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"content": "\u003caside class=\"pullquote alignleft\">\n\u003cp>Have you met or seen Woody Allen in San Francisco? We want to hear from you.\u003c/p>\n\u003cp>Call \u003cstrong>415-553-8455\u003c/strong> and KQED's Joshua Johnson will give you instructions on how to share your story in a voicemail message\u003c/p>\n\u003c/aside>\n\u003cp>\u003ca href=\"http://richmondsfblog.com/2012/08/20/woody-allen-to-shoot-at-gaspares-on-thursday-for-new-film/\">The Richmond District blog\u003c/a> says that beginning at around 11 a.m. the WASP (\u003ca href=\"http://www.imdb.com/title/tt2334873/\">Woody Allen summer project\u003c/a>) will be filming at \u003ca href=\"http://www.gasparespizza.com/\">Gaspare’s Pizza House & Italian Restaurant\u003c/a> at 5546 Geary Ave., between 19th and 20th avenues. Film crews have started setting up, according to a local resident on \u003ca href=\"http://instagram.com/p/OrOlIEobBJ/\">Twitter\u003c/a>.\u003c/p>\n\u003cp>As Jon Brooks \u003ca href=\"http://ww2.kqed.org/news/2012/08/22/today-in-woody-allen-24th-and-florida/\">wrote\u003c/a> yesterday, we have been devoting the full resources of KQED News to \u003cdel datetime=\"2012-08-22T16:49:30+00:00\">stalking\u003c/del> tracking Woody Allen. Our publicradiazzi have already spotted him at \u003ca href=\"http://ww2.kqed.org/news/2012/08/14/i-saw-woody-allen-on-the-way-to-work-14th-and-south-van-ness/\">20th and Lexington and 14th and South Van Ness\u003c/a>. He's also been seen filming at \u003ca href=\"http://ww2.kqed.org/news/2012/08/22/today-in-woody-allen-24th-and-florida/\">24th and Florida\u003c/a> and Post and Grant.\u003c/p>\n\u003cp>And we're not the only ones having fun with the acclaimed director's visit to our city.\u003c/p>\n\u003cp>http://twitter.com/sfdavide/status/238668753020260352\u003c/p>\n\u003cp>http://twitter.com/thekenyeung/status/238657632502693888\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://twitter.com/Chadsalty/status/238404622488854529\u003c/p>\n\u003cp>http://twitter.com/dannybloomfield/status/238353164192075777\u003c/p>\n\u003cp>Although not everyone is so starry-eyed:\u003c/p>\n\u003cp>http://twitter.com/THETAMBORAYS/status/238412498628407296\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_74019\" class=\"wp-caption alignright\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody241.jpg\">\u003cimg class=\"size-thumbnail wp-image-74019\" title=\"\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody241-150x150.jpg\" alt=\"Woody Allen in front of Casa Lucas Market on 24th Street Aug. 22. Photo by Tim Olson/KQED.\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Woody Allen in front of Casa Lucas Market on 24th Street Aug. 22. Photo by Tim Olson/KQED.\u003c/figcaption>\u003c/figure>\n\u003cp>What do you think of the hullabaloo surrounding Woody Allen in San Francisco? If you've met or seen the director while he's been here, we want to hear from you. Call 415-553-8455 and KQED's Joshua Johnson will give you instructions on how to share your story in a voicemail message. You can also Tweet your comments and photos to us \u003ca href=\"http://www.twitter.com/kqednews\">@KQEDnews\u003c/a>.\u003c/p>\n\u003cp>Here are some of the best photos we've seen around Twitter so far, including a shot of Allen and his wife, Soon-Yi Previn, in Russian Hill.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/woody-allen-spotting\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"pullquote alignleft\">\n\u003cp>Have you met or seen Woody Allen in San Francisco? We want to hear from you.\u003c/p>\n\u003cp>Call \u003cstrong>415-553-8455\u003c/strong> and KQED's Joshua Johnson will give you instructions on how to share your story in a voicemail message\u003c/p>\n\u003c/aside>\n\u003cp>\u003ca href=\"http://richmondsfblog.com/2012/08/20/woody-allen-to-shoot-at-gaspares-on-thursday-for-new-film/\">The Richmond District blog\u003c/a> says that beginning at around 11 a.m. the WASP (\u003ca href=\"http://www.imdb.com/title/tt2334873/\">Woody Allen summer project\u003c/a>) will be filming at \u003ca href=\"http://www.gasparespizza.com/\">Gaspare’s Pizza House & Italian Restaurant\u003c/a> at 5546 Geary Ave., between 19th and 20th avenues. Film crews have started setting up, according to a local resident on \u003ca href=\"http://instagram.com/p/OrOlIEobBJ/\">Twitter\u003c/a>.\u003c/p>\n\u003cp>As Jon Brooks \u003ca href=\"http://ww2.kqed.org/news/2012/08/22/today-in-woody-allen-24th-and-florida/\">wrote\u003c/a> yesterday, we have been devoting the full resources of KQED News to \u003cdel datetime=\"2012-08-22T16:49:30+00:00\">stalking\u003c/del> tracking Woody Allen. Our publicradiazzi have already spotted him at \u003ca href=\"http://ww2.kqed.org/news/2012/08/14/i-saw-woody-allen-on-the-way-to-work-14th-and-south-van-ness/\">20th and Lexington and 14th and South Van Ness\u003c/a>. He's also been seen filming at \u003ca href=\"http://ww2.kqed.org/news/2012/08/22/today-in-woody-allen-24th-and-florida/\">24th and Florida\u003c/a> and Post and Grant.\u003c/p>\n\u003cp>And we're not the only ones having fun with the acclaimed director's visit to our city.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Although not everyone is so starry-eyed:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_74019\" class=\"wp-caption alignright\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody241.jpg\">\u003cimg class=\"size-thumbnail wp-image-74019\" title=\"\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody241-150x150.jpg\" alt=\"Woody Allen in front of Casa Lucas Market on 24th Street Aug. 22. Photo by Tim Olson/KQED.\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Woody Allen in front of Casa Lucas Market on 24th Street Aug. 22. Photo by Tim Olson/KQED.\u003c/figcaption>\u003c/figure>\n\u003cp>What do you think of the hullabaloo surrounding Woody Allen in San Francisco? If you've met or seen the director while he's been here, we want to hear from you. Call 415-553-8455 and KQED's Joshua Johnson will give you instructions on how to share your story in a voicemail message. You can also Tweet your comments and photos to us \u003ca href=\"http://www.twitter.com/kqednews\">@KQEDnews\u003c/a>.\u003c/p>\n\u003cp>Here are some of the best photos we've seen around Twitter so far, including a shot of Allen and his wife, Soon-Yi Previn, in Russian Hill.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/woody-allen-spotting\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>KQED interactive veep Tim Olson ran into Woody Allen this morning in front of \u003ca href=\"http://www.yelp.com/biz/casa-lucas-market-san-francisco-2\">Casa Lucas Market\u003c/a> on 24th Street between Florida and Alabama. The production of WASP (\u003ca href=\"http://www.imdb.com/title/tt2334873/\">Woody Allen summer project\u003c/a>) was setting up to start shooting. Tim snapped this photo of Woody haggling over the price of nectarines...or something...\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody24.jpg\">\u003cimg class=\"size-medium wp-image-73903 aligncenter\" title=\"woody24\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody24-300x224.jpg\" alt=\"\" width=\"300\" height=\"224\">\u003c/a>\u003c/p>\n\u003cp>We have been devoting the full resources of KQED News to \u003cdel datetime=\"2012-08-22T16:49:30+00:00\">stalking\u003c/del> tracking Woody Allen. Our publicradiazzi have already spotted him at \u003ca href=\"http://ww2.kqed.org/news/2012/08/14/i-saw-woody-allen-on-the-way-to-work-14th-and-south-van-ness/\">20th and Lexington and 14th and South Van Ness\u003c/a>.\u003c/p>\n\u003cp>More \u003ca href=\"http://storify.com/kqednews/woody-allen-spotting\">photos\u003c/a> below. First person to catch him without that same tan cap on wins a knish.\u003c/p>\n\u003cp>\u003cstrong>Update\u003c/strong>: A \u003ca href=\"http://ww2.kqed.org/news/2012/08/22/today-in-woody-allen-24th-and-florida/#comment-625844396\">commenter below\u003c/a> says the woman facing the camera is Woody's sister, \u003ca href=\"http://www.variety.com/article/VR1118042736\">Letty Aronson\u003c/a>.\u003cbr>\n\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/woody-allen-spotting\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED interactive veep Tim Olson ran into Woody Allen this morning in front of \u003ca href=\"http://www.yelp.com/biz/casa-lucas-market-san-francisco-2\">Casa Lucas Market\u003c/a> on 24th Street between Florida and Alabama. The production of WASP (\u003ca href=\"http://www.imdb.com/title/tt2334873/\">Woody Allen summer project\u003c/a>) was setting up to start shooting. Tim snapped this photo of Woody haggling over the price of nectarines...or something...\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody24.jpg\">\u003cimg class=\"size-medium wp-image-73903 aligncenter\" title=\"woody24\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody24-300x224.jpg\" alt=\"\" width=\"300\" height=\"224\">\u003c/a>\u003c/p>\n\u003cp>We have been devoting the full resources of KQED News to \u003cdel datetime=\"2012-08-22T16:49:30+00:00\">stalking\u003c/del> tracking Woody Allen. Our publicradiazzi have already spotted him at \u003ca href=\"http://ww2.kqed.org/news/2012/08/14/i-saw-woody-allen-on-the-way-to-work-14th-and-south-van-ness/\">20th and Lexington and 14th and South Van Ness\u003c/a>.\u003c/p>\n\u003cp>More \u003ca href=\"http://storify.com/kqednews/woody-allen-spotting\">photos\u003c/a> below. First person to catch him without that same tan cap on wins a knish.\u003c/p>\n\u003cp>\u003cstrong>Update\u003c/strong>: A \u003ca href=\"http://ww2.kqed.org/news/2012/08/22/today-in-woody-allen-24th-and-florida/#comment-625844396\">commenter below\u003c/a> says the woman facing the camera is Woody's sister, \u003ca href=\"http://www.variety.com/article/VR1118042736\">Letty Aronson\u003c/a>.\u003cbr>\n\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>LOS ANGELES (AP) Singer Scott McKenzie, who performed \"San Francisco (Be Sure to Wear Flowers in Your Hair)\"--which became a hit in 1967 during the city's \"Summer of Love\"--has died.\u003c/p>\n\u003cp>A statement on McKenzie's website says the 73-year-old died on Saturday in Los Angeles. McKenzie battled Guillain-Barre Syndrome, a disease that affects the nervous system, and had been in and out of the hospital since 2010.\u003c/p>\n\u003cp>\u003ciframe width=\"420\" height=\"315\" src=\"http://www.youtube.com/embed/jLYJDinDIfw\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\"San Francisco\" was written by John Phillips, the leader of the 1960s group The Mamas and the Papas. But McKenzie sang it and it has stood as an anthem for the 1960s counterculture movement.\u003c/p>\n\u003cp>McKenzie also co-wrote \"Kokomo,\" a No. 1 hit for The Beach Boys in 1988, and toured with The Mamas and the Papas in the 1990s.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "Humorist Phyllis Diller Dies at 95 in Los Angeles",
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"content": "\u003cfigure id=\"attachment_73696\" class=\"wp-caption alignleft\" style=\"max-width: 194px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/50798271.jpg\">\u003cimg class=\"size-medium wp-image-73696 \" title=\"weSPARKLE NIGHT - TAKE III Benefit - Show\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/50798271-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Phyllis Diller performing in 2004. (Photo by Frazer Harrison/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>LOS ANGELES (AP) Phyllis Diller, the housewife turned humorist who aimed some of her sharpest barbs at herself, punctuating her jokes with her trademark cackle, died Monday morning in Los Angeles at age 95.\u003c/p>\n\u003cp>\"She died peacefully in her sleep with a smile on her face,\" her longtime manager, Milton Suchin, told The Associated Press.\u003c/p>\n\u003cp>Diller suffered a near-fatal heart attack in 1999. The cause of her death has not been released.\u003c/p>\n\u003cp>She was a staple of nightclubs and television from the 1950s--when female comics were rare indeed--until her retirement in 2002. Diller built her stand-up act around the persona of the corner-cutting housewife (''I bury a lot of my ironing in the back yard'') with bizarre looks, a wardrobe to match (by \"Omar of Omaha\") and a husband named \"Fang.\"\u003c/p>\n\u003caside class=\"pullquote alignleft\">Diller was working as an advertising writer for a radio station when a comedy turn at \u003ca href=\"http://www.caffemacaroni.com/purple.shtml\" target=\"_blank\">San Francisco's Purple Onion nightclub\u003c/a> launched her toward stardom.\u003c/aside>\n\u003cp>Wrote Time magazine in 1961: \"Onstage comes something that, by its own description, looks like a sackful of doorknobs. With hair dyed by Alcoa, pipe-cleaner limbs and knees just missing one another when the feet are wide apart, this is not Princess Volupine. It is Phyllis Diller, the poor man's Auntie Mame, only successful female among the New Wave comedians and one of the few women funny and tough enough to belt out a 'standup' act of one-line gags.