Season 3 of Film School Shorts brings viewers a whole new slate of unforgettable films
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"disqusTitle": "Season 3 of Film School Shorts brings viewers a whole new slate of unforgettable films",
"title": "Season 3 of Film School Shorts brings viewers a whole new slate of unforgettable films",
"headTitle": "KQED's Pressroom | About KQED",
"content": "\u003cp>\u003cstrong>\u003cspan style=\"font-size: medium\">Award-winning, star-studded short films rival the latest multiplex features ... in a fraction of the time.\u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/04/Film-School-Shorts_eblast_2015_cover1.png\">\u003cimg class=\"alignnone wp-image-6167\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/04/Film-School-Shorts_eblast_2015_cover1.png\" alt=\"Main Banner - Film School Shorts\" width=\"540\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Film School Shorts\u003c/strong> is back with ten new episodes featuring some of the best short films from schools around the country. The season kicks off with the BIFA winner and BAFTA-nominated film, \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/the-karman-line/\">\u003cstrong>\u003cem>The Kármán Line\u003c/em>\u003c/strong>\u003c/a>, a can’t-miss drama starring Olivia Colman (\u003cem>Broadchurch, Peep Show, Hot Fuzz\u003c/em>) and Shaun Dooley (\u003cem>The Awakening, Broadchurch, Misfits\u003c/em>).\u003c/p>\n\u003cp>The lineup also includes three Student Academy Award winners (\u003cstrong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/above-the-sea/\">\u003cem>Above the Sea\u003c/em>\u003c/a>\u003c/strong>, \u003cstrong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/un-mundo-para-raul/\">\u003cem>Un Mundo para Raúl\u003c/em>\u003c/a>\u003c/strong> and \u003cstrong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/nani/\">\u003cem>Nani\u003c/em>\u003c/a>\u003c/strong>), while many others have been recognized by major film festivals, including SXSW, Tribeca, Palm Springs ShortFest, Aspen ShortsFest, San Francisco International Film Festival, and many others.\u003c/p>\n\u003cp>\u003cstrong>WEBSITE AND SOCIAL MEDIA\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"padding-left: 30px\">Download the \u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/05/Film-School-Shorts-S03-Social-Media-Toolkit.pdf\" target=\"_blank\">Social Media Toolkit\u003c/a>.\u003cbr>\nWebsite: \u003ca title=\"http://blogs.kqed.org/filmschoolshorts/\" href=\"http://blogs.kqed.org/filmschoolshorts/\" target=\"_blank\">http://blogs.kqed.org/filmschoolshorts/\u003c/a>\u003cbr>\nFacebook: \u003ca title=\"https://www.facebook.com/FilmSchoolShorts\" href=\"https://www.facebook.com/FilmSchoolShorts\" target=\"_blank\">https://www.facebook.com/FilmSchoolShorts\u003c/a>\u003cbr>\nTwitter: \u003ca title=\"https://twitter.com/filmschoolshort\" href=\"https://twitter.com/filmschoolshort\" target=\"_blank\">https://twitter.com/filmschoolshort\u003c/a>\u003cbr>\nYouTube: \u003ca href=\"http://www.youtube.com/subscription_center?add_user=filmschoolshorts%20\">https://www.youtube.com/FilmSchoolShorts \u003c/a>\u003cbr>\nPress Photos: Scroll down to download Hi-Res Photos and Social Media Images.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Film School Shorts\u003c/strong> is a national production of KQED. The series producer is Lisa Landi, and the executive producer is Scott Dwyer. \u003cstrong>Film School Shorts\u003c/strong> is made possible by a grant from Maurice Kanbar and by the members of KQED.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION\u003c/strong>\u003cbr>\nKQED Public Television, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cstrong>\u003cem>Masterpiece Classic: Downton Abbey\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>Masterpiece Mystery: Sherlock Holmes\u003c/em>\u003c/strong>\u003cem>, \u003cstrong>American Masters\u003c/strong>, \u003cstrong>Great Performances\u003c/strong>, \u003cstrong>NOVA\u003c/strong> \u003c/em>and \u003cstrong>\u003cem>Nature\u003c/em>\u003c/strong>. KQED Public Television produces local series like \u003cstrong>\u003cem>Check, Please! Bay Area\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>KQED Newsroom\u003c/em>\u003c/strong>,\u003cstrong>\u003cem>San Francisco Opera\u003c/em>\u003c/strong> and \u003cstrong>\u003cem>ImageMakers\u003c/em>\u003c/strong> as well as popular programs for national broadcast such as \u003cstrong>\u003cem>Essential Pépin\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>QUEST\u003c/em>\u003c/strong> and \u003cstrong>\u003cem>Film School Shorts\u003c/em>\u003c/strong>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cspan style=\"color: #ff6600\">\u003cspan style=\"font-size: medium\">\u003cstrong>SEASON 3 EPISODE DESCRIPTIONS\u003c/strong>\u003c/span>\u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Episode 301 - \"Final Ascent\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/301_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/301_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/TheKarmanLine_Still.png\">\u003cimg class=\"alignnone wp-image-7179 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/TheKarmanLine_Still-150x150.png\" alt=\"The Kármán Line by Oscar Sharp (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>THE KÁRMÁN LINE\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Olivia Coleman (\u003cstrong>Broadchurch\u003c/strong>, \u003cstrong>The Iron Lady\u003c/strong>, \u003cstrong>Hot Fuzz\u003c/strong>) stars as a mother who is hit by an unusual condition that causes her to lift off the ground at a slow but ever increasing rate. Directed by Oscar Sharp.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 302 - \"Separation Anxiety\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/302_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/302__title_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/OwlAndMouse_Still.jpg\">\u003cimg class=\"alignnone wp-image-7186 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/OwlAndMouse_Still-150x150.jpg\" alt=\"Owl And Mouse by Emma Noble (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>OWL AND MOUSE\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>\u003cstrong>New York University\u003c/strong>\u003c/strong>\u003cbr>\nIn this wry tale that celebrates the art of stop-motion animation, a curmudgeonly owl must fight his nature when he has to watch over a young mouse for a night. Directed by Emma J. Noble.