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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cspan style=\"font-weight: 400;\">Jacques Pépin: More Fast Food My Way\u003c/span>\u003c/em>\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/24/2020/07/219-jpepinmff-salmonmousse-recipe.pdf\">\u003cb>Printer-friendly recipe\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400;\"> [pdf]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Smoked salmon is available freshly cut at the supermarket deli counter or prepackaged from Scotland, Alaska, Canada, or Nova Scotia. Any of these are good for this recipe. I use salmon ends or other trimmings if I can find them at a lower price, because the flesh is pureed for the mousse.\u003cem>—Jacques Pépin\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">In a food processor, process 1 cup (4 to 5 ounces) smoked salmon tidbits, ends, or trimmings with 1/2 cup ricotta or farmer cheese, 1 teaspoon fresh lemon juice, and a good dash \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">each\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> of salt and freshly ground black pepper for about 45 seconds, or until smooth. Transfer to a gratin dish or deep platter. Using plastic wrap, press the mousse into the dish to create a smooth layer between 1/2 and 1 inch deep. Scatter 2 tablespoons finely chopped red onion, 2 teaspoons drained capers, and 1 teaspoon chopped fresh chives on top. Sprinkle with about 2 teaspoons extra-virgin olive oil. Serve with breadsticks, crostini, or pretzel crackers.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Makes 20 to 30 appetizers\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>\u003cspan style=\"font-weight: 400;\">Jacques Pépin: More Fast Food My Way\u003c/span>\u003c/em>\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/24/2020/07/204-jpepinmff-roastedsplitchicken-recipe.pdf\">\u003cb>Printer-friendly recipe\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400;\"> [pdf]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I often make this recipe at home when I am in a hurry, because splitting and flattening the chicken and cutting between the joints of the leg and the shoulder reduce the cooking time by half. I use kitchen shears to split the chicken open at the back and to cut the cooked bird into serving pieces and a knife to cut between the joints.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The mustard crust can be made ahead and even spread on the chicken a day ahead, if you like. I pour the cooked chicken juices into a fat separator with a spout and serve over Fluffy Mashed Potatoes, leaving the fat behind. \u003cem>—Jacques Pépin\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cb>4 servings\u003c/b>\u003c/p>\n\u003cp>\u003cb>Mustard Crust\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons chopped garlic\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons Dijon mustard\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons dry white wine\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 tablespoon soy sauce\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons olive oil\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 teaspoon Tabasco hot pepper sauce\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 teaspoon herbes de Provence\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/2 teaspoon salt\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 chicken (about 3 1/2 pounds)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">Fluffy Mashed Potatoes\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>For the crust:\u003c/b>\u003cspan style=\"font-weight: 400;\"> Mix all the ingredients in a small bowl.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Preheat the oven to 450 degrees. Using kitchen shears or a sharp knife, cut alongside the backbone of the chicken to split it open. Spread and press on the chicken with your hands to flatten it. Using a sharp paring knife, cut halfway through both sides of the joints connecting the thighs and drumsticks and cut through the joints of the shoulder under the wings as well. (This will help the heat penetrate these joints and accelerate the cooking process.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Put the chicken skin side down on a cutting board and spread it with about half the mustard mixture. Place the chicken flat in a large skillet, mustard side down. Spread the remaining mustard on the skin side of the chicken. Cook over high heat for about 5 minutes, then place the skillet in the oven and cook the chicken for about 30 minutes. It should be well browned and dark on top.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Let the chicken rest in the skillet at room temperature for a few minutes, then cut it into 8 pieces with clean kitchen shears. Defat the cooking juices. If you like, mound some Fluffy Mashed Potatoes on each of four warm dinner plates and place 2 pieces of chicken on each plate. Pour some juice on the mashed potatoes and chicken and serve.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cspan style=\"font-weight: 400;\">Jacques Pépin: More Fast Food My Way\u003c/span>\u003c/em>\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/24/2020/07/204-jpepinmff-roastedsplitchicken-recipe.pdf\">\u003cb>Printer-friendly recipe\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400;\"> [pdf]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I often make this recipe at home when I am in a hurry, because splitting and flattening the chicken and cutting between the joints of the leg and the shoulder reduce the cooking time by half. I use kitchen shears to split the chicken open at the back and to cut the cooked bird into serving pieces and a knife to cut between the joints.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">The mustard crust can be made ahead and even spread on the chicken a day ahead, if you like. I pour the cooked chicken juices into a fat separator with a spout and serve over Fluffy Mashed Potatoes, leaving the fat behind. \u003cem>—Jacques Pépin\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cb>4 servings\u003c/b>\u003c/p>\n\u003cp>\u003cb>Mustard Crust\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons chopped garlic\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons Dijon mustard\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons dry white wine\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 tablespoon soy sauce\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons olive oil\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 teaspoon Tabasco hot pepper sauce\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 teaspoon herbes de Provence\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/2 teaspoon salt\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 chicken (about 3 1/2 pounds)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">Fluffy Mashed Potatoes\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cb>For the crust:\u003c/b>\u003cspan style=\"font-weight: 400;\"> Mix all the ingredients in a small bowl.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Preheat the oven to 450 degrees. Using kitchen shears or a sharp knife, cut alongside the backbone of the chicken to split it open. Spread and press on the chicken with your hands to flatten it. Using a sharp paring knife, cut halfway through both sides of the joints connecting the thighs and drumsticks and cut through the joints of the shoulder under the wings as well. (This will help the heat penetrate these joints and accelerate the cooking process.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Put the chicken skin side down on a cutting board and spread it with about half the mustard mixture. Place the chicken flat in a large skillet, mustard side down. Spread the remaining mustard on the skin side of the chicken. Cook over high heat for about 5 minutes, then place the skillet in the oven and cook the chicken for about 30 minutes. It should be well browned and dark on top.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Let the chicken rest in the skillet at room temperature for a few minutes, then cut it into 8 pieces with clean kitchen shears. Defat the cooking juices. If you like, mound some Fluffy Mashed Potatoes on each of four warm dinner plates and place 2 pieces of chicken on each plate. Pour some juice on the mashed potatoes and chicken and serve.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"headTitle": "Jacques Pepin | Bay Area Bites | KQED Food",
"content": "\u003cp>\u003cem>\u003cspan style=\"font-weight: 400;\">Jacques Pépin: More Fast Food My Way\u003c/span>\u003c/em>\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/24/2020/07/221-jpepinmff-risottobrocollistems-recipe.pdf\">\u003cb>Printer-friendly recipe\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400;\"> [pdf]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Risotto never fails to please as a first course, and if garnishes are added it can be varied ad infinitum. My wife, Gloria, makes risotto with Japanese sushi rice with great success, but for this recipe I use Italian short-grain rice.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Broccoli stems are often discarded by cooks because of their thick, fibrous skin, but a quick peeling makes them deliciously edible. I keep the florets for another recipe and use only the stems here. Depending on the size of the stalks, you'll need 3 or 4 good-sized stems to get enough broccoli for this recipe.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I cook my risotto, covered, to the halfway point (about 8 minutes) in about the same amount of chicken stock as I have rice. Then I finish it uncovered, adding small quantities of liquid until I achieve the right consistency and degree of doneness. This is the same way risotto is often made in restaurants: it is already partially cooked so it can be finished portion by portion in 8 to 10 minutes when the order comes from the dining room. \u003cem>—Jacques Pépin\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cb>4 servings\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 cup water\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">3-4 broccoli stems, fibrous outer skin peeled, cut into 1/2-inch dice (about 2 cups)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">3-4 white mushrooms\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons olive oil\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/4 cup chopped onion\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/4 cup finely minced scallions\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 cup Italian short-grain (risotto) rice\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">3/4 teaspoon salt\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 1/4 cups chicken stock, homemade, or turkey stock, or low-salt canned chicken broth\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons butter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/4 cup grated Parmesan cheese, plus more for the table\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bring the water to a boil in a large saucepan. Add the diced broccoli stems, bring to a boil, and cook for about 2 minutes, or until they are tender but still crunchy. Drain and set aside. Wash and cut the mushrooms into 1/2-inch-thick slices. Pile up the slices and cut (julienne) them into 1/4-inch sticks. You should have about 1 cup.