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"content": "\u003ch2>\u003cem>Never-before-seen extended cut features new interviews with Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge, Laura Joplin and Narrator Chan Marshall (a.k.a. Cat Power)\u003c/em>\u003c/h2>\n\u003cfigure id=\"attachment_8337\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-8337\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Janis_LGB_Still3-300x207.jpg\" alt=\"UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\" width=\"300\" height=\"207\">\u003cfigcaption class=\"wp-caption-text\">UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most revered and influential rock ’n’ roll singers of all time, Janis Joplin (January 19, 1943 – October 4, 1970) thrilled audiences and blazed new creative trails before her death at age 27. Oscar-nominated director Amy Berg (\u003cem>Deliver Us From Evil\u003c/em>, \u003cem>West of Memphis\u003c/em>, \u003cem>Prophet’s Prey\u003c/em>) examines Joplin’s story in depth, for the first time on film, presenting an intimate portrait of a complicated and driven artist.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> \u003cu>premieres Tuesday, May 3, 8-10 p.m. on KQED 9\u003c/u> as part of the 30\u003csup>th\u003c/sup> anniversary season of THIRTEEN’s \u003ca href=\"http://pbs.org/americanmasters\">\u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>\u003c/a> series. The broadcast features a never-before-seen extended film cut with additional archival performance footage and new interviews with Joplin’s sister Laura Joplin and musicians influenced by Janis: Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge and the film’s narrator, Chan Marshall, who is best known as indie rock star Cat Power. In tribute, she performs “A Woman Left Lonely” from Joplin’s final studio album \u003cem>Pearl\u003c/em>, released posthumously on January 11, 1971. This year marks the album’s 45\u003csup>th\u003c/sup> anniversary.\u003c/p>\n\u003cp>Original interviews with Joplin’s siblings Laura and Michael, friends, lovers and fellow musicians, including Big Brother and the Holding Company bandmates Peter Albin, Sam Andrew and Dave Getz, Bob Weir (Grateful Dead), Country Joe McDonald (Country Joe and the Fish), Kris Kristofferson, Dick Cavett and Clive Davis, give a complete sense of someone haunted by insecurity and a need for acceptance throughout her life, despite her on-stage bravado and uninhibited, sexualized persona.\u003c/p>\n\u003cp>Exploring her childhood, struggles with addiction, active role in the musical and cultural revolution of the 1960s, surprising rise to stardom and untimely demise, Joplin’s own words tell much of her story through a series of letters she wrote to her parents – many of them made public for the first time – and read by Marshall.\u003c/p>\n\u003cp>“The only way to tell Janis’ story was through Janis’ voice. Her letters show the vulnerable artist, daughter and lover Janis was in her short but impactful life,” said writer, director and producer Amy Berg.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other previously unseen material Berg discovered during the seven years she spent working on \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> includes new audio and video of Joplin in concert and in the studio (some shot by legendary filmmaker D.A. Pennebaker), as well as rare footage from Joplin’s emotional return to her hometown, Port Arthur, Texas, for her 10\u003csup>th\u003c/sup> high school reunion.\u003c/p>\n\u003cp>“We were fortunately able to unearth footage of Janis that gives another glimpse into the joy Janis felt when she was playing music and performing,” said Berg.\u003c/p>\n\u003cp>“I’m thrilled that Janis Joplin is taking her rightful place in the series alongside other music icons of the era like Jimi Hendrix and The Doors,” said Michael Kantor, executive producer of \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>. “I hope viewers enjoy Amy’s extended cut, made exclusively for our broadcast.”\u003c/p>\n\u003cp>Launched in 1986, \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. 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The DVD and Blu-ray will be available May 4 via FilmRise.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> is a production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> in association with Sony Music Entertainment and Union Entertainment Group. Amy Berg is writer, director and producer. Chan Marshall is narrator. Alex Gibney, Jeff Jampol and Katherine LeBlond are producers. Billy McMillin, Garrett Price and Joe Beshenkovsky are editors, with music by Joel Shearer. Francesco Carrozzini, Paula Huidobro and Jenna Rosher are cinematographers. Noah C. Haeussner, Michael Kantor, Susan Lacy, Stacey Offman and Michael Raimondi are executive producers.\u003c/p>\n\u003cp>Funding for \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Rhoda Herrick, The André and Elizabeth Kertész Foundation, Jack Rudin, Michael & Helen Schaffer Foundation, Vital Projects Fund, and public television viewers. Additional funding for \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> is provided by Ellen and James S. Marcus, Lenore Hecht Foundation, and Judith and Burton Resnick.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Gets Fresh\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>ABOUT WNET\u003cbr>\n\u003c/strong>As New York’s flagship public media provider and the parent company of \u003ca href=\"http://thirteen.org/\">THIRTEEN\u003c/a> and \u003ca href=\"http://wliw.org/\">WLIW21\u003c/a> and operator of \u003ca href=\"http://www.njtvonline.org/\">NJTV\u003c/a>, WNET brings quality arts, education and public affairs programming to more than 5 million viewers each week. WNET produces and presents such acclaimed PBS series as \u003ca href=\"http://www.pbs.org/wnet/nature\">Nature\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/gperf\">Great Performances\u003c/a>, \u003ca href=\"http://www.pbs.org/wnet/americanmasters\">American Masters\u003c/a>, \u003ca href=\"http://www.pbs.org/newshour/\">PBS NewsHour Weekend\u003c/a>, \u003ca href=\"http://www.charlierose.com/\">Charlie Rose\u003c/a> and a range of documentaries, children’s programs, and local news and cultural offerings available on air and online. Pioneers in educational programming, WNET has created such groundbreaking series as \u003ca href=\"http://www.thirteen.org/get-the-math\">Get the Math\u003c/a>, \u003ca href=\"http://www.pbskids.org/noah\">Oh Noah!\u003c/a> and \u003ca href=\"http://www.pbskids.org/cyberchase\">Cyberchase\u003c/a> and provides tools for educators that bring compelling content to life in the classroom and at home. WNET highlights the tri-state’s unique culture and diverse communities through \u003ca href=\"http://www.nyc-arts.org/\">NYC-ARTS\u003c/a>, \u003ca href=\"http://www.thirteen.org/sites/reel13\">Reel 13\u003c/a>, \u003ca href=\"http://www.njtvonline.org/news/\">NJTV News with Mary Alice Williams\u003c/a>and \u003ca href=\"http://www.thirteen.org/metrofocus\">MetroFocus\u003c/a>, the multi-platform news magazine focusing on the New York region. WNET is also a leader in connecting with viewers on emerging platforms, including the \u003ca href=\"http://www.thirteen.org/explore/\">THIRTEEN Explore App\u003c/a> where users can stream PBS content for free.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch2>\u003cem>Never-before-seen extended cut features new interviews with Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge, Laura Joplin and Narrator Chan Marshall (a.k.a. Cat Power)\u003c/em>\u003c/h2>\n\u003cfigure id=\"attachment_8337\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003cimg class=\"size-medium wp-image-8337\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/Janis_LGB_Still3-300x207.jpg\" alt=\"UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\" width=\"300\" height=\"207\">\u003cfigcaption class=\"wp-caption-text\">UNSPECIFIED - CIRCA 1970: Photo of Janis Joplin Photo by Michael Ochs Archives/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>One of the most revered and influential rock ’n’ roll singers of all time, Janis Joplin (January 19, 1943 – October 4, 1970) thrilled audiences and blazed new creative trails before her death at age 27. Oscar-nominated director Amy Berg (\u003cem>Deliver Us From Evil\u003c/em>, \u003cem>West of Memphis\u003c/em>, \u003cem>Prophet’s Prey\u003c/em>) examines Joplin’s story in depth, for the first time on film, presenting an intimate portrait of a complicated and driven artist.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> \u003cu>premieres Tuesday, May 3, 8-10 p.m. on KQED 9\u003c/u> as part of the 30\u003csup>th\u003c/sup> anniversary season of THIRTEEN’s \u003ca href=\"http://pbs.org/americanmasters\">\u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>\u003c/a> series. The broadcast features a never-before-seen extended film cut with additional archival performance footage and new interviews with Joplin’s sister Laura Joplin and musicians influenced by Janis: Alecia Moore (a.k.a. Pink), Juliette Lewis, Melissa Etheridge and the film’s narrator, Chan Marshall, who is best known as indie rock star Cat Power. In tribute, she performs “A Woman Left Lonely” from Joplin’s final studio album \u003cem>Pearl\u003c/em>, released posthumously on January 11, 1971. This year marks the album’s 45\u003csup>th\u003c/sup> anniversary.\u003c/p>\n\u003cp>Original interviews with Joplin’s siblings Laura and Michael, friends, lovers and fellow musicians, including Big Brother and the Holding Company bandmates Peter Albin, Sam Andrew and Dave Getz, Bob Weir (Grateful Dead), Country Joe McDonald (Country Joe and the Fish), Kris Kristofferson, Dick Cavett and Clive Davis, give a complete sense of someone haunted by insecurity and a need for acceptance throughout her life, despite her on-stage bravado and uninhibited, sexualized persona.\u003c/p>\n\u003cp>Exploring her childhood, struggles with addiction, active role in the musical and cultural revolution of the 1960s, surprising rise to stardom and untimely demise, Joplin’s own words tell much of her story through a series of letters she wrote to her parents – many of them made public for the first time – and read by Marshall.