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SoYouveGrownAttached_Still.jpg\">\u003cimg class=\"alignnone wp-image-7195 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SoYouveGrownAttached_Still-150x150.jpg\" alt=\"So You've Grown Attached by Kate Tsang (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>SO YOU'VE GROWN ATTACHED\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>An imaginary friend is forced to consider retirement when his creator – and best friend – starts to grow up. Directed by Kate Tsang.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SteadfastStanley_Still.jpg\">\u003cimg class=\"alignnone wp-image-7218 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SteadfastStanley_Still-e1427404007668-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>STEADFAST STANLEY\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>California Institute of the Arts\u003cbr>\n\u003c/strong>A faithful dog must journey through the zombie apocalypse to save his best friend. Directed by John Kim.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/FluffytheFlyingFish_Still.jpg\">\u003cimg class=\"alignnone wp-image-7190 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/FluffytheFlyingFish_Still-150x150.jpg\" alt=\"Fluffy the Flying Fish by Ryan Charmatz (SVA)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>FLUFFY THE FLYING FISH\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>School of Visual Arts\u003cbr>\n\u003c/strong>When they move from Los Angeles to Denver, a family has to decide how to transport their pet goldfish, Fluffy. Directed by Ryan Charmatz.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 303 - \"On the Prowl\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/303_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/303_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/App_Still.jpg\">\u003cimg class=\"alignnone wp-image-7217 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/App_Still-150x150.jpg\" alt=\"App by Alex Berman (AFI)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>APP\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>Desperate to get funding for his groundbreaking new dating app, shy software developer Paul agrees to use the app to seduce a beautiful stranger, but his calculations backfire when he starts to feel a genuine connection. Directed by Alex Berman.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BananaTrip_Still.png\">\u003cimg class=\"alignnone wp-image-7231 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BananaTrip_Still-e1427404229633-150x139.png\" alt=\"\" width=\"150\" height=\"139\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>BANANA TRIP\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Florida State University\u003cbr>\n\u003c/strong>Three South Korean college boys head to Florida for spring break, hoping to hook up with white girls. Directed by Hyungjik Lee.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 304 - \"Where Do We Go From Here?\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/304_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/304_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"wp-image-7196 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/11MinMile_Still-e1427402875937-150x148.png\" alt=\"\" width=\"150\" height=\"148\">\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>11-MINUTE MILE\u003cbr>\n\u003c/strong>\u003c/span>\u003c/b>\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>When an arrogant young day-trader is delayed at an airport during the Boston Marathon bombing, the threat of tragedy brings a moment of clarity. Directed by Andrew Wood.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/KeepTheChange_Still.jpg\">\u003cimg class=\"alignnone wp-image-7197 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/KeepTheChange_Still-150x150.jpg\" alt=\"Keep The Change by Rachel Israel (Columbia University)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>KEEP THE CHANGE\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>David has autism, but he prides himself on not being rigid, “like that movie, Rain Man.” He enjoys chasing women, offensive humor and “exclusive clubs,” but he comes to reevaluate “normal” when he meets a new love interest at a support group. Directed by Rachel Israel.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 305 - \"Choices\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/305_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/305_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LateSpring_Still.jpg\">\u003cimg class=\"alignnone wp-image-7200 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LateSpring_Still-e1427403516905-150x140.jpg\" alt=\"\" width=\"150\" height=\"140\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>LATE SPRING\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>During the Libyan Revolution of 2011, a petty clerk at a police station must choose sides when a tortured prisoner asks him for help. Directed by Zachary Kerschberg.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/PagPag_Still.jpg\">\u003cimg class=\"alignnone wp-image-7202 size-thumbnail aligncenter\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/PagPag_Still-e1427403417148-133x150.jpg\" alt=\"\" width=\"133\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>PAGPAG (THE REFUSE)\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University, Tisch Asia\u003cbr>\n\u003c/strong>A hard-drinking, rough-edged woman from an impoverished community in the Philippines tries to sell her orphaned granddaughter to an American couple. Directed by John Paul Su.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 306 - \"Lives in Limbo\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/306_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/306_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BurnToSend_Still.png\">\u003cimg class=\"alignnone wp-image-7203 size-thumbnail aligncenter\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BurnToSend_Still-e1427403346773-133x150.png\" alt=\"\" width=\"133\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>BURN TO SEND\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Amidst Saigon’s underground motorcycle racing scene, a young man and woman struggle to define their ambiguous romance. Directed by Andinh Ha.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 307 - \"Playing with Power\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/307_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/307_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/AboveTheSea_Still.jpg\">\u003cimg class=\"alignnone wp-image-7204 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/AboveTheSea_Still-150x150.jpg\" alt=\"Above The Sea by Keola Racela (Columbia University)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>ABOVE THE SEA\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>In the dangerous underworld of 1930s Shanghai, Fei, a young lady of the evening, must decide how far she is willing to go to exact vengeance. Directed by Keola Racela.