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"content": "\u003cp>On this month's episode of \u003cem>The Cooler\u003c/em>, we're making resolutions to upgrade ourselves in 2020.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-113277\" src=\"https://ww2.kqed.org/app/uploads/sites/12/2019/12/upgrade-beyonce.gif\" alt=\"\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>We're discussing how some of our favorite shows and films have retconned plots to cover their asses.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-113278\" src=\"https://ww2.kqed.org/app/uploads/sites/12/2019/12/comeback-changes.gif\" alt=\"\" width=\"325\" height=\"225\">\u003c/p>\n\u003cp>And we're making a pilgrimage to visit one of Jennifer Aniston's exes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-113276\" src=\"https://ww2.kqed.org/app/uploads/sites/12/2019/12/closure-rachel.gif\" alt=\"\" width=\"371\" height=\"209\">\u003c/p>\n\u003cp>Remember: if you want to be featured in a future episode, call our hotline at 415.553.2850 with a question and we might answer it on the show!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-113211\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/10/barney-phone.gif\" alt=\"\" width=\"325\" height=\"252\">\u003c/p>\n\u003cp>Listen to hear all about it!\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2019/12/WeNeedAResolution.mp3\" title=\"We Need A Resolution\" program=\"The Cooler\" image=\"https://ww2.kqed.org/app/uploads/sites/12/2019/12/Screen-Shot-2019-12-17-at-1.46.03-AM.png\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next time! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us five stars in iTunes\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cp>It was almost 20 years ago that James Cameron hurled \u003cem>Titanic\u003c/em> at us in an orgy of special effects, icy water and doomed, class-defying relationships. Despite the fact that heroine Rose made zero effort to save Jack, the supposed love of her life (that door was \u003ca href=\"https://twitter.com/rgay/status/679180868242579456\" target=\"_blank\" rel=\"noopener noreferrer\">plenty big enough\u003c/a>, Rose!), the world continues to remember the movie very fondly. So fondly, in fact, that it's forgotten that the vast majority of romantic movies made that year were almost as much of a disaster as that massive boat splitting in two.\u003c/p>\n\u003cp>Let's take a trip down memory lane and remember the horror show that was cinematic romance in 1997.\u003c/p>\n\u003cp>First up, there's \u003ca href=\"http://www.imdb.com/title/tt0119896/?ref_=nv_sr_1\">\u003cem>Picture Perfect\u003c/em>\u003c/a>, a film in which Kate, a very talented, capable advertising exec, cannot get promoted at her firm because she is single. (Let's pause for a moment and think about the fact that, in 1997, this seemed like a perfectly reasonable premise for a film.) Instead of suing her employer for discrimination (that thought doesn't even wander into the picture once, funnily enough!), Kate makes up a fake fiancé, thereby instantly winning a promotion. (Seriously... were there, like, zero lawyers in 1997? How is nobody getting sued here?)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nEkdo25GFc4\u003c/p>\n\u003cp>All of this fake boyfriend stuff should technically lead to hijinks and humor, but actually just drags the viewer through an interminable hour and 45 minutes of absolute dross. Not even the glossy locks and \u003cem>Friends\u003c/em>-era charm of Jennifer Aniston could save this one, because it's the kind of film that has a plot device involving a man giving a woman a black eye (one-liners ensue!). It's the kind of film in which, at one point, an ad executive approaches Kate with the idea of selling mustard by using a naked model and the tag line \"Spread this.\" It's the kind of film where the grand finale is the heroine wrecking someone else's wedding and acting like it's romantic. The most amazing thing about \u003cem>Picture Perfect\u003c/em> is its own ability to be so boring and preposterous at the same time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Remarkably, \u003cem>Picture Perfect\u003c/em> was not the only movie in 1997 to have a fake fiancé (they were all the rage!). That's a tactic also employed by the protagonist of\u003cem> \u003ca href=\"http://www.imdb.com/title/tt0119738/?ref_=nv_sr_1\">My Best Friend's Wedding\u003c/a> -- \u003c/em>a movie built on the obviously-awful premise that actively trying to break up somebody else's engagement is a perfectly fine and justifiable thing to do, if you look like Julia Roberts and you've changed your mind about something.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=T2RzkwK3BtU\u003c/p>\n\u003cp>By the end, lovely Julia has successfully caused problems between a very happy couple, \u003cem>and\u003c/em> destroyed the relationship with her best friend irreversibly. And while the realistically grim ending is refreshing on one level, it's all kinds of bleak for this particular genre. The only saving grace of the entire thing is the amusing size of everyone's cell phones -- Julia Roberts practically needs a briefcase for hers. In the end, \u003cem>My Best Friend's Wedding\u003c/em> is neither romantic nor a comedy, which begs the question: What's the damn point?