\u003c/p>\n\u003cp>“The only way to tell Janis’ story was through Janis’ voice. Her letters show the vulnerable artist, daughter and lover Janis was in her short but impactful life,” said writer, director and producer Amy Berg.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other previously unseen material Berg discovered during the seven years she spent working on \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> includes new audio and video of Joplin in concert and in the studio (some shot by legendary filmmaker D.A. Pennebaker), as well as rare footage from Joplin’s emotional return to her hometown, Port Arthur, Texas, for her 10\u003csup>th\u003c/sup> high school reunion.\u003c/p>\n\u003cp>“We were fortunately able to unearth footage of Janis that gives another glimpse into the joy Janis felt when she was playing music and performing,” said Berg.\u003c/p>\n\u003cp>“I’m thrilled that Janis Joplin is taking her rightful place in the series alongside other music icons of the era like Jimi Hendrix and The Doors,” said Michael Kantor, executive producer of \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong>. “I hope viewers enjoy Amy’s extended cut, made exclusively for our broadcast.”\u003c/p>\n\u003cp>Launched in 1986, \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series’ 30\u003csup>th\u003c/sup> anniversary season on PBS continues Friday, May 27 at 9 p.m. (check local listings) with \u003cstrong>\u003cem>The Highwaymen: Friends Till the End\u003c/em>\u003c/strong>. To further explore the lives and works of masters past and present, the \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> website (\u003ca href=\"http://www.pbs.org/americanmasters\">http://pbs.org/americanmasters\u003c/a>) offers streaming video of select films, outtakes, filmmaker interviews, photos, educational resources and more. The series is a production of \u003ca href=\"http://www.thirteen.org/\">THIRTEEN\u003c/a> PRODUCTIONS LLC for \u003ca href=\"http://www.wnet.org/\">WNET\u003c/a>and also seen on the WORLD channel.\u003c/p>\n\u003cp>The documentary’s official album companion, \u003cem>Janis: Little Girl Blue (Original Motion Picture Soundtrack)\u003c/em>, is available digitally and on CD via Columbia/Legacy Recordings. The DVD and Blu-ray will be available May 4 via FilmRise.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>American Masters – Janis: Little Girl Blue\u003c/em>\u003c/strong> is a production of Disarming Films, Jigsaw Productions and THIRTEEN PRODUCTIONS LLC’s \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> in association with Sony Music Entertainment and Union Entertainment Group. Amy Berg is writer, director and producer. Chan Marshall is narrator. Alex Gibney, Jeff Jampol and Katherine LeBlond are producers. Billy McMillin, Garrett Price and Joe Beshenkovsky are editors, with music by Joel Shearer. Francesco Carrozzini, Paula Huidobro and Jenna Rosher are cinematographers. Noah C. Haeussner, Michael Kantor, Susan Lacy, Stacey Offman and Michael Raimondi are executive producers.\u003c/p>\n\u003cp>Funding for \u003cstrong>\u003cem>American Masters\u003c/em>\u003c/strong> is provided by The Corporation for Public Broadcasting, Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Rhoda Herrick, The André and Elizabeth Kertész Foundation, Jack Rudin, Michael & Helen Schaffer Foundation, Vital Projects Fund, and public television viewers. Additional funding for \u003cstrong>\u003cem>Janis: Little Girl Blue\u003c/em>\u003c/strong> is provided by Ellen and James S. Marcus, Lenore Hecht Foundation, and Judith and Burton Resnick.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION:\u003cbr>\n\u003ca href=\"http://www.kqed.org/tv\">KQED Public Television\u003c/a>\u003c/strong>, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cem>Masterpiece Classic: Downton Abbey\u003c/em>, \u003cem>Masterpiece Mystery: Sherlock\u003c/em>, \u003cem>American Experience,\u003c/em> \u003cem>American Masters\u003c/em>, \u003cem>Great Performances\u003c/em>, \u003cem>POV\u003c/em>, \u003cem>Independent Lens\u003c/em>, \u003cem>NOVA\u003c/em> and \u003cem>Nature\u003c/em>. KQED produces local series like \u003cem>Check, Please! Bay Area\u003c/em>, \u003cem>KQED NEWSROOM\u003c/em>, \u003cem>San Francisco Opera\u003c/em>, \u003cem>Truly CA\u003c/em> and \u003cem>ImageMakers\u003c/em>, as well as popular programs for national broadcast such as \u003cem>Film School Shorts\u003c/em>, \u003cem>Essential Pépin\u003c/em> and \u003cem>QUEST\u003c/em>. KQED also distributes programming to public media stations across the country including \u003cem>The Cat in the Hat Knows a Lot About That!\u003c/em>, \u003cem>Roadtrip Nation\u003c/em> and \u003cem>Joanne Weir’s Gets Fresh\u003c/em>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "San Francisco Opera Returns to KQED Public Television With Four Spectacular Works Recorded in High-Definition",
"title": "San Francisco Opera Returns to KQED Public Television With Four Spectacular Works Recorded in High-Definition",
"headTitle": "KQED's Pressroom | About KQED",
"content": "\u003cdiv>\n\u003cdl id=\"attachment_8325\">\n\u003cdt>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/san-francisco-opera-show-boat-800-1.jpg\" rel=\"attachment wp-att-8325\">\u003cimg src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/san-francisco-opera-show-boat-800-1-300x184.jpg\" alt=\"San Francisco Opera’s Show Boat\" width=\"300\" height=\"184\">\u003c/a>\u003c/dt>\n\u003cdd>San Francisco Opera’s Show Boat (Photos: Cory Weaver/San Francisco Opera)\u003c/dd>\n\u003c/dl>\n\u003c/div>\n\u003cp>\u003cstrong>Celebrated Opera Superstar Frederica von Stade Hosts \u003c/strong>\u003cstrong>Four Consecutive Thursday Evenings March 31 to April 21 on KQED 9; \u003c/strong>\u003cstrong>Schedule Includes Kern and Hammerstein II’s \u003cem>Show Boat\u003c/em>, Bellini’s \u003cem>Norma\u003c/em>, \u003c/strong>\u003cstrong>Floyd’s \u003cem>Susannah \u003c/em>and Rossini’s \u003cem>Cinderella\u003c/em> (\u003cem>La Cenerentola\u003c/em>)\u003c/strong>\u003c/p>\n\u003cdiv>\n\u003cdl id=\"attachment_8321\">\n\u003cdt>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/SF-Opera.jpg\" rel=\"attachment wp-att-8321\">\u003cimg src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/SF-Opera-300x203.jpg\" alt=\"San Francisco Opera’s Show Boat, Norma, Susannah and Cinderella\" width=\"300\" height=\"203\">\u003c/a>\u003c/dt>\n\u003cdd>San Francisco Opera’s Show Boat, Norma, Susannah and Cinderella (Photos: Cory Weaver/San Francisco Opera)\u003c/dd>\n\u003c/dl>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>SAN FRANCISCO (March 16, 2016) — San Francisco Opera today announced plans to return to KQED 9 for the sixth season of spectacular opera and musical theater works featuring a roster of internationally renowned singers, conductors, directors and designers, all recorded live in high-definition from the War Memorial Opera House. The season airs in primetime over four consecutive Thursday evenings at 8 p.m.\u003c/p>\n\u003cp>Hosted once again by opera superstar and Bay Area resident Frederica von Stade, this year’s series begins March 31 with Jerome Kern and Oscar Hammerstein II’s landmark musical theater work \u003cem>Show Boat\u003c/em>. It is followed by Vincenzo Bellini’s early 19th-century bel canto masterpiece \u003cem>Norma\u003c/em> on April 7, Carlisle Floyd’s popular and lyrical drama \u003cem>Susannah\u003c/em> on April 14 and Gioachino Rossini’s sparkling \u003cem>Cinderella\u003c/em> (\u003cem>La Cenerentola\u003c/em>) on April 21.\u003c/p>\n\u003cp>Each opera is sung in its original language with English subtitles and features the acclaimed San Francisco Opera Orchestra and Chorus (Ian Robertson, Chorus Director). Media sponsorship for these broadcasts is provided by Denise Littlefield Sobel, in memory of her mother Jeannik Méquet Littlefield.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Francisco Opera General Director David Gockley commented: “KQED Public Television is recognized as one of the nation’s leading presenters of arts programming, and I’m very pleased that San Francisco Opera will return this spring for its sixth season, particularly with such an extraordinary repertoire and roster of singing stars. This broadcast opportunity is part of the Opera’s continuing effort to expand our presence throughout the Bay Area and beyond the War Memorial Opera House. There’s no question that our association with KQED is the right way to go, and I anticipate the public will be the true beneficiary of our efforts.”\u003c/p>\n\u003cp>“Our ongoing partnership with the San Francisco Opera embodies KQED’s commitment to ensure that world-class performances are accessible to everyone,” said Michael Isip, KQED Senior Vice President and Chief Content Officer. “The arts are a primary focus for KQED and we are dedicated to showcasing the talent, diversity and abundance of the Bay Area arts community on television, radio, online and on mobile devices.”\u003c/p>\n\u003cp>\u003cstrong>\u003cu>San Francisco Opera on KQED 9\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Show Boat\u003c/em>\u003c/strong>\u003cstrong> — Jerome Kern and Oscar Hammerstein II\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates:\u003c/strong> \u003cstrong>Thursday, March 31 at 8 p.m. on KQED 9; repeated Wednesday, April 6 at 8 p.m. on KQED LIFE Channel. Performed in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the novel by Edna Ferber and adapted for the stage, this new production was directed by \u003cstrong>Francesca Zambello\u003c/strong> and features an extraordinary ensemble cast spanning the worlds of opera and Broadway. \u003cem>San Francisco Chronicle \u003c/em>hailed, “This \u003cem>Show Boat \u003c/em>offers a broad array of theatrical delights. There are rollicking dance numbers … and big crowd scenes, balanced by moments of intimate emotion and sheer romance.” Set in the 1880s along the Mississippi River, \u003cem>Show Boat \u003c/em>is both a poignant love story and a powerful reminder of America’s bitter legacy of racism. The cast features \u003cstrong>Heidi Stober \u003c/strong>(Magnolia Hawks), \u003cstrong>Michael Todd Simpson\u003c/strong> (Gaylord Ravenal), \u003cstrong>Bill Irwin \u003c/strong>(Cap’n Andy Hawks), \u003cstrong>Patricia Racette\u003c/strong> (Julie La Verne), \u003cstrong>Morris Robinson\u003c/strong> (Joe), \u003cstrong>Angela Renée Simpson \u003c/strong>(Queenie), \u003cstrong>Kirsten Wyatt \u003c/strong>(Ellie Mae Chipley), \u003cstrong>John Bolton \u003c/strong>(Frank Schultz) and \u003cstrong>Harriet Harris\u003c/strong> (Parthy Ann Hawks). \u003cstrong>John DeMain\u003c/strong> conducts the San Francisco Opera Orchestra and Chorus. This performance was recorded in June 2014.