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"content": "\u003ch2>\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/asianpacificamerican-guidecover2015-200x248.jpg\">\u003cimg class=\"alignleft size-full wp-image-356\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/asianpacificamerican-guidecover2015-200x248.jpg\" alt=\"asianpacificamerican-guidecover2015-200x248\" width=\"200\" height=\"248\">\u003c/a>\u003c/h2>\n\u003cp>KQED proudly celebrates the diversity of our community by commemorating Asian Pacific American Heritage Month. During May, KQED Public TV 9 and KQED 88.5 FM schedule programs that focus on Asian Pacific American themes and issues. These programs are highlighted in \u003ca href=\"http://issuu.com/kqed/docs/apaheritage2014-insert\">this guide\u003c/a> along with information about community events.\u003c/p>\n\u003ch4>Printable PDFs\u003c/h4>\n\u003cp>\u003cstrong>Having trouble viewing the guide, or prefer to print it?\u003c/strong>\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/apaheritage2014-insert.pdf\">Download the May 2014 Asian Pacific American Heritage Program and Event Guide\u003c/a> (PDF)\u003c/p>\n\u003cp>\u003cstrong>You can also just print out Heritage Month television listings.\u003c/strong>\u003cbr>\n\u003cbr>\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/apa-14.pdf\">Download the May 2014 Asian Pacific American Heritage Television Guide\u003c/a> (PDF)\u003c/p>\n\u003cp>\u003csmall>\u003cem>You need Adobe Acrobat Reader to view the PDFs. For best results, upgrade to \u003cstrong>Acrobat Reader 7.0 or later\u003c/strong>. If you don't already have it, you can \u003ca href=\"http://www.adobe.com/products/acrobat/readstep2.html\">download Acrobat Reader\u003c/a> for free.\u003c/em>\u003c/small>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>If you visit KQED.org on a regular basis, chances are good that you read \u003ca href=\"http://www.kqed.org/newsfix\">News Fix\u003c/a> — one of our website's top three most-viewed pages. And while the news stories come from a variety of sources, the byline visitors see most often is that of Dan Brekke.\u003c/p>\n\u003cp>My conversation with Dan may go down as the most ambulatory and noisy interview in \u003cem>On Q\u003c/em> history. Not only did we move twice inside the KQED building, when fire alarms began to wail, we and all of our colleagues had to evacuate. We finished the interview on a street corner while waiting for the SFFD to arrive and give us the all clear.\u003c/p>\n\u003cp>Dan took over as the News Fix blogger and editor in the fall of 2013, after six years as an editor for KQED Radio news. But his career in journalism goes back a bit further than that. He's worked in media \"ever since Nixon's first term, when newspapers were still using hot type . . . . I went into a newsroom for the first time when I was 18,\" he recalls. \"I'd graduated early from high school and I had a chance to work as a copy boy at a newspaper in Chicago. It was so long ago that little was thought of the practice of the older employees calling us 'boy.' They'd say, 'Boy. Copy.' Just like in the movies.\"\u003c/p>\n\u003cp>While a student at U.C. Berkeley, Dan worked at the \u003cem>Daily Cal \u003c/em>and later \"at a little paper in the East Bay.\" He wound up at the \u003cem>Examiner\u003c/em> for about 12 years through the mid '90s, and then went to work at \u003cem>Wired \u003c/em>just as it was starting its own news service.\u003c/p>\n\u003cp>\"My introduction to online journalism happened when I was at the \u003cem>Examiner\u003c/em> with [KQED Public Radio News Director] Bruce Koon. There was a strike in November 1994, and one of the things that the union journalists did was publish a strike paper online. (If only the newspapers had seen the significance of this at the time.) I remember I was filing an election-night story about East Bay election results and someone was describing to me over the phone the HTML tags you needed to put before and after every paragraph.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I am a breaking news kind of person. I like the adrenaline.\" A salient example — the [2011] tsunami in Japan — happened early on in the life of News Fix. \"I was watching live pictures late at night and thought, \"that could come here.\" So I went online and looked for tsunami forecasts and, sure enough. So I did a post about that sometime before midnight and kept going most of the night. We got so much traffic that night, it brought the site down. We saw the same degree of interest during the BART strike. If you can establish yourself as a go-to source for this kind of information, people will come. Lots of people told me that they were reading our updates every night to see if the trains would be running.