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"content": "\u003cp>The American Foundation for Equal Rights, which is sponsoring the court challenge to Proposition 8, live-streamed Saturday night a Los Angeles reading of \u003cem>8\u003c/em>, Dustin Lance Black's play about the trial in which Judge Vaughn Walker ruled that California's same-sex marriage ban was unconstitutional. The play is made up largely of \u003ca href=\"http://www.afer.org/our-work/hearing-transcripts/page/2/\">transcripts from the trial\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.youtube.com/user/AmericanEqualRights/featured?v=qlUG8F9uVgM\">Click here or on the image below to watch a video replay of the play\u003c/a>\u003c/strong>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/user/AmericanEqualRights/featured?v=qlUG8F9uVgM\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/03/8LA-live-2-300x155.jpg\" alt=\"\" title=\"prop 8 play live Pitt Clooney\" width=\"300\" height=\"155\" class=\"aligncenter size-medium wp-image-58365\">\u003c/a>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ca href=\"http://www.youtube.com/user/AmericanEqualRights/featured?v=qlUG8F9uVgM\">\u003cstrong>Watch video replay on YouTube\u003c/strong>\u003c/a>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>The all-star cast included:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Brad Pitt as Vaughn Walker\u003cbr>\nGeorge Clooney as plaintiffs' attorney David Boies\u003cbr>\nMartin Sheen as plaintiffs' attorney Theodore Olson\u003cbr>\nChristine Lahti and Jamie Lee Curtis as plaintiffs Kris Perry and Sandy Stier\u003c/p>\n\u003cp>Kevin Bacon, John C Reilly and Jane Lynch also had roles. \u003c/p>\n\u003cp>\u003ca href=\"http://act.afer.org/site/PageServer?pagename=8LALivestreamRSVP\">Full cast here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Here's director \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=DcGbPqRqS8o\">Rob Reiner talking about the performance\u003c/a>. \"The Prop 8 proponents are still trying to hide what happened at the trial,\" Reiner says, perhaps referring to Prop 8 backers' \u003ca href=\"http://abclocal.go.com/kabc/story?section=news/state&id=8529684\">successful attempt at preventing the release of videotapes from the trial\u003c/a>. \"So we're going to do the exact opposite, we're gonna broadcast it to the entire world.\" \u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"274\" src=\"http://www.youtube.com/embed/DcGbPqRqS8o\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The American Foundation for Equal Rights, which is sponsoring the court challenge to Proposition 8, live-streamed Saturday night a Los Angeles reading of \u003cem>8\u003c/em>, Dustin Lance Black's play about the trial in which Judge Vaughn Walker ruled that California's same-sex marriage ban was unconstitutional. The play is made up largely of \u003ca href=\"http://www.afer.org/our-work/hearing-transcripts/page/2/\">transcripts from the trial\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.youtube.com/user/AmericanEqualRights/featured?v=qlUG8F9uVgM\">Click here or on the image below to watch a video replay of the play\u003c/a>\u003c/strong>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/user/AmericanEqualRights/featured?v=qlUG8F9uVgM\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/03/8LA-live-2-300x155.jpg\" alt=\"\" title=\"prop 8 play live Pitt Clooney\" width=\"300\" height=\"155\" class=\"aligncenter size-medium wp-image-58365\">\u003c/a>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ca href=\"http://www.youtube.com/user/AmericanEqualRights/featured?v=qlUG8F9uVgM\">\u003cstrong>Watch video replay on YouTube\u003c/strong>\u003c/a>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>The all-star cast included:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Brad Pitt as Vaughn Walker\u003cbr>\nGeorge Clooney as plaintiffs' attorney David Boies\u003cbr>\nMartin Sheen as plaintiffs' attorney Theodore Olson\u003cbr>\nChristine Lahti and Jamie Lee Curtis as plaintiffs Kris Perry and Sandy Stier\u003c/p>\n\u003cp>Kevin Bacon, John C Reilly and Jane Lynch also had roles. \u003c/p>\n\u003cp>\u003ca href=\"http://act.afer.org/site/PageServer?pagename=8LALivestreamRSVP\">Full cast here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Here's director \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=DcGbPqRqS8o\">Rob Reiner talking about the performance\u003c/a>. \"The Prop 8 proponents are still trying to hide what happened at the trial,\" Reiner says, perhaps referring to Prop 8 backers' \u003ca href=\"http://abclocal.go.com/kabc/story?section=news/state&id=8529684\">successful attempt at preventing the release of videotapes from the trial\u003c/a>. \"So we're going to do the exact opposite, we're gonna broadcast it to the entire world.\" \u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"274\" src=\"http://www.youtube.com/embed/DcGbPqRqS8o\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cp>Rachael Myrow here, host of the California Report, with a handful of links to cool and/or important stories outside the Bay Area local readers should check out.\u003c/p>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.scpr.org/news/2012/02/28/31438/testimony-heard-gov-browns-proposal-raise-retireme/\">Brown wants to raise California public retirement age to 67, but ...\u003c/a> (89.3 KPCC)\u003c/li>\n\u003cli>\u003ca title=\"Brown steps up efforts to squelch competing tax hike proposals\" href=\"http://www.latimes.com/news/local/la-me-jerry-brown-20120301,0,7390569.story\" target=\"_top\">Brown steps up efforts to squelch competing tax hike proposals\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"L.A. council OKs watered-down bank rules\" href=\"http://www.latimes.com/news/local/la-me-0301-responsible-banks-20120301,0,7968901.story\" target=\"_top\">L.A. council OKs watered-down bank rules\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003cstrong>\u003c/strong>\u003cstrong>\u003c/strong>\u003ca title=\"http://www.nytimes.com/2012/03/01/fashion/gaultier-under-new-management-and-focus-of-an-exhibition-has-a-new-lease-on-life.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2012/03/01/fashion/gaultier-under-new-management-and-focus-of-an-exhibition-has-a-new-lease-on-life.html?emc=tnt&tntemail0=y\">Gaultier, Revived, Is Ready for Another Look\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca href=\"http://online.wsj.com/video/touring-the-futuristic-rd-lab-behind-apples-siri/CB7982CE-826D-480B-9A25-8A13AA84F85B.html?KEYWORDS=California\">Video: Touring the Futuristic R&D Lab Behind Apple's Siri\u003c/a> (Wall Street Journal)\u003c/li>\n\u003c/ul>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_57790\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/domestic-workers.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/domestic-workers-300x224.jpg\" alt=\"\" title=\"domestic workers\" width=\"300\" height=\"224\" class=\"size-medium wp-image-57790\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A group of San Francisco domestic workers, plus Tom Ammiano, root on 'The Help'. (Caitlin Esch/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>Last night, housekeepers, home health workers, and activists gathered at an Oscar-viewing party hosted by the National Domestic Workers Alliance to cheer on the stars of the film \"The Help.\" \u003c/p>\n\u003cp>In the film, Viola Davis and Octavia Spencer play African-American maids in segregated Mississippi. Both were nominated for acting awards, and Spencer took home the prize for best supporting actress.\u003c/p>\n\u003cp>Teresa Molina is a domestic worker from Mexico. She said through a translator that she has a lot in common with the Davis and Spencer characters.\u003c/p>\n\u003cp>\"Yes, the movie was made in an entirely different time,” Molina said. \"But there’s still so many similarities to what’s going on. There’s still that basic slavery almost that’s happening. People don’t value the work; their work isn’t treated with any respect or dignity.\"\u003c/p>\n\u003cp>Molina says she has worked long days as an in-home nanny, earning just $500 dollars a month.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Enma Delgado immigrated from El Salvador to the United States eight years ago. Her three children still live in her home country with relatives. Delgado said through a translator that, like Viola Davis’ character Aibileen, she only made it through primary school. But she said she plans to send her children to college. \u003c/p>\n\u003cp>“In terms of breaking that cycle,” Delgado said, \"like, [my] grandmother was a domestic worker, [my] mother was a domestic worker, now [I’m] a domestic worker. But it’s really important for [me], for [my] children to be able to do something else. But [I’m] really proud of the work that [I do].\u003c/p>\n\u003cp>Assemblymember Tom Ammiano was also on hand, drumming up support for a bill before the State Senate Appropriations Committee that would improve basic working conditions for domestic workers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can \u003ca href=\"http://www.telegraph.co.uk/culture/film/oscars/9107935/Oscars-2012-Octavia-Spencer-wins-Best-Supporting-Actress-for-The-Help.html\">watch Octavia Spencer accepting her Oscar here\u003c/a>. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Searching For That Memorable Oscar Moment",