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Norma\u003c/em>\u003c/strong>\u003cstrong> — Vincenzo Bellini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 7 at 8 p.m. on KQED 9, repeated Wednesday, April 13 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>American soprano \u003cstrong>Sondra Radvanovsky\u003c/strong>, who has performed the demanding title role to great critical acclaim internationally, leads a first-rate cast, which the \u003cem>San Francisco Chronicle \u003c/em>described as delivering “three hours’ worth of unforgettable vocal fireworks,” including \u003cstrong>Jamie Barton\u003c/strong> (Adalgisa), tenor \u003cstrong>Russell Thomas \u003c/strong>(Pollione) and bass-baritone \u003cstrong>Christian Van Horn \u003c/strong>(Oroveso). San Francisco Opera Music Director\u003cstrong> Nicola Luisotti \u003c/strong>conducts the San Francisco Orchestra and Chorus in a production directed by \u003cstrong>Kevin Newbury\u003c/strong>. This performance was recorded in September 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Susannah\u003c/em>\u003c/strong>\u003cstrong> — Carlisle Floyd\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 14 at 8 p.m. on KQED 9, repeated Wednesday, April 20 at 8 p.m. on KQED LIFE Channel. Sung in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Soprano \u003cstrong>Patricia Racette\u003c/strong> performs the title role of the innocent, strong-willed and falsely accused young woman Susannah Polk, a performance which the \u003cem>San Jose Mercury News\u003c/em> described as “fully committed … [Racette] sang with focused power and lyrical beauty.” The all-American cast included bass \u003cstrong>Raymond Aceto\u003c/strong> as Reverend Olin Blitch, the itinerant preacher who targets Susannah as a sinner, and tenor \u003cstrong>Brandon Jovanovich\u003c/strong> as her hot-headed brother Sam Polk. The production, set in mid-1930s rural Appalachia, was a collaboration between director \u003cstrong>Michael Cavanagh\u003c/strong> and set designer \u003cstrong>Erhard Rom\u003c/strong>. Conductor \u003cstrong>Karen Kamensek\u003c/strong> made her Company debut in this San Francisco Opera production. This performance was recorded in October 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Cinderella\u003c/em>\u003c/strong>\u003cstrong> (\u003cem>La Cenerentola\u003c/em>) — Giacochino Rossini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 21 at 8 p.m. on KQED 9, repeated Wednesday, April 27 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the beloved fairy tale, \u003cstrong>Jean-Pierre Ponnelle\u003c/strong>’s iconic and whimsical San Francisco Opera production, which the \u003cem>San Francisco Chronicle \u003c/em>praised as “bursting with wit and vitality,” was directed by \u003cstrong>Gregory Fortner\u003c/strong> and features Spanish conductor \u003cstrong>Jesús López-Cobos\u003c/strong>. French mezzo-soprano \u003cstrong>Karine Deshayes\u003c/strong> stars in the title role of Angelina (Cinderella), the servant girl who catches the eye of a handsome prince. Tenor \u003cstrong>René Barbera\u003c/strong> is the dashing prince, Don Ramiro, and baritone \u003cstrong>Efraín Solís\u003c/strong> is the prince’s valet, Dandini. Spanish baritone \u003cstrong>Carlos Chausson \u003c/strong>delights in his signature role as Cinderella’s evil stepfather, Don Magnifico, in a performance that the \u003cem>San Francisco Chronicle \u003c/em>described as having “uproarious vitality and vocal heft.” This performance was recorded in November 2014.\u003c/p>\n\u003cp>\u003cstrong># # #\u003c/strong>\u003c/p>\n\u003cp>\u003cu> \u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT KQED\u003c/u>\u003c/strong>\u003cbr>\nKQED, an NPR and PBS affiliate based in San Francisco, serves the people of Northern California and beyond with a public-supported alternative to commercial media. Home to one of the most listened-to public radio station in the nation, one of the highest-rated public television services and an award-winning education program, KQED is also a leader and innovator in interactive media and technology, taking people of all ages on journeys of exploration—exposing them to new people, places and ideas. Visit \u003ca href=\"http://www.kqed.org/\">KQED.org\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT SAN FRANCISCO OPERA\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>San Francisco Opera is one of the world’s leading producers for the lyric stage heralded for its roster of international opera stars, innovative and bold productions, and critically-acclaimed resident orchestra and chorus. Founded in 1923 by Gaetano Merola, the Company presents annual fall and summer seasons at the historic San Francisco War Memorial Opera House ranging from classic to world premiere repertoire, in addition to numerous concerts, recitals and free state-of-the-art community engagement events. Since 1955, the Company has been an industry leader in the training of young professional singers by way of the Merola Opera Program and the San Francisco Opera Center Adler Fellowship program. The Company’s performances are further enjoyed throughout the nation and abroad via radio broadcasts, high-definition cinema screenings and on public television. In March 2016, San Francisco Opera opened the Diane B. Wilsey Center for Opera on the fourth floor of the Veterans Building, a newly designed 38,000-square-foot space that features the 299-seat Dianne and Tad Taube Atrium Theater, the Bryan Education Studio, the San Francisco Opera Costume Studio, San Francisco Opera Archive and administrative offices. Visit \u003ca href=\"http://www.sfopera.com\">sfopera.com\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>This press release and downloadable photographs of \u003cem>Show Boat\u003c/em>, \u003cem>Susannah, Norma \u003c/em>and \u003cem>La Cenerentola\u003c/em> are available at \u003ca href=\"http://sfopera.com/press\">sfopera.com/press\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>For further press information, please contact San Francisco Opera Communications:\u003c/p>\n\u003cp>Jon Finck (415) 565-6472 / \u003ca href=\"mailto:jfinck@sfopera.com\">jfinck@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Julia Inouye (415) 565-6430 / \u003ca href=\"mailto:jinouye@sfopera.com\">jinouye@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Teresa Concepcion (415) 565-6470 / \u003ca href=\"mailto:tconcepcion@sfopera.com\">tconcepcion@sfopera.com\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cdiv>\n\u003cdl id=\"attachment_8325\">\n\u003cdt>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/san-francisco-opera-show-boat-800-1.jpg\" rel=\"attachment wp-att-8325\">\u003cimg src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/san-francisco-opera-show-boat-800-1-300x184.jpg\" alt=\"San Francisco Opera’s Show Boat\" width=\"300\" height=\"184\">\u003c/a>\u003c/dt>\n\u003cdd>San Francisco Opera’s Show Boat (Photos: Cory Weaver/San Francisco Opera)\u003c/dd>\n\u003c/dl>\n\u003c/div>\n\u003cp>\u003cstrong>Celebrated Opera Superstar Frederica von Stade Hosts \u003c/strong>\u003cstrong>Four Consecutive Thursday Evenings March 31 to April 21 on KQED 9; \u003c/strong>\u003cstrong>Schedule Includes Kern and Hammerstein II’s \u003cem>Show Boat\u003c/em>, Bellini’s \u003cem>Norma\u003c/em>, \u003c/strong>\u003cstrong>Floyd’s \u003cem>Susannah \u003c/em>and Rossini’s \u003cem>Cinderella\u003c/em> (\u003cem>La Cenerentola\u003c/em>)\u003c/strong>\u003c/p>\n\u003cdiv>\n\u003cdl id=\"attachment_8321\">\n\u003cdt>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/SF-Opera.jpg\" rel=\"attachment wp-att-8321\">\u003cimg src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/SF-Opera-300x203.jpg\" alt=\"San Francisco Opera’s Show Boat, Norma, Susannah and Cinderella\" width=\"300\" height=\"203\">\u003c/a>\u003c/dt>\n\u003cdd>San Francisco Opera’s Show Boat, Norma, Susannah and Cinderella (Photos: Cory Weaver/San Francisco Opera)\u003c/dd>\n\u003c/dl>\n\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>SAN FRANCISCO (March 16, 2016) — San Francisco Opera today announced plans to return to KQED 9 for the sixth season of spectacular opera and musical theater works featuring a roster of internationally renowned singers, conductors, directors and designers, all recorded live in high-definition from the War Memorial Opera House. The season airs in primetime over four consecutive Thursday evenings at 8 p.m.\u003c/p>\n\u003cp>Hosted once again by opera superstar and Bay Area resident Frederica von Stade, this year’s series begins March 31 with Jerome Kern and Oscar Hammerstein II’s landmark musical theater work \u003cem>Show Boat\u003c/em>. It is followed by Vincenzo Bellini’s early 19th-century bel canto masterpiece \u003cem>Norma\u003c/em> on April 7, Carlisle Floyd’s popular and lyrical drama \u003cem>Susannah\u003c/em> on April 14 and Gioachino Rossini’s sparkling \u003cem>Cinderella\u003c/em> (\u003cem>La Cenerentola\u003c/em>) on April 21.\u003c/p>\n\u003cp>Each opera is sung in its original language with English subtitles and features the acclaimed San Francisco Opera Orchestra and Chorus (Ian Robertson, Chorus Director). Media sponsorship for these broadcasts is provided by Denise Littlefield Sobel, in memory of her mother Jeannik Méquet Littlefield.