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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>NASA launched Voyager 1, humanity’s first interstellar traveler, from Cape Canaveral on September 5, 1977. Monday marks the 45th anniversary of this momentous event.\u003c/p>\n\u003cp>Voyager’s original mission was to photograph Jupiter and Saturn, a 5-year assignment; but the unstoppable spacecraft continued to zip around the solar system and beyond, communicating with NASA and sending back data.\u003c/p>\n\u003cp>Voyager 1 crossed beyond the heliosphere into interstellar space in 2012. Not long after, it detected something and sent it back. A whistle. And then it picked up another one.\u003c/p>\n\u003cp>In this episode of KQED’s Audible Cosmos, we explore what Voyager encountered in that space between stars, and what else it might find on its journey.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://voyager.jpl.nasa.gov/mission/status/\">See how far away both Voyager 1 and Voyager 2 are right now\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://www.youtube.com/watch?v=LIAZWb9_si4&ab_channel=NASAJetPropulsionLaboratory\">Hear the original sound picked up by Voyager 1\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>Audible Cosmos is produced and reported by Amanda Font and Lowell Robinson, with original scoring by Lowell Robinson. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Human or Machine: Why Do We Want Robots to Sound Like Us?",
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"content": "\u003cp>Machines that talk have existed in our lives for years.\u003c/p>\n\u003cp>In 1939, Bell Laboratories changed everything by unveiling The Voder, the first electronic vocal synthesizer.\u003c/p>\n\u003cp>Featured at the New York and San Francisco World’s Fair, it was played using 10 keys, a foot pedal and a bar controlled by the operator’s wrist. The demonstration marked the first time the world heard what a modern machine voice could sound like.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://omny.fm/shows/kqed-now/voder-voice-sample/embed?image=1&share=0&download=1&description=0&follow=0&foreground=6d4d8f&background=f5f5f5&highlight=e51e40\" width=\"100%\" height=\"180\" frameborder=\"0\" title=\"THE VODER: World Fair 1939\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Today, most of us find ourselves surrounded by many machines that talk (Alexa, Siri, Google Assistant, to name a few) and they increasingly sound a lot like us. With advances in artificial intelligence (AI), it’s getting harder to distinguish these synthetic voices from human ones.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So why do we even want robots to sound like us in the first place, and what makes machine voices still sound robotic (albeit decreasingly so)? KQED explored these questions in a two-part project: \u003cstrong>\u003ca href=\"https://www.npr.org/2022/01/17/1073031858/artificial-intelligence-voice-cloning\">“Send in the clones: Using artificial intelligence to digitally replicate human voices”\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11907142\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11907142\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b.jpg\" alt=\"A woman wearing earbuds listens as a man next to her sits in front of a laptop.\" width=\"1600\" height=\"899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-1536x863.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Reporter Chloe Veltman, right, reacts to hearing her digital voice double, “Chloney,” for the first time, presented by Mark Seligman, chief linguist at the San José company Speech Morphing. \u003ccite>(Courtesy of Speech Morphing)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chloe, meet “Chloney”. Follow KQED reporter Chloe Veltman’s journey to get her own voice cloned by a San José-based natural language speech synthesis company called \u003ca href=\"https://speechmorphing.com\">Speech Morphing\u003c/a>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://omny.fm/shows/kqed-now/send-in-the-clone/embed?image=1&share=0&download=1&description=0&follow=0&foreground=6d4d8f&background=f5f5f5&highlight=e51e40\" width=\"100%\" height=\"180\" frameborder=\"0\" title=\"Send In The Clones\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>\u003cstrong>‘Human or Machine’\u003c/strong>\u003c/h2>\n\u003cp>Put your own ears to the test. See if you can tell the difference between human and machine voices in “Human or Machine,” our interactive voice game for Alexa and Google Assistant. The game, which sounds deceptively simple, was created by Lowell Robinson, KQED’s Voice and AI senior producer.\u003c/p>\n\u003cfigure id=\"attachment_11904775\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11904775\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut.jpg\" alt=\"An Amazon Alexa device shows the KQED Human or Machine home screen.\" width=\"1200\" height=\"670\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut-800x447.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut-1020x570.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut-160x89.jpg 160w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Human or Machine is a new interactive voice game from KQED. \u003ccite>(Lowell Robinson/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.amazon.com/dp/B09SR98HY6/ref=sr_1_2?crid=3EMSP8FWBBW2E&keywords=human+or+machine+skill&qid=1645135456&sprefix=human+or+machine+skill%2Caps%2C121&sr=8-2\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11864338 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/amazon-alexa-160x76-1.png\" alt=\"Amazon Alexa\" width=\"160\" height=\"76\">\u003c/a> To play Human or Machine on Alexa, say “\u003cstrong>Alexa, open Human or Machine\u003c/strong>.” You can also find it here on \u003ca href=\"https://www.amazon.com/dp/B09SR98HY6/ref=sr_1_2?crid=3EMSP8FWBBW2E&keywords=human+or+machine+skill&qid=1645135456&sprefix=human+or+machine+skill%2Caps%2C121&sr=8-2\">Amazon\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://assistant.google.com/services/a/uid/00000087cc689821?hl=en\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11799864 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-160x154.png\" alt=\"works with the Google Assistant\" width=\"160\" height=\"154\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-160x154.