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"content": "\u003cp>\u003cstrong>24/7 Channel Will Replace KQED Kids on January 16; PBS KIDS Free Multiplatform Service Includes Live Streaming and Interactive Games\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" rel=\"attachment wp-att-9342\">\u003cimg class=\"size-full wp-image-9342 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" alt=\"PBSKIDS_logo_C\" width=\"200\" height=\"192\">\u003c/a>\u003cem>San Francisco, CA, December 20, 2016 \u003c/em>— KQED will introduce the new television channel PBS KIDS to Bay Area viewers on January 16, 2017. The 24/7 children’s channel will replace KQED Kids in the Bay Area. In addition to the new on-air channel, PBS KIDS on KQED features free services including a live video stream and interactive games for children on various digital platforms. The effort is KQED’s latest initiative to support early learning in the community.\u003c/p>\n\u003cp>KQED will broadcast PBS KIDS shows 24 hours a day on channels 54.4 and 25.3 and offer a branded live stream, making it easy for Bay Area children to watch their favorite programs whenever and wherever they access media. Viewers will be able to watch the live stream through \u003ca href=\"http://www.pbskids.org\">pbskids.org\u003c/a> and on the \u003ca href=\"http://pbskids.org/apps/pbs-kids-video.html\">PBS KIDS Video app\u003c/a>, which is available on a variety of mobile devices and tablets. Soon after the January 16 launch, the live stream will also be available on over-the-top platforms such as Roku, Apple TV, Amazon Fire TV, Android TV, Xbox One and Chromecast. The live stream complements on-demand clips and full episodes, which will continue to be available for free on the PBS KIDS Video App and streaming via \u003cu>pbskids.org\u003c/u>.\u003c/p>\n\u003cp>Following its initial launch, the localized live stream experience will expand to offer integrated games, enabling children to toggle between a PBS KIDS show and an activity that extends learning — all in one seamless digital experience. The live stream and games feature are grounded in research demonstrating that measurable gains in learning are achieved when children engage with PBS KIDS content on multiple platforms. The games will align with the learning goals of each TV series, deepening children’s involvement and supporting learning.\u003c/p>\n\u003cp>The 24/7 PBS KIDS offering is an integral part of KQED’s long-term vision for its children’s service and will build on its reach and impact in the community, where it provides essential services for kids, parents and teachers. “KQED has been a trusted partner with Bay Area parents for years, delivering educational television content that makes measurable impacts in children’s early learning,” says Susie Hernandez, KQED’s senior director, television programming. “With the new PBS KIDS 24/7 channel, we’re able to continue to deliver and expand on the same high quality of programming, while also making it more accessible to Bay Area families through digital and other platforms.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>PBS KIDS on KQED will include popular favorites such as \u003ca href=\"http://pbskids.org/daniel/\">\u003cem>Daniel Tiger's Neighborhood\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/oddsquad/\">\u003cem>Odd Squad\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/wildkratts/\">\u003cem>Wild Kratts\u003c/em>\u003c/a> and \u003ca href=\"http://pbskids.org/dinosaurtrain/\">\u003cem>Dinosaur Train\u003c/em>\u003c/a>. PBS KIDS’ newest series \u003ca href=\"http://pbskids.org/splashandbubbles\">\u003cem>Splash and Bubbles\u003c/em>\u003c/a>, \u003ca href=\"http://www.pbskids.org/naturecat\">\u003cem>Nature Cat\u003c/em>\u003c/a> and \u003ca href=\"http://www.pbskids.org/readyjetgo\">\u003cem>Ready Jet Go\u003c/em>\u003c/a>\u003ca href=\"http://www.pbskids.org/readyjetgo\">!\u003c/a> will also be featured. KQED will provide the PBS KIDS 24/7 channel on 54.4 and 25.3; XFINITY 192 (Monterey/Salinas 372 and Sacramento/Fairfield 391). It is also available on the Wave and San Bruno Cable.\u003c/p>\n\u003cp>In addition to replacing KQED Kids with PBS KIDS, KQED will also reconfigure its weekday children’s schedule on its two primary television channels — KQED 9 and KQED Plus — to better serve the needs of younger and older audiences. Beginning January 16, KQED 9 will begin hosting an uninterrupted block of children’s programming from 6am to 2:30pm. KQED Plus will offer an uninterrupted block of programming for adult audiences during those same hours, and will feature an after-school block of children’s programming between the hours of 4 and 6pm.\u003c/p>\n\u003cp>For schedule and program information, visit \u003ca href=\"http://www.kqed.org/tv/\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>ABOUT KQED\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>24/7 Channel Will Replace KQED Kids on January 16; PBS KIDS Free Multiplatform Service Includes Live Streaming and Interactive Games\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" rel=\"attachment wp-att-9342\">\u003cimg class=\"size-full wp-image-9342 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/12/PBSKIDS_logo_C.jpg\" alt=\"PBSKIDS_logo_C\" width=\"200\" height=\"192\">\u003c/a>\u003cem>San Francisco, CA, December 20, 2016 \u003c/em>— KQED will introduce the new television channel PBS KIDS to Bay Area viewers on January 16, 2017. The 24/7 children’s channel will replace KQED Kids in the Bay Area. In addition to the new on-air channel, PBS KIDS on KQED features free services including a live video stream and interactive games for children on various digital platforms. The effort is KQED’s latest initiative to support early learning in the community.\u003c/p>\n\u003cp>KQED will broadcast PBS KIDS shows 24 hours a day on channels 54.4 and 25.3 and offer a branded live stream, making it easy for Bay Area children to watch their favorite programs whenever and wherever they access media. Viewers will be able to watch the live stream through \u003ca href=\"http://www.pbskids.org\">pbskids.org\u003c/a> and on the \u003ca href=\"http://pbskids.org/apps/pbs-kids-video.html\">PBS KIDS Video app\u003c/a>, which is available on a variety of mobile devices and tablets. Soon after the January 16 launch, the live stream will also be available on over-the-top platforms such as Roku, Apple TV, Amazon Fire TV, Android TV, Xbox One and Chromecast. The live stream complements on-demand clips and full episodes, which will continue to be available for free on the PBS KIDS Video App and streaming via \u003cu>pbskids.org\u003c/u>.\u003c/p>\n\u003cp>Following its initial launch, the localized live stream experience will expand to offer integrated games, enabling children to toggle between a PBS KIDS show and an activity that extends learning — all in one seamless digital experience. The live stream and games feature are grounded in research demonstrating that measurable gains in learning are achieved when children engage with PBS KIDS content on multiple platforms. The games will align with the learning goals of each TV series, deepening children’s involvement and supporting learning.\u003c/p>\n\u003cp>The 24/7 PBS KIDS offering is an integral part of KQED’s long-term vision for its children’s service and will build on its reach and impact in the community, where it provides essential services for kids, parents and teachers. “KQED has been a trusted partner with Bay Area parents for years, delivering educational television content that makes measurable impacts in children’s early learning,” says Susie Hernandez, KQED’s senior director, television programming. “With the new PBS KIDS 24/7 channel, we’re able to continue to deliver and expand on the same high quality of programming, while also making it more accessible to Bay Area families through digital and other platforms.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>PBS KIDS on KQED will include popular favorites such as \u003ca href=\"http://pbskids.org/daniel/\">\u003cem>Daniel Tiger's Neighborhood\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/oddsquad/\">\u003cem>Odd Squad\u003c/em>\u003c/a>, \u003ca href=\"http://pbskids.org/wildkratts/\">\u003cem>Wild Kratts\u003c/em>\u003c/a> and \u003ca href=\"http://pbskids.org/dinosaurtrain/\">\u003cem>Dinosaur Train\u003c/em>\u003c/a>. PBS KIDS’ newest series \u003ca href=\"http://pbskids.org/splashandbubbles\">\u003cem>Splash and Bubbles\u003c/em>\u003c/a>, \u003ca href=\"http://www.pbskids.org/naturecat\">\u003cem>Nature Cat\u003c/em>\u003c/a> and \u003ca href=\"http://www.pbskids.org/readyjetgo\">\u003cem>Ready Jet Go\u003c/em>\u003c/a>\u003ca href=\"http://www.pbskids.org/readyjetgo\">!\u003c/a> will also be featured. KQED will provide the PBS KIDS 24/7 channel on 54.4 and 25.3; XFINITY 192 (Monterey/Salinas 372 and Sacramento/Fairfield 391). It is also available on the Wave and San Bruno Cable.\u003c/p>\n\u003cp>In addition to replacing KQED Kids with PBS KIDS, KQED will also reconfigure its weekday children’s schedule on its two primary television channels — KQED 9 and KQED Plus — to better serve the needs of younger and older audiences. Beginning January 16, KQED 9 will begin hosting an uninterrupted block of children’s programming from 6am to 2:30pm. KQED Plus will offer an uninterrupted block of programming for adult audiences during those same hours, and will feature an after-school block of children’s programming between the hours of 4 and 6pm.\u003c/p>\n\u003cp>For schedule and program information, visit \u003ca href=\"http://www.kqed.org/tv/\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>ABOUT KQED\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "KQED’s Newest Podcast, Bay Curious, Explores the Bay Area One Question at a Time",