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco Opera General Director David Gockley commented: “KQED Public Television is recognized as one of the nation’s leading presenters of arts programming, and I’m very pleased that San Francisco Opera will return this spring for its sixth season, particularly with such an extraordinary repertoire and roster of singing stars. This broadcast opportunity is part of the Opera’s continuing effort to expand our presence throughout the Bay Area and beyond the War Memorial Opera House. There’s no question that our association with KQED is the right way to go, and I anticipate the public will be the true beneficiary of our efforts.”\u003c/p>\n\u003cp>“Our ongoing partnership with the San Francisco Opera embodies KQED’s commitment to ensure that world-class performances are accessible to everyone,” said Michael Isip, KQED Senior Vice President and Chief Content Officer. “The arts are a primary focus for KQED and we are dedicated to showcasing the talent, diversity and abundance of the Bay Area arts community on television, radio, online and on mobile devices.”\u003c/p>\n\u003cp>\u003cstrong>\u003cu>San Francisco Opera on KQED 9\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Show Boat\u003c/em>\u003c/strong>\u003cstrong> — Jerome Kern and Oscar Hammerstein II\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates:\u003c/strong> \u003cstrong>Thursday, March 31 at 8 p.m. on KQED 9; repeated Wednesday, April 6 at 8 p.m. on KQED LIFE Channel. Performed in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the novel by Edna Ferber and adapted for the stage, this new production was directed by \u003cstrong>Francesca Zambello\u003c/strong> and features an extraordinary ensemble cast spanning the worlds of opera and Broadway. \u003cem>San Francisco Chronicle \u003c/em>hailed, “This \u003cem>Show Boat \u003c/em>offers a broad array of theatrical delights. There are rollicking dance numbers … and big crowd scenes, balanced by moments of intimate emotion and sheer romance.” Set in the 1880s along the Mississippi River, \u003cem>Show Boat \u003c/em>is both a poignant love story and a powerful reminder of America’s bitter legacy of racism. The cast features \u003cstrong>Heidi Stober \u003c/strong>(Magnolia Hawks), \u003cstrong>Michael Todd Simpson\u003c/strong> (Gaylord Ravenal), \u003cstrong>Bill Irwin \u003c/strong>(Cap’n Andy Hawks), \u003cstrong>Patricia Racette\u003c/strong> (Julie La Verne), \u003cstrong>Morris Robinson\u003c/strong> (Joe), \u003cstrong>Angela Renée Simpson \u003c/strong>(Queenie), \u003cstrong>Kirsten Wyatt \u003c/strong>(Ellie Mae Chipley), \u003cstrong>John Bolton \u003c/strong>(Frank Schultz) and \u003cstrong>Harriet Harris\u003c/strong> (Parthy Ann Hawks). \u003cstrong>John DeMain\u003c/strong> conducts the San Francisco Opera Orchestra and Chorus. This performance was recorded in June 2014.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Norma\u003c/em>\u003c/strong>\u003cstrong> — Vincenzo Bellini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 7 at 8 p.m. on KQED 9, repeated Wednesday, April 13 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>American soprano \u003cstrong>Sondra Radvanovsky\u003c/strong>, who has performed the demanding title role to great critical acclaim internationally, leads a first-rate cast, which the \u003cem>San Francisco Chronicle \u003c/em>described as delivering “three hours’ worth of unforgettable vocal fireworks,” including \u003cstrong>Jamie Barton\u003c/strong> (Adalgisa), tenor \u003cstrong>Russell Thomas \u003c/strong>(Pollione) and bass-baritone \u003cstrong>Christian Van Horn \u003c/strong>(Oroveso). San Francisco Opera Music Director\u003cstrong> Nicola Luisotti \u003c/strong>conducts the San Francisco Orchestra and Chorus in a production directed by \u003cstrong>Kevin Newbury\u003c/strong>. This performance was recorded in September 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Susannah\u003c/em>\u003c/strong>\u003cstrong> — Carlisle Floyd\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 14 at 8 p.m. on KQED 9, repeated Wednesday, April 20 at 8 p.m. on KQED LIFE Channel. Sung in English with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Soprano \u003cstrong>Patricia Racette\u003c/strong> performs the title role of the innocent, strong-willed and falsely accused young woman Susannah Polk, a performance which the \u003cem>San Jose Mercury News\u003c/em> described as “fully committed … [Racette] sang with focused power and lyrical beauty.” The all-American cast included bass \u003cstrong>Raymond Aceto\u003c/strong> as Reverend Olin Blitch, the itinerant preacher who targets Susannah as a sinner, and tenor \u003cstrong>Brandon Jovanovich\u003c/strong> as her hot-headed brother Sam Polk. The production, set in mid-1930s rural Appalachia, was a collaboration between director \u003cstrong>Michael Cavanagh\u003c/strong> and set designer \u003cstrong>Erhard Rom\u003c/strong>. Conductor \u003cstrong>Karen Kamensek\u003c/strong> made her Company debut in this San Francisco Opera production. This performance was recorded in October 2014.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cem>Cinderella\u003c/em>\u003c/strong>\u003cstrong> (\u003cem>La Cenerentola\u003c/em>) — Giacochino Rossini\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Broadcast dates: Thursday, April 21 at 8 p.m. on KQED 9, repeated Wednesday, April 27 at 8 p.m. on KQED LIFE Channel. Sung in Italian with English subtitles.\u003c/strong>\u003c/p>\n\u003cp>Based on the beloved fairy tale, \u003cstrong>Jean-Pierre Ponnelle\u003c/strong>’s iconic and whimsical San Francisco Opera production, which the \u003cem>San Francisco Chronicle \u003c/em>praised as “bursting with wit and vitality,” was directed by \u003cstrong>Gregory Fortner\u003c/strong> and features Spanish conductor \u003cstrong>Jesús López-Cobos\u003c/strong>. French mezzo-soprano \u003cstrong>Karine Deshayes\u003c/strong> stars in the title role of Angelina (Cinderella), the servant girl who catches the eye of a handsome prince. Tenor \u003cstrong>René Barbera\u003c/strong> is the dashing prince, Don Ramiro, and baritone \u003cstrong>Efraín Solís\u003c/strong> is the prince’s valet, Dandini. Spanish baritone \u003cstrong>Carlos Chausson \u003c/strong>delights in his signature role as Cinderella’s evil stepfather, Don Magnifico, in a performance that the \u003cem>San Francisco Chronicle \u003c/em>described as having “uproarious vitality and vocal heft.” This performance was recorded in November 2014.\u003c/p>\n\u003cp>\u003cstrong># # #\u003c/strong>\u003c/p>\n\u003cp>\u003cu> \u003c/u>\u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT KQED\u003c/u>\u003c/strong>\u003cbr>\nKQED, an NPR and PBS affiliate based in San Francisco, serves the people of Northern California and beyond with a public-supported alternative to commercial media. Home to one of the most listened-to public radio station in the nation, one of the highest-rated public television services and an award-winning education program, KQED is also a leader and innovator in interactive media and technology, taking people of all ages on journeys of exploration—exposing them to new people, places and ideas. Visit \u003ca href=\"http://www.kqed.org/\">KQED.org\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cu>ABOUT SAN FRANCISCO OPERA\u003c/u>\u003c/strong>\u003c/p>\n\u003cp>San Francisco Opera is one of the world’s leading producers for the lyric stage heralded for its roster of international opera stars, innovative and bold productions, and critically-acclaimed resident orchestra and chorus. Founded in 1923 by Gaetano Merola, the Company presents annual fall and summer seasons at the historic San Francisco War Memorial Opera House ranging from classic to world premiere repertoire, in addition to numerous concerts, recitals and free state-of-the-art community engagement events. Since 1955, the Company has been an industry leader in the training of young professional singers by way of the Merola Opera Program and the San Francisco Opera Center Adler Fellowship program. The Company’s performances are further enjoyed throughout the nation and abroad via radio broadcasts, high-definition cinema screenings and on public television. In March 2016, San Francisco Opera opened the Diane B. Wilsey Center for Opera on the fourth floor of the Veterans Building, a newly designed 38,000-square-foot space that features the 299-seat Dianne and Tad Taube Atrium Theater, the Bryan Education Studio, the San Francisco Opera Costume Studio, San Francisco Opera Archive and administrative offices. Visit \u003ca href=\"http://www.sfopera.com\">sfopera.com\u003c/a> for more information.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>This press release and downloadable photographs of \u003cem>Show Boat\u003c/em>, \u003cem>Susannah, Norma \u003c/em>and \u003cem>La Cenerentola\u003c/em> are available at \u003ca href=\"http://sfopera.com/press\">sfopera.com/press\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>For further press information, please contact San Francisco Opera Communications:\u003c/p>\n\u003cp>Jon Finck (415) 565-6472 / \u003ca href=\"mailto:jfinck@sfopera.com\">jfinck@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Julia Inouye (415) 565-6430 / \u003ca href=\"mailto:jinouye@sfopera.com\">jinouye@sfopera.com\u003c/a>\u003c/p>\n\u003cp>Teresa Concepcion (415) 565-6470 / \u003ca href=\"mailto:tconcepcion@sfopera.com\">tconcepcion@sfopera.com\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_8305\" class=\"wp-caption alignleft\" style=\"max-width: 160px\">\u003cimg class=\"wp-image-8305 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/brian.watt_.jpg\" alt=\"Bill Youngblood for KPCC\" width=\"160\" height=\"239\">\u003cfigcaption class=\"wp-caption-text\">Brian Watt \u003cem>Photo Credit: Bill Youngblood for KPCC\u003c/em>\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio 88.5 FM announced today that Brian Watt will host the station’s local news during its flagship program Morning Edition. His first day on air will be April 11, 2016.