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"content": "\u003cp>This summer, Bay Area movie lovers may already be feeling the absence of San Francisco’s Sundown Cinema, \u003ca href=\"https://www.kqed.org/arts/13975608/sundown-cinema-canceled-san-francisco-movie-series\">the annual open-air film series that was abruptly canceled last month.\u003c/a>\u003c/p>\n\u003cp>The beloved 22-year-old program was run by the nonprofit San Francisco Parks Alliance, which is currently \u003ca href=\"https://www.kqed.org/news/12041112/sf-supervisor-calls-for-parks-audit-after-nonprofit-partner-misspends-3-8-million\">facing an official review of its finances\u003c/a> by city officials.\u003c/p>\n\u003cp>But if you’re looking to fill the Sundown Cinema-shaped hole in your heart, luckily there \u003cem>are\u003c/em> other spots in the Bay Area offering ways to enjoy the movies outdoors for free this summer.\u003c/p>\n\u003cp>Many cities and counties are hosting their own film series in local parks and public spaces, which are generally free. Among the frequent repeats in the Bay Area outdoor movie slate this summer (with \u003cem>Wicked \u003c/em>and \u003cem>Clueless \u003c/em>particularly on rotation), some less expected screenings to watch for include \u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">\u003cem>Field of Dreams\u003c/em>\u003c/a> in Danville on June 27, Jack London Square’s screenings of \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cem>Space Jam\u003c/em>\u003c/a> (July 12) and \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cem>Happy Gilmore\u003c/em>\u003c/a> (August 2) and \u003ca href=\"https://www.eventbrite.com/e/blankets-blockbusters-tickets-1368178110559?aff=erelexpmlt\">\u003cem>10 Things I Hate About You\u003c/em>\u003c/a> on August 15 at San Francisco’s Chase Center.\u003c/p>\n\u003cp>Grab a picnic blanket and keep reading for more, including local outdoor film festivals, movies on the beach in Santa Cruz and even the old-fashioned drive-in theater. (And if you’re looking for family-friendly screenings instead? Check out \u003ca href=\"https://www.kqed.org/news/12045055/outdoor-movie-screenings-for-kids-around-the-bay-area-this-summer\">our guide to Bay Area outdoor movie screenings for kids\u003c/a> this summer.)\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#movies-bay-area-outdoors-things-to-do\">Where to see outdoor movie screenings in the Bay Area this summer\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Watching movies outdoors in the Bay Area: Tips for first-timers\u003c/strong>\u003c/h2>\n\u003cp>These movies usually start just after dusk around 8:30 p.m., so audiences can see the projected screen as clearly as possible. It’s a good idea to get to the “theater” early to secure a good view of the screen. Most screenings do \u003cem>not\u003c/em> require a ticket or reservation, but some of the special showings at community pools do ask for an RSVP.[aside postID=news_12045055 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1450590312-2000x1334.jpg']\u003c/p>\n\u003cp>Before heading out to any show, be sure to check the weather and see if the screening will continue in the event of rain or other disruptive weather.\u003c/p>\n\u003cp>For the comfiest experience bring picnic blankets, a sweater and (non-crackling) snacks. A camping chair could offer you the most comfort, but be mindful you’re not blocking anyone’s view of the screen with your set-up. Remember that some venues may also discourage — or outright prohibit — pets or alcohol.\u003c/p>\n\u003cp>If you are seeking captions for an outdoor movie, you may need to contact the city’s parks and recreation department at least two days in advance. For example, for the Berkeley showings, contact the city at least two days before the screening at jolee@berkeleyca.gov or (510) 926-1458, and for Santa Cruz shows, call (831) 423-5590. According to \u003ca href=\"https://beachboardwalk.com/movies/\">the Santa Cruz Movies on the Beach website\u003c/a>, a “limited number of assistive listening devices (ALDs) are available for check-out at the Mini Golf Kiosk inside Neptune’s Kingdom.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch1>\u003cstrong>\u003ca id=\"movies-bay-area-outdoors-things-to-do\">\u003c/a>Where to watch free movies outdoors in the Bay Area this summer\u003c/strong>\u003c/h1>\n\u003ch2>\u003cstrong>Outdoor movie screenings in June\u003c/strong>\u003c/h2>\n\u003cp>June 25: \u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">\u003cstrong>\u003cem>Indiana Jones and the Dial of Destiny\u003c/em>\u003c/strong>\u003c/a>, Town Green, Danville\u003c/p>\n\u003cp>June 26: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Dune Part 2\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City[aside postID=news_12043932 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Light-Jacket-Reading-Series-43_qed.jpg']\u003c/p>\n\u003cp>June 27: \u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">\u003cstrong>\u003cem>Field of Dreams\u003c/em>\u003c/strong>\u003c/a>, Town Green, Danville\u003c/p>\n\u003ch2>\u003cstrong>Outdoor movie screenings in July\u003c/strong>\u003c/h2>\n\u003cp>July 12: \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cstrong>\u003cem>Space Jam\u003c/em>\u003c/strong>\u003c/a>, Jack London Square, Oakland\u003c/p>\n\u003cp>July 17: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Ghostbusters: Frozen Empire\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>July 19: \u003ca href=\"https://www.chasecenter.com/events/blankets-and-blockbusters-20250719/\">\u003cstrong>\u003cem>Wicked\u003c/em>\u003c/strong>\u003c/a>, Thrive City at Chase Center, San Francisco\u003c/p>\n\u003cp>July 24, \u003ca href=\"https://www.sanjoseca.gov/your-government/departments-offices/parks-recreation-neighborhood-services/programs-activities/placemaking\">\u003cstrong>\u003cem>The Lady and the Tramp\u003c/em>\u003c/strong>\u003c/a>, Cimarron Park, San José\u003c/p>\n\u003cp>July 24: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Wicked\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003ch2>\u003cstrong>Outdoor movie screenings in August \u003c/strong>\u003c/h2>\n\u003cp>August 2: \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cstrong>\u003cem>Happy Gilmore\u003c/em>\u003c/strong>\u003c/a>, Jack London Square, Oakland\u003c/p>\n\u003cp>August 5: \u003ca href=\"https://www.walnutcreekca.gov/Home/Components/Calendar/Event/19200/387?curm=8&cury=2025&selcat=31\">\u003cstrong>\u003cem>The Goonies\u003c/em>\u003c/strong>\u003c/a>\u003cem> (part of \u003c/em>\u003ca href=\"https://natw.org/\">National Night Out\u003c/a>), Civic Park, Walnut Creek\u003c/p>\n\u003cp>August 7: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Beetlejuice Beetlejuice\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>August 14: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Godzilla x Kong: The New Empire\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>August 15: \u003ca href=\"https://www.eventbrite.com/e/blankets-blockbusters-tickets-1368178110559?aff=erelexpmlt\">\u003cstrong>\u003cem>10 Things I Hate About You\u003c/em>\u003c/strong>\u003c/a>, Thrive City at Chase Center, San Francisco\u003c/p>\n\u003cp>August 16: \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cstrong>\u003cem>Clueless\u003c/em>\u003c/strong>\u003c/a>, Jack London Square, Oakland\u003c/p>\n\u003cp>August 21: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Clueless\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>August 28: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Argylle\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003ch2>\u003cstrong>Outdoor film festivals in the Bay Area this summer\u003c/strong>\u003c/h2>\n\u003cp>As part of the 49th Frameline film festival, San Francisco’s \u003ca href=\"https://proxysf.net/events/jimmy-frameline-49\">Proxy SF\u003c/a> in Hayes Valley will be screening \u003ca href=\"https://proxysf.net/events/jimmy-frameline-49\">\u003cem>Jimmy\u003c/em>, a documentary about James Baldwin’s time in Paris\u003c/a>, on June 22.\u003c/p>\n\u003cp>Redwood City’s \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">Movies on the Square series\u003c/a> will also host the \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">BraveMaker Film Festival\u003c/a> on July 10 in the city’s Courthouse Square. The program will include three documentaries: \u003cem>This is Me, Cycling Without Age \u003c/em>and \u003cem>Everywhere.\u003c/em>[aside postID=arts_13975608 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Sister-Act-2-at-Dolores-Park-2022_1920-1020x680.jpg']\u003c/p>\n\u003ch2>\u003cstrong>Head to Santa Cruz for a movie on the beach \u003c/strong>\u003c/h2>\n\u003cp>Yes, it’s a drive from the Bay Area. But Santa Cruz’s free movie screenings take place right on the beach, in front of the historic Colonnade — with \u003ca href=\"https://beachboardwalk.com/movies/\">films on offer every Friday except the Fourth of July\u003c/a>. PG13-and-over fare this summer includes:\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Men in Black\u003c/em>: June 20\u003c/li>\n\u003cli>\u003cem>Ghostbusters \u003c/em>(1984): June 27\u003c/li>\n\u003cli>\u003cem>Jumanji \u003c/em>(1995): July 11\u003c/li>\n\u003cli>\u003cem>Clueless\u003c/em>: July 18\u003c/li>\n\u003cli>\u003cem>The Goonies\u003c/em>: August 8\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Dinner and a show at Foreign Cinema\u003c/strong>\u003c/h2>\n\u003cp>If you are willing to dole out cash for a date night or a birthday celebration, \u003ca href=\"https://foreigncinema.com/films/\">Foreign Cinema\u003c/a> in San Francisco’s Mission District offers dinner accompanied by an outdoor movie screening, projected onto the wall of their covered patio.\u003c/p>\n\u003cp>Currently, they’re showing the San Francisco-based comedy \u003cem>Mrs. Doubtfire \u003c/em>through June 21. The catch is that you likely won’t \u003cem>hear\u003c/em> much — if any — sound during the movie, but in this reporter’s opinion, the vibes are still good.\u003c/p>\n\u003ch2>\u003cstrong>And finally … don’t forget the drive-in theater\u003c/strong>\u003c/h2>\n\u003cp>Curling up in the comfort of your car at the classic drive-in theater is a unique way to catch a newly-released movie under the stars.\u003c/p>\n\u003cp>The Bay Area has two major West Wind drive-in theaters in \u003ca href=\"https://www.westwinddi.com/locations/capitol\">San José\u003c/a> and \u003ca href=\"https://www.westwinddi.com/locations/solano\">Concord\u003c/a>, as well as \u003ca href=\"https://www.westwinddi.com/locations/sacramento\">Sacramento\u003c/a>. New releases currently playing include: \u003cem>Materialists\u003c/em>, \u003cem>Ballerina\u003c/em>, \u003cem>Lilo and Stitch\u003c/em> and \u003cem>Final Destination: Bloodlines\u003c/em>.\u003c/p>\n\u003cp>According to \u003ca href=\"https://www.westwinddi.com/about-us/faq\">its website\u003c/a>, the theater is open even if it is raining.\u003c/p>\n\u003cp>If you’ve never been to a drive-in theater, West Wind has \u003ca href=\"https://www.westwinddi.com/about-us/faq\">a Frequently Asked Questions on its website\u003c/a>. A major tip is to keep your headlights off and if you have a larger car, like an SUV, park closer to the back of the lot so you aren’t obstructing other people’s views. Your car battery isn’t likely to die during the movie, but West Wind does offer a \u003ca href=\"https://www.westwinddi.com/about-us/faq\">complimentary jump-start \u003c/a>in the case that it does go down during your time at the theater.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"title": "Missing Sundown Cinema? Other Bay Area Outdoor Movie Screenings for Adults and Older Kids | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This summer, Bay Area movie lovers may already be feeling the absence of San Francisco’s Sundown Cinema, \u003ca href=\"https://www.kqed.org/arts/13975608/sundown-cinema-canceled-san-francisco-movie-series\">the annual open-air film series that was abruptly canceled last month.\u003c/a>\u003c/p>\n\u003cp>The beloved 22-year-old program was run by the nonprofit San Francisco Parks Alliance, which is currently \u003ca href=\"https://www.kqed.org/news/12041112/sf-supervisor-calls-for-parks-audit-after-nonprofit-partner-misspends-3-8-million\">facing an official review of its finances\u003c/a> by city officials.\u003c/p>\n\u003cp>But if you’re looking to fill the Sundown Cinema-shaped hole in your heart, luckily there \u003cem>are\u003c/em> other spots in the Bay Area offering ways to enjoy the movies outdoors for free this summer.\u003c/p>\n\u003cp>Many cities and counties are hosting their own film series in local parks and public spaces, which are generally free. Among the frequent repeats in the Bay Area outdoor movie slate this summer (with \u003cem>Wicked \u003c/em>and \u003cem>Clueless \u003c/em>particularly on rotation), some less expected screenings to watch for include \u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">\u003cem>Field of Dreams\u003c/em>\u003c/a> in Danville on June 27, Jack London Square’s screenings of \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cem>Space Jam\u003c/em>\u003c/a> (July 12) and \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cem>Happy Gilmore\u003c/em>\u003c/a> (August 2) and \u003ca href=\"https://www.eventbrite.com/e/blankets-blockbusters-tickets-1368178110559?aff=erelexpmlt\">\u003cem>10 Things I Hate About You\u003c/em>\u003c/a> on August 15 at San Francisco’s Chase Center.\u003c/p>\n\u003cp>Grab a picnic blanket and keep reading for more, including local outdoor film festivals, movies on the beach in Santa Cruz and even the old-fashioned drive-in theater. (And if you’re looking for family-friendly screenings instead? Check out \u003ca href=\"https://www.kqed.org/news/12045055/outdoor-movie-screenings-for-kids-around-the-bay-area-this-summer\">our guide to Bay Area outdoor movie screenings for kids\u003c/a> this summer.)\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#movies-bay-area-outdoors-things-to-do\">Where to see outdoor movie screenings in the Bay Area this summer\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Watching movies outdoors in the Bay Area: Tips for first-timers\u003c/strong>\u003c/h2>\n\u003cp>These movies usually start just after dusk around 8:30 p.m., so audiences can see the projected screen as clearly as possible. It’s a good idea to get to the “theater” early to secure a good view of the screen. Most screenings do \u003cem>not\u003c/em> require a ticket or reservation, but some of the special showings at community pools do ask for an RSVP.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Before heading out to any show, be sure to check the weather and see if the screening will continue in the event of rain or other disruptive weather.\u003c/p>\n\u003cp>For the comfiest experience bring picnic blankets, a sweater and (non-crackling) snacks. A camping chair could offer you the most comfort, but be mindful you’re not blocking anyone’s view of the screen with your set-up. Remember that some venues may also discourage — or outright prohibit — pets or alcohol.\u003c/p>\n\u003cp>If you are seeking captions for an outdoor movie, you may need to contact the city’s parks and recreation department at least two days in advance. For example, for the Berkeley showings, contact the city at least two days before the screening at jolee@berkeleyca.gov or (510) 926-1458, and for Santa Cruz shows, call (831) 423-5590. According to \u003ca href=\"https://beachboardwalk.com/movies/\">the Santa Cruz Movies on the Beach website\u003c/a>, a “limited number of assistive listening devices (ALDs) are available for check-out at the Mini Golf Kiosk inside Neptune’s Kingdom.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch1>\u003cstrong>\u003ca id=\"movies-bay-area-outdoors-things-to-do\">\u003c/a>Where to watch free movies outdoors in the Bay Area this summer\u003c/strong>\u003c/h1>\n\u003ch2>\u003cstrong>Outdoor movie screenings in June\u003c/strong>\u003c/h2>\n\u003cp>June 25: \u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">\u003cstrong>\u003cem>Indiana Jones and the Dial of Destiny\u003c/em>\u003c/strong>\u003c/a>, Town Green, Danville\u003c/p>\n\u003cp>June 26: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Dune Part 2\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>June 27: \u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">\u003cstrong>\u003cem>Field of Dreams\u003c/em>\u003c/strong>\u003c/a>, Town Green, Danville\u003c/p>\n\u003ch2>\u003cstrong>Outdoor movie screenings in July\u003c/strong>\u003c/h2>\n\u003cp>July 12: \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cstrong>\u003cem>Space Jam\u003c/em>\u003c/strong>\u003c/a>, Jack London Square, Oakland\u003c/p>\n\u003cp>July 17: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Ghostbusters: Frozen Empire\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>July 19: \u003ca href=\"https://www.chasecenter.com/events/blankets-and-blockbusters-20250719/\">\u003cstrong>\u003cem>Wicked\u003c/em>\u003c/strong>\u003c/a>, Thrive City at Chase Center, San Francisco\u003c/p>\n\u003cp>July 24, \u003ca href=\"https://www.sanjoseca.gov/your-government/departments-offices/parks-recreation-neighborhood-services/programs-activities/placemaking\">\u003cstrong>\u003cem>The Lady and the Tramp\u003c/em>\u003c/strong>\u003c/a>, Cimarron Park, San José\u003c/p>\n\u003cp>July 24: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Wicked\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003ch2>\u003cstrong>Outdoor movie screenings in August \u003c/strong>\u003c/h2>\n\u003cp>August 2: \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cstrong>\u003cem>Happy Gilmore\u003c/em>\u003c/strong>\u003c/a>, Jack London Square, Oakland\u003c/p>\n\u003cp>August 5: \u003ca href=\"https://www.walnutcreekca.gov/Home/Components/Calendar/Event/19200/387?curm=8&cury=2025&selcat=31\">\u003cstrong>\u003cem>The Goonies\u003c/em>\u003c/strong>\u003c/a>\u003cem> (part of \u003c/em>\u003ca href=\"https://natw.org/\">National Night Out\u003c/a>), Civic Park, Walnut Creek\u003c/p>\n\u003cp>August 7: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Beetlejuice Beetlejuice\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>August 14: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Godzilla x Kong: The New Empire\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>August 15: \u003ca href=\"https://www.eventbrite.com/e/blankets-blockbusters-tickets-1368178110559?aff=erelexpmlt\">\u003cstrong>\u003cem>10 Things I Hate About You\u003c/em>\u003c/strong>\u003c/a>, Thrive City at Chase Center, San Francisco\u003c/p>\n\u003cp>August 16: \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">\u003cstrong>\u003cem>Clueless\u003c/em>\u003c/strong>\u003c/a>, Jack London Square, Oakland\u003c/p>\n\u003cp>August 21: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Clueless\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003cp>August 28: \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">\u003cstrong>\u003cem>Argylle\u003c/em>\u003c/strong>\u003c/a>, Courthouse Square, Redwood City\u003c/p>\n\u003ch2>\u003cstrong>Outdoor film festivals in the Bay Area this summer\u003c/strong>\u003c/h2>\n\u003cp>As part of the 49th Frameline film festival, San Francisco’s \u003ca href=\"https://proxysf.net/events/jimmy-frameline-49\">Proxy SF\u003c/a> in Hayes Valley will be screening \u003ca href=\"https://proxysf.net/events/jimmy-frameline-49\">\u003cem>Jimmy\u003c/em>, a documentary about James Baldwin’s time in Paris\u003c/a>, on June 22.\u003c/p>\n\u003cp>Redwood City’s \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">Movies on the Square series\u003c/a> will also host the \u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">BraveMaker Film Festival\u003c/a> on July 10 in the city’s Courthouse Square. The program will include three documentaries: \u003cem>This is Me, Cycling Without Age \u003c/em>and \u003cem>Everywhere.\u003c/em>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>Head to Santa Cruz for a movie on the beach \u003c/strong>\u003c/h2>\n\u003cp>Yes, it’s a drive from the Bay Area. But Santa Cruz’s free movie screenings take place right on the beach, in front of the historic Colonnade — with \u003ca href=\"https://beachboardwalk.com/movies/\">films on offer every Friday except the Fourth of July\u003c/a>. PG13-and-over fare this summer includes:\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Men in Black\u003c/em>: June 20\u003c/li>\n\u003cli>\u003cem>Ghostbusters \u003c/em>(1984): June 27\u003c/li>\n\u003cli>\u003cem>Jumanji \u003c/em>(1995): July 11\u003c/li>\n\u003cli>\u003cem>Clueless\u003c/em>: July 18\u003c/li>\n\u003cli>\u003cem>The Goonies\u003c/em>: August 8\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Dinner and a show at Foreign Cinema\u003c/strong>\u003c/h2>\n\u003cp>If you are willing to dole out cash for a date night or a birthday celebration, \u003ca href=\"https://foreigncinema.com/films/\">Foreign Cinema\u003c/a> in San Francisco’s Mission District offers dinner accompanied by an outdoor movie screening, projected onto the wall of their covered patio.\u003c/p>\n\u003cp>Currently, they’re showing the San Francisco-based comedy \u003cem>Mrs. Doubtfire \u003c/em>through June 21. The catch is that you likely won’t \u003cem>hear\u003c/em> much — if any — sound during the movie, but in this reporter’s opinion, the vibes are still good.\u003c/p>\n\u003ch2>\u003cstrong>And finally … don’t forget the drive-in theater\u003c/strong>\u003c/h2>\n\u003cp>Curling up in the comfort of your car at the classic drive-in theater is a unique way to catch a newly-released movie under the stars.\u003c/p>\n\u003cp>The Bay Area has two major West Wind drive-in theaters in \u003ca href=\"https://www.westwinddi.com/locations/capitol\">San José\u003c/a> and \u003ca href=\"https://www.westwinddi.com/locations/solano\">Concord\u003c/a>, as well as \u003ca href=\"https://www.westwinddi.com/locations/sacramento\">Sacramento\u003c/a>. New releases currently playing include: \u003cem>Materialists\u003c/em>, \u003cem>Ballerina\u003c/em>, \u003cem>Lilo and Stitch\u003c/em> and \u003cem>Final Destination: Bloodlines\u003c/em>.\u003c/p>\n\u003cp>According to \u003ca href=\"https://www.westwinddi.com/about-us/faq\">its website\u003c/a>, the theater is open even if it is raining.\u003c/p>\n\u003cp>If you’ve never been to a drive-in theater, West Wind has \u003ca href=\"https://www.westwinddi.com/about-us/faq\">a Frequently Asked Questions on its website\u003c/a>. A major tip is to keep your headlights off and if you have a larger car, like an SUV, park closer to the back of the lot so you aren’t obstructing other people’s views. Your car battery isn’t likely to die during the movie, but West Wind does offer a \u003ca href=\"https://www.westwinddi.com/about-us/faq\">complimentary jump-start \u003c/a>in the case that it does go down during your time at the theater.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>If you’re looking for things to do with kids in the Bay Area this summer, you might be especially spoiled for outdoor family-friendly movie screenings.\u003c/p>\n\u003cp>Despite \u003ca href=\"https://www.kqed.org/arts/13975608/sundown-cinema-canceled-san-francisco-movie-series\"> the abrupt demise of San Francisco’s beloved Sundown Cinema\u003c/a> outdoor film series, many cities and countries in the Bay are hosting their own movie screenings in local parks and public spaces — and they’re usually free.\u003c/p>\n\u003cp>Keep reading for our list of movies for kids being screened around the Bay Area this summer.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to where to watch outdoor kids’ movies in:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-with-kids-bay-area-movies-east-bay\">East Bay\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-with-kids-bay-area-movies-north-bay\">North Bay\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-with-kids-bay-area-movies-south-bay\">South Bay\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>\u003cstrong>Watching movies outdoors in the Bay Area: Tips for first-timers\u003c/strong>\u003c/h2>\n\u003cp>These movies usually start just after dusk around 8:30 p.m., so audiences can see the projected screen as clearly as possible. It’s a good idea to get to the “theater” early to secure a good view of the screen. Most screenings don’t require a ticket or reservation, but some of the special showings do ask for an RSVP.\u003c/p>\n\u003cp>[aside postID=news_12044161 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/inntown-3-2000x1333.jpg']\u003c/p>\n\u003cp>Before heading out to any show, be sure to check the weather and see if the screening will continue in the event of rain or other disruptive weather.\u003c/p>\n\u003cp>For the comfiest experience bring picnic blankets, a sweater and (non-crackling) snacks. A camping chair could offer you the most comfort, but be mindful you’re not blocking anyone’s view of the screen with your set-up. Remember that some venues may also discourage — or outright prohibit — pets or alcohol.\u003c/p>\n\u003cp>If you are seeking captions for an outdoor movie, you may need to contact the city’s parks and recreation department at least two days in advance. For example, for the Berkeley showings, contact the city at least two days before the screening at jolee@berkeleyca.gov or (510) 926-1458, and for Santa Cruz shows, call (831) 423-5590. According to \u003ca href=\"https://beachboardwalk.com/movies/\">the Santa Cruz Movies on the Beach website\u003c/a>, a “limited number of assistive listening devices (ALDs) are available for check-out at the Mini Golf Kiosk inside Neptune’s Kingdom.”\u003c/p>\n\u003ch2>\u003cstrong>Bay Area outdoor movie screenings for families this summer \u003c/strong>\u003c/h2>\n\u003cfigure id=\"attachment_12045064\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1298826859.jpg\" alt=\"\" width=\"1024\" height=\"653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1298826859.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1298826859-160x102.jpg 160w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Thrive City is the district surrounding the Chase Center arena in San Francisco where the film ‘Wicked’ will be screened on July 19. \u003ccite>(San Francisco Chronicle/Hearst Newspapers via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco \u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.chasecenter.com/thrive-city/\">Thrive City at Chase Center\u003c/a> will \u003ca href=\"https://www.chasecenter.com/events/blankets-and-blockbusters-20250719/\">screen \u003cem>Wicked \u003c/em>on July 19.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>\u003ca id=\"things-to-do-with-kids-bay-area-movies-east-bay\">\u003c/a>East Bay: Berkeley \u003c/strong>\u003c/p>\n\u003cp>Berkeley has \u003ca href=\"https://berkeleyca.gov/community-recreation/news/summer-evening-movies-berkeley-parks\">a free series of children’s movies running through September\u003c/a> at its various parks — and one screening of \u003ca href=\"https://ca-berkeley.civicrec.com/CA/berkeley-ca/catalog?filter=c2VhcmNoPTIzOTA3MzY%3D\">\u003cem>Finding Dory\u003c/em> at its pools\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>The Wild Robot: \u003c/em>June 27, San Pablo Park\u003c/li>\n\u003cli>\u003cem>Cars 3\u003c/em>: July 11, Glendale La Loma Park\u003c/li>\n\u003cli>\u003cem>Finding Dory\u003c/em>: July 18 at West Campus Pool (registration required)\u003c/li>\n\u003cli>\u003cem>IF\u003c/em>: July 25, Live Oak Park, 1301 Shattuck Avenue\u003c/li>\n\u003cli>\u003cem>Despicable Me 4\u003c/em>: Aug. 8, Cedar Rose Park\u003c/li>\n\u003cli>\u003cem>Sonic the Hedgehog 3\u003c/em>: Aug. 22, Grove Park\u003c/li>\n\u003cli>\u003cem>Wicked\u003c/em>: Sept. 5, Willard Park\u003c/li>\n\u003cli>\u003cem>Inside Out 2\u003c/em>: Sept. 12, Codornices Park,\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>East Bay: Oakland \u003c/strong>\u003c/p>\n\u003cp>Oakland offers its \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">Waterfront Flicks\u003c/a> series in Jack London Square from July 12 to August 16, including classics like \u003cem>Space Jam:\u003c/em>\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Space Jam: \u003c/em>July 12\u003c/li>\n\u003cli>\u003cem>The Princess and The Frog:\u003c/em> July 19\u003c/li>\n\u003cli>\u003cem>Minions: \u003c/em>July 26\u003c/li>\n\u003cli>\u003cem>Despicable Me 4: \u003c/em>August 9[aside postID=news_12042763 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2167750287-1020x680.jpg']\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>East Bay: Alameda \u003c/strong>\u003c/p>\n\u003cp>Alameda Parks and Recreation Department is \u003ca href=\"https://www.alamedaca.gov/files/assets/public/v/1/departments/alameda/rec-and-park/arpd-pdfs/spring-apr-may/2025-starlight-movies-in-the-park-flyer.pdf\">hosting six children’s movies\u003c/a> outdoors this summer — all of them free except for a showing of the seminal \u003cem>Sky High \u003c/em>ticketed at $15 per person:\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Despicable Me 4: \u003c/em>July 27\u003c/li>\n\u003cli>\u003cem>Sky High: \u003c/em>July 18\u003c/li>\n\u003cli>\u003cem>The Wild Robot: \u003c/em>July 25\u003c/li>\n\u003cli>\u003cem>Mufasa: The Lion King: \u003c/em>Aug. 22\u003c/li>\n\u003cli>\u003cem>Sonic the Hedgehog 3: \u003c/em>Sept. 26\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>East Bay: Antioch \u003c/strong>\u003c/p>\n\u003cp>Antioch is organizing \u003ca href=\"https://www.antiochca.gov/outdoor-movie-night/\">several free movie screenings\u003c/a> in July\u003cem>. \u003c/em>A food truck will also be available, as well as first-come, first-served popcorn and refreshments.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Moana 2\u003c/em>: July 10\u003c/li>\n\u003cli>\u003cem>A Goofy Movie\u003c/em>: July 17\u003c/li>\n\u003cli>\u003cem>The Parent Trap \u003c/em>(1998): July 24\u003c/li>\n\u003cli>\u003cem>Holes: \u003c/em>July 31\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>More East Bay outdoor movie screenings for families this summer\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.pinole.gov/calendar/?title=movie\">Pinole outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://piedmont.ca.gov/cms/one.aspx?portalId=13659823&pageId=14128087¤tDate=2025-07-01&todaysDate=2025-04-30&view=monthly\">Piedmont outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">Danville outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://dublin.ca.gov/1327/Picnic-Flix\">Dublin outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.haywardrec.org/calendar.aspx?Keywords=movie&startDate=&enddate=&CID=35,23,43,28,14,29,31,40,27&showPastEvents=false\">Hayward outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.herculesca.gov/Home/Components/Calendar/Event/9316/269?npage=5&toggle=allupcoming\">Hercules outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ci.emeryville.ca.us/calendar.aspx?Keywords=movie&startDate=&enddate=&CID=20,14&showPastEvents=false\">Emeryville outdoor movie screenings\u003c/a> (use arrows to see the calendar)\u003c/li>\n\u003cli>\u003ca href=\"https://www.cityofmartinez.org/home/showpublisheddocument/4785/638772105373270000\">Martinez outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.unioncity.org/419/Community-Events\">Union City outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.walnutcreekca.gov/community/what-s-happening/city-events-calendar/-curm-6/-cury-2025/-selcat-31\">Walnut Creek outdoor movie screenings\u003c/a>[aside postID=news_11979339 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/03/GettyImages-1244474782_qut.jpg']\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>\u003ca id=\"things-to-do-with-kids-bay-area-movies-north-bay\">\u003c/a>North Bay: Mill Valley \u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.cityofmillvalley.gov/840/Movies-in-the-Park\">Mill Valley’s Friday outdoor movie series\u003c/a> returns to Old Mill Park, and stretches into the fall.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Luca\u003c/em>: August 1\u003c/li>\n\u003cli>\u003cem>Inside Out 2:\u003c/em> September 5\u003c/li>\n\u003cli>\u003cem>The Little Mermaid (2023)\u003c/em>: October 3rd\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>North Bay: Santa Rosa\u003c/strong>\u003c/p>\n\u003cp>Santa Rosa’s Howarth Park will host\u003ca href=\"https://www.srcity.org/2170/Movies-in-the-Park\"> five Friday night outdoor movies for children \u003c/a>from August 15 to September 12, with films still to be announced. You’ll also find food vendors and pre-movie activities for kids.\u003c/p>\n\u003cp>\u003cstrong>\u003ca id=\"things-to-do-with-kids-bay-area-movies-south-bay\">\u003c/a>South Bay: San José \u003c/strong>\u003c/p>\n\u003cp>San José has not one but \u003cem>two \u003c/em>outdoor movie series. Firstly, \u003ca href=\"https://www.sanjoseca.gov/your-government/departments-offices/parks-recreation-neighborhood-services/programs-activities/placemaking\">Viva Parks Association’s “Free Movie Nights Under the Stars,”\u003c/a> offers family screenings in parks around the city parks:\u003c/p>\n\u003cul>\n\u003cli>\u003cem>A Goofy Movie\u003c/em>: June 26, Lake Cunningham Action Sports Park\u003c/li>\n\u003cli>\u003cem>Despicable Me 4\u003c/em>: July 3, Cahill Park\u003c/li>\n\u003cli>\u003cem>Inside Out 2\u003c/em>: July 10, Silver Leaf Park\u003c/li>\n\u003cli>\u003cem>The Emoji Movie\u003c/em>: July 17, Mercado Park\u003c/li>\n\u003cli>\u003cem>The Lady and the Tramp\u003c/em>: July 24, Cimarron Park\u003c/li>\n\u003cli>\u003cem>Migration\u003c/em>: July 31, Starbird Park\u003c/li>\n\u003cli>\u003cem>The Garfield Movie\u003c/em>: August 7, Rubino Park\u003c/li>\n\u003cli>\u003cem>How to Train Your Dragon\u003c/em>: The Hidden World: August 14, Kelley Park\u003c/li>\n\u003cli>\u003cem>Moana 2\u003c/em>: August 21, Brigadoon Park\u003c/li>\n\u003cli>\u003cem>Sonic the Hedgehog 3\u003c/em>: August 28, Calahan Park\u003c/li>\n\u003c/ul>\n\u003cp>Over in St. James’ Park, \u003ca href=\"https://sjdowntown.com/starlight-cinema/\">the Downtown San José Starlight Cinema series\u003c/a> will present three movies this summer, with pre-movie entertainment:\u003c/p>\n\u003cul>\n\u003cli>School of Rock: June 29\u003c/li>\n\u003cli>Nacho Libre: July 13\u003c/li>\n\u003cli>A Minecraft Movie: July 27\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>More South Bay outdoor movie screenings for families this summer\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.paloalto.gov/Events-Directory/Community-Services/Family-Movie-Night-Series\">Palo Alto\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ci.millbrae.ca.us/355/Movies\">Millbrae\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">Redwood City\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.mountainview.gov/our-city/departments/community-services/special-events/summer-outdoor-movie-night-series\">Mountain View\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Further afield: Movies for kids on the beach in Santa Cruz \u003c/strong>\u003c/h2>\n\u003cp>Yes, it’s a drive from the Bay Area. But Santa Cruz’s free movie screenings take place right on the beach, in front of the historic Colonnade — with \u003ca href=\"https://beachboardwalk.com/movies/\">films on offer every Friday except the Fourth of July\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Men in Black\u003c/em>: June 20\u003c/li>\n\u003cli>\u003cem>Ghostbusters \u003c/em>(1984): June 27\u003c/li>\n\u003cli>\u003cem>Jumanji \u003c/em>(1995): July 11\u003c/li>\n\u003cli>\u003cem>Clueless\u003c/em>: July 18\u003c/li>\n\u003cli>\u003cem>The Wizard of Oz\u003c/em>: July 25\u003c/li>\n\u003cli>\u003cem>Despicable Me 4\u003c/em>: August 1\u003c/li>\n\u003cli>\u003cem>The Goonies\u003c/em>: August 8\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n",
