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"content": "\u003cp>Rangers at Yosemite National Park on Monday unveiled a unique tool aimed at reducing interactions between its population of black bears and people: a website where fans of the animals can follow their every step -- from a distance.\u003c/p>\n\u003cp>That’s possible because select bears are fitted with GPS collars showing where the animals are heading. The tracking tool pings the bears' steps from satellites, which can be followed on an interactive map on a new website, \u003ca href=\"http://keepbearswild.org/\">keepbearswild.org\u003c/a>.\u003c/p>\n\u003cp>\"I think people are going to be blown away,\" said Ryan Leahy, a wildlife biologist at Yosemite National Park who leads the project. \"It's our responsibility to keep bears wild.\"\u003c/p>\n\u003cfigure id=\"attachment_11390223\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390223\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_6-800x600.jpg\" alt=\"Rangers have already been using the data collected from the GPS tracking.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rangers have already been using the data collected from the GPS tracking. \u003ccite>(Ezra David Romero/Valley Public Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Park staff had already been using up to 20 collars on the bears, coming up with some surprising findings: They learned that the animals begin mating in May, more than a month earlier than previously thought, rangers said. And, the devices revealed that the bears travel more than 30 miles in a day or two, moving with ease up 5,000-foot canyon walls, Leahy said.\u003c/p>\n\u003cp>The goal of the website is to draw in the public so they know to slow down while driving and properly store food when they visit the park's towering granite cliffs, charging waterfalls and abundant wildlife, including up to 500 black bears.\u003c/p>\n\u003cfigure id=\"attachment_11390305\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390305\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-800x466.png\" alt=\"A screengrab of the interactive map on keepbearswild.org is shown on April 3, 2017. Yosemite National Park debuted the service to help educate the public about black bears and threats to the animals.\" width=\"800\" height=\"466\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-800x466.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-160x93.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-1020x594.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-1920x1118.png 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-1180x687.png 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-960x559.png 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-240x140.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-375x218.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-520x303.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A screen grab of the interactive map on keepbearswild.org is shown on April 3, 2017. Yosemite National Park debuted the service to help educate the public about black bears and threats to the animals. \u003ccite>(keepbearswild.org)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Too often, black bears — many of which are actually brown in Yosemite — are hit and killed by drivers on Yosemite's winding roads. The website shows where 28 bears were struck by cars last year, many fatally.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“You’re talking about 10 percent of our bears potentially being hit by vehicles each year,” said Leahy. “Just slowing down a little bit will give you that stopping distance required to prevent a collision.”\u003c/p>\n\u003cfigure id=\"attachment_11390224\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390224\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_7-800x600.jpg\" alt=\"Bears are tracked using telemetry collars as well as GPS collars in Yosemite National Park.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bears are tracked using telemetry collars as well as GPS collars in Yosemite National Park. \u003ccite>(Ezra David Romero/Valley Public Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While the new website is designed to give the public extra insight into bears' lives without interfering with them, training visitors to think this way hasn’t always been easy, said National Park Service (NPS) spokesman Scott Gediman.\u003c/p>\n\u003cp>In 1998, there were nearly 1,600 bear encounters where people were injured or property was damaged. Today, there are fewer than 100 such encounters each year, thanks to the \u003ca href=\"https://www.yosemiteconservancy.org/wildlife-management/keep-bears-wild-GPS-tracking-2016\">Keep Bears Wild program\u003c/a> launched almost two decades ago.\u003c/p>\n\u003cp>Gediman said there were so many encounters with bears because, in the park's early history, rangers managed bears very differently from today. There used to be bear feeding areas and dumps in the park where people watched bears devour piles of trash and food.\u003c/p>\n\u003cp>“Bleachers were even set up,” said Leahy. “Meanwhile, during this whole thing, bear conflict was starting to occur outside of these feeding shows. You’re starting to have habituating bears, bears that have lost their natural fear.”\u003c/p>\n\u003cfigure id=\"attachment_11390221\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390221\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_3-800x533.jpg\" alt=\"A bear cub in Yosemite National Park.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A bear cub in Yosemite National Park. \u003ccite>(National Park Service)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of that human interaction taught bears to gorge on chips and trash. In turn, the adults taught their cubs to do the same. Decades later, bears still crave human food, said Leahy.\u003c/p>\n\u003cp>Managing the park’s current population has improved, partially thanks to technology — from the simple bear box, where you can store food, to radio telemetry collars and tags, which alert park staff when a bear is nearby.\u003c/p>\n\u003cfigure id=\"attachment_11390222\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390222\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_4-800x600.jpg\" alt=\"Bear tech: From bear boxes to GPS collars.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bear tech: From bear boxes to GPS collars. \u003ccite>(Ezra David Romero/Valley Public Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fast forward to the GPS collars and the pilot project, which Leahy’s team has been working on for the last year to track the bears in real time on an iPad or a computer, using frequencies from the GPS-collared animals.\u003c/p>\n\u003cp>“Yeah, it looks like all the bears have gone into their dens,” Leahy recently said, looking at a screen showing locations of the animals. “Apparently, that last storm pushed them in.”\u003c/p>\n\u003cp>With the new website and map, a bear's location is delayed so people aren't tempted to track it down in real time, rangers said.\u003c/p>\n\u003cp>“What we want to do with this website – in a positive way before they get here – is engage people, ‘Hey, here is the real story about black bears in Yosemite National Park,’ ” Leahy said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Associated Press contributed to this story.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rangers at Yosemite National Park on Monday unveiled a unique tool aimed at reducing interactions between its population of black bears and people: a website where fans of the animals can follow their every step -- from a distance.\u003c/p>\n\u003cp>That’s possible because select bears are fitted with GPS collars showing where the animals are heading. The tracking tool pings the bears' steps from satellites, which can be followed on an interactive map on a new website, \u003ca href=\"http://keepbearswild.org/\">keepbearswild.org\u003c/a>.\u003c/p>\n\u003cp>\"I think people are going to be blown away,\" said Ryan Leahy, a wildlife biologist at Yosemite National Park who leads the project. \"It's our responsibility to keep bears wild.\"\u003c/p>\n\u003cfigure id=\"attachment_11390223\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390223\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_6-800x600.jpg\" alt=\"Rangers have already been using the data collected from the GPS tracking.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_6.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rangers have already been using the data collected from the GPS tracking. \u003ccite>(Ezra David Romero/Valley Public Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Park staff had already been using up to 20 collars on the bears, coming up with some surprising findings: They learned that the animals begin mating in May, more than a month earlier than previously thought, rangers said. And, the devices revealed that the bears travel more than 30 miles in a day or two, moving with ease up 5,000-foot canyon walls, Leahy said.\u003c/p>\n\u003cp>The goal of the website is to draw in the public so they know to slow down while driving and properly store food when they visit the park's towering granite cliffs, charging waterfalls and abundant wildlife, including up to 500 black bears.\u003c/p>\n\u003cfigure id=\"attachment_11390305\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390305\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-800x466.png\" alt=\"A screengrab of the interactive map on keepbearswild.org is shown on April 3, 2017. Yosemite National Park debuted the service to help educate the public about black bears and threats to the animals.\" width=\"800\" height=\"466\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-800x466.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-160x93.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-1020x594.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-1920x1118.png 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-1180x687.png 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-960x559.png 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-240x140.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-375x218.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/Screen-Shot-2017-04-03-at-5.15.06-PM-520x303.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A screen grab of the interactive map on keepbearswild.org is shown on April 3, 2017. Yosemite National Park debuted the service to help educate the public about black bears and threats to the animals. \u003ccite>(keepbearswild.org)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Too often, black bears — many of which are actually brown in Yosemite — are hit and killed by drivers on Yosemite's winding roads. The website shows where 28 bears were struck by cars last year, many fatally.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“You’re talking about 10 percent of our bears potentially being hit by vehicles each year,” said Leahy. “Just slowing down a little bit will give you that stopping distance required to prevent a collision.”\u003c/p>\n\u003cfigure id=\"attachment_11390224\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390224\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_7-800x600.jpg\" alt=\"Bears are tracked using telemetry collars as well as GPS collars in Yosemite National Park.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_7.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bears are tracked using telemetry collars as well as GPS collars in Yosemite National Park. \u003ccite>(Ezra David Romero/Valley Public Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While the new website is designed to give the public extra insight into bears' lives without interfering with them, training visitors to think this way hasn’t always been easy, said National Park Service (NPS) spokesman Scott Gediman.\u003c/p>\n\u003cp>In 1998, there were nearly 1,600 bear encounters where people were injured or property was damaged. Today, there are fewer than 100 such encounters each year, thanks to the \u003ca href=\"https://www.yosemiteconservancy.org/wildlife-management/keep-bears-wild-GPS-tracking-2016\">Keep Bears Wild program\u003c/a> launched almost two decades ago.\u003c/p>\n\u003cp>Gediman said there were so many encounters with bears because, in the park's early history, rangers managed bears very differently from today. There used to be bear feeding areas and dumps in the park where people watched bears devour piles of trash and food.\u003c/p>\n\u003cp>“Bleachers were even set up,” said Leahy. “Meanwhile, during this whole thing, bear conflict was starting to occur outside of these feeding shows. You’re starting to have habituating bears, bears that have lost their natural fear.”\u003c/p>\n\u003cfigure id=\"attachment_11390221\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390221\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_3-800x533.jpg\" alt=\"A bear cub in Yosemite National Park.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3-520x347.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_3.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A bear cub in Yosemite National Park. \u003ccite>(National Park Service)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of that human interaction taught bears to gorge on chips and trash. In turn, the adults taught their cubs to do the same. Decades later, bears still crave human food, said Leahy.\u003c/p>\n\u003cp>Managing the park’s current population has improved, partially thanks to technology — from the simple bear box, where you can store food, to radio telemetry collars and tags, which alert park staff when a bear is nearby.\u003c/p>\n\u003cfigure id=\"attachment_11390222\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11390222\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/04/bears_4-800x600.jpg\" alt=\"Bear tech: From bear boxes to GPS collars.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4-520x390.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/04/bears_4.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bear tech: From bear boxes to GPS collars. \u003ccite>(Ezra David Romero/Valley Public Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fast forward to the GPS collars and the pilot project, which Leahy’s team has been working on for the last year to track the bears in real time on an iPad or a computer, using frequencies from the GPS-collared animals.\u003c/p>\n\u003cp>“Yeah, it looks like all the bears have gone into their dens,” Leahy recently said, looking at a screen showing locations of the animals. “Apparently, that last storm pushed them in.”\u003c/p>\n\u003cp>With the new website and map, a bear's location is delayed so people aren't tempted to track it down in real time, rangers said.\u003c/p>\n\u003cp>“What we want to do with this website – in a positive way before they get here – is engage people, ‘Hey, here is the real story about black bears in Yosemite National Park,’ ” Leahy said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Associated Press contributed to this story.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "david-hockneys-yosemite-california-at-its-sun-saturated-colorful-best",