\u003c/p>\n\u003cp>Brian has been a reporter with Southern California Public Radio (SCPR), in Los Angeles, for nine years. Most recently he covered the working and entrepreneurship beat. Before joining SCPR, he worked as a producer for the Marketplace Morning Report. Brian’s work has won several awards from the Los Angeles Press Club, the Radio Television News Association of Southern California and Public Radio News Directors Incorporated.\u003c/p>\n\u003cp>“Brian’s passion for public service, great voice and depth of experience are exactly what we were looking for in a news anchor,” said Holly Kernan, KQED executive editor for news. “He’ll be a terrific addition to a very talented team, and we look forward to having Brian guide us through the local news landscape each morning.”\u003c/p>\n\u003cp>\"KQED is a gold standard in local public broadcasting, so I'm honored, thrilled and humbled to get this opportunity,” said Watt. \"This is the work that I've always wanted to do, in a place where I've always wanted to live. I'm very proud of my accomplishments as a reporter, but my ultimate goal in public radio has always been to host or anchor, to tell listeners things they need to know and bring them stories that they want to hear.”\u003c/p>\n\u003cp>Prior to dedicating himself full-time to journalism, Brian gained deep experience in the arts and politics. In 1998, he earned a masters in theater from the Sorbonne Theater Studies Institute in Paris. As an actor, he appeared on TV shows including The West Wing and The District and performed in France, Italy, Poland and Brazil, and even filmed a movie in Budapest, Hungary. After graduating from Yale in 1990, Brian served as a personal assistant to U.S. Senator Harris Wofford before becoming campaign manager for his father Mel Watt’s successful congressional campaign.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Watt has deep ties to the Bay Area, “I am lucky to have married a woman from San Francisco, whom I met two decades ago in Paris. After years of making numerous visits, we're bringing our four-year-old son to live closer to his grandparents and a huge Bay Area family.”\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a> serves the people of Northern California with a public-supported alternative to commercial media. Home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As other news organizations have shrunk, KQED has expanded its efforts to cover the issues and events that are important to the Bay Area. As the most trusted source of news in the Bay Area, KQED is a multiplatform operation with offices and bureaus in San Francisco, San Jose, Sacramento, Fresno and Los Angeles. Stories from all KQED news programs are featured online at \u003ca href=\"http://www.kqed.org/news/\">KQEDnews.org\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_8305\" class=\"wp-caption alignleft\" style=\"max-width: 160px\">\u003cimg class=\"wp-image-8305 size-full\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/03/brian.watt_.jpg\" alt=\"Bill Youngblood for KPCC\" width=\"160\" height=\"239\">\u003cfigcaption class=\"wp-caption-text\">Brian Watt \u003cem>Photo Credit: Bill Youngblood for KPCC\u003c/em>\u003c/figcaption>\u003c/figure>\n\u003cp>KQED Public Radio 88.5 FM announced today that Brian Watt will host the station’s local news during its flagship program Morning Edition. His first day on air will be April 11, 2016.\u003c/p>\n\u003cp>Brian has been a reporter with Southern California Public Radio (SCPR), in Los Angeles, for nine years. Most recently he covered the working and entrepreneurship beat. Before joining SCPR, he worked as a producer for the Marketplace Morning Report. Brian’s work has won several awards from the Los Angeles Press Club, the Radio Television News Association of Southern California and Public Radio News Directors Incorporated.\u003c/p>\n\u003cp>“Brian’s passion for public service, great voice and depth of experience are exactly what we were looking for in a news anchor,” said Holly Kernan, KQED executive editor for news. “He’ll be a terrific addition to a very talented team, and we look forward to having Brian guide us through the local news landscape each morning.”\u003c/p>\n\u003cp>\"KQED is a gold standard in local public broadcasting, so I'm honored, thrilled and humbled to get this opportunity,” said Watt. \"This is the work that I've always wanted to do, in a place where I've always wanted to live. I'm very proud of my accomplishments as a reporter, but my ultimate goal in public radio has always been to host or anchor, to tell listeners things they need to know and bring them stories that they want to hear.”\u003c/p>\n\u003cp>Prior to dedicating himself full-time to journalism, Brian gained deep experience in the arts and politics. In 1998, he earned a masters in theater from the Sorbonne Theater Studies Institute in Paris. As an actor, he appeared on TV shows including The West Wing and The District and performed in France, Italy, Poland and Brazil, and even filmed a movie in Budapest, Hungary. After graduating from Yale in 1990, Brian served as a personal assistant to U.S. Senator Harris Wofford before becoming campaign manager for his father Mel Watt’s successful congressional campaign.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_8278\" class=\"wp-caption alignleft\" style=\"max-width: 150px\">\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">\u003cimg class=\"wp-image-8278 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2016/02/PREFERRED-Joshua-Johnson-150x150.jpg\" alt=\"Joshua Johnson's new project is "Truth Be Told." You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joshua Johnson's new project is \"Truth Be Told.\" You can hear it Mondays in April at 11 a.m. on KQED 88.5 FM.\u003c/figcaption>\u003c/figure>\n\u003cp>This morning KQED Executive Editor of News Holly Kernan sent the following email to staff wishing morning newscaster Joshua Johnson well as he steps down from the anchor desk to pursue other interests, including his new national series \u003cem>Truth Be Told\u003c/em>. Here's what Kernan had to say:\u003c/p>\n\u003cblockquote>\u003cp>For the last five years, Joshua Johnson has been the voice of KQED news in the mornings. He’s helped us understand what’s happening in our Bay Area community of 7+ million and helped us feel a little closer to each other. He’s guided us through increasingly crowded freeways and BART cars and helped us navigate ballooning rents, technological breakthroughs and Warriors wins. For me, his is a steady and comforting voice of reason, helping me sort through a sea of information.\u003c/p>\n\u003cp>“I didn’t know what I was getting into when I joined KQED in 2010,” says Johnson, “but I’m glad I took the leap. Serving as your morning newscaster for the last 5 1/2 years has been an adventure, a challenge, an education and a blessing. (It’s also reinforced the value of a good night’s sleep!) Now it’s time to take my next adventurous leap: into producing Truth Be Told, into starting my own business, doing more teaching, staying open to new possibilities and just enjoying the ride. I hope these adventures keep me in California: a place I have come to adore. To everyone at KQED, especially our listeners, thank you for your time and your trust. You have changed my life, and I am deeply grateful.”\u003c/p>\n\u003cp>Today Joshua is stepping away from the morning anchor chair and moving to a new role, one for which he doesn’t need to wake up at 3:30 a.m. every day. I, like many others, will miss hearing him each morning.\u003c/p>\n\u003cp>In April, Joshua will be hosting KQED’s special series examining race and identity, called \u003cem>Truth Be Told\u003c/em>. You can hear it Mondays at 11 a.m. (in April) and find out more:\u003c/p>\n\u003cp>\u003ca href=\"http://www2.pri.org/infosite/networknews/truthbetold.cfm\">http://www2.pri.org/infosite/networknews/truthbetold.cfm\u003c/a>\u003c/p>\n\u003cp>I know you will join me in wishing Josh well in all his future endeavors,\u003c/p>\n\u003cp>Holly\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Contact: Sevda Eris, seris@kqed.org, 415.553.2835\u003c/p>\n\u003cdiv class=\"aside\">\n\u003cp>[gallery columns=\"1\" ids=\"8130,8105, 8120, 8118, 8119\"]\u003c/p>\n\u003c/div>\n\u003cp>\u003ca href=\"http://www.kqed.org/deeplook\">\u003cem>Deep Look\u003c/em>\u003c/a>, KQED’s award-winning YouTube series exploring big scientific mysteries by going very small, kicks off 2016 with \u003cstrong>all new videos, January 26 \u003c/strong>on the \u003ca href=\"https://www.youtube.com/user/pbsdigitalstudios\">PBS Digital Studios\u003c/a> network. From baby turtles to scorpions, viewers will get an up-close look at both the extremely cute and the extremely dangerous. All of \u003cem>Deep Look\u003c/em>’s videos are shot in ultra-HD (4K) using macro cinematography and microscope video to travel to the edge of our visible world. \u003cem>Deep Look\u003c/em> will roll out 20 new videos, two per month, in 2016.\u003c/p>\n\u003cp>“We’ve added more production resources and honed our 4K skills,” said Craig Rosa, \u003cem>Deep Look’s\u003c/em> series producer. “Our recent win for Best Short Series at the Jackson Hole Wildlife Film Festival has honored and inspired us to create even more compelling videos that bring rarely seen mysteries of the natural world to our fans within the PBS Digital Studios network and beyond.\"\u003c/p>\n\u003cp>\u003cem>Deep Look’s\u003c/em> first four new videos explore a range of weird and wonderful nature stories:\u003cbr>\n\u003cstrong>•January 26 – Baby Turtles.\u003c/strong> Follow ridiculously cute, threatened baby turtles as they’re raised at the Oakland and San Francisco zoos until they’re big enough to fend off frogs and birds in search of a new home.\u003cbr>\n\u003cstrong>•February 9 – Ladybugs.\u003c/strong> Go on an annual winter odyssey with thousands of ladybugs as they hone in on the same mysterious gathering spots in the mountains to hibernate and find their Valentines.\u003cbr>\n\u003cstrong>•February 23 – Toxic Mushroom.\u003c/strong> A deadly mushroom is spreading in Northern California. Can it be stopped?\u003cbr>\n\u003cstrong>•March 8 – Mouse vs. Scorpion.