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"excerpt": "Our summer guide to outdoor movie screenings for kids and families across the Bay Area and beyond. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’re looking for things to do with kids in the Bay Area this summer, you might be especially spoiled for outdoor family-friendly movie screenings.\u003c/p>\n\u003cp>Despite \u003ca href=\"https://www.kqed.org/arts/13975608/sundown-cinema-canceled-san-francisco-movie-series\"> the abrupt demise of San Francisco’s beloved Sundown Cinema\u003c/a> outdoor film series, many cities and countries in the Bay are hosting their own movie screenings in local parks and public spaces — and they’re usually free.\u003c/p>\n\u003cp>Keep reading for our list of movies for kids being screened around the Bay Area this summer.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to where to watch outdoor kids’ movies in:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-with-kids-bay-area-movies-east-bay\">East Bay\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-with-kids-bay-area-movies-north-bay\">North Bay\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#things-to-do-with-kids-bay-area-movies-south-bay\">South Bay\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>Watching movies outdoors in the Bay Area: Tips for first-timers\u003c/strong>\u003c/h2>\n\u003cp>These movies usually start just after dusk around 8:30 p.m., so audiences can see the projected screen as clearly as possible. It’s a good idea to get to the “theater” early to secure a good view of the screen. Most screenings don’t require a ticket or reservation, but some of the special showings do ask for an RSVP.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Before heading out to any show, be sure to check the weather and see if the screening will continue in the event of rain or other disruptive weather.\u003c/p>\n\u003cp>For the comfiest experience bring picnic blankets, a sweater and (non-crackling) snacks. A camping chair could offer you the most comfort, but be mindful you’re not blocking anyone’s view of the screen with your set-up. Remember that some venues may also discourage — or outright prohibit — pets or alcohol.\u003c/p>\n\u003cp>If you are seeking captions for an outdoor movie, you may need to contact the city’s parks and recreation department at least two days in advance. For example, for the Berkeley showings, contact the city at least two days before the screening at jolee@berkeleyca.gov or (510) 926-1458, and for Santa Cruz shows, call (831) 423-5590. According to \u003ca href=\"https://beachboardwalk.com/movies/\">the Santa Cruz Movies on the Beach website\u003c/a>, a “limited number of assistive listening devices (ALDs) are available for check-out at the Mini Golf Kiosk inside Neptune’s Kingdom.”\u003c/p>\n\u003ch2>\u003cstrong>Bay Area outdoor movie screenings for families this summer \u003c/strong>\u003c/h2>\n\u003cfigure id=\"attachment_12045064\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045064\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1298826859.jpg\" alt=\"\" width=\"1024\" height=\"653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1298826859.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1298826859-160x102.jpg 160w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Thrive City is the district surrounding the Chase Center arena in San Francisco where the film ‘Wicked’ will be screened on July 19. \u003ccite>(San Francisco Chronicle/Hearst Newspapers via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Francisco \u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.chasecenter.com/thrive-city/\">Thrive City at Chase Center\u003c/a> will \u003ca href=\"https://www.chasecenter.com/events/blankets-and-blockbusters-20250719/\">screen \u003cem>Wicked \u003c/em>on July 19.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>\u003ca id=\"things-to-do-with-kids-bay-area-movies-east-bay\">\u003c/a>East Bay: Berkeley \u003c/strong>\u003c/p>\n\u003cp>Berkeley has \u003ca href=\"https://berkeleyca.gov/community-recreation/news/summer-evening-movies-berkeley-parks\">a free series of children’s movies running through September\u003c/a> at its various parks — and one screening of \u003ca href=\"https://ca-berkeley.civicrec.com/CA/berkeley-ca/catalog?filter=c2VhcmNoPTIzOTA3MzY%3D\">\u003cem>Finding Dory\u003c/em> at its pools\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>The Wild Robot: \u003c/em>June 27, San Pablo Park\u003c/li>\n\u003cli>\u003cem>Cars 3\u003c/em>: July 11, Glendale La Loma Park\u003c/li>\n\u003cli>\u003cem>Finding Dory\u003c/em>: July 18 at West Campus Pool (registration required)\u003c/li>\n\u003cli>\u003cem>IF\u003c/em>: July 25, Live Oak Park, 1301 Shattuck Avenue\u003c/li>\n\u003cli>\u003cem>Despicable Me 4\u003c/em>: Aug. 8, Cedar Rose Park\u003c/li>\n\u003cli>\u003cem>Sonic the Hedgehog 3\u003c/em>: Aug. 22, Grove Park\u003c/li>\n\u003cli>\u003cem>Wicked\u003c/em>: Sept. 5, Willard Park\u003c/li>\n\u003cli>\u003cem>Inside Out 2\u003c/em>: Sept. 12, Codornices Park,\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>East Bay: Oakland \u003c/strong>\u003c/p>\n\u003cp>Oakland offers its \u003ca href=\"https://www.visitoakland.com/event/jack-london-square%3A-waterfront-flicks/33905/\">Waterfront Flicks\u003c/a> series in Jack London Square from July 12 to August 16, including classics like \u003cem>Space Jam:\u003c/em>\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Space Jam: \u003c/em>July 12\u003c/li>\n\u003cli>\u003cem>The Princess and The Frog:\u003c/em> July 19\u003c/li>\n\u003cli>\u003cem>Minions: \u003c/em>July 26\u003c/li>\n\u003cli>\u003cem>Despicable Me 4: \u003c/em>August 9\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>East Bay: Alameda \u003c/strong>\u003c/p>\n\u003cp>Alameda Parks and Recreation Department is \u003ca href=\"https://www.alamedaca.gov/files/assets/public/v/1/departments/alameda/rec-and-park/arpd-pdfs/spring-apr-may/2025-starlight-movies-in-the-park-flyer.pdf\">hosting six children’s movies\u003c/a> outdoors this summer — all of them free except for a showing of the seminal \u003cem>Sky High \u003c/em>ticketed at $15 per person:\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Despicable Me 4: \u003c/em>July 27\u003c/li>\n\u003cli>\u003cem>Sky High: \u003c/em>July 18\u003c/li>\n\u003cli>\u003cem>The Wild Robot: \u003c/em>July 25\u003c/li>\n\u003cli>\u003cem>Mufasa: The Lion King: \u003c/em>Aug. 22\u003c/li>\n\u003cli>\u003cem>Sonic the Hedgehog 3: \u003c/em>Sept. 26\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>East Bay: Antioch \u003c/strong>\u003c/p>\n\u003cp>Antioch is organizing \u003ca href=\"https://www.antiochca.gov/outdoor-movie-night/\">several free movie screenings\u003c/a> in July\u003cem>. \u003c/em>A food truck will also be available, as well as first-come, first-served popcorn and refreshments.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Moana 2\u003c/em>: July 10\u003c/li>\n\u003cli>\u003cem>A Goofy Movie\u003c/em>: July 17\u003c/li>\n\u003cli>\u003cem>The Parent Trap \u003c/em>(1998): July 24\u003c/li>\n\u003cli>\u003cem>Holes: \u003c/em>July 31\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>More East Bay outdoor movie screenings for families this summer\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.pinole.gov/calendar/?title=movie\">Pinole outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://piedmont.ca.gov/cms/one.aspx?portalId=13659823&pageId=14128087¤tDate=2025-07-01&todaysDate=2025-04-30&view=monthly\">Piedmont outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.danville.ca.gov/calendar.aspx?Keywords=moonlight&startDate=&enddate=&CID=39,31,25,22,14,28,43,24,40&showPastEvents=false\">Danville outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://dublin.ca.gov/1327/Picnic-Flix\">Dublin outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.haywardrec.org/calendar.aspx?Keywords=movie&startDate=&enddate=&CID=35,23,43,28,14,29,31,40,27&showPastEvents=false\">Hayward outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.herculesca.gov/Home/Components/Calendar/Event/9316/269?npage=5&toggle=allupcoming\">Hercules outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ci.emeryville.ca.us/calendar.aspx?Keywords=movie&startDate=&enddate=&CID=20,14&showPastEvents=false\">Emeryville outdoor movie screenings\u003c/a> (use arrows to see the calendar)\u003c/li>\n\u003cli>\u003ca href=\"https://www.cityofmartinez.org/home/showpublisheddocument/4785/638772105373270000\">Martinez outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.unioncity.org/419/Community-Events\">Union City outdoor movie screenings\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.walnutcreekca.gov/community/what-s-happening/city-events-calendar/-curm-6/-cury-2025/-selcat-31\">Walnut Creek outdoor movie screenings\u003c/a>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>\u003ca id=\"things-to-do-with-kids-bay-area-movies-north-bay\">\u003c/a>North Bay: Mill Valley \u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.cityofmillvalley.gov/840/Movies-in-the-Park\">Mill Valley’s Friday outdoor movie series\u003c/a> returns to Old Mill Park, and stretches into the fall.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Luca\u003c/em>: August 1\u003c/li>\n\u003cli>\u003cem>Inside Out 2:\u003c/em> September 5\u003c/li>\n\u003cli>\u003cem>The Little Mermaid (2023)\u003c/em>: October 3rd\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>North Bay: Santa Rosa\u003c/strong>\u003c/p>\n\u003cp>Santa Rosa’s Howarth Park will host\u003ca href=\"https://www.srcity.org/2170/Movies-in-the-Park\"> five Friday night outdoor movies for children \u003c/a>from August 15 to September 12, with films still to be announced. You’ll also find food vendors and pre-movie activities for kids.\u003c/p>\n\u003cp>\u003cstrong>\u003ca id=\"things-to-do-with-kids-bay-area-movies-south-bay\">\u003c/a>South Bay: San José \u003c/strong>\u003c/p>\n\u003cp>San José has not one but \u003cem>two \u003c/em>outdoor movie series. Firstly, \u003ca href=\"https://www.sanjoseca.gov/your-government/departments-offices/parks-recreation-neighborhood-services/programs-activities/placemaking\">Viva Parks Association’s “Free Movie Nights Under the Stars,”\u003c/a> offers family screenings in parks around the city parks:\u003c/p>\n\u003cul>\n\u003cli>\u003cem>A Goofy Movie\u003c/em>: June 26, Lake Cunningham Action Sports Park\u003c/li>\n\u003cli>\u003cem>Despicable Me 4\u003c/em>: July 3, Cahill Park\u003c/li>\n\u003cli>\u003cem>Inside Out 2\u003c/em>: July 10, Silver Leaf Park\u003c/li>\n\u003cli>\u003cem>The Emoji Movie\u003c/em>: July 17, Mercado Park\u003c/li>\n\u003cli>\u003cem>The Lady and the Tramp\u003c/em>: July 24, Cimarron Park\u003c/li>\n\u003cli>\u003cem>Migration\u003c/em>: July 31, Starbird Park\u003c/li>\n\u003cli>\u003cem>The Garfield Movie\u003c/em>: August 7, Rubino Park\u003c/li>\n\u003cli>\u003cem>How to Train Your Dragon\u003c/em>: The Hidden World: August 14, Kelley Park\u003c/li>\n\u003cli>\u003cem>Moana 2\u003c/em>: August 21, Brigadoon Park\u003c/li>\n\u003cli>\u003cem>Sonic the Hedgehog 3\u003c/em>: August 28, Calahan Park\u003c/li>\n\u003c/ul>\n\u003cp>Over in St. James’ Park, \u003ca href=\"https://sjdowntown.com/starlight-cinema/\">the Downtown San José Starlight Cinema series\u003c/a> will present three movies this summer, with pre-movie entertainment:\u003c/p>\n\u003cul>\n\u003cli>School of Rock: June 29\u003c/li>\n\u003cli>Nacho Libre: July 13\u003c/li>\n\u003cli>A Minecraft Movie: July 27\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>More South Bay outdoor movie screenings for families this summer\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.paloalto.gov/Events-Directory/Community-Services/Family-Movie-Night-Series\">Palo Alto\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.ci.millbrae.ca.us/355/Movies\">Millbrae\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.redwoodcity.org/residents/redwood-city-events/movies\">Redwood City\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.mountainview.gov/our-city/departments/community-services/special-events/summer-outdoor-movie-night-series\">Mountain View\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>Further afield: Movies for kids on the beach in Santa Cruz \u003c/strong>\u003c/h2>\n\u003cp>Yes, it’s a drive from the Bay Area. But Santa Cruz’s free movie screenings take place right on the beach, in front of the historic Colonnade — with \u003ca href=\"https://beachboardwalk.com/movies/\">films on offer every Friday except the Fourth of July\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003cem>Men in Black\u003c/em>: June 20\u003c/li>\n\u003cli>\u003cem>Ghostbusters \u003c/em>(1984): June 27\u003c/li>\n\u003cli>\u003cem>Jumanji \u003c/em>(1995): July 11\u003c/li>\n\u003cli>\u003cem>Clueless\u003c/em>: July 18\u003c/li>\n\u003cli>\u003cem>The Wizard of Oz\u003c/em>: July 25\u003c/li>\n\u003cli>\u003cem>Despicable Me 4\u003c/em>: August 1\u003c/li>\n\u003cli>\u003cem>The Goonies\u003c/em>: August 8\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Hella Juneteenth in Photos: Black Joy and Community in Oakland",
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"content": "\u003cp>About 3,000 people packed the Oakland Museum of California Thursday for the sold-out, second annual Hella Juneteenth festival — a celebration of Black joy, pride, community and freedom.\u003c/p>\n\u003cp>Juneteenth, the day in 1865 when enslaved people in Galveston, Texas, learned they were free, became a federal holiday in 2021 — though communities have marked the occasion for generations.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_12045139\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045139\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A group of friends dance at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The event, hosted by Hella Creatives, included a cookout, live music, Black-owned vendors, line dancing and other activities.\u003c/p>\n\u003cp>For Bay Area native Ashley Hughes, Juneteenth is a time to embrace and honor her roots. “It means being a Black woman feeling liberated, feeling happy,” she said.\u003c/p>\n\u003cp>For Margaret Ellis, whose family is from Louisiana and descended from people kidnapped in the early 1800s and transported on the Caledonia, Juneteenth is a day of community and honoring her ancestors. Ellis’ family celebrates each year and has taught her children and grandchildren that they “come from more than slavery.”\u003c/p>\n\u003cp>Aunti Afua, 81, of Oakland, has been celebrating Juneteenth her entire life. “I’m here because this is a celebration of what we have been through and where we are going,” she said. “We ain’t done yet.”\u003c/p>\n\u003cfigure id=\"attachment_12045148\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045148\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Dean Rene and Lawren Wooten pose for a photo at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045160\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045160\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-48-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-48-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-48-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-48-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Siblings Elijah, 2, and Samara, 4, pose for a photo at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045140\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045140\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jordyn Johnson, 9, gets the continent of Africa painted on her face at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045144\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045144\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1318\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED-1536x1012.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From top, Uilani Gray, Denise Hayes, Michelle Smith, Ebony Rice and Anitra Clark take a selfie at Hella Juneteenth. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045158\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045158\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People celebrating at the second annual Hella Juneteenth. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045152\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045152\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Three attendees enjoying the sun at the Hella Juneteenth festival. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045138\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Lisha Bell wears “Black Lives Matter” earrings at the Hella Juneteenth festival. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045150\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045150\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Veronica Talton, left, and Aunti Afua, 81, dance during the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>About 3,000 people packed the Oakland Museum of California Thursday for the sold-out, second annual Hella Juneteenth festival — a celebration of Black joy, pride, community and freedom.\u003c/p>\n\u003cp>Juneteenth, the day in 1865 when enslaved people in Galveston, Texas, learned they were free, became a federal holiday in 2021 — though communities have marked the occasion for generations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_12045139\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045139\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-9-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A group of friends dance at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The event, hosted by Hella Creatives, included a cookout, live music, Black-owned vendors, line dancing and other activities.\u003c/p>\n\u003cp>For Bay Area native Ashley Hughes, Juneteenth is a time to embrace and honor her roots. “It means being a Black woman feeling liberated, feeling happy,” she said.\u003c/p>\n\u003cp>For Margaret Ellis, whose family is from Louisiana and descended from people kidnapped in the early 1800s and transported on the Caledonia, Juneteenth is a day of community and honoring her ancestors. Ellis’ family celebrates each year and has taught her children and grandchildren that they “come from more than slavery.”\u003c/p>\n\u003cp>Aunti Afua, 81, of Oakland, has been celebrating Juneteenth her entire life. “I’m here because this is a celebration of what we have been through and where we are going,” she said. “We ain’t done yet.”\u003c/p>\n\u003cfigure id=\"attachment_12045148\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045148\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-26-KQED-160x240.jpg 160w, 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https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-48-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Siblings Elijah, 2, and Samara, 4, pose for a photo at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045140\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045140\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-11-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jordyn Johnson, 9, gets the continent of Africa painted on her face at the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045144\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045144\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1318\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-18-KQED-1536x1012.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From top, Uilani Gray, Denise Hayes, Michelle Smith, Ebony Rice and Anitra Clark take a selfie at Hella Juneteenth. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045158\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045158\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-43-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People celebrating at the second annual Hella Juneteenth. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045152\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045152\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-36-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Three attendees enjoying the sun at the Hella Juneteenth festival. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045138\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-8-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Lisha Bell wears “Black Lives Matter” earrings at the Hella Juneteenth festival. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12045150\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12045150\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/20250619_HELLAJUNETEENTH_GC-30-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Veronica Talton, left, and Aunti Afua, 81, dance during the Hella Juneteenth festival at the Oakland Museum of California on June 19, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Juneteenth, the Newest Federal Holiday, Is Gaining Awareness",
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"content": "\u003cp>Americans have been celebrating \u003ca href=\"https://www.npr.org/2021/06/18/1008095439/juneteenth-is-a-federal-holiday-now-but-what-that-means-for-workers-varies-widel\">Juneteenth\u003c/a> this weekend, the third year since the holiday was given federal status by President Biden in 2021.\u003c/p>\n\u003cp>The date commemorates the \u003ca href=\"https://www.npr.org/2022/06/20/1105911785/the-new-juneteenth-federal-holiday-traces-its-roots-to-galveston-texas\">fall of slavery in Galveston, Texas\u003c/a>, two years after the Emancipation Proclamation was issued in 1863 to free enslaved Black people held in the Confederacy.\u003c/p>\n\u003cp>News of Union troops’ victory over the Confederates spread slowly across the South, eventually reaching the shores of Galveston in 1865.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We are not celebrating the history of Juneteenth. We are celebrating the symbolism of Juneteenth,” said Leslie Wilson, professor of history at Montclair State University in New Jersey.\u003c/p>\n\u003cp>“The symbolism of Juneteenth is the transition from slavery to freedom.”\u003c/p>\n\u003cp>[aside postID=arts_13976970 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/20240619_JuneteenthCookout_GC-5_qed-1020x680.jpg']\u003c/p>\n\u003cp>Celebrations of the holiday started out regionally in Texas, but as Black Americans spread out across the United States, they brought their traditions with them, including remembrances for one of the final vestiges of chattel slavery.\u003c/p>\n\u003cp>“You could say that Juneteenth had a renaissance, largely because when World War II was over and soldiers came home, it was the second Great Migration. People started traveling from various points in the South to points in the North and points in the West,” Wilson said.\u003c/p>\n\u003cp>“During the Civil Rights Movement in the 1960s, with civil rights and also with the Black Power movement, Juneteenth became a symbol of strength as well as a symbol of triumph for African Americans.”\u003c/p>\n\u003cp>Widespread recognition of the holiday was slow moving. For years, it was a relatively obscure holiday celebrated among Black people with little acknowledgment or understanding from outside cultures and communities.\u003c/p>\n\u003cp>“I’m sure there’s a ton I’m totally unaware of on African American history in the U.S.,” said Alex Markle.\u003c/p>\n\u003cp>Markle and his fiancée were visiting the National Mall in Washington, D.C., during the long holiday weekend and said it wasn’t until he was in his 40s that he learned about Black history events like Juneteenth, Black Wall Street and the Tulsa Race Massacre.\u003c/p>\n\u003cp>“That was kind of shocking that like a big piece of American history was something that I had never learned about and was unaware of that much of my life.”[aside postID=news_12044169 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2210191440.jpg']Markle’s experience is not unique.\u003c/p>\n\u003cp>In 2021, when the holiday gained federal recognition, just 37% of American adults said they knew at least something about Juneteenth, according to polling by \u003ca href=\"https://news.gallup.com/poll/393755/public-understanding-juneteenth-grown-2021.aspx\">Gallup\u003c/a>.\u003c/p>\n\u003cp>Just a year later, that number would spike to nearly 60%.\u003c/p>\n\u003cp>As the holiday has grown in popularity, many Black people have celebrated the idea that African American history would be more widely recognized as part of the fabric of the United States.\u003c/p>\n\u003cp>“As a Black person, it means a lot to me to celebrate everybody who was free because it’s like so many people don’t know,” said Precious Williams, a Dallas native who was visiting Washington, D.C., over the holiday weekend.\u003c/p>\n\u003cp>“We celebrate everything in America, you know. So those Black holidays, it’s like everybody should know about Juneteenth because it’s a part of our history.”\u003c/p>\n\u003cp>But there are also concerns that corporate money-grabs taking advantage of the day could potentially weaken the gravity of such a historic event.[aside postID=arts_13977525 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/20240619_JuneteenthCookout_GC-6_qed.jpg']“The significance of it becoming an official holiday is really the fact that it raised awareness of Juneteenth beyond communities that had [already] been commemorating Juneteenth. Beyond that, it seems that the significance, unfortunately, also brings with it some commodification of that day and sort of commercialization of that day as well,” said Amara Enyia, a public policy expert in Chicago.\u003c/p>\n\u003cp>Just last year, big-box retailers \u003ca href=\"https://www.npr.org/2022/06/20/1106193407/celebrate-juneteenth-the-right-way\">like Walmart\u003c/a> came \u003ca href=\"https://www.npr.org/2022/06/17/1101017257/juneteenth-products-companies-problematic\">under fire\u003c/a> for a spread of Juneteenth-themed products deemed tasteless and appropriative by many.\u003c/p>\n\u003cp>And politically, the holiday has been weaponized by some Republicans as part of an ongoing culture war that claims truthful acknowledgments of race and racism are a ploy to demonize white Americans.\u003c/p>\n\u003cp>Despite these controversies, for many Monday is an opportunity to reflect on America and its history, as well as consider what the future might hold.\u003c/p>\n\u003cp>“Juneteenth celebrations are a chance for this country, for the United States to rethink not only its origins, but the relationship of everybody who lives in this country to each other,” said \u003ca href=\"https://profiles.howard.edu/greg-carr\">Greg Carr\u003c/a>, associate professor of Africana Studies at Howard University.\u003c/p>\n\u003cp>“In many ways, Juneteenth symbolically becomes a litmus test for the possibilities of this country.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Celebrations of the holiday started out regionally in Texas, but as Black Americans spread out across the United States, they brought their traditions with them, including remembrances for one of the final vestiges of chattel slavery.\u003c/p>\n\u003cp>“You could say that Juneteenth had a renaissance, largely because when World War II was over and soldiers came home, it was the second Great Migration. People started traveling from various points in the South to points in the North and points in the West,” Wilson said.\u003c/p>\n\u003cp>“During the Civil Rights Movement in the 1960s, with civil rights and also with the Black Power movement, Juneteenth became a symbol of strength as well as a symbol of triumph for African Americans.”\u003c/p>\n\u003cp>Widespread recognition of the holiday was slow moving. For years, it was a relatively obscure holiday celebrated among Black people with little acknowledgment or understanding from outside cultures and communities.\u003c/p>\n\u003cp>“I’m sure there’s a ton I’m totally unaware of on African American history in the U.S.,” said Alex Markle.\u003c/p>\n\u003cp>Markle and his fiancée were visiting the National Mall in Washington, D.C., during the long holiday weekend and said it wasn’t until he was in his 40s that he learned about Black history events like Juneteenth, Black Wall Street and the Tulsa Race Massacre.\u003c/p>\n\u003cp>“That was kind of shocking that like a big piece of American history was something that I had never learned about and was unaware of that much of my life.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Markle’s experience is not unique.\u003c/p>\n\u003cp>In 2021, when the holiday gained federal recognition, just 37% of American adults said they knew at least something about Juneteenth, according to polling by \u003ca href=\"https://news.gallup.com/poll/393755/public-understanding-juneteenth-grown-2021.aspx\">Gallup\u003c/a>.\u003c/p>\n\u003cp>Just a year later, that number would spike to nearly 60%.\u003c/p>\n\u003cp>As the holiday has grown in popularity, many Black people have celebrated the idea that African American history would be more widely recognized as part of the fabric of the United States.\u003c/p>\n\u003cp>“As a Black person, it means a lot to me to celebrate everybody who was free because it’s like so many people don’t know,” said Precious Williams, a Dallas native who was visiting Washington, D.C., over the holiday weekend.\u003c/p>\n\u003cp>“We celebrate everything in America, you know. So those Black holidays, it’s like everybody should know about Juneteenth because it’s a part of our history.”\u003c/p>\n\u003cp>But there are also concerns that corporate money-grabs taking advantage of the day could potentially weaken the gravity of such a historic event.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“The significance of it becoming an official holiday is really the fact that it raised awareness of Juneteenth beyond communities that had [already] been commemorating Juneteenth. Beyond that, it seems that the significance, unfortunately, also brings with it some commodification of that day and sort of commercialization of that day as well,” said Amara Enyia, a public policy expert in Chicago.\u003c/p>\n\u003cp>Just last year, big-box retailers \u003ca href=\"https://www.npr.org/2022/06/20/1106193407/celebrate-juneteenth-the-right-way\">like Walmart\u003c/a> came \u003ca href=\"https://www.npr.org/2022/06/17/1101017257/juneteenth-products-companies-problematic\">under fire\u003c/a> for a spread of Juneteenth-themed products deemed tasteless and appropriative by many.\u003c/p>\n\u003cp>And politically, the holiday has been weaponized by some Republicans as part of an ongoing culture war that claims truthful acknowledgments of race and racism are a ploy to demonize white Americans.\u003c/p>\n\u003cp>Despite these controversies, for many Monday is an opportunity to reflect on America and its history, as well as consider what the future might hold.\u003c/p>\n\u003cp>“Juneteenth celebrations are a chance for this country, for the United States to rethink not only its origins, but the relationship of everybody who lives in this country to each other,” said \u003ca href=\"https://profiles.howard.edu/greg-carr\">Greg Carr\u003c/a>, associate professor of Africana Studies at Howard University.\u003c/p>\n\u003cp>“In many ways, Juneteenth symbolically becomes a litmus test for the possibilities of this country.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "‘You’re Going to Catch a Vibe’: Honoring Juneteenth 2025 in the Outdoors",
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"content": "\u003cp>For the fourth year in a row, \u003ca href=\"https://www.kqed.org/news/tag/national-parks\">the National Park Service\u003c/a> is making \u003ca href=\"https://www.nps.gov/subjects/npscelebrates/juneteenth.htm\">entry to all national parks free on Juneteenth\u003c/a> after it was recognized as a federal holiday in 2021.\u003c/p>\n\u003cp>But to Nick Collins, who created the Black-led East Bay hiking group \u003ca href=\"https://the510hikers.org/\">510 Hikers\u003c/a>, the real connection between Black liberation and the outdoors sits deeper than a one-day outing in a park.\u003c/p>\n\u003cp>“It’s about reclaiming our spaces, it’s about the connection with nature, it’s about the healing,” Collins said. “It’s about providing a platform to allow people to be welcome and invited and feel like they’re a part of a space that they can live healthy in.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As a Black kid growing up in the East Bay with outdoorsy parents, Collins said he often found himself one of the only people of color in these spaces.\u003c/p>\n\u003cp>“As a 10-year-old, you don’t really think much about it,” he said. “You’re more interested in the insects and finding snakes and little reptiles than you are in counting the number of Black people that are there.”\u003c/p>\n\u003cp>But as he got older, Collins said he began to see the lack of people of color in the outdoor spaces he frequented for the issue that it was. “\u003ca href=\"https://www.ebparks.org/parks?field_park_activities=All&city=450\">The local parks that are in Oakland \u003c/a>are minutes away from areas in the city that are highly populated with people of color,” he said. “And I wanted to start finding out the reasons behind the barriers keeping people of color from getting to these hiking places.”\u003c/p>\n\u003cp>[aside postID=arts_13976970 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/06/20240619_JuneteenthCookout_GC-5_qed-1020x680.jpg']\u003c/p>\n\u003cp>So, in 2014, Collins founded \u003ca href=\"https://the510hikers.org/\">510 Hikers\u003c/a>, whose mission is to get more Black people out onto trails and in wild places — and critically, to build “community and connection,” he said.\u003c/p>\n\u003cp>Once Collins started organizing hikes every Saturday all across the Bay Area, what he found wasn’t a financial barrier, but a comfort one, he said. And one key element was allowing folks “to feel like they didn’t have to leave their neighborhood to go on a hike,” he said — because “the neighborhood sometimes \u003cem>isn’t \u003c/em>the physical space.”\u003c/p>\n\u003cp>“Sometimes the neighborhood is the people that are around you,” Collins said. “So I said, ‘Hey, let’s bring the neighborhood to the outdoors. Let’s bring the ‘hood to the woods.’”\u003c/p>\n\u003ch2>\u003cstrong>‘We’re out here’\u003c/strong>\u003c/h2>\n\u003cp>After over a decade, 510 Hikers is still going strong today, with outings nearly every single weekend. (“We’ve hiked every trail in the Bay Area,” Collins said.) The group doesn’t just hike, either — they’ve organized community 5K runs, American River floats and trips all across the Bay Area and far beyond, including \u003ca href=\"https://www.instagram.com/p/DKvB3zVBvhE/?hl=en\">a recent trek up Half Dome in Yosemite National Park. \u003c/a>\u003c/p>\n\u003cp>While\u003ca href=\"https://www.facebook.com/events/4200716470185145\"> their next Saturday event, on June 21 at 8:15 a.m.\u003c/a> at \u003ca href=\"https://www.ebparks.org/parks/sibley-volcanic\">Sibley Volcanic Regional Preserve\u003c/a> in the Oakland Hills, wasn’t originally marked as a Juneteenth hike, it doesn’t have to be, Collins said — because “we’re out here every week.”\u003c/p>\n\u003cp>Even so, Collins said he plans to take a moment and say a few words to kick off the hike, inviting hikers to reflect on the weight of the last 200 years of history to today that led to them sharing a morning outdoors together.\u003c/p>\n\u003cp>“Freedom isn’t free,” he said. “And we owe it to our ancestors to love each other and be a community and hike in and enjoy nature.”\u003c/p>\n\u003cp>“Just a couple of generations ago, we wouldn’t have even been allowed to gather the way we’re gathering now,” he said. “We have to let that sink in.”\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#A\">More Juneteenth events hosted by local BIPOC groups in the Bay Area.\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Collins frequently begins each hike with a get-to-know-you activity — as it’s so often the people, not the place, that gives these hikes their purpose. If you leave a hike without several new friends and connections, “you missed out,” he said.\u003c/p>\n\u003cp>He’s well aware of the ripple effect his group has had among hikers of all ages, who tell him they’ve found motivation to lead a more active life and be more in tune with the world and the community around them.\u003c/p>\n\u003cp>“For a lot of us, this is more than just gathering up and hiking together,” he said. “We understand the impact we’ve had in the Bay Area. We understand the impact we’ve had with each other.”\u003c/p>\n\u003cp>“It goes beyond safety — there’s a pridefulness,” Collins said.\u003c/p>\n\u003cp>He’s also committed to promoting the physical and mental health benefits of hiking and being outside, saying that “hiking is kind of like putting vegetables in spaghetti.” He often starts hikes by encouraging participants to close their eyes, put one hand over their heart, and focus on their breath and the sounds of nature around them.\u003c/p>\n\u003cfigure id=\"attachment_12044209\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12044209\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/487173291_1076835787803420_8123029877164460457_n.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/487173291_1076835787803420_8123029877164460457_n.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/487173291_1076835787803420_8123029877164460457_n-160x120.jpg 160w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">510 Hikers, whose mission is to get more Black people out onto trails and in wild places. \u003ccite>(Courtesy of 510 Hikers/Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What nature does so often is it starts to thaw out that frozen sense of ours,” he said. “You want to be a place where a butterfly wants to land and … use nature to tune into the nature within yourself.”\u003c/p>\n\u003cp>If you’re tempted to join \u003ca href=\"https://www.facebook.com/events/4200716470185145\">Saturday’s Sibley hike\u003c/a>, bring water, shoes with traction and a snack — but rest assured that Collins brings extras of everything, just in case.\u003c/p>\n\u003cp>And just know: “You’re going to catch a vibe and want to come back,” he said. “That’s who we are.”\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"A\">\u003c/a>More outdoor groups and events to join to mark Juneteenth with\u003c/strong>\u003c/h2>\n\u003cp>\u003ca href=\"https://www.instagram.com/majortaylorbayarea/\">\u003cstrong>Major Taylor Bay Area Cycling Club\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Named for one of the early Black sports icons, \u003ca href=\"https://www.majortaylorassociation.org/who.shtml\">world-famous cyclist Major Taylor\u003c/a>, this East Bay-based cycling club is hosting a \u003ca href=\"https://www.eventbrite.com/e/juneteenth-celebration-ride-with-major-taylor-and-sports-basement-tickets-1395507262789\">10 a.m. Juneteenth ride on June 19, leaving from Berkeley Sports Basement\u003c/a>.\u003c/p>\n\u003cp>Now in its fourth year, the event is an all-ages “daytime ride in celebration of Black joy, freedom, and community,” organizers said. “No Lycra necessary — just roll up in something that feels expressive and free.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/blackrock_collective/?hl=en\">\u003cstrong>Black Rock Collective\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>On Saturday June 14 at \u003ca href=\"https://portal.touchstoneclimbing.com/pacificpipe/programs/juneteenth-brc?course=Q291cnNlOjlhZmFkNzYxMjI1NmE3MGQ5MzRhYzAwNjYyZWU4ZmZk&date=2025-06-14\">Pacific Pipe Climbing Gym in Oakland,\u003c/a> climbing club Black Rock Collective is teaming up with Touchstone Climbing from 3 p.m. to 7 p.m. “for an evening of community, creativity and connection.”\u003c/p>\n\u003cp>The event will not only welcome new and experienced climbers and raise money for the club, but will also feature an \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeV1UodiuoH8erYZ0R3ssoM-tJtI7gqymc0pxqemvUUWfs8SQ/viewform\">artists market and a raffle,\u003c/a> featuring Black-owned small businesses, food and drink vendors and artists.\u003c/p>\n\u003cp>\u003ca href=\"https://www.blacksurfsantacruz.org/\">\u003cstrong>Black Surf Santa Cruz\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Now in its fifth year, the \u003ca href=\"https://www.blacksurfsantacruz.org/lpo2025\">Liberation Paddle Out\u003c/a> at Cowells Beach on Sunday, June 15, hosted by Black Surf Santa Cruz, promises “a joyous day on the beach” to center Black and BIPOC community members and “experience the transformative power of the ocean together, many for their first time.”\u003c/p>\n\u003cp>The organization also\u003ca href=\"https://www.blacksurfsantacruz.org/programs\"> hosts events and pop-up programs\u003c/a> centering surf education and recreation all year round.\u003c/p>\n\u003cp>\u003ca href=\"https://www.ebparks.org/we-celebrate/juneteenth\">\u003cstrong>East Bay Regional Parks\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>In addition to \u003ca href=\"https://www.nps.gov/subjects/npscelebrates/juneteenth.htm\">free entry at national parks\u003c/a>, the East Bay Regional Park District is opening its \u003ca href=\"https://www.ebparks.org/we-celebrate/juneteenth\">parks for free all day as well\u003c/a> on Juneteenth itself, June 19.\u003c/p>\n\u003cp>A number of parks are having their own celebrations, including a \u003ca href=\"https://anc.apm.activecommunities.com/ebparks/activity/search/detail/55521?onlineSiteId=0&from_original_cui=true\">naturalist-led hike at Coyote Hills Regional Park\u003c/a> and \u003ca href=\"https://anc.apm.activecommunities.com/ebparks/activity/search/detail/55383?onlineSiteId=0&from_original_cui=true\">a celebration walk at Thurgood Marshall Regional Park\u003c/a>.\u003c/p>\n\u003cp>https://docs.google.com/forms/d/e/1FAIpQLSeCeDp_MY_h4G6VWj_-VPl-BJlQ3Uya2H0vxRZZd_47BpXwVA/viewform?embedded=true\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For the fourth year in a row, \u003ca href=\"https://www.kqed.org/news/tag/national-parks\">the National Park Service\u003c/a> is making \u003ca href=\"https://www.nps.gov/subjects/npscelebrates/juneteenth.htm\">entry to all national parks free on Juneteenth\u003c/a> after it was recognized as a federal holiday in 2021.\u003c/p>\n\u003cp>But to Nick Collins, who created the Black-led East Bay hiking group \u003ca href=\"https://the510hikers.org/\">510 Hikers\u003c/a>, the real connection between Black liberation and the outdoors sits deeper than a one-day outing in a park.\u003c/p>\n\u003cp>“It’s about reclaiming our spaces, it’s about the connection with nature, it’s about the healing,” Collins said. “It’s about providing a platform to allow people to be welcome and invited and feel like they’re a part of a space that they can live healthy in.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As a Black kid growing up in the East Bay with outdoorsy parents, Collins said he often found himself one of the only people of color in these spaces.\u003c/p>\n\u003cp>“As a 10-year-old, you don’t really think much about it,” he said. “You’re more interested in the insects and finding snakes and little reptiles than you are in counting the number of Black people that are there.”\u003c/p>\n\u003cp>But as he got older, Collins said he began to see the lack of people of color in the outdoor spaces he frequented for the issue that it was. “\u003ca href=\"https://www.ebparks.org/parks?field_park_activities=All&city=450\">The local parks that are in Oakland \u003c/a>are minutes away from areas in the city that are highly populated with people of color,” he said. “And I wanted to start finding out the reasons behind the barriers keeping people of color from getting to these hiking places.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So, in 2014, Collins founded \u003ca href=\"https://the510hikers.org/\">510 Hikers\u003c/a>, whose mission is to get more Black people out onto trails and in wild places — and critically, to build “community and connection,” he said.\u003c/p>\n\u003cp>Once Collins started organizing hikes every Saturday all across the Bay Area, what he found wasn’t a financial barrier, but a comfort one, he said. And one key element was allowing folks “to feel like they didn’t have to leave their neighborhood to go on a hike,” he said — because “the neighborhood sometimes \u003cem>isn’t \u003c/em>the physical space.”\u003c/p>\n\u003cp>“Sometimes the neighborhood is the people that are around you,” Collins said. “So I said, ‘Hey, let’s bring the neighborhood to the outdoors. Let’s bring the ‘hood to the woods.’”\u003c/p>\n\u003ch2>\u003cstrong>‘We’re out here’\u003c/strong>\u003c/h2>\n\u003cp>After over a decade, 510 Hikers is still going strong today, with outings nearly every single weekend. (“We’ve hiked every trail in the Bay Area,” Collins said.) The group doesn’t just hike, either — they’ve organized community 5K runs, American River floats and trips all across the Bay Area and far beyond, including \u003ca href=\"https://www.instagram.com/p/DKvB3zVBvhE/?hl=en\">a recent trek up Half Dome in Yosemite National Park. \u003c/a>\u003c/p>\n\u003cp>While\u003ca href=\"https://www.facebook.com/events/4200716470185145\"> their next Saturday event, on June 21 at 8:15 a.m.\u003c/a> at \u003ca href=\"https://www.ebparks.org/parks/sibley-volcanic\">Sibley Volcanic Regional Preserve\u003c/a> in the Oakland Hills, wasn’t originally marked as a Juneteenth hike, it doesn’t have to be, Collins said — because “we’re out here every week.”\u003c/p>\n\u003cp>Even so, Collins said he plans to take a moment and say a few words to kick off the hike, inviting hikers to reflect on the weight of the last 200 years of history to today that led to them sharing a morning outdoors together.\u003c/p>\n\u003cp>“Freedom isn’t free,” he said. “And we owe it to our ancestors to love each other and be a community and hike in and enjoy nature.”