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Heat the olive oil in a saucepan over high heat and add the onion and scallions. Cook for about 30 seconds. Add the mushroom julienne and the rice. Mix well and stir in the salt and 1 1/4 cups of the stock. Bring to a boil, stir well, cover, reduce the heat to low, and cook for about 8 minutes. Uncover. The liquid should be completely absorbed. If not, continue cooking until it is dry. (The risotto can be prepared to this point up to 2 hours ahead.)\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">When you're ready to finish the risotto, heat the mixture over medium-high heat until it is sizzling, add 1/4 cup of the remaining stock, and stir well. Continue stirring occasionally until this liquid is absorbed and the mixture starts sizzling again, which should take about 2 minutes. Repeat this procedure 3 more times, adding 1/4 cup stock each time. Add the butter, cheese, and broccoli stems at the end of the cooking, stirring them in for 1 to 2 minutes, until the risotto is creamy but the grains of rice are still firm to the bite in the center. Serve right away on very hot plates, passing the Parmesan at the table.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cspan style=\"font-weight: 400;\">Jacques Pépin: More Fast Food My Way\u003c/span>\u003c/em>\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/24/2020/07/221-jpepinmff-risottobrocollistems-recipe.pdf\">\u003cb>Printer-friendly recipe\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400;\"> [pdf]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Risotto never fails to please as a first course, and if garnishes are added it can be varied ad infinitum. My wife, Gloria, makes risotto with Japanese sushi rice with great success, but for this recipe I use Italian short-grain rice.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Broccoli stems are often discarded by cooks because of their thick, fibrous skin, but a quick peeling makes them deliciously edible. I keep the florets for another recipe and use only the stems here. Depending on the size of the stalks, you'll need 3 or 4 good-sized stems to get enough broccoli for this recipe.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I cook my risotto, covered, to the halfway point (about 8 minutes) in about the same amount of chicken stock as I have rice. Then I finish it uncovered, adding small quantities of liquid until I achieve the right consistency and degree of doneness. This is the same way risotto is often made in restaurants: it is already partially cooked so it can be finished portion by portion in 8 to 10 minutes when the order comes from the dining room. \u003cem>—Jacques Pépin\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cb>4 servings\u003c/b>\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 cup water\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">3-4 broccoli stems, fibrous outer skin peeled, cut into 1/2-inch dice (about 2 cups)\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">3-4 white mushrooms\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons olive oil\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/4 cup chopped onion\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/4 cup finely minced scallions\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1 cup Italian short-grain (risotto) rice\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">3/4 teaspoon salt\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 1/4 cups chicken stock, homemade, or turkey stock, or low-salt canned chicken broth\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">2 tablespoons butter\u003c/span>\u003c/li>\n\u003cli style=\"font-weight: 400;\">\u003cspan style=\"font-weight: 400;\">1/4 cup grated Parmesan cheese, plus more for the table\u003c/span>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Bring the water to a boil in a large saucepan. Add the diced broccoli stems, bring to a boil, and cook for about 2 minutes, or until they are tender but still crunchy. Drain and set aside. Wash and cut the mushrooms into 1/2-inch-thick slices. Pile up the slices and cut (julienne) them into 1/4-inch sticks. You should have about 1 cup.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Heat the olive oil in a saucepan over high heat and add the onion and scallions. Cook for about 30 seconds. Add the mushroom julienne and the rice. Mix well and stir in the salt and 1 1/4 cups of the stock. Bring to a boil, stir well, cover, reduce the heat to low, and cook for about 8 minutes. Uncover. The liquid should be completely absorbed. If not, continue cooking until it is dry. (The risotto can be prepared to this point up to 2 hours ahead.)\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">When you're ready to finish the risotto, heat the mixture over medium-high heat until it is sizzling, add 1/4 cup of the remaining stock, and stir well. Continue stirring occasionally until this liquid is absorbed and the mixture starts sizzling again, which should take about 2 minutes. Repeat this procedure 3 more times, adding 1/4 cup stock each time. Add the butter, cheese, and broccoli stems at the end of the cooking, stirring them in for 1 to 2 minutes, until the risotto is creamy but the grains of rice are still firm to the bite in the center. Serve right away on very hot plates, passing the Parmesan at the table.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003cspan style=\"font-weight: 400;\">Jacques Pépin: More Fast Food My Way\u003c/span>\u003c/em>\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/24/2020/07/207-jpepinmff-ricepaperrolls-recipe.pdf\">\u003cb>Printer-friendly recipe\u003c/b>\u003c/a>\u003cspan style=\"font-weight: 400;\"> [pdf]\u003c/span>\u003cbr>\n\u003cspan style=\"font-weight: 400;\">\u003cbr>\nRice papers, or spring roll wrappers, are transparent brittle disks made of rice flour. They're available at Asian markets, specialty stores, and some supermarkets. They need only 45 seconds to a minute to rehydrate in water, making them soft, pliable, and usable for quick hors d'oeuvres. They can be stuffed with shrimp, fish, meat, and vegetables, as well as cheese, ham, olives, or nuts; use whatever you have on hand.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Wet 16 dried rice papers under cold tap water. Set them aside for a minute to soften. Peel and pit 1 avocado and cut it into 16 wedges. Drain and set aside 16 oil-packed sun-dried tomato halves. Peel 4 scallions and cut them into 3-inch pieces. Lay the rice papers flat on the table and top each with a wedge of avocado, a sun-dried tomato half, 1 sprig fresh cilantro, and a few pieces of scallion. Sprinkle a little salt and a dash of Tabasco hot pepper sauce on each. Fold the vegetables inside the soft rice papers, bringing the sides in to make a tight, compact roll. Serve. \u003cem>—Jacques Pépin\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cb>4 servings\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>[aside tag='jacques-pepin' label='More Pépin' sites='arts,bayareabites,checkplease']\u003c/p>\n\u003cp>On \u003cb>May 3, 2019\u003c/b>, Jacques Pépin will receive a Lifetime Achievement Award at the Daytime Emmys. In honor of the occasion, we took a look back at the 16-time James Beard Award winner, French Legion of Honor member chef, author and TV personality's vibrant career. Pépin's friends, family and colleagues also got together on camera to celebrate the well-deserved honor (you will see some recognizable faces in the video above).\u003c/p>\n\u003cp>Fellow PBS chef \u003ca href=\"https://www.kqed.org/tv/programs/index.jsp?pgmid=25270\">Martin Yan\u003c/a> also puts it best, saying, \"Jacques, you have more lifetime awards than a cat has lives. Then again, I cannot think of anyone more deserving. For me, it is a privilege of a lifetime to learn from you, to be inspired by you. Congratulations, my friend.\"\u003c/p>\n\u003cp>Over his career, Pépin hosted 12 PBS cooking shows, like '\u003ca href=\"https://www.kqed.org/w/morefastfoodmyway/\">Jacques Pépin: More Fast Food My Way\u003c/a>,' '\u003ca href=\"https://ww2.kqed.org/essentialpepin/\">Essential Pepin\u003c/a>' and '\u003ca href=\"https://www.kqed.org/jpepinheart/\">Jacques Pépin Heart & Soul\u003c/a>' to name a few. All of his programs were filmed at KQED, and it is an honor and a joy to see a member of the KQED family receive this distinguished, well-deserved award.\u003c/p>\n\u003cp>Congratulations, Chef!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>An abbreviated version of the video above will air at the Emmys ceremony.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cp>Jacques Pépin and Anthony Bourdain were friends for 25 years, each an internationally acclaimed chef, television personality, and author. \u003ca href=\"https://www.kqed.org/jpepinheart/\">Pépin\u003c/a>, a longtime KQED contributor, was in many ways Bourdain’s role model, the authentic authority he aspired to be. In this conversation with KQED Food’s executive producer Tina Salter, Jacques remembers Tony with affection and great respect for the enormous contribution he made to the intersecting worlds of food and culture. \u003c/p>\n\u003cp>\u003cstrong>Tina: How did you first meet Anthony Bourdain?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> It had to be nearly 25 years ago. He was chef at a restaurant called \u003ca href=\"https://ny.eater.com/2018/6/12/17455134/anthony-bourdain-les-halles-memorial-nyc\">Brasserie Les Halles\u003c/a> on Park Avenue in New York. One of the chefs that he worked with was a Spanish guy who studied at the first French Culinary Institute in New York, where I was teaching. He took me to meet Tony at Les Halles. \u003c/p>\n\u003cp>\u003cstrong>Tina: Did you ever get a chance to work with him in the kitchen?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> No, I never worked with him. We did events together and I know that in his book “\u003ca href=\"https://www.amazon.com/Kitchen-Confidential-Updated-Adventures-Underbelly/dp/0060899220\">Kitchen Confidential\u003c/a>,” he said that I helped make him become what he became. Mostly, because I took him seriously and respected his writing about what really happens in the kitchen. People throwing out baskets of bread, for instance, bread that had been served but not eaten. Today, thanks in part to Tony speaking out, people are recycling that bread, and I am glad they do. I mean, my father would have killed me if I threw out a piece of bread. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>About three years ago, I did an event with Tony at the \u003ca href=\"https://www.92y.org/\">92nd Street Y\u003c/a> in New York. It was a big deal and was \u003ca href=\"https://youtu.be/U3QYai6bv5M\">recorded for a podcast\u003c/a>. He interviewed me in front of a crowd for an hour. I remember because my wife Gloria who never comes out for those kinds of things, joined us. She was determined to meet him.\u003c/p>\n\u003cfigure id=\"attachment_129004\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins.jpg\" alt=\"Gloria Pépin, Anthony Bourdain and Jacques Pépin at event in October 2015 at the 92nd Street Y in New York City. Tony moderated a discussion about Jacques” book Heart and Soul.