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I was one of those life-of-the-party types,\" Diller told The Associated Press in 1965. \"You'll find them in every bridge club, at every country club. People invited me to parties only because they knew I would supply some laughs. They still do.\"\u003c/p>\n\u003cp>She didn't get into comedy until she was nearly 40, after her first husband, Sherwood Diller, prodded her for two years to give up a successful career as an advertising and radio writer. Through it all, she was also a busy mother.\u003c!--more-->\u003c/p>\n\u003cp>\"We had five kids at the time. I don't how he thought we'd handle that,\" she told the AP in 2006.\u003c/p>\n\u003caside class=\"pullquote alignleft\">Check out this 1952 article about Diller from the \u003ca href=\"http://phyllisdilleralameda.blogspot.com/2010/03/asounding-woman-dec-30-1958.html\" target=\"_blank\">Daily Review Hayward\u003c/a>\u003c/aside>\n\u003cp>A Chicago Tribune columnist, describing her appearance at a nightspot there in 1958, noted she was from San Francisco, hailed her as \"the weirdest, wildest yet\"-- and made sure to mention her five youngsters.\u003c/p>\n\u003cp>Her husband managed her career until the couple's 25-year marriage fell apart in the 1960s. Shortly after her divorce she married entertainer Warde Donovan, but they separated within months.\u003c/p>\n\u003cp>Through both marriages and other relationships, the foibles of \"Fang\" remained an integral part of her act.\u003c/p>\n\u003cp>\"Fang is permanent in the act, of course,\" she once said. \"Don't confuse him with my real husbands. They're temporary.\"\u003c/p>\n\u003cp>She also appeared in movies, including \"Boy, Did I Get a Wrong Number\" and \"Eight on the Lam\" with Bob Hope.\u003c/p>\n\u003cp>In 1966-67, she was the star of an ABC sitcom about a society family trying to stave off bankruptcy, \"The Pruitts of Southampton.\" Gypsy Rose Lee played a nosy neighbor. In 1968, she was host of a short-lived variety series, \"The Beautiful Phyllis Diller Show.\"\u003c/p>\n\u003cp>But standup comedy was her first love, and when she broke into the business in 1956 it was a field she had largely to herself because female comics weren't widely accepted then.\u003c/p>\n\u003cp>Although she could be serious during interviews, sooner or later a joke would pop out, often as not followed by that outrageous \"AH-HHAAAAAAAAAAAA-HA-HA-HA!\" laugh.\u003c/p>\n\u003cp>\"It's my real laugh,\" she once said. \"It's in the family. When I was a kid my father called me the laughing hyena.\"\u003c/p>\n\u003cp>Her looks were a frequent topic, and she did everything she could to accentuate them--negatively. She wore outrageous fright wigs and deliberately shopped for stage shoes that made her legs look as skinny as possible.\u003c/p>\n\u003cp>\"The older I get, the funnier I get,\" she said in 1961. \"Think what I'll save in not having my face lifted.\"\u003c/p>\n\u003cp>She felt different about plastic surgery later, though, and her face, and other body parts, underwent a remarkable transformation. Efforts to be beautiful became a mainstay of her act.\u003c/p>\n\u003cp>Commenting in 1995 about the repainting of the Hollywood sign, she cracked, \"It took 300 gallons, almost as much as I put on every morning.\" She said her home \"used to be haunted, but the ghosts haven't been back since the night I tried on all my wigs.\"\u003c/p>\n\u003cp>She recovered from a 1999 heart attack with the help of a pacemaker, but finally retired in 2002, saying advancing age was making it too difficult for her to spend several weeks a year on the road.\u003c/p>\n\u003cp>\"I have energy, but I don't have lasting energy,\" she told The Associated Press in 2006. \"You have to know your limitations.\"\u003c/p>\n\u003cp>After retiring from standup, Diller continued to take occasional small parts in movies and TV shows (''Family Guy'') and pursued painting as a serious hobby. She published her autobiography, \"Like a Lampshade in a Whorehouse,\" in 2005. The 2006 film \"Goodnight, We Love You'\" documented her career.\u003c/p>\n\u003cp>Her other books included \"Phyllis Diller's Housekeeping Hints\" and \"Phyllis Diller's Marriage Manual.\"\u003c/p>\n\u003cp>When she turned 90 in July 2007, she fractured a bone in her back and was forced to cancel a planned birthday appearance on \"The Tonight Show With Jay Leno.\" But it didn't stop her from wisecracking: \"I still take the pill 'cause I don't want any more grandchildren.\"\u003c/p>\n\u003cp>Born Phyllis Driver in Lima, Ohio, she married Sherwood Diller right out of school (Bluffton College) and was a housewife for several years before getting outside work.\u003c/p>\n\u003cp>She was working as an advertising writer for a radio station when a comedy turn at San Francisco's Purple Onion nightclub launched her toward stardom.\u003c/p>\n\u003cp>She made her network TV debut as a contestant on Groucho Marx's game show, \"You Bet Your Life.\" (Diller, asked if she was married: \"Yes, I've worn a wedding ring for 18 years.'' Marx: \"Really? Well, two more payments and it'll be all yours.'')\u003c/p>\n\u003cp>She credited the self-help book, \"The Magic of Believing'' by Claude M. Bristol, with giving her the courage to enter the business. For decades she would recommend it to aspiring entertainers, even buying it for them sometimes.\u003c/p>\n\u003cp>\"Don't get me wrong, though,'' she said in a 1982 interview that threatened to turn serious. \"I'm a comic. I don't deal with problems when I'm working.''\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\"I want people to laugh.''\u003c/p>\n\n",
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"description": "LOS ANGELES (AP) Phyllis Diller, the housewife turned humorist who aimed some of her sharpest barbs at herself, punctuating her jokes with her trademark cackle, died Monday morning in Los Angeles at age 95. "She died peacefully in her sleep with a smile on her face," her longtime manager, Milton Suchin, told The Associated Press.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_73696\" class=\"wp-caption alignleft\" style=\"max-width: 194px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/50798271.jpg\">\u003cimg class=\"size-medium wp-image-73696 \" title=\"weSPARKLE NIGHT - TAKE III Benefit - Show\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/50798271-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Phyllis Diller performing in 2004. (Photo by Frazer Harrison/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>LOS ANGELES (AP) Phyllis Diller, the housewife turned humorist who aimed some of her sharpest barbs at herself, punctuating her jokes with her trademark cackle, died Monday morning in Los Angeles at age 95.\u003c/p>\n\u003cp>\"She died peacefully in her sleep with a smile on her face,\" her longtime manager, Milton Suchin, told The Associated Press.\u003c/p>\n\u003cp>Diller suffered a near-fatal heart attack in 1999. The cause of her death has not been released.\u003c/p>\n\u003cp>She was a staple of nightclubs and television from the 1950s--when female comics were rare indeed--until her retirement in 2002. Diller built her stand-up act around the persona of the corner-cutting housewife (''I bury a lot of my ironing in the back yard'') with bizarre looks, a wardrobe to match (by \"Omar of Omaha\") and a husband named \"Fang.\"\u003c/p>\n\u003caside class=\"pullquote alignleft\">Diller was working as an advertising writer for a radio station when a comedy turn at \u003ca href=\"http://www.caffemacaroni.com/purple.shtml\" target=\"_blank\">San Francisco's Purple Onion nightclub\u003c/a> launched her toward stardom.\u003c/aside>\n\u003cp>Wrote Time magazine in 1961: \"Onstage comes something that, by its own description, looks like a sackful of doorknobs. With hair dyed by Alcoa, pipe-cleaner limbs and knees just missing one another when the feet are wide apart, this is not Princess Volupine. It is Phyllis Diller, the poor man's Auntie Mame, only successful female among the New Wave comedians and one of the few women funny and tough enough to belt out a 'standup' act of one-line gags.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I was one of those life-of-the-party types,\" Diller told The Associated Press in 1965. \"You'll find them in every bridge club, at every country club. People invited me to parties only because they knew I would supply some laughs. They still do.\"\u003c/p>\n\u003cp>She didn't get into comedy until she was nearly 40, after her first husband, Sherwood Diller, prodded her for two years to give up a successful career as an advertising and radio writer. Through it all, she was also a busy mother.\u003c!--more-->\u003c/p>\n\u003cp>\"We had five kids at the time. I don't how he thought we'd handle that,\" she told the AP in 2006.\u003c/p>\n\u003caside class=\"pullquote alignleft\">Check out this 1952 article about Diller from the \u003ca href=\"http://phyllisdilleralameda.blogspot.com/2010/03/asounding-woman-dec-30-1958.html\" target=\"_blank\">Daily Review Hayward\u003c/a>\u003c/aside>\n\u003cp>A Chicago Tribune columnist, describing her appearance at a nightspot there in 1958, noted she was from San Francisco, hailed her as \"the weirdest, wildest yet\"-- and made sure to mention her five youngsters.\u003c/p>\n\u003cp>Her husband managed her career until the couple's 25-year marriage fell apart in the 1960s. Shortly after her divorce she married entertainer Warde Donovan, but they separated within months.\u003c/p>\n\u003cp>Through both marriages and other relationships, the foibles of \"Fang\" remained an integral part of her act.\u003c/p>\n\u003cp>\"Fang is permanent in the act, of course,\" she once said. \"Don't confuse him with my real husbands. They're temporary.\"\u003c/p>\n\u003cp>She also appeared in movies, including \"Boy, Did I Get a Wrong Number\" and \"Eight on the Lam\" with Bob Hope.\u003c/p>\n\u003cp>In 1966-67, she was the star of an ABC sitcom about a society family trying to stave off bankruptcy, \"The Pruitts of Southampton.\" Gypsy Rose Lee played a nosy neighbor. In 1968, she was host of a short-lived variety series, \"The Beautiful Phyllis Diller Show.\"\u003c/p>\n\u003cp>But standup comedy was her first love, and when she broke into the business in 1956 it was a field she had largely to herself because female comics weren't widely accepted then.\u003c/p>\n\u003cp>Although she could be serious during interviews, sooner or later a joke would pop out, often as not followed by that outrageous \"AH-HHAAAAAAAAAAAA-HA-HA-HA!\" laugh.\u003c/p>\n\u003cp>\"It's my real laugh,\" she once said. \"It's in the family. When I was a kid my father called me the laughing hyena.\"\u003c/p>\n\u003cp>Her looks were a frequent topic, and she did everything she could to accentuate them--negatively. She wore outrageous fright wigs and deliberately shopped for stage shoes that made her legs look as skinny as possible.\u003c/p>\n\u003cp>\"The older I get, the funnier I get,\" she said in 1961. \"Think what I'll save in not having my face lifted.\"\u003c/p>\n\u003cp>She felt different about plastic surgery later, though, and her face, and other body parts, underwent a remarkable transformation. Efforts to be beautiful became a mainstay of her act.\u003c/p>\n\u003cp>Commenting in 1995 about the repainting of the Hollywood sign, she cracked, \"It took 300 gallons, almost as much as I put on every morning.\" She said her home \"used to be haunted, but the ghosts haven't been back since the night I tried on all my wigs.\"\u003c/p>\n\u003cp>She recovered from a 1999 heart attack with the help of a pacemaker, but finally retired in 2002, saying advancing age was making it too difficult for her to spend several weeks a year on the road.\u003c/p>\n\u003cp>\"I have energy, but I don't have lasting energy,\" she told The Associated Press in 2006. \"You have to know your limitations.\"\u003c/p>\n\u003cp>After retiring from standup, Diller continued to take occasional small parts in movies and TV shows (''Family Guy'') and pursued painting as a serious hobby. She published her autobiography, \"Like a Lampshade in a Whorehouse,\" in 2005. The 2006 film \"Goodnight, We Love You'\" documented her career.\u003c/p>\n\u003cp>Her other books included \"Phyllis Diller's Housekeeping Hints\" and \"Phyllis Diller's Marriage Manual.\"\u003c/p>\n\u003cp>When she turned 90 in July 2007, she fractured a bone in her back and was forced to cancel a planned birthday appearance on \"The Tonight Show With Jay Leno.\" But it didn't stop her from wisecracking: \"I still take the pill 'cause I don't want any more grandchildren.\"\u003c/p>\n\u003cp>Born Phyllis Driver in Lima, Ohio, she married Sherwood Diller right out of school (Bluffton College) and was a housewife for several years before getting outside work.\u003c/p>\n\u003cp>She was working as an advertising writer for a radio station when a comedy turn at San Francisco's Purple Onion nightclub launched her toward stardom.\u003c/p>\n\u003cp>She made her network TV debut as a contestant on Groucho Marx's game show, \"You Bet Your Life.\" (Diller, asked if she was married: \"Yes, I've worn a wedding ring for 18 years.'' Marx: \"Really? Well, two more payments and it'll be all yours.'')\u003c/p>\n\u003cp>She credited the self-help book, \"The Magic of Believing'' by Claude M. Bristol, with giving her the courage to enter the business. For decades she would recommend it to aspiring entertainers, even buying it for them sometimes.\u003c/p>\n\u003cp>\"Don't get me wrong, though,'' she said in a 1982 interview that threatened to turn serious. \"I'm a comic. I don't deal with problems when I'm working.''\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Today in Woody Allen: 20th and Lexington Streets",