\u003c/p>\n\u003cp>“Just a couple of generations ago, we wouldn’t have even been allowed to gather the way we’re gathering now,” he said. “We have to let that sink in.”\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Jump straight to: \u003ca href=\"#A\">More Juneteenth events hosted by local BIPOC groups in the Bay Area.\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Collins frequently begins each hike with a get-to-know-you activity — as it’s so often the people, not the place, that gives these hikes their purpose. If you leave a hike without several new friends and connections, “you missed out,” he said.\u003c/p>\n\u003cp>He’s well aware of the ripple effect his group has had among hikers of all ages, who tell him they’ve found motivation to lead a more active life and be more in tune with the world and the community around them.\u003c/p>\n\u003cp>“For a lot of us, this is more than just gathering up and hiking together,” he said. “We understand the impact we’ve had in the Bay Area. We understand the impact we’ve had with each other.”\u003c/p>\n\u003cp>“It goes beyond safety — there’s a pridefulness,” Collins said.\u003c/p>\n\u003cp>He’s also committed to promoting the physical and mental health benefits of hiking and being outside, saying that “hiking is kind of like putting vegetables in spaghetti.” He often starts hikes by encouraging participants to close their eyes, put one hand over their heart, and focus on their breath and the sounds of nature around them.\u003c/p>\n\u003cfigure id=\"attachment_12044209\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12044209\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/487173291_1076835787803420_8123029877164460457_n.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/487173291_1076835787803420_8123029877164460457_n.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/487173291_1076835787803420_8123029877164460457_n-160x120.jpg 160w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">510 Hikers, whose mission is to get more Black people out onto trails and in wild places. \u003ccite>(Courtesy of 510 Hikers/Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What nature does so often is it starts to thaw out that frozen sense of ours,” he said. “You want to be a place where a butterfly wants to land and … use nature to tune into the nature within yourself.”\u003c/p>\n\u003cp>If you’re tempted to join \u003ca href=\"https://www.facebook.com/events/4200716470185145\">Saturday’s Sibley hike\u003c/a>, bring water, shoes with traction and a snack — but rest assured that Collins brings extras of everything, just in case.\u003c/p>\n\u003cp>And just know: “You’re going to catch a vibe and want to come back,” he said. “That’s who we are.”\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"A\">\u003c/a>More outdoor groups and events to join to mark Juneteenth with\u003c/strong>\u003c/h2>\n\u003cp>\u003ca href=\"https://www.instagram.com/majortaylorbayarea/\">\u003cstrong>Major Taylor Bay Area Cycling Club\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Named for one of the early Black sports icons, \u003ca href=\"https://www.majortaylorassociation.org/who.shtml\">world-famous cyclist Major Taylor\u003c/a>, this East Bay-based cycling club is hosting a \u003ca href=\"https://www.eventbrite.com/e/juneteenth-celebration-ride-with-major-taylor-and-sports-basement-tickets-1395507262789\">10 a.m. Juneteenth ride on June 19, leaving from Berkeley Sports Basement\u003c/a>.\u003c/p>\n\u003cp>Now in its fourth year, the event is an all-ages “daytime ride in celebration of Black joy, freedom, and community,” organizers said. “No Lycra necessary — just roll up in something that feels expressive and free.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/blackrock_collective/?hl=en\">\u003cstrong>Black Rock Collective\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>On Saturday June 14 at \u003ca href=\"https://portal.touchstoneclimbing.com/pacificpipe/programs/juneteenth-brc?course=Q291cnNlOjlhZmFkNzYxMjI1NmE3MGQ5MzRhYzAwNjYyZWU4ZmZk&date=2025-06-14\">Pacific Pipe Climbing Gym in Oakland,\u003c/a> climbing club Black Rock Collective is teaming up with Touchstone Climbing from 3 p.m. to 7 p.m. “for an evening of community, creativity and connection.”\u003c/p>\n\u003cp>The event will not only welcome new and experienced climbers and raise money for the club, but will also feature an \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeV1UodiuoH8erYZ0R3ssoM-tJtI7gqymc0pxqemvUUWfs8SQ/viewform\">artists market and a raffle,\u003c/a> featuring Black-owned small businesses, food and drink vendors and artists.\u003c/p>\n\u003cp>\u003ca href=\"https://www.blacksurfsantacruz.org/\">\u003cstrong>Black Surf Santa Cruz\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Now in its fifth year, the \u003ca href=\"https://www.blacksurfsantacruz.org/lpo2025\">Liberation Paddle Out\u003c/a> at Cowells Beach on Sunday, June 15, hosted by Black Surf Santa Cruz, promises “a joyous day on the beach” to center Black and BIPOC community members and “experience the transformative power of the ocean together, many for their first time.”\u003c/p>\n\u003cp>The organization also\u003ca href=\"https://www.blacksurfsantacruz.org/programs\"> hosts events and pop-up programs\u003c/a> centering surf education and recreation all year round.\u003c/p>\n\u003cp>\u003ca href=\"https://www.ebparks.org/we-celebrate/juneteenth\">\u003cstrong>East Bay Regional Parks\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>In addition to \u003ca href=\"https://www.nps.gov/subjects/npscelebrates/juneteenth.htm\">free entry at national parks\u003c/a>, the East Bay Regional Park District is opening its \u003ca href=\"https://www.ebparks.org/we-celebrate/juneteenth\">parks for free all day as well\u003c/a> on Juneteenth itself, June 19.\u003c/p>\n\u003cp>A number of parks are having their own celebrations, including a \u003ca href=\"https://anc.apm.activecommunities.com/ebparks/activity/search/detail/55521?onlineSiteId=0&from_original_cui=true\">naturalist-led hike at Coyote Hills Regional Park\u003c/a> and \u003ca href=\"https://anc.apm.activecommunities.com/ebparks/activity/search/detail/55383?onlineSiteId=0&from_original_cui=true\">a celebration walk at Thurgood Marshall Regional Park\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe\n src='https://docs.google.com/forms/d/e/1FAIpQLSeCeDp_MY_h4G6VWj_-VPl-BJlQ3Uya2H0vxRZZd_47BpXwVA/viewform?embedded=true?embedded=true'\n title='https://docs.google.com/forms/d/e/1FAIpQLSeCeDp_MY_h4G6VWj_-VPl-BJlQ3Uya2H0vxRZZd_47BpXwVA/viewform?embedded=true'\n width='760' height='500'\n frameborder='0'\n marginheight='0' marginwidth='0'>\u003c/iframe>\u003c/div>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"slug": "stern-grove-festival-2025-from-tickets-to-schedules-to-transit",
"title": "Stern Grove Festival 2025: What to Know About New Lottery System, Schedules and Transit",
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"headTitle": "Stern Grove Festival 2025: What to Know About New Lottery System, Schedules and Transit | KQED",
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"content": "\u003cp>It’s summer, and that means Stern Grove — San Francisco’s long-running free concert series — is coming back with \u003ca href=\"https://www.kqed.org/arts/13974214/stern-grove-2025-lineup-free-concerts-diana-ross-san-francisco\">the legendary Diana Ross as the headliner\u003c/a>.\u003c/p>\n\u003cp>But this year, the festival is doing things differently. While entrance is still free, Stern Grove is operating on \u003ca href=\"https://www.sterngrove.org/lottery-howto\">a lottery system\u003c/a> when distributing tickets this year. Festival goers will have to sign up through an online system six weeks before a certain show.\u003c/p>\n\u003cp>“I’m not a fan,” admits KQED’s own mid-level giving manager — and Stern Grove expert — Rachel Gelbmann. She said she missed out on securing tickets for some of her first-pick shows.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“With the new system, you have a week to enter a lottery system and you either will or won’t get awarded tickets,” she said, but added that despite these changes, she’s still making an effort to see her favorites, which include Ross, the California Honey Drops and Damien and Stephen Marley.\u003c/p>\n\u003cp>Since Gelbmann is a Stern Grove regular and concert enthusiast, we naturally turned to her for any tips on how to navigate this year’s festival. With the \u003ca href=\"https://www.nytimes.com/2025/03/05/business/gen-z-concert-tickets-taylor-swift-beyonce.html\">price of concert tickets nowadays\u003c/a>, any event promising free music is almost guaranteed to attract a huge crowd, and Gelbmann tells us how to secure tickets, enter the venue and other key tips.\u003c/p>\n\u003cfigure id=\"attachment_12042767\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628523574-scaled-e1749072539649.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042767\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628523574-scaled-e1749072539649.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Flaming Lips perform at the Stern Grove festival on Aug. 20, 2023, in San Francisco, California. \u003ccite>(Photo by Miikka Skaffari/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>First things first: What is the new Stern Grove ticketing system?\u003c/h2>\n\u003cp>There will be \u003ca href=\"https://www.sterngrove.org/lineup\">eleven concerts for Stern Grove\u003c/a>: the first one — featuring The California Honeydrops — is scheduled for June 15 and there will be concerts every following weekend leading up to the two-day weekend picnic on Aug. 16 and 17. You can check out the lineup on \u003ca href=\"https://www.kqed.org/arts/13974214/stern-grove-2025-lineup-free-concerts-diana-ross-san-francisco\">KQED Arts\u003c/a> or \u003ca href=\"https://www.sterngrove.org/lineup\">Stern Grove’s website\u003c/a>.\u003c/p>\n\u003cp>Six weeks \u003cem>before\u003c/em> each concert date, the online ticket lottery opens up, which can be found \u003ca href=\"https://www.sterngrove.org/lineup\">under each artist’s name\u003c/a> or on the artist’s individual page on the festival’s website. The lottery will ask for your name, zip code, demographic information and how many tickets you want. You can request up to four tickets.\u003c/p>\n\u003cp>Children two years or younger do not need tickets. (Stern Grove also has \u003ca href=\"https://www.sterngrove.org/experiencekidzone\">weekly programming for children\u003c/a>, from 12:30 p.m. to 3 p.m., that includes face painting, a petting zoo and games.)\u003c/p>\n\u003cp>Once the lottery for a concert opens up, you will have a week to enter your name. So if you are trying to watch \u003ca href=\"https://www.sterngrove.org/phantogram\">Phantogram on July 13\u003c/a>, the sign-up for the lottery is from June 1 to June 8.\u003c/p>\n\u003cp>“We understand the nostalgia for the “just show up” days of the past, but evolving safety standards and insurance requirements make it impossible to return to that model,” \u003ca href=\"https://www.sterngrove.org/ticket-info\">Stern Grove’s website reads\u003c/a>.\u003c/p>\n\u003cp>After a week, Stern Grove will send out an email (from \u003ca href=\"mailto:orders@sterngrove.org\">orders@sterngrove.org\u003c/a>) to those who have won the lottery. You will have 72 hours to confirm with the festival and secure your tickets. (The website highlights that the message with your tickets comes with a claim button — which works only once!)\u003c/p>\n\u003cp>The tickets will be emailed to you.\u003c/p>\n\u003ch2>What if you don’t get tickets?\u003c/h2>\n\u003cp>If you are unable to get tickets through the lottery, there are some other ways to catch the show.\u003c/p>\n\u003cp>The day before each show, Stern Grove will \u003ca href=\"https://www.sterngrove.org/community-box-offices\">distribute a thousand tickets on a first-come, first-served basis\u003c/a>. They will hand out two tickets per person.\u003c/p>\n\u003cp>The locations where to pick up these tickets vary, and you can check them out at \u003ca href=\"https://www.sterngrove.org/community-box-offices\">Stern Grove’s map\u003c/a>.[aside postID=arts_13974214 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2025/04/GettyImages-2159811667-1020x728.jpg']For example, if you want to see Phantogram, you would have to wait for tickets at China Basin Park on July 12 at 12 p.m.\u003c/p>\n\u003cp>Stern Grove also provides \u003ca href=\"https://secure.qgiv.com/for/fy25tablesales/event/934138/embed/79176/\">a (very pricey) option of reserving tables\u003c/a> for \u003ca href=\"https://secure.qgiv.com/for/fy25tablesales/event/934159/embed/79178/\">large groups of ten to forty people\u003c/a>. For example, for Orville Peck on July 27, a table for ten with expedited entrance and parking spots \u003ca href=\"https://secure.qgiv.com/for/fy25tablesales/event/934159/embed/79178/\">costs around $2,000\u003c/a>.\u003c/p>\n\u003cp>DoTheBay also has \u003ca href=\"https://dothebay.com/\">a ticket giveaway\u003c/a> for each concert in the festival. You can enter using a \u003ca href=\"https://dothebay.com/events/2025/6/15/stern-grove-festival-2025-golden-ticket-giveaway-tickets\">form\u003c/a> on Do The Bay’s website.\u003c/p>\n\u003cp>People can also \u003ca href=\"https://www.sterngrove.org/volunteer\">consider volunteering for Stern Grove\u003c/a> to be able to get a spot at a show. Volunteering can include cleaning up and breaking down the setup after the concert. With only a couple of weeks left before the start of the festival, Gelbmann has noticed spots going quickly and advised people to try signing up sooner rather than later.\u003c/p>\n\u003cp>Volunteers can get \u003ca href=\"https://www.sterngrove.org/volunteer\">two free tickets to a show of their choosing\u003c/a> \u003cem>after\u003c/em> they complete their shift.\u003c/p>\n\u003cp>Volunteers sign up through \u003ca href=\"https://volunteer.bloomerang.co/web-admin/app/#/join-party?k=68b5x7vgyhxdfi\">a website called Bloomerang\u003c/a>. You can choose a day you are available, and \u003ca href=\"https://volunteer.bloomerang.co/web-admin/app/#/join-party?k=ynahnr5166kodb\">one of the four shifts\u003c/a>: Setup Crew (8 a.m. to 12 p.m.), Welcome Crew (10 a.m. to 2 p.m.), Festival Flow Crew (12 p.m. to 4 p.m.) and Breakdown Crew (2 p.m. to 6 p.m.).\u003c/p>\n\u003cp>According to Gelbmann, “the best shift is the early morning one, where you’re done by noon. Because then you can have first dibs on the best place to sit in the park.”\u003c/p>\n\u003cp>“You would also get your volunteering out of the way so you could enjoy your lunch and then enjoy the music,” she added. “You can also volunteer for leader shifts, but you might be kind of working during the music acts.”\u003c/p>\n\u003cfigure id=\"attachment_12042768\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-827121516-scaled-e1749072873169.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042768\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-827121516-scaled-e1749072873169.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sarah Barthel of Phantogram performs on Day 3 of the Osheaga Music and Art Festival at Parc Jean-Drapeau on Aug. 6, 2017, in Montreal, Canada. Phantogram is playing Stern Grove on July 13, 2025. \u003ccite>(Photo by Mark Horton/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>When and where does the show start?\u003c/h2>\n\u003cp>Stern Grove shows \u003ca href=\"https://www.sterngrove.org/getting-here\">take place\u003c/a> at 19th Avenue and Sloat Boulevard in San Francisco. The concert is down a hill, and you \u003cem>do\u003c/em> have to climb down a hill to get to the concert, and then up that same hill when heading out. (\u003cstrong>\u003ca href=\"#JumpaheadtowhataccessibilityoptionsareavailableatSternGrove\">Jump ahead to what accessibility options are available at Stern Grove.\u003c/a>\u003c/strong>)\u003c/p>\n\u003cp>The two general admission entrances are 23rd and Wawona and 19th and Sloat.\u003c/p>\n\u003cp>The usual schedule is: lines open at 10 a.m., gates open at 12 p.m., DJ spinning at 1 p.m., and the show starts at 2 p.m. The \u003ca href=\"https://www.sterngrove.org/getting-here\">concert usually ends\u003c/a> at 4:30 or 5 p.m.\u003c/p>\n\u003cp>“Although it’s a free show, you have to be strategic about it,” Gelbmann said. “It’s a whole day thing.”\u003c/p>\n\u003cp>If you want a good spot, Gelbmann suggested getting in line around 9 or 9:30 a.m.[aside postID=arts_13975778 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_040-1536x1024.jpg'](Stern Grove officials say that overnight camping is not allowed.)\u003c/p>\n\u003cp>“We typically pack like breakfast burritos and our comfy seats for the show and just park ourselves on the sidewalk, and hang out with our burritos and something to read,” she said.\u003c/p>\n\u003cp>Gelbmann said when the gates open, sometimes there is a “mad rush” to get the best spots since \u003ca href=\"https://www.sterngrove.org/seating-areas\">it is first-come, first-served\u003c/a>.\u003c/p>\n\u003cp>“Others can be a little territorial and not so nice,” she said. “I would just recommend being prepared for that.”\u003c/p>\n\u003cp>The seating areas include:\u003c/p>\n\u003cul>\n\u003cli>Concert Meadow\u003c/li>\n\u003cli>Hillside\u003c/li>\n\u003cli>West Meadow (includes a screen to watch the concert)\u003c/li>\n\u003cli>ADA, senior and wheelchair seating\u003c/li>\n\u003c/ul>\n\u003cp>But no worries, because in her experience, “90% of the people that do go to Stern Grove come with a good attitude and are friendly to people.”\u003c/p>\n\u003cfigure id=\"attachment_12042771\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042771\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb.jpg\" alt=\"\" width=\"1000\" height=\"652\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb-160x104.jpg 160w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A map of the 2025 Stern Grove Festival. \u003ccite>(Courtesy of Stern Grove Festival.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>How do I get to Stern Grove?\u003c/h2>\n\u003cp>Stern Grove organizers \u003ca href=\"https://www.sterngrove.org/getting-here\">highly recommend that visitors take public transportation\u003c/a> or rideshares to the festival, since there is no public parking available.\u003c/p>\n\u003cp>People who bought picnic tables do get parking spaces, and information will be emailed to them. More about accessible parking below.\u003c/p>\n\u003cp>“Street parking in the surrounding neighborhood is extremely limited,” the website reads. “Illegally parked cars — including those blocking driveways — may be ticketed and towed.”\u003c/p>\n\u003ch2>Public transportation\u003c/h2>\n\u003cp>Visitors can use \u003ca href=\"http://511.org\">511.org\u003c/a> to plan out their route.\u003c/p>\n\u003cp>For the \u003ca href=\"https://www.sterngrove.org/getting-here\">Muni Metro\u003c/a>: “Take lines M Ocean View or the K Ingleside and exit at the St. Francis Circle stop. Walk west one block to the park entrance at 19th Avenue and Sloat Boulevard.”\u003c/p>\n\u003cp>For \u003ca href=\"https://www.sterngrove.org/getting-here\">Muni bus service\u003c/a>: “Lines 23-Monterey and 28-19th Avenue stop right at 19th Avenue and Sloat Boulevard.”\u003c/p>\n\u003cp>For \u003ca href=\"https://www.sterngrove.org/getting-here\">BART\u003c/a>: Take a train to Civic Center and transfer to Muni Metro M Ocean View or the K Ingleside. You can also take \u003ca href=\"https://www.sterngrove.org/getting-here\">BART\u003c/a> to Glen Park Station and transfer to MUNI bus 23-Monterey and \u003ca href=\"https://www.sterngrove.org/getting-here\">BART\u003c/a> to Daly City and transfer to MUNI bus 28-19th Avenue.\u003c/p>\n\u003ch2>Bikes\u003c/h2>\n\u003cp>While bikes are not allowed in the venue, bikes can be stored with the valet located at 21st and Wowona. This storage space is open from noon to one hour after the concert ends.\u003c/p>\n\u003ch2>\u003ca id=\"JumpaheadtowhataccessibilityoptionsareavailableatSternGrove\">\u003c/a>Accessibility\u003c/h2>\n\u003cp>When selecting a ticket, you can mention if you need accessibility services during your concert. This does not guarantee accessibility seating, as it is \u003ca href=\"https://www.sterngrove.org/accessibility-ada\">first-come, first-served\u003c/a>.[aside postID=arts_13970908 hero='https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/Stage_COVER-1020x765.jpg']But it’s still worth letting organizers know that you need accessible seating when signing up, because Stern Grove may reach out \u003ca href=\"https://www.sterngrove.org/accessibility-ada\">four weeks before the concert\u003c/a> to communicate possible arrangements.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sterngrove.org/getting-here\">Accessible parking\u003c/a> is also first-come, first-served along the North side of Sloat Blvd between 19th Ave and 22nd Ave.”\u003c/p>\n\u003cp>There is also a shuttle that does a round trip from the 19th and Sloat Entrance and the Concert Meadow. Hours for the shuttle are 11:00 a.m. to 5:30 p.m.\u003c/p>\n\u003cp>Gelbmann used the bus system last year, when she was pregnant, and mentioned that it can be slow.\u003c/p>\n\u003cp>“It’s one small bus and it does shifts,” she explained. “If you’re in that first load of people, you’ll get in pretty early, but you have to be pretty patient.”\u003c/p>\n\u003ch2>What can I bring? What can I not bring?\u003c/h2>\n\u003cp>\u003ca href=\"https://www.sterngrove.org/what-can-i-bring\">You can bring\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Blankets under 5 x 7 ft\u003c/li>\n\u003cli>Low-profile lawn chairs\u003c/li>\n\u003cli>Picnics and coolers\u003c/li>\n\u003cli>Your own food and drinks\u003c/li>\n\u003cli>Alcohol\u003c/li>\n\u003cli>Strollers are allowed, if they can be folded down and not block pathways\u003c/li>\n\u003c/ul>\n\u003cp>You cannot bring:\u003c/p>\n\u003cul>\n\u003cli>Tarps\u003c/li>\n\u003cli>Large blankets\u003c/li>\n\u003cli>Pets. \u003ca href=\"https://archive.ada.gov/regs2010/service_animal_qa.pdf\">Service or support animals\u003c/a> \u003cem>are \u003c/em>allowed\u003c/li>\n\u003cli>Sharp knives with a blade longer than 4 inches.\u003c/li>\n\u003cli>High-backed, standard folding chairs\u003c/li>\n\u003cli>Large or tall tables\u003c/li>\n\u003cli>Tents\u003c/li>\n\u003cli>Umbrellas\u003c/li>\n\u003cli>Shade structures\u003c/li>\n\u003cli>Barbecues/grills or any item with open flame.\u003c/li>\n\u003cli>Video or audio recording equipment, like drones or professional still camera equipment with a detachable lens longer than two inches or tripods.\u003c/li>\n\u003cli>Skateboards, scooters, hoverboards or any personal motorized vehicles\u003c/li>\n\u003cli>Firearms or weapons of any kind\u003c/li>\n\u003cli>Fireworks and explosives or any item with open flame\u003c/li>\n\u003cli>Illegal substances (including narcotics) or drug paraphernalia\u003c/li>\n\u003cli>Amplified sound, bullhorns or speakers\u003c/li>\n\u003cli>Cigarettes/smoking\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_12042816\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628529491-scaled-e1749080290450.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042816\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628529491-scaled-e1749080290450.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Festival attendees grab a bite at the Stern Grove festival on Aug. 20, 2023. \u003ccite>(Photo by Miikka Skaffari/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Food\u003c/h2>\n\u003cp>There are food trucks, drinks and alcohol available at the venue. But you are also able to bring \u003ca href=\"https://www.sterngrove.org/experiencefooddrink\">your own picnic supplies\u003c/a>.\u003c/p>\n\u003cp>“We have breakfast and lunch there. And by the time we leave, it’s usually almost dinnertime,” Gelbmann said.\u003c/p>\n\u003ch2>Weather\u003c/h2>\n\u003cp>It’s summertime in San Francisco. So remember — layer up. That means jackets and extra shirts, as well as sunscreen and hats.\u003c/p>\n\u003cp>“It could be freezing, or it could be hot and sweaty and sunny,” Gelbmann said. “It could be all those things in one day.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Here’s what you need to know about accessing this year’s beloved, free San Francisco festival.",
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"title": "Stern Grove Festival 2025: What to Know About New Lottery System, Schedules and Transit | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s summer, and that means Stern Grove — San Francisco’s long-running free concert series — is coming back with \u003ca href=\"https://www.kqed.org/arts/13974214/stern-grove-2025-lineup-free-concerts-diana-ross-san-francisco\">the legendary Diana Ross as the headliner\u003c/a>.\u003c/p>\n\u003cp>But this year, the festival is doing things differently. While entrance is still free, Stern Grove is operating on \u003ca href=\"https://www.sterngrove.org/lottery-howto\">a lottery system\u003c/a> when distributing tickets this year. Festival goers will have to sign up through an online system six weeks before a certain show.\u003c/p>\n\u003cp>“I’m not a fan,” admits KQED’s own mid-level giving manager — and Stern Grove expert — Rachel Gelbmann. She said she missed out on securing tickets for some of her first-pick shows.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“With the new system, you have a week to enter a lottery system and you either will or won’t get awarded tickets,” she said, but added that despite these changes, she’s still making an effort to see her favorites, which include Ross, the California Honey Drops and Damien and Stephen Marley.\u003c/p>\n\u003cp>Since Gelbmann is a Stern Grove regular and concert enthusiast, we naturally turned to her for any tips on how to navigate this year’s festival. With the \u003ca href=\"https://www.nytimes.com/2025/03/05/business/gen-z-concert-tickets-taylor-swift-beyonce.html\">price of concert tickets nowadays\u003c/a>, any event promising free music is almost guaranteed to attract a huge crowd, and Gelbmann tells us how to secure tickets, enter the venue and other key tips.\u003c/p>\n\u003cfigure id=\"attachment_12042767\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628523574-scaled-e1749072539649.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042767\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628523574-scaled-e1749072539649.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Flaming Lips perform at the Stern Grove festival on Aug. 20, 2023, in San Francisco, California. \u003ccite>(Photo by Miikka Skaffari/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>First things first: What is the new Stern Grove ticketing system?\u003c/h2>\n\u003cp>There will be \u003ca href=\"https://www.sterngrove.org/lineup\">eleven concerts for Stern Grove\u003c/a>: the first one — featuring The California Honeydrops — is scheduled for June 15 and there will be concerts every following weekend leading up to the two-day weekend picnic on Aug. 16 and 17. You can check out the lineup on \u003ca href=\"https://www.kqed.org/arts/13974214/stern-grove-2025-lineup-free-concerts-diana-ross-san-francisco\">KQED Arts\u003c/a> or \u003ca href=\"https://www.sterngrove.org/lineup\">Stern Grove’s website\u003c/a>.\u003c/p>\n\u003cp>Six weeks \u003cem>before\u003c/em> each concert date, the online ticket lottery opens up, which can be found \u003ca href=\"https://www.sterngrove.org/lineup\">under each artist’s name\u003c/a> or on the artist’s individual page on the festival’s website. The lottery will ask for your name, zip code, demographic information and how many tickets you want. You can request up to four tickets.\u003c/p>\n\u003cp>Children two years or younger do not need tickets. (Stern Grove also has \u003ca href=\"https://www.sterngrove.org/experiencekidzone\">weekly programming for children\u003c/a>, from 12:30 p.m. to 3 p.m., that includes face painting, a petting zoo and games.)\u003c/p>\n\u003cp>Once the lottery for a concert opens up, you will have a week to enter your name. So if you are trying to watch \u003ca href=\"https://www.sterngrove.org/phantogram\">Phantogram on July 13\u003c/a>, the sign-up for the lottery is from June 1 to June 8.\u003c/p>\n\u003cp>“We understand the nostalgia for the “just show up” days of the past, but evolving safety standards and insurance requirements make it impossible to return to that model,” \u003ca href=\"https://www.sterngrove.org/ticket-info\">Stern Grove’s website reads\u003c/a>.\u003c/p>\n\u003cp>After a week, Stern Grove will send out an email (from \u003ca href=\"mailto:orders@sterngrove.org\">orders@sterngrove.org\u003c/a>) to those who have won the lottery. You will have 72 hours to confirm with the festival and secure your tickets. (The website highlights that the message with your tickets comes with a claim button — which works only once!)\u003c/p>\n\u003cp>The tickets will be emailed to you.\u003c/p>\n\u003ch2>What if you don’t get tickets?\u003c/h2>\n\u003cp>If you are unable to get tickets through the lottery, there are some other ways to catch the show.\u003c/p>\n\u003cp>The day before each show, Stern Grove will \u003ca href=\"https://www.sterngrove.org/community-box-offices\">distribute a thousand tickets on a first-come, first-served basis\u003c/a>. They will hand out two tickets per person.\u003c/p>\n\u003cp>The locations where to pick up these tickets vary, and you can check them out at \u003ca href=\"https://www.sterngrove.org/community-box-offices\">Stern Grove’s map\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For example, if you want to see Phantogram, you would have to wait for tickets at China Basin Park on July 12 at 12 p.m.\u003c/p>\n\u003cp>Stern Grove also provides \u003ca href=\"https://secure.qgiv.com/for/fy25tablesales/event/934138/embed/79176/\">a (very pricey) option of reserving tables\u003c/a> for \u003ca href=\"https://secure.qgiv.com/for/fy25tablesales/event/934159/embed/79178/\">large groups of ten to forty people\u003c/a>. For example, for Orville Peck on July 27, a table for ten with expedited entrance and parking spots \u003ca href=\"https://secure.qgiv.com/for/fy25tablesales/event/934159/embed/79178/\">costs around $2,000\u003c/a>.\u003c/p>\n\u003cp>DoTheBay also has \u003ca href=\"https://dothebay.com/\">a ticket giveaway\u003c/a> for each concert in the festival. You can enter using a \u003ca href=\"https://dothebay.com/events/2025/6/15/stern-grove-festival-2025-golden-ticket-giveaway-tickets\">form\u003c/a> on Do The Bay’s website.\u003c/p>\n\u003cp>People can also \u003ca href=\"https://www.sterngrove.org/volunteer\">consider volunteering for Stern Grove\u003c/a> to be able to get a spot at a show. Volunteering can include cleaning up and breaking down the setup after the concert. With only a couple of weeks left before the start of the festival, Gelbmann has noticed spots going quickly and advised people to try signing up sooner rather than later.\u003c/p>\n\u003cp>Volunteers can get \u003ca href=\"https://www.sterngrove.org/volunteer\">two free tickets to a show of their choosing\u003c/a> \u003cem>after\u003c/em> they complete their shift.\u003c/p>\n\u003cp>Volunteers sign up through \u003ca href=\"https://volunteer.bloomerang.co/web-admin/app/#/join-party?k=68b5x7vgyhxdfi\">a website called Bloomerang\u003c/a>. You can choose a day you are available, and \u003ca href=\"https://volunteer.bloomerang.co/web-admin/app/#/join-party?k=ynahnr5166kodb\">one of the four shifts\u003c/a>: Setup Crew (8 a.m. to 12 p.m.), Welcome Crew (10 a.m. to 2 p.m.), Festival Flow Crew (12 p.m. to 4 p.m.) and Breakdown Crew (2 p.m. to 6 p.m.).\u003c/p>\n\u003cp>According to Gelbmann, “the best shift is the early morning one, where you’re done by noon. Because then you can have first dibs on the best place to sit in the park.”\u003c/p>\n\u003cp>“You would also get your volunteering out of the way so you could enjoy your lunch and then enjoy the music,” she added. “You can also volunteer for leader shifts, but you might be kind of working during the music acts.”\u003c/p>\n\u003cfigure id=\"attachment_12042768\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-827121516-scaled-e1749072873169.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042768\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-827121516-scaled-e1749072873169.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sarah Barthel of Phantogram performs on Day 3 of the Osheaga Music and Art Festival at Parc Jean-Drapeau on Aug. 6, 2017, in Montreal, Canada. Phantogram is playing Stern Grove on July 13, 2025. \u003ccite>(Photo by Mark Horton/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>When and where does the show start?\u003c/h2>\n\u003cp>Stern Grove shows \u003ca href=\"https://www.sterngrove.org/getting-here\">take place\u003c/a> at 19th Avenue and Sloat Boulevard in San Francisco. The concert is down a hill, and you \u003cem>do\u003c/em> have to climb down a hill to get to the concert, and then up that same hill when heading out. (\u003cstrong>\u003ca href=\"#JumpaheadtowhataccessibilityoptionsareavailableatSternGrove\">Jump ahead to what accessibility options are available at Stern Grove.\u003c/a>\u003c/strong>)\u003c/p>\n\u003cp>The two general admission entrances are 23rd and Wawona and 19th and Sloat.\u003c/p>\n\u003cp>The usual schedule is: lines open at 10 a.m., gates open at 12 p.m., DJ spinning at 1 p.m., and the show starts at 2 p.m. The \u003ca href=\"https://www.sterngrove.org/getting-here\">concert usually ends\u003c/a> at 4:30 or 5 p.m.\u003c/p>\n\u003cp>“Although it’s a free show, you have to be strategic about it,” Gelbmann said. “It’s a whole day thing.”\u003c/p>\n\u003cp>If you want a good spot, Gelbmann suggested getting in line around 9 or 9:30 a.m.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>(Stern Grove officials say that overnight camping is not allowed.)\u003c/p>\n\u003cp>“We typically pack like breakfast burritos and our comfy seats for the show and just park ourselves on the sidewalk, and hang out with our burritos and something to read,” she said.\u003c/p>\n\u003cp>Gelbmann said when the gates open, sometimes there is a “mad rush” to get the best spots since \u003ca href=\"https://www.sterngrove.org/seating-areas\">it is first-come, first-served\u003c/a>.\u003c/p>\n\u003cp>“Others can be a little territorial and not so nice,” she said. “I would just recommend being prepared for that.”\u003c/p>\n\u003cp>The seating areas include:\u003c/p>\n\u003cul>\n\u003cli>Concert Meadow\u003c/li>\n\u003cli>Hillside\u003c/li>\n\u003cli>West Meadow (includes a screen to watch the concert)\u003c/li>\n\u003cli>ADA, senior and wheelchair seating\u003c/li>\n\u003c/ul>\n\u003cp>But no worries, because in her experience, “90% of the people that do go to Stern Grove come with a good attitude and are friendly to people.”\u003c/p>\n\u003cfigure id=\"attachment_12042771\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042771\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb.jpg\" alt=\"\" width=\"1000\" height=\"652\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/2025SternGroveFestivalVenueMap_PublicForWeb-160x104.jpg 160w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A map of the 2025 Stern Grove Festival. \u003ccite>(Courtesy of Stern Grove Festival.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>How do I get to Stern Grove?\u003c/h2>\n\u003cp>Stern Grove organizers \u003ca href=\"https://www.sterngrove.org/getting-here\">highly recommend that visitors take public transportation\u003c/a> or rideshares to the festival, since there is no public parking available.\u003c/p>\n\u003cp>People who bought picnic tables do get parking spaces, and information will be emailed to them. More about accessible parking below.\u003c/p>\n\u003cp>“Street parking in the surrounding neighborhood is extremely limited,” the website reads. “Illegally parked cars — including those blocking driveways — may be ticketed and towed.”\u003c/p>\n\u003ch2>Public transportation\u003c/h2>\n\u003cp>Visitors can use \u003ca href=\"http://511.org\">511.org\u003c/a> to plan out their route.\u003c/p>\n\u003cp>For the \u003ca href=\"https://www.sterngrove.org/getting-here\">Muni Metro\u003c/a>: “Take lines M Ocean View or the K Ingleside and exit at the St. Francis Circle stop. Walk west one block to the park entrance at 19th Avenue and Sloat Boulevard.”\u003c/p>\n\u003cp>For \u003ca href=\"https://www.sterngrove.org/getting-here\">Muni bus service\u003c/a>: “Lines 23-Monterey and 28-19th Avenue stop right at 19th Avenue and Sloat Boulevard.”\u003c/p>\n\u003cp>For \u003ca href=\"https://www.sterngrove.org/getting-here\">BART\u003c/a>: Take a train to Civic Center and transfer to Muni Metro M Ocean View or the K Ingleside. You can also take \u003ca href=\"https://www.sterngrove.org/getting-here\">BART\u003c/a> to Glen Park Station and transfer to MUNI bus 23-Monterey and \u003ca href=\"https://www.sterngrove.org/getting-here\">BART\u003c/a> to Daly City and transfer to MUNI bus 28-19th Avenue.\u003c/p>\n\u003ch2>Bikes\u003c/h2>\n\u003cp>While bikes are not allowed in the venue, bikes can be stored with the valet located at 21st and Wowona. This storage space is open from noon to one hour after the concert ends.\u003c/p>\n\u003ch2>\u003ca id=\"JumpaheadtowhataccessibilityoptionsareavailableatSternGrove\">\u003c/a>Accessibility\u003c/h2>\n\u003cp>When selecting a ticket, you can mention if you need accessibility services during your concert. This does not guarantee accessibility seating, as it is \u003ca href=\"https://www.sterngrove.org/accessibility-ada\">first-come, first-served\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But it’s still worth letting organizers know that you need accessible seating when signing up, because Stern Grove may reach out \u003ca href=\"https://www.sterngrove.org/accessibility-ada\">four weeks before the concert\u003c/a> to communicate possible arrangements.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sterngrove.org/getting-here\">Accessible parking\u003c/a> is also first-come, first-served along the North side of Sloat Blvd between 19th Ave and 22nd Ave.”\u003c/p>\n\u003cp>There is also a shuttle that does a round trip from the 19th and Sloat Entrance and the Concert Meadow. Hours for the shuttle are 11:00 a.m. to 5:30 p.m.\u003c/p>\n\u003cp>Gelbmann used the bus system last year, when she was pregnant, and mentioned that it can be slow.\u003c/p>\n\u003cp>“It’s one small bus and it does shifts,” she explained. “If you’re in that first load of people, you’ll get in pretty early, but you have to be pretty patient.”\u003c/p>\n\u003ch2>What can I bring? What can I not bring?\u003c/h2>\n\u003cp>\u003ca href=\"https://www.sterngrove.org/what-can-i-bring\">You can bring\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Blankets under 5 x 7 ft\u003c/li>\n\u003cli>Low-profile lawn chairs\u003c/li>\n\u003cli>Picnics and coolers\u003c/li>\n\u003cli>Your own food and drinks\u003c/li>\n\u003cli>Alcohol\u003c/li>\n\u003cli>Strollers are allowed, if they can be folded down and not block pathways\u003c/li>\n\u003c/ul>\n\u003cp>You cannot bring:\u003c/p>\n\u003cul>\n\u003cli>Tarps\u003c/li>\n\u003cli>Large blankets\u003c/li>\n\u003cli>Pets. \u003ca href=\"https://archive.ada.gov/regs2010/service_animal_qa.pdf\">Service or support animals\u003c/a> \u003cem>are \u003c/em>allowed\u003c/li>\n\u003cli>Sharp knives with a blade longer than 4 inches.\u003c/li>\n\u003cli>High-backed, standard folding chairs\u003c/li>\n\u003cli>Large or tall tables\u003c/li>\n\u003cli>Tents\u003c/li>\n\u003cli>Umbrellas\u003c/li>\n\u003cli>Shade structures\u003c/li>\n\u003cli>Barbecues/grills or any item with open flame.\u003c/li>\n\u003cli>Video or audio recording equipment, like drones or professional still camera equipment with a detachable lens longer than two inches or tripods.\u003c/li>\n\u003cli>Skateboards, scooters, hoverboards or any personal motorized vehicles\u003c/li>\n\u003cli>Firearms or weapons of any kind\u003c/li>\n\u003cli>Fireworks and explosives or any item with open flame\u003c/li>\n\u003cli>Illegal substances (including narcotics) or drug paraphernalia\u003c/li>\n\u003cli>Amplified sound, bullhorns or speakers\u003c/li>\n\u003cli>Cigarettes/smoking\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_12042816\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628529491-scaled-e1749080290450.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042816\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-1628529491-scaled-e1749080290450.jpg\" alt=\"\" width=\"2000\" height=\"1334\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Festival attendees grab a bite at the Stern Grove festival on Aug. 20, 2023. \u003ccite>(Photo by Miikka Skaffari/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Food\u003c/h2>\n\u003cp>There are food trucks, drinks and alcohol available at the venue. But you are also able to bring \u003ca href=\"https://www.sterngrove.org/experiencefooddrink\">your own picnic supplies\u003c/a>.