"title": "David Hockney Captures Yosemite with iPad Art",
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"headTitle": "David Hockney Captures Yosemite with iPad Art | KQED",
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"content": "\u003cp>David Hockney has been the subject of more than 400 solo exhibitions over his long career. The British-born artist is such a rock star, \u003cem>The Guardian\u003c/em> reports \u003ca class=\"u-underline\" href=\"http://www.tate.org.uk/whats-on/tate-britain/exhibition/david-hockney\" target=\"_blank\" rel=\"noopener\">Tate Britain\u003c/a> will be \u003ca href=\"https://www.theguardian.com/artanddesign/2017/mar/24/tate-britain-to-open-till-midnight-to-cope-with-hockney-show-demand\" target=\"_blank\" rel=\"noopener\">opening its doors until midnight\u003c/a> for the first time to cope with demand for its current major retrospective of Hockney’s work.\u003c/p>\n\u003cp>At a point in his life when major world museums are presenting big Hockney shows, the artist could easily retire. But\u003cem> \u003c/em>an exhibition of 28 images he created of Yosemite National Park, \u003cem>Yosemite Suite,\u003c/em> shows how Hockney continues to reassess familiar territory in new ways. After being shown in London, New York and Venice, CA, \u003cem>Yosemite Suite\u003c/em> has arrived in the Bay Area. The works are on view at the \u003ca href=\"http://www.pacegallery.com/exhibitions/12858/the-yosemite-suite\" target=\"_blank\" rel=\"noopener\">Pace Gallery in Palo Alto\u003c/a> through May 7.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/315264550″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>The Los Angeles-based visual artist visited Yosemite in 2010 and 2011. Instead of an easel or medium-format camera, he brought his iPad along. The digital drawings he created using the software Brushes have been reproduced as large prints for display, four of them stretching to nearly eight feet in height.\u003c/p>\n\u003cp>Some of the resulting images have been tucked into bigger shows, like \u003ca href=\"http://deyoung.famsf.org/archive/hockney/hockney-about.html\" target=\"_blank\" rel=\"noopener\">\u003cem>David Hockney: A Bigger Exhibition\u003c/em>\u003c/a> at San Francisco’s de Young Museum in 2013. But seeing all 28 images assembled together in a dedicated exhibition immerses the visitor into Hockney’s vision of Yosemite. It’s a vision that is at once sunny and riotously colorful.\u003c/p>\n\u003cfigure id=\"attachment_12938826\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12938826\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-800x1085.jpg\" alt='\"Untitled No. 21\" from The Yosemite Suite, 2010, by David Hockney.' width=\"800\" height=\"1085\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-800x1085.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-768x1042.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-1020x1384.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-1920x2605.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-1180x1601.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-960x1303.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-240x326.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-375x509.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-520x706.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY.jpg 1509w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Untitled No. 21” from The Yosemite Suite, 2010, by David Hockney. \u003ccite>(Photo: Courtesy of David Hockney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Trees rise up like the columns of an open, sunlit Gothic cathedral. You feel like you could face-plant into the fluffy, flower-covered mountainsides.\u003c/p>\n\u003ch3>Hockney’s digital space\u003c/h3>\n\u003cp>Over the course of his long career, Hockney has embraced all sorts of technologies, from Polaroid photographs to fax machines. Yet his work always remains rooted in painting.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The technology is not the end in itself, but rather, a tool,” says Douglas Baxter, president of Pace Gallery in New York, and Hockney’s longtime friend. With \u003cem>Yosemite Suite\u003c/em>, Baxter says, Hockney responds to the park with an Impressionist’s eye and then “translates it to the iPad.”\u003c/p>\n\u003cp>Not for Hockney the sedate earth tones of artists past. \u003ca href=\"https://www.scu.edu/art/faculty-and-staff/ryan-reynolds/\" target=\"_blank\" rel=\"noopener\">Ryan Reynolds\u003c/a>, an assistant professor of art at Santa Clara University, says the artist translates the language of the landscape into his own patois of color, line and texture. “He takes what could be seen as these postcard views, and turns them into something that you want to contemplate and think about,” Reynolds says.\u003c/p>\n\u003cfigure id=\"attachment_12963302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12963302\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-800x1060.jpg\" alt='\"Untitled No. 3\" from The Yosemite Suite, 2010, by David Hockney. ' width=\"800\" height=\"1060\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-800x1060.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-160x212.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-768x1017.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-1020x1351.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-1920x2543.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-1180x1563.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-960x1272.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-240x318.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-375x497.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-520x689.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut.jpg 1546w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Untitled No. 3” from The Yosemite Suite, 2010, by David Hockney. \u003ccite>(Photo: Courtesy of David Hockney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For instance, Reynolds says that Hockney is a master of texture, regardless of whether the work is produced with paint and brushes or a finger on a screen. “Dots, lines, scribbles, are used to mimic texture,” Reynolds says. “He’s studied artists like Matisse and Picasso quite thoroughly, and you can see those influences in his work and especially in these Yosemite paintings.”\u003c/p>\n\u003ch3> Long legacy of Yosemite art\u003c/h3>\n\u003cp>Hockney comes from a long line of artists inspired by Yosemite. In the mid-19th century, \u003ca href=\"http://www.mfa.org/collections/object/valley-of-the-yosemite-33107\" target=\"_blank\" rel=\"noopener\">Albert Bierstadt\u003c/a>’s oil paintings first established the landscape in the American imagination, as did the work of William Kieth and Thomas Hill. “As part the Hudson River School era, they were interested in the epic landscape infused with majestic light,” Reynolds says.\u003c/p>\n\u003cp>Then came photography, epitomized by the work of Ansel Adams, Carleton Watkins and Celia Crocker Thompson. In more recent years, a host of photographers have continued to tackle Yosemite afresh: \u003ca href=\"http://www.matthewbrandt.com/works/taste-tests-in-color/\" target=\"_blank\" rel=\"noopener\">Matthew Brandt\u003c/a>, \u003ca href=\"http://binhdanh.com/Projects/Yosemite/yosemite.html\" target=\"_blank\" rel=\"noopener\">Binh Danh\u003c/a>, \u003ca href=\"http://judydater.com/nudes/pzo007y7y85t95guktxobndyqw7zvg\" target=\"_blank\" rel=\"noopener\">Judy Dater\u003c/a>, \u003ca href=\"http://www.adamkatseff.com/landscapes\" target=\"_blank\" rel=\"noopener\">Adam Katseff\u003c/a>, \u003ca href=\"http://www.americansuburbx.com/2015/07/roger-minick-sightseer.html\" target=\"_blank\" rel=\"noopener\">Roger Minick\u003c/a>, \u003ca href=\"http://lacmaonfire.blogspot.com/2015/11/opies-yosemite-for-la-courthouse.html\" target=\"_blank\" rel=\"noopener\">Catherine Opie\u003c/a> and \u003ca href=\"http://www.milleetibbs.com/mountains_valleys1.html\" target=\"_blank\" rel=\"noopener\">Millee Tibbs\u003c/a>.\u003c/p>\n\u003cp>But relatively few artists are drawn to the park these days. “Yosemite lost the intellectual excitement that it once held to many painters, probably due to how well Yosemite is known and how often it has been depicted,” Reynolds says. “Maybe also because no one had an idea of how to do it differently. How to deal with those impossibly grand views and angles of monumental granite.”\u003c/p>\n\u003cfigure id=\"attachment_12938823\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12938823\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-800x1077.jpg\" alt='\"Untitled No. 8\" from The Yosemite Suite, 2010, by David Hockney.' width=\"800\" height=\"1077\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-800x1077.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-160x215.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-768x1034.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-1020x1373.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-1920x2584.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-1180x1588.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-960x1292.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-240x323.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-375x505.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-520x700.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut.jpg 1522w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Untitled No. 8” from The Yosemite Suite, 2010, by David Hockney. \u003ccite>(Photo: Courtesy of David Hockney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hockney clearly isn’t intimidated by Yosemite or its legacy on canvas or photo stock. “He’s not afraid to play with places that are very familiar to us,” says \u003ca href=\"http://art.sdsu.edu/profiles/bridget-gilman/\" target=\"_blank\" rel=\"noopener\">Bridget Gilman\u003c/a>, an assistant professor of art history at San Diego State University. “There are all these ways in which a place that’s familiar could be a launching point for some kind of experimentation with materials.”\u003c/p>\n\u003cp>Hockney’s application of iPad painting to one of the nation’s most iconic landmarks ultimately recalls John Muir’s description of the park in \u003cem>The Yosemite\u003c/em>: “From the eastern boundary of this vast golden flower-bed rose the mighty Sierra, miles in height, and so gloriously colored and so radiant, it seemed not clothed with light but wholly composed of it, like the wall of some celestial city.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>David Hockey’s ‘Yosemite Suite’ is on view at the Pace Gallery in Palo Alto through Sunday, May 7. More information \u003ca href=\"http://www.pacegallery.com/exhibitions/12797/david-hockney\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "A traveling exhibition at Pace Gallery in Palo Alto of 28 images the British-born, Los Angeles-based artist created of the iconic national park shows how Hockney continues to reassess familiar territory in new ways. ",
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"title": "David Hockney Captures Yosemite with iPad Art | KQED",
"description": "A traveling exhibition at Pace Gallery in Palo Alto of 28 images the British-born, Los Angeles-based artist created of the iconic national park shows how Hockney continues to reassess familiar territory in new ways. ",
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"headline": "David Hockney Captures Yosemite with iPad Art",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>David Hockney has been the subject of more than 400 solo exhibitions over his long career. The British-born artist is such a rock star, \u003cem>The Guardian\u003c/em> reports \u003ca class=\"u-underline\" href=\"http://www.tate.org.uk/whats-on/tate-britain/exhibition/david-hockney\" target=\"_blank\" rel=\"noopener\">Tate Britain\u003c/a> will be \u003ca href=\"https://www.theguardian.com/artanddesign/2017/mar/24/tate-britain-to-open-till-midnight-to-cope-with-hockney-show-demand\" target=\"_blank\" rel=\"noopener\">opening its doors until midnight\u003c/a> for the first time to cope with demand for its current major retrospective of Hockney’s work.\u003c/p>\n\u003cp>At a point in his life when major world museums are presenting big Hockney shows, the artist could easily retire. But\u003cem> \u003c/em>an exhibition of 28 images he created of Yosemite National Park, \u003cem>Yosemite Suite,\u003c/em> shows how Hockney continues to reassess familiar territory in new ways. After being shown in London, New York and Venice, CA, \u003cem>Yosemite Suite\u003c/em> has arrived in the Bay Area. The works are on view at the \u003ca href=\"http://www.pacegallery.com/exhibitions/12858/the-yosemite-suite\" target=\"_blank\" rel=\"noopener\">Pace Gallery in Palo Alto\u003c/a> through May 7.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/315264550″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/315264550″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The Los Angeles-based visual artist visited Yosemite in 2010 and 2011. Instead of an easel or medium-format camera, he brought his iPad along. The digital drawings he created using the software Brushes have been reproduced as large prints for display, four of them stretching to nearly eight feet in height.\u003c/p>\n\u003cp>Some of the resulting images have been tucked into bigger shows, like \u003ca href=\"http://deyoung.famsf.org/archive/hockney/hockney-about.html\" target=\"_blank\" rel=\"noopener\">\u003cem>David Hockney: A Bigger Exhibition\u003c/em>\u003c/a> at San Francisco’s de Young Museum in 2013. But seeing all 28 images assembled together in a dedicated exhibition immerses the visitor into Hockney’s vision of Yosemite. It’s a vision that is at once sunny and riotously colorful.