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Raul_Still.jpg\">\u003cimg class=\"alignnone wp-image-7208 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Raul_Still-150x150.jpg\" alt=\"Un Mundo para Raúl by Mauro Mueller (Columbia University)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>UN MUNDO PARA RAÚL\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>When thirteen-year-old Raúl is asked to entertain the local landowner's son, a treacherous game of power and pride unfolds between the boys. Directed by Mauro Mueller.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 308 - \"Responsible Parties\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/308_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/308_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/DisasterPrep_Still.jpg\">\u003cimg class=\"alignnone wp-image-7209 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/DisasterPrep_Still-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>DISASTER PREPAREDNESS\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>University of California, Los Angeles\u003cbr>\n\u003c/strong>A hurricane pulls a couple out of their comfort zone and drops them at the crossroads of commitment, disaster and the art of being prepared. Directed by Melissa Finell.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Humpty_Still.jpg\">\u003cimg class=\"alignnone wp-image-7232 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Humpty_Still-150x150.jpg\" alt=\"Humpty by Clare Sackler (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>HUMPTY\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>In time to a classic Harry Nilsson soundtrack, slacker Dean decides to revisit an old high school experiment in his quest to prove his parenting abilities to his pregnant girlfriend. Directed by Clare Sackler.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 309 - \"It's in the Blood\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/309_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/309_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"wp-image-7210 size-thumbnail aligncenter\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LambingSeason_Still-e1427403866651-139x150.jpg\" alt=\"\" width=\"139\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>LAMBING SEASON\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>Determined to meet the father who left her before she was born, a woman travels to Ireland, hoping it will help her understand his decision. Directed by Jeannie Donohoe.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Kinetic_Still.jpg\">\u003cimg class=\"alignnone wp-image-7211 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Kinetic_Still-150x150.jpg\" alt=\"A Series of Kinetic Sets Tell a Story by Shannon Kohlitz (University of Michigan)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>A SERIES OF KINETIC SETS TELL A STORY\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>University of Michigan\u003cbr>\n\u003c/strong>Beautifully rendered cardboard sets and characters and a seemingly weightless camera capture an astonishing voyage of immigration, love, and World War II in a single take. Directed by Shannon Kohlitz.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp>[ad floatright]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Episode 310 - \"Express Yourself\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/310_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/310_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Nani_Still.jpg\">\u003cimg class=\"alignnone wp-image-7212 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Nani_Still-150x150.jpg\" alt=\"Nani by Justin Tipping (AFI)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>NANI\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>While doing community service, a young graffiti artist befriends an elderly woman and introduces her to the exhilarating rush of tagging. Directed by Justin Tipping.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LittleFavour_Still.jpg\">\u003cimg class=\"alignnone wp-image-7213 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LittleFavour_Still-150x150.jpg\" alt=\"Little Favour by Yawen Zheng (USC)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>LITTLE FAVOUR\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>Like poetry in motion, a single leaf morphs from clay to pencil to paper as it blows through a series of imaginative worlds. Directed by Yawen Zheng.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\n",
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"description": "Award-winning, star-studded short films rival the latest multiplex features ... in a fraction of the time. Film School Shorts is back with ten new episodes featuring some of the best short films from schools around the country. The season kicks off with the BIFA winner and BAFTA-nominated film, The Kármán Line, a can’t-miss drama starring",
"title": "Season 3 of Film School Shorts brings viewers a whole new slate of unforgettable films | KQED",
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"headline": "Season 3 of Film School Shorts brings viewers a whole new slate of unforgettable films",
"datePublished": "2015-05-06T16:04:10-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cspan style=\"font-size: medium\">Award-winning, star-studded short films rival the latest multiplex features ... in a fraction of the time.\u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/04/Film-School-Shorts_eblast_2015_cover1.png\">\u003cimg class=\"alignnone wp-image-6167\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/04/Film-School-Shorts_eblast_2015_cover1.png\" alt=\"Main Banner - Film School Shorts\" width=\"540\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Film School Shorts\u003c/strong> is back with ten new episodes featuring some of the best short films from schools around the country. The season kicks off with the BIFA winner and BAFTA-nominated film, \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/the-karman-line/\">\u003cstrong>\u003cem>The Kármán Line\u003c/em>\u003c/strong>\u003c/a>, a can’t-miss drama starring Olivia Colman (\u003cem>Broadchurch, Peep Show, Hot Fuzz\u003c/em>) and Shaun Dooley (\u003cem>The Awakening, Broadchurch, Misfits\u003c/em>).