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"disqusTitle": "Frozen Live's Color-Blind Casting: Do Children Care as Much as Critics Say They Will?",
"title": "Frozen Live's Color-Blind Casting: Do Children Care as Much as Critics Say They Will?",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">When the much-anticipated \u003c/span>\u003ca href=\"https://disneyland.disney.go.com/entertainment/disney-california-adventure/frozen-live-at-hyperion/\">\u003cspan style=\"font-weight: 400\">\u003cem>Frozen\u003c/em> stage show \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">made its debut a few months ago at Disney’s California Adventure, the show also made news\u003c/span>\u003cspan style=\"font-weight: 400\"> for its non-traditional casting (sometimes called integrated or color-blind casting), which does not consider ethnicity or gender when those aspects are not essential to the role. \u003c/span>\u003cspan style=\"font-weight: 400\">Much of the press was positive à la this\u003c/span>\u003ca href=\"http://hellogiggles.com/color-blind-cast-frozen-disneyland/\">\u003cspan style=\"font-weight: 400\"> happy little news story\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. However, \u003c/span>\u003ca href=\"http://micechat.com/127493-color-blind-casting-frozen-live-hyperion/\">\u003cspan style=\"font-weight: 400\">not everyone was pleased\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Objections to non-traditional casting of the show generally come packaged with this type of handwringing:\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-26414\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/lovejoy.gif\" alt=\"lovejoy\" width=\"500\" height=\"270\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A commenter by the name of \u003cspan style=\"font-weight: 400\">\u003ca href=\"http://micechat.com/127493-color-blind-casting-frozen-live-hyperion/#comment-2711500445\">rcurrier\u003c/a> had this to say:\u003c/span>\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400\">“\u003c/span>\u003cspan style=\"font-weight: 400\">While adults (and I include myself in that group) shouldn't have any problem with color-blind casting, children are going to make up a large portion of the audience and they WILL notice color-blind casting and ask questions (and be disappointed that the REAL Elsa wasn't in the show). The lead characters need to be on-model. If Mulan or Tatiana [sic] was portrayed by a white woman, there would be picketers and boycotts and calls for heads to roll. Disneyland is about the fantasy, there isn't any room for the Political Correctness of color-blind casting in Disneyland. If as a director you feel the need, there are plenty of venues other than Disneyland for you to feed your ego.” \u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400\">(Point of order: Mulan, Aladdin and Jasmine are frequently portrayed in the park by actors who are not the race of the characters.\u003c/span>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To see how these casting choices affect the children, I gathered up my own child and her cousin and camped out to get Fast Passes to the show. These girls, aged almost-three and almost-four, were born in the midst of all-out \u003cem>Frozen\u003c/em> mania. They know the music; they’ve memorized the film and they’ve got merch on merch on merch. My kid adores this particularly disturbing doll:\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-26420\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/IMG_20160609_105530-800x1070.jpg\" alt=\"IMG_20160609_105530\" width=\"800\" height=\"1070\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-800x1070.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-400x535.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-768x1027.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-1440x1925.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-1920x2567.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-1180x1578.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-960x1283.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before the show, I asked the girls what they thought the show would be like.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Almost Three:\u003c/strong> I want to see princesses.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Almost Four:\u003c/strong> I hope the princesses look like a birthday kind.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the show started, Almost Three yelled out, “Where’s Cinderella?” She was quickly distracted by the appearance of Young Kristoff holding a stuffed reindeer representing Sven. “He has a toy! Mama, he has a TOY!” Check and mate, Disney merchandising team.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Almost Four was scandalized by Young Anna in her nightgown. “Mommy, Anna is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">naked!\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">” The actress’s brown skin passed her notice completely.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">(For anyone clucking their tongues regarding the girls’ outbursts, please know that we are working to raise Good Citizens of the Theater and they were appropriately shushed each time. There were also a pair of kids playing a game, complete with sound effects, on an iPad right behind us from the moment we were seated to the end of the show.)