\u003c/p>\n\u003cp>“We have breakfast and lunch there. And by the time we leave, it’s usually almost dinnertime,” Gelbmann said.\u003c/p>\n\u003ch2>Weather\u003c/h2>\n\u003cp>It’s summertime in San Francisco. So remember — layer up. That means jackets and extra shirts, as well as sunscreen and hats.\u003c/p>\n\u003cp>“It could be freezing, or it could be hot and sweaty and sunny,” Gelbmann said. “It could be all those things in one day.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Updated August 5\u003c/em>\u003c/p>\n\u003cp>In researching her new book, Oakland resident Nicole Wong interviewed her parents while playing games of Mahjong with them.\u003c/p>\n\u003cp>“I want to go on the record and say there \u003cem>must \u003c/em>have been a time that I’ve beaten them,” Wong said.[aside postID=forum_2010101910698 hero='https://cdn.kqed.org/wp-content/uploads/sites/43/2025/07/20250525_OralHistory_GC-6_qed.jpg']\u003c/p>\n\u003cp>Her website, \u003ca href=\"https://www.themahjongproject.com/\">The Mahjong Project\u003c/a> — and later book titled \u003ca href=\"https://www.instagram.com/p/DKVZ7_0hGX6/?img_index=1\">\u003cem>Mahjong: House Rules from Across the Asian Diaspora\u003c/em>\u003c/a> — originally set out to \u003ca href=\"https://www.kqed.org/event/5145\">document the rules\u003c/a> that her family played by. And while playing, Wong would pepper her parents with questions: Why did you score this move this way? How do you pronounce this word? How do you spell that? Her parents would pull out vintage Mahjong sets they kept in their closet. Her mother sifted through old photos, recalling the memories behind the images to her.\u003c/p>\n\u003cp>The stories then expanded to the wider diaspora. Wong spoke to a variety of people — from ages 25 to 80 — about how \u003cem>their\u003c/em> family played Mahjong.\u003c/p>\n\u003cp>“I was playing with a group of people and we all just kind of naturally started talking about family history,” she said. “It’s just fascinating — different parts of Chinese American history just sitting around at the table.”\u003c/p>\n\u003cfigure id=\"attachment_12041797\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041797\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1373\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-800x549.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-1020x700.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-1536x1054.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-1920x1318.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong’s older brothers and cousins signed her book, by an archival photo of them, at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12042187\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A Mahjong set is displayed on a table at Nicole Wong’s home. Right: Nicole Wong holds her book ‘Mahjong: House Rules from Across the Asian Diaspora’ at her home in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This interview process ultimately evolved into a form of oral history, \u003ca href=\"https://siarchives.si.edu/history/how-do-oral-history#:~:text=is%20Oral%20History%3F-,Oral%20history%20is%20a%20technique%20for%20generating%20and%20preserving%20original,perspectives%20of%20people%20in%20history.\">the process of preserving\u003c/a> original recorded interviews of someone’s personal recollections. This format was particularly fitting for her topic of Mahjong, Wong said, “because the way that most people learn \u003cem>how \u003c/em>to play is through oral explanation … Stories about the person who taught you, or who taught the teacher, come out.”\u003c/p>\n\u003ch2>\u003cstrong>The power of oral history\u003c/strong>\u003c/h2>\n\u003cp>Wong started this project in the role of daughter. But as a new mother herself, she realized she’d become “the person who holds the information now” — and that time was of the essence to capture it from her parents.\u003c/p>\n\u003cp>“This is a really interesting and valuable time to be talking to that generation above us, where we still can gather those stories,” she said.\u003c/p>\n\u003cp>Before writing, most knowledge was “through storytelling,” said Roger Eardley-Pryor, an oral historian with UC Berkeley’s Oral History Center at the Bancroft Library. People held their stories in their memories and passed them down intergenerationally, but “once the technology developed in the 20th century to actually record and store those stories, oral history began to evolve more in an academic context,” he said.\u003c/p>\n\u003cp>If you’re inspired to preserve family memories and community stories this way — whether you want to interview your grandfather, an aunt, a distant cousin or someone else you know — keep reading for expert advice on how to get started.\u003c/p>\n\u003cfigure id=\"attachment_12041795\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041795\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And if you’re looking for tips on how to preserve family documents and photos instead, take a look at our guide \u003ca href=\"https://www.kqed.org/news/12039595/how-to-archive-family-photos-history-preserve-old-documents\">“How to Preserve Your Family History Like an Archivist.”\u003c/a>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#A\">Jump straight to: The technical aspects of recording family members, and what software to use\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>The urgency of getting started\u003c/strong>\u003c/h2>\n\u003cp>Menlo Park’s Maggie MarkdaSilva said when people hear how her organization, \u003ca href=\"http://www.narrativehistories.com/pages/bio.html\">Narrative Histories,\u003c/a> helps record family stories, a common reaction is, “Oh, I am so sorry I didn’t find you before it was too late.”\u003c/p>\n\u003cp>This is proof that anyone who’s interested should start “sooner rather than later,” she said.\u003c/p>\n\u003cp>“Don’t worry that you don’t know what you’re doing,” MarkdaSilva said. “Anything you capture is going to be better than nothing [and] be so valuable to you later on, when your parents or grandparents have passed away.”\u003c/p>\n\u003cp>[aside postID=news_12039595 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/IMG_1031-1020x765.jpg']\u003c/p>\n\u003cp>“It definitely feels intimidating,” Wong, who spent years writing \u003cem>The Mahjong Project\u003c/em>, said. “In reality, you just got to start somewhere and start chipping away at it.”\u003c/p>\n\u003cp>And even if a wider oral history project doesn’t pan out, giving it a shot is also a chance for you to spend time with family members, she said. “It’s been just a really meaningful way to talk to my parents and to my aunts and uncles in a way that has felt really different,” she said.\u003c/p>\n\u003cp>To get you started, Eardley-Pryor recommended first thinking about the order of family members you want to interview.\u003c/p>\n\u003cp>“Do you want to start with the oldest person first, in the idea that they might be closer to passing on, and so you want to capture their memories most?” he said. Equally, if you choose to gather stories and questions from younger family members first, “when you interview that elder, you can ask them these things that everyone else in the family is interested in.”\u003c/p>\n\u003cfigure id=\"attachment_12041903\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041903\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong and her 8-month-old baby play with Mahjong tiles at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>However, you choose to get started, Eardley-Pryor said a good rule of thumb is to see your interviewees as collaborators from the get-go, and make sure you’re on the same page throughout about how the process will look and what you intend to do with the recordings.\u003c/p>\n\u003cp>“Oral history is both a very ethical process \u003cem>and \u003c/em>a product,” Eardley-Pryor said. “The methodology used in it is collaborative. It is shared authority. It is something done in conjunction together.”\u003c/p>\n\u003ch2>\u003cstrong>Put your subjects at ease \u003c/strong>\u003c/h2>\n\u003cp>“You, of course, would never want to do this against anyone’s will,” MarkdaSilva said — so make sure the person you want to interview actually \u003cem>wants \u003c/em>to take part.\u003c/p>\n\u003cp>That said, many people can initially be hesitant when it comes to being interviewed, she said, with responses like “My life wasn’t that interesting,” or “No one really cares,” or “I’m shy.”\u003c/p>\n\u003cfigure id=\"attachment_12041799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1.jpg\" alt=\"\" width=\"2000\" height=\"1306\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-1020x666.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-1536x1003.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-1920x1254.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, an archival photo of Nicole Wong’s family, Michael Wong (brother), Graham Wong (father), Andrew Wong (brother), Debra Wong (mother) and Nicole Wong, is displayed in a photo album at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of MarkdaSilva’s techniques in this case is to bring up young people in the family.\u003c/p>\n\u003cp>“I have found that once you say, ‘This is for your grandchildren. Could you please just do this for them?’ the elders warm up and they say, ‘Of course I will,’” she said. “Once they begin — oh my gosh, it’s such a great experience for them.”\u003c/p>\n\u003cp>Eardley-Pryor said you can also sit down with the subject in pre-interviews, like sharing what topics you want to talk about in the recording or look through old photo albums to kick-start memories.\u003c/p>\n\u003cp>This is also a good place to talk about what the interviewee is comfortable with — and what they \u003cem>don’t \u003c/em>want to talk about. He said that oral history allows an interviewee the chance to tell “the stories that they want to tell.”\u003c/p>\n\u003cp>“Oral history is about deep listening and deep empathy and hearing stories and memories,” he said. “But [also] empowering a narrator to feel like they are in the driver’s seat, because they should be.”\u003c/p>\n\u003cfigure id=\"attachment_12041801\" class=\"wp-caption aligncenter\" style=\"max-width: 1312px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED.jpg\" alt=\"\" width=\"1312\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED.jpg 1312w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-800x1220.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-1020x1555.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-160x244.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-1008x1536.jpg 1008w\" sizes=\"auto, (max-width: 1312px) 100vw, 1312px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong and her paternal grandparents, Bill and Ivy Wong, in Dunedin, New Zealand, in 1995. \u003ccite>(Courtesy of Nicole Wong)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>The importance of doing your research first\u003c/strong>\u003c/h2>\n\u003cp>Do your homework, MarkdaSilva said, and “learn as much about the person as you can before you start interviewing.”\u003c/p>\n\u003cp>In addition to a pre-interview, your research can be about the small details, like finding out what instrument your mom played in her band.\u003c/p>\n\u003cp>“The more you know already, the more engaging your questions are for the person being interviewed,” she said.\u003c/p>\n\u003cp>You could also research the historical milestones that took place during their earlier life, the events that “almost everybody remembers,” said MarkdaSilva, like the assassination of President John F. Kennedy. This helps “anchor” the subject’s story and puts it into context, she said.\u003c/p>\n\u003ch2>\u003cstrong>Ask effective, open-ended questions — and be patient\u003c/strong>\u003c/h2>\n\u003cp>You want to avoid questions that can be answered with a “yes” or a “no,” said Guneeta Singh Bhalla, executive director of \u003ca href=\"https://www.kqed.org/news/10634303/archive-preserves-peoples-memories-of-south-asias-partition\">the 1947 Partition Archive in Berkeley\u003c/a>.\u003c/p>\n\u003cp>Singh Bhalla’s organization holds thousands of oral histories in its directory, and she recommends that you “ask questions in an open-ended manner, so that they can answer in their way.”[aside postID=news_12038447 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-FALLOFSAIGON-12-BL-KQED-1020x680.jpg']That said, MarkdaSilva said that some people may be intimidated by \u003cem>very \u003c/em>broad questions, so asking a few specific questions can help people latch onto memories they have.\u003c/p>\n\u003cp>As for where to start, you could ask the interviewee about their grandparents or their oldest family memories, Eardley-Pryor said. These ideas are “a really nice starting point, because it takes the narrator a little bit out of themselves,” he said.\u003c/p>\n\u003cp>Other good starter questions include:\u003c/p>\n\u003cul>\n\u003cli>When were you born? Where was that?\u003c/li>\n\u003cli>What was the neighborhood you grew up in like?\u003c/li>\n\u003cli>What was dinner time with your family like?\u003c/li>\n\u003cli>How did you get to school?\u003c/li>\n\u003c/ul>\n\u003cp>Some questions to end your interview could include:\u003c/p>\n\u003cul>\n\u003cli>What are some of the things you’re most proud of in life?\u003c/li>\n\u003cli>What are the things that you are most grateful for in life?\u003c/li>\n\u003cli>What are the main lessons you learned?\u003c/li>\n\u003cli>What are things you hope for going forward — whether for your family, kids or the world?\u003c/li>\n\u003c/ul>\n\u003cp>In her “how to” section in \u003cem>The Mahjong Project\u003c/em>, Wong advises that people should be patient when conducting interviews and give ample space and time for people to respond. Ask questions that “set the scene,” she recommended: “What was it like when? What do you remember from? Use the senses — what did it look like? What did it sound like?”\u003c/p>\n\u003cp>Be sure to let the subject do most of the talking during the interview and let them lead the interview by not disrupting their stream of consciousness, Wong said.\u003c/p>\n\u003ch2>\u003cstrong>Stay present — especially when asking follow-up questions\u003c/strong>\u003c/h2>\n\u003cp>Your speaker may have a memory that \u003cem>they \u003c/em>might not find significant, but is nonetheless a meaningful observation of the time period they’re recalling.\u003c/p>\n\u003cp>Although you should, of course, be careful not to be too persistent or try to contradict their narrative, these types of follow-up questions will come to you if you stay present and engaged in the interview, MarkdaSilva said.\u003c/p>\n\u003cp>“If you’re thinking about your grocery list or what you’re going to have for dinner … you need to just stop the interview and come back another time,” she said.\u003c/p>\n\u003ch2>\u003cstrong>Be aware of traumatic memories\u003c/strong>\u003c/h2>\n\u003cp>Don’t let following a line of questioning lead you to accidentally push your subject’s boundaries, MarkdaSilva said.\u003c/p>\n\u003cp>“It’s important to know when to stop because of the importance of rapport and respect,” she said. “There are things people don’t want to talk about.”\u003c/p>\n\u003cp>The person you are interviewing may have lived through a major historical event or had a traumatic experience. These memories can arise in moments when it’s most unexpected, said Eardley-Pryor, who stressed the importance of outlining what’s on the table for discussion with your subject \u003cem>before \u003c/em>starting the recording.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Talking about traumatic memories “require[s] a high level of trust and rapport,” MarkdaSilva said, and should never be a way to open an interview. “Your subject will need to be really comfortable with the process — and with you in this process — before you ask questions like that,” she said. “They’re too personal to just launch into right away.”\u003c/p>\n\u003cp>Wong said that when interviewees are engaging in another activity, such as playing Mahjong, taking a walk or cooking, she’s seen “those stories kind of [come] out.”\u003c/p>\n\u003cp>Oral history strategies at the 1947 Partition Archive include not backing off when an interviewee reaches a difficult part of their story. “You don’t want to run away from it and stop talking about it,” Singh Bhalla said, as this can be a potentially healing process for the interviewee.\u003c/p>\n\u003cp>“Instead, you want to walk them through that moment towards a place of strength,” she said. “You want to focus on how they overcame that, that they’re here today, and how they rebuilt after that difficult thing happened.\u003c/p>\n\u003cp>“You walk through the emotions, and you come to the other side in a positive and resilient place by talking about the resilience that they demonstrated.”\u003c/p>\n\u003cp>If you’d like some further reading, KQED has \u003ca href=\"https://www.kqed.org/news/12038447/50-years-after-the-fall-of-saigon-how-can-vietnamese-american-families-come-to-terms-with-the-past\">a guide on processing the past\u003c/a> with loved ones when discussing potentially traumatic stories.\u003c/p>\n\u003ch2>\u003cstrong>Build trust with your subject — and don’t betray it\u003c/strong>\u003c/h2>\n\u003cp>Give people the chance to take things off the record, MarkdaSilva said. This allows the subject to have “the final say” on what the recording will be, she said. You’ll need to follow through on your word and take the anecdote or section out of the recording.\u003c/p>\n\u003cp>“You have to be 100% trustworthy,” she said. “So even if they say something that’s really amazing [followed by] ‘No, no, please take that out, I don’t want my progeny to know that,’ you \u003cem>need \u003c/em>to take it out.”\u003c/p>\n\u003cp>While MarkdaSilva acknowledged that others may disagree with this approach, she said she believes “people need to know upfront that their choices about their own personal life will be respected.”\u003c/p>\n\u003cp>The 1947 Partition Archive provides its interviewees with several privacy options.\u003c/p>\n\u003cp>“They can choose to keep their story embargoed for 50 years, 25 years,” Singh Bhalla said. “They can choose to make their story only available to research, and they can choose to make their story available only for some types of publications and so on.\u003c/p>\n\u003cp>“When people have that level of choice, they do trust that we’re trying to keep this in their best interest. We’re giving them agency, essentially.”\u003c/p>\n\u003cp>Your subject “should always have a chance to review the interview in some way,” Eardley-Pryor said. “Whether that’s listening to the audio again or seeing a transcript of what was the interview recording.”\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"A\">\u003c/a>The technical stuff: How to best record and save your tapes\u003c/strong>\u003c/h2>\n\u003cfigure id=\"attachment_12042194\" class=\"wp-caption aligncenter\" style=\"max-width: 2384px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042194\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344.jpg\" alt=\"\" width=\"2384\" height=\"1257\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344.jpg 2384w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-800x422.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-1020x538.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-1536x810.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-2048x1080.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-1920x1012.jpg 1920w\" sizes=\"auto, (max-width: 2384px) 100vw, 2384px\">\u003cfigcaption class=\"wp-caption-text\">An easily accessible tool for voice recordings is iPhone’s Voice Memo. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How to record\u003c/strong>\u003c/p>\n\u003cp>The easiest way to record sound is with your smartphone’s default audio app, like the iPhone’s Voice Memo.\u003c/p>\n\u003cp>But Shanna Farrell, an oral historian with UC Berkeley \u003ca href=\"https://www.kqed.org/forum/2010101910698/how-to-create-a-family-archive\">told KQED Forum\u003c/a> that she personally does not advocate for using your iPhone.\u003c/p>\n\u003cp>\u003ca href=\"https://ctomagazine.com/apple-strategies-data-breach-crisis-management/\">One major reason, Farrell said, is security: \u003c/a>you just don’t know where those (recordings) are going in the cloud,” she warned.\u003c/p>\n\u003cp>Another reason is what she called the \u003ca href=\"https://support.apple.com/en-us/118431\">“instability of the iPhone,”\u003c/a> including the possibility of degrading audio quality over long periods of time.\u003c/p>\n\u003cp>Instead, “I recommend using a handheld audio recorder,” she said. “Some libraries, some historical societies, you might be able to borrow audio equipment from.”\u003c/p>\n\u003cp>If you want to use a computer or buy a specific recording device, your options will range from the super simple to \u003ca href=\"https://www.nytimes.com/wirecutter/reviews/the-best-voice-recorder/\">the very sophisticated\u003c/a>, including:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://play.google.com/store/apps/details?id=com.google.android.apps.recorder&hl=en_US&gl=US&pli=1\">Google Recorder\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://otter.ai\">Otter.ai\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.rev.com/\">rev\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.temi.com/\">Temi\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://aliceapp.ai/homepage\">Alice\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://trint.com\">Trint\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.amazon.com/dp/B01FWNSXJO/?tag=thewire06-20&linkCode=xm2&ascsubtag=F0401HZW6GR6XS17ZFZRV9WR0B7PZ\">Sony UX560\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.officedepot.com/a/products/781979/Olympus-WS-853-8GB-Digital-Voice/?cjdata=MXxOfDB8WXww&siteid=CJ_11553109_5513721_F0401J01F0H2XP8869HZ7J69VJWJR&utm_source=cj&utm_medium=affiliate&utm_campaign=www.officedepot.com_Wirecutter+Inc.&cjevent=a91bd6ad32a711f080c700260a1eba23\">Olympus WS-853\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.amazon.com/dp/B06XTX2S2N/?tag=thewire06-20&linkCode=xm2&ascsubtag=F0401J01F0NZHTZEHJ0ZW3HV4HPAH&th=1\">Sony ICD-PX470\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>MarkdaSilva said you also use another device as a backup, in case your primary method fails in the moment.\u003c/p>\n\u003cp>\u003cstrong>Where to record\u003c/strong>\u003c/p>\n\u003cp>“Make sure you’re in a place that’s comfortable for those who are being interviewed — their kitchen table, their living room,” MarkdaSilva said. “Tempting as it is to go to an outdoor cafe or something sort of fun like that, you don’t want ambient noise.”\u003c/p>\n\u003cp>Extra noise is difficult to edit out of tape, and at worst, it can obscure the subject’s words, so if you’re recording at home, make sure to keep background sounds, like the TV, off.\u003c/p>\n\u003cp>\u003cstrong>Transcribing the recording\u003c/strong>\u003c/p>\n\u003cp>You can transcribe your recording manually or use software like \u003ca href=\"http://otter.ai\">Otter.ai\u003c/a>, \u003ca href=\"https://www.temi.com/\">Temi\u003c/a>, \u003ca href=\"https://aliceapp.ai/homepage\">Alice\u003c/a> or \u003ca href=\"http://trint.com\">Trint\u003c/a>.\u003c/p>\n\u003cp>Transcripts can help with searchability, and can also be an opportunity for the subject to re-read the script to correct spellings and names or to retract anecdotes. If the narrator wants to add more information to the transcript, you can include it in the document, although Eardley-Pryor suggested writing it in square brackets to signify something new was included \u003cem>after \u003c/em>the recording.\u003c/p>\n\u003cp>\u003cstrong>Saving the recording\u003c/strong>\u003c/p>\n\u003cp>You can save your recordings on cloud-based options like \u003ca href=\"https://cloud.google.com/storage\">Google Cloud Storage\u003c/a>, Apple’s \u003ca href=\"https://www.icloud.com/\">iCloud\u003c/a>, \u003ca href=\"https://mega.io/\">Mega\u003c/a>, \u003ca href=\"https://www.pcloud.com/\">pCloud\u003c/a>, \u003ca href=\"https://www.synology.com/en-us\">Synology\u003c/a>, \u003ca href=\"https://nextcloud.com/\">NextCloud\u003c/a> and \u003ca href=\"https://www.plex.com/platform/cloud-infrastructure-and-security\">Plex\u003c/a>. Wherever you store items digitally, be sure to come up with an easy-to-follow and descriptive file-naming practice, so you can find documents after some time.\u003c/p>\n\u003cp>Eardley-Pryor said when starting your project, it’s important to keep in mind that websites — even storage websites and software — may not be around forever, and digital files can also be corrupted or lost over time.\u003c/p>\n\u003cp>“I would always, always recommend having multiple backups,” he said. “Not just in the cloud, but also having it stored on a hard drive. Or if you have a transcript, having a printed version of them.”\u003c/p>\n\u003cp>The Library of Congress has a thorough guide detailing \u003ca href=\"https://loc.gov/preservation/resources/rfs/\">the recommended digital formats\u003c/a> in which you should save materials. You can also upload files to public sites like \u003ca href=\"https://archive.org/upload/\">the Internet Archive\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12042195\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042195\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Internet Archive servers at their offices in San Francisco on March 24, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Beyond family archives: How can you donate your recording? \u003c/strong>\u003c/h2>\n\u003cp>Like the 1947 Partition Archives, there are many local and national historical societies and projects that ask people to share their memories and family stories. Local examples include the \u003ca href=\"https://www.bayarealesbianarchives.org/oral-history-project\">Bay Area Lesbian Archives\u003c/a>, the \u003ca href=\"https://www.chinatownmemories.org/share\">Oakland Chinatown Oral History Project\u003c/a>, the \u003ca href=\"https://www.jamsj.org/manabu\">Japanese American Museum of San Jose\u003c/a> and the \u003ca href=\"https://americanindianculturaldistrict.org/indigenizesf\">Indigenize Project\u003c/a>.\u003c/p>\n\u003cp>In many institutions, “it’s white men telling the stories of history,” Eardley-Pryor said. But “oral history has this incredible power of allowing people to speak for themselves, to tell their own story in their own words, and to have that be included as a part of the historical record for us to learn from and to shape our future with.”\u003c/p>\n\u003cp>If you are planning to record an oral history with the explicit intention to eventually donate it, you should establish this with your interviewee at the beginning of the interview and be transparent to make sure they’re comfortable with their story being shared publicly.\u003c/p>\n\u003cp>You, the interviewee and the organization should also establish other guidelines, Eardley-Pryor said, like:\u003c/p>\n\u003cul>\n\u003cli>Do they want the interview to be “sealed” for a portion of time?\u003c/li>\n\u003cli>Do they want it donated after their death?\u003c/li>\n\u003cli>Who do they want to have access to the recording?\u003c/li>\n\u003cli>Is it a \u003ca href=\"https://creativecommons.org/share-your-work/cclicenses/\">Creative Commons agreement\u003c/a>, where it is public and free to use? Or does the interviewee want to retain copyright of their voice, and make anybody who uses it have to get their approval for something beyond fair use?\u003c/li>\n\u003c/ul>\n\u003cp>“You have to respect their answer. You should not donate it if they don’t want it donated,” MarkdaSilva said. “But they might be very flattered. They might be super happy about it.”\u003c/p>\n\u003ch2>\u003cstrong>Resources and more reading for creating a family oral history\u003c/strong>\u003c/h2>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"https://siarchives.si.edu/history/how-do-oral-history#4\">The Smithsonian Museum\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003ca href=\"https://gemsoralhistories.com/\">GEMS Oral Histories & Audio Storytelling\u003c/a>\u003c/li>\n\u003cli>Workshops at the \u003ca href=\"https://www.lib.berkeley.edu/visit/bancroft/oral-history-center/educational-programs\">Oral History Center at UC Berkeley \u003c/a>\u003c/li>\n\u003cli>Events at the \u003ca href=\"https://www.jamsj.org/upcoming-events\">Japanese American Museum of San Jose\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://oralhistory.org/best-practices/\">Oral History Association\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://oralhistory.library.ucla.edu/pages/interview_guidelines\">UCLA Center for Oral History Research\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://nmaahc.si.edu/explore/stories/capturing-your-familys-oral-history\">National Museum of African American History and Culture\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.californiajapantowns.org/interview.html\">California Japantowns\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://vault.ushmm.org/adaptivemedia/rendition/id_b840e69ab429c259964cff12f60d99224d3575d2\">United States Holocaust Memorial Museum \u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Correction:\u003c/strong> An earlier version of this article incorrectly stated the title of Nicole Wong’s book. It is \u003cem>Mahjong: House Rules from Across the Asian Diaspora\u003c/em>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated August 5\u003c/em>\u003c/p>\n\u003cp>In researching her new book, Oakland resident Nicole Wong interviewed her parents while playing games of Mahjong with them.\u003c/p>\n\u003cp>“I want to go on the record and say there \u003cem>must \u003c/em>have been a time that I’ve beaten them,” Wong said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Her website, \u003ca href=\"https://www.themahjongproject.com/\">The Mahjong Project\u003c/a> — and later book titled \u003ca href=\"https://www.instagram.com/p/DKVZ7_0hGX6/?img_index=1\">\u003cem>Mahjong: House Rules from Across the Asian Diaspora\u003c/em>\u003c/a> — originally set out to \u003ca href=\"https://www.kqed.org/event/5145\">document the rules\u003c/a> that her family played by. And while playing, Wong would pepper her parents with questions: Why did you score this move this way? How do you pronounce this word? How do you spell that? Her parents would pull out vintage Mahjong sets they kept in their closet. Her mother sifted through old photos, recalling the memories behind the images to her.\u003c/p>\n\u003cp>The stories then expanded to the wider diaspora. Wong spoke to a variety of people — from ages 25 to 80 — about how \u003cem>their\u003c/em> family played Mahjong.\u003c/p>\n\u003cp>“I was playing with a group of people and we all just kind of naturally started talking about family history,” she said. “It’s just fascinating — different parts of Chinese American history just sitting around at the table.”\u003c/p>\n\u003cfigure id=\"attachment_12041797\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041797\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1373\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-800x549.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-1020x700.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-1536x1054.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-5-KQED-1920x1318.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong’s older brothers and cousins signed her book, by an archival photo of them, at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12042187\" class=\"wp-caption aligncenter\" style=\"max-width: 2500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1.jpg\" alt=\"\" width=\"2500\" height=\"833\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1.jpg 2500w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-2048x682.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/Side-by-side-Downpage-1-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2500px) 100vw, 2500px\">\u003cfigcaption class=\"wp-caption-text\">Left: A Mahjong set is displayed on a table at Nicole Wong’s home. Right: Nicole Wong holds her book ‘Mahjong: House Rules from Across the Asian Diaspora’ at her home in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This interview process ultimately evolved into a form of oral history, \u003ca href=\"https://siarchives.si.edu/history/how-do-oral-history#:~:text=is%20Oral%20History%3F-,Oral%20history%20is%20a%20technique%20for%20generating%20and%20preserving%20original,perspectives%20of%20people%20in%20history.\">the process of preserving\u003c/a> original recorded interviews of someone’s personal recollections. This format was particularly fitting for her topic of Mahjong, Wong said, “because the way that most people learn \u003cem>how \u003c/em>to play is through oral explanation … Stories about the person who taught you, or who taught the teacher, come out.”\u003c/p>\n\u003ch2>\u003cstrong>The power of oral history\u003c/strong>\u003c/h2>\n\u003cp>Wong started this project in the role of daughter. But as a new mother herself, she realized she’d become “the person who holds the information now” — and that time was of the essence to capture it from her parents.\u003c/p>\n\u003cp>“This is a really interesting and valuable time to be talking to that generation above us, where we still can gather those stories,” she said.\u003c/p>\n\u003cp>Before writing, most knowledge was “through storytelling,” said Roger Eardley-Pryor, an oral historian with UC Berkeley’s Oral History Center at the Bancroft Library. People held their stories in their memories and passed them down intergenerationally, but “once the technology developed in the 20th century to actually record and store those stories, oral history began to evolve more in an academic context,” he said.\u003c/p>\n\u003cp>If you’re inspired to preserve family memories and community stories this way — whether you want to interview your grandfather, an aunt, a distant cousin or someone else you know — keep reading for expert advice on how to get started.\u003c/p>\n\u003cfigure id=\"attachment_12041795\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041795\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-2-KQED_1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And if you’re looking for tips on how to preserve family documents and photos instead, take a look at our guide \u003ca href=\"https://www.kqed.org/news/12039595/how-to-archive-family-photos-history-preserve-old-documents\">“How to Preserve Your Family History Like an Archivist.”\u003c/a>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#A\">Jump straight to: The technical aspects of recording family members, and what software to use\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003cstrong>The urgency of getting started\u003c/strong>\u003c/h2>\n\u003cp>Menlo Park’s Maggie MarkdaSilva said when people hear how her organization, \u003ca href=\"http://www.narrativehistories.com/pages/bio.html\">Narrative Histories,\u003c/a> helps record family stories, a common reaction is, “Oh, I am so sorry I didn’t find you before it was too late.”\u003c/p>\n\u003cp>This is proof that anyone who’s interested should start “sooner rather than later,” she said.\u003c/p>\n\u003cp>“Don’t worry that you don’t know what you’re doing,” MarkdaSilva said. “Anything you capture is going to be better than nothing [and] be so valuable to you later on, when your parents or grandparents have passed away.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It definitely feels intimidating,” Wong, who spent years writing \u003cem>The Mahjong Project\u003c/em>, said. “In reality, you just got to start somewhere and start chipping away at it.”\u003c/p>\n\u003cp>And even if a wider oral history project doesn’t pan out, giving it a shot is also a chance for you to spend time with family members, she said. “It’s been just a really meaningful way to talk to my parents and to my aunts and uncles in a way that has felt really different,” she said.\u003c/p>\n\u003cp>To get you started, Eardley-Pryor recommended first thinking about the order of family members you want to interview.\u003c/p>\n\u003cp>“Do you want to start with the oldest person first, in the idea that they might be closer to passing on, and so you want to capture their memories most?” he said. Equally, if you choose to gather stories and questions from younger family members first, “when you interview that elder, you can ask them these things that everyone else in the family is interested in.”\u003c/p>\n\u003cfigure id=\"attachment_12041903\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041903\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_OralHistory_GC-19_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong and her 8-month-old baby play with Mahjong tiles at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>However, you choose to get started, Eardley-Pryor said a good rule of thumb is to see your interviewees as collaborators from the get-go, and make sure you’re on the same page throughout about how the process will look and what you intend to do with the recordings.\u003c/p>\n\u003cp>“Oral history is both a very ethical process \u003cem>and \u003c/em>a product,” Eardley-Pryor said. “The methodology used in it is collaborative. It is shared authority. It is something done in conjunction together.”\u003c/p>\n\u003ch2>\u003cstrong>Put your subjects at ease \u003c/strong>\u003c/h2>\n\u003cp>“You, of course, would never want to do this against anyone’s will,” MarkdaSilva said — so make sure the person you want to interview actually \u003cem>wants \u003c/em>to take part.\u003c/p>\n\u003cp>That said, many people can initially be hesitant when it comes to being interviewed, she said, with responses like “My life wasn’t that interesting,” or “No one really cares,” or “I’m shy.”\u003c/p>\n\u003cfigure id=\"attachment_12041799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1.jpg\" alt=\"\" width=\"2000\" height=\"1306\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-1020x666.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-1536x1003.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/20250525_ORALHISTORY_GC-14-KQED_1-1920x1254.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left, an archival photo of Nicole Wong’s family, Michael Wong (brother), Graham Wong (father), Andrew Wong (brother), Debra Wong (mother) and Nicole Wong, is displayed in a photo album at her home in Oakland on May 25, 2025. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of MarkdaSilva’s techniques in this case is to bring up young people in the family.\u003c/p>\n\u003cp>“I have found that once you say, ‘This is for your grandchildren. Could you please just do this for them?’ the elders warm up and they say, ‘Of course I will,’” she said. “Once they begin — oh my gosh, it’s such a great experience for them.”\u003c/p>\n\u003cp>Eardley-Pryor said you can also sit down with the subject in pre-interviews, like sharing what topics you want to talk about in the recording or look through old photo albums to kick-start memories.\u003c/p>\n\u003cp>This is also a good place to talk about what the interviewee is comfortable with — and what they \u003cem>don’t \u003c/em>want to talk about. He said that oral history allows an interviewee the chance to tell “the stories that they want to tell.”\u003c/p>\n\u003cp>“Oral history is about deep listening and deep empathy and hearing stories and memories,” he said. “But [also] empowering a narrator to feel like they are in the driver’s seat, because they should be.”\u003c/p>\n\u003cfigure id=\"attachment_12041801\" class=\"wp-caption aligncenter\" style=\"max-width: 1312px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED.jpg\" alt=\"\" width=\"1312\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED.jpg 1312w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-800x1220.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-1020x1555.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-160x244.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/NICOLE-WONG_NICOLEMAYEAHSTAIRS_ARCHIVAL-IMAGE005-KQED-1008x1536.jpg 1008w\" sizes=\"auto, (max-width: 1312px) 100vw, 1312px\">\u003cfigcaption class=\"wp-caption-text\">Nicole Wong and her paternal grandparents, Bill and Ivy Wong, in Dunedin, New Zealand, in 1995. \u003ccite>(Courtesy of Nicole Wong)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>The importance of doing your research first\u003c/strong>\u003c/h2>\n\u003cp>Do your homework, MarkdaSilva said, and “learn as much about the person as you can before you start interviewing.”\u003c/p>\n\u003cp>In addition to a pre-interview, your research can be about the small details, like finding out what instrument your mom played in her band.