\u003c/p>\n\u003cp>The lineup also includes three Student Academy Award winners (\u003cstrong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/above-the-sea/\">\u003cem>Above the Sea\u003c/em>\u003c/a>\u003c/strong>, \u003cstrong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/un-mundo-para-raul/\">\u003cem>Un Mundo para Raúl\u003c/em>\u003c/a>\u003c/strong> and \u003cstrong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/nani/\">\u003cem>Nani\u003c/em>\u003c/a>\u003c/strong>), while many others have been recognized by major film festivals, including SXSW, Tribeca, Palm Springs ShortFest, Aspen ShortsFest, San Francisco International Film Festival, and many others.\u003c/p>\n\u003cp>\u003cstrong>WEBSITE AND SOCIAL MEDIA\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"padding-left: 30px\">Download the \u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/05/Film-School-Shorts-S03-Social-Media-Toolkit.pdf\" target=\"_blank\">Social Media Toolkit\u003c/a>.\u003cbr>\nWebsite: \u003ca title=\"http://blogs.kqed.org/filmschoolshorts/\" href=\"http://blogs.kqed.org/filmschoolshorts/\" target=\"_blank\">http://blogs.kqed.org/filmschoolshorts/\u003c/a>\u003cbr>\nFacebook: \u003ca title=\"https://www.facebook.com/FilmSchoolShorts\" href=\"https://www.facebook.com/FilmSchoolShorts\" target=\"_blank\">https://www.facebook.com/FilmSchoolShorts\u003c/a>\u003cbr>\nTwitter: \u003ca title=\"https://twitter.com/filmschoolshort\" href=\"https://twitter.com/filmschoolshort\" target=\"_blank\">https://twitter.com/filmschoolshort\u003c/a>\u003cbr>\nYouTube: \u003ca href=\"http://www.youtube.com/subscription_center?add_user=filmschoolshorts%20\">https://www.youtube.com/FilmSchoolShorts \u003c/a>\u003cbr>\nPress Photos: Scroll down to download Hi-Res Photos and Social Media Images.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Film School Shorts\u003c/strong> is a national production of KQED. The series producer is Lisa Landi, and the executive producer is Scott Dwyer. \u003cstrong>Film School Shorts\u003c/strong> is made possible by a grant from Maurice Kanbar and by the members of KQED.\u003c/p>\n\u003cp>\u003cstrong>ABOUT KQED PUBLIC TELEVISION\u003c/strong>\u003cbr>\nKQED Public Television, the PBS affiliate that serves Northern California, is one of the country’s most popular public television stations. It brings the values of public media to homes around the Bay Area with Emmy Award–winning programming that inspires, informs and entertains, including \u003cstrong>\u003cem>Masterpiece Classic: Downton Abbey\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>Masterpiece Mystery: Sherlock Holmes\u003c/em>\u003c/strong>\u003cem>, \u003cstrong>American Masters\u003c/strong>, \u003cstrong>Great Performances\u003c/strong>, \u003cstrong>NOVA\u003c/strong> \u003c/em>and \u003cstrong>\u003cem>Nature\u003c/em>\u003c/strong>. KQED Public Television produces local series like \u003cstrong>\u003cem>Check, Please! Bay Area\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>KQED Newsroom\u003c/em>\u003c/strong>,\u003cstrong>\u003cem>San Francisco Opera\u003c/em>\u003c/strong> and \u003cstrong>\u003cem>ImageMakers\u003c/em>\u003c/strong> as well as popular programs for national broadcast such as \u003cstrong>\u003cem>Essential Pépin\u003c/em>\u003c/strong>, \u003cstrong>\u003cem>QUEST\u003c/em>\u003c/strong> and \u003cstrong>\u003cem>Film School Shorts\u003c/em>\u003c/strong>. For more information, please visit \u003ca href=\"http://www.kqed.org/tv\">kqed.org/tv\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\u003cspan style=\"color: #ff6600\">\u003cspan style=\"font-size: medium\">\u003cstrong>SEASON 3 EPISODE DESCRIPTIONS\u003c/strong>\u003c/span>\u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Episode 301 - \"Final Ascent\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/301_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/301_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/TheKarmanLine_Still.png\">\u003cimg class=\"alignnone wp-image-7179 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/TheKarmanLine_Still-150x150.png\" alt=\"The Kármán Line by Oscar Sharp (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cstrong>THE KÁRMÁN LINE\u003c/strong>\u003c/span>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Olivia Coleman (\u003cstrong>Broadchurch\u003c/strong>, \u003cstrong>The Iron Lady\u003c/strong>, \u003cstrong>Hot Fuzz\u003c/strong>) stars as a mother who is hit by an unusual condition that causes her to lift off the ground at a slow but ever increasing rate. Directed by Oscar Sharp.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 302 - \"Separation Anxiety\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/302_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/302__title_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/OwlAndMouse_Still.jpg\">\u003cimg class=\"alignnone wp-image-7186 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/OwlAndMouse_Still-150x150.jpg\" alt=\"Owl And Mouse by Emma Noble (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cspan style=\"color: #ff6600\">\u003cb>OWL AND MOUSE\u003c/b>\u003c/span>\u003cbr>\n\u003cstrong>\u003cstrong>New York University\u003c/strong>\u003c/strong>\u003cbr>\nIn this wry tale that celebrates the art of stop-motion animation, a curmudgeonly owl must fight his nature when he has to watch over a young mouse for a night. Directed by Emma J. Noble.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SoYouveGrownAttached_Still.jpg\">\u003cimg class=\"alignnone wp-image-7195 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SoYouveGrownAttached_Still-150x150.jpg\" alt=\"So You've Grown Attached by Kate Tsang (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>SO YOU'VE GROWN ATTACHED\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>An imaginary friend is forced to consider retirement when his creator – and best friend – starts to grow up. Directed by Kate Tsang.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SteadfastStanley_Still.jpg\">\u003cimg class=\"alignnone wp-image-7218 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/SteadfastStanley_Still-e1427404007668-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>STEADFAST STANLEY\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>California Institute of the Arts\u003cbr>\n\u003c/strong>A faithful dog must journey through the zombie apocalypse to save his best friend. Directed by John Kim.