\u003c/p>\n\u003cfigure id=\"attachment_12938826\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12938826\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-800x1085.jpg\" alt='\"Untitled No. 21\" from The Yosemite Suite, 2010, by David Hockney.' width=\"800\" height=\"1085\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-800x1085.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-768x1042.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-1020x1384.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-1920x2605.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-1180x1601.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-960x1303.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-240x326.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-375x509.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY-520x706.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/62628_06_HOCKNEY.jpg 1509w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Untitled No. 21” from The Yosemite Suite, 2010, by David Hockney. \u003ccite>(Photo: Courtesy of David Hockney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Trees rise up like the columns of an open, sunlit Gothic cathedral. You feel like you could face-plant into the fluffy, flower-covered mountainsides.\u003c/p>\n\u003ch3>Hockney’s digital space\u003c/h3>\n\u003cp>Over the course of his long career, Hockney has embraced all sorts of technologies, from Polaroid photographs to fax machines. Yet his work always remains rooted in painting.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The technology is not the end in itself, but rather, a tool,” says Douglas Baxter, president of Pace Gallery in New York, and Hockney’s longtime friend. With \u003cem>Yosemite Suite\u003c/em>, Baxter says, Hockney responds to the park with an Impressionist’s eye and then “translates it to the iPad.”\u003c/p>\n\u003cp>Not for Hockney the sedate earth tones of artists past. \u003ca href=\"https://www.scu.edu/art/faculty-and-staff/ryan-reynolds/\" target=\"_blank\" rel=\"noopener\">Ryan Reynolds\u003c/a>, an assistant professor of art at Santa Clara University, says the artist translates the language of the landscape into his own patois of color, line and texture. “He takes what could be seen as these postcard views, and turns them into something that you want to contemplate and think about,” Reynolds says.\u003c/p>\n\u003cfigure id=\"attachment_12963302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12963302\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-800x1060.jpg\" alt='\"Untitled No. 3\" from The Yosemite Suite, 2010, by David Hockney. ' width=\"800\" height=\"1060\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-800x1060.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-160x212.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-768x1017.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-1020x1351.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-1920x2543.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-1180x1563.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-960x1272.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-240x318.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-375x497.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut-520x689.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24690_62610_06_HOCKNEY-qut.jpg 1546w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Untitled No. 3” from The Yosemite Suite, 2010, by David Hockney. \u003ccite>(Photo: Courtesy of David Hockney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For instance, Reynolds says that Hockney is a master of texture, regardless of whether the work is produced with paint and brushes or a finger on a screen. “Dots, lines, scribbles, are used to mimic texture,” Reynolds says. “He’s studied artists like Matisse and Picasso quite thoroughly, and you can see those influences in his work and especially in these Yosemite paintings.”\u003c/p>\n\u003ch3> Long legacy of Yosemite art\u003c/h3>\n\u003cp>Hockney comes from a long line of artists inspired by Yosemite. In the mid-19th century, \u003ca href=\"http://www.mfa.org/collections/object/valley-of-the-yosemite-33107\" target=\"_blank\" rel=\"noopener\">Albert Bierstadt\u003c/a>’s oil paintings first established the landscape in the American imagination, as did the work of William Kieth and Thomas Hill. “As part the Hudson River School era, they were interested in the epic landscape infused with majestic light,” Reynolds says.\u003c/p>\n\u003cp>Then came photography, epitomized by the work of Ansel Adams, Carleton Watkins and Celia Crocker Thompson. In more recent years, a host of photographers have continued to tackle Yosemite afresh: \u003ca href=\"http://www.matthewbrandt.com/works/taste-tests-in-color/\" target=\"_blank\" rel=\"noopener\">Matthew Brandt\u003c/a>, \u003ca href=\"http://binhdanh.com/Projects/Yosemite/yosemite.html\" target=\"_blank\" rel=\"noopener\">Binh Danh\u003c/a>, \u003ca href=\"http://judydater.com/nudes/pzo007y7y85t95guktxobndyqw7zvg\" target=\"_blank\" rel=\"noopener\">Judy Dater\u003c/a>, \u003ca href=\"http://www.adamkatseff.com/landscapes\" target=\"_blank\" rel=\"noopener\">Adam Katseff\u003c/a>, \u003ca href=\"http://www.americansuburbx.com/2015/07/roger-minick-sightseer.html\" target=\"_blank\" rel=\"noopener\">Roger Minick\u003c/a>, \u003ca href=\"http://lacmaonfire.blogspot.com/2015/11/opies-yosemite-for-la-courthouse.html\" target=\"_blank\" rel=\"noopener\">Catherine Opie\u003c/a> and \u003ca href=\"http://www.milleetibbs.com/mountains_valleys1.html\" target=\"_blank\" rel=\"noopener\">Millee Tibbs\u003c/a>.\u003c/p>\n\u003cp>But relatively few artists are drawn to the park these days. “Yosemite lost the intellectual excitement that it once held to many painters, probably due to how well Yosemite is known and how often it has been depicted,” Reynolds says. “Maybe also because no one had an idea of how to do it differently. How to deal with those impossibly grand views and angles of monumental granite.”\u003c/p>\n\u003cfigure id=\"attachment_12938823\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12938823\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-800x1077.jpg\" alt='\"Untitled No. 8\" from The Yosemite Suite, 2010, by David Hockney.' width=\"800\" height=\"1077\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-800x1077.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-160x215.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-768x1034.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-1020x1373.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-1920x2584.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-1180x1588.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-960x1292.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-240x323.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-375x505.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut-520x700.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/RS24691_62615_06_HOCKNEY-qut.jpg 1522w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“Untitled No. 8” from The Yosemite Suite, 2010, by David Hockney. \u003ccite>(Photo: Courtesy of David Hockney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hockney clearly isn’t intimidated by Yosemite or its legacy on canvas or photo stock. “He’s not afraid to play with places that are very familiar to us,” says \u003ca href=\"http://art.sdsu.edu/profiles/bridget-gilman/\" target=\"_blank\" rel=\"noopener\">Bridget Gilman\u003c/a>, an assistant professor of art history at San Diego State University. “There are all these ways in which a place that’s familiar could be a launching point for some kind of experimentation with materials.”\u003c/p>\n\u003cp>Hockney’s application of iPad painting to one of the nation’s most iconic landmarks ultimately recalls John Muir’s description of the park in \u003cem>The Yosemite\u003c/em>: “From the eastern boundary of this vast golden flower-bed rose the mighty Sierra, miles in height, and so gloriously colored and so radiant, it seemed not clothed with light but wholly composed of it, like the wall of some celestial city.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>David Hockey’s ‘Yosemite Suite’ is on view at the Pace Gallery in Palo Alto through Sunday, May 7. More information \u003ca href=\"http://www.pacegallery.com/exhibitions/12797/david-hockney\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Falling Tree Kills Woman at Yosemite National Park",
"title": "Falling Tree Kills Woman at Yosemite National Park",
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"content": "\u003cp>YOSEMITE NATIONAL PARK — A woman has been killed by a falling ponderosa pine tree at Half Dome Village in Yosemite National Park, officials said.\u003c/p>\n\u003cp>The accident happened Sunday in the area formerly known as Curry Village, park spokesman Scott Gediman told Sacramento television station \u003ca href=\"http://bit.ly/2lMl1gA\">KCRA\u003c/a>.\u003c/p>\n\u003cp>The victim, Destiny Rose Texeira Borges of Ceres (Stanislaus County), had been in Yosemite working for a company contracted by the park concessioner amid heavy snow and high winds sweeping through the area over the weekend.\u003c/p>\n\u003cp>Rangers closed the village and had visitors leave the area after the accident, Gediman said. The area was reopened Monday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>It's been a long week. Take a moment — \u003cem>or even a minute!\u003c/em> — to watch something beautiful.\u003c/p>\n\u003cp>Around the third week of February each year, Horsetail Fall lights up Yosemite National Park with a spectacle of orange and red. The phenomenon, which has taken on the decidedly majestic nickname \"firefall,\" is an optical trick of the sunset when a host of conditions are just right.\u003c/p>\n\u003cp>If the waterfall is flowing with snowmelt, if Earth is aligned with the sun just so — as it is this time of year — and if the skies are clear enough to let that sunlight through, the fall appears to flare with the fiery glow of lava.\u003c/p>\n\u003cp>https://twitter.com/Interior/status/831299773944717312\u003c/p>\n\u003cp>It kindles into life for just about 10 minutes a day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The tiny window doesn't dissuade the swarm of zoom lens-toting photographers from descending on the spot each year -- photographers such as Michael Frye, who \u003ca href=\"http://www.npr.org/sections/pictureshow/2012/02/21/147206195/from-waterfall-to-lavafall-yosemites-fleeting-phenomenon\">spoke with NPR's Audie Cornish\u003c/a> about the sight in 2012.\u003c/p>\n\u003cp>[contextly_sidebar id=\"QOAyp7OEdTd4XV1LC4RggGTj0d2bwqws\"]\u003c/p>\n\u003cp>\"It's this narrow ribbon of water falling from this high cliff, the eastern buttress of [the El Capitan rock formation],\" he says. \"Just that narrow little ribbon of water is lit and everything else around it is dark. And with the right light, that water can turn orange or even red.\"\u003c/p>\n\u003cp>Thankfully, Frye and his fellow photographers — and videographers — have taken the trouble to send back dispatches of these glowing minutes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2017 NPR. To see more, visit \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR.org\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The tiny window doesn't dissuade the swarm of zoom lens-toting photographers from descending on the spot each year -- photographers such as Michael Frye, who \u003ca href=\"http://www.npr.org/sections/pictureshow/2012/02/21/147206195/from-waterfall-to-lavafall-yosemites-fleeting-phenomenon\">spoke with NPR's Audie Cornish\u003c/a> about the sight in 2012.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"It's this narrow ribbon of water falling from this high cliff, the eastern buttress of [the El Capitan rock formation],\" he says. \"Just that narrow little ribbon of water is lit and everything else around it is dark. And with the right light, that water can turn orange or even red.\"\u003c/p>\n\u003cp>Thankfully, Frye and his fellow photographers — and videographers — have taken the trouble to send back dispatches of these glowing minutes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2017 NPR. To see more, visit \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR.org\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "In Yosemite, Native Americans Ask, 'Whose Names Are They, Anyway?'",