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"content": "\u003cp>\u003cem>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Bay-Curious-e-mail-banner-01.png\" rel=\"attachment wp-att-9308\">\u003cimg class=\"alignnone size-medium wp-image-9308\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Bay-Curious-e-mail-banner-01-300x74.png\" alt=\"Bay Curious e-mail banner-01\" width=\"300\" height=\"74\">\u003c/a>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Bay-Curious-e-mail-banner-590x335.jpg\" rel=\"attachment wp-att-9302\">\u003cbr>\n\u003c/a>November 18, 2016, San Francisco, CA \u003c/em>— If you live anywhere long enough, certain local quirks seem normal. In the Bay Area, maybe it’s the unusual belted shape of Sutro Tower. Or the overwhelming noise of a BART train as it travels underneath the bay. Or the mere existence of those brightly colored parrots perched above San Francisco’s Telegraph Hill. For most of us, these idiosyncrasies and mysteries are like wallpaper: barely noticed and largely unquestioned. But what if we stopped to take a closer look?\u003c/p>\n\u003cp>Enter KQED’s new podcast \u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong>. For more than a year, \u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong> has been an audience favorite on KQED 88.5 FM and KQED.org. Now the Bay Curious podcast will release a new episode each Thursday. You can listen whenever you want.\u003c/p>\n\u003cp>The new podcast is hosted by \u003cstrong>Olivia Allen-Price\u003c/strong>, a Bay Area transplant who’s fallen hard and fast for her new home. \u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong> gets to the bottom of the under-the-radar mysteries and peculiarities that help give our region its unique identity. And she does it with the help of \u003cem>Bay Curious\u003c/em> listeners, who submit questions through the \u003cstrong>\u003cem>Bay Curious \u003c/em>\u003c/strong>website.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong> will answer questions like: Why are there so many ships buried under San Francisco? What is the origin of the word \u003cem>hella\u003c/em>? What would it take to make Lake Merritt swimmable?\u003c/p>\n\u003cfigure id=\"attachment_9303\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Olivia-on-Bart.jpg\" rel=\"attachment wp-att-9303\">\u003cimg class=\"wp-image-9303 size-medium\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Olivia-on-Bart-300x225.jpg\" alt=\"Olivia-on-Bart\" width=\"300\" height=\"225\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Olivia Allen-Price, host of \u003ci>Bay Curious\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003cp>“Listeners sent us more than 1,800 questions about the Bay Area over the past year,” Allen-Price says. “There’s so much in our own backyard that’s completely fascinating, but not often talked about. I can’t wait for the adventures we’ll find while looking for answers with our listeners. It’s going to be a blast!”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you’re as curious about the Bay as we are, subscribe to the podcast on \u003ca href=\"https://itunes.apple.com/us/podcast/id1172473406\">iTunes\u003c/a>, \u003ca href=\"https://play.google.com/music/listen?u=0#/ps/Ipi2mc5aqfen4nr2daayiziiyuy\">Google Play\u003c/a> or \u003ca href=\"http://one.npr.org/\">NPR One\u003c/a> app. Or listen and participate at \u003cu>\u003ca href=\"http://www.baycurious.org\">BayCurious.org\u003c/a>\u003c/u>\u003cstrong>.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nABOUT KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Bay-Curious-e-mail-banner-01.png\" rel=\"attachment wp-att-9308\">\u003cimg class=\"alignnone size-medium wp-image-9308\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Bay-Curious-e-mail-banner-01-300x74.png\" alt=\"Bay Curious e-mail banner-01\" width=\"300\" height=\"74\">\u003c/a>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Bay-Curious-e-mail-banner-590x335.jpg\" rel=\"attachment wp-att-9302\">\u003cbr>\n\u003c/a>November 18, 2016, San Francisco, CA \u003c/em>— If you live anywhere long enough, certain local quirks seem normal. In the Bay Area, maybe it’s the unusual belted shape of Sutro Tower. Or the overwhelming noise of a BART train as it travels underneath the bay. Or the mere existence of those brightly colored parrots perched above San Francisco’s Telegraph Hill. For most of us, these idiosyncrasies and mysteries are like wallpaper: barely noticed and largely unquestioned. But what if we stopped to take a closer look?\u003c/p>\n\u003cp>Enter KQED’s new podcast \u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong>. For more than a year, \u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong> has been an audience favorite on KQED 88.5 FM and KQED.org. Now the Bay Curious podcast will release a new episode each Thursday. You can listen whenever you want.\u003c/p>\n\u003cp>The new podcast is hosted by \u003cstrong>Olivia Allen-Price\u003c/strong>, a Bay Area transplant who’s fallen hard and fast for her new home. \u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong> gets to the bottom of the under-the-radar mysteries and peculiarities that help give our region its unique identity. And she does it with the help of \u003cem>Bay Curious\u003c/em> listeners, who submit questions through the \u003cstrong>\u003cem>Bay Curious \u003c/em>\u003c/strong>website.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Bay Curious\u003c/em>\u003c/strong> will answer questions like: Why are there so many ships buried under San Francisco? What is the origin of the word \u003cem>hella\u003c/em>? What would it take to make Lake Merritt swimmable?\u003c/p>\n\u003cfigure id=\"attachment_9303\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Olivia-on-Bart.jpg\" rel=\"attachment wp-att-9303\">\u003cimg class=\"wp-image-9303 size-medium\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/11/Olivia-on-Bart-300x225.jpg\" alt=\"Olivia-on-Bart\" width=\"300\" height=\"225\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Olivia Allen-Price, host of \u003ci>Bay Curious\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003cp>“Listeners sent us more than 1,800 questions about the Bay Area over the past year,” Allen-Price says. “There’s so much in our own backyard that’s completely fascinating, but not often talked about. I can’t wait for the adventures we’ll find while looking for answers with our listeners. It’s going to be a blast!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you’re as curious about the Bay as we are, subscribe to the podcast on \u003ca href=\"https://itunes.apple.com/us/podcast/id1172473406\">iTunes\u003c/a>, \u003ca href=\"https://play.google.com/music/listen?u=0#/ps/Ipi2mc5aqfen4nr2daayiziiyuy\">Google Play\u003c/a> or \u003ca href=\"http://one.npr.org/\">NPR One\u003c/a> app. Or listen and participate at \u003cu>\u003ca href=\"http://www.baycurious.org\">BayCurious.org\u003c/a>\u003c/u>\u003cstrong>.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nABOUT KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/soundbreaking\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Award-winning reporter and California native returns home to anchor the statewide news and public affairs program on September 2.\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_9149\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/12_14_14WWJohn029_web.jpg\" rel=\"attachment wp-att-9149\">\u003cimg class=\"size-medium wp-image-9149\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/12_14_14WWJohn029_web-300x200.jpg\" alt=\"John Sepulvado. Copyright 2014 (Photo by Cameron Browne)\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Copyright 2014 (Photo by Cameron Browne)\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio announces the hiring of reporter John Sepulvado to be the morning host of \u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong>, its award-winning statewide news and public affairs program. Sepulvado comes to KQED from Oregon Public Broadcasting (OPB), where he was the local host and executive producer of the flagship NPR weekend news program \u003cem>Weekend Edition\u003c/em>. He will make his debut on \u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong> on September 2, 2016.\u003c/p>\n\u003cp>Prior to his work at OPB, Sepulvado served as a producer for America Public Media’s \u003cem>Marketplace Weekend. \u003c/em>He also worked as a national correspondent for CNN and as news director at WUSF in Tampa, Florida. Sepulvado has earned prestigious RTDNA Murrow and PRNDI awards for investigative reporting, and helped CNN take home a Peabody Award for coverage of the 2010 Gulf oil spill.\u003c/p>\n\u003cp>Joining KQED brings Sepulvado back to his deep California roots. He was born in Monterey and lived in Salinas during his early childhood. His family helped settle Monterey and San Benito Counties for the Spanish in the 1700s, and his great-great grandfather was Juan Bautista Alvarado, the last Mexican Governor of California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"My story and my family's story is impossible anyplace other than California,\" Sepulvado notes. \"California is not just part of my identity, it is the foundation on which my identity has been built. And that's why I am so honored to get the chance to help tell the stories of other Californians and the collective story of the state as host of \u003cstrong>\u003cem>The\u003c/em> \u003cem>California Report\u003c/em>\u003c/strong>.\"\u003c/p>\n\u003cp>“John is coming home to California, and we couldn’t be happier to have him back,” says KQED Executive Editor for News Holly Kernan. “He brings so much passion and compassion to his reporting and there are so many great stories to tell about the Golden State. Our team is very much looking forward to working with John.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong> airs weekday mornings on KQED 88.5 FM. The program also produces a 30-minute weekly magazine, hosted by Sasha Khokha, which airs on KQED 88.5 FM Friday afternoons. The program is carried by more than 30 public radio stations across California, and many local station reporters are regular contributors to the program. Stories from \u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong> can be found online at \u003ca href=\"http://www.californiareport.org/\">californiareport.org\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Award-winning reporter and California native returns home to anchor the statewide news and public affairs program on September 2.