I’m completely back into practice mode, which is my safe place. I do acknowledge that sometimes that isn’t enough and there’s a realm beyond practice which you can’t control, and that’s what I learned in making \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Hiba Ahmed and Christina Cala produced and edited the audio of this interview. Cyrena Touros adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When the genre-defying British artist FKA twigs was 26, she came out with her debut album. Originally a dancer, twigs paired her experimental, highly-produced sound with artistic choreography and sweeping visuals. At 31, she’s back with her follow-up, \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>Twigs started working on the album about four years ago, and she brought all that accumulated experience to the table. From the good — starting a \u003ca href=\"https://wwd.com/eye/lifestyle/fka-twigs-pajama-sets-mysticism-11057655/\">clothing line\u003c/a> and starring in an \u003ca href=\"https://www.adweek.com/brand-marketing/spike-jonze-and-fka-twigs-made-a-jaw-dropping-short-film-for-apples-homepod/\">Apple commercial\u003c/a> — to the not so good — a health scare and a high profile relationship that ended in a breakup.\u003c/p>\n\u003cp>“The truth is I’m so grateful to have gone through such intense pain and confusion, emotionally and physically. It’s been beautiful,” she says. “During that time, I’ve really deciphered who I am and what I want.”\u003c/p>\n\u003cp>FKA twigs spoke with NPR’s Audie Cornish about producing her new album, \u003cem>Magdalene\u003c/em>, the influence of her classical training and the embracing double-standards that people set for women. Listen to the story in the audio player above, and read on for a transcript of their conversation.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Audie Cornish: Do you mind me asking about your process?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>FKA twigs:\u003c/strong> I always feel sort of strange talking about my process, because truly each time is completely different. [For “Cellophane”] I went on the mic and pretty much sang the whole thing in one take, and the vocal that’s there is the vocal I did in that hour. It wasn’t altered or anything, that’s just how it was.\u003c/p>\n\u003cp>I think on this album, although it’s taken a long time, I’d say nothing really felt unpleasurably labored to me, even if there were a lot of intricate details that I had to go back to — to refine and perfect. As maybe some songwriters and producers would agree, [sometimes] you’re just trying to so hard that you’re fixing it and breaking it, and fixing it and breaking it until you’re not sure where you are with the music. But luckily on this album, that didn’t really happen.\u003c/p>\n\u003cp>\u003cstrong>Your visual style has always been very dramatic. You’ve always had an incredible sense of style that’s reflective of punk and other influences. I was reading that, growing up, you were obsessed with ballet and operas.\u003c/strong>\u003c/p>\n\u003cp>I started studying classical ballet when I was 7 or 8-years-old, and I think that really turned me on to classical music. Then when I was about 11 or 12, I met a wonderful singing teacher called Dorothy. I would sing in Latin with her. I studied with her until I was 14 or 15.\u003c/p>\n\u003cp>\u003cstrong>I wondered how it informed your songwriting, because your songs, especially on this album, are very vulnerable. I could easily feel the influence of someone who has listened to a lot of fallen heroines; Opera made sense when I heard it. \u003c/strong>\u003c/p>\n\u003cp>It’s interesting that you say fallen heroines, because for me it’s the strongest I’ve ever sounded.\u003c/p>\n\u003cp>\u003cstrong>Really?\u003c/strong>\u003c/p>\n\u003cp>To me, when I listen to the record I really feel it all sort of came together and like “It’s going to be okay.” But that’s the interesting thing about music; I guess it’s not mine anymore. That’s the beautiful thing, it just depends what place the listener is in and what they want to take.\u003c/p>\n\u003cp>\u003cstrong>I think I also want to focus more specifically on physical pain, because you are a dancer and have been a dancer. Your performance and visuals are very physical. I know that when I went through a physical ailment, it really made me reckon with myself and my body. Given that this record is called \u003c/strong>\u003cem>\u003cstrong>Magdalene\u003c/strong>\u003c/em>\u003cstrong>, I guess I wanted to explore \u003c/strong>\u003cem>\u003cstrong>that\u003c/strong>\u003c/em>\u003cstrong> even more than the heartbreak side. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>So the opening of the title song is the idea: “A woman’s prerogative / A woman’s time to embrace / She must put herself first.” I feel like that’s a lesson you learn when you go through something physical in particular. \u003c/strong>\u003c/p>\n\u003cp>I think, for me, it relates to the unpaid and unacknowledged emotional labor that women put into the world on a daily basis. Certainly ever since I was young, I was taught to nurture, and taught to be aware of myself socially, and aware of my emotions and [to] mother.\u003c/p>\n\u003cp>Connecting with Mary Magdalene over the past couple of years, spiritually, I started to explore the concept of the virgin-whore, which is the idea that, as a woman, you can be pure, and you can be innocent, and you can be like a fresh flower — but at the same time, you can be dangerous, and seductive, and all-knowing and healing. It’s been incredibly exciting for me to know that that’s okay and it exists and I am as much sacred as I am sensual.\u003c/p>\n\u003cp>\u003cstrong>And that there’s nothing wrong with either.\u003c/strong>\u003c/p>\n\u003cp>Yeah, that’s the whole point: You don’t have to choose. But I am both, and that is stunning.\u003c/p>\n\u003cp>\u003cstrong>I was reading in a statement that you said “Throughout my life I’ve practiced my way to being the best I could be. It didn’t work this time. I had to tear down every process I’d ever relied on. Go deeper. Rebuild. Start again.” Where are you now, in that process?\u003c/strong>\u003c/p>\n\u003cp>Right now, I’m completely back into practice mode, which is my safe place. I do acknowledge that sometimes that isn’t enough and there’s a realm beyond practice which you can’t control, and that’s what I learned in making \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Hiba Ahmed and Christina Cala produced and edited the audio of this interview. Cyrena Touros adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "'We're All Struggling': Writer Saeed Jones Reflects On Identity And Acceptance",
"headTitle": "‘We’re All Struggling’: Writer Saeed Jones Reflects On Identity And Acceptance | KQED",