\u003c/p>\n\u003cp>“The more you know already, the more engaging your questions are for the person being interviewed,” she said.\u003c/p>\n\u003cp>You could also research the historical milestones that took place during their earlier life, the events that “almost everybody remembers,” said MarkdaSilva, like the assassination of President John F. Kennedy. This helps “anchor” the subject’s story and puts it into context, she said.\u003c/p>\n\u003ch2>\u003cstrong>Ask effective, open-ended questions — and be patient\u003c/strong>\u003c/h2>\n\u003cp>You want to avoid questions that can be answered with a “yes” or a “no,” said Guneeta Singh Bhalla, executive director of \u003ca href=\"https://www.kqed.org/news/10634303/archive-preserves-peoples-memories-of-south-asias-partition\">the 1947 Partition Archive in Berkeley\u003c/a>.\u003c/p>\n\u003cp>Singh Bhalla’s organization holds thousands of oral histories in its directory, and she recommends that you “ask questions in an open-ended manner, so that they can answer in their way.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>That said, MarkdaSilva said that some people may be intimidated by \u003cem>very \u003c/em>broad questions, so asking a few specific questions can help people latch onto memories they have.\u003c/p>\n\u003cp>As for where to start, you could ask the interviewee about their grandparents or their oldest family memories, Eardley-Pryor said. These ideas are “a really nice starting point, because it takes the narrator a little bit out of themselves,” he said.\u003c/p>\n\u003cp>Other good starter questions include:\u003c/p>\n\u003cul>\n\u003cli>When were you born? Where was that?\u003c/li>\n\u003cli>What was the neighborhood you grew up in like?\u003c/li>\n\u003cli>What was dinner time with your family like?\u003c/li>\n\u003cli>How did you get to school?\u003c/li>\n\u003c/ul>\n\u003cp>Some questions to end your interview could include:\u003c/p>\n\u003cul>\n\u003cli>What are some of the things you’re most proud of in life?\u003c/li>\n\u003cli>What are the things that you are most grateful for in life?\u003c/li>\n\u003cli>What are the main lessons you learned?\u003c/li>\n\u003cli>What are things you hope for going forward — whether for your family, kids or the world?\u003c/li>\n\u003c/ul>\n\u003cp>In her “how to” section in \u003cem>The Mahjong Project\u003c/em>, Wong advises that people should be patient when conducting interviews and give ample space and time for people to respond. Ask questions that “set the scene,” she recommended: “What was it like when? What do you remember from? Use the senses — what did it look like? What did it sound like?”\u003c/p>\n\u003cp>Be sure to let the subject do most of the talking during the interview and let them lead the interview by not disrupting their stream of consciousness, Wong said.\u003c/p>\n\u003ch2>\u003cstrong>Stay present — especially when asking follow-up questions\u003c/strong>\u003c/h2>\n\u003cp>Your speaker may have a memory that \u003cem>they \u003c/em>might not find significant, but is nonetheless a meaningful observation of the time period they’re recalling.\u003c/p>\n\u003cp>Although you should, of course, be careful not to be too persistent or try to contradict their narrative, these types of follow-up questions will come to you if you stay present and engaged in the interview, MarkdaSilva said.\u003c/p>\n\u003cp>“If you’re thinking about your grocery list or what you’re going to have for dinner … you need to just stop the interview and come back another time,” she said.\u003c/p>\n\u003ch2>\u003cstrong>Be aware of traumatic memories\u003c/strong>\u003c/h2>\n\u003cp>Don’t let following a line of questioning lead you to accidentally push your subject’s boundaries, MarkdaSilva said.\u003c/p>\n\u003cp>“It’s important to know when to stop because of the importance of rapport and respect,” she said. “There are things people don’t want to talk about.”\u003c/p>\n\u003cp>The person you are interviewing may have lived through a major historical event or had a traumatic experience. These memories can arise in moments when it’s most unexpected, said Eardley-Pryor, who stressed the importance of outlining what’s on the table for discussion with your subject \u003cem>before \u003c/em>starting the recording.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Talking about traumatic memories “require[s] a high level of trust and rapport,” MarkdaSilva said, and should never be a way to open an interview. “Your subject will need to be really comfortable with the process — and with you in this process — before you ask questions like that,” she said. “They’re too personal to just launch into right away.”\u003c/p>\n\u003cp>Wong said that when interviewees are engaging in another activity, such as playing Mahjong, taking a walk or cooking, she’s seen “those stories kind of [come] out.”\u003c/p>\n\u003cp>Oral history strategies at the 1947 Partition Archive include not backing off when an interviewee reaches a difficult part of their story. “You don’t want to run away from it and stop talking about it,” Singh Bhalla said, as this can be a potentially healing process for the interviewee.\u003c/p>\n\u003cp>“Instead, you want to walk them through that moment towards a place of strength,” she said. “You want to focus on how they overcame that, that they’re here today, and how they rebuilt after that difficult thing happened.\u003c/p>\n\u003cp>“You walk through the emotions, and you come to the other side in a positive and resilient place by talking about the resilience that they demonstrated.”\u003c/p>\n\u003cp>If you’d like some further reading, KQED has \u003ca href=\"https://www.kqed.org/news/12038447/50-years-after-the-fall-of-saigon-how-can-vietnamese-american-families-come-to-terms-with-the-past\">a guide on processing the past\u003c/a> with loved ones when discussing potentially traumatic stories.\u003c/p>\n\u003ch2>\u003cstrong>Build trust with your subject — and don’t betray it\u003c/strong>\u003c/h2>\n\u003cp>Give people the chance to take things off the record, MarkdaSilva said. This allows the subject to have “the final say” on what the recording will be, she said. You’ll need to follow through on your word and take the anecdote or section out of the recording.\u003c/p>\n\u003cp>“You have to be 100% trustworthy,” she said. “So even if they say something that’s really amazing [followed by] ‘No, no, please take that out, I don’t want my progeny to know that,’ you \u003cem>need \u003c/em>to take it out.”\u003c/p>\n\u003cp>While MarkdaSilva acknowledged that others may disagree with this approach, she said she believes “people need to know upfront that their choices about their own personal life will be respected.”\u003c/p>\n\u003cp>The 1947 Partition Archive provides its interviewees with several privacy options.\u003c/p>\n\u003cp>“They can choose to keep their story embargoed for 50 years, 25 years,” Singh Bhalla said. “They can choose to make their story only available to research, and they can choose to make their story available only for some types of publications and so on.\u003c/p>\n\u003cp>“When people have that level of choice, they do trust that we’re trying to keep this in their best interest. We’re giving them agency, essentially.”\u003c/p>\n\u003cp>Your subject “should always have a chance to review the interview in some way,” Eardley-Pryor said. “Whether that’s listening to the audio again or seeing a transcript of what was the interview recording.”\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"A\">\u003c/a>The technical stuff: How to best record and save your tapes\u003c/strong>\u003c/h2>\n\u003cfigure id=\"attachment_12042194\" class=\"wp-caption aligncenter\" style=\"max-width: 2384px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042194\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344.jpg\" alt=\"\" width=\"2384\" height=\"1257\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344.jpg 2384w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-800x422.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-1020x538.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-1536x810.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-2048x1080.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/GettyImages-2150769344-1920x1012.jpg 1920w\" sizes=\"auto, (max-width: 2384px) 100vw, 2384px\">\u003cfigcaption class=\"wp-caption-text\">An easily accessible tool for voice recordings is iPhone’s Voice Memo. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How to record\u003c/strong>\u003c/p>\n\u003cp>The easiest way to record sound is with your smartphone’s default audio app, like the iPhone’s Voice Memo.\u003c/p>\n\u003cp>But Shanna Farrell, an oral historian with UC Berkeley \u003ca href=\"https://www.kqed.org/forum/2010101910698/how-to-create-a-family-archive\">told KQED Forum\u003c/a> that she personally does not advocate for using your iPhone.\u003c/p>\n\u003cp>\u003ca href=\"https://ctomagazine.com/apple-strategies-data-breach-crisis-management/\">One major reason, Farrell said, is security: \u003c/a>you just don’t know where those (recordings) are going in the cloud,” she warned.\u003c/p>\n\u003cp>Another reason is what she called the \u003ca href=\"https://support.apple.com/en-us/118431\">“instability of the iPhone,”\u003c/a> including the possibility of degrading audio quality over long periods of time.\u003c/p>\n\u003cp>Instead, “I recommend using a handheld audio recorder,” she said. “Some libraries, some historical societies, you might be able to borrow audio equipment from.”\u003c/p>\n\u003cp>If you want to use a computer or buy a specific recording device, your options will range from the super simple to \u003ca href=\"https://www.nytimes.com/wirecutter/reviews/the-best-voice-recorder/\">the very sophisticated\u003c/a>, including:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://play.google.com/store/apps/details?id=com.google.android.apps.recorder&hl=en_US&gl=US&pli=1\">Google Recorder\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://otter.ai\">Otter.ai\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.rev.com/\">rev\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.temi.com/\">Temi\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://aliceapp.ai/homepage\">Alice\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://trint.com\">Trint\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.amazon.com/dp/B01FWNSXJO/?tag=thewire06-20&linkCode=xm2&ascsubtag=F0401HZW6GR6XS17ZFZRV9WR0B7PZ\">Sony UX560\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.officedepot.com/a/products/781979/Olympus-WS-853-8GB-Digital-Voice/?cjdata=MXxOfDB8WXww&siteid=CJ_11553109_5513721_F0401J01F0H2XP8869HZ7J69VJWJR&utm_source=cj&utm_medium=affiliate&utm_campaign=www.officedepot.com_Wirecutter+Inc.&cjevent=a91bd6ad32a711f080c700260a1eba23\">Olympus WS-853\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.amazon.com/dp/B06XTX2S2N/?tag=thewire06-20&linkCode=xm2&ascsubtag=F0401J01F0NZHTZEHJ0ZW3HV4HPAH&th=1\">Sony ICD-PX470\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>MarkdaSilva said you also use another device as a backup, in case your primary method fails in the moment.\u003c/p>\n\u003cp>\u003cstrong>Where to record\u003c/strong>\u003c/p>\n\u003cp>“Make sure you’re in a place that’s comfortable for those who are being interviewed — their kitchen table, their living room,” MarkdaSilva said. “Tempting as it is to go to an outdoor cafe or something sort of fun like that, you don’t want ambient noise.”\u003c/p>\n\u003cp>Extra noise is difficult to edit out of tape, and at worst, it can obscure the subject’s words, so if you’re recording at home, make sure to keep background sounds, like the TV, off.\u003c/p>\n\u003cp>\u003cstrong>Transcribing the recording\u003c/strong>\u003c/p>\n\u003cp>You can transcribe your recording manually or use software like \u003ca href=\"http://otter.ai\">Otter.ai\u003c/a>, \u003ca href=\"https://www.temi.com/\">Temi\u003c/a>, \u003ca href=\"https://aliceapp.ai/homepage\">Alice\u003c/a> or \u003ca href=\"http://trint.com\">Trint\u003c/a>.\u003c/p>\n\u003cp>Transcripts can help with searchability, and can also be an opportunity for the subject to re-read the script to correct spellings and names or to retract anecdotes. If the narrator wants to add more information to the transcript, you can include it in the document, although Eardley-Pryor suggested writing it in square brackets to signify something new was included \u003cem>after \u003c/em>the recording.\u003c/p>\n\u003cp>\u003cstrong>Saving the recording\u003c/strong>\u003c/p>\n\u003cp>You can save your recordings on cloud-based options like \u003ca href=\"https://cloud.google.com/storage\">Google Cloud Storage\u003c/a>, Apple’s \u003ca href=\"https://www.icloud.com/\">iCloud\u003c/a>, \u003ca href=\"https://mega.io/\">Mega\u003c/a>, \u003ca href=\"https://www.pcloud.com/\">pCloud\u003c/a>, \u003ca href=\"https://www.synology.com/en-us\">Synology\u003c/a>, \u003ca href=\"https://nextcloud.com/\">NextCloud\u003c/a> and \u003ca href=\"https://www.plex.com/platform/cloud-infrastructure-and-security\">Plex\u003c/a>. Wherever you store items digitally, be sure to come up with an easy-to-follow and descriptive file-naming practice, so you can find documents after some time.\u003c/p>\n\u003cp>Eardley-Pryor said when starting your project, it’s important to keep in mind that websites — even storage websites and software — may not be around forever, and digital files can also be corrupted or lost over time.\u003c/p>\n\u003cp>“I would always, always recommend having multiple backups,” he said. “Not just in the cloud, but also having it stored on a hard drive. Or if you have a transcript, having a printed version of them.”\u003c/p>\n\u003cp>The Library of Congress has a thorough guide detailing \u003ca href=\"https://loc.gov/preservation/resources/rfs/\">the recommended digital formats\u003c/a> in which you should save materials. You can also upload files to public sites like \u003ca href=\"https://archive.org/upload/\">the Internet Archive\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12042195\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042195\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/06/045_KQED_InternetArchiveOffices_03242023_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Internet Archive servers at their offices in San Francisco on March 24, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Beyond family archives: How can you donate your recording? \u003c/strong>\u003c/h2>\n\u003cp>Like the 1947 Partition Archives, there are many local and national historical societies and projects that ask people to share their memories and family stories. Local examples include the \u003ca href=\"https://www.bayarealesbianarchives.org/oral-history-project\">Bay Area Lesbian Archives\u003c/a>, the \u003ca href=\"https://www.chinatownmemories.org/share\">Oakland Chinatown Oral History Project\u003c/a>, the \u003ca href=\"https://www.jamsj.org/manabu\">Japanese American Museum of San Jose\u003c/a> and the \u003ca href=\"https://americanindianculturaldistrict.org/indigenizesf\">Indigenize Project\u003c/a>.\u003c/p>\n\u003cp>In many institutions, “it’s white men telling the stories of history,” Eardley-Pryor said. But “oral history has this incredible power of allowing people to speak for themselves, to tell their own story in their own words, and to have that be included as a part of the historical record for us to learn from and to shape our future with.”\u003c/p>\n\u003cp>If you are planning to record an oral history with the explicit intention to eventually donate it, you should establish this with your interviewee at the beginning of the interview and be transparent to make sure they’re comfortable with their story being shared publicly.\u003c/p>\n\u003cp>You, the interviewee and the organization should also establish other guidelines, Eardley-Pryor said, like:\u003c/p>\n\u003cul>\n\u003cli>Do they want the interview to be “sealed” for a portion of time?\u003c/li>\n\u003cli>Do they want it donated after their death?\u003c/li>\n\u003cli>Who do they want to have access to the recording?\u003c/li>\n\u003cli>Is it a \u003ca href=\"https://creativecommons.org/share-your-work/cclicenses/\">Creative Commons agreement\u003c/a>, where it is public and free to use? Or does the interviewee want to retain copyright of their voice, and make anybody who uses it have to get their approval for something beyond fair use?\u003c/li>\n\u003c/ul>\n\u003cp>“You have to respect their answer. You should not donate it if they don’t want it donated,” MarkdaSilva said. “But they might be very flattered. They might be super happy about it.”\u003c/p>\n\u003ch2>\u003cstrong>Resources and more reading for creating a family oral history\u003c/strong>\u003c/h2>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"https://siarchives.si.edu/history/how-do-oral-history#4\">The Smithsonian Museum\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003ca href=\"https://gemsoralhistories.com/\">GEMS Oral Histories & Audio Storytelling\u003c/a>\u003c/li>\n\u003cli>Workshops at the \u003ca href=\"https://www.lib.berkeley.edu/visit/bancroft/oral-history-center/educational-programs\">Oral History Center at UC Berkeley \u003c/a>\u003c/li>\n\u003cli>Events at the \u003ca href=\"https://www.jamsj.org/upcoming-events\">Japanese American Museum of San Jose\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://oralhistory.org/best-practices/\">Oral History Association\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://oralhistory.library.ucla.edu/pages/interview_guidelines\">UCLA Center for Oral History Research\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://nmaahc.si.edu/explore/stories/capturing-your-familys-oral-history\">National Museum of African American History and Culture\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.californiajapantowns.org/interview.html\">California Japantowns\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://vault.ushmm.org/adaptivemedia/rendition/id_b840e69ab429c259964cff12f60d99224d3575d2\">United States Holocaust Memorial Museum \u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>Correction:\u003c/strong> An earlier version of this article incorrectly stated the title of Nicole Wong’s book. It is \u003cem>Mahjong: House Rules from Across the Asian Diaspora\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "in-song-and-self-how-queer-pinay-duo-astralogik-finds-belonging-through-music",
"title": "In Song and Self: How Queer Pinay Duo AstraLogik Finds Belonging Through Music",
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"headTitle": "In Song and Self: How Queer Pinay Duo AstraLogik Finds Belonging Through Music | KQED",
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"content": "\u003cp>On a warm evening in a backyard tucked into a \u003ca href=\"https://www.kqed.org/arts/tag/oakland\">North Oakland neighborhood\u003c/a>, people sipped drinks, sat on outdoor cushions and blankets, their heads turned toward a small stage strung with lights. At the center were two women, one singing, the other strumming a guitar.\u003c/p>\n\u003cp>“We wrote this song 13 years ago,” said Charito Soriano, before launching into the opening chords of “Be,” the first song she ever wrote with her musical partner, Chen Conlu. “It still applies today. Our music is like a self-help book for me. I hope it self-helps you, too.”\u003c/p>\n\u003cp>As \u003ca href=\"https://astralogik.com/\">AstraLogik, Soriano and Conlu\u003c/a> have been performing together for more than a decade. Their music blends R&B, soul and spoken word with themes of healing, self-acceptance, and identity.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>They met nearly 15 years ago through a mutual friend who insisted they had to connect. The first time they played together — Soriano singing, Conlu on guitar — something clicked. Soriano later wrote “Be” during a jam session with Conlu, scribbling lyrics on a napkin as Conlu played the guitar.\u003c/p>\n\u003cp>“I’ve never done that before,” Soriano said. “I’ve never been so inspired by hearing someone play that I was just like, ‘Oh, I want to write all this stuff down. I’m going to sing on top of it.’”\u003c/p>\n\u003cfigure id=\"attachment_12042270\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042270\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charito Soriano holds family photos at home in Hayward on May 30, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That chemistry sparked not only a musical partnership but a personal one. The two eventually became romantic partners and creative collaborators. Through music, they found a way to understand themselves more deeply, as individuals and as a couple.\u003c/p>\n\u003cp>Soriano said she often felt the weight of her family’s expectations growing up in an immigrant household, where success often meant chasing a version of the American dream tied to social status and constant productivity. But through her relationship with Conlu, she began to question that pace and the pressure to always do more.\u003c/p>\n\u003cp>“I was always chasing something, trying to be the good daughter, thinking about what I had to do next,” Soriano said. “But Chen was one of the few people that showed me that it’s okay to slow down, to sit still and not think about tomorrow.”[aside postID=news_12040449 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-1-KQED-1020x680.jpg']Their name, \u003ca href=\"https://astralogik.com/\">AstraLogik\u003c/a>, reflects the roles they play in each other’s lives. Conlu is the “Astra” — the dreamer. Soriano is the “Logik” — the planner. Through their music and partnership, they’ve learned to slow down, listen inward and be present.\u003c/p>\n\u003cp>As children of Filipino immigrants who grew up outside the Philippines, both have wrestled with what it means to be Filipino in diaspora.\u003c/p>\n\u003cp>Conlu, raised in Guam, said she often felt out of place among her Chamorro peers.\u003c/p>\n\u003cp>“I honestly didn’t identify as a Filipino in school,” Conlu said. “I was trying to understand, how come this family speaks different languages from my family? When I was younger, I was always questioning my whereabouts and who I belonged to.”\u003c/p>\n\u003cp>Her relationship with Filipino culture deepened after moving to the United States after high school. She learned Filipino martial arts and was exposed to home-cooked Filipino food through her cousins in Seattle.\u003c/p>\n\u003cp>Soriano, meanwhile, grew up in the Bay Area but still felt disconnected from her heritage as a kid.\u003c/p>\n\u003cfigure id=\"attachment_12042269\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042269\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Chen Conlu holds a photo of family members at home in Hayward on May 30, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I lived in the ‘suburbias’ of California,” she said. “I almost didn’t feel Filipino for a long time. Most of my young life, when I was a child and an adolescent, I was trying to be what I saw on TV, which was pretty white people.”\u003c/p>\n\u003cp>Her experience is far from unique. Anthony Ocampo, a sociologist and author who studies the Filipino American experience, said many Filipinos raised outside ethnic enclaves often grow up ashamed of their heritage.\u003c/p>\n\u003cp>“I’m seeing more and more Filipinos trying to assert their American-ness or their sense of belonging,” Ocampo said. “Part of that is actually othering and marginalizing people in their own community.”\u003c/p>\n\u003cp>Ocampo tied that internalized shame and obsession with whiteness to nearly four centuries of Western colonization in the Philippines — first by Spain, from 1565 to 1898, and then by the United States until 1946. And that colonial legacy still affects many Filipino Americans today.\u003c/p>\n\u003cfigure id=\"attachment_12042264\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12042264 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charito Soriano (left) and Chen Conlu practice for an upcoming show for their band AstraLogik at their home in Hayward on May 30, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But he also sees a growing number of Filipino artists using their work to reverse that trend and embrace their heritage with pride.\u003c/p>\n\u003cp>And that’s exactly what AstraLogik is doing.\u003c/p>\n\u003cp>“I think the awareness of how colonialism has taken hold of our culture, our internal programming since birth,” Conlu said. “I think it’s acknowledging that, being brave to step out of that matrix.”\u003c/p>\n\u003cp>AstraLogik’s music has become a vessel for that reclamation. Through lyrics and community performances, they create spaces that affirm their intersecting identities — queer, Filipina and children of immigrants.\u003c/p>\n\u003cp>Coming out queer wasn’t easy. Soriano struggled with the fear of losing family support and being judged by her community.[aside postID=news_12037162 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250407-EL-COMPA-NEGRO-01-KQED-1020x680.jpg']But performing and making music with Conlu allowed her to show up authentically.\u003c/p>\n\u003cp>“Having music to continuously be together and show ourselves, and to see how the response was that we are embraced,” Soriano said. “It’s the only reason that we’re still getting gigs today. People accept us how we are.”\u003c/p>\n\u003cp>Through music, they’ve found a way not just to express, but to build a community. Their songs have become affirmations of identity, resilience, and love. And in a time of rising anti-LGBTQ+ legislation across the country, \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights-2025\">including bills targeting gender-affirming care and inclusive curricula\u003c/a>, creating a space for joy and connection feels more urgent than ever.\u003c/p>\n\u003cp>AstraLogik performs mostly at community-based shows across the Bay Area, like the backyard concert in Oakland. Conlu said intimate spaces like these are where true connections happen.\u003c/p>\n\u003cp>“During these crazy times, I just hope we can still gather in community,” she said. “And still find joy in the sadness that we’re all going through.”\u003c/p>\n\u003cp>\u003cem>I-Yun Chan is a recent graduate of UC Berkeley Graduate School of Journalism and an audio producer covering mental health, human rights and the LGBTQ+ community.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On a warm evening in a backyard tucked into a \u003ca href=\"https://www.kqed.org/arts/tag/oakland\">North Oakland neighborhood\u003c/a>, people sipped drinks, sat on outdoor cushions and blankets, their heads turned toward a small stage strung with lights. At the center were two women, one singing, the other strumming a guitar.\u003c/p>\n\u003cp>“We wrote this song 13 years ago,” said Charito Soriano, before launching into the opening chords of “Be,” the first song she ever wrote with her musical partner, Chen Conlu. “It still applies today. Our music is like a self-help book for me. I hope it self-helps you, too.”\u003c/p>\n\u003cp>As \u003ca href=\"https://astralogik.com/\">AstraLogik, Soriano and Conlu\u003c/a> have been performing together for more than a decade. Their music blends R&B, soul and spoken word with themes of healing, self-acceptance, and identity.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>They met nearly 15 years ago through a mutual friend who insisted they had to connect. The first time they played together — Soriano singing, Conlu on guitar — something clicked. Soriano later wrote “Be” during a jam session with Conlu, scribbling lyrics on a napkin as Conlu played the guitar.\u003c/p>\n\u003cp>“I’ve never done that before,” Soriano said. “I’ve never been so inspired by hearing someone play that I was just like, ‘Oh, I want to write all this stuff down. I’m going to sing on top of it.’”\u003c/p>\n\u003cfigure id=\"attachment_12042270\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042270\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-21-BL-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charito Soriano holds family photos at home in Hayward on May 30, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That chemistry sparked not only a musical partnership but a personal one. The two eventually became romantic partners and creative collaborators. Through music, they found a way to understand themselves more deeply, as individuals and as a couple.\u003c/p>\n\u003cp>Soriano said she often felt the weight of her family’s expectations growing up in an immigrant household, where success often meant chasing a version of the American dream tied to social status and constant productivity. But through her relationship with Conlu, she began to question that pace and the pressure to always do more.\u003c/p>\n\u003cp>“I was always chasing something, trying to be the good daughter, thinking about what I had to do next,” Soriano said. “But Chen was one of the few people that showed me that it’s okay to slow down, to sit still and not think about tomorrow.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Their name, \u003ca href=\"https://astralogik.com/\">AstraLogik\u003c/a>, reflects the roles they play in each other’s lives. Conlu is the “Astra” — the dreamer. Soriano is the “Logik” — the planner. Through their music and partnership, they’ve learned to slow down, listen inward and be present.\u003c/p>\n\u003cp>As children of Filipino immigrants who grew up outside the Philippines, both have wrestled with what it means to be Filipino in diaspora.\u003c/p>\n\u003cp>Conlu, raised in Guam, said she often felt out of place among her Chamorro peers.\u003c/p>\n\u003cp>“I honestly didn’t identify as a Filipino in school,” Conlu said. “I was trying to understand, how come this family speaks different languages from my family? When I was younger, I was always questioning my whereabouts and who I belonged to.”\u003c/p>\n\u003cp>Her relationship with Filipino culture deepened after moving to the United States after high school. She learned Filipino martial arts and was exposed to home-cooked Filipino food through her cousins in Seattle.\u003c/p>\n\u003cp>Soriano, meanwhile, grew up in the Bay Area but still felt disconnected from her heritage as a kid.\u003c/p>\n\u003cfigure id=\"attachment_12042269\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12042269\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-18-BL-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Chen Conlu holds a photo of family members at home in Hayward on May 30, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I lived in the ‘suburbias’ of California,” she said. “I almost didn’t feel Filipino for a long time. Most of my young life, when I was a child and an adolescent, I was trying to be what I saw on TV, which was pretty white people.”\u003c/p>\n\u003cp>Her experience is far from unique. Anthony Ocampo, a sociologist and author who studies the Filipino American experience, said many Filipinos raised outside ethnic enclaves often grow up ashamed of their heritage.\u003c/p>\n\u003cp>“I’m seeing more and more Filipinos trying to assert their American-ness or their sense of belonging,” Ocampo said. “Part of that is actually othering and marginalizing people in their own community.”\u003c/p>\n\u003cp>Ocampo tied that internalized shame and obsession with whiteness to nearly four centuries of Western colonization in the Philippines — first by Spain, from 1565 to 1898, and then by the United States until 1946. And that colonial legacy still affects many Filipino Americans today.\u003c/p>\n\u003cfigure id=\"attachment_12042264\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12042264 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250530-ASTRALOGIK-07-BL-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Charito Soriano (left) and Chen Conlu practice for an upcoming show for their band AstraLogik at their home in Hayward on May 30, 2025. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But he also sees a growing number of Filipino artists using their work to reverse that trend and embrace their heritage with pride.\u003c/p>\n\u003cp>And that’s exactly what AstraLogik is doing.\u003c/p>\n\u003cp>“I think the awareness of how colonialism has taken hold of our culture, our internal programming since birth,” Conlu said. “I think it’s acknowledging that, being brave to step out of that matrix.”\u003c/p>\n\u003cp>AstraLogik’s music has become a vessel for that reclamation. Through lyrics and community performances, they create spaces that affirm their intersecting identities — queer, Filipina and children of immigrants.\u003c/p>\n\u003cp>Coming out queer wasn’t easy. Soriano struggled with the fear of losing family support and being judged by her community.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But performing and making music with Conlu allowed her to show up authentically.\u003c/p>\n\u003cp>“Having music to continuously be together and show ourselves, and to see how the response was that we are embraced,” Soriano said. “It’s the only reason that we’re still getting gigs today. People accept us how we are.”\u003c/p>\n\u003cp>Through music, they’ve found a way not just to express, but to build a community. Their songs have become affirmations of identity, resilience, and love. And in a time of rising anti-LGBTQ+ legislation across the country, \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights-2025\">including bills targeting gender-affirming care and inclusive curricula\u003c/a>, creating a space for joy and connection feels more urgent than ever.\u003c/p>\n\u003cp>AstraLogik performs mostly at community-based shows across the Bay Area, like the backyard concert in Oakland. Conlu said intimate spaces like these are where true connections happen.\u003c/p>\n\u003cp>“During these crazy times, I just hope we can still gather in community,” she said. “And still find joy in the sadness that we’re all going through.”\u003c/p>\n\u003cp>\u003cem>I-Yun Chan is a recent graduate of UC Berkeley Graduate School of Journalism and an audio producer covering mental health, human rights and the LGBTQ+ community.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "can-a-raga-bring-rain-to-la-reena-esmail-makes-music-for-drought-wildfire",
"title": "Sitars and Symphonies: LA Composer Reena Esmail Fuses Indian Ragas with Western Rhythms",
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"headTitle": "Sitars and Symphonies: LA Composer Reena Esmail Fuses Indian Ragas with Western Rhythms | KQED",
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"content": "\u003cp>\u003cem>This story is part of The California Report Magazine’s series about \u003c/em>\u003ca href=\"https://www.kqed.org/news/tag/california-composers\">\u003cem>California composers\u003c/em>\u003c/a>\u003cem>. You can hear Esmail’s compositions and learn more about her work by listening to the audio story above, or by \u003c/em>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\">\u003cem>subscribing\u003c/em>\u003c/a>\u003cem> to The California Report Magazine podcast.\u003c/em>\u003c/p>\n\u003cp>Reena Esmail’s childhood in Los Angeles had two soundtracks: the Western classical music her parents loved, and the old, scratchy Bollywood tapes her paternal grandparents would play over and over.\u003c/p>\n\u003cp>Western classical music was Esmail’s first love, inherited from her mom’s side. That branch of the family — Catholics from Goa, a part of India once colonized by Portugal — eventually relocated to Kenya.\u003c/p>\n\u003cp>“It would be some really hot night in Mombasa. And my grandfather would turn off all the lights and put on a record of a Beethoven symphony,” Esmail recalled. “He would just sit in the dark and listen as if it was a religious experience.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Meanwhile, her dad’s parents, who lived with her in L.A., loved Bollywood soundtracks.\u003c/p>\n\u003cp>Those multicultural influences shaped what would become the driving question of her work: how do you invite people from different cultures onto the same stage to build a relationship and create music together?\u003c/p>\n\u003cfigure id=\"attachment_12039910\" class=\"wp-caption aligncenter\" style=\"max-width: 1772px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12039910\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED.jpg\" alt=\"\" width=\"1772\" height=\"1182\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED.jpg 1772w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 1772px) 100vw, 1772px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A photograph taken in 1997, after Esmail’s first time playing a piano concerto with an orchestra at age 14, with her grandparents, Zaitoon Esmail and Esmail Abdul Kader. \u003ccite>(Courtesy of Reena Esmail/Ozair Esmail)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It starts the dialogue because you’ve both already created beauty together,” she said.\u003c/p>\n\u003cp>As an elementary school student, Esmail would beg her parents to tag along to classical music concerts. It was too heavy, they told her. She wouldn’t appreciate it.\u003c/p>\n\u003cp>Esmail’s response? “I will appreciate it. I will figure out how to appreciate it.\u003c/p>\n\u003cp>“I remember thinking, ‘I need to figure out how this music works,” she added.\u003c/p>\n\u003cp>Esmail’s talent soon became clear. She began playing piano at age 11.\u003c/p>\n\u003cp>“I had a practice curfew. My dad would kick me off the piano at 11:00 p.m. every night, [saying] ‘You have to be done. We need to go to sleep.’”\u003c/p>\n\u003cfigure id=\"attachment_12039918\" class=\"wp-caption alignright\" style=\"max-width: 1331px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12039918\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED.jpg\" alt=\"\" width=\"1331\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED.jpg 1331w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-800x1202.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-1020x1533.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-1022x1536.jpg 1022w\" sizes=\"auto, (max-width: 1331px) 100vw, 1331px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Reena Esmail studied Western classical music at Juilliard and Yale, and spent time as a Fulbright scholar studying Hindustani music in India. She’s drawn on both of those influences in her work over the past two decades. \u003ccite>(Hannah Arista)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But performing on stage was a different story.\u003c/p>\n\u003cp>“My arms would shake. My legs would be shaking. Sometimes when you panic, your fingers get sweaty and then your hands are sliding off the keys,” Esmail recalled. “Just an avalanche of disaster.”\u003c/p>\n\u003cp>“You are terrified every time you have to play in front of people,” she recalls her parents telling her. “Are you sure you want to do this for the rest of your life?”\u003c/p>\n\u003cp>Her teachers at the L.A. County High School for the Arts encouraged her to consider a different way of making music without having to perform on stage: composing. Her early compositions got her into Juilliard, earned her a Fulbright in India and launched a career that’s earned her countless accolades, including her current stint as \u003ca href=\"https://lamasterchorale.org/artist-details/117/reena-esmail\">artist-in-residence with the L.A. Master Chorale.\u003c/a>\u003c/p>\n\u003cp>Composing is how Esmail has made her mark — by putting Western classical musicians in conversation with Indian artists, building bridges between violinists and sitar players, tabla drummers and Western singers. Her music has been performed by major orchestras and choirs all over the world.\u003c/p>\n\u003cp>“I just feel like I’m living my dream because as a young child, there were so many times where I couldn’t rectify the cultures that I was living in,” Esmail said. Now, her music is helping others bridge those worlds.\u003c/p>\n\u003cp>“[Indian American] teenagers… now actually say to me, ‘We had that same feeling. We felt like we couldn’t rectify these cultures. And then we heard your music and it was everything that we are in one piece.’”\u003c/p>\n\u003cfigure id=\"attachment_12041201\" class=\"wp-caption aligncenter\" style=\"max-width: 1296px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita.jpg\" alt=\"\" width=\"1296\" height=\"864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita.jpg 1296w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita-160x107.jpg 160w\" sizes=\"auto, (max-width: 1296px) 100vw, 1296px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Reena Esmail performs “Tarekita” with the Urban Voices Project in 2016. They are a choir of people who are currently or have recently experienced homelessness on Skid Row in Los Angeles. \u003ccite>(Photo courtesy of Reena Esmail)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her most-performed compositions is a piece called \u003ca href=\"https://www.reenaesmail.com/catalog-item/tarekita/\">Ta Re Ki Ta\u003c/a>, originally created with singers from the \u003ca href=\"https://urbanvoicesproject.org/\">Urban Voices Project\u003c/a> who have currently or recently experienced being unhoused on L.A.’s Skid Row.