\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_9149\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/12_14_14WWJohn029_web.jpg\" rel=\"attachment wp-att-9149\">\u003cimg class=\"size-medium wp-image-9149\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/08/12_14_14WWJohn029_web-300x200.jpg\" alt=\"John Sepulvado. Copyright 2014 (Photo by Cameron Browne)\" width=\"300\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Copyright 2014 (Photo by Cameron Browne)\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio announces the hiring of reporter John Sepulvado to be the morning host of \u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong>, its award-winning statewide news and public affairs program. Sepulvado comes to KQED from Oregon Public Broadcasting (OPB), where he was the local host and executive producer of the flagship NPR weekend news program \u003cem>Weekend Edition\u003c/em>. He will make his debut on \u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong> on September 2, 2016.\u003c/p>\n\u003cp>Prior to his work at OPB, Sepulvado served as a producer for America Public Media’s \u003cem>Marketplace Weekend. \u003c/em>He also worked as a national correspondent for CNN and as news director at WUSF in Tampa, Florida. Sepulvado has earned prestigious RTDNA Murrow and PRNDI awards for investigative reporting, and helped CNN take home a Peabody Award for coverage of the 2010 Gulf oil spill.\u003c/p>\n\u003cp>Joining KQED brings Sepulvado back to his deep California roots. He was born in Monterey and lived in Salinas during his early childhood. His family helped settle Monterey and San Benito Counties for the Spanish in the 1700s, and his great-great grandfather was Juan Bautista Alvarado, the last Mexican Governor of California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"My story and my family's story is impossible anyplace other than California,\" Sepulvado notes. \"California is not just part of my identity, it is the foundation on which my identity has been built. And that's why I am so honored to get the chance to help tell the stories of other Californians and the collective story of the state as host of \u003cstrong>\u003cem>The\u003c/em> \u003cem>California Report\u003c/em>\u003c/strong>.\"\u003c/p>\n\u003cp>“John is coming home to California, and we couldn’t be happier to have him back,” says KQED Executive Editor for News Holly Kernan. “He brings so much passion and compassion to his reporting and there are so many great stories to tell about the Golden State. Our team is very much looking forward to working with John.\"\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong> airs weekday mornings on KQED 88.5 FM. The program also produces a 30-minute weekly magazine, hosted by Sasha Khokha, which airs on KQED 88.5 FM Friday afternoons. The program is carried by more than 30 public radio stations across California, and many local station reporters are regular contributors to the program. Stories from \u003cstrong>\u003cem>The California Report\u003c/em>\u003c/strong> can be found online at \u003ca href=\"http://www.californiareport.org/\">californiareport.org\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cb>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/sf-homeless-project.jpg\" rel=\"attachment wp-att-8845\">\u003cimg class=\"wp-image-8845 alignleft\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/06/sf-homeless-project-300x300.jpg\" alt=\"sf-homeless-project\" width=\"187\" height=\"187\">\u003c/a>To the city and people of\u003cbr>\nSan Francisco\u003c/b>:\u003c/p>\n\u003cp>Like you, we are frustrated, confused and dismayed by the seemingly intractable problem of homelessness in our city. Like you, we want answers -- and change.\u003c/p>\n\u003cp>We see the misery around us – the 6,600 or more people who live on the streets of San Francisco – and we sense it is worsening. We feel for the people who live in doorways and under freeways, and for the countless others who teeter on the edge of eviction. We empathize with the EMTs, the nurses and doctors, the social workers and the police. They are on the front lines of this ongoing human catastrophe.\u003c/p>\n\u003cp>Numerous noble, well-intentioned efforts by both public and private entities have surfaced over the decades, yet the problem persists. It is a situation that would disgrace the government of any city. But in the technological and progressive capital of the nation, it is unconscionable.\u003c/p>\n\u003cp>So beginning today, more than 70 media organizations are taking the unprecedented step of working together to focus attention on this crucial issue.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We will pool our resources – reporting, data analysis, photojournalism, video, websites – and starting Wednesday, June 29, will publish, broadcast and share a series of stories across all of our outlets. We intend to explore possible solutions, their costs and viability.\u003c/p>\n\u003cp>Though this is a united effort, we do not claim to speak with one voice. There are many lenses through which the issue of homelessness can be viewed. However, we do not intend to let a desire for the perfect solution become the enemy of the good. We want to inspire and incite each other as much as we want to prod city and civic leaders.\u003c/p>\n\u003cp>Fundamentally, we are driven by the desire to stop calling what we see on our streets the new normal. Frustration and resignation are not a healthy psyche for a city.\u003c/p>\n\u003cp>Our aim is to provide you with the necessary information and potential options to put San Francisco on a better path. Then it will be up to all of us – citizens, activists, public and private agencies, politicians – to work together to get there.\u003c/p>\n\u003cp>Signed,\u003c/p>\n\u003cp>\u003cstrong>The SF Homeless Project\u003c/strong>\u003c/p>\n\u003cp>@bayareahomeless\u003c/p>\n\u003cp>facebook.com/sfhomelessproject\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Participants:\u003c/strong>\u003c/p>\n\u003cp>San Francisco Chronicle\u003c/p>\n\u003cp>SFGATE\u003c/p>\n\u003cp>KQED\u003c/p>\n\u003cp>The California Sunday Magazine\u003c/p>\n\u003cp>Pop-Up Magazine\u003c/p>\n\u003cp>KRON4-TV\u003c/p>\n\u003cp>The Potrero View\u003c/p>\n\u003cp>San Francisco Examiner\u003c/p>\n\u003cp>San Francisco Public Press\u003c/p>\n\u003cp>Renaissance Journalism\u003c/p>\n\u003cp>Hoodline\u003c/p>\n\u003cp>San Francisco Business Times\u003c/p>\n\u003cp>Sing Tao Daily\u003c/p>\n\u003cp>Medium\u003c/p>\n\u003cp>Marina Times\u003c/p>\n\u003cp>The Castro Courier\u003c/p>\n\u003cp>Mid-Market News\u003c/p>\n\u003cp>KALW\u003c/p>\n\u003cp>Mission Local\u003c/p>\n\u003cp>KGO-TV/ABC7\u003c/p>\n\u003cp>Bay Area Reporter\u003c/p>\n\u003cp>KTVU-TV\u003c/p>\n\u003cp>San Francisco magazine\u003c/p>\n\u003cp>BuzzFeed News\u003c/p>\n\u003cp>Mother Jones\u003c/p>\n\u003cp>Timeline\u003c/p>\n\u003cp>CityLab\u003c/p>\n\u003cp>KKSF Talk 910\u003c/p>\n\u003cp>SFist\u003c/p>\n\u003cp>Mashable\u003c/p>\n\u003cp>World Journal\u003c/p>\n\u003cp>Central City Extra\u003c/p>\n\u003cp>Golden Gate Xpress\u003c/p>\n\u003cp>KPIX-TV\u003c/p>\n\u003cp>The Mercury News\u003c/p>\n\u003cp>East Bay Times\u003c/p>\n\u003cp>48 Hills\u003c/p>\n\u003cp>New America Media\u003c/p>\n\u003cp>El Tecolote\u003c/p>\n\u003cp>Wear Your Voice\u003c/p>\n\u003cp>Castro Valley Matters\u003c/p>\n\u003cp>Youth Radio\u003c/p>\n\u003cp>Fortune\u003c/p>\n\u003cp>AJ+\u003c/p>\n\u003cp>Ingleside-Excelsior Light\u003c/p>\n\u003cp>Commonwealth Club\u003c/p>\n\u003cp>CALmatters\u003c/p>\n\u003cp>Laney Tower\u003c/p>\n\u003cp>Inc.\u003c/p>\n\u003cp>Richmond Review\u003c/p>\n\u003cp>Sunset Beacon\u003c/p>\n\u003cp>Univision 14 KDTV\u003c/p>\n\u003cp>West Portal Monthly\u003c/p>\n\u003cp>HATCH Beat\u003c/p>\n\u003cp>AlterNet.org\u003c/p>\n\u003cp>ITVS/OVEE\u003c/p>\n\u003cp>Ripple News\u003c/p>\n\u003cp>KNTV\u003c/p>\n\u003cp>Telemundo 48 KSTS\u003c/p>\n\u003cp>KGO 810\u003c/p>\n\u003cp>Business Insider\u003c/p>\n\u003cp>TechCrunch\u003c/p>\n\u003cp>Fusion\u003c/p>\n\u003cp>San Francisco Neighborhood Newspaper Association\u003c/p>\n\u003cp>Google News Lab\u003c/p>\n\u003cp>Cor Media\u003c/p>\n\u003cp>Stories Behind the Fog\u003c/p>\n\u003cp>Micro-documentaries\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>SF Weekly\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We will pool our resources – reporting, data analysis, photojournalism, video, websites – and starting Wednesday, June 29, will publish, broadcast and share a series of stories across all of our outlets. We intend to explore possible solutions, their costs and viability.\u003c/p>\n\u003cp>Though this is a united effort, we do not claim to speak with one voice. There are many lenses through which the issue of homelessness can be viewed. However, we do not intend to let a desire for the perfect solution become the enemy of the good. We want to inspire and incite each other as much as we want to prod city and civic leaders.\u003c/p>\n\u003cp>Fundamentally, we are driven by the desire to stop calling what we see on our streets the new normal. Frustration and resignation are not a healthy psyche for a city.\u003c/p>\n\u003cp>Our aim is to provide you with the necessary information and potential options to put San Francisco on a better path. Then it will be up to all of us – citizens, activists, public and private agencies, politicians – to work together to get there.\u003c/p>\n\u003cp>Signed,\u003c/p>\n\u003cp>\u003cstrong>The SF Homeless Project\u003c/strong>\u003c/p>\n\u003cp>@bayareahomeless\u003c/p>\n\u003cp>facebook.com/sfhomelessproject\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Participants:\u003c/strong>\u003c/p>\n\u003cp>San Francisco Chronicle\u003c/p>\n\u003cp>SFGATE\u003c/p>\n\u003cp>KQED\u003c/p>\n\u003cp>The California Sunday Magazine\u003c/p>\n\u003cp>Pop-Up Magazine\u003c/p>\n\u003cp>KRON4-TV\u003c/p>\n\u003cp>The Potrero View\u003c/p>\n\u003cp>San Francisco Examiner\u003c/p>\n\u003cp>San Francisco Public Press\u003c/p>\n\u003cp>Renaissance Journalism\u003c/p>\n\u003cp>Hoodline\u003c/p>\n\u003cp>San Francisco Business Times\u003c/p>\n\u003cp>Sing Tao Daily\u003c/p>\n\u003cp>Medium\u003c/p>\n\u003cp>Marina Times\u003c/p>\n\u003cp>The Castro Courier\u003c/p>\n\u003cp>Mid-Market News\u003c/p>\n\u003cp>KALW\u003c/p>\n\u003cp>Mission Local\u003c/p>\n\u003cp>KGO-TV/ABC7\u003c/p>\n\u003cp>Bay Area Reporter\u003c/p>\n\u003cp>KTVU-TV\u003c/p>\n\u003cp>San Francisco magazine\u003c/p>\n\u003cp>BuzzFeed News\u003c/p>\n\u003cp>Mother Jones\u003c/p>\n\u003cp>Timeline\u003c/p>\n\u003cp>CityLab\u003c/p>\n\u003cp>KKSF Talk 910\u003c/p>\n\u003cp>SFist\u003c/p>\n\u003cp>Mashable\u003c/p>\n\u003cp>World Journal\u003c/p>\n\u003cp>Central City Extra\u003c/p>\n\u003cp>Golden Gate Xpress\u003c/p>\n\u003cp>KPIX-TV\u003c/p>\n\u003cp>The Mercury News\u003c/p>\n\u003cp>East Bay Times\u003c/p>\n\u003cp>48 Hills\u003c/p>\n\u003cp>New America Media\u003c/p>\n\u003cp>El Tecolote\u003c/p>\n\u003cp>Wear Your Voice\u003c/p>\n\u003cp>Castro Valley Matters\u003c/p>\n\u003cp>Youth Radio\u003c/p>\n\u003cp>Fortune\u003c/p>\n\u003cp>AJ+\u003c/p>\n\u003cp>Ingleside-Excelsior Light\u003c/p>\n\u003cp>Commonwealth Club\u003c/p>\n\u003cp>CALmatters\u003c/p>\n\u003cp>Laney Tower\u003c/p>\n\u003cp>Inc.