\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-26419\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/IMG_20160608_143943-800x600.jpg\" alt=\"IMG_20160608_143943\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the show continued, Anna, Elsa and Kristoff became adults. With the layers of costuming, wigs, makeup and lighting effects, it would be difficult for anyone to confidently identify the race of the actors.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When the adult Sven appeared on stage, the auditorium collectively gasped and both girls cried, “Look! Look! Sven!” The reindeer is shockingly well-rendered, save for the puppeteer’s head jutting out from between the beast’s shoulder blades. The girls were delighted; it made me hyperventilate.\u003c/span>\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/yhnm4FTZ83U?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Forget race. If your kid is the type to struggle with suspension of disbelief, the human head sticking out of the reindeer’s back is going to be a hell of a lot more confusing than a woman of color killing it as Elsa.\u003c/span>\u003c/p>\n\u003cp>There were a few technical mishaps in the show, a few missed notes, but it ended with applause and cheers. Outside the theater, kids in Anna and Elsa dresses were dreamy and twirly. After administering much-needed juice boxes and Pirate’s Booty to the girls, we talked about the show.\u003c/p>\n\u003cp>\u003cstrong>Mom of Almost Three:\u003c/strong> What happened in the show?\u003c/p>\n\u003cp>\u003cstrong>Almost Three:\u003c/strong> I don't know!\u003c/p>\n\u003cp>\u003cstrong>Mom of Almost Three:\u003c/strong> Hmm, did they sing “Let It Go”?\u003c/p>\n\u003cp>\u003cstrong>Almost Three:\u003c/strong> Yeah... And, and, her blanket flew away—whoosh! It flew away because it was time to play.\u003c/p>\n\u003cp>\u003cstrong>Almost Four:\u003c/strong> It was good. I liked it! But Anna and Elsa, I don’t know, their voices? The voices weren’t the same. And they sang different songs. But they did the \u003cem>Frozen\u003c/em> and it was good! And the Duke was so SILLY. He was a chicken monkey! [breaks into lengthy chicken monkey dance]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So there you have it. If you’re worried about the children, you can rest easy.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">When the much-anticipated \u003c/span>\u003ca href=\"https://disneyland.disney.go.com/entertainment/disney-california-adventure/frozen-live-at-hyperion/\">\u003cspan style=\"font-weight: 400\">\u003cem>Frozen\u003c/em> stage show \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">made its debut a few months ago at Disney’s California Adventure, the show also made news\u003c/span>\u003cspan style=\"font-weight: 400\"> for its non-traditional casting (sometimes called integrated or color-blind casting), which does not consider ethnicity or gender when those aspects are not essential to the role. \u003c/span>\u003cspan style=\"font-weight: 400\">Much of the press was positive à la this\u003c/span>\u003ca href=\"http://hellogiggles.com/color-blind-cast-frozen-disneyland/\">\u003cspan style=\"font-weight: 400\"> happy little news story\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. However, \u003c/span>\u003ca href=\"http://micechat.com/127493-color-blind-casting-frozen-live-hyperion/\">\u003cspan style=\"font-weight: 400\">not everyone was pleased\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Objections to non-traditional casting of the show generally come packaged with this type of handwringing:\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-full wp-image-26414\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/lovejoy.gif\" alt=\"lovejoy\" width=\"500\" height=\"270\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A commenter by the name of \u003cspan style=\"font-weight: 400\">\u003ca href=\"http://micechat.com/127493-color-blind-casting-frozen-live-hyperion/#comment-2711500445\">rcurrier\u003c/a> had this to say:\u003c/span>\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400\">“\u003c/span>\u003cspan style=\"font-weight: 400\">While adults (and I include myself in that group) shouldn't have any problem with color-blind casting, children are going to make up a large portion of the audience and they WILL notice color-blind casting and ask questions (and be disappointed that the REAL Elsa wasn't in the show). The lead characters need to be on-model. If Mulan or Tatiana [sic] was portrayed by a white woman, there would be picketers and boycotts and calls for heads to roll. Disneyland is about the fantasy, there isn't any room for the Political Correctness of color-blind casting in Disneyland. If as a director you feel the need, there are plenty of venues other than Disneyland for you to feed your ego.” \u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400\">(Point of order: Mulan, Aladdin and Jasmine are frequently portrayed in the park by actors who are not the race of the characters.\u003c/span>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To see how these casting choices affect the children, I gathered up my own child and her cousin and camped out to get Fast Passes to the show. These girls, aged almost-three and almost-four, were born in the midst of all-out \u003cem>Frozen\u003c/em> mania. They know the music; they’ve memorized the film and they’ve got merch on merch on merch. My kid adores this particularly disturbing doll:\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-26420\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/IMG_20160609_105530-800x1070.jpg\" alt=\"IMG_20160609_105530\" width=\"800\" height=\"1070\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-800x1070.