\u003c/p>\n\u003cp>“How [do] these people who have so many major life concerns find the time to sing?” Esmail remembers wondering. “Then when you meet them,” Esmail said, “you realize this is how they’re getting through all those things.”\u003c/p>\n\u003cp>Esmail taught the singers onomatopoeic sounds that imitate the sound of a tabla, kind of like scatting in jazz. Today, choirs around the world can follow Esmail’s instructions to pronounce the syllables using different parts of the mouth and tongue.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rKK1YKfcGAw\u003c/p>\n\u003cp>One of Esmail’s most ambitious works for the L.A. Master Chorale, called \u003ca href=\"https://www.reenaesmail.com/catalog-item/malhaar-requiem-for-water/\">Malhaar,\u003c/a> focuses on drought and water in California.\u003c/p>\n\u003cp>The project is inspired by music Esmail heard while attending Catholic church, listening to requiems, or songs of mourning.[aside postID=news_12000787 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/240611-DestinyMuhammad-10-BL_qut-1020x680.jpg'] To capture the sense of loss she felt when thinking about drought and climate change, she chose lyrics by \u003ca href=\"https://williamodaly.com/bio/\">William O’Daly\u003c/a> — a poet and translator — who also worked for the state’s Department of Water Resources as lead author of the recent California Water Plan.\u003c/p>\n\u003cp>The piece brings together choral singers with a tabla player and a Hindustani singer performing ragas, a traditional melodic framework for improvisation in Indian music.\u003c/p>\n\u003cp>“Malhaar is a family of ragas that are supposed to beckon rain,” Esmail said. “The lore goes that if it is the driest desert and someone sings the most perfect Malhaar, suddenly water droplets are going to form in the air.”\u003c/p>\n\u003cp>In fact, on the day of Malhaar’s premiere at the Walt Disney Concert Hall in 2023, L.A. was drenched in a record rainstorm, as the choir sang: \u003cem>“Without you, how will we weep when we need to? How will the earth smell after the last drops of rain?”\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zNYsF550DUM\u003c/p>\n\u003cp>“It’s this slow march towards grief that will just flatten you and change you,” Esmail said. “Without water, how can we actually cry tears?”\u003c/p>\n\u003cp>Esmail lives in\u003ca href=\"https://www.kqed.org/news/12038756/an-historic-altadena-church-lost-to-the-eaton-fire-begins-the-long-journey-to-resurrection\"> Altadena, a community full of grief\u003c/a> right now. Luckily, the house she shares with her husband, violinist Vijay Gupta, is still standing after the Eaton Fire.\u003c/p>\n\u003cp>Esmail kept returning to that line: how will the earth smell after the last drops of rain? Now, she said, she knows. It’s the smell of ash in the air after a fire has torn through a drought-stricken landscape.\u003c/p>\n\u003cp>These days, Esmail is working on a harp concerto about wildfire. The piece ends with the harpist holding a light in her hand. While fire can easily destroy everything in its path, Esmail said, it can also help find a way forward as it lights the path to whatever comes next.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story is part of The California Report Magazine’s series about \u003c/em>\u003ca href=\"https://www.kqed.org/news/tag/california-composers\">\u003cem>California composers\u003c/em>\u003c/a>\u003cem>. You can hear Esmail’s compositions and learn more about her work by listening to the audio story above, or by \u003c/em>\u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\">\u003cem>subscribing\u003c/em>\u003c/a>\u003cem> to The California Report Magazine podcast.\u003c/em>\u003c/p>\n\u003cp>Reena Esmail’s childhood in Los Angeles had two soundtracks: the Western classical music her parents loved, and the old, scratchy Bollywood tapes her paternal grandparents would play over and over.\u003c/p>\n\u003cp>Western classical music was Esmail’s first love, inherited from her mom’s side. That branch of the family — Catholics from Goa, a part of India once colonized by Portugal — eventually relocated to Kenya.\u003c/p>\n\u003cp>“It would be some really hot night in Mombasa. And my grandfather would turn off all the lights and put on a record of a Beethoven symphony,” Esmail recalled. “He would just sit in the dark and listen as if it was a religious experience.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Meanwhile, her dad’s parents, who lived with her in L.A., loved Bollywood soundtracks.\u003c/p>\n\u003cp>Those multicultural influences shaped what would become the driving question of her work: how do you invite people from different cultures onto the same stage to build a relationship and create music together?\u003c/p>\n\u003cfigure id=\"attachment_12039910\" class=\"wp-caption aligncenter\" style=\"max-width: 1772px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12039910\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED.jpg\" alt=\"\" width=\"1772\" height=\"1182\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED.jpg 1772w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-3-KQED-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 1772px) 100vw, 1772px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A photograph taken in 1997, after Esmail’s first time playing a piano concerto with an orchestra at age 14, with her grandparents, Zaitoon Esmail and Esmail Abdul Kader. \u003ccite>(Courtesy of Reena Esmail/Ozair Esmail)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It starts the dialogue because you’ve both already created beauty together,” she said.\u003c/p>\n\u003cp>As an elementary school student, Esmail would beg her parents to tag along to classical music concerts. It was too heavy, they told her. She wouldn’t appreciate it.\u003c/p>\n\u003cp>Esmail’s response? “I will appreciate it. I will figure out how to appreciate it.\u003c/p>\n\u003cp>“I remember thinking, ‘I need to figure out how this music works,” she added.\u003c/p>\n\u003cp>Esmail’s talent soon became clear. She began playing piano at age 11.\u003c/p>\n\u003cp>“I had a practice curfew. My dad would kick me off the piano at 11:00 p.m. every night, [saying] ‘You have to be done. We need to go to sleep.’”\u003c/p>\n\u003cfigure id=\"attachment_12039918\" class=\"wp-caption alignright\" style=\"max-width: 1331px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12039918\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED.jpg\" alt=\"\" width=\"1331\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED.jpg 1331w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-800x1202.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-1020x1533.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/250513-REENA-ESMAIL-5-KQED-1022x1536.jpg 1022w\" sizes=\"auto, (max-width: 1331px) 100vw, 1331px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Reena Esmail studied Western classical music at Juilliard and Yale, and spent time as a Fulbright scholar studying Hindustani music in India. She’s drawn on both of those influences in her work over the past two decades. \u003ccite>(Hannah Arista)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But performing on stage was a different story.\u003c/p>\n\u003cp>“My arms would shake. My legs would be shaking. Sometimes when you panic, your fingers get sweaty and then your hands are sliding off the keys,” Esmail recalled. “Just an avalanche of disaster.”\u003c/p>\n\u003cp>“You are terrified every time you have to play in front of people,” she recalls her parents telling her. “Are you sure you want to do this for the rest of your life?”\u003c/p>\n\u003cp>Her teachers at the L.A. County High School for the Arts encouraged her to consider a different way of making music without having to perform on stage: composing. Her early compositions got her into Juilliard, earned her a Fulbright in India and launched a career that’s earned her countless accolades, including her current stint as \u003ca href=\"https://lamasterchorale.org/artist-details/117/reena-esmail\">artist-in-residence with the L.A. Master Chorale.\u003c/a>\u003c/p>\n\u003cp>Composing is how Esmail has made her mark — by putting Western classical musicians in conversation with Indian artists, building bridges between violinists and sitar players, tabla drummers and Western singers. Her music has been performed by major orchestras and choirs all over the world.\u003c/p>\n\u003cp>“I just feel like I’m living my dream because as a young child, there were so many times where I couldn’t rectify the cultures that I was living in,” Esmail said. Now, her music is helping others bridge those worlds.\u003c/p>\n\u003cp>“[Indian American] teenagers… now actually say to me, ‘We had that same feeling. We felt like we couldn’t rectify these cultures. And then we heard your music and it was everything that we are in one piece.’”\u003c/p>\n\u003cfigure id=\"attachment_12041201\" class=\"wp-caption aligncenter\" style=\"max-width: 1296px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12041201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita.jpg\" alt=\"\" width=\"1296\" height=\"864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita.jpg 1296w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/Tarekita-160x107.jpg 160w\" sizes=\"auto, (max-width: 1296px) 100vw, 1296px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Reena Esmail performs “Tarekita” with the Urban Voices Project in 2016. They are a choir of people who are currently or have recently experienced homelessness on Skid Row in Los Angeles. \u003ccite>(Photo courtesy of Reena Esmail)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her most-performed compositions is a piece called \u003ca href=\"https://www.reenaesmail.com/catalog-item/tarekita/\">Ta Re Ki Ta\u003c/a>, originally created with singers from the \u003ca href=\"https://urbanvoicesproject.org/\">Urban Voices Project\u003c/a> who have currently or recently experienced being unhoused on L.A.’s Skid Row.\u003c/p>\n\u003cp>“How [do] these people who have so many major life concerns find the time to sing?” Esmail remembers wondering. “Then when you meet them,” Esmail said, “you realize this is how they’re getting through all those things.”\u003c/p>\n\u003cp>Esmail taught the singers onomatopoeic sounds that imitate the sound of a tabla, kind of like scatting in jazz. Today, choirs around the world can follow Esmail’s instructions to pronounce the syllables using different parts of the mouth and tongue.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rKK1YKfcGAw'\n title='//www.youtube.com/embed/rKK1YKfcGAw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>One of Esmail’s most ambitious works for the L.A. Master Chorale, called \u003ca href=\"https://www.reenaesmail.com/catalog-item/malhaar-requiem-for-water/\">Malhaar,\u003c/a> focuses on drought and water in California.\u003c/p>\n\u003cp>The project is inspired by music Esmail heard while attending Catholic church, listening to requiems, or songs of mourning.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> To capture the sense of loss she felt when thinking about drought and climate change, she chose lyrics by \u003ca href=\"https://williamodaly.com/bio/\">William O’Daly\u003c/a> — a poet and translator — who also worked for the state’s Department of Water Resources as lead author of the recent California Water Plan.\u003c/p>\n\u003cp>The piece brings together choral singers with a tabla player and a Hindustani singer performing ragas, a traditional melodic framework for improvisation in Indian music.\u003c/p>\n\u003cp>“Malhaar is a family of ragas that are supposed to beckon rain,” Esmail said. “The lore goes that if it is the driest desert and someone sings the most perfect Malhaar, suddenly water droplets are going to form in the air.”\u003c/p>\n\u003cp>In fact, on the day of Malhaar’s premiere at the Walt Disney Concert Hall in 2023, L.A. was drenched in a record rainstorm, as the choir sang: \u003cem>“Without you, how will we weep when we need to? How will the earth smell after the last drops of rain?”\u003cbr>\n\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zNYsF550DUM'\n title='//www.youtube.com/embed/zNYsF550DUM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“It’s this slow march towards grief that will just flatten you and change you,” Esmail said. “Without water, how can we actually cry tears?”\u003c/p>\n\u003cp>Esmail lives in\u003ca href=\"https://www.kqed.org/news/12038756/an-historic-altadena-church-lost-to-the-eaton-fire-begins-the-long-journey-to-resurrection\"> Altadena, a community full of grief\u003c/a> right now. Luckily, the house she shares with her husband, violinist Vijay Gupta, is still standing after the Eaton Fire.\u003c/p>\n\u003cp>Esmail kept returning to that line: how will the earth smell after the last drops of rain? Now, she said, she knows. It’s the smell of ash in the air after a fire has torn through a drought-stricken landscape.\u003c/p>\n\u003cp>These days, Esmail is working on a harp concerto about wildfire. The piece ends with the harpist holding a light in her hand. While fire can easily destroy everything in its path, Esmail said, it can also help find a way forward as it lights the path to whatever comes next.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "carnaval-san-francisco-2025-parade-route-map-parking-headliners-mexican-institute-of-sound-wampi-muni-street-closures",
"title": "Carnaval San Francisco 2025: From the Parade Route to Parking and Street Closures, What to Know",
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"content": "\u003cp>In just a few days, Carnaval San Francisco will take over \u003ca href=\"https://www.kqed.org/news/tag/mission-district\">the streets of San Francisco’s Mission District\u003c/a>, bringing a flurry of colors, feathers and sequins moving to the beats of samba, cumbia and reggaeton.\u003c/p>\n\u003cp>This community celebration, now in its 47th year, will fall on Memorial\u003c/p>\n\u003chr>\n\u003cp>Day weekend: Saturday, May 24 and Sunday, May 25. With \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">a two-day festival\u003c/a> featuring headliners \u003ca href=\"https://english.elpais.com/international/2023-07-09/mexican-institute-of-sound-mexico-flourishes-when-everything-seems-darkest.html\">Mexican Institute of Sound\u003c/a> and Cuban rising star \u003ca href=\"https://www.grammy.com/news/cuban-reparto-artists-to-know-el-taiger-wampi\">Wampi\u003c/a>, and a \u003ca href=\"https://carnavalsanfrancisco.org/parade/\">Grand Parade on Sunday\u003c/a> featuring over 70 different contingents, Carnaval is one of San Francisco’s most emblematic celebrations — and it’s all completely free.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#when-is-carnaval-2025-sf\">What time does Carnaval San Francisco start on Memorial Day weekend?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#map-carnaval-parade-sf\">MAP: Where can I watch the Carnaval San Francisco Grand Parade?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#street-closures-carnaval\">What streets will be closed for Carnaval?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#what-bands-headliner-carnaval-mexican-institute-sound-wampi\">Who’s playing at Carnaval San Francisco this year?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#parking-muni-sf-carnaval\">What’s the parking situation at Carnaval San Francisco?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Never seen the Grand Parade before? Picture Mission Street not full of the usual commuter traffic and Muni buses — but instead brimming with beautifully decorated floats accompanied by thousands of dancers and musicians representing the many cultures of Latin America and the Caribbean.\u003c/p>\n\u003cp>And that’s only Sunday. With over 3,000 dancers, musicians and artists sharing their work throughout the weekend, you’ll never run out of things to do. Keep reading for all the information you need to make the most of Carnaval 2025.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>\u003cstrong>Carnaval 2025: An ode to the African diaspora of the Americas\u003c/strong>\u003c/h2>\n\u003cp>Back in 1979, Carnaval was first held in SF’s Precita Park as part of an effort by artists and organizers to pay homage to the historic Carnaval celebrations across Latin America and the Caribbean — while giving a platform for local musicians and dancers to come together and pass on traditions. This community celebration has now grown to include over twenty blocks of the Mission District, making it one of the biggest celebrations of its kind on the West Coast.\u003c/p>\n\u003cp>The culture and history of the African diaspora have always been integral to Carnaval, Carnaval Executive Director Rodrigo Durán said. “This year, we are highlighting the contributions and the gifts that the folks from the African diaspora have given us in the Americas — from Alaska all the way down to Patagonia,” he said.\u003c/p>\n\u003cp>So much of the music you usually hear at Carnaval — \u003ca href=\"https://hearingtheamericas.org/s/the-americas/page/samba\">samba\u003c/a>, \u003ca href=\"https://www.nps.gov/articles/000/oiste-listening-to-the-salsa-stories-of-afro-latin-music.htm\">salsa\u003c/a>, \u003ca href=\"https://latv.com/bachatas-african-roots/\">bachata\u003c/a>, \u003ca href=\"https://www.latinousa.org/loudthehistoryofreggaeton/\">reggaeton\u003c/a> and \u003ca href=\"https://www.npr.org/2020/10/16/924409951/cumbia-the-musical-backbone-of-latin-america\">cumbia\u003c/a> — was created by enslaved African people brought to the Americas and their descendants. While there will be plenty of opportunities to hear these genres at Carnaval 2025, you’ll also get to explore even more music from the African diaspora that’s not as widely heard in the United States. (Jump to: \u003ca href=\"#what-bands-headliner-carnaval-mexican-institute-sound-wampi\">Who’s playing at Carnaval San Francisco this year?\u003c/a>)\u003c/p>\n\u003cfigure id=\"attachment_12019080\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019080\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Cathedral City High School Ballet Folklórico performs during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"when-is-carnaval-2025-sf\">\u003c/a>Where is Carnaval San Francisco, and what’s the schedule?\u003c/strong>\u003c/h2>\n\u003cp>Carnaval has two main components: the festival and Sunday’s Grand Parade.\u003c/p>\n\u003cp>The festival happens on Saturday and Sunday: on both days, gates open at 11 a.m. and festivities wrap up by 6 p.m. (Jump to: \u003ca href=\"#map-carnaval-parade-sf\">Informational about Carnaval San Francisco Grand Parade.\u003c/a>)\u003c/p>\n\u003cfigure id=\"attachment_12040527\" class=\"wp-caption aligncenter\" style=\"max-width: 791px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12040527\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy.jpg\" alt=\"\" width=\"791\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy.jpg 791w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy-160x207.jpg 160w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The 2025 SF Carnaval map.\u003c/figcaption>\u003c/figure>\n\u003cp>The festival will take place on Harrison Street, from 16th to 24th streets. Hundreds of artisans and food vendors fill up this space, with DJs jamming out at block parties on 18th, 19th, 20th and 22nd streets.\u003c/p>\n\u003cp>Four stages will be set up throughout Harrison Street, featuring performances from headliners \u003ca href=\"https://www.grammy.com/news/cuban-reparto-artists-to-know-el-taiger-wampi\">Wampi\u003c/a> and the \u003ca href=\"https://english.elpais.com/international/2023-07-09/mexican-institute-of-sound-mexico-flourishes-when-everything-seems-darkest.html\">Mexican Institute of Sound\u003c/a>, along with dozens of other artists like \u003ca href=\"https://www.bululusf.com/\">Bululú\u003c/a>, \u003ca href=\"https://www.bayarealatinjazzfestival.com/index.php/edgardo-cambon\">Edgardo Cambón & his Salsa Orchestra\u003c/a> and \u003ca href=\"https://ensambles-sf.com/\">Ballet Folklorico de San Francisco\u003c/a>. There’ll also be freestyle rap battles in Spanish offered by \u003ca href=\"https://www.redbull.com/int-en/event-series/red-bull-batalla\">Red Bull Batalla\u003c/a>: the largest freestyle competition in the world. \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">Check out the full Carnaval 2025 festival lineup.\u003c/a>\u003c/p>\n\u003cp>Throughout the weekend, \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">there will also be five different block parties\u003c/a>, each with live DJs hitting different musical styles. One of those block parties — Colores de Amor on Harrison and 20th — will feature drag performances on Sunday by \u003ca href=\"https://www.instagram.com/per_sia/\">Per Sia\u003c/a> and \u003ca href=\"https://www.instagram.com/sweetestmilksf/\">Dulce De Leche\u003c/a>, along with DJ sets from \u003ca href=\"https://www.instagram.com/djbrownangel/\">Brown Angel\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11987826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg\" alt=\"Two women dressed in decorative attire for a parade look at each other outside.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Alma Mejia (left) and Sandra Sandoval, from the group Xiuhcoatl Danza Azteca, talk before the Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Where are the entrances to the Carnaval 2025 festival?\u003c/strong>\u003c/h2>\n\u003cp>You’ll find free entrances (and exits) on every street from 16th to 24th streets, located at:\u003c/p>\n\u003cul>\n\u003cli>16th and Harrison\u003c/li>\n\u003cli>17th and Alabama\u003c/li>\n\u003cli>18th and Folsom\u003c/li>\n\u003cli>19th and Alabama\u003c/li>\n\u003cli>20th and Folsom\u003c/li>\n\u003cli>21st and Folsom\u003c/li>\n\u003cli>21st and Alabama\u003c/li>\n\u003cli>23rd and Folsom\u003c/li>\n\u003cli>24th and Harrison.\u003c/li>\n\u003c/ul>\n\u003cp>Security staff will be present at each entrance to check bags.\u003c/p>\n\u003cp>Consuming alcohol is allowed in the festival, but only in specific enclosed areas, requiring visitors to provide identification for access.\u003c/p>\n\u003cfigure id=\"attachment_11987817\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987817\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg\" alt=\"A woman wearing colorful clothing adjusts the hat of another woman.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Simón Cochabamba Filial California members Stephanie Nonalaya help Kasandra Barrientos with her hat before dancing in the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"map-carnaval-parade-sf\">\u003c/a>When does the Carnaval Grand Parade start, and what’s the parade route?\u003c/strong>\u003c/h2>\n\u003cp>The Carnaval Grand Parade takes place on Sunday, May 25, starting at 10 a.m., and features dozens of floats and hundreds of dancers moving through the entire neighborhood.\u003c/p>\n\u003cp>The Carnaval parade route begins at Bryant and 24th streets, then moves through 24th Street, takes a right on Mission Street, stays on that street all the way to 15th Street, and wraps up at Harrison and 15th Street. The dancers and musicians in the parade perform nonstop the whole way, which is a particularly impressive feat when you consider that some of the most elaborate outfits can weigh up to 40 pounds.\u003c/p>\n\u003cfigure id=\"attachment_12040531\" class=\"wp-caption aligncenter\" style=\"max-width: 792px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12040531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy.jpg\" alt=\"\" width=\"792\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy.jpg 792w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy-160x207.jpg 160w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Carnaval SF parade route.\u003c/figcaption>\u003c/figure>\n\u003cp>On top of that, there’s a contest element — as contingents, or comparsas, compete against each other in multiple categories. Judges will rank each comparsa on originality, choreography and production design.\u003c/p>\n\u003cp>If you can’t make it exactly at the 10 a.m. parade start time, don’t worry: The parade goes on for hours before finally wrapping up at 2 p.m.\u003c/p>\n\u003cp>Can’t make it in person at all? \u003ca href=\"https://www.cbsnews.com/sanfrancisco/live/\">KPIX will be streaming the parade online.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"street-closures-carnaval\">\u003c/a>What streets will be closed for Carnaval 2025?\u003c/h2>\n\u003cp>Street closures in the Mission District will begin as early as Friday afternoon, when crews begin setting up the festival space along Harrison Street.\u003c/p>\n\u003cp>From 4 p.m. to Monday 2 a.m., cars will not be able to circulate in the areas between 16th and 24th streets and between Folsom and Alabama streets.\u003c/p>\n\u003cp>On Sunday, a bigger part of the neighborhood will be blocked off from 9 a.m. to 4 p.m. due to the Grand Parade:\u003c/p>\n\u003cul>\n\u003cli>Mission Street between 15th and 24th streets\u003c/li>\n\u003cli>15th Street between Mission and Alabama streets\u003c/li>\n\u003cli>24th Street between York and Mission streets\u003c/li>\n\u003cli>Bryant Street between 17th and Cesar Chavez streets\u003c/li>\n\u003cli>Harrison Street between 15th and 16th streets\u003c/li>\n\u003cli>Treat Avenue between Harrison and Alameda streets.\u003c/li>\n\u003c/ul>\n\u003cp>Many parking spots usually available for residents in this area will also be off-limits. If you live on any of the streets that’ll be taken over by Carnaval this weekend and need to move your car in or out of your garage, look for a Carnaval staff member so they can escort your vehicle through the emergency access lanes.\u003c/p>\n\u003ch2>\u003cstrong>A few things to look for at the Carnaval San Francisco Grand Parade\u003c/strong>\u003c/h2>\n\u003cp>What makes San Francisco’s Carnaval distinct from other Carnaval celebrations you may see in Rio de Janeiro or Barranquilla: the way it reflects not just one national culture, but instead brings together the diversity and histories of California’s Latin American and Caribbean diasporas.\u003c/p>\n\u003cp>This is exemplified by this year’s grand marshals, who’ll be leading the parade: Brazilian-born musician, dancer and teacher \u003ca href=\"https://www.instagram.com/dandhadahora/\">Dandha Da Hora\u003c/a>, and seven-time Grammy-nominated percussionist and bandleader \u003ca href=\"https://johnsantosofficial.com/bio\">John Santos\u003c/a>, born in San Francisco to a Puerto Rican and Cape Verdean family.\u003c/p>\n\u003cp>Who are the King and Queen of Carnaval? This year, German Tike, originally from Colombia, and Zoel Esperanza, an Afro-Mexican dancer and musician now settled in New York, will wear the crowns during the parade.\u003c/p>\n\u003cp>The 70 different comparsas that make up this year’s parade include long-standing groups like Flavaz of D’ Caribbean, who’ve won multiple Carnaval categories year after year with high-energy choreography representing the music of Trinidad and Tobago. You’ll also find first-time groups like Karimba Afrikans, which will feature uniquely Afro-Colombian musical traditions like \u003ca href=\"https://colombiaone.com/2025/03/02/barranquilla-carnival-dances/#:~:text=Son%20de%20Negros,powerful%20cultural%20expression%20of%20resistance.\">mapalé and son de negro\u003c/a>, with many dancers flying in from Barranquilla, Colombia just to perform at Carnaval.\u003c/p>\n\u003cp>And while you dance to the music, make sure to pay close attention to what the performers are wearing — as many comparsas start preparing their parade outfits months in advance. Dancers with \u003ca href=\"https://www.kqed.org/news/11987673/carnaval-putleco-brings-a-oaxacan-festival-of-colors-to-the-bay-area\">Carnaval Putleco, a comparsa which honors the culture of Putla, Oaxaca\u003c/a>, will be wearing tiliches: incredibly colorful and elaborate full-body suits made out of hundreds of ribbons, shells and beads.\u003c/p>\n\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/parade/\">See the full list of participating comparsas at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11987821\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987821\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg\" alt=\"Several people dressed in decorative attire walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Groups from Oaxaca dance on Mission Street during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>If the Carnaval San Francisco Grand Parade is free, can I just show up?\u003c/strong>\u003c/h2>\n\u003cp>Yes: no tickets or registration required. Just show up anywhere along the parade route and enjoy the show.\u003c/p>\n\u003cp>However, if you want a unique vantage point, \u003ca href=\"https://givebutter.com/2025GrandParade\">you can purchase special Grand Stand seats for the Carnaval parade\u003c/a>. These elevated bleachers, located along Mission Street between 22nd and 23rd streets, are next to the judges’ tables, where each contingent will pause and perform for an extra amount of time. Keep in mind that Grand Stand tickets will only be available before the parade and will not be sold day of.\u003c/p>\n\u003cp>There are no truly bad spots from which to watch the parade, but if you post up at 24th Street, you’ll be much closer to the performers — albeit a bit more cramped with foot traffic. If you’re on Mission Street, you’ll definitely have a lot more room to move around.\u003c/p>\n\u003cfigure id=\"attachment_11987831\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987831\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg\" alt=\"Side-by-side images of women dressed in elaborate attire for a parade.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Jediah Pratt, 15, dances with Loco Bloco in the Carnaval Grand Parade. Right: Loco Bloco dancers perform. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"what-bands-headliner-carnaval-mexican-institute-sound-wampi\">\u003c/a>Who’s headlining this year at Carnaval San Francisco?\u003c/strong>\u003c/h2>\n\u003cp>Over 50 musicians, DJs and dance groups will perform throughout the weekend across the four stages and five block parties located throughout Harrison Street. This year’s headliners are:\u003c/p>\n\u003cp>\u003cstrong>Mexican Institute of Sound:\u003c/strong> Led by Grammy-nominated Camilo Lara, Mexican Institute of Sound \u003ca href=\"https://www.npr.org/2021/02/17/968638797/the-man-running-an-entire-nations-institute-of-sound\">has transformed Mexico City’s electronic music scene\u003c/a>, deftly combining cumbia, electronica, rock and mambo. The group’s work is even featured on the Grand Theft Auto V soundtrack. \u003cem>Performing on Saturday at 5 p.m. on the 17th and Harrison Street stage.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Wampi:\u003c/strong> Currently residing in Cuba, Wampi specializes in a distinctly Cuban genre: \u003ca href=\"https://www.grammy.com/news/cuban-reparto-artists-to-know-el-taiger-wampi\">reparto\u003c/a>, which evolved in the late 2000s and mixes reggaeton, hip hop and the more traditional \u003ca href=\"https://www.kennedy-center.org/artists/t/ta-tn/-timba-street/#:~:text=Timba%20is%20the%20fusion%20of,Soul%2C%20and%20Go%2DGo.\">timba\u003c/a>. “He really is a trailblazer with what he’s doing,” Carnaval Executive Director Durán said, adding reparto’s popularity has grown all over the Caribbean — and that it’s time for it to flourish in California. \u003cem>Performing on Saturday at 5 p.m. on the 22nd and Harrison Street stage.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/festival/\">See the full list of performers at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11987823\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987823\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg\" alt=\"Several people dressed in red walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Danza Mestiza celebrates Selena during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Is Carnaval San Francisco family-friendly?\u003c/strong>\u003c/h2>\n\u003cp>Yes: For many Bay Area families, going to Carnaval with the kids, teens and grandparents is a decades-long tradition. In the festival space, organizers have set up a Kids Zone at Harrison and 18th Street where families can paint, dance and play drums.\u003c/p>\n\u003cp>And this year, Durán said, “the Smurfs are coming to Carnaval.”\u003c/p>\n\u003cp>The upcoming release of Paramount Pictures’ \u003cem>Smurfs\u003c/em> movie means there’ll be Smurfs characters with giveaways and photo opportunities at the Kids Zone on Harrison Street, and at the nearby Casa de Carnaval at 683 Florida St. throughout the weekend.\u003c/p>\n\u003cp>You’ll also find an area set up for skateboarding on 23rd and Treat, next to a health and wellness pavilion offering testing for both COVID-19 and blood pressure.\u003c/p>\n\u003cp>Event staff will be present at several points throughout the festival, including an information booth on 19th and Harrison.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"parking-muni-sf-carnaval\">\u003c/a>How do I get to Carnaval San Francisco? What about parking?\u003c/strong>\u003c/h2>\n\u003cp>If you’re planning to drive into the Mission during Carnaval weekend, it’s not going to be easy.\u003c/p>\n\u003cp>The areas surrounding Harrison Street, from 16th to 24th streets, will be closed off to cars the whole weekend, which means a lot of the neighborhood’s parking spots will be off-limits. Even residents will have to move their cars to make way for the festival, so there’ll be a lot of competition for the few remaining spots left.\u003c/p>\n\u003cp>“Driving in is not the best idea,” said Carnaval’s Durán, who recommends that folks instead use public transit or a ridesharing app to get to the celebrations. But if you do need to drive, he suggested looking for a spot to the west of Harrison Street (past Valencia Street) as the streets on the eastern half of the Mission District will see the most competition for parking.\u003c/p>\n\u003cp>On Sunday, all cars parked along the Grand Parade route will have to move, including Mission Street from 24th Street to 15th Street, chunks of 24th and 15th streets as well, and sections of Bryant Street.\u003c/p>\n\u003cp>Remember, if you live on any of the streets that’ll be taken over by Carnaval this weekend and need to move your car in or out of your garage, look for a Carnaval staff member so they can escort your vehicle through the emergency access lanes.\u003c/p>\n\u003cfigure id=\"attachment_11750066\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11750066\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/IMG_1603-e1558922311567.jpg\" alt=\"\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">More than 400 members of Karibbean Vibrationz celebrate the group’s 10-year anniversary at Carnaval with a performance titled, ‘Evolution to Epicness.’ \u003ccite>(Audrey Garces/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Taking public transit to Carnaval San Francisco\u003c/strong>\u003c/h2>\n\u003cp>BART will continue operating with a weekday schedule at both 16th and 24th Mission stations. On Saturday, you can ride the 22, 33, 55 and 48 Muni bus routes, which will pass near the festival entrances, and the 9, 12, 14, 14R and 49 bus lines can drop you off a few blocks away. Prepare for your trip on Muni \u003ca href=\"https://www.sfmta.com/trip-planner\">using SFMTA’s online planning tool\u003c/a>.\u003c/p>\n\u003cp>SFMTA officials confirmed with KQED that the complete list of Muni services affected by the festival and parade will be available a few days ahead of Carnaval.\u003c/p>\n\u003cp>If you want to avoid congestion caused by all the changes to Muni service, your best bet would be to take BART to either the 16th or 24th Mission BART stations. Prepare for your trip on BART \u003ca href=\"https://www.bart.gov/planner\">using the agency’s online planning tool\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In just a few days, Carnaval San Francisco will take over \u003ca href=\"https://www.kqed.org/news/tag/mission-district\">the streets of San Francisco’s Mission District\u003c/a>, bringing a flurry of colors, feathers and sequins moving to the beats of samba, cumbia and reggaeton.\u003c/p>\n\u003cp>This community celebration, now in its 47th year, will fall on Memorial\u003c/p>\n\u003chr>\n\u003cp>Day weekend: Saturday, May 24 and Sunday, May 25. With \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">a two-day festival\u003c/a> featuring headliners \u003ca href=\"https://english.elpais.com/international/2023-07-09/mexican-institute-of-sound-mexico-flourishes-when-everything-seems-darkest.html\">Mexican Institute of Sound\u003c/a> and Cuban rising star \u003ca href=\"https://www.grammy.com/news/cuban-reparto-artists-to-know-el-taiger-wampi\">Wampi\u003c/a>, and a \u003ca href=\"https://carnavalsanfrancisco.org/parade/\">Grand Parade on Sunday\u003c/a> featuring over 70 different contingents, Carnaval is one of San Francisco’s most emblematic celebrations — and it’s all completely free.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#when-is-carnaval-2025-sf\">What time does Carnaval San Francisco start on Memorial Day weekend?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#map-carnaval-parade-sf\">MAP: Where can I watch the Carnaval San Francisco Grand Parade?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#street-closures-carnaval\">What streets will be closed for Carnaval?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#what-bands-headliner-carnaval-mexican-institute-sound-wampi\">Who’s playing at Carnaval San Francisco this year?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#parking-muni-sf-carnaval\">What’s the parking situation at Carnaval San Francisco?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>Never seen the Grand Parade before? Picture Mission Street not full of the usual commuter traffic and Muni buses — but instead brimming with beautifully decorated floats accompanied by thousands of dancers and musicians representing the many cultures of Latin America and the Caribbean.\u003c/p>\n\u003cp>And that’s only Sunday. With over 3,000 dancers, musicians and artists sharing their work throughout the weekend, you’ll never run out of things to do. Keep reading for all the information you need to make the most of Carnaval 2025.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>Carnaval 2025: An ode to the African diaspora of the Americas\u003c/strong>\u003c/h2>\n\u003cp>Back in 1979, Carnaval was first held in SF’s Precita Park as part of an effort by artists and organizers to pay homage to the historic Carnaval celebrations across Latin America and the Caribbean — while giving a platform for local musicians and dancers to come together and pass on traditions. This community celebration has now grown to include over twenty blocks of the Mission District, making it one of the biggest celebrations of its kind on the West Coast.\u003c/p>\n\u003cp>The culture and history of the African diaspora have always been integral to Carnaval, Carnaval Executive Director Rodrigo Durán said. “This year, we are highlighting the contributions and the gifts that the folks from the African diaspora have given us in the Americas — from Alaska all the way down to Patagonia,” he said.\u003c/p>\n\u003cp>So much of the music you usually hear at Carnaval — \u003ca href=\"https://hearingtheamericas.org/s/the-americas/page/samba\">samba\u003c/a>, \u003ca href=\"https://www.nps.gov/articles/000/oiste-listening-to-the-salsa-stories-of-afro-latin-music.htm\">salsa\u003c/a>, \u003ca href=\"https://latv.com/bachatas-african-roots/\">bachata\u003c/a>, \u003ca href=\"https://www.latinousa.org/loudthehistoryofreggaeton/\">reggaeton\u003c/a> and \u003ca href=\"https://www.npr.org/2020/10/16/924409951/cumbia-the-musical-backbone-of-latin-america\">cumbia\u003c/a> — was created by enslaved African people brought to the Americas and their descendants. While there will be plenty of opportunities to hear these genres at Carnaval 2025, you’ll also get to explore even more music from the African diaspora that’s not as widely heard in the United States. (Jump to: \u003ca href=\"#what-bands-headliner-carnaval-mexican-institute-sound-wampi\">Who’s playing at Carnaval San Francisco this year?\u003c/a>)\u003c/p>\n\u003cfigure id=\"attachment_12019080\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019080\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/23_240526-CarnavalParade-14-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Cathedral City High School Ballet Folklórico performs during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"when-is-carnaval-2025-sf\">\u003c/a>Where is Carnaval San Francisco, and what’s the schedule?