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"content": "\u003cp>\u003cstrong>Update 11:11 a.m. Aug. 15: \u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_73234\" class=\"wp-caption aligncenter\" style=\"max-width: 336px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody.png\">\u003cimg class=\"size-full wp-image-73234\" title=\"woody\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody.png\" alt=\"\" width=\"336\" height=\"570\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Woody Allen in the Mission this morning. Photo by Durrie Bouscaren/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Update 10 a.m. Aug. 15\u003c/strong>: There was a lot of interest in this post on Tuesday, so we thought we'd come back and give you an update on \u003ca href=\"http://goo.gl/maps/bBuL6\">where Woody Allen is today in San Francisco\u003c/a>:\u003c/p>\n\u003cp>http://twitter.com/MattySF1/status/235753390859235330\u003c/p>\n\u003cp>http://twitter.com/rudyadler/status/235769718898835456\u003c/p>\n\u003cp>\u003cem>Original post:\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As has been widely reported, Woody Allen, who churns out movies like Major League Baseball churns out seasons, is at it again in the Bay Area. \u003ca href=\"http://www.pacificsun.com/news/show_story.php?id=4589\">Tiburon\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345786\">Larkspur\u003c/a>, \u003ca href=\"http://sanrafael.patch.com/articles/woody-allen-and-stars-spotted-in-belvedere\">Belvedere\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345597\">Pacific Heights\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345687\">Valencia Corridor\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345746\">North Beach\u003c/a> -- Woody has been spotted filming and recreating all over Marin and San Francisco.\u003c/p>\n\u003cp>And this morning, on my way to work, I ran smack dab into his production at 14th and South Van Ness.\u003c/p>\n\u003cfigure id=\"attachment_73099\" class=\"wp-caption aligncenter\" style=\"max-width: 179px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/WoodyAllen.jpg\">\u003cimg class=\"size-medium wp-image-73099\" title=\"WoodyAllen\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/WoodyAllen-179x300.jpg\" alt=\"\" width=\"179\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Woody Allen shooting a scene at 14th and South Van Ness Tuesday morning\u003c/figcaption>\u003c/figure>\n\u003cp>The scene involved someone who looked, from a distance, an awful lot like Cate Blanchett, walking into the New Central Cafe, \u003ca href=\"http://www.yelp.com/biz/new-central-cafe-and-restaurant-san-francisco\">listed as closed\u003c/a> on Yelp.\u003c/p>\n\u003cp>The movie also \u003ca href=\"http://www.imdb.com/title/tt2334873/\">stars\u003c/a> Alec Baldwin and Louis C.K. and has been described by the San Francisco Film Commission as a romantic comedy about \"a woman trying to make it on a budget when she moves to San Francisco after her posh New York City lifestyle comes crashing down.\" (Suggested tagline: \"Good luck with that.\") \u003c!--more-->\u003c/p>\n\u003cp>Have you spotted Allen around town? These people have, and they posted photos of the director on social media:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/woody-allen-spotting\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update 11:11 a.m. Aug. 15: \u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_73234\" class=\"wp-caption aligncenter\" style=\"max-width: 336px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody.png\">\u003cimg class=\"size-full wp-image-73234\" title=\"woody\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/woody.png\" alt=\"\" width=\"336\" height=\"570\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Woody Allen in the Mission this morning. Photo by Durrie Bouscaren/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Update 10 a.m. Aug. 15\u003c/strong>: There was a lot of interest in this post on Tuesday, so we thought we'd come back and give you an update on \u003ca href=\"http://goo.gl/maps/bBuL6\">where Woody Allen is today in San Francisco\u003c/a>:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As has been widely reported, Woody Allen, who churns out movies like Major League Baseball churns out seasons, is at it again in the Bay Area. \u003ca href=\"http://www.pacificsun.com/news/show_story.php?id=4589\">Tiburon\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345786\">Larkspur\u003c/a>, \u003ca href=\"http://sanrafael.patch.com/articles/woody-allen-and-stars-spotted-in-belvedere\">Belvedere\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345597\">Pacific Heights\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345687\">Valencia Corridor\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/08/07/woody-allen-in-san-francisco_n_1754061.html#slide=1345746\">North Beach\u003c/a> -- Woody has been spotted filming and recreating all over Marin and San Francisco.\u003c/p>\n\u003cp>And this morning, on my way to work, I ran smack dab into his production at 14th and South Van Ness.\u003c/p>\n\u003cfigure id=\"attachment_73099\" class=\"wp-caption aligncenter\" style=\"max-width: 179px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/WoodyAllen.jpg\">\u003cimg class=\"size-medium wp-image-73099\" title=\"WoodyAllen\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/WoodyAllen-179x300.jpg\" alt=\"\" width=\"179\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Woody Allen shooting a scene at 14th and South Van Ness Tuesday morning\u003c/figcaption>\u003c/figure>\n\u003cp>The scene involved someone who looked, from a distance, an awful lot like Cate Blanchett, walking into the New Central Cafe, \u003ca href=\"http://www.yelp.com/biz/new-central-cafe-and-restaurant-san-francisco\">listed as closed\u003c/a> on Yelp.\u003c/p>\n\u003cp>The movie also \u003ca href=\"http://www.imdb.com/title/tt2334873/\">stars\u003c/a> Alec Baldwin and Louis C.K. and has been described by the San Francisco Film Commission as a romantic comedy about \"a woman trying to make it on a budget when she moves to San Francisco after her posh New York City lifestyle comes crashing down.\" (Suggested tagline: \"Good luck with that.\") \u003c!--more-->\u003c/p>\n\u003cp>Have you spotted Allen around town? These people have, and they posted photos of the director on social media:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://storify.com/kqednews/woody-allen-spotting\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Gore Vidal on Jerry Brown at City Arts & Lectures",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/GoreVidal2.jpg\">\u003cimg class=\"alignleft size-medium wp-image-72028\" title=\"GoreVidal\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/GoreVidal2-274x300.jpg\" alt=\"\" width=\"190\" height=\"207\">\u003c/a>Gore Vidal -- author, political candidate, liberal icon, raconteur, intellectual wise-ass -- died yesterday evening at his home in Los Angeles. Not sure how long AP's been working on the obit, but they've got a \u003ca href=\"http://ww2.kqed.org/news/2012/08/01/author-gore-vidal-dies/\">massive one here\u003c/a>.\u003c/p>\n\u003cp>In 2006, Vidal made an appearance at City Arts & Lectures at the Herbst Theatre in San Francisco, in conversation with KQED's own Scott Shafer. Topics including Arnold Schwarzennegger and Jerry Brown, whom Vidal ran against in the Democratic primary for U.S. Senate in 1982 (he was swamped by Brown but came in second in a \u003ca href=\"http://en.wikipedia.org/wiki/Electoral_history_of_Jerry_Brown#US_Senate\">crowded field\u003c/a>).\u003c/p>\n\u003cp>Of Schwarzennegger, who had just won re-election, Vidal answered the question \"who is the real Arnold?\" His answer:\u003c/p>\n\u003cp>\"Oh there isn't one, which is why he's been quite successful. People who are real have a difficult time, often, in politics. If you're acting all the time and you have a good acting coach, say the right things… I think he's presented himself pretty well. The accent of course will have to go over the years. But look, Henry Kissinger never lost his.\"\u003c/p>\n\u003cp>Here's the transcript from the segment on Jerry Brown, after the audio. It's pretty good...\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/gorevidaljerrybrown.mp3\">\u003cstrong>Audio: Gore Vidal on Jerry Brown in 2006\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/gorevidaljerrybrown.mp3|titles=gorevidaljerrybrown]\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>SCOTT SHAFER\u003c/strong>: What do you make of his political ascent, then becoming mayor of Oakland and now attorney general…he keeps reinventing himself. Does he seem authentic to you?\u003c/p>\n\u003cp>\u003cstrong>GORE VIDAL\u003c/strong>: Yeah… he's an authentic reinventor of himself. I find that admirable, because he's not saturated in self-love, like most of them. He doesn't really like what he sees in the mirror and he's going to change it.\u003c/p>\n\u003cp>The only time we appeared [together] in the campaign was with Herb Caen as the MC... They asked some questions, what did Jerry think of me really, what did I think of him, really. We were fairly guarded. Then I sort of said what I thought. You know, it's bad for your character to keep running for president. It just wears you out, too much energy goes into what after all is a kind of trivial pursuit. I said if I were Jerry, I'd take a few years off and think, why am I doing this? What is this for? To what end?\u003c/p>\n\u003cp>And the most astonishing thing is he took my advice. He went to Calcutta, he went to see the Dalai Lama, he made all those stations of the cross, as it were, along the way. And he came back a truly changed person.\u003c/p>\n\u003cp>Remember, he's a very bright guy. And I said to him, when he's announcing for attorney general, you know, the offices are getting smaller and smaller that you're standing for. He said I know that, I don't really care. He said my father was twice governor of California; my father said the only time he'd been happy in politics is when he was attorney general of the state. The only time you could do something useful. I said \" powers of subpoena?\" And suddenly the face of Torquemada was looking at me.\u003c/p>\n\u003cp>I think he came back as changed a person as anybody ever is. He grew up.\u003c/p>\n\u003cp>\u003cstrong>SHAFER\u003c/strong>: And you wrote speeches for him when he ran for president.\u003c/p>\n\u003cp>\u003cstrong>VIDAL\u003c/strong>: Well yeah, somebody said turn on Jerry Brown... he was on making a speech somewhere, running against Clinton in the (92) primary. And I recognized the speech, it was one of the ones I'd used against him.\u003c/p>\n\u003cp>So I sent him a message; I said I'm extremely touched, how well you read that speech of mine. You can't phase Jerry. He said, okay you got any others? I said I've got one or two….\u003c/p>\n\u003cp>So I passed on a couple of things to him. One was what to do about disarmament….I said they're big on defense [in Connecticut], they make all those submarines. I said go and stand in front of a factory that's losing workers because we're cutting back on the military budget and say all of this can be transformed; it's the same kind of work as making buses. We'll shift over from...making nuclear submarines to transit.\u003c/p>\n\u003cp>He carried Connecticut. And I take full credit for that.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>By the way, everyone laughed at that last remark like it was a joke. But I think he meant it.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/GoreVidal2.jpg\">\u003cimg class=\"alignleft size-medium wp-image-72028\" title=\"GoreVidal\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/GoreVidal2-274x300.jpg\" alt=\"\" width=\"190\" height=\"207\">\u003c/a>Gore Vidal -- author, political candidate, liberal icon, raconteur, intellectual wise-ass -- died yesterday evening at his home in Los Angeles. Not sure how long AP's been working on the obit, but they've got a \u003ca href=\"http://ww2.kqed.org/news/2012/08/01/author-gore-vidal-dies/\">massive one here\u003c/a>.