\"\u003c/p>\n\u003cp>\u003cstrong>How would you describe the sensibility of News Fix?\u003c/strong>\u003cbr>\nIt's an evolving site — or news service. I'm not sure how to think of it, exactly. There's a short list of things — natural disasters, public disturbances — that people now instinctively go online to find out about. That's the service part of New Fix. The site part is that we have a lot of content being produced in the KQED News department that's looking for a place online. And right now, News Fix is the best way for most of that information to get in front of people.\u003c/p>\n\u003cp>I think News Fix, or any other KQED blog, has to be seen in a larger context. For instance, when we post something on News Fix, if we're lucky, we are on the right story at the right time and we show up at the top of Google search results. That's a very effective way of drawing traffic. But we don't control the Google algorithm, so we have to think of other ways of getting the news out.\u003c/p>\n\u003cp>We have to Tweet our best material out. We have to be on Facebook. And the ways we choose to use social media have implications for what News Fix will look like. For instance, right now we're in the middle of a drought. So we started a \u003ca href=\"http://stateofdrought.tumblr.com/\">Tumbler of drought pictures\u003c/a>.\u003c/p>\n\u003cp>Hopefully, over time, it will become a crowd-sourced portrait of the drought in California and I'd like to be able to guarantee that we are a go-to source for drought information.\u003c/p>\n\u003cp>Like I said, it is evolving. You have to see what the audience is responding to and try and understand how they are using the information. This is a very diverse and demanding region to cover. People here are sophisticated. They have sophisticated B.S. detectors.\u003c/p>\n\u003cp>\u003cstrong>Is there a particular direction you'd like to see News Fix go in?\u003c/strong>\u003cbr>\nI think the long-term vision for everything we are doing online is to establish ourselves as authoritative about certain issues — especially local ones. One example is the housing affordability crisis in San Francisco. We came up with the rubric \"Priced Out\" for our coverage. Also, during the very serious cold snap in December, we did a very quick-turnaround project — going out and talking to people on the streets. We didn't get into the larger context of homelessness. We just wanted to ask, \"What was your day or night like?\" Something like that doesn't change the face of American journalism, but I think it is important to think about what other voices are out there. And that's something we can do for our community.\u003c/p>\n\u003cp>\u003cstrong>On the lighter side, what are some blogs that you follow?\u003c/strong>\u003cbr>\nThere's a law clerk in Springfield, IL., who has a blog called \u003ca href=\"http://www.disarranging.com/review/\">Disarranging Mine\u003c/a> — disarranging mine is part of a lyric from a 1960s Rolling Stone song — and she has one of the most interesting takes on the world. I also follow her daughter's blog, \u003ca href=\"http://dissuade.org/\">dissuade.org\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I feel like I probably should be able to quickly spit out a long list, but what I follow really is driven by my specific interests. And my interest is very episodic.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you visit KQED.org on a regular basis, chances are good that you read \u003ca href=\"http://www.kqed.org/newsfix\">News Fix\u003c/a> — one of our website's top three most-viewed pages. And while the news stories come from a variety of sources, the byline visitors see most often is that of Dan Brekke.\u003c/p>\n\u003cp>My conversation with Dan may go down as the most ambulatory and noisy interview in \u003cem>On Q\u003c/em> history. Not only did we move twice inside the KQED building, when fire alarms began to wail, we and all of our colleagues had to evacuate. We finished the interview on a street corner while waiting for the SFFD to arrive and give us the all clear.