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-400x535.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-768x1027.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-1440x1925.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-1920x2567.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-1180x1578.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160609_105530-960x1283.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before the show, I asked the girls what they thought the show would be like.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Almost Three:\u003c/strong> I want to see princesses.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Almost Four:\u003c/strong> I hope the princesses look like a birthday kind.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the show started, Almost Three yelled out, “Where’s Cinderella?” She was quickly distracted by the appearance of Young Kristoff holding a stuffed reindeer representing Sven. “He has a toy! Mama, he has a TOY!” Check and mate, Disney merchandising team.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Almost Four was scandalized by Young Anna in her nightgown. “Mommy, Anna is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">naked!\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">” The actress’s brown skin passed her notice completely.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">(For anyone clucking their tongues regarding the girls’ outbursts, please know that we are working to raise Good Citizens of the Theater and they were appropriately shushed each time. There were also a pair of kids playing a game, complete with sound effects, on an iPad right behind us from the moment we were seated to the end of the show.)\u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-26419\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/IMG_20160608_143943-800x600.jpg\" alt=\"IMG_20160608_143943\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/IMG_20160608_143943-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As the show continued, Anna, Elsa and Kristoff became adults. With the layers of costuming, wigs, makeup and lighting effects, it would be difficult for anyone to confidently identify the race of the actors.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When the adult Sven appeared on stage, the auditorium collectively gasped and both girls cried, “Look! Look! Sven!” The reindeer is shockingly well-rendered, save for the puppeteer’s head jutting out from between the beast’s shoulder blades. The girls were delighted; it made me hyperventilate.\u003c/span>\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/yhnm4FTZ83U?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Forget race. If your kid is the type to struggle with suspension of disbelief, the human head sticking out of the reindeer’s back is going to be a hell of a lot more confusing than a woman of color killing it as Elsa.\u003c/span>\u003c/p>\n\u003cp>There were a few technical mishaps in the show, a few missed notes, but it ended with applause and cheers. Outside the theater, kids in Anna and Elsa dresses were dreamy and twirly. After administering much-needed juice boxes and Pirate’s Booty to the girls, we talked about the show.\u003c/p>\n\u003cp>\u003cstrong>Mom of Almost Three:\u003c/strong> What happened in the show?\u003c/p>\n\u003cp>\u003cstrong>Almost Three:\u003c/strong> I don't know!\u003c/p>\n\u003cp>\u003cstrong>Mom of Almost Three:\u003c/strong> Hmm, did they sing “Let It Go”?\u003c/p>\n\u003cp>\u003cstrong>Almost Three:\u003c/strong> Yeah... And, and, her blanket flew away—whoosh! It flew away because it was time to play.\u003c/p>\n\u003cp>\u003cstrong>Almost Four:\u003c/strong> It was good. I liked it! But Anna and Elsa, I don’t know, their voices? The voices weren’t the same. And they sang different songs. But they did the \u003cem>Frozen\u003c/em> and it was good! And the Duke was so SILLY. He was a chicken monkey! [breaks into lengthy chicken monkey dance]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So there you have it. If you’re worried about the children, you can rest easy.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "This Ride Is Out of Order: Why Disneyland's Pirates of the Caribbean Needs Fixing",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Let’s get one thing straight from the get-go -- Pirates of the Caribbean at Disneyland is a fantastic amusement park ride. After schlepping around Disneyland with the sun beating down on you, feet blistered and sore, senses dulled from the saccharine sweetness of Disney magic, there’s nothing like a 15-minute sit in a bobbing boat, surrounded by cool air and scenes of pirate-y mischief. Fires burn, good men are tortured, and drunkards nap with adorable piggies. Hey, they’re pirates and no one is asking them to be saints. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pirates gonna pirate.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> But part of this ride is out-of-order: the bride-selling scenes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first features a line of captive women -- some elderly, some buck-toothed, most clad in white, all weeping -- tied together at the waist with a thick rope in a sad line. A banner above them proclaims “AUCTION - Take a Wench for a Bride.