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"content": "\u003cp>\u003cem>Reported by Scott Shafer on \u003ca href=\"http://www.californiareport.org/archive/R201202241630/d\">The California Report\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Millions of people will tune in Sunday hoping to see a memorable Oscar moment, like the famous one from 1985 best-actress winner Sally Field, in which she exclaimed, “you like me. Right now, you like me!”\u003c/p>\n\u003cfigure id=\"attachment_57687\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/AcademyAwardsOscar201202244.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-57687\" title=\"AcademyAwardsOscar20120224\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/AcademyAwardsOscar201202244-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Frazer Harrison/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>“People like it because it was very spontaneous, very from the heart. It was also very humble,” says L.A.-based communications coach LeeAundra Keany about the moment. “That’s one of the key things you need to see in an Oscar speech; you need to see humility. But later on people thought it was a little too girlish. And it was so easy to mock.”\u003c/p>\n\u003cp>Keany has some Hollywood clients and she says the stars don’t always shine on Oscar night.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://ww2.kqed.org/news/2012/02/25/searching-for-that-memorable-oscar-moment-on-academy-awards-night/#video\">\u003cstrong>7 memorable Oscar moments on video\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>“If they just thought about it for a few minutes while they were getting their hair washed, while they were getting their nails dried, they would probably do a much better job because ultimately you want a speech that’s short, sincere and eloquent. If you can be funny all the better.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Keany says there are lots of reasons potential Oscar winners don’t plan ahead. For one, they don’t want to jinx anything.\u003c/p>\n\u003cp>“So a lot of people are superstitious about preparing. Some people feel it’s presumptuous. They don’t want to appear arrogant; they don’t want the audience to think they actually think they might win. If you pull out a sheet of notes, people might think you expected to win.”\u003c/p>\n\u003cp>Everyone seems to have their favorite and least favorite Oscar moments. A common theme, says Keany, is spontaneity.\u003c/p>\n\u003cp>“One of the examples that people seem to like very much is when Matt Damon and Ben Affleck won for best screenplay for “Good Will Hunting,” and they were just all over the board, jumping up and down and yelling, and shouts out to Boston.” \u003c!--more-->\u003c/p>\n\u003cp>\u003ca name=\"video\">\u003c/a>Check out that and some more famous Oscar moments below…\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=h8wgNityedw\">Matt Damon and Ben Affleck win Best Screenplay for “Good Will Hunting”\u003c/a>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.youtube.com/embed/h8wgNityedw\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://abclocal.go.com/kabc/story?section=news/entertainment&id=8522087\">\u003cbr>\nSally Field wins Best Actress for ‘Places in the Heart’\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=8cTR6fk8frs\">Robert Benigni goes nuts after winning Best Actor for “Life is Beautiful”\u003c/a>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.dailymotion.com/embed/video/xh2cfs\" frameborder=\"0\" width=\"480\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://www.dailymotion.com/video/x4irn4_streaking-oscar_fun\">David Niven is interrupted on-stage by a streaker in 1974\u003c/a>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.dailymotion.com/embed/video/x4irn4\" frameborder=\"0\" width=\"480\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://www.ontheredcarpet.com/Marlon-Brando-refuses-Oscar-via-Sacheen-Littlefeather---Oscar-History-Video/8545536\">Sacheen Littlefeather refuses the Best Actor Oscar for “The Godfather” on behalf of Marlon Brando\u003c/a> because of “the treatment of American Indians today by the film industry and on television in movie re-runs, and also with recent happenings at Wounded Knee.”\u003c/p>\n\u003cp>\u003ca href=\"http://www.ontheredcarpet.com/Vanessa-Redgrave-delivers-a-controversial-speech---Oscar-History-Video/8545580\">Vanessa Redgrave wins Best Supporting Actress for “Julia” and criticizes “Zionist hoodlums” who picketed the ceremony in protest of her participation in a pro-Palestinian documentary\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.dailymotion.com/video/x3rxr6_michael-moore-speech-oscars-2003_news\">\u003cbr>\nMichael Moore slams George W. Bush after winning Best Documentary for “Bowling For Columbine”\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Reported by Scott Shafer on \u003ca href=\"http://www.californiareport.org/archive/R201202241630/d\">The California Report\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Millions of people will tune in Sunday hoping to see a memorable Oscar moment, like the famous one from 1985 best-actress winner Sally Field, in which she exclaimed, “you like me. Right now, you like me!”\u003c/p>\n\u003cfigure id=\"attachment_57687\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/AcademyAwardsOscar201202244.jpg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-57687\" title=\"AcademyAwardsOscar20120224\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/AcademyAwardsOscar201202244-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Frazer Harrison/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>“People like it because it was very spontaneous, very from the heart. It was also very humble,” says L.A.-based communications coach LeeAundra Keany about the moment. “That’s one of the key things you need to see in an Oscar speech; you need to see humility. But later on people thought it was a little too girlish. And it was so easy to mock.”\u003c/p>\n\u003cp>Keany has some Hollywood clients and she says the stars don’t always shine on Oscar night.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://ww2.kqed.org/news/2012/02/25/searching-for-that-memorable-oscar-moment-on-academy-awards-night/#video\">\u003cstrong>7 memorable Oscar moments on video\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>“If they just thought about it for a few minutes while they were getting their hair washed, while they were getting their nails dried, they would probably do a much better job because ultimately you want a speech that’s short, sincere and eloquent. If you can be funny all the better.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Keany says there are lots of reasons potential Oscar winners don’t plan ahead. For one, they don’t want to jinx anything.\u003c/p>\n\u003cp>“So a lot of people are superstitious about preparing. Some people feel it’s presumptuous. They don’t want to appear arrogant; they don’t want the audience to think they actually think they might win. If you pull out a sheet of notes, people might think you expected to win.”\u003c/p>\n\u003cp>Everyone seems to have their favorite and least favorite Oscar moments. A common theme, says Keany, is spontaneity.\u003c/p>\n\u003cp>“One of the examples that people seem to like very much is when Matt Damon and Ben Affleck won for best screenplay for “Good Will Hunting,” and they were just all over the board, jumping up and down and yelling, and shouts out to Boston.” \u003c!--more-->\u003c/p>\n\u003cp>\u003ca name=\"video\">\u003c/a>Check out that and some more famous Oscar moments below…\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=h8wgNityedw\">Matt Damon and Ben Affleck win Best Screenplay for “Good Will Hunting”\u003c/a>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.youtube.com/embed/h8wgNityedw\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://abclocal.go.com/kabc/story?section=news/entertainment&id=8522087\">\u003cbr>\nSally Field wins Best Actress for ‘Places in the Heart’\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=8cTR6fk8frs\">Robert Benigni goes nuts after winning Best Actor for “Life is Beautiful”\u003c/a>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.dailymotion.com/embed/video/xh2cfs\" frameborder=\"0\" width=\"480\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://www.dailymotion.com/video/x4irn4_streaking-oscar_fun\">David Niven is interrupted on-stage by a streaker in 1974\u003c/a>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.dailymotion.com/embed/video/x4irn4\" frameborder=\"0\" width=\"480\" height=\"360\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"http://www.ontheredcarpet.com/Marlon-Brando-refuses-Oscar-via-Sacheen-Littlefeather---Oscar-History-Video/8545536\">Sacheen Littlefeather refuses the Best Actor Oscar for “The Godfather” on behalf of Marlon Brando\u003c/a> because of “the treatment of American Indians today by the film industry and on television in movie re-runs, and also with recent happenings at Wounded Knee.”