\u003c/p>\n\u003cp>Dan took over as the News Fix blogger and editor in the fall of 2013, after six years as an editor for KQED Radio news. But his career in journalism goes back a bit further than that. He's worked in media \"ever since Nixon's first term, when newspapers were still using hot type . . . . I went into a newsroom for the first time when I was 18,\" he recalls. \"I'd graduated early from high school and I had a chance to work as a copy boy at a newspaper in Chicago. It was so long ago that little was thought of the practice of the older employees calling us 'boy.' They'd say, 'Boy. Copy.' Just like in the movies.\"\u003c/p>\n\u003cp>While a student at U.C. Berkeley, Dan worked at the \u003cem>Daily Cal \u003c/em>and later \"at a little paper in the East Bay.\" He wound up at the \u003cem>Examiner\u003c/em> for about 12 years through the mid '90s, and then went to work at \u003cem>Wired \u003c/em>just as it was starting its own news service.\u003c/p>\n\u003cp>\"My introduction to online journalism happened when I was at the \u003cem>Examiner\u003c/em> with [KQED Public Radio News Director] Bruce Koon. There was a strike in November 1994, and one of the things that the union journalists did was publish a strike paper online. (If only the newspapers had seen the significance of this at the time.) I remember I was filing an election-night story about East Bay election results and someone was describing to me over the phone the HTML tags you needed to put before and after every paragraph.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I am a breaking news kind of person. I like the adrenaline.\" A salient example — the [2011] tsunami in Japan — happened early on in the life of News Fix. \"I was watching live pictures late at night and thought, \"that could come here.\" So I went online and looked for tsunami forecasts and, sure enough. So I did a post about that sometime before midnight and kept going most of the night. We got so much traffic that night, it brought the site down. We saw the same degree of interest during the BART strike. If you can establish yourself as a go-to source for this kind of information, people will come. Lots of people told me that they were reading our updates every night to see if the trains would be running.\"\u003c/p>\n\u003cp>\u003cstrong>How would you describe the sensibility of News Fix?\u003c/strong>\u003cbr>\nIt's an evolving site — or news service. I'm not sure how to think of it, exactly. There's a short list of things — natural disasters, public disturbances — that people now instinctively go online to find out about. That's the service part of New Fix. The site part is that we have a lot of content being produced in the KQED News department that's looking for a place online. And right now, News Fix is the best way for most of that information to get in front of people.\u003c/p>\n\u003cp>I think News Fix, or any other KQED blog, has to be seen in a larger context. For instance, when we post something on News Fix, if we're lucky, we are on the right story at the right time and we show up at the top of Google search results. That's a very effective way of drawing traffic. But we don't control the Google algorithm, so we have to think of other ways of getting the news out.\u003c/p>\n\u003cp>We have to Tweet our best material out. We have to be on Facebook. And the ways we choose to use social media have implications for what News Fix will look like. For instance, right now we're in the middle of a drought. So we started a \u003ca href=\"http://stateofdrought.tumblr.com/\">Tumbler of drought pictures\u003c/a>.\u003c/p>\n\u003cp>Hopefully, over time, it will become a crowd-sourced portrait of the drought in California and I'd like to be able to guarantee that we are a go-to source for drought information.\u003c/p>\n\u003cp>Like I said, it is evolving. You have to see what the audience is responding to and try and understand how they are using the information. This is a very diverse and demanding region to cover. People here are sophisticated. They have sophisticated B.S. detectors.\u003c/p>\n\u003cp>\u003cstrong>Is there a particular direction you'd like to see News Fix go in?\u003c/strong>\u003cbr>\nI think the long-term vision for everything we are doing online is to establish ourselves as authoritative about certain issues — especially local ones. One example is the housing affordability crisis in San Francisco. We came up with the rubric \"Priced Out\" for our coverage. Also, during the very serious cold snap in December, we did a very quick-turnaround project — going out and talking to people on the streets. We didn't get into the larger context of homelessness. We just wanted to ask, \"What was your day or night like?\" Something like that doesn't change the face of American journalism, but I think it is important to think about what other voices are out there. And that's something we can do for our community.