\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-129004\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Gloria Pépin, Anthony Bourdain and Jacques Pépin at event in October 2015 at the 92nd Street Y in New York City. Tony moderated a discussion about Jacques” book Heart and Soul. \u003ccite>(Tom Hopkins)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>https://youtu.be/U3QYai6bv5M\u003c/p>\n\u003cp>Tony was very generous and contributed to the American Masters PBS film about me, \u003ca href=\"http://www.pbs.org/wnet/americanmasters/american-masters-chefs-flight-jacques-pepin/8536/\">Jacques Pépin The Art of Craft\u003c/a>. He was the kind of person you would send an email to and he would respond within the hour. The last time I heard from him was just a few weeks ago because I gave him one of my paintings. I decided that I would give paintings to everyone who had contributed to the film, from Tony to Fareed Zakaria. So I sent him a list with pictures of the paintings and told him to choose one. So he picked one that is called ‘Construction 1’. And he sent a thank you note, of course. \u003c/p>\n\u003cfigure id=\"attachment_129005\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new.jpg\" alt=\"Construction I is the title of the painting Jacques Pépin gave to Anthony Bourdain.\" width=\"1920\" height=\"1533\" class=\"size-full wp-image-129005\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-800x639.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-768x613.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-1020x814.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-1200x958.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-1180x942.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-960x767.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-240x192.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-375x299.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-520x415.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Construction I is the title of the painting Jacques Pépin gave to Anthony Bourdain. \u003ccite>(Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tina: What's the most memorable time that you spent with Tony?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> Well, the most memorable was when he talked to me about the role of cooks in our world. He had been making the point about how for ages cooks had resided at the bottom of the social scale. And yet, today, in our time, that was changing, and we were becoming famous. We were now on par with the painters, and people in haute couture. His work and his words have been an important part of why that is happening. I guess the point is he was an extremely honest and genuine person with the courage to speak up. And he expressed his thanks to me for helping enable that in him. He certainly had no patience for fakery and false stuff. On his CNN show Parts Unknown he had this uncanny ability to sit down with some of the world’s greatest chefs, in Italy or France or in America. And at the same time discover women cooking behind small stoves in Libya, Vietnam or Mexico and elevate them to the same value and level. \u003c/p>\n\u003cp>Watching his shows I would experience the culture of a country in a way I hadn’t known, in Vietnam or Lebanon or the Bronx. He revealed the food in such a way that it became a window into the people and their values and aspirations. And as we began to understand their food, we began to understand their culture. He did this by getting close to the people, truly talking and connecting with them, sharing culinary and other experiences. He was so much more than a reporter flying in for an interview. And yet when it came to interviewing he was excellent, very scrupulous and honest. \u003c/p>\n\u003cp>\u003cstrong>Tina: He always gave credit to the workers in the kitchen, too.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> Yeah, absolutely. Unpretentious and humble. I always repeat to people what he said to me: “I was never a great chef, I cook in the kitchen.” And, yes, there was always credit for the guys he worked with in the kitchen, in America, especially, he celebrated the work of the immigrants from Mexico and Central and South America. And at the same time he was friends with some of the greatest chefs from France. Eric Ripert, the chef-owner of Le Bernardin in New York, was one of Tony’s closest friends. Tony connected people in the culinary world to each other in a way that democratized cooking. I don't think anyone has done that as well.\u003c/p>\n\u003cp>\u003cstrong>Tina: If you were sharing a meal with him, what would it be?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> Oh boy. I tell you it would be very straightforward. Very good wine and I'm not talking about very expensive wine. Good wine, good beer, a lobster roll, a roast chicken, a salad. That's what he would like. Something simple, with taste.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This interview was edited for length and clarity.\u003c/em>\t\u003c/p>\n\n",
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"excerpt": "In this conversation with KQED Food’s executive producer Tina Salter, Jacques remembers Tony with affection and great respect for the enormous contribution he made to the intersecting worlds of food and culture. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jacques Pépin and Anthony Bourdain were friends for 25 years, each an internationally acclaimed chef, television personality, and author. \u003ca href=\"https://www.kqed.org/jpepinheart/\">Pépin\u003c/a>, a longtime KQED contributor, was in many ways Bourdain’s role model, the authentic authority he aspired to be. In this conversation with KQED Food’s executive producer Tina Salter, Jacques remembers Tony with affection and great respect for the enormous contribution he made to the intersecting worlds of food and culture. \u003c/p>\n\u003cp>\u003cstrong>Tina: How did you first meet Anthony Bourdain?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> It had to be nearly 25 years ago. He was chef at a restaurant called \u003ca href=\"https://ny.eater.com/2018/6/12/17455134/anthony-bourdain-les-halles-memorial-nyc\">Brasserie Les Halles\u003c/a> on Park Avenue in New York. One of the chefs that he worked with was a Spanish guy who studied at the first French Culinary Institute in New York, where I was teaching. He took me to meet Tony at Les Halles. \u003c/p>\n\u003cp>\u003cstrong>Tina: Did you ever get a chance to work with him in the kitchen?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> No, I never worked with him. We did events together and I know that in his book “\u003ca href=\"https://www.amazon.com/Kitchen-Confidential-Updated-Adventures-Underbelly/dp/0060899220\">Kitchen Confidential\u003c/a>,” he said that I helped make him become what he became. Mostly, because I took him seriously and respected his writing about what really happens in the kitchen. People throwing out baskets of bread, for instance, bread that had been served but not eaten. Today, thanks in part to Tony speaking out, people are recycling that bread, and I am glad they do. I mean, my father would have killed me if I threw out a piece of bread. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>About three years ago, I did an event with Tony at the \u003ca href=\"https://www.92y.org/\">92nd Street Y\u003c/a> in New York. It was a big deal and was \u003ca href=\"https://youtu.be/U3QYai6bv5M\">recorded for a podcast\u003c/a>. He interviewed me in front of a crowd for an hour. I remember because my wife Gloria who never comes out for those kinds of things, joined us. She was determined to meet him.\u003c/p>\n\u003cfigure id=\"attachment_129004\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins.jpg\" alt=\"Gloria Pépin, Anthony Bourdain and Jacques Pépin at event in October 2015 at the 92nd Street Y in New York City. Tony moderated a discussion about Jacques” book Heart and Soul.\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-129004\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/gp-jp-ab-tom-hopkins-520x390.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Gloria Pépin, Anthony Bourdain and Jacques Pépin at event in October 2015 at the 92nd Street Y in New York City. Tony moderated a discussion about Jacques” book Heart and Soul. \u003ccite>(Tom Hopkins)\u003c/cite>\u003c/figcaption>\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U3QYai6bv5M'\n title='//www.youtube.com/embed/U3QYai6bv5M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Tony was very generous and contributed to the American Masters PBS film about me, \u003ca href=\"http://www.pbs.org/wnet/americanmasters/american-masters-chefs-flight-jacques-pepin/8536/\">Jacques Pépin The Art of Craft\u003c/a>. He was the kind of person you would send an email to and he would respond within the hour. The last time I heard from him was just a few weeks ago because I gave him one of my paintings. I decided that I would give paintings to everyone who had contributed to the film, from Tony to Fareed Zakaria. So I sent him a list with pictures of the paintings and told him to choose one. So he picked one that is called ‘Construction 1’. And he sent a thank you note, of course. \u003c/p>\n\u003cfigure id=\"attachment_129005\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new.jpg\" alt=\"Construction I is the title of the painting Jacques Pépin gave to Anthony Bourdain.\" width=\"1920\" height=\"1533\" class=\"size-full wp-image-129005\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-800x639.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-768x613.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-1020x814.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-1200x958.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-1180x942.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-960x767.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-240x192.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-375x299.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2018/06/Construction-1-20X16-acrylic-on-canvas-14613-new-520x415.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Construction I is the title of the painting Jacques Pépin gave to Anthony Bourdain. \u003ccite>(Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Tina: What's the most memorable time that you spent with Tony?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> Well, the most memorable was when he talked to me about the role of cooks in our world. He had been making the point about how for ages cooks had resided at the bottom of the social scale. And yet, today, in our time, that was changing, and we were becoming famous. We were now on par with the painters, and people in haute couture. His work and his words have been an important part of why that is happening. I guess the point is he was an extremely honest and genuine person with the courage to speak up. And he expressed his thanks to me for helping enable that in him. He certainly had no patience for fakery and false stuff. On his CNN show Parts Unknown he had this uncanny ability to sit down with some of the world’s greatest chefs, in Italy or France or in America. And at the same time discover women cooking behind small stoves in Libya, Vietnam or Mexico and elevate them to the same value and level. \u003c/p>\n\u003cp>Watching his shows I would experience the culture of a country in a way I hadn’t known, in Vietnam or Lebanon or the Bronx. He revealed the food in such a way that it became a window into the people and their values and aspirations. And as we began to understand their food, we began to understand their culture. He did this by getting close to the people, truly talking and connecting with them, sharing culinary and other experiences. He was so much more than a reporter flying in for an interview. And yet when it came to interviewing he was excellent, very scrupulous and honest. \u003c/p>\n\u003cp>\u003cstrong>Tina: He always gave credit to the workers in the kitchen, too.