\u003c/strong>\u003c/h2>\n\u003cp>Carnaval has two main components: the festival and Sunday’s Grand Parade.\u003c/p>\n\u003cp>The festival happens on Saturday and Sunday: on both days, gates open at 11 a.m. and festivities wrap up by 6 p.m. (Jump to: \u003ca href=\"#map-carnaval-parade-sf\">Informational about Carnaval San Francisco Grand Parade.\u003c/a>)\u003c/p>\n\u003cfigure id=\"attachment_12040527\" class=\"wp-caption aligncenter\" style=\"max-width: 791px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12040527\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy.jpg\" alt=\"\" width=\"791\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy.jpg 791w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-Festival-Map-v2-copy-160x207.jpg 160w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The 2025 SF Carnaval map.\u003c/figcaption>\u003c/figure>\n\u003cp>The festival will take place on Harrison Street, from 16th to 24th streets. Hundreds of artisans and food vendors fill up this space, with DJs jamming out at block parties on 18th, 19th, 20th and 22nd streets.\u003c/p>\n\u003cp>Four stages will be set up throughout Harrison Street, featuring performances from headliners \u003ca href=\"https://www.grammy.com/news/cuban-reparto-artists-to-know-el-taiger-wampi\">Wampi\u003c/a> and the \u003ca href=\"https://english.elpais.com/international/2023-07-09/mexican-institute-of-sound-mexico-flourishes-when-everything-seems-darkest.html\">Mexican Institute of Sound\u003c/a>, along with dozens of other artists like \u003ca href=\"https://www.bululusf.com/\">Bululú\u003c/a>, \u003ca href=\"https://www.bayarealatinjazzfestival.com/index.php/edgardo-cambon\">Edgardo Cambón & his Salsa Orchestra\u003c/a> and \u003ca href=\"https://ensambles-sf.com/\">Ballet Folklorico de San Francisco\u003c/a>. There’ll also be freestyle rap battles in Spanish offered by \u003ca href=\"https://www.redbull.com/int-en/event-series/red-bull-batalla\">Red Bull Batalla\u003c/a>: the largest freestyle competition in the world. \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">Check out the full Carnaval 2025 festival lineup.\u003c/a>\u003c/p>\n\u003cp>Throughout the weekend, \u003ca href=\"https://carnavalsanfrancisco.org/festival/\">there will also be five different block parties\u003c/a>, each with live DJs hitting different musical styles. One of those block parties — Colores de Amor on Harrison and 20th — will feature drag performances on Sunday by \u003ca href=\"https://www.instagram.com/per_sia/\">Per Sia\u003c/a> and \u003ca href=\"https://www.instagram.com/sweetestmilksf/\">Dulce De Leche\u003c/a>, along with DJ sets from \u003ca href=\"https://www.instagram.com/djbrownangel/\">Brown Angel\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11987826\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987826\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg\" alt=\"Two women dressed in decorative attire for a parade look at each other outside.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-02-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Alma Mejia (left) and Sandra Sandoval, from the group Xiuhcoatl Danza Azteca, talk before the Carnaval Grand Parade in San Francisco’s Mission District. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Where are the entrances to the Carnaval 2025 festival?\u003c/strong>\u003c/h2>\n\u003cp>You’ll find free entrances (and exits) on every street from 16th to 24th streets, located at:\u003c/p>\n\u003cul>\n\u003cli>16th and Harrison\u003c/li>\n\u003cli>17th and Alabama\u003c/li>\n\u003cli>18th and Folsom\u003c/li>\n\u003cli>19th and Alabama\u003c/li>\n\u003cli>20th and Folsom\u003c/li>\n\u003cli>21st and Folsom\u003c/li>\n\u003cli>21st and Alabama\u003c/li>\n\u003cli>23rd and Folsom\u003c/li>\n\u003cli>24th and Harrison.\u003c/li>\n\u003c/ul>\n\u003cp>Security staff will be present at each entrance to check bags.\u003c/p>\n\u003cp>Consuming alcohol is allowed in the festival, but only in specific enclosed areas, requiring visitors to provide identification for access.\u003c/p>\n\u003cfigure id=\"attachment_11987817\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987817\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg\" alt=\"A woman wearing colorful clothing adjusts the hat of another woman.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-04-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Simón Cochabamba Filial California members Stephanie Nonalaya help Kasandra Barrientos with her hat before dancing in the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"map-carnaval-parade-sf\">\u003c/a>When does the Carnaval Grand Parade start, and what’s the parade route?\u003c/strong>\u003c/h2>\n\u003cp>The Carnaval Grand Parade takes place on Sunday, May 25, starting at 10 a.m., and features dozens of floats and hundreds of dancers moving through the entire neighborhood.\u003c/p>\n\u003cp>The Carnaval parade route begins at Bryant and 24th streets, then moves through 24th Street, takes a right on Mission Street, stays on that street all the way to 15th Street, and wraps up at Harrison and 15th Street. The dancers and musicians in the parade perform nonstop the whole way, which is a particularly impressive feat when you consider that some of the most elaborate outfits can weigh up to 40 pounds.\u003c/p>\n\u003cfigure id=\"attachment_12040531\" class=\"wp-caption aligncenter\" style=\"max-width: 792px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12040531\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy.jpg\" alt=\"\" width=\"792\" height=\"1024\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy.jpg 792w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/CSF25-ParadeMap_kpix-r5prmqeqref9h1lflzuoo3lzamh5efqb3qllrmyjq2-copy-160x207.jpg 160w\" sizes=\"auto, (max-width: 792px) 100vw, 792px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Carnaval SF parade route.\u003c/figcaption>\u003c/figure>\n\u003cp>On top of that, there’s a contest element — as contingents, or comparsas, compete against each other in multiple categories. Judges will rank each comparsa on originality, choreography and production design.\u003c/p>\n\u003cp>If you can’t make it exactly at the 10 a.m. parade start time, don’t worry: The parade goes on for hours before finally wrapping up at 2 p.m.\u003c/p>\n\u003cp>Can’t make it in person at all? \u003ca href=\"https://www.cbsnews.com/sanfrancisco/live/\">KPIX will be streaming the parade online.\u003c/a>\u003c/p>\n\u003ch2>\u003ca id=\"street-closures-carnaval\">\u003c/a>What streets will be closed for Carnaval 2025?\u003c/h2>\n\u003cp>Street closures in the Mission District will begin as early as Friday afternoon, when crews begin setting up the festival space along Harrison Street.\u003c/p>\n\u003cp>From 4 p.m. to Monday 2 a.m., cars will not be able to circulate in the areas between 16th and 24th streets and between Folsom and Alabama streets.\u003c/p>\n\u003cp>On Sunday, a bigger part of the neighborhood will be blocked off from 9 a.m. to 4 p.m. due to the Grand Parade:\u003c/p>\n\u003cul>\n\u003cli>Mission Street between 15th and 24th streets\u003c/li>\n\u003cli>15th Street between Mission and Alabama streets\u003c/li>\n\u003cli>24th Street between York and Mission streets\u003c/li>\n\u003cli>Bryant Street between 17th and Cesar Chavez streets\u003c/li>\n\u003cli>Harrison Street between 15th and 16th streets\u003c/li>\n\u003cli>Treat Avenue between Harrison and Alameda streets.\u003c/li>\n\u003c/ul>\n\u003cp>Many parking spots usually available for residents in this area will also be off-limits. If you live on any of the streets that’ll be taken over by Carnaval this weekend and need to move your car in or out of your garage, look for a Carnaval staff member so they can escort your vehicle through the emergency access lanes.\u003c/p>\n\u003ch2>\u003cstrong>A few things to look for at the Carnaval San Francisco Grand Parade\u003c/strong>\u003c/h2>\n\u003cp>What makes San Francisco’s Carnaval distinct from other Carnaval celebrations you may see in Rio de Janeiro or Barranquilla: the way it reflects not just one national culture, but instead brings together the diversity and histories of California’s Latin American and Caribbean diasporas.\u003c/p>\n\u003cp>This is exemplified by this year’s grand marshals, who’ll be leading the parade: Brazilian-born musician, dancer and teacher \u003ca href=\"https://www.instagram.com/dandhadahora/\">Dandha Da Hora\u003c/a>, and seven-time Grammy-nominated percussionist and bandleader \u003ca href=\"https://johnsantosofficial.com/bio\">John Santos\u003c/a>, born in San Francisco to a Puerto Rican and Cape Verdean family.\u003c/p>\n\u003cp>Who are the King and Queen of Carnaval? This year, German Tike, originally from Colombia, and Zoel Esperanza, an Afro-Mexican dancer and musician now settled in New York, will wear the crowns during the parade.\u003c/p>\n\u003cp>The 70 different comparsas that make up this year’s parade include long-standing groups like Flavaz of D’ Caribbean, who’ve won multiple Carnaval categories year after year with high-energy choreography representing the music of Trinidad and Tobago. You’ll also find first-time groups like Karimba Afrikans, which will feature uniquely Afro-Colombian musical traditions like \u003ca href=\"https://colombiaone.com/2025/03/02/barranquilla-carnival-dances/#:~:text=Son%20de%20Negros,powerful%20cultural%20expression%20of%20resistance.\">mapalé and son de negro\u003c/a>, with many dancers flying in from Barranquilla, Colombia just to perform at Carnaval.\u003c/p>\n\u003cp>And while you dance to the music, make sure to pay close attention to what the performers are wearing — as many comparsas start preparing their parade outfits months in advance. Dancers with \u003ca href=\"https://www.kqed.org/news/11987673/carnaval-putleco-brings-a-oaxacan-festival-of-colors-to-the-bay-area\">Carnaval Putleco, a comparsa which honors the culture of Putla, Oaxaca\u003c/a>, will be wearing tiliches: incredibly colorful and elaborate full-body suits made out of hundreds of ribbons, shells and beads.\u003c/p>\n\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/parade/\">See the full list of participating comparsas at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11987821\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987821\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg\" alt=\"Several people dressed in decorative attire walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-23-BL-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Groups from Oaxaca dance on Mission Street during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>If the Carnaval San Francisco Grand Parade is free, can I just show up?\u003c/strong>\u003c/h2>\n\u003cp>Yes: no tickets or registration required. Just show up anywhere along the parade route and enjoy the show.\u003c/p>\n\u003cp>However, if you want a unique vantage point, \u003ca href=\"https://givebutter.com/2025GrandParade\">you can purchase special Grand Stand seats for the Carnaval parade\u003c/a>. These elevated bleachers, located along Mission Street between 22nd and 23rd streets, are next to the judges’ tables, where each contingent will pause and perform for an extra amount of time. Keep in mind that Grand Stand tickets will only be available before the parade and will not be sold day of.\u003c/p>\n\u003cp>There are no truly bad spots from which to watch the parade, but if you post up at 24th Street, you’ll be much closer to the performers — albeit a bit more cramped with foot traffic. If you’re on Mission Street, you’ll definitely have a lot more room to move around.\u003c/p>\n\u003cfigure id=\"attachment_11987831\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987831\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg\" alt=\"Side-by-side images of women dressed in elaborate attire for a parade.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/CarnavalDiptych2-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Jediah Pratt, 15, dances with Loco Bloco in the Carnaval Grand Parade. Right: Loco Bloco dancers perform. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>\u003ca id=\"what-bands-headliner-carnaval-mexican-institute-sound-wampi\">\u003c/a>Who’s headlining this year at Carnaval San Francisco?\u003c/strong>\u003c/h2>\n\u003cp>Over 50 musicians, DJs and dance groups will perform throughout the weekend across the four stages and five block parties located throughout Harrison Street. This year’s headliners are:\u003c/p>\n\u003cp>\u003cstrong>Mexican Institute of Sound:\u003c/strong> Led by Grammy-nominated Camilo Lara, Mexican Institute of Sound \u003ca href=\"https://www.npr.org/2021/02/17/968638797/the-man-running-an-entire-nations-institute-of-sound\">has transformed Mexico City’s electronic music scene\u003c/a>, deftly combining cumbia, electronica, rock and mambo. The group’s work is even featured on the Grand Theft Auto V soundtrack. \u003cem>Performing on Saturday at 5 p.m. on the 17th and Harrison Street stage.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Wampi:\u003c/strong> Currently residing in Cuba, Wampi specializes in a distinctly Cuban genre: \u003ca href=\"https://www.grammy.com/news/cuban-reparto-artists-to-know-el-taiger-wampi\">reparto\u003c/a>, which evolved in the late 2000s and mixes reggaeton, hip hop and the more traditional \u003ca href=\"https://www.kennedy-center.org/artists/t/ta-tn/-timba-street/#:~:text=Timba%20is%20the%20fusion%20of,Soul%2C%20and%20Go%2DGo.\">timba\u003c/a>. “He really is a trailblazer with what he’s doing,” Carnaval Executive Director Durán said, adding reparto’s popularity has grown all over the Caribbean — and that it’s time for it to flourish in California. \u003cem>Performing on Saturday at 5 p.m. on the 22nd and Harrison Street stage.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://carnavalsanfrancisco.org/festival/\">See the full list of performers at Carnaval San Francisco.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11987823\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11987823\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg\" alt=\"Several people dressed in red walk down the street during a parade.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240526-CarnavalParade-11-BL-1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Danza Mestiza celebrates Selena during the Carnaval Grand Parade in San Francisco’s Mission District on May 26, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Is Carnaval San Francisco family-friendly?\u003c/strong>\u003c/h2>\n\u003cp>Yes: For many Bay Area families, going to Carnaval with the kids, teens and grandparents is a decades-long tradition. In the festival space, organizers have set up a Kids Zone at Harrison and 18th Street where families can paint, dance and play drums.\u003c/p>\n\u003cp>And this year, Durán said, “the Smurfs are coming to Carnaval.”\u003c/p>\n\u003cp>The upcoming release of Paramount Pictures’ \u003cem>Smurfs\u003c/em> movie means there’ll be Smurfs characters with giveaways and photo opportunities at the Kids Zone on Harrison Street, and at the nearby Casa de Carnaval at 683 Florida St. throughout the weekend.\u003c/p>\n\u003cp>You’ll also find an area set up for skateboarding on 23rd and Treat, next to a health and wellness pavilion offering testing for both COVID-19 and blood pressure.\u003c/p>\n\u003cp>Event staff will be present at several points throughout the festival, including an information booth on 19th and Harrison.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"parking-muni-sf-carnaval\">\u003c/a>How do I get to Carnaval San Francisco? What about parking?\u003c/strong>\u003c/h2>\n\u003cp>If you’re planning to drive into the Mission during Carnaval weekend, it’s not going to be easy.\u003c/p>\n\u003cp>The areas surrounding Harrison Street, from 16th to 24th streets, will be closed off to cars the whole weekend, which means a lot of the neighborhood’s parking spots will be off-limits. Even residents will have to move their cars to make way for the festival, so there’ll be a lot of competition for the few remaining spots left.\u003c/p>\n\u003cp>“Driving in is not the best idea,” said Carnaval’s Durán, who recommends that folks instead use public transit or a ridesharing app to get to the celebrations. But if you do need to drive, he suggested looking for a spot to the west of Harrison Street (past Valencia Street) as the streets on the eastern half of the Mission District will see the most competition for parking.\u003c/p>\n\u003cp>On Sunday, all cars parked along the Grand Parade route will have to move, including Mission Street from 24th Street to 15th Street, chunks of 24th and 15th streets as well, and sections of Bryant Street.\u003c/p>\n\u003cp>Remember, if you live on any of the streets that’ll be taken over by Carnaval this weekend and need to move your car in or out of your garage, look for a Carnaval staff member so they can escort your vehicle through the emergency access lanes.\u003c/p>\n\u003cfigure id=\"attachment_11750066\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11750066\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/IMG_1603-e1558922311567.jpg\" alt=\"\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">More than 400 members of Karibbean Vibrationz celebrate the group’s 10-year anniversary at Carnaval with a performance titled, ‘Evolution to Epicness.’ \u003ccite>(Audrey Garces/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cstrong>Taking public transit to Carnaval San Francisco\u003c/strong>\u003c/h2>\n\u003cp>BART will continue operating with a weekday schedule at both 16th and 24th Mission stations. On Saturday, you can ride the 22, 33, 55 and 48 Muni bus routes, which will pass near the festival entrances, and the 9, 12, 14, 14R and 49 bus lines can drop you off a few blocks away. Prepare for your trip on Muni \u003ca href=\"https://www.sfmta.com/trip-planner\">using SFMTA’s online planning tool\u003c/a>.\u003c/p>\n\u003cp>SFMTA officials confirmed with KQED that the complete list of Muni services affected by the festival and parade will be available a few days ahead of Carnaval.\u003c/p>\n\u003cp>If you want to avoid congestion caused by all the changes to Muni service, your best bet would be to take BART to either the 16th or 24th Mission BART stations. Prepare for your trip on BART \u003ca href=\"https://www.bart.gov/planner\">using the agency’s online planning tool\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003c!-- Creative Commons Attribution-NonCommercial-NoDerivatives https://creativecommons.org/licenses/by-nc-nd/4.0/ -->\u003c/p>\n\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>Staring down a $12 billion budget deficit, Gov. Gavin Newsom \u003ca href=\"https://calmatters.org/politics/2025/05/california-budget-revision-may-2025/\">proposed steep cuts\u003c/a> to California’s health care services and public universities — all while promising more dollars to Hollywood.\u003c/p>\n\u003cp>Newsom on Wednesday doubled down on \u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202520260ab1138\">his proposal to expand\u003c/a> the state’s investment in film and television tax credits, \u003ca href=\"https://lao.ca.gov/Publications/Report/3502#:~:text=California%20Adopted%20First%20Film%20Tax,credits%20under%20this%20new%20program.\">incentives created\u003c/a> by then-Gov. Arnold Schwarzenegger in 2009 to boost California’s marquee industry. If passed, the state would allocate up to $750 million each year to film production, up from the current $330 million.\u003c/p>\n\u003cp>Despite saying that any funding request from Los Angeles unrelated to disaster recovery would be a “non-starter,” Newsom deemed the tax credit expansion essential to reviving an ailing industry.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s on life support,” he told reporters. “We need to step things up, and this is all part and parcel of economic recovery, economic growth.”\u003c/p>\n\u003cp>Newsom’s plan would also increase the amount each qualified applicant can receive, extend the credit to live action and animated series and devote more money toward independent films.\u003c/p>\n\u003cp>But his proposal has drawn criticism from both Democrats and Republicans who argue the state should prioritize essential programs in a tight budget year. Assembly Republican Leader James Gallagher of Chico called Newsom’s proposal “tone-deaf.”\u003c/p>\n\u003cp>“I’m not sure the rest of California will be OK with their senior programs, their disability programs, their education programs being cut in order to prop up a regional industry,” said \u003ca href=\"https://calmatters.digitaldemocracy.org/legislators/corey-jackson-165443\">Assemblymember Corey Jackson\u003c/a>, a Moreno Valley Democrat.\u003c/p>\n\u003cp>[aside postID=news_12039465 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/03/250323-DEM-TOWN-HALLS-MD-13-KQED-1-1020x680.jpg']\u003c/p>\n\u003cp>Some lawmakers warned that other states could respond with even more aggressive incentives, creating a “race to the bottom.”\u003c/p>\n\u003cp>“It seems eminently predictable that we will be back next year with a proposal that says: ‘We’ve fallen behind again. I don’t know what happened. And now we need to do more,’” said Sen. \u003ca href=\"https://calmatters.digitaldemocracy.org/legislators/christopher-cabaldon-5699\">Christopher Cabaldon\u003c/a>, a Napa Democrat, in March.\u003c/p>\n\u003cp>Despite those concerns, the proposal has advanced in the state Legislature with little resistance. Assemblymember Jesse Gabriel, a Los Angeles Democrat who chairs the powerful budget committee, told CalMatters that anyone seeking large funding increases this year “should stop wasting people’s time” because there isn’t enough money.\u003c/p>\n\u003cp>Newsom’s proposal is different, Gabriel said, because it would expand a longstanding, tested program that would also help offset the impact of the L.A. wildfires.\u003c/p>\n\u003cp>For Newsom, a lame-duck governor with presidential ambitions, expanding the tax credits could please the wealthy Hollywood donors who could propel his campaign.\u003c/p>\n\u003cp>But the handout can easily be portrayed as a tax break for the rich.\u003c/p>\n\u003cp>“The ads kind of make themselves,” said Kim Nalder, a political science professor at California State University, Sacramento. “It’s been effective in previous years to … use (Hollywood) as an example of unserious, privileged waste.”\u003c/p>\n\u003ch2>Saving Hollywood\u003c/h2>\n\u003cp>Hollywood has suffered. A “quadruple-whammy” of the COVID-19 pandemic that shut down productions, a \u003ca href=\"https://apnews.com/article/actors-strike-contract-a7a529acaf6b5b38aac93722db54c193\">Hollywood writers strike\u003c/a>, \u003ca href=\"https://calmatters.org/politics/capitol/2025/01/la-fires-california-legislature-bills/\">deadly wildfires\u003c/a> and growing production incentives from other states that lured movies out of California have decreased its nationwide share in film industry employment from 54% in 2010 to 46% in 2023, according to the bill analysis. Film production levels in Los Angeles also saw a \u003ca href=\"https://filmla.com/la-on-location-filming-falls-in-first-quarter/\">sharp drop-off\u003c/a> in recent years.\u003c/p>\n\u003cp>The industry is also struggling to compete globally, so much so that even President Donald Trump has weighed in, ordering a \u003ca href=\"https://www.reuters.com/business/media-telecom/trump-announces-100-tariff-movies-produced-outside-us-2025-05-04/\">100% tariff on overseas productions\u003c/a>, though he has given no details. In response, Newsom has offered to work with Trump to \u003ca href=\"https://www.theguardian.com/us-news/2025/may/06/newsom-trump-movie-tariffs\">develop a $7.5 billion federal tax credit\u003c/a>.[aside postID=news_12040025 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/05/GavinNewsom2025AP2-1020x680.jpg']“I applaud President Trump for recognizing that we are losing a lot of films to foreign countries, and I hope he steps up,” Newsom said Wednesday.\u003c/p>\n\u003cp>The proposed state film tax credit expansion has united motion picture studios and entertainment industry workers, but it is the unions that have been leading the fight.\u003c/p>\n\u003cp>The groups backing the plan have poured at least $8.4 million into lawmakers’ coffers since 2015, including nearly $6.5 million from the \u003ca href=\"https://calmatters.digitaldemocracy.org/organizations/-2947#financials\">California State Council of Laborers\u003c/a> alone, according to an analysis of CalMatters’ Digital Democracy database. Walt Disney, a top supporter, has given nearly $750,000 to lawmakers since 2015.\u003c/p>\n\u003cp>Dozens of unionized workers have filled legislative hearing rooms and spilled into the hallways as they testify in support.\u003c/p>\n\u003cp>“We are the thousands of artisans whose names whip by in the credit roll at the end of the movie. Not those that appear in huge letters and fade slowly at the beginning of the movie. We don’t go to the award shows. We work the award shows,” \u003ca href=\"https://calmatters.digitaldemocracy.org/hearings/258945?t=896&f=9cdd49a18e32c5cbd74ef45e6426401c\">said Renata Ray\u003c/a>, representing a chapter of the International Alliance of Theatrical Stage Employees.\u003c/p>\n\u003cp>Nalder said that is a smart political move since labor unions hold so much political sway with Democratic lawmakers.\u003c/p>\n\u003cp>And the tax credit expansion “touches both the struggling workers as well as international mega-stars,” said Thad Kousser, a political science professor at University of California-San Diego.\u003c/p>\n\u003cp>Still, the funding could backfire on Newsom as he eyes a potential White House run in 2028.\u003c/p>\n\u003cp>“You’ve got to think about policies’ effect on your core supporters … but also the average voters in places like Iowa, New Hampshire, who may not see someone who’s helping bail out Hollywood as someone taking the nation in the direction they want to see,” Kousser said.\u003c/p>\n\u003ch2>Do film tax credits work?\u003c/h2>\n\u003cp>California’s film tax credit was created \u003ca href=\"https://lao.ca.gov/Publications/Report/3502#Economic_Effects:~:text=California%20Adopted%20First,this%20new%20program.\">in response to other states’ incentives\u003c/a>. As of last year, \u003ca href=\"https://www.ncsl.org/fiscal/state-film-and-television-incentive-programs\">37 states\u003c/a> had similar incentives. California’s program is often compared to the unlimited tax credit in Georgia, a frequent destination for film production, and New York’s incentives, which were raised last week, from $700 million to \u003ca href=\"https://www.hollywoodreporter.com/business/business-news/new-york-aims-large-scale-producers-indie-projects-film-subsidy-boost-1236212240/\">$800 million a year\u003c/a>.\u003c/p>\n\u003cp>But California’s program is unique: It is the only state to \u003ca href=\"https://film.ca.gov/tax-credit/jobs-ratio-ranking/\">award credits based on the likelihood\u003c/a> of a project creating jobs and boosting the economy. It is also one of the few states to prohibit using the tax credits to pay “above-the-line” crews, such as directors, actors or writers.\u003c/p>\n\u003cp>The nonpartisan \u003ca href=\"https://lao.ca.gov/Publications/Report/5000\">Legislative Analyst’s Office said\u003c/a> there is “good evidence that tax credits increase production activity” and it could increase the size of the state’s film industry.\u003c/p>\n\u003cp>That is partly because some studios choose to film elsewhere when they are denied tax incentives. Between 2011 and 2013, roughly two thirds of the applicants who did not receive tax credits in California shot out of state, \u003ca href=\"https://lao.ca.gov/reports/2016/3502/First-Film-Tax-Credit-Prog-092916.pdf\" target=\"_blank\" rel=\"noopener\">according to a 2016 report\u003c/a> by the legislative analyst. And between 2020 and 2023, almost 60% of applicants who were denied the tax credits produced out of state, according to \u003ca href=\"https://cdn.film.ca.gov/wp-content/uploads/2024/04/Progress-Report-2023.pdf\" target=\"_blank\" rel=\"noopener\">a 2023 report by the California Film Commission\u003c/a>, which administers the credits.\u003c/p>\n\u003cp>But would the tax credit boost the state’s broader economy? Research is mixed.\u003c/p>\n\u003cp>\u003ca href=\"https://journals.sagepub.com/doi/abs/10.1177/08912424211000127\">A study of California’s first film tax credit program\u003c/a>, which used a lottery system to award credits, found major studios that received the incentives spent and hired more in California.\u003c/p>\n\u003cp>Supporters of the California proposal, such as Assembly Democratic Caucus Chair Rick Zbur, a Los Angeles lawmaker who introduced the legislation — argue that the program “pays for itself.” They \u003ca href=\"https://laedc.org/wp-content/uploads/2022/03/LAEDC-Report_CA-Film-TV-Tax-Credit-Program-2.0_FINAL_2022.03.14.pdf\" target=\"_blank\" rel=\"noopener\">frequently cite a 2023 analysis\u003c/a> by the nonprofit Los Angeles Economic Development Corporation which concluded that for every dollar the state spent on the tax credits, state and local governments collected $1.07 in tax revenue. It also said each dollar invested led to $24.40 in economic activity and $8.60 in increased wages.\u003c/p>\n\u003cp>“Every show that shoots in California supports hundreds of jobs. It pumps money into local economies from lumber yards to restaurants, from car rentals to dry cleaners,” said Ed Lammi, a former Sony Pictures Television executive, \u003ca href=\"https://calmatters.org/commentary/2025/05/hollywood-industry-job-tax-credit/\">in an opinion piece citing the research\u003c/a>.\u003c/p>\n\u003cp>The study was prepared for the Motion Picture Association, one of the legislation’s top supporters. The association has given lawmakers $168,000 since 2015, \u003ca href=\"https://calmatters.digitaldemocracy.org/financials?giver%5B%5D=oid--8112\">Digital Democracy data shows\u003c/a>.\u003c/p>\n\u003cp>But while some studies show some evidence that filmmakers are drawn to states with better incentives, the legislative analyst’s office and most researchers have concluded that \u003ca href=\"https://www.tax.ny.gov/pdf/research/economic-impact-of-tax-incentive-programs.pdf\" target=\"_blank\" rel=\"noopener\">states almost always lose money\u003c/a> on \u003ca href=\"https://www.audits.ga.gov/ReportSearch/download/30438?_gl=1*fcit89*_ga*MTYxMTU0MTYxNy4xNzQwNDE0MTE3*_ga_8Z4RV13R5J*MTc0MzUzMTAxOS40LjAuMTc0MzUzMTAxOS4wLjAuMA..*_ga_65FL79Y113*MTc0MzUzMTAxOS40LjAuMTc0MzUzMTAxOS42MC4wLjA\">such programs\u003c/a>, and that the credits have little to no effect on a state’s \u003ca href=\"https://journals.sagepub.com/doi/abs/10.1177/0275074016651958\">economic growth\u003c/a> or its \u003ca href=\"https://www.nber.org/papers/w25963\">job market\u003c/a>.\u003c/p>\n\u003cp>Michael Thom, a professor at the University of Southern California, wrote to \u003ca href=\"https://srev.senate.ca.gov/system/files/2025-03/testimony-prof-michael-thom.pdf\" target=\"_blank\" rel=\"noopener\">lawmakers in March\u003c/a> that his research showed the programs generally failed to create jobs or increase wages. “Simply put, California cannot afford the existing incentive, much less a substantial expansion to it,” he said.\u003c/p>\n\u003cp>Mike Gatto, a Los Angeles Democrat who authored the first expansion of the film tax credit program in 2014, said he is skeptical about subsidizing the film industry without addressing the root causes of its problems.\u003c/p>\n\u003cp>“It is doubtful that the amount of money that the state gives to this industry proves to be something that we get back,” he said.\u003c/p>\n\u003cp>\u003cem>This article was \u003ca href=\"https://calmatters.org/politics/2025/05/california-film-tax-credit-gavin-newsom-hollywood/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"headline": "Faced With Budget Woes, Gavin Newsom Wants More Tax Credits for Hollywood",
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"nprByline": "\u003ca href=\"https://calmatters.org/author/yue-yu/\">Yue Stella Yu\u003c/a>, CalMatters",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- Creative Commons Attribution-NonCommercial-NoDerivatives https://creativecommons.org/licenses/by-nc-nd/4.0/ -->\u003c/p>\n\u003cp>\u003cem>This story was originally published by \u003ca href=\"https://calmatters.org/\">CalMatters\u003c/a>. \u003ca href=\"https://calmatters.org/subscribe-to-calmatters/\">Sign up\u003c/a> for their newsletters.\u003c/em>\u003c/p>\n\u003cp>Staring down a $12 billion budget deficit, Gov. Gavin Newsom \u003ca href=\"https://calmatters.org/politics/2025/05/california-budget-revision-may-2025/\">proposed steep cuts\u003c/a> to California’s health care services and public universities — all while promising more dollars to Hollywood.\u003c/p>\n\u003cp>Newsom on Wednesday doubled down on \u003ca href=\"https://calmatters.digitaldemocracy.org/bills/ca_202520260ab1138\">his proposal to expand\u003c/a> the state’s investment in film and television tax credits, \u003ca href=\"https://lao.ca.gov/Publications/Report/3502#:~:text=California%20Adopted%20First%20Film%20Tax,credits%20under%20this%20new%20program.\">incentives created\u003c/a> by then-Gov. Arnold Schwarzenegger in 2009 to boost California’s marquee industry. If passed, the state would allocate up to $750 million each year to film production, up from the current $330 million.\u003c/p>\n\u003cp>Despite saying that any funding request from Los Angeles unrelated to disaster recovery would be a “non-starter,” Newsom deemed the tax credit expansion essential to reviving an ailing industry.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s on life support,” he told reporters. “We need to step things up, and this is all part and parcel of economic recovery, economic growth.”\u003c/p>\n\u003cp>Newsom’s plan would also increase the amount each qualified applicant can receive, extend the credit to live action and animated series and devote more money toward independent films.\u003c/p>\n\u003cp>But his proposal has drawn criticism from both Democrats and Republicans who argue the state should prioritize essential programs in a tight budget year. Assembly Republican Leader James Gallagher of Chico called Newsom’s proposal “tone-deaf.”\u003c/p>\n\u003cp>“I’m not sure the rest of California will be OK with their senior programs, their disability programs, their education programs being cut in order to prop up a regional industry,” said \u003ca href=\"https://calmatters.digitaldemocracy.org/legislators/corey-jackson-165443\">Assemblymember Corey Jackson\u003c/a>, a Moreno Valley Democrat.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some lawmakers warned that other states could respond with even more aggressive incentives, creating a “race to the bottom.”\u003c/p>\n\u003cp>“It seems eminently predictable that we will be back next year with a proposal that says: ‘We’ve fallen behind again. I don’t know what happened. And now we need to do more,’” said Sen. \u003ca href=\"https://calmatters.digitaldemocracy.org/legislators/christopher-cabaldon-5699\">Christopher Cabaldon\u003c/a>, a Napa Democrat, in March.\u003c/p>\n\u003cp>Despite those concerns, the proposal has advanced in the state Legislature with little resistance. Assemblymember Jesse Gabriel, a Los Angeles Democrat who chairs the powerful budget committee, told CalMatters that anyone seeking large funding increases this year “should stop wasting people’s time” because there isn’t enough money.\u003c/p>\n\u003cp>Newsom’s proposal is different, Gabriel said, because it would expand a longstanding, tested program that would also help offset the impact of the L.A. wildfires.\u003c/p>\n\u003cp>For Newsom, a lame-duck governor with presidential ambitions, expanding the tax credits could please the wealthy Hollywood donors who could propel his campaign.\u003c/p>\n\u003cp>But the handout can easily be portrayed as a tax break for the rich.\u003c/p>\n\u003cp>“The ads kind of make themselves,” said Kim Nalder, a political science professor at California State University, Sacramento. “It’s been effective in previous years to … use (Hollywood) as an example of unserious, privileged waste.”\u003c/p>\n\u003ch2>Saving Hollywood\u003c/h2>\n\u003cp>Hollywood has suffered. A “quadruple-whammy” of the COVID-19 pandemic that shut down productions, a \u003ca href=\"https://apnews.com/article/actors-strike-contract-a7a529acaf6b5b38aac93722db54c193\">Hollywood writers strike\u003c/a>, \u003ca href=\"https://calmatters.org/politics/capitol/2025/01/la-fires-california-legislature-bills/\">deadly wildfires\u003c/a> and growing production incentives from other states that lured movies out of California have decreased its nationwide share in film industry employment from 54% in 2010 to 46% in 2023, according to the bill analysis. Film production levels in Los Angeles also saw a \u003ca href=\"https://filmla.com/la-on-location-filming-falls-in-first-quarter/\">sharp drop-off\u003c/a> in recent years.\u003c/p>\n\u003cp>The industry is also struggling to compete globally, so much so that even President Donald Trump has weighed in, ordering a \u003ca href=\"https://www.reuters.com/business/media-telecom/trump-announces-100-tariff-movies-produced-outside-us-2025-05-04/\">100% tariff on overseas productions\u003c/a>, though he has given no details. In response, Newsom has offered to work with Trump to \u003ca href=\"https://www.theguardian.com/us-news/2025/may/06/newsom-trump-movie-tariffs\">develop a $7.5 billion federal tax credit\u003c/a>.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I applaud President Trump for recognizing that we are losing a lot of films to foreign countries, and I hope he steps up,” Newsom said Wednesday.\u003c/p>\n\u003cp>The proposed state film tax credit expansion has united motion picture studios and entertainment industry workers, but it is the unions that have been leading the fight.\u003c/p>\n\u003cp>The groups backing the plan have poured at least $8.4 million into lawmakers’ coffers since 2015, including nearly $6.5 million from the \u003ca href=\"https://calmatters.digitaldemocracy.org/organizations/-2947#financials\">California State Council of Laborers\u003c/a> alone, according to an analysis of CalMatters’ Digital Democracy database. Walt Disney, a top supporter, has given nearly $750,000 to lawmakers since 2015.\u003c/p>\n\u003cp>Dozens of unionized workers have filled legislative hearing rooms and spilled into the hallways as they testify in support.\u003c/p>\n\u003cp>“We are the thousands of artisans whose names whip by in the credit roll at the end of the movie. Not those that appear in huge letters and fade slowly at the beginning of the movie. We don’t go to the award shows. We work the award shows,” \u003ca href=\"https://calmatters.digitaldemocracy.org/hearings/258945?t=896&f=9cdd49a18e32c5cbd74ef45e6426401c\">said Renata Ray\u003c/a>, representing a chapter of the International Alliance of Theatrical Stage Employees.\u003c/p>\n\u003cp>Nalder said that is a smart political move since labor unions hold so much political sway with Democratic lawmakers.\u003c/p>\n\u003cp>And the tax credit expansion “touches both the struggling workers as well as international mega-stars,” said Thad Kousser, a political science professor at University of California-San Diego.\u003c/p>\n\u003cp>Still, the funding could backfire on Newsom as he eyes a potential White House run in 2028.\u003c/p>\n\u003cp>“You’ve got to think about policies’ effect on your core supporters … but also the average voters in places like Iowa, New Hampshire, who may not see someone who’s helping bail out Hollywood as someone taking the nation in the direction they want to see,” Kousser said.\u003c/p>\n\u003ch2>Do film tax credits work?\u003c/h2>\n\u003cp>California’s film tax credit was created \u003ca href=\"https://lao.ca.gov/Publications/Report/3502#Economic_Effects:~:text=California%20Adopted%20First,this%20new%20program.\">in response to other states’ incentives\u003c/a>. As of last year, \u003ca href=\"https://www.ncsl.org/fiscal/state-film-and-television-incentive-programs\">37 states\u003c/a> had similar incentives. California’s program is often compared to the unlimited tax credit in Georgia, a frequent destination for film production, and New York’s incentives, which were raised last week, from $700 million to \u003ca href=\"https://www.hollywoodreporter.com/business/business-news/new-york-aims-large-scale-producers-indie-projects-film-subsidy-boost-1236212240/\">$800 million a year\u003c/a>.\u003c/p>\n\u003cp>But California’s program is unique: It is the only state to \u003ca href=\"https://film.ca.gov/tax-credit/jobs-ratio-ranking/\">award credits based on the likelihood\u003c/a> of a project creating jobs and boosting the economy. It is also one of the few states to prohibit using the tax credits to pay “above-the-line” crews, such as directors, actors or writers.\u003c/p>\n\u003cp>The nonpartisan \u003ca href=\"https://lao.ca.gov/Publications/Report/5000\">Legislative Analyst’s Office said\u003c/a> there is “good evidence that tax credits increase production activity” and it could increase the size of the state’s film industry.\u003c/p>\n\u003cp>That is partly because some studios choose to film elsewhere when they are denied tax incentives. Between 2011 and 2013, roughly two thirds of the applicants who did not receive tax credits in California shot out of state, \u003ca href=\"https://lao.ca.gov/reports/2016/3502/First-Film-Tax-Credit-Prog-092916.pdf\" target=\"_blank\" rel=\"noopener\">according to a 2016 report\u003c/a> by the legislative analyst. And between 2020 and 2023, almost 60% of applicants who were denied the tax credits produced out of state, according to \u003ca href=\"https://cdn.film.ca.gov/wp-content/uploads/2024/04/Progress-Report-2023.pdf\" target=\"_blank\" rel=\"noopener\">a 2023 report by the California Film Commission\u003c/a>, which administers the credits.\u003c/p>\n\u003cp>But would the tax credit boost the state’s broader economy? Research is mixed.\u003c/p>\n\u003cp>\u003ca href=\"https://journals.sagepub.com/doi/abs/10.1177/08912424211000127\">A study of California’s first film tax credit program\u003c/a>, which used a lottery system to award credits, found major studios that received the incentives spent and hired more in California.\u003c/p>\n\u003cp>Supporters of the California proposal, such as Assembly Democratic Caucus Chair Rick Zbur, a Los Angeles lawmaker who introduced the legislation — argue that the program “pays for itself.” They \u003ca href=\"https://laedc.org/wp-content/uploads/2022/03/LAEDC-Report_CA-Film-TV-Tax-Credit-Program-2.0_FINAL_2022.03.14.pdf\" target=\"_blank\" rel=\"noopener\">frequently cite a 2023 analysis\u003c/a> by the nonprofit Los Angeles Economic Development Corporation which concluded that for every dollar the state spent on the tax credits, state and local governments collected $1.07 in tax revenue. It also said each dollar invested led to $24.40 in economic activity and $8.60 in increased wages.\u003c/p>\n\u003cp>“Every show that shoots in California supports hundreds of jobs. It pumps money into local economies from lumber yards to restaurants, from car rentals to dry cleaners,” said Ed Lammi, a former Sony Pictures Television executive, \u003ca href=\"https://calmatters.org/commentary/2025/05/hollywood-industry-job-tax-credit/\">in an opinion piece citing the research\u003c/a>.\u003c/p>\n\u003cp>The study was prepared for the Motion Picture Association, one of the legislation’s top supporters. The association has given lawmakers $168,000 since 2015, \u003ca href=\"https://calmatters.digitaldemocracy.org/financials?giver%5B%5D=oid--8112\">Digital Democracy data shows\u003c/a>.\u003c/p>\n\u003cp>But while some studies show some evidence that filmmakers are drawn to states with better incentives, the legislative analyst’s office and most researchers have concluded that \u003ca href=\"https://www.tax.ny.gov/pdf/research/economic-impact-of-tax-incentive-programs.pdf\" target=\"_blank\" rel=\"noopener\">states almost always lose money\u003c/a> on \u003ca href=\"https://www.audits.ga.gov/ReportSearch/download/30438?_gl=1*fcit89*_ga*MTYxMTU0MTYxNy4xNzQwNDE0MTE3*_ga_8Z4RV13R5J*MTc0MzUzMTAxOS40LjAuMTc0MzUzMTAxOS4wLjAuMA..*_ga_65FL79Y113*MTc0MzUzMTAxOS40LjAuMTc0MzUzMTAxOS42MC4wLjA\">such programs\u003c/a>, and that the credits have little to no effect on a state’s \u003ca href=\"https://journals.sagepub.com/doi/abs/10.1177/0275074016651958\">economic growth\u003c/a> or its \u003ca href=\"https://www.nber.org/papers/w25963\">job market\u003c/a>.\u003c/p>\n\u003cp>Michael Thom, a professor at the University of Southern California, wrote to \u003ca href=\"https://srev.senate.ca.gov/system/files/2025-03/testimony-prof-michael-thom.pdf\" target=\"_blank\" rel=\"noopener\">lawmakers in March\u003c/a> that his research showed the programs generally failed to create jobs or increase wages. “Simply put, California cannot afford the existing incentive, much less a substantial expansion to it,” he said.\u003c/p>\n\u003cp>Mike Gatto, a Los Angeles Democrat who authored the first expansion of the film tax credit program in 2014, said he is skeptical about subsidizing the film industry without addressing the root causes of its problems.\u003c/p>\n\u003cp>“It is doubtful that the amount of money that the state gives to this industry proves to be something that we get back,” he said.\u003c/p>\n\u003cp>\u003cem>This article was \u003ca href=\"https://calmatters.org/politics/2025/05/california-film-tax-credit-gavin-newsom-hollywood/\">originally published on CalMatters\u003c/a> and was republished under the \u003ca href=\"https://creativecommons.org/licenses/by-nc-nd/4.0/\">Creative Commons Attribution-NonCommercial-NoDerivatives\u003c/a> license.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "For One Vietnamese Family in LA, This Broth Is Rich With Memories of Life After War",