"content": "\u003cp>As a black gay kid growing up in Texas in the 1990s, poet Saeed Jones remembers getting negative messages about his identity from every aspect of his life. It was around the time of \u003ca href=\"https://www.npr.org/2018/10/20/659122600/matthew-shepard-laid-to-rest-20-years-after-his-death\">Matthew Shepard\u003c/a>‘s murder in Wyoming, and Jones felt alone and unsafe.\u003c/p>\n\u003cp>“I was seeing these cautionary tales connected to identity,” he says. “It was so clear that it was perilous to be a black gay boy in America.”\u003c/p>\n\u003cp>And yet he couldn’t be any other way: “Being gay isn’t a choice, just like being black isn’t a choice,” Jones says. “I don’t stop. I do not give up. I do not take America’s ‘no’ to my identity for an answer.”\u003c/p>\n\u003cp>In his new coming-of-age memoir, \u003cem>How We Fight for Our Lives,\u003c/em> Jones reflects on his struggle to embrace his identity. The “we” in the title is intentional; he hopes the book will spark a conversation among a cross section of readers.\u003c/p>\n\u003cp>“We’re all struggling,” he says. “I want you to experience what’s going on in my book and think about it in relation to your own life, whether that’s because you’re like, ‘Oh this is totally different!’ Or because you’re like, ‘Hmm. This is really familiar.’ I think that’s a useful way of thinking about memoir.”\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On his first sexual encounter with a man, hooking up in a library bathroom and trying to kiss and being refused \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He was like, “Oh, absolutely not.” And so I felt embarrassed and I think the only thing more painful than not getting what you want is almost getting it and then being shamed right at the last minute. …\u003c/p>\n\u003cp>I was deeply ashamed. I thought I had messed up. But I think really he admitted he couldn’t go there. He was working through some things, and so he was ashamed of what he was feeling or not feeling. I think that’s something that, whether people are in the closet or not, they continue to struggle with, being vulnerable and true intimacy. I think it’s possible to have sex with someone and not be intimate with them, and that’s kind of what it looks like sometimes.\u003c/p>\n\u003cp>\u003cstrong>On equating sex with death because of AIDS \u003c/strong>\u003c/p>\n\u003cp>I think this is true for my generation. I’m 33 years old. I was born in 1985 and I would say until, frankly, the last two or three years — with the introduction of \u003ca href=\"https://www.npr.org/sections/health-shots/2019/05/30/727731380/old-fight-new-front-aids-activists-want-lower-drug-prices-now\">PrEP/Truvada\u003c/a> — for most gay men, a defining aspect of our sexual experiences has been an awareness of not just STIs (STDs that we all need to be aware of and thoughtful about), but, “Am I going to get HIV/AIDS?” Which is no longer a death sentence, as I understood it at the time. But certainly, that is a lifelong condition that’s going to require treatment and support. There is a heaviness to that. There is a deep sense of foreboding that I think often turns into shame with time, because it feels like you’re risking punishment.\u003c/p>\n\u003cp>\u003cstrong>On coming out to his mom by making a joke\u003c/strong>\u003c/p>\n\u003cp>I’d gotten a little memento from my speech team to celebrate the year or whatever, and everyone had a little motto, and my motto was like, “Not even his clothes are in the closet anymore,” which I thought was very funny. And so I was talking to her about it and she was like, “What does that mean?” And I was like, “My clothes aren’t in the closet anymore. Like I’m not in the closet anymore.” She didn’t find it funny. She was confused and she had a lot of follow-up questions. And that’s how I ended up coming out to her. …\u003c/p>\n\u003cp>I’m such a Sagittarius. I am a practical joker, like, I love to laugh, but I felt like I had messed up. This was actually really significant to her. And that I’d been cracking jokes on a moment that I had been waiting for years, right? And so I felt really bad, but then she called me back and was like, “Hey, I forgot to say, I love you, and you seem happy and that’s all that matters, you know?” And that meant the world to me. It was really important for me to see that.\u003c/p>\n\u003cp>\u003cstrong>On how he “erased” himself in order to have a good relationship with his mother \u003c/strong>\u003c/p>\n\u003cp>We laughed a lot. We could talk about literally anything except my being gay, which began to feel more and more like a void. But you know, we talked about the news, and we would laugh, and she was so proud of how I was doing in school and as a student and in speech. … It’s this weird dynamic where you’re struggling and you end up prioritizing the other person’s feelings over your own, and I did it because I loved her. I did it because I felt like I was causing her pain by trying to talk about this, but she was still my mom. I needed to have her wisdom in terms of love and relationships, and I didn’t get it, and really struggled as a result.\u003c/p>\n\u003cp>\u003cstrong>On knowing he was a writer from an early age\u003c/strong>\u003c/p>\n\u003cp>It was the thing that I could always count on to get praised [for] in school. … Middle school was when I started really going for it, like asking for extra credit, and like taking risks and doing more. Then also in literature discussions about short stories and fiction or whatever, it all made so much sense to me. I remember learning the narrative arc in maybe the eighth grade — resolution and climax — and it just made sense. I was like, “Oh, duh! Duh.” And I literally never heard it before … but kind of like with queerness, it felt like I was being given language to explain something I already understood. I just get it. It’s just in me.\u003c/p>\n\u003cp>\u003cstrong>On why he moved to Columbus, Ohio after Trump became president \u003c/strong>\u003c/p>\n\u003cp>Honestly, America’s depressing, right? If you’re paying attention in any substantive capacity, America is really stressful and anxiety-inducing and depressing. And I now understand that as an adult, and it’s not [my] fault. And then Trump became president, and truth is, on Inauguration Day, January 2017, I had a total breakdown. I had an absolute breakdown. I knew it was coming because I took a personal day, so I was home so I already knew on some level. But I remember watching Barack Obama and Michelle Obama walking to the helicopter, and I absolutely fell apart. I could not stop crying, and I opened the knife drawer in my kitchen. I was looking at those knives and I started saying, “I can’t go back. I can’t go back. Please don’t make me go back.” And the “back” was the months after my mom passed away. It was the worst, the most raw I had ever felt, and I’m glad that I talked to a friend and I started therapy and that helped tremendously.\u003c/p>\n\u003cp>But, you know, the last few years working in media [at BuzzFeed], it’s required so much of all of us, really, and certainly people [for whom] this is our job to talk about these issues: We can’t just turn off our phones and stop reading the news, unfortunately. That’s a high demand. And I was starting to feel really threadbare on an ongoing basis. And so I knew I wanted to change. And so I wanted to leave New York and I wanted to leave media in the way I was working in it, to go back to the basics.