\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> Yeah, absolutely. Unpretentious and humble. I always repeat to people what he said to me: “I was never a great chef, I cook in the kitchen.” And, yes, there was always credit for the guys he worked with in the kitchen, in America, especially, he celebrated the work of the immigrants from Mexico and Central and South America. And at the same time he was friends with some of the greatest chefs from France. Eric Ripert, the chef-owner of Le Bernardin in New York, was one of Tony’s closest friends. Tony connected people in the culinary world to each other in a way that democratized cooking. I don't think anyone has done that as well.\u003c/p>\n\u003cp>\u003cstrong>Tina: If you were sharing a meal with him, what would it be?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jacques:\u003c/strong> Oh boy. I tell you it would be very straightforward. Very good wine and I'm not talking about very expensive wine. Good wine, good beer, a lobster roll, a roast chicken, a salad. That's what he would like. Something simple, with taste.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This interview was edited for length and clarity.\u003c/em>\t\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Jacques Pépin: The Art of Craft Reveals How a French Chef Became an ‘American Master’",
"title": "Jacques Pépin: The Art of Craft Reveals How a French Chef Became an ‘American Master’",
"headTitle": "Bay Area Bites | KQED Food",
"content": "\u003cp>There are only two things wrong with Peter L. Stein's \u003cem>American Masters\u003c/em> documentary \u003ca href=\"http://www.pbs.org/wnet/americanmasters/jacques-pepin-art-craft-film/8435/\" target=\"_blank\">\u003cem>Jacques Pépin: The Art of Craft\u003c/em>\u003c/a>, which premieres at San Francisco's Castro Theatre on Tuesday, April 25, 2017 and will premiere nationally on PBS stations Friday, May 26, at 9pm. First, it's not long enough; Pépin is such a charming character that -- especially in film digest form -- he leaves us wanting more. The film fizzes, pops and then is gone, like the delicate bubbles in a fine champagne. Second, this \"American\" master's French accent is still pretty thick, even after all these years. Though that is partially the point. In a political climate that puzzlingly discounts the contributions of immigrants, Pépin's adventure is a buoyant illustration of the catalytic grit, wit and innovation one newcomer can bring to an America still dreaming. Stein says, \"It's sometimes really nice to remember that people come to these shores, do good in the world and build something that actually changes culture.\"\u003c/p>\n\u003cp>Needle scratch. Rewind. Whenever we revisit the lives of celebrity chefs whose revolution eventually stocked our grocery store shelves with foods we now take for granted, we must first imagine the landscape BEFORE they arrived. We have to visit the U.S. supermarket with a young Jacques Pépin to discover with horror the only mushrooms on offer come in a can. The industrial practices that fed the troops in WWII have been weaponized to feed the masses and to make \"daily household drudgery\" (like cooking) a thing of the past. Everything is convenient, pre-sliced and pre-packaged. This idea is repeated in several recent documentaries, but given my own proximity to Rainbow Grocery and Whole Foods market, I still find it hard to grasp.\u003c/p>\n\u003cfigure id=\"attachment_116730\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920.jpg\" alt=\"Jacques Pépin (left), his brother Roland, his mother Jeannette, his younger brother Bichon, and aunts and uncles in front of the family restaurant, Chez Pépin.\" width=\"1920\" height=\"1347\" class=\"size-full wp-image-116730\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-768x539.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-1020x716.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-1180x828.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-960x674.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-375x263.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-520x365.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin (left), his brother Roland, his mother Jeannette, his younger brother Bichon, and aunts and uncles in front of the family restaurant, Chez Pépin. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pépin was no slouch when he arrived in the U.S. in the late 1950s. The film uses re-enactment, family photos and archival footage to cover the chef's early life. His first kitchen experience was in one of the family restaurants his mother opened after the Second World War, which the teenage Pépin parlayed into apprenticeships at some of the finest establishments in Paris. When he was drafted into the French navy, Pépin's work ethic and creativity eventually garnered him the position as personal chef to three French heads of state, including Charles de Gaulle.\u003c/p>\n\u003cfigure id=\"attachment_116731\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-1020x1403.jpg\" alt=\"Jacques Pépin as a young apprentice in front of his mother’s restaurant, Chez Pépin.\" width=\"640\" height=\"880\" class=\"size-large wp-image-116731\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-1020x1403.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-160x220.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-800x1100.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-768x1056.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-1180x1623.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-960x1320.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-240x330.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-375x516.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-520x715.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin as a young apprentice in front of his mother’s restaurant, Chez Pépin. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_116729\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920.jpg\" alt=\"Jacques Pépin (left) with his brothers Bichon and Roland, 1957.\" width=\"1920\" height=\"1365\" class=\"size-full wp-image-116729\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-160x114.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-800x569.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-768x546.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-1020x725.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-1180x839.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-960x683.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-240x171.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-375x267.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-520x370.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin (left) with his brothers Bichon and Roland, 1957. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once his military service was over, Pépin headed to New York, landing a job at Le Pavillon, referred to in the film as the \"best restaurant in the U.S.\" at the time. This was probably where the Kennedys came to appreciate his talents, so much so that, after winning the 1960 presidential election, they asked him to serve as White House chef. Another needle scratch. Pépin turned down the job! He chose instead to become Director of Research in the test kitchen for Howard Johnson's, the largest restaurant chain in the U.S. at the time. This move is key to the current celebration of Pépin as a distinctively American master. After serving in the world's great temples of haute cuisine, he decided to learn about mass production, creating recipes for Beef Bourguignon that could be produced in 500 gallon vats and putting the French back in French Fries. A decade later, Pépin left that post to strike out on his own, opening a very popular lunch spot in mid-town Manhattan, La Potagerie, which only served soup.\u003c/p>\n\u003cfigure id=\"attachment_116748\" class=\"wp-caption aligncenter\" style=\"max-width: 1754px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude.jpg\" alt=\"Jacques Pepin and his best friend, Jean-Claude Szurdak, in an early magazine photo shoot. \" width=\"1754\" height=\"1276\" class=\"size-full wp-image-116748\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude.jpg 1754w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-160x116.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-800x582.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-768x559.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-1020x742.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-1180x858.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-960x698.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-240x175.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-375x273.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-520x378.jpg 520w\" sizes=\"(max-width: 1754px) 100vw, 1754px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pepin and his best friend, Jean-Claude Szurdak, in an early magazine photo shoot. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_116750\" class=\"wp-caption aligncenter\" style=\"max-width: 611px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW.jpg\" alt=\"Jacques Pépin and Pierre Franey at the Howard Johnsons test kitchen, 1970s.\" width=\"611\" height=\"535\" class=\"size-full wp-image-116750\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW.jpg 611w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-160x140.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-240x210.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-375x328.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-520x455.jpg 520w\" sizes=\"(max-width: 611px) 100vw, 611px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin and Pierre Franey at the Howard Johnsons test kitchen, 1970s. \u003ccite>(Courtesy Pierre Franey Estate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Eventually, the necessity arose for Pépin to reinvent himself once more. He wrote a cookbook, \u003ca href=\"https://www.amazon.com/Technique-Illustrated-Fundamental-Techniques-Cooking/dp/067179020X/ref=sr_1_2?s=books&ie=UTF8&qid=1491927105&sr=1-2&keywords=la+technique+jacques+pepin\" target=\"_blank\">\u003cem>La Technique\u003c/em>\u003c/a> that taught Americans much-needed, from what he had observed, basic techniques for food preparation. He followed the success of that first book with another, \u003ca href=\"https://www.amazon.com/Methode-Illustrated-Fundamental-Techniques-Hardcover/dp/B011WAFZH4/ref=sr_1_3?s=books&ie=UTF8&qid=1491927237&sr=1-3&keywords=la+methode+jacques+pepin\" target=\"_blank\">\u003cem>La Methode\u003c/em>\u003c/a>; the two books were essentially about empowering the home cook. They were revolutionary at the time, demonstrating food basics through step-by-step photographic layouts. Pépin then hit the road, touring extensively to promote the work, which was the only option in an age before cable networks devoted exclusively to food. Exploiting his suave good looks, his natural charm and humor, not to mention that sexy accent, Pépin became the Tom Jones of cooking. Women flocked to his public appearances and swooned. This was the 1970s and the U.S. was pretty hot for all things French. Anthony Bourdain summarizes this idea with the quote that opens the film, \"Before you have sex with another human being, you should be capable of preparing them an omelet to Jacques Pépin's standards the next morning.