\u003c/p>\n\u003cp>\u003cstrong>On the lighter side, what are some blogs that you follow?\u003c/strong>\u003cbr>\nThere's a law clerk in Springfield, IL., who has a blog called \u003ca href=\"http://www.disarranging.com/review/\">Disarranging Mine\u003c/a> — disarranging mine is part of a lyric from a 1960s Rolling Stone song — and she has one of the most interesting takes on the world. I also follow her daughter's blog, \u003ca href=\"http://dissuade.org/\">dissuade.org\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Twenty years ago, Václav Havel was elected president of the Czech Republic and Ruth Bader Ginsburg was joining the U.S. Supreme Court in Washington, DC. Closer to home, 1993 was the year Professor Michael Krasny joined KQED as the host of \u003cem>Forum. \u003c/em>Since then, the award-winning live call-in program has become the nation's most-listened-to locally produced public radio talk show.\u003c/p>\n\u003cp>This summer, Michael graciously took his turn as an interview subject. Unfortunately, live call-in wasn't available.\u003c/p>\n\u003cp>\u003cstrong>When you were interviewed in 1993 for KQED's member magazine, you said, \"My work in radio started out as a hobby. I've always seen myself as an academic, not a broadcaster.\" Would you say the same thing today? \u003c/strong>\u003cbr>\nI think of myself primarily as a broadcaster and a professor now. But also as a writer. I don't know which one has hegemony. You talk to a lot of people who hate their jobs or can't find one thing that gives them pleasure or satisfaction or makes them feel they're making a difference. These all do that for me. It's a trinity.\u003c/p>\n\u003cp>\u003cstrong>And they all work so well together.\u003c/strong>\u003cbr>\nYou're right. They are sort of in synchronicity with each other.\u003c/p>\n\u003cp>\u003cstrong>How did your radio \"hobby\" get started?\u003c/strong>\u003cbr>\nIt started with television. In the 1970s, I did some interviews for public television, mainly of literary figures, and I did some commentary for Channel 2, KTVU news. But radio seemed like a better fit for me. I was lucky to just go into a little station in Marin, where I lived, and say, \"Here's an idea for a talk show. You guys are all about music. Maybe you'd like to do something about public affairs?\" And they went for it. It was a very unorthodox station in its day. What we used to call alternative radio. But the show got some attention. KGO expressed interest and I was there for a number of years. It wasn't a bad fit, but it wasn't really the right place for me like KQED is.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>After 20 years on \u003cem>Forum,\u003c/em> what keeps you interested? \u003c/strong>\u003cbr>\nCuriosity. And the news, of course — trying to interpret it and make it viable. I keep enlightenment and illumination the top goals for both me and the listeners. I like the idea of someone turning on the radio and not knowing what they are going to hear us talking about, but knowing it will always be at a high level. Striving to maintain that high level is part of the drive. But really, the main driver is curiosity.\u003c/p>\n\u003cp>Learning and being an educator have always been primary to me. . . . I like to believe that I can keep the program from being stale and just recycled in terms of topics and content because things are always changing and there are so many interesting people — especially here in the Bay Area. We now have reach well beyond the Bay Area because of Sirius and iTunes, but we have an extraordinary mother lode of people here to offer different points of view and expertise.\u003c/p>\n\u003cp>When I took over the reins of \u003cem>Forum,\u003c/em> it was pretty much about local politics and policies. It was parochial. I said, \"Let's expand it to the arts and world affairs and national issues.\" And we have, but we've also come back to hitting harder on the local. Part of the reason is that newspapers have cut their staffs. People are counting on us, frankly, to do those kinds of stories. It's part of serving the public.\u003c/p>\n\u003cp>It's been astonishing over the past 20 years to see the growth that we've had and how KQED has become the most important radio station in the Bay Area. For a public radio station to have that kind of success is really very unusual. But it says a lot about the Bay Area as well as, I hope, something about us.\u003c/p>\n\u003cp>\u003cstrong>There's a temptation to ask what's been your favorite interview, but I'm not going to ask you to pick.