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"content": "\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=JggvenDPcuc\">Helen Coats\u003c/a> stands at her kitchen sink, letting it fill with water for the breakfast dishes. “On with the chores,” says the 88-year-old. “I’m always doing something around the house when I have time.”\u003c/p>\n\u003cp>Outside her window, she notices a Subaru wagon pulling up her driveway. Her daughter’s dog starts barking.\u003c/p>\n\u003cp>“Oh, it’s Seventh-day Adventists, I mean Jehovah’s Witnesses. They’re coming to preach,” she says, as she opens the door leading to her screened-in front porch.\u003c/p>\n\u003cp>“Finally, you find me home, huh?” she yells out to them. Two young women come up the stairs and one of them tells her they’ll be brief. “I don’t want to bother you guys,” she adds.\u003c/p>\n\u003cp>She hands Coats some religious pamphlets and they make small talk. Coats is friendly and gracious. These aren’t the first proselytizers she’s met.\u003c/p>\n\u003cp>Coats was born in Yosemite in 1927 in what was called the old Indian Village.\u003c/p>\n\u003cp>“We lived in tents then,” she says. “I was born in a tent and my aunt Alice was the one who delivered me there.”\u003c/p>\n\u003cfigure id=\"attachment_10892887\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10892887\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/03/Helen-800x1066.jpg\" alt=\"At 88, Helen Coats remains active in her Native American community.\" width=\"800\" height=\"1066\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-800x1066.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-1180x1572.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-960x1279.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">At 88, Helen Coats remains active in her Native American community. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In third grade, Coats went to a boarding school at the Presbyterian Mission in North Fork outside of Yosemite.\u003c/p>\n\u003cp>Later, she worked for the park’s first concessionaire, the Curry Company -- in the laundry.\u003c/p>\n\u003cp>“In those days, the natives all worked as manual labor,” says Coats, whose mother was a Paiute and father a Miwok.\u003c/p>\n\u003cp>She met her husband, Jack, there. They married in the Yosemite Valley Chapel.\u003c/p>\n\u003cp>“I think that’s the first time they ever had that many Native Americans in that church,” Coats says. “We had our ceremony there. Mrs. Adams sang at our wedding.”\u003c/p>\n\u003cp>That’s photographer Ansel Adams’ wife, Virginia Best. Coats baby-sat their children as a teenager.\u003c/p>\n\u003cp>Coats and her husband have now been married almost 65 years. They live in a small beige house perched on a hillside off a highway that leads into Yosemite Valley.\u003c/p>\n\u003cp>But, Coats says, she rarely takes the road into the park. “Everything in the Valley has changed so much,” she says. “It doesn’t feel like home anymore. Nope it doesn’t feel like home. I’d say if they could change the mountains, they’d probably do that, too.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JggvenDPcuc\u003c/p>\n\u003cp>All the landmarks she knew as a child are gone: the old Indian Village where she was born, the new Indian Village where she lived as an adult, even some of the trees she used as markers.\u003c/p>\n\u003cp>“I have to visualize everything in my head,” she says. “It’s the rocks that I really go by now 'cause the rocks never change.”\u003c/p>\n\u003cp>And now, even new landmarks have disappeared, signs with names derived from Native American words. Ahwahnee, the word for the Valley, comes from Awhaneechee, Coats says -- the name for the Miwoks who lived there.\u003c/p>\n\u003cp>“Originally those were native names,” she says. “So if you really want to get technical, who really put the names there to begin with, you know?”\u003c/p>\n\u003cp>But names like the Ahwahnee and the Wawona are gone, at least for now, while the park service and its former concessionaire, Delaware North, battle out the cost of these trademarks in court. Now there are new signs directing visitors to the Majestic Yosemite Hotel and the Big Trees Lodge.\u003c/p>\n\u003cfigure id=\"attachment_10892899\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10892899 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/03/YosemitePetition-800x1023.jpg\" alt=\"Laurie Sylvester holds petitions asking Delaware North to release the trademarks. \" width=\"800\" height=\"1023\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-800x1023.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-400x512.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-1180x1509.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-960x1228.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laurie Sylvester holds petitions asking Delaware North to release the trademarks. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Laurie Sylvester, a former Tuolumne County supervisor, says the loss of these iconic names makes her livid.\u003c/p>\n\u003cp>“The names that humankind has attached to this natural beauty ring in our hearts,” she says. “You say the Ahwahnee and it pulls up memories, but it’s mercifully a nod to the Native Americans and the first people that were here to witness this incredible sight long before the kind of commercial endeavor it is today.”\u003c/p>\n\u003cp>Sylvester, who is not a Native American, stands in the lobby of the newly named Majestic Yosemite Hotel. The word Ahwahnee is covered up with black tape on the Historic Register wall plaque.\u003c/p>\n\u003cp>“Just as we’re walking in today and we come down the hallway, I turn around to look at the historical sign and see black tape,” she says. “So it now reads the “black tape” first opened its doors to park visitors on July 14, 1927.”\u003c/p>\n\u003cp>Sylvester says she was so angry, she decided to start a \u003ca href=\"http://petitions.moveon.org/sign/delaware-north-release\">petition\u003c/a> on \u003ca href=\"http://front.moveon.org/\">MoveOn.Org \u003c/a>asking for the names to be released to the public. So far, the petition has more than 7,500 signatures, but it’s the comments that really get to Sylvester. Many are from people who lived in or grew up around Yosemite and feel an emotional attachment to the names.\u003c/p>\n\u003cp>[contextly_sidebar id=\"TIR0W4YjbGKw4GPexs3KCPn74XuqQ104\"]\u003c/p>\n\u003cp>“These names belong to the Native Americans,” Sylvester says. “I think that’s what really got me roiled up. No, no one can own those. Just because you can doesn’t mean you have to.”\u003c/p>\n\u003cp>In a statement, Delaware North, the former concessionaire, agrees that the names do hold a special place in the nation’s cultural history, but this is a contract dispute. And, the company says, it was willing to let the park service use the names for free while the issue gets resolved.\u003c/p>\n\u003cfigure id=\"attachment_10892905\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10892905\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/03/BillTucker-800x836.jpg\" alt=\"Southern Sierra Miwok elder Bill Tucker stands outside the Mariposa Museum and History Center. \" width=\"800\" height=\"836\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-800x836.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-400x418.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-1180x1233.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-960x1003.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-32x32.jpg 32w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Southern Sierra Miwok elder Bill Tucker stands outside the Mariposa Museum and History Center. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Southern Sierra Miwok elder Bill Tucker also grew up in Yosemite. He now lives outside of Mariposa. Tucker says names like the Ahwahnee were likely an acknowledgement to the Native Americans who once lived in Yosemite. But he doesn’t see it that way now.\u003c/p>\n\u003cp>“Now it’s like a money market, trademarks here and there,” he says.\u003c/p>\n\u003cp>Lois Hogan Martin is Tucker’s cousin. She also grew up in Yosemite and now lives in Mariposa. “This is part of my generation, part of what I remember about Yosemite, thinking of those names,” she says. “Those structures have been there as long as I can remember.”\u003c/p>\n\u003cp>Names like Wawona probably came from native root words, Martin says. They get interpreted in many ways. “You know, depending on who they told them to, how they spell them and the meaning,” she says.\u003c/p>\n\u003cp>Ahwahnee is also spelled A-W-A-N-I, Martin says. And she can’t help but wonder: What if the hotel’s name stayed the same, but the spelling was changed?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=JggvenDPcuc\">Helen Coats\u003c/a> stands at her kitchen sink, letting it fill with water for the breakfast dishes. “On with the chores,” says the 88-year-old. “I’m always doing something around the house when I have time.”\u003c/p>\n\u003cp>Outside her window, she notices a Subaru wagon pulling up her driveway. Her daughter’s dog starts barking.\u003c/p>\n\u003cp>“Oh, it’s Seventh-day Adventists, I mean Jehovah’s Witnesses. They’re coming to preach,” she says, as she opens the door leading to her screened-in front porch.\u003c/p>\n\u003cp>“Finally, you find me home, huh?” she yells out to them. Two young women come up the stairs and one of them tells her they’ll be brief. “I don’t want to bother you guys,” she adds.\u003c/p>\n\u003cp>She hands Coats some religious pamphlets and they make small talk. Coats is friendly and gracious. These aren’t the first proselytizers she’s met.\u003c/p>\n\u003cp>Coats was born in Yosemite in 1927 in what was called the old Indian Village.\u003c/p>\n\u003cp>“We lived in tents then,” she says. “I was born in a tent and my aunt Alice was the one who delivered me there.”\u003c/p>\n\u003cfigure id=\"attachment_10892887\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10892887\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/03/Helen-800x1066.jpg\" alt=\"At 88, Helen Coats remains active in her Native American community.\" width=\"800\" height=\"1066\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-800x1066.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-1180x1572.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/Helen-960x1279.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">At 88, Helen Coats remains active in her Native American community. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In third grade, Coats went to a boarding school at the Presbyterian Mission in North Fork outside of Yosemite.\u003c/p>\n\u003cp>Later, she worked for the park’s first concessionaire, the Curry Company -- in the laundry.\u003c/p>\n\u003cp>“In those days, the natives all worked as manual labor,” says Coats, whose mother was a Paiute and father a Miwok.\u003c/p>\n\u003cp>She met her husband, Jack, there. They married in the Yosemite Valley Chapel.\u003c/p>\n\u003cp>“I think that’s the first time they ever had that many Native Americans in that church,” Coats says. “We had our ceremony there. Mrs. Adams sang at our wedding.”\u003c/p>\n\u003cp>That’s photographer Ansel Adams’ wife, Virginia Best. Coats baby-sat their children as a teenager.\u003c/p>\n\u003cp>Coats and her husband have now been married almost 65 years. They live in a small beige house perched on a hillside off a highway that leads into Yosemite Valley.\u003c/p>\n\u003cp>But, Coats says, she rarely takes the road into the park. “Everything in the Valley has changed so much,” she says. “It doesn’t feel like home anymore. Nope it doesn’t feel like home. I’d say if they could change the mountains, they’d probably do that, too.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JggvenDPcuc'\n title='//www.youtube.com/embed/JggvenDPcuc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>All the landmarks she knew as a child are gone: the old Indian Village where she was born, the new Indian Village where she lived as an adult, even some of the trees she used as markers.\u003c/p>\n\u003cp>“I have to visualize everything in my head,” she says. “It’s the rocks that I really go by now 'cause the rocks never change.”\u003c/p>\n\u003cp>And now, even new landmarks have disappeared, signs with names derived from Native American words. Ahwahnee, the word for the Valley, comes from Awhaneechee, Coats says -- the name for the Miwoks who lived there.\u003c/p>\n\u003cp>“Originally those were native names,” she says. “So if you really want to get technical, who really put the names there to begin with, you know?”\u003c/p>\n\u003cp>But names like the Ahwahnee and the Wawona are gone, at least for now, while the park service and its former concessionaire, Delaware North, battle out the cost of these trademarks in court. Now there are new signs directing visitors to the Majestic Yosemite Hotel and the Big Trees Lodge.\u003c/p>\n\u003cfigure id=\"attachment_10892899\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10892899 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/03/YosemitePetition-800x1023.jpg\" alt=\"Laurie Sylvester holds petitions asking Delaware North to release the trademarks. \" width=\"800\" height=\"1023\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-800x1023.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-400x512.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-1180x1509.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/YosemitePetition-960x1228.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laurie Sylvester holds petitions asking Delaware North to release the trademarks. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Laurie Sylvester, a former Tuolumne County supervisor, says the loss of these iconic names makes her livid.\u003c/p>\n\u003cp>“The names that humankind has attached to this natural beauty ring in our hearts,” she says. “You say the Ahwahnee and it pulls up memories, but it’s mercifully a nod to the Native Americans and the first people that were here to witness this incredible sight long before the kind of commercial endeavor it is today.”\u003c/p>\n\u003cp>Sylvester, who is not a Native American, stands in the lobby of the newly named Majestic Yosemite Hotel. The word Ahwahnee is covered up with black tape on the Historic Register wall plaque.\u003c/p>\n\u003cp>“Just as we’re walking in today and we come down the hallway, I turn around to look at the historical sign and see black tape,” she says. “So it now reads the “black tape” first opened its doors to park visitors on July 14, 1927.”\u003c/p>\n\u003cp>Sylvester says she was so angry, she decided to start a \u003ca href=\"http://petitions.moveon.org/sign/delaware-north-release\">petition\u003c/a> on \u003ca href=\"http://front.moveon.org/\">MoveOn.Org \u003c/a>asking for the names to be released to the public. So far, the petition has more than 7,500 signatures, but it’s the comments that really get to Sylvester. Many are from people who lived in or grew up around Yosemite and feel an emotional attachment to the names.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“These names belong to the Native Americans,” Sylvester says. “I think that’s what really got me roiled up. No, no one can own those. Just because you can doesn’t mean you have to.”\u003c/p>\n\u003cp>In a statement, Delaware North, the former concessionaire, agrees that the names do hold a special place in the nation’s cultural history, but this is a contract dispute. And, the company says, it was willing to let the park service use the names for free while the issue gets resolved.\u003c/p>\n\u003cfigure id=\"attachment_10892905\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10892905\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/03/BillTucker-800x836.jpg\" alt=\"Southern Sierra Miwok elder Bill Tucker stands outside the Mariposa Museum and History Center. \" width=\"800\" height=\"836\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-800x836.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-400x418.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-1180x1233.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-960x1003.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/03/BillTucker-32x32.jpg 32w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Southern Sierra Miwok elder Bill Tucker stands outside the Mariposa Museum and History Center. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Southern Sierra Miwok elder Bill Tucker also grew up in Yosemite. He now lives outside of Mariposa. Tucker says names like the Ahwahnee were likely an acknowledgement to the Native Americans who once lived in Yosemite. But he doesn’t see it that way now.\u003c/p>\n\u003cp>“Now it’s like a money market, trademarks here and there,” he says.\u003c/p>\n\u003cp>Lois Hogan Martin is Tucker’s cousin. She also grew up in Yosemite and now lives in Mariposa. “This is part of my generation, part of what I remember about Yosemite, thinking of those names,” she says. “Those structures have been there as long as I can remember.”\u003c/p>\n\u003cp>Names like Wawona probably came from native root words, Martin says. They get interpreted in many ways. “You know, depending on who they told them to, how they spell them and the meaning,” she says.\u003c/p>\n\u003cp>Ahwahnee is also spelled A-W-A-N-I, Martin says. And she can’t help but wonder: What if the hotel’s name stayed the same, but the spelling was changed?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Yosemite Name Changes Take Effect",