\"\u003c/p>\n\u003cfigure id=\"attachment_116744\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/jp-garden-800x1150.jpg\" alt=\"Jacques Pépin in his garden.\" width=\"800\" height=\"1150\" class=\"size-medium wp-image-116744\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-800x1150.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-160x230.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-768x1104.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-960x1380.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-240x345.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-375x539.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-520x748.jpg 520w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden.jpg 969w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin in his garden. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So of course TV came calling, most particularly KQED, which produced -- with the very same Peter L. Stein at the helm -- Pépin's first successful cooking series for public TV. While he is extremely accomplished, Pépin makes cooking look easy, without -- paradoxically -- pulling focus from the centrality of work. His amazingly expressive hands communicate volumes -- mastery, wit, joy -- with every small gesture. His emphasis on technique is about developing know-how in your hands, which is communicated through the grace of his own movements. The chef's knife is a baton; the paring knife is a pen. Pépin creates art and music with food, orchestrating the meal as a communion between friends.\u003c/p>\n\u003cfigure id=\"attachment_116747\" class=\"wp-caption aligncenter\" style=\"max-width: 1408px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW.jpg\" alt=\"Jacques Pépin teaching a cooking class in the 1970s.\" width=\"1408\" height=\"1483\" class=\"size-full wp-image-116747\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW.jpg 1408w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-160x169.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-800x843.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-768x809.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-1020x1074.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-1180x1243.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-960x1011.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-240x253.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-375x395.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-520x548.jpg 520w\" sizes=\"(max-width: 1408px) 100vw, 1408px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin teaching a cooking class in the 1970s. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pépin remained philosophically consistent on TV. With empowerment as his central goal, he utilized each half-hour segment to prepare a dish from start to finish, revealing how cooking is essentially technique and practice. He cemented this idea with another series wherein he taught his daughter Claudine to cook on the small screen.\u003c/p>\n\u003cfigure id=\"attachment_116755\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/jp-claudine.jpg\" alt=\" Jacques Pépin and his daughter Claudine in his television series (L to R): Today's Gourmet, Jacques Pépin 's Kitchen: Cooking with Claudine, and Chez Pépin.\" width=\"900\" height=\"223\" class=\"size-full wp-image-116755\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine.jpg 900w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-160x40.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-800x198.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-768x190.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-240x59.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-375x93.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-520x129.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin and his daughter Claudine in his television series (L to R): Today's Gourmet, Jacques Pépin 's Kitchen: Cooking with Claudine, and Chez Pépin. \u003ccite>(screenshots from Jacques Pépin: The Art of Craft)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But \u003cem>The Art of Craft\u003c/em> is more than just one man's success story. Ultimately, it communicates, with the same breezy charm as its subject, the effect one person can have on a whole culture. This is the crucial idea that seems missing from today's America. We are a stew waiting for that distinctive ingredient that makes everything pop.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Pépin, along with a handful of other chefs like him, changed the way Americans perceived food. At one point, Pépin, nearing his 80th birthday, contemplates a wall filled with framed pictures of close friends and people who have been influential in his life. I realized then that his true accomplishment was not becoming a celebrity chef, writing cookbooks or teaching cooking techniques on TV, though they were the tools of his trade. His mission has always been to demonstrate the art of nurturing and the craft of building and fortifying community.\u003c/p>\n\u003cfigure id=\"attachment_116752\" class=\"wp-caption aligncenter\" style=\"max-width: 953px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW.jpg\" alt=\" Jacques Pépin nearing his 80th birthday, contemplates a wall filled with framed pictures of close friends and people who have been influential in his life.\" width=\"953\" height=\"530\" class=\"size-full wp-image-116752\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW.jpg 953w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-160x89.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-800x445.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-768x427.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-240x133.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-375x209.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-520x289.jpg 520w\" sizes=\"(max-width: 953px) 100vw, 953px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin nearing his 80th birthday, contemplates a wall filled with framed pictures of close friends and people who have been influential in his life. \u003ccite>(screenshot from Jacques Pépin: The Art of Craft)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This timely tribute to one immigrant's journey in the U.S. reminds us that change is as likely to arrive on our shores as it is to be home grown, given the right conditions. Everything worth having is worth working for and, as Pépin demonstrates, there are tried and true techniques that, with practice, will help us to master the art of living.\u003c/p>\n\u003cfigure id=\"attachment_116732\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920.jpg\" alt=\"Jacques Pépin (R), director Peter L. Stein (L), director of photography Vicente Franco, and sound engineer Jose Araujo, during the filming of Pépin’s American Masters documentary, 2016.\" width=\"1920\" height=\"1282\" class=\"size-full wp-image-116732\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-768x513.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-1180x788.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-960x641.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin (R), director Peter L. Stein (L), director of photography Vicente Franco, and sound engineer Jose Araujo, during the filming of Pépin’s American Masters documentary, 2016. \u003ccite>(Jennifer Huang )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003chr>\n\u003cp>https://player.vimeo.com/video/211423771\u003cbr>\nDocumentary maker Peter L. Stein describes some of the special on- and off-screen challenges of bringing Jacques Pépin's story to the screen for PBS's American Masters, and recalls his longtime collaboration with Jacques as producer of many of his early public television series.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Watch a clip from the documentary in which Jacques' wife Gloria shares the story of how she met Jacques.\u003cbr>\nhttps://youtu.be/j0LazvHsuUE\u003c/p>\n\n",
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"excerpt": "The world premiere of the documentary 'Jacques Pépin: The Art of Craft' celebrates the celebrity chef as an American master. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There are only two things wrong with Peter L. Stein's \u003cem>American Masters\u003c/em> documentary \u003ca href=\"http://www.pbs.org/wnet/americanmasters/jacques-pepin-art-craft-film/8435/\" target=\"_blank\">\u003cem>Jacques Pépin: The Art of Craft\u003c/em>\u003c/a>, which premieres at San Francisco's Castro Theatre on Tuesday, April 25, 2017 and will premiere nationally on PBS stations Friday, May 26, at 9pm. First, it's not long enough; Pépin is such a charming character that -- especially in film digest form -- he leaves us wanting more. The film fizzes, pops and then is gone, like the delicate bubbles in a fine champagne. Second, this \"American\" master's French accent is still pretty thick, even after all these years. Though that is partially the point. In a political climate that puzzlingly discounts the contributions of immigrants, Pépin's adventure is a buoyant illustration of the catalytic grit, wit and innovation one newcomer can bring to an America still dreaming. Stein says, \"It's sometimes really nice to remember that people come to these shores, do good in the world and build something that actually changes culture.\"\u003c/p>\n\u003cp>Needle scratch. Rewind. Whenever we revisit the lives of celebrity chefs whose revolution eventually stocked our grocery store shelves with foods we now take for granted, we must first imagine the landscape BEFORE they arrived. We have to visit the U.S. supermarket with a young Jacques Pépin to discover with horror the only mushrooms on offer come in a can. The industrial practices that fed the troops in WWII have been weaponized to feed the masses and to make \"daily household drudgery\" (like cooking) a thing of the past. Everything is convenient, pre-sliced and pre-packaged. This idea is repeated in several recent documentaries, but given my own proximity to Rainbow Grocery and Whole Foods market, I still find it hard to grasp.\u003c/p>\n\u003cfigure id=\"attachment_116730\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920.jpg\" alt=\"Jacques Pépin (left), his brother Roland, his mother Jeannette, his younger brother Bichon, and aunts and uncles in front of the family restaurant, Chez Pépin.\" width=\"1920\" height=\"1347\" class=\"size-full wp-image-116730\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-768x539.