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Roberta Shorrock and Seth Kelley produced and edited the audio of this interview. Bridget Bentz and Molly Seavy-Nesper adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27We%27re+All+Struggling%27%3A+Writer+Saeed+Jones+Reflects+On+Identity+And+Acceptance&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As a black gay kid growing up in Texas in the 1990s, poet Saeed Jones remembers getting negative messages about his identity from every aspect of his life. It was around the time of \u003ca href=\"https://www.npr.org/2018/10/20/659122600/matthew-shepard-laid-to-rest-20-years-after-his-death\">Matthew Shepard\u003c/a>‘s murder in Wyoming, and Jones felt alone and unsafe.\u003c/p>\n\u003cp>“I was seeing these cautionary tales connected to identity,” he says. “It was so clear that it was perilous to be a black gay boy in America.”\u003c/p>\n\u003cp>And yet he couldn’t be any other way: “Being gay isn’t a choice, just like being black isn’t a choice,” Jones says. “I don’t stop. I do not give up. I do not take America’s ‘no’ to my identity for an answer.”\u003c/p>\n\u003cp>In his new coming-of-age memoir, \u003cem>How We Fight for Our Lives,\u003c/em> Jones reflects on his struggle to embrace his identity. The “we” in the title is intentional; he hopes the book will spark a conversation among a cross section of readers.\u003c/p>\n\u003cp>“We’re all struggling,” he says. “I want you to experience what’s going on in my book and think about it in relation to your own life, whether that’s because you’re like, ‘Oh this is totally different!’ Or because you’re like, ‘Hmm. This is really familiar.’ I think that’s a useful way of thinking about memoir.”\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On his first sexual encounter with a man, hooking up in a library bathroom and trying to kiss and being refused \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He was like, “Oh, absolutely not.” And so I felt embarrassed and I think the only thing more painful than not getting what you want is almost getting it and then being shamed right at the last minute. …\u003c/p>\n\u003cp>I was deeply ashamed. I thought I had messed up. But I think really he admitted he couldn’t go there. He was working through some things, and so he was ashamed of what he was feeling or not feeling. I think that’s something that, whether people are in the closet or not, they continue to struggle with, being vulnerable and true intimacy. I think it’s possible to have sex with someone and not be intimate with them, and that’s kind of what it looks like sometimes.\u003c/p>\n\u003cp>\u003cstrong>On equating sex with death because of AIDS \u003c/strong>\u003c/p>\n\u003cp>I think this is true for my generation. I’m 33 years old. I was born in 1985 and I would say until, frankly, the last two or three years — with the introduction of \u003ca href=\"https://www.npr.org/sections/health-shots/2019/05/30/727731380/old-fight-new-front-aids-activists-want-lower-drug-prices-now\">PrEP/Truvada\u003c/a> — for most gay men, a defining aspect of our sexual experiences has been an awareness of not just STIs (STDs that we all need to be aware of and thoughtful about), but, “Am I going to get HIV/AIDS?” Which is no longer a death sentence, as I understood it at the time. But certainly, that is a lifelong condition that’s going to require treatment and support. There is a heaviness to that. There is a deep sense of foreboding that I think often turns into shame with time, because it feels like you’re risking punishment.\u003c/p>\n\u003cp>\u003cstrong>On coming out to his mom by making a joke\u003c/strong>\u003c/p>\n\u003cp>I’d gotten a little memento from my speech team to celebrate the year or whatever, and everyone had a little motto, and my motto was like, “Not even his clothes are in the closet anymore,” which I thought was very funny. And so I was talking to her about it and she was like, “What does that mean?” And I was like, “My clothes aren’t in the closet anymore. Like I’m not in the closet anymore.” She didn’t find it funny. She was confused and she had a lot of follow-up questions. And that’s how I ended up coming out to her. …\u003c/p>\n\u003cp>I’m such a Sagittarius. I am a practical joker, like, I love to laugh, but I felt like I had messed up. This was actually really significant to her. And that I’d been cracking jokes on a moment that I had been waiting for years, right? And so I felt really bad, but then she called me back and was like, “Hey, I forgot to say, I love you, and you seem happy and that’s all that matters, you know?” And that meant the world to me. It was really important for me to see that.\u003c/p>\n\u003cp>\u003cstrong>On how he “erased” himself in order to have a good relationship with his mother \u003c/strong>\u003c/p>\n\u003cp>We laughed a lot. We could talk about literally anything except my being gay, which began to feel more and more like a void. But you know, we talked about the news, and we would laugh, and she was so proud of how I was doing in school and as a student and in speech. … It’s this weird dynamic where you’re struggling and you end up prioritizing the other person’s feelings over your own, and I did it because I loved her. I did it because I felt like I was causing her pain by trying to talk about this, but she was still my mom. I needed to have her wisdom in terms of love and relationships, and I didn’t get it, and really struggled as a result.\u003c/p>\n\u003cp>\u003cstrong>On knowing he was a writer from an early age\u003c/strong>\u003c/p>\n\u003cp>It was the thing that I could always count on to get praised [for] in school. … Middle school was when I started really going for it, like asking for extra credit, and like taking risks and doing more. Then also in literature discussions about short stories and fiction or whatever, it all made so much sense to me. I remember learning the narrative arc in maybe the eighth grade — resolution and climax — and it just made sense. I was like, “Oh, duh! Duh.” And I literally never heard it before … but kind of like with queerness, it felt like I was being given language to explain something I already understood. I just get it. It’s just in me.\u003c/p>\n\u003cp>\u003cstrong>On why he moved to Columbus, Ohio after Trump became president \u003c/strong>\u003c/p>\n\u003cp>Honestly, America’s depressing, right? If you’re paying attention in any substantive capacity, America is really stressful and anxiety-inducing and depressing. And I now understand that as an adult, and it’s not [my] fault. And then Trump became president, and truth is, on Inauguration Day, January 2017, I had a total breakdown. I had an absolute breakdown. I knew it was coming because I took a personal day, so I was home so I already knew on some level. But I remember watching Barack Obama and Michelle Obama walking to the helicopter, and I absolutely fell apart. I could not stop crying, and I opened the knife drawer in my kitchen. I was looking at those knives and I started saying, “I can’t go back. I can’t go back. Please don’t make me go back.” And the “back” was the months after my mom passed away. It was the worst, the most raw I had ever felt, and I’m glad that I talked to a friend and I started therapy and that helped tremendously.