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"content": "\u003cp>The names of some of Yosemite National Park's most iconic attractions are changing Tuesday.\u003c/p>\n\u003cp>The National Park Service \u003ca href=\"http://ww2.kqed.org/news/2016/01/14/yosemite-to-change-historic-names-in-trademark-dispute\" target=\"_blank\">announced that it would change the names\u003c/a> of Curry Village, the Ahwahnee Hotel, Badger Pass Ski Resort and other attractions after failing to reach an agreement with the company that says it owns the trademarks to those attractions. The company -- \u003ca href=\"http://www.delawarenorth.com/\" target=\"_blank\">Delaware North\u003c/a> -- has served as the park's concessionaire since 1993, running numerous operations until losing the contract to Aramark, which takes over on Tuesday.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/249672184\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>These name changes took effect at midnight:\u003c/p>\n\u003cblockquote>\u003cp>● \u003cstrong>Yosemite Lodge\u003c/strong> at the Falls becomes: \u003cstrong>Yosemite Valley Lodge\u003c/strong>\u003cbr>\n● \u003cstrong>The Ahwahnee\u003c/strong> becomes: \u003cstrong>The Majestic Yosemite Hotel\u003c/strong>\u003cbr>\n● \u003cstrong>Curry Village\u003c/strong> becomes: \u003cstrong>Half Dome Village\u003c/strong>\u003cbr>\n● \u003cstrong>Wawona Hotel\u003c/strong> becomes: \u003cstrong>Big Trees Lodge\u003c/strong>\u003cbr>\n● \u003cstrong>Badger Pass Ski Area\u003c/strong> becomes: \u003cstrong>Yosemite Ski & Snowboard Area\u003c/strong>\u003c/p>\u003c/blockquote>\n\u003cp>Park Service employees will start placing temporary signs over road signs directing visitors to the attractions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Park Service spokesman Scott Gediman said they're using the temporary signs in the hope that a settlement will be reached. Just before it was due to be covered up, a historic sign welcoming visitors to the park's Ahwahnee Hotel was stolen over the weekend, Gediman said.\u003c/p>\n\u003cp>\"It's part of the park's historic fabric,\" Gediman said. \"And we are taking this seriously.\"\u003c/p>\n\u003cp>https://twitter.com/FresnoBee/status/704468156274728960\u003c/p>\n\u003cp>Delaware North spokesman Glen White said Park Service officials turned down the company's offer to let the park continue using the trademark names until the legal dispute was resolved.\u003c/p>\n\u003cp>Gediman said the Park Service turned down the offer made Friday because that would \"acknowledge they own the names.\"\u003c/p>\n\u003cp>The names of Yosemite attractions aren't the only iconic names to which Delaware North has staked a claim.\u003c/p>\n\u003cp>[contextly_sidebar id=\"b2suU5WJWlXK9rk40GuO9ha8EFmDuIss\"]\u003c/p>\n\u003cp>The company also runs concessions at the Kennedy Space Center, and has a trademark application for “Space Shuttle Atlantis,” government court papers say.\u003c/p>\n\u003cp>Delaware North “apparently embarked on a business model whereby it collects trademarks to the names of iconic property owned by the United States,” wrote Justice Department attorney John Robertson in the court papers.\u003c/p>\n\u003cp>\u003cstrong>Yosemite Visitors Bemoan Name Changes\u003c/strong>\u003c/p>\n\u003cp>“Yeah, changing the name of the Ahwahnee, that’s just absurd,” said Loren Haas, visiting from Napa. “And the name precedes the company that’s trying to maintain the rights to the name.”\u003c/p>\n\u003cp>[gallery type=\"rectangular\" link=\"none\" ids=\"10882268,10882220\"]\u003c/p>\n\u003cp>Bill King from Tracy wasn’t crazy about the name changes either. But he doubted the transition from one concessionaire to another would have much overall impact.\u003c/p>\n\u003cp>\"My opinion is the current transition is very smooth from a customer’s perspective,\" King said.\u003c/p>\n\u003cp>Visitor Robert Franco wonders what the company will do with the names if it doesn’t get the tens of millions of dollars it’s asking for.\u003c/p>\n\u003cp>\"What are they gonna do with those names? Are they gonna try and profit from those names? I don't think it's the right thing to do.\"\u003c/p>\n\u003cp>Court filings show the National Park Service values the trademark names at $3.5 million. Delaware North puts their worth at $51 million.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post includes reporting from The Associated Press.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The names of some of Yosemite National Park's most iconic attractions are changing Tuesday.\u003c/p>\n\u003cp>The National Park Service \u003ca href=\"http://ww2.kqed.org/news/2016/01/14/yosemite-to-change-historic-names-in-trademark-dispute\" target=\"_blank\">announced that it would change the names\u003c/a> of Curry Village, the Ahwahnee Hotel, Badger Pass Ski Resort and other attractions after failing to reach an agreement with the company that says it owns the trademarks to those attractions. The company -- \u003ca href=\"http://www.delawarenorth.com/\" target=\"_blank\">Delaware North\u003c/a> -- has served as the park's concessionaire since 1993, running numerous operations until losing the contract to Aramark, which takes over on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/249672184&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/249672184'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>These name changes took effect at midnight:\u003c/p>\n\u003cblockquote>\u003cp>● \u003cstrong>Yosemite Lodge\u003c/strong> at the Falls becomes: \u003cstrong>Yosemite Valley Lodge\u003c/strong>\u003cbr>\n● \u003cstrong>The Ahwahnee\u003c/strong> becomes: \u003cstrong>The Majestic Yosemite Hotel\u003c/strong>\u003cbr>\n● \u003cstrong>Curry Village\u003c/strong> becomes: \u003cstrong>Half Dome Village\u003c/strong>\u003cbr>\n● \u003cstrong>Wawona Hotel\u003c/strong> becomes: \u003cstrong>Big Trees Lodge\u003c/strong>\u003cbr>\n● \u003cstrong>Badger Pass Ski Area\u003c/strong> becomes: \u003cstrong>Yosemite Ski & Snowboard Area\u003c/strong>\u003c/p>\u003c/blockquote>\n\u003cp>Park Service employees will start placing temporary signs over road signs directing visitors to the attractions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Park Service spokesman Scott Gediman said they're using the temporary signs in the hope that a settlement will be reached. Just before it was due to be covered up, a historic sign welcoming visitors to the park's Ahwahnee Hotel was stolen over the weekend, Gediman said.\u003c/p>\n\u003cp>\"It's part of the park's historic fabric,\" Gediman said. \"And we are taking this seriously.\"\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Delaware North spokesman Glen White said Park Service officials turned down the company's offer to let the park continue using the trademark names until the legal dispute was resolved.\u003c/p>\n\u003cp>Gediman said the Park Service turned down the offer made Friday because that would \"acknowledge they own the names.\"\u003c/p>\n\u003cp>The names of Yosemite attractions aren't the only iconic names to which Delaware North has staked a claim.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The company also runs concessions at the Kennedy Space Center, and has a trademark application for “Space Shuttle Atlantis,” government court papers say.\u003c/p>\n\u003cp>Delaware North “apparently embarked on a business model whereby it collects trademarks to the names of iconic property owned by the United States,” wrote Justice Department attorney John Robertson in the court papers.\u003c/p>\n\u003cp>\u003cstrong>Yosemite Visitors Bemoan Name Changes\u003c/strong>\u003c/p>\n\u003cp>“Yeah, changing the name of the Ahwahnee, that’s just absurd,” said Loren Haas, visiting from Napa. “And the name precedes the company that’s trying to maintain the rights to the name.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bill King from Tracy wasn’t crazy about the name changes either. But he doubted the transition from one concessionaire to another would have much overall impact.\u003c/p>\n\u003cp>\"My opinion is the current transition is very smooth from a customer’s perspective,\" King said.\u003c/p>\n\u003cp>Visitor Robert Franco wonders what the company will do with the names if it doesn’t get the tens of millions of dollars it’s asking for.\u003c/p>\n\u003cp>\"What are they gonna do with those names? Are they gonna try and profit from those names? I don't think it's the right thing to do.\"\u003c/p>\n\u003cp>Court filings show the National Park Service values the trademark names at $3.5 million. Delaware North puts their worth at $51 million.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post includes reporting from The Associated Press.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The names of iconic hotels and other landmarks in Yosemite National Park will soon change in an ongoing battle over who owns the intellectual property, park officials said Thursday.\u003c/p>\n\u003cp>The luxurious Ahwahnee Hotel will become the Majestic Yosemite Hotel, and Curry Village will become Half Dome Village, said park spokesman Scott Gediman.\u003c/p>\n\u003cp>The move comes in an ongoing dispute with Delaware North, the company that recently lost a $2 billion bid — the National Park Service's largest single contract — to run Yosemite's hotels, restaurants and outdoor activities.\u003c/p>\n\u003cp>Delaware North demands to be paid $51 million for the names and other intellectual property. The New York-based firm filed a lawsuit last year, saying that when it won the contract in 1993, the park service required the company to buy the former concessionaire's assets.\u003c/p>\n\u003caside class=\"pullquote alignright\">'[Delaware North] apparently embarked on a business model whereby it collects trademarks to the names of iconic property owned by the United States.'\u003ccite>Justice Department attorney John Robertson\u003c/cite>\u003c/aside>\n\u003cp>Park officials are making the name changes to avoid any disruptions to visitors with hotel reservations during the transition to a new concessionaire on March 1, Gediman said. He said the park service is fighting for the rights to the original names.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"We're clearly in disagreement with Delaware North,\" he said. \"We're taking this action to ensure the seamless transition.\"\u003c/p>\n\u003cp>Yosemite National Park \u003ca href=\"http://www.nps.gov/yose/learn/news/yosemite-national-park-to-change-historic-property-names.htm\" target=\"_blank\">outlined the five name changes in a press release\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>● Yosemite Lodge at the Falls to become: \u003cstrong>Yosemite Valley Lodge\u003c/strong>\u003cbr>\n● The Ahwahnee to become: \u003cstrong>The Majestic Yosemite Hotel\u003c/strong>\u003cbr>\n● Curry Village to become: \u003cstrong>Half Dome Village\u003c/strong>\u003cbr>\n● Wawona Hotel to become: \u003cstrong>Big Trees Lodge\u003c/strong>\u003cbr>\n● Badger Pass Ski Area to become: \u003cstrong>Yosemite Ski & Snowboard Area\u003c/strong>\u003c/p>\u003c/blockquote>\n\u003cp>Yosemite National Park — another name which is also claimed by Delaware North and remains in dispute — will stay put, Gediman said.\u003c/p>\n\u003cfigure id=\"attachment_10832725\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-large wp-image-10832725\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/01/CurryVillage-1440x1053.jpg\" alt=\"Tent cabins at Yosemite's Curry Village, now to be called Half Dome Village.\" width=\"640\" height=\"468\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-1440x1053.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-400x293.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-800x585.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-768x562.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-1180x863.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-960x702.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Tent cabins at Yosemite's Curry Village, now to be called Half Dome Village. \u003ccite>(pshab/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The National Park Service says the names and other intellectual property are worth about $3.5 million, according to the government's response to a lawsuit that Delaware North filed with the U.S. Court of Federal Claims.\u003c/p>\n\u003cp>DNC Parks & Resorts at Yosemite Inc., a subsidiary of Delaware North, said in a written statement that it was \"shocked and disappointed\" that the park service is using the beloved names as a \"bargaining chip.\"\u003c/p>\n\u003cp>The company defended its demands, saying that it hopes Yosemite and the new concessionaire decide not to change the names. \"All we want in this is fair and just treatment,\" the company said.\u003c/p>\n\u003cp>Justice Department attorney John Robertson wrote in court papers that the company \"wildly inflated\" the value of the trademark names. He added that Delaware North has \"breached its duty of good faith and fair dealing.\"\u003c/p>\n\u003cp>The trademark dispute at Yosemite is similar to disputes at Hot Springs National Park in Arkansas and the Grand Canyon in Arizona, and with other iconic pieces of Americana owned by the U.S. government.