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The weeping women are background decoration, while the true focus of the scene lands on two other women -- first a lady in red who stands proudly at the head of the roped line some distance away from her unhappy peers. She’s heavily made up and her pert bosom threatens to spill out of her top. She lifts her skirts with one hand to show off her legs, her other hand tangled in her lovely auburn locks. Her face is peaceful, even serene. Of course, she’s not the one for sale at the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The woman on the auction block is dressed modestly and holds herself high with a sweet smile on her face. She’s also unapologetically fat -- well proportioned and lovely, but fat. She looks relaxed and proud, even as the auctioneer asks, \"What be I offered for this winsome wench? Stout hearted and corn-fed she be.\" A drunken pirate cries, \"Are ya selling her by the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">pound\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">?\" He’s ignored while the auctioneer instructs her, \"Shift yer cargo, dearie, show 'em your larboard side.\" She complies and turns with the same docile smile.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">(Fun fact: This “wench” has a name -- \u003c/span>\u003ca href=\"http://pirates.wikia.com/wiki/Pirates_of_the_Caribbean_(Board_game)\">\u003cspan style=\"font-weight: 400\">Tiny\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.)\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the next scene, the results of the auction are clear. Pirates race after their “brides,” looks of terror forever on the faces of the women. Near the end of the scene, riders see Tiny again as the ultimate punchline -- \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">she’s\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the one in hot pursuit of a pirate. As the boat passes by, riders can hear her giggling.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Though she is pretty, clean and pleasant (the very essence of \u003c/span>\u003ca href=\"http://everydayfeminism.com/2015/03/12-good-fatty-archetypes/\">\u003cspan style=\"font-weight: 400\">the “good fatty” trope\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">), it’s clear to everyone involved in this narrative that Tiny is unlovable and unwantable, even by a marauding crowd of drunken rapists. Once she’s purchased, she’s is still unwanted, yet she is so desperate for physical contact, she pursues a man who other “worthy” women run from screaming.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At least, this was the version riders encountered until 1997, when there was a major renovation and someone thought the scene would be better if the women were holding food and racing around forever. Post renovation, Tiny chased after a pirate holding a loaf of bread and a sad-looking turkey leg. The line of thinking must have been, “She’s hungry for sex \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">and \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">food! There, isn’t that better?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They also removed a part of the scene that featured a woman hiding in a barrel. Her would-be rapist asked riders if they’ve seen a “bewitched maiden in your travels? Oh, she be a lively lassie she were. Oh, I tell you true. It's alright to hoist me colours on the likes of that shy little wench!” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Throughout his speech, he clutched her stolen undergarments. “Favor, keep a weather eye open, mateys. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I be willing to share I be!\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\" In 1997, the woman was removed and the pirate’s focus turned to another feast of plastic food. In 2006, the barrel reopened but was filled with a greasy-looking Johnny Depp. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the Johnny Depp update, Disney makes another attempt to modify this chasing scene by putting jewels into the hands of the women. Now Tiny chases a pirate who clutches a cheap-looking red-velvet jewelry box with a few strands of pearls pouring out. She still giggles as she runs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There are Disney fans who bristle at the mere idea of changing a classic ride. “The fat bride is canon!” or “This is just another example of PC culture run amok!” But the ride \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">has \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">changed dramatically with the decades. Johnny Depp leering from a barrel is not canon. A musty-smelling fog screen plastered with Bill Nighy’s octopus face is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">not canon\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And Disney knows these scenes with the brides are troubling. Why else would they continue to tweak them?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Luckily, there’s a solution to this mess. It’s elegant, it’s witty and it doesn’t make the ride into \u003c/span>\u003ca href=\"http://www.disneyfanatic.com/8-facts-pirates-caribbean-ride-thatll-saying-yo-go/\">\u003cspan style=\"font-weight: 400\">Boy Scouts of the Caribbean\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. It won’t require the ride to shut down for months or weeks or even a day. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Instead of pretending those pirates are after plastic pies or dull pearls, instead of continuing this narrative that a fat woman is so unlovable that she should welcome being sold into sex-slavery, let’s turn the narrative around completely. Disney ought to \u003ca href=\"https://en.wikipedia.org/wiki/Walt_Disney_Imagineering\">Imagineer\u003c/a> up the biggest, fiercest close-range weapon and place it lovingly into Tiny’s waiting hands. Might I suggest a \u003c/span>\u003ca href=\"http://www.angelfire.com/az3/borthag/FinalSite/armsandarmor.htm\">\u003cspan style=\"font-weight: 400\">swinging flail full of morning stars\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">? Or an elegant scimitar?\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Her face will no longer be the face of one so desperate to be touched that she will take it mixed through with violence. Her face will be the face of a woman who knows her worth, delights in her strength and has a plan.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Let’s get one thing straight from the get-go -- Pirates of the Caribbean at Disneyland is a fantastic amusement park ride. After schlepping around Disneyland with the sun beating down on you, feet blistered and sore, senses dulled from the saccharine sweetness of Disney magic, there’s nothing like a 15-minute sit in a bobbing boat, surrounded by cool air and scenes of pirate-y mischief. Fires burn, good men are tortured, and drunkards nap with adorable piggies. Hey, they’re pirates and no one is asking them to be saints. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Pirates gonna pirate.\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> But part of this ride is out-of-order: the bride-selling scenes.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The first features a line of captive women -- some elderly, some buck-toothed, most clad in white, all weeping -- tied together at the waist with a thick rope in a sad line. A banner above them proclaims “AUCTION - Take a Wench for a Bride.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The weeping women are background decoration, while the true focus of the scene lands on two other women -- first a lady in red who stands proudly at the head of the roped line some distance away from her unhappy peers. She’s heavily made up and her pert bosom threatens to spill out of her top. She lifts her skirts with one hand to show off her legs, her other hand tangled in her lovely auburn locks. Her face is peaceful, even serene. Of course, she’s not the one for sale at the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The woman on the auction block is dressed modestly and holds herself high with a sweet smile on her face. She’s also unapologetically fat -- well proportioned and lovely, but fat. She looks relaxed and proud, even as the auctioneer asks, \"What be I offered for this winsome wench? Stout hearted and corn-fed she be.\" A drunken pirate cries, \"Are ya selling her by the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">pound\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">?\" He’s ignored while the auctioneer instructs her, \"Shift yer cargo, dearie, show 'em your larboard side.\" She complies and turns with the same docile smile.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">(Fun fact: This “wench” has a name -- \u003c/span>\u003ca href=\"http://pirates.wikia.com/wiki/Pirates_of_the_Caribbean_(Board_game)\">\u003cspan style=\"font-weight: 400\">Tiny\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.)\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the next scene, the results of the auction are clear. Pirates race after their “brides,” looks of terror forever on the faces of the women. Near the end of the scene, riders see Tiny again as the ultimate punchline -- \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">she’s\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> the one in hot pursuit of a pirate. As the boat passes by, riders can hear her giggling.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Though she is pretty, clean and pleasant (the very essence of \u003c/span>\u003ca href=\"http://everydayfeminism.com/2015/03/12-good-fatty-archetypes/\">\u003cspan style=\"font-weight: 400\">the “good fatty” trope\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">), it’s clear to everyone involved in this narrative that Tiny is unlovable and unwantable, even by a marauding crowd of drunken rapists. Once she’s purchased, she’s is still unwanted, yet she is so desperate for physical contact, she pursues a man who other “worthy” women run from screaming.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At least, this was the version riders encountered until 1997, when there was a major renovation and someone thought the scene would be better if the women were holding food and racing around forever. Post renovation, Tiny chased after a pirate holding a loaf of bread and a sad-looking turkey leg. The line of thinking must have been, “She’s hungry for sex \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">and \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">food! There, isn’t that better?