\u003c/p>\n\u003cp>But, you know, the last few years working in media [at BuzzFeed], it’s required so much of all of us, really, and certainly people [for whom] this is our job to talk about these issues: We can’t just turn off our phones and stop reading the news, unfortunately. That’s a high demand. And I was starting to feel really threadbare on an ongoing basis. And so I knew I wanted to change. And so I wanted to leave New York and I wanted to leave media in the way I was working in it, to go back to the basics.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Slate’s wildly popular investigative podcast, \u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">\u003cem>Slow Burn\u003c/em>\u003c/a>, is back for its third season, which dives into the murders of two of the biggest hip-hop stars of the 1990s—\u003ca href=\"https://www.npr.org/artists/88479205/tupac-shakur\">Tupac Shakur\u003c/a> and \u003ca href=\"https://www.npr.org/artists/88479887/the-notorious-b-i-g\">The Notorious B.I.G.\u003c/a>\u003c/p>\n\u003cp>Although the subject might seem like a left turn (\u003cem>Slow Burn\u003c/em>‘s first two seasons focused on the Watergate scandal and Bill Clinton’s impeachment, respectively), it fits into the show’s commitment to carefully covering the biggest stories of the past 50 years.\u003c/p>\n\u003cp>In their heyday, Tupac and “Biggie” were at the center of a feud between East Coast and West Coast rappers. Tupac was killed in September 1996 in a Las Vegas drive-by shooting, and although there have been multiple police and journalistic investigations, no one was ever convicted for the crime. Six months later, The Notorious B.I.G. was gunned down in Los Angeles, and his murder also went unsolved. Naturally, rumors have swirled about a potential connection between each rapper’s death and their legendary feud.\u003c/p>\n\u003cp>\u003cem>Slow Burn\u003c/em> has set a strong precedent of diving past surface level on its subjects, and season three is no exception. “We had a sense of what generally animated the beef, but we didn’t know the stories underneath that,” season three host Joel Anderson says. “So that’s what we’re trying to do with this podcast—talking to people that were there at the time, figuring out all these lovely little relationships and incidents that led up to their deaths.”\u003c/p>\n\u003cp>The first episode shifts the mainstream narrative: Pac and Biggie were initially friends, Anderson says. They met at a party in LA and Pac took Biggie under his wing, but that friendship shattered when Pac was shot five times upon entering a studio in New York. Pac, who survived, noticed that members of Biggie’s crew, Junior M.A.F.I.A., were on-site and believed it was a setup.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Joel Anderson says there’s no evidence to suggest that Biggie was involved in this shooting, but Pac thought otherwise. He and other West Coast rappers released a string of songs dissing Biggie and his label, Bad Boy Records. In turn, Biggie released songs such as “Who Shot Ya” that many interpreted as replies.\u003c/p>\n\u003cp>Anderson says that the loss of these two artists speaks volumes about the state of black people in America, even today.\u003c/p>\n\u003cp>“You have two guys, two of the brightest stars to emerge out of the hip-hop era in that time, and they’re gone, just like that,” Anderson says. “And if those two guys can get killed and nothing can happen, then what does that say for the rest of us? As you see, it’s not like we’ve been able to solve that problem.”\u003c/p>\n\u003cp>\u003cem>The first two episodes of \u003c/em>\u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">Slow Burn\u003c/a>\u003cem> season three from Slate are out now. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Digital intern Mano Sundaresan and digital editor Cyrena Touros\u003c/em> \u003cem>contributed to this story\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Slow+Burn%27+Season+3+Turns+Its+Investigative+Eye+To+The+Murders+Of+Biggie+And+Tupac&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Slate’s wildly popular investigative podcast, \u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">\u003cem>Slow Burn\u003c/em>\u003c/a>, is back for its third season, which dives into the murders of two of the biggest hip-hop stars of the 1990s—\u003ca href=\"https://www.npr.org/artists/88479205/tupac-shakur\">Tupac Shakur\u003c/a> and \u003ca href=\"https://www.npr.org/artists/88479887/the-notorious-b-i-g\">The Notorious B.I.G.\u003c/a>\u003c/p>\n\u003cp>Although the subject might seem like a left turn (\u003cem>Slow Burn\u003c/em>‘s first two seasons focused on the Watergate scandal and Bill Clinton’s impeachment, respectively), it fits into the show’s commitment to carefully covering the biggest stories of the past 50 years.\u003c/p>\n\u003cp>In their heyday, Tupac and “Biggie” were at the center of a feud between East Coast and West Coast rappers. Tupac was killed in September 1996 in a Las Vegas drive-by shooting, and although there have been multiple police and journalistic investigations, no one was ever convicted for the crime. Six months later, The Notorious B.I.G. was gunned down in Los Angeles, and his murder also went unsolved. Naturally, rumors have swirled about a potential connection between each rapper’s death and their legendary feud.\u003c/p>\n\u003cp>\u003cem>Slow Burn\u003c/em> has set a strong precedent of diving past surface level on its subjects, and season three is no exception. “We had a sense of what generally animated the beef, but we didn’t know the stories underneath that,” season three host Joel Anderson says. “So that’s what we’re trying to do with this podcast—talking to people that were there at the time, figuring out all these lovely little relationships and incidents that led up to their deaths.”\u003c/p>\n\u003cp>The first episode shifts the mainstream narrative: Pac and Biggie were initially friends, Anderson says. They met at a party in LA and Pac took Biggie under his wing, but that friendship shattered when Pac was shot five times upon entering a studio in New York. Pac, who survived, noticed that members of Biggie’s crew, Junior M.A.F.I.A., were on-site and believed it was a setup.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Massive anti-government protests in Chile over the past few weeks have united demonstrators in song. Last week, up to a million people protesting in Santiago were joined by a cavalry of guitarists. They played a song called “El Derecho de Vivir en Paz,” which once stood as an anthem for resistance against the brutal regime of Augusto Pinochet that began in 1973.