\u003c/p>\n\u003cp>Richmond Review\u003c/p>\n\u003cp>Sunset Beacon\u003c/p>\n\u003cp>Univision 14 KDTV\u003c/p>\n\u003cp>West Portal Monthly\u003c/p>\n\u003cp>HATCH Beat\u003c/p>\n\u003cp>AlterNet.org\u003c/p>\n\u003cp>ITVS/OVEE\u003c/p>\n\u003cp>Ripple News\u003c/p>\n\u003cp>KNTV\u003c/p>\n\u003cp>Telemundo 48 KSTS\u003c/p>\n\u003cp>KGO 810\u003c/p>\n\u003cp>Business Insider\u003c/p>\n\u003cp>TechCrunch\u003c/p>\n\u003cp>Fusion\u003c/p>\n\u003cp>San Francisco Neighborhood Newspaper Association\u003c/p>\n\u003cp>Google News Lab\u003c/p>\n\u003cp>Cor Media\u003c/p>\n\u003cp>Stories Behind the Fog\u003c/p>\n\u003cp>Micro-documentaries\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>SF Weekly\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "American Masters Presents Exclusive U.S. Broadcast Premiere of 'Janis: Little Girl Blue,' May 3 on KQED 9",
"title": "American Masters Presents Exclusive U.S. Broadcast Premiere of 'Janis: Little Girl Blue,' May 3 on KQED 9",
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"content": "\u003ch2>\u003cem>Never-before-seen extended cut features new interviews with Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge, Laura Joplin and Narrator Chan Marshall (a.k.a. Cat Power)\u003c/em>\u003c/h2>\n\u003cfigure id=\"attachment_8337\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-8337\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Janis_LGB_Still3-300x207.jpg\" alt=\"UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\" width=\"300\" height=\"207\">\u003cfigcaption class=\"wp-caption-text\">UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most revered and influential rock ’n’ roll singers of all time, Janis Joplin (January 19, 1943 – October 4, 1970) thrilled audiences and blazed new creative trails before her death at age 27. Oscar-nominated director Amy Berg (\u003cem>Deliver Us From Evil\u003c/em>, \u003cem>West of Memphis\u003c/em>, \u003cem>Prophet’s Prey\u003c/em>) examines Joplin’s story in depth, for the first time on film, presenting an intimate portrait of a complicated and driven artist.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> \u003cu>premieres Tuesday, May 3, 8-10 p.m. on KQED 9\u003c/u> as part of the 30\u003csup>th\u003c/sup> anniversary season of THIRTEEN’s \u003ca href=\"http://pbs.org/americanmasters\">\u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>\u003c/a> series. The broadcast features a never-before-seen extended film cut with additional archival performance footage and new interviews with Joplin’s sister Laura Joplin and musicians influenced by Janis: Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge and the film’s narrator, Chan Marshall, who is best known as indie rock star Cat Power. In tribute, she performs “A Woman Left Lonely” from Joplin’s final studio album \u003cem>Pearl\u003c/em>, released posthumously on January 11, 1971. This year marks the album’s 45\u003csup>th\u003c/sup> anniversary.\u003c/p>\n\u003cp>Original interviews with Joplin’s siblings Laura and Michael, friends, lovers and fellow musicians, including Big Brother and the Holding Company bandmates Peter Albin, Sam Andrew and Dave Getz, Bob Weir (Grateful Dead), Country Joe McDonald (Country Joe and the Fish), Kris Kristofferson, Dick Cavett and Clive Davis, give a complete sense of someone haunted by insecurity and a need for acceptance throughout her life, despite her on-stage bravado and uninhibited, sexualized persona.\u003c/p>\n\u003cp>Exploring her childhood, struggles with addiction, active role in the musical and cultural revolution of the 1960s, surprising rise to stardom and untimely demise, Joplin’s own words tell much of her story through a series of letters she wrote to her parents – many of them made public for the first time – and read by Marshall.\u003c/p>\n\u003cp>“The only way to tell Janis’ story was through Janis’ voice. Her letters show the vulnerable artist, daughter and lover Janis was in her short but impactful life,” said writer, director and producer Amy Berg.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other previously unseen material Berg discovered during the seven years she spent working on \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> includes new audio and video of Joplin in concert and in the studio (some shot by legendary filmmaker D.A. Pennebaker), as well as rare footage from Joplin’s emotional return to her hometown, Port Arthur, Texas, for her 10\u003csup>th\u003c/sup> high school reunion.\u003c/p>\n\u003cp>“We were fortunately able to unearth footage of Janis that gives another glimpse into the joy Janis felt when she was playing music and performing,” said Berg.\u003c/p>\n\u003cp>“I’m thrilled that Janis Joplin is taking her rightful place in the series alongside other music icons of the era like Jimi Hendrix and The Doors,” said Michael Kantor, executive producer of \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>. “I hope viewers enjoy Amy’s extended cut, made exclusively for our broadcast.”\u003c/p>\n\u003cp>Launched in 1986, \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series’ 30\u003csup>th\u003c/sup> anniversary season on PBS continues Friday, May 27 at 9 p.m. (check local listings) with \u003cstrong>\u003cem>The Highwaymen: Friends Till the End\u003c/em>\u003c/strong>. To further explore the lives and works of masters past and present, the \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> website (\u003ca href=\"http://www.pbs.org/americanmasters\">http://pbs.org/americanmasters\u003c/a>) offers streaming video of select films, outtakes, filmmaker interviews, photos, educational resources and more. The series is a production of \u003ca href=\"http://www.thirteen.org/\">THIRTEEN\u003c/a> PRODUCTIONS LLC for \u003ca href=\"http://www.wnet.org/\">WNET\u003c/a>and also seen on the WORLD channel.\u003c/p>\n\u003cp>The documentary’s official album companion, \u003cem>Janis: Little Girl Blue (Original Motion Picture Soundtrack)\u003c/em>, is available digitally and on CD via Columbia/Legacy Recordings. The DVD and Blu-ray will be available May 4 via FilmRise.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> is a production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> in association with Sony Music Entertainment and Union Entertainment Group. Amy Berg is writer, director and producer. Chan Marshall is narrator. Alex Gibney, Jeff Jampol and Katherine LeBlond are producers. Billy McMillin, Garrett Price and Joe Beshenkovsky are editors, with music by Joel Shearer. Francesco Carrozzini, Paula Huidobro and Jenna Rosher are cinematographers. Noah C. Haeussner, Michael Kantor, Susan Lacy, Stacey Offman and Michael Raimondi are executive producers.\u003c/p>\n\u003cp>Funding for \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Rhoda Herrick, The André and Elizabeth Kertész Foundation, Jack Rudin, Michael & Helen Schaffer Foundation, Vital Projects Fund, and public television viewers. Additional funding for \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> is provided by Ellen and James S. Marcus, Lenore Hecht Foundation, and Judith and Burton Resnick.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Gets Fresh\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>ABOUT WNET\u003cbr>\n\u003c/strong>As New York’s flagship public media provider and the parent company of \u003ca href=\"http://thirteen.org/\">THIRTEEN\u003c/a> and \u003ca href=\"http://wliw.org/\">WLIW21\u003c/a> and operator of \u003ca href=\"http://www.njtvonline.org/\">NJTV\u003c/a>, WNET brings quality arts, education and public affairs programming to more than 5 million viewers each week. WNET produces and presents such acclaimed PBS series as \u003ca href=\"http://www.pbs.org/wnet/nature\">Nature\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/gperf\">Great Performances\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/americanmasters\">American Masters\u003c/a>, \u003ca href=\"http://www.pbs.org/newshour/\">PBS NewsHour Weekend\u003c/a>, \u003ca href=\"http://www.charlierose.com/\">Charlie Rose\u003c/a> and a range of documentaries, children’s programs, and local news and cultural offerings available on air and online. Pioneers in educational programming, WNET has created such groundbreaking series as \u003ca href=\"http://www.thirteen.org/get-the-math\">Get the Math\u003c/a>, \u003ca href=\"http://www.pbskids.org/noah\">Oh Noah!\u003c/a> and \u003ca href=\"http://www.pbskids.org/cyberchase\">Cyberchase\u003c/a> and provides tools for educators that bring compelling content to life in the classroom and at home. WNET highlights the tri-state’s unique culture and diverse communities through \u003ca href=\"http://www.nyc-arts.org/\">NYC-ARTS\u003c/a>, \u003ca href=\"http://www.thirteen.org/sites/reel13\">Reel 13\u003c/a>, \u003ca href=\"http://www.njtvonline.org/news/\">NJTV News with Mary Alice Williams\u003c/a>and \u003ca href=\"http://www.thirteen.org/metrofocus\">MetroFocus\u003c/a>, the multi-platform news magazine focusing on the New York region. WNET is also a leader in connecting with viewers on emerging platforms, including the \u003ca href=\"http://www.thirteen.org/explore/\">THIRTEEN Explore App\u003c/a> where users can stream PBS content for free.