\u003c/p>\n\u003cp>[contextly_sidebar id=\"fPpJiZlZNGkUS9yfRMptsuAI1Kfn6xUG\"]\u003c/p>\n\u003cp>The park service belatedly learned of the trademark issue when it prepared to open bids for the concessionary operation. Yosemite awarded a 15-year contract to Aramark last year.\u003c/p>\n\u003cp>Delaware North also runs concessions at the Kennedy Space Center and has a trademark application for \"Space Shuttle Atlantis,\" government court papers say.\u003c/p>\n\u003cp>Delaware North \"apparently embarked on a business model whereby it collects trademarks to the names of iconic property owned by the United States,\" Robertson wrote.\u003c/p>\n\u003cp>The name changes don't sit well with park admirers like John Lenau, an amateur historian and president of the Conference of California Historical Societies.\u003c/p>\n\u003cp>Now 76, he's visited Yosemite since childhood and says when somebody mentions Curry Village he can picture it in his head. That will be lost with the change, he said.\u003c/p>\n\u003cp>He also worries about stripping away the Native American heritage by turning the Ahwahnee to the Majestic Yosemite Hotel and the Wawona Hotel to Big Trees Lodge.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I don't see the advantage of doing that,\" Lenau said, speaking for himself rather than the society. \"I'm just a little bit against changing something that has been around for so many years.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The names of iconic hotels and other landmarks in Yosemite National Park will soon change in an ongoing battle over who owns the intellectual property, park officials said Thursday.\u003c/p>\n\u003cp>The luxurious Ahwahnee Hotel will become the Majestic Yosemite Hotel, and Curry Village will become Half Dome Village, said park spokesman Scott Gediman.\u003c/p>\n\u003cp>The move comes in an ongoing dispute with Delaware North, the company that recently lost a $2 billion bid — the National Park Service's largest single contract — to run Yosemite's hotels, restaurants and outdoor activities.\u003c/p>\n\u003cp>Delaware North demands to be paid $51 million for the names and other intellectual property. The New York-based firm filed a lawsuit last year, saying that when it won the contract in 1993, the park service required the company to buy the former concessionaire's assets.\u003c/p>\n\u003caside class=\"pullquote alignright\">'[Delaware North] apparently embarked on a business model whereby it collects trademarks to the names of iconic property owned by the United States.'\u003ccite>Justice Department attorney John Robertson\u003c/cite>\u003c/aside>\n\u003cp>Park officials are making the name changes to avoid any disruptions to visitors with hotel reservations during the transition to a new concessionaire on March 1, Gediman said. He said the park service is fighting for the rights to the original names.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"We're clearly in disagreement with Delaware North,\" he said. \"We're taking this action to ensure the seamless transition.\"\u003c/p>\n\u003cp>Yosemite National Park \u003ca href=\"http://www.nps.gov/yose/learn/news/yosemite-national-park-to-change-historic-property-names.htm\" target=\"_blank\">outlined the five name changes in a press release\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>● Yosemite Lodge at the Falls to become: \u003cstrong>Yosemite Valley Lodge\u003c/strong>\u003cbr>\n● The Ahwahnee to become: \u003cstrong>The Majestic Yosemite Hotel\u003c/strong>\u003cbr>\n● Curry Village to become: \u003cstrong>Half Dome Village\u003c/strong>\u003cbr>\n● Wawona Hotel to become: \u003cstrong>Big Trees Lodge\u003c/strong>\u003cbr>\n● Badger Pass Ski Area to become: \u003cstrong>Yosemite Ski & Snowboard Area\u003c/strong>\u003c/p>\u003c/blockquote>\n\u003cp>Yosemite National Park — another name which is also claimed by Delaware North and remains in dispute — will stay put, Gediman said.\u003c/p>\n\u003cfigure id=\"attachment_10832725\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-large wp-image-10832725\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/01/CurryVillage-1440x1053.jpg\" alt=\"Tent cabins at Yosemite's Curry Village, now to be called Half Dome Village.\" width=\"640\" height=\"468\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-1440x1053.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-400x293.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-800x585.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-768x562.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-1180x863.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/01/CurryVillage-960x702.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Tent cabins at Yosemite's Curry Village, now to be called Half Dome Village. \u003ccite>(pshab/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The National Park Service says the names and other intellectual property are worth about $3.5 million, according to the government's response to a lawsuit that Delaware North filed with the U.S. Court of Federal Claims.\u003c/p>\n\u003cp>DNC Parks & Resorts at Yosemite Inc., a subsidiary of Delaware North, said in a written statement that it was \"shocked and disappointed\" that the park service is using the beloved names as a \"bargaining chip.\"\u003c/p>\n\u003cp>The company defended its demands, saying that it hopes Yosemite and the new concessionaire decide not to change the names. \"All we want in this is fair and just treatment,\" the company said.\u003c/p>\n\u003cp>Justice Department attorney John Robertson wrote in court papers that the company \"wildly inflated\" the value of the trademark names. He added that Delaware North has \"breached its duty of good faith and fair dealing.\"\u003c/p>\n\u003cp>The trademark dispute at Yosemite is similar to disputes at Hot Springs National Park in Arkansas and the Grand Canyon in Arizona, and with other iconic pieces of Americana owned by the U.S. government.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The park service belatedly learned of the trademark issue when it prepared to open bids for the concessionary operation. Yosemite awarded a 15-year contract to Aramark last year.\u003c/p>\n\u003cp>Delaware North also runs concessions at the Kennedy Space Center and has a trademark application for \"Space Shuttle Atlantis,\" government court papers say.\u003c/p>\n\u003cp>Delaware North \"apparently embarked on a business model whereby it collects trademarks to the names of iconic property owned by the United States,\" Robertson wrote.\u003c/p>\n\u003cp>The name changes don't sit well with park admirers like John Lenau, an amateur historian and president of the Conference of California Historical Societies.\u003c/p>\n\u003cp>Now 76, he's visited Yosemite since childhood and says when somebody mentions Curry Village he can picture it in his head. That will be lost with the change, he said.\u003c/p>\n\u003cp>He also worries about stripping away the Native American heritage by turning the Ahwahnee to the Majestic Yosemite Hotel and the Wawona Hotel to Big Trees Lodge.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I don't see the advantage of doing that,\" Lenau said, speaking for himself rather than the society. \"I'm just a little bit against changing something that has been around for so many years.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "El Capitan Climbers Share Stories From the Edge",
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"content": "\u003cp>Forum host \u003ca href=\"http://www.kqed.org/radio/about/staff/michael-krasny.jsp\" target=\"_blank\">Michael Krasny\u003c/a> usually breaks the ice with guests by joking or making an observation about their work. With Kevin Jorgeson, Krasny asked to see his hands. Jorgeson laughed nervously and simultaneously obliged. It wasn't the first time his hands have been a topic of conversation.\u003c/p>\n\u003cp>Jorgeson and Tommy Caldwell created a bit of \u003ca href=\"http://ww2.kqed.org/news/2015/01/14/yosemite-dawn-wall-climb-almost-as-tough-as-blogging-about-it\" target=\"_blank\">a media storm\u003c/a> in January, \u003ca href=\"https://twitter.com/kjorgeson\" target=\"_blank\">tweeting\u003c/a>, \u003ca href=\"https://instagram.com/tommycaldwell/\" target=\"_blank\">Instagramming\u003c/a> and even conducting \u003ca href=\"http://www.npr.org/2015/01/06/375357301/free-climbing-yosemites-el-capitan-takes-a-team-and-time\" target=\"_blank\"> an interview with NPR\u003c/a> during their 19-day ascent of El Capitan's Dawn Wall, in Yosemite National Park. The two are the first to free-climb the 3,000-foot monolith, meaning they only relied on ropes to catch them if they fell.\u003c/p>\n\u003cfigure id=\"attachment_10643344\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa.jpg\">\u003cimg class=\"size-thumbnail wp-image-10643344\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa-400x335.jpg\" alt=\"Rock climber Kevin Jorgeson at the KQED studios in San Francisco.\" width=\"400\" height=\"335\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa-400x335.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa.jpg 460w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kevin Jorgeson (pictured) and his partner Tommy Caldwell became the first people to free climb El Capitan's Dawn Wall. \u003ccite>(Amanda Stupi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During \u003ca href=\"http://www.kqed.org/a/forum/R201508130930\" target=\"_blank\">the Forum interview\u003c/a>, Jorgeseon and Caldwell spoke with candor about the difficulty of the climb (at one point Jorgeson thought Caldwell would have to finish without him), the feelings of relief and loss after reaching the top, and in Caldwell's case, rock climbing with third-graders. Below are some highlights from the interview. Or you can \u003ca href=\"http://www.kqed.org/a/forum/R201508130930\" target=\"_blank\">listen to the complete interview here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>How did you feel when you reached the top of El Cap?\u003c/strong>\u003c/p>\n\u003cp>\"For me it was relief. It was like taking off a weight vest. When I stood on top I felt weightless because for me the battle wasn't complete until I stood on top. That was kind of my mentality throughout the entire climb -- it wasn't over till it's over. So when I stood on top, it really was symbolic and it was literal. It was the end of the battle.\" - Jorgeson\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I think my predominant sense is that of loss. Honestly, I mean, it was a seven-year relationship, the Dawn Wall. I knew this route longer than I've known my wife and my child. I knew that it was coming to an end and that was disorienting in a way.\" - Caldwell\u003c/p>\n\u003cp>\u003cstrong>Did you enjoy the climb?\u003c/strong>\u003c/p>\n\u003cp>\"I go back to this quote from the old British philosopher Jerry Bentham, saying that nature has placed mankind under the governance of these two sovereign masters -- pain and pleasure. But I think the really rich experiences where you really figure out what you're capable of happen when those two worlds overlap.\u003c/p>\n\u003cp>\"What it takes for those two worlds to overlap is ... a big dream to apply pressure on those two things that really want to be separate from one another. We want to avoid pain, we want to seek pleasure, but when it comes to really seeing what you're capable of and realizing a huge dream, you have to be okay with the fact that those two things are going to overlap. And as climbers we call that Type 2 fun. It's the kind of thing that's maybe really challenging or scary in the moment, but in retrospect you look back and you're satisfied and you're happy and you call it fun.\" - Jorgeson\u003c/p>\n\u003cp>\u003cstrong>Why didn't Tommy do the \u003ca href=\"http://www.climbing.com/skill/climbing-dictionary/\" target=\"_blank\">dyno pitch\u003c/a>?\u003c/strong>\u003c/p>\n\u003cp>\"The dyno is a large leap from one hold to another. In the case of the Dawn Wall, it was an eight-foot sideways jump. I didn't do it because I couldn't do it. I mean, I worked on it for seven years. I rebuilt a simulator on my house at home; I tried it thousands of times; I injured my shoulder by just trying to rehearse this move. Luckily, just a few weeks before our final ascent, I found a way around it, so that's the way I ended up having to go.\" - Caldwell\u003c/p>\n\u003cp>\u003cstrong>How did you prepare?\u003c/strong>\u003c/p>\n\u003cp>\"For me the majority of my training was spent on the wall. You know I trained in the offseason, but where I made the most strides was every season spending that time on the wall because again I had no experience with El Cap prior to joining Tommy on this. ... Learning that new language on the University of El Cap is the only place you can make that progress for you.\u003c/p>\n\u003cp>\"It was a huge learning curve. I don't think I could have done the Dawn Wall any sooner than when we did physically, because it's not just a physical thing . ... There's this whole mental element of composure and confidence and belief that takes time to be built, and I think that's the most important part of my training in the process of getting ready for them all.\" - Jorgeson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/219122274\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Forum host \u003ca href=\"http://www.kqed.org/radio/about/staff/michael-krasny.jsp\" target=\"_blank\">Michael Krasny\u003c/a> usually breaks the ice with guests by joking or making an observation about their work. With Kevin Jorgeson, Krasny asked to see his hands. Jorgeson laughed nervously and simultaneously obliged. It wasn't the first time his hands have been a topic of conversation.\u003c/p>\n\u003cp>Jorgeson and Tommy Caldwell created a bit of \u003ca href=\"http://ww2.kqed.org/news/2015/01/14/yosemite-dawn-wall-climb-almost-as-tough-as-blogging-about-it\" target=\"_blank\">a media storm\u003c/a> in January, \u003ca href=\"https://twitter.com/kjorgeson\" target=\"_blank\">tweeting\u003c/a>, \u003ca href=\"https://instagram.com/tommycaldwell/\" target=\"_blank\">Instagramming\u003c/a> and even conducting \u003ca href=\"http://www.npr.org/2015/01/06/375357301/free-climbing-yosemites-el-capitan-takes-a-team-and-time\" target=\"_blank\"> an interview with NPR\u003c/a> during their 19-day ascent of El Capitan's Dawn Wall, in Yosemite National Park. The two are the first to free-climb the 3,000-foot monolith, meaning they only relied on ropes to catch them if they fell.