\u003c/p>\n\u003cp>Cameron Diaz was on quite a roll in 1997, starring as well in \u003cem>A Life Less Ordinary\u003c/em> -- a movie everyone predicted would be awesome because it was Danny Boyle's follow up to \u003cem>Trainspotting. \u003c/em>In reality, it was almost complete nonsense from start to finish.\u003c/p>\n\u003cp>Diaz plays a deeply unlikeable spoiled white lady named Celine who shoots people who want to marry her. Ewan McGregor plays Robert, a recently-dumped, recently-fired janitor who doubles as an incompetent criminal with a back-combed Oasis haircut. Celine and Robert have absolutely no chemistry whatsoever. Despite that, in hot pursuit of both of them are a couple of also entirely charisma-free angels (yes, angels -- stay with us, please) who need Celine and Robert to fall in love, or they'll get stuck on Earth forever, for totally arbitrary reasons that don't make any sense.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=k6K5q72jy9c\u003c/p>\n\u003cp>Do you hate this thing yet? Just in case you don't: there's a bunch of driving, there's a bit of dancing, there are dream sequences, gratuitous shootings, a wedding that would never, ever happen in real life, and -- this really speaks to the awfulness of \u003cem>A Life Less Ordinary \u003c/em>-- the final scene of the movie is done in claymation. (CLAYMATION!) Truly, if Celine was floating on a massive door in the ocean, and Robert was hopelessly holding onto the side, the urge to break the door so neither of them could have it would be massive.\u003c/p>\n\u003cp>For the same reason (\u003cem>Friends\u003c/em>) Jennifer Aniston was in an awful romantic comedy in 1997, so was Matthew Perry. In \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0119141/?ref_=nv_sr_1\">Fools Rush In\u003c/a> -- \u003c/em>a movie about hispanic people that was clearly written and produced by zero hispanic people -- Perry plays a guy who has a one-night stand in Vegas that results in a pregnancy. In a premise even more preposterous than \u003cem>Knocked Up\u003c/em>, he and the baby mama (played by Salma Hayek) just immediately get married and, like, woah, culture clash.\u003c/p>\n\u003cp>Here's basically the entire movie, condensed down to two and a half minutes -- which, conveniently, is about as long as you'll want to watch \u003cem>Fools Rush In\u003c/em> for. Enjoy!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=R2xe_xxuiUY\u003c/p>\n\u003cp>Just when you think this particular corner of 1997 film couldn't possibly get worse, along comes\u003cem> Hugo Pool\u003c/em>, a movie with an astonishingly good cast doing extraordinarily stupid things. At the time, \u003ca href=\"http://ew.com/article/1997/12/19/hugo-pool-3/\">\u003cem>Entertainment Weekly\u003c/em> \u003c/a>noted that \u003cem>Hugo Pool\u003c/em> set \"new standards in wacko charmlessness,\" while \u003ca href=\"http://variety.com/1997/film/reviews/hugo-pool-1117437000/\">\u003cem>Variety\u003c/em>\u003c/a> noted that it was \"suffering from a slender, undernourished script and set pieces not sufficiently weird or funny.\"\u003c/p>\n\u003cp>We can sum up \u003cem>Hugo Pool\u003c/em> in four words: Robert Downey Jr.'s accent. Behold this mess!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=e8Dn186y6Fk\u003c/p>\n\u003cp>Yeah. So that happened...\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It's impossible to know what went wrong with romance in the movies in 1997 -- perhaps the proximity to the end of the century (and that dreaded Y2K) meant films were trying too hard to be different. Perhaps in the brand new age of the internet, a good old-fashioned traditional love story felt passé. One thing that \u003cem>is\u003c/em> clear is that, after suffering through 11 months of this nonsense before the December release of \u003cem>Titanic\u003c/em>, it's no wonder audiences forgave Rose for the door incident.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It was almost 20 years ago that James Cameron hurled \u003cem>Titanic\u003c/em> at us in an orgy of special effects, icy water and doomed, class-defying relationships. Despite the fact that heroine Rose made zero effort to save Jack, the supposed love of her life (that door was \u003ca href=\"https://twitter.com/rgay/status/679180868242579456\" target=\"_blank\" rel=\"noopener noreferrer\">plenty big enough\u003c/a>, Rose!), the world continues to remember the movie very fondly. So fondly, in fact, that it's forgotten that the vast majority of romantic movies made that year were almost as much of a disaster as that massive boat splitting in two.\u003c/p>\n\u003cp>Let's take a trip down memory lane and remember the horror show that was cinematic romance in 1997.\u003c/p>\n\u003cp>First up, there's \u003ca href=\"http://www.imdb.com/title/tt0119896/?ref_=nv_sr_1\">\u003cem>Picture Perfect\u003c/em>\u003c/a>, a film in which Kate, a very talented, capable advertising exec, cannot get promoted at her firm because she is single. (Let's pause for a moment and think about the fact that, in 1997, this seemed like a perfectly reasonable premise for a film.) Instead of suing her employer for discrimination (that thought doesn't even wander into the picture once, funnily enough!), Kate makes up a fake fiancé, thereby instantly winning a promotion. (Seriously... were there, like, zero lawyers in 1997? How is nobody getting sued here?)