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch2>\u003cem>Never-before-seen extended cut features new interviews with Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge, Laura Joplin and Narrator Chan Marshall (a.k.a. Cat Power)\u003c/em>\u003c/h2>\n\u003cfigure id=\"attachment_8337\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-8337\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Janis_LGB_Still3-300x207.jpg\" alt=\"UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\" width=\"300\" height=\"207\">\u003cfigcaption class=\"wp-caption-text\">UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most revered and influential rock ’n’ roll singers of all time, Janis Joplin (January 19, 1943 – October 4, 1970) thrilled audiences and blazed new creative trails before her death at age 27. Oscar-nominated director Amy Berg (\u003cem>Deliver Us From Evil\u003c/em>, \u003cem>West of Memphis\u003c/em>, \u003cem>Prophet’s Prey\u003c/em>) examines Joplin’s story in depth, for the first time on film, presenting an intimate portrait of a complicated and driven artist.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> \u003cu>premieres Tuesday, May 3, 8-10 p.m. on KQED 9\u003c/u> as part of the 30\u003csup>th\u003c/sup> anniversary season of THIRTEEN’s \u003ca href=\"http://pbs.org/americanmasters\">\u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>\u003c/a> series. The broadcast features a never-before-seen extended film cut with additional archival performance footage and new interviews with Joplin’s sister Laura Joplin and musicians influenced by Janis: Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge and the film’s narrator, Chan Marshall, who is best known as indie rock star Cat Power. In tribute, she performs “A Woman Left Lonely” from Joplin’s final studio album \u003cem>Pearl\u003c/em>, released posthumously on January 11, 1971. This year marks the album’s 45\u003csup>th\u003c/sup> anniversary.\u003c/p>\n\u003cp>Original interviews with Joplin’s siblings Laura and Michael, friends, lovers and fellow musicians, including Big Brother and the Holding Company bandmates Peter Albin, Sam Andrew and Dave Getz, Bob Weir (Grateful Dead), Country Joe McDonald (Country Joe and the Fish), Kris Kristofferson, Dick Cavett and Clive Davis, give a complete sense of someone haunted by insecurity and a need for acceptance throughout her life, despite her on-stage bravado and uninhibited, sexualized persona.\u003c/p>\n\u003cp>Exploring her childhood, struggles with addiction, active role in the musical and cultural revolution of the 1960s, surprising rise to stardom and untimely demise, Joplin’s own words tell much of her story through a series of letters she wrote to her parents – many of them made public for the first time – and read by Marshall.\u003c/p>\n\u003cp>“The only way to tell Janis’ story was through Janis’ voice. Her letters show the vulnerable artist, daughter and lover Janis was in her short but impactful life,” said writer, director and producer Amy Berg.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other previously unseen material Berg discovered during the seven years she spent working on \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> includes new audio and video of Joplin in concert and in the studio (some shot by legendary filmmaker D.A. Pennebaker), as well as rare footage from Joplin’s emotional return to her hometown, Port Arthur, Texas, for her 10\u003csup>th\u003c/sup> high school reunion.\u003c/p>\n\u003cp>“We were fortunately able to unearth footage of Janis that gives another glimpse into the joy Janis felt when she was playing music and performing,” said Berg.\u003c/p>\n\u003cp>“I’m thrilled that Janis Joplin is taking her rightful place in the series alongside other music icons of the era like Jimi Hendrix and The Doors,” said Michael Kantor, executive producer of \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>. “I hope viewers enjoy Amy’s extended cut, made exclusively for our broadcast.”\u003c/p>\n\u003cp>Launched in 1986, \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series’ 30\u003csup>th\u003c/sup> anniversary season on PBS continues Friday, May 27 at 9 p.m. (check local listings) with \u003cstrong>\u003cem>The Highwaymen: Friends Till the End\u003c/em>\u003c/strong>. To further explore the lives and works of masters past and present, the \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> website (\u003ca href=\"http://www.pbs.org/americanmasters\">http://pbs.org/americanmasters\u003c/a>) offers streaming video of select films, outtakes, filmmaker interviews, photos, educational resources and more. The series is a production of \u003ca href=\"http://www.thirteen.org/\">THIRTEEN\u003c/a> PRODUCTIONS LLC for \u003ca href=\"http://www.wnet.org/\">WNET\u003c/a>and also seen on the WORLD channel.\u003c/p>\n\u003cp>The documentary’s official album companion, \u003cem>Janis: Little Girl Blue (Original Motion Picture Soundtrack)\u003c/em>, is available digitally and on CD via Columbia/Legacy Recordings. The DVD and Blu-ray will be available May 4 via FilmRise.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> is a production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> in association with Sony Music Entertainment and Union Entertainment Group. Amy Berg is writer, director and producer. Chan Marshall is narrator. Alex Gibney, Jeff Jampol and Katherine LeBlond are producers. Billy McMillin, Garrett Price and Joe Beshenkovsky are editors, with music by Joel Shearer. Francesco Carrozzini, Paula Huidobro and Jenna Rosher are cinematographers. Noah C. Haeussner, Michael Kantor, Susan Lacy, Stacey Offman and Michael Raimondi are executive producers.\u003c/p>\n\u003cp>Funding for \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Rhoda Herrick, The André and Elizabeth Kertész Foundation, Jack Rudin, Michael & Helen Schaffer Foundation, Vital Projects Fund, and public television viewers. Additional funding for \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> is provided by Ellen and James S. Marcus, Lenore Hecht Foundation, and Judith and Burton Resnick.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Gets Fresh\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT WNET\u003cbr>\n\u003c/strong>As New York’s flagship public media provider and the parent company of \u003ca href=\"http://thirteen.org/\">THIRTEEN\u003c/a> and \u003ca href=\"http://wliw.org/\">WLIW21\u003c/a> and operator of \u003ca href=\"http://www.njtvonline.org/\">NJTV\u003c/a>, WNET brings quality arts, education and public affairs programming to more than 5 million viewers each week. WNET produces and presents such acclaimed PBS series as \u003ca href=\"http://www.pbs.org/wnet/nature\">Nature\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/gperf\">Great Performances\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/americanmasters\">American Masters\u003c/a>, \u003ca href=\"http://www.pbs.org/newshour/\">PBS NewsHour Weekend\u003c/a>, \u003ca href=\"http://www.charlierose.com/\">Charlie Rose\u003c/a> and a range of documentaries, children’s programs, and local news and cultural offerings available on air and online. Pioneers in educational programming, WNET has created such groundbreaking series as \u003ca href=\"http://www.thirteen.org/get-the-math\">Get the Math\u003c/a>, \u003ca href=\"http://www.pbskids.org/noah\">Oh Noah!\u003c/a> and \u003ca href=\"http://www.pbskids.org/cyberchase\">Cyberchase\u003c/a> and provides tools for educators that bring compelling content to life in the classroom and at home. WNET highlights the tri-state’s unique culture and diverse communities through \u003ca href=\"http://www.nyc-arts.org/\">NYC-ARTS\u003c/a>, \u003ca href=\"http://www.thirteen.org/sites/reel13\">Reel 13\u003c/a>, \u003ca href=\"http://www.njtvonline.org/news/\">NJTV News with Mary Alice Williams\u003c/a>and \u003ca href=\"http://www.thirteen.org/metrofocus\">MetroFocus\u003c/a>, the multi-platform news magazine focusing on the New York region. WNET is also a leader in connecting with viewers on emerging platforms, including the \u003ca href=\"http://www.thirteen.org/explore/\">THIRTEEN Explore App\u003c/a> where users can stream PBS content for free.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "San Francisco Opera Returns to KQED Public Television With Four Spectacular Works Recorded in High-Definition",
"title": "San Francisco Opera Returns to KQED Public Television With Four Spectacular Works Recorded in High-Definition",
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"content": "\u003cdiv>\n\u003cdl id=\"attachment_8325\">\n\u003cdt>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/san-francisco-opera-show-boat-800-1.jpg\" rel=\"attachment wp-att-8325\">\u003cimg src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/san-francisco-opera-show-boat-800-1-300x184.jpg\" alt=\"San Francisco Opera’s Show Boat\" width=\"300\" height=\"184\">\u003c/a>\u003c/dt>\n\u003cdd>San Francisco Opera’s Show Boat (Photos: Cory Weaver/San Francisco Opera)\u003c/dd>\n\u003c/dl>\n\u003c/div>\n\u003cp>\u003cstrong>Celebrated Opera Superstar Frederica von Stade Hosts \u003c/strong>\u003cstrong>Four Consecutive Thursday Evenings March 31 to April 21 on KQED 9; \u003c/strong>\u003cstrong>Schedule Includes Kern and Hammerstein II’s \u003cem>Show Boat\u003c/em>, Bellini’s \u003cem>Norma\u003c/em>, \u003c/strong>\u003cstrong>Floyd’s \u003cem>Susannah \u003c/em>and Rossini’s \u003cem>Cinderella\u003c/em> (\u003cem>La Cenerentola\u003c/em>)\u003c/strong>\u003c/p>\n\u003cdiv>\n\u003cdl id=\"attachment_8321\">\n\u003cdt>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/SF-Opera.jpg\" rel=\"attachment wp-att-8321\">\u003cimg src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/SF-Opera-300x203.jpg\" alt=\"San Francisco Opera’s Show Boat, Norma, Susannah and Cinderella\" width=\"300\" height=\"203\">\u003c/a>\u003c/dt>\n\u003cdd>San Francisco Opera’s Show Boat, Norma, Susannah and Cinderella (Photos: Cory Weaver/San Francisco Opera)\u003c/dd>\n\u003c/dl>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>SAN FRANCISCO (March 16, 2016) — San Francisco Opera today announced plans to return to KQED 9 for the sixth season of spectacular opera and musical theater works featuring a roster of internationally renowned singers, conductors, directors and designers, all recorded live in high-definition from the War Memorial Opera House. The season airs in primetime over four consecutive Thursday evenings at 8 p.m.