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-1020x716.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-1180x828.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-960x674.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-375x263.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2100-Pepin-family-in-front-of-restaurant-1940s-1920-520x365.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin (left), his brother Roland, his mother Jeannette, his younger brother Bichon, and aunts and uncles in front of the family restaurant, Chez Pépin. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pépin was no slouch when he arrived in the U.S. in the late 1950s. The film uses re-enactment, family photos and archival footage to cover the chef's early life. His first kitchen experience was in one of the family restaurants his mother opened after the Second World War, which the teenage Pépin parlayed into apprenticeships at some of the finest establishments in Paris. When he was drafted into the French navy, Pépin's work ethic and creativity eventually garnered him the position as personal chef to three French heads of state, including Charles de Gaulle.\u003c/p>\n\u003cfigure id=\"attachment_116731\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-1020x1403.jpg\" alt=\"Jacques Pépin as a young apprentice in front of his mother’s restaurant, Chez Pépin.\" width=\"640\" height=\"880\" class=\"size-large wp-image-116731\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-1020x1403.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-160x220.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-800x1100.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-768x1056.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-1180x1623.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-960x1320.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-240x330.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-375x516.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JeunePepin_hires-tiff-ret02-1920-520x715.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin as a young apprentice in front of his mother’s restaurant, Chez Pépin. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_116729\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920.jpg\" alt=\"Jacques Pépin (left) with his brothers Bichon and Roland, 1957.\" width=\"1920\" height=\"1365\" class=\"size-full wp-image-116729\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-160x114.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-800x569.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-768x546.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-1020x725.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-1180x839.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-960x683.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-240x171.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-375x267.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1022-Pepin-brothers-1957-Navy-1920-520x370.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin (left) with his brothers Bichon and Roland, 1957. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once his military service was over, Pépin headed to New York, landing a job at Le Pavillon, referred to in the film as the \"best restaurant in the U.S.\" at the time. This was probably where the Kennedys came to appreciate his talents, so much so that, after winning the 1960 presidential election, they asked him to serve as White House chef. Another needle scratch. Pépin turned down the job! He chose instead to become Director of Research in the test kitchen for Howard Johnson's, the largest restaurant chain in the U.S. at the time. This move is key to the current celebration of Pépin as a distinctively American master. After serving in the world's great temples of haute cuisine, he decided to learn about mass production, creating recipes for Beef Bourguignon that could be produced in 500 gallon vats and putting the French back in French Fries. A decade later, Pépin left that post to strike out on his own, opening a very popular lunch spot in mid-town Manhattan, La Potagerie, which only served soup.\u003c/p>\n\u003cfigure id=\"attachment_116748\" class=\"wp-caption aligncenter\" style=\"max-width: 1754px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude.jpg\" alt=\"Jacques Pepin and his best friend, Jean-Claude Szurdak, in an early magazine photo shoot. \" width=\"1754\" height=\"1276\" class=\"size-full wp-image-116748\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude.jpg 1754w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-160x116.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-800x582.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-768x559.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-1020x742.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-1180x858.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-960x698.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-240x175.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-375x273.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/1068_Pepin011_Kitchen_JeanClaude-520x378.jpg 520w\" sizes=\"(max-width: 1754px) 100vw, 1754px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pepin and his best friend, Jean-Claude Szurdak, in an early magazine photo shoot. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_116750\" class=\"wp-caption aligncenter\" style=\"max-width: 611px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW.jpg\" alt=\"Jacques Pépin and Pierre Franey at the Howard Johnsons test kitchen, 1970s.\" width=\"611\" height=\"535\" class=\"size-full wp-image-116750\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW.jpg 611w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-160x140.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-240x210.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-375x328.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2170-JP-and-Franey-at-Hojo-commissary-NEW-520x455.jpg 520w\" sizes=\"(max-width: 611px) 100vw, 611px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin and Pierre Franey at the Howard Johnsons test kitchen, 1970s. \u003ccite>(Courtesy Pierre Franey Estate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Eventually, the necessity arose for Pépin to reinvent himself once more. He wrote a cookbook, \u003ca href=\"https://www.amazon.com/Technique-Illustrated-Fundamental-Techniques-Cooking/dp/067179020X/ref=sr_1_2?s=books&ie=UTF8&qid=1491927105&sr=1-2&keywords=la+technique+jacques+pepin\" target=\"_blank\">\u003cem>La Technique\u003c/em>\u003c/a> that taught Americans much-needed, from what he had observed, basic techniques for food preparation. He followed the success of that first book with another, \u003ca href=\"https://www.amazon.com/Methode-Illustrated-Fundamental-Techniques-Hardcover/dp/B011WAFZH4/ref=sr_1_3?s=books&ie=UTF8&qid=1491927237&sr=1-3&keywords=la+methode+jacques+pepin\" target=\"_blank\">\u003cem>La Methode\u003c/em>\u003c/a>; the two books were essentially about empowering the home cook. They were revolutionary at the time, demonstrating food basics through step-by-step photographic layouts. Pépin then hit the road, touring extensively to promote the work, which was the only option in an age before cable networks devoted exclusively to food. Exploiting his suave good looks, his natural charm and humor, not to mention that sexy accent, Pépin became the Tom Jones of cooking. Women flocked to his public appearances and swooned. This was the 1970s and the U.S. was pretty hot for all things French. Anthony Bourdain summarizes this idea with the quote that opens the film, \"Before you have sex with another human being, you should be capable of preparing them an omelet to Jacques Pépin's standards the next morning.\"\u003c/p>\n\u003cfigure id=\"attachment_116744\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/jp-garden-800x1150.jpg\" alt=\"Jacques Pépin in his garden.\" width=\"800\" height=\"1150\" class=\"size-medium wp-image-116744\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-800x1150.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-160x230.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-768x1104.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-960x1380.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-240x345.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-375x539.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden-520x748.jpg 520w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-garden.jpg 969w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin in his garden. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So of course TV came calling, most particularly KQED, which produced -- with the very same Peter L. Stein at the helm -- Pépin's first successful cooking series for public TV. While he is extremely accomplished, Pépin makes cooking look easy, without -- paradoxically -- pulling focus from the centrality of work. His amazingly expressive hands communicate volumes -- mastery, wit, joy -- with every small gesture. His emphasis on technique is about developing know-how in your hands, which is communicated through the grace of his own movements. The chef's knife is a baton; the paring knife is a pen. Pépin creates art and music with food, orchestrating the meal as a communion between friends.\u003c/p>\n\u003cfigure id=\"attachment_116747\" class=\"wp-caption aligncenter\" style=\"max-width: 1408px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW.jpg\" alt=\"Jacques Pépin teaching a cooking class in the 1970s.\" width=\"1408\" height=\"1483\" class=\"size-full wp-image-116747\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW.jpg 1408w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-160x169.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-800x843.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-768x809.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-1020x1074.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-1180x1243.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-960x1011.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-240x253.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-375x395.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/2054-JP-cooking-demo-holding-mic-NEW-520x548.jpg 520w\" sizes=\"(max-width: 1408px) 100vw, 1408px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin teaching a cooking class in the 1970s. \u003ccite>(Courtesy Jacques Pépin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pépin remained philosophically consistent on TV. With empowerment as his central goal, he utilized each half-hour segment to prepare a dish from start to finish, revealing how cooking is essentially technique and practice. He cemented this idea with another series wherein he taught his daughter Claudine to cook on the small screen.\u003c/p>\n\u003cfigure id=\"attachment_116755\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/jp-claudine.jpg\" alt=\" Jacques Pépin and his daughter Claudine in his television series (L to R): Today's Gourmet, Jacques Pépin 's Kitchen: Cooking with Claudine, and Chez Pépin.\" width=\"900\" height=\"223\" class=\"size-full wp-image-116755\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine.jpg 900w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-160x40.