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nEkdo25GFc4'\n title='//www.youtube.com/embed/nEkdo25GFc4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>All of this fake boyfriend stuff should technically lead to hijinks and humor, but actually just drags the viewer through an interminable hour and 45 minutes of absolute dross. Not even the glossy locks and \u003cem>Friends\u003c/em>-era charm of Jennifer Aniston could save this one, because it's the kind of film that has a plot device involving a man giving a woman a black eye (one-liners ensue!). It's the kind of film in which, at one point, an ad executive approaches Kate with the idea of selling mustard by using a naked model and the tag line \"Spread this.\" It's the kind of film where the grand finale is the heroine wrecking someone else's wedding and acting like it's romantic. The most amazing thing about \u003cem>Picture Perfect\u003c/em> is its own ability to be so boring and preposterous at the same time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Remarkably, \u003cem>Picture Perfect\u003c/em> was not the only movie in 1997 to have a fake fiancé (they were all the rage!). That's a tactic also employed by the protagonist of\u003cem> \u003ca href=\"http://www.imdb.com/title/tt0119738/?ref_=nv_sr_1\">My Best Friend's Wedding\u003c/a> -- \u003c/em>a movie built on the obviously-awful premise that actively trying to break up somebody else's engagement is a perfectly fine and justifiable thing to do, if you look like Julia Roberts and you've changed your mind about something.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T2RzkwK3BtU'\n title='//www.youtube.com/embed/T2RzkwK3BtU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>By the end, lovely Julia has successfully caused problems between a very happy couple, \u003cem>and\u003c/em> destroyed the relationship with her best friend irreversibly. And while the realistically grim ending is refreshing on one level, it's all kinds of bleak for this particular genre. The only saving grace of the entire thing is the amusing size of everyone's cell phones -- Julia Roberts practically needs a briefcase for hers. In the end, \u003cem>My Best Friend's Wedding\u003c/em> is neither romantic nor a comedy, which begs the question: What's the damn point?\u003c/p>\n\u003cp>Cameron Diaz was on quite a roll in 1997, starring as well in \u003cem>A Life Less Ordinary\u003c/em> -- a movie everyone predicted would be awesome because it was Danny Boyle's follow up to \u003cem>Trainspotting. \u003c/em>In reality, it was almost complete nonsense from start to finish.\u003c/p>\n\u003cp>Diaz plays a deeply unlikeable spoiled white lady named Celine who shoots people who want to marry her. Ewan McGregor plays Robert, a recently-dumped, recently-fired janitor who doubles as an incompetent criminal with a back-combed Oasis haircut. Celine and Robert have absolutely no chemistry whatsoever. Despite that, in hot pursuit of both of them are a couple of also entirely charisma-free angels (yes, angels -- stay with us, please) who need Celine and Robert to fall in love, or they'll get stuck on Earth forever, for totally arbitrary reasons that don't make any sense.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/k6K5q72jy9c'\n title='//www.youtube.com/embed/k6K5q72jy9c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Do you hate this thing yet? Just in case you don't: there's a bunch of driving, there's a bit of dancing, there are dream sequences, gratuitous shootings, a wedding that would never, ever happen in real life, and -- this really speaks to the awfulness of \u003cem>A Life Less Ordinary \u003c/em>-- the final scene of the movie is done in claymation. (CLAYMATION!) Truly, if Celine was floating on a massive door in the ocean, and Robert was hopelessly holding onto the side, the urge to break the door so neither of them could have it would be massive.\u003c/p>\n\u003cp>For the same reason (\u003cem>Friends\u003c/em>) Jennifer Aniston was in an awful romantic comedy in 1997, so was Matthew Perry. In \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0119141/?ref_=nv_sr_1\">Fools Rush In\u003c/a> -- \u003c/em>a movie about hispanic people that was clearly written and produced by zero hispanic people -- Perry plays a guy who has a one-night stand in Vegas that results in a pregnancy. In a premise even more preposterous than \u003cem>Knocked Up\u003c/em>, he and the baby mama (played by Salma Hayek) just immediately get married and, like, woah, culture clash.\u003c/p>\n\u003cp>Here's basically the entire movie, condensed down to two and a half minutes -- which, conveniently, is about as long as you'll want to watch \u003cem>Fools Rush In\u003c/em> for. Enjoy!