\u003c/p>\n\u003cp>In 2006, Vidal made an appearance at City Arts & Lectures at the Herbst Theatre in San Francisco, in conversation with KQED's own Scott Shafer. Topics including Arnold Schwarzennegger and Jerry Brown, whom Vidal ran against in the Democratic primary for U.S. Senate in 1982 (he was swamped by Brown but came in second in a \u003ca href=\"http://en.wikipedia.org/wiki/Electoral_history_of_Jerry_Brown#US_Senate\">crowded field\u003c/a>).\u003c/p>\n\u003cp>Of Schwarzennegger, who had just won re-election, Vidal answered the question \"who is the real Arnold?\" His answer:\u003c/p>\n\u003cp>\"Oh there isn't one, which is why he's been quite successful. People who are real have a difficult time, often, in politics. If you're acting all the time and you have a good acting coach, say the right things… I think he's presented himself pretty well. The accent of course will have to go over the years. But look, Henry Kissinger never lost his.\"\u003c/p>\n\u003cp>Here's the transcript from the segment on Jerry Brown, after the audio. It's pretty good...\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>SCOTT SHAFER\u003c/strong>: What do you make of his political ascent, then becoming mayor of Oakland and now attorney general…he keeps reinventing himself. Does he seem authentic to you?\u003c/p>\n\u003cp>\u003cstrong>GORE VIDAL\u003c/strong>: Yeah… he's an authentic reinventor of himself. I find that admirable, because he's not saturated in self-love, like most of them. He doesn't really like what he sees in the mirror and he's going to change it.\u003c/p>\n\u003cp>The only time we appeared [together] in the campaign was with Herb Caen as the MC... They asked some questions, what did Jerry think of me really, what did I think of him, really. We were fairly guarded. Then I sort of said what I thought. You know, it's bad for your character to keep running for president. It just wears you out, too much energy goes into what after all is a kind of trivial pursuit. I said if I were Jerry, I'd take a few years off and think, why am I doing this? What is this for? To what end?\u003c/p>\n\u003cp>And the most astonishing thing is he took my advice. He went to Calcutta, he went to see the Dalai Lama, he made all those stations of the cross, as it were, along the way. And he came back a truly changed person.\u003c/p>\n\u003cp>Remember, he's a very bright guy. And I said to him, when he's announcing for attorney general, you know, the offices are getting smaller and smaller that you're standing for. He said I know that, I don't really care. He said my father was twice governor of California; my father said the only time he'd been happy in politics is when he was attorney general of the state. The only time you could do something useful. I said \" powers of subpoena?\" And suddenly the face of Torquemada was looking at me.\u003c/p>\n\u003cp>I think he came back as changed a person as anybody ever is. He grew up.\u003c/p>\n\u003cp>\u003cstrong>SHAFER\u003c/strong>: And you wrote speeches for him when he ran for president.\u003c/p>\n\u003cp>\u003cstrong>VIDAL\u003c/strong>: Well yeah, somebody said turn on Jerry Brown... he was on making a speech somewhere, running against Clinton in the (92) primary. And I recognized the speech, it was one of the ones I'd used against him.\u003c/p>\n\u003cp>So I sent him a message; I said I'm extremely touched, how well you read that speech of mine. You can't phase Jerry. He said, okay you got any others? I said I've got one or two….\u003c/p>\n\u003cp>So I passed on a couple of things to him. One was what to do about disarmament….I said they're big on defense [in Connecticut], they make all those submarines. I said go and stand in front of a factory that's losing workers because we're cutting back on the military budget and say all of this can be transformed; it's the same kind of work as making buses. We'll shift over from...making nuclear submarines to transit.\u003c/p>\n\u003cp>He carried Connecticut. And I take full credit for that.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>By the way, everyone laughed at that last remark like it was a joke. But I think he meant it.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>(AP) In a world more to his liking, Gore Vidal might have been president, or even king. He had an aristocrat's bearing — tall, handsome and composed — and an authoritative baritone ideal for summoning an aide or courtier.\u003c/p>\n\u003cfigure id=\"attachment_71970\" class=\"wp-caption alignleft\" style=\"max-width: 274px\">\u003ca href=\"http://blog.shankbone.org/2009/10/21/gore-vidal-2009-new-york-city-photos-with-leonard-lopate/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/GoreVidal-274x300.jpg\" alt=\"\" title=\"GoreVidal\" width=\"274\" height=\"300\" class=\"size-medium wp-image-71970\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gore Vidal in 2009 (David Shankbone)\u003c/figcaption>\u003c/figure>\n\u003cp>But Vidal made his living — a very good living — from challenging power, not holding it. He was wealthy and famous and committed to exposing a system often led by men he knew firsthand. During the days of Franklin Roosevelt, one of the few leaders whom Vidal admired, he might have been called a \"traitor to his class.\" The real traitors, Vidal would respond, were the upholders of his class.\u003c/p>\n\u003cp>The author, playwright, politician and commentator whose vast and sharpened range of published works and public remarks were stamped by his immodest wit and unconventional wisdom, died Tuesday at age 86 in Los Angeles.\u003c/p>\n\u003cp>Vidal died at his home in the Hollywood Hills at about 6:45 p.m. of complications from pneumonia, his nephew Burr Steers said. Vidal had been living alone in the home and had been sick for \"quite a while,\" Steers said.\u003c/p>\n\u003cp>Vidal \"meant everything to me when I was learning how to write and learning how to read,\" Dave Eggers said at the 2009 National Book Awards ceremony, where he and Vidal received honorary citations. \"His words, his intellect, his activism, his ability and willingness to always speak up and hold his government accountable, especially, has been so inspiring to me I can't articulate it.\" \u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Along with such contemporaries as Norman Mailer and Truman Capote, he was among the last generation of literary writers who were also genuine celebrities — regulars on talk shows and in gossip columns, personalities of such size and appeal that even those who hadn't read their books knew their names.\u003c/p>\n\u003cp>His works included hundreds of essays, the best-selling novels \"Lincoln\" and \"Myra Breckenridge\" and the Tony-nominated play \"The Best Man,\" a melodrama about a presidential convention revived on Broadway in 2012. Vidal appeared cold and cynical on the surface, dispassionately predicting the fall of democracy, the American empire's decline or the destruction of the environment. But he bore a melancholy regard for lost worlds, for reason and the primacy of the written word, for \"the ancient American sense that whatever is wrong with human society can be put right by human action.\"\u003c/p>\n\u003cp>Vidal was uncomfortable with the literary and political establishment, and the feeling was mutual. Beyond his honorary National Book Award, he won few major writing prizes, lost both times he ran for office and initially declined membership into the American Academy of Arts and Letters, joking that he already belonged to the Diners Club. (He was eventually admitted, in 1999).\u003c/p>\n\u003cp>But he was widely admired as an independent thinker — in the tradition of Mark Twain and H.L. Mencken — about literature, culture, politics and, as he liked to call it, \"the birds and the bees.\" He picked apart politicians, living and dead; mocked religion and prudery; opposed wars from Vietnam to Iraq and insulted his peers like no other, once observing that the three saddest words in the English language were \"Joyce Carol Oates.\" (The happiest words: \"I told you so\").\u003c/p>\n\u003cp>Ralph Ellison labeled him a \"campy patrician.\" Vidal had an old-fashioned belief in honor, but a modern will to live as he pleased. He wrote in the memoir \"Palimpsest\" that he had more than 1,000 \"sexual encounters,\" nothing special, he added, compared to the pursuits of such peers as John F. Kennedy and Tennessee Williams. Vidal was fond of drink and alleged that he had sampled every major drug, once. He never married and for decades shared a scenic villa in Ravello, Italy, with companion Howard Austen.\u003c/p>\n\u003cp>In print and in person, he was a shameless name dropper, but what names! John and Jacqueline Kennedy. Hillary Clinton. Tennessee Williams. Mick Jagger. Orson Welles. Frank Sinatra. Marlon Brando. Paul Newman and Joanne Woodward. Tim Robbins and Susan Sarandon.\u003c/p>\n\u003cp>Vidal dined with Welles in Los Angeles, lunched with the Kennedys in Florida, clowned with the Newmans in Connecticut, drove wildly around Rome with a nearsighted Williams and escorted Jagger on a sightseeing tour along the Italian coast. He campaigned with Eleanor Roosevelt and Harry Truman. He butted heads, literally, with Mailer. He helped director William Wyler with the script for \"Ben-Hur.\" He made guest appearances on everything from \"The Simpsons\" to \"Rowan and Martin's Laugh-In.\"\u003c/p>\n\u003cp>Vidal formed his most unusual bond with Oklahoma City bomber Timothy McVeigh. The two exchanged letters after Vidal's 1998 article in Vanity Fair on \"the shredding\" of the Bill of Rights and their friendship inspired Edmund White's play \"Terre Haute.\"\u003c/p>\n\u003cp>\"He's very intelligent. He's not insane,\" Vidal said of McVeigh in a 2001 interview.\u003c/p>\n\u003cp>Vidal also bewildered his fans by saying the Bush administration likely had advance knowledge of the Sept. 11, 2001 attacks; that McVeigh was no more a killer than Dwight Eisenhower and that the U.S. would eventually be subservient to China, \"The Yellow Man's Burden.\"\u003c/p>\n\u003cp>Christopher Hitchens, who once regarded Vidal as a modern Oscar Wilde, lamented in a 2010 Vanity Fair essay that Vidal's recent comments suffered from an \"utter want of any grace or generosity, as well as the entire absence of any wit or profundity.\" Years earlier, Saul Bellow stated that \"a dune of salt has grown up to season the preposterous things Gore says.\"\u003c/p>\n\u003cp>A longtime critic of American militarism, Vidal was, ironically, born at the United States Military Academy in West Point, N.Y., his father's alma mater. Vidal grew up in a political family. His grandfather, Thomas Pryor Gore, was a U.S. senator from Oklahoma. His father, Gene Vidal, served briefly in President Franklin Roosevelt's administration and was an early expert on aviation. Amelia Earhart was a family friend and reported lover of Gene Vidal.\u003c/p>\n\u003cp>Vidal was a learned, but primarily self-educated man. Classrooms bored him. He graduated from the elite Phillips Exeter Academy, but then enlisted in the Army and never went to college. His first book, the war novel \"Williwaw,\" was written while he was in the service and published when he was just 20.\u003c/p>\n\u003cp>The New York Times' Orville Prescott praised Vidal as a \"canny observer\" and \"Williwaw\" as a \"good start toward more substantial accomplishments.\" But \"The City and the Pillar,\" his third book, apparently changed Prescott's mind. Published in 1948, the novel's straightforward story about two male lovers was virtually unheard of at the time and Vidal claimed that Prescott swore he would never review his books again. (The critic relented in 1964, calling Vidal's \"Julian\" a novel \"disgusting enough to sicken many of his readers\"). \"City and the Pillar\" was dedicated to \"J.T.,\" Jimmie Trimble, a boarding school classmate killed during the war whom Vidal would cite as the great love of his life.\u003c/p>\n\u003cp>Unable to make a living from fiction, at least when identified as \"Gore Vidal,\" he wrote a trio of mystery novels in the 1950s under the pen name \"Edgar Box\" and also wrote fiction as \"Katherine Everard\" and \"Cameron Kay.\" He became a playwright, too, writing for the theater and television. \"The Best Man,\" which premiered in 1960, was made into a movie starring Henry Fonda. Paul Newman starred in \"The Left-Handed Gun,\" a film adaptation of Vidal's \"The Death of Billy the Kid.\"\u003c/p>\n\u003cp>Vidal also worked in Hollywood, writing the script for \"Suddenly Last Summer\" and adding a subtle homoerotic context to \"Ben-Hur.