\u003c/p>\n\u003cp>Written by Chilean composer and singer-songwriter Víctor Jara, “El Derecho de Vivir en Paz” — translated as “The Right to Live in Peace” — was originally a tribute to Vietnamese communist leader Ho Chi Minh. Jara, an outspoken political activist, was imprisoned by the Chilean military during Pinochet’s dictatorship, and his song quickly became a protest anthem after Jara was assassinated on Pinochet’s orders. Pop star \u003ca href=\"https://www.npr.org/artists/757561005/francisca-valenzuela\">Francisca Valenzuela\u003c/a> says Jara is an icon who put his voice to the service of his fellow Chileans, calling him “a beacon of hope and resistance.”\u003c/p>\n\u003cp>Valenzuela is among 30 Chilean artists — including singers \u003ca href=\"https://www.npr.org/artists/605840833/mon-laferte\">Mon Laferte\u003c/a>, \u003ca href=\"https://www.npr.org/sections/world-cafe/2016/05/19/478693062/latin-roots-gepe\">Gepe\u003c/a>, Camila Moreno, rapper Pedropiedra, and rocker Fernando Milagros — who collaborated on a new recording of “El Derecho de Vivir en Paz” that was released earlier this week.\u003c/p>\n\u003cp>https://youtu.be/wlfAf2AibA8\u003c/p>\n\u003cp>Part of this new rendition references “el Nuevo Pacto Social,” or the new social agreement, adding lyrics that correspond to the specific requests of protesters: “Dignidad y educación / Que no haya desigualdad.” (“Dignity and education / So that there is no inequality.”)\u003c/p>\n\u003cp>“I really feel very proud of my cultural community,” Valenzuela says. “Everyone’s been very active and really putting their voice and their music at the service of this movement.” One might call it a Chilean tradition.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Massive anti-government protests in Chile over the past few weeks have united demonstrators in song. Last week, up to a million people protesting in Santiago were joined by a cavalry of guitarists. They played a song called “El Derecho de Vivir en Paz,” which once stood as an anthem for resistance against the brutal regime of Augusto Pinochet that began in 1973.\u003c/p>\n\u003cp>Written by Chilean composer and singer-songwriter Víctor Jara, “El Derecho de Vivir en Paz” — translated as “The Right to Live in Peace” — was originally a tribute to Vietnamese communist leader Ho Chi Minh. Jara, an outspoken political activist, was imprisoned by the Chilean military during Pinochet’s dictatorship, and his song quickly became a protest anthem after Jara was assassinated on Pinochet’s orders. Pop star \u003ca href=\"https://www.npr.org/artists/757561005/francisca-valenzuela\">Francisca Valenzuela\u003c/a> says Jara is an icon who put his voice to the service of his fellow Chileans, calling him “a beacon of hope and resistance.”\u003c/p>\n\u003cp>Valenzuela is among 30 Chilean artists — including singers \u003ca href=\"https://www.npr.org/artists/605840833/mon-laferte\">Mon Laferte\u003c/a>, \u003ca href=\"https://www.npr.org/sections/world-cafe/2016/05/19/478693062/latin-roots-gepe\">Gepe\u003c/a>, Camila Moreno, rapper Pedropiedra, and rocker Fernando Milagros — who collaborated on a new recording of “El Derecho de Vivir en Paz” that was released earlier this week.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wlfAf2AibA8'\n title='//www.youtube.com/embed/wlfAf2AibA8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Part of this new rendition references “el Nuevo Pacto Social,” or the new social agreement, adding lyrics that correspond to the specific requests of protesters: “Dignidad y educación / Que no haya desigualdad.” (“Dignity and education / So that there is no inequality.”)\u003c/p>\n\u003cp>“I really feel very proud of my cultural community,” Valenzuela says. “Everyone’s been very active and really putting their voice and their music at the service of this movement.” One might call it a Chilean tradition.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In the new romantic comedy \u003cem>Last Christmas\u003c/em>, Emilia Clarke plays Kate. She dresses like an elf, she works in a year-round Christmas-ornament shop and her life is a mess.\u003c/p>\n\u003cp>Enter the dashing Tom, played by Henry Golding (\u003ca href=\"https://www.npr.org/2018/08/22/640793631/crazy-rich-asians-changes-how-asian-males-are-viewed\">\u003cem>Crazy Rich Asians\u003c/em>\u003c/a>). He’s handsome, kind and quirky—but, of course, there is something elusive about him.\u003c/p>\n\u003cp>The movie is set to \u003ca href=\"https://www.npr.org/artists/506983447/george-michael\">George Michael\u003c/a> tunes and co-stars (and is co-written by) Emma Thompson. It takes place in a glittering, wintry London.\u003c/p>\n\u003cp>“We shot it last Christmas, in fact,” Clarke says. “And we shot it in the middle of the night, largely speaking, because on Regent Street, if you were to do it in any other time it would be rammed with tourists. And so to do that, we had to we had to use the available light. So the only light that we could bring was soft light, and so we just brought an obscene amount of fairy lights. So the London that you see in our movie is already beautiful—and then we made it 10 times sparklier.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=z9CEIcmWmtA\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Clarke spoke on her character Kate, singing in the movie and what’s next after \u003cem>Game of Thrones\u003c/em>.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On her character, Kate\u003c/strong>\u003c/p>\n\u003cp>No, she’s not the mother of dragons. She’s got mother-of-dragon tendencies … Yeah, so Kate—she is your anti-heroine. We’re quite used to seeing, I think, in rom-coms a sort of perfect depiction of a young lady—and that ain’t Kate. And it’s in her flaws, is where she becomes so relatable. So she is struggling to get herself together, and she’s struggling to take care of herself, she’s struggling to take care of those around her, not really accepting help, kind of. You can tell she’s hiding from something, and life isn’t bringing her much joy when we first meet her. But she is trying.\u003c/p>\n\u003cp>\u003cstrong>On Kate’s mom, a refugee played by “the glorious Emma Thompson”\u003c/strong>\u003c/p>\n\u003cp>Emma co-wrote this with her husband Greg Wise, and the character that Emma plays is loosely based on Greg’s mom. And she is really struggling to find peace in the United Kingdom, which they have fled to because her memories of where she had to run from—former Yugoslavia and the war that they escaped—kind of haunt her every single day, and lead her to be slightly more anxious and worried and vocal.\u003c/p>\n\u003cp>\u003cstrong>On singing in the movie\u003c/strong>\u003c/p>\n\u003cp>Oh, it was incredibly nerve-wracking, because I care so much about singing, and I’m genuinely at my happiest when I am singing. However: Doing it on camera in front of a lot of people, and doing it, you know, with \u003ca href=\"https://www.youtube.com/watch?v=E8gmARGvPlI\">George’s perfect song\u003c/a> was—every time before I sing I just think I’m getting tonsillitis, or my throat is closing up or something. So it took a lot of courage, but I got there.