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/R2xe_xxuiUY'\n title='//www.youtube.com/embed/R2xe_xxuiUY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Just when you think this particular corner of 1997 film couldn't possibly get worse, along comes\u003cem> Hugo Pool\u003c/em>, a movie with an astonishingly good cast doing extraordinarily stupid things. At the time, \u003ca href=\"http://ew.com/article/1997/12/19/hugo-pool-3/\">\u003cem>Entertainment Weekly\u003c/em> \u003c/a>noted that \u003cem>Hugo Pool\u003c/em> set \"new standards in wacko charmlessness,\" while \u003ca href=\"http://variety.com/1997/film/reviews/hugo-pool-1117437000/\">\u003cem>Variety\u003c/em>\u003c/a> noted that it was \"suffering from a slender, undernourished script and set pieces not sufficiently weird or funny.\"\u003c/p>\n\u003cp>We can sum up \u003cem>Hugo Pool\u003c/em> in four words: Robert Downey Jr.'s accent. Behold this mess!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/e8Dn186y6Fk'\n title='//www.youtube.com/embed/e8Dn186y6Fk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Yeah. So that happened...\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It's impossible to know what went wrong with romance in the movies in 1997 -- perhaps the proximity to the end of the century (and that dreaded Y2K) meant films were trying too hard to be different. Perhaps in the brand new age of the internet, a good old-fashioned traditional love story felt passé. One thing that \u003cem>is\u003c/em> clear is that, after suffering through 11 months of this nonsense before the December release of \u003cem>Titanic\u003c/em>, it's no wonder audiences forgave Rose for the door incident.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Jennifer Aniston: I'm Not Pregnant, and Y'all Need To Get a Life",
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"content": "\u003cp>Jennifer Aniston is one of those celebrities who provokes endless speculation not because of her outlandish debutante-like behavior, but because of her seeming normality: She's drop-dead gorgeous and fabulously wealthy, yes, but she's also something of a permanent girl next door. She got famous on one of America's most beloved sitcoms, for starters. And then there's her role in the celebrity love triangle that rocked the mid-aughts -- she the jilted good girl to Angelina Jolie's edgy, black swan temptress.\u003c/p>\n\u003cp>This is all, of course, utter bullsh*t perpetrated mostly by tabloids' bottom lines. It does, however, provide some context for why the media has been fixated since time immemorial on whether or not Jennifer Aniston\u003ca href=\"http://www.intouchweekly.com/posts/jennifer-aniston-pregnant-105227\" target=\"_blank\"> is pregnant\u003c/a>, thinking about becoming pregnant, \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2313617/Jennifer-Aniston-relying-cupping-boost-fertility.html\" target=\"_blank\">sad that she is not pregnant\u003c/a>, or some variation thereof. It's your nagging Aunt Gertie reminding you over the phone from Florida that you're not getting any younger, you know -- only on a world stage. Seems fun!\u003c/p>\n\u003cp>https://twitter.com/KateHarding/status/743152115770597379\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Well, she's apparently had enough. \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">Aniston just penned an open letter in the \u003c/a>\u003cem>Huffington Post\u003c/em> decrying the media's objectification of women, alongside journalists' fixation on her childfree existence and when it will end.\u003c/p>\n\u003cblockquote>\u003cp>If I am some kind of symbol to some people out there, then clearly I am an example of the lens through which we, as a society, view our mothers, daughters, sisters, wives, female friends and colleagues. The objectification and scrutiny we put women through is absurd and disturbing. The way I am portrayed by the media is simply a reflection of how we see and portray women in general, measured against some warped standard of beauty. ...\u003c/p>\n\u003cp>The message that girls are not pretty unless they’re incredibly thin, that they’re not worthy of our attention unless they look like a supermodel or an actress on the cover of a magazine is something we’re all willingly buying into. This conditioning is something girls then carry into womanhood. We use celebrity “news” to perpetuate this dehumanizing view of females, focused solely on one’s physical appearance, which tabloids turn into a sporting event of speculation. Is she pregnant? Is she eating too much? Has she let herself go? Is her marriage on the rocks because the camera detects some physical “imperfection”?\u003c/p>\u003c/blockquote>\n\u003cp>And:\u003c/p>\n\u003cblockquote>\u003cp>I have grown tired of being part of this narrative. Yes, I may become a mother some day, and since I’m laying it all out there, if I ever do, I will be the first to let you know. But I’m not in pursuit of motherhood because I feel incomplete in some way, as our celebrity news culture would lead us all to believe. I resent being made to feel “less than” because my body is changing and/or I had a burger for lunch and was photographed from a weird angle and therefore deemed one of two things: “pregnant” or “fat.”\u003c/p>\u003c/blockquote>\n\u003cp>If you've ever spent five minutes reading an \u003cem>Us Weekly\u003c/em> \"article\" featuring photos of Aniston or another celebrity with circles drawn over their body parts, take five minutes and \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">read the whole thing here.\u003c/a> All in all, it's a compelling yet (sorry) highly relatable message for Aniston to send.