\" The author himself later appeared in a documentary about gays in Hollywood, \"The Celluloid Closet.\" His acting credits included \"Gattaca,\" ''With Honors\" and Tim Robbins' political satire, \"Bob Roberts.\"\u003c/p>\n\u003cp>But Vidal saw himself foremost as a man of letters. He wrote a series of acclaimed and provocative historical novels, including \"Julian,\" ''Burr\" and \"Lincoln.\" His 1974 essay on Italo Calvino in The New York Review of Books helped introduce the Italian writer to American audiences. A 1987 essay on Dawn Powell helped restore the then-forgotten author's reputation and bring her books back in print. Fans welcomed his polished, conversational essays or his annual \"State of the Union\" reports for the liberal weekly \"The Nation.\"\u003c/p>\n\u003cp>He adored the wisdom of Montaigne, the imagination of Calvino, the erudition and insight of Henry James and Edith Wharton. He detested Thomas Pynchon, John Barth and other authors of \"teachers' novels.\" He once likened Mailer's views on women to those of Charles Manson's. (From this the head-butting incident ensued, backstage at \"The Dick Cavett Show.\") He derided Buckley, on television, as a \"crypto Nazi.\" He was accused of anti-Semitism after labeling conservative Norman Podhoretz a member of \"the Israeli fifth column.\" He labeled Ronald Reagan \"The Acting President\" and identified Reagan's wife, Nancy, as a social climber \"born with a silver ladder in her hand.\"\u003c/p>\n\u003cp>In the 1960s, Vidal increased his involvement in politics. In 1960, he was the Democratic candidate for Congress in an upstate New York district, but was defeated despite Ms. Roosevelt's active support and a campaign appearance by Truman. (In 1982, Vidal came in second in the California Democratic senatorial primary). In consolation, he noted that he did receive more votes in his district in 1960 than did the man at the top of the Democratic ticket, John F. Kennedy.\u003c/p>\n\u003cp>Thanks to his friendship with Jacqueline Kennedy, with whom he shared a stepfather, Hugh Auchincloss, he became a supporter and associate of President Kennedy, and wrote a newspaper profile on him soon after his election. With tragic foresight, Vidal called the job of the presidency \"literally killing\" and worried that \"Kennedy may very well not survive.\"\u003c/p>\n\u003cp>Before long, however, he and the Kennedys were estranged, touched off by a personal feud between Vidal and Robert Kennedy apparently sparked by a few too many drinks at a White House party. By 1967, the author was an open critic, portraying the Kennedys as cold and manipulative in the essay \"The Holy Family.\" Vidal's politics moved ever to the left and he eventually disdained both major parties as \"property\" parties — even as he couldn't help noting that Hillary Clinton had visited him in Ravello.\u003c/p>\n\u003cp>Meanwhile, he was again writing fiction. In 1968, he published his most inventive novel, \"Myra Breckenridge,\" a comic best seller about a transsexual movie star. The year before, with \"Washington, D.C.,\" Vidal began the cycle of historical works that peaked in 1984 with \"Lincoln.\"\u003c/p>\n\u003cp>The novel was not universally praised, with some scholars objecting to Vidal's unawed portrayal of the president. The author defended his research, including suggestions that the president had syphilis, and called his critics \"scholar-squirrels,\" more interested in academic status than in serious history.\u003c/p>\n\u003cp>But \"Lincoln\" stands as his most notable work of historical fiction, vetted and admired by a leading Lincoln biographer, David Herbert Donald, and even cited by the conservative Newt Gingrich as a favorite book. Gingrich's praise was contrasted by fellow conservative Rep. Michele Bachmann, who alleged she was so put off by Vidal's \"Burr\" that she switched party affiliation from Democrat to Republican.\u003c/p>\n\u003cp>In recent years, Vidal wrote the novel \"The Smithsonian Institution\" and the nonfiction best sellers \"Perpetual War For Perpetual Peace\" and \"Dreaming War: Blood for Oil and the Cheney-Bush Junta.\" A second memoir, \"Point to Point Navigation,\" came out in 2006. In 2009, \"Gore Vidal: Snapshots in History's Glare\" featured pictures of Vidal with Newman, Jagger, Johnny Carson, Jack Nicholson and Bruce Springsteen.\u003c/p>\n\u003cp>Vidal and Austen chose cemetery plots in Washington, D.C., between Jimmie Trimble and one of Vidal's literary heroes, Henry Adams. But age and illness did not bring Vidal closer to God. Wheelchair-bound in his 80s and saddened by the death of Austen and many peers and close friends, the author still looked to no existence beyond this one.\u003c/p>\n\u003cp>\"Because there is no cosmic point to the life that each of us perceives on this distant bit of dust at galaxy's edge,\" he once wrote, \"all the more reason for us to maintain in proper balance what we have here. \"Because there is nothing else. No thing. This is it. And quite enough, all in all.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Vidal is survived by his half-sister Nina Straight and half brother Tommy Auchincloss.\u003c/p>\n\n",
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"description": "(AP) In a world more to his liking, Gore Vidal might have been president, or even king. He had an aristocrat's bearing — tall, handsome and composed — and an authoritative baritone ideal for summoning an aide or courtier. But Vidal made his living — a very good living — from challenging power, not holding",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>(AP) In a world more to his liking, Gore Vidal might have been president, or even king. He had an aristocrat's bearing — tall, handsome and composed — and an authoritative baritone ideal for summoning an aide or courtier.\u003c/p>\n\u003cfigure id=\"attachment_71970\" class=\"wp-caption alignleft\" style=\"max-width: 274px\">\u003ca href=\"http://blog.shankbone.org/2009/10/21/gore-vidal-2009-new-york-city-photos-with-leonard-lopate/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/08/GoreVidal-274x300.jpg\" alt=\"\" title=\"GoreVidal\" width=\"274\" height=\"300\" class=\"size-medium wp-image-71970\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gore Vidal in 2009 (David Shankbone)\u003c/figcaption>\u003c/figure>\n\u003cp>But Vidal made his living — a very good living — from challenging power, not holding it. He was wealthy and famous and committed to exposing a system often led by men he knew firsthand. During the days of Franklin Roosevelt, one of the few leaders whom Vidal admired, he might have been called a \"traitor to his class.\" The real traitors, Vidal would respond, were the upholders of his class.\u003c/p>\n\u003cp>The author, playwright, politician and commentator whose vast and sharpened range of published works and public remarks were stamped by his immodest wit and unconventional wisdom, died Tuesday at age 86 in Los Angeles.\u003c/p>\n\u003cp>Vidal died at his home in the Hollywood Hills at about 6:45 p.m. of complications from pneumonia, his nephew Burr Steers said. Vidal had been living alone in the home and had been sick for \"quite a while,\" Steers said.\u003c/p>\n\u003cp>Vidal \"meant everything to me when I was learning how to write and learning how to read,\" Dave Eggers said at the 2009 National Book Awards ceremony, where he and Vidal received honorary citations. \"His words, his intellect, his activism, his ability and willingness to always speak up and hold his government accountable, especially, has been so inspiring to me I can't articulate it.\" \u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Along with such contemporaries as Norman Mailer and Truman Capote, he was among the last generation of literary writers who were also genuine celebrities — regulars on talk shows and in gossip columns, personalities of such size and appeal that even those who hadn't read their books knew their names.\u003c/p>\n\u003cp>His works included hundreds of essays, the best-selling novels \"Lincoln\" and \"Myra Breckenridge\" and the Tony-nominated play \"The Best Man,\" a melodrama about a presidential convention revived on Broadway in 2012. Vidal appeared cold and cynical on the surface, dispassionately predicting the fall of democracy, the American empire's decline or the destruction of the environment. But he bore a melancholy regard for lost worlds, for reason and the primacy of the written word, for \"the ancient American sense that whatever is wrong with human society can be put right by human action.\"\u003c/p>\n\u003cp>Vidal was uncomfortable with the literary and political establishment, and the feeling was mutual. Beyond his honorary National Book Award, he won few major writing prizes, lost both times he ran for office and initially declined membership into the American Academy of Arts and Letters, joking that he already belonged to the Diners Club. (He was eventually admitted, in 1999).\u003c/p>\n\u003cp>But he was widely admired as an independent thinker — in the tradition of Mark Twain and H.L. Mencken — about literature, culture, politics and, as he liked to call it, \"the birds and the bees.\" He picked apart politicians, living and dead; mocked religion and prudery; opposed wars from Vietnam to Iraq and insulted his peers like no other, once observing that the three saddest words in the English language were \"Joyce Carol Oates.\" (The happiest words: \"I told you so\").\u003c/p>\n\u003cp>Ralph Ellison labeled him a \"campy patrician.\" Vidal had an old-fashioned belief in honor, but a modern will to live as he pleased. He wrote in the memoir \"Palimpsest\" that he had more than 1,000 \"sexual encounters,\" nothing special, he added, compared to the pursuits of such peers as John F. Kennedy and Tennessee Williams. Vidal was fond of drink and alleged that he had sampled every major drug, once. He never married and for decades shared a scenic villa in Ravello, Italy, with companion Howard Austen.\u003c/p>\n\u003cp>In print and in person, he was a shameless name dropper, but what names! John and Jacqueline Kennedy. Hillary Clinton. Tennessee Williams. Mick Jagger. Orson Welles. Frank Sinatra. Marlon Brando. Paul Newman and Joanne Woodward. Tim Robbins and Susan Sarandon.\u003c/p>\n\u003cp>Vidal dined with Welles in Los Angeles, lunched with the Kennedys in Florida, clowned with the Newmans in Connecticut, drove wildly around Rome with a nearsighted Williams and escorted Jagger on a sightseeing tour along the Italian coast. He campaigned with Eleanor Roosevelt and Harry Truman. He butted heads, literally, with Mailer. He helped director William Wyler with the script for \"Ben-Hur.\" He made guest appearances on everything from \"The Simpsons\" to \"Rowan and Martin's Laugh-In.\"\u003c/p>\n\u003cp>Vidal formed his most unusual bond with Oklahoma City bomber Timothy McVeigh. The two exchanged letters after Vidal's 1998 article in Vanity Fair on \"the shredding\" of the Bill of Rights and their friendship inspired Edmund White's play \"Terre Haute.\"\u003c/p>\n\u003cp>\"He's very intelligent. He's not insane,\" Vidal said of McVeigh in a 2001 interview.\u003c/p>\n\u003cp>Vidal also bewildered his fans by saying the Bush administration likely had advance knowledge of the Sept. 11, 2001 attacks; that McVeigh was no more a killer than Dwight Eisenhower and that the U.S. would eventually be subservient to China, \"The Yellow Man's Burden.\"\u003c/p>\n\u003cp>Christopher Hitchens, who once regarded Vidal as a modern Oscar Wilde, lamented in a 2010 Vanity Fair essay that Vidal's recent comments suffered from an \"utter want of any grace or generosity, as well as the entire absence of any wit or profundity.\" Years earlier, Saul Bellow stated that \"a dune of salt has grown up to season the preposterous things Gore says.\"\u003c/p>\n\u003cp>A longtime critic of American militarism, Vidal was, ironically, born at the United States Military Academy in West Point, N.Y., his father's alma mater. Vidal grew up in a political family. His grandfather, Thomas Pryor Gore, was a U.S. senator from Oklahoma. His father, Gene Vidal, served briefly in President Franklin Roosevelt's administration and was an early expert on aviation. Amelia Earhart was a family friend and reported lover of Gene Vidal.\u003c/p>\n\u003cp>Vidal was a learned, but primarily self-educated man. Classrooms bored him. He graduated from the elite Phillips Exeter Academy, but then enlisted in the Army and never went to college. His first book, the war novel \"Williwaw,\" was written while he was in the service and published when he was just 20.\u003c/p>\n\u003cp>The New York Times' Orville Prescott praised Vidal as a \"canny observer\" and \"Williwaw\" as a \"good start toward more substantial accomplishments.