\u003c/p>\n\u003cp>\u003ca href=\"http://www.ontheredcarpet.com/Vanessa-Redgrave-delivers-a-controversial-speech---Oscar-History-Video/8545580\">Vanessa Redgrave wins Best Supporting Actress for “Julia” and criticizes “Zionist hoodlums” who picketed the ceremony in protest of her participation in a pro-Palestinian documentary\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.dailymotion.com/video/x3rxr6_michael-moore-speech-oscars-2003_news\">\u003cbr>\nMichael Moore slams George W. Bush after winning Best Documentary for “Bowling For Columbine”\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Audio: Two From Bob Mould Live, And Songs From All The Noise Pop Performers",
"headTitle": "Audio: Two From Bob Mould Live, And Songs From All The Noise Pop Performers | KQED",
"content": "\u003cfigure id=\"attachment_57276\" class=\"wp-caption alignright\" style=\"max-width: 225px\">\u003ca href=\"http://lineup.noisepop.com/band/bob-mould\">\u003cimg decoding=\"async\" loading=\"lazy\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould.jpg\" alt=\"\" title=\"SONY DSC\" width=\"225\" height=\"150\" class=\"size-full wp-image-57276\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bob Mould (Noise Pop)\u003c/figcaption>\u003c/figure>\n\u003cp>Bob Mould was on KQED Radio’s Forum program yesterday talking about \u003ca href=\"http://2012.noisepop.com/\">Noise Pop\u003c/a>, which is taking place at multiple \u003ca href=\"http://2012.noisepop.com/venues\">venues \u003c/a> in San Francisco through Feb 26, and performing a couple of Mouldie oldie acoustic numbers.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould.mp3\">\u003cstrong>Audio: Bob Mould performs “If I Can’t Change Your Mind”\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould.mp3|titles=mould]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould2.mp3\">\u003cstrong>Audio: Bob Mould performs “Makes No Sense At All\u003c/strong>\u003c/a>”\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould2.mp3|titles=mould2]\u003c/p>\n\u003cp>You can listen to the entire conversation with Mould and the Flaming Lips’ Wayne Coin \u003ca href=\"http://www.kqed.org/a/forum/R201202211000\">here\u003c/a>\u003c/p>\n\u003cp>You can \u003ca href=\"http://lineup.noisepop.com/band/bob-mould\">hear more Mould\u003c/a> at the Noise Pop site. In fact, you can hear songs from all the \u003ca href=\"http://lineup.noisepop.com/\">performers\u003c/a>, including…\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/the-flaming-lips\">The Flaming Lips\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/archers-of-loaf\">Archers of Loaf\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/built-to-spill\">Built to Spill\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/sleigh-bells-2\">Sleigh Bells\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_57276\" class=\"wp-caption alignright\" style=\"max-width: 225px\">\u003ca href=\"http://lineup.noisepop.com/band/bob-mould\">\u003cimg decoding=\"async\" loading=\"lazy\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould.jpg\" alt=\"\" title=\"SONY DSC\" width=\"225\" height=\"150\" class=\"size-full wp-image-57276\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bob Mould (Noise Pop)\u003c/figcaption>\u003c/figure>\n\u003cp>Bob Mould was on KQED Radio’s Forum program yesterday talking about \u003ca href=\"http://2012.noisepop.com/\">Noise Pop\u003c/a>, which is taking place at multiple \u003ca href=\"http://2012.noisepop.com/venues\">venues \u003c/a> in San Francisco through Feb 26, and performing a couple of Mouldie oldie acoustic numbers.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/mould.mp3\">\u003cstrong>Audio: Bob Mould performs “If I Can’t Change Your Mind”\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You can listen to the entire conversation with Mould and the Flaming Lips’ Wayne Coin \u003ca href=\"http://www.kqed.org/a/forum/R201202211000\">here\u003c/a>\u003c/p>\n\u003cp>You can \u003ca href=\"http://lineup.noisepop.com/band/bob-mould\">hear more Mould\u003c/a> at the Noise Pop site. In fact, you can hear songs from all the \u003ca href=\"http://lineup.noisepop.com/\">performers\u003c/a>, including…\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/the-flaming-lips\">The Flaming Lips\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/archers-of-loaf\">Archers of Loaf\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/built-to-spill\">Built to Spill\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://lineup.noisepop.com/band/sleigh-bells-2\">Sleigh Bells\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>Update 6:23 p.m.\u003c/strong> The concert is now over; the Chronicle has a \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/02/19/BA6P1N9UGO.DTL\">report\u003c/a>. You can \u003ca href=\"http://www.warrenhellman.org/warren/stream.shtml\">\u003cstrong>watch an archive of the event here\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Earlier post\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"http://www.strictlybluegrass.com/warren/info.shtml\">public celebration in honor of the late Warren Hellman\u003c/a> will be held from 11 a.m. - 6 p.m. on Sunday. The event is free and will take place on the Great Highway between JFK Dr. and Lincoln Ave, over by Ocean Beach.\u003c/p>\n\u003cp>\u003ciframe width=\"425\" height=\"350\" frameborder=\"0\" scrolling=\"no\" marginheight=\"0\" marginwidth=\"0\" src=\"http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=1000+great+highway&aq=&sll=37.753412,-122.480307&sspn=0.049539,0.082226&ie=UTF8&hq=&hnear=1000+Great+Hwy,+San+Francisco,+California+94121&t=m&z=14&ll=37.76941,-122.510545&output=embed\">\u003c/iframe>\u003cbr>\u003ca href=\"http://maps.google.com/maps?f=q&source=embed&hl=en&geocode=&q=1000+great+highway&aq=&sll=37.753412,-122.480307&sspn=0.049539,0.082226&ie=UTF8&hq=&hnear=1000+Great+Hwy,+San+Francisco,+California+94121&t=m&z=14&ll=37.76941,-122.510545\">View Larger Map\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Scheduled performers:\u003c/p>\n\u003cp>Poor Man's Whiskey\u003cbr>\nJohn Doe\u003cbr>\nKevin Welch, Kieran Kane & Fats Kaplin\u003cbr>\nDry Branch Fire Squad\u003cbr>\nSteve Earle\u003cbr>\nBuddy Miller\u003cbr>\nThe Wronglers with Jimmie Dale Gilmore\u003cbr>\nGillian Welch\u003cbr>\nBoz Scaggs\u003cbr>\nOld Crow Medicine Show\u003cbr>\nRobert Earl Keen\u003cbr>\nEmmylou Harris with special guest The Go to Hell Man Clan\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.warrenhellman.org/warren/stream.shtml\">\u003cstrong>Watch live at the Hardly Strictly Bluegrass site\u003c/strong>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>Related...\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/12/21/listen-to-emmylou-harris-at-warren-hellman-memorial/\">Listen to Emmylou Harris perform at Warren Hellman's memorial in December\u003c/a>\n\u003c/li>\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/12/21/webcast-warren-hellman-memorial-service-live-at-1-p-m/\">Watch webcast of entire memorial service\u003c/a>\n\u003c/li>\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update 6:23 p.m.\u003c/strong> The concert is now over; the Chronicle has a \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/02/19/BA6P1N9UGO.DTL\">report\u003c/a>. You can \u003ca href=\"http://www.warrenhellman.org/warren/stream.shtml\">\u003cstrong>watch an archive of the event here\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Earlier post\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"http://www.strictlybluegrass.com/warren/info.shtml\">public celebration in honor of the late Warren Hellman\u003c/a> will be held from 11 a.m. - 6 p.m. on Sunday. The event is free and will take place on the Great Highway between JFK Dr. and Lincoln Ave, over by Ocean Beach.