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They also removed a part of the scene that featured a woman hiding in a barrel. Her would-be rapist asked riders if they’ve seen a “bewitched maiden in your travels? Oh, she be a lively lassie she were. Oh, I tell you true. It's alright to hoist me colours on the likes of that shy little wench!” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Throughout his speech, he clutched her stolen undergarments. “Favor, keep a weather eye open, mateys. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I be willing to share I be!\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">\" In 1997, the woman was removed and the pirate’s focus turned to another feast of plastic food. In 2006, the barrel reopened but was filled with a greasy-looking Johnny Depp. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the Johnny Depp update, Disney makes another attempt to modify this chasing scene by putting jewels into the hands of the women. Now Tiny chases a pirate who clutches a cheap-looking red-velvet jewelry box with a few strands of pearls pouring out. She still giggles as she runs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There are Disney fans who bristle at the mere idea of changing a classic ride. “The fat bride is canon!” or “This is just another example of PC culture run amok!” But the ride \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">has \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">changed dramatically with the decades. Johnny Depp leering from a barrel is not canon. A musty-smelling fog screen plastered with Bill Nighy’s octopus face is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">not canon\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. And Disney knows these scenes with the brides are troubling. Why else would they continue to tweak them?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Luckily, there’s a solution to this mess. It’s elegant, it’s witty and it doesn’t make the ride into \u003c/span>\u003ca href=\"http://www.disneyfanatic.com/8-facts-pirates-caribbean-ride-thatll-saying-yo-go/\">\u003cspan style=\"font-weight: 400\">Boy Scouts of the Caribbean\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. It won’t require the ride to shut down for months or weeks or even a day. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Instead of pretending those pirates are after plastic pies or dull pearls, instead of continuing this narrative that a fat woman is so unlovable that she should welcome being sold into sex-slavery, let’s turn the narrative around completely. Disney ought to \u003ca href=\"https://en.wikipedia.org/wiki/Walt_Disney_Imagineering\">Imagineer\u003c/a> up the biggest, fiercest close-range weapon and place it lovingly into Tiny’s waiting hands. Might I suggest a \u003c/span>\u003ca href=\"http://www.angelfire.com/az3/borthag/FinalSite/armsandarmor.htm\">\u003cspan style=\"font-weight: 400\">swinging flail full of morning stars\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">? Or an elegant scimitar?\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Her face will no longer be the face of one so desperate to be touched that she will take it mixed through with violence. Her face will be the face of a woman who knows her worth, delights in her strength and has a plan.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Way Too Many Jafar-Sympathizing Americans Want to Bomb Aladdin's Fictional Hometown",
"title": "Way Too Many Jafar-Sympathizing Americans Want to Bomb Aladdin's Fictional Hometown",
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"content": "\u003cp>If you're anything like me, you've probably tuned out most Election 2016 polling data. But a recent troll-tastic \u003ca href=\"http://www.publicpolicypolling.com/pdf/2015/GOPResults.pdf\" target=\"_blank\">Public Policy Polling survey\u003c/a> got my attention. Apparently 30% of Republicans want to bomb Agrabah, Aladdin's fictional hometown.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-5.gif\" rel=\"attachment wp-att-19541\">\u003cimg class=\"aligncenter size-full wp-image-19541\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-5.gif\" alt=\"jasmine aladdin gif\" width=\"245\" height=\"210\">\u003c/a>\u003c/p>\n\u003cp>But stupidity is not just a symptom of one party: 19% of Democrats are also down to devastate a made-up land known for cute monkey sidekicks and sensual man vests.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-7.gif\" rel=\"attachment wp-att-19550\">\u003cimg class=\"aligncenter size-full wp-image-19550\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-7.gif\" alt=\"jasmine raja\" width=\"500\" height=\"250\">\u003c/a>\u003c/p>\n\u003cp>There are two major takeaways from this poll:\u003c/p>\n\u003col>\n\u003cli>Reading comprehension is at an all-time low.\u003c/li>\n\u003cli>Jafar sympathizers are among us.\u003c/li>\n\u003c/ol>\n\u003cp>I'll speak for all rational, literate human beings when I say: #WeAreAllAbu!