\u003c/strong> Travel to the Sonoran Desert, where a highly venomous scorpion and a ferocious mouse are locked in an evolutionary battle of chemical warfare.\u003c/p>\n\u003cp>\u003cem>Deep Look\u003c/em> is produced by KQED’s award-winning science team and is presented in collaboration with \u003ca href=\"https://www.youtube.com/user/pbsdigitalstudios\">PBS Digital Studio\u003c/a>s. Launched in October 2014, \u003cem>Deep Look’s \u003c/em>YouTube channel has more than 25,000 subscribers and 2.5 million views. The entire series with accompanying articles and additional content can also be accessed at \u003ca href=\"http://www.kqed.org/deeplook\">KQED.org/deeplook\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Of note: In October 2015, \u003cem>Deep Look\u003c/em> won the \u003ca href=\"http://www.jhfestival.org/uploads/2/4/3/7/24374754/jhwff_winners_pressrelease.pdf\">Best Limited Series - Short Form at the Jackson Hole Wildlife Film Festival\u003c/a>. The festival is one of the most prestigious in the world and is seen by many as the “Academy Awards” of nature films. Submissions to the 2015 Jackson Hole Wildlife Film Festival included nearly 1,000 category entries — a record number — competing for 23 awards. The 2015 award winners were selected by a distinguished panel of international judges.\u003c/p>\n\u003cp>Funding for \u003cem>Deep Look\u003c/em> is provided in part by PBS Digital Studios and the John S. and James L. 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Working with creators from across the web, its network of short-form video series showcases the best of the Internet while also celebrating the best parts of public television.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\n\u003ca href=\"http://www.kqed.org\">KQED\u003c/a>, an \u003ca href=\"http://npr.org/\">NPR\u003c/a> and \u003ca href=\"http://pbs.org/\">PBS\u003c/a> affiliate based in San Francisco, serves the people of Northern California and beyond with a public-supported alternative to commercial media. Home to one of the most listened-to public radio station in the nation, one of the highest-rated public television services and an award-winning education program, KQED is also a leader and innovator in interactive media and technology, taking people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\n",
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"content": "\u003ch4>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/11/peter2.jpg\">\u003cimg class=\"alignleft size-thumbnail wp-image-8023\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/11/peter2-150x150.jpg\" alt=\"peter2\" width=\"150\" height=\"150\">\u003c/a>The Haight\u003cem> narrated by Peter Coyote now available\u003c/em>\u003c/h4>\n\u003cp>\u003ca href=\"http://www.kqed.org/\">KQED\u003c/a> is partnering with\u003ca href=\"https://www.detour.com/\"> Detour\u003c/a>, an iPhone application that reimagines audio tours, to produce a series of three location-based documentaries about some of San Francisco’s most iconic neighborhoods. The first, available today, is \u003ca href=\"https://www.detour.com/detours/haight-ashbury\">\u003cem>The Haight\u003c/em>\u003c/a>, as told by Peter Coyote, one of the founders of The Diggers, the legendary Haight-Ashbury street theater group. Detours through Chinatown and The Mission District will launch in 2016.\u003c/p>\n\u003cp>\"We see Detour as a powerful way to use technology to help audiences connect more deeply to San Francisco's iconic history,” said Holly Kernan, executive editor of news for KQED. “KQED has lifelong ties to San Francisco history, and we’re excited to develop walks that bring the magic of this place to life for both locals and new visitors alike.”\u003c/p>\n\u003cp>Detour uses the iPhone to deliver the audio tour, creating a cinematic walking experience that transports listeners to a different time and ensures they’ll never see even a familiar place in quite the same way. \u003cem>The Haight\u003c/em> walk takes you from the Panhandle through Haight-Ashbury, one of the most famous intersections in the world. In the pop culture version of the 1960s, the Summer of Love is all tie-dye, peace, and free love. But on this Detour, Peter Coyote shows us how the social revolution it spawned lives on all around us.\u003c/p>\n\u003cp>You’ll meet the San Franciscans who paved the path forward and walk through the heart of the Haight with Coyote -- from the site of Jimi Hendrix’s first San Francisco concerts to the parade route where Coyote and his pals declared the whole scene dead and tried to bury it. Along the way, he shares anecdotes and insights like feeding whale meat to hundreds of people in a park, tearing it up with the Hell’s Angels, turning tie-dyed shirts into a fashion statement, and sparking radical social changes that have become mainstream.\u003c/p>\n\u003cp>\"With KQED's deep experience documenting Bay Area history, they're the\u003cbr>\nideal partner for these stories,\" said Andrew Mason, founder and CEO of Detour. \"We're proud to be working with them.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.detour.com/detours/haight-ashbury\">The Haight\u003c/a> is available today for $4.99, exclusively on the iPhone. All three KQED Detours, plus 10 other Bay Area Detours, are available as a bundle for only $19.99 at \u003ca href=\"http://www.detour.com\">www.detour.com\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>About Detour:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>At Detour, we're reinventing audio tours to become an essential companion for people who want to connect to the root of a place. Detours use GPS to guide you so you can keep your phone in your pocket and your eyes on the sights. Each Detour is exquisitely produced, with authentic narrators who are part of the story and film quality scoring and sound design. Detour is social - sync audio with up to three phones. With over a dozen hours of discovery, Detour will show you a San Francisco that even natives rarely see.\u003c/p>\n\n",
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"content": "\u003ch4>\u003cem>California Counts Collaborative reminds candidates and voters that Californians still count in elections. \u003c/em>\u003c/h4>\n\u003cp>For the first time, California public media news organizations KQED in San Francisco, Capital Public Radio in Sacramento, KPCC in Los Angeles and KPBS in San Diego will come together in a groundbreaking collaboration to cover the 2016 elections in the nation’s most populous state. The partnership, named the California Counts Collaborative, will produce in-depth, unbiased, highly coordinated, multi-platform coverage and resources that voters can use to inform their decisions.\u003c/p>\n\u003ch5>\u003cstrong>Why “California Counts”?\u003c/strong>\u003c/h5>\n\u003cp>California is often a bellwether for challenges and solutions. California’s population and economy drive changes in governance, medical care, immigration, same-sex marriage and more. But most Californians aren’t voting. California ranks 41st in the nation for voter turnout. Whatever the reasons, many voters and candidates don’t feel that California counts.\u003c/p>\n\u003cp>The California Counts Collaborative will deploy reporters throughout the state to engage and involve Californians in the election. In cities and rural areas, reporters will speak with people who represent California’s demographic diversity as well as its economic divide. The public media organizations hope to show residents how they are connected to the issues, to each other and to their elected officials. The California Counts Collaborative hopes to give voters a greater voice in the election and to illustrate what’s at stake.\u003c/p>\n\u003cp>The California Counts Collaborative will include the following initiatives through the 2016 election cycle:\u003c/p>\n\u003cp>\u003cstrong>Activating California voters\u003c/strong>: Our team will use fresh, lively broadcast and digital storytelling approaches, social media and in-person engagement to connect with Californians who may be opting out of traditional politics and political coverage. Inspired in part by KPCC’s 2015 series #MakeAlCare, which focused on a single voter and engaged a broad audience in why elections matter, we will develop a coverage theme around voter participation as part of the larger collaborative effort. The aim will be to cover these issues in an accessible way by reporting at ground level — through the experiences and views of individuals, neighborhoods or communities. These stories and voter resources will address what many see as a crisis for democracy by looking at what people care about, what motivates voting, what keeps people from participating and how voting fits into civic life for a new generation of Californians.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Digital Voter Guide:\u003c/strong> The California Counts Collaborative will create an in-depth online voter guide that will encompass statewide races and initiatives. The guide will also include localized election information for the regions served by each partner station. It will be accessed via station websites.\u003c/p>\n\u003cp>\u003cstrong>Ballot Propositions: \u003c/strong> From a prohibition on plastic bags, to bi-lingual education in public schools and maybe even marijuana legalization, the California Counts Collaborative will produce radio and online stories that give Californians the essential, unbiased information they need to cast an informed vote on the measures appearing on the November ballot.\u003c/p>\n\u003cp>\u003cstrong>US Senate Race:\u003c/strong> The California Counts Collaborative will coordinate statewide coverage of this high profile race, tracking the candidates’ activities as they campaign around California and producing online and digital coverage. In addition, Capital Public Radio is partnering with the Pulitzer Prize-winning PolitiFact to create \u003ca href=\"http://www.politifact.com/california/\">PolitiFact California\u003c/a>. As part of this collaboration, their team will regularly fact-check the Senate candidates’ statements and political ads.