\u003c/p>\n\u003cp>\u003ciframe width=\"425\" height=\"350\" frameborder=\"0\" scrolling=\"no\" marginheight=\"0\" marginwidth=\"0\" src=\"http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=1000+great+highway&aq=&sll=37.753412,-122.480307&sspn=0.049539,0.082226&ie=UTF8&hq=&hnear=1000+Great+Hwy,+San+Francisco,+California+94121&t=m&z=14&ll=37.76941,-122.510545&output=embed\">\u003c/iframe>\u003cbr>\u003ca href=\"http://maps.google.com/maps?f=q&source=embed&hl=en&geocode=&q=1000+great+highway&aq=&sll=37.753412,-122.480307&sspn=0.049539,0.082226&ie=UTF8&hq=&hnear=1000+Great+Hwy,+San+Francisco,+California+94121&t=m&z=14&ll=37.76941,-122.510545\">View Larger Map\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Scheduled performers:\u003c/p>\n\u003cp>Poor Man's Whiskey\u003cbr>\nJohn Doe\u003cbr>\nKevin Welch, Kieran Kane & Fats Kaplin\u003cbr>\nDry Branch Fire Squad\u003cbr>\nSteve Earle\u003cbr>\nBuddy Miller\u003cbr>\nThe Wronglers with Jimmie Dale Gilmore\u003cbr>\nGillian Welch\u003cbr>\nBoz Scaggs\u003cbr>\nOld Crow Medicine Show\u003cbr>\nRobert Earl Keen\u003cbr>\nEmmylou Harris with special guest The Go to Hell Man Clan\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.warrenhellman.org/warren/stream.shtml\">\u003cstrong>Watch live at the Hardly Strictly Bluegrass site\u003c/strong>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>Related...\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/12/21/listen-to-emmylou-harris-at-warren-hellman-memorial/\">Listen to Emmylou Harris perform at Warren Hellman's memorial in December\u003c/a>\n\u003c/li>\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/12/21/webcast-warren-hellman-memorial-service-live-at-1-p-m/\">Watch webcast of entire memorial service\u003c/a>\n\u003c/li>\u003c/ul>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cp>Rachael Myrow here, host of the California Report, with a handful of links to cool and/or important stories outside the Bay Area local readers should check out.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.latimes.com/business/la-fi-california-wine-20120216,0,1752241.story\" target=\"_blank\">California winemakers boost sales in Chinese market\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"Massive traffic jam on 10 Freeway becomes Caltrans scandal\" href=\"http://www.latimes.com/news/local/la-me-epic-traffic-20120217,0,567917.story\" target=\"_top\">Massive traffic jam on 10 Freeway becomes Caltrans scandal\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca href=\"http://www.latimes.com/business/la-fi-california-wine-20120216,0,1752241.story\" target=\"_blank\">China’s Air Pollution Brings Snowfall to Sierra Nevada\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2012/02/17/business/media/outsourcing-extends-to-creative-work.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2012/02/17/business/media/outsourcing-extends-to-creative-work.html?emc=tnt&tntemail0=y\">Outsourcing Extends to Creative Work\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca title=\"http://chronicle.com/article/Gender-Equity-on-Science/130839/?sid=at&utm_source=at&utm_medium=en\" href=\"http://chronicle.com/article/Gender-Equity-on-Science/130839/?sid=at&utm_source=at&utm_medium=en\">Gender Equity on Science Faculties Might Have to Wait a Century, Study Finds\u003c/a> (Chronicle of Higher Education)\u003c/li>\n\u003c/ul>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "Burning Man To Release 10,000 Tickets to Frozen-Out Longtime Camp Members; Read the Criteria",
"title": "Burning Man To Release 10,000 Tickets to Frozen-Out Longtime Camp Members; Read the Criteria",
"headTitle": "News Fix | KQED News",
"content": "\u003cfigure id=\"attachment_56718\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://www.flickr.com/photos/michaelholden/4926882464/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/burningman1-300x199.jpg\" alt=\"\" title=\"burningman1-300x199\" width=\"300\" height=\"199\" class=\"size-full wp-image-56718\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Burning Man in Repose at Moonset, 2010 (Michael Holden)\u003c/figcaption>\u003c/figure>\n\u003cp>In November, when a mini-uproar erupted over Burning Man's new ticket policy of using a lottery system, Andie Grace of the Burning Man organization \u003ca href=\"http://ww2.kqed.org/news/2011/11/25/burning-man-and-burners-talk-about-the-new-ticket-lottery-registration-starts-monday/\">told me\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>The same number of people will have access to the same number of tickets they need. A camp that has four people in it will have a pretty good chance of getting four tickets if they enter into the random selection in January. We don't believe that demand outstrips supply by all that much; this is just a more organized way to approach the sale of the tickets.\u003c/p>\u003c/blockquote>\n\u003cp>Unfortunately, that's not the way it worked out. Demand for tickets was huge this year, \u003ca href=\"http://www.nytimes.com/2012/02/13/arts/music/burning-man-ticket-lottery-problems-anger-regulars.html\">freezing out many long-time Burners\u003c/a>. Yesterday, Burning Man announced it would release 10,000 tickets to long-time festival participants who meet certain criteria. From the \u003ca href=\"http://blog.burningman.com/2012/02/news/ticket-update-rebuilding-black-rock-city-2012/\">Burning Man blog\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>We have made the difficult decision to take the 10,000 tickets that were slated to be sold via the Secondary Open Sale and manually redirect them to some of the vital groups and collaborations that make up Black Rock City: volunteers, theme camps, mutant vehicles, art installations and performance groups. These groups already have a relationship and contact points within the organization. We’re in the process of proactively identifying and reaching out to the established groups that fall into each of these categories, and offering organizers access to purchase enough tickets to provide for essential crew members.\u003c/p>\n\u003cp>Because we know this number cannot possibly satisfy the entirety of that demand, we will use practical criteria to determine eligibility. These groups will be reviewed for:\u003c/p>\n\u003cp>-History – A camp, project or participatory work must be in our database from past years. (We have ways to track name changes for groups over time.)\u003c/p>\n\u003cp>-Demonstrated Community Benefit – A project has been interactive in a way that has been experienced as meaningful, provides support for Black Rock City’s infrastructure, or provides services for our community. Basically, how the project helps make the community and create its magic.\u003c/p>\n\u003cp>-LNT – A group has demonstrated adherence to and good practices around Leave No Trace and are committed to our community perpetuating the message of LNT.\u003c/p>\n\u003cp>-10 Principles – A group or project fully embraces the \u003ca href=\"http://www.burningman.com/whatisburningman/about_burningman/principles.html\">10 Principles\u003c/a> in their entirety.\u003c/p>\n\u003cp>This analysis will consider a wide variety of projects rather than favoring just one type — large camps and small ones, self-funded as well as honorarium artists, Mutant Vehicles of all shapes and sizes, and performers of all kinds. The goal is to carefully and conscientiously reconstruct the rich tapestry of our community, based on information we’ve accumulated over years of facilitating our city around these key groups.\u003c/p>\n\u003cp>This process is not going to be perfect … it’s not always going to feel fair. And we’re well aware that there will be still be a great many deserving people who will be left out because we don’t have the means to welcome everyone. Again, there are no foolproof solutions for these remaining tickets, only tradeoffs. But we’re confident that through this process, we’ll be able to bolster some of the social, artistic and functional infrastructure of Black Rock City. This is by far one of the most difficult decisions we’ve ever had to make, and we do not make it lightly, but after much consultation and review of your feedback, we feel this approach has the widest base of support and is the best one to assure that we can build Black Rock City in 2012.\u003c/p>\u003c/blockquote>\n\u003cp>Read the \u003ca href=\"http://blog.burningman.com/2012/02/news/ticket-update-rebuilding-black-rock-city-2012/\">full announcement here\u003c/a>.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Last week, KQED's Joshua Johnson talked to Burning Man Director of Business and Communications Marian Goodell about the painful dilemma the festival found itself in this year. Here's an edited transcript:\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>How much were Burning Man's planners ready for this, in terms of the impact on the community?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003caside class=\"pullquote alignleft\">At this point we can never go back to the way it was.\u003c/aside>\n\u003cp>What we have in common with any other festival is managing the challenges of capacity and taking a look at scalping. What we have that is like nothing else I've ever been to -- Bonnaroo, Coachella -- none of them have a core community- based collaborative. They don't have collaborative camps where the principle of community and collaboration is what drives the event.