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"content": "\u003cp>Standing over a gas burner in his outdoor kitchen in South Pasadena, Hong Pham toasted an onion and a whole ginger root until they were smoky and black.\u003c/p>\n\u003cp>Every Vietnamese household needs a kitchen in their backyard or garage to do the “smelly cooking,” he joked, emphasizing that charring the aromatics is key to enhancing the flavor of \u003cem>miến gà\u003c/em>, a Vietnamese chicken and glass noodle soup.\u003c/p>\n\u003cp>The dish is comfort in a bowl — and special to Hong and his family, who are among the diaspora of people who fled Vietnam after the war ended a half century ago and \u003ca href=\"https://www.kqed.org/news/12037680/san-jose-became-home-betty-duong-vietnamese-americans\">settled in places like California\u003c/a>. \u003cem>Miến gà \u003c/em>was one of the first homemade meals his family had together after reuniting at a refugee camp.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I had a miserable cold this winter and was searching for a recipe for \u003cem>miến gà\u003c/em> when I found one posted by Hong and his wife, Kim Dao, on \u003ca href=\"https://theravenouscouple.com/2013/04/mien-ga-vietnamese-chicken-glass-noodle-soup.html\">The Ravenous Couple\u003c/a>, their popular food blog, YouTube videos and Instagram account.\u003c/p>\n\u003cp>Alongside the recipe, Hong shares a story his father, Tung, told him about the soup’s connection to April 30, the day Saigon fell to communist forces, and his life began to unravel.\u003c/p>\n\u003cp>Because he had served in the South Vietnamese Army, Tung was sent to a Viet Cong re-education camp as punishment for supporting the Americans’ war effort. He endured three years of starvation and hard labor, separated from his family.\u003c/p>\n\u003cfigure id=\"attachment_12036298\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12036298\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham serves miến gà at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When he got out, Tung tried to make a living as a teacher, but he barely scraped by. In March 1980, he decided to escape, joining the exodus of \u003ca href=\"https://refugees.org/50-years-after-the-fall-of-saigon-refugee-stories-from-vietnam/\">Vietnamese refugees who fled their homeland\u003c/a> by boat. Because he could only afford three spots on an overcrowded fishing boat, Tung took his two eldest kids — Hong, who was almost 6 at the time, and his 9-year-old sister, Tam — and left behind his pregnant wife, Ly, and another daughter, Hong Ngoc, who was barely 2.\u003c/p>\n\u003cp>“My mom and dad were OK with splitting up the family, even though they had no idea when — how — at what point in the future, if ever, they would see each other again,” Hong said. “For them to make that decision [when they were] in their 30s was unimaginable to me.”\u003c/p>\n\u003cp>Hong and Kim started their blog 16 years ago when they were still dating. They were craving Vietnamese food and wanted to learn how to recreate the dishes their moms cooked for them. Hong’s mom cooked intuitively, using everyday kitchen tools like rice bowls to measure her ingredients, so he decided to write down her methods so he could follow her recipes precisely. Kim helped convert the amounts into the American system of cooking measurements.[aside postID=news_12037680 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20240403_BETTYDUONG_GC-12-KQED-1020x680.jpg']This drew Hong closer to his mom, especially after he moved away from home in Michigan, where the family resettled after coming to America. He often calls her when he’s cooking to get her advice.\u003c/p>\n\u003cp>When he went to college and came home to visit during breaks, his mom often greeted him by asking, “Have you eaten?”\u003c/p>\n\u003cp>“I would just answer her yes or no, and didn’t think much about it. But now, as a parent, I know what she really meant. It was her way of nourishing us and showing her love and affection,” he said. “And so now that we both cook, we’re so much tighter because of our cooking.”\u003cem> \u003c/em>\u003c/p>\n\u003cp>As a daughter of Vietnamese immigrants, I can relate. My parents, brother and I traveled by plane to the United States in 1984 as part of a later wave of refugees who were admitted to the country under the Orderly Departure Program.\u003c/p>\n\u003cp>Whenever we call each other, my parents always first ask, “Have you eaten?”\u003c/p>\n\u003cp>I had been a longtime admirer of The Ravenous Couple and their culinary adventures. After finding the recipe for \u003cem>miến gà\u003c/em> and reading his dad’s story, I reached out to Hong. He was as open and friendly as he seemed online, and he invited me to come cook with him.\u003c/p>\n\u003cfigure id=\"attachment_12036304\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036304 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01.jpg\" alt=\"\" width=\"2000\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham picks fresh Chinese chives from his backyard herb garden as he prepares miến gà at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We moved from his backyard kitchen to his brightly lit indoor kitchen to continue making the soup. Hong called his mom on FaceTime at her home in suburban Detroit to ask how much dry bean thread noodles to use in the dish, because they quickly expand in water. I asked her to share her memories of her family’s flight from Vietnam.\u003c/p>\n\u003cp>Ly said in Vietnamese that after Tung left, she waited anxiously for news. Tung and the children went on a boat led by the same smuggling organization her other family members hired to get to a safer shore. The group was reputable, but there were reasons to worry: The journey was dangerous and an untold number of refugees lost their lives to dehydration, starvation, pirate attacks or rough seas.\u003c/p>\n\u003cp>About 10 days later, a man working for the leader of the smuggling operation came to her door. He said that during the journey to Thailand, Tung begged the leader to bring his wife and toddler on the next trip out of Vietnam, and he agreed.[aside postID=news_12037891 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/Paris-By-Night-Ilo_3-1020x659.jpg']Ly said she couldn’t afford to go, but the man urged her to quickly come up with a payment and leave while she was still five months pregnant.\u003c/p>\n\u003cp>“He told me if I refused to go, it was my fault because [the ringleader] was trying to keep his promise to my husband,” she said.\u003c/p>\n\u003cp>With her mom’s help, Ly borrowed enough gold — the most desirable currency in post-war Vietnam — from neighbors and friends to board a boat with about 90 other refugees, with Hong Ngoc on her lap.\u003c/p>\n\u003cp>Ly said the sea was calm and the boat was so overloaded that she could stretch her arm and touch the water. They quickly ran out of food and water, so she fed her daughter a citrus syrup she had made for the trip, so she wouldn’t cry from thirst and hunger.\u003c/p>\n\u003cp>They traveled for three days and two nights before landing on an island near the Thai-Cambodian border. Ly said authorities eventually transported her group to a refugee camp in Laem Sing, a district in eastern Thailand. She and Hong Ngoc arrived on April 30, 1980, five years after the Fall of Saigon. She recalled seeing Tung, Hong and Tam in the crowd of people rushing to welcome the latest load of survivors.\u003c/p>\n\u003cfigure id=\"attachment_12036305\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036305 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02.jpg\" alt=\"\" width=\"2000\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham chars ginger and onion over his outdoor stove to flavor the broth for miến gà, a Vietnamese chicken and glass noodle soup, at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We were so overcome with emotions, we just hugged each other and cried,” she said.\u003c/p>\n\u003cp>Vietnamese refugees consider April 30 a day of mourning. They call it “Black April” because it was the day they lost their country. But for the Phams, it was also a day of rebirth.\u003c/p>\n\u003cp>“So many people were lost at sea … so for our family to be able to reunite like that was really a miracle,” Hong said.\u003c/p>\n\u003cp>Because of the secrecy surrounding the escape, they never learned the name of the smuggling operation’s leader. He was only known as “Anh Bo.” Hong and his sister, Tam, said they wish they could thank him for bringing their family together.\u003c/p>\n\u003cp>“He could have taken anybody, but he kept his word. Even to this day, that means a lot,” Tam said by phone from her home outside Detroit.\u003c/p>\n\u003cp>Once reunited, the family stayed in Thailand for several more months so Ly could give birth. Tung named their new baby girl Tudo, or \u003cem>tự do,\u003c/em> which means freedom in Vietnamese.\u003c/p>\n\u003cfigure id=\"attachment_12038139\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12038139\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-800x785.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-1020x1001.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-160x157.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-1536x1507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-1920x1884.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A photo of the Pham family in the early 1980s after they were resettled in Michigan. \u003ccite>(Courtesy of Hong Pham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the refugee camp, the family received daily rations of food. Ly said one day, each person received a piece of chicken, so she put everyone’s portion together to make \u003cem>miến gà\u003c/em>.\u003c/p>\n\u003cp>In the blog, Tung described feeling grateful to eat \u003cem>miến gà\u003c/em> with his family, reunited and free.\u003c/p>\n\u003cp>“Thinking what could have been and the remote odds of seeing my family together so soon, I ate this simple dish with such happiness,” he said. “It was the most satisfying and unforgettable meal I’ve ever experienced.”\u003c/p>\n\u003cp>Ly said she was thankful to her brother, who was the first in her family to arrive in the United States, for sending the money to the refugee camp so she could buy the noodles and other ingredients for the soup.\u003c/p>\n\u003cp>At home in South Pasadena, Hong used a whole chicken — head and feet intact — he bought from a fresh poultry store to make his version of \u003cem>miến gà\u003c/em>. He placed the chicken in a boiling pot of broth, threw in the charred onion and ginger and reduced the stock to a simmer. Once the chicken was cooked, about 30 minutes later, he lifted it out of the pot and submerged it in a bowl of ice water.\u003c/p>\n\u003cfigure id=\"attachment_12038059\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12038059 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham cuts Chinese chives as he prepares miến gà at his home in South Pasadena on Saturday, April 12, 2025. A photo on the fridge shows Pham and his family at a refugee camp in Thailand in 1980 after they escaped Vietnam and before they resettled in the United States. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Next, he placed the translucent noodles into a handmade ceramic bowl, ladled in the broth and seasoned it with pungent fish sauce. He garnished the soup with chicken, shiitake mushrooms, fried shallots, scallions and fresh chives picked from his herb garden.\u003c/p>\n\u003cp>He said his mom used to scoff at his precise plating technique and his insistence on pairing certain dishes with ceramic pieces that he made — a hobby he picked up during the pandemic — to make sure they “look pretty for the ‘Gram.”\u003c/p>\n\u003cp>It’s a generational difference, Hong said, because his mom had to cook for survival, whereas he has the luxury of consuming food “with more intention.” We gathered around his dining table and slurped \u003cem>miến gà \u003c/em>with Hong’s daughters, Mira and Emi. The noodles were slippery and the soup had an intense chicken flavor combined with the umami of shiitake mushrooms.\u003c/p>\n\u003cp>After Tudo was born, the Phams were admitted to the United States as refugees and resettled in Michigan with the support of a Catholic charity. They rented a house in suburban Detroit. Tung worked as a janitor and assembled machinery parts at a factory, while Ly stayed home.\u003c/p>\n\u003cp>“When I came here, I didn’t know one word of English, and I didn’t know how to drive. I didn’t know anything,” she said. “But I tried to raise my kids and teach them Vietnamese so they wouldn’t lose their cultural heritage.”\u003c/p>\n\u003cfigure id=\"attachment_12036300\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036300 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mira Pham, 7, helps her dad, Hong Pham, set the table to eat miến gà at their home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the children went to school full-time, she went back to work as a butcher, a trade she did in the wet markets of Vietnam, this time at a Jewish deli. She also volunteered at her Catholic church, often by making and selling Vietnamese food to raise money for various causes.\u003c/p>\n\u003cp>“My children didn’t understand why I spent so much time in church,” she said. “I explained that before we left, I prayed to God that if He delivers our family to safety, I would do everything I could to serve my faith.”\u003c/p>\n\u003cp>The family started over with almost nothing.\u003c/p>\n\u003cp>Hong remembers wearing secondhand clothes for years because his parents were saving money to pay back their debt. For their first Christmas, his parents wrapped empty boxes and put them under a donated tree because they couldn’t afford to buy gifts.\u003c/p>\n\u003cp>“My mom mentioned that when we first arrived, the [sponsor] families didn’t know what we liked to eat and so they would give us canned peas, canned corn and things like that — and a lot of mashed potato flakes and macaroni and cheese,” Hong said.\u003c/p>\n\u003cfigure id=\"attachment_12036299\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036299 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham dishes out miến gà at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She didn’t know how to cook any of it, and instead used whatever she could find at American supermarkets to recreate Vietnamese food.\u003c/p>\n\u003cp>“I think that was the ingenuity of that generation. She used all these American ingredients, but it was all made in a Vietnamese way,” he said.\u003c/p>\n\u003cp>Along the way, small acts of kindness helped the family survive.\u003c/p>\n\u003cp>When someone noticed that Tung was taking the bus to get from one job to another, they offered him rides. Later, a sponsor gave him a used car and taught him to drive.\u003c/p>\n\u003cp>“It was a collective effort, a lot of generous people in the community helped us get through a tough time,” Hong said.\u003c/p>\n\u003cp>Hong said his parents constantly reminded him and his siblings how lucky they were to be in the land of opportunity and achieve their dreams. The four kids graduated from the University of Michigan and went on to earn graduate degrees. Hong became a doctor, Tam an engineer, Ngoc a public health expert, and Tudo an attorney.\u003c/p>\n\u003cp>Though he lives far away from his parents, Hong and his wife stay connected to their heritage by speaking Vietnamese to their daughters and by sharing food with their community. They host cooking parties in their backyard to help raise funds for charities. More recently, they made an inventive version of \u003cem>banh mi\u003c/em> with brisket and homemade pickles to support victims of the Eaton wildfire in nearby Altadena.\u003c/p>\n\u003cfigure id=\"attachment_12036302\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036302 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Emi Pham, 10, her sister Mira, 7, and their dad, Hong Pham, eat miến gà at their home in South Pasadena on Saturday, April 12, 2025. Miến gà is a Vietnamese chicken and glass noodle soup garnished with shiitake mushrooms, scallions, fresh chives and crispy fried shallots. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hong said Tung is 85 and no longer able to speak coherently due to a stroke. Ly takes care of him. Hong said he’s glad he recorded Tung’s memories of \u003cem>miến gà\u003c/em> years ago and regrets not doing more recordings while his dad was still able to speak. He said his dad was a great storyteller and had a knack for spotting Vietnam veterans wherever they went.\u003c/p>\n\u003cp>“He’d approach them really casually and thank them for their service, and next thing you know, they’ll have a long conversation,” Hong said. “He loved to share his stories and listen to other people’s stories as well.”\u003c/p>\n\u003cp>If his dad could speak, Hong said he would probably say that he’s “forever grateful to America for welcoming us as a family and as a whole community.”\u003c/p>\n\u003cp>He said he also thinks Tung would be sad about the country’s tough immigration policies under President Donald Trump.\u003c/p>\n\u003cp>“Part of me also would like to think he would be abhorrent about the current state of America, the freedoms that he escaped and risked his life and lives of his children for, slowly eroding away,” he said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Cooking miến gà, the comforting Vietnamese soup, in their California kitchen, they reflect on what they lost to the war and what they gained by fleeing to the United States.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Standing over a gas burner in his outdoor kitchen in South Pasadena, Hong Pham toasted an onion and a whole ginger root until they were smoky and black.\u003c/p>\n\u003cp>Every Vietnamese household needs a kitchen in their backyard or garage to do the “smelly cooking,” he joked, emphasizing that charring the aromatics is key to enhancing the flavor of \u003cem>miến gà\u003c/em>, a Vietnamese chicken and glass noodle soup.\u003c/p>\n\u003cp>The dish is comfort in a bowl — and special to Hong and his family, who are among the diaspora of people who fled Vietnam after the war ended a half century ago and \u003ca href=\"https://www.kqed.org/news/12037680/san-jose-became-home-betty-duong-vietnamese-americans\">settled in places like California\u003c/a>. \u003cem>Miến gà \u003c/em>was one of the first homemade meals his family had together after reuniting at a refugee camp.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I had a miserable cold this winter and was searching for a recipe for \u003cem>miến gà\u003c/em> when I found one posted by Hong and his wife, Kim Dao, on \u003ca href=\"https://theravenouscouple.com/2013/04/mien-ga-vietnamese-chicken-glass-noodle-soup.html\">The Ravenous Couple\u003c/a>, their popular food blog, YouTube videos and Instagram account.\u003c/p>\n\u003cp>Alongside the recipe, Hong shares a story his father, Tung, told him about the soup’s connection to April 30, the day Saigon fell to communist forces, and his life began to unravel.\u003c/p>\n\u003cp>Because he had served in the South Vietnamese Army, Tung was sent to a Viet Cong re-education camp as punishment for supporting the Americans’ war effort. He endured three years of starvation and hard labor, separated from his family.\u003c/p>\n\u003cfigure id=\"attachment_12036298\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12036298\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_19-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham serves miến gà at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When he got out, Tung tried to make a living as a teacher, but he barely scraped by. In March 1980, he decided to escape, joining the exodus of \u003ca href=\"https://refugees.org/50-years-after-the-fall-of-saigon-refugee-stories-from-vietnam/\">Vietnamese refugees who fled their homeland\u003c/a> by boat. Because he could only afford three spots on an overcrowded fishing boat, Tung took his two eldest kids — Hong, who was almost 6 at the time, and his 9-year-old sister, Tam — and left behind his pregnant wife, Ly, and another daughter, Hong Ngoc, who was barely 2.\u003c/p>\n\u003cp>“My mom and dad were OK with splitting up the family, even though they had no idea when — how — at what point in the future, if ever, they would see each other again,” Hong said. “For them to make that decision [when they were] in their 30s was unimaginable to me.”\u003c/p>\n\u003cp>Hong and Kim started their blog 16 years ago when they were still dating. They were craving Vietnamese food and wanted to learn how to recreate the dishes their moms cooked for them. Hong’s mom cooked intuitively, using everyday kitchen tools like rice bowls to measure her ingredients, so he decided to write down her methods so he could follow her recipes precisely. Kim helped convert the amounts into the American system of cooking measurements.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This drew Hong closer to his mom, especially after he moved away from home in Michigan, where the family resettled after coming to America. He often calls her when he’s cooking to get her advice.\u003c/p>\n\u003cp>When he went to college and came home to visit during breaks, his mom often greeted him by asking, “Have you eaten?”\u003c/p>\n\u003cp>“I would just answer her yes or no, and didn’t think much about it. But now, as a parent, I know what she really meant. It was her way of nourishing us and showing her love and affection,” he said. “And so now that we both cook, we’re so much tighter because of our cooking.”\u003cem> \u003c/em>\u003c/p>\n\u003cp>As a daughter of Vietnamese immigrants, I can relate. My parents, brother and I traveled by plane to the United States in 1984 as part of a later wave of refugees who were admitted to the country under the Orderly Departure Program.\u003c/p>\n\u003cp>Whenever we call each other, my parents always first ask, “Have you eaten?”\u003c/p>\n\u003cp>I had been a longtime admirer of The Ravenous Couple and their culinary adventures. After finding the recipe for \u003cem>miến gà\u003c/em> and reading his dad’s story, I reached out to Hong. He was as open and friendly as he seemed online, and he invited me to come cook with him.\u003c/p>\n\u003cfigure id=\"attachment_12036304\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036304 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01.jpg\" alt=\"\" width=\"2000\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-01-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham picks fresh Chinese chives from his backyard herb garden as he prepares miến gà at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We moved from his backyard kitchen to his brightly lit indoor kitchen to continue making the soup. Hong called his mom on FaceTime at her home in suburban Detroit to ask how much dry bean thread noodles to use in the dish, because they quickly expand in water. I asked her to share her memories of her family’s flight from Vietnam.\u003c/p>\n\u003cp>Ly said in Vietnamese that after Tung left, she waited anxiously for news. Tung and the children went on a boat led by the same smuggling organization her other family members hired to get to a safer shore. The group was reputable, but there were reasons to worry: The journey was dangerous and an untold number of refugees lost their lives to dehydration, starvation, pirate attacks or rough seas.\u003c/p>\n\u003cp>About 10 days later, a man working for the leader of the smuggling operation came to her door. He said that during the journey to Thailand, Tung begged the leader to bring his wife and toddler on the next trip out of Vietnam, and he agreed.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Ly said she couldn’t afford to go, but the man urged her to quickly come up with a payment and leave while she was still five months pregnant.\u003c/p>\n\u003cp>“He told me if I refused to go, it was my fault because [the ringleader] was trying to keep his promise to my husband,” she said.\u003c/p>\n\u003cp>With her mom’s help, Ly borrowed enough gold — the most desirable currency in post-war Vietnam — from neighbors and friends to board a boat with about 90 other refugees, with Hong Ngoc on her lap.\u003c/p>\n\u003cp>Ly said the sea was calm and the boat was so overloaded that she could stretch her arm and touch the water. They quickly ran out of food and water, so she fed her daughter a citrus syrup she had made for the trip, so she wouldn’t cry from thirst and hunger.\u003c/p>\n\u003cp>They traveled for three days and two nights before landing on an island near the Thai-Cambodian border. Ly said authorities eventually transported her group to a refugee camp in Laem Sing, a district in eastern Thailand. She and Hong Ngoc arrived on April 30, 1980, five years after the Fall of Saigon. She recalled seeing Tung, Hong and Tam in the crowd of people rushing to welcome the latest load of survivors.\u003c/p>\n\u003cfigure id=\"attachment_12036305\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036305 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02.jpg\" alt=\"\" width=\"2000\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-800x267.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-1020x340.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-1536x512.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_DIPTYCH-02-1920x640.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham chars ginger and onion over his outdoor stove to flavor the broth for miến gà, a Vietnamese chicken and glass noodle soup, at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We were so overcome with emotions, we just hugged each other and cried,” she said.\u003c/p>\n\u003cp>Vietnamese refugees consider April 30 a day of mourning. They call it “Black April” because it was the day they lost their country. But for the Phams, it was also a day of rebirth.\u003c/p>\n\u003cp>“So many people were lost at sea … so for our family to be able to reunite like that was really a miracle,” Hong said.\u003c/p>\n\u003cp>Because of the secrecy surrounding the escape, they never learned the name of the smuggling operation’s leader. He was only known as “Anh Bo.” Hong and his sister, Tam, said they wish they could thank him for bringing their family together.\u003c/p>\n\u003cp>“He could have taken anybody, but he kept his word. Even to this day, that means a lot,” Tam said by phone from her home outside Detroit.\u003c/p>\n\u003cp>Once reunited, the family stayed in Thailand for several more months so Ly could give birth. Tung named their new baby girl Tudo, or \u003cem>tự do,\u003c/em> which means freedom in Vietnamese.\u003c/p>\n\u003cfigure id=\"attachment_12038139\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12038139\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1962\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-800x785.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-1020x1001.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-160x157.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-1536x1507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/250429-Mien-Ga-Memories-02-KQED-1920x1884.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A photo of the Pham family in the early 1980s after they were resettled in Michigan. \u003ccite>(Courtesy of Hong Pham)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the refugee camp, the family received daily rations of food. Ly said one day, each person received a piece of chicken, so she put everyone’s portion together to make \u003cem>miến gà\u003c/em>.\u003c/p>\n\u003cp>In the blog, Tung described feeling grateful to eat \u003cem>miến gà\u003c/em> with his family, reunited and free.\u003c/p>\n\u003cp>“Thinking what could have been and the remote odds of seeing my family together so soon, I ate this simple dish with such happiness,” he said. “It was the most satisfying and unforgettable meal I’ve ever experienced.”\u003c/p>\n\u003cp>Ly said she was thankful to her brother, who was the first in her family to arrive in the United States, for sending the money to the refugee camp so she could buy the noodles and other ingredients for the soup.\u003c/p>\n\u003cp>At home in South Pasadena, Hong used a whole chicken — head and feet intact — he bought from a fresh poultry store to make his version of \u003cem>miến gà\u003c/em>. He placed the chicken in a boiling pot of broth, threw in the charred onion and ginger and reduced the stock to a simmer. Once the chicken was cooked, about 30 minutes later, he lifted it out of the pot and submerged it in a bowl of ice water.\u003c/p>\n\u003cfigure id=\"attachment_12038059\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12038059 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MienGaMemories_12_qed-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham cuts Chinese chives as he prepares miến gà at his home in South Pasadena on Saturday, April 12, 2025. A photo on the fridge shows Pham and his family at a refugee camp in Thailand in 1980 after they escaped Vietnam and before they resettled in the United States. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Next, he placed the translucent noodles into a handmade ceramic bowl, ladled in the broth and seasoned it with pungent fish sauce. He garnished the soup with chicken, shiitake mushrooms, fried shallots, scallions and fresh chives picked from his herb garden.\u003c/p>\n\u003cp>He said his mom used to scoff at his precise plating technique and his insistence on pairing certain dishes with ceramic pieces that he made — a hobby he picked up during the pandemic — to make sure they “look pretty for the ‘Gram.”\u003c/p>\n\u003cp>It’s a generational difference, Hong said, because his mom had to cook for survival, whereas he has the luxury of consuming food “with more intention.” We gathered around his dining table and slurped \u003cem>miến gà \u003c/em>with Hong’s daughters, Mira and Emi. The noodles were slippery and the soup had an intense chicken flavor combined with the umami of shiitake mushrooms.\u003c/p>\n\u003cp>After Tudo was born, the Phams were admitted to the United States as refugees and resettled in Michigan with the support of a Catholic charity. They rented a house in suburban Detroit. Tung worked as a janitor and assembled machinery parts at a factory, while Ly stayed home.\u003c/p>\n\u003cp>“When I came here, I didn’t know one word of English, and I didn’t know how to drive. I didn’t know anything,” she said. “But I tried to raise my kids and teach them Vietnamese so they wouldn’t lose their cultural heritage.”\u003c/p>\n\u003cfigure id=\"attachment_12036300\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036300 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_22-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mira Pham, 7, helps her dad, Hong Pham, set the table to eat miến gà at their home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When the children went to school full-time, she went back to work as a butcher, a trade she did in the wet markets of Vietnam, this time at a Jewish deli. She also volunteered at her Catholic church, often by making and selling Vietnamese food to raise money for various causes.\u003c/p>\n\u003cp>“My children didn’t understand why I spent so much time in church,” she said. “I explained that before we left, I prayed to God that if He delivers our family to safety, I would do everything I could to serve my faith.”\u003c/p>\n\u003cp>The family started over with almost nothing.\u003c/p>\n\u003cp>Hong remembers wearing secondhand clothes for years because his parents were saving money to pay back their debt. For their first Christmas, his parents wrapped empty boxes and put them under a donated tree because they couldn’t afford to buy gifts.\u003c/p>\n\u003cp>“My mom mentioned that when we first arrived, the [sponsor] families didn’t know what we liked to eat and so they would give us canned peas, canned corn and things like that — and a lot of mashed potato flakes and macaroni and cheese,” Hong said.\u003c/p>\n\u003cfigure id=\"attachment_12036299\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036299 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_21-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Hong Pham dishes out miến gà at his home in South Pasadena on Saturday, April 12, 2025. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She didn’t know how to cook any of it, and instead used whatever she could find at American supermarkets to recreate Vietnamese food.\u003c/p>\n\u003cp>“I think that was the ingenuity of that generation. She used all these American ingredients, but it was all made in a Vietnamese way,” he said.\u003c/p>\n\u003cp>Along the way, small acts of kindness helped the family survive.\u003c/p>\n\u003cp>When someone noticed that Tung was taking the bus to get from one job to another, they offered him rides. Later, a sponsor gave him a used car and taught him to drive.\u003c/p>\n\u003cp>“It was a collective effort, a lot of generous people in the community helped us get through a tough time,” Hong said.\u003c/p>\n\u003cp>Hong said his parents constantly reminded him and his siblings how lucky they were to be in the land of opportunity and achieve their dreams. The four kids graduated from the University of Michigan and went on to earn graduate degrees. Hong became a doctor, Tam an engineer, Ngoc a public health expert, and Tudo an attorney.\u003c/p>\n\u003cp>Though he lives far away from his parents, Hong and his wife stay connected to their heritage by speaking Vietnamese to their daughters and by sharing food with their community. They host cooking parties in their backyard to help raise funds for charities. More recently, they made an inventive version of \u003cem>banh mi\u003c/em> with brisket and homemade pickles to support victims of the Eaton wildfire in nearby Altadena.\u003c/p>\n\u003cfigure id=\"attachment_12036302\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12036302 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/04/20250412_MIENGAMEMORIES_28-KQED-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Emi Pham, 10, her sister Mira, 7, and their dad, Hong Pham, eat miến gà at their home in South Pasadena on Saturday, April 12, 2025. Miến gà is a Vietnamese chicken and glass noodle soup garnished with shiitake mushrooms, scallions, fresh chives and crispy fried shallots. \u003ccite>(Alisha Jucevic for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hong said Tung is 85 and no longer able to speak coherently due to a stroke. Ly takes care of him. Hong said he’s glad he recorded Tung’s memories of \u003cem>miến gà\u003c/em> years ago and regrets not doing more recordings while his dad was still able to speak. He said his dad was a great storyteller and had a knack for spotting Vietnam veterans wherever they went.\u003c/p>\n\u003cp>“He’d approach them really casually and thank them for their service, and next thing you know, they’ll have a long conversation,” Hong said. “He loved to share his stories and listen to other people’s stories as well.”\u003c/p>\n\u003cp>If his dad could speak, Hong said he would probably say that he’s “forever grateful to America for welcoming us as a family and as a whole community.”\u003c/p>\n\u003cp>He said he also thinks Tung would be sad about the country’s tough immigration policies under President Donald Trump.\u003c/p>\n\u003cp>“Part of me also would like to think he would be abhorrent about the current state of America, the freedoms that he escaped and risked his life and lives of his children for, slowly eroding away,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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