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Truth be told, the only thing I find to be slightly off the mark in this piece is the implication that she ever eats burgers for lunch. Sorry, Jen. Otherwise: Go on with your bad (gorgeous, 47-year-old) self. I'm not holding my breath, but Aunt Gertie really should find a better hobby.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jennifer Aniston is one of those celebrities who provokes endless speculation not because of her outlandish debutante-like behavior, but because of her seeming normality: She's drop-dead gorgeous and fabulously wealthy, yes, but she's also something of a permanent girl next door. She got famous on one of America's most beloved sitcoms, for starters. And then there's her role in the celebrity love triangle that rocked the mid-aughts -- she the jilted good girl to Angelina Jolie's edgy, black swan temptress.\u003c/p>\n\u003cp>This is all, of course, utter bullsh*t perpetrated mostly by tabloids' bottom lines. It does, however, provide some context for why the media has been fixated since time immemorial on whether or not Jennifer Aniston\u003ca href=\"http://www.intouchweekly.com/posts/jennifer-aniston-pregnant-105227\" target=\"_blank\"> is pregnant\u003c/a>, thinking about becoming pregnant, \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2313617/Jennifer-Aniston-relying-cupping-boost-fertility.html\" target=\"_blank\">sad that she is not pregnant\u003c/a>, or some variation thereof. It's your nagging Aunt Gertie reminding you over the phone from Florida that you're not getting any younger, you know -- only on a world stage. Seems fun!\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>Well, she's apparently had enough. \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">Aniston just penned an open letter in the \u003c/a>\u003cem>Huffington Post\u003c/em> decrying the media's objectification of women, alongside journalists' fixation on her childfree existence and when it will end.\u003c/p>\n\u003cblockquote>\u003cp>If I am some kind of symbol to some people out there, then clearly I am an example of the lens through which we, as a society, view our mothers, daughters, sisters, wives, female friends and colleagues. The objectification and scrutiny we put women through is absurd and disturbing. The way I am portrayed by the media is simply a reflection of how we see and portray women in general, measured against some warped standard of beauty. ...\u003c/p>\n\u003cp>The message that girls are not pretty unless they’re incredibly thin, that they’re not worthy of our attention unless they look like a supermodel or an actress on the cover of a magazine is something we’re all willingly buying into. This conditioning is something girls then carry into womanhood. We use celebrity “news” to perpetuate this dehumanizing view of females, focused solely on one’s physical appearance, which tabloids turn into a sporting event of speculation. Is she pregnant? Is she eating too much? Has she let herself go? Is her marriage on the rocks because the camera detects some physical “imperfection”?\u003c/p>\u003c/blockquote>\n\u003cp>And:\u003c/p>\n\u003cblockquote>\u003cp>I have grown tired of being part of this narrative. Yes, I may become a mother some day, and since I’m laying it all out there, if I ever do, I will be the first to let you know. But I’m not in pursuit of motherhood because I feel incomplete in some way, as our celebrity news culture would lead us all to believe. I resent being made to feel “less than” because my body is changing and/or I had a burger for lunch and was photographed from a weird angle and therefore deemed one of two things: “pregnant” or “fat.”\u003c/p>\u003c/blockquote>\n\u003cp>If you've ever spent five minutes reading an \u003cem>Us Weekly\u003c/em> \"article\" featuring photos of Aniston or another celebrity with circles drawn over their body parts, take five minutes and \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">read the whole thing here.\u003c/a> All in all, it's a compelling yet (sorry) highly relatable message for Aniston to send.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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},
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"airtime": "SUN 7:30pm-8pm",
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},
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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},
"latino-usa": {
"id": "latino-usa",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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},
"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
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"order": 13
},
"link": "/podcasts/mindshift",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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"meta": {
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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"planet-money": {
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
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"order": 6
},
"link": "/podcasts/politicalbreakdown",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
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