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-800x198.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-768x190.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-240x59.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-375x93.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/jp-claudine-520x129.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin and his daughter Claudine in his television series (L to R): Today's Gourmet, Jacques Pépin 's Kitchen: Cooking with Claudine, and Chez Pépin. \u003ccite>(screenshots from Jacques Pépin: The Art of Craft)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But \u003cem>The Art of Craft\u003c/em> is more than just one man's success story. Ultimately, it communicates, with the same breezy charm as its subject, the effect one person can have on a whole culture. This is the crucial idea that seems missing from today's America. We are a stew waiting for that distinctive ingredient that makes everything pop.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pépin, along with a handful of other chefs like him, changed the way Americans perceived food. At one point, Pépin, nearing his 80th birthday, contemplates a wall filled with framed pictures of close friends and people who have been influential in his life. I realized then that his true accomplishment was not becoming a celebrity chef, writing cookbooks or teaching cooking techniques on TV, though they were the tools of his trade. His mission has always been to demonstrate the art of nurturing and the craft of building and fortifying community.\u003c/p>\n\u003cfigure id=\"attachment_116752\" class=\"wp-caption aligncenter\" style=\"max-width: 953px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW.jpg\" alt=\" Jacques Pépin nearing his 80th birthday, contemplates a wall filled with framed pictures of close friends and people who have been influential in his life.\" width=\"953\" height=\"530\" class=\"size-full wp-image-116752\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW.jpg 953w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-160x89.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-800x445.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-768x427.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-240x133.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-375x209.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/Screen-shot-2017-04-12-at-2.49-NEW-520x289.jpg 520w\" sizes=\"(max-width: 953px) 100vw, 953px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin nearing his 80th birthday, contemplates a wall filled with framed pictures of close friends and people who have been influential in his life. \u003ccite>(screenshot from Jacques Pépin: The Art of Craft)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This timely tribute to one immigrant's journey in the U.S. reminds us that change is as likely to arrive on our shores as it is to be home grown, given the right conditions. Everything worth having is worth working for and, as Pépin demonstrates, there are tried and true techniques that, with practice, will help us to master the art of living.\u003c/p>\n\u003cfigure id=\"attachment_116732\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg src=\"https://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920.jpg\" alt=\"Jacques Pépin (R), director Peter L. Stein (L), director of photography Vicente Franco, and sound engineer Jose Araujo, during the filming of Pépin’s American Masters documentary, 2016.\" width=\"1920\" height=\"1282\" class=\"size-full wp-image-116732\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-768x513.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-1180x788.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-960x641.jpg 960w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/24/2017/04/JP-with-book-DSC_7094-1920-520x347.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jacques Pépin (R), director Peter L. Stein (L), director of photography Vicente Franco, and sound engineer Jose Araujo, during the filming of Pépin’s American Masters documentary, 2016. \u003ccite>(Jennifer Huang )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003chr>\n\u003cp>https://player.vimeo.com/video/211423771\u003cbr>\nDocumentary maker Peter L. Stein describes some of the special on- and off-screen challenges of bringing Jacques Pépin's story to the screen for PBS's American Masters, and recalls his longtime collaboration with Jacques as producer of many of his early public television series.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Watch a clip from the documentary in which Jacques' wife Gloria shares the story of how she met Jacques.\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j0LazvHsuUE'\n title='//www.youtube.com/embed/j0LazvHsuUE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_104957\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2015/12/jp-birthday-animation.gif\" alt=\"Happy 80th Birthday, Jacques Pépin!\" width=\"800\" height=\"533\" class=\"size-full wp-image-104957\">\u003cfigcaption class=\"wp-caption-text\">Happy 80th Birthday, Jacques Pépin! \u003ccite>(Wendy Goodfriend)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Today is officially chef Jacques Pépin's 80th birthday. Numerous tributes have taken place throughout the year to acknowledge this milestone. At the annual IACP conference in March, celebrity chefs and food professionals \u003ca href=\"http://www.eater.com/2015/3/28/8306113/jacques-pepin-80th-birthday-party-cakes\" target=\"_blank\">celebrated his entry into octogenarianism\u003c/a> by baking 80 cakes in his honor.\u003c/p>\n\u003cp>To help celebrate this special occasion, Tina Salter, Series Producer of \u003ca href=\"http://ww2.kqed.org/jpepinheart/\" target=\"_blank\">\u003cem>Jacques Pépin: Heart & Soul\u003c/em>\u003c/a>, gathered together some of Jacques’ fellow chefs and closest friends to create a Happy Birthday video. Not satisfied with just sending good wishes however, the celebrity chefs and colleagues sing Jacques’ praises, remembering the skills and techniques he taught them as well as the guidance and support he so generously offered over the years. Watch as Anthony Bourdain, Mario Batali, Alice Waters, Daniel Boulud and many others wish Jacques Pépin \u003cem>Bon Anniversaire!\u003c/em>\u003c/p>\n\u003cp>https://youtu.be/qpFXiMHhBjI\u003c/p>\n\u003cp> Watch a preview for \u003cem>Jacques Pepin's 80th Birthday Celebration\u003c/em>. Chefs Lidia Bastianich, Rick Bayless and Ming Tsai prepare their favorite recipes with Jacques. The \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23271\" target=\"_blank\">program airs on KQED 9\u003c/a> Saturday, Dec 26 at 2:00pm and again in early January. \u003c/p>\n\u003cp>https://youtu.be/SNX7Ws0rS68\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Here is a bit of visual history from Jacques Pépin's life...\u003cbr>\n[gallery type=\"slideshow\" link=\"file\" ids=\"91105,91104,91106,91119,91121,91113,91118,91117,91109,91122,91110,91108,91123,91111,91112,91124,91116,91107,91120\"]\u003c/p>\n\u003cp>Jacques Pépin's final television series, \u003ca href=\"http://ww2.kqed.org/jpepinheart/\" target=\"_blank\">\u003cem>Jacques Pépin: Heart & Soul\u003c/em>\u003c/a> is currently airing on KQED and other PBS stations. Here are behind-the-scenes photos from the production process on set and in the back kitchen at the KQED studios. \u003c/p>\n\u003cp>[gallery type=\"slideshow\" link=\"file\" ids=\"91166,91144,91136,91131,91130,91129,91132,91133,91134,91135,91138,91139,91140,91141,91142,91143,91145,91146,91147,91148,91149,91151,91152,91153,91154,91155,91157,91158,91159,91160,91161,91162,91163,91164,91167,91168,91169,91170,91171,91172,91173,91174,91165\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>All photos by Wendy Goodfriend\u003c/em>\u003c/p>\n\n",
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"excerpt": "Today is the legendary chef Jacques Pépin's 80th birthday. Celebrate Jacques along with many other celebrity chefs by watching a special Happy Birthday video. See historical photos from his life as well as behind-the-scenes photos from his final television series \u003cem>Jacques Pépin: Heart & Soul\u003c/em>. Then watch a birthday special on KQED 9 the day after Christmas.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_104957\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2015/12/jp-birthday-animation.gif\" alt=\"Happy 80th Birthday, Jacques Pépin!\" width=\"800\" height=\"533\" class=\"size-full wp-image-104957\">\u003cfigcaption class=\"wp-caption-text\">Happy 80th Birthday, Jacques Pépin! \u003ccite>(Wendy Goodfriend)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Today is officially chef Jacques Pépin's 80th birthday. Numerous tributes have taken place throughout the year to acknowledge this milestone. At the annual IACP conference in March, celebrity chefs and food professionals \u003ca href=\"http://www.eater.com/2015/3/28/8306113/jacques-pepin-80th-birthday-party-cakes\" target=\"_blank\">celebrated his entry into octogenarianism\u003c/a> by baking 80 cakes in his honor.\u003c/p>\n\u003cp>To help celebrate this special occasion, Tina Salter, Series Producer of \u003ca href=\"http://ww2.kqed.org/jpepinheart/\" target=\"_blank\">\u003cem>Jacques Pépin: Heart & Soul\u003c/em>\u003c/a>, gathered together some of Jacques’ fellow chefs and closest friends to create a Happy Birthday video. Not satisfied with just sending good wishes however, the celebrity chefs and colleagues sing Jacques’ praises, remembering the skills and techniques he taught them as well as the guidance and support he so generously offered over the years. Watch as Anthony Bourdain, Mario Batali, Alice Waters, Daniel Boulud and many others wish Jacques Pépin \u003cem>Bon Anniversaire!\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qpFXiMHhBjI'\n title='//www.youtube.com/embed/qpFXiMHhBjI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> Watch a preview for \u003cem>Jacques Pepin's 80th Birthday Celebration\u003c/em>. Chefs Lidia Bastianich, Rick Bayless and Ming Tsai prepare their favorite recipes with Jacques. The \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23271\" target=\"_blank\">program airs on KQED 9\u003c/a> Saturday, Dec 26 at 2:00pm and again in early January. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SNX7Ws0rS68'\n title='//www.youtube.com/embed/SNX7Ws0rS68'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>Listen to Weekend Edition Saturday:\u003c/strong>\u003cbr>\nhttp://pd.npr.org/anon.npr-mp3/npr/wesat/2015/10/20151003_wesat_what_would_julia_child_do_jacques_pepin_says_add_more_butter.mp3\u003c/p>\n\u003cp>Jacques Pépin says his new cookbook, \u003cem>Jacques Pépin: Heart and Soul in the Kitchen\u003c/em>, is an invitation to join him for dinner at his house. Of course, you'll have to do all the cooking — but you can use his recipes.\u003c/p>\n\u003cp>Pépin will turn 80 years old this year. He says this is one of his last cookbooks, and it's timed to coincide what he says is his final PBS show, airing this fall: \u003ca href=\"http://ww2.kqed.org/jpepinheart/\" target=\"_blank\">\u003cem>Jacques Pépin: Heart and Soul.