\u003c/strong>\u003cbr>\nI'm glad. I've interviewed a lot of impressive people, Nobel Prize winners, ambassadors and heads of state. How does one decide who is the best of the most fascinating? Many of my memories from my 20 years here have to do with ordinary people.\u003c/p>\n\u003cp>We just won a Public Radio News Directors award for a program we did as part of a series called \u003cem>\u003ca href=\"http://www.kqed.org/a/forum/R201203281000\">In My Experience\u003c/a>\u003c/em>, about people who'd been incarcerated. It was poignant and moving. I am very touched by the stories of people who are putting themselves on the line, putting themselves at risk, out there in the trenches.\u003c/p>\n\u003cp>\u003cstrong>A couple of questions about your other professions. You've been a professor of English at San Francisco State since 1970. What are you teaching this fall?\u003c/strong>\u003cbr>\nI'm doing a course in 20th-century American plays and a course on two authors, Harold Pinter and Raymond Carver — a British playwright and an American fiction writer.\u003c/p>\n\u003cp>\u003cstrong>And are you working on another book? [Michael is the author of \u003cem>Spiritual Envy: An Agnostic's Quest \u003c/em>and\u003cem>Off Mike: A Memoir of Talk Radio and Literary Life\u003c/em>.]\u003c/strong>\u003cbr>\nI'm in the process of trying to finish a book on the subject of honor. It's more than honor. It's how the ideals and notions of honor have changed and transmogrified through the years. It's a combination of cultural analysis and memoir.\u003c/p>\n\u003cp>I think American honor has become conjoined and conflated with respect and recognition. I was led to this [project] thinking, \"What is important for us to honor? Is there such a thing as true or authentic honor? Can it be separated from respect and recognition in many peoples' minds? And should it be?\" It's a pretty ambitious book, but it's just about done.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Final question. What's a guilty pleasure for you? \u003c/strong>\u003cbr>\nIt's a guilty pleasure when I read \u003cem>People\u003c/em> magazine or even look at the tabloids on the newsstands. Or watch something like \u003cem>Fashion Police\u003c/em> with Joan Rivers, which is hilarious, but cutting. Certainly inducing of guilt because most of the people that she makes fun of are, I believe, not exactly substantial people, and they are the same targets every time.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Twenty years ago, Václav Havel was elected president of the Czech Republic and Ruth Bader Ginsburg was joining the U.S. Supreme Court in Washington, DC. Closer to home, 1993 was the year Professor Michael Krasny joined KQED as the host of \u003cem>Forum. \u003c/em>Since then, the award-winning live call-in program has become the nation's most-listened-to locally produced public radio talk show.\u003c/p>\n\u003cp>This summer, Michael graciously took his turn as an interview subject. Unfortunately, live call-in wasn't available.\u003c/p>\n\u003cp>\u003cstrong>When you were interviewed in 1993 for KQED's member magazine, you said, \"My work in radio started out as a hobby. I've always seen myself as an academic, not a broadcaster.\" Would you say the same thing today? \u003c/strong>\u003cbr>\nI think of myself primarily as a broadcaster and a professor now. But also as a writer. I don't know which one has hegemony. You talk to a lot of people who hate their jobs or can't find one thing that gives them pleasure or satisfaction or makes them feel they're making a difference. These all do that for me. It's a trinity.\u003c/p>\n\u003cp>\u003cstrong>And they all work so well together.\u003c/strong>\u003cbr>\nYou're right. They are sort of in synchronicity with each other.\u003c/p>\n\u003cp>\u003cstrong>How did your radio \"hobby\" get started?\u003c/strong>\u003cbr>\nIt started with television. In the 1970s, I did some interviews for public television, mainly of literary figures, and I did some commentary for Channel 2, KTVU news. But radio seemed like a better fit for me. I was lucky to just go into a little station in Marin, where I lived, and say, \"Here's an idea for a talk show. You guys are all about music. Maybe you'd like to do something about public affairs?\" And they went for it. It was a very unorthodox station in its day. What we used to call alternative radio. But the show got some attention. KGO expressed interest and I was there for a number of years. It wasn't a bad fit, but it wasn't really the right place for me like KQED is.