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/FluffytheFlyingFish_Still.jpg\">\u003cimg class=\"alignnone wp-image-7190 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/FluffytheFlyingFish_Still-150x150.jpg\" alt=\"Fluffy the Flying Fish by Ryan Charmatz (SVA)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>FLUFFY THE FLYING FISH\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>School of Visual Arts\u003cbr>\n\u003c/strong>When they move from Los Angeles to Denver, a family has to decide how to transport their pet goldfish, Fluffy. Directed by Ryan Charmatz.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 303 - \"On the Prowl\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/303_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/303_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/App_Still.jpg\">\u003cimg class=\"alignnone wp-image-7217 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/App_Still-150x150.jpg\" alt=\"App by Alex Berman (AFI)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>APP\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>Desperate to get funding for his groundbreaking new dating app, shy software developer Paul agrees to use the app to seduce a beautiful stranger, but his calculations backfire when he starts to feel a genuine connection. Directed by Alex Berman.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BananaTrip_Still.png\">\u003cimg class=\"alignnone wp-image-7231 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BananaTrip_Still-e1427404229633-150x139.png\" alt=\"\" width=\"150\" height=\"139\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>BANANA TRIP\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Florida State University\u003cbr>\n\u003c/strong>Three South Korean college boys head to Florida for spring break, hoping to hook up with white girls. Directed by Hyungjik Lee.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 304 - \"Where Do We Go From Here?\"\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/304_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/304_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"wp-image-7196 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/11MinMile_Still-e1427402875937-150x148.png\" alt=\"\" width=\"150\" height=\"148\">\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>11-MINUTE MILE\u003cbr>\n\u003c/strong>\u003c/span>\u003c/b>\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>When an arrogant young day-trader is delayed at an airport during the Boston Marathon bombing, the threat of tragedy brings a moment of clarity. Directed by Andrew Wood.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/KeepTheChange_Still.jpg\">\u003cimg class=\"alignnone wp-image-7197 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/KeepTheChange_Still-150x150.jpg\" alt=\"Keep The Change by Rachel Israel (Columbia University)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>KEEP THE CHANGE\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>David has autism, but he prides himself on not being rigid, “like that movie, Rain Man.” He enjoys chasing women, offensive humor and “exclusive clubs,” but he comes to reevaluate “normal” when he meets a new love interest at a support group. Directed by Rachel Israel.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 305 - \"Choices\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/305_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/305_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LateSpring_Still.jpg\">\u003cimg class=\"alignnone wp-image-7200 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LateSpring_Still-e1427403516905-150x140.jpg\" alt=\"\" width=\"150\" height=\"140\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>LATE SPRING\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>During the Libyan Revolution of 2011, a petty clerk at a police station must choose sides when a tortured prisoner asks him for help. Directed by Zachary Kerschberg.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/PagPag_Still.jpg\">\u003cimg class=\"alignnone wp-image-7202 size-thumbnail aligncenter\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/PagPag_Still-e1427403417148-133x150.jpg\" alt=\"\" width=\"133\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>PAGPAG (THE REFUSE)\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University, Tisch Asia\u003cbr>\n\u003c/strong>A hard-drinking, rough-edged woman from an impoverished community in the Philippines tries to sell her orphaned granddaughter to an American couple. Directed by John Paul Su.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 306 - \"Lives in Limbo\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/306_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/306_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BurnToSend_Still.png\">\u003cimg class=\"alignnone wp-image-7203 size-thumbnail aligncenter\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/BurnToSend_Still-e1427403346773-133x150.png\" alt=\"\" width=\"133\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>BURN TO SEND\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>Amidst Saigon’s underground motorcycle racing scene, a young man and woman struggle to define their ambiguous romance. Directed by Andinh Ha.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 307 - \"Playing with Power\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/307_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/307_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/AboveTheSea_Still.jpg\">\u003cimg class=\"alignnone wp-image-7204 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/AboveTheSea_Still-150x150.jpg\" alt=\"Above The Sea by Keola Racela (Columbia University)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>ABOVE THE SEA\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>In the dangerous underworld of 1930s Shanghai, Fei, a young lady of the evening, must decide how far she is willing to go to exact vengeance. Directed by Keola Racela.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Raul_Still.jpg\">\u003cimg class=\"alignnone wp-image-7208 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Raul_Still-150x150.jpg\" alt=\"Un Mundo para Raúl by Mauro Mueller (Columbia University)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>UN MUNDO PARA RAÚL\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>When thirteen-year-old Raúl is asked to entertain the local landowner's son, a treacherous game of power and pride unfolds between the boys. Directed by Mauro Mueller.