\u003c/p>\n\u003cp>Making sure we preserve that core is what we're now faced with. \u003c/p>\n\u003cp>We knew in a sell-out situation there were going to be some failures to the system. So we had a relief valve to take care of a small amount of that. But the degree to which the interest of the event worldwide has pushed this beyond anything we saw coming. There's no way we saw the interest for that number of tickets at all.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>Why did demand spike so much this year?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>We've watched our culture worldwide begin to grow. Burning Man is recognized more broadly than it had been and not just in the alternative culture; it's now touched more mainstream places. I think what we're doing in the world is very engaging, to be upholding values of self-expression, self-reliance, and also communal efforts, civic efforts. In this day and age where people are feeling disconnected and separated we offer a pretty engaging alternative. With nothing being sold at the event, people really buy into the idea that they can come and connect.\u003c/p>\n\u003cp>The idea of a lottery, the perception is that there's a limited chance of being one of the ones that has the golden ticket, so that created a sense of scarcity and a sense of panic, and that exacerbated the situation.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson \u003c/strong>\u003c/p>\n\u003cp>Why did you switch to a lottery in the first place?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003caside class=\"pullquote alignleft\">To say that the sky was falling and it was the end of Burning Man is basically what we thought.\u003c/aside>\n\u003cp>Burners have real jobs, and no matter what you're doing, you end up trying to get online at 12:01 to get tickets. In the past, in order to get a ticket, people were telling stories of sitting by their computer for x amount of time.\u003c/p>\n\u003cp>So we felt if we're already in a situation of scarcity, and if we're already going to be out of tickets, why not create a registration opportunity where queuing is your lottery, and the lottery has different odds. So you might register at six p.m. that night and your odds of getting a ticket would potentially be the same as if you were standing in line.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>You say the blame has been misplaced on the lottery system...\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>It depends on what your perspective is and which problem you're looking at. We have people who think we have enabled scalpers, and some people point to the harm to the social fabric. Some people feel like they don't know who got tickets so they think that newbies got them. So that any one of these means the system has failed.\u003c/p>\n\u003cp>The lottery process, the random drawing, succeeded in picking people to attend the event. It did not succeed in filtering out scalpers and it actually damaged the core collaborative center of the community.\u003c/p>\n\u003cp>That was due to the degree of interest. If the interest had stayed within the range we thought it would, which was 10 percent or 20 percent over capacity, instead of the more than double it turned out to be, we figured the system would work itself out. We had another sale coming up later and we had low-income tickets. We thought we were setting up a distributed environment where there were a bunch of opportunities. But to have twice as much interest negates the community core of the event.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>What was it like when it became apparent that the system would not work in the way you hoped?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>What we realized before the random drawing happened was that the level of interest meant it was going to be one in three people that received a ticket. It was very terrifying and very upsetting because we didn't know what that meant. Who are these other people, where are the tickets going, what are we going to do?\u003c/p>\n\u003cp>It became even more serious when we began to hear from longtime camp members that basically 25 percent of their group hadn't received a ticket. To say that the sky was falling and it was the end of Burning Man is basically what we thought. We figured if we didn't solve this, we had gutted the social fabric of an event that depends on it for its magic.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003cbr>\nTo burners who say you should just get rid of the lottery, what would you say? \u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003cbr>\nAt this point we can never go back to the way it was. There is no way to guarantee that the first 3,000 or 10,000 people are the ones running the theme camps. No one can be in everyone's home making them put their fingers up to the keyboard so they get tickets before someone in St. Louis who just heard about it for the first time -- who saw the video and now they really want to go -- does. That's not a system that upholds the social fabric either.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>What as you go forward, gives you confidence that you'll be able to solve this? \u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>Solve is relative. I think we're going to be able to move forward by listening to the community and see what it is they need. We've got a couple of ideas, and we need to be able to grow a little bit if not a lot. This is not a straightforward thing; it's not like you just move the venue to a bigger stadium. We have a relationship with the BLM, we have a restricted road system, we have a small community that we go through. It's not just a numbers game.\u003c/p>\n\u003cp>The reason why it's taking us time, if we can put it all together it will make for a much more successful step forward. If we put little pieces in place, there won't really be any stability. So we're just trying to get each of the building blocks together.\u003c/p>\u003c/blockquote>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_56718\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://www.flickr.com/photos/michaelholden/4926882464/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/02/burningman1-300x199.jpg\" alt=\"\" title=\"burningman1-300x199\" width=\"300\" height=\"199\" class=\"size-full wp-image-56718\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Burning Man in Repose at Moonset, 2010 (Michael Holden)\u003c/figcaption>\u003c/figure>\n\u003cp>In November, when a mini-uproar erupted over Burning Man's new ticket policy of using a lottery system, Andie Grace of the Burning Man organization \u003ca href=\"http://ww2.kqed.org/news/2011/11/25/burning-man-and-burners-talk-about-the-new-ticket-lottery-registration-starts-monday/\">told me\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>The same number of people will have access to the same number of tickets they need. A camp that has four people in it will have a pretty good chance of getting four tickets if they enter into the random selection in January. We don't believe that demand outstrips supply by all that much; this is just a more organized way to approach the sale of the tickets.\u003c/p>\u003c/blockquote>\n\u003cp>Unfortunately, that's not the way it worked out. Demand for tickets was huge this year, \u003ca href=\"http://www.nytimes.com/2012/02/13/arts/music/burning-man-ticket-lottery-problems-anger-regulars.html\">freezing out many long-time Burners\u003c/a>. Yesterday, Burning Man announced it would release 10,000 tickets to long-time festival participants who meet certain criteria. From the \u003ca href=\"http://blog.burningman.com/2012/02/news/ticket-update-rebuilding-black-rock-city-2012/\">Burning Man blog\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>We have made the difficult decision to take the 10,000 tickets that were slated to be sold via the Secondary Open Sale and manually redirect them to some of the vital groups and collaborations that make up Black Rock City: volunteers, theme camps, mutant vehicles, art installations and performance groups. These groups already have a relationship and contact points within the organization. We’re in the process of proactively identifying and reaching out to the established groups that fall into each of these categories, and offering organizers access to purchase enough tickets to provide for essential crew members.\u003c/p>\n\u003cp>Because we know this number cannot possibly satisfy the entirety of that demand, we will use practical criteria to determine eligibility. These groups will be reviewed for:\u003c/p>\n\u003cp>-History – A camp, project or participatory work must be in our database from past years. (We have ways to track name changes for groups over time.)