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>After 20 years on \u003cem>Forum,\u003c/em> what keeps you interested? \u003c/strong>\u003cbr>\nCuriosity. And the news, of course — trying to interpret it and make it viable. I keep enlightenment and illumination the top goals for both me and the listeners. I like the idea of someone turning on the radio and not knowing what they are going to hear us talking about, but knowing it will always be at a high level. Striving to maintain that high level is part of the drive. But really, the main driver is curiosity.\u003c/p>\n\u003cp>Learning and being an educator have always been primary to me. . . . I like to believe that I can keep the program from being stale and just recycled in terms of topics and content because things are always changing and there are so many interesting people — especially here in the Bay Area. We now have reach well beyond the Bay Area because of Sirius and iTunes, but we have an extraordinary mother lode of people here to offer different points of view and expertise.\u003c/p>\n\u003cp>When I took over the reins of \u003cem>Forum,\u003c/em> it was pretty much about local politics and policies. It was parochial. I said, \"Let's expand it to the arts and world affairs and national issues.\" And we have, but we've also come back to hitting harder on the local. Part of the reason is that newspapers have cut their staffs. People are counting on us, frankly, to do those kinds of stories. It's part of serving the public.\u003c/p>\n\u003cp>It's been astonishing over the past 20 years to see the growth that we've had and how KQED has become the most important radio station in the Bay Area. For a public radio station to have that kind of success is really very unusual. But it says a lot about the Bay Area as well as, I hope, something about us.\u003c/p>\n\u003cp>\u003cstrong>There's a temptation to ask what's been your favorite interview, but I'm not going to ask you to pick.\u003c/strong>\u003cbr>\nI'm glad. I've interviewed a lot of impressive people, Nobel Prize winners, ambassadors and heads of state. How does one decide who is the best of the most fascinating? Many of my memories from my 20 years here have to do with ordinary people.\u003c/p>\n\u003cp>We just won a Public Radio News Directors award for a program we did as part of a series called \u003cem>\u003ca href=\"http://www.kqed.org/a/forum/R201203281000\">In My Experience\u003c/a>\u003c/em>, about people who'd been incarcerated. It was poignant and moving. I am very touched by the stories of people who are putting themselves on the line, putting themselves at risk, out there in the trenches.\u003c/p>\n\u003cp>\u003cstrong>A couple of questions about your other professions. You've been a professor of English at San Francisco State since 1970. What are you teaching this fall?\u003c/strong>\u003cbr>\nI'm doing a course in 20th-century American plays and a course on two authors, Harold Pinter and Raymond Carver — a British playwright and an American fiction writer.\u003c/p>\n\u003cp>\u003cstrong>And are you working on another book? [Michael is the author of \u003cem>Spiritual Envy: An Agnostic's Quest \u003c/em>and\u003cem>Off Mike: A Memoir of Talk Radio and Literary Life\u003c/em>.]\u003c/strong>\u003cbr>\nI'm in the process of trying to finish a book on the subject of honor. It's more than honor. It's how the ideals and notions of honor have changed and transmogrified through the years. It's a combination of cultural analysis and memoir.\u003c/p>\n\u003cp>I think American honor has become conjoined and conflated with respect and recognition. I was led to this [project] thinking, \"What is important for us to honor? Is there such a thing as true or authentic honor? Can it be separated from respect and recognition in many peoples' minds? And should it be?\" It's a pretty ambitious book, but it's just about done.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Final question. What's a guilty pleasure for you? \u003c/strong>\u003cbr>\nIt's a guilty pleasure when I read \u003cem>People\u003c/em> magazine or even look at the tabloids on the newsstands. Or watch something like \u003cem>Fashion Police\u003c/em> with Joan Rivers, which is hilarious, but cutting. Certainly inducing of guilt because most of the people that she makes fun of are, I believe, not exactly substantial people, and they are the same targets every time.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
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