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>NPR's Scott Simon recently spoke with Pépin about his extraordinary and wide-ranging 60-year career: He was a personal chef to Charles de Gaulle and a longtime friend and collaborator of Julia Child. In the 1960s he left a job at Le Pavillon, an iconic French restaurant in New York, to join Howard Johnson's — a chain associated more with turnpikes than fine dining — as head of research and development.\u003c/p>\n\u003cp>And Pépin still can surprise: His new cookbook includes a recipe for tuna tartare and bagel chips. How did it end up there?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"You know, I may be considered the quintessential French chef by many people, but I do what I like to do,\" Pépin tells Simon. \"And the way I cooked, I don't think that I was ever very chauvinistically French. And I do dishes which I like to eat and sometimes they are more French than others, but it really doesn't matter to me.\"\u003c/p>\n\u003cp>A transcript of their conversation, edited for clarity and brevity, is below.\u003c/p>\n\u003cp>\u003cstrong>I don't get the chance to ask a lot of people: What was Charles de Gaulle really like? I mean, did he like to have a burrito occasionally or something? \u003c/strong>\u003c/p>\n\u003cp>No burrito. Everything was very classic French. More like bourgeois French, like a leg of lamb properly roasted. ... scalloped potatoes with some cream and garlic baked in the oven. ... And grated cheese around maybe an apple tart or a caramel custard. Very simple, straightforward. Good food done with great-quality ingredients. You know, that's what's great food is all about.\u003c/p>\n\u003cp>\u003cstrong>You're a frugal man in the kitchen.\u003c/strong>\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>\u003cstrong>Does that come from growing up during the war?\u003c/strong>\u003c/p>\n\u003cp>Probably, yes. I mean, this is ... you know, what I inherited from my mother. I am very miserly, yes, in the kitchen. During the war, we didn't have that much to eat. And the woman cooking is usually more economical than men's cooking. It's done in a different way. So certainly, that's my influence.\u003c/p>\n\u003cp>\u003cstrong>Well I ask because, tell us, please, what you do with old cheese.\u003c/strong>\u003c/p>\n\u003cp>Oh yes, old cheese, we do a \u003cem>fromage fort \u003c/em>[\u003ca href=\"http://www.foodandwine.com/recipes/fromage-fort\" target=\"_blank\">a French cheese spread\u003c/a> made by blending together pieces of assorted leftover cheeses, white wine, garlic and herbs.] ... It can include from Camembert to goat cheese or bleu cheese. ... My father would put it into a jar and put white wine on top of it and let it ferment it even more, with the rind and all....\u003c/p>\n\u003cp>If there is mold on top, I scrape it off, but I still use it. I scrape it off, cut everything, put it in the food processor, [add] a couple of cloves of garlic, some white wine, a lot of ground pepper, and we make into a paste that we call \u003cem>fromage fort\u003c/em>: strong cheese that you serve on bread with a salad. Or you put it on bread and put it under the broiler to beautifully glaze it, too.\u003c/p>\n\u003cp>And certainly it's very important, because cheese are very expensive. So if you have at least a few recipes like this, where you can use those leftovers ... you can continue serving cheeses when they are at their best, and using the leftover to do one dish or another. So that's part of the proper management of a kitchen, you know.\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, what do you think of what they now call molecular cooking, or what you seem to call punctuation cuisine?\u003c/strong>\u003c/p>\n\u003cp>Well, punctuation cooking may be a bit different. But I call it — a great deal of those dishes where people have a little bottle and they do little dots and little comma and question marks all around, and basically there is no sauce to dip your bread in it. You don't really know what those things have to do with the food.\u003c/p>\n\u003cp>When I cook, I like people to be able to identify the food. I like people to feel comfortable. I want people to look at my food and start salivating and starting thinking of marriage of that food with a certain type of wine, and so forth. But in molecular cuisine — this is fine, I mean, up to a certain extent, a meal or two this way — but after a while I just want to go out and have a taco and a beer.\u003c/p>\n\u003cp>\u003cstrong>As I was reading your book, you know, Julia Child your friend and co-conspirator of many years, was famous for telling us, \"remember, nobody sees you in the kitchen.\" But you saw her in the kitchen all the time. \u003c/strong>\u003c/p>\n\u003cp>Oh, yes. We had a good time.\u003c/p>\n\u003cp>I mean, I met Julia in 1960. Six-oh. So I came to the U.S. at the end of 1959. And then I walked out of The Pavillon [an iconic French restaurant] in New York, and I met \u003ca href=\"http://topics.nytimes.com/top/reference/timestopics/people/c/craig_claiborne/index.html\">Craig Claiborne\u003c/a>, who just started at The \u003cem>New York Times\u003c/em> — he came to The Pavillon to do a piece on Pierre Franey and me at The Pavillon.\u003c/p>\n\u003cp>And through Craig I met Helen McCullough, who was the food editor of \u003cem>House Beautiful\u003c/em>. And she introduced me to James Beard, because she spoke with James Beard every day for like a couple of hours. And then in the spring of 1960, she said, \"I have that manuscript here, can you look at it? On French cooking? What do you think of it?\" And I said, well I think it's very good. And she said, \"Well the woman is from California. She's coming to New York next week — let's cook for her.\"\u003c/p>\n\u003cp>It's a big, tall woman with a terrible voice. And of course, that was Julia.\u003c/p>\n\u003cp>My point is that I was here like six months and I knew the trinity of cooking: Craig Claiborne, James Beard and Julia Child. So you can see that the food world was very, very small. Totally different than what it is now.\u003c/p>\n\u003cp>\u003cstrong>Do you hear her voice, that distinctive voice, every now and then, even now? \u003c/strong>\u003c/p>\n\u003cp>Oh yes, oh yes. Very often — when I don't put enough butter in the dish. There can be plenty more butter!\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, as you approach 80, how are you feeling? \u003c/strong>\u003c/p>\n\u003cp>Uh ... tired, sometimes?\u003c/p>\n\u003cp>No, I feel OK. I mean, I feel good. I mean, I thank God that I'm still walking around and drinking a lot of wine.\u003c/p>\n\u003cp>\u003cstrong>I ask because you say that this is probably your last cookbook. \u003c/strong>\u003c/p>\n\u003cp>Well, yes and no. Last cookbook like this, which takes a long time to do.\u003c/p>\n\u003cp>But I still hope to do some little thing with my granddaughter. Maybe the lessons of a grandfather, showing her how to do simple things that we've done together. I have a great deal of fun cooking with her.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So maybe a little book. Certainly some video will come with that, hopefully.\u003cbr>\n\u003cem>\u003cbr>\nCopyright 2015 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"You know, I may be considered the quintessential French chef by many people, but I do what I like to do,\" Pépin tells Simon. \"And the way I cooked, I don't think that I was ever very chauvinistically French. And I do dishes which I like to eat and sometimes they are more French than others, but it really doesn't matter to me.\"\u003c/p>\n\u003cp>A transcript of their conversation, edited for clarity and brevity, is below.\u003c/p>\n\u003cp>\u003cstrong>I don't get the chance to ask a lot of people: What was Charles de Gaulle really like? I mean, did he like to have a burrito occasionally or something? \u003c/strong>\u003c/p>\n\u003cp>No burrito. Everything was very classic French. More like bourgeois French, like a leg of lamb properly roasted. ... scalloped potatoes with some cream and garlic baked in the oven. ... And grated cheese around maybe an apple tart or a caramel custard. Very simple, straightforward. 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So certainly, that's my influence.\u003c/p>\n\u003cp>\u003cstrong>Well I ask because, tell us, please, what you do with old cheese.\u003c/strong>\u003c/p>\n\u003cp>Oh yes, old cheese, we do a \u003cem>fromage fort \u003c/em>[\u003ca href=\"http://www.foodandwine.com/recipes/fromage-fort\" target=\"_blank\">a French cheese spread\u003c/a> made by blending together pieces of assorted leftover cheeses, white wine, garlic and herbs.] ... It can include from Camembert to goat cheese or bleu cheese. ... My father would put it into a jar and put white wine on top of it and let it ferment it even more, with the rind and all....\u003c/p>\n\u003cp>If there is mold on top, I scrape it off, but I still use it. I scrape it off, cut everything, put it in the food processor, [add] a couple of cloves of garlic, some white wine, a lot of ground pepper, and we make into a paste that we call \u003cem>fromage fort\u003c/em>: strong cheese that you serve on bread with a salad. Or you put it on bread and put it under the broiler to beautifully glaze it, too.\u003c/p>\n\u003cp>And certainly it's very important, because cheese are very expensive. So if you have at least a few recipes like this, where you can use those leftovers ... you can continue serving cheeses when they are at their best, and using the leftover to do one dish or another. So that's part of the proper management of a kitchen, you know.\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, what do you think of what they now call molecular cooking, or what you seem to call punctuation cuisine?\u003c/strong>\u003c/p>\n\u003cp>Well, punctuation cooking may be a bit different. But I call it — a great deal of those dishes where people have a little bottle and they do little dots and little comma and question marks all around, and basically there is no sauce to dip your bread in it. You don't really know what those things have to do with the food.\u003c/p>\n\u003cp>When I cook, I like people to be able to identify the food. I like people to feel comfortable. I want people to look at my food and start salivating and starting thinking of marriage of that food with a certain type of wine, and so forth. But in molecular cuisine — this is fine, I mean, up to a certain extent, a meal or two this way — but after a while I just want to go out and have a taco and a beer.\u003c/p>\n\u003cp>\u003cstrong>As I was reading your book, you know, Julia Child your friend and co-conspirator of many years, was famous for telling us, \"remember, nobody sees you in the kitchen.\" But you saw her in the kitchen all the time. \u003c/strong>\u003c/p>\n\u003cp>Oh, yes. We had a good time.\u003c/p>\n\u003cp>I mean, I met Julia in 1960. Six-oh. So I came to the U.S. at the end of 1959. 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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
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},
"californiareport": {
"id": "californiareport",
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"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
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},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"meta": {
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
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