\u003c/p>\n\u003cp>-Demonstrated Community Benefit – A project has been interactive in a way that has been experienced as meaningful, provides support for Black Rock City’s infrastructure, or provides services for our community. Basically, how the project helps make the community and create its magic.\u003c/p>\n\u003cp>-LNT – A group has demonstrated adherence to and good practices around Leave No Trace and are committed to our community perpetuating the message of LNT.\u003c/p>\n\u003cp>-10 Principles – A group or project fully embraces the \u003ca href=\"http://www.burningman.com/whatisburningman/about_burningman/principles.html\">10 Principles\u003c/a> in their entirety.\u003c/p>\n\u003cp>This analysis will consider a wide variety of projects rather than favoring just one type — large camps and small ones, self-funded as well as honorarium artists, Mutant Vehicles of all shapes and sizes, and performers of all kinds. The goal is to carefully and conscientiously reconstruct the rich tapestry of our community, based on information we’ve accumulated over years of facilitating our city around these key groups.\u003c/p>\n\u003cp>This process is not going to be perfect … it’s not always going to feel fair. And we’re well aware that there will be still be a great many deserving people who will be left out because we don’t have the means to welcome everyone. Again, there are no foolproof solutions for these remaining tickets, only tradeoffs. But we’re confident that through this process, we’ll be able to bolster some of the social, artistic and functional infrastructure of Black Rock City. This is by far one of the most difficult decisions we’ve ever had to make, and we do not make it lightly, but after much consultation and review of your feedback, we feel this approach has the widest base of support and is the best one to assure that we can build Black Rock City in 2012.\u003c/p>\u003c/blockquote>\n\u003cp>Read the \u003ca href=\"http://blog.burningman.com/2012/02/news/ticket-update-rebuilding-black-rock-city-2012/\">full announcement here\u003c/a>.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Last week, KQED's Joshua Johnson talked to Burning Man Director of Business and Communications Marian Goodell about the painful dilemma the festival found itself in this year. Here's an edited transcript:\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>How much were Burning Man's planners ready for this, in terms of the impact on the community?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003caside class=\"pullquote alignleft\">At this point we can never go back to the way it was.\u003c/aside>\n\u003cp>What we have in common with any other festival is managing the challenges of capacity and taking a look at scalping. What we have that is like nothing else I've ever been to -- Bonnaroo, Coachella -- none of them have a core community- based collaborative. They don't have collaborative camps where the principle of community and collaboration is what drives the event.\u003c/p>\n\u003cp>Making sure we preserve that core is what we're now faced with. \u003c/p>\n\u003cp>We knew in a sell-out situation there were going to be some failures to the system. So we had a relief valve to take care of a small amount of that. But the degree to which the interest of the event worldwide has pushed this beyond anything we saw coming. There's no way we saw the interest for that number of tickets at all.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>Why did demand spike so much this year?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>We've watched our culture worldwide begin to grow. Burning Man is recognized more broadly than it had been and not just in the alternative culture; it's now touched more mainstream places. I think what we're doing in the world is very engaging, to be upholding values of self-expression, self-reliance, and also communal efforts, civic efforts. In this day and age where people are feeling disconnected and separated we offer a pretty engaging alternative. With nothing being sold at the event, people really buy into the idea that they can come and connect.\u003c/p>\n\u003cp>The idea of a lottery, the perception is that there's a limited chance of being one of the ones that has the golden ticket, so that created a sense of scarcity and a sense of panic, and that exacerbated the situation.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson \u003c/strong>\u003c/p>\n\u003cp>Why did you switch to a lottery in the first place?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003caside class=\"pullquote alignleft\">To say that the sky was falling and it was the end of Burning Man is basically what we thought.\u003c/aside>\n\u003cp>Burners have real jobs, and no matter what you're doing, you end up trying to get online at 12:01 to get tickets. In the past, in order to get a ticket, people were telling stories of sitting by their computer for x amount of time.\u003c/p>\n\u003cp>So we felt if we're already in a situation of scarcity, and if we're already going to be out of tickets, why not create a registration opportunity where queuing is your lottery, and the lottery has different odds. So you might register at six p.m. that night and your odds of getting a ticket would potentially be the same as if you were standing in line.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>You say the blame has been misplaced on the lottery system...\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>It depends on what your perspective is and which problem you're looking at. We have people who think we have enabled scalpers, and some people point to the harm to the social fabric. Some people feel like they don't know who got tickets so they think that newbies got them. So that any one of these means the system has failed.\u003c/p>\n\u003cp>The lottery process, the random drawing, succeeded in picking people to attend the event. It did not succeed in filtering out scalpers and it actually damaged the core collaborative center of the community.\u003c/p>\n\u003cp>That was due to the degree of interest. If the interest had stayed within the range we thought it would, which was 10 percent or 20 percent over capacity, instead of the more than double it turned out to be, we figured the system would work itself out. We had another sale coming up later and we had low-income tickets. We thought we were setting up a distributed environment where there were a bunch of opportunities. But to have twice as much interest negates the community core of the event.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>What was it like when it became apparent that the system would not work in the way you hoped?\u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>What we realized before the random drawing happened was that the level of interest meant it was going to be one in three people that received a ticket. It was very terrifying and very upsetting because we didn't know what that meant. Who are these other people, where are the tickets going, what are we going to do?\u003c/p>\n\u003cp>It became even more serious when we began to hear from longtime camp members that basically 25 percent of their group hadn't received a ticket. To say that the sky was falling and it was the end of Burning Man is basically what we thought. We figured if we didn't solve this, we had gutted the social fabric of an event that depends on it for its magic.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003cbr>\nTo burners who say you should just get rid of the lottery, what would you say? \u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003cbr>\nAt this point we can never go back to the way it was. There is no way to guarantee that the first 3,000 or 10,000 people are the ones running the theme camps. No one can be in everyone's home making them put their fingers up to the keyboard so they get tickets before someone in St. Louis who just heard about it for the first time -- who saw the video and now they really want to go -- does. That's not a system that upholds the social fabric either.\u003c/p>\n\u003cp>\u003cstrong>Joshua Johnson\u003c/strong>\u003c/p>\n\u003cp>What as you go forward, gives you confidence that you'll be able to solve this? \u003c/p>\n\u003cp>\u003cstrong>Marian Goodell\u003c/strong>\u003c/p>\n\u003cp>Solve is relative. I think we're going to be able to move forward by listening to the community and see what it is they need. We've got a couple of ideas, and we need to be able to grow a little bit if not a lot. This is not a straightforward thing; it's not like you just move the venue to a bigger stadium. We have a relationship with the BLM, we have a restricted road system, we have a small community that we go through. It's not just a numbers game.\u003c/p>\n\u003cp>The reason why it's taking us time, if we can put it all together it will make for a much more successful step forward. If we put little pieces in place, there won't really be any stability. So we're just trying to get each of the building blocks together.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Breakfast Blend: Lance Armstrong for Prop 29, Asking for Cig Tax to Fund Cancer Research",