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/Aladdin-aladdin-24849018-500-281.gif\" rel=\"attachment wp-att-19542\">\u003cimg class=\"aligncenter size-full wp-image-19542\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/Aladdin-aladdin-24849018-500-281.gif\" alt=\"Aladdin-aladdin-24849018-500-281\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/3593_aladdin-disney-angry-hungry-abu.gif\" rel=\"attachment wp-att-19545\">\u003cimg class=\"aligncenter size-full wp-image-19545\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/3593_aladdin-disney-angry-hungry-abu.gif\" alt=\"3593_aladdin-disney-angry-hungry-abu\" width=\"500\" height=\"297\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/02-smile-abu.gif\" rel=\"attachment wp-att-19549\">\u003cimg class=\"aligncenter size-full wp-image-19549\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/02-smile-abu.gif\" alt=\"02-smile-abu\" width=\"658\" height=\"394\">\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you're anything like me, you've probably tuned out most Election 2016 polling data. But a recent troll-tastic \u003ca href=\"http://www.publicpolicypolling.com/pdf/2015/GOPResults.pdf\" target=\"_blank\">Public Policy Polling survey\u003c/a> got my attention. Apparently 30% of Republicans want to bomb Agrabah, Aladdin's fictional hometown.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-5.gif\" rel=\"attachment wp-att-19541\">\u003cimg class=\"aligncenter size-full wp-image-19541\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-5.gif\" alt=\"jasmine aladdin gif\" width=\"245\" height=\"210\">\u003c/a>\u003c/p>\n\u003cp>But stupidity is not just a symptom of one party: 19% of Democrats are also down to devastate a made-up land known for cute monkey sidekicks and sensual man vests.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-7.gif\" rel=\"attachment wp-att-19550\">\u003cimg class=\"aligncenter size-full wp-image-19550\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/giphy-7.gif\" alt=\"jasmine raja\" width=\"500\" height=\"250\">\u003c/a>\u003c/p>\n\u003cp>There are two major takeaways from this poll:\u003c/p>\n\u003col>\n\u003cli>Reading comprehension is at an all-time low.\u003c/li>\n\u003cli>Jafar sympathizers are among us.\u003c/li>\n\u003c/ol>\n\u003cp>I'll speak for all rational, literate human beings when I say: #WeAreAllAbu!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Maryam Masud has been drawing and doodling ever since she was a kid. And people are starting to take notice, thanks to her most recent series, \u003cem>\u003ca href=\"http://mozzified.com/2015/10/18/9-disney-princesses-reinterpreted-as-hijabi-2/\" target=\"_blank\">Colors of Islam\u003c/a>\u003c/em>, which imagines Disney characters wearing the hijab. A sort of surprising project, considering her Bangladeshi parents didn't want her watching too much Disney growing up.\u003c/p>\n\u003cfigure id=\"attachment_18910\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM.png\">\u003cimg class=\"wp-image-18910 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-400x409.png\" alt=\"Artist, Maryam Masud\" width=\"400\" height=\"409\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-400x409.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-800x817.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-960x981.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM.png 1116w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist Maryam Masud\u003c/figcaption>\u003c/figure>\n\u003cp>“[Disney movies] have a lot of messages that are subtle and are not exactly how people should be portrayed,” Masud says. “It's not like [my parents] stopped us from watching it if we wanted to, it was that they didn't necessarily encourage it.” This led Masud to other forms of entertainment such as Japanese anime.\u003c/p>\n\u003cp>As she learned about \u003ca href=\"http://ww2.kqed.org/pop/2015/10/28/subverting-gender-norms-through-cosplay-at-santa-rosas-toy-con/\" target=\"_blank\">cosplay culture\u003c/a>, Masud saw a lack of characters she could easily dress as. Many characters were white males, or women with a specific style of dress or physique. \u003cem>Colors of Islam \u003c/em>is her attempt at\u003cem> \u003c/em>remedying that exclusion by opening up the world of Disney.\u003c/p>\n\u003cp>Masud knows her characters extremely well. She can discuss them or the merits of \u003cem>Tangled\u003c/em> versus \u003cem>Frozen\u003c/em> at length. “People forget that Rapunzel is an astronomer. She's a fashion designer, a cook and a baker… She's a scholar.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/hijab-disney.png\">\u003cimg class=\"alignleft size-thumbnail wp-image-19040\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/hijab-disney-400x382.png\" alt=\"hijab-disney\" width=\"400\" height=\"382\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney-400x382.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney.png 574w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>Overall, Masud wants to preserve each character's essence. “Their character description is the exact same as it was, we're just adding the word Muslim to it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It's up to the audience to think about the implications. “How does the word Muslim change the stories? Will they behave differently in society? How would society perceive them and how would their stories change?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>She sees her work as a character re-interpretation that allows others to create their own stories. “I want every single person who looks at these pictures to reclaim it for themselves.”\u003c/p>\n\n",
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"id": "closealltabs",
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"order": 1
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
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