Paul is Media Operations Manager at KQED. He has a long and storied history with KQED, having worked on-air and behind the scenes for KQED radio for quite some time. You can reach him at plancour@kqed.org.
By Paul Lancour
New Organ Planned For Castro Theatre Will Be Among Largest in the World
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"disqusTitle": "New Organ Planned For Castro Theatre Will Be Among Largest in the World",
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"content": "\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/165184212&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>Castro Theatre regulars know to come early.\u003c/p>\n\u003cp>They know to sink deep into the plush red seats and to to savor the intricate details around them: golden woodwork, the art deco chandelier, a pair of unexpected murals on the theater's side walls.\u003c/p>\n\u003cp>But mostly, they know to listen. Because 15 minutes before each movie showing, the organ music begins.\u003c/p>\n\u003cp>Rising from the orchestra pit on a lift, organist David Hegarty plays a dramatic tune on the theater's creamy yellow Wurlitzer. He started playing at the Castro 36 years ago -- before the current organ was even installed in the space.\u003c/p>\n\u003cfigure id=\"attachment_146107\" class=\"wp-caption alignright\" style=\"max-width: 320px\">\u003cimg class=\"wp-image-146107\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/08/2014-08-06-14.41.01-640x480.jpg\" alt=\"Hegarty practices the Castro's signature song, "San Francisco." (Olivia Allen-Price/KQED)\" width=\"320\" height=\"240\">\u003cfigcaption class=\"wp-caption-text\">Hegarty practices the Castro's signature song, \"San Francisco.\" (Olivia Allen-Price/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>And he'll be around after it's gone, too. The Wurlitzer that has entertained audiences for 30 years is up for sale.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Castro Theatre doesn't actually own the organ, and the man who does has decided to move from the Bay Area and sell the instrument.\u003c/p>\n\u003cp>\"It's been considered one of the finest organs in the country,\" says Hegarty. \"It's been a great pleasure for me to play it all these years.\"\u003c/p>\n\u003cp>Hegarty is the president of the Castro Organ Devotees Association (SFCODA), a nonprofit working to bring a new organ to the Castro. For a time, they considered purchasing the current Wurlitzer.\u003c/p>\n\u003cp>\"Unfortunately, this organ, having been played constantly for over 30 years, is wearing out. It needs a total rebuild, which is very expensive,\" he says. \"Recently we've received a donation of a very fine pipe organ that doesn't need all of this refurbishing.\"\u003c/p>\n\u003cp>Though some parts of the organ have been donated, SFCODA still needs about $700,000 to complete the organ and install it in the theater. They are working to raise money through private and corporate donations, grants and public funding. An \u003ca href=\"https://www.indiegogo.com/projects/the-castro-symphonic-theatre-organ\" target=\"_blank\">Indiegogo campaign\u003c/a> ends on Sept. 25.\u003c/p>\n\u003cp>The new symphonic organ will have seven keyboards, 800 stop tabs and 400 ranks -- for those of you not versed in organ lingo, that's really, really big. It's so big that if the organ were made only of pipes, it would nearly fill the 1,400-seat theater. But because it will incorporate digital technology, the new organ will fit into the same space as the current Wurlitzer.\u003c/p>\n\u003cp>After it's finished, Hegarty says, the Castro's new organ will be the third largest in the world -- behind only the \u003ca href=\"http://www.wanamakerorgan.com/\" target=\"_blank\">Macy's Wanamaker Organ\u003c/a> in Philadelphia and the \u003ca href=\"http://www.boardwalkhall.com/organs.asp\" target=\"_blank\">Boardwalk Hall Organ\u003c/a> in Atlantic City, New Jersey.\u003c/p>\n\u003cp>\"If you took the sound you hear in the Castro at the present and envision a symphony orchestra sitting up there with the organ, that's the sound you're going to hear from the new organ,\" says instrument designer Allen Harrah. He's been a pioneer in melding digital systems with all-pipe organs, and is designing the new organ for the Castro.\u003c/p>\n\u003cp>Built around a theater organ core, the new instrument will have the capability of sounding just like the current Wurlitzer, Harrah says. Additional classical pipework will give it a wider range, and an advanced digital system will make the virtual sounds of many other instruments accessible.\u003c/p>\n\u003cp>\"These virtual sounds are extremely highly developed recordings of the actual instruments that are stored in massive amounts of memory,\" says Harrah. \"It's very, very difficult to tell that they're not the real thing.\"\u003c/p>\n\u003cp>Listen to David Hegarty playing music from \"2001: Space Odyssey\" on an organ similar to the one planned for the Castro. An organ is the only instrument being played here, though it sounds as if a whole orchestra may be at work:\u003c/p>\n\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/165183121&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If all goes well, SFCODA hopes to have the new organ in the theater by spring 2015. If the current Wurlitzer sells before the new organ is ready, Hegarty plans to bring an organ from his house to use temporarily. So fear not, Castro patrons, the music will not stop.\u003c/p>\n\n",