\" But \"The City and the Pillar,\" his third book, apparently changed Prescott's mind. Published in 1948, the novel's straightforward story about two male lovers was virtually unheard of at the time and Vidal claimed that Prescott swore he would never review his books again. (The critic relented in 1964, calling Vidal's \"Julian\" a novel \"disgusting enough to sicken many of his readers\"). \"City and the Pillar\" was dedicated to \"J.T.,\" Jimmie Trimble, a boarding school classmate killed during the war whom Vidal would cite as the great love of his life.\u003c/p>\n\u003cp>Unable to make a living from fiction, at least when identified as \"Gore Vidal,\" he wrote a trio of mystery novels in the 1950s under the pen name \"Edgar Box\" and also wrote fiction as \"Katherine Everard\" and \"Cameron Kay.\" He became a playwright, too, writing for the theater and television. \"The Best Man,\" which premiered in 1960, was made into a movie starring Henry Fonda. Paul Newman starred in \"The Left-Handed Gun,\" a film adaptation of Vidal's \"The Death of Billy the Kid.\"\u003c/p>\n\u003cp>Vidal also worked in Hollywood, writing the script for \"Suddenly Last Summer\" and adding a subtle homoerotic context to \"Ben-Hur.\" The author himself later appeared in a documentary about gays in Hollywood, \"The Celluloid Closet.\" His acting credits included \"Gattaca,\" ''With Honors\" and Tim Robbins' political satire, \"Bob Roberts.\"\u003c/p>\n\u003cp>But Vidal saw himself foremost as a man of letters. He wrote a series of acclaimed and provocative historical novels, including \"Julian,\" ''Burr\" and \"Lincoln.\" His 1974 essay on Italo Calvino in The New York Review of Books helped introduce the Italian writer to American audiences. A 1987 essay on Dawn Powell helped restore the then-forgotten author's reputation and bring her books back in print. Fans welcomed his polished, conversational essays or his annual \"State of the Union\" reports for the liberal weekly \"The Nation.\"\u003c/p>\n\u003cp>He adored the wisdom of Montaigne, the imagination of Calvino, the erudition and insight of Henry James and Edith Wharton. He detested Thomas Pynchon, John Barth and other authors of \"teachers' novels.\" He once likened Mailer's views on women to those of Charles Manson's. (From this the head-butting incident ensued, backstage at \"The Dick Cavett Show.\") He derided Buckley, on television, as a \"crypto Nazi.\" He was accused of anti-Semitism after labeling conservative Norman Podhoretz a member of \"the Israeli fifth column.\" He labeled Ronald Reagan \"The Acting President\" and identified Reagan's wife, Nancy, as a social climber \"born with a silver ladder in her hand.\"\u003c/p>\n\u003cp>In the 1960s, Vidal increased his involvement in politics. In 1960, he was the Democratic candidate for Congress in an upstate New York district, but was defeated despite Ms. Roosevelt's active support and a campaign appearance by Truman. (In 1982, Vidal came in second in the California Democratic senatorial primary). In consolation, he noted that he did receive more votes in his district in 1960 than did the man at the top of the Democratic ticket, John F. Kennedy.\u003c/p>\n\u003cp>Thanks to his friendship with Jacqueline Kennedy, with whom he shared a stepfather, Hugh Auchincloss, he became a supporter and associate of President Kennedy, and wrote a newspaper profile on him soon after his election. With tragic foresight, Vidal called the job of the presidency \"literally killing\" and worried that \"Kennedy may very well not survive.\"\u003c/p>\n\u003cp>Before long, however, he and the Kennedys were estranged, touched off by a personal feud between Vidal and Robert Kennedy apparently sparked by a few too many drinks at a White House party. By 1967, the author was an open critic, portraying the Kennedys as cold and manipulative in the essay \"The Holy Family.\" Vidal's politics moved ever to the left and he eventually disdained both major parties as \"property\" parties — even as he couldn't help noting that Hillary Clinton had visited him in Ravello.\u003c/p>\n\u003cp>Meanwhile, he was again writing fiction. In 1968, he published his most inventive novel, \"Myra Breckenridge,\" a comic best seller about a transsexual movie star. The year before, with \"Washington, D.C.,\" Vidal began the cycle of historical works that peaked in 1984 with \"Lincoln.\"\u003c/p>\n\u003cp>The novel was not universally praised, with some scholars objecting to Vidal's unawed portrayal of the president. The author defended his research, including suggestions that the president had syphilis, and called his critics \"scholar-squirrels,\" more interested in academic status than in serious history.\u003c/p>\n\u003cp>But \"Lincoln\" stands as his most notable work of historical fiction, vetted and admired by a leading Lincoln biographer, David Herbert Donald, and even cited by the conservative Newt Gingrich as a favorite book. Gingrich's praise was contrasted by fellow conservative Rep. Michele Bachmann, who alleged she was so put off by Vidal's \"Burr\" that she switched party affiliation from Democrat to Republican.\u003c/p>\n\u003cp>In recent years, Vidal wrote the novel \"The Smithsonian Institution\" and the nonfiction best sellers \"Perpetual War For Perpetual Peace\" and \"Dreaming War: Blood for Oil and the Cheney-Bush Junta.\" A second memoir, \"Point to Point Navigation,\" came out in 2006. In 2009, \"Gore Vidal: Snapshots in History's Glare\" featured pictures of Vidal with Newman, Jagger, Johnny Carson, Jack Nicholson and Bruce Springsteen.\u003c/p>\n\u003cp>Vidal and Austen chose cemetery plots in Washington, D.C., between Jimmie Trimble and one of Vidal's literary heroes, Henry Adams. But age and illness did not bring Vidal closer to God. Wheelchair-bound in his 80s and saddened by the death of Austen and many peers and close friends, the author still looked to no existence beyond this one.\u003c/p>\n\u003cp>\"Because there is no cosmic point to the life that each of us perceives on this distant bit of dust at galaxy's edge,\" he once wrote, \"all the more reason for us to maintain in proper balance what we have here. \"Because there is nothing else. No thing. This is it. And quite enough, all in all.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Somebody's got a little too much time on his hands...\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"270\" src=\"http://www.youtube.com/embed/8oKDr_nzt0I\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>Just what the hell was that, you may ask? Well, it's a new \u003ca href=\"http://www.mademan.com/uncaged\">web series\u003c/a> starring you-know-who doing God knows what. As The \u003ca href=\"http://www.huffingtonpost.com/2012/07/25/uncaged-with-sasquatch-brian-wilson_n_1703153.html\">Huffington Post reports\u003c/a> today: \u003c/p>\n\u003cblockquote>\u003cp>Two weeks after appearing at the ESPY Awards with a seven-foot sasquatch as his guest, [injured Giants pitcher Brian] Wilson premiered his mini web series \"Uncaged with Sasquatch\" on Break Media.\u003c/p>\n\u003cp>The series is a mock public access talk show...Monday's premiere was the first of five episodes, which will roll out every Monday. According to Break Media Senior Vice President and General Manager Mitch Rotter, much of the show features Wilson's own improvisation.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>No offense to the sasquatch, but some YouTube critics have given Wilson's \u003ca href=\"http://ww2.kqed.org/news/tag/brian-wilson/\">latest attempt\u003c/a> at off-the-wall, post-modern peformance a big paw's down...\u003c/p>\n\u003cblockquote>\n\u003cp>-This fails pretty hard. Nothing worse than people trying to be funny who aren't.\u003c/p>\n\u003cp>-I wish Squatch would've smashed that hippy wannabe.\u003c/p>\n\u003cp>-obviously only giants fans like this video. i dont hate the giants or anything, dont get me wrong. but this was stupid. the rest of the world is sick of all these gimmicks the giants have\u003c/p>\n\u003cp>-(Dr evils voice)\u003cbr>\nRiiiiiiiiiiight..\u003c/p>\n\u003cp>-That comment, it's much funnier than the f**** video. It's concise, to the point and people get the reference. Well done, guy I don't know from YouTube. \u003c/p>\n\u003cp>-Unsubscribe\u003c/p>\n\u003c/blockquote>\n\u003cp>Yo Internet, that's a lot of hating. But maybe this comment has hit upon the reason:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"The dislikes are Dodger fans.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Somebody's got a little too much time on his hands...\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"270\" src=\"http://www.youtube.com/embed/8oKDr_nzt0I\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>Just what the hell was that, you may ask? Well, it's a new \u003ca href=\"http://www.mademan.com/uncaged\">web series\u003c/a> starring you-know-who doing God knows what. As The \u003ca href=\"http://www.huffingtonpost.com/2012/07/25/uncaged-with-sasquatch-brian-wilson_n_1703153.html\">Huffington Post reports\u003c/a> today: \u003c/p>\n\u003cblockquote>\u003cp>Two weeks after appearing at the ESPY Awards with a seven-foot sasquatch as his guest, [injured Giants pitcher Brian] Wilson premiered his mini web series \"Uncaged with Sasquatch\" on Break Media.\u003c/p>\n\u003cp>The series is a mock public access talk show...Monday's premiere was the first of five episodes, which will roll out every Monday. According to Break Media Senior Vice President and General Manager Mitch Rotter, much of the show features Wilson's own improvisation.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>No offense to the sasquatch, but some YouTube critics have given Wilson's \u003ca href=\"http://ww2.kqed.org/news/tag/brian-wilson/\">latest attempt\u003c/a> at off-the-wall, post-modern peformance a big paw's down...\u003c/p>\n\u003cblockquote>\n\u003cp>-This fails pretty hard. Nothing worse than people trying to be funny who aren't.\u003c/p>\n\u003cp>-I wish Squatch would've smashed that hippy wannabe.\u003c/p>\n\u003cp>-obviously only giants fans like this video. i dont hate the giants or anything, dont get me wrong. but this was stupid. the rest of the world is sick of all these gimmicks the giants have\u003c/p>\n\u003cp>-(Dr evils voice)\u003cbr>\nRiiiiiiiiiiight..\u003c/p>\n\u003cp>-That comment, it's much funnier than the f**** video. It's concise, to the point and people get the reference. Well done, guy I don't know from YouTube. \u003c/p>\n\u003cp>-Unsubscribe\u003c/p>\n\u003c/blockquote>\n\u003cp>Yo Internet, that's a lot of hating. But maybe this comment has hit upon the reason:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Nineteen ninety-nine. That's pretty much the last time the local and national zeitgeist felt convivial enough for me to share an intimate, alcohol-infused musical experience with complete strangers. \u003c/p>\n\u003cp>But that shouldn't stop you from checking out this cool companion \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=Ads000JqnfI#!\">video\u003c/a> to Joe Eskenazi's current \u003ca href=\"http://www.sfweekly.com/2012-07-25/music/martuni-s-bars-piano-bars-san-francisco-culture-music/\">SF Weekly cover story\u003c/a> on Martuni's, one of San Francisco's last extant piano bars. \u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"270\" src=\"http://www.youtube.com/embed/Ads000JqnfI\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>From the story:\u003c/p>\n\u003cblockquote>\u003cp>Martuni's is a dimly lit, two-room cubbyhole at Valencia and Market on the ground floor of a building housing a tattoo joint, massage parlor, and laundromat. On a night like tonight, the crowd's blissful state is spurred by more than good songs sung well and stiff drinks served big. There's a vibe among patrons that they're sharing something special, something unique.\u003c/p>\n\u003cp>Nowhere else in this city can customers breathe the same air as incognito Broadway actors, local theater folk, and the glorified shower singers of San Francisco, all accompanied by a professional pianist, and all for the price of a beverage. The roll call of San Francisco establishments where audience members sing nightly to professional accompaniment is jarringly brief. \"I take people in there and they say they didn't know such a place still existed,\" says 80-year-old music enthusiast and collector Bob Johnson, who donated the 60,000 musical scores he didn't give away over the years to piano bar singers to the city's Museum of Performance and Design. \"There's only one true piano bar left in this city: Martuni's.\" \u003ca href=\"http://www.sfweekly.com/2012-07-25/music/martuni-s-bars-piano-bars-san-francisco-culture-music/\">Full story\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>I happen to live just a few blocks away from Martuni's, and though it's been many years since I got oiled up there, the piece describes the place as I remember it. \u003c/p>\n\u003cp>As Eskenazi writes, piano bars have been supplanted in the nation's performance-fantasy life by karaoke joints:\u003c/p>\n\u003cp>\"For most people, the distinction between karaoke and piano bars is something they either don't see or don't care to. Karaoke bars, in this and every city, are plentiful. Piano bars are dinosaurs. Martuni's is a piano bar in a karaoke world. In time, the Rockies may crumble, Gibraltar may tumble — they're only made of clay. It remains to be seen if piano bars are here to stay.