\u003c/p>\n\u003cfigure id=\"attachment_10643344\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa.jpg\">\u003cimg class=\"size-thumbnail wp-image-10643344\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa-400x335.jpg\" alt=\"Rock climber Kevin Jorgeson at the KQED studios in San Francisco.\" width=\"400\" height=\"335\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa-400x335.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/08/Kevonn-Jorgeson-climbing-wa.jpg 460w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kevin Jorgeson (pictured) and his partner Tommy Caldwell became the first people to free climb El Capitan's Dawn Wall. \u003ccite>(Amanda Stupi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During \u003ca href=\"http://www.kqed.org/a/forum/R201508130930\" target=\"_blank\">the Forum interview\u003c/a>, Jorgeseon and Caldwell spoke with candor about the difficulty of the climb (at one point Jorgeson thought Caldwell would have to finish without him), the feelings of relief and loss after reaching the top, and in Caldwell's case, rock climbing with third-graders. Below are some highlights from the interview. Or you can \u003ca href=\"http://www.kqed.org/a/forum/R201508130930\" target=\"_blank\">listen to the complete interview here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>How did you feel when you reached the top of El Cap?\u003c/strong>\u003c/p>\n\u003cp>\"For me it was relief. It was like taking off a weight vest. When I stood on top I felt weightless because for me the battle wasn't complete until I stood on top. That was kind of my mentality throughout the entire climb -- it wasn't over till it's over. So when I stood on top, it really was symbolic and it was literal. It was the end of the battle.\" - Jorgeson\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I think my predominant sense is that of loss. Honestly, I mean, it was a seven-year relationship, the Dawn Wall. I knew this route longer than I've known my wife and my child. I knew that it was coming to an end and that was disorienting in a way.\" - Caldwell\u003c/p>\n\u003cp>\u003cstrong>Did you enjoy the climb?\u003c/strong>\u003c/p>\n\u003cp>\"I go back to this quote from the old British philosopher Jerry Bentham, saying that nature has placed mankind under the governance of these two sovereign masters -- pain and pleasure. But I think the really rich experiences where you really figure out what you're capable of happen when those two worlds overlap.\u003c/p>\n\u003cp>\"What it takes for those two worlds to overlap is ... a big dream to apply pressure on those two things that really want to be separate from one another. We want to avoid pain, we want to seek pleasure, but when it comes to really seeing what you're capable of and realizing a huge dream, you have to be okay with the fact that those two things are going to overlap. And as climbers we call that Type 2 fun. It's the kind of thing that's maybe really challenging or scary in the moment, but in retrospect you look back and you're satisfied and you're happy and you call it fun.\" - Jorgeson\u003c/p>\n\u003cp>\u003cstrong>Why didn't Tommy do the \u003ca href=\"http://www.climbing.com/skill/climbing-dictionary/\" target=\"_blank\">dyno pitch\u003c/a>?\u003c/strong>\u003c/p>\n\u003cp>\"The dyno is a large leap from one hold to another. In the case of the Dawn Wall, it was an eight-foot sideways jump. I didn't do it because I couldn't do it. I mean, I worked on it for seven years. I rebuilt a simulator on my house at home; I tried it thousands of times; I injured my shoulder by just trying to rehearse this move. Luckily, just a few weeks before our final ascent, I found a way around it, so that's the way I ended up having to go.\" - Caldwell\u003c/p>\n\u003cp>\u003cstrong>How did you prepare?\u003c/strong>\u003c/p>\n\u003cp>\"For me the majority of my training was spent on the wall. You know I trained in the offseason, but where I made the most strides was every season spending that time on the wall because again I had no experience with El Cap prior to joining Tommy on this. ... Learning that new language on the University of El Cap is the only place you can make that progress for you.\u003c/p>\n\u003cp>\"It was a huge learning curve. I don't think I could have done the Dawn Wall any sooner than when we did physically, because it's not just a physical thing . ... There's this whole mental element of composure and confidence and belief that takes time to be built, and I think that's the most important part of my training in the process of getting ready for them all.\" - Jorgeson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/219122274&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/219122274'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Two children camping in Yosemite were killed early Friday morning when a falling limb from an oak tree fell on the tent where they were sleeping, the National Park Service announced Friday.\u003c/p>\n\u003cp>The minors were camping with their families in Yosemite Valley's popular Upper Pines Campground. Park rangers responded to provide medical assistance but found both children dead.\u003c/p>\n\u003cp>\"Our thoughts are with the families as they grieve this tragedy,\" Yosemite Superintendent Don Neubacher said.\u003c/p>\n\u003cp>The park service is not releasing the names, ages or places of residence of the victims while the incident is being investigated. Officials will be examining the scene and assessing things like wind and weather conditions that may have affected the tree.\u003c/p>\n\u003cp>\"This is of course a horrible tragedy, but right now there's nothing standing out about why this particular limb fell,\" said park spokesman Scott Gediman. \"Yosemite is a wild place and for tree limbs to fall is a common occurrence.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Yosemite also announced today that Tuolumne Meadows campground will be closed next week while rodent burrows are treated for fleas. Several dead animals at the campground recently tested positive for the plague, which can be transmitted by fleas. Last week, \u003ca href=\"http://ww2.kqed.org/stateofhealth/2015/08/06/los-angeles-child-recovering-from-the-plague-yosemite/\">state health officials announced\u003c/a> that a child who had recently visited the park was hospitalized after coming down with the plague.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Yosemite also announced today that Tuolumne Meadows campground will be closed next week while rodent burrows are treated for fleas. Several dead animals at the campground recently tested positive for the plague, which can be transmitted by fleas. Last week, \u003ca href=\"http://ww2.kqed.org/stateofhealth/2015/08/06/los-angeles-child-recovering-from-the-plague-yosemite/\">state health officials announced\u003c/a> that a child who had recently visited the park was hospitalized after coming down with the plague.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>FRESNO — Criminal charges were dropped against a bow hunter accused of starting one of California's largest wildfires, a blaze that burned parts of Yosemite National Park, federal prosecutors said Friday.\u003c/p>\n\u003cp>The decision came after two key witnesses unexpectedly died within months of an indictment that was handed down last year against Matthew Emerald, prosecutors said.\u003c/p>\n\u003cp>The 33-year-old California man was accused of starting the Rim Fire in August 2013. The blaze burned for two months, scorching 400 square miles, destroying 11 homes and costing $125 million to fight. It ranks as California's third-largest wildfire and the largest in the recorded history of the Sierra Nevada.\u003c/p>\n\u003cp>Prosecutors said that without testimony from the two witnesses, they did not believe they could prove the allegations to jurors beyond a reasonable doubt. Previous statements made by the two witnesses can't be used in court, prosecutors said.\u003c/p>\n\u003cp>\"I understand that the government's motion to dismiss will be frustrating to some,\" U.S. Attorney Benjamin Wagner said in a statement, thanking U.S. Forest Service investigators for their work. \"It is our obligation to the defendant and to the court to dismiss that case.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Emerald, a resident of the Mother Lode town of Columbia (Tuolumne County), had been bow hunting for deer when he was rescued near the site of the fire's origin by a California Department of Forestry and Fire Protection helicopter crew. Investigators had said that in several interviews, Emerald gave them inconsistent stories about how the fire started and once acknowledged starting a campfire that got out of control.\u003c/p>\n\u003cp>Other times, they said, Emerald described causing a rockslide that sparked the flames, and he also blamed the fire on illegal marijuana growers.\u003c/p>\n\u003cp>A grand jury handed down a four-count indictment nearly a year after the fire that included charges of lying to investigators and starting a forest fire.\u003c/p>\n\u003cp>Emerald's defense team had sought to suppress his statements, saying they were coerced. A message requesting comment from Emerald's public defender, Janet Bateman, was not immediately returned. Colleagues said she was not in the office on Friday. Emerald and his parents could not be reached for comment.\u003c/p>\n\u003cp>One of the prosecution's key witnesses unexpectedly died in a workplace accident in February. He had talked with Emerald shortly after being rescued.\u003c/p>\n\u003cp>The second witness — the helicopter pilot — died in March of a heart attack, authorities said.\u003c/p>\n\u003cp>If convicted, Emerald could have spent five years in prison. He has been free since posting a $60,000 bond.\u003c/p>\n\u003cp>McGregor Scott, a former U.S. attorney in Sacramento who is now in private practice, said it is rare for federal prosecutors to dismiss any indictment because they are generally supported by lengthy investigations.\u003c/p>\n\u003cp>\"They have lots of time to talk to everybody and get all of the relevant information, so once that decision is brought, they're feeling very strong and comfortable about their case,\" he said.\u003c/p>\n\u003cp>Scott said during his six years as U.S. attorney, he never encountered a case that was dismissed because two witnesses died. But if the two witnesses were key to the fire case, then prosecutors would be left with no choice but to dismiss the indictment, absent a confession or physical evidence, he said.\u003c/p>\n\u003cp>Since defense attorneys will not be able to cross-examine the witnesses in this case, their statements cannot be admitted, Scott said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Thanawala reported from San Francisco. Associated Press writer Kristin J. Bender in San Francisco contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>FRESNO — Criminal charges were dropped against a bow hunter accused of starting one of California's largest wildfires, a blaze that burned parts of Yosemite National Park, federal prosecutors said Friday.\u003c/p>\n\u003cp>The decision came after two key witnesses unexpectedly died within months of an indictment that was handed down last year against Matthew Emerald, prosecutors said.\u003c/p>\n\u003cp>The 33-year-old California man was accused of starting the Rim Fire in August 2013. The blaze burned for two months, scorching 400 square miles, destroying 11 homes and costing $125 million to fight. It ranks as California's third-largest wildfire and the largest in the recorded history of the Sierra Nevada.\u003c/p>\n\u003cp>Prosecutors said that without testimony from the two witnesses, they did not believe they could prove the allegations to jurors beyond a reasonable doubt. Previous statements made by the two witnesses can't be used in court, prosecutors said.\u003c/p>\n\u003cp>\"I understand that the government's motion to dismiss will be frustrating to some,\" U.S. Attorney Benjamin Wagner said in a statement, thanking U.S. Forest Service investigators for their work. \"It is our obligation to the defendant and to the court to dismiss that case.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Emerald, a resident of the Mother Lode town of Columbia (Tuolumne County), had been bow hunting for deer when he was rescued near the site of the fire's origin by a California Department of Forestry and Fire Protection helicopter crew. Investigators had said that in several interviews, Emerald gave them inconsistent stories about how the fire started and once acknowledged starting a campfire that got out of control.\u003c/p>\n\u003cp>Other times, they said, Emerald described causing a rockslide that sparked the flames, and he also blamed the fire on illegal marijuana growers.\u003c/p>\n\u003cp>A grand jury handed down a four-count indictment nearly a year after the fire that included charges of lying to investigators and starting a forest fire.\u003c/p>\n\u003cp>Emerald's defense team had sought to suppress his statements, saying they were coerced. A message requesting comment from Emerald's public defender, Janet Bateman, was not immediately returned. Colleagues said she was not in the office on Friday. Emerald and his parents could not be reached for comment.\u003c/p>\n\u003cp>One of the prosecution's key witnesses unexpectedly died in a workplace accident in February. He had talked with Emerald shortly after being rescued.\u003c/p>\n\u003cp>The second witness — the helicopter pilot — died in March of a heart attack, authorities said.\u003c/p>\n\u003cp>If convicted, Emerald could have spent five years in prison. He has been free since posting a $60,000 bond.\u003c/p>\n\u003cp>McGregor Scott, a former U.S. attorney in Sacramento who is now in private practice, said it is rare for federal prosecutors to dismiss any indictment because they are generally supported by lengthy investigations.\u003c/p>\n\u003cp>\"They have lots of time to talk to everybody and get all of the relevant information, so once that decision is brought, they're feeling very strong and comfortable about their case,\" he said.\u003c/p>\n\u003cp>Scott said during his six years as U.S. attorney, he never encountered a case that was dismissed because two witnesses died. But if the two witnesses were key to the fire case, then prosecutors would be left with no choice but to dismiss the indictment, absent a confession or physical evidence, he said.\u003c/p>\n\u003cp>Since defense attorneys will not be able to cross-examine the witnesses in this case, their statements cannot be admitted, Scott said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Thanawala reported from San Francisco. Associated Press writer Kristin J. Bender in San Francisco contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "New Lawsuit Seeks to Force San Francisco to Drain, Restore Hetch Hetchy",