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"slug": "new-organ-planned-for-castro-theatre-will-be-among-largest-in-the-world",
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"customPermalink": "2014/08/28/fundriasing-underway-for-new-organ-castro-theatre/",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/165184212&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>Castro Theatre regulars know to come early.\u003c/p>\n\u003cp>They know to sink deep into the plush red seats and to to savor the intricate details around them: golden woodwork, the art deco chandelier, a pair of unexpected murals on the theater's side walls.\u003c/p>\n\u003cp>But mostly, they know to listen. Because 15 minutes before each movie showing, the organ music begins.\u003c/p>\n\u003cp>Rising from the orchestra pit on a lift, organist David Hegarty plays a dramatic tune on the theater's creamy yellow Wurlitzer. He started playing at the Castro 36 years ago -- before the current organ was even installed in the space.\u003c/p>\n\u003cfigure id=\"attachment_146107\" class=\"wp-caption alignright\" style=\"max-width: 320px\">\u003cimg class=\"wp-image-146107\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/08/2014-08-06-14.41.01-640x480.jpg\" alt=\"Hegarty practices the Castro's signature song, "San Francisco." (Olivia Allen-Price/KQED)\" width=\"320\" height=\"240\">\u003cfigcaption class=\"wp-caption-text\">Hegarty practices the Castro's signature song, \"San Francisco.\" (Olivia Allen-Price/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>And he'll be around after it's gone, too. The Wurlitzer that has entertained audiences for 30 years is up for sale.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Castro Theatre doesn't actually own the organ, and the man who does has decided to move from the Bay Area and sell the instrument.\u003c/p>\n\u003cp>\"It's been considered one of the finest organs in the country,\" says Hegarty. \"It's been a great pleasure for me to play it all these years.\"\u003c/p>\n\u003cp>Hegarty is the president of the Castro Organ Devotees Association (SFCODA), a nonprofit working to bring a new organ to the Castro. For a time, they considered purchasing the current Wurlitzer.\u003c/p>\n\u003cp>\"Unfortunately, this organ, having been played constantly for over 30 years, is wearing out. It needs a total rebuild, which is very expensive,\" he says. \"Recently we've received a donation of a very fine pipe organ that doesn't need all of this refurbishing.\"\u003c/p>\n\u003cp>Though some parts of the organ have been donated, SFCODA still needs about $700,000 to complete the organ and install it in the theater. They are working to raise money through private and corporate donations, grants and public funding. An \u003ca href=\"https://www.indiegogo.com/projects/the-castro-symphonic-theatre-organ\" target=\"_blank\">Indiegogo campaign\u003c/a> ends on Sept. 25.\u003c/p>\n\u003cp>The new symphonic organ will have seven keyboards, 800 stop tabs and 400 ranks -- for those of you not versed in organ lingo, that's really, really big. It's so big that if the organ were made only of pipes, it would nearly fill the 1,400-seat theater. But because it will incorporate digital technology, the new organ will fit into the same space as the current Wurlitzer.\u003c/p>\n\u003cp>After it's finished, Hegarty says, the Castro's new organ will be the third largest in the world -- behind only the \u003ca href=\"http://www.wanamakerorgan.com/\" target=\"_blank\">Macy's Wanamaker Organ\u003c/a> in Philadelphia and the \u003ca href=\"http://www.boardwalkhall.com/organs.asp\" target=\"_blank\">Boardwalk Hall Organ\u003c/a> in Atlantic City, New Jersey.\u003c/p>\n\u003cp>\"If you took the sound you hear in the Castro at the present and envision a symphony orchestra sitting up there with the organ, that's the sound you're going to hear from the new organ,\" says instrument designer Allen Harrah. He's been a pioneer in melding digital systems with all-pipe organs, and is designing the new organ for the Castro.\u003c/p>\n\u003cp>Built around a theater organ core, the new instrument will have the capability of sounding just like the current Wurlitzer, Harrah says. Additional classical pipework will give it a wider range, and an advanced digital system will make the virtual sounds of many other instruments accessible.\u003c/p>\n\u003cp>\"These virtual sounds are extremely highly developed recordings of the actual instruments that are stored in massive amounts of memory,\" says Harrah. \"It's very, very difficult to tell that they're not the real thing.\"\u003c/p>\n\u003cp>Listen to David Hegarty playing music from \"2001: Space Odyssey\" on an organ similar to the one planned for the Castro. An organ is the only instrument being played here, though it sounds as if a whole orchestra may be at work:\u003c/p>\n\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/165183121&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If all goes well, SFCODA hopes to have the new organ in the theater by spring 2015. If the current Wurlitzer sells before the new organ is ready, Hegarty plans to bring an organ from his house to use temporarily. So fear not, Castro patrons, the music will not stop.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
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