\u003c/p>\n\u003cp>\u003cstrong>On Kate’s health issues and how they relate to her own, \u003c/strong>\u003ca href=\"https://www.newyorker.com/culture/personal-history/emilia-clarke-a-battle-for-my-life-brain-aneurysm-surgery-game-of-thrones\">\u003cstrong>which she recently disclosed\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>I wouldn’t say it was the defining thing that brought me to [the movie]. Dame Emma Thompson probably was that. But it definitely allowed me to bring quite a lot of truth to what Kate’s struggles were, because for Kate she had her health crisis in her early 20s, and that’s when I had mine too. And that time for any young person is incredibly intimidating.\u003c/p>\n\u003cp>\u003cstrong>On the depictions of immigrants and Brexit in the movie\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Clarke:\u003c/strong> Well, we’re showing a movie that is now, that is today. And I don’t think that Emma or Greg could have written something about London today without mentioning it, without having it. And they’re both politically outspoken, and care deeply about the refugee crisis, and care deeply about Brexit, and about inclusivity and community and the diverse multicultural thing that is London.\u003c/p>\n\u003cp>\u003cstrong>Garcia-Navarro:\u003c/strong> Yeah. What are your views on Brexit?\u003c/p>\n\u003cp>\u003cstrong>Clarke:\u003c/strong> Oh heavens, it’s heartbreaking. We’ve just heard now that \u003ca href=\"https://www.npr.org/2019/10/29/774573501/britain-braces-for-new-vote-in-december-that-could-ease-the-path-to-brexit\">we will have a snap election\u003c/a>, which I think is a very good thing indeed, because I think it’s going to put a full stop … maybe a comma after this very long, drawn-out situation we’ve been in since 2016, really. But I mean, I’m pathologically hopeful as a human being, and I’m pathologically hopeful that maybe we’ll just, you know, see the error of our ways, and remain, and just stay.\u003c/p>\n\u003cp>\u003cstrong>On what types of roles she’s seeking after \u003c/strong>\u003cstrong>\u003cem>Game of Thrones\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>So I’ve had the good fortune of being in this incredible show with this incredible character. And my goodness, if I were to get stereotyped as the mother of dragons, I could ask for worse. It’s really quite wonderful.\u003c/p>\n\u003cp>But what it’s left me with—after 10 years of seeing that, and being a part of that, and of doing quite big movies in my hiatuses and all of those things—is a yearning for a different sort of creative ownership. So I started my production company about three years ago—very, very quietly because I didn’t want it to go wrong and have it be public knowledge—and now I’ve got six or seven things on my slate that I’m writing and producing. And because there is—I mean, you know, the landscape has changed for young actresses and actors for the sort of roles that are out there. I struggle to find them, because the thing that I’ve learned from being on 10 years in the show is that the biggest luxury in life is time and space. So I wanted to take those two things, which I have very luckily been able to have now, and really consider what my next option is. Because I care about what I’m doing with my time.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Dana Cronin and D. Parvaz produced and edited this interview for broadcast. Patrick Jarenwattananon adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Clarke spoke on her character Kate, singing in the movie and what’s next after \u003cem>Game of Thrones\u003c/em>.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On her character, Kate\u003c/strong>\u003c/p>\n\u003cp>No, she’s not the mother of dragons. She’s got mother-of-dragon tendencies … Yeah, so Kate—she is your anti-heroine. We’re quite used to seeing, I think, in rom-coms a sort of perfect depiction of a young lady—and that ain’t Kate. And it’s in her flaws, is where she becomes so relatable. So she is struggling to get herself together, and she’s struggling to take care of herself, she’s struggling to take care of those around her, not really accepting help, kind of. You can tell she’s hiding from something, and life isn’t bringing her much joy when we first meet her. But she is trying.\u003c/p>\n\u003cp>\u003cstrong>On Kate’s mom, a refugee played by “the glorious Emma Thompson”\u003c/strong>\u003c/p>\n\u003cp>Emma co-wrote this with her husband Greg Wise, and the character that Emma plays is loosely based on Greg’s mom. And she is really struggling to find peace in the United Kingdom, which they have fled to because her memories of where she had to run from—former Yugoslavia and the war that they escaped—kind of haunt her every single day, and lead her to be slightly more anxious and worried and vocal.\u003c/p>\n\u003cp>\u003cstrong>On singing in the movie\u003c/strong>\u003c/p>\n\u003cp>Oh, it was incredibly nerve-wracking, because I care so much about singing, and I’m genuinely at my happiest when I am singing. However: Doing it on camera in front of a lot of people, and doing it, you know, with \u003ca href=\"https://www.youtube.com/watch?v=E8gmARGvPlI\">George’s perfect song\u003c/a> was—every time before I sing I just think I’m getting tonsillitis, or my throat is closing up or something. So it took a lot of courage, but I got there.\u003c/p>\n\u003cp>\u003cstrong>On Kate’s health issues and how they relate to her own, \u003c/strong>\u003ca href=\"https://www.newyorker.com/culture/personal-history/emilia-clarke-a-battle-for-my-life-brain-aneurysm-surgery-game-of-thrones\">\u003cstrong>which she recently disclosed\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>I wouldn’t say it was the defining thing that brought me to [the movie]. Dame Emma Thompson probably was that. But it definitely allowed me to bring quite a lot of truth to what Kate’s struggles were, because for Kate she had her health crisis in her early 20s, and that’s when I had mine too. And that time for any young person is incredibly intimidating.\u003c/p>\n\u003cp>\u003cstrong>On the depictions of immigrants and Brexit in the movie\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Clarke:\u003c/strong> Well, we’re showing a movie that is now, that is today. And I don’t think that Emma or Greg could have written something about London today without mentioning it, without having it. And they’re both politically outspoken, and care deeply about the refugee crisis, and care deeply about Brexit, and about inclusivity and community and the diverse multicultural thing that is London.\u003c/p>\n\u003cp>\u003cstrong>Garcia-Navarro:\u003c/strong> Yeah. What are your views on Brexit?\u003c/p>\n\u003cp>\u003cstrong>Clarke:\u003c/strong> Oh heavens, it’s heartbreaking. We’ve just heard now that \u003ca href=\"https://www.npr.org/2019/10/29/774573501/britain-braces-for-new-vote-in-december-that-could-ease-the-path-to-brexit\">we will have a snap election\u003c/a>, which I think is a very good thing indeed, because I think it’s going to put a full stop … maybe a comma after this very long, drawn-out situation we’ve been in since 2016, really. But I mean, I’m pathologically hopeful as a human being, and I’m pathologically hopeful that maybe we’ll just, you know, see the error of our ways, and remain, and just stay.