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More on the story in this \u003ca href=\"http://blogs.sfweekly.com/thesnitch/2012/07/martunis_san_franciscos_last_p.php\">SF Weekly blog post\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nineteen ninety-nine. That's pretty much the last time the local and national zeitgeist felt convivial enough for me to share an intimate, alcohol-infused musical experience with complete strangers. \u003c/p>\n\u003cp>But that shouldn't stop you from checking out this cool companion \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=Ads000JqnfI#!\">video\u003c/a> to Joe Eskenazi's current \u003ca href=\"http://www.sfweekly.com/2012-07-25/music/martuni-s-bars-piano-bars-san-francisco-culture-music/\">SF Weekly cover story\u003c/a> on Martuni's, one of San Francisco's last extant piano bars. \u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"270\" src=\"http://www.youtube.com/embed/Ads000JqnfI\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>From the story:\u003c/p>\n\u003cblockquote>\u003cp>Martuni's is a dimly lit, two-room cubbyhole at Valencia and Market on the ground floor of a building housing a tattoo joint, massage parlor, and laundromat. On a night like tonight, the crowd's blissful state is spurred by more than good songs sung well and stiff drinks served big. There's a vibe among patrons that they're sharing something special, something unique.\u003c/p>\n\u003cp>Nowhere else in this city can customers breathe the same air as incognito Broadway actors, local theater folk, and the glorified shower singers of San Francisco, all accompanied by a professional pianist, and all for the price of a beverage. The roll call of San Francisco establishments where audience members sing nightly to professional accompaniment is jarringly brief. \"I take people in there and they say they didn't know such a place still existed,\" says 80-year-old music enthusiast and collector Bob Johnson, who donated the 60,000 musical scores he didn't give away over the years to piano bar singers to the city's Museum of Performance and Design. \"There's only one true piano bar left in this city: Martuni's.\" \u003ca href=\"http://www.sfweekly.com/2012-07-25/music/martuni-s-bars-piano-bars-san-francisco-culture-music/\">Full story\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>I happen to live just a few blocks away from Martuni's, and though it's been many years since I got oiled up there, the piece describes the place as I remember it. \u003c/p>\n\u003cp>As Eskenazi writes, piano bars have been supplanted in the nation's performance-fantasy life by karaoke joints:\u003c/p>\n\u003cp>\"For most people, the distinction between karaoke and piano bars is something they either don't see or don't care to. Karaoke bars, in this and every city, are plentiful. Piano bars are dinosaurs. Martuni's is a piano bar in a karaoke world. In time, the Rockies may crumble, Gibraltar may tumble — they're only made of clay. It remains to be seen if piano bars are here to stay.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More on the story in this \u003ca href=\"http://blogs.sfweekly.com/thesnitch/2012/07/martunis_san_franciscos_last_p.php\">SF Weekly blog post\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Oscar Grant Family Looking Forward to 'Fruitvale', Film About the Shooting",
"title": "Oscar Grant Family Looking Forward to 'Fruitvale', Film About the Shooting",
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"content": "\u003cp>\u003cem>Fruitvale\u003c/em>, a film about the shooting death of Oscar Grant, has been in production around Oakland, as some have been tweeting...\u003c/p>\n\u003cp>https://twitter.com/ChadMMurray/status/227202824113627137\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://twitter.com/octaviaspencer/status/225564661498642432\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.imdb.com/name/nm0818055/\">Spencer\u003c/a> won the Academy Award earlier this year for her supporting role in \u003cem>The Help\u003c/em>. She's playing Oscar Grant's mother, Wanda Johnson; \u003ca href=\"http://www.imdb.com/name/nm0430107/\">Michael B. Jordan\u003c/a> of \"Friday Night Lights\" will also star, reportedly as Grant himself. Oakland native \u003ca href=\"http://www.imdb.com/name/nm3363032/\">Ryan Coogler\u003c/a> is directing for actor \u003ca href=\"http://hiphopwired.com/2012/04/17/forest-whitaker-to-produce-oscar-grant-biopic-fruitvale/\">Forrest Whitaker's production company\u003c/a>. \u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://ww2.kqed.org/news/2012/07/24/oscar-grant-family-looking-forward-to-fruitvale-film-about-the-shooting/#updates\">\u003cstrong>Updates to the story\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>Speaking about the 2009 incident, in which Oakland was turned upside down after cellphone video emerged of an unarmed Grant being shot dead by BART police officer Johannes Mehserle, Coogler told \u003ca href=\"http://www.filmmakermagazine.com/news/people/ryan-coogler/\">Filmmaker magazine\u003c/a>, “I saw the riots and the frustration [following the shooting], and they didn’t have an effect. If I can get two hours of people’s time, I can affect them more than if they threw a trash can through a window.”\u003c/p>\n\u003cp>Mehserle, who claimed he shot Grant by accident when he mistook his gun for his taser, was convicted of involuntary manslaughter and sentenced to two years in prison. He ended up serving just a year after receiving credit for time in jail plus good behavior.\u003c/p>\n\u003cp>From an April \u003ca href=\"http://www.sfgate.com/bayarea/article/Deal-reported-for-movie-about-Oscar-Grant-3489981.php\">Chronicle report\u003c/a> about the movie:\u003c/p>\n\u003cblockquote>\u003cp>\"Fruitvale\" is expected to portray the hours before Grant, 22, was shot in the back by former BART police Officer Johannes Mehserle on Jan. 1, 2009, after being pulled off a train at Oakland's Fruitvale Station in connection with a fight.\u003c/p>\n\u003cp>\"We want it to be a teaching tool,\" said Wanda Johnson, Grant's mother. \"We really need to work together to eliminate this type of occurrence.\"\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_27061\" class=\"wp-caption alignright\" style=\"max-width: 238px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/05/oscargrantfam0511.jpg\">\u003cimg class=\"size-full wp-image-27061\" title=\"oscargrantfam0511\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/05/oscargrantfam0511.jpg\" alt=\"\" width=\"238\" height=\"158\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson, the mother of Oscar J. Grant III, is comforted by her supporters outside the Los Angeles Superior Court after Johannes Mesherle was sentanced to voluntary manslaughter. Mark Ralston/AFP/Getty\u003c/figcaption>\u003c/figure>\n\u003cp>Grant's uncle, Cephus Johnson, told me today that the family, especially Grant's mother, has had \"many conversations\" with Forrest Whitaker as well as with director Ryan Coogler in preparation for the production, and that he has high hopes for the final film.\u003c/p>\n\u003cp>\"I think the community as well as the world should know who [Oscar Grant] was and what happened to him,\" he said. \"It will humanize Oscar as being a young black man that was tragically murdered on a platform for no apparent reason.\"\u003c/p>\n\u003cp>Johnson said Grant's mother had seen the final script and was satisfied with it.\u003c/p>\n\u003cp>It's unclear what role, if any, Johannes Mehserle will play in the film. A look at the \u003ca href=\"http://www.imdb.com/title/tt2334649/fullcredits#cast\">cast list on IMDB\u003c/a> yields no clues. So I asked Johnson if he knew who might be portraying the former BART cop.\u003c/p>\n\u003cp>\"I have no idea,\" he said.\u003c/p>\n\u003cp>\u003ca name=\"updates\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Update\u003c/strong>: I asked Mehserle defense attorney Michael Rains what he thought about a movie being made about the incident. \u003c/p>\n\u003cp>\"I don't think Johannes or I have any problem if the family wants to do a movie,\" he said. \"It's a tragedy what happened, and movies capture tragedy. I would hope the movie would capture the tragedy of the whole event, which means the tragic shooting of Oscar Grant [and] -- if the movie is true to what really happened -- capture the shock and the horror that was on Johannes's face, as testified by every witness at the trial, right after the shooting.\" \u003c/p>\n\u003cp>Rains said that Mehserle's been \"doing odd jobs. He's working, he's doing well.\" \u003c/p>\n\u003cp>He also said he's waiting to hear if the California Supreme Court will hear an \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=8694973\">appeal of Mehserle's conviction\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Update 2\u003c/strong>: \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=8748105\">KGO reports\u003c/a> the film is being made with BART's approval. \u003c/p>\n\u003cblockquote>\u003cp>BART spokesman Jim Allison tells ABC7 News, \"When there is filming on BART property, the permit insures that BART is reimbursed for staff work so taxpayers are not subsidizing the film.\" However, he would not reveal any specific financial details...\u003c/p>\n\u003cp>Regarding the script, the transit agency spokesman says, \"BART oversees the content so BART is not portrayed in a way that BART does not want to be portrayed.\" The city and transit agency have been keeping the film details close to the vest. \u003c/p>\n\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.imdb.com/name/nm0818055/\">Spencer\u003c/a> won the Academy Award earlier this year for her supporting role in \u003cem>The Help\u003c/em>. She's playing Oscar Grant's mother, Wanda Johnson; \u003ca href=\"http://www.imdb.com/name/nm0430107/\">Michael B. Jordan\u003c/a> of \"Friday Night Lights\" will also star, reportedly as Grant himself. Oakland native \u003ca href=\"http://www.imdb.com/name/nm3363032/\">Ryan Coogler\u003c/a> is directing for actor \u003ca href=\"http://hiphopwired.com/2012/04/17/forest-whitaker-to-produce-oscar-grant-biopic-fruitvale/\">Forrest Whitaker's production company\u003c/a>. \u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://ww2.kqed.org/news/2012/07/24/oscar-grant-family-looking-forward-to-fruitvale-film-about-the-shooting/#updates\">\u003cstrong>Updates to the story\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>Speaking about the 2009 incident, in which Oakland was turned upside down after cellphone video emerged of an unarmed Grant being shot dead by BART police officer Johannes Mehserle, Coogler told \u003ca href=\"http://www.filmmakermagazine.com/news/people/ryan-coogler/\">Filmmaker magazine\u003c/a>, “I saw the riots and the frustration [following the shooting], and they didn’t have an effect. If I can get two hours of people’s time, I can affect them more than if they threw a trash can through a window.”\u003c/p>\n\u003cp>Mehserle, who claimed he shot Grant by accident when he mistook his gun for his taser, was convicted of involuntary manslaughter and sentenced to two years in prison. He ended up serving just a year after receiving credit for time in jail plus good behavior.\u003c/p>\n\u003cp>From an April \u003ca href=\"http://www.sfgate.com/bayarea/article/Deal-reported-for-movie-about-Oscar-Grant-3489981.php\">Chronicle report\u003c/a> about the movie:\u003c/p>\n\u003cblockquote>\u003cp>\"Fruitvale\" is expected to portray the hours before Grant, 22, was shot in the back by former BART police Officer Johannes Mehserle on Jan. 1, 2009, after being pulled off a train at Oakland's Fruitvale Station in connection with a fight.\u003c/p>\n\u003cp>\"We want it to be a teaching tool,\" said Wanda Johnson, Grant's mother. \"We really need to work together to eliminate this type of occurrence.\"\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_27061\" class=\"wp-caption alignright\" style=\"max-width: 238px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/05/oscargrantfam0511.jpg\">\u003cimg class=\"size-full wp-image-27061\" title=\"oscargrantfam0511\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/05/oscargrantfam0511.jpg\" alt=\"\" width=\"238\" height=\"158\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson, the mother of Oscar J. Grant III, is comforted by her supporters outside the Los Angeles Superior Court after Johannes Mesherle was sentanced to voluntary manslaughter. Mark Ralston/AFP/Getty\u003c/figcaption>\u003c/figure>\n\u003cp>Grant's uncle, Cephus Johnson, told me today that the family, especially Grant's mother, has had \"many conversations\" with Forrest Whitaker as well as with director Ryan Coogler in preparation for the production, and that he has high hopes for the final film.