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"content": "\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cp>Rachael Myrow here, host of the California Report, with a handful of links to cool and/or important stories outside the Bay Area local readers should check out.\u003c/p>\n\u003cul>\n\u003cli>\u003ca title=\"Lance Armstrong campaigns for California cigarette tax measure\" href=\"http://www.latimes.com/news/local/la-me-lance-armstrong-20120216,0,1930495.story\" target=\"_top\">Lance Armstrong campaigns for California cigarette tax measure\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"California, West lead U.S. in interracial marriages, report finds\" href=\"http://www.latimes.com/news/local/la-me-interracial-marriage-20120216,0,7699965.story\" target=\"_top\">California, West lead U.S. in interracial marriages, report finds\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2012/02/16/arts/music/el-sistema-venezuelas-plan-to-help-children-through-music.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2012/02/16/arts/music/el-sistema-venezuelas-plan-to-help-children-through-music.html?emc=tnt&tntemail0=y\">El Sistema, Venezuela’s Plan to Help Children Through Music\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2012/02/16/science/earth/in-heartland-institute-leak-a-plan-to-discredit-climate-teaching.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2012/02/16/science/earth/in-heartland-institute-leak-a-plan-to-discredit-climate-teaching.html?emc=tnt&tntemail0=y\">In Heartland Institute Leak, a Plan to Discredit Climate Teaching\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.google.com/url?sa=X&q=http://www.abajournal.com/news/article/who_will_be_obamas_next_supreme_court_pick_blog_points_to_california_ag_kam/&ct=ga&cad=CAEQAhgAIAAoATAAOABA8Lvw-QRIAVAAWABiBWVuLVVT&cd=7aO5lBMN7do&usg=AFQjCNFB-VmoXKnJchBFB8YrmrmRkryt\" href=\"http://www.google.com/url?sa=X&q=http://www.abajournal.com/news/article/who_will_be_obamas_next_supreme_court_pick_blog_points_to_california_ag_kam/&ct=ga&cad=CAEQAhgAIAAoATAAOABA8Lvw-QRIAVAAWABiBWVuLVVT&cd=7aO5lBMN7do&usg=AFQjCNFB-VmoXKnJchBFB8YrmrmRkrytTA\">Who Will Be Obama's Next Supreme Court Pick? Blog Points to\u003c/a>\u003ca title=\"http://www.google.com/url?sa=X&q=http://www.abajournal.com/news/article/who_will_be_obamas_next_supreme_court_pick_blog_points_to_california_ag_kam/&ct=ga&cad=CAEQAhgAIAAoATAAOABA8Lvw-QRIAVAAWABiBWVuLVVT&cd=7aO5lBMN7do&usg=AFQjCNFB-VmoXKnJchBFB8YrmrmRkryt\" href=\"http://www.google.com/url?sa=X&q=http://www.abajournal.com/news/article/who_will_be_obamas_next_supreme_court_pick_blog_points_to_california_ag_kam/&ct=ga&cad=CAEQAhgAIAAoATAAOABA8Lvw-QRIAVAAWABiBWVuLVVT&cd=7aO5lBMN7do&usg=AFQjCNFB-VmoXKnJchBFB8YrmrmRkrytTA\"> California AG ...\u003c/a> (ABA Journal)\u003c/li>\n\u003c/ul>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Okay, so you've either been listening to your annoying co-worker hum the damn thing all day, or it's been in your head so unceasingly that you're contemplating a lawsuit against Ed Lee, who \u003ca href=\"http://www.sfmayor.org/index.aspx?page=685\">said\u003c/a> this a few days ago:\u003c/p>\n\u003cp>\"The song reminds us of why we love our City so much and when we are away, it calls us home. Mr. Bennett’s signature voice is celebrated around the world, and when he comes back to San Francisco, our hearts will surely be lifted.\"\u003c/p>\n\u003cp>All right, Mr. Mayor. We'll leave that you know what you know where one...more...time!\u003c/p>\n\u003cp>https://twitter.com/#!/nbcbayarea/status/169558402912100352\u003c/p>\n\u003cp>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.nbcbayarea.com/video/#!/on-air/as-seen-on/Raw-Video:-Tony-Bennett-at-the-Fairmont-Hotel-2012/139322108\">\u003cstrong>Watch the video here\u003c/strong>\u003c/a>\u003cbr>\n\u003c/li>\u003c/ul>\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Okay, so you've either been listening to your annoying co-worker hum the damn thing all day, or it's been in your head so unceasingly that you're contemplating a lawsuit against Ed Lee, who \u003ca href=\"http://www.sfmayor.org/index.aspx?page=685\">said\u003c/a> this a few days ago:\u003c/p>\n\u003cp>\"The song reminds us of why we love our City so much and when we are away, it calls us home. Mr. Bennett’s signature voice is celebrated around the world, and when he comes back to San Francisco, our hearts will surely be lifted.\"\u003c/p>\n\u003cp>All right, Mr. Mayor. We'll leave that you know what you know where one...more...time!\u003c/p>\n\u003cp>https://twitter.com/#!/nbcbayarea/status/169558402912100352\u003c/p>\n\u003cp>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.nbcbayarea.com/video/#!/on-air/as-seen-on/Raw-Video:-Tony-Bennett-at-the-Fairmont-Hotel-2012/139322108\">\u003cstrong>Watch the video here\u003c/strong>\u003c/a>\u003cbr>\n\u003c/li>\u003c/ul>\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Tony Bennett, an Electronic Proposal, and the Google Doodle: Valentine's Day Bay Area Style",
"title": "Tony Bennett, an Electronic Proposal, and the Google Doodle: Valentine's Day Bay Area Style",
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"content": "\u003cp>Only in the Bay Area would a guy propose marriage on Valentine's Day via an \u003ca href=\"http://mashable.com/2012/02/14/drake-stacy-infographic/\">infographic on Mashable\u003c/a>. I mean, people are so electronically immersed, how would anyone even remember they're supposed to buy chocolates and flowers if the \u003ca href=\"http://www.youtube.com/watch?v=WTGUjRJiqik&feature=player_embedded\">Google Doodle\u003c/a> didn't remind them?\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"274\" src=\"http://www.youtube.com/embed/WTGUjRJiqik\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>That's Tony Bennett singing \"Cold, Cold Heart,\" by the way. Probably not the one he left in San Francisco, which you can hear all about at noon. Bay City News explains:\u003c/p>\n\u003cblockquote>\u003cp>Tony Bennett, who famously sang about leaving his heart in San Francisco, is being honored by the city at a ceremony in City Hall on Valentine's Day.\u003c/p>\n\u003cp>Bennett recorded the song \"\u003ca href=\"http://en.wikipedia.org/wiki/I_Left_My_Heart_in_San_Francisco\">I Left My Heart in San Francisco\u003c/a>\" in 1962 and is returning to the city 50 years later to be honored in the Tuesday ceremony by Democratic Leader Nancy Pelosi, U.S. Sen. Dianne Feinstein, Mayor Ed Lee and various other current and former city leaders.\u003c/p>\n\u003cp>The 85-year-old Bennett first sang the song in December 1961 at the Fairmont Hotel's Venetian Room in the city's Nob Hill neighborhood and is returning there later Tuesday night for a sold-out benefit concert to raise money for heart research at University of California at San Francisco.\u003c/p>\n\u003cp>Several local choirs will sing their own versions of Bennett's famous song at Tuesday's noontime City Hall ceremony, which will conclude with a sing-along of the tune.\u003c/p>\n\u003cp>Every radio station in the city has also been asked to play \"I Left My Heart in San Francisco\" at or near noon, and the song will be played over the public address system at both Union Square and Hallidie Plaza.\u003c/p>\n\u003cp>\"The song reminds us of why we love our city so much and when we are away, it calls us home,\" Lee said in a statement. \"Mr. Bennett's signature voice is celebrated around the world, and when he comes back to San Francisco, our hearts will surely be lifted.\" \u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>The L.A. Times, for some reason, goes further into this by providing \u003ca href=\"http://www.latimes.com/news/local/la-me-tony-bennett-valentine-20120214,0,6447923.story\">a lot of detail\u003c/a> about certain San Franciscans' disdain for that song. \u003c/p>\n\u003cblockquote>\u003cp>At least two people, however, are all but guaranteed to spurn the noontime chorus: the men who together dethroned the onetime official song of San Francisco, who stopped those little cable cars from climbing halfway to the stars, more than a quarter-century ago.\u003c/p>\n\u003cp>That's when then-Supervisor Quentin Kopp — who described \"I Left My Heart\" as \"a schmaltzy jingle,\" the fault of the \"hippie-love movement\" and unworthy of the city it aimed to honor — introduced a resolution to instead make the theme from the 1936 earthquake movie \"San Francisco\" the official song of Baghdad by the Bay.\u003c/p>\n\u003cp>Now that, Kopp said in a recent interview, was a song. Belted out by Jeanette MacDonald just moments before the killer quake struck on the big screen, \"it's a bracing, vigorous, strong song\" about risk-taking and adventure, optimism and welcome.