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"content": "\u003cp>Activists have launched a new round in their long-running campaign to restore Yosemite National Park's Hetch Hetchy Valley to its natural condition by draining the reservoir that serves San Francisco and most of the Peninsula.\u003c/p>\n\u003cp>In a lawsuit filed last week in Tuolumne County (\u003ca href=\"#hetchhetchysuit\">embedded below\u003c/a>), the group Restore Hetch Hetchy renews arguments that featured prominently in a 2012 San Francisco ballot campaign -- namely, that the water supply from San Francisco's Sierra Nevada reservoir can be readily and relatively cheaply replaced by altering management of the Tuolumne River.\u003c/p>\n\u003cp>San Francisco officials, who have opposed studying the idea of emptying Hetch Hetchy, say the suit is \"baseless\" and that even suggesting draining the reservoir -- as the state contends with a severe drought -- is \"outrageous\" and \"crazy.\"\u003c/p>\n\u003cp>The lawsuit alleges that Hetch Hetchy violates a 1928 provision of the California Constitution that requires the \"beneficial and reasonable\" use of the state's water. The action points to later interpretations of the provision, \u003ca href=\"http://www.waterplan.water.ca.gov/docs/cwpu2009/0310final/v4c01a06_cwp2009.pdf\" target=\"_blank\">Article X, Section 2\u003c/a>, which have held that \"the public interest requires that there be the greatest number of beneficial uses which the supply [of water] can yield.\u003c/p>\n\u003cp>The suit says San Francisco's use of a swath of Yosemite National Park fails to do that:\u003c/p>\n\u003cblockquote>\u003cp>[The city has] eliminated or seriously impaired the beneficial uses of the Tuolumne River as the river flows through the Hetch Hetchy Valley. Respondents’ method of diverting the Tuolumne River’s waters eliminates important aesthetic, scenic, fish & wildlife habitat, fishing, recreational, and preservational beneficial uses in furtherance of water supply storage for remote cities and replaceable electric power production.\u003c/p>\u003c/blockquote>\n\u003cp>The suit also says the city's water project robs Yosemite visitors \"of the wonder that would be experienced by millions ... journeying to view Hetch Hetchy Valley's sublime landscape.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The suit uses an approach similar to the one that Restore Hetch Hetchy employed in 2012 as part of its campaign to pass \u003ca href=\"http://ballotpedia.org/San_Francisco_Hetch_Hetchy_Reservoir_Initiative,_Proposition_F_%28November_2012%29\" target=\"_blank\">Proposition F \u003c/a>in San Francisco. The measure would have required the city to undertake a study of draining Hetch Hetchy and reconfiguring the system that delivers water from the Tuolumne watershed to the city and Peninsula. The suit asks for a court order requiring the city to \"prepare an engineering and financing plan for altering\" the Hetch Hetchy system.\u003c/p>\n\u003cp>Prop. F went down to a resounding defeat, with a 77 percent \"no vote.\"\u003c/p>\n\u003cp>\"This is just another attempt to grab the spotlight on an issue where we're talking about taking the water supply away for a large part of California,\" said Tyrone Jue, spokesman for the San Francisco Public Utilities Commission, which runs the Hetch Hetchy system.\u003c/p>\n\u003cp>Jue repeated the city's talking points in fighting the 2012 ballot measure: The Hetch Hetchy system is efficient, it delivers pure mountain water and does it inexpensively while producing clean hydroelectric power. As city officials have said for years, he added that the cost of restoring Hetch Hetchy would be prohibitive.\u003c/p>\n\u003cp>\"It was estimated to be between $3 billion and $10 billion in investment to remove Hetch Hetchy Reservoir and restore the valley,\" Jue said. \"And if you put that cost on each customer, that's a range of approximately $550 per year to $2,000 per year if San Franciscans were to have to pay that cost.\"\u003c/p>\n\u003cp>But the lawsuit argues that a restored Hetch Hetchy Valley would become a magnet for visitors and become an economic engine generating as much as $8.7 billion in recreational benefits to visitors and local businesses for the first half-century after restoration.\u003c/p>\n\u003cp>\"We intend to show that the value of a restored valley is greater than the cost of restoring it,\" said Spreck Rosekrans, Restore Hetch Hetchy's executive director.\u003c/p>\n\u003cp>And Rosekrans said the process of restoration would itself be a magnet for future visitors.\u003c/p>\n\u003cp>\"You would have tourists going to see this marvelous place almost immediately,\" he said. \"People would come back every five years, every 10 years with their families, with their kids, and it would be a really incredible thing to watch this valley come back to life.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca id=\"hetchhetchysuit\">\u003c/a>\u003cbr>\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe class=\"scribd_iframe_embed\" src=\"https://www.scribd.com/embeds/263315639/content?start_page=1&view_mode=scroll&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"undefined\" scrolling=\"no\" id=\"doc_60224\" width=\"100%\" height=\"600\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Activists have launched a new round in their long-running campaign to restore Yosemite National Park's Hetch Hetchy Valley to its natural condition by draining the reservoir that serves San Francisco and most of the Peninsula.\u003c/p>\n\u003cp>In a lawsuit filed last week in Tuolumne County (\u003ca href=\"#hetchhetchysuit\">embedded below\u003c/a>), the group Restore Hetch Hetchy renews arguments that featured prominently in a 2012 San Francisco ballot campaign -- namely, that the water supply from San Francisco's Sierra Nevada reservoir can be readily and relatively cheaply replaced by altering management of the Tuolumne River.\u003c/p>\n\u003cp>San Francisco officials, who have opposed studying the idea of emptying Hetch Hetchy, say the suit is \"baseless\" and that even suggesting draining the reservoir -- as the state contends with a severe drought -- is \"outrageous\" and \"crazy.\"\u003c/p>\n\u003cp>The lawsuit alleges that Hetch Hetchy violates a 1928 provision of the California Constitution that requires the \"beneficial and reasonable\" use of the state's water. The action points to later interpretations of the provision, \u003ca href=\"http://www.waterplan.water.ca.gov/docs/cwpu2009/0310final/v4c01a06_cwp2009.pdf\" target=\"_blank\">Article X, Section 2\u003c/a>, which have held that \"the public interest requires that there be the greatest number of beneficial uses which the supply [of water] can yield.\u003c/p>\n\u003cp>The suit says San Francisco's use of a swath of Yosemite National Park fails to do that:\u003c/p>\n\u003cblockquote>\u003cp>[The city has] eliminated or seriously impaired the beneficial uses of the Tuolumne River as the river flows through the Hetch Hetchy Valley. Respondents’ method of diverting the Tuolumne River’s waters eliminates important aesthetic, scenic, fish & wildlife habitat, fishing, recreational, and preservational beneficial uses in furtherance of water supply storage for remote cities and replaceable electric power production.\u003c/p>\u003c/blockquote>\n\u003cp>The suit also says the city's water project robs Yosemite visitors \"of the wonder that would be experienced by millions ... journeying to view Hetch Hetchy Valley's sublime landscape.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The suit uses an approach similar to the one that Restore Hetch Hetchy employed in 2012 as part of its campaign to pass \u003ca href=\"http://ballotpedia.org/San_Francisco_Hetch_Hetchy_Reservoir_Initiative,_Proposition_F_%28November_2012%29\" target=\"_blank\">Proposition F \u003c/a>in San Francisco. The measure would have required the city to undertake a study of draining Hetch Hetchy and reconfiguring the system that delivers water from the Tuolumne watershed to the city and Peninsula. The suit asks for a court order requiring the city to \"prepare an engineering and financing plan for altering\" the Hetch Hetchy system.\u003c/p>\n\u003cp>Prop. F went down to a resounding defeat, with a 77 percent \"no vote.\"\u003c/p>\n\u003cp>\"This is just another attempt to grab the spotlight on an issue where we're talking about taking the water supply away for a large part of California,\" said Tyrone Jue, spokesman for the San Francisco Public Utilities Commission, which runs the Hetch Hetchy system.\u003c/p>\n\u003cp>Jue repeated the city's talking points in fighting the 2012 ballot measure: The Hetch Hetchy system is efficient, it delivers pure mountain water and does it inexpensively while producing clean hydroelectric power. As city officials have said for years, he added that the cost of restoring Hetch Hetchy would be prohibitive.\u003c/p>\n\u003cp>\"It was estimated to be between $3 billion and $10 billion in investment to remove Hetch Hetchy Reservoir and restore the valley,\" Jue said. \"And if you put that cost on each customer, that's a range of approximately $550 per year to $2,000 per year if San Franciscans were to have to pay that cost.\"\u003c/p>\n\u003cp>But the lawsuit argues that a restored Hetch Hetchy Valley would become a magnet for visitors and become an economic engine generating as much as $8.7 billion in recreational benefits to visitors and local businesses for the first half-century after restoration.\u003c/p>\n\u003cp>\"We intend to show that the value of a restored valley is greater than the cost of restoring it,\" said Spreck Rosekrans, Restore Hetch Hetchy's executive director.\u003c/p>\n\u003cp>And Rosekrans said the process of restoration would itself be a magnet for future visitors.\u003c/p>\n\u003cp>\"You would have tourists going to see this marvelous place almost immediately,\" he said. \"People would come back every five years, every 10 years with their families, with their kids, and it would be a really incredible thing to watch this valley come back to life.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca id=\"hetchhetchysuit\">\u003c/a>\u003cbr>\n\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe class=\"scribd_iframe_embed\" src=\"https://www.scribd.com/embeds/263315639/content?start_page=1&view_mode=scroll&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"undefined\" scrolling=\"no\" id=\"doc_60224\" width=\"100%\" height=\"600\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Visitors to Yosemite National Park will pay more to enter and camp overnight starting March 1.\u003c/p>\n\u003cp>A seven-day pass for each car entering Yosemite will rise from $20 to $25 or $30, depending on the season. Motorcycle fees will also rise slightly over the next two years.\u003c/p>\n\u003cp>Campers spending between $5 and $20 a night — depending on the campsite — will also pay roughly 20 percent more.\u003c/p>\n\u003cp>Officials say the last entrance fee increase in the park was in 1997, when fees were raised from $5 to $20 for private vehicles.\u003c/p>\n\u003ch3>A look at the new fees:\u003c/h3>\n\u003caside class=\"aligncenter noborder\">\n\u003ctable class=\"tableizer-table\">\n\u003ctr class=\"tableizer-firstrow\">\n\u003cth>\u003c/th>\n\u003cth>Currently\u003c/th>\n\u003cth>Starting March 1\u003c/th>\n\u003c/tr>\n\u003ctr>\n\u003ctd>High Season (April-Oct.)\u003c/td>\n\u003ctd>$20 \u003c/td>\n\u003ctd>$30 \u003c/td>\n\u003c/tr>\n\u003ctr>\n\u003ctd>Low season (Jan.-March, Nov.-Dec.)\u003c/td>\n\u003ctd>$20 \u003c/td>\n\u003ctd>$25 \u003c/td>\n\u003c/tr>\n\u003ctr>\n\u003ctd>Annual Pass\u003c/td>\n\u003ctd>$40 \u003c/td>\n\u003ctd>$60 \u003c/td>\n\u003c/tr>\n\u003ctr>\n\u003ctd>Motorcycles\u003c/td>\n\u003ctd>$10 \u003c/td>\n\u003ctd>$15 in 2015, $20 in 2016\u003c/td>\n\u003c/tr>\n\u003c/table>\n\u003c/aside>\n\u003cp>Park spokeswoman Kari Cobb says fees are crucial to cover maintenance and infrastructure projects.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"We were able to take entrance fee money to reconfigure the south entrance,\" Cobb said. \"We added lanes, there's a lot less congestion. People are coming into the park faster. And just the all around experience of getting into the park is less stressful.\"\u003c/p>\n\u003cp>Cobb says four million people visit the park annually and the higher fees will help deal with the wear and tear.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The park received more than 3,600 emails and Facebook comments and took those into consideration when revising the park fee hikes.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Visitors to Yosemite National Park will pay more to enter and camp overnight starting March 1.\u003c/p>\n\u003cp>A seven-day pass for each car entering Yosemite will rise from $20 to $25 or $30, depending on the season. Motorcycle fees will also rise slightly over the next two years.\u003c/p>\n\u003cp>Campers spending between $5 and $20 a night — depending on the campsite — will also pay roughly 20 percent more.\u003c/p>\n\u003cp>Officials say the last entrance fee increase in the park was in 1997, when fees were raised from $5 to $20 for private vehicles.\u003c/p>\n\u003ch3>A look at the new fees:\u003c/h3>\n\u003caside class=\"aligncenter noborder\">\n\u003ctable class=\"tableizer-table\">\n\u003ctr class=\"tableizer-firstrow\">\n\u003cth>\u003c/th>\n\u003cth>Currently\u003c/th>\n\u003cth>Starting March 1\u003c/th>\n\u003c/tr>\n\u003ctr>\n\u003ctd>High Season (April-Oct.)\u003c/td>\n\u003ctd>$20 \u003c/td>\n\u003ctd>$30 \u003c/td>\n\u003c/tr>\n\u003ctr>\n\u003ctd>Low season (Jan.-March, Nov.-Dec.)\u003c/td>\n\u003ctd>$20 \u003c/td>\n\u003ctd>$25 \u003c/td>\n\u003c/tr>\n\u003ctr>\n\u003ctd>Annual Pass\u003c/td>\n\u003ctd>$40 \u003c/td>\n\u003ctd>$60 \u003c/td>\n\u003c/tr>\n\u003ctr>\n\u003ctd>Motorcycles\u003c/td>\n\u003ctd>$10 \u003c/td>\n\u003ctd>$15 in 2015, $20 in 2016\u003c/td>\n\u003c/tr>\n\u003c/table>\n\u003c/aside>\n\u003cp>Park spokeswoman Kari Cobb says fees are crucial to cover maintenance and infrastructure projects.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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