\u003c/p>\n\u003cp>\u003cstrong>Resources: \u003c/strong>Stations will pool resources for hosting debates, election results coverage and post-election analysis. By sharing assignments on national and state coverage, each newsroom will free up bandwidth for additional coverage of local issues and races. Voters have told the stations that they lack enough information on local races often to make fully informed decisions.\u003c/p>\n\u003cp>“Voters face too many campaign ads and sound bites, and not enough thoughtful coverage from a trusted source,” said Suzanne Marmion, Director of News and Editorial Strategy at KPBS. “Together, public stations can pool resources to bring voters relief from spin, plus information about the smaller local races that also shape our communities.”\u003c/p>\n\u003cp>“We’re excited about teaming up with these great partners to give people a lot more coverage of California’s stakes in this election — and giving a lot more voice to the concerns and needs of our state,” said Melanie Sill, Vice President for Content at KPCC.\u003c/p>\n\u003cp>“This collaboration harnesses the substantial editorial power of our four stations for the benefit of the entire state,” said Joe Barr, Chief Content Officer at Capital Public Radio. “It’s a prime example of how public media serves our communities in a way that no one else can.”\u003c/p>\n\u003cp>“With so many people checking out of the political process, we hope to find out what people really care about, what issues affect their lives and figure out how to infuse our political coverage with the real concerns of Californians,” said Holly Kernan, Executive Editor for News at KQED public media.\u003c/p>\n\u003cp style=\"text-align: center\">###\u003c/p>\n\u003ch5>\u003cstrong>About the California Counts Collaborative Stations\u003c/strong>\u003c/h5>\n\u003cp>\u003cstrong>KQED\u003c/strong> serves the greater San Francisco Bay Area and beyond through public television, radio and digital services. It is among the top five public media stations in the nation by audience size.\u003c/p>\n\u003cp>\u003cstrong>Capital Public Radio \u003c/strong>is Sacramento’s public media outlet that serves more than 400,000 listeners a week on seven stations in Northern California and Western Nevada and 3.2 million listeners a week through the Capital Public Radio Network (CPRN).\u003c/p>\n\u003cp>\u003cstrong>KPCC\u003c/strong> reaches more than 700,000 listeners every week, Southern California Public Radio is the most listened-to public radio news service of any kind in Southern California. SCPR is a member-supported nonprofit organization that operates 89.3 KPCC in Los Angeles and Orange Counties and its repeater stations, 89.1 KUOR in the Inland Empire, 90.3 KVLA in the Coachella Valley and 89.5 KJAI - Ventura County. Additionally, SCPR operates translators at 89.9 in Santa Barbara and 93.3 in Palm Springs\u003c/p>\n\u003cp>\u003cstrong>KPBS\u003c/strong> is San Diego’s public media outlet. It serves over 1 million audience members weekly across TV, radio (89.5 FM and 97.7 FM Calexico) and the web.\u003c/p>\n\u003ch5>\u003cstrong>Media Contacts \u003c/strong>\u003c/h5>\n\u003cp>KQED, Bryce Eberhart (415) 553-8451, \u003ca href=\"mailto:beberhart@kqed.org\" target=\"_blank\">beberhart@kqed.org\u003c/a>\u003c/p>\n\u003cp>KPBS, Nancy Worlie, (619) 594-1746, \u003ca href=\"mailto:nworlie@kpbs.org\">nworlie@kpbs.org\u003c/a>\u003c/p>\n\u003cp>KPCC, Melanie Sill, (626) 583-5198, \u003ca href=\"mailto:msill@kpcc.org\">msill@kpcc.org\u003c/a>\u003c/p>\n\u003cp>Capital Public Radio, Ben Adler, (916) 930-9622, \u003ca href=\"mailto:badler@csus.edu\">badler@csus.edu\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch4>\u003cem>California Counts Collaborative reminds candidates and voters that Californians still count in elections. \u003c/em>\u003c/h4>\n\u003cp>For the first time, California public media news organizations KQED in San Francisco, Capital Public Radio in Sacramento, KPCC in Los Angeles and KPBS in San Diego will come together in a groundbreaking collaboration to cover the 2016 elections in the nation’s most populous state. The partnership, named the California Counts Collaborative, will produce in-depth, unbiased, highly coordinated, multi-platform coverage and resources that voters can use to inform their decisions.\u003c/p>\n\u003ch5>\u003cstrong>Why “California Counts”?\u003c/strong>\u003c/h5>\n\u003cp>California is often a bellwether for challenges and solutions. California’s population and economy drive changes in governance, medical care, immigration, same-sex marriage and more. But most Californians aren’t voting. California ranks 41st in the nation for voter turnout. Whatever the reasons, many voters and candidates don’t feel that California counts.\u003c/p>\n\u003cp>The California Counts Collaborative will deploy reporters throughout the state to engage and involve Californians in the election. In cities and rural areas, reporters will speak with people who represent California’s demographic diversity as well as its economic divide. The public media organizations hope to show residents how they are connected to the issues, to each other and to their elected officials. The California Counts Collaborative hopes to give voters a greater voice in the election and to illustrate what’s at stake.\u003c/p>\n\u003cp>The California Counts Collaborative will include the following initiatives through the 2016 election cycle:\u003c/p>\n\u003cp>\u003cstrong>Activating California voters\u003c/strong>: Our team will use fresh, lively broadcast and digital storytelling approaches, social media and in-person engagement to connect with Californians who may be opting out of traditional politics and political coverage. Inspired in part by KPCC’s 2015 series #MakeAlCare, which focused on a single voter and engaged a broad audience in why elections matter, we will develop a coverage theme around voter participation as part of the larger collaborative effort. The aim will be to cover these issues in an accessible way by reporting at ground level — through the experiences and views of individuals, neighborhoods or communities. These stories and voter resources will address what many see as a crisis for democracy by looking at what people care about, what motivates voting, what keeps people from participating and how voting fits into civic life for a new generation of Californians.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Digital Voter Guide:\u003c/strong> The California Counts Collaborative will create an in-depth online voter guide that will encompass statewide races and initiatives. The guide will also include localized election information for the regions served by each partner station. It will be accessed via station websites.\u003c/p>\n\u003cp>\u003cstrong>Ballot Propositions: \u003c/strong> From a prohibition on plastic bags, to bi-lingual education in public schools and maybe even marijuana legalization, the California Counts Collaborative will produce radio and online stories that give Californians the essential, unbiased information they need to cast an informed vote on the measures appearing on the November ballot.\u003c/p>\n\u003cp>\u003cstrong>US Senate Race:\u003c/strong> The California Counts Collaborative will coordinate statewide coverage of this high profile race, tracking the candidates’ activities as they campaign around California and producing online and digital coverage. In addition, Capital Public Radio is partnering with the Pulitzer Prize-winning PolitiFact to create \u003ca href=\"http://www.politifact.com/california/\">PolitiFact California\u003c/a>. As part of this collaboration, their team will regularly fact-check the Senate candidates’ statements and political ads.\u003c/p>\n\u003cp>\u003cstrong>Resources: \u003c/strong>Stations will pool resources for hosting debates, election results coverage and post-election analysis. By sharing assignments on national and state coverage, each newsroom will free up bandwidth for additional coverage of local issues and races. Voters have told the stations that they lack enough information on local races often to make fully informed decisions.\u003c/p>\n\u003cp>“Voters face too many campaign ads and sound bites, and not enough thoughtful coverage from a trusted source,” said Suzanne Marmion, Director of News and Editorial Strategy at KPBS. “Together, public stations can pool resources to bring voters relief from spin, plus information about the smaller local races that also shape our communities.”\u003c/p>\n\u003cp>“We’re excited about teaming up with these great partners to give people a lot more coverage of California’s stakes in this election — and giving a lot more voice to the concerns and needs of our state,” said Melanie Sill, Vice President for Content at KPCC.\u003c/p>\n\u003cp>“This collaboration harnesses the substantial editorial power of our four stations for the benefit of the entire state,” said Joe Barr, Chief Content Officer at Capital Public Radio. “It’s a prime example of how public media serves our communities in a way that no one else can.”\u003c/p>\n\u003cp>“With so many people checking out of the political process, we hope to find out what people really care about, what issues affect their lives and figure out how to infuse our political coverage with the real concerns of Californians,” said Holly Kernan, Executive Editor for News at KQED public media.\u003c/p>\n\u003cp style=\"text-align: center\">###\u003c/p>\n\u003ch5>\u003cstrong>About the California Counts Collaborative Stations\u003c/strong>\u003c/h5>\n\u003cp>\u003cstrong>KQED\u003c/strong> serves the greater San Francisco Bay Area and beyond through public television, radio and digital services. It is among the top five public media stations in the nation by audience size.\u003c/p>\n\u003cp>\u003cstrong>Capital Public Radio \u003c/strong>is Sacramento’s public media outlet that serves more than 400,000 listeners a week on seven stations in Northern California and Western Nevada and 3.2 million listeners a week through the Capital Public Radio Network (CPRN).