\u003c/p>\n\u003cp>But Kopp's distaste for Bennett's ballad was nothing compared to then-San Francisco Chronicle columnist Warren Hinckle's vitriol. During a monthlong imbroglio — played out in the newspapers and at City Hall as the Democratic Party prepared for its 1984 convention here — Hinckle called the lyrics \"infantile drool.\" The song, he said, was \"barely suited for elevator music\" and was \"as much San Francisco as bathtub chablis.\"\u003c/p>\u003c/blockquote>\n\u003cp>There's a \u003ca href=\"http://www.latimes.com/news/local/la-me-tony-bennett-valentine-20120214,0,6447923.story\">lot more to the story\u003c/a>, but why go into it? I suspect a SoCal plot to make us look silly. As if we needed help from down there. At noon, I'll be following the \u003ca href=\"http://www.sfmayor.org/index.aspx?page=685\">lead of our mayor\u003c/a> and -- using my inside voice -- give the song a whirl. Or maybe a hum will do. Here's one \u003ca href=\"http://www.youtube.com/watch?v=I6d03gbmAzc\">version of the ballad\u003c/a>, from 1963, that's particularly nice. Tony belts it out solo before being joined on-stage by Judy Garland, and, as they sing, he wraps his arms around her. Overt affection? Or is he trying to steady her? Either way, he seems kind...\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"420\" height=\"315\" src=\"http://www.youtube.com/embed/I6d03gbmAzc\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Here are the lyrics. Practice up...\u003c/p>\n\u003cblockquote>\u003cp>The loveliness of Paris seems somehow sadly gay\u003cbr>\nThe glory that was Rome is of another day\u003cbr>\nI've been terribly alone and forgotten in Manhattan\u003cbr>\nI'm going home to my city by the Bay\u003c/p>\n\u003cp>I left my heart in San Francisco\u003cbr>\nHigh on a hill, it calls to me\u003cbr>\nTo be where little cable cars climb halfway to the stars\u003cbr>\nThe morning fog may chill the air, I don't care\u003c/p>\n\u003cp>My love waits there in San Francisco\u003cbr>\nAbove the blue and windy sea\u003cbr>\nWhen I come home to you, San Francisco\u003cbr>\nYour golden sun will shine for me\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Related\u003c/em>:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://sfbay.ca/2012/02/12/50-years-of-i-left-my-heart-in-video/\">Videos: Tony Bennett sings the song over the years\u003c/a>\u003c/li>\u003c/ul>\n\n",
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"description": "Only in the Bay Area would a guy propose marriage on Valentine's Day via an infographic on Mashable. I mean, people are so electronically immersed, how would anyone even remember they're supposed to buy chocolates and flowers if the Google Doodle didn't remind them? That's Tony Bennett singing "Cold, Cold Heart," by the way. Probably",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Only in the Bay Area would a guy propose marriage on Valentine's Day via an \u003ca href=\"http://mashable.com/2012/02/14/drake-stacy-infographic/\">infographic on Mashable\u003c/a>. I mean, people are so electronically immersed, how would anyone even remember they're supposed to buy chocolates and flowers if the \u003ca href=\"http://www.youtube.com/watch?v=WTGUjRJiqik&feature=player_embedded\">Google Doodle\u003c/a> didn't remind them?\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"274\" src=\"http://www.youtube.com/embed/WTGUjRJiqik\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>That's Tony Bennett singing \"Cold, Cold Heart,\" by the way. Probably not the one he left in San Francisco, which you can hear all about at noon. Bay City News explains:\u003c/p>\n\u003cblockquote>\u003cp>Tony Bennett, who famously sang about leaving his heart in San Francisco, is being honored by the city at a ceremony in City Hall on Valentine's Day.\u003c/p>\n\u003cp>Bennett recorded the song \"\u003ca href=\"http://en.wikipedia.org/wiki/I_Left_My_Heart_in_San_Francisco\">I Left My Heart in San Francisco\u003c/a>\" in 1962 and is returning to the city 50 years later to be honored in the Tuesday ceremony by Democratic Leader Nancy Pelosi, U.S. Sen. Dianne Feinstein, Mayor Ed Lee and various other current and former city leaders.\u003c/p>\n\u003cp>The 85-year-old Bennett first sang the song in December 1961 at the Fairmont Hotel's Venetian Room in the city's Nob Hill neighborhood and is returning there later Tuesday night for a sold-out benefit concert to raise money for heart research at University of California at San Francisco.\u003c/p>\n\u003cp>Several local choirs will sing their own versions of Bennett's famous song at Tuesday's noontime City Hall ceremony, which will conclude with a sing-along of the tune.\u003c/p>\n\u003cp>Every radio station in the city has also been asked to play \"I Left My Heart in San Francisco\" at or near noon, and the song will be played over the public address system at both Union Square and Hallidie Plaza.\u003c/p>\n\u003cp>\"The song reminds us of why we love our city so much and when we are away, it calls us home,\" Lee said in a statement. \"Mr. Bennett's signature voice is celebrated around the world, and when he comes back to San Francisco, our hearts will surely be lifted.\" \u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>The L.A. Times, for some reason, goes further into this by providing \u003ca href=\"http://www.latimes.com/news/local/la-me-tony-bennett-valentine-20120214,0,6447923.story\">a lot of detail\u003c/a> about certain San Franciscans' disdain for that song. \u003c/p>\n\u003cblockquote>\u003cp>At least two people, however, are all but guaranteed to spurn the noontime chorus: the men who together dethroned the onetime official song of San Francisco, who stopped those little cable cars from climbing halfway to the stars, more than a quarter-century ago.\u003c/p>\n\u003cp>That's when then-Supervisor Quentin Kopp — who described \"I Left My Heart\" as \"a schmaltzy jingle,\" the fault of the \"hippie-love movement\" and unworthy of the city it aimed to honor — introduced a resolution to instead make the theme from the 1936 earthquake movie \"San Francisco\" the official song of Baghdad by the Bay.\u003c/p>\n\u003cp>Now that, Kopp said in a recent interview, was a song. Belted out by Jeanette MacDonald just moments before the killer quake struck on the big screen, \"it's a bracing, vigorous, strong song\" about risk-taking and adventure, optimism and welcome.\u003c/p>\n\u003cp>But Kopp's distaste for Bennett's ballad was nothing compared to then-San Francisco Chronicle columnist Warren Hinckle's vitriol. During a monthlong imbroglio — played out in the newspapers and at City Hall as the Democratic Party prepared for its 1984 convention here — Hinckle called the lyrics \"infantile drool.\" The song, he said, was \"barely suited for elevator music\" and was \"as much San Francisco as bathtub chablis.\"\u003c/p>\u003c/blockquote>\n\u003cp>There's a \u003ca href=\"http://www.latimes.com/news/local/la-me-tony-bennett-valentine-20120214,0,6447923.story\">lot more to the story\u003c/a>, but why go into it? I suspect a SoCal plot to make us look silly. As if we needed help from down there. At noon, I'll be following the \u003ca href=\"http://www.sfmayor.org/index.aspx?page=685\">lead of our mayor\u003c/a> and -- using my inside voice -- give the song a whirl. Or maybe a hum will do. Here's one \u003ca href=\"http://www.youtube.com/watch?v=I6d03gbmAzc\">version of the ballad\u003c/a>, from 1963, that's particularly nice. Tony belts it out solo before being joined on-stage by Judy Garland, and, as they sing, he wraps his arms around her. Overt affection? Or is he trying to steady her? Either way, he seems kind...\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"420\" height=\"315\" src=\"http://www.youtube.com/embed/I6d03gbmAzc\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here are the lyrics. Practice up...\u003c/p>\n\u003cblockquote>\u003cp>The loveliness of Paris seems somehow sadly gay\u003cbr>\nThe glory that was Rome is of another day\u003cbr>\nI've been terribly alone and forgotten in Manhattan\u003cbr>\nI'm going home to my city by the Bay\u003c/p>\n\u003cp>I left my heart in San Francisco\u003cbr>\nHigh on a hill, it calls to me\u003cbr>\nTo be where little cable cars climb halfway to the stars\u003cbr>\nThe morning fog may chill the air, I don't care\u003c/p>\n\u003cp>My love waits there in San Francisco\u003cbr>\nAbove the blue and windy sea\u003cbr>\nWhen I come home to you, San Francisco\u003cbr>\nYour golden sun will shine for me\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Related\u003c/em>:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://sfbay.ca/2012/02/12/50-years-of-i-left-my-heart-in-video/\">Videos: Tony Bennett sings the song over the years\u003c/a>\u003c/li>\u003c/ul>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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