\u003c/p>\n\u003cp>Hosted once again by opera superstar and Bay Area resident Frederica von Stade, this year’s series begins March 31 with Jerome Kern and Oscar Hammerstein II’s landmark musical theater work \u003cem>Show Boat\u003c/em>. It is followed by Vincenzo Bellini’s early 19th-century bel canto masterpiece \u003cem>Norma\u003c/em> on April 7, Carlisle Floyd’s popular and lyrical drama \u003cem>Susannah\u003c/em> on April 14 and Gioachino Rossini’s sparkling \u003cem>Cinderella\u003c/em> (\u003cem>La Cenerentola\u003c/em>) on April 21.\u003c/p>\n\u003cp>Each opera is sung in its original language with English subtitles and features the acclaimed San Francisco Opera Orchestra and Chorus (Ian Robertson, Chorus Director). Media sponsorship for these broadcasts is provided by Denise Littlefield Sobel, in memory of her mother Jeannik Méquet Littlefield.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Francisco Opera General Director David Gockley commented: “KQED Public Television is recognized as one of the nation’s leading presenters of arts programming, and I’m very pleased that San Francisco Opera will return this spring for its sixth season, particularly with such an extraordinary repertoire and roster of singing stars. This broadcast opportunity is part of the Opera’s continuing effort to expand our presence throughout the Bay Area and beyond the War Memorial Opera House. There’s no question that our association with KQED is the right way to go, and I anticipate the public will be the true beneficiary of our efforts.”\u003c/p>\n\u003cp>“Our ongoing partnership with the San Francisco Opera embodies KQED’s commitment to ensure that world-class performances are accessible to everyone,” said Michael Isip, KQED Senior Vice President and Chief Content Officer. “The arts are a primary focus for KQED and we are dedicated to showcasing the talent, diversity and abundance of the Bay Area arts community on television, radio, online and on mobile devices.”\u003c/p>\n\u003cp>\u003cstrong>\u003cu>San Francisco Opera on KQED 9\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Show Boat\u003c/em>\u003c/strong>\u003cstrong> — Jerome Kern and Oscar Hammerstein II\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates:\u003c/strong> \u003cstrong>Thursday, March 31 at 8 p.m. on KQED 9; repeated Wednesday, April 6 at 8 p.m. on KQED LIFE Channel. Performed in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the novel by Edna Ferber and adapted for the stage, this new production was directed by \u003cstrong>Francesca Zambello\u003c/strong> and features an extraordinary ensemble cast spanning the worlds of opera and Broadway. \u003cem>San Francisco Chronicle \u003c/em>hailed, “This \u003cem>Show Boat \u003c/em>offers a broad array of theatrical delights. There are rollicking dance numbers … and big crowd scenes, balanced by moments of intimate emotion and sheer romance.” Set in the 1880s along the Mississippi River, \u003cem>Show Boat \u003c/em>is both a poignant love story and a powerful reminder of America’s bitter legacy of racism. The cast features \u003cstrong>Heidi Stober \u003c/strong>(Magnolia Hawks), \u003cstrong>Michael Todd Simpson\u003c/strong> (Gaylord Ravenal), \u003cstrong>Bill Irwin \u003c/strong>(Cap’n Andy Hawks), \u003cstrong>Patricia Racette\u003c/strong> (Julie La Verne), \u003cstrong>Morris Robinson\u003c/strong> (Joe), \u003cstrong>Angela Renée Simpson \u003c/strong>(Queenie), \u003cstrong>Kirsten Wyatt \u003c/strong>(Ellie Mae Chipley), \u003cstrong>John Bolton \u003c/strong>(Frank Schultz) and \u003cstrong>Harriet Harris\u003c/strong> (Parthy Ann Hawks). \u003cstrong>John DeMain\u003c/strong> conducts the San Francisco Opera Orchestra and Chorus. This performance was recorded in June 2014.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Norma\u003c/em>\u003c/strong>\u003cstrong> — Vincenzo Bellini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 7 at 8 p.m. on KQED 9, repeated Wednesday, April 13 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>American soprano \u003cstrong>Sondra Radvanovsky\u003c/strong>, who has performed the demanding title role to great critical acclaim internationally, leads a first-rate cast, which the \u003cem>San Francisco Chronicle \u003c/em>described as delivering “three hours’ worth of unforgettable vocal fireworks,” including \u003cstrong>Jamie Barton\u003c/strong> (Adalgisa), tenor \u003cstrong>Russell Thomas \u003c/strong>(Pollione) and bass-baritone \u003cstrong>Christian Van Horn \u003c/strong>(Oroveso). San Francisco Opera Music Director\u003cstrong> Nicola Luisotti \u003c/strong>conducts the San Francisco Orchestra and Chorus in a production directed by \u003cstrong>Kevin Newbury\u003c/strong>. This performance was recorded in September 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Susannah\u003c/em>\u003c/strong>\u003cstrong> — Carlisle Floyd\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 14 at 8 p.m. on KQED 9, repeated Wednesday, April 20 at 8 p.m. on KQED LIFE Channel. Sung in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Soprano \u003cstrong>Patricia Racette\u003c/strong> performs the title role of the innocent, strong-willed and falsely accused young woman Susannah Polk, a performance which the \u003cem>San Jose Mercury News\u003c/em> described as “fully committed … [Racette] sang with focused power and lyrical beauty.” The all-American cast included bass \u003cstrong>Raymond Aceto\u003c/strong> as Reverend Olin Blitch, the itinerant preacher who targets Susannah as a sinner, and tenor \u003cstrong>Brandon Jovanovich\u003c/strong> as her hot-headed brother Sam Polk. The production, set in mid-1930s rural Appalachia, was a collaboration between director \u003cstrong>Michael Cavanagh\u003c/strong> and set designer \u003cstrong>Erhard Rom\u003c/strong>. Conductor \u003cstrong>Karen Kamensek\u003c/strong> made her Company debut in this San Francisco Opera production. This performance was recorded in October 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Cinderella\u003c/em>\u003c/strong>\u003cstrong> (\u003cem>La Cenerentola\u003c/em>) — Giacochino Rossini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 21 at 8 p.m. on KQED 9, repeated Wednesday, April 27 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the beloved fairy tale, \u003cstrong>Jean-Pierre Ponnelle\u003c/strong>’s iconic and whimsical San Francisco Opera production, which the \u003cem>San Francisco Chronicle \u003c/em>praised as “bursting with wit and vitality,” was directed by \u003cstrong>Gregory Fortner\u003c/strong> and features Spanish conductor \u003cstrong>Jesús López-Cobos\u003c/strong>. French mezzo-soprano \u003cstrong>Karine Deshayes\u003c/strong> stars in the title role of Angelina (Cinderella), the servant girl who catches the eye of a handsome prince. Tenor \u003cstrong>René Barbera\u003c/strong> is the dashing prince, Don Ramiro, and baritone \u003cstrong>Efraín Solís\u003c/strong> is the prince’s valet, Dandini. Spanish baritone \u003cstrong>Carlos Chausson \u003c/strong>delights in his signature role as Cinderella’s evil stepfather, Don Magnifico, in a performance that the \u003cem>San Francisco Chronicle \u003c/em>described as having “uproarious vitality and vocal heft.” This performance was recorded in November 2014.\u003c/p>\n\u003cp>\u003cstrong># # #\u003c/strong>\u003c/p>\n\u003cp>\u003cu> \u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT KQED\u003c/u>\u003c/strong>\u003cbr>\nKQED, an NPR and PBS affiliate based in San Francisco, serves the people of Northern California and beyond with a public-supported alternative to commercial media. Home to one of the most listened-to public radio station in the nation, one of the highest-rated public television services and an award-winning education program, KQED is also a leader and innovator in interactive media and technology, taking people of all ages on journeys of exploration—exposing them to new people, places and ideas. Visit \u003ca href=\"http://www.kqed.org/\">KQED.org\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT SAN FRANCISCO OPERA\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>San Francisco Opera is one of the world’s leading producers for the lyric stage heralded for its roster of international opera stars, innovative and bold productions, and critically-acclaimed resident orchestra and chorus. Founded in 1923 by Gaetano Merola, the Company presents annual fall and summer seasons at the historic San Francisco War Memorial Opera House ranging from classic to world premiere repertoire, in addition to numerous concerts, recitals and free state-of-the-art community engagement events. Since 1955, the Company has been an industry leader in the training of young professional singers by way of the Merola Opera Program and the San Francisco Opera Center Adler Fellowship program. The Company’s performances are further enjoyed throughout the nation and abroad via radio broadcasts, high-definition cinema screenings and on public television. In March 2016, San Francisco Opera opened the Diane B. Wilsey Center for Opera on the fourth floor of the Veterans Building, a newly designed 38,000-square-foot space that features the 299-seat Dianne and Tad Taube Atrium Theater, the Bryan Education Studio, the San Francisco Opera Costume Studio, San Francisco Opera Archive and administrative offices. Visit \u003ca href=\"http://www.sfopera.com\">sfopera.com\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>This press release and downloadable photographs of \u003cem>Show Boat\u003c/em>, \u003cem>Susannah, Norma \u003c/em>and \u003cem>La Cenerentola\u003c/em> are available at \u003ca href=\"http://sfopera.com/press\">sfopera.com/press\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>For further press information, please contact San Francisco Opera Communications:\u003c/p>\n\u003cp>Jon Finck (415) 565-6472 / \u003ca href=\"mailto:jfinck@sfopera.com\">jfinck@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Julia Inouye (415) 565-6430 / \u003ca href=\"mailto:jinouye@sfopera.com\">jinouye@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Teresa Concepcion (415) 565-6470 / \u003ca href=\"mailto:tconcepcion@sfopera.com\">tconcepcion@sfopera.com\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco Opera General Director David Gockley commented: “KQED Public Television is recognized as one of the nation’s leading presenters of arts programming, and I’m very pleased that San Francisco Opera will return this spring for its sixth season, particularly with such an extraordinary repertoire and roster of singing stars. This broadcast opportunity is part of the Opera’s continuing effort to expand our presence throughout the Bay Area and beyond the War Memorial Opera House. There’s no question that our association with KQED is the right way to go, and I anticipate the public will be the true beneficiary of our efforts.”