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 308 - \"Responsible Parties\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/308_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/308_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/DisasterPrep_Still.jpg\">\u003cimg class=\"alignnone wp-image-7209 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/DisasterPrep_Still-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>DISASTER PREPAREDNESS\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>University of California, Los Angeles\u003cbr>\n\u003c/strong>A hurricane pulls a couple out of their comfort zone and drops them at the crossroads of commitment, disaster and the art of being prepared. Directed by Melissa Finell.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Humpty_Still.jpg\">\u003cimg class=\"alignnone wp-image-7232 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Humpty_Still-150x150.jpg\" alt=\"Humpty by Clare Sackler (NYU)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>HUMPTY\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>New York University\u003cbr>\n\u003c/strong>In time to a classic Harry Nilsson soundtrack, slacker Dean decides to revisit an old high school experiment in his quest to prove his parenting abilities to his pregnant girlfriend. Directed by Clare Sackler.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>Episode 309 - \"It's in the Blood\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/309_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/309_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003cimg class=\"wp-image-7210 size-thumbnail aligncenter\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LambingSeason_Still-e1427403866651-139x150.jpg\" alt=\"\" width=\"139\" height=\"150\">\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>LAMBING SEASON\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>Columbia University\u003cbr>\n\u003c/strong>Determined to meet the father who left her before she was born, a woman travels to Ireland, hoping it will help her understand his decision. Directed by Jeannie Donohoe.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Kinetic_Still.jpg\">\u003cimg class=\"alignnone wp-image-7211 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Kinetic_Still-150x150.jpg\" alt=\"A Series of Kinetic Sets Tell a Story by Shannon Kohlitz (University of Michigan)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>A SERIES OF KINETIC SETS TELL A STORY\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>University of Michigan\u003cbr>\n\u003c/strong>Beautifully rendered cardboard sets and characters and a seemingly weightless camera capture an astonishing voyage of immigration, love, and World War II in a single take. Directed by Shannon Kohlitz.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Episode 310 - \"Express Yourself\"\u003cbr>\n\u003c/strong>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/310_1200x1200.png\" target=\"_blank\">Facebook Photo\u003c/a> | \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/files/2015/03/310_1024x512.png\" target=\"_blank\">Twitter Photo\u003c/a>\u003c/p>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Nani_Still.jpg\">\u003cimg class=\"alignnone wp-image-7212 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/Nani_Still-150x150.jpg\" alt=\"Nani by Justin Tipping (AFI)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>NANI\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>American Film Institute\u003cbr>\n\u003c/strong>While doing community service, a young graffiti artist befriends an elderly woman and introduces her to the exhilarating rush of tagging. Directed by Justin Tipping.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003ctable border=\"0\" width=\"100%\" cellspacing=\"5\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"150\">\u003ca href=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LittleFavour_Still.jpg\">\u003cimg class=\"alignnone wp-image-7213 size-thumbnail\" src=\"http://ww2.kqed.org/pressroom/wp-content/uploads/sites/63/2015/03/LittleFavour_Still-150x150.jpg\" alt=\"Little Favour by Yawen Zheng (USC)\" width=\"150\" height=\"150\">\u003c/a>\u003c/td>\n\u003ctd valign=\"top\">\u003cb>\u003cspan style=\"color: #ff6600\">\u003cstrong>LITTLE FAVOUR\u003c/strong>\u003c/span>\u003c/b>\u003cbr>\n\u003cstrong>University of Southern California\u003cbr>\n\u003c/strong>Like poetry in motion, a single leaf morphs from clay to pencil to paper as it blows through a series of imaginative worlds. Directed by Yawen Zheng.\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "New documentary tells the colorful story of how San Francisco became Jews' American Jerusalem",
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"content": "\u003cp>\u003ca href=\"http://blogs.kqed.org/pressroom/files/2014/01/Banner1.jpg\">\u003cimg class=\"alignnone size-medium wp-image-5477\" src=\"http://blogs.kqed.org/pressroom/files/2014/01/Banner1-300x120.jpg\" alt=\"American Jerusalem Banner\" width=\"380\">\u003c/a>\u003c/p>\n\u003cdiv class=\"aside\">\n\u003cp>PUBLICITY PHOTOS[gallery columns=\"1\" ids=\"5480,5481,5482,5483,5484,5485,5486,5487\"]\u003c/p>\n\u003c/div>\n\u003cp>When the Gold Rush hit, San Francisco’s population skyrocketed from \u003cstrong>800 to 36,000 in just four years\u003c/strong>. Gambling houses and debauchery flourished, but so did a diverse climate that leveled the economic and cultural playing field for white immigrants -- like Jews.\u003c/p>\n\u003cp>A city was born, and for the Jews, it was their \u003cstrong>\u003ca href=\"http://www.americanjerusalem.com/\" target=\"_blank\">American Jerusalem\u003c/a>\u003c/strong>.\u003c/p>\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n\u003ctbody>\n\u003ctr>\n\u003ctd width=\"866\">\n\u003cp align=\"center\">\u003cstrong>Murders and robberies occur frequently but \u003c/strong>\u003cstrong>who cares\u003c/strong>\u003cstrong>.\u003c/strong>\u003cbr>\n\u003cstrong>Everybody has his Bowie knife and a revolver\u003c/strong>\u003cbr>\n\u003cstrong>and that is protection enough. \u003c/strong>\u003cbr>\n\u003cem>– Adolph Sutro, 1851\u003c/em>\n\u003c/p>\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp>In Europe, Jews had been barred from becoming farmers or artisans and were forced to work as peddlers and merchants. In San Francisco, these were the very skills that were in demand. Not all dreams of fortune panned out for gold prospectors, but someone had to feed and clothe them.\u003c/p>\n\u003cp>And whereas other cultures headed home once they made their money, Jews were twice as likely to stay and put down roots. By the late 1870s, San Francisco had the second largest Jewish population in America, second only to New York.\u003c/p>\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"809\">\n\u003cp align=\"center\">\u003cstrong>Well, dearie, I’ll believe most anything now.