\u003c/p>\n\u003cp>\u003cstrong>KPCC\u003c/strong> reaches more than 700,000 listeners every week, Southern California Public Radio is the most listened-to public radio news service of any kind in Southern California. SCPR is a member-supported nonprofit organization that operates 89.3 KPCC in Los Angeles and Orange Counties and its repeater stations, 89.1 KUOR in the Inland Empire, 90.3 KVLA in the Coachella Valley and 89.5 KJAI - Ventura County. Additionally, SCPR operates translators at 89.9 in Santa Barbara and 93.3 in Palm Springs\u003c/p>\n\u003cp>\u003cstrong>KPBS\u003c/strong> is San Diego’s public media outlet. It serves over 1 million audience members weekly across TV, radio (89.5 FM and 97.7 FM Calexico) and the web.\u003c/p>\n\u003ch5>\u003cstrong>Media Contacts \u003c/strong>\u003c/h5>\n\u003cp>KQED, Bryce Eberhart (415) 553-8451, \u003ca href=\"mailto:beberhart@kqed.org\" target=\"_blank\">beberhart@kqed.org\u003c/a>\u003c/p>\n\u003cp>KPBS, Nancy Worlie, (619) 594-1746, \u003ca href=\"mailto:nworlie@kpbs.org\">nworlie@kpbs.org\u003c/a>\u003c/p>\n\u003cp>KPCC, Melanie Sill, (626) 583-5198, \u003ca href=\"mailto:msill@kpcc.org\">msill@kpcc.org\u003c/a>\u003c/p>\n\u003cp>Capital Public Radio, Ben Adler, (916) 930-9622, \u003ca href=\"mailto:badler@csus.edu\">badler@csus.edu\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-size: medium\">\u003cstrong>\u003cem>Self-Driving Cars: The Road Ahead \u003c/em>Premieres October 28, 7:30pm KQED 9\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>Contact: Sevda Eris, seris@kqed.org, 415.553.2835\u003c/p>\n\u003cdiv class=\"aside\">\n\u003cp>[gallery columns=\"1\" ids=\"7872,7874,7876,7875,7877\"]\u003c/p>\n\u003c/div>\n\u003cp>\u003cem>\u003ca href=\"http://www.kqed.org/quest\">QUEST\u003c/a>\u003c/em>, KQED’s award-winning multimedia science series, launches its new season with a half-hour TV special, \u003cstrong>\u003cem>Self-Driving Cars: The Road Ahead\u003c/em>\u003c/strong> on \u003cstrong>Wednesday, October 28, at 7:30pm on KQED 9\u003c/strong>. Automobiles are about to undergo their biggest revolution in more than 100 years. Once the stuff of science fiction, cars that drive themselves are already hitting the streets with amazing advances in technology, much of it coming out of Silicon Valley.\u003c/p>\n\u003cp>“There’s a shock you get when seeing the wheel turn on its own while the car is zooming down the highway at 60 miles per hour,” says Sheraz Sadiq, the documentary’s producer.\u003c/p>\n\u003cp>Already, ten companies, from Google to Mercedes-Benz, have permits to test self-driving cars on California roads. Sadiq experienced Audi’s prototype self-driving car firsthand, on the highway near the company’s offices in Belmont, south of San Francisco. In January, the vehicle drove 550 miles from the Bay Area to Las Vegas, almost entirely without human control.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The changes that self-driving cars may bring are dramatic: fewer traffic deaths, easier commutes, perhaps even the wholesale redesign of freeways and suburbs. Still, big hurdles remain, including handling diverse weather conditions, and safety rules and legal liability, especially when accidents arise. \u003cem>QUEST\u003c/em> investigates how self-driving cars are sparking new opportunities — and challenges — on and off the road.\u003c/p>\n\u003cp>\u003cem>QUEST\u003c/em>’s new television season, airing on Wednesdays at 7:30 pm, also includes the following four episodes:\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003cem>Wind Energy vs. Eagles\u003c/em>\u003c/strong> \u003cstrong>(November 4)\u003c/strong> – Tag along with biologists studying golden eagle behavior in the Altamont Pass and trying to keep wind turbines out of the birds’ way. Also, find out about a doctor’s quest to create better treatments for sports concussions and efforts to rid San Francisco Bay of poisonous mercury.\u003c/li>\n\u003cli>\u003cstrong>\u003cem>Life of a Raindrop\u003c/em>\u003c/strong> \u003cstrong>(November 11)\u003c/strong> – Meet researchers tracking the secret life of raindrops to help preserve our clean water supplies. Also, discover an atom’s tiniest constituents and the colorful menagerie found in the depths of a California tide pool.\u003c/li>\n\u003cli>\u003cstrong>\u003cem>Giant Sequoias Face Drought \u003c/em>(November 18)\u003c/strong> – Climb with researchers to the top of giant sequoias to study these iconic trees as they struggle with drought. Also, go inside the Hayward Fault, overdue for a huge quake, and explore how our taste buds connect what we eat to our memories and emotions.\u003c/li>\n\u003cli>\u003cstrong>\u003cem>Dive with Elephant Seals \u003c/em>(November 25)\u003c/strong> – Discover how biologists are using high-tech tags to learn where elephant seals go to feed while spending months at sea. Also, map the history of the universe with a Nobel Prize-winning physicist in Berkeley, and see how engineers are retrofitting the largest water supply for the Bay Area.\u003c/li>\n\u003c/ul>\n\u003cp>All of \u003cem>QUEST\u003c/em>’s episodes and individual video segments can also be viewed online at \u003cstrong>kqed.org/quest.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>About \u003cem>QUEST\u003c/em>\u003c/strong>\u003cbr>\nLaunched in 2007, \u003cem>\u003ca href=\"http://www.kqed.org/quest\">QUEST\u003c/a>\u003c/em> is KQED’s award-winning, multimedia series covering science, environment and nature stories from the Bay Area and beyond. In addition to its new television episodes, \u003cem>QUEST \u003c/em>produces science education videos, e-books and resources. Support for \u003cem>QUEST\u003c/em> is provided by the National Science Foundation. Additional support is provided by S.D. Bechtel, Jr. Foundation, HopeLab, David B. Gold Foundation, The Dirk and Charlene Kabcenell Foundation, The Vadasz Family Foundation, John S. and James L. Knight Foundation, Smart Family Foundation and the members of KQED. QUEST is a project of \u003ca href=\"https://www.kqed.org/science\">KQED Science\u003c/a>, the largest science and environment reporting unit in California.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\n\u003ca href=\"http://www.kqed.org\">KQED\u003c/a> serves the people of Northern California with a public-supported alternative to commercial media. Home to the most listened-to public radio station in the nation, one of the highest-rated public television services and an award-winning education program, and as a leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>\u003cstrong>The Leap\u003cem> explores life’s make-or-break moments.\u003cbr>\n\u003c/em>\u003cem>Debuts Tuesday, October 6\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>KQED is thrilled to announce the launch of \u003cem>The Leap\u003c/em>, a storytelling podcast about people in life-defining moments ─ the dreams that drive them and the changes they never saw coming.\u003c/p>\n\u003cp>Season One of the \u003cem>The Leap\u003c/em> launches on KQED.org, \u003ca href=\"https://itunes.apple.com/us/podcast/groundtruth/id1037452000?mt=2\">iTunes\u003c/a> and \u003ca href=\"https://soundcloud.com/thegroundtruthproject\">SoundCloud\u003c/a>. Episode one, “Liquid Ass,” reveals how the world’s worst smell started as a high school gag and lead to an unpredictable leap. 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Also on the team are Jason Black, Siouxsie Oki and Matthew Williams. The podcast’s executive-in-charge is public radio veteran Jo Anne Wallace, Vice President and General Manager, Radio as well as Vice President, TV and Radio Programming at KQED.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“A podcast about these brief moments that change one’s life is such a compelling idea,” said Wallace, “and it’s the passionate reporting and expert storytelling by Amy and Judy that brings \u003cem>The Leap\u003c/em> to life and keeps listeners on the edge of their seats.”\u003c/p>\n\u003cp>“Everyone understands leaps,” says Standen. “They represent the ability to start out one place in life and end up somewhere – or as someone – else. We wanted to explore the idea that leaps are about as close as we get to a birthright in America, and yet they don’t always turn out that way.”\u003c/p>\n\u003cp>“These stories are so intimate and so personal,” says Campbell. “But we also wanted to approach them as reporters, hearing not just from the leap takers, but the people in their lives who nudge them forward or hold them back.”\u003c/p>\n\u003cp>\u003cem>The Leap\u003c/em> is the winner of KQED’s Project Podcast Co-opetition, an internal staff contest to develop an original audio podcast. \u003cem>The Leap\u003c/em> was selected from 19 entries by a panel of judges that included KQED leaders like Wallace, Executive Editor of News Holly Kernan and Executive in Charge of Arts David Markus as well as external judges including Audible’s Will Rogers and SoundCloud’s Manolo Espinosa.\u003c/p>\n\u003cp>Campbell and Standen would like to hear from listeners about their own leaps, or the leaps of people they know. Story ideas can be emailed to theleap@kqed.org. \u003cem>The Leap\u003c/em> is online at: kqed.org/theleap\u003c/p>\n\u003cp>Amy Standen is a science reporter at KQED whose stories have also appeared on NPR and Pop Up Magazine. She lives in San Francisco. Judy Campbell is a producer of KQED’s daily talk show, \u003cem>Forum\u003c/em>, and a former criminal justice reporter. She lives in Oakland.\u003c/p>\n\u003cp>\u003cem>The Leap\u003c/em> is sponsored by A.C.T. (American Conservatory Theater) and Opera San Jose.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED\u003cbr>\n\u003c/strong>KQED, the public media organization serving Northern California, is for everyone who wants to be more. Our television, radio, digital media and educational services change lives for the better and help individuals and communities achieve their full potential. KQED serves the people of Northern California with a community-supported alternative to commercial media. 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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
"link": "/californiareportmagazine",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
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