\u003c/p>\n\u003cp>“Our ongoing partnership with the San Francisco Opera embodies KQED’s commitment to ensure that world-class performances are accessible to everyone,” said Michael Isip, KQED Senior Vice President and Chief Content Officer. “The arts are a primary focus for KQED and we are dedicated to showcasing the talent, diversity and abundance of the Bay Area arts community on television, radio, online and on mobile devices.”\u003c/p>\n\u003cp>\u003cstrong>\u003cu>San Francisco Opera on KQED 9\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Show Boat\u003c/em>\u003c/strong>\u003cstrong> — Jerome Kern and Oscar Hammerstein II\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates:\u003c/strong> \u003cstrong>Thursday, March 31 at 8 p.m. on KQED 9; repeated Wednesday, April 6 at 8 p.m. on KQED LIFE Channel. Performed in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the novel by Edna Ferber and adapted for the stage, this new production was directed by \u003cstrong>Francesca Zambello\u003c/strong> and features an extraordinary ensemble cast spanning the worlds of opera and Broadway. \u003cem>San Francisco Chronicle \u003c/em>hailed, “This \u003cem>Show Boat \u003c/em>offers a broad array of theatrical delights. There are rollicking dance numbers … and big crowd scenes, balanced by moments of intimate emotion and sheer romance.” Set in the 1880s along the Mississippi River, \u003cem>Show Boat \u003c/em>is both a poignant love story and a powerful reminder of America’s bitter legacy of racism. The cast features \u003cstrong>Heidi Stober \u003c/strong>(Magnolia Hawks), \u003cstrong>Michael Todd Simpson\u003c/strong> (Gaylord Ravenal), \u003cstrong>Bill Irwin \u003c/strong>(Cap’n Andy Hawks), \u003cstrong>Patricia Racette\u003c/strong> (Julie La Verne), \u003cstrong>Morris Robinson\u003c/strong> (Joe), \u003cstrong>Angela Renée Simpson \u003c/strong>(Queenie), \u003cstrong>Kirsten Wyatt \u003c/strong>(Ellie Mae Chipley), \u003cstrong>John Bolton \u003c/strong>(Frank Schultz) and \u003cstrong>Harriet Harris\u003c/strong> (Parthy Ann Hawks). \u003cstrong>John DeMain\u003c/strong> conducts the San Francisco Opera Orchestra and Chorus. This performance was recorded in June 2014.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Norma\u003c/em>\u003c/strong>\u003cstrong> — Vincenzo Bellini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 7 at 8 p.m. on KQED 9, repeated Wednesday, April 13 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>American soprano \u003cstrong>Sondra Radvanovsky\u003c/strong>, who has performed the demanding title role to great critical acclaim internationally, leads a first-rate cast, which the \u003cem>San Francisco Chronicle \u003c/em>described as delivering “three hours’ worth of unforgettable vocal fireworks,” including \u003cstrong>Jamie Barton\u003c/strong> (Adalgisa), tenor \u003cstrong>Russell Thomas \u003c/strong>(Pollione) and bass-baritone \u003cstrong>Christian Van Horn \u003c/strong>(Oroveso). San Francisco Opera Music Director\u003cstrong> Nicola Luisotti \u003c/strong>conducts the San Francisco Orchestra and Chorus in a production directed by \u003cstrong>Kevin Newbury\u003c/strong>. This performance was recorded in September 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Susannah\u003c/em>\u003c/strong>\u003cstrong> — Carlisle Floyd\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 14 at 8 p.m. on KQED 9, repeated Wednesday, April 20 at 8 p.m. on KQED LIFE Channel. Sung in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Soprano \u003cstrong>Patricia Racette\u003c/strong> performs the title role of the innocent, strong-willed and falsely accused young woman Susannah Polk, a performance which the \u003cem>San Jose Mercury News\u003c/em> described as “fully committed … [Racette] sang with focused power and lyrical beauty.” The all-American cast included bass \u003cstrong>Raymond Aceto\u003c/strong> as Reverend Olin Blitch, the itinerant preacher who targets Susannah as a sinner, and tenor \u003cstrong>Brandon Jovanovich\u003c/strong> as her hot-headed brother Sam Polk. The production, set in mid-1930s rural Appalachia, was a collaboration between director \u003cstrong>Michael Cavanagh\u003c/strong> and set designer \u003cstrong>Erhard Rom\u003c/strong>. Conductor \u003cstrong>Karen Kamensek\u003c/strong> made her Company debut in this San Francisco Opera production. This performance was recorded in October 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Cinderella\u003c/em>\u003c/strong>\u003cstrong> (\u003cem>La Cenerentola\u003c/em>) — Giacochino Rossini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 21 at 8 p.m. on KQED 9, repeated Wednesday, April 27 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the beloved fairy tale, \u003cstrong>Jean-Pierre Ponnelle\u003c/strong>’s iconic and whimsical San Francisco Opera production, which the \u003cem>San Francisco Chronicle \u003c/em>praised as “bursting with wit and vitality,” was directed by \u003cstrong>Gregory Fortner\u003c/strong> and features Spanish conductor \u003cstrong>Jesús López-Cobos\u003c/strong>. French mezzo-soprano \u003cstrong>Karine Deshayes\u003c/strong> stars in the title role of Angelina (Cinderella), the servant girl who catches the eye of a handsome prince. Tenor \u003cstrong>René Barbera\u003c/strong> is the dashing prince, Don Ramiro, and baritone \u003cstrong>Efraín Solís\u003c/strong> is the prince’s valet, Dandini. Spanish baritone \u003cstrong>Carlos Chausson \u003c/strong>delights in his signature role as Cinderella’s evil stepfather, Don Magnifico, in a performance that the \u003cem>San Francisco Chronicle \u003c/em>described as having “uproarious vitality and vocal heft.” This performance was recorded in November 2014.\u003c/p>\n\u003cp>\u003cstrong># # #\u003c/strong>\u003c/p>\n\u003cp>\u003cu> \u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT KQED\u003c/u>\u003c/strong>\u003cbr>\nKQED, an NPR and PBS affiliate based in San Francisco, serves the people of Northern California and beyond with a public-supported alternative to commercial media. Home to one of the most listened-to public radio station in the nation, one of the highest-rated public television services and an award-winning education program, KQED is also a leader and innovator in interactive media and technology, taking people of all ages on journeys of exploration—exposing them to new people, places and ideas. Visit \u003ca href=\"http://www.kqed.org/\">KQED.org\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT SAN FRANCISCO OPERA\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>San Francisco Opera is one of the world’s leading producers for the lyric stage heralded for its roster of international opera stars, innovative and bold productions, and critically-acclaimed resident orchestra and chorus. Founded in 1923 by Gaetano Merola, the Company presents annual fall and summer seasons at the historic San Francisco War Memorial Opera House ranging from classic to world premiere repertoire, in addition to numerous concerts, recitals and free state-of-the-art community engagement events. Since 1955, the Company has been an industry leader in the training of young professional singers by way of the Merola Opera Program and the San Francisco Opera Center Adler Fellowship program. The Company’s performances are further enjoyed throughout the nation and abroad via radio broadcasts, high-definition cinema screenings and on public television. In March 2016, San Francisco Opera opened the Diane B. Wilsey Center for Opera on the fourth floor of the Veterans Building, a newly designed 38,000-square-foot space that features the 299-seat Dianne and Tad Taube Atrium Theater, the Bryan Education Studio, the San Francisco Opera Costume Studio, San Francisco Opera Archive and administrative offices. Visit \u003ca href=\"http://www.sfopera.com\">sfopera.com\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>This press release and downloadable photographs of \u003cem>Show Boat\u003c/em>, \u003cem>Susannah, Norma \u003c/em>and \u003cem>La Cenerentola\u003c/em> are available at \u003ca href=\"http://sfopera.com/press\">sfopera.com/press\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>For further press information, please contact San Francisco Opera Communications:\u003c/p>\n\u003cp>Jon Finck (415) 565-6472 / \u003ca href=\"mailto:jfinck@sfopera.com\">jfinck@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Julia Inouye (415) 565-6430 / \u003ca href=\"mailto:jinouye@sfopera.com\">jinouye@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Teresa Concepcion (415) 565-6470 / \u003ca href=\"mailto:tconcepcion@sfopera.com\">tconcepcion@sfopera.com\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_8305\" class=\"wp-caption alignleft\" style=\"max-width: 160px\">\u003cimg class=\"wp-image-8305 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/brian.watt_.jpg\" alt=\"Bill Youngblood for KPCC\" width=\"160\" height=\"239\">\u003cfigcaption class=\"wp-caption-text\">Brian Watt \u003cem>Photo Credit: Bill Youngblood for KPCC\u003c/em>\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio 88.5 FM announced today that Brian Watt will host the station’s local news during its flagship program Morning Edition. His first day on air will be April 11, 2016.