\u003c/p>\n\u003cp>\"I think the community as well as the world should know who [Oscar Grant] was and what happened to him,\" he said. \"It will humanize Oscar as being a young black man that was tragically murdered on a platform for no apparent reason.\"\u003c/p>\n\u003cp>Johnson said Grant's mother had seen the final script and was satisfied with it.\u003c/p>\n\u003cp>It's unclear what role, if any, Johannes Mehserle will play in the film. A look at the \u003ca href=\"http://www.imdb.com/title/tt2334649/fullcredits#cast\">cast list on IMDB\u003c/a> yields no clues. So I asked Johnson if he knew who might be portraying the former BART cop.\u003c/p>\n\u003cp>\"I have no idea,\" he said.\u003c/p>\n\u003cp>\u003ca name=\"updates\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Update\u003c/strong>: I asked Mehserle defense attorney Michael Rains what he thought about a movie being made about the incident. \u003c/p>\n\u003cp>\"I don't think Johannes or I have any problem if the family wants to do a movie,\" he said. \"It's a tragedy what happened, and movies capture tragedy. I would hope the movie would capture the tragedy of the whole event, which means the tragic shooting of Oscar Grant [and] -- if the movie is true to what really happened -- capture the shock and the horror that was on Johannes's face, as testified by every witness at the trial, right after the shooting.\" \u003c/p>\n\u003cp>Rains said that Mehserle's been \"doing odd jobs. He's working, he's doing well.\" \u003c/p>\n\u003cp>He also said he's waiting to hear if the California Supreme Court will hear an \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=8694973\">appeal of Mehserle's conviction\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Update 2\u003c/strong>: \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=8748105\">KGO reports\u003c/a> the film is being made with BART's approval. \u003c/p>\n\u003cblockquote>\u003cp>BART spokesman Jim Allison tells ABC7 News, \"When there is filming on BART property, the permit insures that BART is reimbursed for staff work so taxpayers are not subsidizing the film.\" However, he would not reveal any specific financial details...\u003c/p>\n\u003cp>Regarding the script, the transit agency spokesman says, \"BART oversees the content so BART is not portrayed in a way that BART does not want to be portrayed.\" The city and transit agency have been keeping the film details close to the vest. \u003c/p>\n\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Video: US Air Guitar Championship - SF Regionals Edition",
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"content": "\u003cp>As usual, this blog is going to have to make up for KQED's organizational obsession with covering important issues that affect your life in meaningful and even profound ways.\u003c/p>\n\u003cp>Why we didn't deploy the full editorial resources of the station to the San Francisco regionals of the \u003ca href=\"http://usairguitar.com/index.php/\">US Air Guitar Championship\u003c/a> on Saturday... well... let me apologize to the memory of Edward R. Murrow.\u003c/p>\n\u003cp>But we're happy to report now, by way of \u003ca href=\"http://www.sfbg.com/noise/2012/07/16/live-shots-us-air-guitar-sf-regional\">The Bay Guardian\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/07/17/us-air-guitar-championships-san-francisco_n_1680384.html?utm_hp_ref=san-francisco\">The Huffington Post\u003c/a> and \u003ca href=\"http://blogs.sfweekly.com/shookdown/2012/07/us_air_guitar_championships_top_five_gif_san_francisco.php\">SF Weekly\u003c/a>, that Justin \"\u003ca href=\"http://www.youtube.com/watch?v=4O1gbesucYk\">Seth Leibowitz\u003c/a>\" Hypes was the best air guitarist in that time, at that place -- the place being The Independent in San Francisco. He now moves on to the finals in Denver this Saturday, where I'm assuming the low atmospheric pressure will only heighten performance.\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=TFz5I7UeqIc\">Here he is\u003c/a>, below. Don't try this at home. Unless of course you're alone. In that case, go to town. And remember: self-respect, while not necessarily a prerequisite for the pastime, is not mutually exclusive of it either.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://www.youtube.com/embed/Q2ZrDIdti1c\" frameborder=\"0\" width=\"480\" height=\"270\">\u003c/iframe>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More \u003ca href=\"http://blogs.sfweekly.com/shookdown/2012/07/us_air_guitar_championships_craziest_clips.php\">videos from SF Weekly\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As usual, this blog is going to have to make up for KQED's organizational obsession with covering important issues that affect your life in meaningful and even profound ways.\u003c/p>\n\u003cp>Why we didn't deploy the full editorial resources of the station to the San Francisco regionals of the \u003ca href=\"http://usairguitar.com/index.php/\">US Air Guitar Championship\u003c/a> on Saturday... well... let me apologize to the memory of Edward R. Murrow.\u003c/p>\n\u003cp>But we're happy to report now, by way of \u003ca href=\"http://www.sfbg.com/noise/2012/07/16/live-shots-us-air-guitar-sf-regional\">The Bay Guardian\u003c/a>, \u003ca href=\"http://www.huffingtonpost.com/2012/07/17/us-air-guitar-championships-san-francisco_n_1680384.html?utm_hp_ref=san-francisco\">The Huffington Post\u003c/a> and \u003ca href=\"http://blogs.sfweekly.com/shookdown/2012/07/us_air_guitar_championships_top_five_gif_san_francisco.php\">SF Weekly\u003c/a>, that Justin \"\u003ca href=\"http://www.youtube.com/watch?v=4O1gbesucYk\">Seth Leibowitz\u003c/a>\" Hypes was the best air guitarist in that time, at that place -- the place being The Independent in San Francisco. He now moves on to the finals in Denver this Saturday, where I'm assuming the low atmospheric pressure will only heighten performance.\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=TFz5I7UeqIc\">Here he is\u003c/a>, below. Don't try this at home. Unless of course you're alone. In that case, go to town. And remember: self-respect, while not necessarily a prerequisite for the pastime, is not mutually exclusive of it either.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://www.youtube.com/embed/Q2ZrDIdti1c\" frameborder=\"0\" width=\"480\" height=\"270\">\u003c/iframe>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Some People in Oakland Are Now Spending Their Lunch Hour Dancing",
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"content": "\u003cp>\u003cem>by Durrie Lawrence\u003c/em>\u003c/p>\n\u003cp>If you’re getting bored of that daily tuna sandwich in your cubicle, it may be time to check out \u003ca href=\"http://www.lunchbeat.org/\">Lunch Beat\u003c/a>.\u003c/p>\n\u003cp>What began as one hour of \u003ca href=\"http://www.youtube.com/watch?v=mjR0FyFAQu0\">midday dance in Sweden\u003c/a> has inspired an international following, with lunchtime dance parties including as many as 600 participating dancers. Local dancer Venus French organized Lunch Beat’s Bay Area debut on Thursday in downtown Oakland, where about 50 people paid $15 each to attend at In the Groove Studios. \u003c/p>\n\u003cp>Volunteers helped French transform the studio into a mini-nightclub, complete with a DJ and disco lights. Professionals in business attire and dance enthusiasts jumped, shimmied, and yelped to the music. \u003c/p>\n\u003cp>“[It’s] a roomful of people that are just totally loving dancing during the daytime, and really digging the opportunity to do something different on their lunch break,” French described the scene. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.kqed.org/assets/slideshow/lunchbeat/_files/iframe.html\" width=\"480\" height=\"320\" scrolling=\"no\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>After dancing, participants noshed on cucumber mango salad and a vegetarian Indian dish called kitchari provided by a local culinary student. \u003c/p>\n\u003cp>You can follow Lunch Beat Oakland on \u003ca href=\"http://www.facebook.com/LunchBeatOaktown\">Facebook\u003c/a> or \u003ca href=\"https://twitter.com/lunchbeat/\">Twitter\u003c/a>. \u003c!--more-->\u003c/p>\n\u003cp>\u003cem>The Lunch Beat Manifesto\u003c/em>: \u003c/p>\n\u003cp>1st rule: If it’s your first lunch at Lunch Beat, you have to dance.\u003c/p>\n\u003cp>2nd rule: If it’s your second, third or fourth time lunch at Lunch Beat, you have to dance.\u003c/p>\n\u003cp>3rd rule: If you are getting too tired to actually dance at Lunch Beat, please have your lunch at some other place.\u003c/p>\n\u003cp>4th rule: You don’t talk about your job at Lunch Beat.\u003c/p>\n\u003cp>5th rule: At Lunch Beat everyone present is your dance partner.\u003c/p>\n\u003cp>6th rule: Any Lunch Beat are to be no longer than 60 minutes long and set during “lunch time.”\u003c/p>\n\u003cp>7th rule: Lunch Beat always serve their guest with a 1 Dj-set and 1 take away meal.\u003c/p>\n\u003cp>8th rule: Water is always served during a Lunch Beat for free.\u003c/p>\n\u003cp>9th rule: Lunch Beat is a preferably drug free environment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>10th rule: Lunch Beat can be set up anywhere by anyone as long as they are announced as public events, are nonprofit arrangements and are directed by this manifesto.\u003c/p>\n\n",
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"description": "by Durrie Lawrence If you’re getting bored of that daily tuna sandwich in your cubicle, it may be time to check out Lunch Beat. What began as one hour of midday dance in Sweden has inspired an international following, with lunchtime dance parties including as many as 600 participating dancers. Local dancer Venus French organized",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>by Durrie Lawrence\u003c/em>\u003c/p>\n\u003cp>If you’re getting bored of that daily tuna sandwich in your cubicle, it may be time to check out \u003ca href=\"http://www.lunchbeat.org/\">Lunch Beat\u003c/a>.\u003c/p>\n\u003cp>What began as one hour of \u003ca href=\"http://www.youtube.com/watch?v=mjR0FyFAQu0\">midday dance in Sweden\u003c/a> has inspired an international following, with lunchtime dance parties including as many as 600 participating dancers. Local dancer Venus French organized Lunch Beat’s Bay Area debut on Thursday in downtown Oakland, where about 50 people paid $15 each to attend at In the Groove Studios. \u003c/p>\n\u003cp>Volunteers helped French transform the studio into a mini-nightclub, complete with a DJ and disco lights. Professionals in business attire and dance enthusiasts jumped, shimmied, and yelped to the music. \u003c/p>\n\u003cp>“[It’s] a roomful of people that are just totally loving dancing during the daytime, and really digging the opportunity to do something different on their lunch break,” French described the scene. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"http://www.kqed.org/assets/slideshow/lunchbeat/_files/iframe.html\" width=\"480\" height=\"320\" scrolling=\"no\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>After dancing, participants noshed on cucumber mango salad and a vegetarian Indian dish called kitchari provided by a local culinary student. \u003c/p>\n\u003cp>You can follow Lunch Beat Oakland on \u003ca href=\"http://www.facebook.com/LunchBeatOaktown\">Facebook\u003c/a> or \u003ca href=\"https://twitter.com/lunchbeat/\">Twitter\u003c/a>. \u003c!--more-->\u003c/p>\n\u003cp>\u003cem>The Lunch Beat Manifesto\u003c/em>: \u003c/p>\n\u003cp>1st rule: If it’s your first lunch at Lunch Beat, you have to dance.\u003c/p>\n\u003cp>2nd rule: If it’s your second, third or fourth time lunch at Lunch Beat, you have to dance.\u003c/p>\n\u003cp>3rd rule: If you are getting too tired to actually dance at Lunch Beat, please have your lunch at some other place.\u003c/p>\n\u003cp>4th rule: You don’t talk about your job at Lunch Beat.\u003c/p>\n\u003cp>5th rule: At Lunch Beat everyone present is your dance partner.\u003c/p>\n\u003cp>6th rule: Any Lunch Beat are to be no longer than 60 minutes long and set during “lunch time.”\u003c/p>\n\u003cp>7th rule: Lunch Beat always serve their guest with a 1 Dj-set and 1 take away meal.\u003c/p>\n\u003cp>8th rule: Water is always served during a Lunch Beat for free.\u003c/p>\n\u003cp>9th rule: Lunch Beat is a preferably drug free environment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>10th rule: Lunch Beat can be set up anywhere by anyone as long as they are announced as public events, are nonprofit arrangements and are directed by this manifesto.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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