\u003c/strong>\u003cbr>\n\u003cstrong>Thank God for America. Where else could \u003c/strong>\u003cbr>\n\u003cstrong>a poor Jew have had that honor?\u003c/strong>\u003cbr>\n\u003cem>– Florence Prag Kahn, 1900\u003c/em>\u003c/p>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp>Even as fortunes were made, however, Jews struggled within their community and without. When Jewish immigrants couldn’t agree on a liturgy, two competing congregations were formed. At the same time, assimilation into American culture posed a threat to Judaism itself. In the 1860s, a Catholic opera singer was hired for Jewish high holidays, and many Jews celebrated Christmas – right down to a dinner of plump suckling pig.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Because Jews had only recently escaped persecution, they were wary of any threat to their new stature. San Francisco Jews joined in anti-Chinese bigotry and even tried to quell the influx of Yiddish-speaking Eastern European Jews. Drawing on the insight of historians and capturing the era’s splendor with period reenactments and animated graphics, \u003cstrong>American Jerusalem\u003c/strong> explores the heights and plumbs the depths of this moving and untold chapter of history.\u003c/p>\n\u003cp>\u003cstrong>American Jerusalem\u003c/strong> is produced by Actual Films and Switchback Films, presented by KQED and distributed by NETA.\u003c/p>\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"809\">\n\u003cp align=\"center\">\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pressroom/files/2014/01/Banner2.jpg\">\u003cimg src=\"http://blogs.kqed.org/pressroom/files/2014/01/Banner2-300x59.jpg\" alt=\"American Jerusalem Banner 2\" width=\"300\" height=\"59\">\u003c/a>\u003c/strong>\u003c/p>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp>\u003cstrong>Press Kit:\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/pressroom/files/2014/01/American-Jerusalem-press-kit.pdf\" target=\"_blank\">Download here\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Publicity & PR Contact:\u003c/strong>\u003cbr>\nJackie Krentzman\u003cbr>\n\u003ca href=\"mailto:jkrentzman@gmail.com\">jkrentzman@gmail.com\u003c/a>\u003cbr>\n510-524-7499\u003c/p>\n\u003cp>\u003cstrong>Station Relations:\u003c/strong>\u003cbr>\nKatie Koskenmaki\u003cbr>\n\u003ca href=\"mailto:kkoskenmaki@kqed.org\">kkoskenmaki@kqed.org\u003c/a>\u003cbr>\n415-553-2437\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED:\u003c/strong> KQED (\u003ca title=\"blocked::http://www.kqed.org/\" href=\"http://www.kqed.org/\" target=\"_blank\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area) and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5 FM San Francisco); \u003ca title=\"blocked::http://www.kqed.org/\" href=\"http://www.kqed.org/\" target=\"_blank\">kqed.org\u003c/a> and \u003ca title=\"blocked::http://www.kqednews.org/\" href=\"http://www.kqednews.org/\" target=\"_blank\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the most-watched public television stations in the country, is the producer/presenter of national programs such as \u003cstrong>Sound Tracks\u003c/strong>; \u003cstrong>California Forever\u003c/strong>; and \u003cstrong>Essential Pépin\u003c/strong>. KQED Public Radio is the most-listened-to public radio station in the nation and the most popular in the Bay Area. Visit www.kqed.org for more information.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\n\u003cp>When the Gold Rush hit, San Francisco’s population skyrocketed from \u003cstrong>800 to 36,000 in just four years\u003c/strong>. Gambling houses and debauchery flourished, but so did a diverse climate that leveled the economic and cultural playing field for white immigrants -- like Jews.\u003c/p>\n\u003cp>A city was born, and for the Jews, it was their \u003cstrong>\u003ca href=\"http://www.americanjerusalem.com/\" target=\"_blank\">American Jerusalem\u003c/a>\u003c/strong>.\u003c/p>\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n\u003ctbody>\n\u003ctr>\n\u003ctd width=\"866\">\n\u003cp align=\"center\">\u003cstrong>Murders and robberies occur frequently but \u003c/strong>\u003cstrong>who cares\u003c/strong>\u003cstrong>.\u003c/strong>\u003cbr>\n\u003cstrong>Everybody has his Bowie knife and a revolver\u003c/strong>\u003cbr>\n\u003cstrong>and that is protection enough. \u003c/strong>\u003cbr>\n\u003cem>– Adolph Sutro, 1851\u003c/em>\n\u003c/p>\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp>In Europe, Jews had been barred from becoming farmers or artisans and were forced to work as peddlers and merchants. In San Francisco, these were the very skills that were in demand. Not all dreams of fortune panned out for gold prospectors, but someone had to feed and clothe them.\u003c/p>\n\u003cp>And whereas other cultures headed home once they made their money, Jews were twice as likely to stay and put down roots. By the late 1870s, San Francisco had the second largest Jewish population in America, second only to New York.\u003c/p>\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"809\">\n\u003cp align=\"center\">\u003cstrong>Well, dearie, I’ll believe most anything now.\u003c/strong>\u003cbr>\n\u003cstrong>Thank God for America. Where else could \u003c/strong>\u003cbr>\n\u003cstrong>a poor Jew have had that honor?\u003c/strong>\u003cbr>\n\u003cem>– Florence Prag Kahn, 1900\u003c/em>\u003c/p>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp>Even as fortunes were made, however, Jews struggled within their community and without. When Jewish immigrants couldn’t agree on a liturgy, two competing congregations were formed. At the same time, assimilation into American culture posed a threat to Judaism itself. In the 1860s, a Catholic opera singer was hired for Jewish high holidays, and many Jews celebrated Christmas – right down to a dinner of plump suckling pig.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Because Jews had only recently escaped persecution, they were wary of any threat to their new stature. San Francisco Jews joined in anti-Chinese bigotry and even tried to quell the influx of Yiddish-speaking Eastern European Jews. Drawing on the insight of historians and capturing the era’s splendor with period reenactments and animated graphics, \u003cstrong>American Jerusalem\u003c/strong> explores the heights and plumbs the depths of this moving and untold chapter of history.\u003c/p>\n\u003cp>\u003cstrong>American Jerusalem\u003c/strong> is produced by Actual Films and Switchback Films, presented by KQED and distributed by NETA.