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-800x770.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-1020x982.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858.png 1079w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a> To play on Google Assistant, say “\u003cstrong>Hey Google, talk to Human or Machine\u003c/strong>” You can also find in here the \u003ca href=\"https://assistant.google.com/services/a/uid/00000087cc689821?hl=en\">Actions Directory\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Machines that talk have existed in our lives for years.\u003c/p>\n\u003cp>In 1939, Bell Laboratories changed everything by unveiling The Voder, the first electronic vocal synthesizer.\u003c/p>\n\u003cp>Featured at the New York and San Francisco World’s Fair, it was played using 10 keys, a foot pedal and a bar controlled by the operator’s wrist. The demonstration marked the first time the world heard what a modern machine voice could sound like.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://omny.fm/shows/kqed-now/voder-voice-sample/embed?image=1&share=0&download=1&description=0&follow=0&foreground=6d4d8f&background=f5f5f5&highlight=e51e40\" width=\"100%\" height=\"180\" frameborder=\"0\" title=\"THE VODER: World Fair 1939\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Today, most of us find ourselves surrounded by many machines that talk (Alexa, Siri, Google Assistant, to name a few) and they increasingly sound a lot like us. With advances in artificial intelligence (AI), it’s getting harder to distinguish these synthetic voices from human ones.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So why do we even want robots to sound like us in the first place, and what makes machine voices still sound robotic (albeit decreasingly so)? KQED explored these questions in a two-part project: \u003cstrong>\u003ca href=\"https://www.npr.org/2022/01/17/1073031858/artificial-intelligence-voice-cloning\">“Send in the clones: Using artificial intelligence to digitally replicate human voices”\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11907142\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11907142\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b.jpg\" alt=\"A woman wearing earbuds listens as a man next to her sits in front of a laptop.\" width=\"1600\" height=\"899\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/03/mark-seligman-and-chloe-veltman-chloney-demo-credit-speech-morphing_wide-ab300712e47dd0f417ef7cd185b-1536x863.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Reporter Chloe Veltman, right, reacts to hearing her digital voice double, “Chloney,” for the first time, presented by Mark Seligman, chief linguist at the San José company Speech Morphing. \u003ccite>(Courtesy of Speech Morphing)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chloe, meet “Chloney”. Follow KQED reporter Chloe Veltman’s journey to get her own voice cloned by a San José-based natural language speech synthesis company called \u003ca href=\"https://speechmorphing.com\">Speech Morphing\u003c/a>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://omny.fm/shows/kqed-now/send-in-the-clone/embed?image=1&share=0&download=1&description=0&follow=0&foreground=6d4d8f&background=f5f5f5&highlight=e51e40\" width=\"100%\" height=\"180\" frameborder=\"0\" title=\"Send In The Clones\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2>\u003cstrong>‘Human or Machine’\u003c/strong>\u003c/h2>\n\u003cp>Put your own ears to the test. See if you can tell the difference between human and machine voices in “Human or Machine,” our interactive voice game for Alexa and Google Assistant. The game, which sounds deceptively simple, was created by Lowell Robinson, KQED’s Voice and AI senior producer.\u003c/p>\n\u003cfigure id=\"attachment_11904775\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11904775\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut.jpg\" alt=\"An Amazon Alexa device shows the KQED Human or Machine home screen.\" width=\"1200\" height=\"670\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut-800x447.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut-1020x570.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/02/RS53689_humanOrMachineTable_v2-qut-160x89.jpg 160w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Human or Machine is a new interactive voice game from KQED. \u003ccite>(Lowell Robinson/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.amazon.com/dp/B09SR98HY6/ref=sr_1_2?crid=3EMSP8FWBBW2E&keywords=human+or+machine+skill&qid=1645135456&sprefix=human+or+machine+skill%2Caps%2C121&sr=8-2\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11864338 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2021/03/amazon-alexa-160x76-1.png\" alt=\"Amazon Alexa\" width=\"160\" height=\"76\">\u003c/a> To play Human or Machine on Alexa, say “\u003cstrong>Alexa, open Human or Machine\u003c/strong>.” You can also find it here on \u003ca href=\"https://www.amazon.com/dp/B09SR98HY6/ref=sr_1_2?crid=3EMSP8FWBBW2E&keywords=human+or+machine+skill&qid=1645135456&sprefix=human+or+machine+skill%2Caps%2C121&sr=8-2\">Amazon\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://assistant.google.com/services/a/uid/00000087cc689821?hl=en\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-11799864 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-160x154.png\" alt=\"works with the Google Assistant\" width=\"160\" height=\"154\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-160x154.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-800x770.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858-1020x982.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2020/02/XPM_BADGING_GoogleAssistant_VER-e1580774322858.png 1079w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/a> To play on Google Assistant, say “\u003cstrong>Hey Google, talk to Human or Machine\u003c/strong>” You can also find in here the \u003ca href=\"https://assistant.google.com/services/a/uid/00000087cc689821?hl=en\">Actions Directory\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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