\u003c/p>\n\u003cp>\u003cstrong>On what types of roles she’s seeking after \u003c/strong>\u003cstrong>\u003cem>Game of Thrones\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>So I’ve had the good fortune of being in this incredible show with this incredible character. And my goodness, if I were to get stereotyped as the mother of dragons, I could ask for worse. It’s really quite wonderful.\u003c/p>\n\u003cp>But what it’s left me with—after 10 years of seeing that, and being a part of that, and of doing quite big movies in my hiatuses and all of those things—is a yearning for a different sort of creative ownership. So I started my production company about three years ago—very, very quietly because I didn’t want it to go wrong and have it be public knowledge—and now I’ve got six or seven things on my slate that I’m writing and producing. And because there is—I mean, you know, the landscape has changed for young actresses and actors for the sort of roles that are out there. I struggle to find them, because the thing that I’ve learned from being on 10 years in the show is that the biggest luxury in life is time and space. So I wanted to take those two things, which I have very luckily been able to have now, and really consider what my next option is. Because I care about what I’m doing with my time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Dana Cronin and D. Parvaz produced and edited this interview for broadcast. Patrick Jarenwattananon adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Emilia+Clarke+On+%27Last+Christmas%2C%27+Brexit+And+Life+After+%27Game+Of+Thrones%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=937067\">Martin Scorsese\u003c/a> has made so many terrific crime pictures that you would be forgiven for doubting whether he had another one in him. The great surprise of his haunting and elegiac new movie, \u003cem>The Irishman, \u003c/em>is that it doesn’t play like a retread so much as a reckoning.\u003c/p>\n\u003cp>It reunites Scorsese with \u003cem>Goodfellas \u003c/em>actors Robert De Niro and Joe Pesci, but while his earlier mob classic had an exhilarating energy, \u003cem>The Irishman\u003c/em> is suffused with loss. It feels older, wiser and infinitely sadder. There are still wisecracks and double-crosses and whackings aplenty, but there’s no kicky thrill to the violence this time—just a harsh aftertaste of emptiness and futility.\u003c/p>\n\u003cp>Since the movie spans several decades and runs 3 1/2 hours, that’s admittedly a lot of futility. But \u003cem>The Irishman \u003c/em>is a richly involving experience. Its measured pace is entirely gripping, and its gorgeous images are well worth seeing in a theater if you live near one of the few venues where it’s playing (before it hits Netflix on Nov. 27). On a big screen, you might notice some of the minor imperfections of the “digital de-aging” technology that Scorsese uses to make the actors look younger in different time frames, but you stop noticing them after a few moments as the illusion takes hold.\u003c/p>\n\u003cp>De Niro stars as Frank Sheeran, the Irishman of the title, and the movie is essentially his account of his life and crimes. Shortly before his death from cancer in 2003, Sheeran claimed that he had killed Teamsters boss Jimmy Hoffa, who had gone mysteriously missing in 1975. One of his former attorneys, \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=3804209\">Charles Brandt\u003c/a>, reported that claim in his biography of Sheeran, \u003cem>I Heard You Paint Houses\u003c/em>, which serves as the foundation for Steven Zaillian’s screenplay.\u003c/p>\n\u003cp>But Sheeran, narrating his story from a retirement home at the age of 82, has a lot to tell us before he gets to that point. He takes us back to the 1940s, when he was a Pennsylvania truck driver who managed to ingratiate himself with local mafioso Russell Bufalino, wonderfully played by Pesci in a long-overdue return to the screen.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sheeran becomes Bufalino’s most reliable hit man: Desensitized to violence by his World War II military service, he kills efficiently and doesn’t ask too many questions. He’s so good at his job that Bufalino soon introduces him over the phone to Hoffa, played by Al Pacino.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WHXxVmeGQUc\u003c/p>\n\u003cp>Before long, Sheeran is handling Hoffa’s dirty work as well, and in their bond, we see the insidious ties between unionized labor and organized crime. \u003cem>The Irishman\u003c/em> compresses a lot of tumultuous history: There are reenactments of famous mob killings, drive-by references to events such as the \u003ca href=\"https://www.npr.org/2011/04/17/135444482/50-years-later-learning-from-the-bay-of-pigs\">Bay of Pigs invasion\u003c/a>, and even a brief nod to the conspiracy theory that the mob ordered the \u003ca href=\"https://www.npr.org/series/243938281/the-jfk-assassination-50-years-later\">assassination of President John F. Kennedy\u003c/a>.\u003c/p>\n\u003cp>But for all the movie’s historical sweep and its colorful supporting turns by actors like \u003ca href=\"https://www.npr.org/2016/03/30/472385235/ray-romano-gets-deep-dark-and-angsty-for-martin-scorsese-s-vinyl\">Ray Romano\u003c/a>, \u003ca href=\"https://www.npr.org/2013/01/09/167470435/bobby-cannavale-at-home-on-broadway\">Bobby Cannavale\u003c/a> and \u003ca href=\"https://www.npr.org/2015/12/05/458573116/moment-of-truth-in-youth-hits-home-for-actor-harvey-keitel\">Harvey Keitel\u003c/a>, it’s the three central personalities that make the movie so engrossing. Scorsese is fascinated by the codes of loyalty that bind Sheeran, Bufalino and Hoffa—and also by the petty rivalries and power struggles that threaten to destroy them.\u003c/p>\n\u003cp>De Niro, Pesci and Pacino are at the top of their game, in part because they aren’t simply rehashing the iconic gangster types they’ve played before. Pesci makes Bufalino quiet and calculating—the complete opposite of the short-fused goodfella character that won him an Oscar.\u003c/p>\n\u003cp>Pacino gets to go big and boisterous without tilting into bombast. He pours enormous affection into the role of Hoffa, a man of simple pleasures—he loves ice cream more than anything—and old-school habits, as we see when he unleashes hell on someone who shows up late to a meeting.\u003c/p>\n\u003cp>As for De Niro, he gives a quietly chilling and finally wrenching performance as a man who dutifully aligns himself with evil. The last third of \u003cem>The Irishman \u003c/em>slows to a riveting crawl as it reconstructs what may or may not have happened in Hoffa’s final hours. Scorsese draws out the tension to an unbearable degree; he wants us to feel in our bones the horror and gravity of what it means to take someone else’s life.