\u003c/p>\n\u003ctable border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n\u003ctbody>\n\u003ctr>\n\u003ctd valign=\"top\" width=\"809\">\n\u003cp align=\"center\">\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pressroom/files/2014/01/Banner2.jpg\">\u003cimg src=\"http://blogs.kqed.org/pressroom/files/2014/01/Banner2-300x59.jpg\" alt=\"American Jerusalem Banner 2\" width=\"300\" height=\"59\">\u003c/a>\u003c/strong>\u003c/p>\n\u003c/td>\n\u003c/tr>\n\u003c/tbody>\n\u003c/table>\n\u003cp>\u003cstrong>Press Kit:\u003c/strong>\u003cbr>\n\u003ca href=\"http://blogs.kqed.org/pressroom/files/2014/01/American-Jerusalem-press-kit.pdf\" target=\"_blank\">Download here\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Publicity & PR Contact:\u003c/strong>\u003cbr>\nJackie Krentzman\u003cbr>\n\u003ca href=\"mailto:jkrentzman@gmail.com\">jkrentzman@gmail.com\u003c/a>\u003cbr>\n510-524-7499\u003c/p>\n\u003cp>\u003cstrong>Station Relations:\u003c/strong>\u003cbr>\nKatie Koskenmaki\u003cbr>\n\u003ca href=\"mailto:kkoskenmaki@kqed.org\">kkoskenmaki@kqed.org\u003c/a>\u003cbr>\n415-553-2437\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED:\u003c/strong> KQED (\u003ca title=\"blocked::http://www.kqed.org/\" href=\"http://www.kqed.org/\" target=\"_blank\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area) and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5 FM San Francisco); \u003ca title=\"blocked::http://www.kqed.org/\" href=\"http://www.kqed.org/\" target=\"_blank\">kqed.org\u003c/a> and \u003ca title=\"blocked::http://www.kqednews.org/\" href=\"http://www.kqednews.org/\" target=\"_blank\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the most-watched public television stations in the country, is the producer/presenter of national programs such as \u003cstrong>Sound Tracks\u003c/strong>; \u003cstrong>California Forever\u003c/strong>; and \u003cstrong>Essential Pépin\u003c/strong>. KQED Public Radio is the most-listened-to public radio station in the nation and the most popular in the Bay Area. Visit www.kqed.org for more information.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>\u003cspan style=\"font-size: medium\">Mill Valley Film Group teams up with Robert Redford to highlight environmental heroes. \u003c/span>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pressroom/files/2013/07/Banner_Final.png\">\u003cimg class=\"size-full wp-image-1245 \" title=\"Mesopotamian marshes\" src=\"http://blogs.kqed.org/pressroom/files/2013/07/Banner_Final.png\" alt=\"Mesopotamian marshes\" width=\"560\">\u003c/a>\u003c/p>\n\u003cdiv class=\"aside\">PUBLICITY PHOTOS:\u003cbr>\n[gallery columns=\"1\" ids=\"4654,4655,4656,4657,4658,4659,4653,4661,4660\"]\n\u003c/div>\n\u003cp>The New Environmentalists share a common goal – safeguarding the Earth’s natural resources from exploitation and pollution, while fighting for justice in their communities. The film is the latest in the Mill Valley Film Group’s Emmy Award-winning series featuring inspiring portraits of six passionate and dedicated activists. These are true environmental heroes who have placed themselves squarely in harm’s way to battle intimidating adversaries while building strong grassroots support.\u003c/p>\n\u003cp>\u003cstrong>South Africa | \u003c/strong>Jonathan Deal is leading a concerted campaign against fracking that threatens the Karoo, where sparse desert and majestic mountains converge to create an agriculture heartland and flourishing wildlife reserves.\u003c/p>\n\u003cp>\u003cstrong>Iraq | \u003c/strong>The Mesopotamia Marshes had been a vital life force for centuries until Saddam Hussein destroyed them. Azzam Alwash has taken on the challenge of restoring the wetlands to their original splendor.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Italy |\u003c/strong> An elementary school teacher, Roassano Ercolini began a public education campaign about the dangers of incinerators in his Tuscan town that he grew into a national Zero Waste movement that is spreading across Europe.\u003c/p>\n\u003cp>\u003cstrong>Indonesia | \u003c/strong>When marble mining companies began to exploit the sacred mountains of her West Timor homeland, Mama Aleta Baun organized villagers in a peaceful weaving protest that halted the mining.\u003c/p>\n\u003cp>\u003cstrong>United States | \u003c/strong>A mother of three led her Chicago community in a successful campaign to shut down two of the country's oldest and dirtiest coal fired power plants - Kimberly Wasserman is now transforming the sites into parks.\u003c/p>\n\u003cp>\u003cstrong>Colombia | \u003c/strong>Unfazed by powerful political opponents and a pervasive culture of violence, Nohra Padilla organized marginalized waste pickers to make recycling a legitimate part of Bogota's waste management system.\u003c/p>\n\u003cp>Narrated by Robert Redford, \u003cem>\u003cstrong>The New\u003c/strong>\u003cstrong> Environmentalists\u003c/strong>\u003c/em> illustrates how ordinary people are affecting extraordinary change.\u003c/p>\n\u003cp>\u003cstrong>Contacts: \u003c/strong>\u003c/p>\n\u003cp>Will Parrinello, 415-225-3910, willmvfg@gmail.com\u003cbr>\nJohn Antonelli, 415-225-3909, mvfg@aol.com\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003c/p>\n\u003cp>KQED (\u003ca href=\"http://www.kqed.org\" target=\"_blank\">kqed.org\u003c/a>) has served Northern California for more than 50 years and is affiliated with NPR and PBS. KQED owns and operates public television stations KQED 9 (San Francisco/Bay Area), KQED Plus (San Jose/Bay Area) and KQET 25 (Watsonville/Monterey); KQED Public Radio (88.5 FM San Francisco); \u003ca href=\"http://www.kqed.org\" target=\"_blank\">kqed.org\u003c/a> and \u003ca href=\"http://www.kqednews.org\" target=\"_blank\">KQEDnews.org\u003c/a>; and KQED Education. KQED Public Television, one of the most-watched public television stations in the country, is the producer/presenter of national series such as \u003cstrong>Sound Tracks\u003c/strong>; \u003cstrong>California State of Mind\u003c/strong>; and \u003cstrong>Essential Pépin\u003c/strong>. KQED Public Radio is the most-listened-to public radio station in the nation and the most popular in the Bay Area. Visit www.kqed.org for more information.\u003c/p>\n\u003cp>\u003cstrong>About NETA\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The National Educational Telecommunications Association (NETA, netaonline.org) is a professional association that serves public television and education by providing quality programming, educational resources, professional development, management support, and national representation. NETA distributes over 2,000 hours of programming each year to public television stations in all 50 states, Puerto Rico and the Virgin Islands.\u003c/p>\n\n",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
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