\u003c/p>\n\u003cp>Brian has been a reporter with Southern California Public Radio (SCPR), in Los Angeles, for nine years. Most recently he covered the working and entrepreneurship beat. Before joining SCPR, he worked as a producer for the Marketplace Morning Report. Brian’s work has won several awards from the Los Angeles Press Club, the Radio Television News Association of Southern California and Public Radio News Directors Incorporated.\u003c/p>\n\u003cp>“Brian’s passion for public service, great voice and depth of experience are exactly what we were looking for in a news anchor,” said Holly Kernan, KQED executive editor for news. “He’ll be a terrific addition to a very talented team, and we look forward to having Brian guide us through the local news landscape each morning.”\u003c/p>\n\u003cp>\"KQED is a gold standard in local public broadcasting, so I'm honored, thrilled and humbled to get this opportunity,” said Watt. \"This is the work that I've always wanted to do, in a place where I've always wanted to live. I'm very proud of my accomplishments as a reporter, but my ultimate goal in public radio has always been to host or anchor, to tell listeners things they need to know and bring them stories that they want to hear.”\u003c/p>\n\u003cp>Prior to dedicating himself full-time to journalism, Brian gained deep experience in the arts and politics. In 1998, he earned a masters in theater from the Sorbonne Theater Studies Institute in Paris. As an actor, he appeared on TV shows including The West Wing and The District and performed in France, Italy, Poland and Brazil, and even filmed a movie in Budapest, Hungary. After graduating from Yale in 1990, Brian served as a personal assistant to U.S. Senator Harris Wofford before becoming campaign manager for his father Mel Watt’s successful congressional campaign.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Watt has deep ties to the Bay Area, “I am lucky to have married a woman from San Francisco, whom I met two decades ago in Paris. After years of making numerous visits, we're bringing our four-year-old son to live closer to his grandparents and a huge Bay Area family.”\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a> serves the people of Northern California with a public-supported alternative to commercial media. Home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As other news organizations have shrunk, KQED has expanded its efforts to cover the issues and events that are important to the Bay Area. As the most trusted source of news in the Bay Area, KQED is a multiplatform operation with offices and bureaus in San Francisco, San Jose, Sacramento, Fresno and Los Angeles. Stories from all KQED news programs are featured online at \u003ca href=\"http://www.kqed.org/news/\">KQEDnews.org\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_8305\" class=\"wp-caption alignleft\" style=\"max-width: 160px\">\u003cimg class=\"wp-image-8305 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/brian.watt_.jpg\" alt=\"Bill Youngblood for KPCC\" width=\"160\" height=\"239\">\u003cfigcaption class=\"wp-caption-text\">Brian Watt \u003cem>Photo Credit: Bill Youngblood for KPCC\u003c/em>\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio 88.5 FM announced today that Brian Watt will host the station’s local news during its flagship program Morning Edition. His first day on air will be April 11, 2016.\u003c/p>\n\u003cp>Brian has been a reporter with Southern California Public Radio (SCPR), in Los Angeles, for nine years. Most recently he covered the working and entrepreneurship beat. Before joining SCPR, he worked as a producer for the Marketplace Morning Report. Brian’s work has won several awards from the Los Angeles Press Club, the Radio Television News Association of Southern California and Public Radio News Directors Incorporated.\u003c/p>\n\u003cp>“Brian’s passion for public service, great voice and depth of experience are exactly what we were looking for in a news anchor,” said Holly Kernan, KQED executive editor for news. “He’ll be a terrific addition to a very talented team, and we look forward to having Brian guide us through the local news landscape each morning.”\u003c/p>\n\u003cp>\"KQED is a gold standard in local public broadcasting, so I'm honored, thrilled and humbled to get this opportunity,” said Watt. \"This is the work that I've always wanted to do, in a place where I've always wanted to live. I'm very proud of my accomplishments as a reporter, but my ultimate goal in public radio has always been to host or anchor, to tell listeners things they need to know and bring them stories that they want to hear.”\u003c/p>\n\u003cp>Prior to dedicating himself full-time to journalism, Brian gained deep experience in the arts and politics. In 1998, he earned a masters in theater from the Sorbonne Theater Studies Institute in Paris. As an actor, he appeared on TV shows including The West Wing and The District and performed in France, Italy, Poland and Brazil, and even filmed a movie in Budapest, Hungary. After graduating from Yale in 1990, Brian served as a personal assistant to U.S. Senator Harris Wofford before becoming campaign manager for his father Mel Watt’s successful congressional campaign.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_8278\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">\u003cimg class=\"wp-image-8278 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/02/PREFERRED-Joshua-Johnson-150x150.jpg\" alt=\"Joshua Johnson's new project is "Truth Be Told." You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joshua Johnson's new project is \"Truth Be Told.\" You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\u003c/figcaption>\u003c/figure>\n\u003cp>This morning KQED Executive Editor of News Holly Kernan sent the following email to staff wishing morning newscaster Joshua Johnson well as he steps down from the anchor desk to pursue other interests, including his new national series \u003cem>Truth Be Told\u003c/em>. Here's what Kernan had to say:\u003c/p>\n\u003cblockquote>\u003cp>For the last five years, Joshua Johnson has been the voice of KQED news in the mornings. He’s helped us understand what’s happening in our Bay Area community of 7+ million and helped us feel a little closer to each other. He’s guided us through increasingly crowded freeways and BART cars and helped us navigate ballooning rents, technological breakthroughs and Warriors wins. For me, his is a steady and comforting voice of reason, helping me sort through a sea of information.\u003c/p>\n\u003cp>“I didn’t know what I was getting into when I joined KQED in 2010,” says Johnson, “but I’m glad I took the leap. Serving as your morning newscaster for the last 5 1/2 years has been an adventure, a challenge, an education and a blessing. (It’s also reinforced the value of a good night’s sleep!) Now it’s time to take my next adventurous leap: into producing Truth Be Told, into starting my own business, doing more teaching, staying open to new possibilities and just enjoying the ride. I hope these adventures keep me in California: a place I have come to adore. To everyone at KQED, especially our listeners, thank you for your time and your trust. You have changed my life, and I am deeply grateful.”\u003c/p>\n\u003cp>Today Joshua is stepping away from the morning anchor chair and moving to a new role, one for which he doesn’t need to wake up at 3:30 a.m. every day. I, like many others, will miss hearing him each morning.\u003c/p>\n\u003cp>In April, Joshua will be hosting KQED’s special series examining race and identity, called \u003cem>Truth Be Told\u003c/em>. You can hear it Mondays at 11 a.m. (in April) and find out more:\u003c/p>\n\u003cp>\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">http://www2.pri.org/infosite/networknews/truthbetold.cfm\u003c/a>\u003c/p>\n\u003cp>I know you will join me in wishing Josh well in all his future endeavors,\u003c/p>\n\u003cp>Holly\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Contact: Sevda Eris, seris@kqed.org, 415.553.2835\u003c/p>\n\u003cdiv class=\"aside\">\n\u003cp>[gallery columns=\"1\" ids=\"8130,8105, 8120, 8118, 8119\"]\u003c/p>\n\u003c/div>\n\u003cp>\u003ca href=\"http://www.kqed.org/deeplook\">\u003cem>Deep Look\u003c/em>\u003c/a>, KQED’s award-winning YouTube series exploring big scientific mysteries by going very small, kicks off 2016 with \u003cstrong>all new videos, January 26 \u003c/strong>on the \u003ca href=\"https://www.youtube.com/user/pbsdigitalstudios\">PBS Digital Studios\u003c/a> network. From baby turtles to scorpions, viewers will get an up-close look at both the extremely cute and the extremely dangerous. 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Can it be stopped?\u003cbr>\n\u003cstrong>•March 8 – Mouse vs. Scorpion.\u003c/strong> Travel to the Sonoran Desert, where a highly venomous scorpion and a ferocious mouse are locked in an evolutionary battle of chemical warfare.\u003c/p>\n\u003cp>\u003cem>Deep Look\u003c/em> is produced by KQED’s award-winning science team and is presented in collaboration with \u003ca href=\"https://www.youtube.com/user/pbsdigitalstudios\">PBS Digital Studio\u003c/a>s. Launched in October 2014, \u003cem>Deep Look’s \u003c/em>YouTube channel has more than 25,000 subscribers and 2.5 million views. The entire series with accompanying articles and additional content can also be accessed at \u003ca href=\"http://www.kqed.org/deeplook\">KQED.org/deeplook\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Of note: In October 2015, \u003cem>Deep Look\u003c/em> won the \u003ca href=\"http://www.jhfestival.org/uploads/2/4/3/7/24374754/jhwff_winners_pressrelease.pdf\">Best Limited Series - Short Form at the Jackson Hole Wildlife Film Festival\u003c/a>. The festival is one of the most prestigious in the world and is seen by many as the “Academy Awards” of nature films. Submissions to the 2015 Jackson Hole Wildlife Film Festival included nearly 1,000 category entries — a record number — competing for 23 awards. The 2015 award winners were selected by a distinguished panel of international judges.\u003c/p>\n\u003cp>Funding for \u003cem>Deep Look\u003c/em> is provided in part by PBS Digital Studios and the John S. and James L. 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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
},
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
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