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I haven’t yet mentioned Sheeran’s wives and children, which is fitting, since he mostly treats them as afterthoughts. Scorsese doesn’t make the same mistake. Sheeran’s daughter Peggy, played at different ages by Lucy Gallina and \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=105174915\">Anna Paquin\u003c/a>, becomes the movie’s moral center. Peggy doesn’t say much, but her silence cuts right through all the movie’s male bluster. With every withering stare, she offers a brutal judgment of her father and the ghastly, corrupt world to which he belongs.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=De+Niro%2C+Pesci+And+Pacino+Are+At+The+Top+Of+Their+Game+In+%27The+Irishman%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=937067\">Martin Scorsese\u003c/a> has made so many terrific crime pictures that you would be forgiven for doubting whether he had another one in him. The great surprise of his haunting and elegiac new movie, \u003cem>The Irishman, \u003c/em>is that it doesn’t play like a retread so much as a reckoning.\u003c/p>\n\u003cp>It reunites Scorsese with \u003cem>Goodfellas \u003c/em>actors Robert De Niro and Joe Pesci, but while his earlier mob classic had an exhilarating energy, \u003cem>The Irishman\u003c/em> is suffused with loss. It feels older, wiser and infinitely sadder. There are still wisecracks and double-crosses and whackings aplenty, but there’s no kicky thrill to the violence this time—just a harsh aftertaste of emptiness and futility.\u003c/p>\n\u003cp>Since the movie spans several decades and runs 3 1/2 hours, that’s admittedly a lot of futility. But \u003cem>The Irishman \u003c/em>is a richly involving experience. Its measured pace is entirely gripping, and its gorgeous images are well worth seeing in a theater if you live near one of the few venues where it’s playing (before it hits Netflix on Nov. 27). On a big screen, you might notice some of the minor imperfections of the “digital de-aging” technology that Scorsese uses to make the actors look younger in different time frames, but you stop noticing them after a few moments as the illusion takes hold.\u003c/p>\n\u003cp>De Niro stars as Frank Sheeran, the Irishman of the title, and the movie is essentially his account of his life and crimes. Shortly before his death from cancer in 2003, Sheeran claimed that he had killed Teamsters boss Jimmy Hoffa, who had gone mysteriously missing in 1975. One of his former attorneys, \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=3804209\">Charles Brandt\u003c/a>, reported that claim in his biography of Sheeran, \u003cem>I Heard You Paint Houses\u003c/em>, which serves as the foundation for Steven Zaillian’s screenplay.\u003c/p>\n\u003cp>But Sheeran, narrating his story from a retirement home at the age of 82, has a lot to tell us before he gets to that point. He takes us back to the 1940s, when he was a Pennsylvania truck driver who managed to ingratiate himself with local mafioso Russell Bufalino, wonderfully played by Pesci in a long-overdue return to the screen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sheeran becomes Bufalino’s most reliable hit man: Desensitized to violence by his World War II military service, he kills efficiently and doesn’t ask too many questions. He’s so good at his job that Bufalino soon introduces him over the phone to Hoffa, played by Al Pacino.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WHXxVmeGQUc'\n title='//www.youtube.com/embed/WHXxVmeGQUc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before long, Sheeran is handling Hoffa’s dirty work as well, and in their bond, we see the insidious ties between unionized labor and organized crime. \u003cem>The Irishman\u003c/em> compresses a lot of tumultuous history: There are reenactments of famous mob killings, drive-by references to events such as the \u003ca href=\"https://www.npr.org/2011/04/17/135444482/50-years-later-learning-from-the-bay-of-pigs\">Bay of Pigs invasion\u003c/a>, and even a brief nod to the conspiracy theory that the mob ordered the \u003ca href=\"https://www.npr.org/series/243938281/the-jfk-assassination-50-years-later\">assassination of President John F. Kennedy\u003c/a>.\u003c/p>\n\u003cp>But for all the movie’s historical sweep and its colorful supporting turns by actors like \u003ca href=\"https://www.npr.org/2016/03/30/472385235/ray-romano-gets-deep-dark-and-angsty-for-martin-scorsese-s-vinyl\">Ray Romano\u003c/a>, \u003ca href=\"https://www.npr.org/2013/01/09/167470435/bobby-cannavale-at-home-on-broadway\">Bobby Cannavale\u003c/a> and \u003ca href=\"https://www.npr.org/2015/12/05/458573116/moment-of-truth-in-youth-hits-home-for-actor-harvey-keitel\">Harvey Keitel\u003c/a>, it’s the three central personalities that make the movie so engrossing. Scorsese is fascinated by the codes of loyalty that bind Sheeran, Bufalino and Hoffa—and also by the petty rivalries and power struggles that threaten to destroy them.\u003c/p>\n\u003cp>De Niro, Pesci and Pacino are at the top of their game, in part because they aren’t simply rehashing the iconic gangster types they’ve played before. Pesci makes Bufalino quiet and calculating—the complete opposite of the short-fused goodfella character that won him an Oscar.\u003c/p>\n\u003cp>Pacino gets to go big and boisterous without tilting into bombast. He pours enormous affection into the role of Hoffa, a man of simple pleasures—he loves ice cream more than anything—and old-school habits, as we see when he unleashes hell on someone who shows up late to a meeting.\u003c/p>\n\u003cp>As for De Niro, he gives a quietly chilling and finally wrenching performance as a man who dutifully aligns himself with evil. The last third of \u003cem>The Irishman \u003c/em>slows to a riveting crawl as it reconstructs what may or may not have happened in Hoffa’s final hours. Scorsese draws out the tension to an unbearable degree; he wants us to feel in our bones the horror and gravity of what it means to take someone else’s life.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I haven’t yet mentioned Sheeran’s wives and children, which is fitting, since he mostly treats them as afterthoughts. Scorsese doesn’t make the same mistake. Sheeran’s daughter Peggy, played at different ages by Lucy Gallina and \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=105174915\">Anna Paquin\u003c/a>, becomes the movie’s moral center. Peggy doesn’t say much, but her silence cuts right through all the movie’s male bluster. With every withering stare, she offers a brutal judgment of her father and the ghastly, corrupt world to which he belongs.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=De+Niro%2C+Pesci+And+Pacino+Are+At+The+Top+Of+Their+Game+In+%27The+Irishman%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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}
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"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"id": "fresh-air",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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